1 00:00:02,040 --> 00:00:05,680 Speaker 1: Whoa come back to another episode about me? There, I'm 2 00:00:05,720 --> 00:00:14,800 Speaker 1: your host, Kevin, Yes, yeah, Ken, I know sometimes I 3 00:00:14,800 --> 00:00:19,279 Speaker 1: wake up and I wish he was Did you not 4 00:00:19,520 --> 00:00:21,439 Speaker 1: see me? I was waving in you the whole time. 5 00:00:21,480 --> 00:00:23,160 Speaker 1: Put your head out of your rest for foot. But 6 00:00:23,239 --> 00:00:25,720 Speaker 1: I digress. Let's meet her a shower me no particular orders. 7 00:00:25,760 --> 00:00:30,680 Speaker 1: Say hey to Captain Christoph Varado surfs with wolves. Thoughts 8 00:00:30,680 --> 00:00:35,839 Speaker 1: on this season of Blowdeck Mediterranean Malie. There's never been 9 00:00:35,880 --> 00:00:39,720 Speaker 1: a better boasted in the history of the world than Malia. Yeah, 10 00:00:40,200 --> 00:00:45,280 Speaker 1: she's incredible, she's she's generous, she's sweet, she's positive. She 11 00:00:45,320 --> 00:00:48,920 Speaker 1: gives people opportunity, and when she needs to correct them, 12 00:00:48,960 --> 00:00:51,040 Speaker 1: it's not in a shitty way. She's there to make 13 00:00:51,040 --> 00:00:54,240 Speaker 1: them better people. And those three deck hands, those three 14 00:00:54,280 --> 00:00:59,760 Speaker 1: men are delights. We've we've ever had this lack of drama. 15 00:01:01,000 --> 00:01:04,480 Speaker 1: It's just it's just Lexi and apologies to the rest 16 00:01:04,480 --> 00:01:10,480 Speaker 1: of you. Uh now, let's welcome back Gary Anthony. In 17 00:01:10,600 --> 00:01:13,440 Speaker 1: case if you had any idea how good it feels 18 00:01:13,520 --> 00:01:18,520 Speaker 1: to be back, it feels great. Don't go ahead and 19 00:01:18,600 --> 00:01:22,000 Speaker 1: describe it. You know what, I don't know if you've 20 00:01:22,040 --> 00:01:24,880 Speaker 1: ever had cinnamon put in the bottom of a latte. 21 00:01:25,920 --> 00:01:27,360 Speaker 1: But if you get all the way to the bottom, 22 00:01:27,400 --> 00:01:30,679 Speaker 1: there's too much cinnamon. Yeah, right before you get there, 23 00:01:31,200 --> 00:01:34,120 Speaker 1: it's like that perfect balance of cinnamon. And that's what 24 00:01:34,280 --> 00:01:39,120 Speaker 1: it feels like. That was beautiful. That was beautiful and 25 00:01:40,080 --> 00:01:44,520 Speaker 1: perfectly sweet sip. It's the right it's yeah, it's also 26 00:01:44,640 --> 00:01:49,760 Speaker 1: the last good sip. Cinnamon turns into a slime at 27 00:01:49,800 --> 00:01:55,480 Speaker 1: the bottom. Slime, a bitter slime. I'm so glad everyone 28 00:01:55,480 --> 00:01:59,680 Speaker 1: has feelings at all about cinnamon. And now let's welcome Jack. 29 00:01:59,720 --> 00:02:06,200 Speaker 1: You tell us the road, the Conus, scariest place you've hiked, 30 00:02:08,520 --> 00:02:13,720 Speaker 1: scariest place I've hiked. You know, I don't go too crazy. 31 00:02:13,800 --> 00:02:16,200 Speaker 1: I know my limits. But I will say the scariest 32 00:02:16,240 --> 00:02:20,880 Speaker 1: time that I've hiked, I was hiking just Griffith Observatory. 33 00:02:20,919 --> 00:02:23,119 Speaker 1: I used to you could walk there from my apartments 34 00:02:23,160 --> 00:02:27,239 Speaker 1: by hike. Almost every day I was hiking. And at 35 00:02:27,280 --> 00:02:30,040 Speaker 1: this time, this is a very short amount of time 36 00:02:30,040 --> 00:02:32,960 Speaker 1: in my life, when I decided maybe I'll run, maybe 37 00:02:32,960 --> 00:02:38,040 Speaker 1: I'll become somebody who runs. Um didn't last. But thank god, 38 00:02:38,280 --> 00:02:41,040 Speaker 1: at this time I was somebody who runs. Because I'm 39 00:02:41,160 --> 00:02:46,440 Speaker 1: on the trail and I'm wearing exercise gear type fitted 40 00:02:47,520 --> 00:02:54,440 Speaker 1: and there are just staggle of ros who start saying 41 00:02:54,520 --> 00:02:58,200 Speaker 1: things in Spanish, but I know what they're saying, and 42 00:02:58,280 --> 00:03:00,720 Speaker 1: so I'm just like okay. But it gets to the 43 00:03:00,720 --> 00:03:03,600 Speaker 1: point where I'm like, oh, this is weird. They are 44 00:03:03,720 --> 00:03:06,560 Speaker 1: kind of like they have now moved from their spot 45 00:03:06,639 --> 00:03:10,480 Speaker 1: and they're they're behind me, trailing me. I've got to run, 46 00:03:11,080 --> 00:03:14,079 Speaker 1: I've got to run. So I hauled fucking asked down 47 00:03:14,160 --> 00:03:18,080 Speaker 1: then the mountain for a very long time until I 48 00:03:18,120 --> 00:03:21,560 Speaker 1: got home. Um, that was probably my yeah, my scariest 49 00:03:21,760 --> 00:03:24,480 Speaker 1: moment on the trail actually, and the other day I 50 00:03:24,520 --> 00:03:28,160 Speaker 1: was working with with Pat and a man uh sorry 51 00:03:28,280 --> 00:03:30,480 Speaker 1: that all my scary moments with men. But a man 52 00:03:31,000 --> 00:03:33,639 Speaker 1: is walking in the opposite direction and no one else 53 00:03:33,720 --> 00:03:37,160 Speaker 1: is on this trail, like it's a it's like five PM. 54 00:03:37,160 --> 00:03:42,040 Speaker 1: A man is walking staring at me, not blinking, with 55 00:03:42,320 --> 00:03:47,880 Speaker 1: a laceration on his forehead bleeding. It was just and 56 00:03:47,960 --> 00:03:50,920 Speaker 1: he passed and Pat was like what the fuck? And 57 00:03:50,920 --> 00:03:53,240 Speaker 1: I was like, does he not know he's bleeding? That 58 00:03:53,360 --> 00:03:56,480 Speaker 1: was but like that was to me, right, and He's like, 59 00:03:56,520 --> 00:03:59,000 Speaker 1: that was only to you? That was only to you. 60 00:03:59,080 --> 00:04:01,320 Speaker 1: I was like, that was that was really that was 61 00:04:01,360 --> 00:04:03,680 Speaker 1: scary too, A couple of scary ones. But I keep hiking. 62 00:04:03,720 --> 00:04:06,840 Speaker 1: I won't stop. No, don't ever stop. Do you know, 63 00:04:06,920 --> 00:04:09,000 Speaker 1: let those open wounds get to you. God, damn it. 64 00:04:09,520 --> 00:04:11,560 Speaker 1: That's right. And I know that if he comes at me, 65 00:04:11,800 --> 00:04:14,480 Speaker 1: I throw some ship in that open wound. Did you 66 00:04:14,480 --> 00:04:16,760 Speaker 1: hear the moniker I gave you, by the way, I 67 00:04:16,760 --> 00:04:18,920 Speaker 1: worked a little too hard on it. Can I hear 68 00:04:18,920 --> 00:04:24,120 Speaker 1: it again? Oh? Thank you? And you know what, And 69 00:04:24,160 --> 00:04:28,640 Speaker 1: it's true and it's natural. It's true, it's natural. I 70 00:04:28,680 --> 00:04:32,880 Speaker 1: didn't think you heard it because it was heard like monkey, 71 00:04:32,920 --> 00:04:38,000 Speaker 1: So I was like, monkey was the other one. I 72 00:04:38,000 --> 00:04:40,599 Speaker 1: couldn't figure out how to say this, my monkey, Jackie 73 00:04:40,680 --> 00:04:44,919 Speaker 1: the monkey. Hey, there's James Heeney, calamity Jim. How often 74 00:04:44,920 --> 00:04:50,279 Speaker 1: do you eat fish? Often? Um, it's healthy for the brain. 75 00:04:50,680 --> 00:04:54,440 Speaker 1: So we try to eat salmon once a week. Sometimes 76 00:04:54,839 --> 00:04:57,280 Speaker 1: it'll go a couple of weeks without it, but sometimes 77 00:04:57,279 --> 00:05:00,840 Speaker 1: it's twice in a week. M okay. I just it's 78 00:05:00,880 --> 00:05:03,080 Speaker 1: kind of strange that you're now referring to yourself as 79 00:05:03,120 --> 00:05:08,040 Speaker 1: we Oh. I know, it's cool, it's cool, that's true. 80 00:05:08,040 --> 00:05:10,760 Speaker 1: But I capically the cook of the household so when 81 00:05:10,800 --> 00:05:14,680 Speaker 1: I'm cooking, it's for the wheat. You know, I thought 82 00:05:14,720 --> 00:05:22,559 Speaker 1: you meant like me and my mouth look out. It's 83 00:05:22,600 --> 00:05:26,320 Speaker 1: kind of like cutter escape, don't hate what's your new 84 00:05:26,360 --> 00:05:32,479 Speaker 1: favorite guilty pleasure? Damn it? Oh you know when no 85 00:05:32,520 --> 00:05:36,800 Speaker 1: one's looking, I know, like like listen, I don't know, 86 00:05:36,960 --> 00:05:41,120 Speaker 1: like I don't think that. I mean, I think most 87 00:05:41,120 --> 00:05:44,800 Speaker 1: of my personality is things that are not okay to do. 88 00:05:45,040 --> 00:05:48,560 Speaker 1: So I have to kind of remove guilt from the equation, 89 00:05:48,680 --> 00:05:55,560 Speaker 1: you know what I mean? Um uh guilt. Well, I 90 00:05:55,560 --> 00:05:58,440 Speaker 1: guess something I felt guilty about before and now I'm 91 00:05:58,480 --> 00:06:00,160 Speaker 1: not is I have a lot of cock or is 92 00:06:00,200 --> 00:06:04,039 Speaker 1: in my apartment, so I've been taking pictures of them 93 00:06:04,080 --> 00:06:07,600 Speaker 1: and texting them to my landlord. So I'm not eating 94 00:06:07,640 --> 00:06:09,440 Speaker 1: them or anything. I know that it's set up to 95 00:06:09,480 --> 00:06:11,760 Speaker 1: do something kind of crazy, but um, I have a 96 00:06:11,760 --> 00:06:14,360 Speaker 1: lot of pictures of my phone. If you guys want 97 00:06:14,360 --> 00:06:16,520 Speaker 1: me to send them to you, if you want to text, um, 98 00:06:16,720 --> 00:06:21,560 Speaker 1: let me know please. Yeah. Are they big or small? Both? Everything? 99 00:06:21,880 --> 00:06:26,239 Speaker 1: Any kind of thing you can want their big one? 100 00:06:26,839 --> 00:06:28,680 Speaker 1: And like, I not to brag, but I lived in 101 00:06:28,720 --> 00:06:32,800 Speaker 1: New York for quite a while. I saw some big 102 00:06:32,880 --> 00:06:37,880 Speaker 1: juicy boys there and these are really competing with them. 103 00:06:37,960 --> 00:06:41,600 Speaker 1: And one the other day came at me. It was 104 00:06:41,760 --> 00:06:44,600 Speaker 1: coming at me. It saw me from across the room 105 00:06:44,640 --> 00:06:46,400 Speaker 1: and I heard it tap on its little tap shoes 106 00:06:46,480 --> 00:06:50,200 Speaker 1: into me, and it was like so big, and I 107 00:06:50,279 --> 00:06:54,640 Speaker 1: have a picture of it under a cup. Anyway, are 108 00:06:54,720 --> 00:06:56,719 Speaker 1: you kidn't get up on its little hind legs and 109 00:06:56,760 --> 00:06:58,719 Speaker 1: come at you? It did. It did a little time 110 00:06:58,760 --> 00:07:01,240 Speaker 1: step for me. It di little day and then a 111 00:07:01,240 --> 00:07:06,840 Speaker 1: little sort of break the exactly. I can't kill them 112 00:07:06,839 --> 00:07:09,440 Speaker 1: because they're so big and crunchy, so I like, well 113 00:07:10,120 --> 00:07:12,480 Speaker 1: see if they suffocate under a cop I was out 114 00:07:12,520 --> 00:07:14,040 Speaker 1: of town for a couple of weeks. I left one 115 00:07:14,120 --> 00:07:18,640 Speaker 1: under a cople I feel like I should feel guilty 116 00:07:18,680 --> 00:07:21,960 Speaker 1: about this, and it's not a pleasure. And this is 117 00:07:22,000 --> 00:07:24,440 Speaker 1: so much more than I was hoping. He won't come. 118 00:07:24,520 --> 00:07:29,120 Speaker 1: My landlord won't come. I've been texting him. That's the 119 00:07:29,160 --> 00:07:32,000 Speaker 1: part that you know, my landlord, please get him to 120 00:07:32,080 --> 00:07:36,280 Speaker 1: come here. Oh sure, that's what we can do. And last, 121 00:07:36,280 --> 00:07:39,000 Speaker 1: but the pedal to the groin. If you think of lease, 122 00:07:39,040 --> 00:07:44,760 Speaker 1: it's Joey Greer and knuckle Dick. Please, that's a monics. 123 00:07:45,400 --> 00:07:47,120 Speaker 1: I don't know who the monicer is, but it made 124 00:07:47,120 --> 00:07:52,800 Speaker 1: me giggle. Any true story from a cruise ship trip. 125 00:07:53,880 --> 00:07:56,840 Speaker 1: I used to go on cruises all the time from 126 00:07:57,040 --> 00:08:02,920 Speaker 1: Miamis and souft for major hub for cruise ships and uh, 127 00:08:03,000 --> 00:08:07,200 Speaker 1: any kind of water sport, and it's it's a lot 128 00:08:07,240 --> 00:08:13,480 Speaker 1: of these um different like what's it called? What's going on? 129 00:08:14,240 --> 00:08:18,000 Speaker 1: I thought of a cruise ship as being a water sport. 130 00:08:16,520 --> 00:08:22,080 Speaker 1: I'm just that they're they're like on cruise ships, there 131 00:08:22,120 --> 00:08:26,360 Speaker 1: are pools, there are slides, and also smaller, tinier, tinier 132 00:08:26,400 --> 00:08:28,880 Speaker 1: boats inside the ship that then you can go out 133 00:08:28,920 --> 00:08:31,080 Speaker 1: and actually get into the water. Because a lot of 134 00:08:31,080 --> 00:08:33,520 Speaker 1: people don't realize this. You're on a cruise ship. It's 135 00:08:33,559 --> 00:08:36,160 Speaker 1: not a normal size boat. It's really tall, and you 136 00:08:36,280 --> 00:08:38,120 Speaker 1: might want to jump into the water off of a 137 00:08:38,120 --> 00:08:40,760 Speaker 1: cruise ship. Go ahead. I'm not a doctor, but I'll 138 00:08:40,760 --> 00:08:43,400 Speaker 1: tell you this. You hit the water jumping off of 139 00:08:43,400 --> 00:08:47,320 Speaker 1: a cruise ship, it's like hitting electricity. Okay, so just 140 00:08:47,360 --> 00:08:49,320 Speaker 1: be very mindful of that. But if you jump off 141 00:08:49,440 --> 00:08:51,440 Speaker 1: a boat that's normal size and you hit the water, 142 00:08:51,600 --> 00:08:54,280 Speaker 1: it's like a little tiny pillows. So that's the biggest 143 00:08:54,280 --> 00:08:56,720 Speaker 1: difference I can give you on that. But so a 144 00:08:56,760 --> 00:09:00,240 Speaker 1: lot of this, but but so there's a lot of 145 00:09:00,240 --> 00:09:03,240 Speaker 1: these different sailing clubs and like you know, hey, guess what, 146 00:09:03,240 --> 00:09:04,720 Speaker 1: we gotta put the kids in some kind of summer 147 00:09:04,760 --> 00:09:06,280 Speaker 1: camp and like you know, we'll do some do some 148 00:09:06,360 --> 00:09:08,920 Speaker 1: kind of water sports. Actually are for when I was 149 00:09:08,960 --> 00:09:12,160 Speaker 1: growing up in the neighborhood, we would work the cruise ships. 150 00:09:12,240 --> 00:09:14,880 Speaker 1: So our summer camps were going to work the cruise 151 00:09:14,920 --> 00:09:17,040 Speaker 1: ships and we would have to come on as guests. 152 00:09:17,200 --> 00:09:20,120 Speaker 1: But then we got to open water, we were employees. 153 00:09:20,160 --> 00:09:23,280 Speaker 1: Suggested you gathered from your listener emails or if you 154 00:09:23,280 --> 00:09:26,000 Speaker 1: want to see video of what's happening right now, and 155 00:09:26,080 --> 00:09:29,680 Speaker 1: let me tell you the Patreon members who get to 156 00:09:29,720 --> 00:09:33,440 Speaker 1: see this video there I can tell by their emails, 157 00:09:33,559 --> 00:09:38,080 Speaker 1: so happy with the insanity. For example, right now we're 158 00:09:38,080 --> 00:09:42,480 Speaker 1: getting James as if he's in a Stephen King novel 159 00:09:42,600 --> 00:09:46,440 Speaker 1: come to life. The visual of him is so haunting 160 00:09:46,480 --> 00:09:49,520 Speaker 1: and disturbing. I'm not allowed to plug my lights in, 161 00:09:49,720 --> 00:09:53,400 Speaker 1: so I have led no, don't ruin it with the reasons, please, 162 00:09:53,800 --> 00:09:56,719 Speaker 1: the visual is too good to have any sort of explanation. 163 00:09:57,720 --> 00:09:59,400 Speaker 1: So if you want to head on over the patron 164 00:09:59,440 --> 00:10:01,920 Speaker 1: dot com slid sh algive me this. You can support 165 00:10:01,920 --> 00:10:04,600 Speaker 1: the show and see the video. If you'd like to 166 00:10:04,640 --> 00:10:08,280 Speaker 1: submit a scene suggestion via email, I would encourage you 167 00:10:08,360 --> 00:10:10,280 Speaker 1: to write us at Alchemy this email at gmail dot com. 168 00:10:10,360 --> 00:10:17,760 Speaker 1: It's ALcom. This email at my mom. Scene one comes 169 00:10:17,760 --> 00:10:22,400 Speaker 1: from patron v I P. Philip, who wrote, dear Lovely Alchemists, 170 00:10:22,440 --> 00:10:24,880 Speaker 1: I'm just testing your new email. Even though I am 171 00:10:24,920 --> 00:10:29,520 Speaker 1: a Patreon member. My last scene suggestion was apparently shited, 172 00:10:29,800 --> 00:10:32,440 Speaker 1: but I take no offense. I still love you, maybe 173 00:10:32,480 --> 00:10:36,320 Speaker 1: even more so. My new scene suggestion is also inspired 174 00:10:36,360 --> 00:10:38,720 Speaker 1: by real life. It comes from a story my Irish 175 00:10:38,760 --> 00:10:43,640 Speaker 1: friend mentioned while reminiscing his childhood. All boys Catholic School 176 00:10:43,920 --> 00:10:48,920 Speaker 1: and all girls convent or Convent School across the road. 177 00:10:49,640 --> 00:10:53,880 Speaker 1: They have to take the same bus to and from. 178 00:10:53,920 --> 00:10:57,520 Speaker 1: There is a lot of tensions. P s. I still 179 00:10:57,559 --> 00:11:01,960 Speaker 1: want Joey to tell us who's Limo? Take care? We've 180 00:11:02,160 --> 00:11:07,840 Speaker 1: We've done this one, Phil and fuck you. I didn't 181 00:11:07,840 --> 00:11:10,640 Speaker 1: want to be the one to break it. I wasn't 182 00:11:10,640 --> 00:11:13,120 Speaker 1: sure until the slim O came out. I was like, 183 00:11:13,520 --> 00:11:16,280 Speaker 1: I was like, we might have done this. Okay. It 184 00:11:16,400 --> 00:11:20,920 Speaker 1: was good though, it was thank thank you Phil and 185 00:11:21,880 --> 00:11:26,160 Speaker 1: we'll begin based on anything. I just let's just go. 186 00:11:26,280 --> 00:11:28,960 Speaker 1: Let's go, let's walk through exactly. Let's go, let's go. 187 00:11:29,400 --> 00:11:33,439 Speaker 1: I have a reservation for us, okay, but they haven't 188 00:11:33,480 --> 00:11:37,439 Speaker 1: showed up, can I can? I see, let's go take 189 00:11:37,440 --> 00:11:42,280 Speaker 1: a place. Yes, here you go. I was trying to rush. 190 00:11:42,480 --> 00:11:43,880 Speaker 1: I see the problem. I see the problem. This is 191 00:11:43,880 --> 00:11:47,640 Speaker 1: for tomorrow, Bud, No, that can't be right. I bought 192 00:11:47,679 --> 00:11:50,959 Speaker 1: that reservation from a gentleman named Slimo. I don't know. 193 00:11:51,000 --> 00:11:53,880 Speaker 1: I guess we're next on this guy with the Slimo. No, no, don't, 194 00:11:53,920 --> 00:11:56,480 Speaker 1: don't rush up on me. I no, no, take the time, pal. 195 00:11:56,600 --> 00:11:58,679 Speaker 1: I heard the guy say it's tomorrow, but go ahead 196 00:11:58,720 --> 00:12:02,000 Speaker 1: and rush it out. Okay, okay, hold on, do you 197 00:12:02,040 --> 00:12:04,560 Speaker 1: say you bought this from slim Out. Yeah, he was 198 00:12:04,600 --> 00:12:09,880 Speaker 1: scalping reservations outside. Okay, come here, come here. Yeah, look, 199 00:12:09,920 --> 00:12:11,520 Speaker 1: I need you to go into the back room. Okay, 200 00:12:11,600 --> 00:12:13,960 Speaker 1: and tell the men who are in there everything you 201 00:12:14,000 --> 00:12:18,040 Speaker 1: know about this gentleman the back room. Just okay, just 202 00:12:18,160 --> 00:12:20,720 Speaker 1: go right behind me, take this ticket back. I need 203 00:12:20,800 --> 00:12:23,040 Speaker 1: to take my kids and my wife up here. I'd say, 204 00:12:23,160 --> 00:12:25,680 Speaker 1: I'd say, leave your kids and wife here. We'll just 205 00:12:25,760 --> 00:12:28,600 Speaker 1: make sure they don't go anywhere, of course not. I'm 206 00:12:28,640 --> 00:12:31,040 Speaker 1: telling you this size bread has got to go next 207 00:12:31,080 --> 00:12:33,080 Speaker 1: to this kind of size bread. It just makes your 208 00:12:33,160 --> 00:12:37,120 Speaker 1: organizing back. You're easier, you know what? When my only thought, 209 00:12:37,200 --> 00:12:39,320 Speaker 1: and you can correct me if I'm wrong, and and 210 00:12:39,400 --> 00:12:42,520 Speaker 1: also correct me if I'm not wrong, is I would 211 00:12:42,520 --> 00:12:45,679 Speaker 1: like the bread in in how what's the word I'm 212 00:12:45,679 --> 00:12:52,000 Speaker 1: looking for? Exactly? Horizontal? And and and right now they're 213 00:12:52,040 --> 00:12:55,200 Speaker 1: laid out vertically and I don't see a way. I 214 00:12:55,240 --> 00:12:59,439 Speaker 1: don't see a excuse me, excuse me, bread ship mintser 215 00:12:59,520 --> 00:13:02,559 Speaker 1: in the front. Okay, we're organizing back here. I was told, 216 00:13:02,920 --> 00:13:05,360 Speaker 1: oh that's right. Well, thank god. I was confused because 217 00:13:05,360 --> 00:13:07,160 Speaker 1: I thought there was gonna be a different scenario. I 218 00:13:07,240 --> 00:13:09,360 Speaker 1: was supposed to go tell the guys in the back 219 00:13:09,480 --> 00:13:16,480 Speaker 1: room everything, every anything about any subject. Right now, let 220 00:13:16,480 --> 00:13:18,680 Speaker 1: me feel you in at the beginning of the story, 221 00:13:19,080 --> 00:13:25,880 Speaker 1: I forgot my anniversary. Uh he buried the lead. And 222 00:13:25,960 --> 00:13:29,600 Speaker 1: my right, he buried the lead. What's going on? What 223 00:13:29,760 --> 00:13:31,760 Speaker 1: mean you forgot your anniversary? How long are your relationship? 224 00:13:32,480 --> 00:13:35,600 Speaker 1: It's been I mean I have kids, so that's how long. 225 00:13:37,480 --> 00:13:39,960 Speaker 1: I mean? I mean, I mean, once again, you buried 226 00:13:39,960 --> 00:13:46,600 Speaker 1: the lead a second time. Oh, but this is a 227 00:13:46,640 --> 00:13:49,160 Speaker 1: fancy restaurant. So I figured out come. I just see 228 00:13:49,160 --> 00:13:51,600 Speaker 1: if I can hold on. I got some question may 229 00:13:51,720 --> 00:13:53,640 Speaker 1: before we just jump in, I mean, don't don't you 230 00:13:53,640 --> 00:13:54,920 Speaker 1: know what I mean? If there's too much bread in 231 00:13:54,920 --> 00:13:56,480 Speaker 1: this story? You know what I mean. But it's a 232 00:13:56,480 --> 00:13:59,079 Speaker 1: bread joke. We do bread jokes. Let me let me 233 00:13:59,160 --> 00:14:01,520 Speaker 1: laugh the door before you finish up with your questions. 234 00:14:02,520 --> 00:14:09,640 Speaker 1: Hold on, door locked again, Door locked again. Okay, I 235 00:14:09,679 --> 00:14:12,880 Speaker 1: have verbally locked. We do need to fix that verbal 236 00:14:12,960 --> 00:14:15,000 Speaker 1: luck because it's jumping all over the place. You know, 237 00:14:16,559 --> 00:14:20,600 Speaker 1: it's what was the word I'm looking for Scotland horizontal? Horizontal? 238 00:14:20,760 --> 00:14:25,880 Speaker 1: It is horizontally incapacitated the lock to go ahead with 239 00:14:25,960 --> 00:14:29,040 Speaker 1: your story, sir? So when I pulled up it was clear. 240 00:14:29,480 --> 00:14:31,400 Speaker 1: On a second I answer some questions before we get 241 00:14:31,440 --> 00:14:34,880 Speaker 1: into the bread of it, and we do bread jokes 242 00:14:34,920 --> 00:14:39,960 Speaker 1: pretty pretty good. I ate too much. I had too 243 00:14:40,560 --> 00:14:45,200 Speaker 1: many custards, Jennifer, too much? Why did you let me 244 00:14:45,280 --> 00:14:47,280 Speaker 1: do it? I don't know. I'm sorry, but you're grossing 245 00:14:47,320 --> 00:14:50,600 Speaker 1: me out if you have cusson speaking out of your mouth. 246 00:14:51,200 --> 00:14:54,640 Speaker 1: Oh we're public? Were public? PA laid down? Can you 247 00:14:54,760 --> 00:15:01,480 Speaker 1: hold Oh god, this is so embarrassing. Don't know, I 248 00:15:01,600 --> 00:15:04,760 Speaker 1: got I got two more clusters cheer for you know. 249 00:15:04,880 --> 00:15:08,840 Speaker 1: I'm sorry. We don't need Jennifer. I mean we're both Jennifer. 250 00:15:09,120 --> 00:15:14,000 Speaker 1: Don't eat it the custard, Sir, Can you rub my 251 00:15:14,040 --> 00:15:19,680 Speaker 1: friend's stomach please? I have CALO's hands. I like I 252 00:15:19,800 --> 00:15:23,160 Speaker 1: like a little texture. Okay, fine, I need it. It 253 00:15:23,160 --> 00:15:28,040 Speaker 1: helps move they find fine. Fine, can we have the 254 00:15:28,120 --> 00:15:34,000 Speaker 1: check please? Actually it's been taken care of that that 255 00:15:34,080 --> 00:15:39,440 Speaker 1: gentleman over there, Hello ladies right here, I mean sorry, 256 00:15:39,480 --> 00:15:41,920 Speaker 1: I am the guy in between who's going to point 257 00:15:41,960 --> 00:15:46,280 Speaker 1: to the correct gentleman step away, Hello, ladies, And that 258 00:15:46,360 --> 00:15:49,720 Speaker 1: gentleman right over there is the one who took care. 259 00:15:50,200 --> 00:15:52,640 Speaker 1: That's great to say, ladies. I hope you enjoy the 260 00:15:52,760 --> 00:15:58,080 Speaker 1: medal there. Oh the nice Irish man. Oh yeah, hold on, okay, okay, 261 00:15:58,120 --> 00:16:01,360 Speaker 1: I'll rub, I'll rub. Did you just have the custard? Then? 262 00:16:03,120 --> 00:16:06,720 Speaker 1: A lot of custard is a hard time knowing her limits. 263 00:16:07,040 --> 00:16:09,080 Speaker 1: Here's the tang. If you have too much custard, it's 264 00:16:09,120 --> 00:16:11,960 Speaker 1: too much of a good tang. There isn't it? Now? 265 00:16:12,080 --> 00:16:15,000 Speaker 1: You paying for it? I feel horrible. I'm supposed to 266 00:16:15,000 --> 00:16:18,520 Speaker 1: be listening to my girlfriend. You know, no offense, but 267 00:16:19,720 --> 00:16:23,200 Speaker 1: bit I was gonna say bitch about you had a second. 268 00:16:23,360 --> 00:16:26,840 Speaker 1: You had a second and you still said bitch. So 269 00:16:27,040 --> 00:16:31,280 Speaker 1: for me, I'm rubbing your stomach here. Yeah, I had 270 00:16:31,320 --> 00:16:38,120 Speaker 1: a naughty It makes me naughty do bad things because 271 00:16:38,120 --> 00:16:41,320 Speaker 1: I had too much. And I'm glad I said over 272 00:16:41,360 --> 00:16:43,960 Speaker 1: another round? Then, oh yes, sir, I mean it was 273 00:16:44,080 --> 00:16:47,000 Speaker 1: very it was kind of you know, don't send over anymore. 274 00:16:47,040 --> 00:16:49,640 Speaker 1: I have to rub her stomach. Can we try her 275 00:16:49,640 --> 00:16:52,560 Speaker 1: in a vertical? All right, let's go, let's go. Who's next, 276 00:16:52,600 --> 00:16:54,880 Speaker 1: Who's next? Come on, We'll go all day, let's go. 277 00:16:54,960 --> 00:16:59,080 Speaker 1: This is a fancy restaurant. Is is our daddy? Come 278 00:16:59,360 --> 00:17:07,200 Speaker 1: coming back? Oh? You want one second? What's going? It's everything? Okay, 279 00:17:07,200 --> 00:17:13,439 Speaker 1: where's my husband? It's okay. He bought a reservation. He 280 00:17:13,480 --> 00:17:19,720 Speaker 1: bought a reservation. Man. What's your name, Brianna? Brianna. Maybe 281 00:17:19,760 --> 00:17:21,320 Speaker 1: you don't want the kids to hear this. If you 282 00:17:21,359 --> 00:17:23,000 Speaker 1: want to just come here first, I'll just all whisper 283 00:17:23,080 --> 00:17:27,720 Speaker 1: in your ear. Your husband has had interactions with a 284 00:17:27,840 --> 00:17:31,080 Speaker 1: very dangerous individual, and there are men in the back 285 00:17:31,160 --> 00:17:35,920 Speaker 1: who are here to handle this. Situation. Unfortunately, you will 286 00:17:35,960 --> 00:17:39,399 Speaker 1: not be dining here tonight because he bought illegal reservations 287 00:17:39,400 --> 00:17:43,119 Speaker 1: for tomorrow. Are you on your dad getting that close 288 00:17:43,200 --> 00:17:45,600 Speaker 1: to our mom and kissing her ear like that? Are 289 00:17:45,640 --> 00:17:48,520 Speaker 1: you gonna I wasn't kissing. I wasn't kissing. I wasn't 290 00:17:48,560 --> 00:17:55,439 Speaker 1: kissing her. So that's the whatever. I don't think I 291 00:17:55,480 --> 00:17:58,320 Speaker 1: need to be strapped to this chair. I'm gladly going 292 00:17:58,400 --> 00:18:04,080 Speaker 1: to tell you somebody. You forget reservations, you forget anniversaries. 293 00:18:04,320 --> 00:18:06,320 Speaker 1: We're gonna make sure that you remember these important things 294 00:18:06,320 --> 00:18:10,639 Speaker 1: because this this is your life man, From this moment 295 00:18:10,720 --> 00:18:15,960 Speaker 1: only you have the opportunity to advance yourself. That's right, 296 00:18:16,400 --> 00:18:19,200 Speaker 1: I haven't. I haven't denied any of your questions. I've 297 00:18:19,240 --> 00:18:25,919 Speaker 1: ansted that has just seen one. We're gonna stop on 298 00:18:26,000 --> 00:18:28,840 Speaker 1: everyone's favorite. We should have to stop for two hours 299 00:18:28,880 --> 00:18:35,240 Speaker 1: on this one. There's no there's no uh, there's not 300 00:18:35,320 --> 00:18:42,840 Speaker 1: a camp be a step beyond anisthird scene too comes 301 00:18:42,840 --> 00:18:46,960 Speaker 1: from listener to Koe, who wrote, Hey, Alchemy, this team, 302 00:18:47,240 --> 00:18:50,040 Speaker 1: I hope you're all staying safe. I'm always excited for 303 00:18:50,080 --> 00:18:52,879 Speaker 1: Tuesdays and Thursdays, when the newest episode arrives in the feed. 304 00:18:53,840 --> 00:18:59,320 Speaker 1: You're all easily my favorite improv team. I'd like to 305 00:18:59,320 --> 00:19:01,760 Speaker 1: know some other teams that he likes, wouldn't you, guys, 306 00:19:01,960 --> 00:19:06,560 Speaker 1: Just to really get a handle, Suggestion Area fifty one. 307 00:19:06,600 --> 00:19:13,679 Speaker 1: Intern Accidentally, let's the alien escape all the best kale. Alright, 308 00:19:13,760 --> 00:19:17,080 Speaker 1: So which knobs did you say you pushed? I pushed 309 00:19:17,440 --> 00:19:23,359 Speaker 1: Bhu followed, followed quickly by do not be di a 310 00:19:24,440 --> 00:19:29,040 Speaker 1: instead of doing yeah, yeah, I pushed it. Oh boy, 311 00:19:29,320 --> 00:19:31,919 Speaker 1: all right, okay, well now I see what's going on. 312 00:19:32,880 --> 00:19:35,239 Speaker 1: So how long did you say you've been working here? 313 00:19:35,640 --> 00:19:43,040 Speaker 1: About fourteen? Okay, then, um, maybe this is an older 314 00:19:43,200 --> 00:19:47,440 Speaker 1: process that you're following. I'm only aware of the last twelve. 315 00:19:48,320 --> 00:19:52,080 Speaker 1: Uh and in the last twelve it's not it is 316 00:19:52,119 --> 00:19:55,520 Speaker 1: a dial. It's not a push, right right right, so 317 00:19:55,560 --> 00:20:00,399 Speaker 1: you kind of push everything. Look alive, gentlemen, look alive. 318 00:20:01,200 --> 00:20:07,679 Speaker 1: All right. The hut, it's a hut. Okay, listen up. 319 00:20:07,680 --> 00:20:09,480 Speaker 1: We got the general coming down there. You can do 320 00:20:09,520 --> 00:20:13,359 Speaker 1: a couple of inspections, all right on the X project. Hush, hush, 321 00:20:13,800 --> 00:20:17,080 Speaker 1: no one say what that is. Alright, So it's a 322 00:20:17,200 --> 00:20:19,800 Speaker 1: raise of hands over here. I see that hand and 323 00:20:19,880 --> 00:20:22,840 Speaker 1: I acknowledge it. I have figuratively shipped to be it. 324 00:20:23,640 --> 00:20:28,560 Speaker 1: I pushed, I pushed down. I pushed the doll instead 325 00:20:28,560 --> 00:20:31,920 Speaker 1: of turning it. And I have released what I could 326 00:20:32,040 --> 00:20:37,040 Speaker 1: sit off. Oh, here all on earthing here of processes. 327 00:20:37,080 --> 00:20:39,879 Speaker 1: Because what you're saying, the way you're saying, is very calm, 328 00:20:39,920 --> 00:20:42,920 Speaker 1: and it's very soothing. But what I don't believe in 329 00:20:43,000 --> 00:20:46,560 Speaker 1: getting excited my my phone. I don't believe I ever 330 00:20:46,680 --> 00:20:50,640 Speaker 1: got excited. I mean, you don't believe. Look, look, little guy, 331 00:20:50,640 --> 00:20:53,280 Speaker 1: I understand you're pointing all behind me. You're pointing to 332 00:20:53,320 --> 00:20:57,040 Speaker 1: the cigarettes. You're pointing to the pornography magazines. But unless 333 00:20:57,040 --> 00:21:01,320 Speaker 1: I see some idea, you're not getting anything. Man, give me, 334 00:21:02,320 --> 00:21:09,720 Speaker 1: give me look, okay, you want to all right, all right, jeez, 335 00:21:09,800 --> 00:21:13,400 Speaker 1: by the way, I like your fit man, the cool clothes. 336 00:21:13,880 --> 00:21:18,919 Speaker 1: Give me cigarettes. No, see, I can't do that. I 337 00:21:19,040 --> 00:21:23,359 Speaker 1: can't do that. Holdt how old? Wait? Why am I 338 00:21:23,359 --> 00:21:36,520 Speaker 1: getting so cold? Are you looking? Oh? Sarettes? Huh um, Stephan. 339 00:21:36,680 --> 00:21:40,719 Speaker 1: I'm so sorry to tell you this, but Hank, uh 340 00:21:41,320 --> 00:21:48,040 Speaker 1: Hank exploded it at the gas station. What Hank Hank 341 00:21:48,119 --> 00:21:54,320 Speaker 1: exploded it at the gas station? You are do I 342 00:21:54,359 --> 00:21:56,760 Speaker 1: need to go clean it up? No? No, I wouldn't 343 00:21:57,119 --> 00:21:59,920 Speaker 1: wouldn't go check that up. But we we all it's 344 00:22:00,040 --> 00:22:06,360 Speaker 1: get together. Yeah, we're getting some Powerball tickets. So if 345 00:22:06,400 --> 00:22:11,200 Speaker 1: that that might help with the house. Do I need 346 00:22:11,240 --> 00:22:14,000 Speaker 1: to pick him up? I need to come home going 347 00:22:14,040 --> 00:22:23,879 Speaker 1: to different He m his head look microines hope that 348 00:22:24,080 --> 00:22:29,760 Speaker 1: sometimes he goes lin in the middle of set. Okay, Martin, 349 00:22:29,840 --> 00:22:32,760 Speaker 1: I went over the video of you explaining the stuff 350 00:22:32,800 --> 00:22:40,080 Speaker 1: of what happened. Yeah, as a grief counselor, he certain 351 00:22:40,119 --> 00:22:42,800 Speaker 1: things that you're gonna have to start. I don't know. 352 00:22:43,160 --> 00:22:49,640 Speaker 1: Doing better is the way I would crazy. She's she's distraught. 353 00:22:51,040 --> 00:22:54,480 Speaker 1: She's also something that I like to call upset. I 354 00:22:54,520 --> 00:22:56,199 Speaker 1: need you to get back over there and try to 355 00:22:56,280 --> 00:23:02,239 Speaker 1: calm her down. You got it, Hey, I'm sorry. So 356 00:23:02,280 --> 00:23:06,760 Speaker 1: the gig is just following this guy and filming him 357 00:23:06,800 --> 00:23:09,440 Speaker 1: delivering bad news is just like for a gag show. 358 00:23:09,600 --> 00:23:12,080 Speaker 1: But I don't know stef no, No, he's a grief councer, 359 00:23:12,200 --> 00:23:15,040 Speaker 1: and I thought it would be interesting and helpful to 360 00:23:15,119 --> 00:23:17,400 Speaker 1: him for someone to follow him around and fill them 361 00:23:17,480 --> 00:23:20,320 Speaker 1: him fill hm him doing what right. I'm an award 362 00:23:20,359 --> 00:23:27,679 Speaker 1: winning documentary filmmaker and this is the oddest request. So, honey, 363 00:23:27,720 --> 00:23:31,000 Speaker 1: take the job. Okay, you need it, Michael Moore, he 364 00:23:31,080 --> 00:23:35,520 Speaker 1: could you could do this? You know what, She's always right, 365 00:23:35,600 --> 00:23:39,280 Speaker 1: which is weird and mostly annoying, but it's a fact 366 00:23:39,640 --> 00:23:45,240 Speaker 1: she's always right. So the answer is yes. Um uh 367 00:23:45,440 --> 00:23:58,600 Speaker 1: so definitely. Hello, it's me again. Uh like my arms 368 00:23:58,600 --> 00:24:01,320 Speaker 1: are just embodied from my whole body. I just fee 369 00:24:01,640 --> 00:24:08,320 Speaker 1: out of control. Calm down, Calm down. Okay, your husband exploded. 370 00:24:08,440 --> 00:24:13,800 Speaker 1: Calm down, Calm down. Okay he's gone. Calm down. I 371 00:24:13,840 --> 00:24:20,119 Speaker 1: already gave you the scratches. What check check that Everyone 372 00:24:20,119 --> 00:24:22,480 Speaker 1: in my family no one's answering it, and I don't 373 00:24:22,520 --> 00:24:26,679 Speaker 1: know are they exploded to are they Let's just assume. 374 00:24:27,240 --> 00:24:31,080 Speaker 1: Let's just assume there a little fella, see you hit 375 00:24:31,200 --> 00:24:33,560 Speaker 1: checking here on the side of the road. I got 376 00:24:33,880 --> 00:24:35,679 Speaker 1: room for one more in this eighteen will if you 377 00:24:35,680 --> 00:24:40,040 Speaker 1: want to hop on up. I want to drive, all right, 378 00:24:40,200 --> 00:24:41,960 Speaker 1: don't be crazy. I have a seat where you headed 379 00:24:42,000 --> 00:24:47,280 Speaker 1: to drive. That's my girlfriend in the back. She's taking 380 00:24:47,280 --> 00:24:49,399 Speaker 1: a nap. Don't wake her. But if she wakes up 381 00:24:54,680 --> 00:24:59,040 Speaker 1: the drive Okay, alright, look alive, people, look alive. All right. 382 00:24:59,080 --> 00:25:02,159 Speaker 1: Let's see here. Now, if we get these pillows together 383 00:25:02,240 --> 00:25:04,440 Speaker 1: and some of this bread will be able to mock 384 00:25:04,560 --> 00:25:06,720 Speaker 1: up what might look like the alien was supposed to 385 00:25:06,760 --> 00:25:09,240 Speaker 1: be in the streamer. Okay, so we'll just put this 386 00:25:09,359 --> 00:25:12,720 Speaker 1: over there. You know, I gotta say. We're always in 387 00:25:12,720 --> 00:25:22,760 Speaker 1: our different offices. But the General's coming. The General's coming, Okay, Okay. 388 00:25:22,800 --> 00:25:27,639 Speaker 1: If he says something to me, don't, don't, don't. The 389 00:25:27,680 --> 00:25:32,720 Speaker 1: General is a woman. I don't see people below the well, 390 00:25:32,760 --> 00:25:38,320 Speaker 1: you said, he, I don't see people waiting to come 391 00:25:38,359 --> 00:25:41,719 Speaker 1: in as soon as my trumpet solo is done. I 392 00:25:41,760 --> 00:25:44,840 Speaker 1: refused to walk into a room when the music has 393 00:25:44,880 --> 00:25:52,720 Speaker 1: not been played to the end. Do do? Do? I 394 00:25:52,760 --> 00:25:55,440 Speaker 1: love what you did with that? That was really some 395 00:25:55,480 --> 00:26:06,120 Speaker 1: beautiful stuff. Attention then, ch okay, yes, as I want 396 00:26:06,160 --> 00:26:08,760 Speaker 1: to make clear to everyone, as I always do every 397 00:26:08,760 --> 00:26:11,000 Speaker 1: time I enter a room, I am a woman. I 398 00:26:11,000 --> 00:26:13,639 Speaker 1: am a female general. Some of you don't, yeah, I 399 00:26:13,680 --> 00:26:16,720 Speaker 1: see a hand general. I don't look at people. I 400 00:26:16,720 --> 00:26:21,520 Speaker 1: don't know if you have titties, and it does not matter. 401 00:26:21,560 --> 00:26:23,600 Speaker 1: I don't even know what sex I am. I have 402 00:26:23,640 --> 00:26:26,439 Speaker 1: a look down in yield. I understand, and thank you 403 00:26:26,480 --> 00:26:28,680 Speaker 1: for saying that. I do actually happen to have both 404 00:26:28,680 --> 00:26:32,399 Speaker 1: a titties and penis on my chest. Um, that's just 405 00:26:32,480 --> 00:26:36,680 Speaker 1: something about me. So okay, So I'm here to talk 406 00:26:36,720 --> 00:26:43,680 Speaker 1: about project x highly um confidential project, and I am 407 00:26:43,760 --> 00:26:47,200 Speaker 1: looking to uh see if you've made any progress with 408 00:26:47,400 --> 00:26:54,800 Speaker 1: the subject x Yes, uh some project, some projects, Yes, 409 00:26:54,880 --> 00:27:02,240 Speaker 1: we have the project so um. So it looks like 410 00:27:02,280 --> 00:27:06,600 Speaker 1: the Speciman has formed a pillow like body and bread 411 00:27:06,640 --> 00:27:12,800 Speaker 1: like arms. And if if we're gonna if we take 412 00:27:12,840 --> 00:27:14,960 Speaker 1: a closer look here, we'll notice that's in some kind 413 00:27:14,960 --> 00:27:17,879 Speaker 1: of statius shock. I look, it looks like there's three 414 00:27:18,040 --> 00:27:21,760 Speaker 1: French rolls in a bad yet. Look it isn't that 415 00:27:21,800 --> 00:27:25,520 Speaker 1: crazy the shapes in there. That's not the that's not 416 00:27:25,880 --> 00:27:31,720 Speaker 1: x um. I guess it's time for me to Hey, 417 00:27:31,760 --> 00:27:34,400 Speaker 1: little man, you looking for a good time. I got 418 00:27:34,440 --> 00:27:38,879 Speaker 1: this big, big good time. Don't you just let me 419 00:27:38,880 --> 00:27:40,840 Speaker 1: into this big old truck and we can have a 420 00:27:40,880 --> 00:27:46,080 Speaker 1: big old you know, no, what a big old what 421 00:27:48,440 --> 00:27:52,600 Speaker 1: you know? No? I have never been taught a big 422 00:27:52,920 --> 00:27:59,400 Speaker 1: what a big old good time? Okay, I like good times? 423 00:27:59,760 --> 00:28:02,960 Speaker 1: Is that a woman back there? There's a woman there, 424 00:28:03,040 --> 00:28:07,280 Speaker 1: she's sleeping. Don't wake her up. Okay, wait, Jennifer, wait, 425 00:28:07,960 --> 00:28:13,240 Speaker 1: so your boyfriend exploded too, Yes, and then you woke 426 00:28:13,359 --> 00:28:19,159 Speaker 1: up to wild alien like intercose intercourse, or did you 427 00:28:19,200 --> 00:28:21,840 Speaker 1: wake up to a woman fucking bread and a pillow? 428 00:28:22,880 --> 00:28:25,280 Speaker 1: It's al this, lord, I don't know what else to 429 00:28:25,320 --> 00:28:27,600 Speaker 1: tell you. It looked like a woman who was fucking 430 00:28:27,640 --> 00:28:30,359 Speaker 1: a bunch of bread, right, ladies, And here's two more 431 00:28:30,440 --> 00:28:38,200 Speaker 1: custards custard. This is gonna help you eat the custard, Jennifer, Ladies. Ladies, 432 00:28:38,240 --> 00:28:41,040 Speaker 1: the man, the man over there has asked me to 433 00:28:41,120 --> 00:28:44,560 Speaker 1: tell you that he wants you to have more custard. 434 00:28:46,680 --> 00:28:50,600 Speaker 1: What do you want. I'm not here to get anything, ladies. 435 00:28:50,640 --> 00:28:55,320 Speaker 1: I just noticed she could use some custard. It helps, 436 00:28:55,400 --> 00:29:01,600 Speaker 1: it does my tears. She's all right, who's next? Oh slim, 437 00:29:01,600 --> 00:29:10,600 Speaker 1: Oh I've had reservation. Yeah, no, of Hey, okay, look 438 00:29:11,280 --> 00:29:14,080 Speaker 1: you're in a lot of trouble man, No, no, keep 439 00:29:14,120 --> 00:29:18,960 Speaker 1: it on the down law. I'm not injurious. I just 440 00:29:19,120 --> 00:29:26,440 Speaker 1: want to have good times cigarettes pornography. I'm slim. Oh okay, 441 00:29:26,760 --> 00:29:34,920 Speaker 1: not a scene too, Thank goodness, it is finally established. 442 00:29:35,240 --> 00:29:43,640 Speaker 1: Oh man, happy days. Scene three. Peyton v p To 443 00:29:44,680 --> 00:29:48,200 Speaker 1: wrote you slie, son of a gun. I know you 444 00:29:48,320 --> 00:29:50,880 Speaker 1: chose my scene. While Chris was hosting Just to make 445 00:29:50,920 --> 00:29:53,840 Speaker 1: me look like a fool since I specifically greeted you 446 00:29:54,040 --> 00:29:58,440 Speaker 1: and or Cole. Of course, I'm kidding. I can't imagine 447 00:29:58,480 --> 00:30:01,000 Speaker 1: you have the time to plan these things out so perfectly. No, 448 00:30:01,160 --> 00:30:04,120 Speaker 1: we we We've shown proof of that a little earlier. 449 00:30:04,760 --> 00:30:07,720 Speaker 1: So let's try this again. Hey, how chemist seeing suggestion 450 00:30:07,960 --> 00:30:17,040 Speaker 1: is Wednesday? Carry on, Toby, hmmm, uh? Could we just 451 00:30:17,240 --> 00:30:21,520 Speaker 1: have the next um, let's see, let's go with an 452 00:30:21,560 --> 00:30:25,760 Speaker 1: actress this time. Uh? Those are those of you actresses 453 00:30:25,800 --> 00:30:31,160 Speaker 1: who have the sides? Please if you signed in already, 454 00:30:32,480 --> 00:30:34,520 Speaker 1: just trying to mix it up a little between the 455 00:30:34,520 --> 00:30:37,880 Speaker 1: actors and actresses. So let's go with an actress. Whichever 456 00:30:37,960 --> 00:30:40,240 Speaker 1: one of you is ready. Now, I'm gonna take you 457 00:30:40,280 --> 00:30:42,440 Speaker 1: into Anyboddy. Hey, buddy, I don't know how many times 458 00:30:42,440 --> 00:30:43,600 Speaker 1: I told this. You gotta get the hell out of 459 00:30:43,600 --> 00:30:46,480 Speaker 1: this McDonald's. Okay, stop coming in here and treating like 460 00:30:46,520 --> 00:30:49,160 Speaker 1: it's a goddamn audition. Okay, either get Do you want 461 00:30:49,200 --> 00:30:51,040 Speaker 1: to be in the film? Do you want to be 462 00:30:51,080 --> 00:30:53,240 Speaker 1: in the film? Buddy? I keep hearing this all the time. 463 00:30:53,240 --> 00:30:57,080 Speaker 1: You're some kind of famous a director. I could be 464 00:30:57,120 --> 00:30:59,240 Speaker 1: the director of the film. You seem to have a 465 00:30:59,280 --> 00:31:03,440 Speaker 1: good story, tative, you know what, fucking fucking I'm the 466 00:31:03,480 --> 00:31:06,440 Speaker 1: director today, let's do let's do today today. I'm the director, 467 00:31:06,520 --> 00:31:11,120 Speaker 1: let's do it and action. I'm the director. What do 468 00:31:11,240 --> 00:31:14,200 Speaker 1: my what do you want me to do? I want 469 00:31:14,360 --> 00:31:16,840 Speaker 1: to say, I'm not a lady, but I am ready 470 00:31:16,920 --> 00:31:20,760 Speaker 1: right now for my audition and I already bought food. 471 00:31:20,840 --> 00:31:23,600 Speaker 1: So great. This is the director, so he'll be saying 472 00:31:24,840 --> 00:31:30,080 Speaker 1: McDonald I'm a director. Oh come on, I'm not working 473 00:31:30,120 --> 00:31:32,920 Speaker 1: with Welcome to Burger King. Can I can I get 474 00:31:32,920 --> 00:31:38,960 Speaker 1: your artists? Sir? Yeah? Is your Whopper Wednesday? It's Whopper Wednesday? Sir? Yes, sir, 475 00:31:39,640 --> 00:31:42,680 Speaker 1: will you exclaise me, please hurry up, and artist, I 476 00:31:42,680 --> 00:31:45,520 Speaker 1: have an audition at the McDonald's, but you please hurry 477 00:31:45,520 --> 00:31:49,600 Speaker 1: out just quickly. Then you tell me the details of 478 00:31:49,680 --> 00:31:52,240 Speaker 1: the special of Wopper Wednesdays. Well, first of all, the 479 00:31:52,280 --> 00:31:54,000 Speaker 1: bappa is of course, hold took a hole to let 480 00:31:54,080 --> 00:31:56,240 Speaker 1: the special artists. Don't forget us how we asked. Let's 481 00:31:56,240 --> 00:31:59,240 Speaker 1: serve it your way, and then details a Wapper Wednesday 482 00:31:59,400 --> 00:32:01,520 Speaker 1: as you get a oper and we'll have it your way. 483 00:32:01,720 --> 00:32:04,520 Speaker 1: There's all. It comes with one fry. So now you 484 00:32:04,560 --> 00:32:06,320 Speaker 1: get to choose with that fries on the left or 485 00:32:06,360 --> 00:32:07,960 Speaker 1: the right side of the trade when I bring it 486 00:32:07,960 --> 00:32:11,400 Speaker 1: out to Okay, I'll tell you one whopper right side front, 487 00:32:11,440 --> 00:32:16,560 Speaker 1: please right, one whopper right side fry. Thank you, thank you. 488 00:32:16,800 --> 00:32:19,440 Speaker 1: So you have an excellent square jaw on you as well. 489 00:32:19,520 --> 00:32:20,959 Speaker 1: If I was you, I would get out of here 490 00:32:20,960 --> 00:32:23,280 Speaker 1: when I do and go o without a McDonald's fillers. 491 00:32:23,800 --> 00:32:28,360 Speaker 1: Huh fillers you mean in your jaw, cheeks and my chin. 492 00:32:29,040 --> 00:32:32,920 Speaker 1: Oh that looks the nine wrenches pop. But it's worth it, 493 00:32:33,000 --> 00:32:35,960 Speaker 1: I think. Look at me. Do me a favor. I'm 494 00:32:35,960 --> 00:32:38,640 Speaker 1: gonna slide you a napkin right on the name of 495 00:32:38,680 --> 00:32:42,120 Speaker 1: your doctor and off position so that I may see 496 00:32:42,120 --> 00:32:48,480 Speaker 1: them myself. Okay, there it is. There you go, doctor Lucastoc. 497 00:32:49,280 --> 00:32:56,280 Speaker 1: Is that that is a you? Right, Lucasto, Lucasto, Thank you. Tony. 498 00:32:56,360 --> 00:32:57,920 Speaker 1: I need you to talk to me in the back 499 00:32:57,960 --> 00:33:01,520 Speaker 1: office really quick, just uh read it? Would you? Would 500 00:33:01,520 --> 00:33:07,240 Speaker 1: you fill at the front desk? Tony? You take the register. 501 00:33:07,440 --> 00:33:09,360 Speaker 1: I need to talk to Tony in the back yea, 502 00:33:09,480 --> 00:33:13,040 Speaker 1: you heard him. You take that front desk at the register. Okay, 503 00:33:13,160 --> 00:33:18,000 Speaker 1: Tony Kimmer shut the tour behind you. Hold on do 504 00:33:17,200 --> 00:33:25,240 Speaker 1: it door lock? Thank you? Did you just request a 505 00:33:25,280 --> 00:33:29,760 Speaker 1: phone number? Yes, yes, I did. I have no shame 506 00:33:29,840 --> 00:33:32,840 Speaker 1: in my game. I am so sick of this. You 507 00:33:32,920 --> 00:33:35,800 Speaker 1: only care about your acting career. You come in here 508 00:33:36,040 --> 00:33:39,440 Speaker 1: all day. I've heard about you're gonna and then you're 509 00:33:39,760 --> 00:33:43,400 Speaker 1: hit non customers getting their phone numbers. You know what, 510 00:33:43,400 --> 00:33:47,200 Speaker 1: I would give me that apron. You're done here. I'm 511 00:33:47,280 --> 00:33:52,120 Speaker 1: nothing without my apron. You know that. Give me that apron. Apron. 512 00:33:52,120 --> 00:33:55,280 Speaker 1: You're gonna have to look on it. It's the front 513 00:33:55,360 --> 00:34:05,280 Speaker 1: desk at the Burger Davis is Oxide High. We have reservation. Uh, Thompson's, Thompson's. 514 00:34:05,280 --> 00:34:15,680 Speaker 1: We got your way suite. I thought I was working 515 00:34:15,760 --> 00:34:22,920 Speaker 1: the register. Friends, which one checking us in? I'm just 516 00:34:23,000 --> 00:34:27,479 Speaker 1: so excited, Mike, I don't work here, all right, sir. 517 00:34:27,719 --> 00:34:29,919 Speaker 1: We got the two cars to blow up when every 518 00:34:30,280 --> 00:34:32,480 Speaker 1: you call action. We couldn't get stunt people, but we 519 00:34:32,520 --> 00:34:35,120 Speaker 1: got the high school football team here. I'm a director. 520 00:34:35,360 --> 00:34:39,359 Speaker 1: Let's do it. Okay, that's okay, alright, alright, sounds good. Um, 521 00:34:39,440 --> 00:34:41,480 Speaker 1: you do have one more audition. You should be here 522 00:34:41,480 --> 00:34:47,759 Speaker 1: in two minutes. That's old. Who Hey, I'm sorry. I 523 00:34:47,800 --> 00:34:50,000 Speaker 1: had to fight a man for apron, But I'm ready 524 00:34:50,040 --> 00:34:54,120 Speaker 1: to go. Now. My name is Frank. I am an actor. 525 00:34:54,200 --> 00:34:56,640 Speaker 1: I'm ready to audition for your movie. And I'll just 526 00:34:56,719 --> 00:34:59,399 Speaker 1: be in a the media. Oh yeah, so audition. Let's 527 00:34:59,440 --> 00:35:01,200 Speaker 1: do it. Yeah, let's go from the top. Do you 528 00:35:01,280 --> 00:35:03,839 Speaker 1: need the same partner? You want someone to read with you? Yes? 529 00:35:03,880 --> 00:35:07,160 Speaker 1: I do? Okay, great, earl? You want to do this? 530 00:35:08,239 --> 00:35:13,759 Speaker 1: Oh god, so sorry? My name is also well yeah, 531 00:35:13,800 --> 00:35:17,440 Speaker 1: but if you're one of the high school kids, why 532 00:35:17,440 --> 00:35:19,279 Speaker 1: would he why? Why? Why don why don't we do this? 533 00:35:19,280 --> 00:35:21,200 Speaker 1: Why don't you two acted out and the person I 534 00:35:21,200 --> 00:35:24,160 Speaker 1: think I acted the best you can be. That's good. 535 00:35:24,200 --> 00:35:26,360 Speaker 1: I'm just gonna sit and why I don't let you 536 00:35:26,400 --> 00:35:29,279 Speaker 1: know that I don't do dramas for nerds. I'm a 537 00:35:29,320 --> 00:35:34,560 Speaker 1: football player. Okay, great, whatever, all right, so let's uh, 538 00:35:34,760 --> 00:35:37,480 Speaker 1: let's go from the top. All right, Earl, you can 539 00:35:37,480 --> 00:35:41,080 Speaker 1: go first. Thank you. We'll work together, right, we're doing 540 00:35:41,120 --> 00:35:43,520 Speaker 1: it together? Yeah, I mean you can. I'll say the 541 00:35:43,520 --> 00:35:48,160 Speaker 1: first line, okay, I'll oh man, I love to eat 542 00:35:48,200 --> 00:35:56,240 Speaker 1: these burgers. That was sorry, I'm breaking That was great. 543 00:35:54,480 --> 00:36:00,239 Speaker 1: I don't And it's not nerdy. What you've got is no, 544 00:36:00,320 --> 00:36:03,719 Speaker 1: it's nerdy. It's nerdy and it's okay, then just read 545 00:36:03,760 --> 00:36:05,799 Speaker 1: the second one. Let's see. Let's just see. Okay, so 546 00:36:05,880 --> 00:36:08,839 Speaker 1: you read the first line first in Okay, Oh man, 547 00:36:09,160 --> 00:36:12,239 Speaker 1: I love these burgers. Yeah, well that's because you're a 548 00:36:12,280 --> 00:36:15,640 Speaker 1: piece of ship. Oh my god, that's so good. Director. 549 00:36:15,680 --> 00:36:18,000 Speaker 1: I don't think I think he wouldn't. Well, I didn't 550 00:36:18,040 --> 00:36:23,160 Speaker 1: really get to hear your father. I have a confession 551 00:36:23,239 --> 00:36:28,279 Speaker 1: to make, my son. I'm sorry, the two fathers in 552 00:36:28,360 --> 00:36:35,080 Speaker 1: the fathers, I have a confession to make two fathers. Wednesday. 553 00:36:35,239 --> 00:36:38,279 Speaker 1: I was first of all, y'all know me from my job. 554 00:36:38,400 --> 00:36:40,920 Speaker 1: Normally you'll come in and get that special all the time. 555 00:36:41,040 --> 00:36:45,120 Speaker 1: But today I looked into the face of oblivion when 556 00:36:45,160 --> 00:36:47,760 Speaker 1: I met an actor who was just a football player 557 00:36:48,239 --> 00:36:50,680 Speaker 1: who had more charterism than I am. What was he 558 00:36:50,800 --> 00:36:54,680 Speaker 1: an actor or a football player? Yeah, that's the that's 559 00:36:54,719 --> 00:36:58,200 Speaker 1: the whole point. You can't both, especially the high school. 560 00:36:58,200 --> 00:37:00,640 Speaker 1: If you're a school, you have to choose. That's what 561 00:37:00,760 --> 00:37:02,960 Speaker 1: I thought right before play going in my mouth, because 562 00:37:03,000 --> 00:37:06,759 Speaker 1: I thought I had seen it all. I O. J. 563 00:37:06,920 --> 00:37:10,880 Speaker 1: Simpson was both. Of course, he had that third talent 564 00:37:10,960 --> 00:37:14,480 Speaker 1: as well, the stabbing thing, but he was a football 565 00:37:14,480 --> 00:37:18,040 Speaker 1: player and quite the actor. Yeah, but I'm talking about 566 00:37:19,200 --> 00:37:22,399 Speaker 1: I'm talking about high school. Father's getting here, Father's getting 567 00:37:22,400 --> 00:37:23,840 Speaker 1: in here. So, as you know, we've been having a 568 00:37:23,880 --> 00:37:31,640 Speaker 1: film crew follow you confession. Um, there's a cardinal in 569 00:37:31,680 --> 00:37:33,720 Speaker 1: the room. Show respect. Let's get the sign of the Cross. 570 00:37:33,760 --> 00:37:38,040 Speaker 1: One two, okay, now, as you know, yeah, for for 571 00:37:38,120 --> 00:37:41,680 Speaker 1: educational purposes, we've been filming what's going on in the confession. 572 00:37:42,080 --> 00:37:45,040 Speaker 1: What was that O G thing? Dude? If I made 573 00:37:45,320 --> 00:37:50,040 Speaker 1: the film and confession sounds like counterproductive, I like it. It 574 00:37:49,960 --> 00:37:54,400 Speaker 1: It keeps us accountable and uh and I was just 575 00:37:54,440 --> 00:37:59,680 Speaker 1: trying to relate to the bloke then, Yeah, by making 576 00:38:00,680 --> 00:38:04,719 Speaker 1: an association with O. J. Simpson? Is that right? Was 577 00:38:04,719 --> 00:38:06,879 Speaker 1: it the stabby part? Did that? Was that what set 578 00:38:06,920 --> 00:38:10,920 Speaker 1: you off? Gardiner? Yeah, it's what set me off, not 579 00:38:11,120 --> 00:38:14,719 Speaker 1: me off. This tape is CCTV goes directly to the 580 00:38:14,760 --> 00:38:23,920 Speaker 1: Pope's desk. Can I give my my two cents please? 581 00:38:26,200 --> 00:38:28,000 Speaker 1: That's just what I'm talking about. It feels like you 582 00:38:28,040 --> 00:38:30,440 Speaker 1: should have taken a vow of povertive, so you shouldn't 583 00:38:30,520 --> 00:38:37,040 Speaker 1: let the father speak every Everyone's trying to fight me. 584 00:38:37,320 --> 00:38:39,080 Speaker 1: I feel like I'm getting in fights in the confessional 585 00:38:39,160 --> 00:38:41,880 Speaker 1: with this Papa, I'm getting in fights with what do 586 00:38:41,960 --> 00:38:45,680 Speaker 1: you the director of this scene? Yeah, the director of 587 00:38:45,719 --> 00:38:48,400 Speaker 1: this scene. I feel like everyone's out to get me 588 00:38:48,560 --> 00:38:52,160 Speaker 1: and I'm just trying to be a good Catholic. I hear, 589 00:38:52,719 --> 00:38:55,600 Speaker 1: I hear. All right, how about this? Why don't we 590 00:38:55,640 --> 00:39:00,680 Speaker 1: all just relax a second? It's whopper Wednesday. I maybe 591 00:39:00,719 --> 00:39:03,439 Speaker 1: I can call a pole, I can call the Pope. 592 00:39:03,680 --> 00:39:05,399 Speaker 1: You have your way left it right, it's up to you. 593 00:39:05,920 --> 00:39:08,080 Speaker 1: When we hop in the church fan it's a little old. 594 00:39:08,120 --> 00:39:10,120 Speaker 1: The brakes aren't what they used to be, but it'll 595 00:39:10,160 --> 00:39:14,520 Speaker 1: get us there. We have a caller for one of 596 00:39:14,520 --> 00:39:18,399 Speaker 1: the cardinals America and they want to know if it's 597 00:39:18,440 --> 00:39:22,720 Speaker 1: okay if they use the Vatican card on a summer looking. 598 00:39:23,520 --> 00:39:27,880 Speaker 1: They just want to confirm that it's okay. Is it okay? 599 00:39:28,239 --> 00:39:32,680 Speaker 1: It's okay? Okay, I don't know. Well, before you go, 600 00:39:32,719 --> 00:39:36,080 Speaker 1: I have had a question for you. Okay, and two 601 00:39:36,320 --> 00:39:39,080 Speaker 1: two rows in the version of yellow Wood, I'm sorry 602 00:39:39,120 --> 00:39:41,040 Speaker 1: I could not take a both. Would you want to 603 00:39:41,040 --> 00:39:45,839 Speaker 1: do what? Probably the one most to travel, the most 604 00:39:46,000 --> 00:39:53,479 Speaker 1: travel by. That's a good thing, okay, okay, thank you? Hello, 605 00:39:54,800 --> 00:39:57,839 Speaker 1: And that's a that's a wrap. Everybody give it up 606 00:39:57,840 --> 00:40:02,400 Speaker 1: for all the players. Huh. Really good production, am I 607 00:40:02,480 --> 00:40:05,440 Speaker 1: the director? Yeah, but you gotta get back to your shift. 608 00:40:06,000 --> 00:40:08,680 Speaker 1: That's right. He's got a good point there, stand I 609 00:40:08,719 --> 00:40:13,759 Speaker 1: gotta go so, um listen, today, I think we saw 610 00:40:13,800 --> 00:40:17,919 Speaker 1: a lot of talent emerge. Frankly, some of you thought 611 00:40:18,000 --> 00:40:21,120 Speaker 1: this was dumb. You did great performances. Yeah, I think 612 00:40:21,239 --> 00:40:23,080 Speaker 1: I did think it was dumb the whole time. I 613 00:40:23,200 --> 00:40:24,839 Speaker 1: was just want to say, like, I know you came 614 00:40:24,880 --> 00:40:33,400 Speaker 1: saying this, earl. Oh no, my papa's here, supposed to 615 00:40:33,440 --> 00:40:35,640 Speaker 1: be up there hitting that tree that I taped the 616 00:40:35,719 --> 00:40:39,319 Speaker 1: mattress around. Sir, before you scream, can I show you 617 00:40:39,800 --> 00:40:43,200 Speaker 1: a daily um? Can I show you a quick snippet 618 00:40:43,280 --> 00:40:45,920 Speaker 1: of the work your son has done today that you're 619 00:40:45,920 --> 00:40:48,960 Speaker 1: talking about? You trying to give me ecstasy? Just just 620 00:40:49,160 --> 00:40:55,719 Speaker 1: watch this monitor, please, I'll press plane now. Yeah, I wait, 621 00:40:56,120 --> 00:40:59,759 Speaker 1: it's so I It's just a two lines, but I'm 622 00:40:59,800 --> 00:41:03,680 Speaker 1: just gonna keep kind of going. Oh, sorry, my funker 623 00:41:03,680 --> 00:41:07,120 Speaker 1: was stuck on something slimming. Stop there. Oh my god, 624 00:41:07,400 --> 00:41:11,520 Speaker 1: what you say? Oh my god, that's also beautiful. I 625 00:41:11,520 --> 00:41:14,239 Speaker 1: didn't I didn't know you had that in earl. I'm 626 00:41:14,280 --> 00:41:16,759 Speaker 1: so sorry. I was a bad day. You're not a 627 00:41:16,800 --> 00:41:28,319 Speaker 1: bad dad, dad. Oh my god. Yeah, looking for James. Um, 628 00:41:28,520 --> 00:41:30,160 Speaker 1: I don't know that how to pronounce your last name? 629 00:41:30,160 --> 00:41:34,040 Speaker 1: It looks like Franklin. I'm looking for Earl's dad. Yeah, 630 00:41:34,080 --> 00:41:38,080 Speaker 1: that's me. Hi. Uh by the wa Hi Gary Anthony Williams, 631 00:41:38,400 --> 00:41:43,360 Speaker 1: Hollywood actor. I know your voice. Most people know my face, 632 00:41:44,320 --> 00:41:48,560 Speaker 1: not much, not much on the voice. I'm pretty famous. Uh, 633 00:41:48,719 --> 00:41:57,319 Speaker 1: your son Earl. I did a enacting job recently. Uh. 634 00:41:57,520 --> 00:42:01,200 Speaker 1: It involved something at a burger not None of this 635 00:42:01,280 --> 00:42:03,080 Speaker 1: is important. What I'm here to tell you is that 636 00:42:03,160 --> 00:42:07,200 Speaker 1: O J. Simpson you saw your son Earl doing this 637 00:42:07,320 --> 00:42:10,920 Speaker 1: acting job? Yeah, Oh Joe. I don't know if you 638 00:42:10,920 --> 00:42:13,000 Speaker 1: know this about O. J. Simpson. He is a very 639 00:42:13,000 --> 00:42:20,680 Speaker 1: stabbing man. O J. Simpson wants to kill your son Earl. 640 00:42:20,800 --> 00:42:22,440 Speaker 1: And I didn't know the best way to put this. 641 00:42:23,080 --> 00:42:26,000 Speaker 1: As a black actor, I felt it necessary to tell you. 642 00:42:26,920 --> 00:42:31,239 Speaker 1: Oh my god, I don't know what to do. Uh 643 00:42:31,480 --> 00:42:36,080 Speaker 1: do I let it happen. That's That's why I'm here 644 00:42:36,120 --> 00:42:39,000 Speaker 1: with you, just to let you know what's up with 645 00:42:39,080 --> 00:42:42,319 Speaker 1: this film crew? What did the hello is this? I'm 646 00:42:42,360 --> 00:42:45,120 Speaker 1: just I'm just an actor. I'm trying to keep it. 647 00:42:45,239 --> 00:42:47,280 Speaker 1: I'm going to keep it going till o J gets 648 00:42:47,280 --> 00:42:51,759 Speaker 1: You don't say that those words. I wanted to talk 649 00:42:51,800 --> 00:42:54,200 Speaker 1: to you. I was, actually I was at the Burger King. 650 00:42:54,560 --> 00:43:00,799 Speaker 1: I'm a primethespian. Um I'm in you guys didn't really 651 00:43:00,880 --> 00:43:04,600 Speaker 1: utilize me, but um. I was wondering if I could 652 00:43:04,600 --> 00:43:09,440 Speaker 1: sing a song at Earl's funeral. Listen, Uh, this is 653 00:43:09,560 --> 00:43:15,920 Speaker 1: burger King. That filming is going on McDonald's. Okay, I 654 00:43:16,040 --> 00:43:19,600 Speaker 1: am so sick of that's beans. Rita, come here, Rita, 655 00:43:19,800 --> 00:43:22,160 Speaker 1: I need you to take this. No no please, no 656 00:43:22,239 --> 00:43:26,279 Speaker 1: no no no no no no no jesus, I'm shy. 657 00:43:26,320 --> 00:43:32,759 Speaker 1: I'm shy. Listen. I don't know who Earl died. Earl, Yeah, 658 00:43:33,280 --> 00:43:36,880 Speaker 1: he's a football player and also actor, which was really 659 00:43:36,920 --> 00:43:40,160 Speaker 1: confusing for us, as it doesn't work like that. You 660 00:43:40,239 --> 00:43:42,480 Speaker 1: can't do both. You can't get burger king guy and 661 00:43:42,520 --> 00:43:45,359 Speaker 1: and actor. You can't. Yeah, you're right either way. They 662 00:43:45,400 --> 00:43:49,640 Speaker 1: are filming his funeral, So I wanted to sing a song. 663 00:43:51,560 --> 00:43:54,040 Speaker 1: I mean, you could practice here, but the funeral's not here. 664 00:43:54,080 --> 00:43:58,880 Speaker 1: This is burger King. That horrific accident. Uh that was 665 00:43:59,000 --> 00:44:03,160 Speaker 1: the mcdonald'sing. Oh, I don't I don't want to be here. 666 00:44:03,719 --> 00:44:05,840 Speaker 1: Then I don't want to be here. You got a 667 00:44:05,880 --> 00:44:12,120 Speaker 1: word or something, and the Oscar goes to please be 668 00:44:12,120 --> 00:44:13,719 Speaker 1: a little dog, Please be a little dog, Please be 669 00:44:13,760 --> 00:44:16,160 Speaker 1: the little dog. I'm going a little dog to be 670 00:44:18,239 --> 00:44:43,600 Speaker 1: little dog, little dog, little dog. God from a little dog. 671 00:44:43,719 --> 00:44:55,200 Speaker 1: Dog is the director Randall's slaveman? Oh my gosh, is 672 00:44:55,200 --> 00:44:58,120 Speaker 1: he here? Randall couldn't be here because he's working a 673 00:44:58,160 --> 00:45:01,440 Speaker 1: shift at McDonald's, but he wanted to say that the 674 00:45:01,480 --> 00:45:09,239 Speaker 1: inspiration he drew from this guy. No, he's the same 675 00:45:09,280 --> 00:45:14,880 Speaker 1: guy the envelope right now, this speech Randall tell you 676 00:45:14,960 --> 00:45:21,560 Speaker 1: to say that he who this No, wait, don't don't 677 00:45:21,600 --> 00:45:25,400 Speaker 1: get everybody haven't seen this is the this is the 678 00:45:25,440 --> 00:45:31,680 Speaker 1: actual Oscars. Well a little bit of face. That was 679 00:45:31,800 --> 00:45:34,399 Speaker 1: what happened out there, man, which we were going so good, 680 00:45:34,520 --> 00:45:36,320 Speaker 1: just like every I was so nervous because like we 681 00:45:36,400 --> 00:45:39,040 Speaker 1: pretended that this is the Oscars, the whole cart everybody. 682 00:45:39,680 --> 00:45:42,520 Speaker 1: I'm sorry to interrupt you, guys. The ratings just came in. 683 00:45:43,120 --> 00:45:45,520 Speaker 1: That was the biggest Oscars ever. What are you talking about? 684 00:45:45,600 --> 00:45:48,160 Speaker 1: The ratings just came in from the show just now. 685 00:45:49,280 --> 00:45:52,680 Speaker 1: Number that was that was the highest numbers ever ever 686 00:45:53,320 --> 00:45:55,960 Speaker 1: seen like it's a bad thing. That's a bad no. No, no, 687 00:45:55,960 --> 00:45:57,960 Speaker 1: no no no. If some of you say the best, 688 00:45:58,000 --> 00:46:01,880 Speaker 1: biggest are the best, that's a good thing. Yeah yeah, 689 00:46:02,440 --> 00:46:04,520 Speaker 1: So what are you kidding? So what are you kidding at? Exactly? 690 00:46:04,760 --> 00:46:07,680 Speaker 1: But you guys just had the highest rated oscars ever. 691 00:46:07,800 --> 00:46:10,520 Speaker 1: I don't understand what? What? What? What I'm saying? Well, 692 00:46:10,560 --> 00:46:12,200 Speaker 1: what do you what do you want to do to us? 693 00:46:12,239 --> 00:46:13,960 Speaker 1: What does what do you want from us? Hold on 694 00:46:14,040 --> 00:46:16,120 Speaker 1: just one second on to call somebody? Baby? Can you 695 00:46:16,120 --> 00:46:18,600 Speaker 1: hear me? Hello? Baby? Can you know? I tried to 696 00:46:18,600 --> 00:46:20,400 Speaker 1: tell him it's the biggest, in the best. I'm in 697 00:46:20,520 --> 00:46:22,480 Speaker 1: I'm in the room with them now. I told him 698 00:46:22,520 --> 00:46:24,839 Speaker 1: what you said, it's the biggest and the best oscars ever. 699 00:46:24,880 --> 00:46:26,799 Speaker 1: And they don't understand what I'm saying. I use the 700 00:46:26,840 --> 00:46:30,120 Speaker 1: superlatives people, But what tone of voice are you using? 701 00:46:30,160 --> 00:46:36,799 Speaker 1: Are you? Now? Some people tune little dog, little dog 702 00:46:36,840 --> 00:46:38,719 Speaker 1: over here, little dog over here, little dog over here, 703 00:46:38,719 --> 00:46:41,040 Speaker 1: over here? Is it true? Is it true that you 704 00:46:41,120 --> 00:46:50,160 Speaker 1: got a lot of your acting inspiration from Earl? Look, buddy, 705 00:46:50,160 --> 00:46:52,200 Speaker 1: this is a park. Okay, you want to come and 706 00:46:52,239 --> 00:46:57,799 Speaker 1: talk to my dog? Feel free? I don't care. Thank you? Yeah, 707 00:46:57,840 --> 00:46:59,239 Speaker 1: and I used to want to get in the holly. 708 00:46:59,280 --> 00:47:01,200 Speaker 1: What I used to think that was my dream? You 709 00:47:01,200 --> 00:47:04,919 Speaker 1: know your four heads bleeding? Sir? Yeah, football injury, but 710 00:47:05,360 --> 00:47:08,520 Speaker 1: it's currently bleeding. Yes if I just played football and 711 00:47:08,640 --> 00:47:12,279 Speaker 1: uh yeah, I just didn't know. I just thought, you know, 712 00:47:12,320 --> 00:47:14,799 Speaker 1: maybe maybe maybe they should maybe you should put up 713 00:47:15,360 --> 00:47:18,080 Speaker 1: put up the acting way said the hell they're cat. 714 00:47:19,280 --> 00:47:23,920 Speaker 1: Hey baby, there's a football player with the hemophilia. Hi guy, 715 00:47:24,320 --> 00:47:31,600 Speaker 1: how are you? I got hemophilia? So you know, I 716 00:47:31,640 --> 00:47:33,680 Speaker 1: just I just I just say, hey, you're out there asking, 717 00:47:33,760 --> 00:47:35,799 Speaker 1: you're asking the right questions. You're part of the business man. 718 00:47:35,840 --> 00:47:37,640 Speaker 1: I just want to say I love it. They keep 719 00:47:37,640 --> 00:47:40,000 Speaker 1: it going, all right. Sorry, I'm so sorry. There was 720 00:47:40,040 --> 00:47:42,719 Speaker 1: a hawk that just came down and it picked up 721 00:47:42,760 --> 00:47:45,360 Speaker 1: your dog and it ran away. I'm so sorry. I 722 00:47:45,400 --> 00:47:51,240 Speaker 1: didn't know how to stop it. Oh my god. Okay, 723 00:47:51,280 --> 00:47:54,200 Speaker 1: So what I understand actually happened was the dog died 724 00:47:54,280 --> 00:47:57,239 Speaker 1: via hawk, but the owner died via bleeding out from 725 00:47:57,280 --> 00:48:00,520 Speaker 1: a very small laceration on his forehead. Is a human 726 00:48:00,600 --> 00:48:04,319 Speaker 1: Philota player? Yeah yeah, so there's no clotting to be done. 727 00:48:05,320 --> 00:48:14,080 Speaker 1: What I'm asking you is can I sing funeral? I've 728 00:48:14,280 --> 00:48:16,239 Speaker 1: got something. Let me just call my but let me 729 00:48:16,280 --> 00:48:18,759 Speaker 1: call my buddy at McDonald's. I think he's calmed down. 730 00:48:20,840 --> 00:48:27,080 Speaker 1: Hello James, Jimmy, are you there. I can't get him. 731 00:48:27,120 --> 00:48:30,360 Speaker 1: I'm sorry, you can't sing McDonald's. Let me try my 732 00:48:30,400 --> 00:48:38,040 Speaker 1: buddy at Wendy's. Hello. Yeah, the young lady who promises 733 00:48:38,080 --> 00:48:40,839 Speaker 1: she has a stellar voice. There's been more death since 734 00:48:40,840 --> 00:48:48,200 Speaker 1: she liked to sing at all. I'm not said stellar. 735 00:48:49,200 --> 00:48:51,720 Speaker 1: Pardon me that as long as the stellar I can guarantee, 736 00:48:51,719 --> 00:48:54,400 Speaker 1: I can personally guarantee you, I'll send her over to 737 00:48:54,440 --> 00:49:02,239 Speaker 1: your place. I have the connection for you. Everybody, Thank you, 738 00:49:02,520 --> 00:49:07,680 Speaker 1: Thank you for being here at this occasion. It's a 739 00:49:07,719 --> 00:49:19,120 Speaker 1: sad day. Obviously this is a cemetery. Well yeah, but 740 00:49:19,200 --> 00:49:23,080 Speaker 1: it doesn't have to be a place of sadness. Why not, 741 00:49:23,200 --> 00:49:24,919 Speaker 1: Why it seems like a good place to be, said, 742 00:49:25,400 --> 00:49:28,000 Speaker 1: you would think, So, what if I told you we 743 00:49:28,080 --> 00:49:36,600 Speaker 1: had a stellar singer? Good if I told you? No, 744 00:49:36,800 --> 00:49:40,280 Speaker 1: I'm what if I told you she's got a direct 745 00:49:40,320 --> 00:49:47,439 Speaker 1: line to and she sings to him every night? Now? 746 00:49:47,480 --> 00:49:50,440 Speaker 1: What have I told you? She's here with us today? 747 00:49:50,920 --> 00:50:00,439 Speaker 1: Makes some noise something something something something here? She Yes, 748 00:50:03,040 --> 00:50:09,239 Speaker 1: I just want to make some clarifications before I start. 749 00:50:07,080 --> 00:50:11,520 Speaker 1: She's gonna sing, she's gonna sing, but maybe it let's 750 00:50:11,520 --> 00:50:12,960 Speaker 1: tell her and maybe she doesn't know the pope. And 751 00:50:13,200 --> 00:50:18,279 Speaker 1: I'm more more bring a theatrical aspect. I just want 752 00:50:18,280 --> 00:50:22,120 Speaker 1: to click before you sing that my boyfriend and my 753 00:50:22,239 --> 00:50:26,959 Speaker 1: dog the most important things outside of hearing someone soon, 754 00:50:28,520 --> 00:50:30,759 Speaker 1: so you're gonna be able to clothe the wound that 755 00:50:30,920 --> 00:50:35,640 Speaker 1: I don't know what'd ever been healed without singing. Okay, great, 756 00:50:35,760 --> 00:50:51,960 Speaker 1: thank you, respondle little Steven bake. Okay, And because it 757 00:50:52,040 --> 00:50:54,719 Speaker 1: is Wednesday, the reception will be held at Burger King 758 00:50:55,160 --> 00:50:57,440 Speaker 1: where you can have one fry on the other the 759 00:50:57,600 --> 00:51:03,919 Speaker 1: left with the right. And that's our show, I hope. 760 00:51:03,920 --> 00:51:11,760 Speaker 1: So that is our show for today. H fuck, take 761 00:51:11,840 --> 00:51:14,520 Speaker 1: me home and make me stink. All right, let's tank 762 00:51:14,560 --> 00:51:18,880 Speaker 1: all of our Alchemy show. We're starting with Caroline Connor. 763 00:51:19,239 --> 00:51:28,040 Speaker 1: I'm so happy, yeah, because that was funny. Thank you 764 00:51:28,040 --> 00:51:32,640 Speaker 1: for being here. How's the Connor core look? I don't know, 765 00:51:33,560 --> 00:51:37,160 Speaker 1: I don't know. It's really going good, better than I 766 00:51:37,160 --> 00:51:43,520 Speaker 1: could have ever dreamed. Ah, that makes sense. This is 767 00:51:43,560 --> 00:51:46,800 Speaker 1: a podcast we're talking about, folks, are to our listeners, 768 00:51:46,920 --> 00:51:48,880 Speaker 1: and you should all just go check it out immediately 769 00:51:49,480 --> 00:51:52,520 Speaker 1: and thank you Caroline for being here. Thank you. Speaking 770 00:51:52,560 --> 00:51:57,319 Speaker 1: of other podcasts on the side, Mr Chris Alvarado, God 771 00:51:57,360 --> 00:52:02,640 Speaker 1: that was so much fun. Yes me, I am the broccoli. 772 00:52:04,480 --> 00:52:06,359 Speaker 1: So much fun. Yeah yeah yeah, yeah yeah, yea yeah. 773 00:52:06,440 --> 00:52:08,000 Speaker 1: Check out the Comedy Fix if you want to like 774 00:52:08,160 --> 00:52:12,960 Speaker 1: question is like is what we're doing anything? And it's 775 00:52:12,960 --> 00:52:17,040 Speaker 1: so fun to listen to you guys sort of get 776 00:52:17,080 --> 00:52:21,120 Speaker 1: to the core of your darkest fears while talking about comedy, 777 00:52:21,440 --> 00:52:26,200 Speaker 1: getting to the coutter core. Nice. I don't carry Anthony, 778 00:52:26,320 --> 00:52:30,760 Speaker 1: will you? How's it going on the thing you're filming 779 00:52:30,800 --> 00:52:32,680 Speaker 1: that your may or may not be able to talk about. Well, 780 00:52:32,719 --> 00:52:34,759 Speaker 1: I finished filming that one thing that I'm going to 781 00:52:34,840 --> 00:52:40,120 Speaker 1: go film another one. Yeah you are yeah, um yeah hey. 782 00:52:40,239 --> 00:52:42,640 Speaker 1: But if you want to hear my throat make sounds, 783 00:52:43,120 --> 00:52:45,799 Speaker 1: there's a new cartoon called The Harper House that's coming 784 00:52:45,840 --> 00:52:49,360 Speaker 1: out soon. Harper House, The Harper House. So where my 785 00:52:49,480 --> 00:52:56,560 Speaker 1: folks find it on the on the place, google Harper House, 786 00:52:56,680 --> 00:52:59,080 Speaker 1: Get off my get off my job, I get it. 787 00:53:01,000 --> 00:53:04,759 Speaker 1: Jackie Gonzalez de Ruthie, thank you so damn much. Thank you, 788 00:53:04,960 --> 00:53:07,959 Speaker 1: what a good time. Right you're out of the room 789 00:53:08,080 --> 00:53:13,800 Speaker 1: with the never used exercise bike or actually in the room. Um, 790 00:53:13,840 --> 00:53:18,359 Speaker 1: but I usually faced the other direction. But basically there 791 00:53:18,360 --> 00:53:21,400 Speaker 1: were lawnmowers, so I just made myself into a little cave. 792 00:53:22,160 --> 00:53:24,839 Speaker 1: Oh nice, Well, thank you for being here, and thank 793 00:53:24,880 --> 00:53:28,280 Speaker 1: you for bringing the cave than anything you'd like folks 794 00:53:28,280 --> 00:53:32,960 Speaker 1: to know before you know me. I'm at Jack to 795 00:53:33,080 --> 00:53:37,239 Speaker 1: Ruthie and if you're on Instagram while you're there, God 796 00:53:37,239 --> 00:53:40,320 Speaker 1: bless Jim Chum is really making me laugh on his stories. 797 00:53:40,480 --> 00:53:44,960 Speaker 1: My god, I'm so happy that he's wasting his time 798 00:53:45,000 --> 00:53:48,880 Speaker 1: on TikTok because it's helping me waste my time watching. 799 00:53:49,600 --> 00:53:54,040 Speaker 1: And naturally she's talking about the Joey Greer Joey, what 800 00:53:54,200 --> 00:53:56,920 Speaker 1: the fuck I mean, that's exactly what's going on me, 801 00:53:57,680 --> 00:54:00,440 Speaker 1: Jack thinking so much. I am on TikTok now had 802 00:54:00,440 --> 00:54:03,600 Speaker 1: God bless Jim Chum. I kept it cohesive, kept it easy, 803 00:54:04,640 --> 00:54:08,839 Speaker 1: doing duets, acting crazy. It's it's really surreal that these 804 00:54:08,880 --> 00:54:13,200 Speaker 1: are available. There's no way to explain it. There is, 805 00:54:13,320 --> 00:54:16,640 Speaker 1: but I refuse to. But check check it out on Instagram. 806 00:54:16,719 --> 00:54:19,960 Speaker 1: Check out alchemy This on Instagram, check out alchemy this 807 00:54:20,040 --> 00:54:22,960 Speaker 1: pod on Reddit. And you know what, if you're like, hey, 808 00:54:23,000 --> 00:54:24,800 Speaker 1: maybe maybe I want to look on the screen on 809 00:54:24,880 --> 00:54:30,319 Speaker 1: my laptop. Check out game front dot com. Out that's 810 00:54:30,320 --> 00:54:34,320 Speaker 1: a giver, James Heeney. Yeah, game front dot com is 811 00:54:34,360 --> 00:54:37,040 Speaker 1: probably where you'd want to get any mods for video 812 00:54:37,120 --> 00:54:40,480 Speaker 1: games if you're looking to spice up an old library 813 00:54:40,520 --> 00:54:43,160 Speaker 1: of games. But on YouTube at game front you can 814 00:54:43,200 --> 00:54:48,080 Speaker 1: see videos of me playing games beautiful. Let's thank your 815 00:54:48,120 --> 00:54:53,360 Speaker 1: engineering producer of the stars Mr Bean five folks that 816 00:54:53,400 --> 00:54:59,319 Speaker 1: I hurt media and thank you all very much. Um 817 00:54:59,360 --> 00:55:01,480 Speaker 1: your host Kevin Paulic asking you to be kind to 818 00:55:01,560 --> 00:55:05,440 Speaker 1: each other. It's the easiest route and the shortest distance 819 00:55:05,520 --> 00:55:08,480 Speaker 1: to happiness for all. Until next time.