WEBVTT - NPR Hosts

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<v Speaker 1>What's up every guys.

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<v Speaker 2>Before we start this episode, we have a really exciting

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<v Speaker 2>thing coming up on our Patreon. I recently lost a

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<v Speaker 2>bet and had to write a musical in an entire day,

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<v Speaker 2>and that musical happened to have to be about Lemon

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<v Speaker 2>to Lemon, the guy who introduced Vanilla to Hollywood, a

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<v Speaker 2>Jeremy character from the two hundred person panel. And now

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<v Speaker 2>we're gonna read it live.

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<v Speaker 3>We got Miles bon signor Paul F. Tompkins and way

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<v Speaker 3>too many other people helping us out do the live

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<v Speaker 3>reading on August twenty third, Sunday at three pm Pacific time.

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<v Speaker 4>It is a live stream event, so get your tickets

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<v Speaker 4>on the Patreon ten dollars tier.

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<v Speaker 5>Head to the Patreon. It's gonna be so much fun.

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<v Speaker 5>We hope to see you guys there.

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<v Speaker 4>We don't know what it's gonna be.

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<v Speaker 5>We're so excited.

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<v Speaker 3>Bye.

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<v Speaker 6>Enjoy the episode.

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<v Speaker 5>Welcome back to Artists on Artists on Artists on Artists.

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<v Speaker 5>This week it's NPR hosts.

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<v Speaker 1>INPR or National Public Radio.

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<v Speaker 2>Is this the pre eminent sound that blast the airwaves

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<v Speaker 2>usually in an FM station.

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<v Speaker 1>Between eighty nine and ninety.

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<v Speaker 2>NPR has all sorts of offerings from interviews to tiny

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<v Speaker 2>desk concerts to current and breaking news. It's the place

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<v Speaker 2>to go for nice conversation and liberal points of view.

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<v Speaker 4>Today, we gathered around some of our favorite NPR hosts, producers,

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<v Speaker 4>and journalists to talk process and what it's like to

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<v Speaker 4>work at NPR.

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<v Speaker 3>So sit back, enjoy the news in the most wonderful

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<v Speaker 3>relaxing way and listening.

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<v Speaker 4>You know.

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<v Speaker 5>I actually got one of the free tote bags they

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<v Speaker 5>had available in the conference room, and I have to

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<v Speaker 5>confess the toad is a little bigger than my average

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<v Speaker 5>tote bag, so I find myself carrying a whole secondary

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<v Speaker 5>clause it with me to work. Occasionally. I think it's

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<v Speaker 5>they're quite dandy. Did you get one?

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<v Speaker 6>I certainly did get.

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<v Speaker 4>Have you brought it to the farmer's market?

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<v Speaker 5>You know, I have brought it to the farmers market

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<v Speaker 5>and you get.

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<v Speaker 4>One more avocado than normal?

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<v Speaker 5>You know, it definitely made me a little bit freer

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<v Speaker 5>with the spending, probably, to be honest.

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<v Speaker 6>More some room for the more the more robust charred.

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<v Speaker 6>It's probably not even poking out of the top.

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<v Speaker 4>Maybe you could even have a crazy one and get

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<v Speaker 4>the mango chutney.

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<v Speaker 5>Oh there could have been room for that. I I

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<v Speaker 5>must confess there's a little bit of charred stuck at

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<v Speaker 5>the bottom of the bag still. So I went this

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<v Speaker 5>Sunday to atwater.

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<v Speaker 6>It's going to wilts. That's going to wils.

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<v Speaker 3>You've got to take that chart out and get into

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<v Speaker 3>the fridge, or maybe clean it up with some water,

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<v Speaker 3>I would.

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<v Speaker 4>Say, baking soda.

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<v Speaker 3>I just read a really interesting article that's a chart

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<v Speaker 3>is actually more acidic than we think it is. Say, really, yeah,

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<v Speaker 3>we understand most vegetables are base, but charred is one

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<v Speaker 3>of the acidic ones.

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<v Speaker 5>Well, I'll definitely be thinking twice the next time I

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<v Speaker 5>put it in my minestroni.

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<v Speaker 6>Interesting thing.

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<v Speaker 4>I love a minnestroni.

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<v Speaker 3>Nothing more better than you know. It reminds me of

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<v Speaker 3>when Grandma used to make ministroni when I was young.

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<v Speaker 3>She had a very specific recipe. She's a Russian Lithuanian

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<v Speaker 3>moved and migrated here my parents did, and so she

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<v Speaker 3>followed them. And you know, she still takes the country Lithuania.

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<v Speaker 3>Every time I saw her, I always was wondering, what

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<v Speaker 3>is this about her? And I recently took a trip

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<v Speaker 3>to Lithuanian and I realized so much of my life

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<v Speaker 3>was Lithuanian because my grandma.

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<v Speaker 6>Wow, your grandma's Lithuanian Minnestronian.

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<v Speaker 4>I think what's so funny about our culture is that

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<v Speaker 4>sometimes you'll be sipping on a bowl of minestrone, and

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<v Speaker 4>in a way, that's a bowl of your culture you're

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<v Speaker 4>sipping in history.

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<v Speaker 6>I have read this recent book about the Minestroni index.

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<v Speaker 4>I love the Minestronian decks.

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<v Speaker 6>It's fantastic look at cultures and diasporas and the way

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<v Speaker 6>that you can judge a culture based on its minestronian

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<v Speaker 6>and they found in many ways the ingredients that make

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<v Speaker 6>up the minestrone reflect reflect the culture itself, and the

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<v Speaker 6>more ingredients in a minnestrone, the more diverse a culture too.

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<v Speaker 5>Well, in a way, I think that that cooking is

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<v Speaker 5>sort of it's almost like I like to say, a

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<v Speaker 5>font if you if you'll allow this metaphor, because a

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<v Speaker 5>font is the same word but typed a slightly different way.

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<v Speaker 5>And I think with minnestroni, we all bring a little

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<v Speaker 5>piece of ourselves to the table. So you know, I

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<v Speaker 5>enjoyed that book very much.

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<v Speaker 4>With the minestroni it did make me think of a

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<v Speaker 4>recent purchase I just made from an independent bookstore in

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<v Speaker 4>the back of an alley in London, and it's the

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<v Speaker 4>soup Tarot Cards soup and the five of Us believe

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<v Speaker 4>it or not, is a cup of ministry.

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<v Speaker 3>Well, I just love it because I recently read a

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<v Speaker 3>small excerpt in a web magazine I follow called New

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<v Speaker 3>York New York It's beautiful kind of Indie, and it

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<v Speaker 3>was talking about the history of tarot cards and how

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<v Speaker 3>so much medieval culture is actually insinuated in the tarot card.

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<v Speaker 3>And as much as we try to move into a

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<v Speaker 3>more Roman Catholic understanding of the world, and now moving

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<v Speaker 3>past Roman Catholic into Agnosticism, we still have Druidic, Celtic,

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<v Speaker 3>Anglo Saxon type of ties.

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<v Speaker 6>That's very interesting to me because I actually just interviewed

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<v Speaker 6>LATINX graffiti artists who just released her own tarot cards.

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<v Speaker 6>Her name is Maya Fica. She's amazing Los Angeles and

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<v Speaker 6>she's making this incredible set of tarot cards that reflects

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<v Speaker 6>her cult.

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<v Speaker 5>Sure, it's very interesting. I was actually speaking to a

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<v Speaker 5>I interviewed for a profile on the Streets of Las Vegas,

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<v Speaker 5>a non binary magician who is using tarot. As you know,

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<v Speaker 5>magicians kind of have always taken just the standard deck

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<v Speaker 5>of playing cards as the titular pick a card. But

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<v Speaker 5>this artist kind of challenges the notion of that and says,

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<v Speaker 5>what if we picked a tarot card, What if we

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<v Speaker 5>challenged the audience members to remember a card from a

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<v Speaker 5>different time difference?

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<v Speaker 3>Well, you said your.

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<v Speaker 6>Card, is this your future?

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<v Speaker 3>That's beautiful?

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<v Speaker 4>You said challenge And that made me think of yesterday.

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<v Speaker 4>I had a jasmine tea bag. Looked at the tea

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<v Speaker 4>bag and on on the tag of it it said

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<v Speaker 4>challenge yourself today. And I think it's funny you brought

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<v Speaker 4>up the sense and the idea of being challenged within

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<v Speaker 4>a deck of cards, because like we talk about culture,

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<v Speaker 4>and we talk about talking to our ancestors, and how

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<v Speaker 4>much of that is a challenge and how much of

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<v Speaker 4>that is a tea back?

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<v Speaker 5>Well, you mentioned ancestor. Well, I I was recently in

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<v Speaker 5>an ancestral ballpit. Have you been to an ancestral.

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<v Speaker 4>Ball Interesting they have the.

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<v Speaker 6>Hancock bark.

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<v Speaker 5>Yes, it's an ancestral ballpin, and it's sort of like

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<v Speaker 5>uh imagining it's it's done by a former employee of

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<v Speaker 5>the former designer of the McDonald's play Pet.

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<v Speaker 3>Place and Story.

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<v Speaker 6>Have you read that book about him?

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<v Speaker 4>It's an incredible really, I mean powerful incredible.

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<v Speaker 5>The opioid crisis has affected America in many ways and

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<v Speaker 5>in funky ways and in funky ways, and ballpit designers

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<v Speaker 5>are are not immune to that. And yeah, they found

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<v Speaker 5>themselves struck struck between the the jovial nature of the

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<v Speaker 5>ballpit and his ancestral ties to opioids.

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<v Speaker 3>And that is so interesting for me because I just

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<v Speaker 3>recently interviewed. Yesterday, I was interviewing Sukioheda, who is a

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<v Speaker 3>wonderful Japanese artist, a dear friend, and focused on joy

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<v Speaker 3>and Suki Waterhouse, we kind of had this wonderful debate

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<v Speaker 3>discussion about is joy appropriative or appreciative? If we're if

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<v Speaker 3>we celebrate joy in the Japanese classical sense of the word,

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<v Speaker 3>are we being appropriative with Japanese culture or are we

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<v Speaker 3>appreciating Japanese culture by ensuing and taking in joy?

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<v Speaker 4>Have you all ever had an authentic Japanese tea bag?

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<v Speaker 3>Yes, of course, yes.

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<v Speaker 4>It makes you think how many things are we repurposing

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<v Speaker 4>as Americans, even down to the water drop.

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<v Speaker 6>I mean incredible visual artist by the name of Chess Redcorn.

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<v Speaker 6>And he is, of course an indigit artist, and he's

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<v Speaker 6>a fantastic mas and he is making a lot of

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<v Speaker 6>incredible visual art, found object art, you know. And he's

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<v Speaker 6>repurposing those Native Americans that used to see outside of

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<v Speaker 6>cigar stores. He's building them out of fast food containers.

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<v Speaker 3>Interesting.

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<v Speaker 4>I just read a book on the origins. Do you

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<v Speaker 4>guys remember ten years ago when la was littered with

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<v Speaker 4>those angel statues?

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<v Speaker 3>Yes?

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<v Speaker 4>Yeah, I read a book on a woman who made

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<v Speaker 4>it her mission to visit each and while she made

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<v Speaker 4>it her mission, she's very friend of mine.

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<v Speaker 3>Yeah.

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<v Speaker 4>Really during that journey, Yes, her name is Bethany. Bethany,

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<v Speaker 4>during that journey she lost her mother. So the book

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<v Speaker 4>is this beautiful coffee table book and it's pictures of

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<v Speaker 4>each of the angels, and halfway through it's a beautiful

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<v Speaker 4>rest and reflection on loss. And then she goes right

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<v Speaker 4>back into the angel statues. And I find that someone

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<v Speaker 4>makes a piece of art and something happens to them

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<v Speaker 4>in their life in the middle of making a piece

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<v Speaker 4>of art. I find that rich.

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<v Speaker 5>Text the context of an art really change, Yes, it

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<v Speaker 5>changes the meaning of the art. And it's interesting. I

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<v Speaker 5>was talking to this painter who has been painting old

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<v Speaker 5>toilet paper squares and they have been recontextualizing this toilet

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<v Speaker 5>paper square.

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<v Speaker 4>To American American toilet paper.

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<v Speaker 5>Yes, but appellation got deep, deep appellation. I expected a

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<v Speaker 5>deep appalation artist who has these toilet paper squares and

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<v Speaker 5>they have been insulating their home with them. Now, because

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<v Speaker 5>it is not just the paintings that we paint for aesthetics, right,

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<v Speaker 5>is also the paintings we paint to re contextualize our home.

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<v Speaker 6>We talk about the home. You know, you guys, guys

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<v Speaker 6>read Roxanne's Roxanne Gay's new book about Home.

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<v Speaker 3>Yes, and of course I've read a few excerpts and

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<v Speaker 3>I haven't dived in fully.

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<v Speaker 4>It's a beautiful book.

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<v Speaker 6>I mean the concept of home, what is it? And

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<v Speaker 6>what are we? And where are we when we are home?

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<v Speaker 6>And how home can feel so alien to so many people.

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<v Speaker 3>I actually, you know that's so beautiful because the Mocha

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<v Speaker 3>is doing a beautiful exhibit on the African diaspora. Are

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<v Speaker 3>you curious? Oh, you curated that amazing.

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<v Speaker 5>But you that's interesting that you claimed that you curated it.

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<v Speaker 3>Because well, I talk about that. I read a Facebook

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<v Speaker 3>post the other day about how sometimes friendship can be

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<v Speaker 3>stronger than what you do in the new world. In

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<v Speaker 3>internet world, sometimes you can feel the brain feels that

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<v Speaker 3>you've done something even when you're seeing a friend do

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<v Speaker 3>it online. The same type of endorphins your brain will

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<v Speaker 3>release it.

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<v Speaker 5>Yes, there's a Siberian Siberian psychologist who talks about a

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<v Speaker 5>yogo o no yes, oh yeah, and they yeah, yoko no.

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<v Speaker 5>And they talk about the the the value and the

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<v Speaker 5>importance of weak ties. Right, the weak ties. The male

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<v Speaker 5>man that you say hi to, the grosser that you

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<v Speaker 5>say hi to, the the woman pushing her cart around

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<v Speaker 5>at the same time that you are pushing your baby.

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<v Speaker 5>It's these structures that sort of create the fabric of

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<v Speaker 5>human existence and create the fabric of connections.

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<v Speaker 6>You know, I just feel like I've been attacked right

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<v Speaker 6>where you guys were talking that I claimed credit.

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<v Speaker 4>You said that you had curated it. I just and

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<v Speaker 4>then it was your friend.

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<v Speaker 6>I just, please don't scream at me. I was, you know,

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<v Speaker 6>simply enacting something that people have been calling cyber osmosis.

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<v Speaker 6>And cyber osmosis is the act of absorbing something from

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<v Speaker 6>the internet into your own psyche, because what's happening is

0:12:57.240 --> 0:13:00.160
<v Speaker 6>we used to be output, output out, but now the

0:13:00.160 --> 0:13:02.000
<v Speaker 6>Internet has shifted to be input.

0:13:01.679 --> 0:13:03.400
<v Speaker 4>Input input, So oh, that's fascinating.

0:13:03.559 --> 0:13:07.880
<v Speaker 6>It happens. It's a natural, reoccurring, reoccurring phenomenon, and many

0:13:07.880 --> 0:13:10.600
<v Speaker 6>people are saying it's an evolutionary trait. So if I

0:13:10.640 --> 0:13:13.760
<v Speaker 6>were to steal something from the Internet, some scientists are saying,

0:13:13.920 --> 0:13:17.600
<v Speaker 6>that is your body evolving to the current state of

0:13:17.600 --> 0:13:18.120
<v Speaker 6>what's going on.

0:13:18.160 --> 0:13:20.720
<v Speaker 4>Well, I've heard of you seen these gen zs that

0:13:20.760 --> 0:13:23.760
<v Speaker 4>are doing a whole deep dive on what used to

0:13:23.800 --> 0:13:27.040
<v Speaker 4>be the ice Bucket Challenge and the way that their site,

0:13:27.040 --> 0:13:30.680
<v Speaker 4>what was the word cyber moosis cyber asthmosis in it,

0:13:31.200 --> 0:13:33.360
<v Speaker 4>And I think that's fascinating because it reminds me. I

0:13:33.400 --> 0:13:35.960
<v Speaker 4>drop off my daughter every Saturday morning at an African

0:13:36.040 --> 0:13:41.880
<v Speaker 4>drum circle congratulations, and it's that has been so interesting

0:13:41.920 --> 0:13:48.520
<v Speaker 4>to see my daughter experience creativity, not cyberly, yeah, and

0:13:48.559 --> 0:13:50.920
<v Speaker 4>not through an algorithm for her to go see a

0:13:51.000 --> 0:13:54.800
<v Speaker 4>drum circle. And the way she said, Mama, mama, we

0:13:54.920 --> 0:13:57.200
<v Speaker 4>passed the sound around and I went, how far off

0:13:57.280 --> 0:13:59.680
<v Speaker 4>is that from passing with the algorithms sound that's so

0:14:00.080 --> 0:14:02.199
<v Speaker 4>and passed around you.

0:14:02.720 --> 0:14:06.199
<v Speaker 5>I'm I'm sure you may be aware of this. This

0:14:06.200 --> 0:14:09.920
<v Speaker 5>this physical theater piece that is taking place outside of

0:14:10.760 --> 0:14:16.040
<v Speaker 5>Squirrel Cafe and Virtual Village, and they take they're trying

0:14:16.080 --> 0:14:19.120
<v Speaker 5>to bring people from the digital space into the physical

0:14:19.160 --> 0:14:22.320
<v Speaker 5>space who may not otherwise have access to the physical space,

0:14:22.600 --> 0:14:25.840
<v Speaker 5>and so they are doing meme theater. So they are

0:14:25.920 --> 0:14:31.040
<v Speaker 5>re enacting sort of Damn Daniel, bad news Greg or

0:14:31.080 --> 0:14:34.280
<v Speaker 5>bad luck Brian per Se. I should say bad luck Brian.

0:14:34.680 --> 0:14:37.520
<v Speaker 5>Bad news Greg is what I call my husband sometimes

0:14:38.240 --> 0:14:40.000
<v Speaker 5>when he has terrible news. He has a lot of

0:14:40.040 --> 0:14:43.360
<v Speaker 5>bad news. He's he's an environmental scientist and that.

0:14:43.360 --> 0:14:46.080
<v Speaker 4>Must just be every day bad newsist Greg.

0:14:46.120 --> 0:14:48.640
<v Speaker 5>Yeah, and he's a he's an environmental scientist and a

0:14:48.720 --> 0:14:52.240
<v Speaker 5>huge pessimist. So sometimes it's hard to filter out what

0:14:52.440 --> 0:14:55.600
<v Speaker 5>is coming from science and what is sort of his

0:14:55.720 --> 0:14:57.000
<v Speaker 5>negative outlook.

0:14:56.600 --> 0:15:01.000
<v Speaker 6>On life pessimist. You don't know why I got.

0:15:00.800 --> 0:15:03.320
<v Speaker 5>They got didn't know, No, you don't know which started

0:15:03.680 --> 0:15:07.160
<v Speaker 5>pessimist or did they get into you know, it's sometimes

0:15:07.200 --> 0:15:12.120
<v Speaker 5>I I feel that the siren call of the environmental

0:15:12.160 --> 0:15:25.000
<v Speaker 5>science was was allure to his pessimism.

0:15:25.120 --> 0:15:26.640
<v Speaker 4>I mean, this is so funny. It's like it reminds

0:15:26.680 --> 0:15:30.000
<v Speaker 4>me of my husband, who is a big, big he

0:15:30.080 --> 0:15:35.440
<v Speaker 4>loves commitment, loves pattern yet he's a substitute teacher. He

0:15:35.480 --> 0:15:38.840
<v Speaker 4>doesn't have a place to go to bed worless and

0:15:38.880 --> 0:15:42.200
<v Speaker 4>you go, how did that happen? The the natural contradictions

0:15:42.200 --> 0:15:45.000
<v Speaker 4>that come with our human being and our soul and

0:15:45.040 --> 0:15:45.960
<v Speaker 4>the job we attach.

0:15:46.360 --> 0:15:48.960
<v Speaker 6>Yes, it's very similar. You know. I went into a

0:15:49.240 --> 0:15:52.360
<v Speaker 6>plant based butcher shop the other day and they were

0:15:52.440 --> 0:15:55.160
<v Speaker 6>drinking out of styrofoam cups, and it was an interesting

0:15:55.280 --> 0:15:58.640
<v Speaker 6>dichotomy because it was we are preserving the environmental because

0:15:58.640 --> 0:16:01.040
<v Speaker 6>of me. You know, we're not meat. I'm cutting you.

0:16:01.160 --> 0:16:04.600
<v Speaker 5>This is that is that, this is this is faux

0:16:04.640 --> 0:16:10.480
<v Speaker 5>hogis and fair fact. I love their sixty day age

0:16:10.520 --> 0:16:12.760
<v Speaker 5>Tofu that they hang in the bash of the store

0:16:12.920 --> 0:16:15.520
<v Speaker 5>and if you get it cut off in the beginning

0:16:15.520 --> 0:16:17.200
<v Speaker 5>of the day, they'll give you a piece that is

0:16:17.320 --> 0:16:18.160
<v Speaker 5>just right.

0:16:18.000 --> 0:16:20.640
<v Speaker 3>Off the sham. Is delicious.

0:16:20.840 --> 0:16:23.720
<v Speaker 4>Oh. I went to the Fogies Fogies they had that

0:16:23.840 --> 0:16:27.040
<v Speaker 4>event for the Boys and Girls Club Fogeys and Bogies

0:16:27.640 --> 0:16:29.120
<v Speaker 4>and it was that golf day and I thought that

0:16:29.200 --> 0:16:30.800
<v Speaker 4>was incredible, and I thought we got to see a

0:16:30.800 --> 0:16:33.560
<v Speaker 4>lot of kids play golf and get something I don't see.

0:16:33.600 --> 0:16:37.800
<v Speaker 6>I remember seeing a kid make an eagle and then

0:16:37.840 --> 0:16:42.200
<v Speaker 6>bite into a gigantic tofu hogy and I thought, this

0:16:42.360 --> 0:16:43.520
<v Speaker 6>is the future I want to see.

0:16:43.600 --> 0:16:45.520
<v Speaker 4>Like that's that's that's impressive.

0:16:45.120 --> 0:16:49.400
<v Speaker 6>Your privileged youth golfing and eating play it based meat.

0:16:49.640 --> 0:16:50.320
<v Speaker 3>Absolutely.

0:16:50.640 --> 0:16:55.640
<v Speaker 4>Have you guys been to the the pottery class that

0:16:55.880 --> 0:16:59.720
<v Speaker 4>is remote and you have to find it class.

0:16:59.520 --> 0:17:01.400
<v Speaker 3>Bringing a whole new meaning to their word to remote.

0:17:01.720 --> 0:17:03.480
<v Speaker 6>It's called throw away right and.

0:17:05.400 --> 0:17:09.800
<v Speaker 4>Throwing when I've seen kids now start to do this,

0:17:09.920 --> 0:17:13.000
<v Speaker 4>and it's fun to see the youth experience art that

0:17:13.040 --> 0:17:13.800
<v Speaker 4>doesn't have a place.

0:17:13.920 --> 0:17:15.480
<v Speaker 6>It's very exciting to see that.

0:17:16.200 --> 0:17:20.600
<v Speaker 5>It's interesting how hide and Seek can can play a

0:17:20.720 --> 0:17:23.400
<v Speaker 5>role in the things that we do every day.

0:17:23.520 --> 0:17:25.240
<v Speaker 3>Hide and Seek, it's amazing.

0:17:25.320 --> 0:17:27.560
<v Speaker 4>Have you guys read that xpoze you I mean a

0:17:27.560 --> 0:17:29.119
<v Speaker 4>good friend of ours who works with us. Oh, of

0:17:29.160 --> 0:17:30.639
<v Speaker 4>course we all know them, Derek.

0:17:30.400 --> 0:17:36.520
<v Speaker 6>Blossom when he went undercover as a kitchen.

0:17:37.359 --> 0:17:42.040
<v Speaker 4>Kidd and seek game and that that that is an incredible.

0:17:41.200 --> 0:17:44.159
<v Speaker 5>And if you haven't read Derek Blossom's work, I encourage

0:17:44.200 --> 0:17:47.280
<v Speaker 5>you to check it out. It's really quite quite remarkable.

0:17:47.640 --> 0:17:51.119
<v Speaker 5>He found a way to be found in seven hundred

0:17:51.200 --> 0:17:55.440
<v Speaker 5>different children's Hide and Seek games, and he found sort

0:17:55.480 --> 0:17:59.760
<v Speaker 5>of as an anthropological study, the way that human scientists

0:17:59.800 --> 0:18:03.679
<v Speaker 5>will enmesh themselves in the social dynamics of apes. He

0:18:03.800 --> 0:18:06.840
<v Speaker 5>did the same thing with child's birthday parties all across

0:18:06.880 --> 0:18:07.200
<v Speaker 5>the country.

0:18:07.200 --> 0:18:09.920
<v Speaker 4>There's no talent like blossom and.

0:18:09.920 --> 0:18:11.760
<v Speaker 6>Hide and seekrets so many the children. I don't know,

0:18:11.760 --> 0:18:12.400
<v Speaker 6>if you guys.

0:18:12.200 --> 0:18:15.280
<v Speaker 4>Have read the Yeah I have Modern.

0:18:16.640 --> 0:18:20.800
<v Speaker 6>Then you know Modern philos for Shill God Yes book

0:18:20.840 --> 0:18:25.159
<v Speaker 6>about how directly attaching Hide and Seek to different types

0:18:25.200 --> 0:18:28.639
<v Speaker 6>of attachment. Right, So, so if you were the seeker

0:18:29.119 --> 0:18:32.720
<v Speaker 6>obviously anxious attached, if you were the hyder avoiding attached

0:18:32.800 --> 0:18:36.920
<v Speaker 6>so brilliant, and if you played both and then namely

0:18:37.000 --> 0:18:39.119
<v Speaker 6>sat on the side to let other people play that

0:18:39.200 --> 0:18:43.320
<v Speaker 6>secure attachment. So instead of asking when you're on these dates,

0:18:43.359 --> 0:18:45.119
<v Speaker 6>you know, and we haven't even gotten into dating.

0:18:45.359 --> 0:18:47.679
<v Speaker 4>We haven't even gotten into I can't, we haven't.

0:18:47.800 --> 0:18:48.440
<v Speaker 1>We can't believe.

0:18:48.440 --> 0:18:50.640
<v Speaker 3>We'll be right back with more MPR. But right now,

0:18:50.680 --> 0:18:53.119
<v Speaker 3>here's a couple of our upcoming shows that you'll be

0:18:53.160 --> 0:18:55.000
<v Speaker 3>seeing this week on NPR.

0:18:56.119 --> 0:19:00.119
<v Speaker 5>Tune in for five minutes of Science. That is a

0:19:00.240 --> 0:19:05.720
<v Speaker 5>bite sized piece of information on the newest and Little

0:19:05.920 --> 0:19:08.480
<v Speaker 5>Moon Science News.

0:19:09.840 --> 0:19:13.840
<v Speaker 3>Hi. I'm Jeff, I'm Pill and we're motorcycle boys. We'll

0:19:13.880 --> 0:19:16.840
<v Speaker 3>be talking all things motorcycles for four hours. You call

0:19:16.880 --> 0:19:18.840
<v Speaker 3>them with any of your questions and we will help

0:19:18.880 --> 0:19:21.280
<v Speaker 3>you out. But make sure that thing goes room room

0:19:21.280 --> 0:19:21.960
<v Speaker 3>at the end of the day.

0:19:23.880 --> 0:19:25.240
<v Speaker 6>I'm Derek Single.

0:19:25.440 --> 0:19:28.159
<v Speaker 2>I'm coming to you live from a theater in Minnesota

0:19:28.240 --> 0:19:31.040
<v Speaker 2>playing everyone's main room news talk show.

0:19:31.560 --> 0:19:35.720
<v Speaker 1>You better say that again. Yeah, that's right.

0:19:35.800 --> 0:19:38.879
<v Speaker 2>Seven hundred people are inexplicably in a theater to watch

0:19:38.960 --> 0:19:41.000
<v Speaker 2>us do a game show about you.

0:19:41.520 --> 0:19:41.879
<v Speaker 1>Guys.

0:19:41.920 --> 0:19:47.000
<v Speaker 2>Calm down, It's okay, guys, let's try something. Pete heck

0:19:47.040 --> 0:19:50.400
<v Speaker 2>seth and that's the joke.

0:19:51.160 --> 0:19:54.280
<v Speaker 4>I'm Cycle so Sorrow and I'm the host of the Nightly.

0:19:54.880 --> 0:19:57.560
<v Speaker 4>What happened today? Are you too busy at work? The

0:19:57.640 --> 0:20:01.439
<v Speaker 4>Nightly's gonna tell you whose birthday was to and what

0:20:01.720 --> 0:20:03.280
<v Speaker 4>happened in the world.

0:20:03.400 --> 0:20:06.560
<v Speaker 3>I'm Carl Saint Clair on News Today. We've got Trump

0:20:06.640 --> 0:20:10.200
<v Speaker 3>has decided to blow up all of America and other news.

0:20:10.320 --> 0:20:13.600
<v Speaker 3>I ran deals have fallen apart, and the Chinese government

0:20:13.600 --> 0:20:16.359
<v Speaker 3>has decided to completely cut ties with all of the

0:20:16.359 --> 0:20:19.640
<v Speaker 3>Middle East. This could be catastrophic for you, your family

0:20:19.720 --> 0:20:21.199
<v Speaker 3>and your war. But we will say it a very

0:20:21.200 --> 0:20:23.560
<v Speaker 3>calm mode. That's news tonight with Carl.

0:20:23.520 --> 0:20:27.560
<v Speaker 1>And I'm Regina Martini and I'm trying every pancake in

0:20:27.760 --> 0:20:29.119
<v Speaker 1>Saint Louis, Missouri.

0:20:31.160 --> 0:20:32.560
<v Speaker 3>Look back with more power.

0:20:32.720 --> 0:20:34.120
<v Speaker 4>Those we have some great shows later.

0:20:36.720 --> 0:20:40.600
<v Speaker 3>That's amazing because I read a very interesting piece about

0:20:41.119 --> 0:20:44.919
<v Speaker 3>Saint Louis recently. How recently in the eighties it was

0:20:45.000 --> 0:20:48.919
<v Speaker 3>the the thriving bell of the ball of the United

0:20:48.920 --> 0:20:52.520
<v Speaker 3>States in the south southern United States. But now due

0:20:52.560 --> 0:20:58.280
<v Speaker 3>to the shifting film, film and food markets, Saint Louis

0:20:58.280 --> 0:21:01.159
<v Speaker 3>has become kind of it's had its own dust ball.

0:21:01.240 --> 0:21:02.119
<v Speaker 3>It's completely empty.

0:21:02.280 --> 0:21:02.480
<v Speaker 5>Wow.

0:21:03.320 --> 0:21:04.800
<v Speaker 6>Read that humorous essay.

0:21:05.840 --> 0:21:08.560
<v Speaker 4>Yeah, yeah, I've seen it too.

0:21:09.480 --> 0:21:15.000
<v Speaker 6>Ava Luisa Garda Farica. It's it's it's very very hysterical.

0:21:15.320 --> 0:21:19.760
<v Speaker 6>It is well, it's sesus brilliant it is. It's a satirical,

0:21:19.880 --> 0:21:21.640
<v Speaker 6>humorous essay from the point of view of the Saint

0:21:21.680 --> 0:21:24.119
<v Speaker 6>Louis arch going through one hundred years of history.

0:21:24.200 --> 0:21:27.159
<v Speaker 5>Now I must explain I'm sorry to jump on your toes.

0:21:28.359 --> 0:21:32.600
<v Speaker 5>She is not literally purporting to be the Saint Louis Art.

0:21:33.119 --> 0:21:38.080
<v Speaker 5>He is, of course, assuming a character humors take humorous

0:21:38.080 --> 0:21:40.359
<v Speaker 5>send up of the Saint Louis Arch. She is not

0:21:41.119 --> 0:21:47.080
<v Speaker 5>literally claiming to be the Saint Louis Arch, because there's

0:21:47.240 --> 0:21:50.040
<v Speaker 5>no way that for that to literally happen. So I

0:21:50.119 --> 0:21:52.600
<v Speaker 5>just want to make sure that everyone knows not a

0:21:52.680 --> 0:21:53.400
<v Speaker 5>crazy town.

0:21:53.600 --> 0:21:55.439
<v Speaker 6>But I do want to say I think I've been

0:21:55.440 --> 0:21:58.120
<v Speaker 6>seeing a lot of stuff about this. Humorous send ups

0:21:58.119 --> 0:22:00.400
<v Speaker 6>are the last form of resistance we have.

0:22:01.320 --> 0:22:03.240
<v Speaker 4>I've seen this too. You're getting a phone call. I've

0:22:03.240 --> 0:22:07.320
<v Speaker 4>seen this because I mean, look at the modern day

0:22:07.320 --> 0:22:08.400
<v Speaker 4>birthday party.

0:22:10.800 --> 0:22:13.480
<v Speaker 3>I need you say more? Need you say more.

0:22:15.920 --> 0:22:18.240
<v Speaker 6>Interesting? Do you disagree?

0:22:19.119 --> 0:22:22.120
<v Speaker 3>Well, you know, at looking at it, I guess where

0:22:22.160 --> 0:22:25.680
<v Speaker 3>I come from and some of my Lithuanian heritage, I

0:22:25.680 --> 0:22:31.760
<v Speaker 3>would say the modern birthday party is actually pseudo related

0:22:32.040 --> 0:22:34.840
<v Speaker 3>to the modern death of cinema in a way that

0:22:34.880 --> 0:22:38.560
<v Speaker 3>we are trying to find third spaces. That then, and

0:22:38.640 --> 0:22:41.160
<v Speaker 3>let me finish, we have we are trying to desperately

0:22:41.240 --> 0:22:45.399
<v Speaker 3>find third spaces, desperately, desperately, desperately trying to connect with

0:22:45.440 --> 0:22:49.119
<v Speaker 3>each other. The fact that now the modern birthday is

0:22:49.160 --> 0:22:52.760
<v Speaker 3>not as much happy birthday as it is happy day

0:22:52.800 --> 0:22:54.720
<v Speaker 3>that you're born, if that makes sense.

0:22:54.800 --> 0:23:00.520
<v Speaker 5>Well, there's actually a culture in northwestern south to New

0:23:00.560 --> 0:23:04.960
<v Speaker 5>Mexico and it's a community of people. It's an unincorporated

0:23:05.000 --> 0:23:10.159
<v Speaker 5>area called Dustville, and they actually celebrate the opposite of

0:23:10.200 --> 0:23:14.360
<v Speaker 5>a birthday. So whatever day is the least like your

0:23:14.400 --> 0:23:17.920
<v Speaker 5>birthday in the calendar and that interest.

0:23:16.560 --> 0:23:20.200
<v Speaker 4>To celebrates, how do they decide that.

0:23:20.080 --> 0:23:23.800
<v Speaker 5>That's well, they decide sort of. So obviously a half

0:23:23.880 --> 0:23:28.960
<v Speaker 5>birthday is six months past your birthday, of course, but

0:23:29.040 --> 0:23:32.679
<v Speaker 5>an opposite of a birthday is the most opposite to

0:23:32.800 --> 0:23:36.560
<v Speaker 5>the vibe of your birthday. So say what's your birthday?

0:23:37.160 --> 0:23:38.400
<v Speaker 3>I guess April twenty second.

0:23:38.520 --> 0:23:41.280
<v Speaker 5>April twenty second, so of course we were getting some

0:23:41.359 --> 0:23:42.720
<v Speaker 5>spring tones in there.

0:23:42.600 --> 0:23:44.639
<v Speaker 4>And twenty two April winter.

0:23:44.840 --> 0:23:47.480
<v Speaker 5>Yeah, the opposite of an April is is November.

0:23:47.960 --> 0:23:51.600
<v Speaker 4>And and what's the opposite of budget twenty two?

0:23:51.680 --> 0:23:56.480
<v Speaker 5>So that's eleventh. So your your opposite birthday if you

0:23:56.560 --> 0:23:59.680
<v Speaker 5>were a resident of dust Bill, which I don't think

0:23:59.720 --> 0:24:01.920
<v Speaker 5>you are. I don't think that that's where your driver's

0:24:01.960 --> 0:24:06.600
<v Speaker 5>license is registered, is it would be November eleventh, So

0:24:06.640 --> 0:24:07.920
<v Speaker 5>that's when they would celebrate us.

0:24:07.960 --> 0:24:10.680
<v Speaker 6>I mean that is basically about six months Ala.

0:24:10.440 --> 0:24:13.440
<v Speaker 4>And I'd say that I think it's it's not it's

0:24:13.480 --> 0:24:14.320
<v Speaker 4>not really.

0:24:14.320 --> 0:24:16.119
<v Speaker 5>It's sort of but it's steeped in culture.

0:24:17.040 --> 0:24:19.160
<v Speaker 4>You know, birthdays are such a funny thing. I am

0:24:19.240 --> 0:24:24.520
<v Speaker 4>a Last month I went to the Los Angeles LGBTQ

0:24:24.960 --> 0:24:26.520
<v Speaker 4>Science and Library Center.

0:24:26.560 --> 0:24:27.359
<v Speaker 6>Congratulations.

0:24:27.480 --> 0:24:30.680
<v Speaker 4>They have a wonderful program where you can celebrate your

0:24:30.800 --> 0:24:34.840
<v Speaker 4>coming out birthday and you can basically create your own

0:24:35.280 --> 0:24:37.760
<v Speaker 4>new version of a birthday. And that just reminded me

0:24:37.840 --> 0:24:41.320
<v Speaker 4>what you said about birthdays and what he said about birthday.

0:24:41.359 --> 0:24:44.640
<v Speaker 4>This is fascinating that that came up right. Yes, and

0:24:45.760 --> 0:24:48.920
<v Speaker 4>I highly recommend you guys getting memberships to the Los

0:24:48.960 --> 0:24:53.160
<v Speaker 4>Angeles LGBTQ plus Science and Library Center. Can I ask

0:24:53.200 --> 0:24:58.879
<v Speaker 4>what programming they have? I mean, it is an incredible facility.

0:24:59.800 --> 0:25:06.600
<v Speaker 4>The library itself is just all queer artists, queer authors,

0:25:07.119 --> 0:25:10.760
<v Speaker 4>which is beautiful to see. But the Science Center is

0:25:12.920 --> 0:25:19.000
<v Speaker 4>full of silly PuTTY's in fun thing and it's a

0:25:19.160 --> 0:25:22.920
<v Speaker 4>very fun thing that I went to and I saw

0:25:23.080 --> 0:25:24.240
<v Speaker 4>Norah jonesing there.

0:25:24.400 --> 0:25:28.240
<v Speaker 6>Awesome. Remember, you know it's funny. I just read from

0:25:28.240 --> 0:25:32.800
<v Speaker 6>one of our pop culture correspondents for NPR, and those

0:25:32.800 --> 0:25:37.320
<v Speaker 6>guys are so much fun. They're always always playing Olivia Rodrigo.

0:25:37.640 --> 0:25:38.320
<v Speaker 5>Off the wall.

0:25:38.480 --> 0:25:39.480
<v Speaker 4>Yeah, hilarious.

0:25:40.040 --> 0:25:44.120
<v Speaker 6>I did not know that Silly Putty is is as

0:25:44.200 --> 0:25:48.440
<v Speaker 6>the queer culture is calling it, the new Mother. There's

0:25:48.480 --> 0:25:51.879
<v Speaker 6>these reports coming out that Silly has become and Silly

0:25:51.920 --> 0:25:55.479
<v Speaker 6>Putty is kind of, uh, you know, anthropologically, it's been

0:25:55.480 --> 0:25:58.520
<v Speaker 6>hard to understand why queer people are responding to Silly

0:25:58.520 --> 0:26:00.160
<v Speaker 6>Puddy in the way they are, but it's massive. They're

0:26:00.160 --> 0:26:01.720
<v Speaker 6>putting it on floats, they're doing well.

0:26:01.960 --> 0:26:04.320
<v Speaker 5>Actually, there's a young artist in high school who.

0:26:05.119 --> 0:26:08.359
<v Speaker 4>Uh, what's her name? I bet I know them, of course,

0:26:08.480 --> 0:26:11.399
<v Speaker 4>my daughter is x y x y x y axis

0:26:11.960 --> 0:26:13.960
<v Speaker 4>y as x y axss.

0:26:14.119 --> 0:26:17.920
<v Speaker 5>They have put out a series of humorous videos on

0:26:18.000 --> 0:26:24.160
<v Speaker 5>TikTok that that describe Silly Putty as mother, likely due

0:26:24.200 --> 0:26:28.600
<v Speaker 5>to the fluid nature of sexuality itself, and they're drawing

0:26:28.680 --> 0:26:32.000
<v Speaker 5>upon it as sort of a you know, many materials

0:26:32.000 --> 0:26:35.840
<v Speaker 5>in our world are solid and they're one way, but

0:26:36.000 --> 0:26:39.399
<v Speaker 5>Silly Putty can be many ways, and that is something

0:26:39.440 --> 0:26:41.000
<v Speaker 5>that the youth are really latching on.

0:26:41.320 --> 0:26:47.000
<v Speaker 3>So interesting, and it's something that actually doctor Doctor, Doctor, Doctor,

0:26:47.760 --> 0:26:49.200
<v Speaker 3>Doctor Fantasia.

0:26:49.240 --> 0:26:51.840
<v Speaker 4>She touched on Doctor Fantasia. I go to I have

0:26:51.920 --> 0:26:54.280
<v Speaker 4>dinner with Doctra. I want to say once.

0:26:54.680 --> 0:26:56.440
<v Speaker 3>I've been such a big fan of her work. I mean,

0:26:56.480 --> 0:27:00.680
<v Speaker 3>she's her book from Mother Goose to Mother Gaga, Finding

0:27:00.760 --> 0:27:05.520
<v Speaker 3>the Virgin Mary and Gay Art. It's a beautiful, uh

0:27:05.880 --> 0:27:08.359
<v Speaker 3>work of fiction. You would think it's non fiction, but

0:27:08.400 --> 0:27:11.280
<v Speaker 3>it actually is. It's historical fiction.

0:27:12.000 --> 0:27:16.199
<v Speaker 6>She every reimagines Mother Goose is a queer icon in

0:27:16.280 --> 0:27:18.480
<v Speaker 6>order to fit her in with Lady Gaga exactly.

0:27:18.880 --> 0:27:21.359
<v Speaker 3>And it's it was extremely powerful and it gets at

0:27:21.400 --> 0:27:25.320
<v Speaker 3>the core of I think what makes people tick, which

0:27:25.359 --> 0:27:27.600
<v Speaker 3>is what are we searching for? And how are we

0:27:27.960 --> 0:27:31.320
<v Speaker 3>each filling our void? Yeah, and it really just got

0:27:31.320 --> 0:27:32.240
<v Speaker 3>me going and ticking.

0:27:32.400 --> 0:27:36.080
<v Speaker 4>There's an operetto called Filling the Void that I will

0:27:36.119 --> 0:27:37.360
<v Speaker 4>high I highly recommend.

0:27:38.840 --> 0:27:43.639
<v Speaker 5>Oh, I've seen I've seen this streaming. Is this operetto

0:27:44.520 --> 0:27:48.120
<v Speaker 5>based on a popsicle joke?

0:27:49.840 --> 0:27:51.760
<v Speaker 6>It's an operetta based on a obstical stake.

0:27:51.840 --> 0:27:53.960
<v Speaker 3>What was the original popsicle stick joke that it's based on.

0:27:54.760 --> 0:27:58.359
<v Speaker 4>I can't believe it was. It was something about it

0:27:58.440 --> 0:28:01.159
<v Speaker 4>was double sided of the particle. Because I saw side,

0:28:01.920 --> 0:28:04.479
<v Speaker 4>I saw it. The love what it's based off?

0:28:05.119 --> 0:28:07.480
<v Speaker 5>It said, what what? What?

0:28:07.480 --> 0:28:07.640
<v Speaker 6>What?

0:28:07.680 --> 0:28:11.200
<v Speaker 5>Does a cow say when the other one is being

0:28:11.240 --> 0:28:11.879
<v Speaker 5>really funny?

0:28:11.960 --> 0:28:17.080
<v Speaker 4>And then it said move move m.

0:28:17.840 --> 0:28:20.280
<v Speaker 3>I wouldn't understand. I would understand any bake a base

0:28:20.280 --> 0:28:21.359
<v Speaker 3>of whole operetto.

0:28:21.200 --> 0:28:22.560
<v Speaker 4>But the operetto is incredible.

0:28:22.680 --> 0:28:24.240
<v Speaker 5>The operettos i've I've.

0:28:24.119 --> 0:28:36.600
<v Speaker 4>Heard it reminded me of the first time I saw

0:28:36.640 --> 0:28:39.080
<v Speaker 4>I Instant on the Beach. I remember like standing up

0:28:39.120 --> 0:28:42.240
<v Speaker 4>in the middle of one of the intermissions. There's many intermissions.

0:28:43.000 --> 0:28:47.240
<v Speaker 4>I stood up and I went, this was made for me,

0:28:48.280 --> 0:28:51.240
<v Speaker 4>and I'd say, like just working with you guys, I

0:28:51.240 --> 0:28:53.479
<v Speaker 4>feel like there are a lot of specific pieces that

0:28:53.560 --> 0:28:56.840
<v Speaker 4>come into our orbit that aren't made. It meant for

0:28:56.920 --> 0:28:59.800
<v Speaker 4>me and I and I embraced them with the full heart.

0:29:00.240 --> 0:29:03.240
<v Speaker 4>I tried to watch Shark Boy and Lava Girl recently

0:29:03.360 --> 0:29:05.720
<v Speaker 4>with my daughter, and I went, that's not made for

0:29:05.800 --> 0:29:08.120
<v Speaker 4>me and something that made for me?

0:29:08.240 --> 0:29:09.040
<v Speaker 5>Now, why why?

0:29:09.120 --> 0:29:09.320
<v Speaker 6>Why?

0:29:09.400 --> 0:29:09.600
<v Speaker 3>Why?

0:29:09.640 --> 0:29:09.840
<v Speaker 6>Why?

0:29:09.920 --> 0:29:12.600
<v Speaker 5>Why? I'm curious about this. Why do you feel that

0:29:12.760 --> 0:29:15.480
<v Speaker 5>Shark Boy and Lava Girl was not made for you?

0:29:16.520 --> 0:29:20.640
<v Speaker 5>Is it a loss of adolescence?

0:29:21.360 --> 0:29:25.520
<v Speaker 4>Is it a loss of whimsy?

0:29:26.040 --> 0:29:28.760
<v Speaker 6>For me? The Shark Boy Lava Girl is about the diaspora.

0:29:29.040 --> 0:29:31.160
<v Speaker 6>I've always seen it as that you always have the

0:29:31.200 --> 0:29:35.600
<v Speaker 6>American diaspora and in many ways, you know this cast

0:29:35.640 --> 0:29:37.360
<v Speaker 6>system that we find ourselves.

0:29:36.920 --> 0:29:38.520
<v Speaker 4>In, I mean even the East and the West.

0:29:38.880 --> 0:29:42.480
<v Speaker 3>Yeah, Shark Boy girl, And I'm just so interested in that.

0:29:42.560 --> 0:29:45.040
<v Speaker 3>I mean, you bring up the American cast system. What

0:29:45.760 --> 0:29:50.240
<v Speaker 3>you know, what is that for you?

0:29:51.080 --> 0:29:57.040
<v Speaker 5>Well, I mean to to to zoom out for a moment.

0:29:57.080 --> 0:30:00.880
<v Speaker 5>We find ourselves on the precipice of an AI change

0:30:01.240 --> 0:30:04.280
<v Speaker 5>of AI coming in and Shark Boy and lave A

0:30:04.320 --> 0:30:06.920
<v Speaker 5>Girl in this sense is sort of a challenge to

0:30:06.960 --> 0:30:10.680
<v Speaker 5>that system. It's sort of taking it's the last stand

0:30:10.720 --> 0:30:15.040
<v Speaker 5>of something truly human before our new digital age.

0:30:15.120 --> 0:30:15.440
<v Speaker 3>This is good.

0:30:15.440 --> 0:30:16.960
<v Speaker 4>We haven't talked about a yet and then we're going

0:30:17.040 --> 0:30:20.480
<v Speaker 4>to get into talking about updating, but I'd love to

0:30:20.520 --> 0:30:21.120
<v Speaker 4>talk about it.

0:30:21.240 --> 0:30:23.760
<v Speaker 6>Yeah, and you know, you couldn't replicate what we do

0:30:23.840 --> 0:30:25.080
<v Speaker 6>with AI in any way.

0:30:25.920 --> 0:30:30.760
<v Speaker 7>Now, there's just simply I mean to talk about the

0:30:30.800 --> 0:30:35.400
<v Speaker 7>effects of AI on specific cinema and movie is doctor

0:30:35.800 --> 0:30:36.560
<v Speaker 7>Lanky Dink.

0:30:36.960 --> 0:30:40.200
<v Speaker 3>They are out of cal Poly San Luis Obispo. Their

0:30:40.200 --> 0:30:44.800
<v Speaker 3>professor of Film Studies and Cinema for the history. Professor Dink,

0:30:44.880 --> 0:30:45.600
<v Speaker 3>You're on the air.

0:30:46.320 --> 0:30:47.880
<v Speaker 4>Hello, how are you hi?

0:30:48.400 --> 0:30:52.200
<v Speaker 3>So you actually just published a paper research paper about

0:30:52.320 --> 0:30:55.520
<v Speaker 3>the recent trend of Hollywood trying to integrate AI into

0:30:55.560 --> 0:30:58.760
<v Speaker 3>a system. How do you think this affects the study

0:30:58.760 --> 0:31:01.640
<v Speaker 3>of film and moving forward? Where do you see, uh,

0:31:02.240 --> 0:31:04.760
<v Speaker 3>you know, the business of Hollywood going.

0:31:05.560 --> 0:31:07.120
<v Speaker 4>Thank you so much for having me. I just want

0:31:07.160 --> 0:31:09.160
<v Speaker 4>to say I'm a long time listener for the show,

0:31:09.880 --> 0:31:14.680
<v Speaker 4>and listen. I live in libraries, I live in I

0:31:14.760 --> 0:31:17.360
<v Speaker 4>am always studying that. Thank you, dink and.

0:31:17.720 --> 0:31:20.960
<v Speaker 3>What sorry, we're just a bad connection. It seems like

0:31:20.960 --> 0:31:23.320
<v Speaker 3>you're calling from a zoom or something like that. A

0:31:23.320 --> 0:31:26.480
<v Speaker 3>horrible connection on. Just try to talk a little clearer thing.

0:31:26.560 --> 0:31:31.400
<v Speaker 4>Okay, sorry about that anyway. I have been studying the

0:31:31.560 --> 0:31:36.280
<v Speaker 4>roots of I've been studying the roots of AI in cinema,

0:31:36.680 --> 0:31:39.320
<v Speaker 4>and I have found a way to prove that if

0:31:39.400 --> 0:31:44.120
<v Speaker 4>AI were to create movies, it would never have things

0:31:44.200 --> 0:31:45.360
<v Speaker 4>like Marilyn Monroe.

0:31:45.440 --> 0:31:47.360
<v Speaker 6>That's a very good point, huh.

0:31:48.400 --> 0:31:50.840
<v Speaker 3>I interested. I've read a reason it is my zoom

0:31:50.840 --> 0:31:53.120
<v Speaker 3>working and we've lost you. Thank you so much for.

0:31:53.040 --> 0:31:55.840
<v Speaker 4>Hello, you so much for hello. Am I still on

0:31:55.880 --> 0:31:56.160
<v Speaker 4>the air.

0:31:56.200 --> 0:31:58.720
<v Speaker 3>You're off, You're off? Thank you cut her out, cut up,

0:31:58.960 --> 0:31:59.920
<v Speaker 3>and thank you so much.

0:32:00.040 --> 0:32:04.120
<v Speaker 4>Can I get my sister, and I think that I

0:32:04.120 --> 0:32:06.600
<v Speaker 4>think the zoom cut. I think I think the zoom cep.

0:32:06.680 --> 0:32:09.080
<v Speaker 4>I'm still in the air deep deep, I think.

0:32:11.120 --> 0:32:12.680
<v Speaker 5>That seems they're still on the air.

0:32:12.800 --> 0:32:14.880
<v Speaker 6>You know, I read a report recently where an.

0:32:14.840 --> 0:32:17.600
<v Speaker 4>Artist it must be off by now it's off.

0:32:22.000 --> 0:32:25.640
<v Speaker 6>I would report recently, we're an artist described Marion mon

0:32:25.680 --> 0:32:31.720
<v Speaker 6>Moroe to five hundred different AI models and none of them,

0:32:32.120 --> 0:32:37.480
<v Speaker 6>none of them correctly, none of them correctly drew than Roe.

0:32:37.680 --> 0:32:41.360
<v Speaker 3>Well, I've got a question. Was it because the computers

0:32:41.360 --> 0:32:44.960
<v Speaker 3>don't understand her? Or were the descriptions bad? Because I

0:32:44.960 --> 0:32:47.240
<v Speaker 3>feel if you sent a photo of Marilyn Monroe to

0:32:47.280 --> 0:32:48.720
<v Speaker 3>a I would figure it out immediately.

0:32:50.280 --> 0:32:53.440
<v Speaker 6>This is what the author purports. The author her name

0:32:53.640 --> 0:32:55.680
<v Speaker 6>is Vivica Jeanne.

0:32:56.080 --> 0:32:59.800
<v Speaker 4>I love she's Vivica and I get a Panini wants

0:32:59.800 --> 0:33:00.080
<v Speaker 4>to get.

0:33:01.600 --> 0:33:03.160
<v Speaker 3>Where do you get your Paninis.

0:33:04.280 --> 0:33:10.840
<v Speaker 8>Lap Delicious? I?

0:33:10.840 --> 0:33:14.120
<v Speaker 6>I yeah, Vivia. Vivica wrote an incredible book about this.

0:33:14.240 --> 0:33:17.120
<v Speaker 6>You can find it. I'm only on the Libby app,

0:33:17.120 --> 0:33:18.960
<v Speaker 6>which is a free library app app.

0:33:18.960 --> 0:33:20.560
<v Speaker 5>It's a fantastic Yes, I have it.

0:33:20.680 --> 0:33:22.040
<v Speaker 4>I'm walking the marathon for that.

0:33:22.160 --> 0:33:27.240
<v Speaker 6>It's a Libby exclusive because she just cares about library systems,

0:33:27.280 --> 0:33:28.920
<v Speaker 6>and it's note.

0:33:28.960 --> 0:33:31.520
<v Speaker 5>Have you have seen the Libby the Straight two series?

0:33:32.000 --> 0:33:36.120
<v Speaker 5>Libby is doing originals. We can talk about that later.

0:33:36.760 --> 0:33:39.080
<v Speaker 5>We can talk about that later. What were you? What

0:33:39.120 --> 0:33:40.080
<v Speaker 5>were you going to say about this?

0:33:40.440 --> 0:33:43.080
<v Speaker 6>What you just I really I urge you to read

0:33:43.120 --> 0:33:46.920
<v Speaker 6>the book because I think she describes Marilyn Monroe, sometimes

0:33:46.960 --> 0:33:50.880
<v Speaker 6>perfectly to a t. Sometimes she goes for emotions and

0:33:51.000 --> 0:33:54.720
<v Speaker 6>vibes and what comes out is something similar to a crap.

0:33:55.080 --> 0:33:57.960
<v Speaker 5>Well, this is It's It's interesting because it's very difficult

0:33:57.960 --> 0:34:02.800
<v Speaker 5>to describe a what beauty is to a machine. It

0:34:02.840 --> 0:34:06.680
<v Speaker 5>can sort of replicate it, but it's very difficult. And

0:34:06.760 --> 0:34:09.719
<v Speaker 5>I know that there's a group of scientists in Southwest

0:34:09.719 --> 0:34:13.400
<v Speaker 5>Florida that are working in a lab right now reading

0:34:13.520 --> 0:34:17.520
<v Speaker 5>pictionary clues to AI, trying to see if the AI

0:34:17.640 --> 0:34:19.320
<v Speaker 5>will draw what they're saying.

0:34:20.040 --> 0:34:24.000
<v Speaker 3>Really interesting because that's not how pictionary works.

0:34:24.680 --> 0:34:26.839
<v Speaker 5>Scientists seem to believe that's how it does.

0:34:26.920 --> 0:34:32.200
<v Speaker 6>I mean, I saw a scathing cartoon recently that was too.

0:34:32.160 --> 0:34:33.640
<v Speaker 5>Oh, I know what you're about to say.

0:34:33.960 --> 0:34:37.279
<v Speaker 6>Of course you do. Two process servers sitting on a

0:34:37.320 --> 0:34:40.160
<v Speaker 6>beach looking at the sunset, and one said to the other.

0:34:40.400 --> 0:34:42.719
<v Speaker 6>That's a lot of ones and zeros, And I think

0:34:42.760 --> 0:34:46.839
<v Speaker 6>that just says Josin drew that Kostin. Oh yeah, yeah,

0:34:46.880 --> 0:34:47.560
<v Speaker 6>I know, Jostin.

0:34:47.760 --> 0:34:50.960
<v Speaker 3>Thanks so much for listening in. We'll be right back

0:34:51.040 --> 0:34:52.799
<v Speaker 3>right now. You're going to see a sneak peak of

0:34:52.880 --> 0:34:56.600
<v Speaker 3>all the free NPR events coming to your neighborhood soon.

0:34:56.920 --> 0:34:57.760
<v Speaker 3>Let's check it out.

0:34:58.800 --> 0:35:06.000
<v Speaker 5>Calling all mothers, fathers, cousins, and sisters. This is Stories

0:35:06.040 --> 0:35:10.360
<v Speaker 5>from the Family Tree, a live storytelling event where people

0:35:10.520 --> 0:35:14.239
<v Speaker 5>tell stories about their family, by their family and for

0:35:14.360 --> 0:35:17.960
<v Speaker 5>their families. It's an event for the whole family. Come

0:35:18.000 --> 0:35:19.760
<v Speaker 5>on out, Come on out to the Queen Mary.

0:35:19.560 --> 0:35:20.880
<v Speaker 3>In Long Beach.

0:35:21.080 --> 0:35:24.160
<v Speaker 4>It's Women's History months, so we are celebrating with a

0:35:24.239 --> 0:35:31.520
<v Speaker 4>Lama's Class drive through. It's gonna be every Saturday morning

0:35:33.160 --> 0:35:37.600
<v Speaker 4>at ten am. Line up your cars, no matter the

0:35:37.680 --> 0:35:40.960
<v Speaker 4>gender you identify with, we are gonna have Lamas in

0:35:41.040 --> 0:35:41.359
<v Speaker 4>the car.

0:35:42.320 --> 0:35:44.360
<v Speaker 6>What if Clueless was a little different?

0:35:44.920 --> 0:35:49.680
<v Speaker 2>Join us for a second read a very exciting table

0:35:49.719 --> 0:35:52.719
<v Speaker 2>read series we'll be doing to test on the Santa

0:35:52.800 --> 0:35:53.640
<v Speaker 2>Monica fear.

0:35:55.040 --> 0:35:59.879
<v Speaker 6>This week. Clueless featuring Lupitza Njongo and Yahya Abdul Mati.

0:36:02.760 --> 0:36:05.120
<v Speaker 3>It's before the tide rolls in. We have your favorite

0:36:05.200 --> 0:36:09.000
<v Speaker 3>indie artists performing on Malibu Beach before the tide rolls in.

0:36:09.640 --> 0:36:11.759
<v Speaker 3>The show will start when the tide is lowest and

0:36:11.920 --> 0:36:14.360
<v Speaker 3>end when the tide is highest. We've got Mumford and

0:36:14.440 --> 0:36:19.480
<v Speaker 3>Sons lead guitarist and Geese coming to you live before

0:36:19.640 --> 0:36:20.680
<v Speaker 3>the tide rolls in.

0:36:20.840 --> 0:36:25.200
<v Speaker 5>Coming down to the Warehouse Center in Pasadena, we will

0:36:25.239 --> 0:36:29.879
<v Speaker 5>be doing first draft laughs. We have ten stand up comedians,

0:36:30.239 --> 0:36:36.560
<v Speaker 5>ten rusty old typewriters, and let's just say no limits.

0:36:37.239 --> 0:36:40.400
<v Speaker 4>Come on down to Saint Jude's Hospital. We're doing haikups

0:36:40.440 --> 0:36:44.840
<v Speaker 4>for hospice. That's right, every member of a hospice center

0:36:45.080 --> 0:36:50.160
<v Speaker 4>gets a free hi haikup from a kid.

0:36:50.120 --> 0:36:53.280
<v Speaker 3>And coming up. Please check out our Tiny Desk concert

0:36:53.320 --> 0:36:56.759
<v Speaker 3>series happening over on our YouTube page this month. We

0:36:56.880 --> 0:37:01.840
<v Speaker 3>have Tame and Paula doing an indie set with no computers.

0:37:02.640 --> 0:37:07.880
<v Speaker 5>We also have Tate McRae doing a Tiny Desk as well,

0:37:08.360 --> 0:37:10.080
<v Speaker 5>and she will be doing that.

0:37:10.200 --> 0:37:12.720
<v Speaker 6>And going on down in Los Angeles to the United

0:37:12.760 --> 0:37:17.160
<v Speaker 6>Theater where Alan Cumming and John Hodgman will be hosting

0:37:17.200 --> 0:37:20.720
<v Speaker 6>a riveting debate where they'll be talking about the difference

0:37:20.760 --> 0:37:23.160
<v Speaker 6>between tributaries and damns pleasure.

0:37:23.160 --> 0:37:25.080
<v Speaker 1>You don't know what a tributary is.

0:37:25.360 --> 0:37:29.600
<v Speaker 2>I actually think I have a good, damn well good

0:37:29.640 --> 0:37:30.600
<v Speaker 2>idea about it.

0:37:30.840 --> 0:37:38.719
<v Speaker 5>N Yeah, and join us next week for Scary Stories

0:37:38.719 --> 0:37:41.919
<v Speaker 5>to Tell at the Park in Griffith Park. We will

0:37:41.960 --> 0:37:46.799
<v Speaker 5>be having an alternating story series between Jordan Peele and

0:37:47.400 --> 0:37:50.600
<v Speaker 5>Frandly Bwitz. They will be telling the scariest stories they

0:37:50.600 --> 0:37:51.200
<v Speaker 5>could think.

0:37:51.040 --> 0:37:54.600
<v Speaker 4>Of, hosted by Jimmy Fallon. We have Tiny, Tiny, Tiny

0:37:54.640 --> 0:37:58.799
<v Speaker 4>Desk concert for kids. We have some fun symbols. We're

0:37:58.840 --> 0:38:02.200
<v Speaker 4>going to smack together and it's going to be all

0:38:03.360 --> 0:38:05.920
<v Speaker 4>at the Science Center in San Francisco.

0:38:06.080 --> 0:38:10.520
<v Speaker 6>Please join our food correspondent, Regina Veranda, who's eating every

0:38:10.560 --> 0:38:14.000
<v Speaker 6>pancake in Saint Louis. She has a plus one to

0:38:14.239 --> 0:38:17.080
<v Speaker 6>every single restaurant, and.

0:38:17.160 --> 0:38:21.400
<v Speaker 3>Sit down with our conversations at the fireside table. We

0:38:21.520 --> 0:38:23.839
<v Speaker 3>go to fireside stakes and sit down with Yo Yo

0:38:23.920 --> 0:38:28.440
<v Speaker 3>Ma to discuss the effects of cello on Minecraft.

0:38:29.480 --> 0:38:32.760
<v Speaker 4>Who's this at the Laugh Factory. It's Sarah Kanig. She's

0:38:32.840 --> 0:38:36.640
<v Speaker 4>trying stand up tonight at eleven pm.

0:38:37.160 --> 0:38:40.560
<v Speaker 5>Now, then after that, join us for cooking up Trouble.

0:38:40.960 --> 0:38:45.759
<v Speaker 5>This is Johnny Knoxville making a soup with items you

0:38:45.880 --> 0:38:47.399
<v Speaker 5>might not expect to go in there.

0:38:47.880 --> 0:38:50.880
<v Speaker 6>And if you happen to be in Portland, mo Roca

0:38:51.080 --> 0:38:57.080
<v Speaker 6>is going to be performing bey Wolf in its entirety

0:38:57.440 --> 0:38:58.640
<v Speaker 6>right at the edge of the forest.

0:38:58.880 --> 0:39:02.760
<v Speaker 4>If you're in u Gene Organ, Billy Joel is reading

0:39:02.800 --> 0:39:04.680
<v Speaker 4>to blind kids and.

0:39:05.160 --> 0:39:07.880
<v Speaker 3>Get ready, you know it, you love it. It's the

0:39:08.080 --> 0:39:12.280
<v Speaker 3>live show traveling around Man. It's Rural Rugged House, hosted

0:39:12.320 --> 0:39:21.640
<v Speaker 3>by of course you dink Tom Tom.

0:39:21.840 --> 0:39:25.000
<v Speaker 4>God, we look so hot, Jeremy. Do you think there's

0:39:25.000 --> 0:39:26.160
<v Speaker 4>a reason why I.

0:39:26.080 --> 0:39:28.520
<v Speaker 3>Can't figure it out? Maybe I have one idea though.

0:39:28.719 --> 0:39:30.360
<v Speaker 3>It's March.

0:39:31.560 --> 0:39:36.080
<v Speaker 4>Get our exclusive aaa. Wait wait oh Winter Beanie.

0:39:35.880 --> 0:39:37.879
<v Speaker 3>Get our exclusive sweatshirt.

0:39:38.200 --> 0:39:38.600
<v Speaker 4>Yeah.

0:39:38.640 --> 0:39:40.759
<v Speaker 3>We also have hats and tots, so.

0:39:40.760 --> 0:39:41.520
<v Speaker 4>Much fun stuff.

0:39:41.800 --> 0:39:44.600
<v Speaker 1>We sell merch. It's real, all of it. Go buy it.

0:39:44.600 --> 0:39:45.839
<v Speaker 4>We'll put the link in the Bible right now.

0:39:49.480 --> 0:39:51.640
<v Speaker 1>I love my life.

0:39:52.719 --> 0:39:56.400
<v Speaker 3>But on the on my rural House, there's a lot

0:39:56.440 --> 0:39:59.960
<v Speaker 3>of funny things that happen. Check that out. It'll come

0:40:00.200 --> 0:40:03.799
<v Speaker 3>to a two hundred seat theater near you.

0:40:04.080 --> 0:40:08.960
<v Speaker 5>And if you're in Austin, uh, we have Uzo Aduba

0:40:09.120 --> 0:40:13.480
<v Speaker 5>is teaching an ethical fist fighting class at a piano

0:40:13.560 --> 0:40:16.279
<v Speaker 5>bar in South Austin. So come on by to Star

0:40:16.360 --> 0:40:19.040
<v Speaker 5>Bar where you can learn some self defense.

0:40:20.280 --> 0:40:24.360
<v Speaker 4>If you are celebrating Christmas. This year, we have Ira

0:40:24.440 --> 0:40:27.839
<v Speaker 4>Glass breaking down every single Christmas Carol with the one

0:40:27.840 --> 0:40:32.040
<v Speaker 4>and only Harry Conic Jr. They'll be doing that on

0:40:32.160 --> 0:40:33.960
<v Speaker 4>the Royal Caribbean Cruise.

0:40:36.600 --> 0:40:43.440
<v Speaker 3>Welcome back. You know what I'm really finding interesting in

0:40:44.200 --> 0:40:47.239
<v Speaker 3>what I'm really diving into these days. If I say so,

0:40:47.640 --> 0:40:51.960
<v Speaker 3>I mean, it's such a torrid political climate, but you know,

0:40:52.800 --> 0:40:57.080
<v Speaker 3>I find myself finding hope in the little stories my

0:40:57.239 --> 0:40:58.279
<v Speaker 3>daughter tells me at night.

0:40:58.360 --> 0:40:59.640
<v Speaker 6>Congratulations, thank you.

0:41:00.160 --> 0:41:02.759
<v Speaker 3>She's coming home from the playground telling me these really

0:41:02.800 --> 0:41:06.040
<v Speaker 3>interesting stories. And I'm really realizing, at what point does

0:41:06.080 --> 0:41:11.200
<v Speaker 3>a child learn an ethical moral system? Is it taunt

0:41:11.600 --> 0:41:12.520
<v Speaker 3>or was she born with it?

0:41:12.880 --> 0:41:15.640
<v Speaker 4>I loved hearing the tapes you're already working on. If

0:41:15.640 --> 0:41:18.200
<v Speaker 4>I could tease this out a little bit. You're you're

0:41:18.200 --> 0:41:20.840
<v Speaker 4>piloting out this out and I've heard that you're recording

0:41:21.200 --> 0:41:23.640
<v Speaker 4>your daughter telling stories of the park, and I find

0:41:23.640 --> 0:41:26.360
<v Speaker 4>that beautiful. I did find the tapes are a little

0:41:26.400 --> 0:41:30.279
<v Speaker 4>distracting because you can hear the park, and I think

0:41:30.280 --> 0:41:31.160
<v Speaker 4>we should play one.

0:41:31.000 --> 0:41:38.080
<v Speaker 9>Of them, Daddy. So the story is it's a little

0:41:38.120 --> 0:41:41.120
<v Speaker 9>princess and she look, I.

0:41:41.239 --> 0:41:59.200
<v Speaker 10>Reserve this grill at four, my grill all birds.

0:41:53.600 --> 0:41:56.920
<v Speaker 9>And the princess only really wanted to the castle.

0:41:57.560 --> 0:42:01.160
<v Speaker 4>She wanted grill so badly has the best view of

0:42:01.200 --> 0:42:01.520
<v Speaker 4>the d.

0:42:05.400 --> 0:42:07.440
<v Speaker 3>Thank you so much for letting me play that. It's

0:42:09.520 --> 0:42:11.680
<v Speaker 3>it's amazing. I know it brings it to you my

0:42:11.719 --> 0:42:14.520
<v Speaker 3>eye because she's just growing up in age is just

0:42:14.560 --> 0:42:16.720
<v Speaker 3>such a tricky.

0:42:18.200 --> 0:42:18.560
<v Speaker 6>Beast.

0:42:19.040 --> 0:42:22.279
<v Speaker 5>Age is a tricky beast. And I think that there

0:42:22.600 --> 0:42:25.160
<v Speaker 5>is actually a group of scientists in New Jersey who

0:42:25.160 --> 0:42:31.800
<v Speaker 5>are working on recontextualizing age so that you don't count

0:42:31.840 --> 0:42:32.800
<v Speaker 5>as many years.

0:42:33.320 --> 0:42:34.200
<v Speaker 3>I've heard called.

0:42:35.920 --> 0:42:40.360
<v Speaker 4>Study consent spelled with a C, where you only.

0:42:43.680 --> 0:42:48.320
<v Speaker 5>It's the age of content and you only agree to

0:42:48.640 --> 0:42:51.640
<v Speaker 5>take in the years that you you agree. You don't

0:42:51.840 --> 0:42:54.720
<v Speaker 5>you consent to have to turning another age.

0:42:54.800 --> 0:42:57.200
<v Speaker 4>Well, I mean it brings up go ahead, please, It

0:42:57.200 --> 0:43:01.520
<v Speaker 4>brings up the statue of limitations. And I think that's

0:43:01.520 --> 0:43:04.359
<v Speaker 4>something we uh, we talked about a lot on the show.

0:43:05.520 --> 0:43:09.760
<v Speaker 6>I mean, I saw a humorous cartoon recently.

0:43:10.320 --> 0:43:11.560
<v Speaker 5>Oh, I've seen that as well.

0:43:11.680 --> 0:43:17.560
<v Speaker 8>It's it's they put it in their lobby, they put

0:43:17.560 --> 0:43:19.960
<v Speaker 8>it in their lobby, and it's a instead of the

0:43:20.000 --> 0:43:22.319
<v Speaker 8>statue of liberty, it's the statue of limitation.

0:43:22.760 --> 0:43:24.560
<v Speaker 4>And she's and she's saying go home.

0:43:24.600 --> 0:43:26.920
<v Speaker 6>I mean, that just says it all, and not just

0:43:26.960 --> 0:43:32.000
<v Speaker 6>really say speaking of children and aging, I recently sat

0:43:32.040 --> 0:43:36.160
<v Speaker 6>down with my children and kind of asked them to

0:43:36.160 --> 0:43:40.240
<v Speaker 6>figure out a way to put me out of my misery.

0:43:41.239 --> 0:43:43.399
<v Speaker 6>I asked them to figure out ways to maybe make

0:43:43.440 --> 0:43:46.480
<v Speaker 6>it look like an accident, maybe maybe allow me to shuffle.

0:43:49.040 --> 0:43:50.880
<v Speaker 6>I asked my family to poison me. I asked my

0:43:50.920 --> 0:43:54.279
<v Speaker 6>family to smother me. I'm interested in no longer being here.

0:43:54.520 --> 0:43:57.640
<v Speaker 5>Well, there's an there's an artist in New Mexico who

0:43:57.680 --> 0:44:06.120
<v Speaker 5>is actually exploring ethical, uh familial euthanasia. It's about committing

0:44:06.160 --> 0:44:10.920
<v Speaker 5>euthanasia to oneself in a way that honors spiritual ties,

0:44:11.360 --> 0:44:15.320
<v Speaker 5>ancestral bonds. And there is a it's a deeply rooted

0:44:15.360 --> 0:44:19.520
<v Speaker 5>tradition that I think spends back hundreds of thousands of years.

0:44:19.520 --> 0:44:25.239
<v Speaker 4>Saghetty Museum has a beautiful has a beautiful exhibit right

0:44:25.280 --> 0:44:26.520
<v Speaker 4>now about euthanasia.

0:44:27.160 --> 0:44:29.759
<v Speaker 6>And I'm struggling, right So I'm struggling.

0:44:29.880 --> 0:44:37.160
<v Speaker 4>That's so interesting, this exhibit, it's so interesting. So I

0:44:37.200 --> 0:44:39.320
<v Speaker 4>can't believe you mentioned that you wanted your family to

0:44:39.360 --> 0:44:42.560
<v Speaker 4>put you out of your misery. And it immediately brings

0:44:42.600 --> 0:44:46.319
<v Speaker 4>me to this exhibit in the Ghetty that has a

0:44:46.400 --> 0:44:52.080
<v Speaker 4>picture of every animal species. That's so and euthanasia.

0:44:52.120 --> 0:44:54.920
<v Speaker 3>It's because you're struggling, and it reminds me of this

0:44:55.480 --> 0:44:57.919
<v Speaker 3>really fun, quirky crossword theme.

0:44:57.960 --> 0:44:59.960
<v Speaker 6>I ran across thinking of ending at all.

0:45:00.120 --> 0:45:02.320
<v Speaker 3>So that's what the clue was. It was very interesting

0:45:02.400 --> 0:45:05.520
<v Speaker 3>ending it all question mark and what it actually it

0:45:05.640 --> 0:45:07.719
<v Speaker 3>was ending at all was twelve am. That's what you

0:45:07.760 --> 0:45:08.960
<v Speaker 3>have to write, because that's the end.

0:45:09.040 --> 0:45:13.080
<v Speaker 5>In the beginning ends quite funny of ending it all, I'm.

0:45:12.920 --> 0:45:13.640
<v Speaker 6>Wishing for death.

0:45:13.800 --> 0:45:17.360
<v Speaker 5>Well, when you wish for death, you've heard the sonata. Yes,

0:45:17.400 --> 0:45:21.319
<v Speaker 5>I love there's a sonata that is going around that

0:45:21.400 --> 0:45:22.560
<v Speaker 5>I'm sure.

0:45:23.880 --> 0:45:31.000
<v Speaker 4>This is the sonatas via the male.

0:45:31.200 --> 0:45:34.120
<v Speaker 5>You can literally catch this sonata in your hand because

0:45:34.120 --> 0:45:37.520
<v Speaker 5>when you open it up, it's a Badminton quail, and

0:45:37.600 --> 0:45:40.200
<v Speaker 5>so you you have to catch the sonata, and the

0:45:40.239 --> 0:45:43.520
<v Speaker 5>sonata wishes for its own death.

0:45:43.640 --> 0:45:46.239
<v Speaker 3>It's so interesting because as we speak about death, the

0:45:46.280 --> 0:45:51.760
<v Speaker 3>California quail i've heard is bouncing back after years of decline.

0:45:51.760 --> 0:45:54.920
<v Speaker 3>Apparently that's quite good. People doing people do what.

0:45:54.920 --> 0:45:57.839
<v Speaker 6>Did you say, I've asked them to do it tonight.

0:45:58.400 --> 0:46:02.240
<v Speaker 5>Tonight, Well tonight, remember the it's a very interesting NASA

0:46:02.320 --> 0:46:04.359
<v Speaker 5>is reporting that there is a double.

0:46:04.280 --> 0:46:07.360
<v Speaker 4>Blood double blood comment.

0:46:07.440 --> 0:46:10.440
<v Speaker 5>But it'll be visible if you are in southwest Texas

0:46:10.560 --> 0:46:13.160
<v Speaker 5>at three and five am you are in for a trade.

0:46:13.800 --> 0:46:16.640
<v Speaker 4>There's a little girl in Texas that has already raised

0:46:16.680 --> 0:46:19.839
<v Speaker 4>about five thousand dollars for the girl Scouts to all

0:46:19.880 --> 0:46:23.280
<v Speaker 4>go see this commet. That's nice.

0:46:23.840 --> 0:46:25.799
<v Speaker 6>Well, there's money to see a commet.

0:46:27.120 --> 0:46:27.520
<v Speaker 5>You need.

0:46:28.480 --> 0:46:30.640
<v Speaker 3>There's a fund off to get a telescope out there

0:46:30.680 --> 0:46:33.520
<v Speaker 3>to see the comic correctly, because it'll be visible through

0:46:33.520 --> 0:46:34.520
<v Speaker 3>telescope size.

0:46:34.560 --> 0:46:38.160
<v Speaker 4>And this little girl, it reminds me of all of

0:46:38.200 --> 0:46:42.520
<v Speaker 4>the little girls everywhere who make a wish. You said

0:46:42.560 --> 0:46:44.399
<v Speaker 4>you wish for it to end. You said you wish

0:46:44.440 --> 0:46:45.960
<v Speaker 4>for it to be done, and I think, you know,

0:46:46.080 --> 0:46:48.920
<v Speaker 4>we wish upon a star. Think you.

0:46:51.000 --> 0:46:51.080
<v Speaker 3>Know.

0:46:51.440 --> 0:46:55.279
<v Speaker 5>Scientists are actually just studying wishes right now at the

0:46:55.360 --> 0:46:58.120
<v Speaker 5>University of Iowa. They are doing a study on wishes

0:46:58.160 --> 0:47:01.600
<v Speaker 5>and how it is. Actually they're heavy, they're heavy, they

0:47:01.640 --> 0:47:06.120
<v Speaker 5>actually have weight. They have more weight than solids. Liquids

0:47:06.120 --> 0:47:08.280
<v Speaker 5>and gases and people.

0:47:08.760 --> 0:47:10.279
<v Speaker 3>You wish upon a star. I mean, it's such a

0:47:10.320 --> 0:47:13.640
<v Speaker 3>beautiful song from of course, which musical is that from? Against?

0:47:15.239 --> 0:47:19.440
<v Speaker 3>Because I have just recently discovered an all indigenous queer

0:47:19.800 --> 0:47:23.919
<v Speaker 3>retelling of Pinocchio through an American with.

0:47:23.840 --> 0:47:28.600
<v Speaker 4>The music, with the music, what is what is the

0:47:28.880 --> 0:47:30.440
<v Speaker 4>classic flute flautist name?

0:47:30.760 --> 0:47:36.200
<v Speaker 3>Yes, punch, punch and tape. He's doing the beautiful flute

0:47:36.600 --> 0:47:41.759
<v Speaker 3>to when you Wish upon a Star retelling of Pinocchio. Well, thanks, guys,

0:47:41.800 --> 0:47:44.640
<v Speaker 3>thank you so much for maybe should we introduce our

0:47:44.760 --> 0:47:46.640
<v Speaker 3>maybe before we go, let's introduce ourselves.

0:47:47.239 --> 0:47:51.920
<v Speaker 6>Signing off, my name is Elvis Presley.

0:47:52.960 --> 0:47:55.520
<v Speaker 5>Hi, my name is Dandelion.

0:47:56.320 --> 0:48:00.160
<v Speaker 4>Martin. I'm leather Bath.

0:48:00.920 --> 0:48:04.719
<v Speaker 3>And of course i'm doctor Sinclair the fourth.

0:48:05.280 --> 0:48:07.720
<v Speaker 4>And I'm Professor Dinky Linky. I'm still on the zoom

0:48:08.320 --> 0:48:10.600
<v Speaker 4>someone let me on. I'm still on the zoom here.

0:48:10.640 --> 0:48:13.680
<v Speaker 5>Goodness, goodness, I'm still zoom here. I have to let

0:48:13.719 --> 0:48:14.040
<v Speaker 5>you go.

0:48:14.360 --> 0:48:17.120
<v Speaker 3>I've been this whole time on our on our topic today.

0:48:17.160 --> 0:48:19.520
<v Speaker 3>What is it like to do this an NPR host?

0:48:19.640 --> 0:48:22.400
<v Speaker 4>Yes, I think this is a panel talking about what

0:48:22.440 --> 0:48:24.399
<v Speaker 4>it's like behind the show. Now that the show's over.

0:48:24.440 --> 0:48:25.000
<v Speaker 4>We can start.

0:48:25.040 --> 0:48:27.000
<v Speaker 5>Well, let's talk about microphone quality.

0:48:29.880 --> 0:48:32.440
<v Speaker 3>Answering the question. Now, that's why I call it show business.

0:48:32.880 --> 0:48:37.760
<v Speaker 5>Good night for the Dynasty Typewriter joined the Patriot.

0:48:37.880 --> 0:48:38.840
<v Speaker 3>We'll talk all about this.

0:48:40.719 --> 0:48:43.359
<v Speaker 1>I have a Chase Froway.

0:48:43.560 --> 0:48:44.120
<v Speaker 6>You never know what.

0:48:45.080 --> 0:48:47.960
<v Speaker 3>It's one of our experimental theater pieces.

0:48:48.800 --> 0:48:51.480
<v Speaker 1>Experimental theater piece talk about on the Patreon. Go see it.

0:48:51.480 --> 0:48:52.440
<v Speaker 4>Bye bye.

0:48:53.000 --> 0:48:55.440
<v Speaker 2>Artists on Artists On Artists on Artists is an improvised

0:48:55.440 --> 0:48:58.800
<v Speaker 2>Hollywood round table podcast created and hosted by Kylie Braakman,

0:48:59.080 --> 0:49:01.640
<v Speaker 2>Jeremy Colhayne, Angeli Jeritana.

0:49:01.200 --> 0:49:02.280
<v Speaker 6>And Patrick McDonald.

0:49:02.520 --> 0:49:04.960
<v Speaker 2>It is a production of Will Ferrell's Big Money Players

0:49:05.000 --> 0:49:09.520
<v Speaker 2>and iHeartMedia Podcasts. Executive produced by Matt Appadaka and produced

0:49:09.520 --> 0:49:13.520
<v Speaker 2>by Alexandra Dennis and Laser Vision Productions. Music by Gabriel

0:49:13.600 --> 0:49:17.479
<v Speaker 2>Ponton and edited by Connor McCabe. Thumbnail art by Josh

0:49:17.560 --> 0:49:21.239
<v Speaker 2>Florey and logo designed by Lucy Tomkowitz. Special thanks to

0:49:21.280 --> 0:49:25.160
<v Speaker 2>Samuel Curtis and The Beautiful Dynasty Typewriter Theater. The opinions

0:49:25.200 --> 0:49:27.840
<v Speaker 2>expressed on this podcast do not reflect the opinions of

0:49:27.840 --> 0:49:30.480
<v Speaker 2>anyone who works on it, not even the performers. Because

0:49:30.520 --> 0:49:32.799
<v Speaker 2>this is an improvised podcast, and we don't know what

0:49:32.840 --> 0:49:36.560
<v Speaker 2>the heck we're talking about. Full video versions of AOAOAOA

0:49:36.680 --> 0:49:39.880
<v Speaker 2>are available on YouTube, so please like and subscribe and

0:49:39.960 --> 0:49:43.440
<v Speaker 2>leave us five star reviews wherever you get your podcasts.

0:49:43.600 --> 0:49:45.880
<v Speaker 2>That's all for now, good night, Hollywood,