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Speaker 1: It was who was it? Oh, it's me and Paul

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Speaker 1: Schneider Mark back in Onoz and Costco run. Yeah. I know.

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Speaker 1: Every time I'm going to Costco, I get a call, right,

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Speaker 1: how do they know?

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Speaker 2: Yeah?

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Speaker 3: You know?

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Speaker 1: And I well, it's often Paul Schneider. And then when

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Speaker 1: we get there, he's like always like patting his pants.

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Speaker 1: He's like, oh, like my membership guard, Like, can I

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Speaker 1: just like jump on you. I'll come up with you.

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Speaker 3: You show and then we'll walk together and hold my

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Speaker 3: hand and it's.

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Speaker 1: Like it's like it's okay if you don't you know,

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Speaker 1: if you don't belong, this is fine with me. Yeah.

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Speaker 1: But today we're just going for lunch and we we

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Speaker 1: get up to the front and we say like like

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Speaker 1: two hot dogs, and they're like are you sure? And

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Speaker 1: I'm like, yeah, two hot dogs. Are you sure about

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Speaker 1: the hot were?

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Speaker 2: They like?

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Speaker 3: Are you sure you don't want one of these chicken bakes?

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Speaker 1: That's what I thought? Yeah, and I did. I think

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Speaker 1: about it, and I say no, I I think I

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Speaker 1: want just hot dog and not a chicken bake up

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Speaker 1: and they say okay, and then they're like like bring

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Speaker 1: out the friggin' truck because I realized we were in

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Speaker 1: the inside part. There's a food area outside and then

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Speaker 1: there's the shopping part inside where everything is like five

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Speaker 1: hundred of them, you know about.

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Speaker 3: Hey, So when you say two hot dugs they're giving you.

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Speaker 1: And they bring these out and we're like okay, like

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Speaker 1: you know, our reaction is kind of like, oh, I

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Speaker 1: don't know, this is too many. That sucks.

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Speaker 3: Yeah, you don't want to eat that many.

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Speaker 1: And though and so. But the people at the counter

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Speaker 1: are like, you don't want them, you know that, and

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Speaker 1: kind of voice like trying to be brave, but they're

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Speaker 1: like you don't want them.

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Speaker 3: And you're afraid they're gonna cry, and I'm.

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Speaker 1: Scared, and I'm like, okay, no, we wanted these are great,

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Speaker 1: thank you. When we started eating them, and some of

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Speaker 1: the people in the store are seeing us do this

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Speaker 1: and they're like, oh, those guys are really nice.

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Speaker 3: Sorry are they uncooked?

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Speaker 1: They are edible, they're not warm, but they're like, you

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Speaker 1: can't eat they're not raw. Yeah, but it's like a

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Speaker 1: hot dog. You can eat them. However, once they come

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Speaker 1: out of the package, they're ready to eat. They're not

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Speaker 1: cold either. Yeah, And people are watching us and be like, oh,

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Speaker 1: these are like nice guys, and like girls are seeing

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Speaker 1: us and be like, oh, that's really sweet that they're

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Speaker 1: doing this. Yeah.

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Speaker 3: Uh.

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Speaker 1: And they're like, hey, guy, like can we like join you?

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Speaker 1: Can we all have some of these hot dogs? And

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Speaker 1: we're like, yeah, you know, cost money. It wasn't free

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Speaker 1: for us.

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Speaker 3: Okay, yeah, so you're actually making money. I ended up

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Speaker 3: everyone's getting pretty horny.

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Speaker 1: Yes, I ended up making a huge amount of money.

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Speaker 1: And everyone at the Costco all had this like a

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Speaker 1: huge party.

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Speaker 3: Congrats to you and Paul, and that sounds like a

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Speaker 3: fun Costco trip.

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Speaker 1: Hey, welcome to Hollywood. Hamblin inside this guy to kicking

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Speaker 1: button dropping names in the red carpet lineback hallways of

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Speaker 1: this industry we called show this. I id of say, wow,

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Speaker 1: what up? What up?

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Speaker 3: Can I just say, oh my gosh, yeah, give me

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Speaker 3: a minute. No, you can't say that because I have

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Speaker 3: something to say first.

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Speaker 1: Wow, And that's why I'm thinking the whole time I

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Speaker 1: was on the way here of saying like oh my god.

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Speaker 3: Why yeah, And I actually called you at one point.

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Speaker 3: You didn't answer, but I left a voicemail and I

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Speaker 3: was just going like wow, yeah, okay, so that's what

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Speaker 3: that was. Yeah, no, I didn't. I didn't know if

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Speaker 3: you'd listened to there.

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Speaker 1: Uh it was Rob and Rob Hubles here real Rob. Wow,

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Speaker 1: the real Rob, Real Rob in the flesh.

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Speaker 2: I did not get any emails that said wow or

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Speaker 2: you know, normally, when I agree to do a job, yeah,

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Speaker 2: one of the the first things that happens is I

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Speaker 2: get a barrage of emails from producers and people involved

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Speaker 2: in the project, and people say how excited they are

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Speaker 2: to have me involved.

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Speaker 3: From the host, from the sidekicks, from the.

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Speaker 2: And so my understanding was that even in the podcasting world,

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Speaker 2: that there would still be a fair amount of back

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Speaker 2: and forth before I came in to do the show.

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Speaker 2: You know, I thought there would be some correspond and

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Speaker 2: some wows.

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Speaker 1: That's what the candy was. I mean, we we send

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Speaker 1: candy to us. That was what the candy.

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Speaker 2: My nutritionist said that he took the candy basket and

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Speaker 2: he said that I can't do.

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Speaker 1: You have that fat nutritionist? Yeah, m hmmm.

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Speaker 3: And he throwing your candy before it gets to you,

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Speaker 3: Gregor Yeah, that's interesting. That's a cool sort of way

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Speaker 3: they'll do it. Is the nutrition is they're.

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Speaker 1: Not healthy at all. They just go off anything unhealthy

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Speaker 1: is here, let me have it.

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Speaker 2: Yeah. Yeah, they're they're like running interference for you to

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Speaker 2: keep you healthy and strong.

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Speaker 1: Yeah interception.

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Speaker 3: Yeah yeah, it's football season.

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Speaker 2: Yeah.

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Speaker 3: Well, I'm sorry if you're disappointed that you didn't get

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Speaker 3: more than the candy. Obviously you didn't get to eat

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Speaker 3: the candy, so of course that's disappointing. I had said,

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Speaker 3: I think Hayzen were going back and forth like who

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Speaker 3: gets to email.

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Speaker 2: Him wow first?

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Speaker 3: Yeah, and it was such a competition yeah, that we

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Speaker 3: wound up not being able to settle it and it

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Speaker 3: was like, okay, nobody email him, wow, will send.

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Speaker 2: Ironically, what happened was when I didn't get enough uh

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Speaker 2: you know, correspondence from you guys confirming the appearance on

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Speaker 2: the podcast. I actually that's what roped me in because

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Speaker 2: you sort.

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Speaker 1: Of okay, good and that is what we meant to do.

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Speaker 2: It all like iced me out, and I was like,

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Speaker 2: so what is the.

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Speaker 3: Deal with these guys, because you had no intention of

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Speaker 3: ever showing up.

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Speaker 2: No, I was not.

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Speaker 1: It was just to get the emails not going to

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Speaker 1: be here, and that was actually our plan the whole time.

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Speaker 2: I didn't want to come until I realized that I

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Speaker 2: wasn't exactly sure how much you guys.

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Speaker 1: Wanted me Yember and Batman three in the beginning when

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Speaker 1: bain Is getting caught was part of his whole plan?

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Speaker 1: That's beginning Batman, Batman, Yes, the third of the Batman's yes, yeah, yeah, yeah,

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Speaker 1: bain Is Yes, it was in some ways just as

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Speaker 1: nefarious and the Man's was getting caught part of your

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Speaker 1: plan in the beginning on the plane.

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Speaker 3: And it turns out he had wanted to right.

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Speaker 1: It feels a bit like that, doesn't Yeah, it's.

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Speaker 3: We're playing three dimensional chests and we're a couple of banes.

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Speaker 2: I got it. It worked. I'm here.

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Speaker 3: Well, uh, and now that you're here, like, how do

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Speaker 3: we started?

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Speaker 1: Because we have to use our time because it's going

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Speaker 1: to take so long to talk about your career.

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Speaker 3: And that's You've got a lot of these careers, isn't it.

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Speaker 3: You know where it takes.

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Speaker 2: Everybody talk about it. A lot of people you.

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Speaker 1: Can't tell from the inside you're inside the career was.

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Speaker 2: I was going through. Uh this is going to sound

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Speaker 2: a little pretentious, but I was walking through the airport

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Speaker 2: yesterday and and someone recognized me and said, oh, you

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Speaker 2: have one of those careers.

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Speaker 1: Wow.

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Speaker 3: Yeah, And to me, that's not pretentious at all, right right,

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Speaker 3: In fact, you're almost underplaying it. And it's very humble,

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Speaker 3: right right right, except the airport part. Yeah, it costs

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Speaker 3: money to just score that.

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Speaker 1: You can't just show up. Well, people don't know that

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Speaker 1: we I'm explaining that to you obviously, you know that

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Speaker 1: I'm explaining to the people who are listening. Well, what

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Speaker 1: I who are now going to be like, Oh, I'll

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Speaker 1: just try walk in there, maybe robs there.

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Speaker 2: Yeah yeah, yeah, okay, Well cost you a couple of

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Speaker 2: bucks a lot of times. If you want to travel,

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Speaker 2: and again this sounds pretentious, please travel. What traveling is

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Speaker 2: is when you are when you get away from where

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Speaker 2: you currently live and you're going to go somewhere else.

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Speaker 2: Now it's to like a a wedding or like a

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Speaker 2: business trip, and you want to go if you want

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Speaker 2: to go the fastest way possible, the fastest.

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Speaker 1: People listening to this will understand in terms of the

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Speaker 1: movie wedding Crashers and the movie Business Trip. Right, So

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Speaker 1: like when they think of that movies, And that's.

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Speaker 3: If you were going to go on the internship and

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Speaker 3: the internship because they are initially they start.

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Speaker 2: Do you mean the intern or the Internship?

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Speaker 1: Oh, well, both are good, but the intern it doesn't

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Speaker 1: have as much traveling.

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Speaker 3: There's more travel in the internship where it's like they're

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Speaker 3: not starting there.

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Speaker 1: But they have to go there.

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Speaker 2: But currently the fastest mode of travel is airplane travel.

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Speaker 3: Yeah, that's unfortunately. That's why I was Yeah, and I

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Speaker 3: know you're working on something faster, fast and furious.

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Speaker 1: Yeah, exactly, but plane in plane.

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Speaker 2: Yeah, yeah, as far as travel, yeah, I have an

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Speaker 2: idea for a mode of travel. Have you do? You

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Speaker 2: know what the I don't know if you've ever seen

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Speaker 2: this thing before. It was like a vacuum tube where

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Speaker 2: they used to put way back before you got I'm

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Speaker 2: older than you guys, but they used to have when

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Speaker 2: you go to the bank and when you make a

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Speaker 2: deposit in the bank, you there was like a little

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Speaker 2: vacuum tube and you would.

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Speaker 1: Put my Chael got his dick stuck in one.

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Speaker 2: Yeah, so you would put your thing and your you know,

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Speaker 2: your business in there, and you put it in there,

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Speaker 2: and you go.

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Speaker 3: Yeah, put your business in don't put your thing in there.

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Speaker 1: Don't put your real business or if you call something

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Speaker 1: you could call it your business too, in which case

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Speaker 1: your business just put like a check in there, yeah, exactly.

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Speaker 2: Check, put cash, put coins, whatever you want in there,

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Speaker 2: and then it gets sucked up into the bank. And

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Speaker 2: so that's what I'm working on, is a mode of

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Speaker 2: travel where you can get sucked up into a bank.

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Speaker 3: Yeah, because yeah, because most of the time when you travel,

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Speaker 3: let's be honest, you're going from outside the bank to

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Speaker 3: inside the bank, that's right, and.

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Speaker 1: Hopefully back, that's right. So what I'm doing, I'm taking

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Speaker 1: them to take a plane there now is very inconvenient.

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Speaker 2: There's the parking. You can't land a plane on a

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Speaker 2: bank unless it's nine to eleven.

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Speaker 1: And yeah, and thank you for saying it, and thank

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Speaker 1: you to the banks for opening up to some of

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Speaker 1: those planes that needed to land and the bank said, hey,

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Speaker 1: we got these these huge roofs.

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Speaker 2: Yeah. But so what I'm doing is my company is

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Speaker 2: exploring the possibility of re using all of those bank

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Speaker 2: suck tubes so that because they just got tossed up

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Speaker 2: yeah yeah, or they got unplugged. So what we're doing

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Speaker 2: is going to go back and then you can go

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Speaker 2: outside of bank, and if you want to go inside

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Speaker 2: that bank, and it may not even be a bank anymore.

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Speaker 2: It could be it may have been turned into something else.

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Speaker 2: Hopefully it's like a restaurant or a nightclub or something

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Speaker 2: like that.

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Speaker 3: That's you get so huge because you diversify a little bit.

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Speaker 2: That's what we're working on. That's where it's going, you know,

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Speaker 2: we hope mm hmm.

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Speaker 3: Yeah. And speaking of you know, just to back it up,

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Speaker 3: we're talking about Fast and Furious with planes, And isn't

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Speaker 3: it kind of bullshit that those movies are called fast

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Speaker 3: and furious when we know there's something faster they could

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Speaker 3: be in for a fact, Yeah, And isn't it like

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Speaker 3: not that fast? And looking back, are they even furious?

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Speaker 2: Right? There's not that much furiousness mm hmm.

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Speaker 1: Yeah, Yeah, there's.

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Speaker 2: Some quickness in some anger or disappointment.

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Speaker 1: Yeah, yeah, there's frustration.

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Speaker 2: Yeah. But yeah, but to say like fast and.

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Speaker 1: Furious compared to a huge plane with a brave pilot.

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Speaker 3: Right right, yeah, right, yeah, and the pilot's like mad, yeah,

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Speaker 3: you know, like truly furious. What might make someone feel

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Speaker 3: that way? Well, you know what, we'll get into it.

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Speaker 3: That's that's a good segue, actually, really good. It could

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Speaker 3: get us into talking about some of your roles where

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Speaker 3: you have had to be great kind of fear.

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Speaker 1: Hey, thank you. Yeah.

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Speaker 3: I hate to point out my own segues, but Hayes

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Speaker 3: won't always do it for me. Yeah, and so to

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Speaker 3: take them wheels off.

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Speaker 2: Will we just because I don't know the format of

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Speaker 2: the show. Will we always announce segus like that every time?

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Speaker 1: So, yes, this is what we always do. We always

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Speaker 1: bring on a guest, and we always talk about every

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Speaker 1: movie they've done in their careers, and when we do

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Speaker 1: a segue to that point, I traditionally have been announcing it,

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Speaker 1: but now lately I've been you know, sort of letting,

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Speaker 1: like pushing Sean off and my hands.

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Speaker 3: I'm a bit of a fledgeling. I've had some crash landings,

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Speaker 3: but this one, I yeah, this one I actually was

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Speaker 3: able to soil organic a yeah, catch a but yeah, freeze.

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Speaker 1: It's what we do is we say, load the page, Ryan,

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Speaker 1: please pull up the page. Yes, load the page. Im deba,

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Speaker 1: thank you. It takes a it takes a little bit.

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Speaker 1: So now we just kind of.

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Speaker 3: Like, and Ryan, does it make any loading noises when

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Speaker 3: it's loaded?

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Speaker 1: Yeah, we always do the loading noises.

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Speaker 3: Yeah, We're not gonna uh huh uh huh. And and

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Speaker 3: what else okay, Yeah, and he's cold.

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Speaker 1: Okay, And is it almost loaded?

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Speaker 2: Ryan, Yeah, I think uh. One thing again, not to

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Speaker 2: sound pretentious, but one of the problems with why it's

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Speaker 2: loading so slow is because of the volume of movies

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Speaker 2: that I've done. Yeah, when we get there, there is

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Speaker 2: h it's a lot of hypertext.

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Speaker 1: And I've noticed it just looking at the page that

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Speaker 1: you've loaded a huge number of personal images. Yeah, you

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Speaker 1: your IMDb. I have a lot on the bio.

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Speaker 2: Yeah, my bio. I'm usually reworking my bio and my

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Speaker 2: nutritionness helps me kind of keep that up to date,

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Speaker 2: helps me word some things.

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Speaker 1: You seem to be keeping track of your body progress

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Speaker 1: in images on your IMDb page.

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Speaker 2: There's a lot of shirtless Yeah, there's a lot of

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Speaker 2: shirtless picks and drawings. Uh, some self portraits that I've

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Speaker 2: done that I like to upload to the Internet, specifically

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Speaker 2: to the Internet Movie Database to allow people to track

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Speaker 2: my body progress, see where I am in in my in.

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Speaker 1: My growth and in your physical journey and my changing.

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Speaker 2: Yeah.

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Speaker 3: Yeah, and you're you're close to becoming right.

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Speaker 2: Yeah. I don't know if you've ever seen Silence of

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Speaker 2: the Lambs.

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Speaker 3: Yeah, the movies, not the I haven't watched it, but yeah.

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Speaker 2: Not the play, but the movie Silence of the Lambs.

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Speaker 1: Okay, yeah, no, I haven't watched it, but I've only

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Speaker 1: seen the Yeah, the kind of black box production.

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Speaker 2: There's a there's a character there that is uh, that

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Speaker 2: is trying to change and become a better person, and

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Speaker 2: I am sort of following in his footsteps.

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Speaker 1: Yeah.

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Speaker 3: And and that's clear from both the images we have

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Speaker 3: where there's these sort of split screen week to week

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Speaker 3: change just but also the drawings of what you hope

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Speaker 3: to be that are graphic.

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Speaker 2: Yeah, it's it's me wearing other people's skin, other people's scalps,

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Speaker 2: stuff like that.

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Speaker 3: And what an artist rob, you know, I mean not

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Speaker 3: everyone can draw that stuff in addition to being an actor.

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Speaker 3: And I appreciate type of artist.

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Speaker 2: I appreciate. I appreciate it. But that is why the

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Speaker 2: page is loading so slowly, because a lot of the

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Speaker 2: drawings are to scale. And yeah, and so they are

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Speaker 2: you know, you're gonna have to your your your researcher

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Speaker 2: is going to be scrolling down a lot.

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Speaker 1: Yeah.

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Speaker 3: And and and we have informer Ryan, Hey, get your

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Speaker 3: you know, do your finger exercises this week because you're

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Speaker 3: going to be doing a lot of scrolling. I think

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Speaker 3: at some point he might want us.

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Speaker 1: Right he said, He said, like, oh, don't worry, I

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Speaker 1: will in this like kind of gross way know what

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Speaker 1: that was referring to. But then that's kind of like like.

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Speaker 2: Almost way ahead of you.

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Speaker 3: And it was sort of way ahead of ruling, like

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Speaker 3: sort of yeah, list vious implication.

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Speaker 1: Do we have full page load status? It's up?

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Speaker 3: Yeah, thank you, full page load status achieved.

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Speaker 1: Please say it that.

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Speaker 3: Way Ryan, And.

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Speaker 1: Uh, so we always we do this every week.

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Speaker 3: It's the same show every week. I'd love it for

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Speaker 3: you to learn any aspect of it.

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Speaker 2: Are we going to break for food for lunch.

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Speaker 1: And stuff lunch now?

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Speaker 3: Nutritionness is not around so.

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Speaker 2: Well, he's circling the block.

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Speaker 3: Ah, yes, couldn't find parking.

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Speaker 2: Couldn't find parking and uh prefers to circle the block

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Speaker 2: listening to the podcast live whoa feed? He has a life?

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Speaker 1: Okay?

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Speaker 3: And does he texted you any thoughts so far?

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Speaker 2: It's great?

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Speaker 1: Oh wow, that's yeah.

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Speaker 2: He thinks everything's going great so far. That's huge. Nice

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Speaker 2: all right. He appreciates all the shout outs.

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Speaker 3: We don't get that really feedback that's really big for us. Yeah,

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Speaker 3: of course he likes it. He's been one of the

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Speaker 3: stars of it.

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Speaker 1: The answer is yes, we always take a lunch break.

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Speaker 1: It's kind of like a mandated.

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Speaker 2: Live Is it a walk away?

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Speaker 1: Can't for you? I think we did negotiate a walk away. Yeah,

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Speaker 1: I can look at the terms. Not, I will say

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Speaker 1: not everyone gets.

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Speaker 2: A walk a double banger or a triple banger.

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Speaker 1: Uh. Yeah, it's going to be a triple banger.

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Speaker 3: And I do feel so sorry about that. We obviously

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Speaker 3: wanted a honey wagon. And what happened in sort of

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Speaker 3: sorting through this stuff was it became an issue of space.

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Speaker 3: Oh okay, it became an issue of space, became an issue.

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Speaker 1: Of real estate.

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Speaker 2: Okay, we're indoors, okay.

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Speaker 3: And he's mad and so for people can't see he's

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Speaker 3: really mad, you know, And which is what we initially

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Speaker 3: started talking about. And this is a good segue some

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Speaker 3: of your roles. Where you've been kind of furious, where

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Speaker 3: you've been kind of little secret.

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Speaker 2: I was pretending that whole time. I was, okay, give

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Speaker 2: you a live sampling. Yeah, but it feels like when

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Speaker 2: I am furious to be so furious.

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Speaker 3: And so we're yeah, so we're looking at your roles,

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Speaker 3: and a lot of them are furious, most of them.

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Speaker 2: A lot of There's a certain level of furiosity there

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Speaker 2: that I will bring to it.

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Speaker 1: Uh.

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Speaker 2: If it's a role, you know, willing to go there.

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Speaker 2: If it's a part, I'm also willing to go there

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Speaker 2: either way. If it's a part or a role, I'm

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Speaker 2: willing to be furious. If it's a challenge, yeah, or

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Speaker 2: like a character or oh wow, yeah, I would do that.

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Speaker 2: I would be furious.

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Speaker 3: I'm getting yeah, blown away.

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Speaker 1: Here do you want to say the first one? Yeah?

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Speaker 3: Okay, So I go down, Yeah, as I just scroll

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Speaker 3: and I'm just randomly click.

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Speaker 1: Okay. So you know, obviously.

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Speaker 3: You played Dino in in the film Bush Smasher, and

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Speaker 3: you know, I mean, talk a little bit about your experience,

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Speaker 3: talk about getting you know, the script, kind of getting

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Speaker 3: the offer, putting the director through his paces, all your stuff.

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Speaker 2: Well, what I didn't Bush Smasher is loosely based on

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Speaker 2: Bush Smasher two. They made the c yes first, and then.

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Speaker 1: There was a demand for explaining a lot of the

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Speaker 1: stuff that happened in Bush Smasher. Too.

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Speaker 3: It's like when they yeah, when they were doing like

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Speaker 3: the Tyler Perry model for a lot of things model.

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Speaker 2: The current model in Hollywood is to put out the

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Speaker 2: sequel first because it implies success. So if you have

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Speaker 2: the implication of success, people will go see that and

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Speaker 2: I'll go, yeah, this is amazing. Why didn't I see

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Speaker 2: the first one? Why didn't see Bush Smasher one?

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Speaker 1: Yeah? And the tagline is something like He's back, baby.

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Speaker 2: Yeah, and everyone driving by seas the billboard and they're like,

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Speaker 2: who is back? I gotta go see the first one?

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Speaker 1: And there's real art.

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Speaker 3: I think to making the second one for in a

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Speaker 3: way that you can follow it, But that does imply

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Speaker 3: there's a mythology which has not been established.

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Speaker 1: Like for example, like but in Bush Smasher Too, I

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Speaker 1: remember a lot of the characters were saying they missed Dino.

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Speaker 1: There was a lot of build up for yeah, that's right,

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Speaker 1: bush Smasher.

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Speaker 2: And so Dino, as you guys know, is the uh

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Speaker 2: He's the gentleman rancher that lives next door. And a

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Speaker 2: lot of times, you know, the bush Smasher will come

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Speaker 2: outside now you know, in his front yard and he's like,

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Speaker 2: you know, obviously doing what he's doing. What he does,

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Speaker 2: you know, smashing bushes, stomping on bushes, burning, burning, pulling

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Speaker 2: up bushes, you know, gardening. Yeah, yeah, you know, topiery

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Speaker 2: stuff like that.

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Speaker 1: Yeah. And then a lot of people took a sexual

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Speaker 1: connotation from that title, which I think was I think

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Speaker 1: it was just I think it was I think it

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Speaker 1: was a metaphor.

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Speaker 3: Sometimes. The way that he would attack the physical bush

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Speaker 3: in his yard was supposed to represent some of his frustration.

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Speaker 2: Yeah. I didn't even you know now that you're saying that,

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Speaker 2: hearing that now, right, I didn't pick up on that.

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Speaker 1: No, it's only because I have some gross friends.

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Speaker 2: Yeah, that is interesting means, But so Dino would be

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Speaker 2: like the guy the next door neighbor, like a gentleman ranch. Yeah,

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Speaker 2: would come over and would make you know. What the

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Speaker 2: directors had to do is just to make like casual

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Speaker 2: chit chat, like you know, all of the dialogue. Frame

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Speaker 2: it more like casual chit chat, you know, don't make

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Speaker 2: it seem like a monologue, make it seem like just

441
00:20:35,920 --> 00:20:37,119
Speaker 2: two people talking.

442
00:20:37,240 --> 00:20:39,600
Speaker 3: But these were multi page speeches.

443
00:20:39,320 --> 00:20:41,560
Speaker 1: For sure, all the line for sure.

444
00:20:42,280 --> 00:20:45,600
Speaker 2: And they would shoot it in such a way where

445
00:20:45,600 --> 00:20:48,640
Speaker 2: I would look straight down the barrel and do the

446
00:20:48,680 --> 00:20:50,720
Speaker 2: whole thing straight into the lens.

447
00:20:51,160 --> 00:20:53,480
Speaker 3: And the bush Smasher was never on set with you.

448
00:20:53,480 --> 00:20:56,240
Speaker 2: No, the bush Smasher didn't even have to be there

449
00:20:56,240 --> 00:20:59,359
Speaker 2: and was not there. Yeah, but but so I would do,

450
00:21:00,320 --> 00:21:02,720
Speaker 2: you know, all of my lines straight down the barrel,

451
00:21:03,080 --> 00:21:06,320
Speaker 2: but in them in the sort of way that would

452
00:21:06,400 --> 00:21:07,840
Speaker 2: feel like casual chit chat.

453
00:21:07,960 --> 00:21:10,920
Speaker 1: Wow, there's a choice. I was always curious about it.

454
00:21:11,000 --> 00:21:13,400
Speaker 1: So Dino is missing for the second movie that seem

455
00:21:13,440 --> 00:21:15,479
Speaker 1: they talk about him as if he is dead. It

456
00:21:15,480 --> 00:21:17,159
Speaker 1: turns out at the end of the movie that he

457
00:21:17,240 --> 00:21:20,639
Speaker 1: has just moved. Yeah, he moved away to Disney World, Yeah,

458
00:21:20,760 --> 00:21:23,520
Speaker 1: which is only like a block away, Yeah, which is

459
00:21:23,640 --> 00:21:28,439
Speaker 1: really close. And he left all his cows. Yeah, like

460
00:21:28,520 --> 00:21:30,600
Speaker 1: it seems like he's like forgot them.

461
00:21:30,560 --> 00:21:34,600
Speaker 2: Or something because he's a gentleman rancher and so yeah,

462
00:21:34,640 --> 00:21:38,120
Speaker 2: obviously a gentleman rancher is gonna leave behind all of

463
00:21:38,160 --> 00:21:43,880
Speaker 2: the farm animals. Yeah, all of the livestock, cows, you know, horses, whatever,

464
00:21:43,920 --> 00:21:44,600
Speaker 2: they're but they.

465
00:21:44,480 --> 00:21:47,080
Speaker 1: Start you see them all just starved in real time,

466
00:21:47,160 --> 00:21:49,160
Speaker 1: and he can see them from Disney One.

467
00:21:49,240 --> 00:21:50,200
Speaker 2: Yeah, in real time.

468
00:21:50,320 --> 00:21:51,920
Speaker 1: We see the goose starves.

469
00:21:52,000 --> 00:21:53,360
Speaker 2: Yeah, we see them.

470
00:21:53,600 --> 00:21:55,760
Speaker 3: Well because he's not he's not in Pu Smasher too,

471
00:21:55,800 --> 00:21:58,080
Speaker 3: but there are a lot of Dino po v shots

472
00:21:58,119 --> 00:22:01,320
Speaker 3: where Cairn binocular.

473
00:22:01,040 --> 00:22:03,439
Speaker 2: Can also give you a little I guess, like what

474
00:22:03,480 --> 00:22:05,480
Speaker 2: they call a factoid or like a fun fact.

475
00:22:05,600 --> 00:22:07,840
Speaker 3: Oh, I'd love that, Yeah, a piece of movie trivia

476
00:22:07,920 --> 00:22:09,080
Speaker 3: from my pub trivia nights.

477
00:22:09,160 --> 00:22:11,879
Speaker 2: Yeah, and this isn't even like a segue or anything

478
00:22:11,920 --> 00:22:14,880
Speaker 2: like that. This is just a brief factoid or fun

479
00:22:14,920 --> 00:22:17,679
Speaker 2: fact and they go straight back into it. Originally the

480
00:22:17,720 --> 00:22:19,439
Speaker 2: movie a lot of people, they got a lot of

481
00:22:19,440 --> 00:22:21,920
Speaker 2: pushback from the studio because the movie is called Bush

482
00:22:21,960 --> 00:22:24,119
Speaker 2: Smasher and a lot of people thought it would be

483
00:22:24,119 --> 00:22:27,280
Speaker 2: better if it was just called bush Master. Sure, so

484
00:22:27,640 --> 00:22:31,040
Speaker 2: they focus grouped it and then Bush Smasher was just

485
00:22:31,080 --> 00:22:32,480
Speaker 2: easier to say than bush Master.

486
00:22:32,800 --> 00:22:35,679
Speaker 3: Yeah, bush Master. I can see why you would want

487
00:22:35,720 --> 00:22:37,359
Speaker 3: that because he is a master of the bush and

488
00:22:37,720 --> 00:22:40,160
Speaker 3: he is mastering those bushes in a way with his

489
00:22:40,440 --> 00:22:46,000
Speaker 3: h with his shears. Yeah, but he also smashing them.

490
00:22:46,480 --> 00:22:48,360
Speaker 3: He's smashing the leaves off with the blades.

491
00:22:48,640 --> 00:22:49,960
Speaker 2: Yeah.

492
00:22:50,200 --> 00:22:53,240
Speaker 3: But yeah, I mean it must have been informative for

493
00:22:53,320 --> 00:22:56,080
Speaker 3: you to know, like ultimately where your character was going

494
00:22:56,480 --> 00:22:58,640
Speaker 3: and to sort of slot into the.

495
00:22:58,640 --> 00:23:05,639
Speaker 2: Traving I've been seeing the sequel first Bush Smasher to First,

496
00:23:05,760 --> 00:23:10,320
Speaker 2: I knew that Dino would be moving away out of

497
00:23:10,320 --> 00:23:14,200
Speaker 2: the neighborhood and.

498
00:23:13,320 --> 00:23:15,560
Speaker 3: And getting some pretty powerful binoculars to watch all the

499
00:23:15,560 --> 00:23:16,200
Speaker 3: way from Disney.

500
00:23:16,240 --> 00:23:20,960
Speaker 2: Yeah, and so I you know, I said to them,

501
00:23:21,000 --> 00:23:23,000
Speaker 2: I was like, well, what if we cut to Dino

502
00:23:23,080 --> 00:23:25,560
Speaker 2: every now and then he's looking through the binoculars at

503
00:23:25,880 --> 00:23:29,760
Speaker 2: you know, at the Bushmasher. And they said, I don't

504
00:23:29,760 --> 00:23:30,080
Speaker 2: think we.

505
00:23:30,040 --> 00:23:32,479
Speaker 1: Need it, yeah, which I thought was appropriate.

506
00:23:32,520 --> 00:23:33,520
Speaker 2: You know, I thought that was appropriate.

507
00:23:33,560 --> 00:23:36,399
Speaker 3: It's like, you know, did you bring to it that

508
00:23:36,480 --> 00:23:38,680
Speaker 3: you were because you're obviously wearing one of those sort

509
00:23:38,680 --> 00:23:41,480
Speaker 3: of novelty goofy hats where it looks like goofy space

510
00:23:41,560 --> 00:23:42,960
Speaker 3: and the two here's hanging down.

511
00:23:43,240 --> 00:23:44,000
Speaker 1: I wondered if.

512
00:23:43,840 --> 00:23:46,240
Speaker 3: Maybe that was because you know, he's gonna move to

513
00:23:46,320 --> 00:23:50,880
Speaker 3: Disney or did was that your idea that the directors bring.

514
00:23:50,720 --> 00:23:54,000
Speaker 2: That was that was from the marketing department to be

515
00:23:54,359 --> 00:23:55,360
Speaker 2: product tie.

516
00:23:55,160 --> 00:23:58,880
Speaker 1: In, hoping to maybe have Disney as the studio once

517
00:23:58,960 --> 00:23:59,920
Speaker 1: the after the movie.

518
00:24:00,040 --> 00:24:01,600
Speaker 2: That's right, So a lot of times what they'll do

519
00:24:01,680 --> 00:24:04,640
Speaker 2: now the current model in Hollywood is they will oftentimes

520
00:24:04,680 --> 00:24:11,200
Speaker 2: incorporate toys and era products, you know, beverages, snacks, stuff

521
00:24:11,200 --> 00:24:15,119
Speaker 2: like that, and they'll use it hoping to later get

522
00:24:16,119 --> 00:24:17,320
Speaker 2: that company involved.

523
00:24:17,880 --> 00:24:19,760
Speaker 3: Yeah, I noticed it felt like they were trying to

524
00:24:19,880 --> 00:24:22,800
Speaker 3: launch a drink company, a beverage company out of the film.

525
00:24:23,400 --> 00:24:25,879
Speaker 3: There are so many scenes where people are talking about

526
00:24:25,920 --> 00:24:28,960
Speaker 3: the specific sports drink that they're having, which I was

527
00:24:29,040 --> 00:24:30,240
Speaker 3: unable to find anywhere.

528
00:24:30,440 --> 00:24:33,439
Speaker 2: And then well a lot of the dialogue is like,

529
00:24:33,800 --> 00:24:36,760
Speaker 2: you know, are you enjoying your Monster energy drink? You know,

530
00:24:36,920 --> 00:24:39,080
Speaker 2: and then the next person will say, you know, what

531
00:24:39,119 --> 00:24:41,720
Speaker 2: are you drinking? I'm drinking red Bull Purple Addition or

532
00:24:42,040 --> 00:24:42,320
Speaker 2: you know.

533
00:24:42,320 --> 00:24:44,360
Speaker 1: But it doesn't seem like they know that those are

534
00:24:44,400 --> 00:24:49,040
Speaker 1: already drinks. Yes, yeah, no, and the fingers crossed.

535
00:24:49,080 --> 00:24:51,280
Speaker 3: This will be a drink that everyone could find somewhere soon,

536
00:24:51,320 --> 00:24:52,120
Speaker 3: they would say a lot.

537
00:24:52,240 --> 00:24:54,680
Speaker 1: Yeah, but but it already was, that's right.

538
00:24:54,840 --> 00:24:57,800
Speaker 2: Yeah. But all of that is is trying to get

539
00:24:57,840 --> 00:25:01,760
Speaker 2: those companies to some for the movie financially, and with

540
00:25:01,800 --> 00:25:04,800
Speaker 2: the goofy Hat specifically, that was we were hoping that

541
00:25:04,840 --> 00:25:06,040
Speaker 2: Disney would pick the movie up.

542
00:25:06,560 --> 00:25:09,119
Speaker 1: Thank you, uh pay, did you have a film that

543
00:25:09,160 --> 00:25:11,680
Speaker 1: you want? I have always wanted to talk to Rob

544
00:25:12,240 --> 00:25:13,480
Speaker 1: about I'll just scroll down.

545
00:25:13,520 --> 00:25:15,640
Speaker 2: I mean, if you want to just scroll.

546
00:25:16,080 --> 00:25:19,640
Speaker 1: Is there like a Roulette wheel feature on IMDb? Still?

547
00:25:19,760 --> 00:25:23,199
Speaker 1: Oh yeah, okay, Ryan, can you spend your IMDb Roulette

548
00:25:23,200 --> 00:25:26,600
Speaker 1: wheel pit please? Yeah? And volume all the way up

549
00:25:26,600 --> 00:25:27,720
Speaker 1: for the sound of the Roulett wheel.

550
00:25:27,720 --> 00:25:34,120
Speaker 3: Okay, get that cat out of here?

551
00:25:35,320 --> 00:25:37,160
Speaker 2: What is there? Why is a fucking cat in here?

552
00:25:38,640 --> 00:25:40,840
Speaker 2: Nutrition has told me that I'm allergic to cats? Oh

553
00:25:40,920 --> 00:25:41,800
Speaker 2: wow boy?

554
00:25:42,000 --> 00:25:44,600
Speaker 1: So okay, So he was like, give me all give

555
00:25:44,640 --> 00:25:46,520
Speaker 1: me all the cats that you have, and.

556
00:25:46,440 --> 00:25:49,520
Speaker 2: Then so I bring him cats that he will eat.

557
00:25:50,040 --> 00:25:53,199
Speaker 2: And part of the reason why he's uh, you know,

558
00:25:53,760 --> 00:25:55,840
Speaker 2: we said not in shape. This is embarrassing because now

559
00:25:55,880 --> 00:25:57,800
Speaker 2: I know that he's listened to a live stream of this.

560
00:25:57,800 --> 00:25:59,280
Speaker 3: And we talked about his body and kind of but

561
00:25:59,320 --> 00:26:02,239
Speaker 3: not flattering, right uh. I.

562
00:26:02,440 --> 00:26:05,679
Speaker 1: So what we've landed on is your voice roll. I

563
00:26:05,720 --> 00:26:09,920
Speaker 1: know you do a lot of animation stuff of the

564
00:26:09,920 --> 00:26:15,639
Speaker 1: the Nasty Duck in in Gay Frog Forest. Yeah. The

565
00:26:15,680 --> 00:26:18,520
Speaker 1: big question for me was the was the title of

566
00:26:18,520 --> 00:26:21,000
Speaker 1: the movie. If you know anything about this, the decision

567
00:26:21,040 --> 00:26:24,119
Speaker 1: to after the fact, have all the animals in this

568
00:26:24,160 --> 00:26:27,639
Speaker 1: forest be gay when it's never like mentioned in the

569
00:26:27,680 --> 00:26:30,720
Speaker 1: actual movie, like there's no well, there's.

570
00:26:30,520 --> 00:26:34,600
Speaker 3: No sexuality, there's no reference children a children's movie.

571
00:26:35,240 --> 00:26:38,760
Speaker 2: So we thought that it would be forward thinking to

572
00:26:39,040 --> 00:26:41,920
Speaker 2: call the movie gay frog Forest, but not have the

573
00:26:42,040 --> 00:26:46,160
Speaker 2: frogs act in a stereotypical, uh gay way.

574
00:26:46,280 --> 00:26:46,480
Speaker 1: You know.

575
00:26:46,560 --> 00:26:48,280
Speaker 2: We felt like that would be like really on the nose,

576
00:26:48,320 --> 00:26:49,720
Speaker 2: so they don't ever act like.

577
00:26:50,000 --> 00:26:53,359
Speaker 4: So you you look, if you go back and look,

578
00:26:53,560 --> 00:26:59,520
Speaker 4: you can see some gay uh you know, pretty graphic

579
00:26:59,560 --> 00:27:01,640
Speaker 4: sex on way in the background in the back.

580
00:27:02,520 --> 00:27:03,640
Speaker 1: And that's been the party line.

581
00:27:03,640 --> 00:27:06,119
Speaker 3: And I've obviously freeze framed my way through this picture

582
00:27:06,119 --> 00:27:09,840
Speaker 3: a number of times, but you know that, sorry, it

583
00:27:09,840 --> 00:27:12,120
Speaker 3: doesn't always hold water for me. Because it was released

584
00:27:12,200 --> 00:27:15,360
Speaker 3: just as frog Forest for about a month before it became.

585
00:27:16,480 --> 00:27:19,080
Speaker 1: And a lot of the posters seemed that hand written

586
00:27:19,160 --> 00:27:20,359
Speaker 1: on the poster.

587
00:27:20,200 --> 00:27:23,720
Speaker 2: It looked as though someone had gone back over all

588
00:27:23,720 --> 00:27:26,840
Speaker 2: the billboards and the some of the street art and

589
00:27:27,040 --> 00:27:31,320
Speaker 2: uh and you know, and put hand spray painted gay

590
00:27:32,680 --> 00:27:35,920
Speaker 2: over the over the over the official.

591
00:27:35,680 --> 00:27:38,199
Speaker 3: Like maybe some kid just did that to one and

592
00:27:38,240 --> 00:27:39,720
Speaker 3: then went, well, let's roll.

593
00:27:39,720 --> 00:27:42,040
Speaker 2: Or maybe it was like a kid in like a gang, like, uh,

594
00:27:42,200 --> 00:27:47,920
Speaker 2: what's that gang? M thirteen and sixteen ran we gotta

595
00:27:48,040 --> 00:27:49,840
Speaker 2: we gotta get him out. We got to build a wall.

596
00:27:50,680 --> 00:27:55,399
Speaker 2: But but the Yeah, so a lot of people thought

597
00:27:55,400 --> 00:27:58,960
Speaker 2: that that was just like a tagger the tag gay

598
00:27:59,160 --> 00:28:01,720
Speaker 2: on top of it, or someone that will past building

599
00:28:01,760 --> 00:28:04,600
Speaker 2: a wall. No, I would love to talk about it.

600
00:28:04,720 --> 00:28:08,119
Speaker 3: Yeah, so you have this idea for a gang wall

601
00:28:08,560 --> 00:28:10,720
Speaker 3: that just goes up in front of billboards so that

602
00:28:10,800 --> 00:28:12,040
Speaker 3: nobody can tag them.

603
00:28:12,080 --> 00:28:15,919
Speaker 2: That's right if you're gonna because here's what we're looking at.

604
00:28:17,000 --> 00:28:20,680
Speaker 2: You know, when you spend the money in the time

605
00:28:21,200 --> 00:28:23,760
Speaker 2: to make art and you put it out there, and

606
00:28:23,800 --> 00:28:26,920
Speaker 2: you promote it and you and you do a marketing campaign,

607
00:28:27,040 --> 00:28:29,639
Speaker 2: the last thing you want is for some gang to

608
00:28:29,760 --> 00:28:33,040
Speaker 2: come along and deface it, you know, with uh and.

609
00:28:33,040 --> 00:28:36,400
Speaker 3: To disrespect your work. Your time's finding bloopers, you know.

610
00:28:36,480 --> 00:28:39,200
Speaker 2: That's right. Most of the people that go to movies

611
00:28:39,520 --> 00:28:41,120
Speaker 2: are gonna sit there for the blooper reel.

612
00:28:41,360 --> 00:28:42,480
Speaker 1: So yeah, how.

613
00:28:42,400 --> 00:28:45,520
Speaker 2: Are they going to know even where the movie's playing? Yeah,

614
00:28:45,560 --> 00:28:48,600
Speaker 2: if the movie posters defaced by gangs, it.

615
00:28:48,480 --> 00:28:50,880
Speaker 1: Creates embarrassing situations for me as well. Where I see

616
00:28:50,880 --> 00:28:53,440
Speaker 1: a billboard and naturally if I if it sparks my interest,

617
00:28:53,440 --> 00:28:55,720
Speaker 1: I will go straight to the movie from seeing the billboard. Yeah,

618
00:28:55,760 --> 00:28:58,720
Speaker 1: and I'll ask for a ticket for what I think

619
00:28:58,760 --> 00:29:01,760
Speaker 1: the movie is called, sit loudly and I'll say, from

620
00:29:01,800 --> 00:29:04,960
Speaker 1: the back of the line, one ticket for Logan Fucky please,

621
00:29:05,000 --> 00:29:07,400
Speaker 1: for example. Yeah, And then I find out that that's

622
00:29:07,400 --> 00:29:10,400
Speaker 1: not what the movie is called. Yeah, and I'm shamed

623
00:29:10,400 --> 00:29:13,040
Speaker 1: by all the gang members who are at the in

624
00:29:13,160 --> 00:29:15,640
Speaker 1: the line at the theater exactly what happened.

625
00:29:15,680 --> 00:29:17,840
Speaker 2: Yeah, they laugh because they tricked you.

626
00:29:17,920 --> 00:29:19,880
Speaker 1: So what a wall that says no gangs.

627
00:29:20,000 --> 00:29:21,600
Speaker 2: So what we're trying to do is build a wall

628
00:29:22,600 --> 00:29:25,720
Speaker 2: around movie posters, around movie marketing to keep out the

629
00:29:25,760 --> 00:29:30,840
Speaker 2: gang members from defacing it, from drawing dicks on people's faces,

630
00:29:31,360 --> 00:29:33,120
Speaker 2: from writing stuff like and you.

631
00:29:33,120 --> 00:29:35,840
Speaker 3: Seem to be in an outsized number of movies with

632
00:29:35,960 --> 00:29:39,360
Speaker 3: billboards that kind of lend themselves to being defaced.

633
00:29:39,400 --> 00:29:39,800
Speaker 2: That's right.

634
00:29:40,320 --> 00:29:42,920
Speaker 3: A lot of times it's just you with your mouth

635
00:29:42,920 --> 00:29:43,560
Speaker 3: wide open.

636
00:29:43,840 --> 00:29:46,280
Speaker 2: Yeah, a lot of times it's me. It's close up

637
00:29:46,280 --> 00:29:53,080
Speaker 2: shots of my face, you know, almost begging for like

638
00:29:53,080 --> 00:29:55,480
Speaker 2: like big Harry dick in my mouth or to.

639
00:29:55,480 --> 00:29:58,560
Speaker 1: Be going in or coming in the movie. Imaginary HOGI

640
00:29:59,080 --> 00:30:01,000
Speaker 1: is a big because.

641
00:30:01,000 --> 00:30:04,880
Speaker 2: You look at the movie poster. Yeah, I'm obviously sitting

642
00:30:04,920 --> 00:30:08,080
Speaker 2: there smiling really wide with my mouth wide open, with

643
00:30:08,160 --> 00:30:09,760
Speaker 2: my tongue out. Yeah.

644
00:30:09,800 --> 00:30:13,280
Speaker 1: And uh, surprise party coma. Surprise party coma as well,

645
00:30:13,320 --> 00:30:14,800
Speaker 1: where you.

646
00:30:14,240 --> 00:30:19,320
Speaker 3: Walk in surprise and.

647
00:30:18,440 --> 00:30:21,840
Speaker 2: I get so shocked that I fall into a coma

648
00:30:22,400 --> 00:30:25,160
Speaker 2: with my mouth wide open, surprise look on my face.

649
00:30:25,200 --> 00:30:27,720
Speaker 2: So when we did the marketing for that, they said,

650
00:30:27,760 --> 00:30:30,840
Speaker 2: you know, what about just that you know iconic.

651
00:30:32,000 --> 00:30:35,080
Speaker 3: Yeah, yeah, yeah, which after Imaginary HOGI, you must have

652
00:30:35,120 --> 00:30:36,920
Speaker 3: had some reservations about that.

653
00:30:36,800 --> 00:30:40,400
Speaker 2: Yeah, And so they so again in both of those,

654
00:30:41,480 --> 00:30:47,920
Speaker 2: so many people Drew dicks come piss even Like have

655
00:30:47,960 --> 00:30:50,080
Speaker 2: you ever seen it when they when someone will draw

656
00:30:50,160 --> 00:30:53,560
Speaker 2: like uh, like a little like shoot shoot train of

657
00:30:53,600 --> 00:30:55,880
Speaker 2: ship like going in your mouth. You know, it's like

658
00:30:56,320 --> 00:30:56,680
Speaker 2: it's like.

659
00:30:56,640 --> 00:31:03,120
Speaker 1: The yeah, right.

660
00:31:03,280 --> 00:31:06,520
Speaker 2: So a lot of people did that. And so, you know,

661
00:31:06,640 --> 00:31:12,480
Speaker 2: after that experience on Imaginary HOGI and well and not.

662
00:31:12,480 --> 00:31:14,560
Speaker 3: To I mean not to sort of like Hammery, but

663
00:31:14,720 --> 00:31:18,200
Speaker 3: like the you know, the the movie where you were

664
00:31:18,200 --> 00:31:20,840
Speaker 3: just getting something from behind the couch and you were

665
00:31:20,840 --> 00:31:22,640
Speaker 3: just sort of so it's just kind of your butt

666
00:31:22,640 --> 00:31:25,040
Speaker 3: in the air as you're like you had like dropped

667
00:31:25,040 --> 00:31:26,400
Speaker 3: some change behind the couch and you're.

668
00:31:26,400 --> 00:31:30,640
Speaker 2: Meant over couch, couch finder, thank you.

669
00:31:30,680 --> 00:31:31,440
Speaker 1: I couldn't remember.

670
00:31:31,720 --> 00:31:34,800
Speaker 2: But that's the thing, is like when you spend the time,

671
00:31:34,960 --> 00:31:37,680
Speaker 2: you spend the money, the effort to show up and

672
00:31:38,120 --> 00:31:41,480
Speaker 2: blooper do the blooper reel to you know, I get

673
00:31:41,520 --> 00:31:43,360
Speaker 2: there in the morning, I go into my triple banger.

674
00:31:43,440 --> 00:31:45,520
Speaker 2: I'm excited to do the work, and then when the

675
00:31:45,520 --> 00:31:48,080
Speaker 2: movie poster comes out, it's me reaching over the couch

676
00:31:48,160 --> 00:31:53,720
Speaker 2: and like you can see, you know, uh.

677
00:31:51,920 --> 00:31:52,000
Speaker 1: A.

678
00:31:53,760 --> 00:31:58,280
Speaker 2: Straight shot of my butt. It is disappointing when gang

679
00:31:58,360 --> 00:32:02,120
Speaker 2: members will come along and draw things like, you know,

680
00:32:02,240 --> 00:32:05,360
Speaker 2: like a big dick going into my boat all the way,

681
00:32:05,760 --> 00:32:08,080
Speaker 2: or like a big dick like going like in and

682
00:32:08,120 --> 00:32:09,120
Speaker 2: out of my body.

683
00:32:09,160 --> 00:32:11,000
Speaker 3: Coming they've got some motion lines.

684
00:32:11,080 --> 00:32:12,880
Speaker 1: Then you really filling the blame.

685
00:32:13,160 --> 00:32:15,840
Speaker 2: Panels something like the dick is like really hard and

686
00:32:15,960 --> 00:32:21,240
Speaker 2: like like someone's like someone's made this cartoon dick hard. Yeah.

687
00:32:20,520 --> 00:32:21,600
Speaker 1: Yeah. Oh.

688
00:32:21,640 --> 00:32:25,680
Speaker 3: And of course Ken okay and Kevin must have known somehow,

689
00:32:25,760 --> 00:32:27,240
Speaker 3: and great timing, keV.

690
00:32:27,120 --> 00:32:29,280
Speaker 1: What what what made you want to come in now?

691
00:32:30,360 --> 00:32:34,480
Speaker 3: Jesus said, And he's sort of I mean, he is

692
00:32:34,560 --> 00:32:36,760
Speaker 3: basically like one of these gang members in terms of

693
00:32:37,120 --> 00:32:41,440
Speaker 3: his sick, twisted mind. Yeah, can only think.

694
00:32:41,280 --> 00:32:43,800
Speaker 1: He's certainly enough to be a gang member. It's a

695
00:32:43,840 --> 00:32:48,000
Speaker 1: toughness issue at this point. It's like, are you at

696
00:32:48,040 --> 00:32:49,040
Speaker 1: climbing walls?

697
00:32:49,560 --> 00:32:53,520
Speaker 2: I'm pretty good. I can do it faster than most people,

698
00:32:53,680 --> 00:32:55,600
Speaker 2: but I fall often. It hurts.

699
00:32:56,120 --> 00:32:57,200
Speaker 1: He's a weak pervert.

700
00:32:57,640 --> 00:33:03,040
Speaker 3: Yeah, okay, yeah he's. For a while he was trying

701
00:33:03,040 --> 00:33:06,200
Speaker 3: to get us to call him Peter Parkour because he

702
00:33:06,320 --> 00:33:08,720
Speaker 3: was like climbing walls all the time, right.

703
00:33:08,680 --> 00:33:11,600
Speaker 1: Like Spider Man and the Parkour guy. It is like,

704
00:33:11,720 --> 00:33:13,000
Speaker 1: just be spider Yeah.

705
00:33:13,000 --> 00:33:15,160
Speaker 3: Just be Spider Man at that point, because you can

706
00:33:15,200 --> 00:33:18,360
Speaker 3: climb the wall, you know. But I don't know. It's

707
00:33:18,440 --> 00:33:20,880
Speaker 3: it's Kevin's thing. It's not my thing. You know, it's

708
00:33:20,880 --> 00:33:21,600
Speaker 3: not my place.

709
00:33:21,680 --> 00:33:23,640
Speaker 1: But the tags on gay Frog Wars were not I

710
00:33:23,760 --> 00:33:24,760
Speaker 1: was not a gang member.

711
00:33:24,840 --> 00:33:26,640
Speaker 3: That was and I got us off that. Did you

712
00:33:26,720 --> 00:33:30,320
Speaker 3: want to talk more about that? I mean the Nasty Duck.

713
00:33:30,200 --> 00:33:31,680
Speaker 2: Or what you know? Like, oh, you wanted to hear

714
00:33:31,680 --> 00:33:32,920
Speaker 2: a little sample of the voice?

715
00:33:33,080 --> 00:33:34,880
Speaker 1: Yeah, I guess I would love I would love it

716
00:33:35,240 --> 00:33:37,520
Speaker 1: if we could invite Nasty Duck into the room. That

717
00:33:37,160 --> 00:33:38,200
Speaker 1: would I.

718
00:33:38,120 --> 00:33:41,840
Speaker 2: Will I will tell you that when I do the voice,

719
00:33:42,960 --> 00:33:48,280
Speaker 2: I will be completely unrecognizable physically. Uh, for you guys

720
00:33:48,320 --> 00:33:50,520
Speaker 2: looking at me and here in this room, you won't

721
00:33:50,520 --> 00:33:53,880
Speaker 2: be able to physically recognize him, Rob go Yeah. And

722
00:33:54,080 --> 00:33:57,360
Speaker 2: also for people listening to this recording or if you're

723
00:33:57,400 --> 00:34:00,000
Speaker 2: streaming it live right now, if you're a nutritionists, say dry,

724
00:34:00,000 --> 00:34:05,080
Speaker 2: I mean around the block, you won't recognize me as me.

725
00:34:05,280 --> 00:34:06,920
Speaker 1: Is there a risk it they'll be transported to the

726
00:34:06,960 --> 00:34:08,280
Speaker 1: forest when they hear this voice?

727
00:34:09,600 --> 00:34:13,000
Speaker 2: Physically, there's no actual it's impossible for people to actually

728
00:34:13,000 --> 00:34:13,680
Speaker 2: be transported.

729
00:34:14,719 --> 00:34:18,160
Speaker 1: Potentially that they'll be brought in.

730
00:34:18,680 --> 00:34:20,600
Speaker 2: Yeah, if you're at work right now and you're listening to.

731
00:34:20,560 --> 00:34:22,320
Speaker 3: This, certainly their mind could be transported.

732
00:34:22,400 --> 00:34:22,960
Speaker 2: Yeah, that's right.

733
00:34:23,000 --> 00:34:26,120
Speaker 3: If you're reading a book, if you're like a what

734
00:34:26,640 --> 00:34:30,120
Speaker 3: just reading a book, you could mind you can sort

735
00:34:30,120 --> 00:34:31,640
Speaker 3: of take a journey, a mental journey.

736
00:34:31,680 --> 00:34:32,120
Speaker 2: What do you mean?

737
00:34:32,840 --> 00:34:35,400
Speaker 3: Okay, well, Hayes, I mean you you know has written

738
00:34:35,400 --> 00:34:35,800
Speaker 3: a few.

739
00:34:35,640 --> 00:34:37,640
Speaker 2: Books, but you go ahead.

740
00:34:37,840 --> 00:34:40,640
Speaker 1: A book is like so I took a class on this,

741
00:34:41,719 --> 00:34:44,960
Speaker 1: and a book is like a movie. Uh that is

742
00:34:45,080 --> 00:34:47,760
Speaker 1: lying down instead of you know how movies like standing

743
00:34:47,880 --> 00:34:51,279
Speaker 1: up on the screen. It's lying down and it could

744
00:34:51,320 --> 00:34:54,920
Speaker 1: cut you. Yes, and it's sharp, it's way sharper.

745
00:34:54,719 --> 00:34:58,439
Speaker 2: And that, and so you take a mental I guess

746
00:34:58,480 --> 00:34:59,719
Speaker 2: I just got a little bit lost with the way

747
00:34:59,719 --> 00:35:00,640
Speaker 2: you were describing.

748
00:35:01,239 --> 00:35:02,319
Speaker 1: So you can look at it.

749
00:35:02,480 --> 00:35:04,400
Speaker 2: You look at it and you take a mental journey,

750
00:35:04,440 --> 00:35:05,600
Speaker 2: and it's tricking you.

751
00:35:05,719 --> 00:35:10,799
Speaker 3: It's tricking you. It's telling you lies in just a

752
00:35:11,239 --> 00:35:14,480
Speaker 3: it's like a flat they're not a square, you know,

753
00:35:14,960 --> 00:35:17,920
Speaker 3: but they're square one.

754
00:35:18,040 --> 00:35:20,839
Speaker 2: You have to turn it. And if you look at

755
00:35:20,840 --> 00:35:23,640
Speaker 2: it for too long, in a lot of the same way, Yeah,

756
00:35:23,719 --> 00:35:27,440
Speaker 2: you you're Yeah, if if you're at work right now

757
00:35:27,880 --> 00:35:31,120
Speaker 2: and you're listening to the sounds of our voices, Yeah,

758
00:35:31,719 --> 00:35:35,759
Speaker 2: what I'm about to do might cause you to have

759
00:35:35,920 --> 00:35:40,799
Speaker 2: a mental hallucination or a journey. You could go on

760
00:35:40,840 --> 00:35:46,040
Speaker 2: a journey, lose yourself. It's vocal DMT in this fantasm.

761
00:35:46,560 --> 00:35:48,080
Speaker 1: It's the it's the god molecule.

762
00:35:48,280 --> 00:36:01,600
Speaker 2: Yeah, m hmm. Yeah, nasty duck. Nasty, I'm a nasty duck.

763
00:36:02,560 --> 00:36:05,759
Speaker 2: I'm a nasty dog. That's it.

764
00:36:06,440 --> 00:36:09,680
Speaker 1: Oh my god, I'm back. Oh thank god.

765
00:36:10,040 --> 00:36:13,040
Speaker 3: I mean, no matter how much you front porch that, yeah,

766
00:36:13,040 --> 00:36:13,839
Speaker 3: it never won't be.

767
00:36:16,080 --> 00:36:20,719
Speaker 1: The crouching. I wish, I wish the people listening could

768
00:36:20,719 --> 00:36:23,080
Speaker 1: see the crouching component well.

769
00:36:23,080 --> 00:36:27,640
Speaker 2: As I said, physically, part of what I do is

770
00:36:27,680 --> 00:36:30,520
Speaker 2: you have to you have to get there, you have

771
00:36:30,680 --> 00:36:35,040
Speaker 2: to do the work physically to do the character space.

772
00:36:35,719 --> 00:36:38,040
Speaker 1: This is There is another question I had about Nasty Duck,

773
00:36:38,040 --> 00:36:40,839
Speaker 1: which is that this character is a human man who

774
00:36:41,200 --> 00:36:43,480
Speaker 1: is threatening to bulldoze the.

775
00:36:43,480 --> 00:36:49,960
Speaker 2: Forest, the gay frog forest. Yes, yeah, refers to everybody

776
00:36:50,000 --> 00:36:53,160
Speaker 2: in the movie calls it frog forest. I guess now,

777
00:36:53,160 --> 00:36:55,160
Speaker 2: after you've just seen so much vandalism, in my mind

778
00:36:55,560 --> 00:36:56,240
Speaker 2: it's still.

779
00:36:56,280 --> 00:37:00,520
Speaker 3: Yeah, you almost remember remember your lines. Yeah, but but yeah,

780
00:37:00,520 --> 00:37:04,040
Speaker 3: he's a human man. He hates the frog forest. He

781
00:37:04,080 --> 00:37:06,040
Speaker 3: doesn't want them to jumping and splashing, He doesn't want

782
00:37:06,040 --> 00:37:08,400
Speaker 3: the lily pads around. He wants to bulldoze what is

783
00:37:08,440 --> 00:37:11,799
Speaker 3: a pond and swamp land, which doesn't feels like the

784
00:37:11,800 --> 00:37:13,319
Speaker 3: bulldozer will just get well.

785
00:37:13,360 --> 00:37:15,280
Speaker 2: What he wants to do really is drain the swamp.

786
00:37:17,880 --> 00:37:21,160
Speaker 2: Drain the swamp. Right. And and by the way, this

787
00:37:21,320 --> 00:37:25,319
Speaker 2: was before uh, the producers and writers of this movie

788
00:37:25,360 --> 00:37:29,680
Speaker 2: came up with drain the swamp for Barack Obama came

789
00:37:29,760 --> 00:37:30,799
Speaker 2: up with drain the swamp.

790
00:37:30,640 --> 00:37:33,400
Speaker 3: Right, yeah, yeah, yeah, and it was but it was

791
00:37:33,520 --> 00:37:35,040
Speaker 3: after I came.

792
00:37:35,000 --> 00:37:36,280
Speaker 1: Up with durin the lizard.

793
00:37:36,440 --> 00:37:38,359
Speaker 2: That's right. That's right.

794
00:37:38,680 --> 00:37:41,440
Speaker 1: So it's a little bit. It was like chains of

795
00:37:41,480 --> 00:37:43,359
Speaker 1: inspiration are really there.

796
00:37:43,400 --> 00:37:45,640
Speaker 3: These scientific discoveries that will happen on two sides. It's

797
00:37:45,640 --> 00:37:49,120
Speaker 3: a little at the same time, and there is there's

798
00:37:49,120 --> 00:37:49,759
Speaker 3: a collective.

799
00:37:50,320 --> 00:37:53,239
Speaker 2: No one has ownership over any idea. We can all

800
00:37:53,280 --> 00:37:54,440
Speaker 2: share these ideas.

801
00:37:54,760 --> 00:37:58,640
Speaker 3: They did this fascinating study a few years ago where

802
00:37:59,040 --> 00:38:01,600
Speaker 3: there were a group of people that would do across

803
00:38:01,600 --> 00:38:02,600
Speaker 3: the puzzle every morning.

804
00:38:02,640 --> 00:38:05,279
Speaker 2: That's right. And I remember reading about this.

805
00:38:05,480 --> 00:38:08,560
Speaker 3: Yeah, well, please help because I don't know.

806
00:38:08,880 --> 00:38:14,799
Speaker 2: People really I remember there just group of people. Yeah, yeah,

807
00:38:14,840 --> 00:38:17,840
Speaker 2: it's a group of people. If it's the same BuzzFeed

808
00:38:17,920 --> 00:38:20,640
Speaker 2: article that I read, it's a group of people across

809
00:38:20,800 --> 00:38:25,479
Speaker 2: the different different countries in the world that we're doing

810
00:38:25,520 --> 00:38:27,359
Speaker 2: crosswords at the same time, is it right?

811
00:38:27,440 --> 00:38:29,640
Speaker 3: This is something yes that sounds.

812
00:38:29,880 --> 00:38:35,160
Speaker 2: But in this study, a lot of crossword fans did

813
00:38:35,880 --> 00:38:40,520
Speaker 2: crosswords at the same time and people were blown away.

814
00:38:40,680 --> 00:38:44,000
Speaker 3: Yeah, they did it from all over the world. And

815
00:38:44,000 --> 00:38:48,680
Speaker 3: and the puzzles, right, and I remember one because yeah, and.

816
00:38:48,600 --> 00:38:53,040
Speaker 1: The puzzles were like filled with letters that I'm picturing

817
00:38:53,080 --> 00:38:55,440
Speaker 1: them all in their garb doing the same puzzle.

818
00:38:55,520 --> 00:38:58,480
Speaker 2: Well, if you think about it, because people all over

819
00:38:58,520 --> 00:39:02,640
Speaker 2: the world are they're gonna be wearing different guards. You know,

820
00:39:02,640 --> 00:39:06,360
Speaker 2: they're gonna be wearing different I don't wear the same clothes.

821
00:39:05,960 --> 00:39:08,359
Speaker 1: That like a kimono guy.

822
00:39:08,320 --> 00:39:12,000
Speaker 2: A kimono guy, yea, or like a like a kimono lady.

823
00:39:12,200 --> 00:39:15,160
Speaker 3: Yeah, you do know exactly, Yeah, yeah, like women they

824
00:39:15,160 --> 00:39:15,440
Speaker 3: make them.

825
00:39:15,560 --> 00:39:17,879
Speaker 2: You know, if you if you travel all the way

826
00:39:17,880 --> 00:39:19,960
Speaker 2: to the other corner of the globe and there's a

827
00:39:20,280 --> 00:39:20,640
Speaker 2: there's like.

828
00:39:20,640 --> 00:39:25,640
Speaker 5: An eskimo guy and like a komono park you know, yeah, yeah,

829
00:39:25,760 --> 00:39:28,600
Speaker 5: like a thin park that silt that ties around the waist.

830
00:39:28,719 --> 00:39:31,040
Speaker 2: Yeah. Or you go to like no hood, Yeah, you

831
00:39:31,080 --> 00:39:34,239
Speaker 2: go to like the Middle East, the people there wearing

832
00:39:34,280 --> 00:39:38,239
Speaker 2: their kimonos, yeah they do. Yeah. Or in Africa the

833
00:39:38,239 --> 00:39:44,560
Speaker 2: people over there were they're colorful kimonos, so many vibrant, gorgeous,

834
00:39:45,000 --> 00:39:48,120
Speaker 2: beautiful kimonos there.

835
00:39:48,200 --> 00:39:50,200
Speaker 3: Yeah, just absolutely stunning.

836
00:39:50,239 --> 00:39:52,440
Speaker 2: So yeah, so there's people. If you can imagine all

837
00:39:52,560 --> 00:39:56,640
Speaker 2: the peoples of the world doing these crossword puzzles together in.

838
00:39:56,520 --> 00:40:00,239
Speaker 3: The same time, filling in letters and no matter your garb. Right,

839
00:40:00,360 --> 00:40:02,799
Speaker 3: what I'm remembering a little bit from the article at

840
00:40:02,800 --> 00:40:06,920
Speaker 3: BuzzFeed wrote, was you do you fill the puzzle?

841
00:40:07,000 --> 00:40:10,120
Speaker 2: That's right, Eventually you're going to put a letter into

842
00:40:10,160 --> 00:40:15,200
Speaker 2: a box that you write and then hopefully, you know,

843
00:40:15,640 --> 00:40:17,440
Speaker 2: it says a word.

844
00:40:18,040 --> 00:40:19,399
Speaker 1: What an amazing study to have.

845
00:40:19,680 --> 00:40:19,879
Speaker 2: Yeah.

846
00:40:20,000 --> 00:40:22,680
Speaker 3: No, they did such a fascinating study. And I just

847
00:40:22,800 --> 00:40:23,480
Speaker 3: love that they're.

848
00:40:23,280 --> 00:40:25,880
Speaker 2: Always doing these studies. That's one of my favorite things,

849
00:40:26,040 --> 00:40:29,759
Speaker 2: is these different studies that are constantly going out, you know,

850
00:40:29,800 --> 00:40:32,399
Speaker 2: because if you think about the situation that we are

851
00:40:32,480 --> 00:40:35,359
Speaker 2: all in now in the world, you know, and all

852
00:40:35,400 --> 00:40:37,920
Speaker 2: of the problems and all of the issues, how are

853
00:40:37,920 --> 00:40:39,799
Speaker 2: we going to get out of them? Yeah? If we

854
00:40:39,840 --> 00:40:41,560
Speaker 2: don't have more studies, you.

855
00:40:41,520 --> 00:40:44,399
Speaker 3: Know, well, I mean, you know, as long as we're

856
00:40:44,400 --> 00:40:47,080
Speaker 3: on that subject, I hate to use this perfect segue

857
00:40:47,200 --> 00:40:49,360
Speaker 3: you brought up, but we did want to talk a

858
00:40:49,400 --> 00:40:53,200
Speaker 3: little bit about when you played Professor Snowboard and uh,

859
00:40:54,160 --> 00:41:00,359
Speaker 3: Snowbird Professor. Yeah, I'm sorry, Yes, Snowboard Professor and Bong

860
00:41:00,440 --> 00:41:00,960
Speaker 3: Hit Hotel.

861
00:41:01,200 --> 00:41:03,920
Speaker 2: Yeah, so so do you.

862
00:41:05,239 --> 00:41:08,160
Speaker 3: Obviously the blooperreel wound up being almost the entire film

863
00:41:08,239 --> 00:41:10,120
Speaker 3: for this one. Yeah, do you want to talk a

864
00:41:10,160 --> 00:41:12,680
Speaker 3: little bit about the process. Was there a script? It

865
00:41:12,719 --> 00:41:14,480
Speaker 3: seemed like it was a lot of fun to shoot.

866
00:41:14,719 --> 00:41:15,960
Speaker 2: Yeah, the story was.

867
00:41:16,040 --> 00:41:18,239
Speaker 3: Thin because it was almost all bloopers.

868
00:41:18,560 --> 00:41:21,360
Speaker 1: Yeah, and that there is a professor at a hotel.

869
00:41:21,480 --> 00:41:27,520
Speaker 1: I guess is my big that that's sort of an well, it's.

870
00:41:27,400 --> 00:41:29,799
Speaker 2: Really why would there be a snowboard professor in a

871
00:41:29,920 --> 00:41:33,480
Speaker 2: bong Hit hotel? You know, when you when you really

872
00:41:33,560 --> 00:41:37,359
Speaker 2: take a step back from what you're doing in your

873
00:41:37,440 --> 00:41:40,879
Speaker 2: day to jade you know, life and your job at

874
00:41:40,920 --> 00:41:44,239
Speaker 2: your cubicle, whatever it is that you do every day,

875
00:41:44,920 --> 00:41:47,719
Speaker 2: you have to ask yourself, why would there be a

876
00:41:47,840 --> 00:41:53,000
Speaker 2: snowboard professor at a bong Hit hotel? Yeah, so obviously

877
00:41:54,400 --> 00:41:57,759
Speaker 2: one of the main reasons would be in the blooper reel. Yes,

878
00:41:57,920 --> 00:42:00,520
Speaker 2: so that's why the blooper reel was so long. But

879
00:42:00,800 --> 00:42:02,480
Speaker 2: I think we have a clip or there might be

880
00:42:02,520 --> 00:42:02,840
Speaker 2: a clip.

881
00:42:02,920 --> 00:42:06,000
Speaker 3: Yeah, yeah, Hey Ryan, did you want to load.

882
00:42:05,840 --> 00:42:06,200
Speaker 1: Up the clip?

883
00:42:06,280 --> 00:42:09,200
Speaker 2: Manetricians was supposed to send a clip over.

884
00:42:09,640 --> 00:42:10,879
Speaker 1: Yeah, it's loading.

885
00:42:12,400 --> 00:42:17,319
Speaker 3: Okay, checking in.

886
00:42:22,640 --> 00:42:24,200
Speaker 2: Hi, is there going to be any snowboarding?

887
00:42:24,520 --> 00:42:24,880
Speaker 1: Sorry?

888
00:42:24,880 --> 00:42:27,319
Speaker 3: Did you? I was talking to someone else?

889
00:42:27,960 --> 00:42:30,759
Speaker 2: Oh, I was Oh, this this person is ahead of me?

890
00:42:31,320 --> 00:42:36,880
Speaker 1: Is he supposed to? Sorry? I can't I just sorry.

891
00:42:37,400 --> 00:42:38,279
Speaker 1: Should we take it again?

892
00:42:38,400 --> 00:42:40,200
Speaker 2: Yeah? I mean, I didn't realize you.

893
00:42:40,400 --> 00:42:41,960
Speaker 1: I'm sorry, I thought we were.

894
00:42:42,080 --> 00:42:44,720
Speaker 2: We should have memorized. They should have memorized. We should

895
00:42:44,719 --> 00:42:46,759
Speaker 2: have we should have this feels like. This feels like

896
00:42:46,800 --> 00:42:49,319
Speaker 2: a blooper. They should put this in the blooper reel.

897
00:42:49,680 --> 00:42:52,360
Speaker 1: This is making the blooper. I realized that guy's supposed

898
00:42:52,360 --> 00:42:55,280
Speaker 1: to be back there on the behind the camera. Okay,

899
00:42:55,640 --> 00:42:59,399
Speaker 1: wait if this is this is making the blooper camera. Hey, yeah,

900
00:42:59,640 --> 00:43:01,760
Speaker 1: you sposed to the other side.

901
00:43:02,000 --> 00:43:03,800
Speaker 2: I thought that you were in the movie.

902
00:43:03,880 --> 00:43:07,239
Speaker 1: I didn't know that you because I'm over here speculations.

903
00:43:07,280 --> 00:43:08,319
Speaker 1: You just made the blooper reel.

904
00:43:09,760 --> 00:43:12,040
Speaker 2: You know what I can't wait to see is the

905
00:43:12,040 --> 00:43:22,680
Speaker 2: blooper reel? Oh god, yeah, so many Yeah.

906
00:43:22,840 --> 00:43:24,480
Speaker 1: Yeah, yeah, well, let's.

907
00:43:24,560 --> 00:43:28,000
Speaker 2: Let's take it again, get it back to one. So

908
00:43:28,120 --> 00:43:32,239
Speaker 2: that was yeah, you know that was a very short clip.

909
00:43:32,800 --> 00:43:33,040
Speaker 1: Yeah.

910
00:43:33,160 --> 00:43:35,840
Speaker 2: No, the movie is long, and the movie is mostly bloopers.

911
00:43:36,040 --> 00:43:37,840
Speaker 3: It's mostly bloopers and it's a long movie.

912
00:43:38,200 --> 00:43:40,120
Speaker 2: Yeah. Well it was long to make. I'll tell you

913
00:43:40,200 --> 00:43:43,040
Speaker 2: that because the one of the problems on set was

914
00:43:43,040 --> 00:43:46,200
Speaker 2: I would come out of my double banger and the

915
00:43:46,239 --> 00:43:50,800
Speaker 2: camera guy would would be like in front of the camera, right.

916
00:43:50,680 --> 00:43:52,600
Speaker 3: It seems like in that clip, yeah that was what

917
00:43:52,760 --> 00:43:53,040
Speaker 3: you saw.

918
00:43:53,160 --> 00:43:55,880
Speaker 1: You can't see anything because he seems to be just

919
00:43:55,960 --> 00:43:56,640
Speaker 1: looking into.

920
00:43:56,480 --> 00:43:59,520
Speaker 2: The wrong side of the problem is that I don't

921
00:43:59,520 --> 00:44:02,520
Speaker 2: know whether you licensed to even be operating the camera

922
00:44:02,680 --> 00:44:04,960
Speaker 2: because so much of what he was doing was in

923
00:44:05,040 --> 00:44:07,080
Speaker 2: front of the camera and then he was I mean,

924
00:44:07,280 --> 00:44:08,560
Speaker 2: you know, if you go back and you look at

925
00:44:08,600 --> 00:44:10,200
Speaker 2: the movie, he's all over the blooper real.

926
00:44:10,360 --> 00:44:12,160
Speaker 1: Yeah, and he's the one who seems to be mostly

927
00:44:12,200 --> 00:44:15,040
Speaker 1: pushing the idea that hotels have classes. He seems to

928
00:44:15,120 --> 00:44:19,960
Speaker 1: like really truly believe this. Yeah, so much they convincing

929
00:44:20,000 --> 00:44:23,400
Speaker 1: everyone else on set of this of this reality. Yeah,

930
00:44:24,560 --> 00:44:26,040
Speaker 1: do you want to pull another clip? Yes?

931
00:44:26,360 --> 00:44:27,520
Speaker 2: Well, I mean do we I don't even know if

932
00:44:27,520 --> 00:44:27,920
Speaker 2: we have one.

933
00:44:27,880 --> 00:44:28,760
Speaker 3: On your nutrition?

934
00:44:28,960 --> 00:44:29,200
Speaker 1: Ryan?

935
00:44:29,200 --> 00:44:31,880
Speaker 2: Did the did my Nutrition send more than one clip?

936
00:44:32,120 --> 00:44:34,000
Speaker 1: Gregor? Yeah, there's another one.

937
00:44:34,600 --> 00:44:36,680
Speaker 2: I could call him because he's listening to this live.

938
00:44:38,200 --> 00:44:39,279
Speaker 1: What do you want to do?

939
00:44:39,440 --> 00:44:42,319
Speaker 2: Like, uh, let me let me I'm not sure that

940
00:44:42,360 --> 00:44:44,040
Speaker 2: I'm not sure that he will pick up, but let

941
00:44:44,040 --> 00:44:46,800
Speaker 2: me uh let me just see if he might pick up. Okay,

942
00:44:47,040 --> 00:44:49,439
Speaker 2: I don't know if I I think I have him

943
00:44:49,520 --> 00:44:53,759
Speaker 2: under And how do you spell nutritionists.

944
00:44:54,200 --> 00:44:58,960
Speaker 3: It's an e W let me see n e W

945
00:44:59,360 --> 00:45:01,160
Speaker 3: tr s ahe.

946
00:45:02,719 --> 00:45:07,880
Speaker 2: I O N I Z T. Yes, it's definitely not

947
00:45:07,880 --> 00:45:13,120
Speaker 2: in here. Oh wait, wait here it is here? It is? Yeah,

948
00:45:13,120 --> 00:45:13,640
Speaker 2: here it is.

949
00:45:18,719 --> 00:45:36,440
Speaker 6: Oh he's not picking up, he's not picking up.

950
00:45:37,080 --> 00:45:38,640
Speaker 1: Well, let's just play one of the clips.

951
00:45:38,680 --> 00:45:42,319
Speaker 3: I mean play, just play, or even just play the

952
00:45:42,360 --> 00:45:44,120
Speaker 3: movie if you want to. Just I think I have

953
00:45:44,239 --> 00:45:46,520
Speaker 3: it loaded up on that. It's one of my favorites.

954
00:45:47,000 --> 00:45:47,399
Speaker 2: Mm hmm.

955
00:45:49,400 --> 00:45:52,680
Speaker 1: Does the movie make us out when it starts to play? Ryan?

956
00:45:52,880 --> 00:45:54,279
Speaker 1: Can you load it? Yep?

957
00:45:57,560 --> 00:46:00,799
Speaker 3: Hey, Hey, I'm sorry. Sorry, Sorry, No, I was just

958
00:46:00,800 --> 00:46:02,120
Speaker 3: gonna yeah, I'll do I'll just do it.

959
00:46:02,520 --> 00:46:03,120
Speaker 1: I'll do the first.

960
00:46:03,320 --> 00:46:07,160
Speaker 2: I'm going to check in. Is it for the snowboarding competition?

961
00:46:09,520 --> 00:46:09,600
Speaker 3: We?

962
00:46:11,239 --> 00:46:11,560
Speaker 2: Sorry?

963
00:46:11,840 --> 00:46:12,120
Speaker 1: Is it?

964
00:46:12,800 --> 00:46:15,120
Speaker 2: Are you checking in? Also? I was, I.

965
00:46:15,120 --> 00:46:17,440
Speaker 1: Was going to say, I'm here to request a late checkout.

966
00:46:17,400 --> 00:46:19,760
Speaker 2: Okay, checking into the Long Hit hotel.

967
00:46:20,719 --> 00:46:25,840
Speaker 3: Yeah, well I'm no, it's just been a stressful week.

968
00:46:28,920 --> 00:46:31,879
Speaker 1: Okay, this is what it is. I yes, I had

969
00:46:31,880 --> 00:46:33,000
Speaker 1: both of you guys.

970
00:46:33,400 --> 00:46:35,200
Speaker 2: Uh are you.

971
00:46:35,120 --> 00:46:38,960
Speaker 1: Trying actor try to talk to this?

972
00:46:39,200 --> 00:46:43,160
Speaker 2: Why does your jacket say director and cameraman? I?

973
00:46:43,440 --> 00:46:47,560
Speaker 1: Yes, I So here's the thing. I am filling in

974
00:46:47,719 --> 00:46:55,080
Speaker 1: for the director who has a personal problem. Yeah, well yeah, no,

975
00:46:55,160 --> 00:46:57,040
Speaker 1: I have the camera's right here, I am working with.

976
00:46:57,280 --> 00:47:00,800
Speaker 2: Yeah, but you're on the wrong end of the camera, shy.

977
00:47:01,600 --> 00:47:03,040
Speaker 1: He's actually on the wrong.

978
00:47:03,719 --> 00:47:05,759
Speaker 2: The wrong, You're on the wrong.

979
00:47:05,880 --> 00:47:09,720
Speaker 1: Okay, Well, you guys are messing up to Hey, buddy, Okay, no, buddy,

980
00:47:09,800 --> 00:47:12,759
Speaker 1: I got, I got, you got. Because this is you

981
00:47:12,800 --> 00:47:16,279
Speaker 1: guys are supposed to be in class and you're acting.

982
00:47:15,920 --> 00:47:17,880
Speaker 2: Well, you're supposed to be filming.

983
00:47:18,120 --> 00:47:19,800
Speaker 1: Is this all class at the hotel?

984
00:47:20,200 --> 00:47:20,480
Speaker 2: Yes?

985
00:47:20,600 --> 00:47:21,120
Speaker 1: Your class?

986
00:47:21,280 --> 00:47:21,480
Speaker 2: Yes.

987
00:47:21,680 --> 00:47:24,520
Speaker 1: I feels like this feels like I don't say it.

988
00:47:24,560 --> 00:47:25,560
Speaker 2: This was like a mistake.

989
00:47:25,680 --> 00:47:28,520
Speaker 1: Don't like to me, this.

990
00:47:28,480 --> 00:47:30,759
Speaker 3: Is like an oopsie Okay, you just yeah, you just

991
00:47:30,800 --> 00:47:32,560
Speaker 3: made the oopsie zone of the movie at the end.

992
00:47:32,719 --> 00:47:36,319
Speaker 1: Okay, Well, ultimately this could go on the movie mistake.

993
00:47:36,120 --> 00:47:42,960
Speaker 7: Real Okay, yeah, I mean, just thinking about it's kind

994
00:47:42,960 --> 00:47:46,920
Speaker 7: of funny.

995
00:47:43,440 --> 00:47:48,280
Speaker 2: I'm sorry I got.

996
00:47:48,200 --> 00:47:55,800
Speaker 1: So mad at you guys, but this scene should be

997
00:47:55,800 --> 00:47:57,320
Speaker 1: a class. Hotels do have classes.

998
00:47:59,280 --> 00:48:02,240
Speaker 2: Yeah, that clip is so that was kind of short.

999
00:48:02,360 --> 00:48:03,719
Speaker 3: I mean actually because.

1000
00:48:03,400 --> 00:48:08,000
Speaker 2: That was a shorter That was a shorter scene that

1001
00:48:08,200 --> 00:48:10,719
Speaker 2: from the bluep of Real. Yeah, they get shorter as

1002
00:48:10,760 --> 00:48:11,960
Speaker 2: they as they.

1003
00:48:11,800 --> 00:48:12,799
Speaker 1: Go as the movie goes.

1004
00:48:12,880 --> 00:48:14,840
Speaker 3: Yeah, it seems like cameraman.

1005
00:48:14,520 --> 00:48:14,920
Speaker 1: Was the editor.

1006
00:48:14,960 --> 00:48:19,319
Speaker 2: I will say now watching it, I had more fun

1007
00:48:19,360 --> 00:48:20,560
Speaker 2: on the movie than I remember.

1008
00:48:21,320 --> 00:48:23,720
Speaker 1: Yeah, And it's like if you had a double banger

1009
00:48:23,760 --> 00:48:25,680
Speaker 1: for that movie, you sort of took a haircut for

1010
00:48:25,719 --> 00:48:27,920
Speaker 1: that one at something. That's for artistic reason, that's right.

1011
00:48:28,000 --> 00:48:29,680
Speaker 2: I was in a triple banger, but then I got

1012
00:48:30,280 --> 00:48:33,920
Speaker 2: demoted to a double banger, so so, but that was

1013
00:48:33,960 --> 00:48:35,000
Speaker 2: mainly because the haircut.

1014
00:48:35,520 --> 00:48:38,360
Speaker 1: Okay, what did you guys make the bong hits out of?

1015
00:48:38,440 --> 00:48:39,839
Speaker 1: In that?

1016
00:48:39,920 --> 00:48:43,359
Speaker 2: What was the effect that you Yeah, they actually used

1017
00:48:43,400 --> 00:48:44,400
Speaker 2: real bong hits?

1018
00:48:44,920 --> 00:48:45,560
Speaker 1: Wow.

1019
00:48:46,080 --> 00:48:50,560
Speaker 3: Okay, and this is what makes this podcast.

1020
00:48:50,600 --> 00:48:51,120
Speaker 2: Well, here's the thing.

1021
00:48:51,200 --> 00:48:51,640
Speaker 1: Practical.

1022
00:48:51,800 --> 00:48:55,640
Speaker 2: The current model in Hollywood is practical effects because it's

1023
00:48:55,800 --> 00:48:57,680
Speaker 2: cheaper and it's faster.

1024
00:48:57,560 --> 00:49:00,800
Speaker 3: And it looks better. You can feel when it's see.

1025
00:49:01,480 --> 00:49:05,000
Speaker 2: Texture there that seems real. There's like a sort of

1026
00:49:05,040 --> 00:49:09,120
Speaker 2: a hyper reality to it. If it's real as opposed

1027
00:49:09,160 --> 00:49:12,759
Speaker 2: to c g I or green screen or Andy Cirkus.

1028
00:49:13,440 --> 00:49:16,080
Speaker 1: So yes, in so many movies now people will be

1029
00:49:16,719 --> 00:49:20,120
Speaker 1: taking a huge rip off Andy Circus.

1030
00:49:19,600 --> 00:49:22,880
Speaker 2: Yeah, or the tennis ball that's right, yeah, or a

1031
00:49:22,920 --> 00:49:23,560
Speaker 2: ping pong.

1032
00:49:23,440 --> 00:49:26,560
Speaker 1: Ball ye, or just a blue suit.

1033
00:49:26,440 --> 00:49:28,640
Speaker 2: Yeah, or like a guy from the Blue Man Group,

1034
00:49:28,800 --> 00:49:30,880
Speaker 2: And then you have to go back and spend the

1035
00:49:30,960 --> 00:49:35,359
Speaker 2: money and the time to do a worse Yes.

1036
00:49:35,400 --> 00:49:37,520
Speaker 1: And in so many of those movies, people got the color,

1037
00:49:37,600 --> 00:49:42,399
Speaker 1: like the Blue Man does not cut out visually. It's

1038
00:49:42,400 --> 00:49:43,640
Speaker 1: not green, Yeah.

1039
00:49:43,640 --> 00:49:46,120
Speaker 2: It's not. It would be easier if it was like

1040
00:49:46,160 --> 00:49:49,440
Speaker 2: a Green Man group, you know, then you could.

1041
00:49:49,200 --> 00:49:52,040
Speaker 1: Sort of that would have been really nice for everybody

1042
00:49:51,680 --> 00:49:56,320
Speaker 1: better to watch when you when you think about it now,

1043
00:49:56,480 --> 00:49:56,960
Speaker 1: it would be.

1044
00:49:57,000 --> 00:50:00,920
Speaker 2: Hard to ask those guys who do the Blue Man

1045
00:50:00,960 --> 00:50:06,080
Speaker 2: Group to change up the whole theme of their show.

1046
00:50:05,400 --> 00:50:09,040
Speaker 2: And it's such a big part of it now. People

1047
00:50:09,120 --> 00:50:11,920
Speaker 2: really associate blue with the Blue Man Group, and I

1048
00:50:11,920 --> 00:50:14,400
Speaker 2: think they like that they have to stay in the movie. Honestly,

1049
00:50:14,520 --> 00:50:15,319
Speaker 2: I think they do too.

1050
00:50:15,760 --> 00:50:20,600
Speaker 3: I think, yeah, you mean the ringing microphone?

1051
00:50:22,600 --> 00:50:24,240
Speaker 1: What else do we like to do on this show?

1052
00:50:25,520 --> 00:50:27,040
Speaker 2: Should we just do a moment of silence?

1053
00:50:27,719 --> 00:50:29,040
Speaker 1: That could be for.

1054
00:50:31,000 --> 00:50:35,520
Speaker 2: The people out there that have a use, a practical

1055
00:50:35,680 --> 00:50:37,719
Speaker 2: use for a moment of silence, you know, like we

1056
00:50:37,760 --> 00:50:38,160
Speaker 2: could just.

1057
00:50:38,880 --> 00:50:40,840
Speaker 1: We could just do they just want to get room tone?

1058
00:50:40,920 --> 00:50:44,319
Speaker 2: Yeah, you could throw one out there for anyone that's

1059
00:50:45,040 --> 00:50:47,080
Speaker 2: you know, that feels like today would be a good

1060
00:50:47,120 --> 00:50:49,120
Speaker 2: day for a moment of silence for anything.

1061
00:50:48,920 --> 00:50:52,400
Speaker 3: If you need a moment of silence, or if you're

1062
00:50:52,440 --> 00:50:54,000
Speaker 3: cutting a film and you forgot to get room time.

1063
00:50:54,120 --> 00:50:56,600
Speaker 1: We have talked about selling room tone as like the

1064
00:50:56,600 --> 00:50:59,640
Speaker 1: primary purpose of this podcast, so that would be that

1065
00:50:59,680 --> 00:51:02,160
Speaker 1: would be really so it's it's it's still purpose. So

1066
00:51:02,239 --> 00:51:03,400
Speaker 1: let's do the moment of silence.

1067
00:51:03,440 --> 00:51:05,880
Speaker 3: I'm going to shut up finally. I'm sure that's a

1068
00:51:05,920 --> 00:51:13,760
Speaker 3: relief for you. Rob get heavy, Yeah, we goofing. Yeah,

1069
00:51:14,360 --> 00:51:15,080
Speaker 3: nice to have some.

1070
00:51:15,360 --> 00:51:16,440
Speaker 2: Quick moment of silence.

1071
00:51:17,000 --> 00:51:17,200
Speaker 6: Yeah.

1072
00:51:18,719 --> 00:51:26,040
Speaker 2: Nasty dog, nasty nasty dug.

1073
00:51:34,760 --> 00:51:38,560
Speaker 3: All right, yeah, and it's yeah, it's interesting, alright, Yes,

1074
00:51:38,760 --> 00:51:43,560
Speaker 3: it's interesting. Yeah that the he only ever said nasty dog. Yeah,

1075
00:51:43,880 --> 00:51:46,560
Speaker 3: but he did want to bulldoze the pot.

1076
00:51:47,200 --> 00:51:49,480
Speaker 1: He seems to be miming that he wants to bulldoze

1077
00:51:49,600 --> 00:51:54,000
Speaker 1: the the he's kind of marching around it like making

1078
00:51:55,640 --> 00:51:56,960
Speaker 1: one of these. Yeah.

1079
00:51:57,040 --> 00:52:01,960
Speaker 2: Yeah, just the more I think about the the people

1080
00:52:03,360 --> 00:52:08,200
Speaker 2: involved in vandalizing the posters, it is infuriating.

1081
00:52:08,239 --> 00:52:10,320
Speaker 3: And you want to build a wall, which is actually

1082
00:52:10,440 --> 00:52:11,240
Speaker 3: several walls.

1083
00:52:11,239 --> 00:52:16,839
Speaker 2: You need to build several individual walls around various billboards,

1084
00:52:16,880 --> 00:52:20,680
Speaker 2: movie posters, bus benches, bus benches.

1085
00:52:21,040 --> 00:52:23,080
Speaker 1: But what if say the wall says no gangs, just

1086
00:52:23,120 --> 00:52:26,280
Speaker 1: anticipating what if they vandalize it to say go gangs.

1087
00:52:26,920 --> 00:52:29,640
Speaker 2: So what you're saying is if we spent the money

1088
00:52:29,680 --> 00:52:33,280
Speaker 2: and the time to build all of these individual walls

1089
00:52:33,960 --> 00:52:36,960
Speaker 2: and on the front of the wall it said no gangs,

1090
00:52:37,800 --> 00:52:42,160
Speaker 2: and then they come along and have the fucking balls

1091
00:52:42,560 --> 00:52:45,560
Speaker 2: to change it to go gangs or now gangs.

1092
00:52:46,480 --> 00:52:50,920
Speaker 1: Yeah, nows like it's time for gangs right now.

1093
00:52:51,960 --> 00:52:54,560
Speaker 2: Well, they could say, I hope that they're not listening

1094
00:52:54,640 --> 00:52:55,680
Speaker 2: to this podcast.

1095
00:52:55,760 --> 00:52:59,440
Speaker 1: Yeah. Well what I would say is a second, let's

1096
00:52:59,480 --> 00:53:00,200
Speaker 1: build a second.

1097
00:53:00,080 --> 00:53:02,360
Speaker 2: Wall around podcast.

1098
00:53:02,480 --> 00:53:03,320
Speaker 1: Build a wall around that.

1099
00:53:03,440 --> 00:53:07,200
Speaker 3: Well, well, I've been asking for forever Scott Onoman's kind

1100
00:53:07,239 --> 00:53:07,920
Speaker 3: of a cheap skate.

1101
00:53:08,239 --> 00:53:11,799
Speaker 2: So you're saying, build a wall around the first wall.

1102
00:53:12,040 --> 00:53:13,719
Speaker 1: I say, around the noe gangs wall.

1103
00:53:13,800 --> 00:53:15,920
Speaker 3: You have a first wall that says like, hey, don't

1104
00:53:15,960 --> 00:53:18,839
Speaker 3: do anything crazy to this wall behind this one.

1105
00:53:18,920 --> 00:53:21,880
Speaker 1: Yeah, and we're looking on the field so that the

1106
00:53:21,920 --> 00:53:22,840
Speaker 1: podcast wills at you.

1107
00:53:22,880 --> 00:53:30,600
Speaker 5: If you're in a game, Oh, he's calling you back, Yeah,

1108
00:53:30,600 --> 00:53:34,000
Speaker 5: hold on, Gregor, Hey, it's Rob Bueble.

1109
00:53:35,600 --> 00:53:39,160
Speaker 2: Hey man, Yeah, I'm just I'm doing the podcast that

1110
00:53:39,200 --> 00:53:46,400
Speaker 2: you're listening to. Huh yeah, oh well I'll be.

1111
00:53:48,320 --> 00:53:48,480
Speaker 1: Yeah.

1112
00:53:48,520 --> 00:53:53,080
Speaker 2: If you just keep circling the block, I'll be out. Yeah. No,

1113
00:53:53,200 --> 00:53:57,239
Speaker 2: everything's going. Then they're not making meat candy at all. No,

1114
00:53:57,400 --> 00:53:58,640
Speaker 2: I'm not gonna eat any more candy.

1115
00:53:59,680 --> 00:54:05,080
Speaker 5: Yeah, okay, I'll bring you a cat y. Yeah, okay,

1116
00:54:05,120 --> 00:54:09,440
Speaker 5: I talk to you later, Love you.

1117
00:54:09,680 --> 00:54:12,799
Speaker 1: That sounds like, yeah, okay, all right.

1118
00:54:12,880 --> 00:54:14,640
Speaker 2: Did you were you guys listening to Did you hear

1119
00:54:14,680 --> 00:54:15,000
Speaker 2: any of that?

1120
00:54:15,400 --> 00:54:17,680
Speaker 1: I wasn't able to hear you know, No, I have

1121
00:54:17,719 --> 00:54:18,640
Speaker 1: these big headphones on.

1122
00:54:18,800 --> 00:54:21,880
Speaker 2: Yeah, that's cool. Did we get enough room tone?

1123
00:54:22,400 --> 00:54:24,480
Speaker 3: Uh, let's get one more quick thing room tone and

1124
00:54:24,520 --> 00:54:26,600
Speaker 3: then uh, Hazel steer us on out.

1125
00:54:28,080 --> 00:54:33,480
Speaker 2: Nathty Dog, Nathty Dog, Nathty Dog.

1126
00:54:34,440 --> 00:54:40,440
Speaker 1: Bye, I'm a horny girl.

1127
00:54:40,480 --> 00:54:40,800
Speaker 6: Wolf.

1128
00:54:41,120 --> 00:54:44,880
Speaker 1: This has been an Earwolf production, executive produced by Scott Ackerman,

1129
00:54:45,000 --> 00:54:46,840
Speaker 1: Colin Anderson, and Chris Bannon.

1130
00:54:47,000 --> 00:54:50,080
Speaker 3: For more information and content, visit earwolf dot com.

1131
00:54:50,640 --> 00:54:53,759
Speaker 1: Oh