WEBVTT - Susan Cain

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<v Speaker 1>I'm Sam Edis and I'm Amy Nelson. Welcome to What's

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<v Speaker 1>Her Story? With Sam and Amy. This is a show

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<v Speaker 1>about the world's most remarkable women, their professional and personal journeys. Together,

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<v Speaker 1>we'll hear from gold medalists, best selling authors, and leaders

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<v Speaker 1>of the world's most iconic brands. Listen every Thursday, or

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<v Speaker 1>join the conversation anytime on Instagram at What's Her Story Podcast.

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<v Speaker 1>Susan Caine is the author of Quiet, The Power of

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<v Speaker 1>Introverts in a World That Can't Stop Talking, which spent

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<v Speaker 1>eight years on the New York Times bestseller List. Susan's

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<v Speaker 1>Ted Talk has been viewed over forty million times. Lincoln

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<v Speaker 1>named her the top six influencer in the world, just

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<v Speaker 1>behind Richard Branson and Melinda Gates, who has also been

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<v Speaker 1>a What's Her Story guest. Her new masterpiece, Bitter Sweet,

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<v Speaker 1>How Sorrow and Longing Makes Us Whole, is out this week.

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<v Speaker 1>Using your first book, Quiet became an international phenomenon. What

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<v Speaker 1>was it like choosing a topic for this book. I

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<v Speaker 1>don't think I choose my topic so much. I think

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<v Speaker 1>my topics are just a deep part of me, and

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<v Speaker 1>I think for me, writing is a little bit like

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<v Speaker 1>I I just thought of this metaphor just the other day.

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<v Speaker 1>I think it's a little bit like having a message

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<v Speaker 1>that I really want to communicate and sending the message

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<v Speaker 1>out in a bottle, you know, and I'm like working

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<v Speaker 1>on the message for years and years and not really

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<v Speaker 1>knowing if it's going to make it to the other shore,

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<v Speaker 1>meaning not knowing at first whether other people are going

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<v Speaker 1>to resonate with it or not. But it just feels

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<v Speaker 1>very deeply important and true, and so I do it.

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<v Speaker 1>So like with Quiet, it took me. I mean, when

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<v Speaker 1>I first started working on Quiet, I thought that I

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<v Speaker 1>was working on a very idiosyncratic project that would be

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<v Speaker 1>kind of marginal. I had no idea that it was

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<v Speaker 1>going to touch the gigantic nerve that it did. And

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<v Speaker 1>now it's been really interesting with Bitter Sweet, where I'm

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<v Speaker 1>talking about the creativity and the connection and the other

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<v Speaker 1>powers that come from embracing the more bitter sweet side

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<v Speaker 1>of life. I'm getting the same kinds of messages from

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<v Speaker 1>readers that I got from Quiet. It's almost like the

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<v Speaker 1>same language of feeling permission to be themselves, feeling seen,

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<v Speaker 1>feeling understood, validating a way of existence, like understanding um

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<v Speaker 1>something about themselves that they had never been able to

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<v Speaker 1>put into words before. So it's kind of like there's

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<v Speaker 1>an uncanny similarity, I would say, But all of it

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<v Speaker 1>comes from that message in a bottle type of of

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<v Speaker 1>idea selection. I guess I noticed on your Twitter profile

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<v Speaker 1>you have a quote that's a C. S. Lewis quote,

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<v Speaker 1>and you wrote looking for the place where all the

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<v Speaker 1>beauty came from? Have you always been someone like when

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<v Speaker 1>you were a child, where you someone who was kind

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<v Speaker 1>of looking at the bigger picture or finding the magic

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<v Speaker 1>or asking those questions. Yeah, honestly, I really was. I

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<v Speaker 1>remember a very distinct memory. I think I was four

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<v Speaker 1>years old and suddenly being hit by the question of

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<v Speaker 1>what on earth are we all doing here? Like what

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<v Speaker 1>is this all about? Why are we here? How should

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<v Speaker 1>we be living? And I just I don't think I've

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<v Speaker 1>ever stopped asking that question that I feel like I'm

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<v Speaker 1>asking it almost every minute of my day. What did

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<v Speaker 1>you do with that when you were seven? I mean,

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<v Speaker 1>when I was little, I was just asking it. I

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<v Speaker 1>don't know that I did that much with it, but

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<v Speaker 1>I guess I've just always been thinking in those terms.

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<v Speaker 1>But you know, when when you're reading and writing as

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<v Speaker 1>a kid, because I was doing both a lot, Like

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<v Speaker 1>that's always been my orientation, you know, you're much more

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<v Speaker 1>interested just in stories and telling stories and writing stories.

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<v Speaker 1>So that's what it was. Um. It was really when

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<v Speaker 1>I was older that these questions that have been swirling

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<v Speaker 1>around in my mind all that time took shape in

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<v Speaker 1>writing nonfiction and writing about ideas. And you know the

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<v Speaker 1>quote that I have on my Twitter handle about looking

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<v Speaker 1>for the place where all the beauty comes from, that

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<v Speaker 1>that idea is really at the heart of this new book,

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<v Speaker 1>Bitter Sweet that I've written, because to me, the essence

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<v Speaker 1>of bitter Sweetness really is this state that I believe

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<v Speaker 1>all humans come into the world with, where you know,

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<v Speaker 1>you come into this world crying, right, and there is

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<v Speaker 1>a sense, no matter how happy a life that you're living,

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<v Speaker 1>there's there's a sense that we all belong in a

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<v Speaker 1>more perfect and beautiful world from which we've been banished.

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<v Speaker 1>And and you see that idea expressed in all of

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<v Speaker 1>our religions, you know, the longing for the garden of Eden,

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<v Speaker 1>and the longing for Mecca, and the longing for Zion,

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<v Speaker 1>the longing for the beloved of the soul, the longing

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<v Speaker 1>for somewhere over the rainbow. In secular terms, we see

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<v Speaker 1>this all over the place. And I believe that when

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<v Speaker 1>we have those moments where you see something so beautiful

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<v Speaker 1>that it brings tears your eyes, that the tears are

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<v Speaker 1>coming because it's triggering that longing. It's like you're seeing

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<v Speaker 1>a glimpse of that world that we all long for.

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<v Speaker 1>And that's part of why we love art the way

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<v Speaker 1>we do, because it's it's a it's a manifestation of that.

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<v Speaker 1>The way you talk about longing and bitter sweet moments,

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<v Speaker 1>I think that it's something that everyone can relate to,

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<v Speaker 1>no matter your personality in your own life, What is

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<v Speaker 1>the relationship between love and longing? I guess I'm a

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<v Speaker 1>hopeless romantic in a certain way, and also grew up

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<v Speaker 1>on the same diet that everybody else did of watching

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<v Speaker 1>you know, kind of romantic Happily ever after films and

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<v Speaker 1>all that kind of thing, and I think it took

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<v Speaker 1>me a while to understand like the true nature of

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<v Speaker 1>love relationships with friends also, but especially romantic love reallyation

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<v Speaker 1>ships that you you could say in a way that

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<v Speaker 1>that we kind of have to learn to live outside

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<v Speaker 1>the garden of Eden in a way, you know, like

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<v Speaker 1>with your friends, Let's say you start realizing, oh my gosh,

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<v Speaker 1>like I'm dreadfully imperfect and my friends are too, and

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<v Speaker 1>I'm going to love them in spite of that. And

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<v Speaker 1>with romantic relationships, you know, there's a feeling when you

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<v Speaker 1>first enter one, especially like a deep and meaningful one.

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<v Speaker 1>There's a feeling, especially for the first few months, where

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<v Speaker 1>you kind of feel like, you know, this is it,

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<v Speaker 1>Like I I found the garden of Eden and we

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<v Speaker 1>found it together, and then you start to understand, well, actually,

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<v Speaker 1>my partner is not perfect. I'm not perfect and like

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<v Speaker 1>and until you understand that that's the nature of reality,

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<v Speaker 1>you can feel like, Okay, I better go to the

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<v Speaker 1>next relationship because maybe that one will deliver me to Eden.

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<v Speaker 1>Like you're not thinking that in so many words, obviously,

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<v Speaker 1>but that's what we're experiencing. So I would say like

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<v Speaker 1>the growing up process for me really was a matter

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<v Speaker 1>of understanding kind of the difference between what's wonderful in

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<v Speaker 1>our day to day lives and the state of you know, perfection, truth, beauty,

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<v Speaker 1>unconditional pure love that we long for, and to understand

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<v Speaker 1>that those two things can exist side by side. Early on,

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<v Speaker 1>you learned that you weren't making partner after many years

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<v Speaker 1>of working your butt off in your law firm, And

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<v Speaker 1>that also coincided with the end of a relationship. And

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<v Speaker 1>it seems like that explosion of sorts changed a lot

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<v Speaker 1>of things for you. It changed so many things for me. UM.

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<v Speaker 1>So I went into what I called a state of

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<v Speaker 1>freefall at that point, because I suddenly I knew kind

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<v Speaker 1>of instinctively, I probably wasn't going back to law. So

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<v Speaker 1>I had no career, suddenly no love. I was no

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<v Speaker 1>longer living in the same apartment that I had moved

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<v Speaker 1>out of the heartment when I ended this relationship. Um.

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<v Speaker 1>That had always felt wrong, and so I was kind

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<v Speaker 1>of floating around. And I fell into a relationship with

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<v Speaker 1>a guy who who was not fully available, not fully

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<v Speaker 1>the right person, but he was a musician and a

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<v Speaker 1>lyricist and a lit up kind of person, and it

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<v Speaker 1>became a kind of obsessive love of the kind I

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<v Speaker 1>guess everybody has to go through at one point or another.

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<v Speaker 1>But it's they're they're quite painful, I think, those relationships,

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<v Speaker 1>and and no matter what I did, I couldn't shake it.

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<v Speaker 1>Until one day I sat down with a friend of mine, Naomi,

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<v Speaker 1>who had been patiently listening to me regale her with

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<v Speaker 1>stories of the object of this obsession, and and Naomie

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<v Speaker 1>said to me, you know, if you're this obsessed with somebody,

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<v Speaker 1>it's because they represent something that you're longing for. So

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<v Speaker 1>what are you longing for? Like, what's really at the

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<v Speaker 1>heart of this? And it really was one of these blinding,

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<v Speaker 1>you know, skills fall from your eyes kinds of movements,

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<v Speaker 1>because I instantly knew that that he represented the world

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<v Speaker 1>of writing and music and art that I had always

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<v Speaker 1>wanted to be a part of. In the first place.

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<v Speaker 1>I was never meant to be a lawyer. He was

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<v Speaker 1>kind of like an emissary from that more perfect and

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<v Speaker 1>beautiful world that I longed for. And as soon as

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<v Speaker 1>I saw that, the obsession melted away, almost cinematically, it

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<v Speaker 1>was like it was gone, and and I started really

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<v Speaker 1>writing for real and have never looked back since. So, um, yeah,

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<v Speaker 1>I guess I would say to anybody listening, you know,

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<v Speaker 1>if you find yourself beset by some kind of deep

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<v Speaker 1>and existential longing, I would really examine it and and

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<v Speaker 1>try to ask yourself, like, what does it really mean?

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<v Speaker 1>Beyond what it appears to me you may not be

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<v Speaker 1>longing for a person or for the house. Do you

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<v Speaker 1>think you're longing for or whatever it is it may

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<v Speaker 1>be it represents something else to you at the time

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<v Speaker 1>when you figure this out. Was it scary, Well, it

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<v Speaker 1>would have been scary, But I I did everything with

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<v Speaker 1>a big backup plan, I would say. I mean so,

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<v Speaker 1>first of all, even though I knew deep down I

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<v Speaker 1>probably wasn't going back. I did interview for a few

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<v Speaker 1>in house positions and things like that, and I just

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<v Speaker 1>couldn't bring myself to go in that direction. So what

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<v Speaker 1>I did I decided I really wanted to make writing

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<v Speaker 1>the center of my life. Um I signed up for

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<v Speaker 1>this class and creative nonfiction writing. I knew the night

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<v Speaker 1>of that first class, I felt so deeply that I

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<v Speaker 1>had found my home and my center and that's what

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<v Speaker 1>I wanted to be doing. But truly, I did not

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<v Speaker 1>ever think I could make a living from writing. Like

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<v Speaker 1>I said to myself, if you published something by the

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<v Speaker 1>time you're seventy five, that's the goal. So I didn't

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<v Speaker 1>think writing was going to be the thing. So what

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<v Speaker 1>I did is I set up a little freelance business

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<v Speaker 1>teaching people negotiation skills, especially to women, because negotiation was

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<v Speaker 1>not something I had felt came naturally to me, but

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<v Speaker 1>I had studied it a lot in law school and

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<v Speaker 1>as a lawyer, so I felt like I could help

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<v Speaker 1>other people for whom it didn't seem to come naturally,

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<v Speaker 1>and so that was how I was paying the bills.

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<v Speaker 1>So that made it less scary. And I always say

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<v Speaker 1>to people, you know, like, there's such a message in

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<v Speaker 1>our culture that you know that if you truly have

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<v Speaker 1>a passion for the business you want to start or

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<v Speaker 1>the art you want to create or whatever, you know,

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<v Speaker 1>you should be willing to check everything in the service

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<v Speaker 1>of that passion and take the big risk. And I

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<v Speaker 1>think that's the worst advice ever, because first of all,

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<v Speaker 1>you may fail, and that's okay, but it's not okay

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<v Speaker 1>if if you have no backup plan. But also you

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<v Speaker 1>can't even really mentally focus on your business or your

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<v Speaker 1>art or whatever if you're so anxious about not being

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<v Speaker 1>able to pay the bills. So I'm a big believer

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<v Speaker 1>in the plan b and doing things, you know, kind

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<v Speaker 1>of the less glamorous but more practical way. Then you

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<v Speaker 1>met your now husband, and there's something about your relationship

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<v Speaker 1>with him. That's really remarkable that you learned on just

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<v Speaker 1>the second date when I met my now husband Ken.

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<v Speaker 1>He went to law school too, by the way, but

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<v Speaker 1>he never practiced for a day in his life and

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<v Speaker 1>he didn't take the bar even And he spent the

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<v Speaker 1>nine nineties as a u N peacekeeper. He was basically

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<v Speaker 1>like in all the war zones of the nineties like

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<v Speaker 1>Rwanda and Somalia, Liberia, Haiti, Cambodia. And he came back

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<v Speaker 1>and he wrote this really incredible memoir of his experiences.

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<v Speaker 1>It's called Emergency Sex and Other Desperate Measures, A True

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<v Speaker 1>Story from Hell on Earth. It's really really great. And

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<v Speaker 1>and so when we met, he was just publishing this

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<v Speaker 1>book and it was a bestseller, and you know, and

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<v Speaker 1>it was this really important work. And meanwhile I had

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<v Speaker 1>this failed legal career and at the time, I was

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<v Speaker 1>writing a memoir in sonnet form, because that's what I

0:13:14.400 --> 0:13:18.640
<v Speaker 1>was doing. And and I came to our second date

0:13:18.679 --> 0:13:22.800
<v Speaker 1>and I brought some of the sonnets with me, and

0:13:22.800 --> 0:13:25.880
<v Speaker 1>and later that night he sent me this email, and um,

0:13:26.000 --> 0:13:28.920
<v Speaker 1>I have it reprinted in the book. He basically wrote

0:13:28.920 --> 0:13:32.480
<v Speaker 1>in this email, like in these gigantic letters, UM, holy

0:13:32.520 --> 0:13:36.880
<v Speaker 1>sh it, drop everything right woman, right um. And it

0:13:36.960 --> 0:13:42.960
<v Speaker 1>was just like the most amazing, amazing encouragement and expressed

0:13:42.960 --> 0:13:46.760
<v Speaker 1>in his very typically exuberant fashion. And that's why it's

0:13:46.800 --> 0:13:50.440
<v Speaker 1>framed in my office all these years later, and and

0:13:50.480 --> 0:13:53.840
<v Speaker 1>all these years later, I would say, he's still my

0:13:53.920 --> 0:13:57.520
<v Speaker 1>biggest cheering section and gets even more excited than I do,

0:13:57.679 --> 0:14:00.760
<v Speaker 1>you know. And my new book Betters We came out

0:14:00.920 --> 0:14:03.240
<v Speaker 1>seems to be doing really well and he's really excited

0:14:03.280 --> 0:14:07.760
<v Speaker 1>and checking Amazon constantly. So it's still like that. But

0:14:07.840 --> 0:14:12.959
<v Speaker 1>I also will say that part of what I teach

0:14:13.040 --> 0:14:15.480
<v Speaker 1>people from all the years that I've spent working on

0:14:15.600 --> 0:14:18.760
<v Speaker 1>introversion and extroversion, from my first book Quiet, is to

0:14:18.880 --> 0:14:23.960
<v Speaker 1>understand that different people express enthusiasm differently. So like one

0:14:24.000 --> 0:14:27.160
<v Speaker 1>of the things in our relationship is I have had

0:14:27.200 --> 0:14:31.840
<v Speaker 1>to learn when something good happens for him to kind

0:14:31.840 --> 0:14:35.440
<v Speaker 1>of amp up my enthusiasm or not what I feel,

0:14:35.480 --> 0:14:37.120
<v Speaker 1>but the way I express it I have to amp

0:14:37.200 --> 0:14:40.440
<v Speaker 1>up because I'm just naturally kind of more muted in

0:14:40.720 --> 0:14:42.960
<v Speaker 1>the way I talk about things than he would be.

0:14:44.000 --> 0:14:45.800
<v Speaker 1>And then he's had to learn I think that I'm

0:14:45.840 --> 0:14:48.720
<v Speaker 1>never going to express it the way he would and

0:14:48.760 --> 0:14:51.080
<v Speaker 1>that doesn't mean that I don't care. And so I

0:14:51.080 --> 0:14:57.360
<v Speaker 1>think understanding those temperamental differences between partners is really life

0:14:57.360 --> 0:15:03.000
<v Speaker 1>saving for a partnership. And now quick break. You know,

0:15:03.040 --> 0:15:05.640
<v Speaker 1>there are other relationships in our lives that center us

0:15:05.640 --> 0:15:07.880
<v Speaker 1>in our court of who we are. And you have

0:15:07.960 --> 0:15:13.000
<v Speaker 1>a complicated relationship with your mother, how does that impact

0:15:13.520 --> 0:15:17.640
<v Speaker 1>your life, your work, your parenting, know, all of those things. Basically,

0:15:17.760 --> 0:15:20.160
<v Speaker 1>my mother and I, you know, like I had a

0:15:20.240 --> 0:15:22.680
<v Speaker 1>kind of garden of Eden to use that word again,

0:15:22.680 --> 0:15:26.160
<v Speaker 1>a garden of Eden childhood of like a really really

0:15:26.600 --> 0:15:31.640
<v Speaker 1>deep and loving relationship with my mother, and then adolescence

0:15:31.720 --> 0:15:36.240
<v Speaker 1>hit us with gale force winds. And I guess that's

0:15:36.320 --> 0:15:39.040
<v Speaker 1>very common for many mothers and daughters in adolescence. But

0:15:39.280 --> 0:15:43.800
<v Speaker 1>our situation was, you know, imagine the typical times a

0:15:43.880 --> 0:15:49.440
<v Speaker 1>hundred and so after that, there was a deep way

0:15:49.480 --> 0:15:53.000
<v Speaker 1>in which our relationship seemed never to be the same

0:15:53.720 --> 0:15:57.520
<v Speaker 1>again until a kind of storybook ending that I wrote

0:15:57.560 --> 0:16:01.680
<v Speaker 1>about in her later years. But all those years where

0:16:01.680 --> 0:16:04.120
<v Speaker 1>it seemed never to be the same again, it was

0:16:04.200 --> 0:16:09.080
<v Speaker 1>like my life was really doing so well in so

0:16:09.120 --> 0:16:11.480
<v Speaker 1>many ways, and yet I had this thing. It was

0:16:11.560 --> 0:16:14.320
<v Speaker 1>like this um it was like a grief that I

0:16:14.360 --> 0:16:17.320
<v Speaker 1>had never mourned. So I couldn't even speak about my

0:16:17.320 --> 0:16:19.280
<v Speaker 1>mother without crying. Like if you said to me, where

0:16:19.280 --> 0:16:21.960
<v Speaker 1>did your mother grow up? And I and my answer

0:16:22.000 --> 0:16:24.280
<v Speaker 1>would have been my mother grew up in Brooklyn. I

0:16:24.320 --> 0:16:27.920
<v Speaker 1>couldn't say those simple words without crying because I couldn't

0:16:27.960 --> 0:16:31.280
<v Speaker 1>speak of her without crying, because that's how intense the

0:16:31.400 --> 0:16:35.560
<v Speaker 1>loss of that, that primary, most fundamental love was. You know,

0:16:35.640 --> 0:16:38.520
<v Speaker 1>like I guess, the first love relationship you have, the

0:16:38.520 --> 0:16:42.840
<v Speaker 1>most intense one, it becomes symbolic of all love for

0:16:42.880 --> 0:16:45.440
<v Speaker 1>a while. And so that's what it was like for me,

0:16:45.480 --> 0:16:48.520
<v Speaker 1>and I think that's part of what led to me

0:16:49.120 --> 0:16:51.720
<v Speaker 1>exploring all the ideas and bitter sweet of like what

0:16:52.080 --> 0:16:54.800
<v Speaker 1>because we all are going to lose love at some point,

0:16:55.160 --> 0:17:00.280
<v Speaker 1>whether it's through a relationship ending or bereave mint or worse,

0:17:00.440 --> 0:17:02.520
<v Speaker 1>or you know, there's a thousand different ways that it

0:17:02.560 --> 0:17:05.040
<v Speaker 1>can happen, And how do we face that? What do

0:17:05.119 --> 0:17:07.399
<v Speaker 1>we do with that? And the thing that I really

0:17:08.160 --> 0:17:11.040
<v Speaker 1>did learn over time, because I I really did come

0:17:11.080 --> 0:17:13.479
<v Speaker 1>to a place of let's say ninety eight or nine,

0:17:14.320 --> 0:17:16.920
<v Speaker 1>healing from it, I think, but I really did come

0:17:16.960 --> 0:17:21.119
<v Speaker 1>to a place of understanding that that really love is

0:17:21.160 --> 0:17:25.600
<v Speaker 1>the essence, and love exists in infinite forms. So you

0:17:25.640 --> 0:17:31.040
<v Speaker 1>can lose one particular love relationship and whether you get

0:17:31.040 --> 0:17:32.840
<v Speaker 1>it back again later as I did with my mother

0:17:32.960 --> 0:17:36.240
<v Speaker 1>or not, love itself has a way of returning in

0:17:36.280 --> 0:17:39.040
<v Speaker 1>many different forms. And that's what I that's what I

0:17:39.040 --> 0:17:42.240
<v Speaker 1>really came to understand. You had so much guilt wrapped

0:17:42.359 --> 0:17:46.000
<v Speaker 1>up in the relationship with your mother, and um you

0:17:46.080 --> 0:17:48.639
<v Speaker 1>blamed yourself for so much of it for so long.

0:17:49.840 --> 0:17:53.080
<v Speaker 1>What role does guilt play in your life today? I

0:17:53.080 --> 0:17:58.480
<v Speaker 1>would say guilt is still my Achilles heal emotionally because

0:17:58.520 --> 0:18:02.359
<v Speaker 1>that was the mechanism of what went wrong. I guess

0:18:02.440 --> 0:18:07.800
<v Speaker 1>in this most formative relationship. Still today, when something goes wrong,

0:18:08.800 --> 0:18:13.040
<v Speaker 1>I will immediately assume that I did something wrong or

0:18:13.240 --> 0:18:15.119
<v Speaker 1>or somebody you know. If I'm in a conflict with

0:18:15.200 --> 0:18:19.400
<v Speaker 1>someone and the other person is, you know, saying you've

0:18:19.440 --> 0:18:22.440
<v Speaker 1>done such and such, like I I automatically assume that's right.

0:18:22.560 --> 0:18:25.439
<v Speaker 1>Times ten. That's my first emotional place that I go to.

0:18:26.040 --> 0:18:29.200
<v Speaker 1>Because I have thought about this a lot and worked

0:18:29.240 --> 0:18:32.200
<v Speaker 1>on this a lot, I can often remove myself from

0:18:32.200 --> 0:18:35.240
<v Speaker 1>that place and then come to a place that sees

0:18:35.280 --> 0:18:38.560
<v Speaker 1>things a little more clearly. But I do think that

0:18:39.560 --> 0:18:43.520
<v Speaker 1>for all of us, whatever is the primary mechanism of

0:18:43.720 --> 0:18:46.119
<v Speaker 1>like an emotional issue that we had early in life,

0:18:46.560 --> 0:18:49.160
<v Speaker 1>that does become a kind of Achilles heel for life

0:18:49.280 --> 0:18:51.679
<v Speaker 1>or a sort of siren song for life, and that

0:18:51.720 --> 0:18:55.000
<v Speaker 1>you can work through it, but it's always going to

0:18:55.119 --> 0:18:58.600
<v Speaker 1>be there underlying, and so you just you have to

0:18:58.640 --> 0:19:00.199
<v Speaker 1>be aware of that and aware of those and in

0:19:00.240 --> 0:19:03.159
<v Speaker 1>seas and yourself. But I will I will say, like

0:19:03.200 --> 0:19:05.880
<v Speaker 1>you asked me about my relationship with my children, I've

0:19:05.920 --> 0:19:10.320
<v Speaker 1>been like really thrilled to see that. I think I've

0:19:10.359 --> 0:19:12.719
<v Speaker 1>replicated none of it with my children. I'm pretty sure

0:19:12.760 --> 0:19:14.840
<v Speaker 1>they would agree with that statement. You know, my my

0:19:14.920 --> 0:19:18.840
<v Speaker 1>boys are teenagers now, we still get along famously. And

0:19:20.359 --> 0:19:25.600
<v Speaker 1>the difficulty that my mother had during my adolescence when

0:19:25.600 --> 0:19:29.760
<v Speaker 1>I started to separate as an adult, I'm not experiencing it.

0:19:29.840 --> 0:19:33.280
<v Speaker 1>I I truly don't feel it. So therefore I don't

0:19:33.320 --> 0:19:36.960
<v Speaker 1>think any of those dynamics are getting replicated. And I

0:19:37.000 --> 0:19:40.920
<v Speaker 1>will say that I swore to myself when I was

0:19:40.960 --> 0:19:43.960
<v Speaker 1>a teenager and I saw how much trouble my mother

0:19:44.119 --> 0:19:48.600
<v Speaker 1>was having with me growing into an independence, I swear

0:19:48.680 --> 0:19:51.880
<v Speaker 1>to myself that I would have a fulfilling and meaningful

0:19:51.960 --> 0:19:55.840
<v Speaker 1>career because I've always felt that my mother wouldn't have

0:19:55.880 --> 0:19:58.560
<v Speaker 1>struggled and suffered the way she did if she had

0:19:58.600 --> 0:20:02.640
<v Speaker 1>had that. So I do think that's helped me a lot.

0:20:03.280 --> 0:20:06.840
<v Speaker 1>You talk a lot about parenting in your book and

0:20:06.880 --> 0:20:10.880
<v Speaker 1>how we try to parents the sadness out of our children.

0:20:12.040 --> 0:20:14.240
<v Speaker 1>How do you think we can overcome that? It's really

0:20:14.280 --> 0:20:16.640
<v Speaker 1>hard to overcome it. Um, I do think we can,

0:20:16.760 --> 0:20:19.360
<v Speaker 1>but it's it's hard to overcome it. And I remember

0:20:20.440 --> 0:20:22.960
<v Speaker 1>my mother in law. I'm really close with my mother

0:20:23.000 --> 0:20:26.080
<v Speaker 1>in law. She's a very um she's really fun, she's

0:20:26.200 --> 0:20:28.879
<v Speaker 1>very upbeat. She has sort of my my husband's very

0:20:28.920 --> 0:20:32.480
<v Speaker 1>exuberant temperament. They're very similar that way. But she's also

0:20:33.480 --> 0:20:37.199
<v Speaker 1>like Samantha like me. She's a huge leaky faucet. We

0:20:37.240 --> 0:20:39.480
<v Speaker 1>actually joke that I should have called this book Leaky

0:20:39.520 --> 0:20:42.280
<v Speaker 1>Faucet the Bitter Sweet Book. Like you know, she'll she'll

0:20:42.320 --> 0:20:44.719
<v Speaker 1>tear up at the drop of a hat. So anyway,

0:20:45.040 --> 0:20:47.880
<v Speaker 1>she just randomly told me right after my son was born,

0:20:48.560 --> 0:20:51.160
<v Speaker 1>my first one, She's like, you know, it's really hard

0:20:51.680 --> 0:20:59.399
<v Speaker 1>when your kids are upset about something. Because we know

0:21:00.119 --> 0:21:03.320
<v Speaker 1>what we can handle, so we can handle our own troubles,

0:21:04.000 --> 0:21:06.720
<v Speaker 1>but when it's your child's troubles, you kind of don't

0:21:06.760 --> 0:21:09.800
<v Speaker 1>know exactly at first what they can handle. So not

0:21:09.840 --> 0:21:13.080
<v Speaker 1>only are you experiencing it vicariously, but you're experiencing it

0:21:13.160 --> 0:21:17.640
<v Speaker 1>in an amplified form. And I do think that makes

0:21:17.680 --> 0:21:21.119
<v Speaker 1>it really tough as parents when our kids are crying

0:21:21.280 --> 0:21:24.840
<v Speaker 1>or going through it a tough time. You know, you

0:21:24.960 --> 0:21:29.200
<v Speaker 1>just feel if you're not careful, you can feel all

0:21:29.200 --> 0:21:31.320
<v Speaker 1>of that as if it's filling up the whole world.

0:21:32.320 --> 0:21:35.560
<v Speaker 1>But I tell this story in the book of a

0:21:35.680 --> 0:21:38.800
<v Speaker 1>very small trouble that my kids went through and how

0:21:39.440 --> 0:21:43.760
<v Speaker 1>normalizing sadness was so helpful. And the story is that

0:21:45.680 --> 0:21:48.359
<v Speaker 1>when they were really little, we rented this house in

0:21:48.400 --> 0:21:51.520
<v Speaker 1>the countryside for a week and right next to the

0:21:51.560 --> 0:21:55.879
<v Speaker 1>house was a field in which lived two donkeys, and

0:21:55.960 --> 0:21:58.200
<v Speaker 1>the kids fell in love with these donkeys. Their names

0:21:58.200 --> 0:22:01.240
<v Speaker 1>were Lucky and Norman, and they spent all day every day,

0:22:01.280 --> 0:22:04.560
<v Speaker 1>you know, feeding them carrots and it was bliss. And

0:22:04.600 --> 0:22:08.760
<v Speaker 1>then came the last two days of the vacation where

0:22:08.760 --> 0:22:10.399
<v Speaker 1>they start realizing that we're going to have to go

0:22:10.480 --> 0:22:13.760
<v Speaker 1>home and say goodbye to the donkeys, and they start

0:22:13.840 --> 0:22:18.320
<v Speaker 1>crying themselves to sleep, like they're just totally bereft, because

0:22:18.359 --> 0:22:21.919
<v Speaker 1>of course that kind of goodbye to a young child

0:22:22.359 --> 0:22:25.800
<v Speaker 1>signifies all goodbyes, and we don't know it. It's it's

0:22:25.880 --> 0:22:29.080
<v Speaker 1>kind of like symbolic of mortality itself. They don't they

0:22:29.080 --> 0:22:31.399
<v Speaker 1>don't know that technically, but that's what they're reacting to.

0:22:32.200 --> 0:22:35.160
<v Speaker 1>And so you know what, your your kids crying at

0:22:35.240 --> 0:22:38.120
<v Speaker 1>night and you're like trying to comfort them. So we're

0:22:38.119 --> 0:22:40.800
<v Speaker 1>saying all these things of like, well maybe we'll come

0:22:40.800 --> 0:22:43.800
<v Speaker 1>back next year and you'll see them again. Um, someone

0:22:43.840 --> 0:22:45.760
<v Speaker 1>else will come and take care of the donkeys, and

0:22:45.840 --> 0:22:50.040
<v Speaker 1>nothing is helping until until we say to them, you know,

0:22:50.680 --> 0:22:54.320
<v Speaker 1>this is actually part of life, this sadness, and you

0:22:54.359 --> 0:22:58.600
<v Speaker 1>won't feel it forever, but but you're going to feel

0:22:58.600 --> 0:23:01.080
<v Speaker 1>it again. You've felt it before, you felt it, you're

0:23:01.080 --> 0:23:03.879
<v Speaker 1>going to feel it again. Everybody feels it. This is

0:23:03.920 --> 0:23:06.800
<v Speaker 1>part of what life is, and just know that and

0:23:06.840 --> 0:23:08.960
<v Speaker 1>you'll feel better in a few days. But it was

0:23:09.000 --> 0:23:14.479
<v Speaker 1>like the normalizing of the sadness was the only thing

0:23:14.520 --> 0:23:18.560
<v Speaker 1>that made them stop crying. Because, especially for children who

0:23:18.600 --> 0:23:23.199
<v Speaker 1>are growing up in relative comfort, they are sent the

0:23:23.320 --> 0:23:29.879
<v Speaker 1>message that life is what's happening, that real life is

0:23:29.880 --> 0:23:33.080
<v Speaker 1>when everything's going well, and that the moments where you're

0:23:33.080 --> 0:23:35.760
<v Speaker 1>saying goodbye, or the moments of sickness or the moments

0:23:35.760 --> 0:23:37.960
<v Speaker 1>of bereavement or you know, whatever it is, that those

0:23:38.000 --> 0:23:41.359
<v Speaker 1>are the moments that are detours from real life. And

0:23:41.400 --> 0:23:43.240
<v Speaker 1>so of course then they're going to be resisting all

0:23:43.240 --> 0:23:45.160
<v Speaker 1>of that because we're not supposed to go in the detour.

0:23:45.680 --> 0:23:47.600
<v Speaker 1>But you know, if you can help them see that

0:23:47.720 --> 0:23:50.879
<v Speaker 1>this is all part of the experience, it doesn't make

0:23:50.920 --> 0:23:53.320
<v Speaker 1>it less sad, but there's less resistance to it. Well.

0:23:53.359 --> 0:23:56.000
<v Speaker 1>And then, and there's such a delicate message in your

0:23:56.000 --> 0:23:59.520
<v Speaker 1>book for parents, right because it's not that you want

0:23:59.560 --> 0:24:02.000
<v Speaker 1>parents to ignore their kids feelings and say, oh, crying

0:24:02.080 --> 0:24:03.840
<v Speaker 1>is part of life. You know, you go go off

0:24:03.880 --> 0:24:06.040
<v Speaker 1>and cry. That's kind of the opposite of what you're saying.

0:24:06.359 --> 0:24:09.800
<v Speaker 1>You're saying, when they're crying, help them assign meaning to

0:24:09.880 --> 0:24:13.679
<v Speaker 1>that and help them accept what the pain is. And

0:24:13.800 --> 0:24:16.679
<v Speaker 1>I think that's so often as parents we do the

0:24:16.680 --> 0:24:18.600
<v Speaker 1>pendulum one way or the other. We try to wipe

0:24:18.600 --> 0:24:21.760
<v Speaker 1>away the tears, or we you know, ignore children. And

0:24:21.800 --> 0:24:25.440
<v Speaker 1>I think it's so important to to thread that needle. Um.

0:24:25.480 --> 0:24:27.200
<v Speaker 1>In many ways, I think your next book could be

0:24:27.200 --> 0:24:31.399
<v Speaker 1>a parenting book because there is so much there that

0:24:31.400 --> 0:24:34.160
<v Speaker 1>that can be applied to parenting. And similarly, by the way,

0:24:34.480 --> 0:24:36.080
<v Speaker 1>there is a book I used to give to people

0:24:36.160 --> 0:24:40.159
<v Speaker 1>when they had experienced grief and and the death of

0:24:40.200 --> 0:24:42.920
<v Speaker 1>a loved one. And I think that in many ways

0:24:43.000 --> 0:24:46.600
<v Speaker 1>your book can now be that book because there's so

0:24:46.680 --> 0:24:51.200
<v Speaker 1>much in there about grief and how to manage grief.

0:24:51.240 --> 0:24:54.600
<v Speaker 1>And I think it's it's so healthy the perspective you share. Yeah,

0:24:54.720 --> 0:24:57.040
<v Speaker 1>it's interesting because you know, it didn't start out as

0:24:57.080 --> 0:25:00.240
<v Speaker 1>a book about grief, and I I don't think about

0:25:00.000 --> 0:25:03.000
<v Speaker 1>as explicitly a grief book. You know, it's it started out,

0:25:03.080 --> 0:25:06.359
<v Speaker 1>really is UM me trying to answer the question of

0:25:06.760 --> 0:25:10.200
<v Speaker 1>why it is that so many of us have such

0:25:10.240 --> 0:25:14.640
<v Speaker 1>an intense and intensely pleasurable reaction to sad music. Um,

0:25:14.680 --> 0:25:16.280
<v Speaker 1>I was trying to figure out how on earth that

0:25:16.320 --> 0:25:20.880
<v Speaker 1>could possibly be. And yeah, and it kind of set

0:25:20.920 --> 0:25:24.080
<v Speaker 1>me off on this quest for years, for years and years,

0:25:24.240 --> 0:25:27.200
<v Speaker 1>looking at this bittersweet tradition of like all these religions

0:25:27.200 --> 0:25:29.600
<v Speaker 1>and artists and writers who have been talking about this

0:25:29.720 --> 0:25:33.280
<v Speaker 1>for thousands of years, about the way in which our

0:25:33.560 --> 0:25:37.320
<v Speaker 1>melancholy sides are connected to our deepest creativity and our

0:25:37.359 --> 0:25:40.639
<v Speaker 1>deepest communion, and you know, to a sense of of

0:25:40.720 --> 0:25:44.040
<v Speaker 1>the divine. Even whether you're secular or atheist, there's there's

0:25:44.080 --> 0:25:48.040
<v Speaker 1>like it doesn't matter, there's some sense of longing for

0:25:48.119 --> 0:25:51.240
<v Speaker 1>some higher state, and all of this is connected with melancholy.

0:25:51.480 --> 0:25:55.359
<v Speaker 1>So the book started out as that inquiry, But of

0:25:55.400 --> 0:25:59.920
<v Speaker 1>course you can't really look at that subject without thinking

0:26:00.040 --> 0:26:04.280
<v Speaker 1>about bereavement and about how like mortality and impermanence is

0:26:04.320 --> 0:26:08.119
<v Speaker 1>really at the heart of what melancolia is. Um you know,

0:26:08.200 --> 0:26:13.119
<v Speaker 1>it's like an intense awareness of life's impermanence at every moment.

0:26:13.320 --> 0:26:16.600
<v Speaker 1>And now a quick break. Are you a woman owned

0:26:16.640 --> 0:26:19.920
<v Speaker 1>business looking for a new sales channel. I'm so excited

0:26:19.960 --> 0:26:22.760
<v Speaker 1>to tell you about our newest partner in the W Marketplace.

0:26:23.160 --> 0:26:26.320
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<v Speaker 1>the w marketplace dot com. We're gonna now go to

0:26:48.960 --> 0:26:51.320
<v Speaker 1>this speed round Susan, where we're going to ask you

0:26:51.480 --> 0:26:54.520
<v Speaker 1>just a few questions and you can give us quick answers.

0:26:55.160 --> 0:26:58.040
<v Speaker 1>What book are you reading right now? Who by Fire?

0:26:58.240 --> 0:27:01.120
<v Speaker 1>Which is a book about Leonard co which just came

0:27:01.160 --> 0:27:04.400
<v Speaker 1>out by the author Mattie Friedman. You know from reading

0:27:04.400 --> 0:27:07.159
<v Speaker 1>Bitter Sweet, I'm kind of obsessed with Leonard Cohne, and

0:27:07.160 --> 0:27:10.199
<v Speaker 1>I even dedicated the book to him, especially like his

0:27:10.480 --> 0:27:14.240
<v Speaker 1>the line from anthem, his song Anthem, which is there's

0:27:14.240 --> 0:27:17.120
<v Speaker 1>a crack and everything that's where the light gets in.

0:27:17.600 --> 0:27:20.880
<v Speaker 1>What was the last thing that made you cry? It's

0:27:20.920 --> 0:27:23.359
<v Speaker 1>so funny because this happens to me so frequently that

0:27:23.440 --> 0:27:25.520
<v Speaker 1>now I can't even think of one. But I don't know.

0:27:25.600 --> 0:27:27.080
<v Speaker 1>I'm just going to say, I think of tears and

0:27:27.080 --> 0:27:29.680
<v Speaker 1>goose bumps in the same category goose bumps, or maybe

0:27:29.720 --> 0:27:32.760
<v Speaker 1>like a slightly milder version of the same phenomenon, And

0:27:32.800 --> 0:27:35.679
<v Speaker 1>I just had them about five times during this conversation.

0:27:36.040 --> 0:27:39.480
<v Speaker 1>Who leaves you star struck? I mean musicians do all

0:27:39.480 --> 0:27:43.960
<v Speaker 1>the time, like every single day, because there's not a

0:27:44.040 --> 0:27:47.760
<v Speaker 1>day that I'm not like sitting down and listening to music,

0:27:48.400 --> 0:27:52.400
<v Speaker 1>so they're constantly leaving me star struck. There's a musician

0:27:52.480 --> 0:27:56.159
<v Speaker 1>name Benjamin Clementine whose song Condolence I was just listening

0:27:56.200 --> 0:27:58.879
<v Speaker 1>to the other day. UM. I actually put together this

0:27:58.920 --> 0:28:02.280
<v Speaker 1>Bitter Sweet playlist that goes along with my book, so

0:28:02.320 --> 0:28:04.680
<v Speaker 1>you can find it if you're curious, on Spotify or

0:28:04.720 --> 0:28:07.960
<v Speaker 1>Apple Music. And I have that song on the playlist.

0:28:08.040 --> 0:28:11.919
<v Speaker 1>It's really beautiful. What kind of sleeper are you? I

0:28:12.080 --> 0:28:15.280
<v Speaker 1>used to be an amazing, amazing sleeper, and I was

0:28:15.440 --> 0:28:18.480
<v Speaker 1>very dedicated to getting my eight hours and everything. I

0:28:18.520 --> 0:28:22.119
<v Speaker 1>have to say, Now that I m in my middle years,

0:28:22.800 --> 0:28:24.879
<v Speaker 1>I have a lot of trouble sleeping. I'm trying to

0:28:24.920 --> 0:28:29.920
<v Speaker 1>figure that out. Well. Luke Burns is our male perspective,

0:28:30.160 --> 0:28:33.240
<v Speaker 1>and he always joins us at the end of the

0:28:33.280 --> 0:28:38.200
<v Speaker 1>show with often the most important question. I really like

0:28:38.360 --> 0:28:43.040
<v Speaker 1>your perspective on introverts. Um. I have a thirteen year

0:28:43.080 --> 0:28:45.120
<v Speaker 1>old daughter. I'm trying to figure out exactly where she

0:28:45.200 --> 0:28:49.320
<v Speaker 1>falls in this category, but on certain days she's a

0:28:49.360 --> 0:28:55.960
<v Speaker 1>certain way, so I'm just gonna leave it alone. Do

0:28:56.000 --> 0:28:57.880
<v Speaker 1>you ever ask her about it? Do you ever ask

0:28:57.920 --> 0:28:59.720
<v Speaker 1>her what she thinks she is? I'm trying not to

0:28:59.800 --> 0:29:02.600
<v Speaker 1>leave eater. Yeah, I can see that because I'm not

0:29:02.680 --> 0:29:07.120
<v Speaker 1>really good always all the time asking her questions without

0:29:07.240 --> 0:29:10.920
<v Speaker 1>trying to lead her in a direction. So you have

0:29:10.960 --> 0:29:14.520
<v Speaker 1>to like figure out which are the activities where your

0:29:14.800 --> 0:29:17.440
<v Speaker 1>child is more likely to tell you more, Like I've

0:29:17.440 --> 0:29:19.960
<v Speaker 1>noticed with my boys who are teenagers, like if we

0:29:20.000 --> 0:29:22.720
<v Speaker 1>go and play catch while they're throwing the football, so

0:29:23.000 --> 0:29:26.280
<v Speaker 1>there's so much more forthcoming than at any other moment.

0:29:27.920 --> 0:29:29.440
<v Speaker 1>So I don't know what it is for your daughter,

0:29:29.600 --> 0:29:36.040
<v Speaker 1>but maybe it's candy get her in a good mood.

0:29:36.240 --> 0:29:39.840
<v Speaker 1>But lou, actually there is so much great parenting stuff

0:29:40.040 --> 0:29:43.640
<v Speaker 1>in Susan's book. You know, lose right now in an

0:29:43.960 --> 0:29:48.160
<v Speaker 1>interesting spot in his own life because he's his daughter

0:29:48.200 --> 0:29:50.800
<v Speaker 1>has just come to live with him, and she's a teenager,

0:29:50.920 --> 0:29:53.560
<v Speaker 1>and so maybe you could share some of your pearls

0:29:53.560 --> 0:29:58.120
<v Speaker 1>of wisdom of parenting a teenager and gaining a teenager's

0:29:58.240 --> 0:30:02.760
<v Speaker 1>trust throughout such a difficult life phase. Yeah, I mean,

0:30:04.320 --> 0:30:08.200
<v Speaker 1>I guess my big thing is um And I don't

0:30:08.240 --> 0:30:10.600
<v Speaker 1>even know if the following thing is only about teenagers.

0:30:10.640 --> 0:30:14.320
<v Speaker 1>I think it's about people in general. But to really

0:30:14.480 --> 0:30:17.720
<v Speaker 1>not have judgment, you know, you just want to understand

0:30:17.760 --> 0:30:20.680
<v Speaker 1>you don't want to judge. And I think that if

0:30:20.760 --> 0:30:25.960
<v Speaker 1>you approach a teenager that way, they're just much more

0:30:26.080 --> 0:30:29.400
<v Speaker 1>likely to let you in and open up and keep

0:30:29.440 --> 0:30:34.120
<v Speaker 1>their relationship healthy because you're communicating to them without even

0:30:34.160 --> 0:30:36.040
<v Speaker 1>having to say it in so many words that you're

0:30:36.200 --> 0:30:39.240
<v Speaker 1>just totally on their side. And then when you do

0:30:39.320 --> 0:30:41.680
<v Speaker 1>have to set limits of like you know, you probably

0:30:41.680 --> 0:30:44.160
<v Speaker 1>really shouldn't do such and such thing, I don't think

0:30:44.160 --> 0:30:46.520
<v Speaker 1>it's in your best interest. They know that you're not

0:30:46.600 --> 0:30:49.560
<v Speaker 1>coming from a place of judgment, You're not coming from

0:30:49.600 --> 0:30:52.920
<v Speaker 1>a place of overreaction. You're just like reasoning it through

0:30:53.000 --> 0:30:58.200
<v Speaker 1>with them. Sam, I have to say that I almost

0:30:58.240 --> 0:31:01.960
<v Speaker 1>cried about seventy two times talking with Susan. I have

0:31:02.120 --> 0:31:05.600
<v Speaker 1>to say that I had no idea I would relate

0:31:05.640 --> 0:31:08.840
<v Speaker 1>to her book so deeply in her messages so deeply,

0:31:10.040 --> 0:31:15.360
<v Speaker 1>and I really think everyone would benefit from understanding it.

0:31:15.440 --> 0:31:18.360
<v Speaker 1>I think we see the world in black and white

0:31:18.400 --> 0:31:20.440
<v Speaker 1>so often, right like that person is a happy person,

0:31:20.480 --> 0:31:22.520
<v Speaker 1>that persons sad person, that person is a dark person,

0:31:22.520 --> 0:31:25.040
<v Speaker 1>that prints is a light person, or you know that

0:31:25.120 --> 0:31:29.160
<v Speaker 1>person is optimistic and that person is pessimistic, and and really,

0:31:29.640 --> 0:31:32.400
<v Speaker 1>after reading her book and just listening to her in

0:31:32.400 --> 0:31:35.760
<v Speaker 1>our conversation, it makes you realize that, like the ideal

0:31:35.840 --> 0:31:39.880
<v Speaker 1>is to blend those things and accept all of it.

0:31:40.080 --> 0:31:44.680
<v Speaker 1>I think that's a really profound takeaway to a profound message.

0:31:45.440 --> 0:31:48.880
<v Speaker 1>Life is better sweet, all of it. A single day

0:31:48.960 --> 0:31:51.400
<v Speaker 1>can be better sweet, and emotion can be better sweet.

0:31:51.720 --> 0:31:54.440
<v Speaker 1>And I think we want everything to be happy, and

0:31:54.480 --> 0:31:58.280
<v Speaker 1>it's not right, even the parts that we talked about parenting.

0:31:58.720 --> 0:32:02.719
<v Speaker 1>Because my kids are a little that really resonated with

0:32:02.760 --> 0:32:05.520
<v Speaker 1>me to prepare them and arm them with the fact

0:32:05.560 --> 0:32:10.120
<v Speaker 1>that bitter sweet is okay, sadness is okay, longing is okay.

0:32:10.560 --> 0:32:14.320
<v Speaker 1>They bring into sharp clarity the good parts, and they

0:32:14.320 --> 0:32:17.280
<v Speaker 1>show that you care. And somehow we've gotten away from

0:32:17.280 --> 0:32:20.120
<v Speaker 1>that as a society, that we should have those feelings

0:32:20.160 --> 0:32:22.920
<v Speaker 1>and that we should embrace them and that they're okay. Right, Well,

0:32:22.920 --> 0:32:24.360
<v Speaker 1>if you think about it, it's like all we do

0:32:24.440 --> 0:32:27.400
<v Speaker 1>know is like push pills on people to make them happier,

0:32:27.640 --> 0:32:30.360
<v Speaker 1>or you know, there's a zillion books on happiness, and

0:32:30.520 --> 0:32:33.640
<v Speaker 1>it really makes you realize that what if we just

0:32:33.760 --> 0:32:37.840
<v Speaker 1>accepted all of the emotions and allow people to feel more,

0:32:38.680 --> 0:32:41.120
<v Speaker 1>maybe that would make them more fulfilled and happier right.

0:32:44.040 --> 0:32:47.000
<v Speaker 1>Thanks for listening to What's Her Story with Sam and Amy.

0:32:47.240 --> 0:32:49.920
<v Speaker 1>We would appreciate it if you leave her view wherever

0:32:50.000 --> 0:32:52.800
<v Speaker 1>you get your podcasts, and of course, connect with us

0:32:52.800 --> 0:32:56.280
<v Speaker 1>on social media at What's Her Story podcast. What's Her

0:32:56.280 --> 0:32:58.880
<v Speaker 1>Story with Sam and Amy is powered by my company,

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<v Speaker 1>The Riveter at their Riveter dot c O and Sam's company,

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<v Speaker 1>park Place Payments at park place Payments dot com. Thanks

0:33:05.480 --> 0:33:09.160
<v Speaker 1>to our producer Stacy Parra and our male perspective blue

0:33:09.160 --> 0:33:13.840
<v Speaker 1>Burns h