WEBVTT - Everybody's Mom with Sharon Lawrence • EP 809 0:00:00.080 --> 0:00:03.440 First of all, you don't know me. We all about 0:00:03.440 --> 0:00:06.400 that high school drama, Girl Drama, Girl, all about them. 0:00:06.360 --> 0:00:08.119 High school queens. 0:00:08.160 --> 0:00:10.360 We'll take you for a ride, and our comic girl 0:00:11.119 --> 0:00:14.720 shared for the right teams Drama Queenslie's my girl, up 0:00:14.840 --> 0:00:16.440 girl fashion, but your tough. 0:00:16.239 --> 0:00:17.480 Girl, you could sit with us. 0:00:17.520 --> 0:00:21.239 Girl Drama, Queens Drama, Queens Drama, Queens Drama, drahn The 0:00:21.320 --> 0:00:23.439 Queens Drama Queens. 0:00:24.320 --> 0:00:26.560 Hello everyone, guys, it's such. 0:00:26.400 --> 0:00:29.960 An exciting episode today. It's season eight episode nine, between 0:00:30.080 --> 0:00:34.440 Amazing Grace and Raising Hell, which aired November sixteenth, twenty ten. 0:00:34.600 --> 0:00:39.800 Are incredible Thanksgiving episode directed by Bethany joy Lenz. 0:00:40.200 --> 0:00:42.080 Hello, thank you very much. 0:00:42.280 --> 0:00:44.600 I freaking love this episode. Joy. Do you want to 0:00:44.640 --> 0:00:46.240 tell our friends at home what it's about? 0:00:46.760 --> 0:00:47.000 Yes? 0:00:47.720 --> 0:00:53.199 This is the Thanksgiving episode of season eight. It is uh, 0:00:53.400 --> 0:00:56.280 it's the whole gang ends up at Nathan and Haley's 0:00:56.320 --> 0:01:00.000 house to spend Thanksgiving with their friends and non friend 0:01:00.000 --> 0:01:04.560 friends and family and people they wish weren't family, and 0:01:04.600 --> 0:01:05.440 all of just. 0:01:05.400 --> 0:01:08.640 The most fun. You crushed it. 0:01:09.240 --> 0:01:11.640 Thank you, and Nikki Shfflbeine wrote it. She did a 0:01:11.680 --> 0:01:12.479 great job too. 0:01:12.680 --> 0:01:15.840 Because this episode is such a special one. It's not 0:01:15.880 --> 0:01:18.320 even just the three of us who get to walk 0:01:18.360 --> 0:01:20.800 down memory Lane. We have a friend coming to join 0:01:20.920 --> 0:01:24.920 us today. Producers, will you bring her in? 0:01:26.080 --> 0:01:27.000 Who could it be? 0:01:27.400 --> 0:01:30.520 Who could it be? Dun Dun, dun dun. 0:01:32.040 --> 0:01:32.720 I saw her face for. 0:01:36.240 --> 0:01:42.080 Friends, family, listeners, the myth, the legend, the icon. As 0:01:42.200 --> 0:01:45.280 Rob Buckley just said, the National Treasure Sharon Lawrence is 0:01:45.319 --> 0:01:46.199 here with us today. 0:01:47.760 --> 0:01:48.320 Welcome. 0:01:50.040 --> 0:01:55.320 I am so excited to see you all together. It's 0:01:55.440 --> 0:01:58.840 very rare that in my life I've been in the 0:01:58.880 --> 0:02:00.840 same room with all of you. As a matter of fact, 0:02:00.840 --> 0:02:03.640 I'm not even sure it's happened even on One Tree Hill. 0:02:03.800 --> 0:02:05.680 No on this episode. 0:02:05.720 --> 0:02:10.079 In this episode, did well were you were briefly though? 0:02:10.240 --> 0:02:11.840 That's very very very briefly. 0:02:11.880 --> 0:02:15.720 But you must have been sitting at another Thanksgiving table because. 0:02:15.880 --> 0:02:17.160 You had a wound. 0:02:17.240 --> 0:02:21.160 You you had been you were injuredewing play football. 0:02:21.480 --> 0:02:22.280 He was injured. 0:02:22.720 --> 0:02:24.639 He was injured from being shot. 0:02:25.120 --> 0:02:26.440 Yes, I had been shot. 0:02:27.040 --> 0:02:28.880 And then Clay. I mean we're jumping ahead, but when 0:02:28.919 --> 0:02:31.560 Clay and Quinn go home, when you think about the 0:02:31.680 --> 0:02:34.440 number of days and enjoy I wonder if you remember 0:02:34.960 --> 0:02:37.079 how many days we were in the Nathan and Haley 0:02:37.080 --> 0:02:39.920 House to do Thanksgiving dinner because obviously it was a 0:02:39.960 --> 0:02:43.280 lot of days. Yeah, Rob, you probably were there for 0:02:43.560 --> 0:02:46.520 two days. You probably had a real nice schedule on 0:02:46.560 --> 0:02:47.360 this episode. 0:02:48.000 --> 0:02:50.520 I had forgotten how the episode played out, and so 0:02:50.639 --> 0:02:53.120 when Quinn shows up and she's like, let's get out 0:02:53.120 --> 0:02:54.560 of here, I was like, oh, did I have a 0:02:54.639 --> 0:02:55.560 light episode? 0:02:56.000 --> 0:02:56.320 Hey? 0:02:56.639 --> 0:02:57.959 Is it just going to be one seat in the 0:02:58.000 --> 0:02:58.760 bedroom after this? 0:02:58.840 --> 0:02:59.120 For me? 0:02:59.480 --> 0:03:00.000 And it was? 0:03:00.560 --> 0:03:03.720 It was congratulations, sir, Thank. 0:03:03.560 --> 0:03:07.320 You everyone, Thank you line producer Joy. You did such 0:03:07.560 --> 0:03:11.480 a good job with this episode. It was so fun 0:03:11.520 --> 0:03:16.760 to watch. It was so damn funny. You had so 0:03:16.919 --> 0:03:20.880 many spinning plates, like this episode was jam packed. But 0:03:21.560 --> 0:03:23.640 I just I want to start by just saying like 0:03:23.880 --> 0:03:25.720 you did an incredible job with it. 0:03:25.919 --> 0:03:29.480 Yes, thank you so much. I'm really I loved getting 0:03:29.480 --> 0:03:32.600 this episode put on my plate. Pardon the pun. Thanksgiving 0:03:32.800 --> 0:03:35.640 That Okay, maybe it's not that good. I was really 0:03:35.720 --> 0:03:38.880 happy about this because, and I think maybe they knew 0:03:38.960 --> 0:03:41.840 I was the right director for it, because I love props, 0:03:41.920 --> 0:03:44.720 and I love choreography and the movement, the constant movement 0:03:44.760 --> 0:03:49.160 of things, and I was always really I have a 0:03:49.280 --> 0:03:55.400 very natural inclination toward physical memory. So whatever I do 0:03:55.480 --> 0:03:57.520 in a scene, I can repeat. It's like it's in 0:03:57.560 --> 0:03:59.520 my body, so I can repeat the exact movements on 0:03:59.600 --> 0:04:01.280 the exact line, on the exact word. I have a 0:04:01.320 --> 0:04:04.560 weird like memory glitch with all that stuff. So I 0:04:04.640 --> 0:04:07.160 think maybe they gave it to me because they knew 0:04:07.160 --> 0:04:10.360 I could handle like all the different moving pieces. But 0:04:10.720 --> 0:04:13.400 it was not without its challenge. I mean, as natural 0:04:13.400 --> 0:04:17.159 as that came to me, that was It was a 0:04:17.160 --> 0:04:18.800 lot of fun. And there's so much to talk about 0:04:18.800 --> 0:04:21.200 with this episode, but I really want to say how 0:04:21.240 --> 0:04:26.320 excited I was, particularly to direct Sharon, because Sharon, I 0:04:26.360 --> 0:04:28.400 had never met you. I think I knew that you 0:04:28.440 --> 0:04:30.320 were in but we didn't have any scenes together, and 0:04:30.360 --> 0:04:33.800 I was frothing at the bit because you are a legend. 0:04:33.880 --> 0:04:36.560 You've you've been in this industry, You've had such an 0:04:36.640 --> 0:04:41.719 incredible illustrious career and continue to guys. Sharon is the 0:04:41.720 --> 0:04:43.880 reason why I have my manager, by the way, because 0:04:44.360 --> 0:04:46.479 there was a point of time, like a couple of years, 0:04:46.480 --> 0:04:48.320 and I just really wasn't working much, and I was like, 0:04:48.839 --> 0:04:51.479 you know who works more than anyone else? I know, 0:04:52.000 --> 0:04:54.280 Sharon Lawrence, who is representing her. 0:04:56.160 --> 0:04:59.600 That we have the same manager. 0:05:00.680 --> 0:05:05.960 Yes, she's amazing and Sharon, You're just incredible. So I 0:05:05.960 --> 0:05:08.279 would love to know, like how this job came to 0:05:08.320 --> 0:05:11.200 you and what was appealing about it for you and 0:05:11.200 --> 0:05:12.240 what brought you down to Wilmington. 0:05:14.080 --> 0:05:18.479 It was an offer, which is lovely, Yeah, and it 0:05:18.839 --> 0:05:23.520 was a character that I had started to begin to play, 0:05:23.560 --> 0:05:28.040 these sort of monster in laws, the polish pain in 0:05:28.080 --> 0:05:29.960 the ass, and. 0:05:31.520 --> 0:05:35.520 I, for me, it was I enjoyed those kinds of roles. 0:05:35.560 --> 0:05:40.400 I still do because they typically are there in the 0:05:40.480 --> 0:05:43.440 show to change. 0:05:43.120 --> 0:05:46.120 The temperature, to create another vibe. 0:05:46.560 --> 0:05:48.680 It's what I do on Joe Pickett as a matter, 0:05:49.240 --> 0:05:52.000 it's what I did on Dynasty. They all have a 0:05:52.040 --> 0:05:57.120 different profile to them. But I enjoy knowing that I 0:05:57.160 --> 0:06:00.880 can come in and hit be asked to sort of 0:06:01.240 --> 0:06:04.479 do hit some trick moves, and by that I mean 0:06:07.600 --> 0:06:11.280 just change the temperature in whatever way it requires. 0:06:11.320 --> 0:06:12.200 Whether it's. 0:06:14.520 --> 0:06:20.120 Someone who is mercurial or someone who is can can 0:06:20.240 --> 0:06:22.800 be many different things. 0:06:22.560 --> 0:06:25.000 In a short period of time, shift. 0:06:25.279 --> 0:06:30.719 Within a condensed period, so that you can't necessarily know 0:06:31.360 --> 0:06:34.440 if this person is one you're going to if you're 0:06:34.440 --> 0:06:37.240 going to be on their side or not, if you 0:06:37.320 --> 0:06:41.800 have an ambivalence about them because they are not They 0:06:41.880 --> 0:06:44.080 might be one note on the page, but I like 0:06:44.160 --> 0:06:46.000 to play them what they call the blue notes, which 0:06:46.000 --> 0:06:48.599 are the in jazz. It's what isn't the notes that 0:06:48.680 --> 0:06:53.320 aren't there. So that's fun for me. On NYPD Blue, 0:06:53.360 --> 0:06:56.680 I was required to be a good woman and it 0:06:56.839 --> 0:06:59.280 was great. That was a great way to break into 0:06:59.279 --> 0:07:04.719 television because people trusted me, they trusted what I was 0:07:04.760 --> 0:07:07.960 going to bring to certain roles, and then I got 0:07:07.960 --> 0:07:10.680 a chance to change it up and be somebody who 0:07:10.720 --> 0:07:12.160 don't know if you can trust. 0:07:12.680 --> 0:07:14.800 And for an actor, you understand that's. 0:07:14.600 --> 0:07:17.280 Fun because ultimately what you want to do is be 0:07:17.360 --> 0:07:23.880 able to just be layered, create a person who's layered, 0:07:23.880 --> 0:07:25.400 because that's more interesting anyway. 0:07:26.000 --> 0:07:29.200 The way that you played Sylvia with all those layers 0:07:30.000 --> 0:07:32.600 becomes an extremely generous thing for you to do as 0:07:32.640 --> 0:07:35.840 an actor because what it does is highlight the other 0:07:36.080 --> 0:07:39.440 layers in different characters that we don't normally get to see. 0:07:40.080 --> 0:07:45.000 Particularly in this episode with Victoria, there's something about who 0:07:45.120 --> 0:07:49.760 Sylvia is that gives Victoria permission to explore a different 0:07:49.760 --> 0:07:54.160 part of her personality that was really surprising to me 0:07:54.320 --> 0:07:56.920 to see, even as a director on set, but going 0:07:56.960 --> 0:08:00.000 back years later and watching it back, I was so surprised. 0:08:00.480 --> 0:08:05.240 Well, and particularly because Brook and Victoria are butting heads 0:08:05.280 --> 0:08:08.080 in such an intense way, and Victoria's just said, we 0:08:08.120 --> 0:08:10.600 don't need to talk, and Brook's like, fine, I thought 0:08:10.600 --> 0:08:12.720 I had a mom, and I guess I don't. The 0:08:12.920 --> 0:08:18.600 heightened fight. Sylvia stepping in as an ally for Victoria 0:08:19.600 --> 0:08:23.000 actually lets Victoria be more gentle because instead of I 0:08:23.080 --> 0:08:25.760 see you yeah, instead of us just screaming at each other, 0:08:26.280 --> 0:08:28.520 you give her a soft place to land, and so 0:08:28.680 --> 0:08:34.319 she softens. And what you're making me realize, which I 0:08:35.120 --> 0:08:37.240 hate to say I hadn't really thought of until this 0:08:37.400 --> 0:08:41.920 moment with you, is that you essentially got brought in 0:08:41.960 --> 0:08:44.040 to play this woman for the same reason I got 0:08:44.080 --> 0:08:46.840 brought in as Brook. It was to stir the pot. 0:08:47.360 --> 0:08:51.520 It was to cause conflict and be a pain in 0:08:51.520 --> 0:08:55.240 the ass to these established people. So you know, they 0:08:55.240 --> 0:08:58.240 added me in episode two and then Brooke and Julian 0:08:58.360 --> 0:09:01.280 hit this point where we need is mom to come 0:09:01.280 --> 0:09:03.600 in and cause conflict in our house, and I'm like, 0:09:03.679 --> 0:09:07.200 oh my god. Of course Sylvia drives crazy because they're 0:09:07.360 --> 0:09:11.760 so similar. And then that you become friends with my mom, 0:09:11.840 --> 0:09:14.840 who I in this moment hate, like in this crazy 0:09:14.880 --> 0:09:18.760 way as an adult reflecting, I'm seeing a whole thing 0:09:19.200 --> 0:09:21.000 that while I was having the time of my life 0:09:21.040 --> 0:09:23.720 with you and Daphne, I don't even think I saw them. 0:09:24.000 --> 0:09:29.400 And if I may, and all are i've played your 0:09:29.440 --> 0:09:33.080 mother's or your mother in laws now since the beginning 0:09:33.120 --> 0:09:33.439 of the. 0:09:34.520 --> 0:09:38.440 All three of ours right, yes, yes. 0:09:37.880 --> 0:09:43.199 Bob's on the Hallmark hit movies The Christmas House as 0:09:43.240 --> 0:09:46.480 a good woman and joy and points out us for 0:09:46.559 --> 0:09:50.640 Christmas as a good woman, and of course yours Sophia 0:09:50.800 --> 0:09:51.440 that the mother. 0:09:51.360 --> 0:09:52.960 In law in One Tree Hill. 0:09:53.440 --> 0:09:59.440 And what I think most people who I realize that 0:09:59.480 --> 0:10:05.520 they're watching your show, you all realize too that women 0:10:05.600 --> 0:10:08.080 your age are watching them as mothers. They were younger 0:10:08.120 --> 0:10:10.840 women when watched, through younger people when they watched, and 0:10:10.840 --> 0:10:15.439 now Rob as parents they're watching, so they I believe 0:10:16.200 --> 0:10:21.959 you're the show's fans can perhaps have a more gracious 0:10:22.360 --> 0:10:26.280 understanding of the parents in that show. The authority figures 0:10:26.400 --> 0:10:32.960 that show, who weren't just someone to push against or 0:10:33.080 --> 0:10:40.200 to misunderstand or to try to break free from. When 0:10:40.600 --> 0:10:46.120 you see in this episode that these two middle aged 0:10:46.160 --> 0:10:50.480 women are seated at the kids table basically, you know, 0:10:51.840 --> 0:10:56.439 but are letting themselves relax, not necessarily help except when 0:10:56.440 --> 0:10:59.760 we put the fire out with the fire extinguisher, which 0:10:59.760 --> 0:11:00.800 we want to talk about. 0:11:01.200 --> 0:11:02.840 Oh yeah, we'll get there. 0:11:02.920 --> 0:11:06.960 And sipping on day drinking, I should say, just day drinking. 0:11:07.520 --> 0:11:08.960 Yeah, they've earned it. 0:11:09.600 --> 0:11:15.720 They have they have earned it, and they need to 0:11:15.720 --> 0:11:23.360 to be careful that they don't forget how their uh 0:11:24.040 --> 0:11:29.640 input and impact is still influencing people. You know, we 0:11:29.640 --> 0:11:32.040 we're looking at the generation ahead of us to see 0:11:32.040 --> 0:11:34.840 how they're doing it. And is day drinking a good 0:11:34.880 --> 0:11:39.120 idea in your what we were I think both Daffy 0:11:39.200 --> 0:11:41.959 who we'd worked together. We were in class together in Larry 0:11:41.960 --> 0:11:44.240 Moss's acting class together, and then we done any serious 0:11:44.280 --> 0:11:47.800 So it's also part of the environmental movement avandia. 0:11:48.800 --> 0:11:51.680 So I think we were in our forties. 0:11:51.160 --> 0:11:53.440 Then maybe fabulous. 0:11:53.160 --> 0:11:57.200 Women drinking in the day. Women that age have to 0:11:57.240 --> 0:12:03.400 be careful. We can't just anesthetize ourselves. So even though 0:12:03.920 --> 0:12:08.120 there's a compassion that I hope we recognize for that 0:12:08.200 --> 0:12:11.360 generation of characters in the show, it's also a tale 0:12:11.360 --> 0:12:14.120 about how do you want to how do you want 0:12:14.160 --> 0:12:16.800 to be in your in when you're the parents of 0:12:16.880 --> 0:12:18.000 your grown kids. 0:12:19.160 --> 0:12:22.240 It's to your credit and Daphne and a lot of 0:12:22.280 --> 0:12:25.760 the other adult actors on the show, I think in 0:12:26.000 --> 0:12:30.800 large part why the show is still resonating because so 0:12:30.920 --> 0:12:32.960 many of the kids that were our age when we 0:12:32.960 --> 0:12:36.720 were airing are now in their adulthood enjoying the adult 0:12:36.760 --> 0:12:40.560 storylines because they weren't just figures to push against, because 0:12:40.600 --> 0:12:43.640 you actually brought in all these extra layers that as 0:12:43.640 --> 0:12:46.959 an adult, I can really enjoy the adult storylines now 0:12:47.520 --> 0:12:49.880 more than I enjoy the kids' storylines, even because I 0:12:49.920 --> 0:12:50.800 can relate to it. 0:12:52.040 --> 0:12:52.319 Yeah. 0:12:52.360 --> 0:12:54.520 And who can sit around in the afternoon and drink 0:12:56.280 --> 0:12:57.880 some but it's Thanksgiving? 0:12:58.360 --> 0:13:01.160 Yeah, only I had of alcohol all problem she did. 0:13:01.320 --> 0:13:03.400 Yeah that's true. Yeah, also a whole through. 0:13:03.679 --> 0:13:06.400 And it's not even that's subtle. 0:13:06.720 --> 0:13:10.120 You know, it's not a story, but it's there and 0:13:10.520 --> 0:13:12.680 I yeah, Oh they wrote it for a reason, and 0:13:12.720 --> 0:13:15.600 I think it's important and I'm glad that they I'm 0:13:15.640 --> 0:13:17.320 glad that we're able to talk about it now. 0:13:17.600 --> 0:13:30.400 Yeah. 0:13:30.600 --> 0:13:33.040 One of the things that I think is interesting too 0:13:34.120 --> 0:13:39.880 is to see the sort of level of success in 0:13:40.000 --> 0:13:43.560 career and life of these two women of Sylvia, of 0:13:43.640 --> 0:13:47.480 Victoria Sylvia. Now as I watch this back, would be 0:13:47.559 --> 0:13:51.720 my definition of a high functioning yeah addict. You know, 0:13:52.080 --> 0:13:54.120 she makes everything look great and then you go like, 0:13:54.480 --> 0:13:57.320 is it or or is she just having a moment 0:13:57.360 --> 0:13:59.760 because you know she's finally got kids in their twenties 0:13:59.760 --> 0:14:02.240 and she can have drinks with the kids, And isn't 0:14:02.240 --> 0:14:04.360 that what parents, you know, talk about when their kids 0:14:04.400 --> 0:14:06.400 are little, like want to be crazy when I have 0:14:06.440 --> 0:14:09.079 a beer with my son someday kind of thing. And 0:14:09.120 --> 0:14:13.360 you did it in a way where you constantly, as 0:14:13.400 --> 0:14:17.640 an audience member go, maybe it's a lot, maybe it isn't. 0:14:18.000 --> 0:14:20.400 Maybe she got overserved at the wedding expo, or maybe 0:14:20.440 --> 0:14:23.840 she wanted to like And it's a credit to the 0:14:23.880 --> 0:14:27.680 way you play her, and again to this sort of 0:14:27.760 --> 0:14:30.440 moment that we're all going, oh, get we get things 0:14:30.480 --> 0:14:32.720 now that we didn't get. Then, even when you and 0:14:32.760 --> 0:14:36.080 I have our moment at the door when Victoria leaves 0:14:36.080 --> 0:14:38.120 and you say I just want everyone to be happy, 0:14:39.600 --> 0:14:43.480 that resonates for me in a way that I don't 0:14:43.480 --> 0:14:48.000 think I could have seen it then, where despite whatever's 0:14:48.040 --> 0:14:50.200 gone on in the family or whatever's gone on in 0:14:50.240 --> 0:14:53.600 the chosen family, which is the friend group, and people 0:14:53.640 --> 0:14:55.480 are having a hard time, but they still really love 0:14:55.520 --> 0:14:57.120 each other and they're gonna work it out, and you're 0:14:57.120 --> 0:14:59.240 gonna fight it out because you've done it for twenty years. 0:14:59.320 --> 0:15:02.440 Whatever it is, like, you might just have a really 0:15:02.480 --> 0:15:04.760 hard day and you might just want to have a 0:15:04.800 --> 0:15:07.760 really nice day where people don't fight and where we 0:15:07.800 --> 0:15:10.320 can put the differences aside and show up to the thing. 0:15:10.440 --> 0:15:14.240 And I think you just understand how long life is 0:15:14.920 --> 0:15:17.600 in your forties in a way that you don't in 0:15:17.640 --> 0:15:22.160 your twenties. And I love that as much as Nicky 0:15:22.280 --> 0:15:28.440 wrote this incredibly poignant, hilarious episode that gave us all 0:15:28.520 --> 0:15:30.320 so much to do. And I mean, oh my God, 0:15:30.360 --> 0:15:32.280 for me and Joy, who both love a prop to 0:15:32.320 --> 0:15:36.600 your point, Oh yeah, choreography, bubbling pots, glasses, flower, oh 0:15:36.960 --> 0:15:38.120 your physical comedy. 0:15:38.160 --> 0:15:39.920 I have so many notes about that, like my. 0:15:40.000 --> 0:15:41.600 Favorite thing to get to do, and then I got 0:15:41.600 --> 0:15:43.160 to do it with you. And I remember being in 0:15:43.200 --> 0:15:44.720 the kitchen and being like, and then we're gonna come 0:15:44.720 --> 0:15:46.400 over here, and then we're gonna come over here, Like 0:15:46.480 --> 0:15:51.920 it did feel like a dance show. There's so much 0:15:52.040 --> 0:15:57.520 comedy and under it, there's this really beautiful life stuff. 0:15:58.720 --> 0:16:03.080 That's really it's not like we have to hit you know, 0:16:03.560 --> 0:16:06.080 beat a dead horse or whatever that phrase is. It 0:16:06.240 --> 0:16:11.120 just simmers through the whole episode. And I think you're right, Joy. 0:16:11.160 --> 0:16:14.000 I think it's why so many people in every phase 0:16:14.040 --> 0:16:17.280 of their lives feel seen by our show, because even 0:16:17.320 --> 0:16:19.320 for us, we made it and we're like, oh my god, 0:16:19.360 --> 0:16:21.120 I didn't see that then, but I see it now. 0:16:21.640 --> 0:16:23.000 Yeah, totally cool. 0:16:23.480 --> 0:16:26.680 All right, we gotta talk about we're gonna get physical comedy. 0:16:26.720 --> 0:16:31.920 We have to talk about the fire extinguisher Bitwe I 0:16:32.040 --> 0:16:35.800 had to rewind it and watch it again because I 0:16:35.840 --> 0:16:38.000 obviously I know how great you are, Sharon, so I 0:16:38.040 --> 0:16:41.280 figured this was just a choice. When Sylvia runs out, 0:16:41.800 --> 0:16:46.160 she starts spraying it, and in the span of spraying 0:16:46.200 --> 0:16:51.760 the turkey, you make and break eye contact with Brooke three. 0:16:51.680 --> 0:16:53.440 Times you counted. 0:16:53.760 --> 0:16:57.880 And it's so perfect because it's like you're still going 0:16:58.360 --> 0:16:59.520 and you're like, are you gonna stop? 0:16:59.640 --> 0:17:01.120 It's this weird thing because it goes on. 0:17:01.200 --> 0:17:02.480 To me, I felt like it went on too far, 0:17:02.560 --> 0:17:05.159 But the fact that you keep bringing attention back to 0:17:05.280 --> 0:17:10.959 Brook was just so wonderfully awkward and fun, like almost 0:17:10.960 --> 0:17:12.679 like you were maybe is you're taking a little pleasure 0:17:12.680 --> 0:17:14.200 in it now because it feels like three. 0:17:14.040 --> 0:17:17.600 Seconds too far, you felt like, is this this is 0:17:17.840 --> 0:17:20.280 this is what but you want me to this isn't 0:17:20.480 --> 0:17:21.679 this is not what you wanted? 0:17:21.880 --> 0:17:28.120 Oh yeah, Well, first of all, I love how silly 0:17:28.480 --> 0:17:32.080 the wardrobe was for this, and I think that's part 0:17:32.080 --> 0:17:35.960 of what makes that that she's already dressed before. 0:17:35.640 --> 0:17:40.560 The you know, already yeah right, and wearing wearing a shrug. 0:17:40.800 --> 0:17:43.920 By the way you were wearing a shrug. 0:17:45.040 --> 0:17:48.000 It's a little half sweater that you know comes only 0:17:48.080 --> 0:17:52.159 to hear that covers up your Yeah, it's a shrug. 0:17:52.200 --> 0:17:53.320 It's so eighties. 0:17:53.400 --> 0:17:55.919 I remembered loving those in the nineties as her Fiona 0:17:55.960 --> 0:17:59.400 Apple's like favorite and a skirt. 0:18:01.320 --> 0:18:03.520 She's going someplace she hasn't been before, right. 0:18:03.400 --> 0:18:08.600 So she's and she's very she's overly excited, I think, 0:18:09.040 --> 0:18:13.439 and in heels, which changes the physicality of every year. 0:18:13.840 --> 0:18:21.000 When you're doing something like that, it's it you feel. 0:18:21.760 --> 0:18:24.320 Almost like a bad ass, but not quite. 0:18:24.760 --> 0:18:27.440 And I think that's what that's what was showing up 0:18:27.560 --> 0:18:30.919 in in that uh, the fact that she's going to 0:18:30.920 --> 0:18:33.520 be the hero here. I am going to fix what 0:18:33.640 --> 0:18:34.760 Brook is always. 0:18:34.520 --> 0:18:37.240 Going to break. I will always fix it, and I 0:18:37.280 --> 0:18:40.680 can do it wearing my silk blouse and heel. 0:18:41.320 --> 0:18:47.320 Yeah, and uh, she's certainly not a cook, but she 0:18:47.320 --> 0:18:50.720 she's been criticizing Brook the whole time, right with the apple. 0:18:50.480 --> 0:18:56.160 Pie, justifiably so though justifiably with the apple tar apple pie? 0:18:56.720 --> 0:18:58.880 Was that the delivery on that was so good? 0:18:59.119 --> 0:18:59.280 Is that? 0:18:59.520 --> 0:19:02.359 Is that a peel? Oh that's interesting, I hope no 0:19:02.400 --> 0:19:02.919 one jokes. 0:19:04.960 --> 0:19:05.160 Yeah. 0:19:05.240 --> 0:19:09.760 So she's not straight up mean, but she has she 0:19:09.840 --> 0:19:12.040 has an opinion, and she notices everything. I think she 0:19:12.080 --> 0:19:14.639 prides herself on noticing everything. And the fact that she 0:19:14.760 --> 0:19:18.760 knew where their fire extinguisher was, uh huh. How many 0:19:18.840 --> 0:19:20.800 do you know how many people in your lives that 0:19:20.840 --> 0:19:22.680 don't live in the household have figured out? 0:19:22.960 --> 0:19:26.560 That struck me as odd that someone as with such 0:19:26.640 --> 0:19:30.840 a good eye as Brooke would have a fire extinguisher 0:19:31.119 --> 0:19:34.879 in open visibility, like an open eyesight, and like it 0:19:34.920 --> 0:19:37.480 felt like I would have just guessed at Brook's house 0:19:37.480 --> 0:19:39.280 it would have been in a cabinet somewhere. 0:19:39.359 --> 0:19:43.040 Yeah, yeah, yeah, we should have done that. We should 0:19:43.040 --> 0:19:43.560 have done that. 0:19:44.000 --> 0:19:47.080 It was it was accessible for a three shot. I 0:19:47.119 --> 0:19:49.840 wonder what that stuff was that we breathed in. You know, 0:19:49.920 --> 0:19:55.199 you have to the safety factors of that is My 0:19:55.320 --> 0:19:57.920 favorite was the three shot of us staring at it, 0:19:57.960 --> 0:20:01.760 looking at it like an American Gothic go on exactly. 0:20:02.040 --> 0:20:07.280 And I loved the beat of quiet before Austin, who 0:20:07.440 --> 0:20:10.560 committed again. Hats off to him. He commits to the 0:20:10.600 --> 0:20:13.240 bit so hard that he's just the most precious person 0:20:14.440 --> 0:20:17.960 all of us looking at it and knowing we have 0:20:18.040 --> 0:20:21.120 to replan our whole day, and he just says, maybe 0:20:21.160 --> 0:20:23.920 we can scrape it off. And that's where you see 0:20:23.960 --> 0:20:26.159 you and you and I fully agree. We both just 0:20:26.200 --> 0:20:32.040 go oooh. It's just like a perfect moment. 0:20:32.480 --> 0:20:34.960 Also the way that I didn't even realize it was 0:20:34.960 --> 0:20:39.240 happening until a bit in that it was perfectly contrasting 0:20:39.560 --> 0:20:43.120 Brooke and Haley like that, like their domestic abilities. 0:20:43.119 --> 0:20:43.680 I didn't realize. 0:20:43.720 --> 0:20:46.320 It's like the second time that it went immediately back 0:20:46.359 --> 0:20:51.280 to back where Haley is so calm, so in her elements, 0:20:51.359 --> 0:20:53.800 so in control, and then it goes back to Brook, 0:20:53.840 --> 0:20:57.400 which is hilarious because Brook is normally very poised, very 0:20:57.400 --> 0:21:00.520 aware and in control, and she is wild out of 0:21:00.560 --> 0:21:04.879 her depth, putting apple peels and tarts. 0:21:04.640 --> 0:21:07.200 Oh so fun to see though, the level of commitment 0:21:07.359 --> 0:21:09.760 you committed fully as well. I mean you were just 0:21:09.960 --> 0:21:13.159 rushing around, like your hairs in your face. The glasses, 0:21:13.240 --> 0:21:15.919 which I loved, this element of the glasses, which you 0:21:15.960 --> 0:21:18.159 know as have we even seen brooking glasses before? I 0:21:18.200 --> 0:21:20.160 don't know, but it worked. 0:21:20.840 --> 0:21:23.560 And the glove, yes, me very happy. 0:21:23.600 --> 0:21:25.480 I'm going to do a callback here which is not 0:21:25.560 --> 0:21:28.600 about this show, but the gloves give it a level 0:21:28.680 --> 0:21:33.399 of accessibility. They're awkward, but they are very relatable. And 0:21:33.400 --> 0:21:39.680 on NYPD Blue years ago, actually when sil when Andy. 0:21:39.520 --> 0:21:43.359 Proposes to Sylvia on and that's the other Sylvia I played, 0:21:43.359 --> 0:21:44.480 how weird I played two? 0:21:45.720 --> 0:21:47.760 I know, I was wondering if they named you Sylvia 0:21:47.840 --> 0:21:50.119 on this as sort of like a nodmage. 0:21:51.119 --> 0:21:57.320 Yeah, maybe it's it's just a weird, weird thing, Yeah, 0:21:57.760 --> 0:22:03.760 weird Sylvia Costas and IPD Blue is doing the dishes. 0:22:04.680 --> 0:22:05.560 No one are work. 0:22:05.440 --> 0:22:08.760 Clothes, but I have an apron on and gloves, rubber gloves, 0:22:09.000 --> 0:22:14.480 rubber gloves. And that's when he proposes, Oh there to 0:22:14.520 --> 0:22:19.959