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Speaker 1: So it's me and Jack carolac what and uh Ashley

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Speaker 1: Benson is there, and we're in a church and we're

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Speaker 1: just disrespecting everything, and uh.

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Speaker 2: We're coming giving.

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Speaker 1: The finger with all those to all those crazy windows,

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Speaker 1: which by the way, you can't even see out them.

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Speaker 3: I'm sorry, what's the point of this window? You know

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Speaker 3: what I mean?

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Speaker 1: Like, there's this great natural light you could be getting,

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Speaker 1: and instead I'm looking at what.

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Speaker 2: A guy hmm, sometimes like a sheep.

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Speaker 3: Oh yes, yes, So I'm pissed.

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Speaker 2: And we're coming up with these like insane limericks in

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Speaker 2: church in church, and they're filthy as all get out.

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Speaker 2: Hayes okay.

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Speaker 3: And the way we'll do it is like, and you

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Speaker 3: can do it to me if you want, I can

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Speaker 3: take it.

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Speaker 1: But you come up with like a first line that's

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Speaker 1: kind of maybe even hard to rhyme with, and you

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Speaker 1: just stick it to the other person.

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Speaker 2: You go finish it up, finish it up, okay. So

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Speaker 2: it's not it's more like against the other person you're with. Oh,

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Speaker 2: you're sticking them. You're sticking them, and they have to

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Speaker 2: finish it. They have to finish it, okay, or else

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Speaker 2: they freaking get thrown in the they get baptized. Wow. Yeah,

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Speaker 2: it's insane.

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Speaker 3: And the priest, by the way, don't do that.

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Speaker 2: Oh he doesn't want it, but with a little smirk like, Okay,

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Speaker 2: I don't have this much fun in a while. Okay,

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Speaker 2: what's an example of that of a like a opening

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Speaker 2: line to a limerick?

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Speaker 1: Yeah, it'll be like, uh, let me come up with

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Speaker 1: a really hard one. I knew a man named Bartholome.

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Speaker 2: You okay, it seems like a little short of the meter.

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Speaker 4: Hmm.

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Speaker 2: It just normally it's like they're a little longer.

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Speaker 3: I'm sorry. Was this your game?

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Speaker 2: By all means?

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Speaker 3: If you know all the rules and it's your game,

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Speaker 3: then why don't you give me one?

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Speaker 2: Okay? And so now I have to follow up on that.

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Speaker 2: Uh he was he discovered a Pokemon hollow mew, which

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Speaker 2: is a holographic mew.

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Speaker 3: Yeah, card m h Hey, but make it dirty.

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Speaker 2: Okay. You didn't say I had to do that, dude,

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Speaker 2: pat Did I say that?

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Speaker 5: Well, you said that, but I assumed and maybe, uh

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Speaker 5: maybe you assumed as well that you don't you save

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Speaker 5: the dirty line.

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Speaker 3: For the right like the hammer exactly. You you gig

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Speaker 3: him along, you give them a boom.

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Speaker 2: Sneaks up on dude, drop it. That's why this dude's

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Speaker 2: the master man. You gotta fucking hit him with the

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Speaker 2: hammer at the end. So, actually, the Pokemon idea is

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Speaker 2: good because it's for kids, and you're sort of it's

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Speaker 2: gentle and you're going, oh, what a nice thing.

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Speaker 3: I'll show my kid this limerick.

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Speaker 5: Or you're thinking, because again we're only two lines into

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Speaker 5: this thing. Yeah, so what think of the listener? Oh,

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Speaker 5: I got Bartholomey. That's a fun name, Pokemon card.

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Speaker 2: Come on, I have a dirty, nasty last line, but

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Speaker 2: I have.

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Speaker 5: The next two that that it's a different rhyming thing.

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Speaker 2: Yeah, give me two in between, two in between.

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Speaker 1: So yeah, so the holographic met okay, uh and they

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Speaker 1: and so these ones should be innocent. Yeah, he ate

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Speaker 1: pizza pie got some on his thigh.

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Speaker 2: And his punishment was to swallow goo. Oh no, guys,

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Speaker 2: it's sick.

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Speaker 4: It is sick.

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Speaker 5: But again then your problem way, you're way short on syllables.

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Speaker 3: That last line.

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Speaker 1: Though, well, I don't he's got a swallow goo. Yeah,

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Speaker 1: his punishment was to swallow, was to swallow. Can I

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Speaker 1: say if I know?

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Speaker 5: Okay, I stand correct, and it's in that I am.

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Speaker 1: If I knew that's where it was going, I probably

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Speaker 1: wouldn't have had him eating something in the previous line.

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Speaker 3: Oh you know what I mean, because like he was

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Speaker 3: eating pizza.

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Speaker 1: And then his punishment was to swallow good. I had

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Speaker 1: almost rounded that he got in trouble for something else.

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Speaker 5: Or is that worse if you're you're you're you're halfway

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Speaker 5: through a delicious pizza. Put that down over here to

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Speaker 5: swallow good and you don't have enough time now to

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Speaker 5: the stuff that gets on his thigh, like you normally

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Speaker 5: I need some baking soda, some club soda, and not.

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Speaker 5: Now that's just going to be a permanent stain and just.

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Speaker 2: Pans are ruined. Should we have paton beyond the podcast?

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Speaker 3: Do you want to have well?

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Speaker 2: Because like he was just gonna kind of sit and watch.

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Speaker 2: But does she be the guest? Oh?

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Speaker 3: Yeah, it was just we've gotten in the argument.

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Speaker 5: Yeah, I'll start my mic is come up to the

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Speaker 5: mic a little bit. Now I may as well be

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Speaker 5: on the podcast, because now I was on it's stay

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Speaker 5: on it.

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Speaker 3: Yeah you do you want to do it?

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Speaker 2: I thought that was great.

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Speaker 1: You've watched so many episodes now and you always say

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Speaker 1: I don't want to be a part of it.

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Speaker 3: I don't even mention you were really good most for

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Speaker 3: listeners of the show.

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Speaker 5: I don't think you guys have ever talked about this

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Speaker 5: lease thirty episodes. I've just been watching, just sitting here watching.

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Speaker 5: It's just a really fun it's a fun podcast to

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Speaker 5: get to watch, get recorded. Yeah, and it's a really

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Speaker 5: fun thing to do.

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Speaker 2: There's a huge visual element that people don't really understand,

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Speaker 2: and it's a workout for the view were as well.

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Speaker 5: I've noticed, oh yeah, I mean just the laughter itself,

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Speaker 5: the lower abstriations that I'm getting now, Oh yeah, really good,

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Speaker 5: so really hers shredding that sort of bottom part.

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Speaker 2: Hey, welcome to Hollywood Handbook and Insider's Guide to kicking

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Speaker 2: button dropping names in the red carpet lineback hallway. So

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Speaker 2: the industry we call show bez. Welcome to Patton Oswalt.

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Speaker 2: We're so excited for you to have to be a

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Speaker 2: real guest.

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Speaker 5: Wow, I'm again, I'm excited to now I'm oh my god,

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Speaker 5: I met the mic.

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Speaker 2: Yes, what I've been watching so long and we can

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Speaker 2: ask you questions and stuff. But you've always been very

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Speaker 2: weird about not wanting while you're just sitting here.

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Speaker 3: To ask me anything.

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Speaker 5: I mean, I can't, you know, although now I will say,

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Speaker 5: I'm thinking of all the times I've watched people on

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Speaker 5: the show going, oh, why didn't Paul left could have

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Speaker 5: gone there with that? Or why didn't you know cool

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Speaker 5: ops say this? Or oh melaniey you miss that one.

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Speaker 2: Yeah.

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Speaker 5: Now I'm gonna be the guy missing.

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Speaker 2: And we didn't release the Mallennione no, because he missed

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Speaker 2: so many really really missed that one. Yeah, but you're

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Speaker 2: conducting it like an orchestra.

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Speaker 5: But just like you know what this is like, I

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Speaker 5: bet this like watching jeopard and you're like, oh, the

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Speaker 5: finger lekes come on. But I bet when you're up there,

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Speaker 5: when you're actually on the show, Yeah.

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Speaker 2: I don't know.

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Speaker 3: I've been amlinks.

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Speaker 2: Yeah exactly, no, but it is. Yeah, that's what happened

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Speaker 2: to question for uh hmm, let me think of a

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Speaker 2: good one. Uh, do you have one? Yeah, I'll ask one. Okay, Great.

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Speaker 2: It was Ratitude friends was a great mass detective.

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Speaker 5: Uh rat you know what that. I don't know if

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Speaker 5: there was a connection there. We were just basically focused

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Speaker 5: on the rat was cooking. And also I don't know

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Speaker 5: mention if they're friends, they don't mention it. I wouldn't

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Speaker 5: be surprised. Maybe maybe I should go to the I

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Speaker 5: M D be IMD.

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Speaker 2: Friend the friends tab. You don't even do the trivia one.

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Speaker 2: If you hit friends next to the character, yes, it shows.

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Speaker 2: It shows what other characters that character is friends with.

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Speaker 3: Hang on, let's do that right way, man.

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Speaker 5: Let's oh my god, there is a friend's tab that's

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Speaker 5: I've never hang on. Okay, Remy, let's see that's okay,

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Speaker 5: Jake get Us from Chinatown.

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Speaker 3: I don't see how that's possible.

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Speaker 2: Well, he has a heart of gold. Honestly, it seems

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Speaker 2: very gruff on the outside.

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Speaker 3: I guess, but that's a string. He's trying to do

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Speaker 3: something nice.

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Speaker 5: Richard Richard Gears character from Red Circle. That was a

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Speaker 5: movie about a trial in China.

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Speaker 2: Wasn't it that sounds in the title, sounds seems like

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Speaker 2: era gotta be I guess.

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Speaker 5: Yeah, hang on, main kid from Last star Fighter. That's

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Speaker 5: strange how they were friends. Is he friends with anyone

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Speaker 5: who is a rodent or is from France?

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Speaker 2: I was thinking yes, maybe Stuart.

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Speaker 5: Little or no, none, none of that. No, there's no

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Speaker 5: there's no Templeton the rat. There's no Ben or Willard.

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Speaker 3: That is weird.

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Speaker 2: He was friends with so many rats.

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Speaker 3: Yeah, but.

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Speaker 1: You know, there's there's kind of two kinds of people

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Speaker 1: who uh make friends in Hollywood, right, And there's ones

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Speaker 1: who have real friends ends and then as they ascend

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Speaker 1: to the next wrong.

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Speaker 3: They reach down and bring their friends up.

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Speaker 1: And then there's ones who when they get to the

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Speaker 1: next rung, they're reaching up and grabbing the feet of

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Speaker 1: and they Richard Gear from Red, Sir.

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Speaker 2: They slam that door closed, the hatch.

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Speaker 5: This is actually, now that I think about it, Remy

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Speaker 5: basically hangs.

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Speaker 3: Out with humans.

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Speaker 5: So maybe there's a thing they don't explore, like I

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Speaker 5: think maybe one of those like self.

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Speaker 3: Yeah that sounds right.

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Speaker 2: Yeah boy, what a complicated character you portrayed.

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Speaker 5: Well, I didn't know he was that complicated. I thought

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Speaker 5: I was just trying to make a nice play of food, right,

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Speaker 5: and now he is, well, thanks but for who?

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Speaker 2: Right? Who was the nice food?

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Speaker 3: Exactly? All the fancy Yeah.

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Speaker 2: My gosh, right, thanks might have been Japanese. Thanks for

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Speaker 2: now they think about it.

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Speaker 5: Could have been he might have been because it might.

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Speaker 2: Have noticed their favorite picture in Japan is of that

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Speaker 2: is of a red circle. There's a picture they hang

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Speaker 2: up everywhere.

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Speaker 5: Yeah, it's a picture, and that's a that must be

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Speaker 5: an important picture because a lot of times it's not

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Speaker 5: even on paper, it's on like cloth cloth. Yeah, so

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Speaker 5: that means like that's an extra and it's too high

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Speaker 5: for anyone to because they don't want anyone messing around

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Speaker 5: with it. Yeah, they'll put it up like they'll they'll

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Speaker 5: put they'll find a very long stick, put that in

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Speaker 5: the ground.

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Speaker 3: But where does the picture go?

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Speaker 5: Way, sound like you've been there. No, you pointed it out.

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Speaker 5: I just realized they do that a lot. Okay, yeah,

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Speaker 5: they do that a lot. I you know, never been, No,

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Speaker 5: never been. I know, I know so much about Japan,

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Speaker 5: and yet I've never been there or really have any

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Speaker 5: Japanese friends.

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Speaker 3: But yeah, sushi, you like sushi? Had some sushi?

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Speaker 5: Every bite, every bite is the history of Japan, Isn't it?

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Speaker 5: Like you buy a fault. I think if you get

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Speaker 5: more than if you if you if you purchase more

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Speaker 5: than fifteen dollars at a sushi restaurant, you are allowed

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Speaker 5: to pontificate.

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Speaker 3: You become a become a historian.

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Speaker 1: Well, every yes, yes, every fish tells the story of

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Speaker 1: the country, and and it tells it inside your mouth.

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Speaker 5: Yeah, and then yes, it tells it just to your mouth,

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Speaker 5: and then you have to tell it to other people.

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Speaker 5: You have to lecture other people about it.

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Speaker 2: It's interesting. I wonder if you're on the set of

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Speaker 2: Ratituy right speaking about this in your inebitable way, and

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Speaker 2: they're listening to this and thinking, oh, maybe we do well.

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Speaker 2: Fish tell the story of an entire country Australia. It's

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Speaker 2: freaking nemo movie.

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Speaker 5: Okay, that's a great that's a great. Problem is there

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Speaker 5: was no actual set on Ratatue. That was all I

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Speaker 5: talked to a microphone and they drew the set later.

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Speaker 5: I mean you could technically say there was a set,

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Speaker 5: but there was never any people on it, and someone

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Speaker 5: else drew the set.

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Speaker 2: Okay, and now making me feel like you didn't see

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Speaker 2: the movie, which is in.

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Speaker 3: I don't see a lot of my movie.

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Speaker 2: Has a kitchen. There's a kitchen.

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Speaker 3: Oh my god, just bought some pants.

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Speaker 2: There's a sewer. I think I remember a dumpster part.

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Speaker 5: See that's you know what I said? The names of

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Speaker 5: so many cheeses when I was recording the voiceover but.

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Speaker 2: That's I bet.

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Speaker 5: That's why I feel like I've seen the movie and

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Speaker 5: now that you've mentioned this, that there's a I don't

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Speaker 5: think I saw.

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Speaker 2: You didn't see it. Yeah, And when you're saying cheese,

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Speaker 2: is you have to kind of do it with your

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Speaker 2: eyes closed?

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Speaker 3: Yes, the really gotta.

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Speaker 5: You've got to pay that on the plate. You got

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Speaker 5: to see the color of the plate that it's on.

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Speaker 5: This is all acting, so I don't want to make

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Speaker 5: this in like an acting lecture. That's okay, really quick,

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Speaker 5: okay when you talk when you say cheese and a

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Speaker 5: screenplay as an actor.

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Speaker 2: This is getting long you Okay, sorry, no, I say

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Speaker 2: one cheese, Say one cheese?

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Speaker 5: Okay, Mimeo lay So patten, would you is this true?

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Speaker 5: Because I've been reading a little bit. I've been reading a.

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Speaker 3: Little bit about this.

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Speaker 5: Would you say it's true that cheese is bay Well,

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Speaker 5: I mean, I think it depends on the cheese. If

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Speaker 5: it's a limb bager, then.

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Speaker 3: Yeah, wow jesus.

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Speaker 5: But if it's just you know, if it's like Guda,

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Speaker 5: Guda is not Bet is not bab Okay, all right, Like, okay,

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Speaker 5: what what's the most popular cheese you can buy in

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Speaker 5: the grocery store baby, baby Bell.

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Speaker 2: Babe, you were asking baby oh, no, I was it was.

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Speaker 3: I was setting it up, but you answered it.

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Speaker 2: Yeah, it was a real question. But I didn't realize you.

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Speaker 5: If I had that moment like to land the oh

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Speaker 5: Babell and then you guys were supposed to go oh

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Speaker 5: but yeah, but that's fine.

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Speaker 2: No, here put this in Okay, Sam, are you there

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Speaker 2: so far down? And I'm just me reacting to Patten.

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Speaker 2: This is Hayes reacting to Patten baby Bell joke.

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Speaker 5: Okay, that wasn't a joke. I was trying to give

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Speaker 5: you a fact.

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Speaker 2: Okay, delete that one. Hayes reacting to Patten fact cheese

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Speaker 2: baby Bell.

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Speaker 5: Okay, yeah what okay, but I didn't say the baby

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Speaker 5: You got it, Sam? Okay, really quick, open a new file.

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Speaker 5: Paton dropping Babybell knowledge, but put this before him saying

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Speaker 5: what all right?

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Speaker 2: Okay, go ahead, okay.

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Speaker 5: What's the most popular cheese you can buy in the store,

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Speaker 5: baby bit?

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Speaker 2: Okay, I got it.

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Speaker 3: I knew because you I know.

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Speaker 2: But that we're one more time. Third file.

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Speaker 5: I'm gonna say neither of you say anything, okay, and

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Speaker 5: then you'll put his woe after what I'm about to say, sure, okay,

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Speaker 5: what is the most popular cheese you can buy in

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Speaker 5: the supermarket?

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Speaker 2: Oh?

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Speaker 3: I forgot that you what was the name of the cheese?

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Speaker 3: Am I all? Because I've been told not to say,

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Speaker 3: Oh God.

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Speaker 5: Well I am I blanking? I just said it twice.

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Speaker 5: Let me go one more time?

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Speaker 3: Is it? Just say it really quick? Baby baby Bell?

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Speaker 5: Okay, I'm gonna do it ready, And what is the

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Speaker 5: most popular cheese you can buy in the.

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Speaker 3: Supermar might be craft single to be if you.

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Speaker 1: Really because actually, because it might be if you really

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Speaker 1: look and it's more ge than one and it's in

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Speaker 1: a pile?

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Speaker 3: Would would baby Bell be the answer?

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Speaker 2: In ninety ninety one, Yeah, but it's twenty.

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Speaker 3: Well that was when it was really jumping off.

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Speaker 5: Do you have any King of Queen's Questions or anything

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Speaker 5: like that?

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Speaker 2: Uh? Yeah? What was that show? Uh?

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Speaker 6: That seemed crazy to meet.

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Speaker 3: All the time I turn on, I'd be like, what

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Speaker 3: is happening?

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Speaker 5: This is a show?

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Speaker 2: The guy's crazy, he's on his wide A couple of

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Speaker 2: them are.

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Speaker 5: Yes, everybody was a little kooky on that show.

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Speaker 3: No, I'll tell you what. Some of the way they're behaving.

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Speaker 3: I didn't. I did not relate to that. Yeah, it's

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Speaker 3: a little well.

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Speaker 5: I mean that's why I said, do you do you

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Speaker 5: relate to a lot of sitcoms? Are the sitcoms you like?

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Speaker 5: Or does it kind of like because it's if you don't,

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Speaker 5: that seems like a form you would not respond well to.

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Speaker 1: Uh hashtag FWBL friends with Better Lives.

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Speaker 3: I remember watching that and being like, Okay, this.

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Speaker 1: Is me and miamis really Yeah, Okay, I related to

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Speaker 1: Vanderbeek and I related to.

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Speaker 2: Yes, James Vanderbeek's character. Yes, the actor and the character.

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Speaker 2: Oh okay, yeah both.

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Speaker 1: I could imagine being him on the set because I

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Speaker 1: do work in the industry.

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Speaker 2: Yeah, And I also could imagine being.

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Speaker 1: Him in the show because I do have some friends

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Speaker 1: with some better lives, Or at least that's how it seems.

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Speaker 5: If you refer to a character as the name of

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Speaker 5: the actor, or if you refer to the charac or

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Speaker 5: by the character name, does it mean that the guy

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Speaker 5: was a better actor that you can only remember his name,

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Speaker 5: or does it mean he was a worse actor because

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Speaker 5: he didn't embody that character so that you remember the

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Speaker 5: character's name.

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Speaker 2: Well? Whoa interesting in this case because Vanderbeek like in, uh,

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Speaker 2: don't trust a bee? Right is playing?

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Speaker 3: And so then and what's weird?

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Speaker 2: Was I question?

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Speaker 5: Remember that he was doing that? So what does that say?

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Speaker 2: Right? Whoa? It says that you don't I guess know

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Speaker 2: that much.

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Speaker 3: But you But do you know him mainly as Mox?

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Speaker 3: Who's Mox Mox?

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Speaker 1: And he was the quarterback in varsity blues who was

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Speaker 1: geting freaking Kurt Vonnegut on the bench.

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Speaker 5: Oh my gosh, no, I that I do not know.

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Speaker 5: But he that must have made an impression on you,

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Speaker 5: because look what you just did. Not only did you

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Speaker 5: say Mox and you used his nickname. So that right there, well,

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Speaker 5: but that is a that's a testament to Vanderbeek's acting.

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Speaker 2: Not a van A good guy, I guess, either the

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Speaker 2: gesture of the universe. Oh I was a huge Vona

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Speaker 2: good guy holding up a freaking circus mirror to outer space.

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Speaker 5: Well it was more of a funhouse mirror. Circus mirrors.

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Speaker 5: I think a circus mirror itself is just a normal mirror.

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Speaker 5: That it's the funhouse mirror that are weird circus mirrors makeup.

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Speaker 2: They got a clown in it.

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Speaker 5: Yeah, I know, But he but he's not the mirror

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Speaker 5: itself is at warp, because then he'd mess up his makeup.

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00:18:29,400 --> 00:18:31,359
Speaker 5: A circus mirror is not a funhouse Mariar. Those are

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Speaker 5: two different things, actually.

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Speaker 2: But I think clowns actually do is they use a

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Speaker 2: circus mirror and they say, okay, I when I'm putting

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Speaker 2: on my makeup so I can look like a normal guy,

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Speaker 2: But then it comes out like a freezing clowns. Yes,

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Speaker 2: you think that that. The carnival mirror is how clowns

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00:18:49,359 --> 00:18:51,800
Speaker 2: look the way, so carnival mirror is a little different

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Speaker 2: as well. A circus mirror and a carnival mirror are

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Speaker 2: not necessarily the same thing.

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Speaker 5: But a funhouse mirror is not either of those. No, no, no, well, okay,

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00:19:01,920 --> 00:19:04,480
Speaker 5: wait a second. Let me then, if a clown put

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Speaker 5: on makeup in a normal mirror, would he not look clownish?

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00:19:07,520 --> 00:19:10,000
Speaker 5: Would it just look like very nice makeup you're saying,

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Speaker 5: if he wasn't using a funhouse or carnival mirror.

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Speaker 2: I honestly think all makeup is for clowns, and I

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Speaker 2: prefer natural natural limits.

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Speaker 1: Well, I think I actually think that all mirrors in

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Speaker 1: any house is a funhouse mirror.

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Speaker 2: If I'm there. Did you read them? Yours for life?

400
00:19:31,160 --> 00:19:31,640
Speaker 3: You know what?

401
00:19:31,720 --> 00:19:37,920
Speaker 5: I could not get up my I'm needing it. I'll

402
00:19:38,240 --> 00:19:39,840
Speaker 5: let you want to ask me how far I am

403
00:19:39,840 --> 00:19:40,320
Speaker 5: into the book?

404
00:19:40,480 --> 00:19:40,920
Speaker 2: How far?

405
00:19:41,359 --> 00:19:44,040
Speaker 5: Let's just say my room is clean. But uh, I'm

406
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Speaker 5: not thinking like a lobster.

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Speaker 2: Okay, that's a big one. The scuttling part.

408
00:19:50,000 --> 00:19:52,560
Speaker 5: Yeah, the scuttling part. Scuttling is and by the way,

409
00:19:52,600 --> 00:19:55,280
Speaker 5: that's it. That is a great metaphor though for living

410
00:19:55,320 --> 00:19:58,520
Speaker 5: your life is to be huddled up and armored at

411
00:19:58,520 --> 00:20:01,800
Speaker 5: the very bottom of the ocean for scraps from things

412
00:20:01,840 --> 00:20:04,160
Speaker 5: that are living in the sunlight to filter down to you. Yeah,

413
00:20:04,320 --> 00:20:08,880
Speaker 5: that skull standing on scupe because yeah, that's that's the

414
00:20:08,960 --> 00:20:12,400
Speaker 5: viewpoint you want in life. Yeah, I mean, Jordan Peterson

415
00:20:12,440 --> 00:20:15,200
Speaker 5: has really said some stuff that I don't think it

416
00:20:15,240 --> 00:20:18,520
Speaker 5: has ever been said, Like you should maybe walk upright

417
00:20:18,560 --> 00:20:20,720
Speaker 5: and try to, you know, take control of your life.

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00:20:20,760 --> 00:20:22,840
Speaker 5: Has anyone ever put that in print? I mean, that's

419
00:20:23,359 --> 00:20:25,320
Speaker 5: I'm trying to think I'm racking my print. I don't

420
00:20:25,320 --> 00:20:26,440
Speaker 5: think that's ever been done.

421
00:20:26,600 --> 00:20:28,840
Speaker 2: And like girls are scary, but pretend not to be

422
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Speaker 2: scared of them exactly.

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Speaker 5: Yeah, No, I mean I think that was, you know,

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00:20:34,200 --> 00:20:37,600
Speaker 5: they say, oh, every book's been written, and then yeah.

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Speaker 1: All of a sudden, Jordan Peters super genius shows up

426
00:20:40,520 --> 00:20:42,440
Speaker 1: and goes like, I've been noticing something.

427
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Speaker 5: You know.

428
00:20:42,800 --> 00:20:46,399
Speaker 2: Wait a minute, you, hey, Paul, guys are almost up

429
00:20:46,440 --> 00:20:48,119
Speaker 2: above some of these other guys.

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Speaker 5: Hey, hey we should bathe Yeah. Yeah, that set me

431
00:20:55,280 --> 00:20:58,720
Speaker 5: back a couple of days. Wait a minute, yes, what

432
00:20:58,920 --> 00:21:03,040
Speaker 5: is yeah that there talk about a fun house mirror?

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Speaker 2: Thank you?

434
00:21:03,760 --> 00:21:06,440
Speaker 5: Realize I'm living in a Wait a minute, this isn't.

435
00:21:06,359 --> 00:21:09,600
Speaker 2: That was your life before, exactly before inside the mirror

436
00:21:09,600 --> 00:21:11,360
Speaker 2: and then you emerge from the mirror.

437
00:21:11,600 --> 00:21:12,040
Speaker 3: Thank you.

438
00:21:12,680 --> 00:21:17,679
Speaker 1: Dominance hierarchies are just completely natural. Like, for instance, we

439
00:21:17,680 --> 00:21:21,159
Speaker 1: were talking earlier about how sometimes Jesus bay right, but

440
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Speaker 1: there are some cheeses that they're not be like really not.

441
00:21:25,200 --> 00:21:28,800
Speaker 1: And so if that's true, then isn't that just a

442
00:21:28,840 --> 00:21:30,640
Speaker 1: dominance hierarchy that nature made?

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00:21:32,240 --> 00:21:35,240
Speaker 3: Yeah? So what cheese do you want to be? You

444
00:21:35,280 --> 00:21:40,879
Speaker 3: know me personally, probably freaking like mozzarella or something.

445
00:21:41,560 --> 00:21:42,960
Speaker 2: The main cheese you have to.

446
00:21:43,680 --> 00:21:46,040
Speaker 3: One of the craziest best cheese cheese.

447
00:21:46,040 --> 00:21:48,280
Speaker 5: But what's the main one? Is it mozzarella or is

448
00:21:48,280 --> 00:21:51,600
Speaker 5: it parmesan? Which one, do you want to be okay?

449
00:21:52,560 --> 00:21:54,560
Speaker 2: Now, this is why we wanted you to finally get

450
00:21:54,560 --> 00:21:57,719
Speaker 2: on the mic bat okay, because this ship's fucking tripping

451
00:21:57,760 --> 00:21:58,160
Speaker 2: me out.

452
00:21:58,440 --> 00:22:00,880
Speaker 3: Yeah, playing yourself.

453
00:22:01,560 --> 00:22:03,760
Speaker 5: I'm sorry that I brought this Joe Rogan moment to

454
00:22:03,840 --> 00:22:07,600
Speaker 5: the podcast, But I mean the main thing is is that,

455
00:22:07,680 --> 00:22:12,720
Speaker 5: you know, do you want to be ubiquitous or do

456
00:22:13,119 --> 00:22:17,480
Speaker 5: you want to be unique? And I think that dichotomy

457
00:22:17,520 --> 00:22:21,240
Speaker 5: that's presented with both Parmesan and Mount Cirella. I think

458
00:22:21,240 --> 00:22:24,400
Speaker 5: the two main things that we can both say about

459
00:22:24,400 --> 00:22:27,800
Speaker 5: those cheeses is, uh, they're Italian and white.

460
00:22:28,119 --> 00:22:29,240
Speaker 3: And that's the most important.

461
00:22:29,320 --> 00:22:31,879
Speaker 2: That's what you want to be Italian and white?

462
00:22:32,200 --> 00:22:35,119
Speaker 3: Yes, yeah, I think that's pretty. That's the That's a

463
00:22:35,160 --> 00:22:37,840
Speaker 3: formula for success is to be Italian and white.

464
00:22:38,280 --> 00:22:42,760
Speaker 5: You know that's successful a formula, right is that?

465
00:22:42,800 --> 00:22:46,480
Speaker 2: What that? Yeah? People can't see this, but he became

466
00:22:46,600 --> 00:22:47,639
Speaker 2: this kid. It was weird.

467
00:22:47,800 --> 00:22:50,040
Speaker 5: Actually, I spontaneously grew a chef.

468
00:22:50,080 --> 00:22:56,320
Speaker 2: Grew to I was like a mushroom. I didn't do

469
00:22:56,359 --> 00:22:56,880
Speaker 2: a good noise.

470
00:22:57,080 --> 00:23:02,919
Speaker 7: No, yeah, should we do our should we talk about

471
00:23:03,119 --> 00:23:05,879
Speaker 7: I mean our plans for patten In some ways this

472
00:23:06,000 --> 00:23:09,399
Speaker 7: actually it dovetails with the dominance hierarchy stuff.

473
00:23:09,440 --> 00:23:12,440
Speaker 2: Because in the sea.

474
00:23:12,280 --> 00:23:15,359
Speaker 1: Lion world, of course, uh, there's something known as the

475
00:23:15,359 --> 00:23:15,960
Speaker 1: beach master.

476
00:23:17,640 --> 00:23:18,880
Speaker 3: The beach master.

477
00:23:19,240 --> 00:23:23,640
Speaker 1: Is a strong male sea lion who will hold down

478
00:23:23,680 --> 00:23:26,200
Speaker 1: a beach for months at a time and make love

479
00:23:26,240 --> 00:23:28,960
Speaker 1: to all the women there, and if any other male

480
00:23:29,000 --> 00:23:31,280
Speaker 1: sea lions try to come into his beach zone, he'll

481
00:23:31,320 --> 00:23:33,399
Speaker 1: scare them off and fight them off in battle.

482
00:23:34,080 --> 00:23:36,240
Speaker 2: You know that sea lion that's rolling back and forth

483
00:23:36,280 --> 00:23:38,240
Speaker 2: on the beach all the time when you go and

484
00:23:38,240 --> 00:23:40,240
Speaker 2: look at him, there's the one that's kind of rolling

485
00:23:40,240 --> 00:23:42,560
Speaker 2: in a big circle around the beach, right, that's the

486
00:23:42,600 --> 00:23:43,240
Speaker 2: beach master.

487
00:23:43,640 --> 00:23:45,719
Speaker 5: I did I didn't know any terminology.

488
00:23:45,800 --> 00:23:46,879
Speaker 2: Oh yeah, kind of mowing.

489
00:23:46,920 --> 00:23:49,840
Speaker 1: The beach master. He's scary as hell. And what he'll

490
00:23:49,840 --> 00:23:52,359
Speaker 1: do is he won't eat any food for like four

491
00:23:52,400 --> 00:23:55,760
Speaker 1: months because he just has to not leave the beach

492
00:23:55,840 --> 00:23:58,520
Speaker 1: and risk someone coming in and stealing any of the

493
00:23:58,640 --> 00:23:59,760
Speaker 1: like fifteen women that.

494
00:23:59,720 --> 00:24:02,080
Speaker 3: He's And then how does he stay so big?

495
00:24:06,480 --> 00:24:06,880
Speaker 2: Okay?

496
00:24:06,960 --> 00:24:11,800
Speaker 1: Yeah, yes, and yeah, and also like I mean, he

497
00:24:11,840 --> 00:24:14,520
Speaker 1: stays pretty big doing all well having sex.

498
00:24:14,320 --> 00:24:15,040
Speaker 2: Yeah exactly.

499
00:24:15,480 --> 00:24:19,280
Speaker 5: Although it does make me wonder can the can sea

500
00:24:19,280 --> 00:24:22,440
Speaker 5: lions only have sex on the beach. Can't the other

501
00:24:22,960 --> 00:24:24,560
Speaker 5: the lesser Sea Lions.

502
00:24:24,280 --> 00:24:29,679
Speaker 2: Just with sunrise? Please? Can you just cut the as

503
00:24:29,720 --> 00:24:32,280
Speaker 2: Sean on a separate track? Can we cut that? Get that?

504
00:24:32,560 --> 00:24:35,840
Speaker 2: Thank you? Go on? Okay?

505
00:24:35,880 --> 00:24:40,840
Speaker 3: So that so that aside something of a beach master.

506
00:24:41,160 --> 00:24:47,560
Speaker 2: Yeah. So we are of course planning our annual summer

507
00:24:47,640 --> 00:24:54,080
Speaker 2: break beach Blast off the mega Hollywood Handbook Beach Blast Year,

508
00:24:54,359 --> 00:24:59,040
Speaker 2: Blanket Blast. Okay, And obviously we always have a huge

509
00:24:59,080 --> 00:25:05,000
Speaker 2: marquee guest who announces throughout the two men volleyball tournament

510
00:25:05,000 --> 00:25:05,560
Speaker 2: top gun.

511
00:25:05,440 --> 00:25:08,840
Speaker 3: Style and gives everyone fun nicknames and.

512
00:25:08,760 --> 00:25:14,680
Speaker 1: Then does a stand up centered around beach concepts beach

513
00:25:14,800 --> 00:25:19,159
Speaker 1: themed Yeah about like, hey, how come these beach towels

514
00:25:19,160 --> 00:25:21,640
Speaker 1: always got to have some crazy design right?

515
00:25:21,720 --> 00:25:27,080
Speaker 2: Yeah? Exactly? You know what I mean? Towel got sand crabs?

516
00:25:27,520 --> 00:25:27,720
Speaker 5: Right?

517
00:25:27,800 --> 00:25:28,760
Speaker 3: Yes?

518
00:25:28,840 --> 00:25:29,760
Speaker 5: What is going on?

519
00:25:30,320 --> 00:25:30,880
Speaker 2: What's there?

520
00:25:31,760 --> 00:25:35,480
Speaker 5: What am I going crazy?

521
00:25:35,680 --> 00:25:40,440
Speaker 2: So we have of course rented a beach volleyball square

522
00:25:42,119 --> 00:25:46,400
Speaker 2: in HB Huntington Beach, you know where we like to play,

523
00:25:46,560 --> 00:25:50,400
Speaker 2: the Hub, Yes, and so we are doing the Big Blast.

524
00:25:50,560 --> 00:25:53,879
Speaker 2: It costs six hundred dollars a ticket for people to

525
00:25:54,000 --> 00:25:55,880
Speaker 2: gather in our square.

526
00:25:56,440 --> 00:25:57,399
Speaker 3: How big is the square?

527
00:25:57,480 --> 00:26:00,359
Speaker 5: One hundred feet one hundred by one hundred, No, no,

528
00:26:01,080 --> 00:26:03,680
Speaker 5: ten by ten, ten by ten Oh, but that is

529
00:26:03,720 --> 00:26:06,679
Speaker 5: at it's a ten ten foot by ten foot square

530
00:26:06,720 --> 00:26:08,760
Speaker 5: on the beach. Yes, so there's other parts of the

531
00:26:08,760 --> 00:26:11,120
Speaker 5: beach that are still other people are doing stuff.

532
00:26:10,800 --> 00:26:13,280
Speaker 2: On your stuff.

533
00:26:13,400 --> 00:26:16,400
Speaker 1: They're playing yes, yes, Well, our idea a little bit

534
00:26:16,440 --> 00:26:18,560
Speaker 1: has been Have you ever seen when people play those

535
00:26:18,600 --> 00:26:21,359
Speaker 1: like paper football games or they it's like they're playing

536
00:26:21,400 --> 00:26:24,400
Speaker 1: football basically, but they're just flicking with their fingers and excitement.

537
00:26:24,480 --> 00:26:27,600
Speaker 3: Yeah, can we do that with volleyball, because that's going to.

538
00:26:27,600 --> 00:26:30,720
Speaker 2: Allow allow people plays. Gonna be my first to flick

539
00:26:30,760 --> 00:26:32,080
Speaker 2: a volleyball back and forth.

540
00:26:32,160 --> 00:26:33,160
Speaker 3: That was my first question.

541
00:26:33,200 --> 00:26:34,960
Speaker 5: It's it's ten by ten foot, but you're going to

542
00:26:35,000 --> 00:26:37,840
Speaker 5: have two man volleyball, but you're going to be doing

543
00:26:37,880 --> 00:26:40,200
Speaker 5: it like little desk football style.

544
00:26:40,840 --> 00:26:41,920
Speaker 2: We're wondering if we can.

545
00:26:43,040 --> 00:26:44,280
Speaker 3: I guess you're gonna fight. I don't know.

546
00:26:44,280 --> 00:26:46,560
Speaker 5: I don't know anything about volleyball. I guess you're gonna

547
00:26:46,560 --> 00:26:52,080
Speaker 5: find out this is actually chef Kevin's okay, Kevin.

548
00:26:53,600 --> 00:26:54,760
Speaker 3: So you're gonna wow.

549
00:26:55,400 --> 00:26:57,960
Speaker 5: So people that go to this are going to be

550
00:26:58,040 --> 00:27:00,080
Speaker 5: witnessed to like the birth of a new sport.

551
00:27:01,280 --> 00:27:03,600
Speaker 3: That's actually a really cool Yeah.

552
00:27:03,840 --> 00:27:08,359
Speaker 2: Yeah, if people have ever been sad that they weren't

553
00:27:08,359 --> 00:27:12,239
Speaker 2: there for like baseball for the very first when it

554
00:27:12,320 --> 00:27:14,720
Speaker 2: was invented. You're watching baseball and you're like, kind, I

555
00:27:14,760 --> 00:27:16,240
Speaker 2: wish I was there with this was invented.

556
00:27:16,440 --> 00:27:18,400
Speaker 3: I wish I saw this from the beginning. Yeah, even

557
00:27:18,440 --> 00:27:20,040
Speaker 3: when I'm watching some of these brand.

558
00:27:19,840 --> 00:27:26,119
Speaker 5: New sports, right, you know, spikeball or freaking uh tramp

559
00:27:27,240 --> 00:27:29,520
Speaker 5: trampoline basketball, which is sweeping the nation.

560
00:27:30,600 --> 00:27:33,200
Speaker 3: You know who does slamball? Yes, slamball?

561
00:27:33,760 --> 00:27:36,600
Speaker 2: Damn, I go. Why wasn't I here for this?

562
00:27:37,080 --> 00:27:38,040
Speaker 3: I would have loved to see this.

563
00:27:38,400 --> 00:27:42,120
Speaker 5: Why can't flubber be in real life? Mm hmm, so yeah,

564
00:27:42,720 --> 00:27:44,160
Speaker 5: of course that course that caught.

565
00:27:44,000 --> 00:27:46,720
Speaker 2: On, Chef Kevin. So your job has been, of course,

566
00:27:46,920 --> 00:27:50,239
Speaker 2: to create a miniaturized version of beach volleyball that can

567
00:27:50,280 --> 00:27:52,520
Speaker 2: be played with the fingers alone.

568
00:27:53,840 --> 00:27:56,560
Speaker 8: How is that going, Hey, guys, Chef Kevin here, it's

569
00:27:56,600 --> 00:28:00,560
Speaker 8: going very well. I'm using ping pong balls as the beach.

570
00:28:00,480 --> 00:28:04,320
Speaker 5: Ball and volleyball. And if you don't play volleyball with

571
00:28:04,359 --> 00:28:05,440
Speaker 5: a beach ball, that would take forever.

572
00:28:07,640 --> 00:28:09,640
Speaker 3: It's no, it's not, that's not volleyball.

573
00:28:09,960 --> 00:28:10,520
Speaker 2: It's easier.

574
00:28:11,040 --> 00:28:13,400
Speaker 5: But yeah, but it's it's not exciting, and it takes

575
00:28:13,440 --> 00:28:15,800
Speaker 5: a long time, and the proportions are a little often.

576
00:28:16,080 --> 00:28:17,560
Speaker 2: If you can look at my two fingers standing up

577
00:28:17,600 --> 00:28:20,040
Speaker 2: here and imagine they are a guy, right, which is

578
00:28:20,119 --> 00:28:22,159
Speaker 2: what we're trying to deal with here. Now, imagine a

579
00:28:22,240 --> 00:28:25,640
Speaker 2: ping pong ball and the hugeness compared to the guy.

580
00:28:25,960 --> 00:28:29,719
Speaker 1: Yeah, with a volleyball come up to my knees, because

581
00:28:29,760 --> 00:28:31,840
Speaker 1: that's what you're saying, the ping pong ball will be doing.

582
00:28:32,480 --> 00:28:33,600
Speaker 2: The bigger the ball, the better.

583
00:28:34,040 --> 00:28:36,560
Speaker 1: Now, I actually this this is fucked up because as

584
00:28:36,600 --> 00:28:39,160
Speaker 1: I'm thinking about when Chef Kevin was at the Janelle

585
00:28:39,200 --> 00:28:40,400
Speaker 1: Monett concert a few.

586
00:28:40,280 --> 00:28:42,680
Speaker 2: Weeks ago, who, by the way, it's giving me life.

587
00:28:42,680 --> 00:28:46,280
Speaker 3: She's giving me life right now. What I remember is Trump.

588
00:28:46,320 --> 00:28:50,880
Speaker 3: I'll tell you that thank you. I saw.

589
00:28:52,320 --> 00:28:54,640
Speaker 1: It's on Instagram story of him in the middle of

590
00:28:54,680 --> 00:28:58,600
Speaker 1: the crowd picking up a volleyball and trying to, you know,

591
00:28:58,880 --> 00:29:01,800
Speaker 1: bounce it among all the people at the concert people,

592
00:29:02,000 --> 00:29:03,080
Speaker 1: and I'm realizing.

593
00:29:02,840 --> 00:29:06,600
Speaker 2: This guy's got it back, got beach balls and volleyball switched. Yes.

594
00:29:07,720 --> 00:29:08,840
Speaker 3: Oh were people mad?

595
00:29:09,560 --> 00:29:09,960
Speaker 2: Oh yeah?

596
00:29:09,960 --> 00:29:12,320
Speaker 8: They kept saying quick throwing that around and I brought six.

597
00:29:12,840 --> 00:29:17,160
Speaker 8: Oh no, the first four, no one. People were complaining

598
00:29:17,160 --> 00:29:18,280
Speaker 8: because they hit him in the back.

599
00:29:18,120 --> 00:29:18,520
Speaker 2: Of the head.

600
00:29:18,720 --> 00:29:21,280
Speaker 3: Sure, well, you spiked it into the back of the Yeah,

601
00:29:21,400 --> 00:29:23,080
Speaker 3: and it was the guy in front of me. Yeah,

602
00:29:23,160 --> 00:29:24,719
Speaker 3: at least Josh set it up.

603
00:29:24,800 --> 00:29:28,800
Speaker 2: I mean, like, yeah, yeah, yeah, yeah.

604
00:29:29,200 --> 00:29:30,320
Speaker 8: I was trying to do it to the beat of

605
00:29:30,400 --> 00:29:34,360
Speaker 8: the song and it oh didn't it just hit it

606
00:29:34,440 --> 00:29:35,640
Speaker 8: on the downbeat and the.

607
00:29:35,720 --> 00:29:41,560
Speaker 2: Song though, Uh, that's how you make me feel. That

608
00:29:41,880 --> 00:29:44,760
Speaker 2: was a slam on feel is giving me life?

609
00:29:45,440 --> 00:29:49,520
Speaker 5: So the first four, yeah, but they were six. What

610
00:29:49,680 --> 00:29:52,520
Speaker 5: happened the last two? I just kicked you ever you

611
00:29:52,640 --> 00:29:52,880
Speaker 5: did what?

612
00:29:53,000 --> 00:29:53,880
Speaker 8: I kicked him in the air.

613
00:29:54,880 --> 00:29:57,360
Speaker 2: So you don't even know the rules. You're not supposed

614
00:29:57,360 --> 00:29:57,840
Speaker 2: to kick them.

615
00:29:57,880 --> 00:29:59,880
Speaker 5: Yeah, you don't kick a volleyball. But did any of

616
00:30:00,080 --> 00:30:02,200
Speaker 5: the six balls get going in the crowd or they

617
00:30:02,400 --> 00:30:03,360
Speaker 5: were they all does well?

618
00:30:03,400 --> 00:30:06,440
Speaker 4: The first five people immediately threw them like out of

619
00:30:06,520 --> 00:30:09,320
Speaker 4: the venue, and then someone kept my last one.

620
00:30:09,520 --> 00:30:12,320
Speaker 2: Oh that's too bad. Yep.

621
00:30:13,240 --> 00:30:14,600
Speaker 3: Did Janelle say anything?

622
00:30:14,640 --> 00:30:16,480
Speaker 4: I mean, if I was on stage and saw volley

623
00:30:16,560 --> 00:30:18,600
Speaker 4: she said, the boy in the back who's throwing the volleyballs,

624
00:30:18,640 --> 00:30:19,160
Speaker 4: please stop.

625
00:30:19,200 --> 00:30:20,440
Speaker 8: I'm going to ask you to leave right.

626
00:30:20,640 --> 00:30:25,360
Speaker 2: Yeah, boy hm hmm, a little bit of a diss.

627
00:30:26,880 --> 00:30:27,880
Speaker 3: Throwing some shade there.

628
00:30:29,400 --> 00:30:33,840
Speaker 2: That's it's true. It's true through him. Yeah, it's all

629
00:30:33,920 --> 00:30:34,400
Speaker 2: right through them.

630
00:30:34,680 --> 00:30:37,040
Speaker 5: So you're not so you're saying the ping pong balls

631
00:30:37,520 --> 00:30:39,040
Speaker 5: too big, wrong proportion?

632
00:30:39,720 --> 00:30:43,720
Speaker 2: Yeah, okay, maybe you know what am I?

633
00:30:45,280 --> 00:30:49,280
Speaker 5: No, it's too hard. You'd be cracking knuckles on that marbles.

634
00:30:50,040 --> 00:30:50,840
Speaker 3: No, even worse.

635
00:30:51,200 --> 00:30:55,560
Speaker 5: Yeah, I'm picturing a crunch berry.

636
00:30:56,320 --> 00:31:00,000
Speaker 2: Yes, a crunchberry that would solve some of the food

637
00:31:00,000 --> 00:31:00,960
Speaker 2: food issues where.

638
00:31:01,480 --> 00:31:03,480
Speaker 5: A well you get you know what you do, you

639
00:31:03,600 --> 00:31:06,200
Speaker 5: go get the I don't know if they only put

640
00:31:06,240 --> 00:31:07,280
Speaker 5: them out a couple of times a year.

641
00:31:07,320 --> 00:31:12,640
Speaker 2: Whoop saw crunch berries? Yes, the thing where some crunchberries.

642
00:31:13,320 --> 00:31:17,160
Speaker 1: Yeah, imagine what went wrong in the factory for that

643
00:31:17,320 --> 00:31:17,640
Speaker 1: to happen.

644
00:31:17,720 --> 00:31:19,800
Speaker 5: Yeah, Well that was some That was some Karen silkwood

645
00:31:19,840 --> 00:31:22,320
Speaker 5: stuff going on there. They were trying to expose something

646
00:31:22,360 --> 00:31:23,240
Speaker 5: wrong with the crunchberry.

647
00:31:23,480 --> 00:31:23,680
Speaker 4: Yeah.

648
00:31:23,800 --> 00:31:25,760
Speaker 5: Somebody pulled the lever and they had to run the

649
00:31:25,840 --> 00:31:29,440
Speaker 5: cat one off the road driving. Yeah, exactly, and they're

650
00:31:29,440 --> 00:31:30,280
Speaker 5: trying to cover that up.

651
00:31:31,600 --> 00:31:31,800
Speaker 2: Yeah.

652
00:31:32,160 --> 00:31:35,239
Speaker 3: Well, I mean it's it's a great way for them

653
00:31:35,240 --> 00:31:36,600
Speaker 3: to milkon shower.

654
00:31:38,280 --> 00:31:40,680
Speaker 5: No. By the way, that was brilliant spin on the

655
00:31:40,720 --> 00:31:43,520
Speaker 5: whooprunch ferries. It's amazed they haven't done that with other

656
00:31:43,640 --> 00:31:48,360
Speaker 5: like one of the exactly yeah, whoops all crunch berries. Yeah,

657
00:31:48,640 --> 00:31:53,240
Speaker 5: I bet the sal cola Yeah yeah, Oops all nuclear

658
00:31:53,320 --> 00:31:58,720
Speaker 5: cores like at the Three Mile Island. Oops, all salmonella.

659
00:32:00,240 --> 00:32:01,200
Speaker 5: It's speaking of cereals.

660
00:32:02,000 --> 00:32:04,200
Speaker 3: It's a different ending for soilent green Oops.

661
00:32:04,240 --> 00:32:08,360
Speaker 5: All people people and people go, oh, come on, come on,

662
00:32:08,480 --> 00:32:10,040
Speaker 5: we're having fun nuts.

663
00:32:10,400 --> 00:32:12,400
Speaker 2: Oops. What were you saying about cereal?

664
00:32:12,600 --> 00:32:18,280
Speaker 5: There's there's a salmonella outbreak with uh, honey, who's the

665
00:32:18,560 --> 00:32:21,120
Speaker 5: member of sugar band? That guy that oh, yeah, sugar smacks,

666
00:32:21,200 --> 00:32:21,720
Speaker 5: sugar smat?

667
00:32:21,800 --> 00:32:24,320
Speaker 3: Now is honey smacks? Honeymas? But which is all sugar?

668
00:32:24,640 --> 00:32:24,800
Speaker 2: Wait?

669
00:32:25,000 --> 00:32:25,640
Speaker 3: Is that the frog?

670
00:32:26,200 --> 00:32:26,240
Speaker 6: No?

671
00:32:27,360 --> 00:32:29,360
Speaker 3: No, hets dig them, dig them.

672
00:32:29,400 --> 00:32:31,920
Speaker 5: But no sugar smacks. Was that bear that kind of

673
00:32:31,960 --> 00:32:32,920
Speaker 5: talked like Dean Martin.

674
00:32:33,320 --> 00:32:37,920
Speaker 2: Sure, hey that's there you go.

675
00:32:38,400 --> 00:32:40,960
Speaker 5: But now he's gotta they gotta use him to try

676
00:32:41,000 --> 00:32:42,240
Speaker 5: to spind the salmonilla.

677
00:32:43,360 --> 00:32:45,480
Speaker 2: Yeah, a little bit of throwing.

678
00:32:45,280 --> 00:32:47,720
Speaker 3: Up and pooping. It's not Come on, he quick weight

679
00:32:47,800 --> 00:32:48,520
Speaker 3: loss program.

680
00:32:49,160 --> 00:32:53,760
Speaker 2: Come on, yeah, dig it. Salmash workers don't get bathroom breaks. O,

681
00:32:54,160 --> 00:32:56,640
Speaker 2: it's gonna get into cereal. Wait minute, salmon, are you

682
00:32:56,680 --> 00:32:57,480
Speaker 2: talking about my driver?

683
00:32:57,760 --> 00:33:01,920
Speaker 3: No? Oh? The other soal okay, I like this guy right.

684
00:33:03,120 --> 00:33:08,600
Speaker 1: Now, I'm having fun and I'm sick. So Kevin, it

685
00:33:08,680 --> 00:33:10,480
Speaker 1: seems like you're fucking up pretty bad.

686
00:33:10,840 --> 00:33:13,680
Speaker 2: What are we doing about the sand issue? There's a

687
00:33:13,760 --> 00:33:18,000
Speaker 2: thing where so not hiding it. My pores are very large.

688
00:33:18,240 --> 00:33:21,840
Speaker 2: Oh and I get to the beach, very steamy environment,

689
00:33:21,960 --> 00:33:25,560
Speaker 2: they're opening up much much more, and so sand is

690
00:33:25,680 --> 00:33:27,920
Speaker 2: kind of just falling in there.

691
00:33:28,440 --> 00:33:30,480
Speaker 5: And then when it cools down, they seal up and

692
00:33:30,560 --> 00:33:32,400
Speaker 5: your and your pores are filled with sand.

693
00:33:32,280 --> 00:33:34,920
Speaker 2: Filled with sand. My whole body. I become sort of

694
00:33:35,120 --> 00:33:39,960
Speaker 2: like a yeah, like a desk toy kind Oh you

695
00:33:40,040 --> 00:33:42,680
Speaker 2: can like squeeze just like a bean bag shape like

696
00:33:42,720 --> 00:33:45,840
Speaker 2: the boss pretty much that you would give to your

697
00:33:45,920 --> 00:33:48,080
Speaker 2: dad for his desk.

698
00:33:49,240 --> 00:33:51,200
Speaker 3: How would you, uh, how would you deal with it?

699
00:33:51,240 --> 00:33:51,680
Speaker 5: When we do?

700
00:33:51,800 --> 00:33:53,640
Speaker 8: I have two tactics. One, don't we just get rid

701
00:33:53,680 --> 00:33:55,280
Speaker 8: of it completely? All the sand?

702
00:33:55,360 --> 00:33:55,640
Speaker 2: Okay?

703
00:33:55,680 --> 00:33:58,040
Speaker 1: But how are we doing that? Because I know I

704
00:33:58,120 --> 00:34:00,000
Speaker 1: saw you out there with a vacuum about a week

705
00:34:00,080 --> 00:34:02,080
Speaker 1: could go and it didn't seem like you're making.

706
00:34:01,920 --> 00:34:04,360
Speaker 2: A ton of progress, right, and you weren't really trying

707
00:34:04,480 --> 00:34:06,800
Speaker 2: that hard and you're listening to music while you do.

708
00:34:06,960 --> 00:34:07,560
Speaker 2: I was dancing.

709
00:34:07,760 --> 00:34:10,440
Speaker 8: Yeah, well, I'm gonna get two vacuums.

710
00:34:10,160 --> 00:34:14,000
Speaker 1: Just vacuum and honestly reminded me of that Dirt Devil

711
00:34:14,040 --> 00:34:16,840
Speaker 1: commercial where they updated the Fred Astaire dancing with the

712
00:34:17,920 --> 00:34:20,200
Speaker 1: and they had them vacuuming on the ceilings and stuff.

713
00:34:20,640 --> 00:34:23,760
Speaker 4: Yeah, so that's one that I'm gonna do, is the vacuum,

714
00:34:24,040 --> 00:34:26,640
Speaker 4: or we get it wet so it's harder to get

715
00:34:26,680 --> 00:34:27,280
Speaker 4: in your pores.

716
00:34:27,719 --> 00:34:29,279
Speaker 8: So all of the sand is like.

717
00:34:29,520 --> 00:34:31,440
Speaker 3: Much, so it's not going to be flying around me.

718
00:34:31,520 --> 00:34:32,040
Speaker 3: That's smart.

719
00:34:32,120 --> 00:34:35,399
Speaker 2: Okay, Well the water's over there, yeah and the sand

720
00:34:35,600 --> 00:34:36,800
Speaker 2: is you know, they're.

721
00:34:36,920 --> 00:34:39,000
Speaker 8: I'm gonna get out. I'm gonna use the vacuum hose

722
00:34:39,640 --> 00:34:40,080
Speaker 8: and then.

723
00:34:40,719 --> 00:34:43,480
Speaker 1: Will be helpful because we do I know, we don't

724
00:34:43,480 --> 00:34:45,120
Speaker 1: want any sand there, but we also do have a

725
00:34:45,160 --> 00:34:46,160
Speaker 1: big sand castle content.

726
00:34:46,239 --> 00:34:48,120
Speaker 5: I was gonna say they wet the sand down for

727
00:34:48,200 --> 00:34:51,120
Speaker 5: sand castles. That's it sounds like you're solving two good

728
00:34:51,160 --> 00:34:52,160
Speaker 5: problems therey.

729
00:34:52,560 --> 00:34:54,800
Speaker 3: Because that was going to judge the sand castle contest.

730
00:34:54,880 --> 00:35:00,200
Speaker 5: Yeah, okay, I might I have a whole Instagram, just

731
00:35:01,160 --> 00:35:03,480
Speaker 5: you know, devoted to the sand castles that I photograph it.

732
00:35:03,680 --> 00:35:05,520
Speaker 5: I don't know how to make them. I think that's

733
00:35:05,520 --> 00:35:08,000
Speaker 5: why I love them so much. I don't know how

734
00:35:08,120 --> 00:35:11,719
Speaker 5: they pull this wizardry off. Yeah, I mean sand it's

735
00:35:11,880 --> 00:35:12,680
Speaker 5: just this loose.

736
00:35:13,120 --> 00:35:17,880
Speaker 3: It's s going everywhere. Yes, I'll just admit that, thank you.

737
00:35:18,840 --> 00:35:20,400
Speaker 5: And even when I look, even when I wet it,

738
00:35:20,480 --> 00:35:22,839
Speaker 5: it just kind of you know, it's sticking.

739
00:35:22,560 --> 00:35:23,320
Speaker 3: To the skies.

740
00:35:24,160 --> 00:35:27,880
Speaker 5: It's a dragon, it's a guitar, it's Mount Rushmore.

741
00:35:27,960 --> 00:35:30,200
Speaker 3: What is going on? Not only that there's a mote

742
00:35:30,239 --> 00:35:31,279
Speaker 3: around it half the time.

743
00:35:31,400 --> 00:35:33,880
Speaker 2: Yeah, So this is my concern. Can we institute some

744
00:35:34,000 --> 00:35:36,440
Speaker 2: rules about the scariness of some of these sand castles.

745
00:35:36,920 --> 00:35:39,600
Speaker 2: A lot of them have like a crocodile's mouth coming

746
00:35:39,680 --> 00:35:44,680
Speaker 2: out of a moat, right, you know that, like that's illegal. Please,

747
00:35:44,760 --> 00:35:46,520
Speaker 2: As far as this is concerned.

748
00:35:46,280 --> 00:35:48,080
Speaker 1: We wanted to be able to be fun and we

749
00:35:48,120 --> 00:35:51,280
Speaker 1: don't want people to necessarily be going to the bathroom

750
00:35:51,360 --> 00:35:51,920
Speaker 1: on themselves.

751
00:35:52,080 --> 00:35:56,520
Speaker 5: So you want s fs's, you want scare free sand castles? Yeah, right, well,

752
00:35:56,560 --> 00:36:00,279
Speaker 5: then put s FS on the flyer. Okay, only set

753
00:36:00,320 --> 00:36:01,560
Speaker 5: as judging contest.

754
00:36:01,680 --> 00:36:05,799
Speaker 3: There are a lot of acronyms on the flyer already, right, yeah, yeah, and.

755
00:36:05,840 --> 00:36:08,359
Speaker 5: Then also you know there's a symbol I know, there's

756
00:36:08,360 --> 00:36:12,400
Speaker 5: an emoji for it of a sand demon with the

757
00:36:12,520 --> 00:36:14,920
Speaker 5: red circle and cross it like it's.

758
00:36:14,800 --> 00:36:15,840
Speaker 2: A scary sand castle.

759
00:36:15,880 --> 00:36:18,080
Speaker 3: But it's like, no, no, of that. You can put

760
00:36:18,080 --> 00:36:21,080
Speaker 3: that on the flyer too. Okay, they've got.

761
00:36:21,040 --> 00:36:24,640
Speaker 2: The flyers just getting very I'm with that emoji that's

762
00:36:24,680 --> 00:36:28,400
Speaker 2: been appropriated by some like racist groups to be.

763
00:36:28,520 --> 00:36:32,560
Speaker 5: Like they're appropriating. Look, it was bad enough taking what

764
00:36:32,760 --> 00:36:36,640
Speaker 5: was a little pep pa. They're grabbing everything. Now Now

765
00:36:36,880 --> 00:36:40,640
Speaker 5: our best funny symbols are somehow getting turned into something

766
00:36:40,760 --> 00:36:45,640
Speaker 5: really it really Chester Cheetah, yeah, is anti semitic now

767
00:36:45,800 --> 00:36:47,080
Speaker 5: to them.

768
00:36:47,480 --> 00:36:50,239
Speaker 3: I think the idea of a sand demon we were

769
00:36:50,280 --> 00:36:51,200
Speaker 3: maybe begging for it.

770
00:36:52,360 --> 00:36:55,160
Speaker 2: Yeah, of all the way, I'm surprise it got to

771
00:36:55,239 --> 00:36:56,200
Speaker 2: that one when they did.

772
00:36:56,400 --> 00:36:59,040
Speaker 1: Yeah, because Chester Cheetah they went to that first, and

773
00:36:59,160 --> 00:37:00,360
Speaker 1: I go, that's kind of stretch.

774
00:37:00,840 --> 00:37:02,719
Speaker 5: I immediately thought that was a stretch. It's like, wait,

775
00:37:02,800 --> 00:37:05,160
Speaker 5: what they're like, No, he's orange like Trump is.

776
00:37:05,480 --> 00:37:08,640
Speaker 3: It was all this it all goes back to this Trump.

777
00:37:10,320 --> 00:37:10,880
Speaker 3: It's terrible.

778
00:37:10,920 --> 00:37:13,880
Speaker 2: But can we hear from Kevin to carry us through this,

779
00:37:14,960 --> 00:37:15,680
Speaker 2: you know, just just a.

780
00:37:15,719 --> 00:37:18,839
Speaker 3: Quick little drops. Just give me a life, please.

781
00:37:20,560 --> 00:37:23,759
Speaker 2: That's how you make me feel. That was you just

782
00:37:23,880 --> 00:37:25,439
Speaker 2: thought for a really long time.

783
00:37:25,520 --> 00:37:27,319
Speaker 3: It took so long to come up with the same LIGHTE.

784
00:37:27,400 --> 00:37:29,719
Speaker 3: You went to the concert and are.

785
00:37:29,640 --> 00:37:32,960
Speaker 2: You fall You were thinking about it. You were thinking

786
00:37:33,080 --> 00:37:33,640
Speaker 2: so hard.

787
00:37:33,800 --> 00:37:35,440
Speaker 3: Oh my god, Kevin's opposed.

788
00:37:35,520 --> 00:37:37,960
Speaker 8: I'm not good at remembering, like the words.

789
00:37:38,560 --> 00:37:41,360
Speaker 2: Wow, I like, okay, so just give me the do

790
00:37:41,520 --> 00:37:43,080
Speaker 2: the rhythm m.

791
00:37:43,760 --> 00:37:49,320
Speaker 8: Boom boom boom boom boom boom boom boom boom boom

792
00:37:49,320 --> 00:37:52,600
Speaker 8: boom boom boom boom boom boom.

793
00:37:53,600 --> 00:37:55,640
Speaker 3: And this is safe because I can't tell him if

794
00:37:55,680 --> 00:37:56,439
Speaker 3: that's right or wrong.

795
00:37:57,239 --> 00:37:58,120
Speaker 2: I can't either.

796
00:37:59,560 --> 00:38:02,680
Speaker 8: Let them Vagina half a monologue and everyone want crazy.

797
00:38:03,120 --> 00:38:10,439
Speaker 2: Wow? Whoa Ensler drop? At all my favorite concerts? Yeah,

798
00:38:11,000 --> 00:38:11,680
Speaker 2: if you don't.

799
00:38:11,560 --> 00:38:15,000
Speaker 5: Lay some Ensler on me, you're always doing at the

800
00:38:15,040 --> 00:38:16,560
Speaker 5: club as you wait for the drop.

801
00:38:16,640 --> 00:38:20,680
Speaker 3: Man, come on, when I'm in there. When I hear

802
00:38:20,800 --> 00:38:23,759
Speaker 3: the Ensler drop, I'm like, excuse me, yeah, but this

803
00:38:23,880 --> 00:38:24,399
Speaker 3: is my jam.

804
00:38:25,040 --> 00:38:27,839
Speaker 2: Yeah, get me and I put I get I said

805
00:38:28,040 --> 00:38:29,440
Speaker 2: four parts and you.

806
00:38:29,480 --> 00:38:30,200
Speaker 3: Sit on a stool.

807
00:38:30,440 --> 00:38:34,000
Speaker 5: That's that's when the endsleer drop happens. Man, So hang on,

808
00:38:34,160 --> 00:38:36,120
Speaker 5: So what is you're saying? The flyer is getting busy?

809
00:38:36,239 --> 00:38:38,520
Speaker 5: What is the name of this event? Is that at

810
00:38:38,600 --> 00:38:41,279
Speaker 5: least centered on the flyer? Or is there so many

811
00:38:41,920 --> 00:38:44,360
Speaker 5: symbols like the name the name is on a separate

812
00:38:44,440 --> 00:38:48,440
Speaker 5: flyer at this point, because you just had so much right,

813
00:38:48,840 --> 00:38:51,919
Speaker 5: I believe it was I said before the summer break

814
00:38:53,000 --> 00:38:57,959
Speaker 5: beach blast off, beach blanket, beach blast off, beach party

815
00:38:58,000 --> 00:39:04,239
Speaker 5: blanket blast Okay, two, and that's on a flyer that's

816
00:39:04,280 --> 00:39:06,880
Speaker 5: on a flyer by itself, no information.

817
00:39:07,920 --> 00:39:10,320
Speaker 3: Do you at least hang these flyers close to one another?

818
00:39:11,640 --> 00:39:15,759
Speaker 1: That has been an issue, just a spacing issue. I

819
00:39:15,840 --> 00:39:18,360
Speaker 1: guess it's they gotta be on telephone poles.

820
00:39:18,600 --> 00:39:23,239
Speaker 3: Yea duh. So when we'll hang one and then we'll

821
00:39:23,360 --> 00:39:23,920
Speaker 3: just hope that.

822
00:39:23,960 --> 00:39:27,960
Speaker 1: You're walking in the same direction, okay, yeah, yeah, which

823
00:39:28,040 --> 00:39:30,880
Speaker 1: is about two blocks later. You take a left and

824
00:39:30,960 --> 00:39:35,520
Speaker 1: then you're gonna go up up pretty big hill and

825
00:39:35,680 --> 00:39:39,359
Speaker 1: then uh, there's gonna be the actual information for the event.

826
00:39:39,440 --> 00:39:41,440
Speaker 1: And you have to get high enough like the like

827
00:39:41,600 --> 00:39:44,040
Speaker 1: Japan's favorite picture, then nobody will take them down. So

828
00:39:44,160 --> 00:39:46,520
Speaker 1: you have to throw the paper into the air and

829
00:39:46,600 --> 00:39:50,840
Speaker 1: shoot it with a staple like freaking and Annie Oakley.

830
00:39:50,640 --> 00:39:52,960
Speaker 5: I'm just worried that if you're hanging these next to

831
00:39:53,000 --> 00:39:56,560
Speaker 5: each other on a circular telephone pole. I think a

832
00:39:56,640 --> 00:39:59,080
Speaker 5: lot of people that know not even Dizzy, just think

833
00:39:59,080 --> 00:40:00,640
Speaker 5: a lot of people that come to this your's party

834
00:40:01,480 --> 00:40:03,560
Speaker 5: to mean people that were being chased by like a

835
00:40:03,680 --> 00:40:06,879
Speaker 5: comical policeman, and I think that's Hills.

836
00:40:07,239 --> 00:40:09,080
Speaker 3: Yeah, and that's a lot of your attendees.

837
00:40:09,200 --> 00:40:12,839
Speaker 2: Maybe by having it be like kind of a rotoscope

838
00:40:12,960 --> 00:40:16,480
Speaker 2: image so you can't see so as you're running around,

839
00:40:16,560 --> 00:40:18,560
Speaker 2: you just see one complete image.

840
00:40:22,000 --> 00:40:25,359
Speaker 8: Is the color of your baby?

841
00:40:25,800 --> 00:40:26,080
Speaker 2: Pink?

842
00:40:26,520 --> 00:40:30,760
Speaker 8: Is the something of your and the snap is for silence?

843
00:40:31,160 --> 00:40:34,520
Speaker 2: Maybe? Oh, I think you're supposed.

844
00:40:34,160 --> 00:40:38,239
Speaker 3: To yell vagina in that part too, and it seems like, yeah,

845
00:40:38,320 --> 00:40:39,440
Speaker 3: you're leading right up to it.

846
00:40:39,680 --> 00:40:40,600
Speaker 2: Got me to the edge.

847
00:40:41,560 --> 00:40:47,719
Speaker 4: Is the color of your vagina? Maybe fla. They didn't

848
00:40:47,800 --> 00:40:48,640
Speaker 4: like when I said.

849
00:40:48,480 --> 00:40:52,239
Speaker 2: It, Okay, Maybe that's why everyone else was silent. You

850
00:40:52,280 --> 00:40:54,160
Speaker 2: might have jumped the gun a little bit, were you.

851
00:40:54,600 --> 00:40:56,360
Speaker 5: It sounds like you're trying to make the events or

852
00:40:56,480 --> 00:40:57,080
Speaker 5: drop happen.

853
00:40:57,600 --> 00:40:58,920
Speaker 2: Yeah, Yeah, that's.

854
00:40:58,880 --> 00:41:02,960
Speaker 3: That's a little calm mistake. For that has to come

855
00:41:03,000 --> 00:41:03,640
Speaker 3: from the stage.

856
00:41:03,800 --> 00:41:05,800
Speaker 4: Well, I had a lot going on. I brought six solleyballs.

857
00:41:05,840 --> 00:41:07,160
Speaker 4: I'm trying to get these drops down.

858
00:41:07,320 --> 00:41:08,279
Speaker 2: How'd you carry him in?

859
00:41:08,719 --> 00:41:09,560
Speaker 3: Well, that's a good question.

860
00:41:10,440 --> 00:41:11,520
Speaker 8: I put them in my shirt.

861
00:41:11,840 --> 00:41:15,200
Speaker 2: I say like you're pregnant, wow and sick?

862
00:41:15,719 --> 00:41:15,919
Speaker 5: Yeah?

863
00:41:16,520 --> 00:41:17,640
Speaker 3: The sex do mom?

864
00:41:19,880 --> 00:41:26,080
Speaker 2: Sam? How long is it in the show? Yeah? What time? About?

865
00:41:27,000 --> 00:41:29,600
Speaker 2: Is there a song that we play? Sam? Sometimes when

866
00:41:29,600 --> 00:41:31,200
Speaker 2: we ask and we want the guests to like the

867
00:41:31,239 --> 00:41:32,960
Speaker 2: funny song, come on please?

868
00:41:33,200 --> 00:41:39,759
Speaker 4: Oh, I just forget about that eclat electric Electric Queen because.

869
00:41:41,040 --> 00:41:44,600
Speaker 2: Story at the beginning, how long?

870
00:41:45,040 --> 00:41:45,760
Speaker 7: How long?

871
00:41:48,400 --> 00:41:48,719
Speaker 2: Thank you?

872
00:41:49,040 --> 00:41:49,239
Speaker 3: Now?

873
00:41:50,360 --> 00:41:50,680
Speaker 2: How long?

874
00:41:51,480 --> 00:41:51,520
Speaker 1: What?

875
00:41:55,520 --> 00:41:56,480
Speaker 2: Since it's been forty five?

876
00:41:56,560 --> 00:41:58,520
Speaker 3: Sounds like the way the guys said, what's two things?

877
00:41:58,520 --> 00:41:58,799
Speaker 2: That song?

878
00:41:58,880 --> 00:42:02,400
Speaker 5: Ebony eyes, your eyes coffee German.

879
00:42:04,040 --> 00:42:07,040
Speaker 3: I think that's the sugar, but it sounds like.

880
00:42:08,760 --> 00:42:14,040
Speaker 2: And ebony eyes is something that happens. You got those?

881
00:42:14,840 --> 00:42:22,120
Speaker 3: Yes, the doctor you got Yeah. So I guess we're

882
00:42:22,160 --> 00:42:23,080
Speaker 3: doing the beach blast.

883
00:42:23,239 --> 00:42:26,839
Speaker 1: We've got the wet sand, we've got the men, we've

884
00:42:26,840 --> 00:42:29,640
Speaker 1: got the we've got the mini volleyball. We're doing the tournament.

885
00:42:29,760 --> 00:42:32,680
Speaker 1: Patton's going to announce that we've got the sand castle contest.

886
00:42:32,840 --> 00:42:33,520
Speaker 2: I'll judge that.

887
00:42:33,760 --> 00:42:36,080
Speaker 3: But the main event, I guess is going to be

888
00:42:36,360 --> 00:42:38,520
Speaker 3: that we do have to write some really funny beach

889
00:42:38,600 --> 00:42:39,080
Speaker 3: stand up.

890
00:42:39,280 --> 00:42:39,400
Speaker 2: Now.

891
00:42:39,480 --> 00:42:42,480
Speaker 3: I know we've talked about sand crabs, we've talked about

892
00:42:42,640 --> 00:42:42,840
Speaker 3: some of.

893
00:42:42,840 --> 00:42:46,480
Speaker 2: The time, we've said the words, we didn't really about them.

894
00:42:46,760 --> 00:42:48,839
Speaker 3: Yeah, are you kidding me with these things?

895
00:42:49,239 --> 00:42:50,719
Speaker 2: Yeah? That's what is going on?

896
00:42:51,960 --> 00:42:54,080
Speaker 3: And again am I going crazy?

897
00:42:54,480 --> 00:42:57,000
Speaker 2: Yeah? Anything more would be guilding the little.

898
00:42:56,880 --> 00:42:58,879
Speaker 5: Yeah, I think you're egging the pudding at that point.

899
00:42:58,960 --> 00:43:02,920
Speaker 5: That's there, that is asked and answered right there. But yeah,

900
00:43:02,960 --> 00:43:04,680
Speaker 5: you're shooing them with other stuff on the beach.

901
00:43:05,440 --> 00:43:07,399
Speaker 3: Yeah, what else is going on there?

902
00:43:07,920 --> 00:43:09,919
Speaker 5: I mean, you know, think of all the stuff. There's

903
00:43:09,960 --> 00:43:14,360
Speaker 5: so much material. There's there's planes flying by trailing those advertisements.

904
00:43:14,600 --> 00:43:17,960
Speaker 3: Yeah, so much fun with those, so much.

905
00:43:18,280 --> 00:43:24,319
Speaker 5: Yeah, you've got weird, weird seaweed washing up that Where

906
00:43:24,480 --> 00:43:25,520
Speaker 5: is this coming from?

907
00:43:25,640 --> 00:43:26,279
Speaker 2: What is going on?

908
00:43:26,560 --> 00:43:33,440
Speaker 5: Yeah, weird seaweed stuff. You've got uh little You've got

909
00:43:33,520 --> 00:43:36,279
Speaker 5: little kids running into the water for the first time,

910
00:43:36,440 --> 00:43:38,480
Speaker 5: falling down, parents running after them.

911
00:43:39,840 --> 00:43:40,000
Speaker 2: You know.

912
00:43:40,560 --> 00:43:43,000
Speaker 5: Yeah, all that means that that I don't know how

913
00:43:43,200 --> 00:43:45,239
Speaker 5: funny that is, but you do have just the way

914
00:43:45,320 --> 00:43:46,680
Speaker 5: you handle it it is, you know what?

915
00:43:46,840 --> 00:43:49,560
Speaker 3: Anything, you know what? It can be funny.

916
00:43:49,600 --> 00:43:51,600
Speaker 2: What I prefer to get sucked out by?

917
00:43:52,080 --> 00:43:53,919
Speaker 3: Oh yeah, for the grown ups.

918
00:43:54,200 --> 00:43:56,960
Speaker 1: I was thinking of a joke that I could know where,

919
00:43:57,120 --> 00:43:59,000
Speaker 1: like if the tide's coming in and it's about to

920
00:43:59,080 --> 00:44:02,719
Speaker 1: ruin the sand cast and I go, I go, don't worry, guys,

921
00:44:02,760 --> 00:44:05,439
Speaker 1: I heard this tides controlled by the moon.

922
00:44:05,680 --> 00:44:09,960
Speaker 2: And I give them a nice pressed ham. What do

923
00:44:10,040 --> 00:44:13,560
Speaker 2: you press it up against? But there's nothing to I bring.

924
00:44:13,760 --> 00:44:15,680
Speaker 1: I have a car door with the window rolled up

925
00:44:15,760 --> 00:44:20,920
Speaker 1: that's been detached, and I keep that in the sand

926
00:44:21,840 --> 00:44:23,960
Speaker 1: because that I also works for this other joke that

927
00:44:24,080 --> 00:44:24,799
Speaker 1: I used to tell.

928
00:44:25,400 --> 00:44:30,840
Speaker 2: Okay, so sorry, do you want to ask you to

929
00:44:30,920 --> 00:44:31,200
Speaker 2: tell it?

930
00:44:32,040 --> 00:44:32,239
Speaker 3: Yeah?

931
00:44:32,320 --> 00:44:33,799
Speaker 2: Yeah, yeah, what's the joke?

932
00:44:34,760 --> 00:44:39,080
Speaker 3: So these three guys are and there's nothing distinctive about

933
00:44:39,120 --> 00:44:39,719
Speaker 3: any one of them.

934
00:44:40,080 --> 00:44:42,520
Speaker 2: They don't there's not none of them fit any particular group.

935
00:44:43,120 --> 00:44:45,239
Speaker 1: But these three guys are going on them on a

936
00:44:45,360 --> 00:44:47,520
Speaker 1: long hike through the desert and they each get to

937
00:44:47,560 --> 00:44:51,920
Speaker 1: bring one item. So first guy got a donut. I say, hey,

938
00:44:51,960 --> 00:44:55,239
Speaker 1: why you got this donut? And he goes, well, walk

939
00:44:55,280 --> 00:44:56,960
Speaker 1: through the desert. When I get hungry, I'm gonna want

940
00:44:57,000 --> 00:44:58,560
Speaker 1: something to eat, so when I'm hungry, i'll eat it.

941
00:44:59,040 --> 00:45:01,200
Speaker 1: The next guy he's got a bottle of water and

942
00:45:01,280 --> 00:45:02,960
Speaker 1: they go, hey, why did you bring that bottle of water?

943
00:45:03,040 --> 00:45:04,600
Speaker 1: And he goes, well, walk through the desert. You know

944
00:45:04,640 --> 00:45:07,080
Speaker 1: at some point I'm gonna get thirsty, so i'll drink it.

945
00:45:07,920 --> 00:45:10,880
Speaker 1: Third guy's carrying a car door. They go, hey, why

946
00:45:10,960 --> 00:45:12,880
Speaker 1: you got this car door? He goes, I'll walk through

947
00:45:12,880 --> 00:45:14,359
Speaker 1: the desert. It's gonna be pretty hot at some point

948
00:45:14,360 --> 00:45:15,760
Speaker 1: I think I want to roll down the window.

949
00:45:17,800 --> 00:45:18,080
Speaker 6: Wow.

950
00:45:18,320 --> 00:45:21,359
Speaker 2: And so it helps to have the actual car door,

951
00:45:21,480 --> 00:45:23,399
Speaker 2: so you can be like, I guess and that man

952
00:45:23,640 --> 00:45:27,480
Speaker 2: was me? Or do you want to see them?

953
00:45:27,560 --> 00:45:28,040
Speaker 3: Do you then?

954
00:45:28,520 --> 00:45:30,400
Speaker 5: Do you roll down the window after you say the

955
00:45:30,440 --> 00:45:32,360
Speaker 5: punchliner as you're saying it, or what do you do?

956
00:45:33,120 --> 00:45:34,880
Speaker 3: What's what's what's been the best effect?

957
00:45:35,040 --> 00:45:37,919
Speaker 1: My experience so far has been a lot of people

958
00:45:38,000 --> 00:45:39,919
Speaker 1: start to drift off round the middle of the joke.

959
00:45:40,000 --> 00:45:45,000
Speaker 3: I'll hit him with some pressed ham. I don't what

960
00:45:45,080 --> 00:45:46,640
Speaker 3: do you mean when you hit him with pressed hand?

961
00:45:46,719 --> 00:45:47,720
Speaker 3: You throw it out?

962
00:45:49,440 --> 00:45:50,120
Speaker 2: What is going on?

963
00:45:50,719 --> 00:45:51,760
Speaker 3: I'm very confused?

964
00:45:52,040 --> 00:45:54,600
Speaker 2: Oh yeah, you too bad. You don't have the car

965
00:45:54,719 --> 00:45:55,160
Speaker 2: door in here.

966
00:45:55,239 --> 00:45:57,360
Speaker 3: I just go ahead, drop the pants and underpants and

967
00:45:57,400 --> 00:45:58,160
Speaker 3: go ahead and press it.

968
00:45:58,160 --> 00:45:59,000
Speaker 2: Up against the window.

969
00:45:59,080 --> 00:45:59,239
Speaker 5: There.

970
00:45:59,360 --> 00:46:03,000
Speaker 1: Okay, I heard these tides are controlled by the moon.

971
00:46:03,280 --> 00:46:06,560
Speaker 1: Let's find out. Hey, I think the water's moving back

972
00:46:06,640 --> 00:46:09,440
Speaker 1: away a lot of gravity.

973
00:46:11,920 --> 00:46:14,200
Speaker 2: So I had them with the press hand. Which is

974
00:46:14,800 --> 00:46:17,440
Speaker 2: is that weird for you? It's like a moon truther.

975
00:46:18,640 --> 00:46:21,680
Speaker 2: Sean believes that there is no moon. Well, what would

976
00:46:21,680 --> 00:46:24,960
Speaker 2: it be doing? Honestly, answer me, because no one's been

977
00:46:24,960 --> 00:46:27,560
Speaker 2: able to answer. Okay, let's say there is a moon.

978
00:46:27,680 --> 00:46:28,560
Speaker 2: What's it even doing?

979
00:46:30,880 --> 00:46:36,360
Speaker 5: It's orbiting the He goes to bed. Oh, so you

980
00:46:36,520 --> 00:46:37,439
Speaker 5: haven't seen them?

981
00:46:38,280 --> 00:46:40,160
Speaker 1: If it's out there, I haven't seen it. I've of

982
00:46:40,280 --> 00:46:42,080
Speaker 1: course seen photos. But you know what else I've seen

983
00:46:42,120 --> 00:46:49,160
Speaker 1: photos of h Well, no, I wasn't gonna say that Detroit.

984
00:46:49,160 --> 00:46:50,040
Speaker 1: Trying to think of something.

985
00:46:49,920 --> 00:46:53,040
Speaker 3: That's really fake photos of Detroit. I've seen photos of Detroit. Yeah,

986
00:46:53,360 --> 00:46:54,520
Speaker 3: is e the poster for that movie?

987
00:46:54,960 --> 00:46:55,120
Speaker 5: Right?

988
00:46:55,600 --> 00:46:58,600
Speaker 3: And you're like, what, well, yeah movie they made it up, right?

989
00:46:58,760 --> 00:46:59,439
Speaker 3: Is that what you're thinking?

990
00:46:59,640 --> 00:47:02,000
Speaker 1: Well, yes, because so much of the movies is the

991
00:47:02,080 --> 00:47:05,759
Speaker 1: moon and what well think about it?

992
00:47:06,520 --> 00:47:09,880
Speaker 2: I am all right right there with you.

993
00:47:10,080 --> 00:47:15,480
Speaker 5: I'm just gonna name two movies okay, Paldar Dean, Yeah,

994
00:47:16,200 --> 00:47:25,440
Speaker 5: Donny Darko, right, and okay, is that reel well a

995
00:47:25,480 --> 00:47:28,239
Speaker 5: poul Thart was based on a thing that happened. You

996
00:47:28,360 --> 00:47:31,280
Speaker 5: know that they went they were going to the moon. Well, no, shoot,

997
00:47:31,320 --> 00:47:32,080
Speaker 5: they didn't get there.

998
00:47:33,080 --> 00:47:37,840
Speaker 2: No spoilers, okay, yeah, Kevin chef. Kevin rarely gets to

999
00:47:38,120 --> 00:47:42,680
Speaker 2: enforce the no spoilers rule on the show. It's just.

1000
00:47:44,239 --> 00:47:47,080
Speaker 5: You don't You haven't seen the moon, so you don't

1001
00:47:47,120 --> 00:47:47,960
Speaker 5: think it exists.

1002
00:47:48,120 --> 00:47:50,880
Speaker 3: Well, I haven't seen it, and let's say it exists.

1003
00:47:51,040 --> 00:47:51,839
Speaker 2: What's it even doing?

1004
00:47:52,920 --> 00:47:53,799
Speaker 3: Sorry, get a job.

1005
00:47:55,239 --> 00:47:56,520
Speaker 2: It's like Kim Kardashian.

1006
00:47:56,840 --> 00:47:59,040
Speaker 3: Can we at least do you even know why she's famous?

1007
00:47:59,440 --> 00:48:02,319
Speaker 3: Can you at least the.

1008
00:48:04,280 --> 00:48:04,440
Speaker 2: Right?

1009
00:48:04,640 --> 00:48:06,360
Speaker 3: I mean, how's she even famous?

1010
00:48:10,000 --> 00:48:10,200
Speaker 2: You know?

1011
00:48:10,800 --> 00:48:14,799
Speaker 5: This is I'm I'm at the end of three cul

1012
00:48:14,840 --> 00:48:15,520
Speaker 5: de sacs at once.

1013
00:48:15,560 --> 00:48:17,200
Speaker 3: I didn't know that was possible. At this point, we're

1014
00:48:17,239 --> 00:48:18,600
Speaker 3: famous for being famous.

1015
00:48:19,400 --> 00:48:20,880
Speaker 2: I mean, is that what we're doing.

1016
00:48:21,960 --> 00:48:23,320
Speaker 3: There's no precedent for this.

1017
00:48:25,360 --> 00:48:27,280
Speaker 5: It's just it's another Jordan Peterson situation.

1018
00:48:27,440 --> 00:48:29,080
Speaker 3: No, it's true, it's all new.

1019
00:48:30,200 --> 00:48:32,640
Speaker 5: Is there any way for you to extend the Beach

1020
00:48:32,800 --> 00:48:35,960
Speaker 5: Bash so that it it goes into the night time

1021
00:48:36,000 --> 00:48:37,520
Speaker 5: so that he could at least see the moon.

1022
00:48:37,680 --> 00:48:41,440
Speaker 2: That's oh is it trying to get it to I

1023
00:48:41,480 --> 00:48:44,120
Speaker 2: mean keeping him excited and awake.

1024
00:48:44,840 --> 00:48:45,640
Speaker 3: The moon already.

1025
00:48:45,719 --> 00:48:51,919
Speaker 2: Yeah, No, I'll give it him a nice, a nice

1026
00:48:52,000 --> 00:48:53,640
Speaker 2: long look at the moon. And that is real.

1027
00:48:54,239 --> 00:48:56,440
Speaker 5: What do you do you close your act with that?

1028
00:48:56,600 --> 00:48:58,000
Speaker 5: Or is that in the middle or the beginning?

1029
00:48:58,080 --> 00:48:59,880
Speaker 3: Because how do you as I do a three or four?

1030
00:49:00,480 --> 00:49:01,080
Speaker 3: Oh three or four?

1031
00:49:01,239 --> 00:49:03,720
Speaker 1: It's all because it starts the first time, it's shocked,

1032
00:49:03,760 --> 00:49:07,480
Speaker 1: big last right. The second time, I'm now sort of

1033
00:49:07,880 --> 00:49:10,640
Speaker 1: establishing a pattern, and then there's a lot of tension

1034
00:49:10,680 --> 00:49:11,239
Speaker 1: built up of.

1035
00:49:11,360 --> 00:49:12,640
Speaker 3: Like when will he do it again?

1036
00:49:13,080 --> 00:49:15,160
Speaker 2: Is he doing it again? Will there be sort of

1037
00:49:15,360 --> 00:49:16,160
Speaker 2: twisted on it?

1038
00:49:16,760 --> 00:49:18,520
Speaker 5: And I and I'll sort of walk you right to

1039
00:49:18,600 --> 00:49:21,360
Speaker 5: the edge of a setup that would naturally result in

1040
00:49:21,440 --> 00:49:24,560
Speaker 5: a pressed ham, But then I will I won't give

1041
00:49:24,600 --> 00:49:26,680
Speaker 5: it to you quite yet, and it allows me to

1042
00:49:26,760 --> 00:49:29,200
Speaker 5: extend the act and sort of build that build that

1043
00:49:29,520 --> 00:49:34,279
Speaker 5: god anticipation, you're doing a club bass drop version. Yeah,

1044
00:49:34,920 --> 00:49:37,320
Speaker 5: of the joke there, Oh my god, here we go.

1045
00:49:37,560 --> 00:49:40,960
Speaker 2: Nope, Oh yeah. Sometimes he'll press it up in a

1046
00:49:41,000 --> 00:49:43,920
Speaker 2: way and move the car door around so that the

1047
00:49:44,080 --> 00:49:48,080
Speaker 2: ham is doing the joke that has proven to be

1048
00:49:48,360 --> 00:49:51,440
Speaker 2: difficult to create that illusion.

1049
00:49:51,360 --> 00:49:54,040
Speaker 1: That yeah, that's not perfect yet. But what but my

1050
00:49:54,160 --> 00:49:57,439
Speaker 1: big closer now and with this, we'll do the beach

1051
00:49:57,520 --> 00:50:01,440
Speaker 1: batch before this. Okay, So is that as I'm talking

1052
00:50:01,520 --> 00:50:04,040
Speaker 1: and doing the act sort of, I've got a uh

1053
00:50:04,400 --> 00:50:06,200
Speaker 1: the car door is sort of blocking the lower half

1054
00:50:06,280 --> 00:50:07,920
Speaker 1: my body, so I'm able to kind of draw a

1055
00:50:08,000 --> 00:50:11,120
Speaker 1: face back there and I'll and I'll stick a hot

1056
00:50:11,160 --> 00:50:16,480
Speaker 1: dog in to be the nose, and I'll draw these

1057
00:50:16,520 --> 00:50:21,040
Speaker 1: two big eyes and then I'll turn around and and

1058
00:50:21,320 --> 00:50:23,359
Speaker 1: and and give you the press. Him looks like a guy,

1059
00:50:23,719 --> 00:50:24,640
Speaker 1: kind of a funny guy.

1060
00:50:26,040 --> 00:50:27,040
Speaker 2: Looks like kil Roy.

1061
00:50:27,480 --> 00:50:30,280
Speaker 3: Yeah, but hang him over the edge of the window

1062
00:50:30,360 --> 00:50:31,439
Speaker 3: like kil Roy was here.

1063
00:50:32,600 --> 00:50:35,640
Speaker 2: Yes, here, he is here. He's here right now.

1064
00:50:36,080 --> 00:50:37,799
Speaker 1: I do and I try to and I try to get,

1065
00:50:37,920 --> 00:50:39,640
Speaker 1: you know, get him to talk a little bit, which,

1066
00:50:39,680 --> 00:50:42,600
Speaker 1: as Hayes pointed out, has not been working. And sometimes

1067
00:50:42,640 --> 00:50:45,839
Speaker 1: if I if I just miss well or the nose

1068
00:50:45,880 --> 00:50:46,600
Speaker 1: goes all the way in.

1069
00:50:49,040 --> 00:50:49,880
Speaker 2: Has been an issue.

1070
00:50:50,040 --> 00:50:52,439
Speaker 1: I was using a frozen hot dog that was very hard,

1071
00:50:53,400 --> 00:50:55,839
Speaker 1: and at one point I just missed misjudged the height

1072
00:50:55,880 --> 00:50:57,600
Speaker 1: a little bit, and I did get the nose all

1073
00:50:57,640 --> 00:50:59,640
Speaker 1: the way up there and and it was.

1074
00:51:01,800 --> 00:51:05,600
Speaker 3: Exciting, but also, uh, not what I wanted.

1075
00:51:06,080 --> 00:51:10,680
Speaker 2: Should we talk about ap bio, which I, uh my

1076
00:51:10,880 --> 00:51:15,080
Speaker 2: under it's the adult Pinocchio's biography.

1077
00:51:18,160 --> 00:51:26,320
Speaker 3: That's my understanding. That's my understanding is that apparently this

1078
00:51:26,480 --> 00:51:29,640
Speaker 3: guy is a liar, but.

1079
00:51:29,760 --> 00:51:31,880
Speaker 2: They don't brought up See then other show, they rarely

1080
00:51:32,040 --> 00:51:36,520
Speaker 2: mentioned that heat you was Pinocchio? Yeah, child, I'm sorry.

1081
00:51:36,560 --> 00:51:37,680
Speaker 3: You have seen the show.

1082
00:51:37,880 --> 00:51:39,280
Speaker 2: Oh yeah, it's in every episode.

1083
00:51:39,440 --> 00:51:41,799
Speaker 5: And so what were the moments that made you go, oh,

1084
00:51:41,880 --> 00:51:43,080
Speaker 5: this has grown up Pinocchio.

1085
00:51:43,400 --> 00:51:46,239
Speaker 3: Well, the guys, the guy. The guy's lying lies a lot.

1086
00:51:46,360 --> 00:51:50,400
Speaker 3: He's significantly older than Pinocchio. Yeah right, Okay.

1087
00:51:50,760 --> 00:51:52,759
Speaker 2: He's eating the apple and the poster in a way

1088
00:51:52,800 --> 00:51:54,800
Speaker 2: that makes it look like he's not really used to

1089
00:51:54,880 --> 00:52:00,120
Speaker 2: eating food, which is it seems like a panoca. You

1090
00:52:00,320 --> 00:52:02,959
Speaker 2: think Pinocchio never had to eat food? He was not real?

1091
00:52:03,440 --> 00:52:07,480
Speaker 5: You know what I gotta say. We we shot thirteen episodes.

1092
00:52:07,640 --> 00:52:10,399
Speaker 5: I personally didn't see any of this. I could talk

1093
00:52:10,480 --> 00:52:15,160
Speaker 5: to Michae O'Brien, a friend of the show, well creator, Yeah, if.

1094
00:52:15,080 --> 00:52:17,719
Speaker 2: You were there when he our friend of our show,

1095
00:52:17,800 --> 00:52:21,279
Speaker 2: I was there, Yeah, Oh, that's how you guys met.

1096
00:52:21,320 --> 00:52:22,920
Speaker 2: That's how you're doing Jez.

1097
00:52:24,000 --> 00:52:26,759
Speaker 5: These shows, they really blend in though they blur.

1098
00:52:27,960 --> 00:52:31,359
Speaker 1: He was on our show two years ago, and then

1099
00:52:31,520 --> 00:52:35,480
Speaker 1: I think a year ago I met with him a

1100
00:52:35,760 --> 00:52:39,120
Speaker 1: job interviewed for ap bio and he did not remember

1101
00:52:39,239 --> 00:52:40,680
Speaker 1: having done the podcast.

1102
00:52:41,520 --> 00:52:43,640
Speaker 3: Do you think that you will remember doing this show?

1103
00:52:43,719 --> 00:52:46,680
Speaker 5: Pat? That will be you know what when if you

1104
00:52:46,840 --> 00:52:50,960
Speaker 5: guys guest star, I'll see if I do. Can I

1105
00:52:51,000 --> 00:52:52,800
Speaker 5: ask you a question when you were auditioning, were you

1106
00:52:53,520 --> 00:52:56,200
Speaker 5: pushing this Pinocchio theory of yours?

1107
00:52:56,760 --> 00:52:56,920
Speaker 1: Oh?

1108
00:52:57,040 --> 00:52:57,200
Speaker 3: Yes?

1109
00:52:57,280 --> 00:52:59,560
Speaker 1: When I went in to read for it, I sort

1110
00:52:59,600 --> 00:53:03,560
Speaker 1: of decided to make some of the subtexts spoken out last. Okay,

1111
00:53:04,000 --> 00:53:07,080
Speaker 1: I think so I was bringing up to pedal a lot.

1112
00:53:07,480 --> 00:53:09,640
Speaker 3: Yes, see that probably that explains a lot.

1113
00:53:09,800 --> 00:53:11,600
Speaker 1: I haven't seen Pinocchio in a while, but I was

1114
00:53:11,719 --> 00:53:14,520
Speaker 1: remembering all that there was a whale.

1115
00:53:15,520 --> 00:53:18,360
Speaker 2: And I was going, what exactly was the deal with

1116
00:53:18,400 --> 00:53:26,279
Speaker 2: that one? So that so that was the bulk of

1117
00:53:26,360 --> 00:53:26,880
Speaker 2: my audition.

1118
00:53:27,400 --> 00:53:29,520
Speaker 5: You know, that is something that I will definitely bring up.

1119
00:53:30,400 --> 00:53:32,200
Speaker 5: I'm gonna meet with the writers in a couple of weeks,

1120
00:53:32,239 --> 00:53:34,440
Speaker 5: and I never thought of that. Maybe that's hidden in there.

1121
00:53:34,560 --> 00:53:37,120
Speaker 5: Or maybe that's something that will develop over the seasons. Yeah,

1122
00:53:37,680 --> 00:53:39,200
Speaker 5: and I never thought of that angle.

1123
00:53:39,280 --> 00:53:41,040
Speaker 3: And if we just want to get into some more detail,

1124
00:53:41,239 --> 00:53:44,120
Speaker 3: is it a is it like a cool show. Yes,

1125
00:53:44,239 --> 00:53:45,200
Speaker 3: it's a full show.