1 00:00:00,360 --> 00:00:03,960 Speaker 1: My guest is Kelly Jenrette. She's an Emmy nominated actress 2 00:00:03,960 --> 00:00:07,880 Speaker 1: currently starting the seed up your hit series All American Homecoming. 3 00:00:08,119 --> 00:00:10,360 Speaker 1: In twenty eight teams, she and her husband became the 4 00:00:10,400 --> 00:00:13,880 Speaker 1: first African American married couple to be nominated for Emmies. 5 00:00:13,920 --> 00:00:16,640 Speaker 1: In the same year, as we know how, Emmy was 6 00:00:16,680 --> 00:00:20,120 Speaker 1: on the hit series Handmad's Tale, which I another one 7 00:00:20,120 --> 00:00:22,360 Speaker 1: of my great series that I love as well. She's 8 00:00:22,360 --> 00:00:24,560 Speaker 1: based in Atlanta, so she took time to come on 9 00:00:24,560 --> 00:00:26,759 Speaker 1: when I showed the talk about to spend off and 10 00:00:26,840 --> 00:00:30,320 Speaker 1: her character she's the president. We have a president on 11 00:00:30,360 --> 00:00:34,239 Speaker 1: the show. Please welcome money making Conversations master class, Kelly Jinnrette. 12 00:00:34,280 --> 00:00:36,559 Speaker 1: How are you doing, Kelly? I don't do well. How 13 00:00:36,600 --> 00:00:40,080 Speaker 1: are you you know? Um uh some own character. She 14 00:00:40,200 --> 00:00:42,319 Speaker 1: was on the show when it was show premiered, so 15 00:00:42,360 --> 00:00:44,440 Speaker 1: I got to watch the first season as well as that, 16 00:00:44,520 --> 00:00:48,199 Speaker 1: so I really am immersed into the series. So so 17 00:00:48,280 --> 00:00:50,920 Speaker 1: he said, this guy really knows the series. So because 18 00:00:50,920 --> 00:00:53,040 Speaker 1: so I, you know, I tried to do my prep work, Kelly, 19 00:00:53,080 --> 00:00:54,960 Speaker 1: and I was trying to jump on the show and 20 00:00:55,040 --> 00:00:58,280 Speaker 1: like and me even asked Eason every question because when 21 00:00:58,280 --> 00:01:01,880 Speaker 1: you have a series as a complex. I want to 22 00:01:01,880 --> 00:01:06,440 Speaker 1: say that complimentary character complex is yours. How do you 23 00:01:06,840 --> 00:01:08,920 Speaker 1: how do you slide in and out of this whole 24 00:01:08,959 --> 00:01:17,280 Speaker 1: process in the script development? Well, uh, I think the 25 00:01:17,360 --> 00:01:20,840 Speaker 1: thing that I focused on is just telling the truth 26 00:01:21,319 --> 00:01:26,600 Speaker 1: of the character of the story. It's just so well 27 00:01:26,680 --> 00:01:30,600 Speaker 1: written it's easy to kind of slide into it. And 28 00:01:30,640 --> 00:01:35,279 Speaker 1: I feel like the character of Mara is very close 29 00:01:35,360 --> 00:01:40,640 Speaker 1: to me Kelly as an individual, and so that makes 30 00:01:40,680 --> 00:01:44,440 Speaker 1: it easy as well. We know we said that the 31 00:01:44,600 --> 00:01:51,240 Speaker 1: fictitious HBCU school. Um, you know, here's my oholy thing. 32 00:01:51,280 --> 00:01:53,000 Speaker 1: Like I said, I watching Netflix a lot and the 33 00:01:53,080 --> 00:01:56,120 Speaker 1: All American series. It trends on Netflix as a TV 34 00:01:56,240 --> 00:02:00,480 Speaker 1: series and so and so it's it's to the top 35 00:02:00,520 --> 00:02:05,680 Speaker 1: shows on c W. What is encompassing the popularity of 36 00:02:05,680 --> 00:02:07,320 Speaker 1: this show. I'm not trying to put you on the spot, 37 00:02:07,360 --> 00:02:10,160 Speaker 1: but obviously you're starting in the series so that I'm 38 00:02:10,200 --> 00:02:12,240 Speaker 1: sure people on the street stop you. I'm sure they 39 00:02:12,480 --> 00:02:15,120 Speaker 1: make comments of why they watch the show. Well in 40 00:02:15,200 --> 00:02:17,639 Speaker 1: your character as well, what is the driving force to 41 00:02:17,720 --> 00:02:23,840 Speaker 1: the fan viewership? I think because it's something that is relatable. 42 00:02:24,360 --> 00:02:28,840 Speaker 1: I think that people see themselves, especially black people, they 43 00:02:28,919 --> 00:02:32,000 Speaker 1: can see themselves on the TV screen and not just 44 00:02:32,120 --> 00:02:37,639 Speaker 1: see themselves, but see their lives, see the complex aspects 45 00:02:37,639 --> 00:02:43,239 Speaker 1: of their lives, the successes, the trials, and the community. 46 00:02:43,639 --> 00:02:47,160 Speaker 1: You know, seeing a group of people come together to 47 00:02:47,280 --> 00:02:50,720 Speaker 1: support one another. Even if that's something that people don't 48 00:02:50,760 --> 00:02:53,480 Speaker 1: have in their lives, it's something that they aspire to have. 49 00:02:53,639 --> 00:02:56,640 Speaker 1: It's something that they desire to have. And so I 50 00:02:56,720 --> 00:03:01,120 Speaker 1: feel like the family aspect of the show, the relatability 51 00:03:01,200 --> 00:03:03,960 Speaker 1: of the characters on the show is something that really 52 00:03:04,000 --> 00:03:08,120 Speaker 1: resonates with people, um and not just black people. You know, 53 00:03:08,200 --> 00:03:11,760 Speaker 1: we've we've had people of all races talk to us 54 00:03:11,800 --> 00:03:14,919 Speaker 1: about how much they love the show. So that's that's 55 00:03:14,960 --> 00:03:18,800 Speaker 1: something that's humbling and exciting. We know, Kelly jen right, 56 00:03:18,840 --> 00:03:20,680 Speaker 1: That's what I'm speaking to. She's one of the stars 57 00:03:20,680 --> 00:03:23,640 Speaker 1: of the c W hits. There's all American homecoming. I 58 00:03:23,680 --> 00:03:25,720 Speaker 1: know I'm older than you, Kelly, and that's a good 59 00:03:25,720 --> 00:03:28,160 Speaker 1: thing because I feel that everybody lives their life and 60 00:03:28,200 --> 00:03:31,600 Speaker 1: their paths. But we grew up on a Different World, 61 00:03:32,520 --> 00:03:35,480 Speaker 1: and Different World was a sitcom and so but it 62 00:03:35,600 --> 00:03:40,320 Speaker 1: inspired a lot of traffic to HBC. Use. Some people 63 00:03:40,440 --> 00:03:43,720 Speaker 1: say that watching that series change their lives and so 64 00:03:43,880 --> 00:03:46,800 Speaker 1: but that was that was a sitcom. This is a drama, 65 00:03:47,160 --> 00:03:50,240 Speaker 1: so it lends itself for a lot more serious and 66 00:03:50,280 --> 00:03:54,880 Speaker 1: I think socially conscious storylines. One of the one of 67 00:03:54,920 --> 00:03:59,000 Speaker 1: the storylines is mental health, and I think that's important 68 00:03:59,040 --> 00:04:01,560 Speaker 1: because in the Africa, in the American community, we are 69 00:04:01,640 --> 00:04:05,480 Speaker 1: always to last to uh. We try to live in 70 00:04:05,560 --> 00:04:07,800 Speaker 1: perfect life where we don't want to admit that we 71 00:04:07,880 --> 00:04:10,920 Speaker 1: have gay in the community. Gave people in the community 72 00:04:10,920 --> 00:04:12,600 Speaker 1: one of the lists we have mental health issues in 73 00:04:12,640 --> 00:04:15,360 Speaker 1: the community, we don't make. We have high blood pressure, 74 00:04:15,720 --> 00:04:18,600 Speaker 1: all the things that that they may deem as negative. 75 00:04:18,960 --> 00:04:20,880 Speaker 1: It's about learning the truth and then being able to 76 00:04:20,880 --> 00:04:24,719 Speaker 1: live with it. Those diverse story lines, I think really 77 00:04:25,240 --> 00:04:28,719 Speaker 1: engage makes a serious popular That's just my side of 78 00:04:28,760 --> 00:04:30,760 Speaker 1: the conversation. But you live in it. You live in 79 00:04:30,760 --> 00:04:33,080 Speaker 1: the script. You're living with these actors who have to 80 00:04:33,120 --> 00:04:35,760 Speaker 1: make these storylines come to life. And then you are 81 00:04:35,839 --> 00:04:39,159 Speaker 1: like the president, which follows all this drama back to 82 00:04:39,320 --> 00:04:42,479 Speaker 1: you and and and the mass decision making. So let's 83 00:04:42,480 --> 00:04:43,880 Speaker 1: talk about that. And I also want to talk to 84 00:04:43,880 --> 00:04:46,359 Speaker 1: other other characters. But I wanted to get that holistic 85 00:04:46,400 --> 00:04:49,640 Speaker 1: statement out about your show, which is really positive, but 86 00:04:49,720 --> 00:04:51,839 Speaker 1: it also is a statement about the black community because 87 00:04:51,880 --> 00:04:55,880 Speaker 1: we don't talk about these things. Yeah, I think I 88 00:04:55,920 --> 00:04:59,000 Speaker 1: think the show does a really good job of highlighting, 89 00:04:59,480 --> 00:05:03,320 Speaker 1: like you said, at things that we don't discuss in 90 00:05:03,320 --> 00:05:08,320 Speaker 1: in the African American community, mental health being one of them. 91 00:05:08,520 --> 00:05:11,800 Speaker 1: You know, I think it is important for us to 92 00:05:11,920 --> 00:05:17,240 Speaker 1: have those conversations to rid ourselves of the shame and 93 00:05:17,279 --> 00:05:21,479 Speaker 1: the guilt that comes with not having it all together, um, 94 00:05:21,520 --> 00:05:25,000 Speaker 1: and making sure we are careful with the people we 95 00:05:25,080 --> 00:05:30,000 Speaker 1: trust to help us walk through those situations as well. 96 00:05:30,480 --> 00:05:33,280 Speaker 1: You know. It's it's a beautiful thing to be a 97 00:05:33,279 --> 00:05:37,400 Speaker 1: part of a show that isn't afraid to kind of 98 00:05:37,440 --> 00:05:40,840 Speaker 1: go in and dig deep into those things that may 99 00:05:40,839 --> 00:05:44,200 Speaker 1: be taboo in our community, right and and when you 100 00:05:44,320 --> 00:05:46,640 Speaker 1: say taboo, and it shouldn't be, you know it, because 101 00:05:46,680 --> 00:05:50,160 Speaker 1: this should be conversations and and the word therapy. And 102 00:05:50,200 --> 00:05:52,400 Speaker 1: I really like the way that storyline is working itself 103 00:05:52,480 --> 00:05:55,200 Speaker 1: out for the for the head coach. But also when 104 00:05:55,200 --> 00:05:57,479 Speaker 1: I look at the series, the fact that the two 105 00:05:57,480 --> 00:06:00,640 Speaker 1: sports that we're talking about at HBCU that don't get 106 00:06:00,680 --> 00:06:03,680 Speaker 1: talked about ever because we're always talking about the marching band, 107 00:06:03,720 --> 00:06:06,000 Speaker 1: We're always talking about the football teams we're all talking about. 108 00:06:06,000 --> 00:06:11,200 Speaker 1: The basketball team is tennis and baseball. And I find 109 00:06:11,240 --> 00:06:14,600 Speaker 1: that really really cool because I would be personal about 110 00:06:14,720 --> 00:06:17,600 Speaker 1: my daughter, you know, before she shot at and she 111 00:06:17,880 --> 00:06:20,240 Speaker 1: played tennis and was on the on the pro circuit 112 00:06:20,279 --> 00:06:22,719 Speaker 1: and shot out the need eighteen eventually went to college. 113 00:06:22,960 --> 00:06:25,960 Speaker 1: So I'm very fond of that storyline and then seeing 114 00:06:26,000 --> 00:06:30,960 Speaker 1: baseball being a very interesting and engaging storyline. It's really 115 00:06:31,880 --> 00:06:34,600 Speaker 1: a testament to not say anything else football because we 116 00:06:34,640 --> 00:06:36,800 Speaker 1: do talk about football in that but those are the 117 00:06:36,800 --> 00:06:39,480 Speaker 1: two primary sterline do when you see these things, because 118 00:06:39,480 --> 00:06:40,960 Speaker 1: you kind of laugh when I brought it up in 119 00:06:40,960 --> 00:06:43,520 Speaker 1: a good laugh that they go, this is different and 120 00:06:43,560 --> 00:06:47,000 Speaker 1: it's a good thing for the series. Oh absolutely. So 121 00:06:47,240 --> 00:06:51,400 Speaker 1: growing up, I have four brothers, they all played baseball. 122 00:06:51,920 --> 00:06:56,760 Speaker 1: My mom tried to get me and my sister into tennis. 123 00:06:56,800 --> 00:06:58,800 Speaker 1: So we always joke about how we could have been 124 00:06:59,400 --> 00:07:03,560 Speaker 1: Venus and Arena. But my mom, my mom still plays 125 00:07:03,560 --> 00:07:07,479 Speaker 1: tennis to this day, and so those sports were very 126 00:07:07,520 --> 00:07:10,560 Speaker 1: prevalent in my life and still are, you know, with 127 00:07:10,600 --> 00:07:15,240 Speaker 1: my mom still playing tennis and my brother uh a 128 00:07:15,320 --> 00:07:19,320 Speaker 1: huge baseball fan, and so I think it is yet 129 00:07:19,440 --> 00:07:22,720 Speaker 1: something else that is very unique to our show that 130 00:07:22,800 --> 00:07:26,360 Speaker 1: we are highlighting sports that people wouldn't necessarily think like 131 00:07:26,760 --> 00:07:32,120 Speaker 1: HBCU Tennis, HBC baseball, you know, and and it just 132 00:07:32,240 --> 00:07:36,280 Speaker 1: opens up our eyes to the diversity that we can 133 00:07:36,440 --> 00:07:39,760 Speaker 1: find at these hpc us. We'll be right back with 134 00:07:39,800 --> 00:07:46,080 Speaker 1: more Money Making Conversations Masterclass with Rushan McDonald. Now, let's 135 00:07:46,080 --> 00:07:51,440 Speaker 1: return to Money Making Conversations Masterclass with Rushan McDonald. Well, 136 00:07:51,480 --> 00:07:54,680 Speaker 1: I was happy to see that because it broke stereotypes 137 00:07:54,760 --> 00:07:58,400 Speaker 1: for a story storylines. You know, this is not about 138 00:07:58,440 --> 00:08:01,920 Speaker 1: the marching band, This is not about the football team 139 00:08:01,960 --> 00:08:05,680 Speaker 1: and halftime that side of the story I think everybody knows. 140 00:08:06,120 --> 00:08:10,440 Speaker 1: But HBCUs do have golf teams. You know, species have 141 00:08:10,600 --> 00:08:15,040 Speaker 1: started gymnastic teams. A species have always had baseball teams 142 00:08:15,280 --> 00:08:17,960 Speaker 1: as well as tennis teams. And so when you look 143 00:08:18,000 --> 00:08:20,520 Speaker 1: at that storyline development, then you say, when we shine, 144 00:08:20,600 --> 00:08:22,920 Speaker 1: you know, you know, we we thought we're gonna be 145 00:08:23,080 --> 00:08:24,880 Speaker 1: you know, we're supposed to be Serena and Venus before 146 00:08:24,920 --> 00:08:29,200 Speaker 1: Serena and Venus. Now, why did you your mom play tennis? Now? 147 00:08:29,400 --> 00:08:32,880 Speaker 1: How did you get around a mom who plays tennis 148 00:08:32,880 --> 00:08:37,760 Speaker 1: and not play tennis? You know, she there's there's debate 149 00:08:37,800 --> 00:08:40,640 Speaker 1: around this story, but she said, you know, she she 150 00:08:40,720 --> 00:08:44,000 Speaker 1: had us out there and growing up in Atlanta, Uh, 151 00:08:44,040 --> 00:08:48,080 Speaker 1: it's hot, and I think we were just a little 152 00:08:48,280 --> 00:08:51,200 Speaker 1: too prissy and didn't want to be out there in 153 00:08:51,280 --> 00:08:54,160 Speaker 1: the sun, you know. And I was like, listen, you 154 00:08:54,160 --> 00:08:57,880 Speaker 1: should have like toughened up, and then like, no, you're 155 00:08:57,920 --> 00:09:04,439 Speaker 1: gonna be out here, You're gonna play. So yeah, I'm 156 00:09:04,440 --> 00:09:07,520 Speaker 1: gonna take you in front on this now. Handmaid's Tail, Now, 157 00:09:07,920 --> 00:09:11,440 Speaker 1: that's a pretty rough series. Now, I'm trying to find 158 00:09:11,480 --> 00:09:14,760 Speaker 1: out when you say the word prissy now and that 159 00:09:14,960 --> 00:09:18,120 Speaker 1: character you played, that handmade tail, what nothing pressy about 160 00:09:18,120 --> 00:09:21,480 Speaker 1: that whole set up over it? So please help your 161 00:09:21,480 --> 00:09:25,199 Speaker 1: boy here to understand why that was prissy and Handmade's 162 00:09:25,240 --> 00:09:29,040 Speaker 1: Tail wasn't prissy. Well, see, I think you have real 163 00:09:29,160 --> 00:09:35,599 Speaker 1: life and acting life, and so I can act like 164 00:09:35,840 --> 00:09:40,800 Speaker 1: tennis play, I can act like a scorn wife. You know. 165 00:09:40,960 --> 00:09:46,840 Speaker 1: Those things are are a little easy to do. So yeah, 166 00:09:47,480 --> 00:09:50,160 Speaker 1: I love it. I love it because because your resume 167 00:09:50,320 --> 00:09:53,880 Speaker 1: is amazing, you know, and you know, because because I 168 00:09:54,360 --> 00:09:55,760 Speaker 1: if you get a little history of me, you know, 169 00:09:55,840 --> 00:09:58,440 Speaker 1: I started my career as a stand up comedian, went 170 00:09:58,480 --> 00:10:02,800 Speaker 1: to college math degree sociology with the IBM if IBM 171 00:10:02,840 --> 00:10:06,199 Speaker 1: thought I'd be the next Eddie Murphy and the Scholarger's Countryside. 172 00:10:06,640 --> 00:10:10,800 Speaker 1: And when I look back at my life now, I realized, how, 173 00:10:11,200 --> 00:10:13,640 Speaker 1: you know, where the fortunate or or driven I was 174 00:10:13,760 --> 00:10:17,000 Speaker 1: to have the career I have, Because having success at 175 00:10:17,080 --> 00:10:19,800 Speaker 1: twenty and thirty, you still gotta get the forty, You 176 00:10:19,800 --> 00:10:22,440 Speaker 1: still gotta get the fifty she got. All those years 177 00:10:22,440 --> 00:10:25,480 Speaker 1: have still got to come. And do you think like 178 00:10:25,520 --> 00:10:27,680 Speaker 1: that that you do you ever take time to look 179 00:10:27,720 --> 00:10:31,000 Speaker 1: back at a lot of the success stories, the opportunity 180 00:10:31,000 --> 00:10:37,080 Speaker 1: that have been presented to you as an actress, to say, wow, yeah, absolutely, 181 00:10:37,360 --> 00:10:42,160 Speaker 1: I excuse me. Was driving to acting class a couple 182 00:10:42,200 --> 00:10:47,560 Speaker 1: of weeks ago and passed by a place where I 183 00:10:47,640 --> 00:10:51,280 Speaker 1: used to have to take my rent check, and that 184 00:10:51,400 --> 00:10:54,640 Speaker 1: just sent me down the path, as the old folks 185 00:10:54,840 --> 00:10:57,880 Speaker 1: used to say, looking back over my life and thinking 186 00:10:57,920 --> 00:11:04,120 Speaker 1: things over when I moved out to California and the 187 00:11:04,120 --> 00:11:09,240 Speaker 1: the amount of nose that I received, and the almost 188 00:11:09,640 --> 00:11:14,280 Speaker 1: and not yet and uh even the yes is you 189 00:11:14,320 --> 00:11:21,080 Speaker 1: know it is, it's humbling, it's exciting. UM. I do 190 00:11:21,280 --> 00:11:25,560 Speaker 1: my best to just try to focus on what is 191 00:11:25,600 --> 00:11:30,079 Speaker 1: in front of me right now, while not neglecting like hey, 192 00:11:30,559 --> 00:11:34,199 Speaker 1: if I'm so fortunate to to continue on in this, 193 00:11:34,440 --> 00:11:38,320 Speaker 1: like what type of legacy do I want to leave 194 00:11:38,640 --> 00:11:44,040 Speaker 1: for those who are still here? Um? And so yeah, 195 00:11:44,120 --> 00:11:47,679 Speaker 1: it is often that I sit back and I'm like, wow, God, 196 00:11:48,040 --> 00:11:51,959 Speaker 1: thank you. You know, because then, and I think it's 197 00:11:52,000 --> 00:11:54,720 Speaker 1: important for your fans to hear you say that, because 198 00:11:55,120 --> 00:11:57,199 Speaker 1: everybody wants to be you. You might say, oh, man, 199 00:11:57,320 --> 00:11:59,800 Speaker 1: you know, I'm just start there working. But then in 200 00:12:00,000 --> 00:12:03,960 Speaker 1: your conversation you said, despite your resume that you have 201 00:12:05,000 --> 00:12:09,160 Speaker 1: acting classes, you're still going to acting classes. Oh absolutely, 202 00:12:11,360 --> 00:12:16,839 Speaker 1: TV series now Emmy nominated actress, loved you and I 203 00:12:17,040 --> 00:12:20,640 Speaker 1: corked in a number of the projects, and here in 204 00:12:20,760 --> 00:12:24,520 Speaker 1: twit twent two you're still going to acting classes. Please 205 00:12:24,640 --> 00:12:28,959 Speaker 1: let my fan base understand why that's important. So there 206 00:12:29,000 --> 00:12:32,000 Speaker 1: there's a proverb that I love. It's it says it 207 00:12:32,040 --> 00:12:35,400 Speaker 1: is not good to have zeal without knowledge, or to 208 00:12:35,440 --> 00:12:38,840 Speaker 1: be hasty and miss the way. You can be passionate 209 00:12:39,040 --> 00:12:42,720 Speaker 1: all day and all night, but if you don't have 210 00:12:42,840 --> 00:12:47,160 Speaker 1: the knowledge to sustain you and what it is that 211 00:12:47,200 --> 00:12:50,000 Speaker 1: you are seeking, I don't care if it's acting. If 212 00:12:50,000 --> 00:12:51,839 Speaker 1: you want to be a teacher. If you want to 213 00:12:51,840 --> 00:12:54,320 Speaker 1: be a scientist, like whatever it is that you want 214 00:12:54,320 --> 00:12:57,520 Speaker 1: to do, you must have the knowledge to back it up. 215 00:12:57,520 --> 00:13:00,600 Speaker 1: And as an actor, I'm always in these edition of 216 00:13:01,360 --> 00:13:04,040 Speaker 1: what else can I learn? How can I be better? 217 00:13:04,080 --> 00:13:07,920 Speaker 1: How can I sharpen this tool that God has given me. 218 00:13:08,000 --> 00:13:09,680 Speaker 1: I don't ever want to get to a place where 219 00:13:09,720 --> 00:13:14,040 Speaker 1: like I've a ride, then that's boring and I don't grow. 220 00:13:14,320 --> 00:13:17,160 Speaker 1: I want to keep growing. And I guess when I'm 221 00:13:17,160 --> 00:13:19,240 Speaker 1: talking to Kelly Jenret, one of the stars of the 222 00:13:19,880 --> 00:13:23,719 Speaker 1: All American series Home Care, it's a spin off of 223 00:13:23,800 --> 00:13:28,800 Speaker 1: that series based only the fictional hbc U, I guess 224 00:13:28,800 --> 00:13:30,960 Speaker 1: we have to say for my fans or even me 225 00:13:31,040 --> 00:13:33,920 Speaker 1: to understand is that it's just like watching a Tom Brady. 226 00:13:34,320 --> 00:13:36,880 Speaker 1: If Tom Brady didn't go to practice, then he couldn't 227 00:13:36,880 --> 00:13:41,640 Speaker 1: throw touchdown, He lose timing, he loses chemistry. And by 228 00:13:41,679 --> 00:13:44,960 Speaker 1: going to an acting classes, even though success is in 229 00:13:45,080 --> 00:13:48,439 Speaker 1: your history, it will be in your future. You still 230 00:13:48,480 --> 00:13:51,720 Speaker 1: have to understand how can you push your character? How 231 00:13:51,760 --> 00:13:54,839 Speaker 1: can you you know, like I said, cry or laugh 232 00:13:55,120 --> 00:13:58,440 Speaker 1: or emote a certain scene change? So can you walk 233 00:13:58,520 --> 00:14:00,840 Speaker 1: your walk us through the steps of what is an 234 00:14:00,880 --> 00:14:04,439 Speaker 1: acting class experience for somebody that's as successful as you, 235 00:14:04,760 --> 00:14:06,880 Speaker 1: because I'm sure when you walk in a room, the 236 00:14:06,920 --> 00:14:09,600 Speaker 1: other actors and actors going, oh, she's here, and they 237 00:14:09,679 --> 00:14:13,160 Speaker 1: try to pick your brain for information because you in 238 00:14:13,240 --> 00:14:15,959 Speaker 1: some ways they say you've made it. So talk about 239 00:14:16,040 --> 00:14:20,160 Speaker 1: your acting experience going into these rooms with other actors 240 00:14:20,160 --> 00:14:23,560 Speaker 1: and actresses and how you maintain that humbleness to get 241 00:14:23,600 --> 00:14:29,280 Speaker 1: something out of the course. Well, for me, I I 242 00:14:29,360 --> 00:14:34,320 Speaker 1: love uh classes like I will do one on one coaching, 243 00:14:35,160 --> 00:14:39,800 Speaker 1: but I love the class aspect. I've worked with two 244 00:14:39,920 --> 00:14:46,280 Speaker 1: very incredible studios, Sue Hamilton's Studios and Berg Studios, which 245 00:14:46,360 --> 00:14:50,320 Speaker 1: have which are similar in some regards and very different 246 00:14:50,440 --> 00:14:56,000 Speaker 1: in others. But I think for me, my my approach 247 00:14:56,480 --> 00:15:00,280 Speaker 1: in being in class and and not even so much 248 00:15:00,320 --> 00:15:02,840 Speaker 1: that people are like, oh my god. I mean not 249 00:15:02,960 --> 00:15:07,520 Speaker 1: that they say to me, um, but I know that 250 00:15:07,560 --> 00:15:12,400 Speaker 1: it is. It's acknowledged, like yeah, she's an Emmy nominated actress, 251 00:15:12,840 --> 00:15:15,800 Speaker 1: but she's still here in class. And so even when 252 00:15:15,840 --> 00:15:19,080 Speaker 1: I'm not going up in class, when I'm not performing, 253 00:15:19,120 --> 00:15:21,360 Speaker 1: when I'm not doing a scene, when I'm not doing 254 00:15:21,640 --> 00:15:25,240 Speaker 1: a monologue, other people are And I love being able 255 00:15:25,280 --> 00:15:29,120 Speaker 1: to see what other people do. I love being able 256 00:15:29,240 --> 00:15:32,760 Speaker 1: to hear the feedback that other actors get because then 257 00:15:32,840 --> 00:15:35,040 Speaker 1: I can take that and say, oh, you know what, 258 00:15:35,120 --> 00:15:37,600 Speaker 1: that's a really great note. I'm gonna try that the 259 00:15:37,680 --> 00:15:41,280 Speaker 1: next time I do my scene or the next time 260 00:15:41,400 --> 00:15:44,720 Speaker 1: I'm in a situation like this. And so it is 261 00:15:44,840 --> 00:15:49,120 Speaker 1: really that iron sharpening, iron mentality that I take in 262 00:15:49,240 --> 00:15:53,360 Speaker 1: and again, like, I've not arrived. I don't think I'll 263 00:15:53,400 --> 00:15:55,920 Speaker 1: ever get to a place where I'm like, I don't 264 00:15:56,000 --> 00:16:01,200 Speaker 1: need to be sharpened anymore. I'm gonna tell you, as Kelly, 265 00:16:01,880 --> 00:16:04,480 Speaker 1: you have arrived. But I'm not saying you don't need 266 00:16:04,560 --> 00:16:07,280 Speaker 1: to be sharpened. Okay, I say that because of the 267 00:16:07,320 --> 00:16:10,440 Speaker 1: fact that you know, uh, look, I can't act. I 268 00:16:10,440 --> 00:16:12,720 Speaker 1: would tell you right up for I you know, I've tried, 269 00:16:12,920 --> 00:16:14,680 Speaker 1: I go. That is not my skills. And as a 270 00:16:14,720 --> 00:16:17,240 Speaker 1: standup comedian, I was very successful when it came to 271 00:16:17,320 --> 00:16:21,440 Speaker 1: transition that skills to what you do or individuals like 272 00:16:21,520 --> 00:16:26,000 Speaker 1: you do, y'all. That's that's like amateur and professional. Y'all 273 00:16:26,000 --> 00:16:29,360 Speaker 1: were professional. I was a superstar amateur. And so you 274 00:16:29,360 --> 00:16:31,760 Speaker 1: don't get a resume like you get unless you have 275 00:16:31,800 --> 00:16:34,640 Speaker 1: a ride because people calling in on these high level 276 00:16:34,680 --> 00:16:38,040 Speaker 1: auditions and sometimes I'm pish some people basically they just 277 00:16:38,080 --> 00:16:39,760 Speaker 1: wanted to hear you show up, so it didn't give 278 00:16:39,800 --> 00:16:42,520 Speaker 1: you the role. Now, but what I do get out 279 00:16:42,520 --> 00:16:45,400 Speaker 1: of the fact that you in these classes as being 280 00:16:45,440 --> 00:16:50,000 Speaker 1: a director. I do see that. So talk to us. 281 00:16:50,440 --> 00:16:52,960 Speaker 1: Are you working on being a director? When will you 282 00:16:53,000 --> 00:16:56,160 Speaker 1: direct one of the episodes of All American Homecoming? Because 283 00:16:56,160 --> 00:16:59,760 Speaker 1: I see that happening, because that's your skills set, I said, 284 00:17:02,120 --> 00:17:08,000 Speaker 1: I'm like, who you've been talking to you? Just telling you, Kelly, 285 00:17:08,040 --> 00:17:09,920 Speaker 1: you know you can sit over here with this humble story, 286 00:17:10,000 --> 00:17:12,920 Speaker 1: your bartman in the games, his Nati folk. Okay, I've 287 00:17:12,960 --> 00:17:16,159 Speaker 1: seen talents like you, and I also know you're one 288 00:17:16,160 --> 00:17:18,960 Speaker 1: of those people who push other talents on the set, 289 00:17:19,240 --> 00:17:22,040 Speaker 1: you know, because that's your gift. So, but that gift 290 00:17:22,200 --> 00:17:26,200 Speaker 1: will translate behind the camera because you see things differently. 291 00:17:26,840 --> 00:17:29,280 Speaker 1: You see when you're walk into sing you see everybody's roll, 292 00:17:29,359 --> 00:17:33,080 Speaker 1: everybody's character. That's a director's eye. I see that when 293 00:17:33,080 --> 00:17:35,800 Speaker 1: I'm watching the show, when I'm watching you, I said, 294 00:17:36,640 --> 00:17:39,119 Speaker 1: So now that we know that Roushan got all this 295 00:17:39,240 --> 00:17:42,080 Speaker 1: inside information because he just watch you, that's gonna talk 296 00:17:42,119 --> 00:17:44,879 Speaker 1: about what your next step gonna happen in Kelly Jenret's career. 297 00:17:46,640 --> 00:17:50,879 Speaker 1: You know, thank you so much for saying that. I 298 00:17:50,920 --> 00:17:59,080 Speaker 1: appreciate you, and I actually would like to direct. UM 299 00:17:59,320 --> 00:18:03,800 Speaker 1: would love to direct an episode of Homecoming. We'll we'll see, 300 00:18:03,840 --> 00:18:06,479 Speaker 1: We'll see what that looks like over over the next 301 00:18:06,760 --> 00:18:10,560 Speaker 1: couple of seasons. Like I again want to make sure 302 00:18:10,720 --> 00:18:14,040 Speaker 1: I am sitting in a seat of learning and taking 303 00:18:14,080 --> 00:18:18,320 Speaker 1: it all in shadowing the different directors that come on 304 00:18:18,320 --> 00:18:22,520 Speaker 1: our set and work with us. UM reading books. You 305 00:18:22,520 --> 00:18:28,120 Speaker 1: know Michael Schultz, the great Michael Schultz UM who directed 306 00:18:28,320 --> 00:18:33,800 Speaker 1: several episodes of both All American and All American Homecoming. UM, 307 00:18:33,880 --> 00:18:36,560 Speaker 1: he is someone that is like, yeah, there there are 308 00:18:36,600 --> 00:18:41,439 Speaker 1: books that you can read. UM. Other directors who I'm like, 309 00:18:41,480 --> 00:18:44,719 Speaker 1: do you mind if I shadow you? And they're like, yeah, absolutely, 310 00:18:44,800 --> 00:18:46,360 Speaker 1: come on, and you can shadow me on this other 311 00:18:46,400 --> 00:18:50,040 Speaker 1: show that I'm working on too. So it's something that 312 00:18:50,520 --> 00:18:56,119 Speaker 1: I'm I'm like tip tipping my toe in, but I 313 00:18:56,119 --> 00:19:00,080 Speaker 1: think I'm just like just jumping. But make sure you 314 00:19:00,160 --> 00:19:04,160 Speaker 1: have the knowledge with the zeal. We'll be right back 315 00:19:04,160 --> 00:19:10,480 Speaker 1: with more Money Making Conversations Masterclass with Rushan McDonald. Now 316 00:19:10,600 --> 00:19:15,560 Speaker 1: let's return to Money Making Conversations Masterclass with Rashan McDonald. 317 00:19:15,640 --> 00:19:16,960 Speaker 1: I'm gonna tell you something. Let me tell you, I 318 00:19:17,160 --> 00:19:19,200 Speaker 1: tell you, I gotta tell you this. You know, just 319 00:19:19,200 --> 00:19:26,360 Speaker 1: just a colleague, Okay, you know. I fortunately executive sitcoms. 320 00:19:26,400 --> 00:19:30,520 Speaker 1: I've readen no sitcoms. I produced sitcoms than large scale productions. 321 00:19:30,920 --> 00:19:34,600 Speaker 1: And I was always never the person making the decisions. 322 00:19:35,080 --> 00:19:37,879 Speaker 1: And then I did. Then then I was in Vegas 323 00:19:38,000 --> 00:19:41,080 Speaker 1: during this huge Neighborhood Award event with me and Steve Harveys, 324 00:19:41,080 --> 00:19:45,879 Speaker 1: who was doing and and I did it. And I 325 00:19:45,920 --> 00:19:49,840 Speaker 1: realized when I walked away, I went, that's it. That's it. 326 00:19:50,720 --> 00:19:53,600 Speaker 1: And that's what I'm telling you. Where you're at, You're 327 00:19:53,640 --> 00:19:57,840 Speaker 1: at the that's it stage. And I say that because 328 00:19:58,640 --> 00:20:01,320 Speaker 1: you will do your homework. Our friend, You're not gonna 329 00:20:01,400 --> 00:20:04,879 Speaker 1: jump out there and not be prepared. You got an 330 00:20:04,920 --> 00:20:09,520 Speaker 1: amazing husband's gonna help you be prepared. You have people 331 00:20:09,520 --> 00:20:12,320 Speaker 1: in the industry who are rooting for you. I'm just 332 00:20:12,400 --> 00:20:16,400 Speaker 1: letting you know that that you don't get this resume 333 00:20:16,880 --> 00:20:20,880 Speaker 1: based on luck right place at the right time. It's 334 00:20:20,880 --> 00:20:24,119 Speaker 1: a skill set that you're still doing. Iron shopping's iron 335 00:20:24,760 --> 00:20:27,600 Speaker 1: I'm just letting you know that when you do direct 336 00:20:27,640 --> 00:20:31,320 Speaker 1: your first episode, I just know that hopefully I pushed 337 00:20:31,359 --> 00:20:34,359 Speaker 1: you a little bit. Hopefully your husband pushed you a 338 00:20:34,359 --> 00:20:37,200 Speaker 1: lot more because he sees the same thing I see. 339 00:20:38,080 --> 00:20:40,720 Speaker 1: And the blessing is that when it happens, you're gonna 340 00:20:40,720 --> 00:20:45,960 Speaker 1: go that's it. Wow. And I'm saying you should have 341 00:20:46,000 --> 00:20:48,359 Speaker 1: started earlier, but i just want you to cross that 342 00:20:48,440 --> 00:20:52,040 Speaker 1: line and realize you're not gonna stop acting. But boy, 343 00:20:52,119 --> 00:20:55,080 Speaker 1: it's gonna open the door for you. That's gonna scare 344 00:20:55,119 --> 00:20:58,200 Speaker 1: you because you're gonna see how much you're gonna change 345 00:20:58,200 --> 00:21:01,640 Speaker 1: the industry on that side of the land, giving directions 346 00:21:02,000 --> 00:21:05,720 Speaker 1: for young actors, whether they're white or black or Latino, 347 00:21:05,920 --> 00:21:07,800 Speaker 1: because you're gonna be a You're going to be one 348 00:21:07,840 --> 00:21:11,000 Speaker 1: of those actresses that can act with the special effects. 349 00:21:11,000 --> 00:21:12,480 Speaker 1: You'll be able to do it all because your career 350 00:21:12,480 --> 00:21:15,879 Speaker 1: has shown you to participate in all those lanes. And 351 00:21:15,920 --> 00:21:19,600 Speaker 1: I'm not turning this into a motivational speech for Kelly. 352 00:21:19,920 --> 00:21:22,040 Speaker 1: I'm just letting you know your challenged a young lady, 353 00:21:22,359 --> 00:21:25,440 Speaker 1: and I'm fortunate to be a person who shared this experience. 354 00:21:25,440 --> 00:21:26,920 Speaker 1: And the reason I call you a young lady because 355 00:21:26,960 --> 00:21:29,040 Speaker 1: you're younger than me. And I have to show you 356 00:21:29,119 --> 00:21:31,760 Speaker 1: respect by saying, as an older person in this business 357 00:21:32,000 --> 00:21:36,560 Speaker 1: who've seen talent like you and and they've crossed over, 358 00:21:37,240 --> 00:21:42,720 Speaker 1: you're jump run, uh ski slide, do your thing right now. 359 00:21:42,760 --> 00:21:45,240 Speaker 1: You just off all American Homecoming. You're gonna be directing 360 00:21:45,280 --> 00:21:50,440 Speaker 1: some episodes before it's all done, Okay. I feel I'm like, well, 361 00:21:50,800 --> 00:21:53,080 Speaker 1: how we passed the offering plate because you just you 362 00:21:53,160 --> 00:21:56,880 Speaker 1: just gave a whole word right there. Um Man, I'm like, 363 00:21:57,320 --> 00:21:59,520 Speaker 1: do you know my husband? Have you been talking to him? 364 00:21:59,600 --> 00:22:02,120 Speaker 1: Like what is happening? Well? You know, the thing about 365 00:22:02,160 --> 00:22:04,760 Speaker 1: it is that you know, I'm married, and you know, 366 00:22:04,920 --> 00:22:08,159 Speaker 1: and my wife's talented, and and sometimes I have to 367 00:22:08,160 --> 00:22:10,760 Speaker 1: remind her of her gifts and not on her how 368 00:22:10,840 --> 00:22:13,400 Speaker 1: portant she is in my life. And to do that yesterday, 369 00:22:13,800 --> 00:22:15,840 Speaker 1: you know what I'm saying. And uh, because you know, 370 00:22:15,920 --> 00:22:18,640 Speaker 1: we go through these processes and and and and and 371 00:22:19,160 --> 00:22:21,320 Speaker 1: if you don't, who's who is to remind you? If 372 00:22:21,359 --> 00:22:23,280 Speaker 1: the person that doesn't love it, that loves you the most, 373 00:22:23,320 --> 00:22:26,119 Speaker 1: that's the person should be reminding. But you know that 374 00:22:26,280 --> 00:22:28,760 Speaker 1: my whole thing and bringing you on was not to 375 00:22:28,760 --> 00:22:31,480 Speaker 1: get it in this part of the conversation. It's port 376 00:22:31,480 --> 00:22:34,200 Speaker 1: of It's just this is a conversation, a testimonial conversation 377 00:22:34,200 --> 00:22:37,080 Speaker 1: about your career and the brilliance of it and being 378 00:22:37,160 --> 00:22:40,120 Speaker 1: this matriarch on this TV series that's a hit show 379 00:22:40,119 --> 00:22:42,960 Speaker 1: on c W called All American Homecoming, and you're the 380 00:22:43,040 --> 00:22:45,879 Speaker 1: stewardship over that show. You know, you might not be 381 00:22:46,040 --> 00:22:50,280 Speaker 1: delivering our lines all the time, but your your imagery, 382 00:22:50,760 --> 00:22:54,400 Speaker 1: your your being able to when they come for those 383 00:22:54,640 --> 00:22:58,800 Speaker 1: those branches, those brunch dinners, how that becomes like the 384 00:22:58,800 --> 00:23:01,600 Speaker 1: old old Black Hall souls. Well, everybody will meet on 385 00:23:01,640 --> 00:23:04,760 Speaker 1: Sunday dinner at the family So there's a lot of symbolism. 386 00:23:04,880 --> 00:23:07,200 Speaker 1: So when you as we wrap up this interview, and 387 00:23:07,520 --> 00:23:09,200 Speaker 1: you know, not go by what I talked about in 388 00:23:09,200 --> 00:23:12,000 Speaker 1: your directing, what do you enjoy the most about being 389 00:23:12,080 --> 00:23:16,280 Speaker 1: on this series All American Homecoming, there's a hit on CW. 390 00:23:17,800 --> 00:23:21,159 Speaker 1: There are so many things to enjoy. What immediately comes 391 00:23:21,200 --> 00:23:25,840 Speaker 1: to mind are the actors that I get to work with. 392 00:23:26,680 --> 00:23:30,200 Speaker 1: There's not one day that I don't go on set 393 00:23:30,359 --> 00:23:36,560 Speaker 1: and have a full hearty laugh. We laugh all the time, 394 00:23:37,280 --> 00:23:42,159 Speaker 1: and I love to laugh. I love to enjoy myself 395 00:23:42,560 --> 00:23:45,760 Speaker 1: and we we have the deep conversations. We have the 396 00:23:45,920 --> 00:23:53,320 Speaker 1: tough conversations, but the family dynamic um on set, it's 397 00:23:53,400 --> 00:23:56,560 Speaker 1: just amazing. It is something that I look forward to 398 00:23:57,320 --> 00:24:00,359 Speaker 1: every time I get to go to set where I 399 00:24:00,400 --> 00:24:02,480 Speaker 1: look forward to. I turned on TV and see y'all. 400 00:24:02,600 --> 00:24:05,480 Speaker 1: I'm gonna say y'all okay because it is an experience. 401 00:24:05,960 --> 00:24:08,400 Speaker 1: Can say y'all from from Houston, Texas. So y'all flow 402 00:24:08,440 --> 00:24:10,400 Speaker 1: is really good out of my mouth. I'm just in Atlantic, 403 00:24:10,560 --> 00:24:13,120 Speaker 1: an extension of the South. But more importantly, your career 404 00:24:13,200 --> 00:24:16,000 Speaker 1: is a blessing. Watching the show with African American talent 405 00:24:16,080 --> 00:24:18,879 Speaker 1: that is relatable, it is a blessing, but more important 406 00:24:18,920 --> 00:24:21,280 Speaker 1: to the storylines are well written, but the but the 407 00:24:21,400 --> 00:24:24,200 Speaker 1: leadership being able to go into the storylines about the 408 00:24:24,240 --> 00:24:27,280 Speaker 1: community that that we don't talk about, normalizing it and 409 00:24:27,400 --> 00:24:31,760 Speaker 1: story lines that carry credibility is a blessing. And I 410 00:24:31,800 --> 00:24:35,960 Speaker 1: think years from now, what Hilman did for us in 411 00:24:36,040 --> 00:24:38,480 Speaker 1: different world, you guys are gonna do for the next 412 00:24:38,520 --> 00:24:41,119 Speaker 1: generation of ten years, twenty years and not said they 413 00:24:41,160 --> 00:24:43,760 Speaker 1: were inspired by this TV show that was on the 414 00:24:43,840 --> 00:24:47,520 Speaker 1: fictitious HBC Uth School in Atlanta, and you were one 415 00:24:47,520 --> 00:24:50,040 Speaker 1: of the stars of that show. So, Kelly, that will 416 00:24:50,080 --> 00:24:52,439 Speaker 1: be part of your legacy and people probably ain't their 417 00:24:52,520 --> 00:24:56,960 Speaker 1: kids after year. You know, that's my favorite character home coming. 418 00:24:59,480 --> 00:25:01,560 Speaker 1: But thank you were coming on money making conversation Master, 419 00:25:01,640 --> 00:25:04,760 Speaker 1: Glad you're you're blessing the interview. Thank you, thank you 420 00:25:04,840 --> 00:25:07,119 Speaker 1: so much. Thank you for the life that you spoke 421 00:25:07,160 --> 00:25:10,439 Speaker 1: into my life. I receive it. I hear you, and 422 00:25:10,520 --> 00:25:13,240 Speaker 1: I will move recording me. There you go, there you go. Well, 423 00:25:13,359 --> 00:25:15,080 Speaker 1: now we're gonna come on, come on, come on, come on, 424 00:25:15,119 --> 00:25:18,359 Speaker 1: come on, come again. Thank you. Keep that laugh. That's 425 00:25:18,359 --> 00:25:20,640 Speaker 1: what I'm talking about. Laugh right there. Keep their spirits high, 426 00:25:21,080 --> 00:25:23,560 Speaker 1: and we're talking soon, okay, because I keep my I'm 427 00:25:23,560 --> 00:25:25,359 Speaker 1: gonna keep a little monitor on you. I keep my 428 00:25:25,400 --> 00:25:28,160 Speaker 1: little monitoring you. And if I see you directed anything, 429 00:25:28,240 --> 00:25:30,360 Speaker 1: you know, your first phone call gonna be your ball. 430 00:25:30,800 --> 00:25:32,920 Speaker 1: Not to say that I told you so, just to 431 00:25:33,000 --> 00:25:37,680 Speaker 1: say what prompted the jump though? What prompt jump? Be safe? 432 00:25:37,720 --> 00:25:40,320 Speaker 1: Now we talked soon, Love you, Love you to