WEBVTT - Ep. 593:  Patience is a Good Hunter, with Will Primos

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<v Speaker 1>This is the Meat Eater Podcast coming at you shirtless, severely,

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<v Speaker 1>bug bitten, and in my case, underwear listening podcast. You

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<v Speaker 1>can't predict anything.

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<v Speaker 2>The Meat Eater Podcast is brought to you by First Light.

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<v Speaker 2>Whether you're checking trail cams, hanging deer stands, or scouting

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<v Speaker 2>hunter in every environment. Check it out at first light

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<v Speaker 2>dot com. F I R S T L I T

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<v Speaker 2>E dot com.

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<v Speaker 3>Uh.

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<v Speaker 1>I normally like to when we're starting the show, I

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<v Speaker 1>normally introduce I find myself. I introduced guests like, uh,

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<v Speaker 1>like I'm dealing poker m hm clockwise if I'm gonna

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<v Speaker 1>do it counterclockwise because I want to end on a finale.

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<v Speaker 1>Giannis is here, Seth is here, Krinn, doctor Randall, Corey

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<v Speaker 1>is here, and Will Primos nice to be here. You're

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<v Speaker 1>one of my.

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<v Speaker 4>UH.

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<v Speaker 1>I don't want to. I don't want to get off

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<v Speaker 1>on the wrong foot by overdoing it. You're one of

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<v Speaker 1>my he you're one of my communication heroes. And let

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<v Speaker 1>me tell you more about why that is. Okay. You've

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<v Speaker 1>been making products for hunters for your whole life, and

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<v Speaker 1>you've been talking to hunters for your whole life, yep,

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<v Speaker 1>eye to eye. You don't talk down to hunters. You

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<v Speaker 1>don't talk, you don't criticize, you don't talk negative. You

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<v Speaker 1>have an infectious enthusiasm about the hunt. You have an

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<v Speaker 1>infectious enthusiasm about wildlife. You have an infectious enthusiasm about

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<v Speaker 1>your family, about the people around you. You celebrate everyone

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<v Speaker 1>around you. You don't bring people down. You've been doing

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<v Speaker 1>this how many years?

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<v Speaker 5>I'm seventy two. I started the company in nineteen seventy

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<v Speaker 5>six when I was twenty four.

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<v Speaker 1>I've never heard I've never heard a single person say

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<v Speaker 1>a single negative word about you.

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<v Speaker 5>Oh my gosh, Okay, that's awesome.

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<v Speaker 1>Let me tell you something that don't happen. Yeah.

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<v Speaker 5>Well, one time I killed this big deer, really big

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<v Speaker 5>deer in Mississippi. And my wife goes, have you been

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<v Speaker 5>on the internet? Have you seen what they're saying about you?

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<v Speaker 5>And I'm going no, And she says, well you ought to.

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<v Speaker 5>I said it don't matter what that what?

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<v Speaker 1>By the way, what are they say?

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<v Speaker 5>And they said, well, you killed it in a pin,

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<v Speaker 5>you raised it in a one acre pin, and then

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<v Speaker 5>finally killed it. I said, Okay, she says, you're not

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<v Speaker 5>going to go and answer that.

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<v Speaker 1>He says, no, you know, because we'll primos don't do that. Yeah,

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<v Speaker 1>it don't exist. So I ain't worried about it. And

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<v Speaker 1>it goes away.

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<v Speaker 5>But you know, I'm sure somebody says something bad somewhere,

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<v Speaker 5>but you know, the you know, the camera doesn't love everybody.

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<v Speaker 5>And I didn't want to be I didn't want to

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<v Speaker 5>become some known hunting person. That's not wasn't my goal.

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<v Speaker 5>My goal was to make a living. My goal was

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<v Speaker 5>to share my love of the outdoors with others and

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<v Speaker 5>get them to love it and hopefully want to protect it,

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<v Speaker 5>because if you protect what you love.

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<v Speaker 1>Yeah, so if I.

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<v Speaker 5>Can go out there and share il cunting and share

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<v Speaker 5>waterfowl in the green timber or just wherever we are

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<v Speaker 5>turkey hunting, you know, just whatever it is, if I

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<v Speaker 5>can share that and you can fall in love with it,

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<v Speaker 5>then you'll want to protect it. And it's all about habitat.

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<v Speaker 5>If we don't have the habitat, you ain't got the

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<v Speaker 5>critters they take. Each animal takes a certain quality of

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<v Speaker 5>habitat to thrive. And so that was kind of my goal.

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<v Speaker 5>And as I went and began to go through it,

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<v Speaker 5>and began to get a little bit of win in

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<v Speaker 5>my sale and understand that I might be able to

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<v Speaker 5>make a real company out of this thing I was

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<v Speaker 5>trying to do. I came on a realization that if

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<v Speaker 5>you can let people have the opportunity to know you,

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<v Speaker 5>then you have the opportunity for people to like you.

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<v Speaker 1>Now you're you're.

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<v Speaker 5>Gambling, because if they don't, you've really you've really kind

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<v Speaker 5>of hurt yourself. And so the key to that is

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<v Speaker 5>to keep your ego out of it. And that was

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<v Speaker 5>the secret behind Primos. When we hired people and we

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<v Speaker 5>had people and it was all about them, and because

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<v Speaker 5>everybody got to hunt, it wasn't about Will Primos. Everybody

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<v Speaker 5>got to hunt. When we went, we went, we went.

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<v Speaker 5>I would hunt usually first, and I didn't wait for

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<v Speaker 5>the biggest one.

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<v Speaker 1>Did a Cory Well for folks not watching, uh Phiel

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<v Speaker 1>just gestured to uh Corey, who sorry, Will just gestured

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<v Speaker 1>to Corey. And you guys a hunted together, which we'll

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<v Speaker 1>talk about.

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<v Speaker 3>Yeah we have.

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<v Speaker 5>So so anyway, you can't wait. So you can't wait

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<v Speaker 5>for the biggest one. If there's somebody behind you and

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<v Speaker 5>you only got five day window to try to fill tags,

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<v Speaker 5>and so I wouldn't kill the first thing that was

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<v Speaker 5>decent and let the person hunt. Yep, yeah, I'll never forget.

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<v Speaker 5>I forget what year of the fire was up there

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<v Speaker 5>at the c two thousand and one or nineteen ninety

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<v Speaker 5>nine or somewhere. Anyway, we were hunting, I begive this

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<v Speaker 5>first day was September seventeenth. We were hunting the bar None,

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<v Speaker 5>which was next to the C eight, and early snowstorm came.

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<v Speaker 5>We were staying in the old schoolhouse on the bar

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<v Speaker 5>None at ted Turner's place, and so we're staying there

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<v Speaker 5>and it's seventeen degrees and my wife says, I'm not going.

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<v Speaker 5>So we got in the suburban with our special tires

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<v Speaker 5>that we had put on for all our rental cars

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<v Speaker 5>and went up the mountain and got up there. Couldn't

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<v Speaker 5>find an out. Brad Ferris has said, will, I'm gonna

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<v Speaker 5>hunt first, and I'm gonna kill the first thing I see,

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<v Speaker 5>so that you could have the rest of the time

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<v Speaker 5>to try to kill a big one. I said, Okay,

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<v Speaker 5>can't finding out they've left. There's so much snow. There's

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<v Speaker 5>two feet of snow. We're pushing snow in front of

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<v Speaker 5>the vehicle. We're coming down and I see this elk

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<v Speaker 5>and he's been over feeding on something in the snow.

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<v Speaker 5>You can see his head down and he's about one

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<v Speaker 5>hundred and fifty yards away. And the winch r Wife

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<v Speaker 5>was wor in a minute, and they went and he

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<v Speaker 5>threw his head up and I went, oh, my gosh,

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<v Speaker 5>it's a big l I said, okay, buddy, look, look

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<v Speaker 5>nobody they didn't. Nobody saw him. He got spooked and

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<v Speaker 5>went down.

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<v Speaker 1>He went.

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<v Speaker 5>As soon as he went down, I said, bail, let's go.

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<v Speaker 1>We went.

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<v Speaker 5>After we got over there, he's going up hill. He's

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<v Speaker 5>about forty yards away. So I'm running the camera. So

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<v Speaker 5>I sat down with the camera. At the same time

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<v Speaker 5>I got on the hyper lip.

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<v Speaker 1>Yeah yeah.

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<v Speaker 5>He turned around and started coming. Brad scrambled him. He's

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<v Speaker 5>putting his release on getting he's getting ready. So this

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<v Speaker 5>elk comes up there and Brad won't shoot. He won't shoot.

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<v Speaker 5>So I got my range finder out of my vest

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<v Speaker 5>and I ranged him. I said fifty five. The elk stops,

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<v Speaker 5>turns round and walks sixty. Brad nails him at sixty yards.

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<v Speaker 5>Brad turned, he runs about twenty five yards and falls

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<v Speaker 5>over dead and rests. You think you'll go three thirty,

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<v Speaker 5>said Brad. You just killed a four hundred inch elk,

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<v Speaker 5>He goes.

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<v Speaker 1>Are you kidding me?

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<v Speaker 5>I never saw what elk the rest of the trip,

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<v Speaker 5>so Brad was gonna kill the first one he saw,

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<v Speaker 5>and he did. But you know, it's not about you.

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<v Speaker 5>It's about sharing. It's about being there, it's about loving it.

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<v Speaker 5>It's about teaching people how much fun we can have

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<v Speaker 5>out there, being a part of what God created, and

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<v Speaker 5>watching elk be elk during the rut and watching white

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<v Speaker 5>tails do it, and watching turkeys do it, and watching

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<v Speaker 5>ducks in their migration, and just being able to be

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<v Speaker 5>enthusiastic and share that and help other people get to

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<v Speaker 5>that spot. Some are more talented than others, some have

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<v Speaker 5>whatever might keep them from being as successful. But you

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<v Speaker 5>don't look down on them, You're right, You just you

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<v Speaker 5>help them rise up.

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<v Speaker 1>Yanny, tell Williams what you used to tell me about

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<v Speaker 1>the Truth video series.

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<v Speaker 3>I don't know how it was hugely.

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<v Speaker 1>You're talking about going down and checking at Walmart see

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<v Speaker 1>if they were out yet.

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<v Speaker 3>Oh right, pre internet?

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<v Speaker 6>Yeah, yeah, I would go to the Walmart every two

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<v Speaker 6>or three days. You got them New Truth videos yet

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<v Speaker 6>you know, and they look at me like the what

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<v Speaker 6>you know? Because you know, we were in Avon, Colorado.

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<v Speaker 6>I don't know if you ever passed through there. That's

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<v Speaker 6>where the Walmart was there in Colorado. But oftentimes that

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<v Speaker 6>department might not have somebody that actually knew anything about

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<v Speaker 6>elk hunting.

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<v Speaker 3>I be like, yeah, it's about.

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<v Speaker 6>This big, it's gonna be kind of green, it's gonna

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<v Speaker 6>say the truth on it.

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<v Speaker 3>Can you call me when it gets here?

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<v Speaker 1>Yeah, let's go back to the beginning. And and and

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<v Speaker 1>in the beginning, you were born with very crooked fingers,

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<v Speaker 1>my little peaky fingers. Shout those off.

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<v Speaker 5>I don't know from my mother, my mother's side of

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<v Speaker 5>the family, there's an extra boat in therere shaped like

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<v Speaker 5>a triangle.

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<v Speaker 1>From south right. Huh south from the south. Yeah, well,

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<v Speaker 1>my mother, this probably is from her Irish shide of

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<v Speaker 1>her heritage.

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<v Speaker 5>I'm fifty Greek, and yeah, that's where a primo.

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<v Speaker 1>That's where that makes more sense.

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<v Speaker 5>That's where primos come from. My daddy was half French

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<v Speaker 5>and half Greek. Okay, he was a freak.

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<v Speaker 1>That's what he said. That's what he told me. My

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<v Speaker 1>daddy just passed away at ninety eight World War two

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<v Speaker 1>vet hell of a guy.

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<v Speaker 5>I'm telling you what, no kid, you know, kid and

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<v Speaker 5>wonderful man.

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<v Speaker 1>And your mom's still alive.

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<v Speaker 5>Yeah she's ninety seven.

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<v Speaker 1>Yeah wow. Yeah, but anyway, had a lot of turkey

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<v Speaker 1>meat or something.

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<v Speaker 5>Oh yeah, a lot.

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<v Speaker 1>So you were born out with crooked pink. Yeah. But

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<v Speaker 1>they don't get in the way.

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<v Speaker 5>And I don't worry about him, but some some people

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<v Speaker 5>have to know all about him, like people like you.

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<v Speaker 1>First thing, I asked you, right, when I meet someone,

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<v Speaker 1>I always checks if they got ten fingers there you go.

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<v Speaker 1>And in my account, I was like, wow, he's got nine,

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<v Speaker 1>he's got ten, but.

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<v Speaker 5>But one looks at off. So yeah, yeah type and

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<v Speaker 5>I got it in something. No, I've done that too.

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<v Speaker 4>Well.

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<v Speaker 1>Yeah, So did your dad hunt?

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<v Speaker 5>My dad was a it was a depression child, you know.

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<v Speaker 5>He he went through the Depression, He went through World

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<v Speaker 5>War two. He was a navigator in the Pacific and

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<v Speaker 5>lot never had a dime and was always working to

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<v Speaker 5>support his family to take care. So yes, he hunted,

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<v Speaker 5>but it was very limited. But I'll never forget.

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<v Speaker 1>I was six years old, double barrel, side by side

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<v Speaker 1>fox that he paid ten dollars for us Model B

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<v Speaker 1>Fox double trigger. I'm not familiar with that gun.

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<v Speaker 5>It's a side by side made by Fox. But anyway,

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<v Speaker 5>we walked out the back door and we went squirrel hunting.

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<v Speaker 5>I was so excited to go squirrel and my daddy

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<v Speaker 5>sees a nest. He goes, let's see if there's a

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<v Speaker 5>squirrel in there.

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<v Speaker 1>God, they go red squirrel.

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<v Speaker 5>Comes flying out of that nest.

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<v Speaker 1>That is a hammer. That was a fox squirrel. Yeah. Yeah,

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<v Speaker 1>this is just a little joke with us because in

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<v Speaker 1>the South, like we have a red squirrel, in the

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<v Speaker 1>North a pine squirrel. Okay, and in the South they confuse.

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<v Speaker 1>You got confused Yankees because when you tell Yankees that

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<v Speaker 1>you got a red squirrel, I'm picturing what we call

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<v Speaker 1>red squirrel with the tailor out with that No, with

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<v Speaker 1>his tail he's how long is the pine squirrel?

0:11:12.280 --> 0:11:15.119
<v Speaker 3>Well, the same little pine squirrel that runs around out west.

0:11:17.080 --> 0:11:19.079
<v Speaker 1>The one that gives me away when I'm sitting there college,

0:11:20.040 --> 0:11:22.760
<v Speaker 1>like he's always chittering at you, like that's a red

0:11:22.920 --> 0:11:25.600
<v Speaker 1>Like we'll hear red squirrel. So when you guys from

0:11:25.640 --> 0:11:28.320
<v Speaker 1>the South are getting red squirrels and you're talking to Yankees.

0:11:28.640 --> 0:11:30.360
<v Speaker 1>Yankees are thinking that you're getting little.

0:11:31.840 --> 0:11:33.760
<v Speaker 5>Our squirrels are twice that big. They got a big

0:11:33.800 --> 0:11:34.400
<v Speaker 5>white face.

0:11:34.600 --> 0:11:39.000
<v Speaker 1>Yep, that red squirrel. Yeah, that red squirrel. Uh. So

0:11:39.559 --> 0:11:42.840
<v Speaker 1>was your So did your folks your folks were us

0:11:42.960 --> 0:11:46.520
<v Speaker 1>born though, Oh yeah, they're they're us born. Yeah, got it.

0:11:47.080 --> 0:11:49.640
<v Speaker 1>And you would get and he would do uh some

0:11:49.800 --> 0:11:50.600
<v Speaker 1>little bit of hunting.

0:11:50.679 --> 0:11:53.520
<v Speaker 5>Oh yeah, girl hunting, dove hunting, take me duck hunting,

0:11:54.040 --> 0:11:56.160
<v Speaker 5>duck cutting on the river. We didn't do any serious

0:11:56.320 --> 0:11:59.319
<v Speaker 5>waterfowl hunting. That was left up to my uncles. My

0:11:59.440 --> 0:12:02.800
<v Speaker 5>uncles were all interested in playing. I had four uncles

0:12:02.880 --> 0:12:07.760
<v Speaker 5>and they were awesome, and they they took me serious

0:12:07.880 --> 0:12:10.360
<v Speaker 5>waterfowl And when I was eleven years old, that's the

0:12:10.400 --> 0:12:12.360
<v Speaker 5>first time I stood in twelve inches of water in

0:12:12.440 --> 0:12:15.200
<v Speaker 5>green timber and watched two hundred matters come down.

0:12:15.080 --> 0:12:18.280
<v Speaker 1>Through the trees. And I was, I was, I was?

0:12:18.520 --> 0:12:23.120
<v Speaker 1>That was it? So you had some serious experiences, ah young, Yeah? Yeah?

0:12:23.480 --> 0:12:23.560
<v Speaker 3>Uh.

0:12:23.720 --> 0:12:25.760
<v Speaker 1>Do those guys make calls? Like how did you get

0:12:25.800 --> 0:12:26.839
<v Speaker 1>interested in making calls?

0:12:27.160 --> 0:12:30.280
<v Speaker 5>So, my uncle Gus was a great caller and he

0:12:30.679 --> 0:12:33.680
<v Speaker 5>blew ay Jake Gardner's single red call guy from Uncus,

0:12:33.840 --> 0:12:37.000
<v Speaker 5>who was friends with Chicken Major's famous call maker, and

0:12:38.280 --> 0:12:41.520
<v Speaker 5>so I took that call and my daddy had a

0:12:41.600 --> 0:12:44.240
<v Speaker 5>lathe and I just tried to copy it. And that

0:12:44.440 --> 0:12:47.160
<v Speaker 5>started my game calling desire to figure out how to

0:12:47.240 --> 0:12:48.559
<v Speaker 5>make things that made sounds.

0:12:50.240 --> 0:12:52.280
<v Speaker 1>When you say you took a leave, like, explain that

0:12:52.360 --> 0:12:53.360
<v Speaker 1>to people that might not.

0:12:54.800 --> 0:12:56.599
<v Speaker 5>You chuck a piece of wood into it and you

0:12:56.720 --> 0:12:58.640
<v Speaker 5>turn it to shape it like you want, and then

0:12:58.679 --> 0:12:59.640
<v Speaker 5>you drill out the center.

0:13:00.280 --> 0:13:01.760
<v Speaker 1>Uh, you've got to make the soundboard.

0:13:01.920 --> 0:13:04.920
<v Speaker 5>You've got to figure out the curve and how how

0:13:05.000 --> 0:13:08.360
<v Speaker 5>to make the cork hold it in place. Well, the

0:13:08.440 --> 0:13:11.239
<v Speaker 5>cork is a wedge that holds the reed to the soundboard.

0:13:11.480 --> 0:13:13.920
<v Speaker 5>What's the what's the reed gonna be made out of?

0:13:14.960 --> 0:13:15.760
<v Speaker 1>The reds? Are we?

0:13:15.920 --> 0:13:19.400
<v Speaker 5>We in the old days were very limited in the products.

0:13:19.480 --> 0:13:23.320
<v Speaker 5>But when when I started in seventy six doing stuff,

0:13:23.400 --> 0:13:27.400
<v Speaker 5>we were borrowing from the medical industry and the automotive industry,

0:13:27.600 --> 0:13:32.240
<v Speaker 5>any any technology that we could to building into game

0:13:32.320 --> 0:13:34.880
<v Speaker 5>call So my lar became.

0:13:34.800 --> 0:13:38.960
<v Speaker 1>The reed of choice. My Lar, Yeah, uh for for reeds.

0:13:39.440 --> 0:13:42.679
<v Speaker 5>But you have a spool, and so most people think

0:13:42.720 --> 0:13:45.200
<v Speaker 5>where you would stamp the read out with the length

0:13:45.240 --> 0:13:46.920
<v Speaker 5>of the spool, Well, if you do that, there's a

0:13:47.040 --> 0:13:50.640
<v Speaker 5>huge curve in the reed which totally changes the sound.

0:13:50.800 --> 0:13:52.599
<v Speaker 1>Oh well, you'll never get that curve out of it,

0:13:52.920 --> 0:13:53.280
<v Speaker 1>that's right.

0:13:53.400 --> 0:13:56.400
<v Speaker 5>So you've got to You've got to stamp it crossways.

0:13:57.080 --> 0:13:59.719
<v Speaker 5>And then if you stamp it on the outside of

0:13:59.760 --> 0:14:03.280
<v Speaker 5>the there's a slight bow in that reed, And if

0:14:03.320 --> 0:14:05.800
<v Speaker 5>you stamp it out of the center where it's called

0:14:05.840 --> 0:14:09.640
<v Speaker 5>up in the center, there's a much tighter that totally

0:14:09.760 --> 0:14:10.760
<v Speaker 5>changes the sound of the call.

0:14:10.960 --> 0:14:12.600
<v Speaker 1>And you can't press that bow out of there by

0:14:12.640 --> 0:14:13.920
<v Speaker 1>getting a little warm or something.

0:14:14.360 --> 0:14:16.120
<v Speaker 5>You can try, but I was never able to do it.

0:14:16.720 --> 0:14:19.040
<v Speaker 5>And whether it's upside down or right side up on

0:14:19.160 --> 0:14:20.320
<v Speaker 5>the soundboard.

0:14:19.920 --> 0:14:23.080
<v Speaker 1>Makes a huge difference to So can you nowadays just

0:14:23.200 --> 0:14:27.080
<v Speaker 1>get it flat? I don't know. I couldn't do it.

0:14:27.760 --> 0:14:31.560
<v Speaker 1>Couldn't get it flat when you were doing that? Why

0:14:31.600 --> 0:14:32.640
<v Speaker 1>did your dad have a lathe?

0:14:33.600 --> 0:14:37.760
<v Speaker 5>He just ThReD a woodworking shop. He was turning and

0:14:37.840 --> 0:14:40.680
<v Speaker 5>building would just as a hobby, building stuff all the time.

0:14:42.000 --> 0:14:42.800
<v Speaker 1>He built tops.

0:14:42.840 --> 0:14:45.640
<v Speaker 5>You put him in a box and tie a string

0:14:45.720 --> 0:14:48.200
<v Speaker 5>around and pull the little top, go around and bunce

0:14:48.240 --> 0:14:50.880
<v Speaker 5>around and knock stuff over. He's always doing.

0:14:50.760 --> 0:14:53.160
<v Speaker 1>Stuff like that. God who'd you sell your first call to?

0:14:54.640 --> 0:14:54.760
<v Speaker 7>Uh?

0:14:54.880 --> 0:14:55.520
<v Speaker 5>Buck Deerman?

0:14:57.480 --> 0:14:58.200
<v Speaker 1>I don't know who that is.

0:14:58.400 --> 0:15:00.440
<v Speaker 5>Buck Derman was a friend of mine. He courage old

0:15:00.440 --> 0:15:03.880
<v Speaker 5>as a buddy years okay, yeah, and he he encouraged

0:15:03.920 --> 0:15:06.440
<v Speaker 5>me because the calls he had, the turkey calls he had,

0:15:06.480 --> 0:15:09.400
<v Speaker 5>were following apart. And he said, look, you can do this.

0:15:10.520 --> 0:15:12.040
<v Speaker 5>I said, I can't do that. I don't know nothing

0:15:12.080 --> 0:15:14.640
<v Speaker 5>about making no turkey call. He goes, yes, you can.

0:15:15.120 --> 0:15:17.960
<v Speaker 5>So I went to work and built one in box call,

0:15:18.440 --> 0:15:21.160
<v Speaker 5>no mouthcoll. You did those first, that was the first.

0:15:21.360 --> 0:15:21.840
<v Speaker 1>What you made.

0:15:22.120 --> 0:15:23.880
<v Speaker 5>It was a It was a double read. It had

0:15:23.920 --> 0:15:26.000
<v Speaker 5>two reads stacked on top of each other. They were

0:15:26.200 --> 0:15:27.800
<v Speaker 5>the reads were an eighth of an inch apart.

0:15:29.520 --> 0:15:31.440
<v Speaker 1>And you made that before you made a wood call.

0:15:31.600 --> 0:15:35.640
<v Speaker 1>That's right, huh would you? Would you? How you build that?

0:15:36.680 --> 0:15:38.280
<v Speaker 5>How do I build the You just one and got

0:15:38.360 --> 0:15:42.080
<v Speaker 5>like prophylactic latex, and well you'd go back then we

0:15:42.160 --> 0:15:44.960
<v Speaker 5>called them rubbers. They weren't called prophylactics because that dirt.

0:15:45.040 --> 0:15:47.320
<v Speaker 5>That word didn't exist where kids they were called, that

0:15:47.560 --> 0:15:48.280
<v Speaker 5>word exists.

0:15:48.560 --> 0:15:50.520
<v Speaker 1>And so we go to your tooth brush. Your toothbrush

0:15:50.600 --> 0:15:53.280
<v Speaker 1>is a prophylactic. It's a disease prevention.

0:15:53.040 --> 0:15:55.720
<v Speaker 5>To understand that. But anyway, so we'd go to the

0:15:55.760 --> 0:15:57.840
<v Speaker 5>service station because you could not buy them in a

0:15:57.920 --> 0:16:00.760
<v Speaker 5>drug store. They weren't on the count yet, only given

0:16:00.960 --> 0:16:04.000
<v Speaker 5>like a prescription, so you you weren't allowed to buy.

0:16:04.840 --> 0:16:07.200
<v Speaker 5>So you go to the service station and you'd buy

0:16:07.400 --> 0:16:09.480
<v Speaker 5>whatever they had, and most of them were lubricated.

0:16:09.840 --> 0:16:11.400
<v Speaker 1>Now would you go be like, hey, I want you

0:16:11.440 --> 0:16:13.480
<v Speaker 1>to get the wrong idea. I'm making turkey calls here.

0:16:13.840 --> 0:16:15.120
<v Speaker 5>Well not, there's a story about that.

0:16:15.240 --> 0:16:19.600
<v Speaker 1>Ok So, finally I went to Daddy and I said, Daddy,

0:16:19.680 --> 0:16:22.040
<v Speaker 1>I finally figured out which one of these rubbers works

0:16:22.040 --> 0:16:25.080
<v Speaker 1>are the best, and it's not lubricated, and I need

0:16:25.200 --> 0:16:26.560
<v Speaker 1>to order them from the pharmacists.

0:16:26.960 --> 0:16:30.280
<v Speaker 5>But I'm only seventeen or however old I was. I said,

0:16:30.520 --> 0:16:32.920
<v Speaker 5>would you call mister park in the Parking's pharmacy and.

0:16:33.120 --> 0:16:34.360
<v Speaker 1>Order me a case?

0:16:35.080 --> 0:16:36.960
<v Speaker 5>He said, be glad to so.

0:16:37.480 --> 0:16:37.760
<v Speaker 1>Okay.

0:16:37.880 --> 0:16:45.560
<v Speaker 5>So they called me and said you're rubbers are in. Okay.

0:16:46.080 --> 0:16:48.600
<v Speaker 5>I went down there, walked up to the counter. Mister

0:16:48.640 --> 0:16:51.240
<v Speaker 5>Parker put him on the counter, and my my counselor

0:16:51.240 --> 0:16:52.320
<v Speaker 5>from high school, Miss.

0:16:52.160 --> 0:16:56.200
<v Speaker 1>Breelin, walked up. He knew he knew you know.

0:16:56.640 --> 0:16:57.880
<v Speaker 5>So he looked at me, and he looked at her,

0:16:57.920 --> 0:16:59.640
<v Speaker 5>and he handed them to me, and he goes, you

0:16:59.680 --> 0:17:02.000
<v Speaker 5>can pay at the girl up front, and I went okay.

0:17:02.400 --> 0:17:05.360
<v Speaker 5>So Hays Brayley took off up front and his little

0:17:05.359 --> 0:17:07.159
<v Speaker 5>blond headed, blue eyed girl up there. He had a

0:17:07.160 --> 0:17:09.399
<v Speaker 5>little job as a cashier. I put him on the

0:17:09.480 --> 0:17:11.199
<v Speaker 5>accounter there and she looked there and she goes, we're

0:17:11.240 --> 0:17:15.560
<v Speaker 5>having a party at the grove tonight. And I said,

0:17:15.560 --> 0:17:18.680
<v Speaker 5>you don't understand. I'm making turkey calls out of these.

0:17:18.960 --> 0:17:20.800
<v Speaker 5>And she said, you can come anyway.

0:17:24.280 --> 0:17:27.960
<v Speaker 1>That's a true story. How long you been married?

0:17:28.440 --> 0:17:30.720
<v Speaker 5>I've married thirty four years. It's a second marriage for

0:17:30.840 --> 0:17:31.200
<v Speaker 5>Mary and I.

0:17:31.400 --> 0:17:33.679
<v Speaker 1>We have no children. We mean a second marriage.

0:17:34.760 --> 0:17:34.840
<v Speaker 8>Ye.

0:17:35.040 --> 0:17:37.200
<v Speaker 1>You haven't married the same person twice, but you've been married.

0:17:37.200 --> 0:17:39.840
<v Speaker 5>Oh you know, I was married once before it didn't

0:17:39.880 --> 0:17:40.240
<v Speaker 5>work out.

0:17:40.560 --> 0:17:43.119
<v Speaker 1>How long you married the first time? Fourteen years? On paper,

0:17:44.680 --> 0:17:47.040
<v Speaker 1>it's a good chunk of time. Yeah, but then you

0:17:47.119 --> 0:17:47.920
<v Speaker 1>knew it wasn't right.

0:17:48.240 --> 0:17:50.720
<v Speaker 5>Oh, I knew it long before that. Yeah.

0:17:50.800 --> 0:17:52.679
<v Speaker 3>That's an interesting way to put it on paper.

0:17:52.880 --> 0:17:56.360
<v Speaker 5>Yeah, that's a qualification that goes a long way.

0:17:56.960 --> 0:18:00.240
<v Speaker 1>Yeah. Uh So this guy asked you to come a

0:18:00.280 --> 0:18:04.919
<v Speaker 1>turkey call. Yeah, and you get your robbers, you get

0:18:04.960 --> 0:18:05.719
<v Speaker 1>some aluminum.

0:18:06.040 --> 0:18:10.600
<v Speaker 5>I got some beer in ten beer cans to walk

0:18:10.640 --> 0:18:11.000
<v Speaker 5>me through it.

0:18:12.080 --> 0:18:13.600
<v Speaker 1>Well, you at first, you got to shape it.

0:18:13.640 --> 0:18:16.399
<v Speaker 5>You gotta side. Everybody's mouth is different. That's one of

0:18:16.440 --> 0:18:19.000
<v Speaker 5>the problems with turkey cars. Some people have very narrow palette.

0:18:19.040 --> 0:18:21.040
<v Speaker 5>Some people have very high palette. Some people have wide

0:18:21.080 --> 0:18:25.800
<v Speaker 5>palettes and low so the mouth is huge. So I

0:18:25.840 --> 0:18:28.280
<v Speaker 5>can look at somebody's face and have a pretty good idea,

0:18:28.640 --> 0:18:30.480
<v Speaker 5>but I'll have them lean back and open their mouth

0:18:30.520 --> 0:18:32.720
<v Speaker 5>and look at their palette because they tell me they're

0:18:32.760 --> 0:18:35.119
<v Speaker 5>having trouble that gag or this. Some people have a

0:18:35.359 --> 0:18:40.200
<v Speaker 5>short throat, short pallet, and that those people gag a

0:18:40.200 --> 0:18:42.000
<v Speaker 5>whole lot more than the people that have what I

0:18:42.080 --> 0:18:43.159
<v Speaker 5>call it a normal palette.

0:18:43.760 --> 0:18:46.720
<v Speaker 1>So so you can eyeball someone's palette and then make

0:18:46.760 --> 0:18:50.480
<v Speaker 1>a recommendation yeah, yeah, and so so then you start

0:18:50.680 --> 0:18:53.840
<v Speaker 1>trying to get that to fit so that that call

0:18:54.040 --> 0:18:56.840
<v Speaker 1>becomes the roof of the mouth and once you can.

0:18:57.200 --> 0:18:59.639
<v Speaker 5>Seal that there and pass air through it. It's all

0:18:59.680 --> 0:19:00.680
<v Speaker 5>about out your jaw.

0:19:01.400 --> 0:19:03.760
<v Speaker 1>It's all about how you move your jaw and how

0:19:03.840 --> 0:19:05.440
<v Speaker 1>and how you use your lips to be able to

0:19:06.119 --> 0:19:10.680
<v Speaker 1>call turkeys. But explain the back in those days, what

0:19:10.920 --> 0:19:12.920
<v Speaker 1>you got together to make a call.

0:19:13.800 --> 0:19:16.479
<v Speaker 5>Well, I started out with an adhesive. It was kind

0:19:16.520 --> 0:19:19.960
<v Speaker 5>of like a contact cement that I would coat onto

0:19:20.000 --> 0:19:23.679
<v Speaker 5>these illuminum frames that well, you illumined them out out

0:19:23.720 --> 0:19:27.400
<v Speaker 5>of beer cans. It wasly ten uh, and you would

0:19:27.800 --> 0:19:30.000
<v Speaker 5>get that on there, and then you put get the

0:19:30.119 --> 0:19:33.000
<v Speaker 5>right stretch that you thought you'd put it down on

0:19:33.720 --> 0:19:35.760
<v Speaker 5>the frame, and then you part of the beer can

0:19:36.680 --> 0:19:40.120
<v Speaker 5>the lid. Sometimes the lid with lid was usually too thick,

0:19:40.880 --> 0:19:43.960
<v Speaker 5>but that had worked because it helped separate mine a

0:19:44.280 --> 0:19:47.640
<v Speaker 5>certain distance. He used different stuff, But then I went

0:19:47.680 --> 0:19:51.200
<v Speaker 5>to aluminum, and then I built ade and it was

0:19:51.240 --> 0:19:53.280
<v Speaker 5>I didn't have a I didn't have a punch press.

0:19:53.920 --> 0:19:56.800
<v Speaker 5>So I went to the die maker and said, here's

0:19:56.840 --> 0:19:58.760
<v Speaker 5>what I want, here's the shape, here's what I want,

0:19:58.840 --> 0:20:01.040
<v Speaker 5>and I want to feed the strip of aluminum through there,

0:20:01.520 --> 0:20:03.240
<v Speaker 5>and I just want to hit it with a sledgehammer.

0:20:03.560 --> 0:20:07.119
<v Speaker 5>He goes, okay, so we still have it. I mean,

0:20:07.200 --> 0:20:09.560
<v Speaker 5>it's still a little risk play. So it's got big

0:20:09.720 --> 0:20:12.040
<v Speaker 5>legs and you fed it through there, put the aluminum,

0:20:12.200 --> 0:20:14.960
<v Speaker 5>put it on there and took the sledgehammer. Bamn, there's

0:20:14.960 --> 0:20:19.200
<v Speaker 5>your peace, bounced on the concrete, and you know you'd

0:20:19.240 --> 0:20:21.000
<v Speaker 5>get a piece a whole lot quicker than I could

0:20:21.040 --> 0:20:24.639
<v Speaker 5>cut him out. But the real secret was people in

0:20:24.680 --> 0:20:27.719
<v Speaker 5>Pennsylvania figured out how to make what's called a crown

0:20:27.960 --> 0:20:32.800
<v Speaker 5>frame where the outside edges of the frame pinch the reed,

0:20:33.000 --> 0:20:36.320
<v Speaker 5>so you stretch the red, insert the frame, fold it over,

0:20:36.760 --> 0:20:39.480
<v Speaker 5>then have a tab that helped seal itep. So that

0:20:39.640 --> 0:20:41.480
<v Speaker 5>became a lot more efficient and a lot better.

0:20:41.640 --> 0:20:43.120
<v Speaker 1>That was Pennsylvania innovation.

0:20:43.480 --> 0:20:45.639
<v Speaker 5>Yes, as far as I know, that's correct.

0:20:46.080 --> 0:20:47.840
<v Speaker 1>So when you sold that first call where you just

0:20:47.840 --> 0:20:49.560
<v Speaker 1>saw off to the races then or was it slow?

0:20:49.800 --> 0:20:49.960
<v Speaker 1>You know?

0:20:50.680 --> 0:20:53.320
<v Speaker 5>I charged him twenty bucks, you know, and he was thrilled.

0:20:53.600 --> 0:20:56.640
<v Speaker 5>And that was twenty bucks in nineteen probably seventy.

0:20:56.359 --> 0:20:57.959
<v Speaker 1>Five or so. How many calls did you give him

0:20:57.960 --> 0:20:58.600
<v Speaker 1>for twenty bucks?

0:20:58.800 --> 0:21:01.360
<v Speaker 5>One mouth gul.

0:21:01.960 --> 0:21:02.560
<v Speaker 1>Wow, wow.

0:21:02.720 --> 0:21:02.920
<v Speaker 3>Yeah.

0:21:03.119 --> 0:21:04.800
<v Speaker 1>I wantn't go sit there and do all that. I

0:21:04.840 --> 0:21:05.639
<v Speaker 1>mean that there was too much.

0:21:05.720 --> 0:21:07.879
<v Speaker 5>And Buck understood, and he said, I want you to

0:21:08.000 --> 0:21:09.000
<v Speaker 5>I want you to make me more.

0:21:10.119 --> 0:21:11.400
<v Speaker 1>How many could you make in a day?

0:21:12.720 --> 0:21:12.840
<v Speaker 9>Here?

0:21:12.880 --> 0:21:16.960
<v Speaker 5>I asked that question, Seth, I don't know. It was

0:21:17.080 --> 0:21:18.760
<v Speaker 5>usually a night because I was working in the day

0:21:19.240 --> 0:21:21.359
<v Speaker 5>and i'd get home sometimes eleven o'clock at night. I

0:21:21.440 --> 0:21:23.560
<v Speaker 5>was in the restaurant business with my family, okay, And

0:21:23.640 --> 0:21:25.320
<v Speaker 5>so I might work two or three hours and I

0:21:25.400 --> 0:21:27.280
<v Speaker 5>might make six or ten.

0:21:28.119 --> 0:21:30.240
<v Speaker 1>It took a while. If I had the parts done.

0:21:30.359 --> 0:21:32.760
<v Speaker 9>Yeah, if I had the So would you go through

0:21:32.840 --> 0:21:34.840
<v Speaker 9>and make all the parts and then and then have

0:21:34.920 --> 0:21:36.800
<v Speaker 9>a night where you just went through and finished everything.

0:21:37.000 --> 0:21:40.080
<v Speaker 1>I ended up using double sided sticky tape rather than

0:21:40.119 --> 0:21:42.800
<v Speaker 1>a glue, and that worked pretty good. Oh. So that

0:21:42.880 --> 0:21:44.760
<v Speaker 1>would put it on one side of the frame, peel

0:21:44.800 --> 0:21:47.160
<v Speaker 1>it off, put the latex in place, and then seal

0:21:47.240 --> 0:21:49.879
<v Speaker 1>it did stick to it? Gotcha? Is it safe to

0:21:49.920 --> 0:21:52.840
<v Speaker 1>say that if you hadn't discovered making calls, you to

0:21:53.119 --> 0:21:55.000
<v Speaker 1>bend restaurant business for career?

0:21:55.280 --> 0:21:55.320
<v Speaker 4>No?

0:21:55.800 --> 0:21:57.440
<v Speaker 1>No, I didn't.

0:21:58.119 --> 0:22:00.000
<v Speaker 5>I didn't love the restaurant business. It was too confined.

0:22:00.000 --> 0:22:05.600
<v Speaker 5>I I just couldn't working twelve fourteen, sixteen hours a day,

0:22:05.760 --> 0:22:08.120
<v Speaker 5>six days a week most of the time, and part

0:22:08.160 --> 0:22:11.440
<v Speaker 5>of the seventh day. I just it just was, it

0:22:11.520 --> 0:22:12.200
<v Speaker 5>didn't work for me.

0:22:12.320 --> 0:22:13.440
<v Speaker 1>What was the family restaurant?

0:22:14.240 --> 0:22:17.000
<v Speaker 5>We had five of them, my grandfather, my daddy's daddy,

0:22:17.200 --> 0:22:19.840
<v Speaker 5>immigrated at eight years old from Greece in nineteen oh eight.

0:22:19.960 --> 0:22:20.879
<v Speaker 1>Came through New Orleans.

0:22:21.280 --> 0:22:25.000
<v Speaker 5>Of course, he was uneducated, didn't know anything, couldn't speak English,

0:22:25.080 --> 0:22:29.160
<v Speaker 5>and his mother. The Turks killed his daddy. His mother

0:22:29.520 --> 0:22:32.520
<v Speaker 5>lost their property to the Turks and brought them over

0:22:32.600 --> 0:22:35.720
<v Speaker 5>to the United States for a new life. New Orleans

0:22:35.880 --> 0:22:40.400
<v Speaker 5>restaurant business. All Greeks become restaurant tours, and he learned

0:22:40.440 --> 0:22:43.680
<v Speaker 5>how to bake and how to bust tables, and he

0:22:43.840 --> 0:22:47.640
<v Speaker 5>was very smart. He ended up building quite a quite

0:22:47.640 --> 0:22:48.040
<v Speaker 5>a business.

0:22:48.040 --> 0:22:51.000
<v Speaker 1>But he wasn't building Greek restaurants down there. Say he

0:22:51.160 --> 0:22:53.919
<v Speaker 1>wasn't making Greek restaurants, was he? It had all had

0:22:54.000 --> 0:22:57.960
<v Speaker 1>Greek flares, to Greek salides, steak houses, different, everything had

0:22:58.119 --> 0:23:00.680
<v Speaker 1>something very Greek oriented about it. Yeah.

0:23:01.440 --> 0:23:07.000
<v Speaker 5>Yeah, So I sold my interest in the company, owned

0:23:07.040 --> 0:23:10.080
<v Speaker 5>stock in the company. Family five restaurants, and there were

0:23:10.119 --> 0:23:11.160
<v Speaker 5>a huge Some of them were huge.

0:23:11.400 --> 0:23:14.040
<v Speaker 1>One of them was four hundred yards long, had thirteen

0:23:14.119 --> 0:23:15.120
<v Speaker 1>banquet rooms, had.

0:23:15.000 --> 0:23:19.080
<v Speaker 5>Two restaurants inside it. She she's absolutely huge. Three hundred

0:23:19.080 --> 0:23:20.560
<v Speaker 5>and fifty employees is huge.

0:23:21.480 --> 0:23:24.720
<v Speaker 1>Damn is huge. But I sold my stock back in

0:23:24.840 --> 0:23:28.280
<v Speaker 1>nineteen eighty eight and told Daddy that I can't do it,

0:23:28.960 --> 0:23:31.000
<v Speaker 1>and because you wanted to plow that money into your business.

0:23:32.200 --> 0:23:33.800
<v Speaker 1>I didn't have any money, but I wanted to put

0:23:33.840 --> 0:23:38.359
<v Speaker 1>my energy into business. At what point did you know

0:23:38.520 --> 0:23:41.720
<v Speaker 1>that you were just that you had established yourself and

0:23:41.760 --> 0:23:43.600
<v Speaker 1>you're gonna be making calls the rest of your life.

0:23:44.800 --> 0:23:47.280
<v Speaker 5>In nineteen ninety I had a million dollars in sales

0:23:47.520 --> 0:23:52.040
<v Speaker 5>and my CPA told me I made money.

0:23:52.520 --> 0:23:54.080
<v Speaker 1>I said, show it to me.

0:23:55.560 --> 0:23:59.680
<v Speaker 5>He said, it's an inventory and it's unreceivable. I said,

0:24:00.200 --> 0:24:03.600
<v Speaker 5>and now you owe this much in taxes. I went, well,

0:24:03.640 --> 0:24:05.360
<v Speaker 5>where does that come from? He said, I guess you'd

0:24:05.400 --> 0:24:06.280
<v Speaker 5>go borrow that too.

0:24:06.920 --> 0:24:09.560
<v Speaker 1>Oh, I gotcha. How many people did you have at

0:24:09.600 --> 0:24:10.399
<v Speaker 1>that point? Oh?

0:24:10.560 --> 0:24:12.480
<v Speaker 5>Probably eighteen or so.

0:24:14.200 --> 0:24:16.879
<v Speaker 1>Yeah. When I sell the company, we had right at

0:24:16.880 --> 0:24:20.840
<v Speaker 1>two hundred. Right shot, What year did you sell premost

0:24:20.880 --> 0:24:21.800
<v Speaker 1>game calls? Night?

0:24:22.040 --> 0:24:23.040
<v Speaker 5>Two thousand and.

0:24:24.520 --> 0:24:29.040
<v Speaker 1>Six. Johanni wants to ask you a question.

0:24:31.280 --> 0:24:32.160
<v Speaker 3>About voiceover.

0:24:32.359 --> 0:24:34.479
<v Speaker 6>Yeah, man, we were just we had a little content

0:24:34.520 --> 0:24:37.800
<v Speaker 6>summit with a bunch of our creators just earlier this week,

0:24:37.880 --> 0:24:41.920
<v Speaker 6>and we and Steve talked about his approach to voiceover,

0:24:42.400 --> 0:24:45.080
<v Speaker 6>and that was really a hallmark. I felt like of

0:24:45.200 --> 0:24:51.159
<v Speaker 6>the truth videos was your narration. Talk a little bit

0:24:51.160 --> 0:24:53.359
<v Speaker 6>about that, like why why Woul did that end up

0:24:53.400 --> 0:24:55.600
<v Speaker 6>being the way that you guys did those videos where

0:24:55.600 --> 0:24:58.239
<v Speaker 6>it seemed like you sort of recorded them, but there

0:24:58.320 --> 0:25:01.600
<v Speaker 6>wasn't really too much story on camera. It was really

0:25:01.800 --> 0:25:04.760
<v Speaker 6>your voice that then narrated and drove that story.

0:25:04.920 --> 0:25:08.240
<v Speaker 5>Well, it's really hard to keep the camera running twenty

0:25:08.400 --> 0:25:11.800
<v Speaker 5>four to seven, so to speak and capture every moment

0:25:11.920 --> 0:25:15.280
<v Speaker 5>and every word. And then back then when we were

0:25:15.359 --> 0:25:17.960
<v Speaker 5>doing it, we didn't have the audio capabilities we have now.

0:25:18.640 --> 0:25:22.399
<v Speaker 5>You didn't have the wireless mics, so the mic was

0:25:22.440 --> 0:25:25.000
<v Speaker 5>on the camera, so you had to tell the story

0:25:25.320 --> 0:25:28.400
<v Speaker 5>to bring the viewer into place somehow.

0:25:29.320 --> 0:25:30.440
<v Speaker 1>So what would they do?

0:25:30.640 --> 0:25:33.679
<v Speaker 5>They'd edited, the editors would edit it on Avid edit

0:25:34.040 --> 0:25:36.960
<v Speaker 5>systems the way they thought it out a beat, and

0:25:37.119 --> 0:25:40.680
<v Speaker 5>then they would write what they thought needed to be said.

0:25:41.800 --> 0:25:44.040
<v Speaker 5>And then they would bring me in and I would

0:25:44.119 --> 0:25:46.320
<v Speaker 5>watch it and look at their words and change it

0:25:46.880 --> 0:25:50.680
<v Speaker 5>to my lingo, to my words because I was I

0:25:50.800 --> 0:25:51.639
<v Speaker 5>became the voice.

0:25:52.119 --> 0:25:54.520
<v Speaker 1>Man. I didn't realize, but we we really just stole

0:25:54.640 --> 0:25:55.320
<v Speaker 1>will system.

0:25:55.480 --> 0:25:59.000
<v Speaker 3>Yeah, that's kind of how I feel.

0:25:59.040 --> 0:26:01.600
<v Speaker 1>We owe you some like we owe you some sort

0:26:01.600 --> 0:26:05.600
<v Speaker 1>of payment for having accidentally stole your methodology, you owe

0:26:05.680 --> 0:26:12.320
<v Speaker 1>me nothing you got. You remain like a very staunch

0:26:12.400 --> 0:26:14.800
<v Speaker 1>supporter of a bunch of conservation or I shouldn't say

0:26:14.840 --> 0:26:17.720
<v Speaker 1>a bunch, but I know you're heavily involved in conservation groups.

0:26:18.040 --> 0:26:20.000
<v Speaker 1>Who do you like to? I know you help out

0:26:20.080 --> 0:26:23.320
<v Speaker 1>NWTF a lot. Now who else do you get involved with?

0:26:24.160 --> 0:26:27.639
<v Speaker 5>Well, there's so many out there, but those that are

0:26:27.760 --> 0:26:32.480
<v Speaker 5>so connected to being able to double and triple the

0:26:32.640 --> 0:26:36.160
<v Speaker 5>money that they get through grants, those are the ones

0:26:36.240 --> 0:26:38.119
<v Speaker 5>that I'm right now most interested in.

0:26:38.400 --> 0:26:39.359
<v Speaker 1>Help me understand that.

0:26:40.040 --> 0:26:45.080
<v Speaker 5>So if you give Ducks unlimited one hundred thousand dollars,

0:26:45.200 --> 0:26:47.400
<v Speaker 5>there's a good chance they can turn that into three

0:26:47.520 --> 0:26:48.560
<v Speaker 5>or four or thousand dollars.

0:26:48.800 --> 0:26:49.800
<v Speaker 1>But I don't understand.

0:26:49.920 --> 0:26:53.600
<v Speaker 5>I mean they apply for grants through the federal government

0:26:53.680 --> 0:26:59.359
<v Speaker 5>typically to do matching campaigns, matching in dublin and tripling.

0:26:59.320 --> 0:27:06.159
<v Speaker 1>Okay, meaning if they're able to demonstrate citizen corporate sponsorship

0:27:07.280 --> 0:27:08.880
<v Speaker 1>that somehow can lead to more.

0:27:08.920 --> 0:27:12.040
<v Speaker 5>Yes, it can. So what I center in on, all

0:27:12.119 --> 0:27:17.280
<v Speaker 5>of my interest goes toward habitat protection and restoration.

0:27:17.440 --> 0:27:18.920
<v Speaker 1>So that's where you personally like to.

0:27:19.280 --> 0:27:22.200
<v Speaker 5>I personally try to put all of my enter into

0:27:22.240 --> 0:27:23.240
<v Speaker 5>the ground on the ground.

0:27:23.359 --> 0:27:24.639
<v Speaker 1>That's correct. Yeah, you know.

0:27:25.200 --> 0:27:31.760
<v Speaker 5>So I'm just now engineering a situation. I have got

0:27:31.960 --> 0:27:36.880
<v Speaker 5>a set of Party shotguns. Party is a London made

0:27:37.000 --> 0:27:39.280
<v Speaker 5>side by sys the p U r D Y right

0:27:39.440 --> 0:27:41.639
<v Speaker 5>p U r D E y d E y Okay

0:27:41.760 --> 0:27:45.960
<v Speaker 5>Party shotguns. And so I have the only consecutive set

0:27:46.280 --> 0:27:53.000
<v Speaker 5>serial numbered Party side by side hammer shotguns ever made four, ten, twenty,

0:27:53.040 --> 0:27:58.040
<v Speaker 5>sixteen and twelve. And so I've been collecting these for

0:27:58.119 --> 0:28:03.160
<v Speaker 5>about almost twenty years, and I reserved when I ordered

0:28:03.200 --> 0:28:03.760
<v Speaker 5>my first.

0:28:03.600 --> 0:28:05.119
<v Speaker 1>One, I reserved all the serial numbers.

0:28:06.359 --> 0:28:11.639
<v Speaker 5>And so the guns cost somewhere through my through my

0:28:11.760 --> 0:28:15.520
<v Speaker 5>years of buying them, somewhere around a million two and.

0:28:16.040 --> 0:28:19.720
<v Speaker 1>To accumulate the collection to get the collection.

0:28:20.240 --> 0:28:26.399
<v Speaker 5>And so I'm now giving those guns to conservation. And

0:28:26.800 --> 0:28:29.640
<v Speaker 5>the Congressional Sportsman's Foundation, which a lot of people don't

0:28:29.680 --> 0:28:33.480
<v Speaker 5>know about, is a fantastic organization that helps to protect

0:28:33.600 --> 0:28:36.800
<v Speaker 5>all of our hunting and fishing rights, habitat restoration, habitat

0:28:36.840 --> 0:28:41.000
<v Speaker 5>protection by state and federally. And they're out there fighting

0:28:41.480 --> 0:28:44.240
<v Speaker 5>making sure the states passed the right legislation, making sure

0:28:44.280 --> 0:28:47.760
<v Speaker 5>the federal government passes the right legislation, and so I

0:28:47.960 --> 0:28:53.200
<v Speaker 5>chose them to head this project up. And so Rock

0:28:53.280 --> 0:28:57.360
<v Speaker 5>Island is the great auctioneer of high end guns, and

0:28:57.440 --> 0:28:59.080
<v Speaker 5>they're going to auction off my guns.

0:28:59.440 --> 0:29:01.760
<v Speaker 1>Can I tell you that's how that punk gun out

0:29:01.760 --> 0:29:02.960
<v Speaker 1>there we bought from Rock Island?

0:29:03.080 --> 0:29:07.120
<v Speaker 5>Okay, Okay. So they're going to auction the guns off

0:29:07.640 --> 0:29:12.240
<v Speaker 5>and the money is going to be divided between certain

0:29:12.320 --> 0:29:17.120
<v Speaker 5>conservational organizations that protect or restore habitat.

0:29:17.480 --> 0:29:19.760
<v Speaker 1>Are you guys fixing the auction them as a block

0:29:19.840 --> 0:29:22.000
<v Speaker 1>to a single buyer because people don't want to break

0:29:22.040 --> 0:29:22.360
<v Speaker 1>them up?

0:29:22.440 --> 0:29:22.560
<v Speaker 10>Right?

0:29:22.760 --> 0:29:27.200
<v Speaker 1>That's I think that if you right now, we're about

0:29:27.240 --> 0:29:29.080
<v Speaker 1>to make that decision for sure, But more than likely

0:29:29.080 --> 0:29:31.040
<v Speaker 1>they're going to be sold as a set only, because

0:29:31.040 --> 0:29:33.120
<v Speaker 1>if you buy a single gun, the set's not worth

0:29:33.200 --> 0:29:34.400
<v Speaker 1>as much. What do you think it'll go for?

0:29:35.560 --> 0:29:37.280
<v Speaker 5>You know, it depends if you find the right guy

0:29:37.320 --> 0:29:40.000
<v Speaker 5>who realizes that anything over the appraised value.

0:29:40.360 --> 0:29:42.000
<v Speaker 1>And I'm not sure what they'll praise for. They could

0:29:42.040 --> 0:29:44.480
<v Speaker 1>have praised for a million, they could have praised for

0:29:45.120 --> 0:29:47.920
<v Speaker 1>a million and a half. I'm not sure. You can't.

0:29:48.120 --> 0:29:50.680
<v Speaker 5>You can't build them anymore. That the fourteen and twenty

0:29:50.720 --> 0:29:55.000
<v Speaker 5>eight will never be built again, So that person could

0:29:55.000 --> 0:29:56.640
<v Speaker 5>come in there and say, well, look, anything over and

0:29:56.680 --> 0:29:59.000
<v Speaker 5>above that I get to write off because all this

0:29:59.160 --> 0:30:03.160
<v Speaker 5>money is going to observation. So it might be two million,

0:30:03.240 --> 0:30:07.720
<v Speaker 5>five million, ten million. Maybe Stephen Ronnello will jump forward

0:30:07.800 --> 0:30:10.120
<v Speaker 5>and do something with all that money that's under his.

0:30:11.160 --> 0:30:12.840
<v Speaker 1>I don't know that he will.

0:30:14.200 --> 0:30:17.880
<v Speaker 5>So anyway, it's all about habitat, it's about responing. And

0:30:17.960 --> 0:30:21.440
<v Speaker 5>I love the grasslands. Just to think about the world

0:30:21.520 --> 0:30:23.800
<v Speaker 5>that I read about in your book, in the Buffalo,

0:30:24.680 --> 0:30:28.360
<v Speaker 5>your unbelievable book. I just couldn't put it down. But

0:30:28.720 --> 0:30:31.800
<v Speaker 5>the story of of all of that that was Buffalo

0:30:32.160 --> 0:30:34.360
<v Speaker 5>and the animals before him, and the grasslands and the

0:30:34.440 --> 0:30:37.560
<v Speaker 5>tall grass and the short grass, and the prairie chickens,

0:30:37.640 --> 0:30:40.480
<v Speaker 5>and they were they were thick like mosquitoes. And and

0:30:40.560 --> 0:30:42.480
<v Speaker 5>the fact that we've lost so much of that we've

0:30:42.640 --> 0:30:46.360
<v Speaker 5>got we got to keep that. That's that's the heartbeat

0:30:46.400 --> 0:30:47.400
<v Speaker 5>of the United States.

0:30:47.480 --> 0:30:48.720
<v Speaker 1>When's that action going to happen?

0:30:49.440 --> 0:30:49.520
<v Speaker 4>Uh?

0:30:49.760 --> 0:30:55.040
<v Speaker 1>Probably December of twenty five. You got to remind us

0:30:55.040 --> 0:30:57.640
<v Speaker 1>when you do it. Okay, I'd love to. Maybe we

0:30:57.680 --> 0:30:59.640
<v Speaker 1>can do a little thing where it follows along. Sure

0:31:00.080 --> 0:31:02.760
<v Speaker 1>that auction happens. It's like a pretty discreet period of time, right,

0:31:02.840 --> 0:31:05.520
<v Speaker 1>It's not like open forbidding for months or something.

0:31:05.880 --> 0:31:08.680
<v Speaker 5>Rock Island is the masters at that, and I'm not

0:31:08.800 --> 0:31:10.920
<v Speaker 5>going to run their show. They know exactly how they're

0:31:10.960 --> 0:31:11.880
<v Speaker 5>going to go about doing it.

0:31:12.000 --> 0:31:13.719
<v Speaker 1>Man, if you remember, let us know, it'd be fun

0:31:13.760 --> 0:31:16.000
<v Speaker 1>to do a little something about that. Yeah, have you

0:31:16.040 --> 0:31:17.000
<v Speaker 1>shot muscols guns?

0:31:17.320 --> 0:31:23.800
<v Speaker 5>Oh yeah, I've killed white tailed deer sixteen gage buckshot,

0:31:24.960 --> 0:31:30.840
<v Speaker 5>you know, rough growl, sharp tails. You know you name turkeys, ducks.

0:31:31.840 --> 0:31:32.600
<v Speaker 1>I've shot them all.

0:31:32.880 --> 0:31:35.520
<v Speaker 3>That's cool that you use them actually and put it

0:31:35.560 --> 0:31:36.160
<v Speaker 3>away Field.

0:31:36.320 --> 0:31:39.880
<v Speaker 5>I got a phone full of gorgeous pictures. You killed

0:31:39.960 --> 0:31:42.600
<v Speaker 5>merge quail in Arizona, and you put that male merge

0:31:42.680 --> 0:31:45.840
<v Speaker 5>right next to those hammers. The hammers have pretty dragons

0:31:45.840 --> 0:31:49.440
<v Speaker 5>on them. When the hammers fall, the dragon breeze fire.

0:31:52.240 --> 0:31:52.720
<v Speaker 5>It's cool.

0:31:53.040 --> 0:31:56.360
<v Speaker 1>So Corey, talk about your experience, how you know, will.

0:31:57.440 --> 0:32:00.560
<v Speaker 11>Well, let's see, I landed a job on a elk

0:32:00.600 --> 0:32:05.000
<v Speaker 11>cotton ranch north of town here back in twenty fourteen

0:32:06.120 --> 0:32:11.240
<v Speaker 11>and was offered to guide the next September, And growing

0:32:11.320 --> 0:32:16.080
<v Speaker 11>up always watched Primos The Truth, Big Bulls one through

0:32:16.560 --> 0:32:19.440
<v Speaker 11>fourteen or whatever we were at that year. And yeah,

0:32:19.440 --> 0:32:23.640
<v Speaker 11>I was offered to guide Will's friend that was coming along,

0:32:23.760 --> 0:32:26.240
<v Speaker 11>Mike ellig who used to own black gold archery sites.

0:32:26.280 --> 0:32:28.719
<v Speaker 11>So I got to guide Mike. I think we got

0:32:28.800 --> 0:32:30.440
<v Speaker 11>a nice bowl on day.

0:32:30.880 --> 0:32:32.000
<v Speaker 1>No, you don't take you know.

0:32:33.840 --> 0:32:36.000
<v Speaker 11>He scored three sixty three. He was an eight x ten.

0:32:38.040 --> 0:32:40.920
<v Speaker 1>I think I got one. It was a beautiful bowl.

0:32:41.040 --> 0:32:44.320
<v Speaker 11>But then your guide had to do something the next day,

0:32:44.320 --> 0:32:46.120
<v Speaker 11>and I was offered to take you out, which was

0:32:46.240 --> 0:32:48.400
<v Speaker 11>kind of a dream come true. Honestly, Oh man, we

0:32:48.440 --> 0:32:51.240
<v Speaker 11>had fun, we did. Yeah, I think we hunted that afternoon.

0:32:51.760 --> 0:32:53.800
<v Speaker 1>Was he whining and moaning the whole time, you know,

0:32:54.280 --> 0:32:55.600
<v Speaker 1>talking bad about old buddy.

0:32:57.200 --> 0:32:59.840
<v Speaker 11>We had a big bowl on a ridge above you,

0:33:00.560 --> 0:33:02.200
<v Speaker 11>and I tried backing up as far as I could

0:33:02.240 --> 0:33:04.880
<v Speaker 11>and tried calling him in, and the bowl had forty

0:33:04.920 --> 0:33:07.440
<v Speaker 11>fifty cows with him and never never would leave his cows.

0:33:08.080 --> 0:33:10.160
<v Speaker 11>And I remember after this, I think it was after

0:33:10.200 --> 0:33:11.960
<v Speaker 11>the sun went down. It just, you know, that didn't

0:33:11.960 --> 0:33:13.640
<v Speaker 11>work out. The planets didn't a line, as I like

0:33:13.720 --> 0:33:15.600
<v Speaker 11>to say. You came back to me and you said, no,

0:33:15.720 --> 0:33:18.760
<v Speaker 11>you should have done this instead, And you know, learn

0:33:18.800 --> 0:33:21.720
<v Speaker 11>from your mistakes, and definitely learned from those who have

0:33:21.760 --> 0:33:21.960
<v Speaker 11>done it.

0:33:22.040 --> 0:33:23.640
<v Speaker 1>You remember what I told you you should have done.

0:33:24.240 --> 0:33:26.640
<v Speaker 11>There's something with a bugle like you grabbed a bugle

0:33:26.680 --> 0:33:28.240
<v Speaker 11>from me. It was still around my neck, and you

0:33:28.320 --> 0:33:30.720
<v Speaker 11>said you should have wailed on it like this instead,

0:33:30.760 --> 0:33:32.840
<v Speaker 11>because I think I might've been being a little too

0:33:32.920 --> 0:33:34.320
<v Speaker 11>soft or something less aggressive.

0:33:36.120 --> 0:33:39.080
<v Speaker 1>Should I just just a frustration.

0:33:39.320 --> 0:33:41.040
<v Speaker 11>I mean we were both fired up still that it

0:33:41.440 --> 0:33:44.320
<v Speaker 11>didn't work out. Adrenaline was still rolling. And then I

0:33:44.400 --> 0:33:46.880
<v Speaker 11>remember we had a pretty solid hike back up to

0:33:46.960 --> 0:33:47.640
<v Speaker 11>the truck after that.

0:33:48.120 --> 0:33:50.640
<v Speaker 1>Yeah, and now's your day with will Primos.

0:33:50.200 --> 0:33:51.920
<v Speaker 11>Well, and then the next day we went out and

0:33:52.120 --> 0:33:54.280
<v Speaker 11>by eight thirty in the morning had a nice six

0:33:54.360 --> 0:33:54.840
<v Speaker 11>point down.

0:33:55.280 --> 0:33:57.600
<v Speaker 1>Oh really Yeah, so you guys got together. Yeah, yeah,

0:33:57.880 --> 0:33:59.320
<v Speaker 1>that was pretty cool. That's fun.

0:33:59.760 --> 0:34:01.960
<v Speaker 11>Mary and I got to do the calling. We backed

0:34:02.040 --> 0:34:02.479
<v Speaker 11>up about eight.

0:34:03.000 --> 0:34:06.800
<v Speaker 5>My wife is a really good elk caller, and one

0:34:06.840 --> 0:34:08.719
<v Speaker 5>time she called this elk up and my friend Brad

0:34:08.760 --> 0:34:10.359
<v Speaker 5>Fast killed it and I was one hundred and fifty

0:34:10.440 --> 0:34:12.799
<v Speaker 5>yards above and watching her. I'm going I just shut

0:34:12.880 --> 0:34:14.800
<v Speaker 5>up and let her do it. And she was throwing

0:34:14.920 --> 0:34:17.319
<v Speaker 5>rocks down the hill and doing all kind of make

0:34:17.360 --> 0:34:19.759
<v Speaker 5>it all kind of racket and then she get on

0:34:19.840 --> 0:34:26.319
<v Speaker 5>that dead, gumb that the open read hyperlip single, God

0:34:26.480 --> 0:34:29.080
<v Speaker 5>the heck is that? And that elk came in there

0:34:29.160 --> 0:34:32.239
<v Speaker 5>going crazy and Brad shoots him at ten yards. He

0:34:32.320 --> 0:34:34.480
<v Speaker 5>walks over and falls dead. And I walk up to

0:34:34.520 --> 0:34:38.239
<v Speaker 5>the mirror. I said, Mary, what did you say to him?

0:34:39.880 --> 0:34:43.360
<v Speaker 5>And she said, will I know what y'all are thinking?

0:34:49.000 --> 0:34:53.200
<v Speaker 1>You know, there's like this thing, like this little rule

0:34:53.239 --> 0:34:56.040
<v Speaker 1>for getting along with people socially. You don't talk about politics,

0:34:56.080 --> 0:34:59.160
<v Speaker 1>you don't talk about religion. You're pretty open about your

0:34:59.160 --> 0:34:59.879
<v Speaker 1>spiritual life.

0:35:00.080 --> 0:35:02.920
<v Speaker 5>Oh gosh, I love the Lord, I love I am.

0:35:03.480 --> 0:35:03.759
<v Speaker 1>I am.

0:35:04.040 --> 0:35:06.759
<v Speaker 5>I'm a believer in Jesus Christ. He is my in,

0:35:06.960 --> 0:35:08.160
<v Speaker 5>my rock, in my guide.

0:35:09.480 --> 0:35:11.200
<v Speaker 1>And there's just no way that wasn't going to be

0:35:11.280 --> 0:35:15.000
<v Speaker 1>part of your public persona, because I.

0:35:15.040 --> 0:35:17.880
<v Speaker 5>Mean, God knows, I know you. I mean, you know

0:35:17.960 --> 0:35:22.239
<v Speaker 5>what lightning is. You know, he knows I know better

0:35:23.040 --> 0:35:23.200
<v Speaker 5>you know.

0:35:23.719 --> 0:35:25.360
<v Speaker 1>But you lived by your walk.

0:35:25.160 --> 0:35:25.320
<v Speaker 10>You know.

0:35:25.480 --> 0:35:28.839
<v Speaker 5>And not everybody you meet as a Christian or wants

0:35:28.920 --> 0:35:30.920
<v Speaker 5>to be or is in climb. That's that's fine, that's

0:35:31.000 --> 0:35:33.279
<v Speaker 5>their choice, That's what God gave us, his choice. But

0:35:33.719 --> 0:35:37.680
<v Speaker 5>I'm good, you know, yeah, never never any hesitation, none?

0:35:37.880 --> 0:35:42.279
<v Speaker 1>Yeah? Yeah, what what year was the first truth, well,

0:35:42.440 --> 0:35:43.160
<v Speaker 1>the first truth that.

0:35:46.239 --> 0:35:47.760
<v Speaker 5>Six eighty seventh.

0:35:47.800 --> 0:35:49.719
<v Speaker 9>And when when you guys decided to make that, was

0:35:49.760 --> 0:35:52.759
<v Speaker 9>it like we're going to see what happens.

0:35:52.520 --> 0:35:56.000
<v Speaker 5>Or was this in just no, let's see what happens.

0:35:56.280 --> 0:35:59.200
<v Speaker 5>We don't know what we're doing. Yeah, the equipment wasn't good.

0:35:59.280 --> 0:36:00.919
<v Speaker 5>We had a back you had a real to reel.

0:36:01.320 --> 0:36:03.080
<v Speaker 5>You had to set the thing down on the ground

0:36:03.160 --> 0:36:06.000
<v Speaker 5>and get it going out a wire, and had a camera.

0:36:06.120 --> 0:36:10.000
<v Speaker 5>The stuff wasn't in the camera, it was on another backpack.

0:36:10.560 --> 0:36:13.000
<v Speaker 5>He weighed about eighty five pounds to carry all the equipment,

0:36:13.040 --> 0:36:14.759
<v Speaker 5>and you had to get to the where you were

0:36:14.800 --> 0:36:16.680
<v Speaker 5>going to go and set it down and get ready

0:36:16.719 --> 0:36:17.719
<v Speaker 5>and hope the turkey was.

0:36:17.680 --> 0:36:18.839
<v Speaker 1>Still around by the time.

0:36:21.160 --> 0:36:22.279
<v Speaker 5>And then climbing a tree.

0:36:22.840 --> 0:36:25.359
<v Speaker 3>You know, we always just for Why did you guys

0:36:25.440 --> 0:36:27.080
<v Speaker 3>hire like professional camera guys.

0:36:27.160 --> 0:36:29.160
<v Speaker 5>Oh no, no, no, no, no no, we hired hunters.

0:36:29.719 --> 0:36:32.719
<v Speaker 5>You've got to have a hunter behind that. He's got

0:36:32.800 --> 0:36:35.080
<v Speaker 5>to tell that story through that lens, and only a

0:36:35.200 --> 0:36:35.920
<v Speaker 5>hunter can do that.

0:36:39.640 --> 0:36:42.520
<v Speaker 1>Music to sess ears, Yeah, listen, man, this is like

0:36:43.360 --> 0:36:45.720
<v Speaker 1>you're you're touching on the thing that we've that Jannis

0:36:45.760 --> 0:36:47.880
<v Speaker 1>and I have spent an incredible amount of time discussing

0:36:49.320 --> 0:36:52.279
<v Speaker 1>is and this is a real riddle. I appreciate that

0:36:52.320 --> 0:36:53.960
<v Speaker 1>you feel like you got the code cracked, but I

0:36:54.000 --> 0:36:56.120
<v Speaker 1>don't know. I think that this is whype be one

0:36:56.160 --> 0:36:58.840
<v Speaker 1>of those areas where you and I don't necessarily align.

0:36:59.040 --> 0:37:05.680
<v Speaker 5>Okay, you're wrong and not right, but that's okay. You

0:37:05.800 --> 0:37:09.000
<v Speaker 5>can teach a hunter to be a cameraman, but you

0:37:09.200 --> 0:37:17.520
<v Speaker 5>cannot teach a cameraman to be a hunters necessary.

0:37:17.680 --> 0:37:19.400
<v Speaker 1>That has not necessarily been my finding.

0:37:19.600 --> 0:37:22.640
<v Speaker 5>Okay, uh.

0:37:23.680 --> 0:37:27.080
<v Speaker 1>In the we agree on this, in the best case scenario,

0:37:28.760 --> 0:37:30.960
<v Speaker 1>you have In the best case scenario, you have a

0:37:31.120 --> 0:37:36.480
<v Speaker 1>lifelong cameraman who's a lifelong hunter and observer of wildlife.

0:37:36.680 --> 0:37:40.640
<v Speaker 1>Everyone would agree. Everyone would agree that's the best case scenario.

0:37:46.239 --> 0:37:51.120
<v Speaker 1>I have found examples of both. There are really good cameramen,

0:37:51.280 --> 0:37:52.839
<v Speaker 1>like the kind of camera and you'd want to call

0:37:52.920 --> 0:37:57.879
<v Speaker 1>like a cinematographer okay, right, who never can get used

0:37:57.920 --> 0:38:00.840
<v Speaker 1>to animals. They don't know how to behave around animals.

0:38:00.840 --> 0:38:03.239
<v Speaker 1>They can't get used to animals. But there are some

0:38:03.840 --> 0:38:06.759
<v Speaker 1>there are some individuals out there that I've worked with

0:38:06.880 --> 0:38:08.120
<v Speaker 1>over the years, and I don't want to and I

0:38:08.200 --> 0:38:11.439
<v Speaker 1>gotta say this because if they they probably won't listen

0:38:11.480 --> 0:38:17.359
<v Speaker 1>to this. But in case they do. Rick Smith, Chris Gill,

0:38:18.560 --> 0:38:24.319
<v Speaker 1>No Fallon Gartt Garrett, Gary Smith grew up on Yeah yeah,

0:38:24.560 --> 0:38:30.240
<v Speaker 1>but not like not like we did. These are some examples.

0:38:30.800 --> 0:38:34.000
<v Speaker 1>These are outliers. Perhaps these are examples of people who

0:38:35.000 --> 0:38:40.240
<v Speaker 1>came to their world of cinematography being a DP, director

0:38:40.280 --> 0:38:43.879
<v Speaker 1>of photography, camera guy whatever. They came to it from

0:38:44.040 --> 0:38:48.360
<v Speaker 1>a world of appreciation for like appreciation for the arts,

0:38:48.440 --> 0:38:53.200
<v Speaker 1>being very schooled and cinema history, getting formally educated in

0:38:53.840 --> 0:38:56.440
<v Speaker 1>camera work and like majoring and that stuff in college,

0:38:57.080 --> 0:39:01.600
<v Speaker 1>and after a short time in the field, got it okay.

0:39:02.160 --> 0:39:07.839
<v Speaker 1>Like when you say, if I go, don't move, these

0:39:07.880 --> 0:39:13.320
<v Speaker 1>guys don't move, okay, ma'am. They at least understand. I

0:39:13.440 --> 0:39:15.960
<v Speaker 1>have had to sit with I've this is something I've

0:39:16.000 --> 0:39:17.879
<v Speaker 1>literally done. I've literally say out with the camera guy

0:39:18.120 --> 0:39:20.839
<v Speaker 1>before Turkey Hunt, and I want to go like, I'm

0:39:20.920 --> 0:39:23.640
<v Speaker 1>gonna show you. I'm gonna sit here and I'm gonna

0:39:23.680 --> 0:39:30.160
<v Speaker 1>show you what not moving looks like, because apparently apparently

0:39:30.480 --> 0:39:34.600
<v Speaker 1>there's different understandings of what not moving looks like. And

0:39:34.719 --> 0:39:39.759
<v Speaker 1>I'd be like, this is not moving, that's not moving.

0:39:41.440 --> 0:39:49.640
<v Speaker 1>You think not moving is this? I get it. Not

0:39:49.880 --> 0:39:53.879
<v Speaker 1>moving is right and it can be learned, And I think,

0:39:54.239 --> 0:39:56.520
<v Speaker 1>but what. At the same time, you could grow up

0:39:56.560 --> 0:39:59.200
<v Speaker 1>being a great hunter like okay or just let I

0:39:59.200 --> 0:40:00.600
<v Speaker 1>don't want to say great, you grew up being an

0:40:00.600 --> 0:40:03.120
<v Speaker 1>avid hunter. I want to be able to roll myself

0:40:03.160 --> 0:40:04.960
<v Speaker 1>into this without claiming to be a great hunter. You

0:40:05.040 --> 0:40:08.120
<v Speaker 1>grew up being an avid hunter. I still, this is

0:40:08.200 --> 0:40:11.160
<v Speaker 1>not a joke. I would not know how to turn

0:40:11.280 --> 0:40:14.719
<v Speaker 1>this camera on. I honestly wouldn't know how to turn

0:40:14.760 --> 0:40:18.000
<v Speaker 1>it on. I probably wouldn't either. No, I've done it,

0:40:18.120 --> 0:40:20.719
<v Speaker 1>but I probably wouldn't know. I took when I was

0:40:20.760 --> 0:40:25.040
<v Speaker 1>in regular college. I took black and white photography one,

0:40:26.239 --> 0:40:31.839
<v Speaker 1>black and white photography two and struggled. I know how

0:40:31.920 --> 0:40:34.600
<v Speaker 1>to wield the English language. I do not know how

0:40:34.640 --> 0:40:37.360
<v Speaker 1>to work with images, right, So.

0:40:41.080 --> 0:40:44.600
<v Speaker 5>We answer to all that. Bottom line, we had a trademark.

0:40:45.160 --> 0:40:49.600
<v Speaker 5>This ain't Hollywood, so we're not trying to win a

0:40:49.680 --> 0:40:53.520
<v Speaker 5>cinematography award. We're trying to share with the public what happens.

0:40:53.560 --> 0:40:56.320
<v Speaker 5>And the problem you have with people who aren't hunters

0:40:56.400 --> 0:41:00.719
<v Speaker 5>is they can't anticipate yes, and if they can't, they're

0:41:00.760 --> 0:41:03.040
<v Speaker 5>gonna miss something that really needed to be seen by

0:41:03.080 --> 0:41:03.480
<v Speaker 5>the viewer.

0:41:04.080 --> 0:41:08.000
<v Speaker 1>But Okay, it's good. We're good. No, we're good. But

0:41:08.280 --> 0:41:10.440
<v Speaker 1>but I don't want to I don't want you to

0:41:10.560 --> 0:41:13.440
<v Speaker 1>think by me using the term cinematography, I don't want

0:41:13.520 --> 0:41:15.120
<v Speaker 1>you to think that I'm talking about people who are

0:41:15.160 --> 0:41:19.120
<v Speaker 1>trying to arts stuff up. If you talk to these guys,

0:41:20.040 --> 0:41:23.520
<v Speaker 1>they don't talk about they're not like, oh, it's not beautiful.

0:41:23.600 --> 0:41:28.000
<v Speaker 1>It's not that they talk about coverage. Right, Like you

0:41:28.120 --> 0:41:32.239
<v Speaker 1>could be trained in photography, trained as a camera guy, whatever,

0:41:32.680 --> 0:41:37.160
<v Speaker 1>that that doesn't mean that you're like focused on that.

0:41:37.239 --> 0:41:39.080
<v Speaker 1>You're focused on that. You think you're gonna set everything

0:41:39.120 --> 0:41:41.879
<v Speaker 1>up with the setting sun and the fog and right,

0:41:42.440 --> 0:41:49.040
<v Speaker 1>it's like coverage, did you get coverage? Meaning? Uh, can

0:41:49.120 --> 0:41:51.800
<v Speaker 1>you fill the scene out? Right? And they have a

0:41:52.800 --> 0:41:56.080
<v Speaker 1>people like these guys at the right training and right experience,

0:41:56.600 --> 0:42:00.600
<v Speaker 1>they understand they can picture. You're to get out of

0:42:00.640 --> 0:42:05.240
<v Speaker 1>your truck. You're gonna walk in the dark, You're gonna

0:42:05.320 --> 0:42:09.600
<v Speaker 1>kind of arrive at a place. You're gonna hear a gobble, right,

0:42:09.960 --> 0:42:12.359
<v Speaker 1>You're gonna find where to set up. You're gonna get

0:42:12.440 --> 0:42:14.759
<v Speaker 1>set up. You're gonna not like it. You're gonna get

0:42:14.800 --> 0:42:17.799
<v Speaker 1>set up again, you're gonna get your stuff out, you're

0:42:17.840 --> 0:42:22.000
<v Speaker 1>gonna write, and every little single part of that, they

0:42:22.120 --> 0:42:25.000
<v Speaker 1>got a part of it. When you're watching something that's

0:42:25.160 --> 0:42:29.520
<v Speaker 1>that's not great, maybe you got like the lights coming

0:42:29.560 --> 0:42:31.200
<v Speaker 1>on when you open the truck door and the next

0:42:31.239 --> 0:42:33.800
<v Speaker 1>thing there's a guy sitting on a tree. You missed

0:42:33.800 --> 0:42:37.440
<v Speaker 1>a bunch, Yeah, because you didn't get coverage and that

0:42:38.320 --> 0:42:41.759
<v Speaker 1>knowledge of coverage. I just don't want to be hacking on.

0:42:41.880 --> 0:42:43.680
<v Speaker 1>I don't want to be hacking on. I get it,

0:42:43.840 --> 0:42:45.680
<v Speaker 1>I get it. I once was listening to an interview

0:42:45.760 --> 0:42:49.400
<v Speaker 1>with Ralph Stanley, the bluegrass musician. He won't play with

0:42:49.480 --> 0:42:53.759
<v Speaker 1>college kids. He says, college kids don't understand blue grass.

0:42:53.800 --> 0:42:55.680
<v Speaker 1>You don't want to play with college kids, or something

0:42:55.719 --> 0:42:58.320
<v Speaker 1>to that effect. And I'm like, you know, that's funny

0:42:58.400 --> 0:43:00.720
<v Speaker 1>hacking on college kids. But there's a pretty good college

0:43:00.800 --> 0:43:01.879
<v Speaker 1>kid camera guys out there.

0:43:01.920 --> 0:43:03.200
<v Speaker 5>Oh yeah, yeah, I get you.

0:43:03.640 --> 0:43:03.839
<v Speaker 1>Yeah.

0:43:04.200 --> 0:43:06.600
<v Speaker 3>I do agree with anticipation.

0:43:07.520 --> 0:43:10.360
<v Speaker 9>Like I filmed with Steve a bunch in the field,

0:43:10.400 --> 0:43:12.839
<v Speaker 9>and I'm like to the point now where I can

0:43:14.239 --> 0:43:18.440
<v Speaker 9>something changes with him where I'm like, okay, like I

0:43:18.560 --> 0:43:20.839
<v Speaker 9>need to get ready to get some sort of shot here,

0:43:21.600 --> 0:43:21.759
<v Speaker 9>you know.

0:43:22.200 --> 0:43:24.480
<v Speaker 1>Yeah. Well there's also a part he didn't mention is

0:43:24.520 --> 0:43:26.040
<v Speaker 1>that I have to look at him to see if

0:43:26.080 --> 0:43:31.480
<v Speaker 1>that was actually a gobble. Yeah. So Bratt Brad Ferrish

0:43:31.600 --> 0:43:34.680
<v Speaker 1>was the was the master at being able to anticipate

0:43:34.760 --> 0:43:39.400
<v Speaker 1>it and get over the shoulder stuff. Yeah, absolutely magical.

0:43:39.680 --> 0:43:43.120
<v Speaker 1>But I like you. I like your word choice anticipate. Yeah.

0:43:43.520 --> 0:43:46.799
<v Speaker 5>But one time the Outdoor Channel, we were the rated

0:43:46.880 --> 0:43:49.239
<v Speaker 5>number one on the Outdoor Channel, and they came to

0:43:49.280 --> 0:43:51.960
<v Speaker 5>see us. They came all the entourage, about four of them,

0:43:52.040 --> 0:43:54.439
<v Speaker 5>came to our office and sat down and said, Okay,

0:43:54.520 --> 0:43:57.359
<v Speaker 5>y'all have got to change some things. Let's look at

0:43:57.400 --> 0:44:00.359
<v Speaker 5>this footage. Look at so that right here. You've got

0:44:00.480 --> 0:44:04.560
<v Speaker 5>to change that airplane has no business being in your footage.

0:44:04.600 --> 0:44:05.960
<v Speaker 1>Here. What airplane?

0:44:06.360 --> 0:44:07.080
<v Speaker 5>This airplane flew?

0:44:07.120 --> 0:44:09.200
<v Speaker 1>Oh, just some random airplane. Yeah, okay.

0:44:09.360 --> 0:44:12.440
<v Speaker 5>And the gobbler was goblin and got shot while the

0:44:12.480 --> 0:44:16.840
<v Speaker 5>airplane was and then we looked at him and go

0:44:18.719 --> 0:44:21.840
<v Speaker 5>just reshoot it and get some other ambient sound and

0:44:22.160 --> 0:44:23.120
<v Speaker 5>edit the airplane out.

0:44:24.800 --> 0:44:25.240
<v Speaker 1>Okay.

0:44:25.920 --> 0:44:27.799
<v Speaker 5>And look, I don't think we're gonna be number one

0:44:27.880 --> 0:44:32.440
<v Speaker 5>much longer. We're gonna keep doing what we do. Because

0:44:32.440 --> 0:44:34.640
<v Speaker 5>of the feedback we get from the public that says,

0:44:34.760 --> 0:44:38.240
<v Speaker 5>thank you, thank you for not reenacting scenes.

0:44:38.640 --> 0:44:39.239
<v Speaker 1>Gotcha, you know.

0:44:39.560 --> 0:44:43.160
<v Speaker 5>And the first time I saw a guy killing elk

0:44:43.280 --> 0:44:48.400
<v Speaker 5>on video that was reenacted, he walked up with the

0:44:48.520 --> 0:44:51.040
<v Speaker 5>camera here the elk in the middle, and the guy

0:44:51.160 --> 0:44:52.520
<v Speaker 5>walking up and finding the elk.

0:44:53.760 --> 0:44:57.680
<v Speaker 1>You didn't like. That's bs. They all knew it was there.

0:44:57.719 --> 0:44:59.719
<v Speaker 1>It wasn't original. We won't. You don't do that.

0:45:00.000 --> 0:45:02.880
<v Speaker 5>You get behind the guy and you you get what

0:45:03.000 --> 0:45:03.399
<v Speaker 5>you get.

0:45:03.760 --> 0:45:07.800
<v Speaker 1>Yep. You fill it up with what really happened, and

0:45:07.920 --> 0:45:10.960
<v Speaker 1>if you fall down, you show it and you get

0:45:11.000 --> 0:45:14.120
<v Speaker 1>to laugh, which I've done, which we are going down

0:45:14.200 --> 0:45:17.000
<v Speaker 1>a steep invitment and end up with your.

0:45:18.400 --> 0:45:20.600
<v Speaker 5>Self in the water and all messed up, and you

0:45:20.680 --> 0:45:21.719
<v Speaker 5>know you show it.

0:45:22.160 --> 0:45:24.839
<v Speaker 1>Fine? Yeah, Hey, what do you think makes a good hunter?

0:45:25.760 --> 0:45:26.719
<v Speaker 5>What makes a good hunter?

0:45:26.840 --> 0:45:28.759
<v Speaker 1>Yeah, nothing to do with camera guys. But what do

0:45:28.800 --> 0:45:30.440
<v Speaker 1>you think makes a good hunter? Oh?

0:45:30.600 --> 0:45:34.600
<v Speaker 5>Somebody that realizes what patience is and giving things time

0:45:34.719 --> 0:45:36.080
<v Speaker 5>to happen, not trying to force it.

0:45:36.719 --> 0:45:41.160
<v Speaker 1>Yeah, yeah, you do? You do? You subscribe to that

0:45:41.320 --> 0:45:45.160
<v Speaker 1>Turkey hunting philosophy. If you think you ought to do something, don't.

0:45:46.800 --> 0:45:48.560
<v Speaker 5>That that's that's fifty percent of the time.

0:45:48.640 --> 0:45:53.960
<v Speaker 1>That's what time you do do it. Yeah, you do

0:45:54.040 --> 0:45:58.279
<v Speaker 1>it anyway, but you like the idea that you should

0:45:58.280 --> 0:46:02.399
<v Speaker 1>at least double quite yes, question the impulse, Yes, sir.

0:46:04.920 --> 0:46:08.200
<v Speaker 1>What's your favorite thing? You know is Turkey's your favorite?

0:46:08.200 --> 0:46:09.960
<v Speaker 1>I always think of you as that. I imagine you'd be.

0:46:10.239 --> 0:46:11.680
<v Speaker 1>You like turkeys. Turkeys and elk.

0:46:11.920 --> 0:46:13.759
<v Speaker 5>I'm glad they don't come at the same time of year.

0:46:14.440 --> 0:46:17.120
<v Speaker 5>But in this stage of my life upland hunting. That's

0:46:17.160 --> 0:46:20.880
<v Speaker 5>what got me into the shooting of sporting clays, and uh,

0:46:21.040 --> 0:46:23.920
<v Speaker 5>I wanted to get better at shooting upland birds. There

0:46:24.160 --> 0:46:28.160
<v Speaker 5>were certain crossers that I would not shoot will primos,

0:46:28.600 --> 0:46:32.000
<v Speaker 5>if that dove or that duck was coming left to

0:46:32.120 --> 0:46:34.239
<v Speaker 5>right because the way the winds we had to set

0:46:34.320 --> 0:46:35.960
<v Speaker 5>up and the way the wind was on the on

0:46:36.080 --> 0:46:38.640
<v Speaker 5>the blind or whatever. I learned not to shoot at him.

0:46:38.719 --> 0:46:40.759
<v Speaker 1>I want to go hit him. Yeah, well, what the

0:46:40.800 --> 0:46:41.760
<v Speaker 1>hell you still shoot?

0:46:42.400 --> 0:46:44.839
<v Speaker 5>You know, I mean, thirty forty fifty you just set

0:46:44.920 --> 0:46:47.719
<v Speaker 5>the shot out. I mean, I just, I just I

0:46:47.800 --> 0:46:49.400
<v Speaker 5>just wanted to go shoot at him. Would I want't

0:46:49.400 --> 0:46:49.880
<v Speaker 5>gonna hit him?

0:46:50.480 --> 0:46:53.800
<v Speaker 1>And so I would. I started shooting for the Claye

0:46:53.800 --> 0:46:55.960
<v Speaker 1>because I wanted to go to these people who knew

0:46:56.120 --> 0:46:59.080
<v Speaker 1>how to shoot this stuff and teach me this is good?

0:46:59.160 --> 0:47:01.799
<v Speaker 1>Can we the it's a good chance to talk about sure,

0:47:02.040 --> 0:47:04.840
<v Speaker 1>so kind of the reason I've always wanted to have

0:47:04.960 --> 0:47:07.239
<v Speaker 1>you on, and we've talked about having you on over

0:47:07.239 --> 0:47:10.680
<v Speaker 1>the years for various things. But what allowed it to happen? Now?

0:47:10.960 --> 0:47:12.800
<v Speaker 1>What the reason you're sitting here is you sent me

0:47:12.840 --> 0:47:18.439
<v Speaker 1>an email about a book you worked on. I'm sorry,

0:47:18.560 --> 0:47:22.160
<v Speaker 1>I'm not can you pronounce your your partners, your your

0:47:22.200 --> 0:47:22.759
<v Speaker 1>buddy's name?

0:47:22.840 --> 0:47:23.759
<v Speaker 5>Anthony Matisse.

0:47:24.040 --> 0:47:27.440
<v Speaker 1>Matteris so Will sent me an email about a book

0:47:27.480 --> 0:47:31.800
<v Speaker 1>he's got that's available now, Straight Shooting for Hunters, a

0:47:31.960 --> 0:47:35.640
<v Speaker 1>champions guide to using shotguns in the field. And it's

0:47:35.719 --> 0:47:40.120
<v Speaker 1>by Will and Anthony Mattie. And the significance of that

0:47:40.320 --> 0:47:45.040
<v Speaker 1>is here we have a lifelong hunter who knows the

0:47:45.160 --> 0:47:47.719
<v Speaker 1>challenges of being in the field, knows the challenges of

0:47:47.800 --> 0:47:49.880
<v Speaker 1>making real shots in the field on stuff that you

0:47:50.000 --> 0:47:53.759
<v Speaker 1>got to not just nick but kill. And Anthony is

0:47:53.840 --> 0:47:55.680
<v Speaker 1>a competitive.

0:47:55.360 --> 0:47:59.440
<v Speaker 5>Shooter and a hardcore hunter also hard lives to duck hunt.

0:47:59.520 --> 0:48:03.600
<v Speaker 1>Okay, so Will. The premise of the book is to

0:48:03.719 --> 0:48:10.800
<v Speaker 1>take technical shooting expertise and the dos and don'ts of

0:48:11.680 --> 0:48:15.000
<v Speaker 1>shooting and apply it in real world scenarios so that

0:48:15.080 --> 0:48:17.640
<v Speaker 1>when you sit there like you're saying, and the wind's

0:48:17.640 --> 0:48:19.959
<v Speaker 1>blowing left to right and the bird's coming right to left,

0:48:20.320 --> 0:48:21.760
<v Speaker 1>that doesn't mean that you've got to not shoot.

0:48:21.800 --> 0:48:25.040
<v Speaker 5>Yeah, the nuances of the game of sporting clays is incredible.

0:48:25.239 --> 0:48:27.960
<v Speaker 5>And by sporting clayes, I mean shooting stuff that's flying

0:48:28.000 --> 0:48:33.000
<v Speaker 5>through the air. Okay, for instance, I'm behind a setter,

0:48:33.080 --> 0:48:37.760
<v Speaker 5>a pointer Germany short air their own point, and I'm moving.

0:48:37.600 --> 0:48:39.200
<v Speaker 1>Up to the side of the dogs.

0:48:39.239 --> 0:48:41.839
<v Speaker 5>The dogs got a view of me where you hold

0:48:41.880 --> 0:48:44.040
<v Speaker 5>that gun, where that gun starts from, because you're going

0:48:44.120 --> 0:48:45.600
<v Speaker 5>to be low gun, You're going to have to mount

0:48:45.640 --> 0:48:46.160
<v Speaker 5>that gun.

0:48:46.000 --> 0:48:47.200
<v Speaker 1>And then where your eyes are.

0:48:47.760 --> 0:48:52.400
<v Speaker 5>Your eyes can come back to focus one hundred thousand

0:48:52.520 --> 0:48:54.200
<v Speaker 5>I forget what the exact number is, but let's just

0:48:54.280 --> 0:48:57.160
<v Speaker 5>use one hundred thousand times faster than your eyes can.

0:48:57.120 --> 0:49:00.719
<v Speaker 1>Go out to focus. Keep back up and say that

0:49:00.800 --> 0:49:03.640
<v Speaker 1>again your brought us up there. I'm on a thing.

0:49:03.880 --> 0:49:06.040
<v Speaker 1>I'm on a kicking life where when someone tells me

0:49:06.120 --> 0:49:09.680
<v Speaker 1>something I don't understand, instead of going Huh, that's great,

0:49:09.840 --> 0:49:12.640
<v Speaker 1>I go like, no, I don't understand so and that

0:49:12.680 --> 0:49:14.440
<v Speaker 1>doesn't mean they need to re explain it, okay, so

0:49:15.000 --> 0:49:16.640
<v Speaker 1>it allows room for explanation.

0:49:17.560 --> 0:49:20.239
<v Speaker 5>Quail or right here at this door, which is approximate,

0:49:20.280 --> 0:49:23.120
<v Speaker 5>and lay ten feet away from me, and that dog's

0:49:23.200 --> 0:49:23.960
<v Speaker 5>pointing right there.

0:49:24.200 --> 0:49:26.520
<v Speaker 1>Well, rather than look right there, I want to look

0:49:27.040 --> 0:49:31.000
<v Speaker 1>over and beyond at about fifty yards in soft focus,

0:49:32.040 --> 0:49:34.720
<v Speaker 1>so you know, like you know the birds there because

0:49:34.719 --> 0:49:36.840
<v Speaker 1>the dog's telling you. And instead of staring at the

0:49:36.960 --> 0:49:38.160
<v Speaker 1>brush like you see it.

0:49:38.280 --> 0:49:40.279
<v Speaker 5>Here, So the quail could be here here, here, here,

0:49:40.320 --> 0:49:42.560
<v Speaker 5>it could be anywhere, because the dog's got the scent

0:49:43.320 --> 0:49:45.239
<v Speaker 5>and you don't know if that they've run off and

0:49:45.520 --> 0:49:47.640
<v Speaker 5>stopped again or what. You don't know exactly where they are,

0:49:47.719 --> 0:49:50.719
<v Speaker 5>but you know about So don't try to look and

0:49:50.800 --> 0:49:52.719
<v Speaker 5>see the quail and see where where they're going to

0:49:52.800 --> 0:49:56.359
<v Speaker 5>come from. Look over them and beyond them, say fifty yards.

0:49:56.560 --> 0:49:57.960
<v Speaker 1>Well, if you're look at how you're ever going to

0:49:58.040 --> 0:50:02.200
<v Speaker 1>just hold them right out of the bushes, all right, smarty,

0:50:03.480 --> 0:50:07.760
<v Speaker 1>So your eyes come back to focus so much faster

0:50:08.040 --> 0:50:09.200
<v Speaker 1>than out to focus.

0:50:09.719 --> 0:50:12.640
<v Speaker 5>So if I'm looking and solve focus and the quail rise,

0:50:12.760 --> 0:50:15.160
<v Speaker 5>my eyes come back and see the flash. My eyes

0:50:15.200 --> 0:50:18.799
<v Speaker 5>come back and grab the flash. Now, I don't look

0:50:18.840 --> 0:50:21.640
<v Speaker 5>at the quail. I look at his beak, I look

0:50:21.719 --> 0:50:24.359
<v Speaker 5>at his head. I look at you can. Some guys

0:50:24.400 --> 0:50:26.359
<v Speaker 5>are really good at being able to shoot only male

0:50:26.440 --> 0:50:29.879
<v Speaker 5>bob whites rather than just fifty fifty it because they're

0:50:29.960 --> 0:50:33.200
<v Speaker 5>looking that intensely and they pick out that bird. And

0:50:33.400 --> 0:50:38.120
<v Speaker 5>then your hands. Your eyes tell your brain where your

0:50:38.239 --> 0:50:43.000
<v Speaker 5>hands go. It's no different than baseball. You don't look

0:50:43.920 --> 0:50:47.239
<v Speaker 5>at the bat. You look at the ball, and that's

0:50:47.320 --> 0:50:50.040
<v Speaker 5>all you look at when you're throwing a football.

0:50:50.400 --> 0:50:51.480
<v Speaker 1>Yeah, that's a good point, man.

0:50:51.600 --> 0:50:54.320
<v Speaker 5>Yeah, when you're throwing a football and the guy's running,

0:50:54.719 --> 0:50:57.840
<v Speaker 5>you're not looking at the ball. You're looking at the runner,

0:50:57.920 --> 0:51:00.680
<v Speaker 5>and you're deciding how fast you gotta throw, how far

0:51:00.840 --> 0:51:03.000
<v Speaker 5>you've got to throw it, at what angle you've got

0:51:03.080 --> 0:51:05.600
<v Speaker 5>to throw it so it will drop into the receiver's hands.

0:51:05.920 --> 0:51:09.560
<v Speaker 5>Your brain calculates all that, and through repetition in practice,

0:51:09.640 --> 0:51:12.239
<v Speaker 5>which is what sportingclays gives you, you learn to be

0:51:12.320 --> 0:51:16.759
<v Speaker 5>able to execute that subconsciously. And so you become subconscious

0:51:16.920 --> 0:51:18.719
<v Speaker 5>when that quail is down there, your eyes look out

0:51:18.760 --> 0:51:21.439
<v Speaker 5>that you're ready, and you move and shoot and you're

0:51:21.600 --> 0:51:25.560
<v Speaker 5>much more effective. And there's different techniques. Let's just say

0:51:25.560 --> 0:51:29.279
<v Speaker 5>it's dove hunting or duck hunting. You've got what's called

0:51:29.360 --> 0:51:33.279
<v Speaker 5>swing through, and here's you start behind the bird and

0:51:33.360 --> 0:51:36.720
<v Speaker 5>you move past the bird. Your brain, you match speeds

0:51:36.800 --> 0:51:39.319
<v Speaker 5>with the bird. Then you move your gun slightly ahead

0:51:39.360 --> 0:51:41.200
<v Speaker 5>to the lead, and your brain tells you that's it, and.

0:51:41.200 --> 0:51:41.840
<v Speaker 1>You pull the trigger.

0:51:41.880 --> 0:51:45.120
<v Speaker 5>Yep, that's technique one yeah, that's one yeah. And then

0:51:45.160 --> 0:51:48.719
<v Speaker 5>you've got maintained leads because of what the how far

0:51:48.800 --> 0:51:52.320
<v Speaker 5>it was, whatever, You mount in front of the target,

0:51:52.480 --> 0:51:54.160
<v Speaker 5>match speeds with the target, and then.

0:51:54.080 --> 0:51:55.960
<v Speaker 1>Pull the trigger. That's my technique. Is that bad?

0:51:56.480 --> 0:51:59.680
<v Speaker 5>Not necessarily, But if you can learn the all three techniques,

0:52:00.239 --> 0:52:02.560
<v Speaker 5>you know, if you can learn how to swing through,

0:52:03.360 --> 0:52:06.320
<v Speaker 5>how to maintain lead, and how to mount, own the

0:52:06.400 --> 0:52:09.160
<v Speaker 5>bird and stretch it all three, you will be a

0:52:09.280 --> 0:52:11.800
<v Speaker 5>much better shot because they all come at different times

0:52:11.840 --> 0:52:15.800
<v Speaker 5>that you should apply depending on a distance, angle, and speed.

0:52:16.280 --> 0:52:19.800
<v Speaker 5>So how how far it is? You know how fast

0:52:19.880 --> 0:52:23.200
<v Speaker 5>it is, and you know, uh and the angle is

0:52:23.239 --> 0:52:23.719
<v Speaker 5>it a quarter?

0:52:23.840 --> 0:52:25.800
<v Speaker 1>Is it straight away? Is it going straight up? What

0:52:26.080 --> 0:52:26.239
<v Speaker 1>is it?

0:52:26.800 --> 0:52:26.840
<v Speaker 7>So?

0:52:28.560 --> 0:52:30.759
<v Speaker 5>I mean, I've gotten I've gotten crazy about this game.

0:52:30.800 --> 0:52:33.040
<v Speaker 5>Anthony Matterez helped me tremendously. I went up there and

0:52:33.080 --> 0:52:35.680
<v Speaker 5>took lessons as part of this book. I took lessons

0:52:35.719 --> 0:52:39.400
<v Speaker 5>from him and carry luft Our editor stood behind me

0:52:39.480 --> 0:52:41.920
<v Speaker 5>and videoed everything that was said. I've got the videos

0:52:42.000 --> 0:52:46.759
<v Speaker 5>of Anthony Saytan, will you don't trust yourself? Will You're

0:52:46.800 --> 0:52:49.000
<v Speaker 5>not look you're you're stepping up to the plate and

0:52:49.680 --> 0:52:51.719
<v Speaker 5>you've You've gone to the prom and you've got a date.

0:52:51.960 --> 0:52:55.719
<v Speaker 1>She's what you got. You know you ain't gonna find

0:52:55.760 --> 0:52:56.279
<v Speaker 1>another one.

0:52:57.080 --> 0:53:00.160
<v Speaker 5>And it's just amazing the analogies that he use to

0:53:00.239 --> 0:53:02.680
<v Speaker 5>be able to help me understand how to properly move

0:53:02.680 --> 0:53:05.920
<v Speaker 5>a shotgun. But I've made friends with Givin Miles from

0:53:06.000 --> 0:53:10.000
<v Speaker 5>Arizona and his wife carrying both world champions, Bill Maguire

0:53:10.040 --> 0:53:13.640
<v Speaker 5>from Tennessee World champion. I mean, these guys are so

0:53:13.800 --> 0:53:16.799
<v Speaker 5>much fun and they're so great and they're all very accomplished.

0:53:17.239 --> 0:53:19.239
<v Speaker 5>And when I went to Anthony, he wrote a book

0:53:19.360 --> 0:53:22.800
<v Speaker 5>called Straight Shooting one hundred dollars Coffee table book. And

0:53:22.920 --> 0:53:24.640
<v Speaker 5>I went to him and said, when you signed my book,

0:53:24.800 --> 0:53:27.399
<v Speaker 5>and he said, will I'll be glad to sign your book?

0:53:27.600 --> 0:53:29.040
<v Speaker 1>I went, how's he no mon name.

0:53:30.160 --> 0:53:32.160
<v Speaker 5>He turns out he's a duck hunter and all he

0:53:32.320 --> 0:53:35.879
<v Speaker 5>uses is the witch. Yeah, so he and his brother

0:53:35.920 --> 0:53:38.360
<v Speaker 5>are big witch callers that they hunt. They live on

0:53:38.480 --> 0:53:41.319
<v Speaker 5>Delaware Bay on the river there and they hunt every day.

0:53:41.400 --> 0:53:45.160
<v Speaker 5>They're crazy. And so he called me the next day.

0:53:45.520 --> 0:53:47.200
<v Speaker 5>I said, how'd he get my number?

0:53:47.320 --> 0:53:48.160
<v Speaker 1>You know what kind of deal?

0:53:48.440 --> 0:53:50.279
<v Speaker 5>He actually emailed me and I said, how do you

0:53:50.320 --> 0:53:53.480
<v Speaker 5>get my email? And he says, call me sometime. I

0:53:53.560 --> 0:53:55.359
<v Speaker 5>adn't mailing him back. I said, is now a good time?

0:53:55.480 --> 0:53:56.759
<v Speaker 1>He said sure. I called him.

0:53:56.800 --> 0:54:00.359
<v Speaker 5>He said, let's write a book together. I said, okay,

0:54:00.480 --> 0:54:02.040
<v Speaker 5>what are we gonna write a book about? He goes

0:54:02.360 --> 0:54:03.640
<v Speaker 5>about you learning how to shoot?

0:54:06.320 --> 0:54:08.319
<v Speaker 1>Well, you know that eye trick. That's great. I never

0:54:08.360 --> 0:54:10.920
<v Speaker 1>heard that eye trick with birds, like I am absolutely

0:54:11.480 --> 0:54:15.279
<v Speaker 1>try it dissecting the sage brush or whatever. Being like,

0:54:15.320 --> 0:54:17.440
<v Speaker 1>I'm gonna see that try I'm gonna look for that sucker.

0:54:17.840 --> 0:54:19.320
<v Speaker 1>What are your eyes doing in the duck bline?

0:54:20.640 --> 0:54:22.880
<v Speaker 5>Oh well, it depends on whether you're the one who's

0:54:22.920 --> 0:54:25.520
<v Speaker 5>controlling the blind or not. If you are not the

0:54:25.680 --> 0:54:28.040
<v Speaker 5>coller just gonna call the shots. You're not doing the colling. No,

0:54:28.280 --> 0:54:31.080
<v Speaker 5>you're looking down hopefully you're seeing the reflection in the water. Mate,

0:54:31.880 --> 0:54:36.200
<v Speaker 5>you're watching the collar. You're you're hiding. That's the worst

0:54:36.280 --> 0:54:39.960
<v Speaker 5>thing waterfowlers do is they don't hide, and the ducks

0:54:40.560 --> 0:54:43.360
<v Speaker 5>see something they don't like. Maybe circle one more time. Whatever,

0:54:43.600 --> 0:54:44.799
<v Speaker 5>you know, you gotta hide, so.

0:54:45.120 --> 0:54:47.080
<v Speaker 1>So you'll you're content to miss the show.

0:54:47.239 --> 0:54:49.120
<v Speaker 5>If you're not, you have to be if you want

0:54:49.160 --> 0:54:52.560
<v Speaker 5>to get good shots, okay, because you're screw up putting

0:54:52.600 --> 0:54:54.840
<v Speaker 5>your big old white face out there. You know, we

0:54:54.960 --> 0:54:57.759
<v Speaker 5>wearing masks and stuff like that. But they see movement you.

0:54:58.040 --> 0:54:59.400
<v Speaker 5>It's best to have something over you.

0:55:00.120 --> 0:55:01.920
<v Speaker 1>So when you go to make the shot on a mallard,

0:55:02.840 --> 0:55:05.280
<v Speaker 1>are you you're looking at a part of the mallard?

0:55:05.360 --> 0:55:05.440
<v Speaker 12>Right?

0:55:05.520 --> 0:55:07.239
<v Speaker 5>Oh yeah, It depends on the shot. If he's coming

0:55:07.239 --> 0:55:11.040
<v Speaker 5>into decoys, I'm I'm naming at his feet because he's

0:55:11.080 --> 0:55:14.840
<v Speaker 5>coming down. If he's let and now he's rising, you know,

0:55:14.960 --> 0:55:18.319
<v Speaker 5>I'm I'm just mounting right on the duck and moving

0:55:18.400 --> 0:55:21.279
<v Speaker 5>my gun slightly above his head, just like maybe an inch,

0:55:21.880 --> 0:55:24.400
<v Speaker 5>trying to shoot him right, you know, just as as

0:55:24.440 --> 0:55:25.680
<v Speaker 5>he moved. Depends on the steep.

0:55:25.719 --> 0:55:30.279
<v Speaker 1>Whether it's a teal that's real fast and rising, if

0:55:30.320 --> 0:55:31.240
<v Speaker 1>the duck's crossing.

0:55:31.640 --> 0:55:36.680
<v Speaker 5>It depends on the speed. George Digweed is the twenty

0:55:36.880 --> 0:55:41.760
<v Speaker 5>eight time world champion from England. He's won the World champion,

0:55:42.080 --> 0:55:46.160
<v Speaker 5>Anthony's won everything. Uh, George has won the world, especially

0:55:46.200 --> 0:55:50.400
<v Speaker 5>in Hungary and in Dubai and all over the place.

0:55:50.960 --> 0:55:51.080
<v Speaker 4>Uh.

0:55:51.280 --> 0:55:54.200
<v Speaker 5>And I just went to England and took lessons shot

0:55:54.239 --> 0:55:58.680
<v Speaker 5>a day with George Digweed and the guys. He's he's

0:55:58.760 --> 0:55:59.640
<v Speaker 5>he doesn't know what he does.

0:55:59.680 --> 0:56:00.279
<v Speaker 1>He's so good.

0:56:00.360 --> 0:56:02.560
<v Speaker 5>He's incredible, he's incredible.

0:56:02.600 --> 0:56:05.000
<v Speaker 1>He primarily uses swing through.

0:56:05.080 --> 0:56:08.799
<v Speaker 5>He starts behind the bird, gets perfectly online and comes

0:56:08.920 --> 0:56:14.440
<v Speaker 5>through the bird and for ninety five percent of his shots.

0:56:15.040 --> 0:56:17.840
<v Speaker 5>But there's just just so wonderful studying this and understanding.

0:56:17.960 --> 0:56:21.320
<v Speaker 5>But writing that book, you know, with with with Carrie

0:56:21.520 --> 0:56:26.840
<v Speaker 5>and Anthony was incredible because I have now I now

0:56:26.880 --> 0:56:27.920
<v Speaker 5>don't have any excuses.

0:56:28.000 --> 0:56:30.600
<v Speaker 1>That's the deal. Well, yeah, because now you wrote a

0:56:30.600 --> 0:56:33.719
<v Speaker 1>book about it. Yeah, it's gonna be embarrassing when you miss.

0:56:33.719 --> 0:56:35.960
<v Speaker 1>Oh yeah, oh yeah, oh yeah. I want to tell

0:56:35.960 --> 0:56:37.600
<v Speaker 1>you the worst shot for me, Maybe you can tell

0:56:37.640 --> 0:56:41.160
<v Speaker 1>me what the problem is. Darks come in you know whatever,

0:56:41.280 --> 0:56:44.640
<v Speaker 1>they're coming into decoys. Everybody shoots and then you get

0:56:44.640 --> 0:56:50.200
<v Speaker 1>the one that's like he's leaving, he's going up, he's

0:56:50.239 --> 0:56:54.320
<v Speaker 1>going right or left, and he's going over your shoulder.

0:56:54.880 --> 0:57:01.960
<v Speaker 1>So from my perspective, he's going Okay, that's hard. Okay. Now,

0:57:02.280 --> 0:57:04.399
<v Speaker 1>sometimes maybe he's already been hit a little bit to see,

0:57:04.480 --> 0:57:05.719
<v Speaker 1>especially when to here's the duck.

0:57:06.520 --> 0:57:10.400
<v Speaker 5>Okay, go in this mount right behind him and follow

0:57:10.480 --> 0:57:12.879
<v Speaker 5>his line, and when the gun passes his beak, pull

0:57:12.960 --> 0:57:15.759
<v Speaker 5>the trigger. The speed of the gun will give you

0:57:15.840 --> 0:57:19.640
<v Speaker 5>the lead. Mount own the duck, come right through and

0:57:19.760 --> 0:57:22.560
<v Speaker 5>that gives you the line. And move right through and

0:57:23.000 --> 0:57:25.520
<v Speaker 5>look at something on there. Look at his beak, look

0:57:25.560 --> 0:57:27.919
<v Speaker 5>at his feet through something. Don't look at the duck,

0:57:28.120 --> 0:57:30.320
<v Speaker 5>and do not look at the gun. It's just like

0:57:30.640 --> 0:57:31.480
<v Speaker 5>when you hit a baseball.

0:57:31.600 --> 0:57:33.160
<v Speaker 1>You're not looking at your bead at all.

0:57:33.560 --> 0:57:38.480
<v Speaker 5>No, no, Now, the only time you would do that,

0:57:39.160 --> 0:57:41.960
<v Speaker 5>The only time you would do that is if a

0:57:42.120 --> 0:57:45.480
<v Speaker 5>low flying bird is coming in and he's close to

0:57:45.560 --> 0:57:49.720
<v Speaker 5>the ground your gun. Your brain will confuse the dark

0:57:49.880 --> 0:57:52.000
<v Speaker 5>color of the you see the gun.

0:57:52.680 --> 0:57:53.480
<v Speaker 1>In your periphery.

0:57:53.560 --> 0:57:56.160
<v Speaker 5>I'm gonna use this analogy. It's like it's like merging

0:57:56.200 --> 0:57:59.560
<v Speaker 5>into traffic. You're not looking at your hood. You're looking

0:57:59.600 --> 0:58:03.240
<v Speaker 5>at the track, and so you're timing your speed of

0:58:03.280 --> 0:58:06.520
<v Speaker 5>your vehicle to either merge in front of a car

0:58:06.800 --> 0:58:09.160
<v Speaker 5>or right behind it. That's what you're doing with a

0:58:09.200 --> 0:58:12.480
<v Speaker 5>shot gun. You're taking your gun and you're matching speeds

0:58:12.680 --> 0:58:15.439
<v Speaker 5>with the bird and then slightly moving ahead to pull

0:58:15.480 --> 0:58:17.280
<v Speaker 5>the trigger that gives you the lead.

0:58:17.840 --> 0:58:20.080
<v Speaker 1>All these analogies you're using, like when you throw a ball,

0:58:20.160 --> 0:58:22.280
<v Speaker 1>you don't look at your arm. When you're driving your car,

0:58:22.400 --> 0:58:24.640
<v Speaker 1>you don't look at your car right.

0:58:25.000 --> 0:58:26.960
<v Speaker 6>No, listen, when I got to shoot a little bit

0:58:27.040 --> 0:58:29.360
<v Speaker 6>with an instructor in Latvia a couple of years ago.

0:58:30.400 --> 0:58:34.480
<v Speaker 6>Anytime I've shot with an instructor and I'm I first thing,

0:58:34.520 --> 0:58:36.600
<v Speaker 6>I'll tell him as well, not that good because I'm

0:58:36.680 --> 0:58:39.520
<v Speaker 6>left eye dominant and I shoot right handed. And this

0:58:39.720 --> 0:58:42.360
<v Speaker 6>guy he looked at me and goes, oh, So I

0:58:42.440 --> 0:58:44.400
<v Speaker 6>was like, well, still sometimes I like to close my

0:58:44.520 --> 0:58:47.040
<v Speaker 6>left eye. It helps me line everything up. And he goes, oh,

0:58:47.120 --> 0:58:49.160
<v Speaker 6>when you you play basketball at all?

0:58:49.240 --> 0:58:50.600
<v Speaker 3>I go, yeah, decent shot.

0:58:50.640 --> 0:58:50.760
<v Speaker 1>You know.

0:58:50.840 --> 0:58:52.520
<v Speaker 3>He goes, do you close one eye when you shoot

0:58:52.560 --> 0:58:53.360
<v Speaker 3>your basketball?

0:58:54.800 --> 0:58:54.840
<v Speaker 5>No?

0:58:55.720 --> 0:59:01.520
<v Speaker 1>You know, no, I just that yeah, so very very free.

0:59:01.640 --> 0:59:05.040
<v Speaker 5>People are a hundred percent left or right eye dominant,

0:59:05.880 --> 0:59:07.800
<v Speaker 5>and there's a there's a test to do that.

0:59:08.000 --> 0:59:10.320
<v Speaker 1>Did we show it in the book, so not to

0:59:10.440 --> 0:59:14.080
<v Speaker 1>this one. So if I'm looking at you, you know

0:59:14.560 --> 0:59:19.440
<v Speaker 1>no that that only shows you, which is okay. Because

0:59:20.960 --> 0:59:23.960
<v Speaker 1>this is an audio thing, there's a video component which

0:59:24.000 --> 0:59:25.360
<v Speaker 1>you can find What's Our What's.

0:59:25.200 --> 0:59:29.960
<v Speaker 10>Our Meat Eater podcast network on YouTube.

0:59:30.120 --> 0:59:32.640
<v Speaker 1>Make sure you hit the subscribe. It was also so

0:59:34.320 --> 0:59:36.560
<v Speaker 1>from the ever since I was a little boy. I

0:59:36.680 --> 0:59:38.280
<v Speaker 1>want to tell what Yanni did when I did like

0:59:38.480 --> 0:59:41.400
<v Speaker 1>my dad would say, as probably ninety percent of dads

0:59:41.440 --> 0:59:44.000
<v Speaker 1>in America would say to their kid if this question

0:59:44.080 --> 0:59:47.560
<v Speaker 1>comes up, they'd go when they're trying to ascertain if

0:59:47.560 --> 0:59:50.479
<v Speaker 1>their kid is right or left eye dominant, they go like, okay,

0:59:50.600 --> 0:59:53.160
<v Speaker 1>aim your thumb at me, close your eye and aim

0:59:53.200 --> 0:59:56.920
<v Speaker 1>your thumb at me right and I close my right

0:59:57.000 --> 0:59:59.760
<v Speaker 1>eye and then aim my and I'd take my left

0:59:59.800 --> 1:00:02.120
<v Speaker 1>eye and and my thumb at will and then they go,

1:00:02.400 --> 1:00:06.280
<v Speaker 1>left eye, donamant left eye dominant? Yohani did, uh. He

1:00:06.400 --> 1:00:08.600
<v Speaker 1>made a little he put his hands together and made

1:00:08.600 --> 1:00:11.480
<v Speaker 1>a little diamond between his What do you call that

1:00:11.560 --> 1:00:12.320
<v Speaker 1>the crook of your thumb?

1:00:12.360 --> 1:00:15.720
<v Speaker 10>I don't tell that is like a like a an

1:00:15.880 --> 1:00:16.919
<v Speaker 10>arrow pointing out.

1:00:16.920 --> 1:00:18.480
<v Speaker 1>Yeah, make the make it inverted.

1:00:18.520 --> 1:00:20.280
<v Speaker 5>I love you get as small as you can look.

1:00:20.440 --> 1:00:22.320
<v Speaker 1>Tighten her down, down down, So you got a little

1:00:22.360 --> 1:00:25.160
<v Speaker 1>aperture there and then aim that at someone.

1:00:25.520 --> 1:00:30.520
<v Speaker 5>Yeah, that tells you what you're most most likely to eat.

1:00:31.080 --> 1:00:34.280
<v Speaker 5>But the real test is like like like right now,

1:00:34.720 --> 1:00:37.440
<v Speaker 5>I am going to point at your right eye, okay,

1:00:38.200 --> 1:00:39.920
<v Speaker 5>and I want you to look and see where my

1:00:40.040 --> 1:00:41.600
<v Speaker 5>finger is and lined up on my eyes?

1:00:41.640 --> 1:00:45.240
<v Speaker 1>Where is it? Oh? Huh? What where is it? Where's

1:00:45.320 --> 1:00:47.880
<v Speaker 1>where is where is my finger in relation to my eyes?

1:00:48.960 --> 1:00:49.760
<v Speaker 3>On your right eye?

1:00:49.840 --> 1:00:53.400
<v Speaker 1>Okay? H where is it?

1:00:54.280 --> 1:00:54.880
<v Speaker 3>On your nose?

1:00:55.040 --> 1:00:58.840
<v Speaker 1>Will you? Guys will yelling at you? So you look

1:00:58.920 --> 1:01:01.320
<v Speaker 1>at his eyes when he points, say that very naturally.

1:01:03.000 --> 1:01:04.560
<v Speaker 1>If you see me to get off his land, I'd

1:01:04.600 --> 1:01:05.520
<v Speaker 1>probably get off his lamb.

1:01:06.160 --> 1:01:09.760
<v Speaker 5>So what you're doing is you're you're establishing how much dominant?

1:01:10.160 --> 1:01:11.920
<v Speaker 1>Do it to me? Because I don't understand huh, doud

1:01:12.000 --> 1:01:13.400
<v Speaker 1>do the same thing to me? I'm trying to understand

1:01:13.400 --> 1:01:13.880
<v Speaker 1>what he's seeing.

1:01:13.880 --> 1:01:17.040
<v Speaker 5>Okay, So I'm going to point. I'm gonna you're you're

1:01:17.120 --> 1:01:19.320
<v Speaker 5>trying to tell me. You're trying to tell me which

1:01:19.360 --> 1:01:20.640
<v Speaker 5>one of my eyes is dominant?

1:01:20.680 --> 1:01:23.760
<v Speaker 1>But I got both open. Oh yeah, you're closed. I

1:01:23.880 --> 1:01:24.240
<v Speaker 1>am too.

1:01:24.720 --> 1:01:26.680
<v Speaker 5>So I'm gonna point my finger at your right eye.

1:01:27.280 --> 1:01:28.600
<v Speaker 5>Where is my finger lined up.

1:01:28.560 --> 1:01:31.080
<v Speaker 1>On my face a little bit that way.

1:01:30.960 --> 1:01:34.280
<v Speaker 10>Of center, looks that way to the left, Steve.

1:01:34.200 --> 1:01:38.640
<v Speaker 1>Right eye, Will's right eye. I'm looking at you dead

1:01:38.680 --> 1:01:41.320
<v Speaker 1>eye with both my eyes. It's on the bridge of

1:01:41.360 --> 1:01:41.720
<v Speaker 1>your nose.

1:01:42.280 --> 1:01:44.800
<v Speaker 5>Should be my finger should be lined up with my

1:01:44.920 --> 1:01:48.680
<v Speaker 5>right eye. It's not right there.

1:01:50.160 --> 1:01:53.040
<v Speaker 1>It's dead nuts on the bridge your nose. Okay, now

1:01:53.240 --> 1:01:55.640
<v Speaker 1>now you got to you got two left eyes. Now

1:01:55.760 --> 1:01:57.760
<v Speaker 1>now I'm pointing my finger with both eyes with my

1:01:57.880 --> 1:02:00.240
<v Speaker 1>left hand. Now it says that way.

1:02:00.880 --> 1:02:02.840
<v Speaker 5>So what you're doing, you end up you end up

1:02:02.960 --> 1:02:06.880
<v Speaker 5>establishing somebody can be cross eye dominant and they get

1:02:06.920 --> 1:02:07.400
<v Speaker 5>their both.

1:02:07.680 --> 1:02:10.040
<v Speaker 1>So if it's on the middle of your bridge, you're

1:02:10.120 --> 1:02:10.920
<v Speaker 1>seeing with.

1:02:11.120 --> 1:02:13.240
<v Speaker 5>Both your eye, both your eyes. So that's that can

1:02:13.320 --> 1:02:15.840
<v Speaker 5>be very hard for a shooter because it's brains does

1:02:16.080 --> 1:02:19.880
<v Speaker 5>the brain doesn't know which eye to tell the hands

1:02:19.960 --> 1:02:22.560
<v Speaker 5>where to go. So when you have when you're when

1:02:22.560 --> 1:02:26.640
<v Speaker 5>you're dominant, you can be eighty percent dominant, ninety percent dominant. See,

1:02:26.960 --> 1:02:31.040
<v Speaker 5>so it's very important to establish that. So you should

1:02:31.120 --> 1:02:32.920
<v Speaker 5>establish that and One of the things you could do

1:02:33.040 --> 1:02:34.640
<v Speaker 5>if you wanted to do, You could put a dot

1:02:34.760 --> 1:02:36.680
<v Speaker 5>over your glasses. We talk about that in the book,

1:02:37.240 --> 1:02:40.200
<v Speaker 5>to barely obscure your dominant eye a little bit.

1:02:40.480 --> 1:02:41.120
<v Speaker 3>Yeah, I've done that.

1:02:41.440 --> 1:02:43.720
<v Speaker 5>Yeah, so that it makes your other eye your you're

1:02:43.800 --> 1:02:47.120
<v Speaker 5>said left eye, your your left eyes dominant.

1:02:47.560 --> 1:02:51.240
<v Speaker 1>But can we establish like a very basic thing you

1:02:53.200 --> 1:02:55.760
<v Speaker 1>it's true, this is true right like when you're when

1:02:55.800 --> 1:03:00.080
<v Speaker 1>you're wing shooting, there's no reason to be closed in

1:03:00.160 --> 1:03:00.520
<v Speaker 1>the eyes.

1:03:00.640 --> 1:03:02.480
<v Speaker 5>Well, I was going on to that, we got distracted

1:03:02.480 --> 1:03:04.080
<v Speaker 5>a little bit. So if the bird is loaded the

1:03:04.120 --> 1:03:07.320
<v Speaker 5>ground and coming in close, coming in right at you,

1:03:07.760 --> 1:03:10.880
<v Speaker 5>the brain can confuse the barrel. You're seeing the barrel

1:03:11.040 --> 1:03:13.160
<v Speaker 5>like the hood of your car. It's in your periphery.

1:03:13.200 --> 1:03:16.880
<v Speaker 5>You don't really see it, but your brain is going well,

1:03:17.280 --> 1:03:20.200
<v Speaker 5>and you think you're on the target and you miss, Well,

1:03:20.480 --> 1:03:23.680
<v Speaker 5>that's a that's a spot shot. That's a spot on

1:03:23.880 --> 1:03:26.560
<v Speaker 5>aim shot. You point it like a rifle. So for

1:03:26.640 --> 1:03:30.160
<v Speaker 5>a coming straight at you. A lot of times in sportingclays,

1:03:30.200 --> 1:03:32.160
<v Speaker 5>I was shutting my left eye because I want to

1:03:32.280 --> 1:03:35.400
<v Speaker 5>make sure my gun's pointing right at that. There's no

1:03:35.560 --> 1:03:37.120
<v Speaker 5>lead involved, you know.

1:03:37.600 --> 1:03:40.440
<v Speaker 1>God then you're aiming at like you're shooting a turkey.

1:03:40.720 --> 1:03:41.120
<v Speaker 1>That's right.

1:03:42.280 --> 1:03:45.360
<v Speaker 5>So there are instances, and Anthony talks about it in

1:03:45.520 --> 1:03:48.720
<v Speaker 5>his book Straight Shooting. He was a young guy, he

1:03:48.960 --> 1:03:51.400
<v Speaker 5>was doing really well. He was down in Florida shooting

1:03:51.400 --> 1:03:54.440
<v Speaker 5>in a major tournament, and I believe he shot. He came,

1:03:54.600 --> 1:03:57.320
<v Speaker 5>he tied for six, but he was he was winning.

1:03:57.720 --> 1:03:59.760
<v Speaker 5>And he got to the station with that low incoming

1:04:00.640 --> 1:04:03.840
<v Speaker 5>and Dan Carlisle was an Olympic champion bunker trap and

1:04:03.960 --> 1:04:09.080
<v Speaker 5>other disciplines, and he taught Anthony never to close the eye.

1:04:09.560 --> 1:04:10.760
<v Speaker 5>And Anthony went back.

1:04:10.800 --> 1:04:13.760
<v Speaker 1>He was tearful. I believe he was like eighteen years old.

1:04:14.120 --> 1:04:16.560
<v Speaker 5>He was tearful. He was gonna win this tournament and

1:04:17.120 --> 1:04:21.280
<v Speaker 5>he tied for six. He went home and thought about it,

1:04:21.440 --> 1:04:23.360
<v Speaker 5>thought about it, went back to this hotel, thought about it,

1:04:23.400 --> 1:04:25.720
<v Speaker 5>thought about it, and the next day he shot one

1:04:25.800 --> 1:04:29.960
<v Speaker 5>hundred straight. He figured out that he needed to squint

1:04:30.040 --> 1:04:32.440
<v Speaker 5>an eye or close it a little bit on these

1:04:32.520 --> 1:04:36.320
<v Speaker 5>incoming straight birds to be positive where his brain was

1:04:36.400 --> 1:04:37.880
<v Speaker 5>being told his gun was pointing.

1:04:38.560 --> 1:04:38.880
<v Speaker 1>Hmmm.

1:04:39.120 --> 1:04:42.960
<v Speaker 5>So there are disciplines and nuances within the game for

1:04:43.120 --> 1:04:45.560
<v Speaker 5>different stuff. Just like you said, that's the way I shoot,

1:04:45.600 --> 1:04:48.280
<v Speaker 5>you shoot and maintain lead. If you would mount on

1:04:48.400 --> 1:04:50.120
<v Speaker 5>the bird on some of those then barely move in

1:04:50.200 --> 1:04:52.040
<v Speaker 5>front of him, it gives you the line you're not

1:04:52.520 --> 1:04:55.320
<v Speaker 5>when you mount online, you're taking out the fact that

1:04:55.440 --> 1:04:58.320
<v Speaker 5>I'm too low or too high. You start right behind

1:04:58.360 --> 1:04:59.880
<v Speaker 5>the bird and move straight through, so you're in the

1:05:00.080 --> 1:05:01.479
<v Speaker 5>line with the flight of the bird.

1:05:02.080 --> 1:05:02.440
<v Speaker 1>M hm.

1:05:02.960 --> 1:05:07.200
<v Speaker 5>And that takes out fifty of your error over and under.

1:05:08.040 --> 1:05:08.480
<v Speaker 1>Mm hmm.

1:05:08.680 --> 1:05:11.360
<v Speaker 10>But Steve, that sounds exactly like what you've told me

1:05:11.440 --> 1:05:13.320
<v Speaker 10>in the past when you've taken me out. You're like,

1:05:13.560 --> 1:05:18.560
<v Speaker 10>imagine a paint brush and you're painting beyond the bird.

1:05:18.600 --> 1:05:20.280
<v Speaker 10>I don't think you told me to keep an eye

1:05:20.520 --> 1:05:23.000
<v Speaker 10>on the dot. You're like, you're going beyond the bird,

1:05:24.000 --> 1:05:26.960
<v Speaker 10>in front of it from the beak, and that's where

1:05:27.000 --> 1:05:28.960
<v Speaker 10>you're shooting because the time that you know.

1:05:29.320 --> 1:05:31.200
<v Speaker 1>Okay, So yeah, there's a lot of things in life

1:05:31.200 --> 1:05:36.280
<v Speaker 1>where we tell people your thing fine, then you catch

1:05:36.280 --> 1:05:39.760
<v Speaker 1>yourself not but yeah, like in my you know, and

1:05:39.880 --> 1:05:41.640
<v Speaker 1>then in the heat of the moment or whatever, and

1:05:41.720 --> 1:05:43.840
<v Speaker 1>you just might have not doing there's certain things you

1:05:43.880 --> 1:05:46.480
<v Speaker 1>don't do, you know. But I've done enough where I

1:05:46.520 --> 1:05:50.760
<v Speaker 1>can try different not as disciplined as you are. But

1:05:50.800 --> 1:05:52.960
<v Speaker 1>I've done enough shooting where I know that in some

1:05:53.160 --> 1:05:57.200
<v Speaker 1>try instances this and some instances that. But but you're

1:05:57.240 --> 1:06:02.240
<v Speaker 1>talking about a very You're talking about really major shifts

1:06:02.320 --> 1:06:05.880
<v Speaker 1>and strategy based on situations. And I think most shooters

1:06:05.880 --> 1:06:09.520
<v Speaker 1>are not consciously yeah, thinking about not consciously going, I'm

1:06:09.520 --> 1:06:11.720
<v Speaker 1>gonna use this method. Now, I'm gona use that method

1:06:11.800 --> 1:06:13.960
<v Speaker 1>on that shot. I'm gonna use that method on that show.

1:06:13.920 --> 1:06:19.200
<v Speaker 5>That brings you to understanding gunfit. So gunfit is not

1:06:19.440 --> 1:06:21.720
<v Speaker 5>the number one thing, but if you want you to

1:06:21.840 --> 1:06:24.800
<v Speaker 5>get to shooting a little bit, gunfit is major important

1:06:25.080 --> 1:06:28.080
<v Speaker 5>because when you mount that gun, when you mount that gun,

1:06:28.640 --> 1:06:31.440
<v Speaker 5>I should be pointing at what I'm aiming at. So

1:06:31.960 --> 1:06:35.120
<v Speaker 5>when I'm helping somebody, I'll let them fit the gun,

1:06:35.240 --> 1:06:37.320
<v Speaker 5>show me it's unloaded, and then I have them mounted

1:06:37.400 --> 1:06:39.960
<v Speaker 5>and pointed at my right eye, and I can look

1:06:40.080 --> 1:06:42.760
<v Speaker 5>down and see exactly where their eyes looking, so I

1:06:42.800 --> 1:06:45.320
<v Speaker 5>can tell it if there's too much not enough comb

1:06:45.360 --> 1:06:48.680
<v Speaker 5>height too. You know, the comb mite's too low, it's

1:06:48.760 --> 1:06:52.320
<v Speaker 5>too high, the pitch is wrong. And women are different

1:06:52.360 --> 1:06:54.960
<v Speaker 5>than men, They're built different. So the heel to toe

1:06:55.400 --> 1:06:59.080
<v Speaker 5>of the butt plate and how it's angled can hurt

1:06:59.480 --> 1:07:01.560
<v Speaker 5>and it also so if a gun hurts you, it

1:07:01.640 --> 1:07:04.120
<v Speaker 5>doesn't fit you. If it hurts your face or your shoulder,

1:07:04.720 --> 1:07:09.840
<v Speaker 5>it probably doesn't fit you. And everybody, most everybody shoots

1:07:09.960 --> 1:07:13.360
<v Speaker 5>too hot a shells. They shoot way too much.

1:07:13.600 --> 1:07:17.080
<v Speaker 1>Pa, there's not better, no no news to me.

1:07:18.400 --> 1:07:22.480
<v Speaker 5>I can show you right now George Digweed shooting clays

1:07:23.520 --> 1:07:29.520
<v Speaker 5>at a one hundred and thirty yards with not too

1:07:29.600 --> 1:07:30.200
<v Speaker 5>hot of shells.

1:07:30.840 --> 1:07:33.680
<v Speaker 1>I can't picture that. You see the video kind of

1:07:33.720 --> 1:07:35.959
<v Speaker 1>like lobbing it in there. Man, you're holding for drop.

1:07:36.200 --> 1:07:38.400
<v Speaker 5>Yeah, he is doing that too, but it's incredible.

1:07:38.560 --> 1:07:41.680
<v Speaker 1>Are you ever holding for drop on ducks only.

1:07:41.520 --> 1:07:44.560
<v Speaker 5>If they're seventy five eighty yards or further? Okay, you

1:07:44.680 --> 1:07:45.600
<v Speaker 5>shoot slightly.

1:07:45.360 --> 1:07:46.920
<v Speaker 1>Off, so that's not the thing you're not.

1:07:46.960 --> 1:07:48.880
<v Speaker 5>You don't shoot at him that far. Yeah, you don't

1:07:48.920 --> 1:07:49.720
<v Speaker 5>shoot at him that far.

1:07:51.800 --> 1:07:53.640
<v Speaker 6>Here's one thing I'd like to ask you a lot

1:07:53.680 --> 1:07:56.760
<v Speaker 6>of times I've heard from water fowlers that a good

1:07:56.840 --> 1:07:59.080
<v Speaker 6>way to know if the duck is close enough to

1:07:59.320 --> 1:08:01.600
<v Speaker 6>shoot at is when you can see their eye.

1:08:02.240 --> 1:08:04.919
<v Speaker 1>Yeah, you've heard that that's really close. That's good, that's good,

1:08:05.040 --> 1:08:05.400
<v Speaker 1>that's good.

1:08:05.600 --> 1:08:08.160
<v Speaker 6>But it means that like, there's that mandatory or do

1:08:08.240 --> 1:08:10.240
<v Speaker 6>you feel like, oh no, I could easily shoot when

1:08:10.320 --> 1:08:12.320
<v Speaker 6>I can't see can't make out the ducks eye.

1:08:12.320 --> 1:08:14.040
<v Speaker 5>Oh yeah, you can see the color of the head.

1:08:14.120 --> 1:08:16.800
<v Speaker 5>You can just mallards are great because you could see

1:08:16.840 --> 1:08:19.280
<v Speaker 5>the green head from the hen. You got something to

1:08:19.400 --> 1:08:24.599
<v Speaker 5>focus on. But typically you learn like bow hunting. Yeah,

1:08:25.120 --> 1:08:28.240
<v Speaker 5>when before rangefinders got so easy to use and so forth,

1:08:28.600 --> 1:08:30.640
<v Speaker 5>if I can look at that tree and I can

1:08:30.720 --> 1:08:33.439
<v Speaker 5>see the distinguishing mark bark on that tree with my

1:08:33.560 --> 1:08:35.800
<v Speaker 5>twenty twenty vision, twenty fifteen vision, when if I can

1:08:35.880 --> 1:08:39.479
<v Speaker 5>see that, I know that that tree is thirty five

1:08:39.560 --> 1:08:40.280
<v Speaker 5>yards are closer.

1:08:40.680 --> 1:08:42.960
<v Speaker 1>Hmm. That's a good little trick.

1:08:43.240 --> 1:08:45.920
<v Speaker 5>Yeah, but you've got to know your eyes to be

1:08:46.000 --> 1:08:46.960
<v Speaker 5>able to do that.

1:08:47.240 --> 1:08:47.880
<v Speaker 1>That's a great trick.

1:08:47.920 --> 1:08:50.240
<v Speaker 5>And here's here's here's a perfect example to kind of

1:08:50.280 --> 1:08:52.479
<v Speaker 5>help you put some of this lead and so forth.

1:08:52.600 --> 1:08:56.639
<v Speaker 5>Let's say that birds doing that. Okay, he's flying pretty

1:08:56.680 --> 1:08:58.680
<v Speaker 5>fast and he's I'm just shooting as a way to

1:08:58.720 --> 1:09:01.960
<v Speaker 5>say goodbye thirty yards Okay, So what you do is.

1:09:02.160 --> 1:09:05.080
<v Speaker 1>Showing him out here up here comes the bird over

1:09:05.160 --> 1:09:09.800
<v Speaker 1>your head. Oh, you mount right behind him and when

1:09:09.840 --> 1:09:12.920
<v Speaker 1>you move straight down the line, your hands, your gun

1:09:13.720 --> 1:09:17.080
<v Speaker 1>will hide the bird. But what you're doing is, if

1:09:17.160 --> 1:09:19.639
<v Speaker 1>the bird's flying at twenty miles an hour, you want

1:09:19.680 --> 1:09:21.680
<v Speaker 1>to move your gun at twenty one or twenty two

1:09:21.760 --> 1:09:22.400
<v Speaker 1>miles an hour.

1:09:22.720 --> 1:09:26.040
<v Speaker 5>So you combine. And when you combine, you keep moving

1:09:26.120 --> 1:09:28.360
<v Speaker 5>your gun and you bend at the waist and.

1:09:28.439 --> 1:09:31.840
<v Speaker 1>You pull the trigger, and he will crumple when you

1:09:31.920 --> 1:09:35.320
<v Speaker 1>pull that trigger. Are you already pulling the second shot?

1:09:36.320 --> 1:09:39.599
<v Speaker 10>No, okay, you're not, like, because he knows he's gonna

1:09:39.680 --> 1:09:39.840
<v Speaker 10>hit it.

1:09:40.040 --> 1:09:47.280
<v Speaker 1>No, this is not I don't know if this is

1:09:47.320 --> 1:09:51.120
<v Speaker 1>a this is a uh, this is at assary, This

1:09:51.160 --> 1:09:54.040
<v Speaker 1>isn't a wing shooting question. But uh, in your mind,

1:09:54.240 --> 1:09:59.400
<v Speaker 1>what's a far away turkey? What's a fire shot? Forty yards? Okay?

1:10:00.000 --> 1:10:02.840
<v Speaker 1>I won't shoot one past forty just because it's not

1:10:02.960 --> 1:10:05.160
<v Speaker 1>the game, right, and it's not the game, and it's

1:10:05.200 --> 1:10:05.679
<v Speaker 1>not fair.

1:10:05.760 --> 1:10:08.120
<v Speaker 5>There's too many little things that can go wrong. Okay,

1:10:08.800 --> 1:10:13.200
<v Speaker 5>but it might be forty five, but I misjudged the distance. Really, Yeah,

1:10:13.560 --> 1:10:18.240
<v Speaker 5>I shoot tss. I shoot a twenty gauge youth eleven

1:10:18.280 --> 1:10:19.920
<v Speaker 5>eighty seven with a silencer.

1:10:21.479 --> 1:10:24.160
<v Speaker 1>What do you use for using an optic or to

1:10:24.240 --> 1:10:24.920
<v Speaker 1>shoot beads.

1:10:25.000 --> 1:10:28.320
<v Speaker 5>So, because the silencer is a big can, I had

1:10:28.360 --> 1:10:32.120
<v Speaker 5>to put a I put a Bushnell hologram kind of sight.

1:10:32.600 --> 1:10:35.120
<v Speaker 5>It's kind of weird. No matter where your head is,

1:10:35.200 --> 1:10:37.479
<v Speaker 5>as long as the dots on there, it kills it.

1:10:37.880 --> 1:10:39.960
<v Speaker 1>Dude, I was into those, well, no, I wasn't. I

1:10:40.080 --> 1:10:43.000
<v Speaker 1>was using those for my kids. The red dots, Okay.

1:10:43.320 --> 1:10:45.360
<v Speaker 1>I was putting red dots on a break open four

1:10:45.479 --> 1:10:48.840
<v Speaker 1>ten okay, because it's just easy to explain to a kid. Yeah,

1:10:50.960 --> 1:10:54.800
<v Speaker 1>I shot red dots last spring on turkeys. I'm done.

1:10:55.439 --> 1:10:58.080
<v Speaker 5>I'm a bead gallon turkeys. If I didn't have my

1:10:58.240 --> 1:11:00.040
<v Speaker 5>silence shirt, it's beads.

1:11:00.120 --> 1:11:02.360
<v Speaker 1>Done with that craft. Yeah, it's fun, but it's just

1:11:02.479 --> 1:11:05.120
<v Speaker 1>it's just another thing to think about it, man. Yeah, yeah, yeah, yeah,

1:11:05.240 --> 1:11:06.000
<v Speaker 1>it's another thing thing.

1:11:06.120 --> 1:11:08.559
<v Speaker 5>She should have shot gun, you know. And I've gone

1:11:08.640 --> 1:11:10.120
<v Speaker 5>to the silencer because of my ears.

1:11:10.400 --> 1:11:12.200
<v Speaker 1>Sure, so I know that you got to. You got to.

1:11:12.320 --> 1:11:13.920
<v Speaker 1>You got the hearing aid, I got to hear it.

1:11:14.320 --> 1:11:16.120
<v Speaker 1>You blew your years out of your head over the years.

1:11:17.000 --> 1:11:20.000
<v Speaker 5>Look, I was the Martians ship instructor and the Air Force.

1:11:20.160 --> 1:11:22.280
<v Speaker 5>I taught people how to shoot them sixteen's and thirty

1:11:22.320 --> 1:11:24.000
<v Speaker 5>eight and forty five stuff they got shot down in

1:11:24.000 --> 1:11:27.320
<v Speaker 5>the airplanes. They could protect themselves, and they didn't tell

1:11:27.360 --> 1:11:29.320
<v Speaker 5>us to protect their ears. They gave us some mere

1:11:29.400 --> 1:11:31.920
<v Speaker 5>must in Lackland where I trained, but they didn't tell

1:11:32.000 --> 1:11:34.080
<v Speaker 5>us we had to use them. And then I shot skip.

1:11:34.360 --> 1:11:37.360
<v Speaker 5>I was the I was the Mississippi State Junior skeeek

1:11:37.479 --> 1:11:42.759
<v Speaker 5>champion in nineteen sixty four at twelve years old. Nobody

1:11:43.000 --> 1:11:45.880
<v Speaker 5>entered but me, and I won by the fault. I

1:11:46.120 --> 1:11:48.599
<v Speaker 5>never forget my little futer cup. I'm standing up.

1:11:48.640 --> 1:11:49.120
<v Speaker 9>I won.

1:11:50.400 --> 1:11:52.799
<v Speaker 1>Isn't that something I didn't wear? Hear in protection?

1:11:52.960 --> 1:11:55.479
<v Speaker 5>So now I've got I've got, you know, I've got

1:11:55.680 --> 1:11:58.160
<v Speaker 5>here in eighth and I got high frequency back. I

1:11:58.200 --> 1:12:00.960
<v Speaker 5>can hear high frequency. I can talk to a child now,

1:12:01.280 --> 1:12:02.800
<v Speaker 5>whereas I couldn't for a long time.

1:12:03.240 --> 1:12:06.240
<v Speaker 1>And you know, did it bring the gobbels back? Yeah,

1:12:06.360 --> 1:12:06.880
<v Speaker 1>for a long way.

1:12:06.920 --> 1:12:07.080
<v Speaker 9>You know.

1:12:07.160 --> 1:12:07.800
<v Speaker 1>Grace started it.

1:12:07.880 --> 1:12:13.120
<v Speaker 5>She came, dear precious friend of mine, and Grace she's

1:12:13.200 --> 1:12:15.240
<v Speaker 5>meeting with me, and she looks at my chart and

1:12:15.320 --> 1:12:17.960
<v Speaker 5>she says, will you need to be wearing here in age?

1:12:18.160 --> 1:12:19.960
<v Speaker 5>I says, I don't really want to wear here in age.

1:12:20.160 --> 1:12:22.719
<v Speaker 5>I'm due fine without him, she says. Will the first

1:12:23.360 --> 1:12:26.240
<v Speaker 5>The first thing that somebody who's lost the kind of

1:12:26.280 --> 1:12:30.080
<v Speaker 5>hearing that you've lost is gonna get is dementia. Your

1:12:30.200 --> 1:12:35.000
<v Speaker 5>brain quits using that part of the brain. And so

1:12:35.240 --> 1:12:37.720
<v Speaker 5>I said, okay, I'm in. So she'd send a lady

1:12:37.720 --> 1:12:40.320
<v Speaker 5>who calls on your house. I got these hearing aids.

1:12:40.960 --> 1:12:43.240
<v Speaker 5>I'm learning to use them. I walked outside one morning,

1:12:44.160 --> 1:12:46.320
<v Speaker 5>it's just barely getting light. It's still dark. Then the

1:12:46.400 --> 1:12:48.720
<v Speaker 5>winter oak tree is bird singing up there. I went,

1:12:48.840 --> 1:12:51.960
<v Speaker 5>holy CD, I've never heard that bird before. That is incredible.

1:12:52.400 --> 1:12:54.280
<v Speaker 5>I went back inside. I got my binoculars. I want

1:12:54.280 --> 1:12:56.000
<v Speaker 5>to see what bird it was. Bird wasn't there. I'm

1:12:56.040 --> 1:12:58.599
<v Speaker 5>standing there. Start singing again. I run in the backyard.

1:12:58.760 --> 1:13:03.920
<v Speaker 5>There it is, but not, here's a robin. I ain't

1:13:04.000 --> 1:13:06.200
<v Speaker 5>heard a robin sing in twenty five years.

1:13:07.120 --> 1:13:10.840
<v Speaker 1>I'm headed that way. Yeah, and I was not regret it. Well,

1:13:11.680 --> 1:13:14.240
<v Speaker 1>the gobbles are getting hard. I always talk. I talk

1:13:14.240 --> 1:13:16.240
<v Speaker 1>about this all the time. But like my kids, there's

1:13:16.280 --> 1:13:23.240
<v Speaker 1>one like, no, it's not shut up. Just like Seth

1:13:23.280 --> 1:13:26.439
<v Speaker 1>and I have fish as next to each other. I'll

1:13:26.520 --> 1:13:30.920
<v Speaker 1>yell something over that Seth and he'll yell back. I'm big.

1:13:31.320 --> 1:13:32.560
<v Speaker 1>I look at my kid. He said this.

1:13:34.240 --> 1:13:38.240
<v Speaker 5>He said, Look when I say we have the camera, mean,

1:13:38.680 --> 1:13:39.160
<v Speaker 5>what do you saying?

1:13:39.240 --> 1:13:42.000
<v Speaker 1>Yeah, that's what'd you say. Now I can hear what

1:13:42.080 --> 1:13:42.479
<v Speaker 1>they say.

1:13:43.320 --> 1:13:45.920
<v Speaker 5>I got these here and they're they're incredible.

1:13:46.120 --> 1:13:48.200
<v Speaker 1>Or even in the boat. My daughter will be in

1:13:48.240 --> 1:13:49.679
<v Speaker 1>the boat and it's set a little bit of background

1:13:49.680 --> 1:13:52.479
<v Speaker 1>noise of the motor running. Not even bad should be

1:13:52.560 --> 1:13:55.160
<v Speaker 1>looking out the front of the boat talking everybody in

1:13:55.200 --> 1:13:57.400
<v Speaker 1>the boat. I'm like, what's she talking about. I'm like, ros,

1:13:57.400 --> 1:13:58.920
<v Speaker 1>you got to turn around, look at me or come

1:13:59.000 --> 1:14:00.640
<v Speaker 1>back here. But I can't hear you from one end

1:14:00.640 --> 1:14:02.040
<v Speaker 1>of this eighteen foot boat to the other.

1:14:02.280 --> 1:14:04.559
<v Speaker 5>Well, it's a pretty good test that I can hear

1:14:04.720 --> 1:14:07.920
<v Speaker 5>everything you say in this room because that microfat is

1:14:07.960 --> 1:14:09.679
<v Speaker 5>in front of your lips and I cannot read your lips.

1:14:11.240 --> 1:14:13.320
<v Speaker 5>Reading lips is a big deal when you start losing

1:14:13.320 --> 1:14:13.679
<v Speaker 5>your hearing.

1:14:16.760 --> 1:14:19.519
<v Speaker 1>I tried so hard not I really try to enforce

1:14:19.600 --> 1:14:22.320
<v Speaker 1>the hearing aid stuff with my kid. My kid had

1:14:22.400 --> 1:14:27.559
<v Speaker 1>these we uh on the fourth of July, whereas by

1:14:27.680 --> 1:14:30.400
<v Speaker 1>by the fireworks, you know, and my kid had these

1:14:30.479 --> 1:14:32.439
<v Speaker 1>kind of like souped up snapp its that came in

1:14:32.520 --> 1:14:34.800
<v Speaker 1>this plastic thing, and he decided to try to open

1:14:34.880 --> 1:14:38.639
<v Speaker 1>that package with his teeth that had his ears ringing,

1:14:38.920 --> 1:14:44.960
<v Speaker 1>oh blood, his lips all bloody, and one of them snapped.

1:14:45.000 --> 1:14:47.080
<v Speaker 1>It snapped a couple of them because then it detonated

1:14:47.160 --> 1:14:50.920
<v Speaker 1>its neighbor. And he's like Mayor's mayors, And I'm like,

1:14:51.000 --> 1:14:52.880
<v Speaker 1>damn it, man, Now he's gonna be like me and

1:14:52.920 --> 1:14:55.600
<v Speaker 1>a half deaf, you know, And I had the We

1:14:55.760 --> 1:14:58.400
<v Speaker 1>keep teasing my wife about this because, uh she had

1:14:58.400 --> 1:15:01.479
<v Speaker 1>probably the best mom quote all the time. She says

1:15:01.680 --> 1:15:04.320
<v Speaker 1>she's all mad, and uh so the kids always tease

1:15:04.320 --> 1:15:05.760
<v Speaker 1>her and I do too, but she goes, that's why

1:15:05.880 --> 1:15:13.120
<v Speaker 1>fireworks should be for professionals. True, we're gonna bring in

1:15:13.160 --> 1:15:17.519
<v Speaker 1>a professional to light this black cat. The professionals will

1:15:17.560 --> 1:15:25.799
<v Speaker 1>be here at nine to throw our snappops. That sounds horrible, Uh, anyhow,

1:15:25.800 --> 1:15:29.040
<v Speaker 1>I don't. Yeah, we were so stupid. I mean, listen,

1:15:30.280 --> 1:15:33.760
<v Speaker 1>I never not that I wasn't aware of what they

1:15:33.880 --> 1:15:39.560
<v Speaker 1>were sitting in. Duck blinds. We didn't have blinds, but

1:15:39.880 --> 1:15:43.080
<v Speaker 1>duck hunting as kids hunker down, make it. Yeah, we

1:15:43.240 --> 1:15:48.519
<v Speaker 1>make blinds. Whatever duck hunting, including like belly crawling up

1:15:48.720 --> 1:15:50.360
<v Speaker 1>on ducks in a pond and get them the old

1:15:50.400 --> 1:15:53.639
<v Speaker 1>one two three with your buddy shotgun, like like three

1:15:53.760 --> 1:15:58.599
<v Speaker 1>inches from the side of your face. I would people

1:15:58.680 --> 1:16:02.080
<v Speaker 1>didn't even bring they didn't even leave hearing protection in

1:16:02.200 --> 1:16:06.960
<v Speaker 1>the truck. Like you simply did not own it.

1:16:08.040 --> 1:16:10.120
<v Speaker 5>You gotta own it like I don't.

1:16:10.200 --> 1:16:12.040
<v Speaker 1>When I I don't mean own it like how people

1:16:12.160 --> 1:16:13.600
<v Speaker 1>use it now, Like you got to own that. You

1:16:13.680 --> 1:16:15.760
<v Speaker 1>know it's your responsible. I mean own it like they

1:16:15.800 --> 1:16:20.439
<v Speaker 1>didn't possess. I got you, and it was just a

1:16:20.560 --> 1:16:24.240
<v Speaker 1>part of the deal that some guy would light one

1:16:24.320 --> 1:16:27.920
<v Speaker 1>off next to your head. It's just like there's that

1:16:28.040 --> 1:16:28.679
<v Speaker 1>old feeling.

1:16:30.040 --> 1:16:31.880
<v Speaker 5>I know, somebody who wanted to be funny and he

1:16:31.960 --> 1:16:33.519
<v Speaker 5>had a few too many beers and he had his

1:16:33.640 --> 1:16:35.840
<v Speaker 5>thick of dynamite and they were trying to make it

1:16:35.920 --> 1:16:39.000
<v Speaker 5>blow up in the air, and he held it the

1:16:39.240 --> 1:16:42.400
<v Speaker 5>fust just the right late and he went off right there.

1:16:43.280 --> 1:16:47.080
<v Speaker 1>You got to see his hand his ear. It gives

1:16:47.120 --> 1:16:49.439
<v Speaker 1>me a sickening feeling now thinking of all that time,

1:16:49.640 --> 1:16:52.200
<v Speaker 1>all those times when I would just be like for

1:16:52.400 --> 1:16:56.920
<v Speaker 1>two days, know when someone touched one off next to

1:16:57.000 --> 1:16:57.280
<v Speaker 1>your head.

1:16:57.400 --> 1:17:00.679
<v Speaker 5>Yeah, look, the foam mere plugs are inexpensive. They usually

1:17:00.680 --> 1:17:02.439
<v Speaker 5>give him away gun rangers. And if you know how

1:17:02.479 --> 1:17:04.599
<v Speaker 5>to use them and you squash them down and put

1:17:04.640 --> 1:17:06.200
<v Speaker 5>them in your ears and then hold it in there

1:17:06.280 --> 1:17:09.640
<v Speaker 5>until they swell up, that helps tremendously.

1:17:10.200 --> 1:17:13.479
<v Speaker 1>That's all Anthony uses. Really, that's a grace start of

1:17:13.560 --> 1:17:16.320
<v Speaker 1>it makes fantastic. And he just uses the old phoemis.

1:17:16.720 --> 1:17:17.599
<v Speaker 5>Yeah, the old phoneies.

1:17:17.640 --> 1:17:19.880
<v Speaker 1>Yeah, better nothing. And I'll tell you what, like when

1:17:19.880 --> 1:17:21.920
<v Speaker 1>you're young, you can't picture if someone had told me, like,

1:17:21.960 --> 1:17:23.920
<v Speaker 1>oh later, you'll have hearing problems. And I don't even have,

1:17:24.040 --> 1:17:27.200
<v Speaker 1>like really I have like kind of hearing problems. You

1:17:27.320 --> 1:17:30.599
<v Speaker 1>can't hear bugles good like the guy next to you can.

1:17:31.040 --> 1:17:35.080
<v Speaker 1>And the worst is not hearing gobbles. I have to

1:17:35.200 --> 1:17:36.840
<v Speaker 1>look at it. Like when I'm hunting with Seth, I

1:17:36.960 --> 1:17:39.280
<v Speaker 1>just had to look like we'll we'll crow call whatever

1:17:39.400 --> 1:17:41.880
<v Speaker 1>and that will brill in my case blue jay crawl

1:17:41.960 --> 1:17:45.679
<v Speaker 1>you know how, We'll make a noise, will make a loud,

1:17:45.800 --> 1:17:48.360
<v Speaker 1>disruptive noise, and I'll have to look at I'll listen,

1:17:48.439 --> 1:17:50.160
<v Speaker 1>but I'm also looking at Seth to see if he

1:17:50.320 --> 1:17:53.160
<v Speaker 1>like raises his eyebrows or some indication to something.

1:17:52.960 --> 1:17:56.680
<v Speaker 5>Which like an alcoholic. The first step is admitting you

1:17:56.760 --> 1:17:57.360
<v Speaker 5>have a problem.

1:17:58.200 --> 1:18:04.080
<v Speaker 1>You have a problem with yeah, calls and hearing. Yeah,

1:18:04.120 --> 1:18:08.800
<v Speaker 1>that's my two primary problems. Uh. You and I are

1:18:08.800 --> 1:18:11.880
<v Speaker 1>both big fans of Jeremiah Johnson.

1:18:13.280 --> 1:18:17.080
<v Speaker 5>No, no, no better cinematography, no better word.

1:18:17.560 --> 1:18:19.040
<v Speaker 1>You think that was the Hunter? Let me ask you,

1:18:19.240 --> 1:18:21.800
<v Speaker 1>do you think a hunter shout that movie or a

1:18:21.840 --> 1:18:22.360
<v Speaker 1>camera guy?

1:18:23.320 --> 1:18:25.720
<v Speaker 3>I think it was a camera Well, can you get

1:18:25.760 --> 1:18:27.040
<v Speaker 3>a little closer to your microphone please?

1:18:27.200 --> 1:18:30.559
<v Speaker 1>I'm I think it was the camera guy. Yeah, yeah, Uh,

1:18:30.760 --> 1:18:34.759
<v Speaker 1>will brought me a gift. The position of this suggests

1:18:34.840 --> 1:18:39.120
<v Speaker 1>that you're trying to take credit for writing Jeremiah Johnson.

1:18:39.160 --> 1:18:43.920
<v Speaker 1>But it's just your email address up top. That's it's

1:18:43.960 --> 1:18:49.160
<v Speaker 1>the entire script, Yeah, for Jeremiah Johnson. So the v O,

1:18:49.760 --> 1:18:51.519
<v Speaker 1>there's a little vo. There's a narrator that has a

1:18:51.560 --> 1:18:53.920
<v Speaker 1>couple of lines in there up top and at the

1:18:54.080 --> 1:18:58.880
<v Speaker 1>end discreet and and then it's every word and then

1:18:59.040 --> 1:19:03.400
<v Speaker 1>including the parts where he can't tell what anybody's saying. Well,

1:19:03.640 --> 1:19:06.240
<v Speaker 1>the reason he can't tell, but it's like it's one

1:19:06.240 --> 1:19:08.040
<v Speaker 1>of those things where people debate what said.

1:19:07.920 --> 1:19:11.080
<v Speaker 5>Yes, So what inspired me was when when delle gue

1:19:11.560 --> 1:19:14.160
<v Speaker 5>has come up on the Indians. After he's after the

1:19:14.240 --> 1:19:17.080
<v Speaker 5>Mormons buried him in the sand and he got dug out,

1:19:17.400 --> 1:19:21.160
<v Speaker 5>you know, not the Mormons turn Mormons, part Mormon, but anyway,

1:19:22.000 --> 1:19:24.720
<v Speaker 5>you know, he finally gets there and he goes in

1:19:24.800 --> 1:19:27.120
<v Speaker 5>there to kill him. He starts screaming as he's going

1:19:27.160 --> 1:19:30.360
<v Speaker 5>in to kill him. And I'm listening, listening, I've listened

1:19:30.360 --> 1:19:33.800
<v Speaker 5>to it thousands of times. What you're hearing, Aiden, with

1:19:33.960 --> 1:19:37.200
<v Speaker 5>the hearing Aiden everything, I just can't understand what he's saying.

1:19:37.280 --> 1:19:41.720
<v Speaker 5>So I went and researched and found finally and you

1:19:41.800 --> 1:19:42.960
<v Speaker 5>can read what Dale gus.

1:19:43.080 --> 1:19:46.760
<v Speaker 1>I will, but I want to did you once you

1:19:46.920 --> 1:19:50.200
<v Speaker 1>found out what it was, did you then watch yes, okay,

1:19:50.320 --> 1:19:51.800
<v Speaker 1>and you're convinced this is what he says.

1:19:51.880 --> 1:19:54.080
<v Speaker 5>Yes, okay, now now it made sense. It's kind of

1:19:54.080 --> 1:19:56.680
<v Speaker 5>like a song that you can't really understand. But once

1:19:56.720 --> 1:19:58.960
<v Speaker 5>you read the lyrics and listen to it song, oh

1:19:59.040 --> 1:19:59.760
<v Speaker 5>that's what he's saying.

1:20:00.000 --> 1:20:03.559
<v Speaker 1>In cases any idiots out here in the listening public,

1:20:04.200 --> 1:20:06.720
<v Speaker 1>There's a movie called Jeremiah Johnson. It was directed by

1:20:06.760 --> 1:20:12.840
<v Speaker 1>Sidney Pollack. Uh. It's set eighteen thirty six, So what

1:20:13.680 --> 1:20:14.639
<v Speaker 1>the movie is set?

1:20:14.840 --> 1:20:18.120
<v Speaker 5>And I believe it's set in like eighteen sixty Was

1:20:18.160 --> 1:20:18.599
<v Speaker 5>it that late?

1:20:18.640 --> 1:20:20.600
<v Speaker 1>It was the well, no, it was right. He was

1:20:20.680 --> 1:20:21.479
<v Speaker 1>coming out of the.

1:20:21.800 --> 1:20:24.519
<v Speaker 5>Spanish American War. Yeah, yeah, that's later.

1:20:25.560 --> 1:20:27.960
<v Speaker 1>Yeah, sixty three, No, not sixty.

1:20:27.760 --> 1:20:28.680
<v Speaker 5>Three, somewhere in there.

1:20:29.000 --> 1:20:29.280
<v Speaker 1>Okay.

1:20:31.040 --> 1:20:31.160
<v Speaker 3>Uh.

1:20:32.800 --> 1:20:36.080
<v Speaker 1>Robert Redford plays a character Jeremiah Johnson. He's coming from war.

1:20:36.600 --> 1:20:38.719
<v Speaker 1>He's coming from the Spanish American War, not the Spanish

1:20:38.760 --> 1:20:42.519
<v Speaker 1>Mexican Americans come from the Mexican late eighteen forties. No,

1:20:42.600 --> 1:20:46.160
<v Speaker 1>I don't think it's that. It is, man, he just missed.

1:20:46.600 --> 1:20:50.240
<v Speaker 1>He just missed the fur era. Yeah, take that up. Randall,

1:20:50.320 --> 1:20:54.120
<v Speaker 1>doctor Randall. You know, Randall's got PhD in what history?

1:20:54.360 --> 1:20:57.200
<v Speaker 1>All right, Turkey, all right, it's all I got. So

1:20:57.800 --> 1:21:01.320
<v Speaker 1>he's gonna apply. He's gonna watch you to a PhD historian,

1:21:01.800 --> 1:21:04.920
<v Speaker 1>apply his training, and he's gonna tell us what year

1:21:05.000 --> 1:21:06.360
<v Speaker 1>that war ended. Watch you'll find it.

1:21:06.479 --> 1:21:07.160
<v Speaker 5>Go for random.

1:21:08.200 --> 1:21:09.920
<v Speaker 1>I gotta double check all these sources.

1:21:10.280 --> 1:21:10.760
<v Speaker 3>That's true.

1:21:10.840 --> 1:21:12.679
<v Speaker 1>He's going back to the primary source work.

1:21:13.040 --> 1:21:13.360
<v Speaker 5>Okay.

1:21:14.400 --> 1:21:14.519
<v Speaker 4>Uh.

1:21:15.600 --> 1:21:20.400
<v Speaker 1>Jeremiah Johnson is the Spanish. The Mexican American tales name

1:21:20.400 --> 1:21:25.400
<v Speaker 1>of the war, Randall Mexican American following the Mexican American War.

1:21:25.600 --> 1:21:29.120
<v Speaker 1>He wants to go and be a mountain man. But

1:21:29.280 --> 1:21:33.320
<v Speaker 1>he arrives, and he arrives in the Northern Rockies and

1:21:33.760 --> 1:21:39.040
<v Speaker 1>the heyday's over, the beaver trade is wound down. He

1:21:39.200 --> 1:21:43.000
<v Speaker 1>just wants to be largely left alone. He encounters these

1:21:43.280 --> 1:21:46.120
<v Speaker 1>number of these great characters. He sort of acts very

1:21:46.280 --> 1:21:50.080
<v Speaker 1>accidentally against his better judgment. Starts like a little family.

1:21:50.800 --> 1:21:58.400
<v Speaker 1>He winds up not accidentally, like against his wishes. He's

1:21:58.520 --> 1:22:00.560
<v Speaker 1>thrust in due position where he has to adopt a

1:22:00.600 --> 1:22:05.000
<v Speaker 1>young child, also against his wishes, and against his better judgment.

1:22:05.080 --> 1:22:07.200
<v Speaker 1>He's thrust in the position where he has to become married.

1:22:07.400 --> 1:22:07.880
<v Speaker 5>That's correct.

1:22:07.920 --> 1:22:10.240
<v Speaker 1>So now he's like has a wife that he didn't want,

1:22:10.880 --> 1:22:13.080
<v Speaker 1>he has a child that he doesn't want, and he

1:22:13.200 --> 1:22:18.040
<v Speaker 1>tries to establish a life for them. Spoiler alert, they're killed,

1:22:20.920 --> 1:22:23.840
<v Speaker 1>and it sets him on a quest for vengeance. And

1:22:24.560 --> 1:22:28.479
<v Speaker 1>through time his thirst for vengeance is sated, and and

1:22:28.760 --> 1:22:33.960
<v Speaker 1>he's just now like a sort of ghost of a

1:22:34.040 --> 1:22:37.000
<v Speaker 1>man and living alone in the mountains. And I will

1:22:37.040 --> 1:22:40.920
<v Speaker 1>say that the vengeance in this case was really the crows,

1:22:41.960 --> 1:22:45.080
<v Speaker 1>because he made his amends when he went and kill

1:22:45.120 --> 1:22:47.439
<v Speaker 1>the people that killed his wife and his kid. That's true.

1:22:47.760 --> 1:22:53.040
<v Speaker 5>And he left one and that one then reports back

1:22:53.120 --> 1:22:56.599
<v Speaker 5>to paints his shirt red, which is the headed guy,

1:22:57.320 --> 1:23:00.400
<v Speaker 5>head of the tribe, and he says, and the drenth

1:23:00.600 --> 1:23:04.840
<v Speaker 5>of them is built on one warrior, and so they

1:23:04.920 --> 1:23:06.040
<v Speaker 5>send one warrior at.

1:23:05.920 --> 1:23:09.320
<v Speaker 1>A time to kill Jeremiah. Yep, and he is able

1:23:09.400 --> 1:23:11.479
<v Speaker 1>to kill everyone that he sent after you.

1:23:11.680 --> 1:23:17.479
<v Speaker 8>Okay, if I may interject, there's no specific year that's

1:23:17.520 --> 1:23:18.720
<v Speaker 8>pinpointed to the movie, but.

1:23:18.960 --> 1:23:21.559
<v Speaker 1>I know that if there was, we wouldn't be arguing

1:23:21.560 --> 1:23:22.840
<v Speaker 1>about it. I'd be holding it right in my hand.

1:23:22.920 --> 1:23:26.880
<v Speaker 8>That's fair because he was a veteran of the Mexican

1:23:26.880 --> 1:23:30.760
<v Speaker 8>American War, and he's still wearing his cavalry pants when

1:23:30.800 --> 1:23:33.479
<v Speaker 8>he went into the mountains Mexican American War eighteen forty six,

1:23:33.560 --> 1:23:34.280
<v Speaker 8>eighteen forty eight.

1:23:34.360 --> 1:23:34.920
<v Speaker 5>Okay, I didn't know.

1:23:35.520 --> 1:23:40.920
<v Speaker 1>He encounters a man. He's out in the desert and

1:23:41.000 --> 1:23:45.360
<v Speaker 1>he encounters a man buried to his neck, just his

1:23:45.439 --> 1:23:49.000
<v Speaker 1>head's bald headsticking out. No, he's wearing it. He had

1:23:49.040 --> 1:23:52.160
<v Speaker 1>hair at the time. No, he was bald, bald time. Yeah,

1:23:54.200 --> 1:23:56.800
<v Speaker 1>And he yells something, he says, I am delG you,

1:23:58.280 --> 1:24:02.680
<v Speaker 1>I can whip my weight andes that everybody knows that.

1:24:03.080 --> 1:24:08.439
<v Speaker 1>What they don't know is this, straight through a crab

1:24:08.680 --> 1:24:14.599
<v Speaker 1>apple orchard on a flash of lightning. I never knew

1:24:14.600 --> 1:24:20.400
<v Speaker 1>that till last night. Yeah, you've stolen my pelts and die.

1:24:20.560 --> 1:24:25.439
<v Speaker 1>You must already knew that. Straight through a crab apple

1:24:25.640 --> 1:24:28.920
<v Speaker 1>orchard on a flash of lightning. And the old days

1:24:28.960 --> 1:24:31.800
<v Speaker 1>we would have called this whole episode that. There you go,

1:24:32.280 --> 1:24:36.080
<v Speaker 1>I like it. Well, we can't anymore trying to get

1:24:36.120 --> 1:24:38.040
<v Speaker 1>more serious about what SEO. I don't know what the

1:24:38.080 --> 1:24:38.519
<v Speaker 1>hell we're.

1:24:38.360 --> 1:24:40.720
<v Speaker 10>Trying to search engine optimism.

1:24:40.960 --> 1:24:42.720
<v Speaker 1>No one's searching that because they don't know that that's

1:24:42.760 --> 1:24:49.080
<v Speaker 1>what he says, it would get se O zero. No

1:24:49.200 --> 1:24:52.719
<v Speaker 1>one's searching that today. Straight through a crab apple orchard

1:24:52.760 --> 1:24:59.200
<v Speaker 1>and a flash of lightning. Well, I love the movie

1:24:59.280 --> 1:25:05.760
<v Speaker 1>most because then, so we're gonna go to this is

1:25:05.800 --> 1:25:07.679
<v Speaker 1>this an episode of Steve Reid's movie Scripts?

1:25:07.720 --> 1:25:08.639
<v Speaker 3>So you don't know what about?

1:25:08.640 --> 1:25:10.719
<v Speaker 6>Are we gonna skip over the part where he's running

1:25:10.760 --> 1:25:14.400
<v Speaker 6>into the house, the part that Will didn't know what

1:25:14.560 --> 1:25:15.080
<v Speaker 6>he was saying.

1:25:15.240 --> 1:25:17.800
<v Speaker 1>Now we know was not in the house.

1:25:17.920 --> 1:25:20.000
<v Speaker 5>He's the Indians are sleeping.

1:25:21.080 --> 1:25:22.559
<v Speaker 1>So yeah, they attack him.

1:25:22.640 --> 1:25:25.400
<v Speaker 5>So the young boy that he's been forced to take

1:25:25.439 --> 1:25:28.680
<v Speaker 5>on as a son. And Jeremiah have found del U

1:25:28.840 --> 1:25:32.400
<v Speaker 5>buried up to his head and you know, asked him,

1:25:32.439 --> 1:25:36.720
<v Speaker 5>he said, engines bury you here twarnt marmons. So they

1:25:36.840 --> 1:25:39.400
<v Speaker 5>dig him out. And now the search becomes to go

1:25:39.760 --> 1:25:46.880
<v Speaker 5>find these Indians and they were black Feet, I believe,

1:25:47.439 --> 1:25:52.760
<v Speaker 5>and to find them and and and Dale is gonna

1:25:52.800 --> 1:25:54.600
<v Speaker 5>kill him. Jeremah doesn't want kill him. He's supposed to

1:25:54.600 --> 1:25:57.280
<v Speaker 5>be left alone. Yeah, and that's when he's that's when

1:25:57.320 --> 1:26:00.519
<v Speaker 5>he when when Dale g that's when he's that part

1:26:00.640 --> 1:26:03.639
<v Speaker 5>is charging and that's what that's what he's. George Indian,

1:26:05.640 --> 1:26:07.719
<v Speaker 5>one of the delightful characters.

1:26:07.760 --> 1:26:14.240
<v Speaker 1>He meets his bear claw, Chris lap Lap, and he said,

1:26:14.439 --> 1:26:17.560
<v Speaker 1>Chris lap begrudgingly saves his life and gives him his

1:26:17.720 --> 1:26:20.640
<v Speaker 1>initial education and mountain living, how to stay warm, how

1:26:20.680 --> 1:26:23.160
<v Speaker 1>to get food and all that, and then uh, how

1:26:23.240 --> 1:26:26.680
<v Speaker 1>to trap you leave. Then Chris lap leaves him and

1:26:26.760 --> 1:26:29.040
<v Speaker 1>the end Jeremia Johnson's like way up in the high country.

1:26:29.800 --> 1:26:34.920
<v Speaker 1>He's uh cooking a rabbit. Now. One problem, the one

1:26:35.160 --> 1:26:38.439
<v Speaker 1>problem in Jeremiah Johnson. There's one distinct, singular problem in

1:26:38.520 --> 1:26:42.280
<v Speaker 1>the whole movie. One imperfection he's roasting a rabbit on

1:26:42.360 --> 1:26:46.519
<v Speaker 1>a stick. The end of the movie, it's just sad.

1:26:47.280 --> 1:26:49.800
<v Speaker 1>Everything's sad and depressing. He's way up in the high

1:26:49.840 --> 1:26:52.360
<v Speaker 1>country by himself, bundled in his furs. He's got a

1:26:52.400 --> 1:26:55.280
<v Speaker 1>little fire going and he's cooking a rabbit. The one

1:26:55.360 --> 1:26:58.160
<v Speaker 1>problem in the movie Randall, what is it? Do you know?

1:26:59.120 --> 1:27:01.960
<v Speaker 1>Oak beagles No. When he goes to get he goes

1:27:02.000 --> 1:27:03.599
<v Speaker 1>to pull a leg from the rabbit and it comes

1:27:03.640 --> 1:27:05.719
<v Speaker 1>off as though it's tender. Mmmm.

1:27:07.120 --> 1:27:07.880
<v Speaker 5>It's like it's.

1:27:10.000 --> 1:27:12.160
<v Speaker 1>It's no way. They almost got to the end with that.

1:27:12.280 --> 1:27:14.160
<v Speaker 1>If I would have been there as a consultant, I

1:27:14.200 --> 1:27:17.080
<v Speaker 1>would have said he needs to really try to pull

1:27:17.200 --> 1:27:19.800
<v Speaker 1>hard and can't get it off, and eventually tries to

1:27:19.840 --> 1:27:22.840
<v Speaker 1>cut that leg off because I don't care how you

1:27:22.960 --> 1:27:24.120
<v Speaker 1>cook a contail rabbit on.

1:27:24.160 --> 1:27:29.720
<v Speaker 3>A fire, so you think it was a like it

1:27:29.920 --> 1:27:31.559
<v Speaker 3>was pre cut or was a farm raised.

1:27:31.560 --> 1:27:36.000
<v Speaker 1>The rabbit reaches out bearcrock. Chris Lap pulls up. Ask him,

1:27:37.600 --> 1:27:42.760
<v Speaker 1>everything's unspoken this movie. Ask him what's on the spit?

1:27:44.840 --> 1:27:52.000
<v Speaker 1>Chris Lap asks Jeremia Johnson what's on particular. Jeremiah Johnson says, no,

1:27:52.200 --> 1:27:54.800
<v Speaker 1>who guess what? Yeah, Chris Lap asked Jeremi Johnson, what's

1:27:54.880 --> 1:27:57.880
<v Speaker 1>on the spit grown particular? And he says to him,

1:27:57.880 --> 1:28:01.120
<v Speaker 1>he replies, have you grown particular? And he says, only

1:28:01.160 --> 1:28:05.439
<v Speaker 1>about the company I keep, mm hmm. But he throws he.

1:28:07.439 --> 1:28:11.519
<v Speaker 5>He says, not about my feeding, just the company.

1:28:11.640 --> 1:28:14.439
<v Speaker 1>That's just the company I keep. But he's willing to

1:28:14.520 --> 1:28:17.160
<v Speaker 1>come talk to Johnson. Johnson then removes the leg of

1:28:17.200 --> 1:28:20.080
<v Speaker 1>the rabbit and it's just too easy. It's always tripped

1:28:20.120 --> 1:28:20.320
<v Speaker 1>me up.

1:28:20.360 --> 1:28:21.800
<v Speaker 11>Maybe he had an instant.

1:28:24.080 --> 1:28:26.920
<v Speaker 1>Yeah it. If he pulled it off, I'd be like, yeah,

1:28:26.920 --> 1:28:31.760
<v Speaker 1>this looks great. There's a movie I want to get

1:28:31.760 --> 1:28:34.320
<v Speaker 1>into subtlety. We're nearing the end of the show here

1:28:34.360 --> 1:28:39.000
<v Speaker 1>will but there's a very good movie called You Can

1:28:39.040 --> 1:28:41.400
<v Speaker 1>count on Me, Okay, And it's about a brother and

1:28:41.439 --> 1:28:44.080
<v Speaker 1>a sister who are orphaned and then one of them

1:28:44.520 --> 1:28:46.439
<v Speaker 1>becomes like a family person and one of them becomes

1:28:46.479 --> 1:28:49.680
<v Speaker 1>an addict and wander and the whole movie. You never

1:28:49.760 --> 1:28:51.560
<v Speaker 1>know why the movie is called you can count on Me.

1:28:51.680 --> 1:28:53.280
<v Speaker 1>No one ever says you can count on me. Nothing.

1:28:53.720 --> 1:28:58.719
<v Speaker 1>In the end of the movie, the brother and sister

1:28:58.800 --> 1:29:00.640
<v Speaker 1>tried to come together, but he's too messed up, and

1:29:02.240 --> 1:29:04.840
<v Speaker 1>the sister doesn't want the brother around her children, so

1:29:05.120 --> 1:29:07.559
<v Speaker 1>he's got to go away. And one of them says

1:29:07.600 --> 1:29:10.280
<v Speaker 1>the other one, do you remember what we used to

1:29:10.400 --> 1:29:13.120
<v Speaker 1>always say to each other? And you're thinking, well, here's

1:29:13.160 --> 1:29:15.960
<v Speaker 1>the part where someone's gonna go, yeah, it was you

1:29:16.040 --> 1:29:18.640
<v Speaker 1>can count on me, But he just says, yeah, I

1:29:18.640 --> 1:29:23.080
<v Speaker 1>remember never said. No one ever says the words in

1:29:23.120 --> 1:29:24.800
<v Speaker 1>the whole movie. But you know the name of the

1:29:24.880 --> 1:29:29.360
<v Speaker 1>movie is the answer to the riddle, right, Jeremia Johnson

1:29:30.160 --> 1:29:35.160
<v Speaker 1>nothing said in the end of the movie, but it's this, Uh,

1:29:35.800 --> 1:29:38.720
<v Speaker 1>Jeremiah Johnson wants to know of Chris ask Chris Lap,

1:29:40.640 --> 1:29:42.840
<v Speaker 1>would you happen to know what month of the year

1:29:42.880 --> 1:29:47.519
<v Speaker 1>it is? And Chris Lap takes a stab at it.

1:29:47.760 --> 1:29:52.320
<v Speaker 1>March maybe April. March is a money month down below.

1:29:53.240 --> 1:29:58.600
<v Speaker 5>Some folks like it mostly I hope you will farewell.

1:30:00.000 --> 1:30:04.080
<v Speaker 1>No, you left out, he says. They speculate about what

1:30:04.200 --> 1:30:06.920
<v Speaker 1>month it is, and they don't arrive at an answer. Right,

1:30:07.080 --> 1:30:09.360
<v Speaker 1>It's just left is an open question. They don't know that.

1:30:09.720 --> 1:30:12.960
<v Speaker 1>They're so out there now and so removed from anything

1:30:13.000 --> 1:30:16.280
<v Speaker 1>to say March. I don't believe April. Yeah, he goes, March.

1:30:16.400 --> 1:30:19.800
<v Speaker 1>Maybe I don't believe April. Winner's a long time going

1:30:20.240 --> 1:30:24.479
<v Speaker 1>stays long. This high march is a green, muddy month

1:30:24.600 --> 1:30:28.600
<v Speaker 1>down below. Some folks like it, farmers mostly. Then he

1:30:28.640 --> 1:30:31.120
<v Speaker 1>says that he changes the subject. It's a non sequitor.

1:30:32.080 --> 1:30:35.120
<v Speaker 1>You've done well to keep so much hair when so

1:30:35.320 --> 1:30:38.400
<v Speaker 1>many is after it, when so manyar after it. I

1:30:38.479 --> 1:30:42.120
<v Speaker 1>hope you farewell. And the movie no no, then the

1:30:42.240 --> 1:30:47.080
<v Speaker 1>voiceover yeah, the then paints his shirt red, says his

1:30:47.240 --> 1:30:50.240
<v Speaker 1>piece doesn't say anything and say it, but he says it,

1:30:50.640 --> 1:30:54.320
<v Speaker 1>says it with his hand. Yeah, wow, thanks for that.

1:30:54.720 --> 1:30:56.720
<v Speaker 1>I need a really long hallway because I'm gonna frame

1:30:56.800 --> 1:30:58.679
<v Speaker 1>this whole thing. But I need a hallway long enough

1:30:58.760 --> 1:31:07.160
<v Speaker 1>to We've got that. Yeah, really long frames. So the

1:31:07.280 --> 1:31:08.400
<v Speaker 1>eleven inches higher.

1:31:08.240 --> 1:31:11.640
<v Speaker 5>To me, to me, paints his shirt red, and Jeremiah's

1:31:11.840 --> 1:31:14.520
<v Speaker 5>ending scene is about forgiveness.

1:31:15.280 --> 1:31:18.960
<v Speaker 1>Yes, it's it's it's paints his shirt red, that offers

1:31:19.080 --> 1:31:22.000
<v Speaker 1>the sign of peace. I shouldn't leave that off.

1:31:22.240 --> 1:31:27.360
<v Speaker 5>And then when Jeremiah gives, gives when he realized when

1:31:27.360 --> 1:31:29.560
<v Speaker 5>he reaches first gun at first because he thinks we

1:31:29.680 --> 1:31:32.679
<v Speaker 5>go again, and then he realizes it's paints his shirt red,

1:31:32.800 --> 1:31:36.759
<v Speaker 5>and he realizes he's offered the peace sign. He cannot

1:31:36.960 --> 1:31:38.559
<v Speaker 5>stretch his hand any tighter.

1:31:38.640 --> 1:31:40.679
<v Speaker 1>Yeah, you know, he goes and then he goes higher.

1:31:41.280 --> 1:31:45.360
<v Speaker 1>It was like got the trump got his earshot fist

1:31:45.439 --> 1:31:47.960
<v Speaker 1>in the air defiant. Yeah, but it's not. It's a piece.

1:31:48.160 --> 1:31:50.680
<v Speaker 1>He stretches it and then he like strains to get

1:31:50.720 --> 1:31:53.719
<v Speaker 1>it higher and instead emitting, he's just got rags wrapped

1:31:53.720 --> 1:31:54.439
<v Speaker 1>around his hands.

1:31:54.640 --> 1:31:57.120
<v Speaker 5>Well, I'm telling you, it's been wonderful to meet all

1:31:57.160 --> 1:31:59.559
<v Speaker 5>of y'all as a bee here. It's been absolutely great.

1:32:00.040 --> 1:32:02.360
<v Speaker 5>And as far as the book goes, you can pre

1:32:02.560 --> 1:32:04.920
<v Speaker 5>order audio right now. You go to Amazon and and

1:32:05.360 --> 1:32:08.439
<v Speaker 5>just type in Straight Shooting for Hunters and audio. Yeah,

1:32:08.520 --> 1:32:11.960
<v Speaker 5>the audio version and the book. The audio version will

1:32:12.000 --> 1:32:14.840
<v Speaker 5>come out first, and the audio is read by me.

1:32:14.920 --> 1:32:16.639
<v Speaker 5>It's my good, perfect, it's my voice.

1:32:16.760 --> 1:32:17.880
<v Speaker 1>You let some idiot read it.

1:32:18.040 --> 1:32:19.920
<v Speaker 5>Yeah, so it'll be Straight Shooting for Hunters And type

1:32:19.960 --> 1:32:22.040
<v Speaker 5>in Primos or matteris and you can pre order the

1:32:22.080 --> 1:32:24.280
<v Speaker 5>audio and that'll do you a lot of good riding

1:32:24.320 --> 1:32:26.400
<v Speaker 5>your car. Listen to it. But the diagrams that are

1:32:26.439 --> 1:32:28.880
<v Speaker 5>in the book are very visual.

1:32:29.120 --> 1:32:31.439
<v Speaker 1>That's why. That's why when you said audio, I was like.

1:32:32.439 --> 1:32:34.760
<v Speaker 5>Sure, when you go to talking about pointed the eyes

1:32:34.800 --> 1:32:37.960
<v Speaker 5>and establishing how dominant you are and either I it's

1:32:38.040 --> 1:32:41.160
<v Speaker 5>in there and then the swing through the pass through,

1:32:41.280 --> 1:32:42.160
<v Speaker 5>the maintain lead.

1:32:42.640 --> 1:32:46.200
<v Speaker 1>You know. All that is in the book Street Shooting

1:32:46.280 --> 1:32:49.439
<v Speaker 1>for Hunters, A champions Guide to using shotguns in the

1:32:49.560 --> 1:32:57.200
<v Speaker 1>Field Anthony Mattise correct and uh, Jeffert Will primos Jack,

1:32:57.920 --> 1:33:01.800
<v Speaker 1>big Jack Jack, Big Jack, Oh, big Jack. Sorry, I'm

1:33:01.800 --> 1:33:05.120
<v Speaker 1>little Jack. Well, thanks for coming on the show man.

1:33:05.280 --> 1:33:07.200
<v Speaker 1>It means a lot to me. Like I said, are

1:33:07.280 --> 1:33:08.560
<v Speaker 1>up top, I'm gonna and I'm gonna end it the

1:33:08.600 --> 1:33:12.400
<v Speaker 1>same way I began. I've uh always admired you and

1:33:12.600 --> 1:33:20.280
<v Speaker 1>and and your positivity and and just like euphoria for family,

1:33:21.080 --> 1:33:25.479
<v Speaker 1>wild life friends being in the field. It's it's just

1:33:25.640 --> 1:33:26.439
<v Speaker 1>it's good man.

1:33:26.479 --> 1:33:28.719
<v Speaker 5>I've gone her a whole lot more respect than I deserve.

1:33:28.800 --> 1:33:32.200
<v Speaker 5>But let me thank you because you've taken up the

1:33:32.360 --> 1:33:35.400
<v Speaker 5>torch and the work that you do and what you

1:33:35.560 --> 1:33:39.160
<v Speaker 5>do with your team and sharing with the world what

1:33:39.400 --> 1:33:42.920
<v Speaker 5>meat eater is all about and what loving outside is

1:33:42.960 --> 1:33:45.280
<v Speaker 5>all about. It hunting and fishing is awesome.

1:33:45.640 --> 1:33:48.600
<v Speaker 1>Good Thank you, good ship, keep it up, thank you.

1:33:48.920 --> 1:33:49.720
<v Speaker 5>Good job, Thank you.

1:33:50.160 --> 1:33:50.639
<v Speaker 1>Thanks Will.

1:33:50.800 --> 1:33:51.639
<v Speaker 5>Yeah, You're welcome.

1:33:51.680 --> 1:34:05.120
<v Speaker 1>Thank you. It's in the morning and I'm dropping the game.

1:34:06.320 --> 1:34:14.400
<v Speaker 4>Little my boys, it's getting her my dog. I'm running

1:34:14.520 --> 1:34:15.360
<v Speaker 4>with my dog.

1:34:18.800 --> 1:34:20.800
<v Speaker 9>I've got a black flat.

1:34:20.640 --> 1:34:23.320
<v Speaker 12>Blood down the mountains and curl.

1:34:24.640 --> 1:34:28.880
<v Speaker 7>Any kind of game feeder, Hofir, I got my dog.

1:34:31.680 --> 1:34:33.360
<v Speaker 4>No runing with my dog?

1:34:37.240 --> 1:34:42.360
<v Speaker 3>Well first like midnight. It's all the same, me and

1:34:42.560 --> 1:34:42.960
<v Speaker 3>the dog.

1:34:43.920 --> 1:34:49.080
<v Speaker 7>We're after the game, wet lands, up lands.

1:34:48.880 --> 1:35:14.879
<v Speaker 12>Mountain juices, we get to jews. Well, it's turning the morning.

1:35:15.360 --> 1:35:16.639
<v Speaker 3>Mount to drop the girl.

1:35:18.000 --> 1:35:19.760
<v Speaker 1>Come on, little little boys.

1:35:19.920 --> 1:35:22.639
<v Speaker 4>Let's getting late. I not my dog.

1:35:25.040 --> 1:35:26.840
<v Speaker 1>I'm going hunting with my dog.

1:35:30.600 --> 1:35:34.960
<v Speaker 12>I got a blooted leadhound a mountain care.

1:35:36.560 --> 1:35:39.400
<v Speaker 9>And it kind of gave it all leather, Afir.

1:35:40.280 --> 1:35:44.320
<v Speaker 7>I got a dog, and I'm going to hunting with

1:35:44.720 --> 1:35:51.960
<v Speaker 7>my dog. Will let its first like mid ninety soul,

1:35:52.240 --> 1:35:57.000
<v Speaker 7>the same being the dog gonna go get us a game.

1:35:58.640 --> 1:36:00.679
<v Speaker 7>So wedd landsy up lands are.

1:36:00.720 --> 1:36:01.879
<v Speaker 12>Just some mount cues.

1:36:03.040 --> 1:36:04.919
<v Speaker 9>You know you did tooose?

1:36:05.920 --> 1:36:16.960
<v Speaker 12>Yeah, I don't.

1:36:45.080 --> 1:36:45.120
<v Speaker 9>Do.

1:36:45.200 --> 1:36:50.240
<v Speaker 4>Don't feel like today, the lapse of thirty all it's bad,

1:36:53.800 --> 1:37:11.800
<v Speaker 4>don't matter how anything, knowing no l

1:37:13.400 --> 1:37:13.720
<v Speaker 12>In the