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Speaker 1: So it's me and I'm there with to fur Grapes

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Speaker 1: and Catherine Ham and we're squeezing nectrines because we want

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Speaker 1: to know which one is going to explode the hardest.

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Speaker 1: We're leaving. We're going to a parade that we don't

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Speaker 1: agree with. I don't have to say what culture it is,

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Speaker 1: but we're gonna they're having their own parade, and we're

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Speaker 1: gonna juice the parade, and we're going to forcibly juice

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Speaker 1: the parade against the parades. Will. Now, we don't want

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Speaker 1: anyone to get hurt, but we want them to get

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Speaker 1: a little sticky, because that's how I feel. Right I'm

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Speaker 1: seeing this parade. It's given me some sticky feelings. And

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Speaker 1: so I'm the only one who gets to feel that way.

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Speaker 1: I don't think so and so fair square, we're squeezing

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Speaker 1: nectarines to see which one really feels like it's about

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Speaker 1: to explode. Yeah, now, type of farm or at the store?

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Speaker 1: M farm or store? It's one of these farm stores.

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Speaker 1: Got it? Now tofer who has just impeccable timing, goes, hey,

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Speaker 1: remind you of anything? Okay, Now I didn't have no

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Speaker 1: idea what he's talking about. Yeah, but the timing is

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Speaker 1: the timing, and the delivery is often you know, it's

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Speaker 1: gonna be good. So I go, uh, no, it doesn't,

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Speaker 1: and he goes really wow, and I'm like, yeah, seriously,

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Speaker 1: this doesn't. Yeah, yeah, yeah, and I'm getting ready. I'm like,

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Speaker 1: oh Jesus, I'm excited for you. And I go, no, really,

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Speaker 1: it really doesn't. And he goes like, no, are you

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Speaker 1: being fucking serious right now? Like does this not remind

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Speaker 1: you something? And this must be so good? Yeah, So

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Speaker 1: I go I go okay to for no, it doesn't,

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Speaker 1: and he goes like, oh, okay, never mind. Then and

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Speaker 1: I go, well, this is really gonna be good, you know,

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Speaker 1: And then he must have something and then and then

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Speaker 1: Catherine trips, yeah, breaks are fucking meat. Oh no, And

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Speaker 1: so then I'm like, I'm never gonna get to hear

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Speaker 1: what Telfer was going to say, you know, because we

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Speaker 1: got a like carrier to the helicopter. Do you think

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Speaker 1: he had something in mind?

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Speaker 2: Or do you think he just kept saying like really

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Speaker 2: because he wasn't sure what to say.

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Speaker 1: Well, and I won't find out, but I know Telfer

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Speaker 1: pretty well, and his timing's impeccable. His delivery is bone dry,

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Speaker 1: and he's got this sort of boyish look with an

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Speaker 1: elderly wisdom. Yeah, and the combination is devastating. So I

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Speaker 1: think he probably did have something. I gotta get him

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Speaker 1: back in that spot. I hope those freaking so and

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Speaker 1: so is I have another parade.

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Speaker 2: Hey, welcome to Hollywood, Hambuck and Insider's guy to kicking

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Speaker 2: button dropping names in the red carpet lineback hallways of

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Speaker 2: this industry we call showbiz.

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Speaker 1: I love saying it. I love doing the show.

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Speaker 2: I love the possibility when we're just starting and there's

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Speaker 2: so much that could happen in this in this hour

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Speaker 2: of our lives, and I wish it would last forever.

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Speaker 1: What a what up? And remember we used to say

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Speaker 1: that at the beginning of the show, and Aaron's here,

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Speaker 1: and Aaron's here, Oh it's Aaron upset about it, and

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Speaker 1: well you can guess what happened.

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Speaker 2: And everyone at home is like, Okay, I get it,

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Speaker 2: and it's all falling into place right now listening.

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Speaker 1: But we might as well explain it anyway about it

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Speaker 1: as plain as the nose on your face, which is Aaron. Well,

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Speaker 1: so we had Brian Sofie, who was so funny, fun,

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Speaker 1: such a delight and it was really fun to for it.

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Speaker 3: Yes, he's fun.

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Speaker 2: And I think Aaron we get to say that we asked.

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Speaker 2: We asked both of them at the same time, and

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Speaker 2: Aaron was like, no, I have some fake thing that

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Speaker 2: I have to do. And I think she was saying like, oh,

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Speaker 2: let's I'll let Brian go on there and expose him

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Speaker 2: so that.

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Speaker 1: I'm the like the alpha dog on our show. Oh

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Speaker 1: that's what you think. Here's what I because I have

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Speaker 1: a similar theory. But I think she went like, Noah,

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Speaker 1: Brian and I are busy, like we won't do that,

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Speaker 1: and then Brian went like, actually I can do it,

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Speaker 1: and then you can the opportunity.

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Speaker 2: Well, but I think after that she was like, this

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Speaker 2: is great, I'll expose him.

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Speaker 1: Yes, So I think we're actually both like and we

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Speaker 1: thought that I was.

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Speaker 3: Going to just have him come on here. You guys

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Speaker 3: would without me see how weak and unfunny he is.

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Speaker 2: Yea, you thought he would lay an egg. But little

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Speaker 2: did you know that nobody lays an egg on our show.

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Speaker 2: We're generous performers. We are making everyone else better around us,

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Speaker 2: and we're doing support the guest to make it seem

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Speaker 2: like they're being funny. What's actually us being fun.

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Speaker 1: I barely get a word in on this show because

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Speaker 1: all I do is support the guest and steamroll my

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Speaker 1: friend Hayes. Now what happened was Brian did get exposed

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Speaker 1: as a fun, funny sweetie who people really like and

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Speaker 1: wanted to spend more time with.

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Speaker 2: And behold, our email starts pinging all over the place

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Speaker 2: with Aaron, like.

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Speaker 3: I don't have your phone number, So I instantly did, using.

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Speaker 2: Every channel that she can to get to Its going like,

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Speaker 2: oh no, Like now people will think that Brian's the

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Speaker 2: good part of my show.

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Speaker 1: I'm show at him. It's like four am. Now, of

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Speaker 1: course we freeze her out. We don't respond because so.

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Speaker 3: Funny, because like I have a text message that I

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Speaker 3: sent guys when I just because I knew I couldn't

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Speaker 3: come on the show last week in your bag and

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Speaker 3: it just said yeah, oh no, I've pluged my phone

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Speaker 3: and outside it just said, hey, really excited to see

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Speaker 3: you guys next week. Do you want to get lunch after?

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Speaker 3: That doesn't seem like a bitter person.

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Speaker 1: Yeah, And that's after it's already been scheduled and the

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Speaker 1: scheduling process itself is what we're talking about, where basically

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Speaker 1: we said no, and then we get a call from

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Speaker 1: Scott Ackerman and cool up on speaker and they're chewing

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Speaker 1: us around out. They're like, you'll never work in this

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Speaker 1: fucking town again. We got we try to build a

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Speaker 1: family here at ear Wolf and when you know, we

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Speaker 1: got one, Aaron's mad at and that show's not functioning.

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Speaker 1: It's because of what one of our other shows did

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Speaker 1: to them. Yea, and we and we go, hey, we'll

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Speaker 1: walk and they go, hang on, sorry, sirs, sorry, sirs.

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Speaker 1: Look please as a favor to us, I'm sorry. We

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Speaker 1: were so rip shit. And then and then I look

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Speaker 1: at Hayes and I go, you want to throw them

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Speaker 1: a bone?

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Speaker 2: And they try to make a team like, oh, we

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Speaker 2: don't own this company anymore. Oh, we take no interest

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Speaker 2: to the data data activities of every other show.

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Speaker 1: We don't even know what shows are on there. They know, yeah,

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Speaker 1: they know, trust me.

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Speaker 3: So just to be clear, I'm the the bone that

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Speaker 3: they that you have thrown.

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Speaker 1: I didn't want to say it that way.

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Speaker 3: But here's what. I've been on the show twice already,

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Speaker 3: and Brian's been on zero times.

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Speaker 1: Oh that's true.

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Speaker 3: Yeah, so it seems it doesn't seem like. First of all,

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Speaker 3: I know me and you know me. Yeah, I've been

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Speaker 3: to your house once.

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Speaker 1: Mm hmmm.

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Speaker 3: I'm that's not like that. Perhaps I have that inside

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Speaker 3: me to be that jealous, but I would never expect

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Speaker 3: I would I do that in the privacy of my bathtub.

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Speaker 1: I don't. Well, you better talk to mister Scott about bathtub.

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Speaker 1: Oh yeah, let it float away on the fat I get.

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Speaker 1: I get in the restroom and steam off every now

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Speaker 1: and then. You know what I mean. When it gets

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Speaker 1: just a little too.

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Speaker 3: Hot, Yeah, sky whatever, Yeah, scream cry when I'm about

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Speaker 3: to bust sky, I gotta go steam off, is what

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Speaker 3: I did say.

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Speaker 1: I'm no stranger to steaming off, pulling my collar out

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Speaker 1: real loose and letting all the steam out. But at

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Speaker 1: the same time, I.

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Speaker 3: Guess I appreciate you guys having me on.

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Speaker 2: Is the point People think that work is over when

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Speaker 2: you steam off because it whistles.

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Speaker 1: Oh yeah, quin t Yeah, No, it's true. A lot

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Speaker 1: of people at the factory next to my apartment go home.

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Speaker 1: I got a kick gas basement apartment in my dad's house.

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Speaker 3: What's the factory next to your house.

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Speaker 1: It makes like geodes. Okay, like put something in the earth.

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Speaker 2: Do oh?

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Speaker 1: They like?

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Speaker 3: Reform at them?

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Speaker 1: Smash them open? Yeah, you smash them open. And I

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Speaker 1: guess these ones when you smash them open, they haven't

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Speaker 1: come out yet. But when they come out, when you

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Speaker 1: smash them open, there's going to be like a toy

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Speaker 1: dinosaur inside. Like in addition to the crystals.

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Speaker 3: This is something offered at like McDonald's and a happy meal

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Speaker 3: or something like that, or like a specialty. Oh you

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Speaker 3: don't know, Oh oh, more like Discovery store to me.

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Speaker 1: Yeah, it's going to be more. Yeah, museum store, science museum.

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Speaker 1: You go to the store. Okay, hit the store on

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Speaker 1: the way out, bang, grab a You mean you love that?

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Speaker 1: You love going to Portland? Right? You ever go to

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Speaker 1: the science Pam right on the William Atte River.

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Speaker 3: I didn't have never been there.

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Speaker 1: Oh okay, well thereat the museum store there, Oh hell yeah. Great.

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Speaker 2: Astronaut food important, astronauts, strawberries, astronaut ice cream. Everything you want,

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Speaker 2: and you buy as much as you want to and

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Speaker 2: it lasts forever.

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Speaker 1: You want a tango with an astro mango, go ahead

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Speaker 1: and get on down to the Portland William Atte River

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Speaker 1: Science Museum. Out We're not here to talk all about

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Speaker 1: how you beg to be on the show, which I didn't,

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Speaker 1: but yeah, okay, we don't know. I mean, all we

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Speaker 1: know is the phone call.

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Speaker 3: We got from Scott and yeah, on speaker, rip shit

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Speaker 3: on speaker, right, you're mad, mom and dad.

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Speaker 1: And I could hear Adam Sachs in the background being

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Speaker 1: like good, yeah say that, and he's like, oh, I

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Speaker 1: don't work here anymore. Yeah, supposedly all these people that

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Speaker 1: don't work here anymore. First of all, it's an interesting here.

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Speaker 1: It's an interesting company structure because most people who work

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Speaker 1: here almost immediately don't work here anymore, and the people

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Speaker 1: who stay all seem to switch jobs like every month.

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Speaker 1: It's just like, oh, I'm not in charge that. Like

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Speaker 1: you email them like hey, I was wondering about this,

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Speaker 1: They're like, oh, I don't do that anymore. It's like,

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Speaker 1: well who does. It's like, oh Dan does that? Well,

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Speaker 1: who the fuck is Dana? And suddenly Dan as the engineer.

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Speaker 2: Josh is like I'm running the elevator of a dad,

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Speaker 2: And they act like it was always.

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Speaker 1: Like that, and it's not like people who are getting

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Speaker 1: like their job switched. They always describe it as a promotion. Yes,

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Speaker 1: and it's not like it felt like they were crushing

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Speaker 1: their last job. It's not that clear. But the new

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Speaker 1: one ever like them? I like them. Hey, I love

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Speaker 1: these guys. I love all these guys. This is my family.

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Speaker 1: I mean, that's why I'm so concerned. It's like, you know,

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Speaker 1: it's like seeing your daughter come home with a new

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Speaker 1: tattoo you didn't know about, and you go like, WHOA

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Speaker 1: should I be worried because it's like, suddenly they've got

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Speaker 1: this new letterhead and their job is a title that

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Speaker 1: I can't make heads or tails of.

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Speaker 3: So your adult daughter who's living at home comes home

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Speaker 3: with a tattoo, but she's got her own stationary. Sorry,

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Speaker 3: I'm just trying to get my head wrapped around that.

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Speaker 2: Well, No, I mean my daughter actually hasn't come home

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Speaker 2: for a Yes, welcome to the family, Aaron, Yeah, we

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Speaker 2: have said welcome to the family.

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Speaker 3: I appreciate it.

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Speaker 2: Maximum fun changing their name. I heard two lots of.

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Speaker 1: Fun mm hmm. Because they used to in the midt.

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Speaker 1: They're admitting that some of the fun has left, so

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Speaker 1: you know, you know, they they.

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Speaker 3: Can they can do what. I think it's a good

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Speaker 3: move market.

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Speaker 1: Still still plenty of fun, I think. I don't worry.

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Speaker 1: There's still it's fun to be had, you know. But

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Speaker 1: to say that they're actually and maximizing it, it's actually IMPOSSI.

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Speaker 3: Do you think where does Farrell fall in the whole?

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Speaker 3: Like podcast in the food chain. Do you think there's

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Speaker 3: going to be like a full late night Wars situation

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Speaker 3: with all the podcasting networks.

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Speaker 2: We may be in the midst of it, probably going

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Speaker 2: to be like these freaking thick Games of Thrones.

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Speaker 3: Yeah we're a team, lanister, Yes, they're the we are.

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Speaker 1: We got the deep pockets, you know what I mean.

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Speaker 1: That's what Earwolf's coming in with. They're just throwing their

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Speaker 1: gold at.

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Speaker 3: Everything, all the iron banks behind us.

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Speaker 1: Farrell is probably like the Starks, don't you think totally.

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Speaker 1: They're sort of noble in what they do and they

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Speaker 1: have a code that they live by. They have real print,

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Speaker 1: but at times it's been the very thing that comes

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Speaker 1: to bite them on the tikis Which about the Hungary Games, guys,

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Speaker 1: do you think I'd be probably district one.

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Speaker 3: I have never seen those movies.

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Speaker 1: I might be hamish if you really look at it.

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Speaker 3: You could be saying anything and you could say mashed potatoes,

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Speaker 3: and I'm like, that's a character in that show.

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Speaker 1: I would never do that, would never Why would you

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Speaker 1: accuse him of saying mashed potatoes and saying it was

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Speaker 1: a character? Cody? Can you no? Come on, Cody, you

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Speaker 1: have to Cody, you must, I can't.

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Speaker 3: The implication wasn't that you yourself would be mashed potatoes,

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Speaker 3: which I could totally see you playing that role, but.

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Speaker 2: No, the implication was that he would tell you that

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Speaker 2: mashed potatoes was a character in The Hungry Games, which

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Speaker 2: sure hungry, yes, but that's what makes it so sinister

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Speaker 2: that it is so believable, right, Oh.

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Speaker 3: Really yes, but just go to town on mashed potatoes though,

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Speaker 3: like been like, I'm really hungry. I'm just gonna eat

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Speaker 3: this pile of mashed potato.

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Speaker 1: Asking two guys that just did a freaking dough Boys

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Speaker 1: Live Shrimp Off event, like, you know, there's nothing I

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Speaker 1: haven't seen food wise, just the depraved minds behind that podcast.

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Speaker 3: Did you have a.

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Speaker 1: Gampy that'll be an expert?

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Speaker 3: Oh?

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Speaker 1: Boy, listen to the show. Is the Scampy Squad?

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Speaker 2: Aaron Uh that's probably the next thing for you, Hans

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Speaker 2: do a big dough boys eating competition.

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Speaker 1: You've seen us do it. The email's probably already gone out.

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Speaker 3: Oh please, I've already I've already emailed them. I mailed

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Speaker 3: a year ago and I said, I want to go

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Speaker 3: to Red Lobster with you guys.

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Speaker 1: Oh silence, of course, silence, my god.

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Speaker 3: I emailed Nick Wager, my previous co work.

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Speaker 1: Oh yeah, that's right. You do know little baby Wygs.

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Speaker 3: It's like four years older than you.

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Speaker 1: And he looks it. So let's do.

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Speaker 3: Somebody Wiger story.

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Speaker 1: Oh okay, yeah, sounds like is it real? I don't

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Speaker 1: want to hear anything real. This is where I come

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Speaker 1: to escape.

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Speaker 3: Now, am I going to tell you that?

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Speaker 1: I mean, I'd love to hear it off the air.

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Speaker 3: I'll tell you off the air, but it's a real story.

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Speaker 1: I don't. I'll tell you a fake story. Give me

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Speaker 1: a headline about him, like, give me the idea of

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Speaker 1: the story. Now we imagine it.

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Speaker 3: We got to go to the meet Valerie Jarrett, which

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Speaker 3: was Obama's press secretary, and he had just lost a

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Speaker 3: bunch of weight and had a suit that was the

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Speaker 3: wrong size. And it's not the wrong size. No way,

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Speaker 3: it's not in the way that you think it would

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Speaker 3: be the wrong size.

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Speaker 1: It was a little suit because he he.

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Speaker 3: It's new to European cuts.

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Speaker 1: Ah, I see, So he thought he could finally get

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Speaker 1: a swim suit because he had lost the weight. So

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Speaker 1: it wasn't that he put his old suit on him.

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Speaker 1: Was like, oh yeah, I lost the way.

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Speaker 3: He bought a new suit hastily to go to the

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Speaker 3: Obama My house.

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Speaker 1: Just totally miscalculated.

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Speaker 3: Wow, we were walk we had for some reason. I

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Speaker 3: don't know why we didn't take taxis when we were

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Speaker 3: walking from our hotel to the White House. Maybe because

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Speaker 3: Funnier Died doesn't like to spend any money on its employees.

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Speaker 3: But I had on heels and he had on a

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Speaker 3: suit that was too tight. So we were in the

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Speaker 3: back just complaining and hobbling the whole time. You know

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Speaker 3: what's difficult to do walk down cobblestone streets in clothes

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Speaker 3: that don't fit.

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Speaker 1: Is there a picture you know?

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Speaker 3: Did I have a picture somewhere? But I don't know.

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Speaker 3: If we have full body a full body shot. You

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Speaker 3: should just ask him about it.

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Speaker 1: Always take our body shot might come in hand.

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Speaker 3: Wager does look good. He's looking good these days. It's

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Speaker 3: the old paleo diet that should be in the Hungred.

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Speaker 1: For four years, the paleo diet should be in the

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Speaker 1: Hungry game. Yeah, Paleo should be a character. And that's

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Speaker 1: like district freaking health. So you know, I do want

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Speaker 1: to talk a little bit about a different idea. And

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Speaker 1: so obviously you mentioned to yourself that you've been here before,

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Speaker 1: so you admit it. And we played a game, an

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Speaker 1: important game, game that I think taught a lot of

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Speaker 1: our listeners and taught us a lot called bad and

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Speaker 1: people want to know.

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Speaker 2: People have been saying ever since you've come on, I

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Speaker 2: need to know if this is bad, I did something

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Speaker 2: help me figure out what to do now? And I

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Speaker 2: feel like we're playing a big game, just a giant

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Speaker 2: game of is that bad?

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Speaker 1: Now? In the culture, the whole media is constantly saying, hey,

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Speaker 1: it turns out a lot of this was bad.

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Speaker 3: We remember when that thing was bad, but no one cared.

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Speaker 1: We now think it's all.

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Speaker 2: These are being horny shamed and we are learning the rules.

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Speaker 2: And I and I think this is good because it's

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Speaker 2: a lesson for the rest of us where we're finding

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Speaker 2: out stuff like, Okay, you bring uh this woman in

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Speaker 2: for an audition and you hump her leg.

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Speaker 1: This is against the rules.

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Speaker 2: This is apparently banka starting now a race. Now, I

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Speaker 2: appreciate learning about this. You work at a news agency

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Speaker 2: and you rest your penis on a woman's shoulder, Well,

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Speaker 2: she's sitting at her desk.

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Speaker 1: It actually don't do the news. Yeah, that turns out

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Speaker 1: to be bad. It's not, I guess technically part of

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Speaker 1: the news and so it's just not part of your job.

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Speaker 3: Yeah, it's like and that can you know, I don't

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Speaker 3: know if you know that, but that particular instance could

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Speaker 3: happen in a news desk, it could happen on the

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Speaker 3: Gary Shandling Show, it could happen across different platts.

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Speaker 1: See that's great. Oh wow, so I see to learn

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Speaker 1: about that. You can't get so like and you're saying

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Speaker 1: that torn Yeah, and now, where where can I hump

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Speaker 1: someone's leg and blast off in my chinos? Because it's

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Speaker 1: not an audition, which, so that's gonna stop.

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Speaker 3: I'd say, your wife, if that's part of your the

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Speaker 3: rules of your relationship.

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Speaker 1: Okay, I will bring that up, and that's probably it.

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Speaker 1: I will bring that up. To Steffie so that.

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Speaker 3: I'm not just when did this happen.

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Speaker 1: Me and Sefie Graff? Yeah years ago it was like right,

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Speaker 1: it was between Wimbledon's.

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Speaker 2: So we do want to find out because like, what

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Speaker 2: are we supposed to do just like never even talk

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Speaker 2: to someone again, you know, or we like do we

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Speaker 2: have to do? Have the office in a glass box

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Speaker 2: that like the police are always like looking into and

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Speaker 2: telling us what to do and not to do.

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Speaker 1: We don't want it to be like that. Yeah, but

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Speaker 1: it is going to be like that.

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Speaker 3: Yeah, yeah, shock you when you have bad thoughts or whatever.

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Speaker 2: Yeah, it's like friggin' I don't want the animal farm.

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Speaker 1: Yeah, I don't want the thought police and so yeah,

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Speaker 1: and I do not want to get animal armed over here.

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Speaker 1: So we want to know ask you about different things.

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Speaker 1: Is that battered? Yeah? Okay, you know, so we end

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Speaker 1: up in the freaking Boxer rebellion animal farm style? Can

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Speaker 1: you just go to the glue factory?

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Speaker 3: Does that? I never read that book. I don't read

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Speaker 3: or watch.

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Speaker 2: Movies, not clearly reacting like you haven't read it because

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Speaker 2: you would be wack very hard.

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Speaker 3: Yeah, you'd be watership now kind of lady Oh yeah, sorry,

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Speaker 3: I'm only into bunny animals. My point is is that

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Speaker 3: all right.

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Speaker 1: Well, have you ever read any of the Brian Jacques series,

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Speaker 1: the like Red Wall? Uh, you know, there's bunnies in that,

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Speaker 1: but its a French person because that's another one each other.

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Speaker 1: Because there's a lot of bunnies. The bunnies are actually

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Speaker 1: some of the toughest ones in all of Itron was

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Speaker 1: just basically about the badgers and the bunnies, you know, exclusively,

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Speaker 1: because the bunnies all sort of live up at this

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Speaker 1: like mountain area with the with the badgers. Yeah, I know,

401
00:20:05,560 --> 00:20:07,520
Speaker 1: and they're like have sorts and they're strong.

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Speaker 3: Well, it's good.

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Speaker 1: So that far from Wattership Down. Okay, Martin the Warrior,

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00:20:14,000 --> 00:20:16,960
Speaker 1: you know what I mean. It's like there's a bunch

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Speaker 1: of them. So we listen to this and tell.

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Speaker 3: Us a bunch of bunnies.

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Speaker 1: Much of books. Okay, we've talked about to books here.

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Speaker 3: I can't believe your voice goes that high.

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Speaker 1: Okay, well, I can't believe you know that you didn't

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Speaker 1: see Animal Farm.

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Speaker 3: Uh wait, I have a question. Are you guys writing

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Speaker 3: all these rules down? Is this something that you're are

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Speaker 3: you creating.

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Speaker 1: A rule book for I remember, okay, I'll remember. Ideally

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Speaker 1: someone else will write it down the scoop. Troop has

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00:20:47,080 --> 00:20:48,919
Speaker 1: their pens out most of the time when they're listening,

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Speaker 1: so they can write it down and they're working on

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Speaker 1: I think, in oral history of the show, and a

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Speaker 1: lot of other cool ways to commemorate what we've done here.

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Speaker 1: So I would suggest this get lumped in.

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Speaker 3: If you're going to do it, write this down. I

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Speaker 3: just I think a scroll would really serve this well,

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Speaker 3: because there is a.

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Speaker 1: Lot and I think, you know what kind of world

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Speaker 1: would have a scroll, the world that Brian Shach created.

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Speaker 2: One concern I have with the scroll is that when

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Speaker 2: you roll it up, there's an kind of an opening

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Speaker 2: on one side that for a lot of these guys

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Speaker 2: might be sort of tempting.

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Speaker 3: Okay, that's a good point.

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Speaker 2: I'm worried that some of the people that might need

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Speaker 2: this the most might try to hump the scroll.

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Speaker 3: What about doc matrix paper that is continued a big stack.

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Speaker 2: Yeah, oh, it's all like and so you pick up

435
00:21:35,200 --> 00:21:38,920
Speaker 2: one paper and it's connected to the full some sort of.

436
00:21:38,880 --> 00:21:40,879
Speaker 3: Format where people a lot of people can read it

437
00:21:40,920 --> 00:21:41,359
Speaker 3: at once.

438
00:21:41,640 --> 00:21:45,840
Speaker 1: That that might remind me of like a centerfold, Yeah

439
00:21:45,920 --> 00:21:47,520
Speaker 1: you know what I mean, where you sort of pick

440
00:21:47,560 --> 00:21:51,280
Speaker 1: it up and it begins to reveal more not me,

441
00:21:51,560 --> 00:21:54,760
Speaker 1: I mean, I say, me, me, I'm portraying the role

442
00:21:54,800 --> 00:21:57,639
Speaker 1: of the kind of guy that needs need this the most.

443
00:21:57,760 --> 00:21:59,760
Speaker 1: But do you want me to just jump into a scenario?

444
00:21:59,800 --> 00:21:59,960
Speaker 3: Yeah?

445
00:22:00,359 --> 00:22:02,480
Speaker 1: All right. So here's a scenario. And it's a pretty

446
00:22:02,480 --> 00:22:05,080
Speaker 1: simple one. And maybe you know, maybe it's good, maybe

447
00:22:05,080 --> 00:22:09,520
Speaker 1: it's bad. But you're at work, it's a late night.

448
00:22:10,200 --> 00:22:14,600
Speaker 1: You realize that you know, uh, someone at work with

449
00:22:14,640 --> 00:22:18,240
Speaker 1: you has fallen asleep on the couch because they're just

450
00:22:18,280 --> 00:22:21,679
Speaker 1: catching some d'se. You sit next to them for a while.

451
00:22:24,520 --> 00:22:27,720
Speaker 1: You sit next to them for a while, sort of watch.

452
00:22:28,080 --> 00:22:31,119
Speaker 1: It's it's either way. But you sit next to them

453
00:22:31,160 --> 00:22:35,040
Speaker 1: for a while, or or I do, and and they're

454
00:22:35,080 --> 00:22:37,960
Speaker 1: just sort of they're really zonged, they're snooze in and

455
00:22:38,240 --> 00:22:42,199
Speaker 1: you you know, uh, to be clear, also, this is

456
00:22:42,240 --> 00:22:44,600
Speaker 1: not you know, this is not someone you are in

457
00:22:44,640 --> 00:22:49,400
Speaker 1: a romantic relationship with. Color just a just support someone.

458
00:22:49,480 --> 00:22:55,120
Speaker 1: Someone is there, uh, and you start to stroke their hair.

459
00:22:55,720 --> 00:22:56,160
Speaker 2: Uh.

460
00:22:57,240 --> 00:23:01,560
Speaker 1: Leads into a full body massage and a gentle wrestling match,

461
00:23:02,160 --> 00:23:06,640
Speaker 1: but there's still a sleep, they've woken up during the massage,

462
00:23:07,320 --> 00:23:10,760
Speaker 1: and the wrestling match is sort of the result of

463
00:23:10,800 --> 00:23:12,119
Speaker 1: them waking up.

464
00:23:12,119 --> 00:23:13,400
Speaker 3: So they're fighting you off.

465
00:23:13,440 --> 00:23:18,359
Speaker 1: Well, yeah, hard to say. They have not spoken to

466
00:23:18,400 --> 00:23:22,679
Speaker 1: you since, so it's not clear. So just tell me

467
00:23:22,800 --> 00:23:25,600
Speaker 1: so you know, yes or no? Like is that bad?

468
00:23:25,760 --> 00:23:26,040
Speaker 3: Yes?

469
00:23:26,359 --> 00:23:26,679
Speaker 1: Really?

470
00:23:26,920 --> 00:23:27,360
Speaker 3: Yeah?

471
00:23:27,400 --> 00:23:32,920
Speaker 1: Because it's my dog, you said person, No, I said

472
00:23:32,960 --> 00:23:38,680
Speaker 1: someone at work. Ah, it was my dog. So maybe

473
00:23:38,760 --> 00:23:41,960
Speaker 1: me stroking his hair and giving a massage and then

474
00:23:41,960 --> 00:23:43,720
Speaker 1: getting in a wrestling match when he wakes up and

475
00:23:43,720 --> 00:23:48,480
Speaker 1: we haven't spoken since, actually is not bad, and it's

476
00:23:48,520 --> 00:23:52,240
Speaker 1: a big part of our friendship. And this is why

477
00:23:52,280 --> 00:23:54,400
Speaker 1: we have to be so careful about how we report

478
00:23:54,480 --> 00:23:57,560
Speaker 1: these things. Aaron is actually a lot of.

479
00:23:58,920 --> 00:24:00,959
Speaker 3: Okay, gotcha, all right, I'm gonna be more careful when

480
00:24:00,960 --> 00:24:04,880
Speaker 3: I listen to your stories. Now, don't you think dog?

481
00:24:04,920 --> 00:24:08,600
Speaker 3: But I've seen people like do things to their dogs

482
00:24:08,640 --> 00:24:11,720
Speaker 3: like kiss them on the mouth or whisper in their ears,

483
00:24:11,800 --> 00:24:14,879
Speaker 3: and the dogs don't clearly don't like it. Dogs can

484
00:24:14,920 --> 00:24:15,880
Speaker 3: give consent.

485
00:24:15,560 --> 00:24:20,359
Speaker 1: To Okay, I don't know what that has to do

486
00:24:20,400 --> 00:24:24,280
Speaker 1: with my story. You've seen a dog not like getting

487
00:24:24,320 --> 00:24:27,280
Speaker 1: their hairstroked, a full body massage, or a light wrestling

488
00:24:27,359 --> 00:24:29,280
Speaker 1: match on the sofa from.

489
00:24:29,119 --> 00:24:31,480
Speaker 3: People they don't know. Yeah, I have, but clearly this

490
00:24:31,560 --> 00:24:32,200
Speaker 3: is someone who.

491
00:24:32,160 --> 00:24:35,399
Speaker 1: You've This is my dog and he did fall asleep

492
00:24:35,400 --> 00:24:36,240
Speaker 1: on the catch at work.

493
00:24:37,640 --> 00:24:39,600
Speaker 3: I mean that is really adorable.

494
00:24:39,640 --> 00:24:43,679
Speaker 1: It was pretty sweet. Yeah, she likes it, and so

495
00:24:43,720 --> 00:24:45,960
Speaker 1: it turns out it's good. So I'm just you know,

496
00:24:46,160 --> 00:24:48,080
Speaker 1: this is just to illustrate, don't.

497
00:24:47,880 --> 00:24:50,639
Speaker 3: Go to the police. Well I don't even know who's

498
00:24:50,680 --> 00:24:51,960
Speaker 3: reporting this in the situation.

499
00:24:52,359 --> 00:24:54,560
Speaker 1: Well, no one has to because it's an outsider looking

500
00:24:54,600 --> 00:24:57,159
Speaker 1: at the point is that it's not bad. And so

501
00:24:57,800 --> 00:25:03,240
Speaker 1: just you, as someone who is the thought police, then

502
00:25:03,520 --> 00:25:05,480
Speaker 1: to come in here and I just go like, hey,

503
00:25:05,480 --> 00:25:08,440
Speaker 1: here's something i'm thinking about. This really happened. And then

504
00:25:08,480 --> 00:25:11,480
Speaker 1: you go like that's bad, and I go, well, maybe

505
00:25:11,560 --> 00:25:14,760
Speaker 1: we got to be careful ab how we report these things. Okay, heyes,

506
00:25:14,840 --> 00:25:15,560
Speaker 1: do you have anything.

507
00:25:16,200 --> 00:25:20,320
Speaker 2: I have a scenario that's this is a person at work.

508
00:25:20,960 --> 00:25:24,720
Speaker 2: If it's a woman at work, and you sort of

509
00:25:25,320 --> 00:25:31,359
Speaker 2: see them facing away from you and they don't see you,

510
00:25:33,040 --> 00:25:39,280
Speaker 2: and you sneak up on them very quietly, and that

511
00:25:40,200 --> 00:25:43,159
Speaker 2: very fast, all at once, you give them a giant

512
00:25:43,200 --> 00:25:46,480
Speaker 2: hug from behind and then sort of lift them up.

513
00:25:47,840 --> 00:25:48,560
Speaker 1: Is that bad?

514
00:25:48,800 --> 00:25:53,840
Speaker 3: Okay? If this is a chiropractic office, huh, and this

515
00:25:53,920 --> 00:25:56,480
Speaker 3: is something this is a procedure that a medical.

516
00:25:56,119 --> 00:25:59,639
Speaker 1: Doctor is doing. Yeah, surprise bad, just treatment.

517
00:26:00,760 --> 00:26:03,200
Speaker 3: Sometimes they want to like, have you relaxed, so they.

518
00:26:03,640 --> 00:26:05,480
Speaker 1: That's okay, it's not that's okay.

519
00:26:05,280 --> 00:26:09,320
Speaker 3: It's it's consensual spinal adjustments.

520
00:26:09,440 --> 00:26:10,840
Speaker 1: Okay. No, this is not that.

521
00:26:10,880 --> 00:26:12,000
Speaker 3: It's just someone you work with.

522
00:26:12,160 --> 00:26:15,439
Speaker 1: Yeah, i'd say, no, that's not okay.

523
00:26:16,720 --> 00:26:20,720
Speaker 2: Yeah, Well, actually it's my daughter and I just got

524
00:26:20,720 --> 00:26:21,480
Speaker 2: home from the war.

525
00:26:22,119 --> 00:26:24,760
Speaker 1: Ah together.

526
00:26:25,760 --> 00:26:28,760
Speaker 2: Well it's halftime at the super Bowl, okay, And I'm

527
00:26:28,800 --> 00:26:32,280
Speaker 2: surprising her, And you don't want me to do that.

528
00:26:32,920 --> 00:26:35,240
Speaker 2: You want me to not see here what I just

529
00:26:35,240 --> 00:26:37,240
Speaker 2: got home from the war. He got home from the war.

530
00:26:37,320 --> 00:26:38,959
Speaker 1: You wanted to like call and go like, hey, I'm

531
00:26:38,960 --> 00:26:40,480
Speaker 1: gonna come give you a hug at work? Or do

532
00:26:40,520 --> 00:26:43,360
Speaker 1: you think maybe it's a little more exciting to suddenly

533
00:26:43,359 --> 00:26:45,840
Speaker 1: get hugged when she's like bending over fixing the copier.

534
00:26:47,040 --> 00:26:48,800
Speaker 3: Wait, are we at the super Bowl and office?

535
00:26:48,840 --> 00:26:50,560
Speaker 1: We're at the super Bowl, but there's an office in

536
00:26:50,600 --> 00:26:53,240
Speaker 1: the back during halftime that.

537
00:26:53,280 --> 00:26:55,280
Speaker 3: You can go do faxing or whatever you like.

538
00:26:55,359 --> 00:26:55,760
Speaker 1: Business.

539
00:26:55,960 --> 00:27:00,520
Speaker 3: Oh yeah, complimentary business transaction.

540
00:27:00,800 --> 00:27:02,399
Speaker 1: It's I get a hotel where they'll have like a

541
00:27:02,400 --> 00:27:03,640
Speaker 1: little Yeah.

542
00:27:03,440 --> 00:27:05,400
Speaker 3: You know how the NFL is just like a hotel. Yeah,

543
00:27:05,400 --> 00:27:05,879
Speaker 3: I got it.

544
00:27:06,119 --> 00:27:09,919
Speaker 1: Yeah, Oh god, I brought up the NFL. And this

545
00:27:10,080 --> 00:27:15,080
Speaker 1: is like a real source spot because we did by Aaron.

546
00:27:15,280 --> 00:27:18,120
Speaker 1: I just saw her forging go white, but.

547
00:27:18,080 --> 00:27:19,680
Speaker 3: I didn't get to like put my two cents in

548
00:27:19,760 --> 00:27:20,160
Speaker 3: about that.

549
00:27:20,680 --> 00:27:23,160
Speaker 2: Yeah, she wants to stake out some of that territory

550
00:27:23,200 --> 00:27:26,440
Speaker 2: and have it be her. What a mistake we made.

551
00:27:27,320 --> 00:27:30,000
Speaker 2: And Brian said you would do this? He did.

552
00:27:29,440 --> 00:27:29,560
Speaker 1: Ye.

553
00:27:30,359 --> 00:27:31,880
Speaker 3: I haven't heard the episode yet.

554
00:27:31,840 --> 00:27:34,200
Speaker 2: Not on the show, he said. Afterwards He's like, okay,

555
00:27:34,200 --> 00:27:35,520
Speaker 2: and now Aaron's going to come in and do this.

556
00:27:36,080 --> 00:27:36,359
Speaker 1: Uh.

557
00:27:36,400 --> 00:27:38,800
Speaker 2: And he was complaining a lot about the PC police,

558
00:27:38,840 --> 00:27:41,080
Speaker 2: Oh he was, yeah, and Sheriff Aaron.

559
00:27:41,520 --> 00:27:44,840
Speaker 3: Yeah, I don't mind that title. I'll accept that title.

560
00:27:45,280 --> 00:27:45,480
Speaker 1: Yeah.

561
00:27:46,240 --> 00:27:47,520
Speaker 3: Is a power position.

562
00:27:47,240 --> 00:27:49,919
Speaker 1: That leads me right into another scenario, which is like,

563
00:27:50,080 --> 00:27:56,000
Speaker 1: all right, so you've got uh two co workers. They're

564
00:27:56,040 --> 00:27:58,399
Speaker 1: a man and a woman. They host a podcast together.

565
00:27:59,280 --> 00:28:03,000
Speaker 1: One of them comes on your show and is basically

566
00:28:03,000 --> 00:28:04,920
Speaker 1: saying that the other one is like one of these

567
00:28:04,920 --> 00:28:08,760
Speaker 1: freaking social justice Warriors, and even.

568
00:28:08,600 --> 00:28:10,800
Speaker 3: Though the other the person saying that it was also.

569
00:28:10,600 --> 00:28:13,760
Speaker 1: That I don't know. I mean, I'm just saying, like

570
00:28:13,840 --> 00:28:15,720
Speaker 1: the one comes to you and he goes, and he

571
00:28:15,760 --> 00:28:18,520
Speaker 1: basically says that if he's not offending liberal cucks, he's

572
00:28:18,520 --> 00:28:19,480
Speaker 1: not doing his job.

573
00:28:19,600 --> 00:28:21,359
Speaker 2: And he's said that some of the stuff he was

574
00:28:21,359 --> 00:28:24,080
Speaker 2: doing he was doing to be trolling m and that

575
00:28:24,200 --> 00:28:25,640
Speaker 2: he had been trolling a lot.

576
00:28:25,800 --> 00:28:29,639
Speaker 3: Okay, so everything he says on the podcast as sarcastic

577
00:28:29,880 --> 00:28:32,159
Speaker 3: remarks are actually how he feels.

578
00:28:32,680 --> 00:28:37,359
Speaker 1: Yeah, yeah, I guess so. And so he's kind of going, like,

579
00:28:37,920 --> 00:28:42,360
Speaker 1: how do I deal with this freaking you know woman

580
00:28:42,480 --> 00:28:45,800
Speaker 1: who I work with, who you know, is like kind

581
00:28:45,800 --> 00:28:48,360
Speaker 1: of making it difficult to sort of do my job,

582
00:28:48,440 --> 00:28:52,800
Speaker 1: which is offending liberal cooks, sticking millennials back in their

583
00:28:52,840 --> 00:28:55,280
Speaker 1: safe space, which is of course six feet underground, pretty

584
00:28:55,280 --> 00:29:02,560
Speaker 1: safe down there, and just briggering all these freaking SGWC

585
00:29:02,760 --> 00:29:07,120
Speaker 1: police and you know, how, like, how do you respond

586
00:29:07,120 --> 00:29:09,000
Speaker 1: to something like that? I mean, this isn't really and

587
00:29:09,120 --> 00:29:11,240
Speaker 1: is that bad? I guess is it bad for that

588
00:29:11,360 --> 00:29:14,920
Speaker 1: lady to be like not let this dude freaking do

589
00:29:15,040 --> 00:29:16,600
Speaker 1: his actual job for her.

590
00:29:16,480 --> 00:29:22,760
Speaker 3: To be bamboozled into thinking someone is someone someone else essentially, right,

591
00:29:23,240 --> 00:29:24,440
Speaker 3: she's being tricked.

592
00:29:24,320 --> 00:29:25,080
Speaker 1: She's the victim.

593
00:29:25,200 --> 00:29:28,320
Speaker 3: Yeah, yeah, that's how I see it, that she's that

594
00:29:28,360 --> 00:29:29,800
Speaker 3: she's doing everything on.

595
00:29:29,680 --> 00:29:32,040
Speaker 1: The This might have been a bad one to ask.

596
00:29:31,920 --> 00:29:34,560
Speaker 3: You, because this is not about my podcast.

597
00:29:35,280 --> 00:29:37,200
Speaker 1: No, I don't know. I mean, I don't know. Any

598
00:29:37,320 --> 00:29:40,560
Speaker 1: question is yes, this is about Howard. This is Howard

599
00:29:40,600 --> 00:29:41,200
Speaker 1: and Cuckoo.

600
00:29:43,160 --> 00:29:45,600
Speaker 3: What did this person say? What else did this person

601
00:29:45,680 --> 00:29:49,880
Speaker 3: say about their work grievances to you guys or in

602
00:29:49,880 --> 00:29:51,680
Speaker 3: this theoretical situation.

603
00:29:52,160 --> 00:29:56,360
Speaker 1: Mmm, A lot of it was language I don't like

604
00:29:56,400 --> 00:29:59,160
Speaker 1: to use. Yeah, he wants but you said the word

605
00:29:59,240 --> 00:30:02,880
Speaker 1: cook Yeah, offending liberal cooks. I mean that was that

606
00:30:02,960 --> 00:30:05,000
Speaker 1: was said so many times that I feel like I'd

607
00:30:05,040 --> 00:30:07,640
Speaker 1: be doing this person to disservice to not bring it up,

608
00:30:08,160 --> 00:30:11,520
Speaker 1: because that is kind of their mantra in a way.

609
00:30:11,640 --> 00:30:15,240
Speaker 1: He wants solo merch, solo merch.

610
00:30:15,320 --> 00:30:18,880
Speaker 3: That came up a lot, Yeah, solo merch, Like, yeah,

611
00:30:18,920 --> 00:30:20,760
Speaker 3: he wants homosensual T shirts.

612
00:30:21,280 --> 00:30:23,200
Speaker 1: Okay, he wants.

613
00:30:23,000 --> 00:30:23,840
Speaker 3: One more shirt.

614
00:30:24,320 --> 00:30:26,000
Speaker 1: Yeah, he wants more solo merch.

615
00:30:26,360 --> 00:30:27,720
Speaker 3: Do you guys have solo merch?

616
00:30:29,560 --> 00:30:32,520
Speaker 1: No, we wouldn't know. We like having I like having

617
00:30:32,640 --> 00:30:37,920
Speaker 1: joint merge. Yeah. For me, this podcast is about a

618
00:30:38,040 --> 00:30:42,720
Speaker 1: host and his sidekick. It's not just about some sidekick

619
00:30:42,720 --> 00:30:45,560
Speaker 1: out there with his own merch. It's about who's the

620
00:30:46,200 --> 00:30:48,640
Speaker 1: Hayes is a host host, and he's because he's trained

621
00:30:48,640 --> 00:30:52,360
Speaker 1: an improv. The guy took freaking second city classes, you know.

622
00:30:52,720 --> 00:30:53,400
Speaker 1: And so this.

623
00:30:53,400 --> 00:30:57,800
Speaker 2: Dude many every one of their locations. In each location, oh.

624
00:30:57,680 --> 00:30:58,840
Speaker 3: Yeah, Chicago and.

625
00:30:59,000 --> 00:31:01,800
Speaker 1: Chicago, Toronto, Vegas, Detroit.

626
00:31:01,880 --> 00:31:06,400
Speaker 2: Is there still a Detroit, Yes, Jeryl Lewis Arena, there's yeah,

627
00:31:07,080 --> 00:31:07,600
Speaker 2: there's one.

628
00:31:07,840 --> 00:31:10,240
Speaker 1: So so he's taken all though.

629
00:31:10,360 --> 00:31:13,160
Speaker 3: Yeah, okay, every single he's.

630
00:31:13,000 --> 00:31:15,240
Speaker 1: Gone through it. And me, you know, I'm kind of

631
00:31:15,240 --> 00:31:17,000
Speaker 1: flying by the seat of my pants. I mean I

632
00:31:17,120 --> 00:31:19,520
Speaker 1: just fell into this. Some of my rich Harvard cronies

633
00:31:19,600 --> 00:31:22,160
Speaker 1: just gave me a fucking gig, you know. I mean

634
00:31:22,200 --> 00:31:23,960
Speaker 1: I just went there. I was like, kind of smart

635
00:31:24,040 --> 00:31:26,280
Speaker 1: or whatever, could have done something really helpful to people,

636
00:31:26,320 --> 00:31:29,280
Speaker 1: but instead just wound up jerking off on a microphone

637
00:31:29,720 --> 00:31:32,000
Speaker 1: and I helped. I luckily have somebody to provide some

638
00:31:32,080 --> 00:31:35,840
Speaker 1: structure who's like actually knows improv and comedy.

639
00:31:36,040 --> 00:31:37,800
Speaker 2: I will also say I feel like I was kind

640
00:31:37,800 --> 00:31:40,720
Speaker 2: of lucky to get into my improv school at the

641
00:31:40,800 --> 00:31:45,960
Speaker 2: right time, when like sort of anyone who was doing

642
00:31:46,000 --> 00:31:49,080
Speaker 2: something there then seems to have been given an opportunity.

643
00:31:49,280 --> 00:31:52,000
Speaker 3: Now like saturated.

644
00:31:51,520 --> 00:31:54,720
Speaker 2: It's a little bit oversaturated, and it's not like as cool.

645
00:31:55,280 --> 00:31:57,760
Speaker 2: It's not like just by doing it you can get work.

646
00:31:58,320 --> 00:31:59,200
Speaker 2: But that is how it used to.

647
00:31:59,320 --> 00:32:03,640
Speaker 3: But you're saying your talent level wouldn't have like risen

648
00:32:03,680 --> 00:32:04,360
Speaker 3: to the top.

649
00:32:04,240 --> 00:32:08,000
Speaker 1: Of the today. Absolutely not, no way, way too much competition.

650
00:32:08,240 --> 00:32:10,640
Speaker 1: And then I hate to even hear this conversation because

651
00:32:10,640 --> 00:32:12,760
Speaker 1: when we talk about talent levels, I go like, oh,

652
00:32:12,800 --> 00:32:14,720
Speaker 1: I don't know anything about that. I know about money.

653
00:32:15,080 --> 00:32:19,880
Speaker 1: I understand money what it makes people do, and that

654
00:32:20,240 --> 00:32:22,920
Speaker 1: when you get a certain amount of rich people embedded

655
00:32:22,920 --> 00:32:24,680
Speaker 1: through a series of different fields, you kind of just

656
00:32:24,720 --> 00:32:27,239
Speaker 1: point to one and go, ah, I want that, and

657
00:32:27,280 --> 00:32:30,360
Speaker 1: then one of the people from your you know, secret

658
00:32:30,440 --> 00:32:34,000
Speaker 1: fucking Skull and Bones club just goes like, yeah, sure here,

659
00:32:34,120 --> 00:32:36,160
Speaker 1: walk right in. They hold the door open for you.

660
00:32:36,640 --> 00:32:38,480
Speaker 1: So it's it's interesting, that is.

661
00:32:38,400 --> 00:32:41,000
Speaker 3: Interesting, and that what's interesting about that is that pool

662
00:32:41,000 --> 00:32:43,560
Speaker 3: always stays very small and probably gets smaller, so it's

663
00:32:43,600 --> 00:32:44,760
Speaker 3: more connected, more constable.

664
00:32:44,800 --> 00:32:47,080
Speaker 1: Well, and it's the right kind of people in the pool,

665
00:32:48,120 --> 00:32:55,920
Speaker 1: Like what does that mean? People like me? So, did

666
00:32:55,960 --> 00:32:58,840
Speaker 1: you wanna in order to kind of get back at Brian,

667
00:33:00,960 --> 00:33:05,720
Speaker 1: did you want to go after some American organization and

668
00:33:05,800 --> 00:33:10,280
Speaker 1: reshape it like we did with the NFL? Like did

669
00:33:10,280 --> 00:33:12,280
Speaker 1: you want to like you want to like redo because

670
00:33:12,280 --> 00:33:13,880
Speaker 1: like we redid the NFL, like the.

671
00:33:13,800 --> 00:33:17,720
Speaker 3: Weinstein Company, or well, it's too too hard.

672
00:33:17,960 --> 00:33:21,800
Speaker 1: That was kind of done because it's over. Yeah, I

673
00:33:21,840 --> 00:33:23,840
Speaker 1: was thinking more like crighton barrel.

674
00:33:23,640 --> 00:33:26,240
Speaker 3: Or something, just something in my wheelhouse.

675
00:33:26,360 --> 00:33:27,320
Speaker 1: They don't know.

676
00:33:29,680 --> 00:33:33,440
Speaker 3: What what what? What about me? Screams crate and barrel?

677
00:33:33,800 --> 00:33:35,920
Speaker 3: I mean, answer it. I'm it's not even rhetorical.

678
00:33:36,800 --> 00:33:39,120
Speaker 1: You just have like really nice silver wearing dishes.

679
00:33:39,960 --> 00:33:45,000
Speaker 2: Okay, uh yeah, like a big American institution like that

680
00:33:45,000 --> 00:33:46,120
Speaker 2: that like crighton barrel?

681
00:33:46,160 --> 00:33:47,440
Speaker 3: Like what how I would make it?

682
00:33:47,600 --> 00:33:51,800
Speaker 1: I mean what about Brian screams? Nfls a great muscles,

683
00:33:51,920 --> 00:33:53,680
Speaker 1: you know, just the freaking muscles.

684
00:33:53,720 --> 00:33:54,360
Speaker 3: And he's a man.

685
00:33:54,880 --> 00:33:56,040
Speaker 1: He's freking strong as well.

686
00:33:56,360 --> 00:33:59,200
Speaker 3: Yeah did he do he did his bench press routine

687
00:33:59,320 --> 00:34:03,080
Speaker 3: he was doing and for his mask he can move

688
00:34:03,120 --> 00:34:06,360
Speaker 3: his feet very well. Yeah, well he's got insane calves.

689
00:34:06,520 --> 00:34:08,239
Speaker 3: He should do his calves right. He put him right

690
00:34:08,280 --> 00:34:10,160
Speaker 3: on the table and showed you how moisture.

691
00:34:10,280 --> 00:34:11,240
Speaker 1: Put him on my shoulder.

692
00:34:12,120 --> 00:34:16,760
Speaker 3: I don't think that I would say yes, okay because

693
00:34:16,760 --> 00:34:17,319
Speaker 3: of it felt.

694
00:34:17,440 --> 00:34:20,000
Speaker 2: But if you can do it, because some guys would

695
00:34:20,040 --> 00:34:21,600
Speaker 2: just like rip their groins off.

696
00:34:21,920 --> 00:34:24,120
Speaker 1: But he do it that fast as he does it.

697
00:34:24,160 --> 00:34:27,200
Speaker 3: He's got the limberness to sexual.

698
00:34:26,960 --> 00:34:30,759
Speaker 2: I was standing, I was standing up, and I felt

699
00:34:30,800 --> 00:34:33,320
Speaker 2: a full calf shoulder.

700
00:34:34,760 --> 00:34:38,080
Speaker 3: That's that's tough to standing on an apple box took

701
00:34:38,160 --> 00:34:41,719
Speaker 3: my pulse with his calf on your neck.

702
00:34:41,920 --> 00:34:45,680
Speaker 1: Yeah, pretty insane for what?

703
00:34:46,960 --> 00:34:47,879
Speaker 3: Okay, it's fine.

704
00:34:48,040 --> 00:34:50,200
Speaker 1: Well you want to know why he did it? Just

705
00:34:50,840 --> 00:34:54,000
Speaker 1: talk to that mad man Jesus. I mean, he's one,

706
00:34:54,200 --> 00:34:57,400
Speaker 1: you know, he's one tick away from goddamn snowmak.

707
00:34:57,520 --> 00:34:59,719
Speaker 3: Will we really come full circle with Brian. First, he's

708
00:34:59,760 --> 00:35:02,120
Speaker 3: like a delight and I ought to get him and

709
00:35:02,160 --> 00:35:02,560
Speaker 3: now you.

710
00:35:02,480 --> 00:35:04,279
Speaker 1: Guys let me say that. But let me say this.

711
00:35:05,000 --> 00:35:06,680
Speaker 1: The Snowman Killer is completely.

712
00:35:06,400 --> 00:35:11,359
Speaker 3: Insane because he draws things people like that.

713
00:35:11,360 --> 00:35:12,560
Speaker 1: That's why people like him.

714
00:35:12,960 --> 00:35:16,719
Speaker 2: People like him, and Brian like the Snowman Killer. No, well,

715
00:35:16,719 --> 00:35:18,680
Speaker 2: that's why they didn't want to go see the movie.

716
00:35:18,800 --> 00:35:22,320
Speaker 2: Because the movie doesn't like the Snowman Killer. The movie

717
00:35:22,400 --> 00:35:25,479
Speaker 2: is like acting like the movies A snowman killer, yes,

718
00:35:25,480 --> 00:35:26,560
Speaker 2: for being so insane.

719
00:35:26,840 --> 00:35:28,719
Speaker 3: Yeah, but you're saying you're on the side of him

720
00:35:28,719 --> 00:35:30,959
Speaker 3: because you're like, oh, America doesn't have.

721
00:35:31,080 --> 00:35:33,799
Speaker 1: I'm actually not ready to assume that the snowman Killer

722
00:35:33,880 --> 00:35:34,320
Speaker 1: is a hymn.

723
00:35:35,000 --> 00:35:38,719
Speaker 3: Okay, well, let's I mean, historically speaking, they usually are.

724
00:35:40,120 --> 00:35:41,919
Speaker 3: I think women are better artists than that guy.

725
00:35:42,320 --> 00:35:47,160
Speaker 1: This general snowman killer is assuming the police man is

726
00:35:47,200 --> 00:35:49,920
Speaker 1: a man. Huh, mister police. I think it should have

727
00:35:49,920 --> 00:35:54,400
Speaker 1: said mister or missus police, you could have saved her

728
00:35:54,560 --> 00:35:59,880
Speaker 1: or him. I gave you all the clues. Yeah, and

729
00:36:00,040 --> 00:36:01,680
Speaker 1: then I think there should have been a gender neutral

730
00:36:01,880 --> 00:36:05,480
Speaker 1: snow person drawn at the bottom, right, like half.

731
00:36:05,320 --> 00:36:07,520
Speaker 3: Man half woman. That's what they usually do with like

732
00:36:07,719 --> 00:36:12,600
Speaker 3: gender neutral stuff, you know. Yeah, if they really want

733
00:36:12,600 --> 00:36:17,360
Speaker 3: to be PC, they would say come save them, because

734
00:36:17,400 --> 00:36:19,879
Speaker 3: that is they them.

735
00:36:19,960 --> 00:36:22,360
Speaker 2: Yeah, that's a new you could have saved them in

736
00:36:22,440 --> 00:36:23,560
Speaker 2: the snow them Killer.

737
00:36:25,080 --> 00:36:25,919
Speaker 3: Yeah, that makes sense.

738
00:36:26,040 --> 00:36:29,480
Speaker 1: The snow Them Killer is completely insane. And how many

739
00:36:29,480 --> 00:36:34,160
Speaker 1: times have you guys seen it me personally? Yeah? A

740
00:36:34,320 --> 00:36:34,840
Speaker 1: dozen or so?

741
00:36:36,800 --> 00:36:37,120
Speaker 3: I heard.

742
00:36:37,120 --> 00:36:38,200
Speaker 1: It's not good dozen.

743
00:36:38,280 --> 00:36:41,520
Speaker 3: Yeah, but you wanted to like it's more of your thing.

744
00:36:41,719 --> 00:36:44,319
Speaker 1: Yeah, it's like you heard it's not good. You heard

745
00:36:44,320 --> 00:36:46,400
Speaker 1: what we did on our podcast. But you don't really

746
00:36:46,440 --> 00:36:47,960
Speaker 1: have your own experience to speak to, do you?

747
00:36:49,160 --> 00:36:50,360
Speaker 3: So always be informed.

748
00:36:50,400 --> 00:36:54,799
Speaker 2: That's really other people's lived experience of the snow Man Killer. Yeah,

749
00:36:54,920 --> 00:36:57,200
Speaker 2: is to not erase that on this show, I think

750
00:36:57,239 --> 00:36:58,200
Speaker 2: would be really nice.

751
00:37:00,480 --> 00:37:05,759
Speaker 1: Okay, but you don't want to do creton barrel. You

752
00:37:05,800 --> 00:37:07,960
Speaker 1: don't have to do barrel. You can pick another big

753
00:37:08,000 --> 00:37:12,360
Speaker 1: American institute. Do you have a big American institution like Walmart? Okay, sure,

754
00:37:12,640 --> 00:37:14,000
Speaker 1: all right, let's get into it.

755
00:37:14,080 --> 00:37:18,200
Speaker 3: Okay, okay, so Walmart a number one? Lower ceilings?

756
00:37:18,920 --> 00:37:21,040
Speaker 1: All right? Ceiling too hot, a wasted.

757
00:37:21,320 --> 00:37:22,680
Speaker 3: That's the biggest problem with.

758
00:37:22,680 --> 00:37:25,160
Speaker 1: Wall Can we crawl on our belly into Walmart? Or

759
00:37:25,200 --> 00:37:26,799
Speaker 1: do you remember Chuck E Cheese used to have a

760
00:37:26,800 --> 00:37:29,440
Speaker 1: little tiny door, like a tunnel door, so that you

761
00:37:29,480 --> 00:37:31,960
Speaker 1: could crawl in like a mouse like Chuck or is

762
00:37:32,040 --> 00:37:34,279
Speaker 1: Chucky a rat? But you could crawl in like you're

763
00:37:34,320 --> 00:37:36,719
Speaker 1: like a rat and your parents have to walk through

764
00:37:36,760 --> 00:37:38,960
Speaker 1: the big boy door. Can we do something like that

765
00:37:39,000 --> 00:37:41,359
Speaker 1: with Walmart? No parents allowed door?

766
00:37:42,320 --> 00:37:45,680
Speaker 3: Well, children basically run the economy. So that's yeah, that's

767
00:37:45,719 --> 00:37:51,600
Speaker 3: smart on the pit exactly. And I would if there's

768
00:37:51,640 --> 00:37:56,120
Speaker 3: a way to steal but not actually do it verbatim

769
00:37:56,560 --> 00:37:59,880
Speaker 3: where a kid can be a kid, Yeah, change that

770
00:38:00,160 --> 00:38:05,000
Speaker 3: somehow to be more Walmart. Yeah, where a kid dictates

771
00:38:05,000 --> 00:38:08,640
Speaker 3: all the purchases, where a kid can buy a gun exactly.

772
00:38:09,400 --> 00:38:14,000
Speaker 1: You know what I mean. That's a little more Walmart frigging.

773
00:38:14,200 --> 00:38:18,080
Speaker 3: So all the Walmarts allow guns, though, what about in

774
00:38:18,080 --> 00:38:20,160
Speaker 3: a state that does it, like it's California. I don't

775
00:38:20,200 --> 00:38:21,200
Speaker 3: think you can have guns there.

776
00:38:22,040 --> 00:38:25,080
Speaker 1: Yeah, there aren't that many Walmarts at California because there's

777
00:38:25,080 --> 00:38:28,640
Speaker 1: no frigging kids door. Yeah, there's no frigging uh low

778
00:38:28,680 --> 00:38:31,160
Speaker 1: ceilings on your belly through the whole thing to you

779
00:38:31,239 --> 00:38:33,640
Speaker 1: can't get on one of those like little mechanic rollie

780
00:38:33,640 --> 00:38:36,359
Speaker 1: things and just like push yourself on your belly through

781
00:38:36,360 --> 00:38:38,239
Speaker 1: the whole store, which I think is what it's going

782
00:38:38,320 --> 00:38:40,239
Speaker 1: to be from now on. So California's going to see

783
00:38:40,239 --> 00:38:43,200
Speaker 1: a lot more Walmarts soon when we're done rebreaking this institution.

784
00:38:44,120 --> 00:38:44,600
Speaker 3: I agree.

785
00:38:45,320 --> 00:38:48,640
Speaker 1: There's no games, no games.

786
00:38:48,360 --> 00:38:49,520
Speaker 3: No games at the Walmart.

787
00:38:49,640 --> 00:38:51,360
Speaker 2: No, you can't play ski ball and get tickets in

788
00:38:51,400 --> 00:38:53,760
Speaker 2: the exchange. The tickets are like a pan or something.

789
00:38:53,840 --> 00:38:57,120
Speaker 3: Mm hmm, so turn it into a chuck e cheese.

790
00:38:57,880 --> 00:39:00,640
Speaker 1: I didn't say that, but that's kind of a cool idea. Yeah,

791
00:39:00,680 --> 00:39:03,240
Speaker 1: and this is your This is your idea.

792
00:39:03,320 --> 00:39:08,040
Speaker 3: Basically, I think you put well and then agreed you

793
00:39:08,080 --> 00:39:11,040
Speaker 3: separate the Walmart separate, bequal write. You've got the kids

794
00:39:11,080 --> 00:39:14,359
Speaker 3: in one section playing with all the returns. Returns are

795
00:39:14,360 --> 00:39:19,360
Speaker 3: garbage anyway. Then the adults in the other section getting

796
00:39:19,400 --> 00:39:20,240
Speaker 3: business done.

797
00:39:20,360 --> 00:39:25,440
Speaker 1: And drinking wine. Oh, can we get a little wine now?

798
00:39:26,040 --> 00:39:32,920
Speaker 1: Gelsons they have a line bar with jazz. Yeah on

799
00:39:33,080 --> 00:39:37,719
Speaker 1: Hyperian I think, yes, okay, well live music, my.

800
00:39:37,840 --> 00:39:39,960
Speaker 3: Music have you? I know you guys are like in

801
00:39:40,000 --> 00:39:42,880
Speaker 3: the No you've been to the Whole Foods downtown with

802
00:39:42,960 --> 00:39:49,239
Speaker 3: the oyster bar. Okay. So then on top of that,

803
00:39:49,640 --> 00:39:51,520
Speaker 3: because you're bringing some very head up.

804
00:39:52,640 --> 00:39:59,520
Speaker 2: Yeah, yes, oyster bar for the adults, a little place for.

805
00:39:59,480 --> 00:40:02,920
Speaker 1: The adult to wind down adults world.

806
00:40:03,200 --> 00:40:07,239
Speaker 3: And this solves a lot of parts exactly. You can

807
00:40:07,680 --> 00:40:08,720
Speaker 3: swing if you want.

808
00:40:09,040 --> 00:40:13,640
Speaker 1: Yeah, if you wanna, you can leave your kids be high.

809
00:40:14,360 --> 00:40:17,400
Speaker 1: This is good. Yeah. We were always going to be

810
00:40:17,440 --> 00:40:20,600
Speaker 1: breaking new stuff, so what if it's not. Instead of

811
00:40:20,680 --> 00:40:23,160
Speaker 1: just Walmart, which like, what is that? What if it's

812
00:40:23,320 --> 00:40:32,800
Speaker 1: Wally Mart? And Wally is there? The Moose, the garbage

813
00:40:32,880 --> 00:40:37,760
Speaker 1: robot who gets Save America L L dash e Yes.

814
00:40:37,680 --> 00:40:40,040
Speaker 3: Okay, but he is a cartoon, So you have to

815
00:40:40,040 --> 00:40:42,360
Speaker 3: find you have to like do like a physical, like

816
00:40:42,440 --> 00:40:45,160
Speaker 3: an actual build of this robot.

817
00:40:45,680 --> 00:40:47,680
Speaker 1: Yeah, Cody's working on that.

818
00:40:47,760 --> 00:40:49,920
Speaker 3: Oh okay, what are we doing here?

819
00:40:49,960 --> 00:40:56,360
Speaker 1: How's Wally coming along? You're building the real life Wally? Yeah, okay,

820
00:40:56,480 --> 00:41:01,920
Speaker 1: and how's it coming? It's uh, what are we doing here?

821
00:41:02,000 --> 00:41:05,760
Speaker 1: Google image search for organic farms. That's what's on Cody's

822
00:41:05,760 --> 00:41:11,000
Speaker 1: screen right now. I could see you being a bunch

823
00:41:11,000 --> 00:41:13,879
Speaker 1: of wheelbarrows of stuff. Cody's like, what's something I could

824
00:41:13,920 --> 00:41:15,759
Speaker 1: do where I have a reason to be covered in

825
00:41:15,800 --> 00:41:18,600
Speaker 1: dirt all the time. I feel like people are really

826
00:41:18,600 --> 00:41:21,520
Speaker 1: a back I need a better Let's work backwards from

827
00:41:21,560 --> 00:41:26,040
Speaker 1: the dirt. I always have a bunch of dirt on me,

828
00:41:26,480 --> 00:41:27,799
Speaker 1: and then people ask what I do and I go,

829
00:41:27,840 --> 00:41:30,200
Speaker 1: I'm a sound engineer who's in a studio all day

830
00:41:30,600 --> 00:41:36,200
Speaker 1: and it doesn't add up. Let's see what we could find.

831
00:41:36,640 --> 00:41:41,600
Speaker 1: I think it's smart, man, I think you're close. Yeah,

832
00:41:41,640 --> 00:41:48,000
Speaker 1: so yeah, I'm using my engineering skills to make a wally. Okay,

833
00:41:48,040 --> 00:41:52,160
Speaker 1: so okay, not competent, that done in time?

834
00:41:52,640 --> 00:41:54,480
Speaker 3: How many bids did you get in for the wally?

835
00:41:56,280 --> 00:41:59,600
Speaker 1: It was just one. It was just Cody and Ryan. Yeah,

836
00:42:00,080 --> 00:42:01,799
Speaker 1: Ryan engineer Ryan. Oh right.

837
00:42:03,040 --> 00:42:04,640
Speaker 3: So you basically were like, I don't want to get

838
00:42:04,640 --> 00:42:06,480
Speaker 3: out of my chair to do this, to find a

839
00:42:06,520 --> 00:42:07,279
Speaker 3: solution to this.

840
00:42:07,360 --> 00:42:11,279
Speaker 1: Yeah okay. And Dana said that she would build it too.

841
00:42:12,680 --> 00:42:16,160
Speaker 3: Well, Dana makes a lot of promises. She's not even

842
00:42:16,200 --> 00:42:18,640
Speaker 3: involved in this. Is that correct? When was the last

843
00:42:18,680 --> 00:42:19,880
Speaker 3: time you asked her about her wally?

844
00:42:20,520 --> 00:42:24,320
Speaker 1: And believe me, it's been a long time. She's working

845
00:42:24,320 --> 00:42:25,480
Speaker 1: on her pork costume?

846
00:42:26,640 --> 00:42:27,440
Speaker 3: What costume?

847
00:42:27,600 --> 00:42:29,279
Speaker 1: Pork? O?

848
00:42:31,160 --> 00:42:32,920
Speaker 3: Wait, what movie is that from? Because you've met you

849
00:42:33,000 --> 00:42:34,759
Speaker 3: mentioned it offline a bunch, I.

850
00:42:34,719 --> 00:42:39,759
Speaker 1: Have to say, yes, we we're talking about Pork's. Yeah,

851
00:42:39,840 --> 00:42:42,600
Speaker 1: porks have come up a lot today. What movie is

852
00:42:42,640 --> 00:42:42,920
Speaker 1: it from?

853
00:42:42,960 --> 00:42:43,960
Speaker 3: A movie called Porks?

854
00:42:44,200 --> 00:42:47,000
Speaker 1: It's from a so it's I guess. To give a

855
00:42:47,000 --> 00:42:52,040
Speaker 1: little background, Star Wars was kind of my childhood and

856
00:42:52,120 --> 00:42:55,839
Speaker 1: a little bit was my high school. Uh and hey,

857
00:42:55,920 --> 00:42:57,640
Speaker 1: is you feel the same way right? Star Wars was

858
00:42:57,640 --> 00:43:00,279
Speaker 1: sort of your private It was my after school program.

859
00:43:00,480 --> 00:43:03,000
Speaker 1: Star Wars was kind of your second city classes, yes,

860
00:43:03,239 --> 00:43:05,600
Speaker 1: you know, and for me it was my school.

861
00:43:05,280 --> 00:43:08,759
Speaker 3: Which is relatable for anybody who was over the age

862
00:43:08,800 --> 00:43:12,399
Speaker 3: of four from the nineteen seventy nine to today.

863
00:43:12,400 --> 00:43:17,920
Speaker 1: Exactly and experience and so, uh well, I don't know

864
00:43:17,920 --> 00:43:20,439
Speaker 1: how many people shared it. It's kind of my private thing.

865
00:43:20,520 --> 00:43:23,480
Speaker 1: I secretly am sort of into Star Wars and I

866
00:43:23,520 --> 00:43:26,200
Speaker 1: guess it feels like, yeah, more people know about it

867
00:43:26,239 --> 00:43:29,040
Speaker 1: now because they would have scare to talk about it.

868
00:43:29,160 --> 00:43:32,440
Speaker 3: Yeah, because people because it's reprisal.

869
00:43:33,600 --> 00:43:37,400
Speaker 1: Yeah, the consequences could be huge for admitting like hey,

870
00:43:37,480 --> 00:43:39,560
Speaker 1: I've seen Star War would try and get back at

871
00:43:39,600 --> 00:43:40,399
Speaker 1: me for doing it.

872
00:43:40,680 --> 00:43:42,640
Speaker 3: And these were towns that you lived in that were

873
00:43:42,920 --> 00:43:45,640
Speaker 3: full Star Trek towns. Is that what it was? Or

874
00:43:45,680 --> 00:43:46,399
Speaker 3: it was just like it.

875
00:43:46,400 --> 00:43:49,840
Speaker 1: Wasn't popular because even get me started on TG but

876
00:43:49,960 --> 00:43:52,360
Speaker 1: go ahead, Star Trek for yeah, for me was like

877
00:43:52,400 --> 00:43:54,560
Speaker 1: another different school that I would go to at the

878
00:43:54,560 --> 00:43:58,439
Speaker 1: same time. Okay, but everyone else was.

879
00:43:58,840 --> 00:44:03,360
Speaker 2: Like like into cool like cool stuff like Full House

880
00:44:03,480 --> 00:44:06,040
Speaker 2: Power okay yeah yeah.

881
00:44:05,520 --> 00:44:10,319
Speaker 1: Yeah, or even like uh.

882
00:44:09,920 --> 00:44:12,200
Speaker 3: Family Matters or the whole TGI thing.

883
00:44:12,480 --> 00:44:18,320
Speaker 1: Well that, but also like they were watching like Austin Powers.

884
00:44:18,440 --> 00:44:22,680
Speaker 3: Yeah, oh yeah, you know what the cool thing to was.

885
00:44:22,760 --> 00:44:25,759
Speaker 1: They were like, so watching.

886
00:44:25,440 --> 00:44:27,920
Speaker 3: Austin Powers, Yeah, wearing chokers.

887
00:44:28,000 --> 00:44:31,520
Speaker 1: Yes, And so it was a little bit of a

888
00:44:31,560 --> 00:44:34,680
Speaker 1: secret for me. My secret shame that I knew what

889
00:44:34,719 --> 00:44:36,200
Speaker 1: Star Wars is.

890
00:44:35,800 --> 00:44:39,760
Speaker 2: This is this bad forcing a woman onto your private

891
00:44:39,800 --> 00:44:43,319
Speaker 2: plane and pushing.

892
00:44:43,000 --> 00:44:43,839
Speaker 1: A button.

893
00:44:45,360 --> 00:44:48,759
Speaker 2: So that part of the plane turns into like a

894
00:44:49,000 --> 00:44:53,319
Speaker 2: sexy bedroom and there's a bed spinning around and you

895
00:44:53,360 --> 00:44:55,719
Speaker 2: start to you hop on the bed and you do

896
00:44:55,760 --> 00:44:59,960
Speaker 2: different poses, and you ask the woman if you may

897
00:45:00,120 --> 00:45:00,760
Speaker 2: her randy?

898
00:45:00,840 --> 00:45:03,239
Speaker 1: Yeah, if you make her randy. And it's just a

899
00:45:03,280 --> 00:45:06,160
Speaker 1: simple question, do I make you randy? And you say

900
00:45:06,200 --> 00:45:07,560
Speaker 1: baby to make her feel comfortable.

901
00:45:07,680 --> 00:45:12,000
Speaker 3: Is this woman a professional, like like member of like

902
00:45:12,320 --> 00:45:15,759
Speaker 3: some kind of like law enforcement office slash used to

903
00:45:15,760 --> 00:45:16,320
Speaker 3: be a model?

904
00:45:16,600 --> 00:45:16,839
Speaker 1: Yeah?

905
00:45:17,000 --> 00:45:19,520
Speaker 3: Yeah, okay, so you just have a working relationship with

906
00:45:19,560 --> 00:45:20,000
Speaker 3: this woman.

907
00:45:20,360 --> 00:45:23,880
Speaker 2: Yeah, and she is openly not interested, but with a

908
00:45:23,920 --> 00:45:27,919
Speaker 2: smile every indication that she's not up for this bullshit. Right, Well,

909
00:45:28,600 --> 00:45:31,880
Speaker 2: she'll say, like osten, I gotta say, I mean, I

910
00:45:31,920 --> 00:45:34,319
Speaker 2: came of age a little bit in the Summer of

911
00:45:34,360 --> 00:45:39,160
Speaker 2: Love and uh, which was when I believe it was

912
00:45:39,680 --> 00:45:40,680
Speaker 2: ninety nine.

913
00:45:41,680 --> 00:45:44,560
Speaker 3: I wish I wish I was joking right now. I

914
00:45:44,600 --> 00:45:49,680
Speaker 3: wish I was joking. On tour, I mentioned that you're

915
00:45:49,840 --> 00:45:53,680
Speaker 3: nineteen ninety nine, and Brian says Summer of Love. That

916
00:45:53,760 --> 00:45:54,400
Speaker 3: is a legit.

917
00:45:54,520 --> 00:45:57,520
Speaker 1: And I know you were at a I'm referencing your show.

918
00:45:57,840 --> 00:45:59,640
Speaker 3: No, no, you know you've never There's no way you

919
00:45:59,680 --> 00:46:00,400
Speaker 3: could have heard it.

920
00:46:00,600 --> 00:46:02,960
Speaker 1: You caught me. You don't release the live shows?

921
00:46:03,600 --> 00:46:08,760
Speaker 3: No, well we will, but not what I'm saying. What

922
00:46:08,840 --> 00:46:13,359
Speaker 3: kind of like psychic connection to riot have to have

923
00:46:13,560 --> 00:46:16,520
Speaker 3: to make the same joke that makes no sense.

924
00:46:17,120 --> 00:46:18,760
Speaker 1: We're both pretty in pretty good shape.

925
00:46:18,840 --> 00:46:23,560
Speaker 3: Yeah that's good. Oh it's a workout joke. Okay, So

926
00:46:23,719 --> 00:46:26,800
Speaker 3: is that bad? I would say it is bad?

927
00:46:27,480 --> 00:46:30,280
Speaker 1: Hmm oh really because it made like four hundred million dollars.

928
00:46:31,040 --> 00:46:32,239
Speaker 3: Well, it's a different time.

929
00:46:33,200 --> 00:46:35,359
Speaker 1: That was when we and he was from a different time.

930
00:46:35,840 --> 00:46:38,120
Speaker 3: Hey, that's right, which was even more backwards than the

931
00:46:38,160 --> 00:46:42,840
Speaker 3: time that he jumped into backwards. Yeah, I would say

932
00:46:43,040 --> 00:46:45,919
Speaker 3: that's bad. And also it's bad to like then keep

933
00:46:45,960 --> 00:46:49,120
Speaker 3: pursuing the person until she wears down and finally falls

934
00:46:49,160 --> 00:46:51,920
Speaker 3: in love with you out of exhaustion, which I say

935
00:46:52,000 --> 00:46:55,040
Speaker 3: would be the next steps to that pursuit.

936
00:46:55,560 --> 00:46:56,720
Speaker 1: But what if you're being funny.

937
00:46:57,280 --> 00:46:59,719
Speaker 3: Well, do you have bad teeth? Do you have bad

938
00:46:59,760 --> 00:47:03,080
Speaker 3: teeth in like a like kind of a pudgy hairy.

939
00:47:03,360 --> 00:47:06,600
Speaker 1: Dad is you know, I don't like to say that

940
00:47:06,640 --> 00:47:09,160
Speaker 1: somebody's teeth are bad. That's a bad.

941
00:47:09,239 --> 00:47:15,000
Speaker 3: Comically comically fucked up teeth, like non traditional.

942
00:47:16,600 --> 00:47:19,160
Speaker 2: Okay, so now in this world I'm i'm I'm leaving

943
00:47:19,160 --> 00:47:22,960
Speaker 2: her alone. I'm saying you like you and I go

944
00:47:23,080 --> 00:47:24,120
Speaker 2: our separate ways.

945
00:47:23,960 --> 00:47:26,279
Speaker 3: Let's be professional. Well I think they do. You still

946
00:47:26,280 --> 00:47:28,799
Speaker 3: have to still see this person because of some kind

947
00:47:28,840 --> 00:47:30,800
Speaker 3: of like initiative.

948
00:47:30,280 --> 00:47:33,840
Speaker 2: Or like let's say our mission is over and we

949
00:47:33,920 --> 00:47:37,240
Speaker 2: say okay, shake hands. They say that that was fun

950
00:47:37,400 --> 00:47:41,880
Speaker 2: by keep it totally professional. Then she's in the hotel

951
00:47:41,960 --> 00:47:44,760
Speaker 2: room by herself and I'm not there, and random task

952
00:47:44,920 --> 00:47:47,480
Speaker 2: shows up and blows her head off with a shoe

953
00:47:48,880 --> 00:47:50,240
Speaker 2: and because it's a shoe right.

954
00:47:50,280 --> 00:47:52,880
Speaker 1: The center of her skull, because she was because I

955
00:47:52,960 --> 00:47:54,520
Speaker 1: wasn't there to protect her.

956
00:47:54,760 --> 00:47:57,839
Speaker 3: So she's not capable. Okay, so she being an m

957
00:47:57,880 --> 00:47:58,879
Speaker 3: I or whatever.

958
00:47:58,719 --> 00:48:01,880
Speaker 2: Which I think I did with my pump, I saved

959
00:48:01,880 --> 00:48:04,040
Speaker 2: her with my pump, right, hmm, that's.

960
00:48:03,880 --> 00:48:05,480
Speaker 3: Right, your penis pump.

961
00:48:05,960 --> 00:48:14,440
Speaker 2: Well it's honestly, it's not bad, all right, but I

962
00:48:14,480 --> 00:48:17,279
Speaker 2: do have it then, I do have it on me

963
00:48:17,760 --> 00:48:18,360
Speaker 2: at all times.

964
00:48:18,440 --> 00:48:21,000
Speaker 1: It was somehow got mixed in with my I had

965
00:48:21,040 --> 00:48:23,359
Speaker 1: a box of things that kind of when I got

966
00:48:23,360 --> 00:48:27,600
Speaker 1: put into cryogenic freezing, got set aside, almost like when

967
00:48:27,600 --> 00:48:29,680
Speaker 1: you go into prison and you get your possessions when

968
00:48:29,719 --> 00:48:34,880
Speaker 1: you leave. But someone by accident put this era appropriate

969
00:48:34,880 --> 00:48:39,439
Speaker 1: penis pump inside and it's not mine. Baby, Can you.

970
00:48:39,400 --> 00:48:42,680
Speaker 3: Just explain, because I just I can't really wrap my

971
00:48:42,760 --> 00:48:46,040
Speaker 3: mind around the whole transaction. But how you save the

972
00:48:46,080 --> 00:48:49,640
Speaker 3: woman you're sexually harassing with your penis pump from.

973
00:48:49,520 --> 00:48:51,640
Speaker 2: I put it on random test penis outside his pants,

974
00:48:51,640 --> 00:48:57,200
Speaker 2: and I pump it up so much that he faints.

975
00:48:54,840 --> 00:49:00,240
Speaker 3: Painful outside the pants or orgasmic his eye.

976
00:49:00,280 --> 00:49:02,319
Speaker 1: I think might cross. I think it might. I think

977
00:49:02,360 --> 00:49:05,360
Speaker 1: it might be that just so much of the blood

978
00:49:05,360 --> 00:49:07,319
Speaker 1: that he needs to keep his brain functioning so that

979
00:49:07,360 --> 00:49:10,520
Speaker 1: he stays conscious is now getting sucked down into freaking

980
00:49:10,600 --> 00:49:13,719
Speaker 1: his penis area, over his pants, over his cheetos.

981
00:49:13,719 --> 00:49:16,200
Speaker 3: And the woman with a gun, and probably like some

982
00:49:16,280 --> 00:49:20,320
Speaker 3: sort of martial arts training, is unable to protect herself.

983
00:49:20,480 --> 00:49:25,680
Speaker 2: She pumped yeah, and she's too satisfied with from what

984
00:49:25,840 --> 00:49:26,480
Speaker 2: we've been up to.

985
00:49:26,680 --> 00:49:32,239
Speaker 3: Okay, seemingly you never see it on screen. No, I'm sorry,

986
00:49:32,280 --> 00:49:33,520
Speaker 3: whatever scenario.

987
00:49:33,680 --> 00:49:36,640
Speaker 2: But what you pounce on her, I'll pretend to fall

988
00:49:36,719 --> 00:49:39,680
Speaker 2: over over and over again, because that's bad.

989
00:49:40,000 --> 00:49:41,560
Speaker 3: That's awful.

990
00:49:41,640 --> 00:49:45,120
Speaker 2: Pretend to fall over at work. This is me in

991
00:49:45,160 --> 00:49:48,799
Speaker 2: a nutshell. That's not bad.

992
00:49:48,840 --> 00:49:51,399
Speaker 1: I get it in the scrape bloody nutshell. Yeah, that's

993
00:49:51,400 --> 00:49:53,080
Speaker 1: really what kind of shell has it? Not like this

994
00:49:53,200 --> 00:49:53,480
Speaker 1: in it?

995
00:49:53,560 --> 00:49:56,400
Speaker 3: That's really that's actually pretty funny, but I wouldn't.

996
00:49:56,520 --> 00:49:58,400
Speaker 1: Well, now you see a little bit why she's so

997
00:49:58,440 --> 00:50:01,160
Speaker 1: interested it with your I sort of when she starts

998
00:50:01,200 --> 00:50:03,279
Speaker 1: to warm up to me, I believe is all the

999
00:50:03,400 --> 00:50:05,920
Speaker 1: nut jokes. I think that is pretty much of the

1000
00:50:05,960 --> 00:50:08,480
Speaker 1: turning back where she goes there, I see the charm.

1001
00:50:08,640 --> 00:50:12,280
Speaker 3: I have a question. You guys are like, let's say, okay,

1002
00:50:12,320 --> 00:50:16,840
Speaker 3: so eventually your harassment has worn this woman down to

1003
00:50:17,200 --> 00:50:19,440
Speaker 3: full ex Josh, and you've gotten.

1004
00:50:19,280 --> 00:50:20,720
Speaker 1: Married or who said it's a woman.

1005
00:50:22,880 --> 00:50:26,319
Speaker 3: And then next year the next time you we like

1006
00:50:26,400 --> 00:50:28,960
Speaker 3: see like, let's say you and I we haven't seen

1007
00:50:29,000 --> 00:50:30,600
Speaker 3: each other like a year, and the next time I

1008
00:50:30,640 --> 00:50:34,080
Speaker 3: see you, you're with a blonde lady. Yeah, so all

1009
00:50:34,120 --> 00:50:37,520
Speaker 3: of this harassment and wearing down in this woman has

1010
00:50:37,840 --> 00:50:40,719
Speaker 3: resulted in your break. Like, now all that effort is

1011
00:50:40,760 --> 00:50:44,799
Speaker 3: like effort slash harassment. You have to start it all

1012
00:50:44,840 --> 00:50:49,080
Speaker 3: over again with a woman who wears roller skates.

1013
00:50:50,600 --> 00:50:53,520
Speaker 1: Well, not not that one. Okay, Yeah?

1014
00:50:53,640 --> 00:50:55,560
Speaker 3: Is that is that? Is that the timeline?

1015
00:50:56,000 --> 00:50:56,239
Speaker 1: Yeah?

1016
00:50:56,360 --> 00:50:56,680
Speaker 3: Okay?

1017
00:50:56,840 --> 00:51:00,279
Speaker 1: Is that bad? Yeah?

1018
00:51:00,280 --> 00:51:02,000
Speaker 3: Because then I think that the next.

1019
00:51:01,800 --> 00:51:05,359
Speaker 2: Time engaging in something with Kristin Johnson from her.

1020
00:51:05,320 --> 00:51:07,040
Speaker 1: I think you're going to bring up the next time

1021
00:51:07,080 --> 00:51:10,800
Speaker 1: that you see me that I am with a beautiful

1022
00:51:10,840 --> 00:51:15,360
Speaker 1: African American woman, And I think what you're forgetting is

1023
00:51:15,360 --> 00:51:18,480
Speaker 1: that that's actually taking place in the past. Yeah.

1024
00:51:19,239 --> 00:51:23,840
Speaker 3: Sorry, So that was groundbreaking to harass a black woman

1025
00:51:23,880 --> 00:51:24,600
Speaker 3: in the sixties.

1026
00:51:25,160 --> 00:51:29,280
Speaker 1: A lot of people weren't willing to do that. But

1027
00:51:29,320 --> 00:51:31,800
Speaker 1: the thing that happened with the blond woman, I believe

1028
00:51:31,960 --> 00:51:34,239
Speaker 1: that the first woman I was harassing, like got on

1029
00:51:34,280 --> 00:51:36,440
Speaker 1: the phone and said she was fine with it. In

1030
00:51:36,480 --> 00:51:40,440
Speaker 1: a very quick set. That's right, she does. She was like,

1031
00:51:40,520 --> 00:51:41,319
Speaker 1: good luck to you.

1032
00:51:41,440 --> 00:51:43,960
Speaker 3: Yes, with the new girlfriend because she didn't want to

1033
00:51:44,560 --> 00:51:46,520
Speaker 3: she it was a lot of time for her that

1034
00:51:46,600 --> 00:51:50,200
Speaker 3: she didn't want to put in again, the exhaustion that

1035
00:51:50,280 --> 00:51:54,480
Speaker 3: she experienced through the first year wasn't worth going through again,

1036
00:51:55,040 --> 00:51:56,880
Speaker 3: no matter the money she was being offered as a

1037
00:51:56,880 --> 00:51:57,479
Speaker 3: spy or whatever.

1038
00:51:57,480 --> 00:52:00,080
Speaker 1: I'm sorry, it's part of this PC police business that,

1039
00:52:00,160 --> 00:52:04,319
Speaker 1: you know, we can't admit that relationships are hard and

1040
00:52:04,440 --> 00:52:09,399
Speaker 1: sometimes you don't necessarily have a schedule that lines up

1041
00:52:09,480 --> 00:52:12,680
Speaker 1: where the same exact woman can be part of every

1042
00:52:12,719 --> 00:52:13,759
Speaker 1: one of your missions.

1043
00:52:14,280 --> 00:52:17,160
Speaker 3: Yeah, because for whatever reason, you know, if she's not

1044
00:52:17,200 --> 00:52:20,080
Speaker 3: available or she's actually too old for you, even though

1045
00:52:20,080 --> 00:52:24,560
Speaker 3: she's ten years younger. Yeah, mm hmmm, yep, I get it.

1046
00:52:24,920 --> 00:52:29,640
Speaker 2: Yes, So who do you think we should be? Who

1047
00:52:29,640 --> 00:52:32,840
Speaker 2: do you think we should be dating? Basil expositions? Mom,

1048
00:52:34,080 --> 00:52:36,080
Speaker 2: we don't even know if she's like if that's her

1049
00:52:36,280 --> 00:52:37,040
Speaker 2: aweig or not.

1050
00:52:37,920 --> 00:52:38,759
Speaker 1: We think it's a man.

1051
00:52:40,200 --> 00:52:43,239
Speaker 2: We should be dating Basil Expositions, Bob. We just tried

1052
00:52:43,280 --> 00:52:45,279
Speaker 2: to rip her wig off. She doesn't want to date us.

1053
00:52:45,360 --> 00:52:49,240
Speaker 1: Who am I going to date? Fab bastard gold member?

1054
00:52:49,520 --> 00:52:52,280
Speaker 3: Well it's hard because aren't you indeed also fat bastard?

1055
00:52:53,280 --> 00:52:57,319
Speaker 1: Exactly? Yeah, exactly, I'm not going to date myself in

1056
00:52:57,440 --> 00:52:58,080
Speaker 1: a costume?

1057
00:52:58,400 --> 00:52:59,840
Speaker 3: Well what about Kristin Johnson?

1058
00:53:00,600 --> 00:53:01,640
Speaker 1: What about us?

1059
00:53:02,040 --> 00:53:04,320
Speaker 3: Why why not go for the go for a lady.

1060
00:53:04,160 --> 00:53:08,839
Speaker 2: Who's Google sorry, Google search, Jim Morrison girlfriend.

1061
00:53:10,239 --> 00:53:15,880
Speaker 1: That is what is odd? Cody's screed. Who am I

1062
00:53:15,880 --> 00:53:19,000
Speaker 1: going to date? Number one? I'm trying to put the

1063
00:53:19,040 --> 00:53:22,520
Speaker 1: pieces together. He's gonna go live on an organic farm

1064
00:53:22,560 --> 00:53:24,239
Speaker 1: from with Jim Morrison's girlfriend.

1065
00:53:24,400 --> 00:53:29,280
Speaker 2: Jim Morrison's girlfriend, current girlfriend who died a long time ago.

1066
00:53:30,200 --> 00:53:32,840
Speaker 2: What is the puzzle? There must be something to it.

1067
00:53:32,960 --> 00:53:34,680
Speaker 2: Where what's the third piece?

1068
00:53:36,200 --> 00:53:39,520
Speaker 1: What is it? Cody, Jim Morrison's girlfriend. Yeah, can you

1069
00:53:39,560 --> 00:53:41,319
Speaker 1: tell us what the next Google search is? I think

1070
00:53:41,360 --> 00:53:43,960
Speaker 1: we're sort of wrapping up the episode. I'm not at

1071
00:53:44,000 --> 00:53:50,560
Speaker 1: Liberty to offer that information. Mmmm. Okay, that's a clue. Liberty,

1072
00:53:51,040 --> 00:53:56,600
Speaker 1: Jim Morrison, the New York Liberty. Jim Morrison have a girlfriend.

1073
00:53:56,680 --> 00:53:58,440
Speaker 3: I know he did the movie, but that was that

1074
00:53:58,520 --> 00:53:59,560
Speaker 3: seemed too convenient?

1075
00:54:00,360 --> 00:54:03,719
Speaker 1: No, he had Yeah, he had some relationships. Who do

1076
00:54:03,760 --> 00:54:08,440
Speaker 1: you think? And I gotta say drugs. The stuff that

1077
00:54:08,520 --> 00:54:10,759
Speaker 1: he's doing that's bad.

1078
00:54:11,280 --> 00:54:17,799
Speaker 3: Oh yeah, so well see, I'm you know what, I'm

1079
00:54:17,800 --> 00:54:18,920
Speaker 3: glad that you can see that now.

1080
00:54:19,560 --> 00:54:20,359
Speaker 1: Yes, I learned.

1081
00:54:20,560 --> 00:54:23,080
Speaker 3: I'm out of this. I hope it's that Jim. Everything

1082
00:54:23,160 --> 00:54:26,359
Speaker 3: Jim Morrison did to all of his girlfriends was probably unacceptable.

1083
00:54:26,400 --> 00:54:30,880
Speaker 1: It's not good. And what I'll say is Cody apparently

1084
00:54:30,920 --> 00:54:33,759
Speaker 1: wants a girl who is into that kind of thing

1085
00:54:33,960 --> 00:54:35,520
Speaker 1: to be on an organic.

1086
00:54:35,120 --> 00:54:38,319
Speaker 2: Farm with him, and he wouldn't say anything to dispel that,

1087
00:54:38,480 --> 00:54:42,120
Speaker 2: and there's some sort of legal aspect keeping him from

1088
00:54:42,160 --> 00:54:44,680
Speaker 2: talking about the rest of what he has playing off

1089
00:54:44,719 --> 00:54:48,800
Speaker 2: the grid to some organic farm.

1090
00:54:48,480 --> 00:55:01,960
Speaker 1: Boy William boy Frau Farbisino Bye. This has been in

1091
00:55:02,040 --> 00:55:06,120
Speaker 1: Earwolf production, executive produced by Scott Ackerman, Chris Bannon, and

1092
00:55:06,200 --> 00:55:07,080
Speaker 1: Colin Anderson.

1093
00:55:07,280 --> 00:55:15,040
Speaker 3: For more information and content, visit earwolf dot com.