Speaker 1: You're shaking, mother. It's cool, it's not cold. It's hot.
Speaker 1: It's very hot. After looking here, you're better. You need
Speaker 1: to drink some water, try to rest. I'll go and
Speaker 1: fill up the jug m. There's a city far away.
Speaker 1: My parents often spoke of it as if it had
Speaker 1: always been there and always would be. I'd seen it
Speaker 1: in paintings, I read of it in stories, the richest,
Speaker 1: most powerful place on earth, the center of everything. It
Speaker 1: drew people from every corner of the empire and beyond
Speaker 1: two one Bay, a city I always wanted to visit.
Speaker 1: Who didn't? But not under these circumstances. On a slave ship,
Speaker 1: my mother's sick. Captain, Captain, there's a man overboard. Look,
Speaker 1: two men, go back to your canin. But there, I said,
Speaker 1: go back now, your men are throwing slaves overboard. Why
Speaker 1: better to lose the cargo and their sickness on board?
Speaker 1: What sickness? Plague? How do you know? I've been transporting
Speaker 1: slaves long enough to know when there's plague on board?
Speaker 1: They get the pastumes under the arm pits in the grown.
Speaker 1: There's nothing we can do for them. And what if
Speaker 1: one of your men had it? There's nothing we could do.
Speaker 1: Once the pastures burst, the sickness spreads. I have to
Speaker 1: save the ship and those on board, simple as that
Speaker 1: are the old sick, just one in the four dead hold.
Speaker 1: But we can't take a chance. How is your mother?
Speaker 1: She's recovered? I'm just tired. I was concerned. She's fully better?
Speaker 1: Good after hold is okay? No sign of it there.
Speaker 1: I'm certain it's just the one slave. He probably had
Speaker 1: it before boarding. I I have to go back, Yeah, mother, mother,
Speaker 1: wake up. M h they're throwing the slaves overboard. Oh
Speaker 1: they do that sometimes. I saw them floating away. One
Speaker 1: of them was trying to cling to the side of
Speaker 1: the ship and he just got sucked under. What do
Speaker 1: you care? Why do I care? There are slaves, but
Speaker 1: there's still people. Why are you laughing? They don't have
Speaker 1: the same feelings that we do. They're born and they're slaves.
Speaker 1: They don't love. They don't understand. Then, how is it
Speaker 1: into one by mother where they say everyone was a slave?
Speaker 1: One that's different? How is it different? You are such
Speaker 1: an up still a difficult child. Why are you upsetting
Speaker 1: me when I'm so unwell? Is it dead water here?
Speaker 1: Who is your father? Were here? He could explain everything.
Speaker 1: Did the captain say how long? Soon? He said, so
Speaker 1: he will be waiting for us. The flowers would be
Speaker 1: dead though, mother. M hmm what flowers? Were you talking about?
Speaker 1: Your father? Another wedding day. You have fever. You need
Speaker 1: to rest and we'll have a home again. Arcologians around us.
Speaker 1: And do you will meet your yancey for the first time? Yes?
Speaker 1: Joy m what was that? I came from the cupboard? Yeah,
Speaker 1: be careful. What is it right? Please? Not at the rat. No,
Speaker 1: it's not a rat. Can you see anything? Yes? Who
Speaker 1: are you? What do you want with us? Two mun
Speaker 1: by Episode two Ship of the Dead by John Dryden.
Speaker 1: I have an appointment with the head unit paper. Wait
Speaker 1: over there, it hasn't arrived. I need to bring the
Speaker 1: merchandise in. Where's the goods? Entrance? Over there? Down the passage.
Speaker 1: Another day at the palace, the slave merchant brings in
Speaker 1: his product for sale. Another beginning, M M unusual blue eyes?
Speaker 1: Where did you procure them? I have been a slave
Speaker 1: merchant all my life, your excellency. I have traveled far
Speaker 1: and have contacts in every port. If you haven't answered
Speaker 1: my question, I chanced upon them at the slave markets
Speaker 1: and I thought of you at once, very considered it.
Speaker 1: They are quality. Look look at the teeth and educated?
Speaker 1: Are you educated? Do get back? I'm so, your excellency,
Speaker 1: get back to back, your excellency. Are you're right? Was
Speaker 1: that supposed to hurt me? Those went long ago? I
Speaker 1: see you still have yours for now. If you want
Speaker 1: to keep them, you better learn to behave so. Sorry
Speaker 1: of excellency, but look at his spirits and he's educating.
Speaker 1: Oh I can see that I have been buying slaves
Speaker 1: for the palace for a long time. I'll take them both. Good.
Speaker 1: Take these two down to the cells. My assistant will
Speaker 1: show you and we'll do the paperwork. Malick, you're supposed
Speaker 1: to come yesterday. The baby, the baby, the baby. I
Speaker 1: thought the baby could could be a doll for the princesses.
Speaker 1: Oh no, we have no use for the child, but
Speaker 1: the princesses. We have enough thrown to the dogs. Come please, no, please, no,
Speaker 1: make it's all right. I'll take it's trying to useful it. No, no,
Speaker 1: I don't trust you. You have to trust me. It's
Speaker 1: all right. I'll take care of it of her. If
Speaker 1: she goes down to the cells with you, she will
Speaker 1: be taken away from you anyway. This is her chanceful life.
Speaker 1: Give it to me. Yeah, she needs me. Okay, wasn't
Speaker 1: what all that? Naima what her name is Naima Na?
Speaker 1: But here in tumn Bay we are all slaves to
Speaker 1: somebody or something, even the Sultan and his advisers. Of course,
Speaker 1: your majesty, the well being of your nephew is of
Speaker 1: immense importance to us all. And now that his health
Speaker 1: is improving, then you smell it. Smell Oh, yes, you're
Speaker 1: wearing it. You didn't notice? I did? I did? You
Speaker 1: don't like it? Into Munday? Not liking the center of
Speaker 1: a perfume can cost you your head. I love it.
Speaker 1: The Grand Vizier can always be relied on to say
Speaker 1: the right thing. My nephew mother will helped me develop it.
Speaker 1: I call it life, quite simply life, very very good,
Speaker 1: your majesty, to celebrate his recovery from the clutches of death.
Speaker 1: It's similar to the one you created for the King
Speaker 1: of us. Yes that one, or the center I made
Speaker 1: to celebrate the feast of the schol moon. Yes that
Speaker 1: one too, But they are entirely different. Um My ability
Speaker 1: to distinguish such subtle differences in smell is far less
Speaker 1: developed than yours. Your majesty, it is really quite a
Speaker 1: unique and wonderful gift that you have to act anything
Speaker 1: you'd be perfected with. Quite so and well. Concerning Mardu,
Speaker 1: perhaps we need to start thinking of more activities for
Speaker 1: him to practice. What activities? He's no longer a child.
Speaker 1: I think perhaps we need to involve him in more
Speaker 1: more yea, a sixteen year old boy perhaps needs to
Speaker 1: practice with the sword, horsemanship, the art of battle. I
Speaker 1: know it's not his natural inclination, but I fear if
Speaker 1: we ignore this aspect of his education. Well, what about
Speaker 1: a posting with the army? I hope I haven't offended,
Speaker 1: your majesty. Good idea, Dolly, I'll talk to his mother.
Speaker 1: Thank you, your majesty, A General Kulan, You, majesty, we
Speaker 1: were just talking about the Sutan's nephew Mado. I trust
Speaker 1: he's making a speedy recover. He is. We want to
Speaker 1: arrange a posting in the army if his Majesty commands
Speaker 1: the position in keeping with his states. I don't want
Speaker 1: him pample. He needs to grow up. He needs to
Speaker 1: learn to take orders. Understood, your majesty, I have some news.
Speaker 1: We have word from scouts that Maya's forces are gathering
Speaker 1: along the borders of Amber Province, near Susan. I don't
Speaker 1: want to hear such news, but your majesty will want
Speaker 1: to come to me with bad news. Your job is
Speaker 1: to deal with it. Why do I have to keep
Speaker 1: hearing about this bitch? Who let her get this far? Majesty?
Speaker 1: I am ready to deal with Maya good. Teach her
Speaker 1: a lesson, yes, but I do not nothing refer to shreds,
Speaker 1: Burn them in front of her, make her a weep beg.
Speaker 1: Who does she think she has to challenge me? Perhaps, General,
Speaker 1: you should get on with your work. Forgive me, majesty,
Speaker 1: if I speak openly. Our provincial armies haven't fought in
Speaker 1: a long time. How long is it since we've called
Speaker 1: on the provincial governors to muster their men. This is
Speaker 1: an opportunity. What are you talking about? What the opportunity
Speaker 1: to bring them in line in case they have any
Speaker 1: thoughts of their own about rebelling, We should call on
Speaker 1: them to provide men to help fight Maya. That to
Speaker 1: do so would send a signal to the provincial governors
Speaker 1: that we are panicky, that the central authorities we know,
Speaker 1: but show them that they owe their power to our Sultan.
Speaker 1: I need your do need total authority overall provincial governors
Speaker 1: and district commissions, Your majesty, if you were to grant
Speaker 1: these powers, you would be going back on the treaties
Speaker 1: that you yourself side of. Provincial governors have had it
Speaker 1: too good for too long. Fat lazy, self obsessed peacocks.
Speaker 1: They spent too much time admiring themselves in mirrors. They
Speaker 1: are the reason we have left ourselves open to attack.
Speaker 1: Go do it. You have my authority, that is the
Speaker 1: Prepare the letters for General, call on and bring them
Speaker 1: to me to sign. Of course, I will be in
Speaker 1: my rooms. Congratulations, General, I'm doing what is best for
Speaker 1: two Monday. Of course, I don't doubt it. But you
Speaker 1: are an ambitious man. We both are. Perhaps this can
Speaker 1: be an opportunity for us. How so mm hmmm, I'll
Speaker 1: show you my hand if you show me yours. I
Speaker 1: just want what's best for the empire. We all do.
Speaker 1: I'm a soldier. There was a slave, a slave soldier.
Speaker 1: The army has given me everything, my family, me my status,
Speaker 1: my world. I want to serve my shorter. That's all
Speaker 1: I want my brother. The general is a very unusual
Speaker 1: man into munday. I, on the other hand, I'm rather
Speaker 1: more interested in serving another master. Myself is the fat
Speaker 1: man in Sir, the head eunuch. Do you have an appointment? No, No,
Speaker 1: you can't go in. You have to wait like everyone else.
Speaker 1: You have no idea who I am? What? Who are you?
Speaker 1: Never mind? Ah? What your excellency, what an honor? Sultan's
Speaker 1: first wife, Lady shar Jardan is and you made as
Speaker 1: head of the Sultan's household. It's my duty to find
Speaker 1: a suitable candidate. I see, I thought, well, she has
Speaker 1: the maid. She was a spy. Oh, I need someone clean,
Speaker 1: and you someone untainted by all the politics of the palace.
Speaker 1: Do you have any candidates? She's been wailing for her
Speaker 1: baby ever since she arrived. I was thinking of putting
Speaker 1: her in the kitchens. Baby. She arrived here with a baby.
Speaker 1: I had no use for it, so the merchant took it. Ah,
Speaker 1: she is in here. She's on the north somewhere educated.
Speaker 1: Clearly she was once someone when did she arrive a
Speaker 1: week or so ago? Blue eyes, good manners, and she's
Speaker 1: pleasing to the eye too. But that unfortunately is no
Speaker 1: longer something I can act on, but perhaps your excellency
Speaker 1: might Hey, yeah, yeah, come forward, all right, there's no
Speaker 1: need send it to my quarters. I will indeed, Excellency,
Speaker 1: where's the boss? Uh? The boss in the courtyard? Hi? Ah?
Speaker 1: Do you see given bay? You said the house had
Speaker 1: to be ready for a wedding. And see the fountains
Speaker 1: are flowing, the tires are laid. Ah, please do not
Speaker 1: step there. The cement is still wet. When was it
Speaker 1: you said your wife and daughter were arriving. I need
Speaker 1: you to take care of the baby. But what you
Speaker 1: said your wife missed having a baby. Here is a baby.
Speaker 1: But why are we going there? But he's a stupid, dirty,
Speaker 1: unhygienic old man who doesn't cut his fingernails. He's the
Speaker 1: half fees and you will show respect. He wasn't showing
Speaker 1: much respect in his own country. They kicked him out.
Speaker 1: He's nothing, just a just a parasite. Uncle just uses
Speaker 1: him for state occasions. If he didn't have you, he
Speaker 1: probably wouldn't even eat. Probably he is the direct descendant
Speaker 1: of the teacher, a pure line. You need to respect that.
Speaker 1: He is called by God's called by the spirit. More
Speaker 1: like he's always drunk. What's more, he's our security, he's
Speaker 1: our future. Someone else who has only her own interests
Speaker 1: at heart. The Sultan's first wife, shad Art and her
Speaker 1: useless son Madu. Has anybody ever come here? They would,
Speaker 1: of course, but your uncle has forbidden it. It's God
Speaker 1: in a box all this. My uncle lets him out
Speaker 1: when he wants to say to the world, look at me,
Speaker 1: I am God's anointed leader, and then he just shuts
Speaker 1: him back up in this his box. It's all pretend
Speaker 1: you've come. I'm so glad you came here this way. First,
Speaker 1: your holiness a blessing for my son. Mother. Do it? Neil,
Speaker 1: my son has been unwell. Oh, I am sorry to
Speaker 1: hear that. M m h. The holy water too? Where
Speaker 1: is it? Mellow? Bring the holy water? What? Oh? My
Speaker 1: lady sha shall welcome? Bring the holy water here? I
Speaker 1: don't want it. Give him the cop drink it, true
Speaker 1: believers must drink until they are full. I'm full. It
Speaker 1: will make you strong. It has been brought here from
Speaker 1: this sacred spring. Done good. I do wait outside, But
Speaker 1: why should I have? Because I'm telling you too, and
Speaker 1: get rid of him. Hello, Yes, I have my prayers
Speaker 1: to attend to. How are they treating you all right?
Speaker 1: For a prisoner? The food? It could be better. I'll
Speaker 1: see what I can do. So why did you call me?
Speaker 1: Have been thinking? Yes, I think they should be with
Speaker 1: me with respect, with respect, I think perhaps not, but
Speaker 1: I should be with them. I am the guardian. I
Speaker 1: am nothing without them. But as we agreed when I
Speaker 1: agreed to look after your interests, we agreed that I
Speaker 1: would be best positioned to keep them safe so no
Speaker 1: man could find them, not even the Sultan, that I
Speaker 1: would keep them safe. But I am nothing, nothing without this?
Speaker 1: What was that all about? Ensuring our future? Talking of which,
Speaker 1: isn't it about time I found your wife? Do we
Speaker 1: have to keep this cussing this? I'm not ready. Neither
Speaker 1: was I when I was chosen back to the palace.
Speaker 1: You are my son, It's no secret that you are.
Speaker 1: Your uncle has chosen heir. I don't care. Others might
Speaker 1: if you prefer the flesh of girls or boys, But
Speaker 1: you need to produce an air. A ruler without an
Speaker 1: air is vulnerable, not a ruler yet. You know, in
Speaker 1: the old days it would have been General Poulan or
Speaker 1: Kadali who would have succeeded the sultan because they are
Speaker 1: ruthless and they have the experience. Well, that's the old days.
Speaker 1: It's not like that anymore. You are of noble birth.
Speaker 1: It's your birthright, it's your double birthright. After all, your
Speaker 1: dear father, bless her soul, was also the Sultan. No, mother,
Speaker 1: I'm a slave from slave stock, and so are you,
Speaker 1: and so is everyone else here. Ye, captain, the four
Speaker 1: day cold is emptied, now good, and we've washed it
Speaker 1: down and burned brimstone in there. All right, keep an
Speaker 1: eye on the aft. Hold any signs of sickness and
Speaker 1: we'll get them overboard. What about the crew, no sickness,
Speaker 1: gather them up on the deck at sunset? We must
Speaker 1: give thanks for our deliverance. H captain, Is everything all right,
Speaker 1: my lady? How is your mother? Captain blunster boat? There's
Speaker 1: no need for that. Everything has been taken care of.
Speaker 1: There is no plague. We are out of danger of
Speaker 1: monster boat. Now cut off her head, go aft, get help.
Speaker 1: Easy to say when you are. No one moves until
Speaker 1: the boat is launched. Look listen to me. I can
Speaker 1: offer you your free if you let like you off
Speaker 1: with my brothers their freedom when you threw them in
Speaker 1: the seat. Free you. Let you take the boat. If
Speaker 1: you let her go, you have my word. Your word
Speaker 1: is worth nothing. This girl is worth everything. Launch the boat,
Speaker 1: put food and water in it. Captain, do it? Launch
Speaker 1: the boat the come on, he's there now, let her
Speaker 1: go only when I'm on the boat. What are you
Speaker 1: meant to go? Back? Step back? Get back now? All night,
Speaker 1: all night. No one is going to touch you. Please,
Speaker 1: I don't want to go down. Let me go here,
Speaker 1: Shut up, don't talk. Please, everyone's style are free to go.
Speaker 1: You are free to go. Sit there, shut up. Now,
Speaker 1: let the gun go. You think of a fool you
Speaker 1: would seek me? The girl will be released when I
Speaker 1: get the shore. The candidate is loaded. Shall I fire? Captain? No?
Speaker 1: Let them go. Aren't we going to chase them? There's
Speaker 1: nothing we can do. Keep to your course. We still
Speaker 1: have a cargo to sell. What are you going to
Speaker 1: do with me? Okay? I when I finish with you,
Speaker 1: I'll do what your people did to us. Oh where
Speaker 1: is my daughter? What happened? I'm sorry man, there's nothing
Speaker 1: we could do. But what do you mean he took
Speaker 1: a boat? He took your daughter? Did see? We must
Speaker 1: go after them. We must Are you all right, madam oh?
Speaker 1: Madam oh, it's bad hm hm. Why don't you sit
Speaker 1: down right? Should yourself leave us to talk for a while? M? Sarah,
Speaker 1: that usual name. I'm here at least? Where are you
Speaker 1: from the north? I understand? This is where I live
Speaker 1: in the palace. It's a small apartment. But then I
Speaker 1: don't need much. I don't have a family or anything
Speaker 1: like that. I live alone. It's necessary for what I do,
Speaker 1: not to have any ties, not to love. Love only
Speaker 1: makes you weak, especially love for a child. Would you
Speaker 1: like some wine? M It's all right. You can drink
Speaker 1: here if you like. No one want to arrescue that
Speaker 1: they're not me? So you can read? I see? How
Speaker 1: did you know? Your eyes? Your lovely blue eyes. I
Speaker 1: couldn't resist when I turned my back to poor the wine.
Speaker 1: You can resist looking at my ledger? Could you? Do
Speaker 1: you see anything interesting about my work? You know what
Speaker 1: my work is? To find the spies. You're know what
Speaker 1: I've learned in all the years I've been here in
Speaker 1: the palace doing this. Everyone wants something, knowing what you want,
Speaker 1: striving to get it. It's that that keeps us alive.
Speaker 1: What people want can change from day to day. It
Speaker 1: doesn't matter. For instance, this evening right now? Do you
Speaker 1: know what I want? No? I want a trustworthy pair
Speaker 1: of eyes on the Sultan's chief wife Sha. And you
Speaker 1: know how I can get that if her new maid
Speaker 1: were to report everything that happened to me. And why
Speaker 1: would she do that? Because she wants something too? What
Speaker 1: does she want? You see? This is how the world works.
Speaker 1: People need prices. What is your prize? Your baby might live?
Speaker 1: Of course I do have to ensure that the baby
Speaker 1: is still around fast. We weren't expecting you back until
Speaker 1: this evening? Is still here that some of them are master?
Speaker 1: They were just packing up? Is everything all right? Where
Speaker 1: is he the boss, the one I gave the baby to. Ah,
Speaker 1: he's gone home. Damn, damn? Where does he live? I
Speaker 1: mean I forgot to give you the keys? There you are?
Speaker 1: Eben Bay has promised our work is almost complete. Never
Speaker 1: mind that. Where is it? What the baby? I want
Speaker 1: it back? I don't have it. What do you mean
Speaker 1: you don't have it? I took it home, but the
Speaker 1: wife she said no, and so I sold it to
Speaker 1: the butcher. You you the baby you bought from my builder?
Speaker 1: I needed back to let What do you mean, you
Speaker 1: bostard my wife? She has become so attached to it. Well,
Speaker 1: she has better become unattached because it's needed at the palace.
Speaker 1: Is that so? It is? What it's going to cost?
Speaker 1: You bring the belt with a gold thread, also the
Speaker 1: diamond studded one it's hanging there. Mm hmm. I think
Speaker 1: I will wear the gold, yes, madam? All right, let
Speaker 1: me show you. You loop them around like this? Oh
Speaker 1: you know how to do it? Yes, madam? Shall I
Speaker 1: bring the ears of your dress? Don't ask, just do.
Speaker 1: I will tell you if I'm dissatisfied. I was a
Speaker 1: slave too. You know, everyone's a slave. I suppose even
Speaker 1: the freemen are slaves, slaves to power, slaves and money
Speaker 1: slaves too. This is how it is in Tuman. By
Speaker 1: how did we begin this journey? It's through no choice
Speaker 1: of our own, and yet it becomes our story, the
Speaker 1: story of our lives. And where will the journey end?
Speaker 1: You need a thread needle to stitch me in on
Speaker 1: the table over there? Yes, madam? So you were taken
Speaker 1: by pirates, Gregor told me, yes, madam. And before that
Speaker 1: my father was a merchant from small kingdom. In the north.
Speaker 1: What kingdom? What's it called Cassock? It's very small. You
Speaker 1: want have heard of its? But I have. How is
Speaker 1: his excellency Vane cass Yvon cass your king. But but
Speaker 1: surely you must know, my lady, that Ivan cars is dead,
Speaker 1: killed by son. Oh, yes, yes, to escaped. My memory.
Speaker 1: Life is so fragile. We think we are safe, and
Speaker 1: yet suddenly he was not so kind to my people
Speaker 1: as his father was. We are to leave to find
Speaker 1: a new home, and we're kept by pirates. Yes, and
Speaker 1: here you are. You must have suffered great hardships. Yes,
Speaker 1: but now you are safe. You are my maid and
Speaker 1: I will look after you. Right, I must go to
Speaker 1: the banquet. Now do you know why you are my maid? No,
Speaker 1: my lady, why do you think you have this job?
Speaker 1: Why did I allow that man to place you in
Speaker 1: my household? Didn't you want to know? Because I had
Speaker 1: no choice in the matter. You see, I'm a slave,
Speaker 1: just like you. In essence, I have no real power,
Speaker 1: not really. I lived my life for the Sultan and you, well,
Speaker 1: the only thing I ask of you is total and
Speaker 1: complete loyalty, because if you are not loyal, you will suffer.
Speaker 1: You think you have suffered already, but believe me, you
Speaker 1: know nothing of suffering. Here in human bay, we have
Speaker 1: had centuries to perfect the art. Good madam, what is
Speaker 1: it for? What? The banquet A wonderful new perfume created
Speaker 1: by my husband, the Sultan Mha. It is exquisite, your majesty,
Speaker 1: I can smell pomegranate. Congratulation. Thank you, Thank you. You're busy, Yes,
Speaker 1: your majesty, where is that we need to start? He's here,
Speaker 1: your majesty, I think there was a problem with let
Speaker 1: me chuck. Excuse me, just a device? Thank you, thank you?
Speaker 1: Oh please help me? What's going on? Dr He's almost ready,
Speaker 1: your excellency, your healthiness, how are you feeling? Help me? Please?
Speaker 1: You are the only one I done done you. I
Speaker 1: want him in and there. I want him souper it
Speaker 1: up and ready for the blessing. Do whatever you have
Speaker 1: to do, your bliness, Just just sniff this m good evening. General.
Speaker 1: If anything, my brother hates Godala even more than I.
Speaker 1: And how is the most powerful man in the empire
Speaker 1: enjoying the unseasonably cool night air. And I have an
Speaker 1: army to build, an empire to defend. Do you think
Speaker 1: I should be wasting my time here. Oh dear, Yes,
Speaker 1: power is not just about big armies and strong men.
Speaker 1: It's about confidence. What are you talking about? There are
Speaker 1: spies here. All this will be reported back to Maya,
Speaker 1: and she needs to see that Tuman baby is confident
Speaker 1: that our glorious Sultan is well, that he is not
Speaker 1: running scared. My brother Gregor is dealing with the spies.
Speaker 1: Oh no, he's not, he can't. Spies are like cockroaches.
Speaker 1: You can kill them all day long, and just when
Speaker 1: you think they've all gone, you find one in your
Speaker 1: bed sleeping beside you. Are you going in? I suppose
Speaker 1: I have to? Why the pained look? This could be
Speaker 1: your last chance you enjoy civilized company before your long
Speaker 1: march to the provinces. Anyway, all you have to do
Speaker 1: is make sure that Sortan sees you compliment him on
Speaker 1: his new creation, and then you can be on your way.
Speaker 1: That's precisely what I intend to do. They say. The
Speaker 1: next few weeks will be unbearably hot the instance of
Speaker 1: childhood the mighty human bear, Lady Shaja, may I be
Speaker 1: the first to congratulate you your husband's wonderful new creation,
Speaker 1: that it will smell like pol's done to me? Then,
Speaker 1: I wasn't born here, we are a born I had
Speaker 1: you visited the old man the other day. I didn't
Speaker 1: know you were close. You too, we're not. I felt
Speaker 1: sorry for him. It's very unlike you, madam, a soft heart.
Speaker 1: I thought you knew me better. You did want Indeed,
Speaker 1: the last was mine. I have commissioned the great composer
Speaker 1: Ma soud Shah to compose a special it's celebrating the
Speaker 1: creation of life itself. My boy, it's come here. I
Speaker 1: want to buy myself. Of course, it's not just you.
Speaker 1: You need to look after your son too. Let isn't
Speaker 1: that supposed to be your job as head palace security?
Speaker 1: It should be here by now. Well you're the harbor master.
Speaker 1: Where is it? Why don't you just relax if you
Speaker 1: come when it comes? But he said it was supported
Speaker 1: passing the golden dawn. Yeah, so why isn't deteriorate? Could
Speaker 1: be lots of different reasons. Maybe the wind dropped. What
Speaker 1: is your wife going to say? What when she sees
Speaker 1: you with baby? How long have you been apart? No? No, no,
Speaker 1: she's not mine, she's I'm looking after her foot. It's
Speaker 1: he's all right, it's all right. I'm here. No need
Speaker 1: to cry. Well, maybe I'm a fool, but I had
Speaker 1: no choice. We are going to have to look after
Speaker 1: this baby. So the sooner my wife and daughter get
Speaker 1: used to having her around, the better. Ah. What is
Speaker 1: it that's his? Come around the headland? Now that chip
Speaker 1: coming in? We're you gonna do? Will it dock along
Speaker 1: the key here? No, it'll have to anchor just out
Speaker 1: until the paperwork is complete. In case slaves escape it happens.
Speaker 1: Could I go out with you on the skiff as
Speaker 1: some allows. Sorry, my wife and thought will be eager
Speaker 1: to come ashore. Snot done. Signal to the captain to
Speaker 1: give way. They're coming in too fast. You know, when
Speaker 1: you're married and your wife isn't around, well, a man
Speaker 1: is surrounded by temptation, and it's very easy to get
Speaker 1: into by the ways. But I'm proud to say I
Speaker 1: have resisted that. When they lower their sails. What there's
Speaker 1: something wrong? There's no one on deck. Snow done finding
Speaker 1: the one in cannon. What's happening? She's coming in too fast?
Speaker 1: Snow done? Give white, give white, slatter, give white? Stop
Speaker 1: that give why? Google? Hello? Hello? H Hold my baby careful,
Speaker 1: shill up short up short up, start up and take
Speaker 1: the ropes hut up. Hell, Hello, hello, hell up, start
Speaker 1: talking catch and they keep watching over the slave holes.
Speaker 1: Held up. Hello, that's bring head. Hello Hello? Well not
Speaker 1: are they hello? Hello? Mm hmm yeah you where's the captain?
Speaker 1: M where's the captain? He's dead? All go back, go back? Why?
Speaker 1: What your face? Quickly? What what's going on? Star? Start
Speaker 1: and then his slaves in the hole. Yes, they are dead, old,
Speaker 1: dead dead. The ship is a ship of dead man.
Speaker 1: Let's plague. Get off, Get off now, my daughter, I
Speaker 1: have said, get oh, push it back out. No, what
Speaker 1: are you doing? We have no choice? By no, my wife,
Speaker 1: my god, that's top. Excuse me, excuse me, go doughter,
Speaker 1: what's my Oh ha ha ah ah Namer, Namer, It's
Speaker 1: all right, it's don't I'm here now, I'm here. Episode
Speaker 1: two of tuman Bay Ship of the Dead, featuring Rufus Wright,
Speaker 1: Olivia Popoca, now Bill, el O Halbi, and Rad Rawi,
Speaker 1: was written and directed by Me John Scott Dryden, with
Speaker 1: music by Sasha Partnam and editing. A sound designed by
Speaker 1: Steve Bond. Tuman Bay is created by Me and Mike
Speaker 1: Walker and produced by Emma Herne and Nadia Khan. For
Speaker 1: more details, including a castle list, visit tuman Bay dot
Speaker 1: com