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Speaker 1: You're shaking, mother. It's cool, it's not cold. It's hot.

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Speaker 1: It's very hot. After looking here, you're better. You need

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Speaker 1: to drink some water, try to rest. I'll go and

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Speaker 1: fill up the jug m. There's a city far away.

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Speaker 1: My parents often spoke of it as if it had

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Speaker 1: always been there and always would be. I'd seen it

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Speaker 1: in paintings, I read of it in stories, the richest,

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Speaker 1: most powerful place on earth, the center of everything. It

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Speaker 1: drew people from every corner of the empire and beyond

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Speaker 1: two one Bay, a city I always wanted to visit.

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Speaker 1: Who didn't? But not under these circumstances. On a slave ship,

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Speaker 1: my mother's sick. Captain, Captain, there's a man overboard. Look,

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Speaker 1: two men, go back to your canin. But there, I said,

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Speaker 1: go back now, your men are throwing slaves overboard. Why

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Speaker 1: better to lose the cargo and their sickness on board?

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Speaker 1: What sickness? Plague? How do you know? I've been transporting

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Speaker 1: slaves long enough to know when there's plague on board?

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Speaker 1: They get the pastumes under the arm pits in the grown.

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Speaker 1: There's nothing we can do for them. And what if

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Speaker 1: one of your men had it? There's nothing we could do.

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Speaker 1: Once the pastures burst, the sickness spreads. I have to

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Speaker 1: save the ship and those on board, simple as that

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Speaker 1: are the old sick, just one in the four dead hold.

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Speaker 1: But we can't take a chance. How is your mother?

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Speaker 1: She's recovered? I'm just tired. I was concerned. She's fully better?

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Speaker 1: Good after hold is okay? No sign of it there.

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Speaker 1: I'm certain it's just the one slave. He probably had

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Speaker 1: it before boarding. I I have to go back, Yeah, mother, mother,

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Speaker 1: wake up. M h they're throwing the slaves overboard. Oh

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Speaker 1: they do that sometimes. I saw them floating away. One

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Speaker 1: of them was trying to cling to the side of

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Speaker 1: the ship and he just got sucked under. What do

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Speaker 1: you care? Why do I care? There are slaves, but

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Speaker 1: there's still people. Why are you laughing? They don't have

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Speaker 1: the same feelings that we do. They're born and they're slaves.

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Speaker 1: They don't love. They don't understand. Then, how is it

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Speaker 1: into one by mother where they say everyone was a slave?

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Speaker 1: One that's different? How is it different? You are such

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Speaker 1: an up still a difficult child. Why are you upsetting

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Speaker 1: me when I'm so unwell? Is it dead water here?

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Speaker 1: Who is your father? Were here? He could explain everything.

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Speaker 1: Did the captain say how long? Soon? He said, so

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Speaker 1: he will be waiting for us. The flowers would be

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Speaker 1: dead though, mother. M hmm what flowers? Were you talking about?

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Speaker 1: Your father? Another wedding day. You have fever. You need

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Speaker 1: to rest and we'll have a home again. Arcologians around us.

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Speaker 1: And do you will meet your yancey for the first time? Yes?

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Speaker 1: Joy m what was that? I came from the cupboard? Yeah,

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Speaker 1: be careful. What is it right? Please? Not at the rat. No,

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Speaker 1: it's not a rat. Can you see anything? Yes? Who

51
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Speaker 1: are you? What do you want with us? Two mun

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Speaker 1: by Episode two Ship of the Dead by John Dryden.

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Speaker 1: I have an appointment with the head unit paper. Wait

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Speaker 1: over there, it hasn't arrived. I need to bring the

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Speaker 1: merchandise in. Where's the goods? Entrance? Over there? Down the passage.

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Speaker 1: Another day at the palace, the slave merchant brings in

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Speaker 1: his product for sale. Another beginning, M M unusual blue eyes?

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Speaker 1: Where did you procure them? I have been a slave

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Speaker 1: merchant all my life, your excellency. I have traveled far

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Speaker 1: and have contacts in every port. If you haven't answered

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Speaker 1: my question, I chanced upon them at the slave markets

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Speaker 1: and I thought of you at once, very considered it.

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Speaker 1: They are quality. Look look at the teeth and educated?

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Speaker 1: Are you educated? Do get back? I'm so, your excellency,

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Speaker 1: get back to back, your excellency. Are you're right? Was

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Speaker 1: that supposed to hurt me? Those went long ago? I

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Speaker 1: see you still have yours for now. If you want

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Speaker 1: to keep them, you better learn to behave so. Sorry

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Speaker 1: of excellency, but look at his spirits and he's educating.

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Speaker 1: Oh I can see that I have been buying slaves

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Speaker 1: for the palace for a long time. I'll take them both. Good.

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Speaker 1: Take these two down to the cells. My assistant will

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Speaker 1: show you and we'll do the paperwork. Malick, you're supposed

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Speaker 1: to come yesterday. The baby, the baby, the baby. I

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Speaker 1: thought the baby could could be a doll for the princesses.

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Speaker 1: Oh no, we have no use for the child, but

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Speaker 1: the princesses. We have enough thrown to the dogs. Come please, no, please, no,

78
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Speaker 1: make it's all right. I'll take it's trying to useful it. No, no,

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Speaker 1: I don't trust you. You have to trust me. It's

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Speaker 1: all right. I'll take care of it of her. If

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Speaker 1: she goes down to the cells with you, she will

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Speaker 1: be taken away from you anyway. This is her chanceful life.

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Speaker 1: Give it to me. Yeah, she needs me. Okay, wasn't

84
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Speaker 1: what all that? Naima what her name is Naima Na?

85
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Speaker 1: But here in tumn Bay we are all slaves to

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Speaker 1: somebody or something, even the Sultan and his advisers. Of course,

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Speaker 1: your majesty, the well being of your nephew is of

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Speaker 1: immense importance to us all. And now that his health

89
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Speaker 1: is improving, then you smell it. Smell Oh, yes, you're

90
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Speaker 1: wearing it. You didn't notice? I did? I did? You

91
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Speaker 1: don't like it? Into Munday? Not liking the center of

92
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Speaker 1: a perfume can cost you your head. I love it.

93
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Speaker 1: The Grand Vizier can always be relied on to say

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Speaker 1: the right thing. My nephew mother will helped me develop it.

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Speaker 1: I call it life, quite simply life, very very good,

96
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Speaker 1: your majesty, to celebrate his recovery from the clutches of death.

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Speaker 1: It's similar to the one you created for the King

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Speaker 1: of us. Yes that one, or the center I made

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Speaker 1: to celebrate the feast of the schol moon. Yes that

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Speaker 1: one too, But they are entirely different. Um My ability

101
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Speaker 1: to distinguish such subtle differences in smell is far less

102
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Speaker 1: developed than yours. Your majesty, it is really quite a

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Speaker 1: unique and wonderful gift that you have to act anything

104
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Speaker 1: you'd be perfected with. Quite so and well. Concerning Mardu,

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Speaker 1: perhaps we need to start thinking of more activities for

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Speaker 1: him to practice. What activities? He's no longer a child.

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Speaker 1: I think perhaps we need to involve him in more

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Speaker 1: more yea, a sixteen year old boy perhaps needs to

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Speaker 1: practice with the sword, horsemanship, the art of battle. I

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Speaker 1: know it's not his natural inclination, but I fear if

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Speaker 1: we ignore this aspect of his education. Well, what about

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Speaker 1: a posting with the army? I hope I haven't offended,

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Speaker 1: your majesty. Good idea, Dolly, I'll talk to his mother.

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Speaker 1: Thank you, your majesty, A General Kulan, You, majesty, we

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Speaker 1: were just talking about the Sutan's nephew Mado. I trust

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Speaker 1: he's making a speedy recover. He is. We want to

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Speaker 1: arrange a posting in the army if his Majesty commands

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Speaker 1: the position in keeping with his states. I don't want

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Speaker 1: him pample. He needs to grow up. He needs to

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Speaker 1: learn to take orders. Understood, your majesty, I have some news.

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Speaker 1: We have word from scouts that Maya's forces are gathering

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Speaker 1: along the borders of Amber Province, near Susan. I don't

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Speaker 1: want to hear such news, but your majesty will want

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Speaker 1: to come to me with bad news. Your job is

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Speaker 1: to deal with it. Why do I have to keep

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Speaker 1: hearing about this bitch? Who let her get this far? Majesty?

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Speaker 1: I am ready to deal with Maya good. Teach her

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Speaker 1: a lesson, yes, but I do not nothing refer to shreds,

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Speaker 1: Burn them in front of her, make her a weep beg.

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Speaker 1: Who does she think she has to challenge me? Perhaps, General,

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Speaker 1: you should get on with your work. Forgive me, majesty,

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Speaker 1: if I speak openly. Our provincial armies haven't fought in

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Speaker 1: a long time. How long is it since we've called

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Speaker 1: on the provincial governors to muster their men. This is

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Speaker 1: an opportunity. What are you talking about? What the opportunity

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Speaker 1: to bring them in line in case they have any

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Speaker 1: thoughts of their own about rebelling, We should call on

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Speaker 1: them to provide men to help fight Maya. That to

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Speaker 1: do so would send a signal to the provincial governors

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Speaker 1: that we are panicky, that the central authorities we know,

141
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Speaker 1: but show them that they owe their power to our Sultan.

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Speaker 1: I need your do need total authority overall provincial governors

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Speaker 1: and district commissions, Your majesty, if you were to grant

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Speaker 1: these powers, you would be going back on the treaties

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Speaker 1: that you yourself side of. Provincial governors have had it

146
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Speaker 1: too good for too long. Fat lazy, self obsessed peacocks.

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Speaker 1: They spent too much time admiring themselves in mirrors. They

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Speaker 1: are the reason we have left ourselves open to attack.

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Speaker 1: Go do it. You have my authority, that is the

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Speaker 1: Prepare the letters for General, call on and bring them

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Speaker 1: to me to sign. Of course, I will be in

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Speaker 1: my rooms. Congratulations, General, I'm doing what is best for

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Speaker 1: two Monday. Of course, I don't doubt it. But you

154
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Speaker 1: are an ambitious man. We both are. Perhaps this can

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Speaker 1: be an opportunity for us. How so mm hmmm, I'll

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Speaker 1: show you my hand if you show me yours. I

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Speaker 1: just want what's best for the empire. We all do.

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Speaker 1: I'm a soldier. There was a slave, a slave soldier.

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Speaker 1: The army has given me everything, my family, me my status,

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Speaker 1: my world. I want to serve my shorter. That's all

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Speaker 1: I want my brother. The general is a very unusual

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Speaker 1: man into munday. I, on the other hand, I'm rather

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Speaker 1: more interested in serving another master. Myself is the fat

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Speaker 1: man in Sir, the head eunuch. Do you have an appointment? No, No,

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Speaker 1: you can't go in. You have to wait like everyone else.

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Speaker 1: You have no idea who I am? What? Who are you?

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Speaker 1: Never mind? Ah? What your excellency, what an honor? Sultan's

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Speaker 1: first wife, Lady shar Jardan is and you made as

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Speaker 1: head of the Sultan's household. It's my duty to find

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Speaker 1: a suitable candidate. I see, I thought, well, she has

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Speaker 1: the maid. She was a spy. Oh, I need someone clean,

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Speaker 1: and you someone untainted by all the politics of the palace.

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Speaker 1: Do you have any candidates? She's been wailing for her

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Speaker 1: baby ever since she arrived. I was thinking of putting

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Speaker 1: her in the kitchens. Baby. She arrived here with a baby.

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Speaker 1: I had no use for it, so the merchant took it. Ah,

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Speaker 1: she is in here. She's on the north somewhere educated.

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Speaker 1: Clearly she was once someone when did she arrive a

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Speaker 1: week or so ago? Blue eyes, good manners, and she's

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Speaker 1: pleasing to the eye too. But that unfortunately is no

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Speaker 1: longer something I can act on, but perhaps your excellency

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Speaker 1: might Hey, yeah, yeah, come forward, all right, there's no

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Speaker 1: need send it to my quarters. I will indeed, Excellency,

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Speaker 1: where's the boss? Uh? The boss in the courtyard? Hi? Ah?

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Speaker 1: Do you see given bay? You said the house had

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Speaker 1: to be ready for a wedding. And see the fountains

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Speaker 1: are flowing, the tires are laid. Ah, please do not

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Speaker 1: step there. The cement is still wet. When was it

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Speaker 1: you said your wife and daughter were arriving. I need

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Speaker 1: you to take care of the baby. But what you

191
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Speaker 1: said your wife missed having a baby. Here is a baby.

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Speaker 1: But why are we going there? But he's a stupid, dirty,

193
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Speaker 1: unhygienic old man who doesn't cut his fingernails. He's the

194
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Speaker 1: half fees and you will show respect. He wasn't showing

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Speaker 1: much respect in his own country. They kicked him out.

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Speaker 1: He's nothing, just a just a parasite. Uncle just uses

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Speaker 1: him for state occasions. If he didn't have you, he

198
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Speaker 1: probably wouldn't even eat. Probably he is the direct descendant

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Speaker 1: of the teacher, a pure line. You need to respect that.

200
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Speaker 1: He is called by God's called by the spirit. More

201
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Speaker 1: like he's always drunk. What's more, he's our security, he's

202
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Speaker 1: our future. Someone else who has only her own interests

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Speaker 1: at heart. The Sultan's first wife, shad Art and her

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Speaker 1: useless son Madu. Has anybody ever come here? They would,

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Speaker 1: of course, but your uncle has forbidden it. It's God

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Speaker 1: in a box all this. My uncle lets him out

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Speaker 1: when he wants to say to the world, look at me,

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Speaker 1: I am God's anointed leader, and then he just shuts

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Speaker 1: him back up in this his box. It's all pretend

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Speaker 1: you've come. I'm so glad you came here this way. First,

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Speaker 1: your holiness a blessing for my son. Mother. Do it? Neil,

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Speaker 1: my son has been unwell. Oh, I am sorry to

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Speaker 1: hear that. M m h. The holy water too? Where

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Speaker 1: is it? Mellow? Bring the holy water? What? Oh? My

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Speaker 1: lady sha shall welcome? Bring the holy water here? I

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Speaker 1: don't want it. Give him the cop drink it, true

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Speaker 1: believers must drink until they are full. I'm full. It

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Speaker 1: will make you strong. It has been brought here from

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Speaker 1: this sacred spring. Done good. I do wait outside, But

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Speaker 1: why should I have? Because I'm telling you too, and

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Speaker 1: get rid of him. Hello, Yes, I have my prayers

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Speaker 1: to attend to. How are they treating you all right?

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Speaker 1: For a prisoner? The food? It could be better. I'll

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Speaker 1: see what I can do. So why did you call me?

225
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Speaker 1: Have been thinking? Yes, I think they should be with

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Speaker 1: me with respect, with respect, I think perhaps not, but

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Speaker 1: I should be with them. I am the guardian. I

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Speaker 1: am nothing without them. But as we agreed when I

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Speaker 1: agreed to look after your interests, we agreed that I

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Speaker 1: would be best positioned to keep them safe so no

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Speaker 1: man could find them, not even the Sultan, that I

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Speaker 1: would keep them safe. But I am nothing, nothing without this?

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Speaker 1: What was that all about? Ensuring our future? Talking of which,

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Speaker 1: isn't it about time I found your wife? Do we

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Speaker 1: have to keep this cussing this? I'm not ready. Neither

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Speaker 1: was I when I was chosen back to the palace.

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Speaker 1: You are my son, It's no secret that you are.

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Speaker 1: Your uncle has chosen heir. I don't care. Others might

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Speaker 1: if you prefer the flesh of girls or boys, But

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Speaker 1: you need to produce an air. A ruler without an

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Speaker 1: air is vulnerable, not a ruler yet. You know, in

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Speaker 1: the old days it would have been General Poulan or

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Speaker 1: Kadali who would have succeeded the sultan because they are

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Speaker 1: ruthless and they have the experience. Well, that's the old days.

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Speaker 1: It's not like that anymore. You are of noble birth.

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Speaker 1: It's your birthright, it's your double birthright. After all, your

247
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Speaker 1: dear father, bless her soul, was also the Sultan. No, mother,

248
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Speaker 1: I'm a slave from slave stock, and so are you,

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Speaker 1: and so is everyone else here. Ye, captain, the four

250
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Speaker 1: day cold is emptied, now good, and we've washed it

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Speaker 1: down and burned brimstone in there. All right, keep an

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Speaker 1: eye on the aft. Hold any signs of sickness and

253
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Speaker 1: we'll get them overboard. What about the crew, no sickness,

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Speaker 1: gather them up on the deck at sunset? We must

255
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Speaker 1: give thanks for our deliverance. H captain, Is everything all right,

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Speaker 1: my lady? How is your mother? Captain blunster boat? There's

257
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Speaker 1: no need for that. Everything has been taken care of.

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Speaker 1: There is no plague. We are out of danger of

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Speaker 1: monster boat. Now cut off her head, go aft, get help.

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Speaker 1: Easy to say when you are. No one moves until

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Speaker 1: the boat is launched. Look listen to me. I can

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Speaker 1: offer you your free if you let like you off

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Speaker 1: with my brothers their freedom when you threw them in

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Speaker 1: the seat. Free you. Let you take the boat. If

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Speaker 1: you let her go, you have my word. Your word

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Speaker 1: is worth nothing. This girl is worth everything. Launch the boat,

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Speaker 1: put food and water in it. Captain, do it? Launch

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Speaker 1: the boat the come on, he's there now, let her

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Speaker 1: go only when I'm on the boat. What are you

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Speaker 1: meant to go? Back? Step back? Get back now? All night,

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Speaker 1: all night. No one is going to touch you. Please,

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Speaker 1: I don't want to go down. Let me go here,

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Speaker 1: Shut up, don't talk. Please, everyone's style are free to go.

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Speaker 1: You are free to go. Sit there, shut up. Now,

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Speaker 1: let the gun go. You think of a fool you

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Speaker 1: would seek me? The girl will be released when I

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Speaker 1: get the shore. The candidate is loaded. Shall I fire? Captain? No?

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Speaker 1: Let them go. Aren't we going to chase them? There's

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Speaker 1: nothing we can do. Keep to your course. We still

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Speaker 1: have a cargo to sell. What are you going to

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Speaker 1: do with me? Okay? I when I finish with you,

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Speaker 1: I'll do what your people did to us. Oh where

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Speaker 1: is my daughter? What happened? I'm sorry man, there's nothing

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Speaker 1: we could do. But what do you mean he took

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Speaker 1: a boat? He took your daughter? Did see? We must

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Speaker 1: go after them. We must Are you all right, madam oh?

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00:25:41,600 --> 00:26:05,360
Speaker 1: Madam oh, it's bad hm hm. Why don't you sit

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Speaker 1: down right? Should yourself leave us to talk for a while? M? Sarah,

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00:26:21,920 --> 00:26:25,800
Speaker 1: that usual name. I'm here at least? Where are you

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Speaker 1: from the north? I understand? This is where I live

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Speaker 1: in the palace. It's a small apartment. But then I

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Speaker 1: don't need much. I don't have a family or anything

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Speaker 1: like that. I live alone. It's necessary for what I do,

294
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Speaker 1: not to have any ties, not to love. Love only

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Speaker 1: makes you weak, especially love for a child. Would you

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Speaker 1: like some wine? M It's all right. You can drink

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00:27:02,080 --> 00:27:04,159
Speaker 1: here if you like. No one want to arrescue that

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00:27:04,240 --> 00:27:10,200
Speaker 1: they're not me? So you can read? I see? How

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00:27:10,280 --> 00:27:15,359
Speaker 1: did you know? Your eyes? Your lovely blue eyes. I

300
00:27:15,440 --> 00:27:18,320
Speaker 1: couldn't resist when I turned my back to poor the wine.

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00:27:18,359 --> 00:27:22,639
Speaker 1: You can resist looking at my ledger? Could you? Do

302
00:27:22,720 --> 00:27:29,800
Speaker 1: you see anything interesting about my work? You know what

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00:27:29,960 --> 00:27:37,520
Speaker 1: my work is? To find the spies. You're know what

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00:27:37,600 --> 00:27:39,440
Speaker 1: I've learned in all the years I've been here in

305
00:27:39,480 --> 00:27:48,120
Speaker 1: the palace doing this. Everyone wants something, knowing what you want,

306
00:27:48,440 --> 00:27:51,560
Speaker 1: striving to get it. It's that that keeps us alive.

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00:27:52,240 --> 00:27:54,040
Speaker 1: What people want can change from day to day. It

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Speaker 1: doesn't matter. For instance, this evening right now? Do you

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00:27:59,240 --> 00:28:05,800
Speaker 1: know what I want? No? I want a trustworthy pair

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Speaker 1: of eyes on the Sultan's chief wife Sha. And you

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00:28:11,960 --> 00:28:14,800
Speaker 1: know how I can get that if her new maid

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00:28:14,880 --> 00:28:18,520
Speaker 1: were to report everything that happened to me. And why

313
00:28:18,560 --> 00:28:23,040
Speaker 1: would she do that? Because she wants something too? What

314
00:28:23,200 --> 00:28:31,040
Speaker 1: does she want? You see? This is how the world works.

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00:28:33,080 --> 00:28:41,160
Speaker 1: People need prices. What is your prize? Your baby might live?

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Speaker 1: Of course I do have to ensure that the baby

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Speaker 1: is still around fast. We weren't expecting you back until

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Speaker 1: this evening? Is still here that some of them are master?

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00:29:00,640 --> 00:29:06,080
Speaker 1: They were just packing up? Is everything all right? Where

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Speaker 1: is he the boss, the one I gave the baby to. Ah,

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00:29:11,200 --> 00:29:15,200
Speaker 1: he's gone home. Damn, damn? Where does he live? I

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00:29:15,240 --> 00:29:18,600
Speaker 1: mean I forgot to give you the keys? There you are?

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00:29:18,800 --> 00:29:22,520
Speaker 1: Eben Bay has promised our work is almost complete. Never

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00:29:22,600 --> 00:29:26,120
Speaker 1: mind that. Where is it? What the baby? I want

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00:29:26,200 --> 00:29:28,959
Speaker 1: it back? I don't have it. What do you mean

326
00:29:29,040 --> 00:29:31,160
Speaker 1: you don't have it? I took it home, but the

327
00:29:31,240 --> 00:29:35,440
Speaker 1: wife she said no, and so I sold it to

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Speaker 1: the butcher. You you the baby you bought from my builder?

329
00:29:44,840 --> 00:29:48,840
Speaker 1: I needed back to let What do you mean, you

330
00:29:49,040 --> 00:29:54,560
Speaker 1: bostard my wife? She has become so attached to it. Well,

331
00:29:54,640 --> 00:29:57,320
Speaker 1: she has better become unattached because it's needed at the palace.

332
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Speaker 1: Is that so? It is? What it's going to cost?

333
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Speaker 1: You bring the belt with a gold thread, also the

334
00:30:09,200 --> 00:30:18,200
Speaker 1: diamond studded one it's hanging there. Mm hmm. I think

335
00:30:18,240 --> 00:30:23,040
Speaker 1: I will wear the gold, yes, madam? All right, let

336
00:30:23,120 --> 00:30:26,920
Speaker 1: me show you. You loop them around like this? Oh

337
00:30:28,040 --> 00:30:30,560
Speaker 1: you know how to do it? Yes, madam? Shall I

338
00:30:30,640 --> 00:30:33,120
Speaker 1: bring the ears of your dress? Don't ask, just do.

339
00:30:33,800 --> 00:30:38,800
Speaker 1: I will tell you if I'm dissatisfied. I was a

340
00:30:38,840 --> 00:30:43,480
Speaker 1: slave too. You know, everyone's a slave. I suppose even

341
00:30:43,520 --> 00:30:47,000
Speaker 1: the freemen are slaves, slaves to power, slaves and money

342
00:30:47,160 --> 00:30:50,960
Speaker 1: slaves too. This is how it is in Tuman. By

343
00:30:53,280 --> 00:30:56,760
Speaker 1: how did we begin this journey? It's through no choice

344
00:30:56,800 --> 00:30:59,400
Speaker 1: of our own, and yet it becomes our story, the

345
00:30:59,480 --> 00:31:02,680
Speaker 1: story of our lives. And where will the journey end?

346
00:31:04,600 --> 00:31:06,760
Speaker 1: You need a thread needle to stitch me in on

347
00:31:06,840 --> 00:31:13,160
Speaker 1: the table over there? Yes, madam? So you were taken

348
00:31:13,240 --> 00:31:19,080
Speaker 1: by pirates, Gregor told me, yes, madam. And before that

349
00:31:21,040 --> 00:31:24,160
Speaker 1: my father was a merchant from small kingdom. In the north.

350
00:31:24,560 --> 00:31:29,200
Speaker 1: What kingdom? What's it called Cassock? It's very small. You

351
00:31:29,280 --> 00:31:32,480
Speaker 1: want have heard of its? But I have. How is

352
00:31:32,600 --> 00:31:42,880
Speaker 1: his excellency Vane cass Yvon cass your king. But but

353
00:31:43,080 --> 00:31:46,520
Speaker 1: surely you must know, my lady, that Ivan cars is dead,

354
00:31:47,720 --> 00:31:52,440
Speaker 1: killed by son. Oh, yes, yes, to escaped. My memory.

355
00:31:54,120 --> 00:31:57,280
Speaker 1: Life is so fragile. We think we are safe, and

356
00:31:57,440 --> 00:32:01,960
Speaker 1: yet suddenly he was not so kind to my people

357
00:32:02,040 --> 00:32:05,440
Speaker 1: as his father was. We are to leave to find

358
00:32:05,480 --> 00:32:10,520
Speaker 1: a new home, and we're kept by pirates. Yes, and

359
00:32:10,680 --> 00:32:15,880
Speaker 1: here you are. You must have suffered great hardships. Yes,

360
00:32:16,400 --> 00:32:19,160
Speaker 1: but now you are safe. You are my maid and

361
00:32:19,320 --> 00:32:23,680
Speaker 1: I will look after you. Right, I must go to

362
00:32:23,720 --> 00:32:30,400
Speaker 1: the banquet. Now do you know why you are my maid? No,

363
00:32:30,560 --> 00:32:33,760
Speaker 1: my lady, why do you think you have this job?

364
00:32:35,440 --> 00:32:37,520
Speaker 1: Why did I allow that man to place you in

365
00:32:37,640 --> 00:32:43,360
Speaker 1: my household? Didn't you want to know? Because I had

366
00:32:43,480 --> 00:32:47,040
Speaker 1: no choice in the matter. You see, I'm a slave,

367
00:32:47,600 --> 00:32:52,080
Speaker 1: just like you. In essence, I have no real power,

368
00:32:52,640 --> 00:32:58,440
Speaker 1: not really. I lived my life for the Sultan and you, well,

369
00:32:59,440 --> 00:33:03,600
Speaker 1: the only thing I ask of you is total and

370
00:33:03,760 --> 00:33:09,320
Speaker 1: complete loyalty, because if you are not loyal, you will suffer.

371
00:33:11,400 --> 00:33:14,680
Speaker 1: You think you have suffered already, but believe me, you

372
00:33:14,800 --> 00:33:20,080
Speaker 1: know nothing of suffering. Here in human bay, we have

373
00:33:20,240 --> 00:33:30,200
Speaker 1: had centuries to perfect the art. Good madam, what is

374
00:33:30,240 --> 00:33:36,680
Speaker 1: it for? What? The banquet A wonderful new perfume created

375
00:33:36,720 --> 00:33:51,480
Speaker 1: by my husband, the Sultan Mha. It is exquisite, your majesty,

376
00:33:52,400 --> 00:34:00,160
Speaker 1: I can smell pomegranate. Congratulation. Thank you, Thank you. You're busy, Yes,

377
00:34:00,200 --> 00:34:05,080
Speaker 1: your majesty, where is that we need to start? He's here,

378
00:34:05,400 --> 00:34:08,960
Speaker 1: your majesty, I think there was a problem with let

379
00:34:09,040 --> 00:34:16,360
Speaker 1: me chuck. Excuse me, just a device? Thank you, thank you?

380
00:34:20,440 --> 00:34:25,439
Speaker 1: Oh please help me? What's going on? Dr He's almost ready,

381
00:34:25,520 --> 00:34:32,200
Speaker 1: your excellency, your healthiness, how are you feeling? Help me? Please?

382
00:34:33,000 --> 00:34:39,840
Speaker 1: You are the only one I done done you. I

383
00:34:39,960 --> 00:34:42,200
Speaker 1: want him in and there. I want him souper it

384
00:34:42,280 --> 00:34:44,759
Speaker 1: up and ready for the blessing. Do whatever you have

385
00:34:44,880 --> 00:34:55,680
Speaker 1: to do, your bliness, Just just sniff this m good evening. General.

386
00:34:57,520 --> 00:34:59,880
Speaker 1: If anything, my brother hates Godala even more than I.

387
00:35:00,280 --> 00:35:03,040
Speaker 1: And how is the most powerful man in the empire

388
00:35:03,520 --> 00:35:06,480
Speaker 1: enjoying the unseasonably cool night air. And I have an

389
00:35:06,640 --> 00:35:08,920
Speaker 1: army to build, an empire to defend. Do you think

390
00:35:08,920 --> 00:35:11,680
Speaker 1: I should be wasting my time here. Oh dear, Yes,

391
00:35:13,080 --> 00:35:15,960
Speaker 1: power is not just about big armies and strong men.

392
00:35:16,960 --> 00:35:20,640
Speaker 1: It's about confidence. What are you talking about? There are

393
00:35:20,719 --> 00:35:24,880
Speaker 1: spies here. All this will be reported back to Maya,

394
00:35:25,320 --> 00:35:28,680
Speaker 1: and she needs to see that Tuman baby is confident

395
00:35:29,640 --> 00:35:33,160
Speaker 1: that our glorious Sultan is well, that he is not

396
00:35:33,520 --> 00:35:38,360
Speaker 1: running scared. My brother Gregor is dealing with the spies.

397
00:35:38,600 --> 00:35:43,720
Speaker 1: Oh no, he's not, he can't. Spies are like cockroaches.

398
00:35:44,360 --> 00:35:46,440
Speaker 1: You can kill them all day long, and just when

399
00:35:46,520 --> 00:35:49,279
Speaker 1: you think they've all gone, you find one in your

400
00:35:49,320 --> 00:35:55,480
Speaker 1: bed sleeping beside you. Are you going in? I suppose

401
00:35:55,560 --> 00:35:58,920
Speaker 1: I have to? Why the pained look? This could be

402
00:35:59,000 --> 00:36:02,440
Speaker 1: your last chance you enjoy civilized company before your long

403
00:36:02,560 --> 00:36:05,840
Speaker 1: march to the provinces. Anyway, all you have to do

404
00:36:06,000 --> 00:36:08,759
Speaker 1: is make sure that Sortan sees you compliment him on

405
00:36:08,840 --> 00:36:11,479
Speaker 1: his new creation, and then you can be on your way.

406
00:36:12,280 --> 00:36:16,480
Speaker 1: That's precisely what I intend to do. They say. The

407
00:36:16,560 --> 00:36:22,480
Speaker 1: next few weeks will be unbearably hot the instance of

408
00:36:22,800 --> 00:36:30,040
Speaker 1: childhood the mighty human bear, Lady Shaja, may I be

409
00:36:30,120 --> 00:36:35,200
Speaker 1: the first to congratulate you your husband's wonderful new creation,

410
00:36:35,880 --> 00:36:38,839
Speaker 1: that it will smell like pol's done to me? Then,

411
00:36:38,920 --> 00:36:45,560
Speaker 1: I wasn't born here, we are a born I had

412
00:36:45,600 --> 00:36:50,120
Speaker 1: you visited the old man the other day. I didn't

413
00:36:50,160 --> 00:36:53,080
Speaker 1: know you were close. You too, we're not. I felt

414
00:36:53,120 --> 00:36:57,000
Speaker 1: sorry for him. It's very unlike you, madam, a soft heart.

415
00:36:58,480 --> 00:37:02,880
Speaker 1: I thought you knew me better. You did want Indeed,

416
00:37:04,600 --> 00:37:11,480
Speaker 1: the last was mine. I have commissioned the great composer

417
00:37:12,280 --> 00:37:17,320
Speaker 1: Ma soud Shah to compose a special it's celebrating the

418
00:37:17,480 --> 00:37:22,239
Speaker 1: creation of life itself. My boy, it's come here. I

419
00:37:22,320 --> 00:37:24,880
Speaker 1: want to buy myself. Of course, it's not just you.

420
00:37:25,320 --> 00:37:28,439
Speaker 1: You need to look after your son too. Let isn't

421
00:37:28,440 --> 00:37:30,719
Speaker 1: that supposed to be your job as head palace security?

422
00:37:42,040 --> 00:37:47,000
Speaker 1: It should be here by now. Well you're the harbor master.

423
00:37:47,280 --> 00:37:49,560
Speaker 1: Where is it? Why don't you just relax if you

424
00:37:49,719 --> 00:37:52,440
Speaker 1: come when it comes? But he said it was supported

425
00:37:52,480 --> 00:37:59,759
Speaker 1: passing the golden dawn. Yeah, so why isn't deteriorate? Could

426
00:37:59,800 --> 00:38:08,000
Speaker 1: be lots of different reasons. Maybe the wind dropped. What

427
00:38:08,160 --> 00:38:11,440
Speaker 1: is your wife going to say? What when she sees

428
00:38:11,480 --> 00:38:15,640
Speaker 1: you with baby? How long have you been apart? No? No, no,

429
00:38:15,760 --> 00:38:19,200
Speaker 1: she's not mine, she's I'm looking after her foot. It's

430
00:38:19,239 --> 00:38:21,799
Speaker 1: he's all right, it's all right. I'm here. No need

431
00:38:21,880 --> 00:38:26,839
Speaker 1: to cry. Well, maybe I'm a fool, but I had

432
00:38:26,920 --> 00:38:29,239
Speaker 1: no choice. We are going to have to look after

433
00:38:29,360 --> 00:38:32,040
Speaker 1: this baby. So the sooner my wife and daughter get

434
00:38:32,160 --> 00:38:38,000
Speaker 1: used to having her around, the better. Ah. What is

435
00:38:38,080 --> 00:38:44,439
Speaker 1: it that's his? Come around the headland? Now that chip

436
00:38:44,560 --> 00:38:48,359
Speaker 1: coming in? We're you gonna do? Will it dock along

437
00:38:48,400 --> 00:38:51,120
Speaker 1: the key here? No, it'll have to anchor just out

438
00:38:51,360 --> 00:38:56,520
Speaker 1: until the paperwork is complete. In case slaves escape it happens.

439
00:38:58,200 --> 00:39:00,400
Speaker 1: Could I go out with you on the skiff as

440
00:39:00,480 --> 00:39:03,680
Speaker 1: some allows. Sorry, my wife and thought will be eager

441
00:39:03,760 --> 00:39:07,640
Speaker 1: to come ashore. Snot done. Signal to the captain to

442
00:39:07,680 --> 00:39:13,680
Speaker 1: give way. They're coming in too fast. You know, when

443
00:39:13,719 --> 00:39:16,640
Speaker 1: you're married and your wife isn't around, well, a man

444
00:39:17,040 --> 00:39:20,080
Speaker 1: is surrounded by temptation, and it's very easy to get

445
00:39:20,160 --> 00:39:23,480
Speaker 1: into by the ways. But I'm proud to say I

446
00:39:23,640 --> 00:39:27,799
Speaker 1: have resisted that. When they lower their sails. What there's

447
00:39:27,840 --> 00:39:31,640
Speaker 1: something wrong? There's no one on deck. Snow done finding

448
00:39:31,719 --> 00:39:35,240
Speaker 1: the one in cannon. What's happening? She's coming in too fast?

449
00:39:35,320 --> 00:39:42,880
Speaker 1: Snow done? Give white, give white, slatter, give white? Stop

450
00:39:42,960 --> 00:40:08,320
Speaker 1: that give why? Google? Hello? Hello? H Hold my baby careful,

451
00:40:10,160 --> 00:40:14,160
Speaker 1: shill up short up short up, start up and take

452
00:40:14,239 --> 00:40:26,280
Speaker 1: the ropes hut up. Hell, Hello, hello, hell up, start

453
00:40:26,320 --> 00:40:29,160
Speaker 1: talking catch and they keep watching over the slave holes.

454
00:40:32,760 --> 00:41:03,279
Speaker 1: Held up. Hello, that's bring head. Hello Hello? Well not

455
00:41:03,320 --> 00:41:19,720
Speaker 1: are they hello? Hello? Mm hmm yeah you where's the captain?

456
00:41:20,760 --> 00:41:30,640
Speaker 1: M where's the captain? He's dead? All go back, go back? Why?

457
00:41:30,840 --> 00:41:37,320
Speaker 1: What your face? Quickly? What what's going on? Star? Start

458
00:41:38,880 --> 00:41:41,640
Speaker 1: and then his slaves in the hole. Yes, they are dead, old,

459
00:41:41,719 --> 00:41:44,839
Speaker 1: dead dead. The ship is a ship of dead man.

460
00:41:45,640 --> 00:41:50,400
Speaker 1: Let's plague. Get off, Get off now, my daughter, I

461
00:41:50,520 --> 00:41:58,080
Speaker 1: have said, get oh, push it back out. No, what

462
00:41:58,239 --> 00:42:05,880
Speaker 1: are you doing? We have no choice? By no, my wife,

463
00:42:06,280 --> 00:42:27,520
Speaker 1: my god, that's top. Excuse me, excuse me, go doughter,

464
00:42:28,800 --> 00:42:42,080
Speaker 1: what's my Oh ha ha ah ah Namer, Namer, It's

465
00:42:42,080 --> 00:43:00,520
Speaker 1: all right, it's don't I'm here now, I'm here. Episode

466
00:43:00,560 --> 00:43:03,919
Speaker 1: two of tuman Bay Ship of the Dead, featuring Rufus Wright,

467
00:43:04,040 --> 00:43:07,600
Speaker 1: Olivia Popoca, now Bill, el O Halbi, and Rad Rawi,

468
00:43:08,000 --> 00:43:10,880
Speaker 1: was written and directed by Me John Scott Dryden, with

469
00:43:11,040 --> 00:43:13,839
Speaker 1: music by Sasha Partnam and editing. A sound designed by

470
00:43:13,880 --> 00:43:17,920
Speaker 1: Steve Bond. Tuman Bay is created by Me and Mike

471
00:43:18,000 --> 00:43:21,719
Speaker 1: Walker and produced by Emma Herne and Nadia Khan. For

472
00:43:21,840 --> 00:43:25,879
Speaker 1: more details, including a castle list, visit tuman Bay dot

473
00:43:26,000 --> 00:43:26,160
Speaker 1: com