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Speaker 1: The volume.

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Speaker 2: Welcome back. Oh, I feel so refreshed, Rory. I mean

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Speaker 2: I just saw you a few hours ago.

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Speaker 1: I know, but I went home, I got you know,

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Speaker 1: worked out, got some res you know what I mean, like, okay,

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Speaker 1: feel good man, well chest legs, little cardio Okay, you

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Speaker 1: know what I mean, little cardio and got a little

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Speaker 1: cardio sets late night. Nice, listen to some music. Okay.

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Speaker 1: I had the gym to myself. You know, you got

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Speaker 1: the gym to yourself. It's like yeah, it's like.

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Speaker 3: You know, I mean I kind of noticed that this

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Speaker 3: year was different. At the New Year, usually the gyms

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Speaker 3: are like completely packed. It kind of empty.

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Speaker 1: People don't at least I will say this though, I

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Speaker 1: do like to see that. Uh well, I've noticed that

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Speaker 1: more people are more health conscious these days. Like even

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Speaker 1: people I never thought would care about health and working out.

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Speaker 1: They're trying to get in there a little bit.

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Speaker 3: Or we're just getting older and realizing that, you know,

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Speaker 3: it hurts to get out of bed sometimes. Yeah, it's okay,

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Speaker 3: should probably start checking these types of things.

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Speaker 1: Got a stretch in the mornings, Yeah, you get that

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Speaker 1: one move you move too fast in the morning when

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Speaker 1: you didn't stretch you start thinking you paralyzed, like you

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Speaker 1: just had a stroke of something.

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Speaker 2: So mar jumped on my lower back the other day.

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Speaker 1: And I'm cooking almost called up. Didn't make it.

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Speaker 3: You literally could not sleep last night type thing like

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Speaker 3: every move by me my fucking bad. I've been doing

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Speaker 3: some more school tours uh with her, and I thought

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Speaker 3: it was like awkward at holidays trying to explain with

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Speaker 3: your job is. But what a like a parent coordinator

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Speaker 3: after a tours? Like, so, what do you guys do

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Speaker 3: for a living.

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Speaker 2: Podcast?

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Speaker 1: Podcast?

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Speaker 2: A podcast? You say that was a podcast.

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Speaker 1: Saying you a podcast is almost like saying you're a

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Speaker 1: drug dealing. It's like almost the same thing. It's like

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Speaker 1: almost embarrassing, like you got to kind of whisper it, like, yeah, well,

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Speaker 1: given podcasts. It's such a such a nasty rep.

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Speaker 3: Thirty five working on this mixtape, Yes, the same thing

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Speaker 3: ten years ago it was gonna hit, but you're not.

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Speaker 3: Still I got this t shirt line and working on

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Speaker 3: still swing, still swinging. But yeah, it's it's it's an

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Speaker 3: awkward thing to say. As much as this is, like,

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Speaker 3: you know, a very respected career now, it's still weird

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Speaker 3: to say to people that are like educators.

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Speaker 2: It's been very lucrative. Sure, yeah, I know it's been

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Speaker 2: been fine.

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Speaker 1: I mean I'm still going to Mandamie's public schools though. Yeah.

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Speaker 2: Everything's free now is yesterday? Three k pre k.

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Speaker 1: Good luck with that. I saw that, but then I

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Speaker 1: still got my bill in the mail. It's funny how

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Speaker 1: that works, right, thought it was free? No, nothing is free.

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Speaker 1: After they lost to Mars Lunch yesterday, I saw that

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Speaker 1: ubers are now accepting cash. Yeah, so that as well.

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Speaker 1: I don't know if that's a good idea. Why do

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Speaker 1: you say that because I used to take cabs in

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Speaker 1: the early nineties.

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Speaker 2: Okay, fair enough? Two thousands as well.

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Speaker 1: Listen the guy that's on mom Donnie's team, Mice song

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Speaker 1: and we love him. Do we know what he went

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Speaker 1: to jail for. Robbed the cab driver? He robbed the

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Speaker 1: cab driver, Mice. I love you, you know you my guy.

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Speaker 1: But I'm just like, we don't know. It agens over

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Speaker 1: like we know even today, maybe didn't get a fair shake.

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Speaker 1: I didn't keep up with the driver. I'm just saying

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Speaker 1: Uber is accepting cash. I don't know if we want

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Speaker 1: to go back to that. I don't know. Rory I'm

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Speaker 1: just some I'm still Yeah, I think going paperless is

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Speaker 1: you know, there's a good thing for for all you know,

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Speaker 1: cab drivers or Uber Uber driver.

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Speaker 2: Yeah, I'm curious why they would do this.

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Speaker 1: Well, they're saying that, yes, Uber accepts cash in many

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Speaker 1: markets allow very verified riders to pay drivers directly, though

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Speaker 1: drivers can opt out, so meaning the driver would have

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Speaker 1: to say that he does except cash. And cash rides

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Speaker 1: are often restricted todaytime hours. Yet because nobody, nobody ever

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Speaker 1: gets robbed in the daytime, it was verified from six

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Speaker 1: am to ten pm you could pay with cash ten

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Speaker 1: oh one. No more cash Rory due to safety concerns

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Speaker 1: with the driver collecting the fare from the rider at

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Speaker 1: the trips end. This feature expands across excuse me. This

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Speaker 1: feature expands access for unbanked users, but creates new challenges

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Speaker 1: for drivers who handle the cash and must input the

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Speaker 1: exact amount in the app. Now, I've taken ubers before. Well, well,

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Speaker 1: got in an Uber and you know a lot of

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Speaker 1: the drivers that say how much are they charge you

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Speaker 1: for this ride? And I'll say, whatever it is, it's

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Speaker 1: seventy bucks, right, He's like, I'm only making thirty dollars

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Speaker 1: off of this. Yeah right, He's like, Yo, just give

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Speaker 1: me the thirty Like drivers have done that to me,

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Speaker 1: Like I've done give me the thirty dollars like or

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Speaker 1: just give me like forty, you know what I mean.

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Speaker 1: Like and we'll just like instead of you paying seventy,

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Speaker 1: just give me forty.

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Speaker 3: And I'm like, all right, cool, I pay the driver

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Speaker 3: for the night, Like if we got that a lot

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Speaker 3: and call uber black, like what do you usually make

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Speaker 3: for the night that they take? And you just come

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Speaker 3: up with a price that they make more money and

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Speaker 3: you don't have to pay as.

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Speaker 1: Money, especially if it's a driver. I say, you know

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Speaker 1: the good drivers where they're like, you know, they know

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Speaker 1: how to drive, they.

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Speaker 2: Have many vacuums, they don't even.

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Speaker 1: Really use the They have the GPS on, but they

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Speaker 1: don't really use it. They know the city like the

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Speaker 1: back of their palm. They're like, I don't go this way,

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Speaker 1: cut down this block so we don't have to go back.

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Speaker 1: Those type of drivers and then like it's date night,

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Speaker 1: like you're going on a date. I'm like, yo, turn

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Speaker 1: the turn the turn your app off? Man, I got

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Speaker 1: you for the night. Man, I'm gonna need you for

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Speaker 1: about four hours.

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Speaker 2: Man, you end up paying less if you're moving around

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Speaker 2: a lot.

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Speaker 1: I just don't know how safe it is for drivers

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Speaker 1: to have cash on them anymore, but you know, I

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Speaker 1: mean maybe the country is safe.

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Speaker 3: And now, I don't know, if you're an uber driver

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Speaker 3: listening to this podcast in your Uber, now, if somebody says, yo,

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Speaker 3: you got changed for a hundred, just be just be

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Speaker 3: a little scared.

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Speaker 1: You just dropped to just drop to the nearest precinct.

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Speaker 1: That's all.

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Speaker 2: Anytime somebody you got change for a hundred, ye don't.

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Speaker 1: I don't actually do not have change for one hundred, sir, But.

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Speaker 3: I mean I doubt that there's gonna be like that

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Speaker 3: many cash transactions, that would be a lucrative robbery. Yeah,

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Speaker 3: and to even do that, like it's not like the

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Speaker 3: cab days. I noticed that.

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Speaker 1: Ever since uh, these rideshare apps announced that they were

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Speaker 1: giving female drivers the option to pick up males or not,

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Speaker 1: I've only maybe gotten one female driver since, so I

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Speaker 1: don't know if it went to affect and like all

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Speaker 1: of the you know, female drivers just switching it to

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Speaker 1: just female passengers only. I don't I don't know if

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Speaker 1: they did that or not, but there has definitely been

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Speaker 1: like I've noticed it, like damn like women don't want

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Speaker 1: to pick me up. No woman I call.

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Speaker 3: I mean you must be furious then, because you don't

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Speaker 3: think one woman should drive to be able to handle

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Speaker 3: cash or money or responsibilities.

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Speaker 1: No, your money, you come up short if they handle

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Speaker 1: your money. You let a woman handle your money and

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Speaker 1: your cash you go come up short. What you handed

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Speaker 1: her early that day is not what you're going to

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Speaker 1: get back at the end of the night.

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Speaker 3: You being your own uber getting called broke. That's the

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Speaker 3: fact I broke. Listen hires you exactly.

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Speaker 1: We are backsponsored by Boost more unlimited talk, texts and

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Speaker 1: data data depending on where you're from the New England

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Speaker 1: area is what data right or data data data data

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Speaker 1: as Tom Brady Listen is unlimited.

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Speaker 3: Just know that whatever it is, and I mean clearly,

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Speaker 3: we're powered by Boost and didn't lose power. No, yesterday

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Speaker 3: everyone that had Verizon was off the.

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Speaker 1: Grid, not us. We're in here working. We never lost power. No,

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Speaker 1: never were still bang it.

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Speaker 3: I saw that Verizon put out a statement to say

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Speaker 3: that they they failed us all and they apologize and

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Speaker 3: you can go and collect a twenty dollars credit if

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Speaker 3: you like they won't just just won't probade everyone's bill.

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Speaker 3: You have to go through a website and fucking collect

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Speaker 3: your twenty dollars. Was it just Verizon or yeah, well

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Speaker 3: I have Boost of course, and mine didn't go out,

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Speaker 3: and I heard at and t didn't go I think

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Speaker 3: it was just a Verizon thing in the Tri State.

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Speaker 2: But that's kind of scary.

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Speaker 3: That's like that Obama produced movie where like all the

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Speaker 3: electricity starts going out, Testla's start doing fucking backflips.

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Speaker 2: Yeah, it's coming.

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Speaker 1: It was testing something that was trying to tell us. Yeah,

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Speaker 1: what they was testing yesterday, something which I think Verizon

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Speaker 1: was testing because that doesn't just happen.

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Speaker 3: See if they get shut off the power in Denmark.

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Speaker 3: I just want to use the Tri State re quicksie.

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Speaker 1: You trying to see if we can get five G

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Speaker 1: in in Greenland. That's what we're trying to do right now.

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Speaker 1: What are they doing over there? Man? That doesn't just happen, you.

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Speaker 3: Know, just we are we are the closest well, no,

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Speaker 3: I guess Boston would be the closest major city to Greenland.

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Speaker 3: Well in the States, I guess Toronto and all that.

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Speaker 3: But yeah, I could see us being the guinea pig.

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Speaker 1: Just something going on. Man, you gotta watch these guys.

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Speaker 3: Is there major cities and green I know it sounds ignorant.

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Speaker 3: I never learned anything major cities.

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Speaker 1: I don't know about a maze.

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Speaker 3: Like I know you can go see them, like Northern

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Speaker 3: lights and all that ship. I think that's cool, but

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Speaker 3: like the people, just chill there.

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Speaker 1: Uh. Greenland's major cities, all coastal and relatively small by

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Speaker 1: global standards. Rory are led by the capital Nuk, followed

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Speaker 1: by sis Meat and the cities I see, I said,

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Speaker 1: and uh Kak, which serve as key cultural, economic, and

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Speaker 1: tourism hubs, with Nuk housing a significant portion of the

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Speaker 1: nation's population. Nuk is the capital and largest city, located

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Speaker 1: on the southwest coast Rory, acting as the political and

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Speaker 1: economic center with modern amenity.

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Speaker 2: So yes, well, our commander in chief has a fucking

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Speaker 2: nuke for.

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Speaker 4: You.

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Speaker 1: Yeah, nuke nuke. If you buck nucko, keep fucking you

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Speaker 1: got Varie, you won't even know. Oh my god, that's

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Speaker 1: not funny.

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Speaker 3: But it's definitely not funny at all. And shout out

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Speaker 3: to everyone. Yeah, I'm sure we have a lot of listeners.

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Speaker 1: Looks beautiful. I love to love the colors in the LANSK.

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Speaker 1: It looks like a beautiful, beautiful place for sure.

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Speaker 3: Absolutely new music Friday. We are recording this on Thursday.

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Speaker 3: I want to say, the biggest release we have coming up,

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Speaker 3: outside of obviously the col record dropping, would be the

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Speaker 3: ASAP Rocky Don't Be Dumb album, which we're finally getting.

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Speaker 2: I really thought he was showing us for years.

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Speaker 3: And it was called Don't Be Dumb because we were

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Speaker 3: dumb thinking it was ever going to drop. But he

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Speaker 3: put out a track list as well as features, got

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Speaker 3: bost Man, Dilo, brentfiz Dochi, Brent's on their rocky Thundercat

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Speaker 3: Tyler creator Westside Gunn will I am it's a cool

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Speaker 3: list of features. And again I've liked the records he's

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Speaker 3: put out, probably more than I've liked new rocky music

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Speaker 3: in a while. So I am actually this is one

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Speaker 3: that I will turn on right away when it does drop.

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Speaker 1: Tyler to Creative. That's interesting Tyler Rocky.

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Speaker 2: Okay, I mean they're really close friends.

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Speaker 1: Yeah. No, I'm just saying just anytime you know they're

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Speaker 1: doing music together, it's like, okay, I want to hear

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Speaker 1: what they're doing.

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Speaker 2: Do we think Rihanna is on this album?

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Speaker 3: But more as a secret feature. I can see that

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Speaker 3: because he put up a billboard. I think that was

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Speaker 3: on thirty fourth Street with all the features I can

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Speaker 3: I could see like a hidden Rihanna track on there,

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Speaker 3: or a hidden feature where she's not listed.

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Speaker 1: Nah, I think if Rihanna was on it, he's gonna

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Speaker 1: put her name.

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Speaker 2: But I don't know.

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Speaker 3: Rocky is like cool, like he probably think it's cooler

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Speaker 3: not to put Rihanna.

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Speaker 1: Up there, like yeah, but Rocky is also a businessman

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Speaker 1: and he knows that. Does you know what that does

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Speaker 1: for business?

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Speaker 3: I mean he has one million pre saves and headlines

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Speaker 3: every festival.

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Speaker 1: So I don't even know I believe that one million

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Speaker 1: pre saves.

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Speaker 2: Though he broke the record. Shout out to Rocky, what

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Speaker 2: was the record?

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Speaker 1: That is true, But I don't know if I believe that,

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Speaker 1: Like it's like we like you said, who who held

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Speaker 1: the record before that? And how much? How many pre

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Speaker 1: saves did they have?

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Speaker 2: Like I know pre orders.

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Speaker 3: That was always a stat pre order, yeah, because we

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Speaker 3: know you have purchased this already.

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Speaker 2: But I mean pre.

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Speaker 3: Saved is just so it pops up on your Spotify

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Speaker 3: or Apple when whatever it comes out?

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Speaker 1: How many how many monthly listeners does Rocky have?

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Speaker 2: Probably a lot.

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Speaker 1: Let's look at that, because I just want to see

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Speaker 1: something real quick. I mean listen. Like you said, Rocky

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Speaker 1: is always headlining every festival.

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Speaker 2: I mean, that's that's the thing.

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Speaker 1: It's hallam legend. But I'm just a million pre saves.

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Speaker 3: And we're not taking anything away from Rocky and who

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Speaker 3: he is as a legend in his own right.

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Speaker 1: His brand is incredible.

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Speaker 2: But thirty eight million multi listeners, I can see it.

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Speaker 3: And even when we used to clown like yo, who

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Speaker 3: is Rocky's booking agent? Because we need them anytime I

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Speaker 3: do see footage of him headlining a festival, everybody is

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Speaker 3: singing every single word.

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Speaker 1: I mean, Rocky's legend, he has a co following. We

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Speaker 1: know that. I'm just just seeing a million pre saves

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Speaker 1: is like damn, Like, okay, that's great. And he didn't

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Speaker 1: put a single or nothing out right.

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Speaker 3: Helicopters and then the punk punk Rocky one just hit

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Speaker 3: out a couple two weeks ago, and then the helicopter

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Speaker 3: came a few days after that. Okay, but I mean

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Speaker 3: the features are cool. I definitely want to hear him

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Speaker 3: with the Gorillas. Haven't heard from em in a while,

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Speaker 3: so I think that that'll be cool.

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Speaker 1: The top ten most pre saved albums on Spotify currently

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Speaker 1: Life of a Showgirl at five point five million, Deadbeat

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Speaker 1: six hundred and seventy five thousand, Everybody Screamed for You. Okay,

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Speaker 1: So so.

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Speaker 2: On average it's usually in the thousands, not in the millions.

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Speaker 2: All right, Well, I mean, shit, do.

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Speaker 1: We think that translates to? Say, because even if I

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Speaker 1: pre save.

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Speaker 3: It and just listen to it once, that's not really

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Speaker 3: like a big stat to your first week numbers, you know.

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Speaker 3: I think I just listen to it like fifteen hundred

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Speaker 3: times for you to get one on one stream. Yeah, So,

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Speaker 3: I mean I'm curious to see how that translate with sales,

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Speaker 3: Not that I really give a fuck about sales, but

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Speaker 3: because that was a stat that they said he broke

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Speaker 3: the record, I'm always interested in those type of stats.

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Speaker 3: But yeah, I think this might be the first rocky

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Speaker 3: album in a while, and I'm actually pretty excited.

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Speaker 1: For I'm looking forward to it. I mean, he was

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Speaker 1: kind of, you know, flirting with the idea of putting

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Speaker 1: out an album for a while. So now it is

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Speaker 1: here and then Rocky is very you know, creative artistic.

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Speaker 1: It pays attention to detail. So it's it's not it's

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Speaker 1: not going to be terrible, it's going to be interesting,

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Speaker 1: it's gonna be hopefully. He tried some different things musically.

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Speaker 2: I mean he did on on Punk Rocky.

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Speaker 3: Yeah, it's definitely not something that he's usually done sonically

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Speaker 3: or musically.

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Speaker 1: So and like you said that, life is a little

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Speaker 1: different for Rocky now he can he can.

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Speaker 2: Create from a very very free task.

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Speaker 1: He can create from a very free a very free place,

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Speaker 1: a very free mind.

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Speaker 3: Yeah, but yeah, I still I still cannot see Rihanna

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Speaker 3: not at least putting some harms or something something.

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Speaker 2: On this project. I don't talk to man an.

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Speaker 1: Interlude because I think Rihanna know people will be pissed

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Speaker 1: at that. Yo, why you like, why are you playing

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Speaker 1: with us? Like you can't be in no booth recording

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Speaker 1: anything and it's not your album. Like if people know

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Speaker 1: Rihanna went to a studio and did whatever she you

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Speaker 1: think she may have done for Rocky's album, I think

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Speaker 1: her fans are gonna be pissed, Like, Yo, don't come on,

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Speaker 1: you can't go to the studio and not give us

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Speaker 1: at least a song like don't give us harm and

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Speaker 1: he's on Rockies track, don't do that? Give us a

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Speaker 1: record at least?

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Speaker 3: I mean, well, I guess Lemonade had came out the

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Speaker 3: year prior. I mean, Beyonce was on four to forty four.

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Speaker 3: Did she give us anything in twenty seventeen.

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Speaker 1: Yeah, but Beyonce probably, But beyond twenty seventeen or eighteen,

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Speaker 1: Beyonce has never taken ten twelve years olf of putting

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Speaker 1: out any music on an album.

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Speaker 2: So yeah, I mean, but she did the Smurf record.

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Speaker 1: She did give us the Smurf she did give us

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Speaker 1: the Smurf thing. So I mean, nobody knows that song still.

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Speaker 1: I'm gonna keep it real with you, Rory. I never

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Speaker 1: even heard that song. I never even listened to it.

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Speaker 3: I'm not saying it got like a million I know.

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Speaker 1: I'm just saying, as exist as a Rihanna fan, I

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Speaker 1: never even went to listen to that.

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Speaker 2: I heard it once.

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Speaker 1: How was it?

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Speaker 3: It sounds like it should be a smurfhobe Okay, like

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Speaker 3: it definitely like worked for what she was trying to

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Speaker 3: do with the movie.

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Speaker 1: Listen I know, I know Rihanna's fans are you know

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Speaker 1: they want music? And as a Rihanna fan, I would

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Speaker 1: I would definitely be very happy if I open my

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Speaker 1: phone or see Rihanna announce an album.

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Speaker 3: If that's what it takes to go on your husband's album,

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Speaker 3: I'll take anything.

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Speaker 2: From Rihanna at this point music.

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Speaker 1: But it's just when you listen with Rihanna's doing what

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Speaker 1: she's doing in beauty, in that fashion world. It's like,

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Speaker 1: let's say, worry right now if you if you start

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Speaker 1: doing something in the beauty and fashion world and you're

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Speaker 1: a billion in now somebody I'm quitting, When are you

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Speaker 1: gonna put out the next album? You go look at

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Speaker 1: somebody like what, like, I'm not putting out no fucking music.

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Speaker 3: But that's why I think she would be on Rocky's

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Speaker 3: project like NBA Young Boy is putting out Slime Cry

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Speaker 3: to Mark. If she was on that, I'd be very surprised.

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Speaker 3: But that's her husband and father of her children's Yeah album.

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Speaker 3: I'm sure Rocky records a lot in their crib, Like

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Speaker 3: I can see her just you know, being around that

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Speaker 3: creativity and like a safe space to do some shit.

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Speaker 1: I'm on the other side, I think Rihanna goes in

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Speaker 1: the studio Rockies and name were like, this is what

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Speaker 1: you're doing? Like she turns her nose up at music now,

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Speaker 1: like like what is this? What is this board? This soundboard? Engineer?

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Speaker 1: What is engineering?

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Speaker 2: I hear you.

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Speaker 3: But I think Rocky again to what you were saying before,

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Speaker 3: like he has space to just create how he wants to.

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Speaker 3: There's really no pressure because he's financially secure forever. I

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Speaker 3: think he could try some cool shit where Rihanna would

383
00:16:26,400 --> 00:16:28,280
Speaker 3: be like, I've never been on something like that. Now

384
00:16:28,320 --> 00:16:30,800
Speaker 3: she was married to Bruno Mars. I could see Rihanna

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Speaker 3: being like, all right, we're doing this this again. I'll

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Speaker 3: stick to the lipstick. Okay, everyone's gotten this this type

387
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Speaker 3: of record for me, I'm cool. But if Rocky does

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00:16:39,400 --> 00:16:41,720
Speaker 3: some weird grunge left ship, I can see Rihanna is

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Speaker 3: getting on that.

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Speaker 1: Oh I think you're wrong, but we will see.

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Speaker 2: I'm just trying to speak in existence Morerihann.

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Speaker 1: I get it.

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Speaker 2: I know, I know every day I just want more.

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Speaker 1: I'll get it. I understand.

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Speaker 3: But yeah, I know you're you can't wait for the

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00:16:52,760 --> 00:16:54,840
Speaker 3: young boy slime cry listen.

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00:16:54,880 --> 00:16:57,760
Speaker 1: I told you. Uh, I forgot the young lady's name

398
00:16:57,800 --> 00:17:00,960
Speaker 1: that sent me NB a Young Boy playlist. Listen, Man,

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00:17:01,000 --> 00:17:02,040
Speaker 1: I'm on board.

400
00:17:02,400 --> 00:17:05,280
Speaker 2: I told you Millie's got me on. Send me some records.

401
00:17:05,520 --> 00:17:08,680
Speaker 3: I fuck with them that Uh, you know, his documentary

402
00:17:09,720 --> 00:17:11,879
Speaker 3: shook me a little bit. Sometimes I don't like to

403
00:17:11,880 --> 00:17:14,160
Speaker 3: know what you're saying is true. Yeah, sometimes I would

404
00:17:14,160 --> 00:17:16,640
Speaker 3: hope it's just entertainment, you know. I hope the good

405
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Speaker 3: people of Baton Ruge are safe after this album. That's

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Speaker 3: all I care about, but that I'm at that age

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Speaker 3: where I care about tax base.

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00:17:24,680 --> 00:17:27,640
Speaker 1: The good people of Baton Ruge are safe, yes, But yeah,

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Speaker 1: I'm going to give the Young Boy album spin.

410
00:17:30,160 --> 00:17:32,119
Speaker 2: It won't be you know, rushing to it, but I

411
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Speaker 2: definitely will.

412
00:17:32,560 --> 00:17:36,520
Speaker 3: Over the weekend Whiz Chaotic album dropping, I definitely am

413
00:17:36,560 --> 00:17:37,159
Speaker 3: looking forward to.

414
00:17:37,160 --> 00:17:39,119
Speaker 1: We got to support Whiz because he's no longer allowed

415
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Speaker 1: to go to Romania, so we got to make sure

416
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Speaker 1: that we know we give him all the Andrew Tate's

417
00:17:43,320 --> 00:17:45,720
Speaker 1: in a part of them, give give Wiz all the

418
00:17:45,720 --> 00:17:47,800
Speaker 1: support as if Wiz kids about never having to go

419
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Speaker 1: to Romania again. But definitely want to listen to a

420
00:17:50,040 --> 00:17:51,560
Speaker 1: new Whiz album for sure, and.

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Speaker 3: This is where I'm a little confused. The Game, DJ Drama,

422
00:17:54,359 --> 00:17:57,960
Speaker 3: Mike and Keys. It's another mixtape, Yes, okay, because I

423
00:17:58,000 --> 00:18:00,920
Speaker 3: know we just got one, and obviously we know Game

424
00:18:00,920 --> 00:18:04,320
Speaker 3: works pretty quickly, so they probably have forty leftover records.

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Speaker 1: We're like, let's go, you know what this is? Definitely

426
00:18:06,960 --> 00:18:07,520
Speaker 1: know what this is.

427
00:18:07,640 --> 00:18:09,600
Speaker 3: Yeah, which I'm not mad at, but yeah, there's there's

428
00:18:09,600 --> 00:18:15,240
Speaker 3: some good music coming out. Singles here and there, Jordan Lucas,

429
00:18:15,359 --> 00:18:19,200
Speaker 3: I'll give it a spinning, but yeah, other than that,

430
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Speaker 3: it's pretty much asap Rocky's Day.

431
00:18:22,280 --> 00:18:25,360
Speaker 1: If you're Rocky, how do you feel about cold dropping?

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00:18:25,480 --> 00:18:29,639
Speaker 1: Announcing that kind of is the talk of social media

433
00:18:29,720 --> 00:18:33,040
Speaker 1: right now. The timeline obviously this two track two's out

434
00:18:33,119 --> 00:18:36,159
Speaker 1: right now, Like if you're if you're Rocky, are you

435
00:18:36,600 --> 00:18:38,640
Speaker 1: punching the air like Trey and Boys in the Hood?

436
00:18:38,680 --> 00:18:41,040
Speaker 1: Are you like pissed off? Like god damn it?

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00:18:41,080 --> 00:18:44,800
Speaker 3: Cole Again, I think Rocky has a large core fan base.

438
00:18:44,720 --> 00:18:47,040
Speaker 2: That clearly didn't hurt him. He got a million pre sages.

439
00:18:47,240 --> 00:18:50,080
Speaker 3: I don't think people forgot about the entire thing, and

440
00:18:50,119 --> 00:18:52,760
Speaker 3: Cole just you know, I don't want to say that's

441
00:18:52,800 --> 00:18:55,840
Speaker 3: going to come across bad to listeners. He just dropped

442
00:18:55,880 --> 00:18:58,000
Speaker 3: a record like it's just one song. If it was

443
00:18:58,040 --> 00:19:00,280
Speaker 3: a double disc album on the same day as don't

444
00:19:00,280 --> 00:19:03,080
Speaker 3: be dumb, I'd be furious if I was anybody putting

445
00:19:03,080 --> 00:19:06,720
Speaker 3: out music, but not, I don't think it affects much

446
00:19:06,760 --> 00:19:07,440
Speaker 3: of anything.

447
00:19:07,600 --> 00:19:09,800
Speaker 2: And you know, we got the record yesterday.

448
00:19:10,320 --> 00:19:12,199
Speaker 1: I don't think it's going to affect people wanting to

449
00:19:12,200 --> 00:19:15,080
Speaker 1: go listen and don't be dumb at midnight at all.

450
00:19:15,200 --> 00:19:16,200
Speaker 2: And I mean, they're they're cool.

451
00:19:17,280 --> 00:19:20,040
Speaker 3: Should post beef They did a record together in video

452
00:19:20,280 --> 00:19:24,000
Speaker 3: like I'm sure Rocky was well aware and you know,

453
00:19:24,440 --> 00:19:28,280
Speaker 3: didn't particularly care. Okay, Now, if Cole starts going crazy

454
00:19:28,280 --> 00:19:30,840
Speaker 3: since's double disc and we start getting five records before

455
00:19:31,240 --> 00:19:35,040
Speaker 3: February sixth, like if he floods this weekend, yeah, I'd

456
00:19:35,040 --> 00:19:35,640
Speaker 3: be a little.

457
00:19:35,400 --> 00:19:35,800
Speaker 2: Mad about it.

458
00:19:36,000 --> 00:19:38,560
Speaker 1: Definitely got to look at it all right, man, come on, dog, like,

459
00:19:38,600 --> 00:19:40,320
Speaker 1: what's up? Then at that point you got to knock

460
00:19:40,320 --> 00:19:44,280
Speaker 1: on the bedroom door. Hey, Rihanna, we gotta do it deluxe. Definitely,

461
00:19:47,760 --> 00:19:50,320
Speaker 1: that's what you want to do, all right. Sixty fienty

462
00:19:50,320 --> 00:19:56,480
Speaker 1: billboards are going up tonight. What'll show you col sixty

463
00:19:56,600 --> 00:19:58,320
Speaker 1: fienty billboards al across man Attan.

464
00:19:58,520 --> 00:20:00,000
Speaker 2: Yeah, what did you think?

465
00:20:00,119 --> 00:20:02,040
Speaker 3: Because I mean we we recorded in real time for

466
00:20:02,040 --> 00:20:05,040
Speaker 3: those that listen to our episode that came out on Thursday,

467
00:20:05,600 --> 00:20:09,520
Speaker 3: we were reacting in real time to the J Cole record.

468
00:20:09,520 --> 00:20:12,199
Speaker 3: He announced it when we started recording, then we finished recording,

469
00:20:12,200 --> 00:20:13,520
Speaker 3: and then he put out the video on the song,

470
00:20:13,600 --> 00:20:13,800
Speaker 3: so we.

471
00:20:13,840 --> 00:20:17,040
Speaker 2: Went back and recorded. So that was our our in

472
00:20:17,080 --> 00:20:18,119
Speaker 2: the moment reaction.

473
00:20:18,200 --> 00:20:20,119
Speaker 1: Yeah, Cold, I was laid for my lunch date with

474
00:20:20,160 --> 00:20:23,840
Speaker 1: my mom because of you. It's okay, that's where the resentment. Yeah,

475
00:20:23,920 --> 00:20:25,880
Speaker 1: I'm sure Cole is actually happy about that. Based off

476
00:20:25,880 --> 00:20:29,359
Speaker 1: everything you throw a rocky. We mad at Cold. Cole's

477
00:20:29,359 --> 00:20:29,800
Speaker 1: mad at more.

478
00:20:33,119 --> 00:20:35,440
Speaker 3: I mean the reactions at least I saw, because again,

479
00:20:35,520 --> 00:20:37,320
Speaker 3: algorithms kind of keep you in your own bubble.

480
00:20:38,760 --> 00:20:40,800
Speaker 2: I saw really positive reviews.

481
00:20:40,960 --> 00:20:43,680
Speaker 1: Of the song. Yeah, yeah, I mean we gave a

482
00:20:43,720 --> 00:20:46,440
Speaker 1: positive review. We liked it. I do think that the

483
00:20:46,520 --> 00:20:48,640
Speaker 1: video is better than the actual song, but I mean

484
00:20:49,320 --> 00:20:50,160
Speaker 1: both still good though.

485
00:20:50,240 --> 00:20:52,120
Speaker 2: Okay, Yeah, I terrible as that take.

486
00:20:52,280 --> 00:20:55,440
Speaker 3: Yeah, I think it's a really good intro, like to

487
00:20:55,520 --> 00:20:57,159
Speaker 3: step start a rollout.

488
00:20:57,240 --> 00:20:59,680
Speaker 1: Definitely a good appetizing Yeah, that was an appetite, was

489
00:20:59,680 --> 00:21:01,040
Speaker 1: an app of appetizing.

490
00:21:01,320 --> 00:21:03,280
Speaker 3: So, I mean, I think that was great, but now

491
00:21:03,320 --> 00:21:07,600
Speaker 3: people seem to fuck with it. And I'm curious where

492
00:21:07,640 --> 00:21:11,440
Speaker 3: this double disc lands is. Like twenty records, we're doing

493
00:21:11,480 --> 00:21:14,520
Speaker 3: ten and ten, fifteen and fifteen. What's Life after Death

494
00:21:14,560 --> 00:21:17,200
Speaker 3: twenty four? And All Eyes on Me is probably twenty

495
00:21:17,200 --> 00:21:18,000
Speaker 3: five or something like that.

496
00:21:18,240 --> 00:21:21,879
Speaker 1: Yeah, because listen, man, as we know Rory, it's you know,

497
00:21:22,359 --> 00:21:25,040
Speaker 1: while as fans and you know supporters were happy to

498
00:21:25,240 --> 00:21:28,760
Speaker 1: get music, but that double disc thing can come back

499
00:21:28,800 --> 00:21:33,119
Speaker 1: to bite you because sometimes too much music is not good.

500
00:21:33,560 --> 00:21:35,920
Speaker 2: Again, we were talking yesterday.

501
00:21:36,720 --> 00:21:38,520
Speaker 3: Outside of Life After Death and All Eyes on Me,

502
00:21:38,600 --> 00:21:42,680
Speaker 3: I don't know if there's really like classic double disc

503
00:21:42,720 --> 00:21:43,240
Speaker 3: and hip hop.

504
00:21:44,520 --> 00:21:46,240
Speaker 1: She said he wasn't feeling Blueprint too.

505
00:21:46,640 --> 00:21:47,200
Speaker 2: I think if.

506
00:21:49,160 --> 00:21:51,240
Speaker 3: Him and him and Guru both said, I we condense

507
00:21:51,320 --> 00:21:53,320
Speaker 3: this down in one album, no, it might be a classic.

508
00:21:54,000 --> 00:21:54,840
Speaker 2: It was too much music.

509
00:21:55,640 --> 00:21:58,960
Speaker 3: It's low on my jay Z discocraphy. It has great

510
00:21:59,000 --> 00:22:02,359
Speaker 3: music on it. But I'm cool even Streets Disciple by

511
00:22:02,440 --> 00:22:06,120
Speaker 3: Nas there's great records on there. You condense that one

512
00:22:06,119 --> 00:22:09,600
Speaker 3: down to twelve, you have an incredible NOS project. Yeah,

513
00:22:09,640 --> 00:22:12,960
Speaker 3: Like once he starts getting into the aid songs and

514
00:22:13,000 --> 00:22:15,640
Speaker 3: manipulating his voice where we all thought it was little Kim.

515
00:22:15,720 --> 00:22:18,480
Speaker 2: It's like nas nas pitched up. That's when all.

516
00:22:18,400 --> 00:22:24,000
Speaker 1: Right, y'all was in there trying anything at that point, Yeah,

517
00:22:24,000 --> 00:22:25,000
Speaker 1: I don't want that, y'all could have.

518
00:22:25,400 --> 00:22:27,040
Speaker 3: So my white blood cells are not good. I'm like,

519
00:22:27,040 --> 00:22:30,520
Speaker 3: all right, it's going forward. But that's a real thing though.

520
00:22:30,560 --> 00:22:32,720
Speaker 1: So that's that's one of the things that I'm like,

521
00:22:33,000 --> 00:22:35,000
Speaker 1: you know, because I know that no matter what I say,

522
00:22:35,040 --> 00:22:37,359
Speaker 1: I can't say anything that's deemed to be anything negative

523
00:22:37,359 --> 00:22:39,600
Speaker 1: about Cole with all people think I'm hating or I

524
00:22:39,640 --> 00:22:41,600
Speaker 1: don't like j Cole. So I get that part. But

525
00:22:42,800 --> 00:22:45,440
Speaker 1: double disc, if this is in fact a double disc,

526
00:22:46,800 --> 00:22:49,440
Speaker 1: there is a very high risk in that though.

527
00:22:49,280 --> 00:22:51,800
Speaker 2: We've we've seen our legends fail at it.

528
00:22:52,280 --> 00:22:56,280
Speaker 1: Very high risk. It could be short. You're right, it

529
00:22:56,320 --> 00:22:58,760
Speaker 1: could be eight and eight. I was thinking it'd be

530
00:22:58,840 --> 00:23:01,160
Speaker 1: seven and seven whatever. You know, it could not saying

531
00:23:01,160 --> 00:23:03,719
Speaker 1: it has to be twelve and twelve and fifteen and fifteen.

532
00:23:03,760 --> 00:23:07,440
Speaker 1: I get that, but still, like, you run the risk

533
00:23:07,560 --> 00:23:10,439
Speaker 1: of it being like we didn't need the double it

534
00:23:10,440 --> 00:23:13,080
Speaker 1: can fold into it. We didn't need this much or that,

535
00:23:13,160 --> 00:23:14,720
Speaker 1: you know, double disc. We didn't need that.

536
00:23:15,000 --> 00:23:18,480
Speaker 3: I was thinking when we left about that concept that

537
00:23:18,520 --> 00:23:21,280
Speaker 3: was originally rumored with the features of the older artists.

538
00:23:21,680 --> 00:23:24,280
Speaker 3: I could see Disc one being all features and then

539
00:23:24,320 --> 00:23:27,879
Speaker 3: Disc too being no features because that second one it's

540
00:23:28,160 --> 00:23:30,640
Speaker 3: just too tract tory.

541
00:23:31,000 --> 00:23:32,359
Speaker 1: You in your producer bag right now.

542
00:23:32,440 --> 00:23:35,639
Speaker 3: But we've talked about how this has changed. It's about

543
00:23:35,680 --> 00:23:38,040
Speaker 3: to be five or six years since he announced this album.

544
00:23:38,080 --> 00:23:38,920
Speaker 2: It's changed so much.

545
00:23:39,000 --> 00:23:41,920
Speaker 3: I could see him doing it that way because there's

546
00:23:41,960 --> 00:23:43,439
Speaker 3: so much music, Like I still want to do this

547
00:23:43,480 --> 00:23:46,320
Speaker 3: feature concept, but you know I have.

548
00:23:46,280 --> 00:23:47,399
Speaker 2: All this other solo music.

549
00:23:47,520 --> 00:23:51,960
Speaker 3: Yeah, but yeah, So Life After Death is fourteen and twelve,

550
00:23:53,960 --> 00:23:54,480
Speaker 3: which is a.

551
00:23:54,440 --> 00:23:56,960
Speaker 1: Lot fourteen, and so it's twenty six.

552
00:23:57,600 --> 00:24:02,200
Speaker 2: Then All Eyes on Me is fourteen and fourteen.

553
00:24:03,240 --> 00:24:05,880
Speaker 1: Jesus twenty eight tracks. That's just too much music, man.

554
00:24:05,960 --> 00:24:09,320
Speaker 2: But they didn't miss hockey Big did not miss on anything.

555
00:24:09,560 --> 00:24:10,040
Speaker 2: I get it.

556
00:24:10,040 --> 00:24:11,600
Speaker 1: But that's just like when you look at that, like

557
00:24:11,600 --> 00:24:14,840
Speaker 1: think about it now, it's like, damn, that's just I

558
00:24:14,880 --> 00:24:17,240
Speaker 1: don't I'm just being honest. I don't want to listen

559
00:24:17,280 --> 00:24:20,080
Speaker 1: to nobody that much on one project. Like I just

560
00:24:20,119 --> 00:24:21,920
Speaker 1: don't like twenty six songs.

561
00:24:22,400 --> 00:24:26,959
Speaker 3: Scorpion is twelve and thirteen, but he also had he

562
00:24:26,960 --> 00:24:29,159
Speaker 3: also had the cheat code of one being R and

563
00:24:29,200 --> 00:24:31,960
Speaker 3: B and one being hip hop, so it was two different.

564
00:24:31,680 --> 00:24:36,679
Speaker 1: Albums, two different vibes. What about Sweat and Suit with Nelly.

565
00:24:36,640 --> 00:24:39,199
Speaker 3: Not a bad album, but coming off Country Grammar and

566
00:24:39,200 --> 00:24:41,520
Speaker 3: Nellyville and then getting into that, it was like, all right.

567
00:24:41,480 --> 00:24:42,520
Speaker 2: Man, I don't know who needed.

568
00:24:44,680 --> 00:24:48,120
Speaker 1: Eleven and fourteen lupin two twenty five? Okay, yeah, just too.

569
00:24:48,119 --> 00:24:49,840
Speaker 1: It's just that's just too much when you get into

570
00:24:49,920 --> 00:24:52,920
Speaker 1: twenty anything twenty, Like how many tracks you at twenty?

571
00:24:52,920 --> 00:24:57,199
Speaker 1: I'm just like a right man. You couldn't get the

572
00:24:57,200 --> 00:24:58,600
Speaker 1: message across in fourteen?

573
00:25:00,760 --> 00:25:01,800
Speaker 2: What was the Gangs?

574
00:25:01,840 --> 00:25:04,320
Speaker 3: The gang Star one that was like a more of

575
00:25:04,400 --> 00:25:06,840
Speaker 3: the greatest hits, right, I think I had a Gang

576
00:25:06,840 --> 00:25:07,480
Speaker 3: Star double disc.

577
00:25:07,520 --> 00:25:10,360
Speaker 1: I think it was more like, yeah, that had that way.

578
00:25:10,359 --> 00:25:12,440
Speaker 1: I think that would have to be a double uh

579
00:25:12,160 --> 00:25:14,960
Speaker 1: uh yeah.

580
00:25:14,480 --> 00:25:16,040
Speaker 2: Even I'm trying to think of Bone Thugs.

581
00:25:16,200 --> 00:25:16,320
Speaker 5: Was it?

582
00:25:16,440 --> 00:25:20,080
Speaker 2: Art of War didn't need that again, it was so much.

583
00:25:20,119 --> 00:25:22,280
Speaker 1: He's actually with that flow that that this is like, nah,

584
00:25:22,280 --> 00:25:25,880
Speaker 1: that's just too much. Like we dipshit had two album

585
00:25:25,920 --> 00:25:31,159
Speaker 1: a double disc. Diplomatic, Yeah, I think diplomatic meaning was

586
00:25:31,240 --> 00:25:32,080
Speaker 1: double This wasn't it.

587
00:25:32,000 --> 00:25:32,600
Speaker 2: Was a double disc.

588
00:25:32,640 --> 00:25:35,119
Speaker 1: Yeah, everybody it was.

589
00:25:35,160 --> 00:25:35,359
Speaker 4: It was.

590
00:25:35,359 --> 00:25:37,359
Speaker 1: It was an arrow where everybody was trying to shoot.

591
00:25:37,440 --> 00:25:38,879
Speaker 1: That was almost like a stat to be able to

592
00:25:38,880 --> 00:25:39,840
Speaker 1: get a double disc off.

593
00:25:39,920 --> 00:25:40,680
Speaker 2: Yeah, I know for sure.

594
00:25:40,760 --> 00:25:42,439
Speaker 1: It was like a Yo, where's your double disc? Though

595
00:25:42,520 --> 00:25:44,760
Speaker 1: you ain't got a double disc? Well that's what Guru said.

596
00:25:45,240 --> 00:25:46,720
Speaker 1: He said to Hoe.

597
00:25:46,920 --> 00:25:48,880
Speaker 3: Yeah, like when they were about to start, it's like, well,

598
00:25:48,880 --> 00:25:51,159
Speaker 3: you know you you haven't done the double disc like

599
00:25:51,160 --> 00:25:51,760
Speaker 3: Big in Park.

600
00:25:52,040 --> 00:25:52,919
Speaker 2: It's like, well, maybe we.

601
00:25:52,880 --> 00:25:57,680
Speaker 3: Shouldn't have Wu Tang Forever twenty seven tracks.

602
00:25:57,760 --> 00:26:00,000
Speaker 1: Yeah, but it's twenty seven members in Yeah, that doesn't.

603
00:26:00,240 --> 00:26:01,919
Speaker 1: That's like everybody having a solo song.

604
00:26:03,400 --> 00:26:03,919
Speaker 2: That doesn't.

605
00:26:03,960 --> 00:26:04,639
Speaker 1: That doesn't count.

606
00:26:04,920 --> 00:26:09,240
Speaker 3: Scarface, Scarface my Homies again not super high on my

607
00:26:09,400 --> 00:26:14,800
Speaker 3: desography with Scarface h mass be the last on Nate

608
00:26:14,840 --> 00:26:16,760
Speaker 3: dog G Funk Classics. I would have to go back

609
00:26:16,760 --> 00:26:19,679
Speaker 3: and look at that track list. It's a lot of

610
00:26:19,680 --> 00:26:22,800
Speaker 3: West Coast Corrupt forty Cypress.

611
00:26:22,359 --> 00:26:24,840
Speaker 2: Hill mm hmmm uh yeah.

612
00:26:24,920 --> 00:26:27,159
Speaker 3: Deyvil My Community was a double disc twenty seven tracks

613
00:26:28,960 --> 00:26:32,600
Speaker 3: outcast speaker box level. I don't consider that.

614
00:26:32,640 --> 00:26:35,399
Speaker 1: It's not a it's yes, it was packaged as a

615
00:26:35,440 --> 00:26:38,320
Speaker 1: double disc, yes, but two different.

616
00:26:37,960 --> 00:26:42,679
Speaker 3: Albums and ones of rap album ones, not exactly. I

617
00:26:42,720 --> 00:26:47,200
Speaker 3: didn't know little Flip gave us one. Where were you

618
00:26:47,240 --> 00:26:49,560
Speaker 3: an O four when when Flip gave us the double disc?

619
00:26:51,560 --> 00:26:53,880
Speaker 2: I remember that. I remember Flip's double disc.

620
00:26:54,640 --> 00:26:56,640
Speaker 3: Oh Usk Underground Kings, that was a good double disc.

621
00:26:56,800 --> 00:26:59,560
Speaker 3: Twenty six records. I'll give them that. Yes, not quite

622
00:26:59,560 --> 00:27:01,760
Speaker 3: on the Life After Death or All Eyes on Me,

623
00:27:02,240 --> 00:27:05,560
Speaker 3: but yeah, that that usual k Underground Kings album is

624
00:27:05,640 --> 00:27:09,720
Speaker 3: a great double disc. All right, Well, Cole, I respect it.

625
00:27:09,760 --> 00:27:11,880
Speaker 3: That's just a lot of we got a lot of pressure.

626
00:27:12,520 --> 00:27:17,560
Speaker 3: We're gonna see, all right, does that put a pressure?

627
00:27:17,560 --> 00:27:19,679
Speaker 3: I'm not making this a big three thing, guys, I promise,

628
00:27:19,760 --> 00:27:23,080
Speaker 3: but just based off what like Guru had said to Hove,

629
00:27:23,280 --> 00:27:26,240
Speaker 3: like yo, all the legends have put out double discs,

630
00:27:27,280 --> 00:27:27,840
Speaker 3: even at that.

631
00:27:27,840 --> 00:27:33,120
Speaker 2: Point, was that a double disc? Was that considered? Yeah?

632
00:27:33,200 --> 00:27:41,760
Speaker 1: Yeah, Cole's the only one left? Okay, left two six?

633
00:27:42,480 --> 00:27:47,160
Speaker 1: You said two dis to six? All right? All right, man?

634
00:27:48,400 --> 00:27:51,960
Speaker 3: But even then, like I, I put Scorpion and mister

635
00:27:52,040 --> 00:27:54,840
Speaker 3: Morale lower in their their desographies too tough.

636
00:27:54,960 --> 00:27:56,479
Speaker 2: So I don't know.

637
00:27:56,600 --> 00:28:00,720
Speaker 3: I don't think Cole and the people around him would

638
00:28:00,720 --> 00:28:01,280
Speaker 3: allow him to.

639
00:28:01,280 --> 00:28:02,879
Speaker 2: Do a double disc if they didn't feel like it

640
00:28:02,960 --> 00:28:04,760
Speaker 2: was up to par.

641
00:28:05,560 --> 00:28:07,680
Speaker 1: And they've been working on this for so long, yeah.

642
00:28:07,400 --> 00:28:10,520
Speaker 3: Like if they haven't even like if certain songs haven't

643
00:28:10,520 --> 00:28:12,760
Speaker 3: even gotten old to them yet and it's been five years,

644
00:28:12,760 --> 00:28:15,520
Speaker 3: and yeah, maybe it's fucking a flawless double disk. Yeah,

645
00:28:15,720 --> 00:28:21,800
Speaker 3: so we'll see. Well, what's that right there? It doesn't

646
00:28:21,800 --> 00:28:24,240
Speaker 3: look like the most powerful iPhone that's ever existed, this

647
00:28:24,359 --> 00:28:28,440
Speaker 3: old phone that is not the all new iPhone seventeen

648
00:28:28,560 --> 00:28:31,600
Speaker 3: pro design even those powerful iPhone of all time. But

649
00:28:31,760 --> 00:28:33,320
Speaker 3: I know why you haven't gotten it is because the

650
00:28:33,320 --> 00:28:35,840
Speaker 3: traffic and the store and transferring data.

651
00:28:35,680 --> 00:28:36,720
Speaker 2: Will do the news.

652
00:28:37,080 --> 00:28:40,440
Speaker 3: Boost Mobile will send an expert to your home, to work,

653
00:28:40,960 --> 00:28:43,640
Speaker 3: or a coffee shop wherever you're at. Just drop your

654
00:28:43,640 --> 00:28:45,840
Speaker 3: location right to Boost is going to be right there

655
00:28:45,840 --> 00:28:49,840
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656
00:28:50,000 --> 00:28:53,080
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657
00:28:53,080 --> 00:28:55,400
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658
00:29:02,560 --> 00:29:04,480
Speaker 2: In more important news. Mau, I did watch Batties.

659
00:29:06,920 --> 00:29:09,360
Speaker 1: How are you looking? How are you looking? All right?

660
00:29:09,640 --> 00:29:10,280
Speaker 2: Here's my thing?

661
00:29:11,200 --> 00:29:14,040
Speaker 1: I watched Gretchen, that's your girl, I got a lot

662
00:29:14,080 --> 00:29:19,680
Speaker 1: in common, Actually you would, Gretchen got a lot. Y'all

663
00:29:19,680 --> 00:29:21,280
Speaker 1: got a little bit something going on here. I think

664
00:29:21,320 --> 00:29:22,280
Speaker 1: y'all might be in the same group.

665
00:29:22,360 --> 00:29:25,360
Speaker 3: Chop, I'll take I'll take that one on the chin,

666
00:29:25,680 --> 00:29:28,600
Speaker 3: as Cole said on stage, my chin is out. I'll

667
00:29:28,640 --> 00:29:33,240
Speaker 3: take that one gracefully. Oh So, I was only familiar

668
00:29:33,280 --> 00:29:37,200
Speaker 3: with Batties when you had brought it up two seasons ago.

669
00:29:38,200 --> 00:29:40,360
Speaker 3: So I really thought the concept of the show was

670
00:29:40,440 --> 00:29:44,920
Speaker 3: literally just beat up bitches for your bed, which is great.

671
00:29:45,000 --> 00:29:45,720
Speaker 2: I was entertained.

672
00:29:45,920 --> 00:29:47,440
Speaker 3: Then they went to Africa and I had to tune

673
00:29:47,440 --> 00:29:50,320
Speaker 3: out after they were fighting in front of the tribal dances,

674
00:29:50,360 --> 00:29:51,960
Speaker 3: and I just thought they took it a little too far.

675
00:29:53,120 --> 00:29:54,880
Speaker 3: This is Baddies and it's in New York, and it's

676
00:29:54,920 --> 00:29:57,200
Speaker 3: got a bunch of people like I know on it.

677
00:29:57,880 --> 00:29:59,720
Speaker 3: I had no idea that all these people were in

678
00:29:59,760 --> 00:30:01,680
Speaker 3: bad He is like a friend of the show. And

679
00:30:01,800 --> 00:30:06,560
Speaker 3: ry Lynn she's on there. Uh Suki, you know she's

680
00:30:06,600 --> 00:30:09,560
Speaker 3: on there. There's a Zoukie been on that though. I

681
00:30:09,560 --> 00:30:11,720
Speaker 3: think again, they weren't never on the seasons I watched.

682
00:30:12,120 --> 00:30:15,200
Speaker 3: And I also didn't know that Baddie all of them rapped.

683
00:30:15,280 --> 00:30:17,960
Speaker 3: Now they did like an s OB showcase. The first

684
00:30:17,960 --> 00:30:21,080
Speaker 3: episode was just like an s OB showcase, where every

685
00:30:21,080 --> 00:30:22,440
Speaker 3: single girl went up there to rap.

686
00:30:22,880 --> 00:30:24,680
Speaker 2: I had I thought they were just beating each other

687
00:30:24,680 --> 00:30:25,080
Speaker 2: for beds.

688
00:30:25,160 --> 00:30:27,560
Speaker 1: No, beating each other for beds and beating each other

689
00:30:27,640 --> 00:30:30,120
Speaker 1: with bars, like that's it's just beaten being a battie.

690
00:30:30,600 --> 00:30:32,920
Speaker 1: You got to be have bars. You gotta have beds.

691
00:30:33,320 --> 00:30:35,120
Speaker 1: It's old of the bees baddies, beds and bars.

692
00:30:35,320 --> 00:30:38,760
Speaker 2: And I did not know that one.

693
00:30:38,800 --> 00:30:41,520
Speaker 1: I didn't know Natalie Nunn wrapped. How you didn't know

694
00:30:41,520 --> 00:30:44,040
Speaker 1: that she's the intro is her rapping.

695
00:30:44,480 --> 00:30:46,880
Speaker 3: I realized that when she performed it said, that's been

696
00:30:46,960 --> 00:30:48,040
Speaker 3: Natalie None the whole time.

697
00:30:48,320 --> 00:30:48,560
Speaker 1: Yeah.

698
00:30:49,320 --> 00:30:52,360
Speaker 3: And then I didn't know the founder of Zeus is

699
00:30:52,360 --> 00:30:55,400
Speaker 3: also a rapper, go figure. And they did a little

700
00:30:55,760 --> 00:30:57,800
Speaker 3: you know kiss, some styles back and forth on the

701
00:30:57,880 --> 00:31:00,800
Speaker 3: performance actually, and then he had to he said he

702
00:31:00,840 --> 00:31:02,920
Speaker 3: was he had to leave the showcase early because he

703
00:31:03,040 --> 00:31:07,760
Speaker 3: was growing the brand in Milan. And they said he

704
00:31:07,840 --> 00:31:10,080
Speaker 3: just brought two bad chicks. I didn't always said I'm

705
00:31:10,080 --> 00:31:10,960
Speaker 3: gonna bring them with me.

706
00:31:11,200 --> 00:31:12,240
Speaker 2: We're gonna grow the brand.

707
00:31:15,440 --> 00:31:17,800
Speaker 1: Life is great for them. That has to be a

708
00:31:17,840 --> 00:31:20,280
Speaker 1: great life. I'm gonna go grow the brand in Milan.

709
00:31:20,520 --> 00:31:24,280
Speaker 1: You too bad? He's let's go, like what I know, pimping.

710
00:31:24,320 --> 00:31:26,560
Speaker 1: When I see.

711
00:31:27,240 --> 00:31:29,200
Speaker 3: He's like, he's like the general manager that the strip

712
00:31:29,360 --> 00:31:32,840
Speaker 3: was like, you know that guy, no hate his bars

713
00:31:32,920 --> 00:31:33,600
Speaker 3: wasn't that bad either.

714
00:31:33,600 --> 00:31:35,880
Speaker 1: He was kind of rapping his col don one whoever

715
00:31:36,080 --> 00:31:39,280
Speaker 1: his bars. He's it's cold pimping man, that's what it's called.

716
00:31:40,080 --> 00:31:42,360
Speaker 3: So then after the showcase, they were all up in

717
00:31:42,360 --> 00:31:45,920
Speaker 3: the green room, you know, everyone just reviewing their performances,

718
00:31:46,720 --> 00:31:49,600
Speaker 3: and Suki goes up to Gretchen, my my in law,

719
00:31:50,440 --> 00:31:53,160
Speaker 3: and brings up I was not aware that there was

720
00:31:53,200 --> 00:31:56,600
Speaker 3: a past of her wrapping the N word in her verses,

721
00:31:56,880 --> 00:31:58,440
Speaker 3: and then she tried to do it at the showcase

722
00:31:58,880 --> 00:32:01,000
Speaker 3: and Gretchen, believe it or not, what that name is

723
00:32:01,000 --> 00:32:04,200
Speaker 3: white and she was booed off stage because she's just

724
00:32:04,200 --> 00:32:05,640
Speaker 3: saying the N word in front of a bunch of

725
00:32:05,680 --> 00:32:09,600
Speaker 3: black people while she's rapping. So so he confronts her naturally, like, yo,

726
00:32:09,840 --> 00:32:11,760
Speaker 3: don't say that ship, especially don't say that ship in

727
00:32:11,840 --> 00:32:14,360
Speaker 3: front of me, and she's like, why the fuck? Like

728
00:32:14,400 --> 00:32:16,200
Speaker 3: I could say it, like I'm from the hood. Everybody

729
00:32:16,240 --> 00:32:17,680
Speaker 3: says that, like, I don't even know why you're getting

730
00:32:17,680 --> 00:32:19,680
Speaker 3: bent out of shape to people that love me. Uh,

731
00:32:20,240 --> 00:32:22,720
Speaker 3: allow me to say that this and that, and she said, bitch,

732
00:32:23,360 --> 00:32:25,160
Speaker 3: don't say that ship in front of me. And then

733
00:32:25,200 --> 00:32:36,080
Speaker 3: Gretchen went, don't call me a bitch. Look what she's

734
00:32:36,120 --> 00:32:39,280
Speaker 3: bad as. Yeah, she took a good that's too.

735
00:32:40,440 --> 00:32:42,280
Speaker 1: I'm mad because you're using the N word in front

736
00:32:42,320 --> 00:32:43,720
Speaker 1: of me and you are a white woman and I

737
00:32:43,760 --> 00:32:47,360
Speaker 1: am a black woman, a very fair boy.

738
00:32:48,000 --> 00:32:50,920
Speaker 2: She said, whoa, don't call me a bitch. Be gone

739
00:32:50,960 --> 00:32:52,000
Speaker 2: too far, we can't name.

740
00:32:52,640 --> 00:32:54,480
Speaker 1: Yeah, you're going too far with that. You're going away

741
00:32:54,480 --> 00:32:56,400
Speaker 1: too far with that B word. Don't do that. Don't

742
00:32:56,440 --> 00:32:56,840
Speaker 1: call me that.

743
00:32:57,440 --> 00:33:00,920
Speaker 2: She didn't even see the Iron Hold, not at all.

744
00:33:01,080 --> 00:33:02,920
Speaker 1: I gotta watch the season though, because I haven't have.

745
00:33:03,040 --> 00:33:06,560
Speaker 1: I kind of tuned out after the Baddies Africa reunion.

746
00:33:06,560 --> 00:33:08,200
Speaker 1: I haven't really been keeping up with the Batties, so

747
00:33:08,240 --> 00:33:10,040
Speaker 1: I got to check back in to see what they're doing. Man.

748
00:33:10,600 --> 00:33:11,920
Speaker 2: But and it was funny.

749
00:33:11,960 --> 00:33:16,520
Speaker 3: Uh the owner Zoos Slash, you know, pimp, he gave

750
00:33:16,560 --> 00:33:20,440
Speaker 3: him like a pep talk before the performance, like, hey,

751
00:33:21,400 --> 00:33:22,320
Speaker 3: we're not here to fight.

752
00:33:22,720 --> 00:33:26,680
Speaker 1: This is a professional business. Nobody fight. Yeah, you don't

753
00:33:26,720 --> 00:33:27,520
Speaker 1: need to fight. Come on.

754
00:33:27,560 --> 00:33:28,280
Speaker 2: Two verses in.

755
00:33:28,480 --> 00:33:33,400
Speaker 1: Yeah, come on, man, shout out to the batties. I did.

756
00:33:33,480 --> 00:33:34,920
Speaker 1: I gotta watch it. I didn't know they was back

757
00:33:34,920 --> 00:33:36,880
Speaker 1: in New York, so I got to see what they're

758
00:33:36,880 --> 00:33:37,760
Speaker 1: doing in the city. Man.

759
00:33:38,280 --> 00:33:41,640
Speaker 2: I was hoping for, like Eric Adams cameo or something.

760
00:33:42,120 --> 00:33:44,160
Speaker 1: He was almost he almost had an episode of batties.

761
00:33:44,280 --> 00:33:47,080
Speaker 1: Getting off the plane, I saw a woman and him

762
00:33:47,120 --> 00:33:50,760
Speaker 1: and the woman had words and he said something to

763
00:33:50,760 --> 00:33:52,480
Speaker 1: Guesst like, you know, I'm not the mayor, no more,

764
00:33:52,520 --> 00:33:55,080
Speaker 1: Like I don't have to take that, Like he basically

765
00:33:55,120 --> 00:33:56,680
Speaker 1: I can snap back if I want to, Like I'm

766
00:33:56,680 --> 00:33:59,120
Speaker 1: just a regular civilian now, like I don't have to.

767
00:33:59,680 --> 00:34:02,840
Speaker 1: And you know, they got into words and he told

768
00:34:02,840 --> 00:34:05,200
Speaker 1: her to go fuck herself. I like it. We got

769
00:34:05,200 --> 00:34:08,280
Speaker 1: the former mayor, Eric Adams telling somebody go fuck himself.

770
00:34:08,280 --> 00:34:11,239
Speaker 1: We got the current president flipping the bird. Listen, need

771
00:34:11,320 --> 00:34:14,000
Speaker 1: the humans, right, the humans. Sometimes you get into a

772
00:34:14,000 --> 00:34:16,880
Speaker 1: little emotions and things happen. It's just okay to have

773
00:34:16,920 --> 00:34:18,160
Speaker 1: with go fuck yourself moment.

774
00:34:18,239 --> 00:34:20,799
Speaker 2: Do we know what like prompted this whole conversation.

775
00:34:21,040 --> 00:34:23,120
Speaker 1: You know what this is wll. We've gotten on plenty

776
00:34:23,160 --> 00:34:26,280
Speaker 1: of flights this if I had to guess, his bag

777
00:34:26,360 --> 00:34:30,799
Speaker 1: was in her overhead. She has a connecting. She's trying

778
00:34:30,840 --> 00:34:33,840
Speaker 1: to rush past him, bumped him, you know how that goes.

779
00:34:34,000 --> 00:34:39,680
Speaker 1: Or or she's just one of those, you know, citizens

780
00:34:39,719 --> 00:34:42,360
Speaker 1: who just hates what he did and things that everything

781
00:34:42,400 --> 00:34:45,040
Speaker 1: that went wrong in New York City is his fault

782
00:34:45,080 --> 00:34:48,919
Speaker 1: and she couldn't wait to see him and have her moment. Yeah, yeah,

783
00:34:48,920 --> 00:34:49,839
Speaker 1: come on, you gotta flip the bird.

784
00:34:49,840 --> 00:34:51,400
Speaker 2: It's got me.

785
00:34:51,520 --> 00:34:54,560
Speaker 1: Yeah, I like that.

786
00:34:54,760 --> 00:34:56,600
Speaker 3: People have been throwing off planes for less. Luckily they

787
00:34:56,640 --> 00:34:58,480
Speaker 3: were exiting the plane.

788
00:34:58,120 --> 00:34:59,719
Speaker 1: They were just getting off. That was just just a

789
00:34:59,800 --> 00:35:01,120
Speaker 1: rag the conversation. I'm willing to bet.

790
00:35:01,000 --> 00:35:02,560
Speaker 2: It's funny that he carries a backpack on.

791
00:35:02,800 --> 00:35:05,000
Speaker 1: This was at Laguardi. I'm willing to bet. I'm willing

792
00:35:05,000 --> 00:35:05,960
Speaker 1: to bet this was Laguardian.

793
00:35:06,400 --> 00:35:09,239
Speaker 3: I mean, I thought he'd be flying private by now.

794
00:35:09,239 --> 00:35:10,760
Speaker 3: Remember he had to.

795
00:35:10,320 --> 00:35:13,439
Speaker 2: Sully himself and go sit middle see because he got caught.

796
00:35:13,520 --> 00:35:16,120
Speaker 1: You'll make it too hot. Not yet, not yet. Don't

797
00:35:16,120 --> 00:35:18,440
Speaker 1: you gonna do that yet? He took the money, Yeah,

798
00:35:18,520 --> 00:35:20,480
Speaker 1: but that's why we gotta They don't know that yet

799
00:35:20,520 --> 00:35:23,200
Speaker 1: so just just chill. Everybody relaxed. But in two years,

800
00:35:23,239 --> 00:35:24,840
Speaker 1: we're gonna check back and see how he's traveling.

801
00:35:26,280 --> 00:35:31,799
Speaker 3: That that is such a thing that only really benefits

802
00:35:32,800 --> 00:35:36,360
Speaker 3: you and yourself, Like, you're not really a social justice

803
00:35:36,360 --> 00:35:39,200
Speaker 3: warrior when you do things like that.

804
00:35:39,880 --> 00:35:39,960
Speaker 1: Now.

805
00:35:40,000 --> 00:35:41,880
Speaker 2: I think it's important for citizens.

806
00:35:41,440 --> 00:35:44,400
Speaker 3: To be able to say whatever to whatever civil servant

807
00:35:44,800 --> 00:35:47,879
Speaker 3: we are paying at the moment or after. But that's

808
00:35:47,960 --> 00:35:51,160
Speaker 3: for you, Like, that's for you to go tell your

809
00:35:51,200 --> 00:35:53,400
Speaker 3: friends you did that. It's not for the cause of

810
00:35:53,440 --> 00:35:56,200
Speaker 3: whatever you were talking about. Eric didn't just go you

811
00:35:56,280 --> 00:35:59,359
Speaker 3: know what, I never thought of it that way. You're

812
00:35:59,400 --> 00:36:02,160
Speaker 3: bringing up a good point while yelling at me getting

813
00:36:02,200 --> 00:36:05,080
Speaker 3: off a plane. Yeah, that's true. You're just serving yourself

814
00:36:05,080 --> 00:36:07,319
Speaker 3: with that, even if you think you're not. That's all

815
00:36:07,360 --> 00:36:11,400
Speaker 3: you're doing. Even the guy screaming pedophile to Trump pedophile protector,

816
00:36:11,640 --> 00:36:14,759
Speaker 3: I agree, he is fucking put out the files that

817
00:36:14,840 --> 00:36:15,200
Speaker 3: guy did.

818
00:36:15,640 --> 00:36:16,720
Speaker 2: It didn't change anything.

819
00:36:17,280 --> 00:36:18,640
Speaker 1: You gotta have your mompa though. You got to be

820
00:36:18,680 --> 00:36:19,480
Speaker 1: able to go back to the bar.

821
00:36:19,600 --> 00:36:20,360
Speaker 2: It's hilarious.

822
00:36:20,440 --> 00:36:22,200
Speaker 1: I told the president this. You know, he flipped the

823
00:36:22,200 --> 00:36:24,399
Speaker 1: bird at me, Like, imagine the president flips the bird

824
00:36:24,400 --> 00:36:27,320
Speaker 1: at you. Like you a legend, You are a legend.

825
00:36:27,440 --> 00:36:29,359
Speaker 1: The president flips the bird at you, You're a legend,

826
00:36:29,360 --> 00:36:31,680
Speaker 1: You're a legend. That picture of him flipping the bird

827
00:36:31,760 --> 00:36:33,439
Speaker 1: is on the wall. You're gonna tell that story until

828
00:36:33,440 --> 00:36:35,520
Speaker 1: you die, like he was doing that to me, Like.

829
00:36:35,680 --> 00:36:38,960
Speaker 3: Yeah, I just feel like people And again I don't

830
00:36:38,960 --> 00:36:40,120
Speaker 3: even know what this woman said, so I don't want

831
00:36:40,120 --> 00:36:43,040
Speaker 3: to put it on her, But the people like the

832
00:36:43,040 --> 00:36:46,880
Speaker 3: woman on that plane. While I've shitted on Eric Adams constantly,

833
00:36:48,520 --> 00:36:50,680
Speaker 3: I feel like they feel like they're Jesse Owens at

834
00:36:50,680 --> 00:36:53,840
Speaker 3: the Olympics flipping off Hitler Like you're not. I promise

835
00:36:53,880 --> 00:36:55,839
Speaker 3: you the statement you think you're making is not to the.

836
00:36:55,800 --> 00:36:56,359
Speaker 2: Degree of that.

837
00:36:56,480 --> 00:36:58,359
Speaker 1: No, none at all, None at all.

838
00:36:58,440 --> 00:37:01,520
Speaker 3: That's how hard the situation has to be for that

839
00:37:01,680 --> 00:37:04,359
Speaker 3: to change anything. It has to be the Olympics, Jesse

840
00:37:04,400 --> 00:37:05,359
Speaker 3: Owens and a middle finger.

841
00:37:05,440 --> 00:37:05,839
Speaker 1: That's real.

842
00:37:07,480 --> 00:37:07,800
Speaker 2: Yes.

843
00:37:08,960 --> 00:37:12,080
Speaker 1: So the guy who flipped who Donald try? President Trump

844
00:37:12,120 --> 00:37:14,799
Speaker 1: flipped the bird? A got suspended from his job at

845
00:37:14,800 --> 00:37:17,839
Speaker 1: Ford and they started to gofund me And he's now

846
00:37:17,880 --> 00:37:20,000
Speaker 1: received over eight hundred thousand in donations.

847
00:37:20,760 --> 00:37:22,000
Speaker 2: I mean that's usually what happens.

848
00:37:22,040 --> 00:37:23,680
Speaker 1: Oh man, wait till I see Trump.

849
00:37:26,360 --> 00:37:28,680
Speaker 2: Off the top of his head. Wait till I see Trump.

850
00:37:30,120 --> 00:37:34,760
Speaker 1: What eight hundred thousand just because he got he wouldn't

851
00:37:34,760 --> 00:37:38,120
Speaker 1: make that at forward in probably six years working.

852
00:37:37,920 --> 00:37:40,160
Speaker 2: There, and then you can suspend yourself from your own show.

853
00:37:41,160 --> 00:37:47,920
Speaker 3: Started gofund me eight hundred k. That is crazy, all right,

854
00:37:47,920 --> 00:37:49,799
Speaker 3: I stand corrected. At least he got something out of.

855
00:37:50,880 --> 00:37:52,920
Speaker 1: I mean, you can you know how many times somebody's

856
00:37:52,920 --> 00:37:53,640
Speaker 1: flipped the bird at me.

857
00:37:53,719 --> 00:37:55,919
Speaker 2: I haven't gotten anything. Nobody's set up a go fund

858
00:37:56,000 --> 00:37:57,439
Speaker 2: men to ask how I felt.

859
00:37:57,480 --> 00:38:01,160
Speaker 1: Yeah, like what eight hundred thousand in less than twenty

860
00:38:01,160 --> 00:38:01,720
Speaker 1: four damn.

861
00:38:02,480 --> 00:38:05,200
Speaker 2: Yeah, that's just like the lady that.

862
00:38:05,239 --> 00:38:08,200
Speaker 1: Uh, the little the lady that was working at the

863
00:38:08,560 --> 00:38:12,440
Speaker 1: Auntie Annie's and she had the little racist slur. Oh

864
00:38:12,520 --> 00:38:14,320
Speaker 1: yeah she got fired. Did you see her go fund me?

865
00:38:14,360 --> 00:38:17,279
Speaker 1: How she went crazy? Yeah, her go fund me went crazy.

866
00:38:17,320 --> 00:38:17,880
Speaker 1: She did numbers.

867
00:38:17,880 --> 00:38:19,680
Speaker 2: Oh well, anytime she did she did.

868
00:38:19,600 --> 00:38:21,799
Speaker 1: Rocky album pre save numbers. Like her shit was crazy.

869
00:38:21,880 --> 00:38:24,680
Speaker 3: Matter of fact, Gretchen should look into this because anytime

870
00:38:24,680 --> 00:38:26,640
Speaker 3: I see a white woman get fired for saying some

871
00:38:26,719 --> 00:38:28,520
Speaker 3: racist shit, they're millionaires by the next day.

872
00:38:28,640 --> 00:38:29,320
Speaker 1: It's crazy.

873
00:38:29,480 --> 00:38:31,160
Speaker 3: So, yeah, Gretchen, you may need to set up your

874
00:38:31,719 --> 00:38:33,080
Speaker 3: gofund me after the Batties episode.

875
00:38:33,080 --> 00:38:34,560
Speaker 1: But what does that do though, Like when people sit

876
00:38:34,600 --> 00:38:36,760
Speaker 1: back and watch this, what does that do for people?

877
00:38:36,800 --> 00:38:39,040
Speaker 1: Like you don't think that promised people to be like wait,

878
00:38:39,040 --> 00:38:40,400
Speaker 1: hold up, just like I just said, like wait till

879
00:38:40,440 --> 00:38:43,640
Speaker 1: I see Trump. You don't think that that that's a

880
00:38:43,719 --> 00:38:45,560
Speaker 1: real thing. If I see this and I'm like, damn

881
00:38:45,600 --> 00:38:48,359
Speaker 1: Trump has a rally here next week, I'm just saying,

882
00:38:48,360 --> 00:38:50,200
Speaker 1: a light bulb may go off of my head.

883
00:38:50,640 --> 00:38:53,759
Speaker 3: Yeah, but you gotta, like you can't repeat the same trick.

884
00:38:53,920 --> 00:38:54,560
Speaker 2: That you got something.

885
00:38:54,960 --> 00:38:58,120
Speaker 1: You gotta up it. If he whatever he said pedophile protector,

886
00:38:58,680 --> 00:38:59,520
Speaker 1: you go.

887
00:38:59,480 --> 00:39:01,719
Speaker 2: Further than got to like flip his hoodie over his head.

888
00:39:02,040 --> 00:39:04,239
Speaker 1: Well, no, you around in there, you won't see that.

889
00:39:04,280 --> 00:39:06,480
Speaker 1: You won't see your goalfund me. Like you can't get

890
00:39:08,480 --> 00:39:10,480
Speaker 1: get physical with the president. You can't do that, But

891
00:39:10,560 --> 00:39:13,080
Speaker 1: you have to yell something. If he's in your city

892
00:39:13,320 --> 00:39:16,160
Speaker 1: and you just saw somebody yell that at him and

893
00:39:16,200 --> 00:39:19,759
Speaker 1: make over eight hundred thousand on on a goal for

894
00:39:19,920 --> 00:39:22,000
Speaker 1: me like that that that would only spark people to

895
00:39:22,320 --> 00:39:23,479
Speaker 1: want to do ship like that.

896
00:39:23,640 --> 00:39:26,880
Speaker 3: But that's such like a specific and perfect moment, like

897
00:39:26,920 --> 00:39:29,360
Speaker 3: imagine you're just on your assembly line and look up like,

898
00:39:29,440 --> 00:39:31,240
Speaker 3: is that the fucking that the president?

899
00:39:31,400 --> 00:39:31,760
Speaker 1: Yeah?

900
00:39:32,239 --> 00:39:33,280
Speaker 2: How often does that happening?

901
00:39:33,320 --> 00:39:34,879
Speaker 1: And you would have to hope that the president it's

902
00:39:35,000 --> 00:39:37,800
Speaker 1: just you and him, like Dolo just yelling like he

903
00:39:37,840 --> 00:39:39,719
Speaker 1: would have to hope that he responds to though, you

904
00:39:39,719 --> 00:39:41,200
Speaker 1: can yell whatever you want, but you would have to

905
00:39:41,239 --> 00:39:43,360
Speaker 1: hope that he responds in that type of way. Where

906
00:39:43,920 --> 00:39:46,040
Speaker 1: so that moment he caught lightning in a bottle with

907
00:39:46,080 --> 00:39:49,239
Speaker 1: that the president flipping the bird, like, no president has

908
00:39:49,280 --> 00:39:52,120
Speaker 1: ever done that that I can think about that. We've

909
00:39:52,120 --> 00:39:54,200
Speaker 1: never seen that before. So that was just a moment

910
00:39:54,239 --> 00:39:56,879
Speaker 1: where it was just like, like I said, that guy

911
00:39:56,920 --> 00:39:58,600
Speaker 1: I don't know, still don't know his name, he's a

912
00:39:58,640 --> 00:39:59,360
Speaker 1: fucking legend.

913
00:39:59,440 --> 00:40:01,600
Speaker 2: I mean, only Trump could do that though.

914
00:40:01,719 --> 00:40:07,680
Speaker 3: Yeah, could you imagine if Obama flipped somebody?

915
00:40:04,360 --> 00:40:09,560
Speaker 1: Oh yeah, that video would invite it to a returner

916
00:40:09,600 --> 00:40:13,160
Speaker 1: to maca behind the video. That would have been the

917
00:40:13,160 --> 00:40:14,439
Speaker 1: coolest shit. If Obama did.

918
00:40:14,360 --> 00:40:16,600
Speaker 2: That, he would have been impeached immediately.

919
00:40:16,880 --> 00:40:17,680
Speaker 1: I don't know about that.

920
00:40:19,880 --> 00:40:21,160
Speaker 2: Did you watch euphori at all?

921
00:40:23,080 --> 00:40:25,160
Speaker 1: I did. I didn't really keep up with every season,

922
00:40:25,160 --> 00:40:25,799
Speaker 1: but I watched it.

923
00:40:25,920 --> 00:40:29,480
Speaker 3: Okay, incredible series that similar to Rihanna music, We've been

924
00:40:29,520 --> 00:40:33,479
Speaker 3: waiting for this ship for five years is finally back,

925
00:40:34,080 --> 00:40:36,160
Speaker 3: and they got Sidney Sweeney as the only fans model.

926
00:40:36,160 --> 00:40:40,319
Speaker 3: That's that's her her character arc for this year, which

927
00:40:40,320 --> 00:40:41,880
Speaker 3: I think is kind of fucked up because they already

928
00:40:41,920 --> 00:40:42,440
Speaker 3: had like a.

929
00:40:44,040 --> 00:40:48,279
Speaker 2: Sort of only fans situation with the with the cat girl.

930
00:40:48,719 --> 00:40:49,920
Speaker 2: But I don't know.

931
00:40:50,080 --> 00:40:53,880
Speaker 3: This trailer is throwing me off. I'm not saying that

932
00:40:53,920 --> 00:40:57,400
Speaker 3: these characters cannot leave high school and life can develop,

933
00:40:57,719 --> 00:41:00,879
Speaker 3: but this is like a GTA trailer. It's so far

934
00:41:00,960 --> 00:41:04,000
Speaker 3: off of what the other it's narratives were from that,

935
00:41:04,040 --> 00:41:04,680
Speaker 3: which is fine.

936
00:41:04,760 --> 00:41:06,160
Speaker 1: It's turned into something else.

937
00:41:06,560 --> 00:41:08,879
Speaker 3: Yeah, which is fine. All of us are in high

938
00:41:08,920 --> 00:41:10,600
Speaker 3: school at one point and I'll go out and have

939
00:41:10,760 --> 00:41:16,560
Speaker 3: some different paths als. But yeah, it's like I didn't

940
00:41:16,560 --> 00:41:17,920
Speaker 3: know who was going to get this knee deep in

941
00:41:17,960 --> 00:41:19,760
Speaker 3: the drug game. Like she turned into like a cartel

942
00:41:19,760 --> 00:41:22,319
Speaker 3: boss and this shit, and like all they were doing

943
00:41:22,440 --> 00:41:24,439
Speaker 3: was like you know, a little heroin here and there,

944
00:41:24,880 --> 00:41:27,680
Speaker 3: but they were using it, they weren't selling it. So yeah,

945
00:41:27,719 --> 00:41:31,680
Speaker 3: this is it kind of like turned into some type

946
00:41:31,719 --> 00:41:36,400
Speaker 3: of blow situation, which I'm interested to see, but it

947
00:41:36,480 --> 00:41:42,719
Speaker 3: was really mainly about like transgenders, dicks, high schoolers. Fucking no,

948
00:41:43,280 --> 00:41:45,719
Speaker 3: this is just a crazy cartel turn that I didn't

949
00:41:45,719 --> 00:41:49,600
Speaker 3: see coming. But I mean, they smoked the last two seasons,

950
00:41:50,440 --> 00:41:51,920
Speaker 3: so I'm here for is that akon?

951
00:41:52,440 --> 00:41:54,640
Speaker 1: Oh no, no, no, that's a that's out of BCIM.

952
00:41:54,640 --> 00:41:57,480
Speaker 1: I'm sorry. Like he had the hat on the way

953
00:41:57,520 --> 00:42:01,919
Speaker 1: he looked up, it looked like acon I bet, my bad, Rory,

954
00:42:01,920 --> 00:42:02,759
Speaker 1: I'm sorry, my bad.

955
00:42:02,960 --> 00:42:04,320
Speaker 2: It's funny. It is just a shadow.

956
00:42:04,600 --> 00:42:07,000
Speaker 1: Yeah, but look it kind of like, hey, cond a

957
00:42:07,040 --> 00:42:07,400
Speaker 1: little bit.

958
00:42:08,280 --> 00:42:10,520
Speaker 3: Speaking of shows that we have not gotten a while,

959
00:42:10,600 --> 00:42:12,880
Speaker 3: what's up with with Pea Valley?

960
00:42:12,920 --> 00:42:15,280
Speaker 2: Man, Pee Valley? It's been a while.

961
00:42:15,600 --> 00:42:17,359
Speaker 1: Yeah, I don't know, man, I don't know. I think

962
00:42:17,480 --> 00:42:19,720
Speaker 1: we had saw a shout out. I got jail Fonds.

963
00:42:20,719 --> 00:42:24,319
Speaker 1: I saw him when we were in Broccoli Brockley City.

964
00:42:24,400 --> 00:42:27,799
Speaker 1: Brockley City was that two years ago now? Yeah? I

965
00:42:27,800 --> 00:42:30,120
Speaker 1: saw him there and he said that he took his

966
00:42:30,160 --> 00:42:32,560
Speaker 1: hat off and he had to he had the little

967
00:42:32,600 --> 00:42:35,160
Speaker 1: murdered head and cutting to die. And I was like,

968
00:42:35,160 --> 00:42:37,759
Speaker 1: I was so, I was like, you back, like he's

969
00:42:37,800 --> 00:42:40,360
Speaker 1: really murder I thought he was performing. Yeah, So he

970
00:42:40,360 --> 00:42:42,120
Speaker 1: said yeah, he said yeah, we're filming you know this,

971
00:42:42,160 --> 00:42:44,880
Speaker 1: that and the third like we're back on set. But

972
00:42:44,920 --> 00:42:46,400
Speaker 1: that was, like, like I said, that was almost two

973
00:42:46,440 --> 00:42:47,600
Speaker 1: years ago, so I don't know.

974
00:42:47,800 --> 00:42:50,000
Speaker 2: I don't know, Yeah, because it was the last season

975
00:42:50,239 --> 00:42:51,040
Speaker 2: was twenty twenty two.

976
00:42:51,600 --> 00:42:53,960
Speaker 1: Shannon Thornton was on the show. She posted a beautiful

977
00:42:54,000 --> 00:42:55,840
Speaker 1: picture on the Instagram the other day. I don't know

978
00:42:55,880 --> 00:43:00,200
Speaker 1: if that was, you know, on the set of peval

979
00:43:00,400 --> 00:43:03,080
Speaker 1: or not. But yeah, I don't know, man, that show

980
00:43:03,160 --> 00:43:04,560
Speaker 1: was such a great show. I don't know what happened.

981
00:43:04,600 --> 00:43:06,279
Speaker 1: Like I said, jayl Fonds told me that they were

982
00:43:06,600 --> 00:43:08,719
Speaker 1: they were back filming and shooting, so I don't know

983
00:43:08,719 --> 00:43:09,440
Speaker 1: what happened with that.

984
00:43:09,920 --> 00:43:13,120
Speaker 3: AI says that season three is filmed in post production,

985
00:43:13,360 --> 00:43:16,360
Speaker 3: with an expected premiere on Stars in late twenty twenty

986
00:43:16,360 --> 00:43:19,520
Speaker 3: five or early twenty six. Okay, so I just feel

987
00:43:19,520 --> 00:43:21,080
Speaker 3: like they would have announced it, but now so probably

988
00:43:21,080 --> 00:43:26,400
Speaker 3: mid maybe summer, yeah, possibly, Yeah, I mean it'd be

989
00:43:26,440 --> 00:43:29,719
Speaker 3: done listen, maybe April. I hope they have a quicker

990
00:43:29,800 --> 00:43:31,480
Speaker 3: turnaround with that show because that show is.

991
00:43:31,400 --> 00:43:37,759
Speaker 1: Incredible, really good show, and like Euphoria, I do I

992
00:43:37,800 --> 00:43:42,319
Speaker 1: do expect to see an up in production storyline changes

993
00:43:42,719 --> 00:43:45,960
Speaker 1: with Pea Valley, but definitely a great show, so looking

994
00:43:45,960 --> 00:43:47,080
Speaker 1: forward to that in twenty six.

995
00:43:47,280 --> 00:43:50,200
Speaker 3: Yeah, we brought up earlier, but I didn't want to

996
00:43:50,200 --> 00:43:52,480
Speaker 3: get more into detail about it. Kyle said he's quitting

997
00:43:52,520 --> 00:43:56,160
Speaker 3: and just doing fashion full time. He's got a sewing machine,

998
00:43:56,920 --> 00:43:59,360
Speaker 3: He's doing his Uh, Kanye, I'm moving to Paris to

999
00:43:59,400 --> 00:44:00,279
Speaker 3: be an interna.

1000
00:44:00,400 --> 00:44:02,640
Speaker 1: I don't believe him.

1001
00:44:02,800 --> 00:44:06,640
Speaker 3: I don't know if I believe that he's completely quitting forever.

1002
00:44:06,920 --> 00:44:10,440
Speaker 3: But I can respect somebody at the peak of their

1003
00:44:10,480 --> 00:44:11,319
Speaker 3: career realizing that.

1004
00:44:11,280 --> 00:44:13,080
Speaker 2: This is not making them happy and they want to quit.

1005
00:44:13,400 --> 00:44:13,960
Speaker 1: I can see that.

1006
00:44:14,000 --> 00:44:15,800
Speaker 2: I could see Kyle wanting to try different things.

1007
00:44:15,840 --> 00:44:19,280
Speaker 1: And you know, I definitely he's created an amazing platform

1008
00:44:19,280 --> 00:44:23,440
Speaker 1: for himself. He's uh, he's built enough access and opportunity

1009
00:44:23,480 --> 00:44:25,560
Speaker 1: for himself. So I want to see him chase his

1010
00:44:25,640 --> 00:44:28,800
Speaker 1: dreams and and you know, have different goals. Love that form.

1011
00:44:28,840 --> 00:44:32,080
Speaker 1: But when you say quitting streaming, I don't know if

1012
00:44:32,080 --> 00:44:35,320
Speaker 1: he doesn't. And not only that, he was just on uh,

1013
00:44:35,440 --> 00:44:37,120
Speaker 1: he was just on on something the other day and

1014
00:44:37,200 --> 00:44:39,759
Speaker 1: d DG was looking at it and he noticed he

1015
00:44:39,840 --> 00:44:45,920
Speaker 1: noticed Ky's backpack, his streamer backpack, and he was like, no,

1016
00:44:46,239 --> 00:44:49,000
Speaker 1: he's he got the itch, he's ready to he's ready

1017
00:44:49,000 --> 00:44:50,800
Speaker 1: to fire up the stream right now. Like he noticed

1018
00:44:50,840 --> 00:44:53,799
Speaker 1: Kay's backpack and he was like, ah, he still got

1019
00:44:53,800 --> 00:44:55,200
Speaker 1: it with him. So it's kind of like, you know,

1020
00:44:55,800 --> 00:44:57,600
Speaker 1: he says he's quitting. Maybe I don't know if quitting

1021
00:44:57,640 --> 00:44:59,839
Speaker 1: is the word. Maybe, you know, just focusing on other

1022
00:45:00,280 --> 00:45:00,680
Speaker 1: right now.

1023
00:45:01,000 --> 00:45:04,120
Speaker 3: But I gotta stream some of that, no, like the

1024
00:45:04,120 --> 00:45:06,520
Speaker 3: fashion stuff. I mean, even the video it's not a stream.

1025
00:45:06,280 --> 00:45:08,839
Speaker 1: But yeah, I mean to some extent. But again, Kai

1026
00:45:08,960 --> 00:45:11,960
Speaker 1: has done so many things in that space man, where

1027
00:45:11,960 --> 00:45:16,920
Speaker 1: he's dedicated literally every day, every hour of his life

1028
00:45:17,480 --> 00:45:19,799
Speaker 1: to that. I can. I can definitely understand him wanting

1029
00:45:19,800 --> 00:45:22,640
Speaker 1: to completely just remove him stuff for that for a while,

1030
00:45:22,680 --> 00:45:25,680
Speaker 1: like just mentally, I can. I can only imagine how

1031
00:45:25,760 --> 00:45:27,919
Speaker 1: draining that is on him, to be sitting in front

1032
00:45:27,960 --> 00:45:30,440
Speaker 1: of a screen in the camera twenty four to seven

1033
00:45:30,560 --> 00:45:33,520
Speaker 1: for days at a time, months at a time like that.

1034
00:45:33,560 --> 00:45:35,319
Speaker 1: Shit has a It takes a toll on you. So

1035
00:45:35,800 --> 00:45:38,120
Speaker 1: you know, I think he has other passions and things

1036
00:45:38,160 --> 00:45:41,560
Speaker 1: like that that he's afforded hisself to do and try.

1037
00:45:41,640 --> 00:45:43,080
Speaker 1: So I think he's gonna do that for a while,

1038
00:45:43,080 --> 00:45:46,880
Speaker 1: But somebody gonna offer Ki a stupid bag for just

1039
00:45:47,200 --> 00:45:49,399
Speaker 1: even if it's a one night only stream, like he's

1040
00:45:49,400 --> 00:45:51,759
Speaker 1: gonna get a crazy just to do that. So I

1041
00:45:51,840 --> 00:45:53,760
Speaker 1: don't think quitting is the word. I think he's stepping

1042
00:45:53,760 --> 00:45:55,319
Speaker 1: away from it and trying other things, but.

1043
00:45:55,560 --> 00:45:57,600
Speaker 3: Not at the same clip of every day. Yeah, like

1044
00:45:57,640 --> 00:46:00,680
Speaker 3: it was before, it was like rappers, you can't quit rapping. Yeah,

1045
00:46:00,920 --> 00:46:04,239
Speaker 3: you can't rappers. The rappers can't retire, you can't quit.

1046
00:46:04,719 --> 00:46:04,919
Speaker 1: Yeah.

1047
00:46:05,200 --> 00:46:08,000
Speaker 3: I mean again, I give him credit for being that young,

1048
00:46:08,040 --> 00:46:10,759
Speaker 3: in that self aware of at your peak. That's a

1049
00:46:10,760 --> 00:46:12,600
Speaker 3: tough decision. But if you know this shit is not

1050
00:46:12,640 --> 00:46:14,399
Speaker 3: making me happy, I want to do other things. Yeah,

1051
00:46:14,560 --> 00:46:16,880
Speaker 3: I applaud that. I think a break super mature.

1052
00:46:17,120 --> 00:46:19,960
Speaker 1: Takes some years off, you know, do that, do other things,

1053
00:46:20,360 --> 00:46:23,160
Speaker 1: acting or whatever, do all of that. But quitting, I

1054
00:46:23,200 --> 00:46:25,239
Speaker 1: don't know if he's he's done. I don't know if

1055
00:46:25,760 --> 00:46:28,440
Speaker 1: quitting is the word. I highly doubt cad Is don't that.

1056
00:46:28,480 --> 00:46:30,640
Speaker 1: But again, I love the fact that he's taking time

1057
00:46:30,680 --> 00:46:32,200
Speaker 1: off and and trying other ship.

1058
00:46:32,800 --> 00:46:35,719
Speaker 3: I did see a security guard quit his job while

1059
00:46:35,719 --> 00:46:39,080
Speaker 3: he was on his post at the rod Wave concert

1060
00:46:39,160 --> 00:46:41,160
Speaker 3: just so he could, you know, get his bars off.

1061
00:46:42,360 --> 00:46:44,120
Speaker 2: A security guard quit his job.

1062
00:46:44,440 --> 00:46:47,280
Speaker 3: His managers say, Yo, you can't do this, you're working,

1063
00:46:47,320 --> 00:46:49,560
Speaker 3: and he said, well, I quit just so he get

1064
00:46:49,600 --> 00:46:50,960
Speaker 3: this looking, can we get some volume.

1065
00:46:51,640 --> 00:46:53,440
Speaker 2: He ain't had the tune. That's that's where I think

1066
00:46:53,480 --> 00:46:53,840
Speaker 2: he should have.

1067
00:46:54,360 --> 00:46:58,120
Speaker 3: I'm sure he sounds a little different in the studio.

1068
00:47:00,040 --> 00:47:08,040
Speaker 6: Yeah, you quit quit anyway, Bro, That's the only reason

1069
00:47:08,040 --> 00:47:11,200
Speaker 6: I came up for really rap, That's the only reason I.

1070
00:47:11,160 --> 00:47:16,000
Speaker 2: Came I respect it. He just quit right here, way, Bro,

1071
00:47:16,160 --> 00:47:18,359
Speaker 2: just quit his job like that, Bro, he just quit

1072
00:47:18,400 --> 00:47:18,799
Speaker 2: his job.

1073
00:47:19,560 --> 00:47:20,719
Speaker 1: That was a terrible idea. Bro.

1074
00:47:20,880 --> 00:47:26,520
Speaker 2: I respect him. That was a terrible idea. That would

1075
00:47:26,520 --> 00:47:26,839
Speaker 2: be real.

1076
00:47:26,880 --> 00:47:27,799
Speaker 1: That was a terrible.

1077
00:47:28,440 --> 00:47:32,439
Speaker 3: Literally the phrase don't quit your day job. I mean, listen,

1078
00:47:32,640 --> 00:47:35,680
Speaker 3: I respect it. And this did go kind of viral.

1079
00:47:35,840 --> 00:47:39,440
Speaker 3: So like he did get a valuable moment for his career.

1080
00:47:39,440 --> 00:47:42,839
Speaker 3: If he stays consistent. I just think maybe he sounds

1081
00:47:42,880 --> 00:47:44,360
Speaker 3: a little bit better with with some tune.

1082
00:47:45,200 --> 00:47:45,600
Speaker 1: I don't know.

1083
00:47:46,280 --> 00:47:49,439
Speaker 3: There's certain artists that like backstage you get your bars off,

1084
00:47:49,560 --> 00:47:52,560
Speaker 3: Like when Meek was coming up. Yeah, Meek, if Ross

1085
00:47:52,600 --> 00:47:54,719
Speaker 3: walked by, I'm ana wrap f rohim and that'll translate

1086
00:47:55,080 --> 00:47:56,479
Speaker 3: the way these kids sing with.

1087
00:47:56,440 --> 00:47:58,239
Speaker 2: All the effects. I don't know if you could just

1088
00:47:58,239 --> 00:48:01,680
Speaker 2: be backstage. Yeah, get your ship off. Yeah, I don't

1089
00:48:01,680 --> 00:48:01,920
Speaker 2: know how.

1090
00:48:01,960 --> 00:48:02,480
Speaker 1: I don't know how.

1091
00:48:02,880 --> 00:48:06,120
Speaker 3: He needs an auto tune Like personal path to Rod

1092
00:48:06,200 --> 00:48:07,560
Speaker 3: is an incredible challenge.

1093
00:48:07,680 --> 00:48:09,920
Speaker 1: I don't know if Rod sounds this much better than

1094
00:48:09,960 --> 00:48:13,160
Speaker 1: this kid's standing there. I agree, I'm saying in the

1095
00:48:13,160 --> 00:48:14,839
Speaker 1: studio he makes he may sound good.

1096
00:48:14,960 --> 00:48:17,400
Speaker 2: Yeah, what's his goal fund me at Josh, Let's get it.

1097
00:48:19,160 --> 00:48:21,279
Speaker 1: Let's get a go fund me for this gentleman that

1098
00:48:21,360 --> 00:48:23,799
Speaker 1: quit his security job at the Rod Waves show.

1099
00:48:23,840 --> 00:48:25,160
Speaker 2: Let's get him up to eight hundred K.

1100
00:48:25,600 --> 00:48:27,239
Speaker 3: And I love that he had a Birdberry shirt on

1101
00:48:27,360 --> 00:48:30,640
Speaker 3: under his Uh, he planned this entire thing. Those are

1102
00:48:30,640 --> 00:48:32,120
Speaker 3: the type of security guards you need to shows because

1103
00:48:32,280 --> 00:48:33,279
Speaker 3: he'll let you get away with anything.

1104
00:48:33,400 --> 00:48:34,680
Speaker 1: But those type of you know, they just hire a

1105
00:48:34,719 --> 00:48:36,960
Speaker 1: lot of those guys for the day. Oh yeah, part

1106
00:48:37,000 --> 00:48:39,560
Speaker 1: of like an agency or something like that. Like but

1107
00:48:39,600 --> 00:48:40,880
Speaker 1: that you know that's not going to hurt that kid.

1108
00:48:40,920 --> 00:48:42,799
Speaker 1: But yeah, we should get it. That's the type of

1109
00:48:42,920 --> 00:48:45,040
Speaker 1: we need a go fundme for him. I want to

1110
00:48:45,040 --> 00:48:48,000
Speaker 1: hear like, support his dream. Let's support his dream of

1111
00:48:48,040 --> 00:48:49,239
Speaker 1: being an artist. Were you.

1112
00:48:50,760 --> 00:48:51,719
Speaker 2: I'm not trying to make a joke.

1113
00:48:51,760 --> 00:48:54,719
Speaker 3: Were you backstage when that security guard wrapped with jay

1114
00:48:54,800 --> 00:48:57,600
Speaker 3: Z and DMX in that cipher. Get you clicked that

1115
00:48:58,080 --> 00:49:00,319
Speaker 3: this this was on the backstage tv D. I think

1116
00:49:00,320 --> 00:49:01,560
Speaker 3: I'll give some volume we should need.

1117
00:49:01,719 --> 00:49:03,080
Speaker 1: I wasn't. I wasn't. I wouldn't.

1118
00:49:05,239 --> 00:49:07,640
Speaker 3: Because you gotta imagine just being a security guard and

1119
00:49:08,000 --> 00:49:09,440
Speaker 3: you know, maybe walking in the bathroom and.

1120
00:49:09,480 --> 00:49:11,239
Speaker 2: Saying, that's cipher with the jay Z and d n

1121
00:49:11,320 --> 00:49:12,960
Speaker 2: n y all wrapping.

1122
00:49:13,160 --> 00:49:16,120
Speaker 1: Yeah. I mean he's right there. Jay always have ciphers

1123
00:49:16,200 --> 00:49:18,360
Speaker 1: no matter wherever they were at they were Vo was gonna.

1124
00:49:18,160 --> 00:49:20,400
Speaker 3: Wrap miss miss when people like to just like to

1125
00:49:20,880 --> 00:49:23,400
Speaker 3: just didn't even have to be for any purpose.

1126
00:49:25,360 --> 00:49:26,920
Speaker 1: That's all you gotta do, just get So let's get

1127
00:49:26,920 --> 00:49:29,239
Speaker 1: some more. Somebody got to beat were on toll like,

1128
00:49:29,320 --> 00:49:30,520
Speaker 1: let's let's let's see who's writing.

1129
00:49:30,560 --> 00:49:34,799
Speaker 2: Let's just who keeping a pinshot Libertary Glenn Jerseys. Yeah,

1130
00:49:34,880 --> 00:49:37,880
Speaker 2: so X goes and then then a security guard doesn't

1131
00:49:38,160 --> 00:49:40,520
Speaker 2: it just starts rapping. That's not secure, that's Jay electorate.

1132
00:49:43,239 --> 00:49:46,120
Speaker 2: There's early Jay luck. I assume they were using the

1133
00:49:46,200 --> 00:49:47,560
Speaker 2: nations for security.

1134
00:49:47,640 --> 00:49:53,160
Speaker 1: Does imagine if that wasn't imagine today you.

1135
00:49:57,480 --> 00:50:02,680
Speaker 6: Don't get outside, got stressed on my mom, but I

1136
00:50:02,760 --> 00:50:04,760
Speaker 6: got hit inside up coming from.

1137
00:50:06,040 --> 00:50:07,640
Speaker 2: Walking vote.

1138
00:50:09,520 --> 00:50:10,560
Speaker 1: Fight with us and died.

1139
00:50:11,680 --> 00:50:13,279
Speaker 2: But then you gotta think, like, for the rest of

1140
00:50:13,320 --> 00:50:17,960
Speaker 2: the tour, how annoying that they be, y, what's up?

1141
00:50:18,000 --> 00:50:21,960
Speaker 1: I got a deal, I got how I forgot how

1142
00:50:22,000 --> 00:50:23,359
Speaker 1: that security got got off on that though.

1143
00:50:23,400 --> 00:50:24,080
Speaker 2: He went nuts.

1144
00:50:24,120 --> 00:50:24,800
Speaker 1: Yeah, he was spitting.

1145
00:50:24,800 --> 00:50:26,320
Speaker 3: And then there was also something in the backstre We

1146
00:50:26,360 --> 00:50:28,160
Speaker 3: never found out who that was, like what's his name? No,

1147
00:50:28,920 --> 00:50:33,320
Speaker 3: no idea, But even in the backstage, DVD X and

1148
00:50:33,520 --> 00:50:36,560
Speaker 3: j weren't there, but there was some waiter like concert

1149
00:50:36,640 --> 00:50:39,080
Speaker 3: staff or whatever with the cameras were at a restaurant

1150
00:50:39,160 --> 00:50:41,000
Speaker 3: and some waiter was like, oh, you guys were backstage

1151
00:50:41,360 --> 00:50:45,359
Speaker 3: and just started rapping, like smoke the ship. He looked

1152
00:50:45,400 --> 00:50:47,799
Speaker 3: like he was about to quit his waiter job right there. Yeah,

1153
00:50:48,239 --> 00:50:50,279
Speaker 3: so I respect those those That's a classic. That's a

1154
00:50:50,320 --> 00:50:54,680
Speaker 3: classic classic clip right there. I mean Cole talks about

1155
00:50:54,680 --> 00:50:57,799
Speaker 3: that when when he found out where Hope was going

1156
00:50:57,840 --> 00:50:59,880
Speaker 3: to be and wait outside. I think it was Baseline

1157
00:50:59,880 --> 00:51:03,400
Speaker 3: with outside trying to hand him a CD. I mean,

1158
00:51:03,440 --> 00:51:06,880
Speaker 3: those those stories are are kind of crazy shit. You

1159
00:51:06,880 --> 00:51:09,520
Speaker 3: guys have Don Toliver on here. I remember when Don

1160
00:51:09,600 --> 00:51:13,000
Speaker 3: Toliver has on camera just handled us a fucking CD

1161
00:51:13,200 --> 00:51:16,440
Speaker 3: in like twenty fourteen. It's crazy, and had had no

1162
00:51:16,560 --> 00:51:20,000
Speaker 3: idea who that was, Like he ended up posting it

1163
00:51:20,040 --> 00:51:24,520
Speaker 3: way later like yeah, it's It's just interesting that those

1164
00:51:24,560 --> 00:51:26,680
Speaker 3: situations the people that do come out of them.

1165
00:51:26,760 --> 00:51:28,640
Speaker 1: It's crazy that we have a because I didn't even

1166
00:51:28,680 --> 00:51:31,800
Speaker 1: see this on the on the list today, but I

1167
00:51:31,960 --> 00:51:34,320
Speaker 1: was thinking earlier because I was listening to Don Toliver

1168
00:51:34,360 --> 00:51:36,600
Speaker 1: on my way down to study, and I was I

1169
00:51:36,760 --> 00:51:39,640
Speaker 1: was wondering who's the better because I am trying to

1170
00:51:39,840 --> 00:51:42,360
Speaker 1: the same way I you know, I'm glad that somebody

1171
00:51:42,440 --> 00:51:44,200
Speaker 1: sent me a playlist for me a young boy, so

1172
00:51:44,239 --> 00:51:46,560
Speaker 1: I can get into his music and you know, understand

1173
00:51:46,640 --> 00:51:49,080
Speaker 1: the phenon behind it. Like we see all these people

1174
00:51:49,120 --> 00:51:50,960
Speaker 1: supporting this artists, and I'm like, god, damn, I'm out

1175
00:51:50,960 --> 00:51:53,400
Speaker 1: the loop. I never really listened to him, obviously. I'm

1176
00:51:53,520 --> 00:51:55,400
Speaker 1: on the same side with the Rod Wave thing. I

1177
00:51:55,480 --> 00:51:59,080
Speaker 1: understand he's incredible artists. He sells out all of his shows,

1178
00:51:59,160 --> 00:52:02,080
Speaker 1: and he's he has a holte following. I just can't really,

1179
00:52:02,280 --> 00:52:05,560
Speaker 1: you know, understand the music and get into it. So

1180
00:52:05,600 --> 00:52:07,279
Speaker 1: I'm on that now with Rod Wave. I want people

1181
00:52:07,320 --> 00:52:09,000
Speaker 1: to send me, like, send me some of Rod's best shit.

1182
00:52:09,080 --> 00:52:10,840
Speaker 1: The shit you think that if the first time I

1183
00:52:10,880 --> 00:52:12,440
Speaker 1: ever really listened to him, this is what I should

1184
00:52:12,480 --> 00:52:15,239
Speaker 1: be listening to. And I was thinking, because I'm listening

1185
00:52:15,280 --> 00:52:17,800
Speaker 1: to Rod, I'm like, okay, like yeah, I definitely talented

1186
00:52:17,920 --> 00:52:20,400
Speaker 1: and heavy on the melodies, you know, things like that

1187
00:52:21,480 --> 00:52:23,960
Speaker 1: sounds good. And I was thinking to myself, who's the

1188
00:52:24,040 --> 00:52:28,400
Speaker 1: better artist between Rod Wave and Don Toliver Because we

1189
00:52:28,520 --> 00:52:33,560
Speaker 1: saw Don Tolliver at Roots No No, it was made

1190
00:52:33,560 --> 00:52:37,320
Speaker 1: in America. Yeah, and he went on right before Bad Bunny,

1191
00:52:38,880 --> 00:52:41,040
Speaker 1: So you can imagine how many people were ready there

1192
00:52:42,080 --> 00:52:43,160
Speaker 1: for Bad Bunny.

1193
00:52:42,960 --> 00:52:43,680
Speaker 2: Trying to get a spot.

1194
00:52:44,440 --> 00:52:47,280
Speaker 1: I'm talking about Victoria Monnay was probably the first performer

1195
00:52:47,360 --> 00:52:48,920
Speaker 1: that day out there, and it was a bunch of

1196
00:52:49,000 --> 00:52:52,279
Speaker 1: people out there ready to see her perform. So by

1197
00:52:52,320 --> 00:52:54,640
Speaker 1: this time, late at night, Bad Bunnies goes on in

1198
00:52:54,719 --> 00:52:58,560
Speaker 1: another forty minutes, It's the park is packed, and I'm

1199
00:52:58,560 --> 00:53:00,560
Speaker 1: sitting in and I'm looking at dontal of a set

1200
00:53:01,440 --> 00:53:06,640
Speaker 1: and I'm like, damn, Like Don is performing joint after joint,

1201
00:53:06,719 --> 00:53:10,440
Speaker 1: like he's really performing dope records. Like his set was incredible.

1202
00:53:10,680 --> 00:53:15,200
Speaker 1: The stage production, everything like was incredible. And I'm listening

1203
00:53:15,320 --> 00:53:18,520
Speaker 1: to Rod's music heavy on melodies, and I'm listening to

1204
00:53:18,640 --> 00:53:20,840
Speaker 1: Don's music same thing, heavy on the melodies, things like that,

1205
00:53:21,640 --> 00:53:23,880
Speaker 1: and I'm like, damn, like I like Rod, I like

1206
00:53:23,920 --> 00:53:27,200
Speaker 1: the melodies, but I really like Don Tolliver's music. I

1207
00:53:27,280 --> 00:53:30,120
Speaker 1: think Don Tolliver has incredible discography. I don't think he's

1208
00:53:30,120 --> 00:53:32,600
Speaker 1: put out a bad album. I don't think he gets

1209
00:53:32,640 --> 00:53:36,040
Speaker 1: the praise that he deserves. I don't know what his

1210
00:53:36,080 --> 00:53:38,400
Speaker 1: shows do. I don't know. I've never really paid attention to,

1211
00:53:38,480 --> 00:53:40,760
Speaker 1: you know, what his shows do. But seeing him, remember

1212
00:53:40,800 --> 00:53:44,440
Speaker 1: seeing him I made in America, going on right before

1213
00:53:44,520 --> 00:53:46,520
Speaker 1: one of the biggest artists in the world, and what

1214
00:53:46,680 --> 00:53:48,200
Speaker 1: he was able to do on that stage.

1215
00:53:48,400 --> 00:53:54,920
Speaker 2: Yeah, who is the better artist? Between Rod Wave and Don.

1216
00:53:54,800 --> 00:53:58,600
Speaker 3: TALLI my preference falls on Don Tolliver. Rod Wave is

1217
00:53:58,640 --> 00:54:01,360
Speaker 3: one like I get it under saying why he's so popular.

1218
00:54:01,760 --> 00:54:04,239
Speaker 3: It's not all the way for me. I think he's

1219
00:54:04,239 --> 00:54:07,000
Speaker 3: a very talented writer. I think comes up great, great melodies.

1220
00:54:07,040 --> 00:54:11,640
Speaker 3: It's just like, you only sound insulting when you when

1221
00:54:11,680 --> 00:54:14,240
Speaker 3: you do this type of ship. It's more teenage sadness

1222
00:54:14,280 --> 00:54:16,120
Speaker 3: to me. If I was younger.

1223
00:54:16,160 --> 00:54:19,120
Speaker 1: I feel like I probably really really really love rod Wave,

1224
00:54:19,640 --> 00:54:22,400
Speaker 1: but it's it's he's great at writing.

1225
00:54:22,160 --> 00:54:26,000
Speaker 3: It's just the content I think connects with a younger audience,

1226
00:54:26,120 --> 00:54:29,279
Speaker 3: where Don Tolliver is more my age. So I think

1227
00:54:29,320 --> 00:54:31,279
Speaker 3: Don Tolliver is a better artist. I think he has

1228
00:54:31,360 --> 00:54:36,360
Speaker 3: more range with his writing and his production. So I

1229
00:54:36,880 --> 00:54:39,359
Speaker 3: me personally. But if someone said rod Wave, like I'm

1230
00:54:40,200 --> 00:54:42,200
Speaker 3: that's just a personal preference, I don't. I don't think

1231
00:54:42,239 --> 00:54:45,600
Speaker 3: it's a bad debate. If somebody's just like, yeah, it's

1232
00:54:45,719 --> 00:54:46,719
Speaker 3: clearly roadway.

1233
00:54:46,440 --> 00:54:50,080
Speaker 1: Does road Wave do? Does? Does rod Wave do more

1234
00:54:50,160 --> 00:54:52,120
Speaker 1: numbers at his shows than Don Tolliver.

1235
00:54:51,920 --> 00:54:52,560
Speaker 2: Don't call me out.

1236
00:54:52,560 --> 00:54:54,239
Speaker 3: I want to say they do about the same because

1237
00:54:54,280 --> 00:54:56,719
Speaker 3: I know rod Wave does arenas by himself, but just

1238
00:54:56,800 --> 00:55:02,880
Speaker 3: pulling up Don Tolliver's four tour, most of these are

1239
00:55:02,920 --> 00:55:06,160
Speaker 3: all arenas like Barclays. I think rod Wave did a

1240
00:55:06,200 --> 00:55:09,359
Speaker 3: couple of nights at Barclays, though Don Tolever did one here.

1241
00:55:09,880 --> 00:55:12,880
Speaker 3: But I mean they both do arenas, so you know,

1242
00:55:12,960 --> 00:55:14,640
Speaker 3: it's it's still relatively close.

1243
00:55:14,760 --> 00:55:18,840
Speaker 1: I think Don Tolliver is underrated. I'm we I do.

1244
00:55:19,560 --> 00:55:23,160
Speaker 1: I'm listening to his albums like he makes really good albums,

1245
00:55:23,200 --> 00:55:23,960
Speaker 1: really good songs.

1246
00:55:24,680 --> 00:55:28,200
Speaker 3: He's taking the Travis Travis blueprint and heightened it as

1247
00:55:28,200 --> 00:55:31,560
Speaker 3: far as writing in the artistry in my opinion, for sure.

1248
00:55:32,160 --> 00:55:38,840
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1254
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Speaker 2: Was you rolling loud Orlando lineup? I believe is what's up?

1285
00:57:17,240 --> 00:57:20,280
Speaker 1: We're going? It's don Tolliver. Yeah, Don Toliver's is head.

1286
00:57:20,360 --> 00:57:26,320
Speaker 2: Orlando Old Town? Is that what they call Orlando Old

1287
00:57:26,680 --> 00:57:28,920
Speaker 2: We spent my twenty ninth birthday in Oldtown together.

1288
00:57:30,000 --> 00:57:31,480
Speaker 3: Did you come out with Weezy and all of us?

1289
00:57:32,760 --> 00:57:34,040
Speaker 3: We had a We had a live show on my

1290
00:57:34,120 --> 00:57:36,960
Speaker 3: birthday in Orlando. Yes, and then we all went into

1291
00:57:37,000 --> 00:57:38,920
Speaker 3: the what was that big street that? Yeah, it was

1292
00:57:38,920 --> 00:57:40,800
Speaker 3: like Bourbon Street of Orlando and it looks like you

1293
00:57:40,840 --> 00:57:41,400
Speaker 3: were in No Orleanys.

1294
00:57:41,480 --> 00:57:41,680
Speaker 1: Yeah.

1295
00:57:41,960 --> 00:57:42,720
Speaker 2: Yeah, shout.

1296
00:57:44,200 --> 00:57:46,520
Speaker 3: And shout out to h to Wheezy from Horrible Decisions.

1297
00:57:46,640 --> 00:57:49,400
Speaker 3: She's from Orlando and happy to be out there. So

1298
00:57:49,520 --> 00:57:50,640
Speaker 3: she's like, I'm taking you out.

1299
00:57:51,120 --> 00:57:53,680
Speaker 2: We had fun. It's it's like New Orleans.

1300
00:57:54,000 --> 00:57:54,480
Speaker 1: Like it was cool.

1301
00:57:54,520 --> 00:57:56,520
Speaker 3: We had to get toime that that And I feel

1302
00:57:56,600 --> 00:57:59,919
Speaker 3: like that's probably a good city for a rolling loud,

1303
00:58:00,080 --> 00:58:02,520
Speaker 3: Like they have the infrastructure, Like I feel like that's

1304
00:58:02,520 --> 00:58:03,919
Speaker 3: actually a really good pick for a city.

1305
00:58:04,080 --> 00:58:08,120
Speaker 2: Yeah, to do something like this. But headliners are Don Tolliver, Playboy, Cardi,

1306
00:58:08,160 --> 00:58:08,960
Speaker 2: and NBA Young Boy.

1307
00:58:09,960 --> 00:58:13,000
Speaker 1: Wait wait so okay, we're going to NB a Young

1308
00:58:13,080 --> 00:58:18,520
Speaker 1: Boy night. Oh we going Don Toliver Knight Friday. Those

1309
00:58:18,560 --> 00:58:22,360
Speaker 1: are two different nights to stop it Friday shout out

1310
00:58:22,360 --> 00:58:23,240
Speaker 1: there be a young boy though.

1311
00:58:23,680 --> 00:58:26,040
Speaker 3: Yeah, And I'm sure the playboy Cardy, even though his

1312
00:58:26,200 --> 00:58:29,320
Speaker 3: music is not for me, I'm sure I would love

1313
00:58:29,440 --> 00:58:32,439
Speaker 3: his live show. Like even that last album I Am Music,

1314
00:58:32,920 --> 00:58:35,600
Speaker 3: I thought the production was incredible. I didn't even know

1315
00:58:35,640 --> 00:58:37,120
Speaker 3: if he was on it. Yeah, I thought it was

1316
00:58:37,160 --> 00:58:40,480
Speaker 3: a beat tape. I'm sure that would be great live though.

1317
00:58:40,640 --> 00:58:40,840
Speaker 1: Yeah.

1318
00:58:41,120 --> 00:58:42,760
Speaker 3: So yeah, I would see and I do want to

1319
00:58:42,760 --> 00:58:46,800
Speaker 3: see young Boy, you know, from the safe safety of.

1320
00:58:46,880 --> 00:58:51,080
Speaker 1: Like a like let's maybe a box up there somewhere,

1321
00:58:51,120 --> 00:58:51,960
Speaker 1: let's let's go up there.

1322
00:58:52,080 --> 00:58:55,320
Speaker 3: Yeah, but no, because it is the only US one.

1323
00:58:55,320 --> 00:58:58,480
Speaker 3: They're doing this yere right, I'm not sure. Yeah, I

1324
00:58:58,560 --> 00:59:02,320
Speaker 3: think that's this is the only one, so, which is crazy.

1325
00:59:02,400 --> 00:59:04,840
Speaker 1: To of a night Belly Gang is performing at night.

1326
00:59:05,000 --> 00:59:07,000
Speaker 1: There we go all right, uh now we have our

1327
00:59:07,040 --> 00:59:12,440
Speaker 1: way in Yeah, Chief keif Saha baby, Uh okay.

1328
00:59:13,360 --> 00:59:15,120
Speaker 2: We were almost late for our own performance trying to

1329
00:59:15,120 --> 00:59:15,720
Speaker 2: watch Chief.

1330
00:59:15,640 --> 00:59:19,760
Speaker 1: Keith Ye Slayboy Cardy. It's just good's a good lina,

1331
00:59:19,960 --> 00:59:23,080
Speaker 1: A lot of energy. I know that it's gonna be. Yeah,

1332
00:59:23,360 --> 00:59:26,520
Speaker 1: it's a lot of energy there that night. Jesus and

1333
00:59:26,680 --> 00:59:31,920
Speaker 1: with Florida Loss, anything goes I said it should just

1334
00:59:31,960 --> 00:59:37,320
Speaker 1: be spening open carry states, just somewhere up there. I

1335
00:59:37,360 --> 00:59:39,040
Speaker 1: don't no matter where, as long as it's up there.

1336
00:59:40,200 --> 00:59:42,320
Speaker 3: Yeah, NBA, young boy in Florida. It's kind of nuts.

1337
00:59:43,840 --> 00:59:46,280
Speaker 3: All right, we can get away from music. We can

1338
00:59:46,360 --> 00:59:49,920
Speaker 3: get back to sports, back to our segment of spread

1339
00:59:49,960 --> 00:59:51,840
Speaker 3: Them sponsored by Hard Rock Bet.

1340
00:59:52,120 --> 00:59:54,200
Speaker 2: Time to spread them. It's time to spread them.

1341
00:59:54,880 --> 00:59:56,560
Speaker 1: Listen, man, we both went three one last week.

1342
00:59:56,640 --> 00:59:58,800
Speaker 3: Yes, we both went three and one, picked different games,

1343
00:59:58,880 --> 01:00:01,080
Speaker 3: but both and it up at three and one, which

1344
01:00:01,120 --> 01:00:03,320
Speaker 3: I'm that's not a bad weekend for great week man.

1345
01:00:03,400 --> 01:00:04,840
Speaker 3: I think I think I could go four and oh

1346
01:00:04,920 --> 01:00:06,480
Speaker 3: this week though. All right, well let's see think I could.

1347
01:00:06,480 --> 01:00:07,560
Speaker 3: I think I could spread the four.

1348
01:00:07,680 --> 01:00:10,120
Speaker 1: Okay, you're gonna spread the flour.

1349
01:00:10,480 --> 01:00:13,280
Speaker 2: Okay, spread for all fours.

1350
01:00:13,560 --> 01:00:15,280
Speaker 1: Though you say you're gonna spread the floor, I would say,

1351
01:00:15,280 --> 01:00:16,360
Speaker 1: I don't know if you want to do that, but.

1352
01:00:16,400 --> 01:00:20,040
Speaker 3: Okay, we can start with the bills minus one at

1353
01:00:20,120 --> 01:00:21,200
Speaker 3: the broncos mall who.

1354
01:00:21,120 --> 01:00:21,560
Speaker 2: Are you taking?

1355
01:00:21,720 --> 01:00:24,840
Speaker 1: I'm gonna take the bills in this one minus that

1356
01:00:24,920 --> 01:00:27,240
Speaker 1: the bills. I think the bills are gonna go. We

1357
01:00:27,400 --> 01:00:31,560
Speaker 1: talked about it. This might be Josh Allen's year, probably

1358
01:00:31,600 --> 01:00:33,640
Speaker 1: get all the way to the Bowl. Yeah.

1359
01:00:33,680 --> 01:00:35,400
Speaker 2: I feel like all the years he was supposed to

1360
01:00:35,440 --> 01:00:36,600
Speaker 2: go he didn't go. In this year he's not.

1361
01:00:36,760 --> 01:00:39,360
Speaker 3: So Yeah, all right, we may out the gate just

1362
01:00:39,440 --> 01:00:41,040
Speaker 3: on this one. I think we may agree because I'm

1363
01:00:41,040 --> 01:00:43,960
Speaker 3: taking Bills minus one as well. Okay, I think they're

1364
01:00:44,000 --> 01:00:47,400
Speaker 3: beating the Broncos by more. They're one forty nine Ers

1365
01:00:47,560 --> 01:00:52,120
Speaker 3: at the Seahawks. The Seahawks are minus seven. That's that's disrespectful.

1366
01:00:52,480 --> 01:00:56,160
Speaker 3: I'm taking the Niners. I'm taking the Niners in this one.

1367
01:00:56,560 --> 01:00:56,880
Speaker 1: I don't know.

1368
01:00:57,000 --> 01:00:59,640
Speaker 2: Man taking the Niners. I think the Seahawks may win

1369
01:00:59,680 --> 01:00:59,960
Speaker 2: by time.

1370
01:01:00,920 --> 01:01:05,400
Speaker 1: What that's disrespectful. I think that's disrespectful. No way, I'm

1371
01:01:05,400 --> 01:01:07,080
Speaker 1: taking the forty nine. I'm going to Seahawks. Mine. I

1372
01:01:07,120 --> 01:01:09,160
Speaker 1: got the forty nine Ers by ten? How about that?

1373
01:01:09,360 --> 01:01:09,600
Speaker 2: Really?

1374
01:01:09,840 --> 01:01:10,080
Speaker 1: Hell?

1375
01:01:10,240 --> 01:01:12,360
Speaker 2: Yeah, okay, I got the forty nine. You are that

1376
01:01:12,440 --> 01:01:13,440
Speaker 2: confident in the forty nine ers?

1377
01:01:13,440 --> 01:01:14,440
Speaker 1: Absolutely all right.

1378
01:01:14,480 --> 01:01:17,640
Speaker 3: I'll take the Seahawks minus seven. We have the Texans

1379
01:01:17,720 --> 01:01:19,640
Speaker 3: at the Patriots Patriots minus three.

1380
01:01:19,760 --> 01:01:20,760
Speaker 1: I'm going Patriots.

1381
01:01:21,280 --> 01:01:25,680
Speaker 2: Yeah, I'm going Drake May maybe all Away May all

1382
01:01:25,800 --> 01:01:26,560
Speaker 2: Away May.

1383
01:01:27,400 --> 01:01:29,040
Speaker 1: I know I said the Patriot didn't have a shot.

1384
01:01:29,080 --> 01:01:31,040
Speaker 2: Of getting there at the beginning of the year. I didn't.

1385
01:01:31,040 --> 01:01:33,640
Speaker 1: I didn't. Nobody anticipated Drake May was gonna play like this.

1386
01:01:34,040 --> 01:01:36,000
Speaker 1: We didn't expect them. We didn't expect them look like that.

1387
01:01:36,360 --> 01:01:39,440
Speaker 1: Shout out Stefan Diggs been bawling. Listen, man, I got

1388
01:01:39,480 --> 01:01:41,200
Speaker 1: the Patriots. I'm taking the Patriots in this one.

1389
01:01:41,320 --> 01:01:43,600
Speaker 3: Yeah, I'm going Patriots minus three. I think they win

1390
01:01:43,720 --> 01:01:47,640
Speaker 3: win by a touchdown. Yeah, Rams minus four at the Bears.

1391
01:01:48,720 --> 01:01:55,960
Speaker 1: Now, this one's tricky. Rams minus four. Think no, man,

1392
01:01:56,400 --> 01:01:58,920
Speaker 1: it's the Bears year. I think the Bears might win

1393
01:01:59,000 --> 01:02:01,960
Speaker 1: by three with the Bears to Beers. If you go

1394
01:02:02,000 --> 01:02:04,600
Speaker 1: on Beers and I'll take, I'll take, I'll take the Rams.

1395
01:02:05,480 --> 01:02:06,919
Speaker 1: If you're gonna take the Beers, I'll take the Rams.

1396
01:02:10,120 --> 01:02:14,600
Speaker 3: So we we We had suggested that loser has some

1397
01:02:14,720 --> 01:02:16,560
Speaker 3: type of punishment that we would do on live stream.

1398
01:02:16,680 --> 01:02:18,360
Speaker 3: Peach came up with a very funny idea that you

1399
01:02:18,480 --> 01:02:20,520
Speaker 3: have to punishment as you have to name a thousand

1400
01:02:20,640 --> 01:02:22,080
Speaker 3: rappers before you can get off stream.

1401
01:02:22,120 --> 01:02:24,800
Speaker 1: I cannot name a thousand rappers. I will be on

1402
01:02:24,880 --> 01:02:27,600
Speaker 1: this stream longer than cost and I cannot name a

1403
01:02:27,720 --> 01:02:28,400
Speaker 1: thousand rappers.

1404
01:02:28,400 --> 01:02:28,520
Speaker 4: There.

1405
01:02:28,920 --> 01:02:30,720
Speaker 2: You can't have your iTunes. You can't have anything.

1406
01:02:31,040 --> 01:02:34,880
Speaker 1: I don't know, Man, Can I phone a friend to

1407
01:02:34,960 --> 01:02:38,440
Speaker 1: run off like a hundred names? Like if you have to,

1408
01:02:39,120 --> 01:02:40,520
Speaker 1: how do I have to name at least what in

1409
01:02:40,560 --> 01:02:41,040
Speaker 1: two hundred?

1410
01:02:43,800 --> 01:02:44,000
Speaker 2: Oh?

1411
01:02:44,280 --> 01:02:48,160
Speaker 1: Man, Naming a thousand rappers is not easy. I don't

1412
01:02:48,200 --> 01:02:49,000
Speaker 1: give a fuck with none.

1413
01:02:48,840 --> 01:02:49,840
Speaker 2: Of What are the rules?

1414
01:02:49,920 --> 01:02:49,960
Speaker 1: Like?

1415
01:02:50,080 --> 01:02:51,840
Speaker 2: Can I name my man's in them in high school?

1416
01:02:52,240 --> 01:02:52,400
Speaker 1: Nah?

1417
01:02:52,440 --> 01:02:52,800
Speaker 2: You have to?

1418
01:02:53,360 --> 01:02:56,120
Speaker 1: Okay, all right? They have to have at least a

1419
01:02:56,160 --> 01:02:58,760
Speaker 1: mixtape that they put out. Okay, my friend put out

1420
01:02:58,760 --> 01:02:59,200
Speaker 1: a mixtape.

1421
01:02:59,400 --> 01:03:01,360
Speaker 2: Nobody heard it. It was the block.

1422
01:03:01,440 --> 01:03:04,439
Speaker 1: It won't plattinum in the hood, right Yo, it's still

1423
01:03:04,480 --> 01:03:07,120
Speaker 1: flopped in the hood, but it existed.

1424
01:03:07,440 --> 01:03:12,920
Speaker 2: Name in a thousand rappers? I'm down to try. I'm

1425
01:03:13,000 --> 01:03:14,480
Speaker 2: down to try. I think I could knock out five

1426
01:03:14,560 --> 01:03:15,280
Speaker 2: hundred pretty easy.

1427
01:03:16,080 --> 01:03:18,200
Speaker 1: All right. So it's so a thousand name a thousand?

1428
01:03:18,320 --> 01:03:19,600
Speaker 1: So we have to we have to live stream it

1429
01:03:20,560 --> 01:03:21,160
Speaker 1: live stream.

1430
01:03:21,360 --> 01:03:23,360
Speaker 3: Well, yeah, loser has to get on live stream and

1431
01:03:24,120 --> 01:03:27,040
Speaker 3: name a thousand rappers before they get off because at

1432
01:03:27,080 --> 01:03:28,800
Speaker 3: some point I'm gonna need a break and then we're

1433
01:03:28,800 --> 01:03:29,360
Speaker 3: just gonna.

1434
01:03:29,120 --> 01:03:32,480
Speaker 1: Have to talk and stream. Yeah, because you can't just

1435
01:03:32,560 --> 01:03:35,000
Speaker 1: sit straight and just start running over. Now, you can

1436
01:03:35,040 --> 01:03:36,960
Speaker 1: go on a nice run, you can. You could probably

1437
01:03:37,040 --> 01:03:41,320
Speaker 1: run off one hundred, one hundred and fifty easily. Yeah,

1438
01:03:41,440 --> 01:03:44,560
Speaker 1: But when you start getting like the two fifty range

1439
01:03:45,680 --> 01:03:47,919
Speaker 1: and then you realize I got seven eight hundred left

1440
01:03:48,000 --> 01:03:50,400
Speaker 1: to name, that's what it's gonna get to.

1441
01:03:50,440 --> 01:03:53,040
Speaker 3: I think Josh asked Chad JVT yesterday and they could

1442
01:03:53,080 --> 01:03:55,800
Speaker 3: only come up with eight hundred, and that was Chad JBT.

1443
01:03:56,000 --> 01:03:58,200
Speaker 1: This is what I'm saying, bro, Naming a thousand rappers

1444
01:03:58,320 --> 01:04:01,200
Speaker 1: is hard, But like you said, you like local guys.

1445
01:04:03,080 --> 01:04:05,080
Speaker 2: Yeah. I immediately asked if Benzino was on the list,

1446
01:04:05,200 --> 01:04:06,160
Speaker 2: and chat GBT didn't.

1447
01:04:06,160 --> 01:04:08,480
Speaker 1: That okay? So then so then there's some names that

1448
01:04:08,520 --> 01:04:12,000
Speaker 1: we can run off that chat chat. But that's tough.

1449
01:04:12,040 --> 01:04:14,480
Speaker 1: I'm willing to try though. I'll try it on lobstream.

1450
01:04:14,600 --> 01:04:16,200
Speaker 2: Well, you may not have to depends on on who

1451
01:04:16,440 --> 01:04:17,520
Speaker 2: loses are spread them?

1452
01:04:17,960 --> 01:04:20,520
Speaker 1: But how how wide do you have to spread them?

1453
01:04:21,400 --> 01:04:23,080
Speaker 2: How wid thousand rappers double?

1454
01:04:23,120 --> 01:04:23,280
Speaker 4: Why?

1455
01:04:25,480 --> 01:04:28,040
Speaker 3: Yes, that was our spread Them segment sponsored by hard

1456
01:04:28,160 --> 01:04:31,040
Speaker 3: Rock bet On. I have two disagreements on that one.

1457
01:04:31,440 --> 01:04:34,880
Speaker 3: So we shall see if actually.

1458
01:04:35,040 --> 01:04:37,600
Speaker 1: Picks Josh, Because right now you're trying to name a

1459
01:04:37,640 --> 01:04:39,120
Speaker 1: thousand rappers and we'll I'll let you know that.

1460
01:04:39,240 --> 01:04:42,120
Speaker 3: Now, keep track of my ship. I'm going to get

1461
01:04:42,120 --> 01:04:47,200
Speaker 3: a babysitter that night. That's that's a commitment. Yeah, yeah, Peg,

1462
01:04:47,280 --> 01:04:50,280
Speaker 3: you're you lose. Either way, you have to be here, yeah,

1463
01:04:50,320 --> 01:04:51,840
Speaker 3: a thousand raps or unless you just tell me to

1464
01:04:51,880 --> 01:04:52,880
Speaker 3: hit space bar when I'm done.

1465
01:04:53,400 --> 01:04:55,160
Speaker 1: I mean, I know, you can just order food and

1466
01:04:55,280 --> 01:04:56,680
Speaker 1: you know, make a night of it and just you know,

1467
01:04:57,040 --> 01:04:58,800
Speaker 1: just sit here until we get as close as on

1468
01:04:58,920 --> 01:05:02,080
Speaker 1: thousand and no hell no, no, no help.

1469
01:05:02,520 --> 01:05:04,800
Speaker 3: But I mean, shit, if I know I'm losing, I'm

1470
01:05:04,800 --> 01:05:07,320
Speaker 3: gonna try to like memorize my iTunes on the car

1471
01:05:07,440 --> 01:05:07,760
Speaker 3: right over.

1472
01:05:08,000 --> 01:05:09,240
Speaker 2: Yeah, I'm going through everything.

1473
01:05:09,640 --> 01:05:11,360
Speaker 3: What do you think is a better strategy starting with

1474
01:05:12,000 --> 01:05:14,280
Speaker 3: like going through the a's or just rattling off every

1475
01:05:14,320 --> 01:05:14,920
Speaker 3: rapper that you know.

1476
01:05:15,400 --> 01:05:19,520
Speaker 1: I think trying in alphabetical order, region region.

1477
01:05:19,480 --> 01:05:22,040
Speaker 2: Region might be a cool way.

1478
01:05:22,640 --> 01:05:24,840
Speaker 1: Yeah, but once I get outside of the four major cities,

1479
01:05:24,880 --> 01:05:31,280
Speaker 1: I'm fucked. England, Okay, yeah, the next for UK rappers,

1480
01:05:31,280 --> 01:05:32,560
Speaker 1: I guess yeah, yeah, okay.

1481
01:05:32,360 --> 01:05:34,360
Speaker 3: Yeah, regions would be a good good way to help

1482
01:05:34,400 --> 01:05:36,200
Speaker 3: and then see where you're at after you get through.

1483
01:05:36,280 --> 01:05:38,520
Speaker 1: Yeah, because if you go. If you start crossing that

1484
01:05:38,880 --> 01:05:40,919
Speaker 1: atlantic too early, it's like, bro, you still got mad

1485
01:05:41,040 --> 01:05:41,560
Speaker 1: rappers over.

1486
01:05:43,200 --> 01:05:45,640
Speaker 3: I think the best part of that is going to

1487
01:05:45,720 --> 01:05:48,560
Speaker 3: be once we get past five hundreds and people just

1488
01:05:48,600 --> 01:05:50,440
Speaker 3: start throwing out names where we have to double check

1489
01:05:50,480 --> 01:05:52,320
Speaker 3: if that's really a rapper or not, like you just

1490
01:05:52,440 --> 01:05:54,920
Speaker 3: made that up, that's not a rapper. But there's like

1491
01:05:55,000 --> 01:05:59,919
Speaker 3: a hundred littles. Oh wait, until I get to my chic.

1492
01:06:00,000 --> 01:06:03,080
Speaker 3: I know wrap bag, I know all the manure by

1493
01:06:03,160 --> 01:06:08,200
Speaker 3: mister Caponi, nothing, nothing, Yeah, what's that?

1494
01:06:08,280 --> 01:06:10,000
Speaker 1: What's you about? South Park, Mexican. Once I get to

1495
01:06:10,080 --> 01:06:12,760
Speaker 1: the Jay's and I go to Jojo Pelagrino's like that's

1496
01:06:12,800 --> 01:06:14,920
Speaker 1: what you know? Like I'm just like, damn, I'm down

1497
01:06:15,000 --> 01:06:19,160
Speaker 1: to Jojo already, Like Jen, yes, you can definitely.

1498
01:06:18,880 --> 01:06:21,080
Speaker 3: Got Jen is higher up than we and Jojo Pelagreno.

1499
01:06:21,120 --> 01:06:24,000
Speaker 3: We're doing regions and you start thinking Staten Island, Yeah,

1500
01:06:24,640 --> 01:06:25,480
Speaker 3: JoJo's coming up.

1501
01:06:26,080 --> 01:06:30,080
Speaker 1: Yeah, after the Yeah, after Tank you gotta be Jojo.

1502
01:06:30,360 --> 01:06:32,040
Speaker 3: I feel you could just start saying five percent of

1503
01:06:32,120 --> 01:06:35,000
Speaker 3: words and get at least ten other U Tang members.

1504
01:06:35,160 --> 01:06:36,560
Speaker 2: Yeah, like that would know.

1505
01:06:37,720 --> 01:06:40,000
Speaker 1: I'm not gonna lie. I think I maybe downplaying it

1506
01:06:40,160 --> 01:06:42,040
Speaker 1: like I might be overselling how tough it is. It

1507
01:06:42,120 --> 01:06:44,960
Speaker 1: might be easier than I think. It might be easier

1508
01:06:45,000 --> 01:06:47,240
Speaker 1: than I think, especially if you go regions. So yeah,

1509
01:06:47,320 --> 01:06:49,080
Speaker 1: let's try it. Let's try lose ass to the name

1510
01:06:49,480 --> 01:06:53,040
Speaker 1: a thousand rappers on live stream. We'll make a night

1511
01:06:53,080 --> 01:06:55,160
Speaker 1: of it. We'll get you some mozzarella sticks or or whatever.

1512
01:06:55,640 --> 01:06:57,640
Speaker 3: We'll get those for baby d. You could do what's

1513
01:06:57,720 --> 01:07:00,720
Speaker 3: harder thirty mins tollars sticks or that rappers.

1514
01:07:03,040 --> 01:07:05,360
Speaker 1: You gotta eat thirty months of rellisticks to get a hit.

1515
01:07:06,760 --> 01:07:09,000
Speaker 1: Imagine Brooklyn like Brooklyn's on Brooklyn.

1516
01:07:10,360 --> 01:07:12,720
Speaker 3: Imagine eating thirty monts of Reli sticks while trying to

1517
01:07:12,800 --> 01:07:15,400
Speaker 3: name a thousand rappers, your stomach just bubbling, and you

1518
01:07:15,520 --> 01:07:18,600
Speaker 3: just trying to think, Oh yeah, man, wait till I

1519
01:07:18,640 --> 01:07:23,720
Speaker 3: pull out atmosphere, Oh my ATMs, my iTunes is so

1520
01:07:23,840 --> 01:07:25,360
Speaker 3: far back. I was telling them, I think you might

1521
01:07:25,440 --> 01:07:29,000
Speaker 3: have left at that point. You remember the MTV show like, uh,

1522
01:07:29,160 --> 01:07:30,040
Speaker 3: make me something else?

1523
01:07:30,320 --> 01:07:31,040
Speaker 2: What was the name of it?

1524
01:07:31,640 --> 01:07:34,080
Speaker 3: Made where they just like take somebody in, like some

1525
01:07:34,720 --> 01:07:38,080
Speaker 3: nerd and make them something else. The rapper that did

1526
01:07:38,120 --> 01:07:41,640
Speaker 3: that one kid, I have songs from Atlass from Arizona,

1527
01:07:41,800 --> 01:07:44,560
Speaker 3: on here. That's how deep I could get my thousand bag.

1528
01:07:44,720 --> 01:07:46,840
Speaker 1: Okay, but you can't use that. We can't look at

1529
01:07:46,880 --> 01:07:48,880
Speaker 1: no list no hell, no, of course, not no nothing.

1530
01:07:49,040 --> 01:07:52,440
Speaker 1: Name a thousand rappers on live stream the Loser, thank you,

1531
01:07:52,560 --> 01:07:53,240
Speaker 1: Hal Rock Bett.

1532
01:07:54,840 --> 01:07:58,120
Speaker 3: Okay, if I name Eminem and Royce, can I also

1533
01:07:58,280 --> 01:07:59,200
Speaker 3: name Bad Meats Evil?

1534
01:08:00,640 --> 01:08:01,720
Speaker 1: No, that's a group.

1535
01:08:01,880 --> 01:08:03,160
Speaker 2: I can't do that, all right, but then I'm not

1536
01:08:03,240 --> 01:08:07,080
Speaker 2: I'm not naming any already. Look, I'm asking the rules.

1537
01:08:07,880 --> 01:08:10,080
Speaker 2: The rule rappers not rap groups.

1538
01:08:10,640 --> 01:08:12,080
Speaker 3: When I pull out Baby Bashed, I just don't want

1539
01:08:12,080 --> 01:08:17,759
Speaker 3: to hear anything. But what is app when little Troy

1540
01:08:17,840 --> 01:08:18,160
Speaker 3: comes out?

1541
01:08:18,200 --> 01:08:21,360
Speaker 1: I don't want to hear a listenin Yeah, shout out

1542
01:08:21,400 --> 01:08:24,320
Speaker 1: to U hard Rock Bet and our spread the segment

1543
01:08:24,800 --> 01:08:26,120
Speaker 1: before we get to voicemails.

1544
01:08:26,160 --> 01:08:28,880
Speaker 2: I do want to send some prayers and strength to

1545
01:08:29,120 --> 01:08:31,879
Speaker 2: our brother Corrupt. I'm going through some health issues.

1546
01:08:32,600 --> 01:08:34,960
Speaker 3: Haven't gotten an update in a day or two, but

1547
01:08:35,439 --> 01:08:38,320
Speaker 3: I know Dad was saying to keep sending prayers for.

1548
01:08:38,320 --> 01:08:41,840
Speaker 1: Him absolutely and also rest in peace. John Forte, the

1549
01:08:42,040 --> 01:08:46,880
Speaker 1: legend leg that was such that was so just reading

1550
01:08:46,920 --> 01:08:48,000
Speaker 1: that was just like wow.

1551
01:08:48,240 --> 01:08:51,800
Speaker 3: I'm extremely extremely close with his nephew Kyrie since we

1552
01:08:51,920 --> 01:08:55,439
Speaker 3: were kids kids. My first ever stunt on anyone was

1553
01:08:55,520 --> 01:08:59,000
Speaker 3: John Forte called my house phone like that he was

1554
01:08:59,040 --> 01:09:01,240
Speaker 3: like the first famous person and that like was even

1555
01:09:01,320 --> 01:09:05,240
Speaker 3: in my proximity of life with John Forte. So it's

1556
01:09:05,360 --> 01:09:08,880
Speaker 3: really really sad news. And ironically was on the phone

1557
01:09:08,960 --> 01:09:12,920
Speaker 3: with Kyrie when I fucking saw it. And yeah, definitely

1558
01:09:12,960 --> 01:09:15,560
Speaker 3: devastating news for his family. But John Forte legend is

1559
01:09:15,640 --> 01:09:18,920
Speaker 3: on right, you know, so condolences.

1560
01:09:18,720 --> 01:09:21,639
Speaker 1: Also rest in peace actor TK Carter, New York legend.

1561
01:09:22,240 --> 01:09:24,120
Speaker 1: We lost him this week as well. One of the

1562
01:09:24,160 --> 01:09:27,479
Speaker 1: simpres condolences to his family and some of my favorite

1563
01:09:27,520 --> 01:09:30,040
Speaker 1: movies growing up. Uh So it was to read that

1564
01:09:30,320 --> 01:09:32,479
Speaker 1: TK Carter that passed away. It was it hit a

1565
01:09:32,880 --> 01:09:35,000
Speaker 1: part of my childhood. Is definitely some of my favorite

1566
01:09:35,040 --> 01:09:37,240
Speaker 1: movies growing up, some of my favorite shows. So rest

1567
01:09:37,280 --> 01:09:38,800
Speaker 1: in peace to TK Carter, the legend.

1568
01:09:38,960 --> 01:09:41,479
Speaker 2: Absolutely, Josh, we have voicemails.

1569
01:09:41,760 --> 01:09:42,599
Speaker 1: You have got mail.

1570
01:09:44,320 --> 01:09:46,000
Speaker 2: These are sponsored by Boost.

1571
01:09:47,960 --> 01:09:50,880
Speaker 5: It's good Rory and Maure. This is James from Staten

1572
01:09:50,920 --> 01:09:54,720
Speaker 5: Allen Jojo Pelgreen and I got a music question for you.

1573
01:09:55,960 --> 01:09:58,479
Speaker 5: So I'm currently at debating with my brother about whom

1574
01:09:58,479 --> 01:10:04,240
Speaker 5: winning the verses and Neil. Now for Neo, he can

1575
01:10:04,320 --> 01:10:07,479
Speaker 5: only play just his songs. He can't playing the ship

1576
01:10:07,560 --> 01:10:10,960
Speaker 5: that he wrote. I'm on to side that Trey would win.

1577
01:10:11,920 --> 01:10:16,120
Speaker 5: I think Trey's catalog is super underrated. You want to

1578
01:10:16,120 --> 01:10:19,160
Speaker 5: get your all opinion on it, please.

1579
01:10:20,680 --> 01:10:23,160
Speaker 2: So versus Neo against trade songs.

1580
01:10:23,800 --> 01:10:24,479
Speaker 1: I'm taking Neo.

1581
01:10:24,520 --> 01:10:26,920
Speaker 2: I'm taking Neo as well. Yeah, I hear him on that.

1582
01:10:27,439 --> 01:10:29,720
Speaker 3: There's a lot of like mixtape Tray that I think

1583
01:10:29,800 --> 01:10:34,439
Speaker 3: people overlook, but I don't think it's close. Yeah, in

1584
01:10:34,560 --> 01:10:37,519
Speaker 3: my own words to Year of a Gentleman, Like what

1585
01:10:37,600 --> 01:10:40,800
Speaker 3: are you doing with both those albums? Yeah, there's like

1586
01:10:40,880 --> 01:10:42,400
Speaker 3: seven hits on on each of those.

1587
01:10:42,439 --> 01:10:43,880
Speaker 1: I get what he's saying though, but yeah, for me,

1588
01:10:44,120 --> 01:10:46,800
Speaker 1: a Neo trade songs versus definitely Neo.

1589
01:10:47,120 --> 01:10:50,920
Speaker 3: Yeah, I mean, I don't know Trey A has joints.

1590
01:10:51,960 --> 01:10:55,559
Speaker 3: Ready is probably what Tray's biggest album was most records.

1591
01:10:56,560 --> 01:10:58,360
Speaker 3: Ready alone is tough, tough to deal with, but you're

1592
01:10:58,760 --> 01:10:59,920
Speaker 3: you're also dealing with Neo.

1593
01:11:00,240 --> 01:11:03,080
Speaker 1: Yeah, and then he said, like only his songs, not

1594
01:11:03,160 --> 01:11:06,920
Speaker 1: the ones he wrote. Okay, still Neo still got a

1595
01:11:06,960 --> 01:11:07,479
Speaker 1: bad like you.

1596
01:11:07,479 --> 01:11:09,439
Speaker 3: Know, hooks with both of them would be great, but

1597
01:11:09,560 --> 01:11:11,760
Speaker 3: Nels still too on the hooks side. Yeah, it's tough

1598
01:11:11,840 --> 01:11:12,719
Speaker 3: to beat.

1599
01:11:14,120 --> 01:11:14,320
Speaker 1: I can.

1600
01:11:14,640 --> 01:11:18,360
Speaker 3: Let's pull up Neo's Apple essentrals, you pull UPU Trey songs.

1601
01:11:19,439 --> 01:11:21,280
Speaker 3: The apple centrals are always kind of like a bad

1602
01:11:21,840 --> 01:11:25,320
Speaker 3: way to look at shit. But it's it's closer than

1603
01:11:25,360 --> 01:11:28,240
Speaker 3: I think. I mean, out the gate Neo is is

1604
01:11:29,280 --> 01:11:31,519
Speaker 3: my first thought, and I still think Neo wins.

1605
01:11:31,840 --> 01:11:34,160
Speaker 1: But yeah, it's just.

1606
01:11:35,840 --> 01:11:38,040
Speaker 2: It's tough, No, GiB Let's what I said.

1607
01:11:38,040 --> 01:11:40,400
Speaker 1: I understood. You'm saying trade trade. It definitely has a

1608
01:11:40,920 --> 01:11:44,880
Speaker 1: catalog that you probably would overlook when you think versus Neo.

1609
01:11:45,160 --> 01:11:47,960
Speaker 1: You know what I mean. But again, I think that

1610
01:11:49,040 --> 01:11:54,040
Speaker 1: more people would react to Neo songs and the Neo set.

1611
01:11:54,479 --> 01:11:58,120
Speaker 3: Can't be friends. Tray songs fucking incredible record. I think

1612
01:11:58,160 --> 01:12:02,160
Speaker 3: with Trey though, it's like he he owned them, like

1613
01:12:02,280 --> 01:12:05,479
Speaker 3: a moment where Neo's music is. I don't want to

1614
01:12:05,520 --> 01:12:07,680
Speaker 3: say Trades' music isn't timeless in its own right, but

1615
01:12:07,840 --> 01:12:14,040
Speaker 3: Neo's music it is timeless, like Trey owned that oh

1616
01:12:14,640 --> 01:12:20,920
Speaker 3: nine to twelve era, Like dude, I know it's inside

1617
01:12:20,920 --> 01:12:21,240
Speaker 3: part too.

1618
01:12:21,240 --> 01:12:25,360
Speaker 2: It's crazy. No, it's a tough battle. I actually kind

1619
01:12:25,400 --> 01:12:26,800
Speaker 2: of like don't fully know the more.

1620
01:12:26,840 --> 01:12:31,240
Speaker 1: I'm looking see, but that's not I need to look

1621
01:12:31,240 --> 01:12:34,920
Speaker 1: at Neo's catalog the same way with looking at chickens.

1622
01:12:35,120 --> 01:12:37,160
Speaker 1: I'm not gonna lie scrolling all them trade songs records.

1623
01:12:37,200 --> 01:12:39,439
Speaker 1: I'm like, damn, like, okay, h.

1624
01:12:39,600 --> 01:12:41,640
Speaker 2: So sick misindependent? What if because of you?

1625
01:12:41,840 --> 01:12:48,680
Speaker 3: Sexy love closer, let me love you, mad beautiful monster? Uh,

1626
01:12:49,000 --> 01:12:50,880
Speaker 3: Time of our Lives? Hate that I Love you with

1627
01:12:50,960 --> 01:12:54,080
Speaker 3: Rihanna go on girl single do you?

1628
01:12:54,360 --> 01:12:54,559
Speaker 1: Oh?

1629
01:12:54,760 --> 01:12:56,920
Speaker 2: Man, I just think part of the list. I just

1630
01:12:56,960 --> 01:12:58,160
Speaker 2: think it's she got her own.

1631
01:12:58,960 --> 01:13:02,240
Speaker 1: Yeah, It's just levels, man, It's just it's just the

1632
01:13:02,360 --> 01:13:04,720
Speaker 1: level of the song. Trey Song's list though. Is he

1633
01:13:04,800 --> 01:13:07,439
Speaker 1: got some joints that I'm reading right here? Is that

1634
01:13:07,520 --> 01:13:09,360
Speaker 1: I haven't listened to it so long. I'm like that

1635
01:13:09,560 --> 01:13:12,840
Speaker 1: was that shit? But like running off those Neo songs,

1636
01:13:12,880 --> 01:13:14,640
Speaker 1: I'm just like, Okay, I get it now. It's just

1637
01:13:15,120 --> 01:13:18,120
Speaker 1: it's just a different level of songwriting in music.

1638
01:13:18,439 --> 01:13:22,320
Speaker 3: I mean, I could I could be factoring in the

1639
01:13:22,400 --> 01:13:24,680
Speaker 3: nostalgia of where I was and what was happening in

1640
01:13:24,800 --> 01:13:27,920
Speaker 3: my life with Neo years the Gentleman personally, but dude,

1641
01:13:28,080 --> 01:13:31,479
Speaker 3: is year of the Gentleman? Can we comfortably say it

1642
01:13:31,560 --> 01:13:34,200
Speaker 3: came out in Oait. It's now twenty twenty six. Can

1643
01:13:34,240 --> 01:13:35,400
Speaker 3: we say that's a classic album?

1644
01:13:36,120 --> 01:13:41,240
Speaker 1: Definitely, look at Josh Josh Josh said one thousand percent

1645
01:13:41,439 --> 01:13:42,480
Speaker 1: one thousand.

1646
01:13:42,400 --> 01:13:45,120
Speaker 3: Because it Yeah, of course it was big when it

1647
01:13:45,200 --> 01:13:48,439
Speaker 3: came out, and Misindependent was like the biggest fucking record.

1648
01:13:48,479 --> 01:13:50,400
Speaker 3: But I still, even when it came out, didn't feel

1649
01:13:50,400 --> 01:13:53,160
Speaker 3: like people were giving it the credit. I'll just read

1650
01:13:53,240 --> 01:13:54,600
Speaker 3: off the track list and tell me if there's a

1651
01:13:54,600 --> 01:13:58,080
Speaker 3: skip here closer Nobody's single mad Misindependent? Why does she

1652
01:13:58,160 --> 01:14:00,960
Speaker 3: stay fade into the background. Still shed tears over that one,

1653
01:14:01,360 --> 01:14:04,559
Speaker 3: so you can cry. Great transition from that song. They

1654
01:14:04,880 --> 01:14:07,720
Speaker 3: sequence this perfectly part of the list back to what

1655
01:14:07,800 --> 01:14:11,639
Speaker 3: you know, lie to me, Stop this world. This could

1656
01:14:11,680 --> 01:14:13,280
Speaker 3: be the lot of your favorite R and B albums.

1657
01:14:13,320 --> 01:14:17,320
Speaker 1: Though, Yeah, that faded into the background where shit, that

1658
01:14:17,520 --> 01:14:20,960
Speaker 1: was my ship right right into so you can cry. Yeah, yeah,

1659
01:14:21,280 --> 01:14:24,240
Speaker 1: it's just it'll be dope, though. It'll be a good listen,

1660
01:14:24,479 --> 01:14:27,000
Speaker 1: like to just see, you know, put those two you

1661
01:14:27,080 --> 01:14:28,880
Speaker 1: know catalogs against each other.

1662
01:14:28,960 --> 01:14:31,840
Speaker 3: But like for a Patreon segment, maybe I'll think on it.

1663
01:14:32,200 --> 01:14:33,600
Speaker 3: I want to put a year of the Gentleman up

1664
01:14:33,640 --> 01:14:36,360
Speaker 3: against a lot of RB albums that are deemed classic,

1665
01:14:36,439 --> 01:14:40,559
Speaker 3: and I think I could prove that it's better. If

1666
01:14:40,560 --> 01:14:43,040
Speaker 3: you're looking in twenty first century, this should be way

1667
01:14:43,200 --> 01:14:44,160
Speaker 3: higher than it's got.

1668
01:14:44,280 --> 01:14:46,479
Speaker 1: I got an idea. Peace follow me. We got some

1669
01:14:46,600 --> 01:14:50,320
Speaker 1: guests coming for Patreon today joining us. I think this

1670
01:14:50,520 --> 01:14:53,200
Speaker 1: may be a good Are they well versed enough? And

1671
01:14:53,760 --> 01:14:58,880
Speaker 1: I would I would say so, okay, you will be surprised.

1672
01:14:59,280 --> 01:15:00,880
Speaker 1: I'm just saying you be surprised.

1673
01:15:01,280 --> 01:15:04,880
Speaker 2: Okay. I also want to put this out here.

1674
01:15:05,880 --> 01:15:09,960
Speaker 3: Trey Song's Ready Panty Dropper intro, Neighbors Know my Name,

1675
01:15:10,280 --> 01:15:11,120
Speaker 3: I invented sex.

1676
01:15:11,240 --> 01:15:12,920
Speaker 2: I need a girl one love? Does he do it?

1677
01:15:13,080 --> 01:15:13,240
Speaker 5: Say?

1678
01:15:14,040 --> 01:15:19,080
Speaker 1: Lol? Smiley face, underrated dog. That one kind of lost me.

1679
01:15:19,280 --> 01:15:20,000
Speaker 1: That lost me with that.

1680
01:15:20,080 --> 01:15:22,280
Speaker 2: That's hish Kanye workout playing.

1681
01:15:22,360 --> 01:15:24,720
Speaker 1: Yeah, I was like it in the mix, all of that.

1682
01:15:24,880 --> 01:15:26,519
Speaker 1: All the other ship was so dope. It was like

1683
01:15:26,600 --> 01:15:28,000
Speaker 1: that one was a little it was.

1684
01:15:28,040 --> 01:15:32,000
Speaker 3: Like ready to make love crazy Jupiter, Love be where

1685
01:15:32,040 --> 01:15:34,560
Speaker 3: you are successful with Drake, I forgot he snuck that

1686
01:15:34,640 --> 01:15:38,200
Speaker 3: on there. Black Roses Love Lost. This one just has

1687
01:15:38,280 --> 01:15:41,559
Speaker 3: more fat on it than You're the gentleman. But yo

1688
01:15:41,680 --> 01:15:42,360
Speaker 3: side of the bed.

1689
01:15:44,640 --> 01:15:47,479
Speaker 1: Fading into the background, though, that was my shit, I

1690
01:15:47,640 --> 01:15:50,360
Speaker 1: burnt that motherfucker song down when that album DRUP.

1691
01:15:51,000 --> 01:15:53,200
Speaker 2: And then what's the other Passion, Pain and Pleasure.

1692
01:15:53,240 --> 01:15:57,559
Speaker 3: That's the other Tray album that's Crazy Love Faces, Bottoms

1693
01:15:57,560 --> 01:15:58,599
Speaker 3: of Pain, Can't.

1694
01:15:58,360 --> 01:16:03,000
Speaker 2: Be Friends Please Up. I never liked Bottoms Up as

1695
01:16:03,439 --> 01:16:05,200
Speaker 2: like just an outside record.

1696
01:16:05,960 --> 01:16:06,840
Speaker 1: I just never liked it.

1697
01:16:07,560 --> 01:16:09,920
Speaker 2: That was when that's when Nikki, when Nikki was on

1698
01:16:10,080 --> 01:16:11,400
Speaker 2: her her feature run.

1699
01:16:11,640 --> 01:16:12,599
Speaker 1: Yeah, getting what I'm saying.

1700
01:16:12,720 --> 01:16:14,920
Speaker 2: Nikki couldn't miss a feature at that time. I know

1701
01:16:15,040 --> 01:16:15,559
Speaker 2: what it did.

1702
01:16:15,880 --> 01:16:17,719
Speaker 1: I know what it did outside and then the Cloud.

1703
01:16:18,120 --> 01:16:21,400
Speaker 1: I'm very aware me personally, I just never really was

1704
01:16:21,520 --> 01:16:22,280
Speaker 1: liked it to that record.

1705
01:16:22,479 --> 01:16:25,200
Speaker 3: Was it all in one year that we got Nicki's

1706
01:16:26,600 --> 01:16:31,320
Speaker 3: verse on Bottoms Up? Dirty Money, Hello, Good Morning Monster?

1707
01:16:32,400 --> 01:16:34,640
Speaker 3: And then what was the Usher record? Didn't you have

1708
01:16:34,680 --> 01:16:35,400
Speaker 3: an Usher feature?

1709
01:16:35,680 --> 01:16:36,080
Speaker 2: She her?

1710
01:16:36,600 --> 01:16:38,439
Speaker 3: Like we talked about that Wayne feature onning O seven.

1711
01:16:38,840 --> 01:16:42,960
Speaker 3: Nicki in twenty ten was fucking nuts, like she overtook

1712
01:16:43,040 --> 01:16:45,519
Speaker 3: every song. It was no longer their song any was

1713
01:16:45,600 --> 01:16:47,960
Speaker 3: that coming off of Monsters Monster was twenty ten?

1714
01:16:48,160 --> 01:16:50,639
Speaker 1: Yes, that was like the intro I said it off.

1715
01:16:50,760 --> 01:16:53,560
Speaker 1: Every everybody wanted to like recreate that moment, like I

1716
01:16:53,640 --> 01:16:54,720
Speaker 1: need I need that Nikki, but.

1717
01:16:54,840 --> 01:16:57,280
Speaker 3: She went nuts on bottoms Up. Yeah, and Hello, good morning.

1718
01:16:57,360 --> 01:17:02,320
Speaker 3: She went crazy because they was ten or twenty eleven. Yeah,

1719
01:17:02,360 --> 01:17:04,760
Speaker 3: you know her feature running twenty ten was Yeah, it

1720
01:17:04,920 --> 01:17:08,400
Speaker 3: was nuts. It'll be interesting. That's a good, good question.

1721
01:17:08,439 --> 01:17:08,920
Speaker 1: What was his name?

1722
01:17:08,960 --> 01:17:10,920
Speaker 2: I'm sorry, James, James.

1723
01:17:10,960 --> 01:17:12,360
Speaker 3: That was a really good question, and you made me

1724
01:17:12,400 --> 01:17:13,960
Speaker 3: think because out the gate I did want to say

1725
01:17:14,640 --> 01:17:18,679
Speaker 3: Neo confidently, but yeah, that's one of those.

1726
01:17:18,840 --> 01:17:22,600
Speaker 2: It depends how how you sequence it, how you perform it,

1727
01:17:22,720 --> 01:17:23,479
Speaker 2: like that's gonna how.

1728
01:17:23,479 --> 01:17:25,640
Speaker 1: You play your hand, how you play your hand, definitely.

1729
01:17:25,439 --> 01:17:27,280
Speaker 2: But that did remind me that Year of the Gentleman

1730
01:17:27,360 --> 01:17:29,599
Speaker 2: deserves more flowers.

1731
01:17:29,920 --> 01:17:30,480
Speaker 1: Absolutely.

1732
01:17:30,640 --> 01:17:32,800
Speaker 2: People don't even put that as Neo's best album.

1733
01:17:34,600 --> 01:17:35,600
Speaker 1: I don't think some people do.

1734
01:17:36,160 --> 01:17:38,320
Speaker 2: Yeah, his first album is what people usually say.

1735
01:17:38,520 --> 01:17:41,800
Speaker 1: Neo shout out to Neil too. He's on Broadway with

1736
01:17:41,920 --> 01:17:44,880
Speaker 1: Alicia Keys. I think I think it's Alicia Keys right.

1737
01:17:44,800 --> 01:17:47,920
Speaker 2: Well, she has the Hell's Kitchen one, but I don't

1738
01:17:47,960 --> 01:17:48,760
Speaker 2: think he's yet.

1739
01:17:48,840 --> 01:17:49,360
Speaker 1: Neil's in that.

1740
01:17:50,160 --> 01:17:51,920
Speaker 2: Oh what the fuck? I should have saw it when

1741
01:17:51,960 --> 01:17:54,160
Speaker 2: Neo was on the cast. Which role is he playing?

1742
01:17:55,160 --> 01:17:57,200
Speaker 1: I'm not sure, but I do I am gonna check

1743
01:17:57,240 --> 01:17:59,519
Speaker 1: it out though. Oh, I mean I've seen it already,

1744
01:17:59,760 --> 01:18:04,160
Speaker 1: but I definitely go again if if Neil's in the cast.

1745
01:18:04,680 --> 01:18:07,080
Speaker 3: No, it's it's a great Hell's kitchen, the place it's

1746
01:18:07,080 --> 01:18:10,519
Speaker 3: really good about the building that Timothy Challa May.

1747
01:18:10,520 --> 01:18:13,519
Speaker 2: Alicia Keys and a bunch of other people are are from.

1748
01:18:13,720 --> 01:18:15,000
Speaker 1: Is Timothy in it? Is he gonna make it? You

1749
01:18:15,040 --> 01:18:16,040
Speaker 1: think it makes you apparents in it?

1750
01:18:17,000 --> 01:18:19,800
Speaker 3: I know he went to the private screening that they

1751
01:18:19,960 --> 01:18:21,839
Speaker 3: gave to Manhattan Plaza residents.

1752
01:18:22,560 --> 01:18:23,439
Speaker 2: Ki ed went to that one.

1753
01:18:23,560 --> 01:18:27,439
Speaker 3: Is what Alicia formally invited all the people she used

1754
01:18:27,439 --> 01:18:31,200
Speaker 3: to like babysit from the building to go see it. So,

1755
01:18:31,400 --> 01:18:33,320
Speaker 3: I mean, I think he's busy, but I know he's

1756
01:18:33,320 --> 01:18:39,360
Speaker 3: supported it already. But it's you know, they took some

1757
01:18:39,439 --> 01:18:42,160
Speaker 3: creative liberties in it, though they try to make that

1758
01:18:42,160 --> 01:18:43,240
Speaker 3: building seem like the projects.

1759
01:18:43,240 --> 01:18:44,280
Speaker 2: I'm like, this is beautiful.

1760
01:18:47,439 --> 01:18:49,120
Speaker 3: I was like, all right, I get it. You gotta

1761
01:18:49,160 --> 01:18:51,519
Speaker 3: make you have to make the story a little bit better. No,

1762
01:18:51,640 --> 01:18:52,800
Speaker 3: it's this ain't Section eight.

1763
01:18:54,840 --> 01:18:58,720
Speaker 2: Do you have another voice? Mam, Hey y'all, it's Kay

1764
01:18:58,800 --> 01:19:00,320
Speaker 2: from Atlanta, who loves y'all.

1765
01:19:00,479 --> 01:19:01,000
Speaker 1: Just not like that.

1766
01:19:01,680 --> 01:19:05,080
Speaker 2: Just calling in to marris A speedy recovery.

1767
01:19:05,520 --> 01:19:08,080
Speaker 4: I miss hearing you on the pod making fun of

1768
01:19:08,120 --> 01:19:10,840
Speaker 4: Rory and eating them all up whenever you get a chance.

1769
01:19:11,280 --> 01:19:14,920
Speaker 4: So pushing you all the best prayers, hugs and head

1770
01:19:15,320 --> 01:19:17,880
Speaker 4: your heart desires when you're back on your feet.

1771
01:19:17,920 --> 01:19:18,120
Speaker 5: Girl.

1772
01:19:19,280 --> 01:19:21,559
Speaker 4: Miss you, and yeah, I love y'all.

1773
01:19:21,760 --> 01:19:24,840
Speaker 1: Just not like that. Well, we love you too, just

1774
01:19:25,000 --> 01:19:25,439
Speaker 1: not like that.

1775
01:19:26,840 --> 01:19:30,080
Speaker 3: I don't even think we needed that last part. Thank you,

1776
01:19:30,640 --> 01:19:32,280
Speaker 3: you were confessing your love both of us.

1777
01:19:32,360 --> 01:19:35,240
Speaker 1: Yes, we appreciate that. Yes, get well, baby d We'll

1778
01:19:35,240 --> 01:19:35,720
Speaker 1: see you soon.

1779
01:19:35,880 --> 01:19:39,000
Speaker 3: Yeah, as of now, don't don't quote me. She should

1780
01:19:39,040 --> 01:19:40,960
Speaker 3: be back for our Tuesday episode.

1781
01:19:41,479 --> 01:19:42,000
Speaker 2: This should be the.

1782
01:19:42,000 --> 01:19:43,640
Speaker 1: Last if she's not talking too much to the J

1783
01:19:43,760 --> 01:19:44,519
Speaker 1: Cole record, So.

1784
01:19:45,000 --> 01:19:47,600
Speaker 2: Talking to that record after you had emergency, baby.

1785
01:19:47,520 --> 01:19:49,519
Speaker 1: Baby, she gonna pop the stitches. She gonna find a

1786
01:19:49,520 --> 01:19:51,280
Speaker 1: way to talk to something. You know, they talked or

1787
01:19:51,320 --> 01:19:52,880
Speaker 1: whatever they want to talk. Do it only matter if

1788
01:19:52,880 --> 01:19:55,360
Speaker 1: that's the baseline or not. They're gonna work. You know

1789
01:19:55,479 --> 01:20:00,760
Speaker 1: that's slow TWORKO. Yeah, absolutely in reverse too, in reverse. Well,

1790
01:20:01,080 --> 01:20:03,120
Speaker 1: it's been fun, great week and another week in the can.

1791
01:20:03,400 --> 01:20:05,479
Speaker 1: Twenty twenty six off to a great start. Yes, sir,

1792
01:20:05,840 --> 01:20:09,559
Speaker 1: we'll talk to y'all soon be safe, be blessed. I'm

1793
01:20:09,600 --> 01:20:13,439
Speaker 1: that nigga. He's just ginging peace. No Willian