1
00:00:00,080 --> 00:00:03,440
Speaker 1: First of all, you don't know me. We all about

2
00:00:03,440 --> 00:00:06,400
Speaker 1: that high school drama, Girl Drama, Girl, all about them.

3
00:00:06,360 --> 00:00:08,119
Speaker 2: High school queens.

4
00:00:08,160 --> 00:00:10,360
Speaker 3: We'll take you for a ride, and our comic girl

5
00:00:11,119 --> 00:00:14,720
Speaker 3: shared for the right teams Drama Queenslie's my girl, up

6
00:00:14,840 --> 00:00:16,440
Speaker 3: girl fashion, but your tough.

7
00:00:16,239 --> 00:00:17,480
Speaker 4: Girl, you could sit with us.

8
00:00:17,520 --> 00:00:21,239
Speaker 1: Girl Drama, Queens Drama, Queens Drama, Queens Drama, drahn The

9
00:00:21,320 --> 00:00:23,439
Speaker 1: Queens Drama Queens.

10
00:00:24,320 --> 00:00:26,560
Speaker 4: Hello everyone, guys, it's such.

11
00:00:26,400 --> 00:00:29,960
Speaker 3: An exciting episode today. It's season eight episode nine, between

12
00:00:30,080 --> 00:00:34,440
Speaker 3: Amazing Grace and Raising Hell, which aired November sixteenth, twenty ten.

13
00:00:34,600 --> 00:00:39,800
Speaker 3: Are incredible Thanksgiving episode directed by Bethany joy Lenz.

14
00:00:40,200 --> 00:00:42,080
Speaker 4: Hello, thank you very much.

15
00:00:42,280 --> 00:00:44,600
Speaker 3: I freaking love this episode. Joy. Do you want to

16
00:00:44,640 --> 00:00:46,240
Speaker 3: tell our friends at home what it's about?

17
00:00:46,760 --> 00:00:47,000
Speaker 2: Yes?

18
00:00:47,720 --> 00:00:53,199
Speaker 4: This is the Thanksgiving episode of season eight. It is uh,

19
00:00:53,400 --> 00:00:56,280
Speaker 4: it's the whole gang ends up at Nathan and Haley's

20
00:00:56,320 --> 00:01:00,000
Speaker 4: house to spend Thanksgiving with their friends and non friend

21
00:01:00,000 --> 00:01:04,560
Speaker 4: friends and family and people they wish weren't family, and

22
00:01:04,600 --> 00:01:05,440
Speaker 4: all of just.

23
00:01:05,400 --> 00:01:08,640
Speaker 3: The most fun. You crushed it.

24
00:01:09,240 --> 00:01:11,640
Speaker 4: Thank you, and Nikki Shfflbeine wrote it. She did a

25
00:01:11,680 --> 00:01:12,479
Speaker 4: great job too.

26
00:01:12,680 --> 00:01:15,840
Speaker 3: Because this episode is such a special one. It's not

27
00:01:15,880 --> 00:01:18,320
Speaker 3: even just the three of us who get to walk

28
00:01:18,360 --> 00:01:20,800
Speaker 3: down memory Lane. We have a friend coming to join

29
00:01:20,920 --> 00:01:24,920
Speaker 3: us today. Producers, will you bring her in?

30
00:01:26,080 --> 00:01:27,000
Speaker 5: Who could it be?

31
00:01:27,400 --> 00:01:30,520
Speaker 3: Who could it be? Dun Dun, dun dun.

32
00:01:32,040 --> 00:01:32,720
Speaker 4: I saw her face for.

33
00:01:36,240 --> 00:01:42,080
Speaker 3: Friends, family, listeners, the myth, the legend, the icon. As

34
00:01:42,200 --> 00:01:45,280
Speaker 3: Rob Buckley just said, the National Treasure Sharon Lawrence is

35
00:01:45,319 --> 00:01:46,199
Speaker 3: here with us today.

36
00:01:47,760 --> 00:01:48,320
Speaker 5: Welcome.

37
00:01:50,040 --> 00:01:55,320
Speaker 6: I am so excited to see you all together. It's

38
00:01:55,440 --> 00:01:58,840
Speaker 6: very rare that in my life I've been in the

39
00:01:58,880 --> 00:02:00,840
Speaker 6: same room with all of you. As a matter of fact,

40
00:02:00,840 --> 00:02:03,640
Speaker 6: I'm not even sure it's happened even on One Tree Hill.

41
00:02:03,800 --> 00:02:05,680
Speaker 5: No on this episode.

42
00:02:05,720 --> 00:02:10,079
Speaker 3: In this episode, did well were you were briefly though?

43
00:02:10,240 --> 00:02:11,840
Speaker 2: That's very very very briefly.

44
00:02:11,880 --> 00:02:15,720
Speaker 6: But you must have been sitting at another Thanksgiving table because.

45
00:02:15,880 --> 00:02:17,160
Speaker 2: You had a wound.

46
00:02:17,240 --> 00:02:21,160
Speaker 6: You you had been you were injuredewing play football.

47
00:02:21,480 --> 00:02:22,280
Speaker 3: He was injured.

48
00:02:22,720 --> 00:02:24,639
Speaker 4: He was injured from being shot.

49
00:02:25,120 --> 00:02:26,440
Speaker 5: Yes, I had been shot.

50
00:02:27,040 --> 00:02:28,880
Speaker 3: And then Clay. I mean we're jumping ahead, but when

51
00:02:28,919 --> 00:02:31,560
Speaker 3: Clay and Quinn go home, when you think about the

52
00:02:31,680 --> 00:02:34,440
Speaker 3: number of days and enjoy I wonder if you remember

53
00:02:34,960 --> 00:02:37,079
Speaker 3: how many days we were in the Nathan and Haley

54
00:02:37,080 --> 00:02:39,920
Speaker 3: House to do Thanksgiving dinner because obviously it was a

55
00:02:39,960 --> 00:02:43,280
Speaker 3: lot of days. Yeah, Rob, you probably were there for

56
00:02:43,560 --> 00:02:46,520
Speaker 3: two days. You probably had a real nice schedule on

57
00:02:46,560 --> 00:02:47,360
Speaker 3: this episode.

58
00:02:48,000 --> 00:02:50,520
Speaker 7: I had forgotten how the episode played out, and so

59
00:02:50,639 --> 00:02:53,120
Speaker 7: when Quinn shows up and she's like, let's get out

60
00:02:53,120 --> 00:02:54,560
Speaker 7: of here, I was like, oh, did I have a

61
00:02:54,639 --> 00:02:55,560
Speaker 7: light episode?

62
00:02:56,000 --> 00:02:56,320
Speaker 3: Hey?

63
00:02:56,639 --> 00:02:57,959
Speaker 7: Is it just going to be one seat in the

64
00:02:58,000 --> 00:02:58,760
Speaker 7: bedroom after this?

65
00:02:58,840 --> 00:02:59,120
Speaker 6: For me?

66
00:02:59,480 --> 00:03:00,000
Speaker 5: And it was?

67
00:03:00,560 --> 00:03:03,720
Speaker 3: It was congratulations, sir, Thank.

68
00:03:03,560 --> 00:03:07,320
Speaker 7: You everyone, Thank you line producer Joy. You did such

69
00:03:07,560 --> 00:03:11,480
Speaker 7: a good job with this episode. It was so fun

70
00:03:11,520 --> 00:03:16,760
Speaker 7: to watch. It was so damn funny. You had so

71
00:03:16,919 --> 00:03:20,880
Speaker 7: many spinning plates, like this episode was jam packed. But

72
00:03:21,560 --> 00:03:23,640
Speaker 7: I just I want to start by just saying like

73
00:03:23,880 --> 00:03:25,720
Speaker 7: you did an incredible job with it.

74
00:03:25,919 --> 00:03:29,480
Speaker 4: Yes, thank you so much. I'm really I loved getting

75
00:03:29,480 --> 00:03:32,600
Speaker 4: this episode put on my plate. Pardon the pun. Thanksgiving

76
00:03:32,800 --> 00:03:35,640
Speaker 4: That Okay, maybe it's not that good. I was really

77
00:03:35,720 --> 00:03:38,880
Speaker 4: happy about this because, and I think maybe they knew

78
00:03:38,960 --> 00:03:41,840
Speaker 4: I was the right director for it, because I love props,

79
00:03:41,920 --> 00:03:44,720
Speaker 4: and I love choreography and the movement, the constant movement

80
00:03:44,760 --> 00:03:49,160
Speaker 4: of things, and I was always really I have a

81
00:03:49,280 --> 00:03:55,400
Speaker 4: very natural inclination toward physical memory. So whatever I do

82
00:03:55,480 --> 00:03:57,520
Speaker 4: in a scene, I can repeat. It's like it's in

83
00:03:57,560 --> 00:03:59,520
Speaker 4: my body, so I can repeat the exact movements on

84
00:03:59,600 --> 00:04:01,280
Speaker 4: the exact line, on the exact word. I have a

85
00:04:01,320 --> 00:04:04,560
Speaker 4: weird like memory glitch with all that stuff. So I

86
00:04:04,640 --> 00:04:07,160
Speaker 4: think maybe they gave it to me because they knew

87
00:04:07,160 --> 00:04:10,360
Speaker 4: I could handle like all the different moving pieces. But

88
00:04:10,720 --> 00:04:13,400
Speaker 4: it was not without its challenge. I mean, as natural

89
00:04:13,400 --> 00:04:17,159
Speaker 4: as that came to me, that was It was a

90
00:04:17,160 --> 00:04:18,800
Speaker 4: lot of fun. And there's so much to talk about

91
00:04:18,800 --> 00:04:21,200
Speaker 4: with this episode, but I really want to say how

92
00:04:21,240 --> 00:04:26,320
Speaker 4: excited I was, particularly to direct Sharon, because Sharon, I

93
00:04:26,360 --> 00:04:28,400
Speaker 4: had never met you. I think I knew that you

94
00:04:28,440 --> 00:04:30,320
Speaker 4: were in but we didn't have any scenes together, and

95
00:04:30,360 --> 00:04:33,800
Speaker 4: I was frothing at the bit because you are a legend.

96
00:04:33,880 --> 00:04:36,560
Speaker 4: You've you've been in this industry, You've had such an

97
00:04:36,640 --> 00:04:41,719
Speaker 4: incredible illustrious career and continue to guys. Sharon is the

98
00:04:41,720 --> 00:04:43,880
Speaker 4: reason why I have my manager, by the way, because

99
00:04:44,360 --> 00:04:46,479
Speaker 4: there was a point of time, like a couple of years,

100
00:04:46,480 --> 00:04:48,320
Speaker 4: and I just really wasn't working much, and I was like,

101
00:04:48,839 --> 00:04:51,479
Speaker 4: you know who works more than anyone else? I know,

102
00:04:52,000 --> 00:04:54,280
Speaker 4: Sharon Lawrence, who is representing her.

103
00:04:56,160 --> 00:04:59,600
Speaker 3: That we have the same manager.

104
00:05:00,680 --> 00:05:05,960
Speaker 4: Yes, she's amazing and Sharon, You're just incredible. So I

105
00:05:05,960 --> 00:05:08,279
Speaker 4: would love to know, like how this job came to

106
00:05:08,320 --> 00:05:11,200
Speaker 4: you and what was appealing about it for you and

107
00:05:11,200 --> 00:05:12,240
Speaker 4: what brought you down to Wilmington.

108
00:05:14,080 --> 00:05:18,479
Speaker 6: It was an offer, which is lovely, Yeah, and it

109
00:05:18,839 --> 00:05:23,520
Speaker 6: was a character that I had started to begin to play,

110
00:05:23,560 --> 00:05:28,040
Speaker 6: these sort of monster in laws, the polish pain in

111
00:05:28,080 --> 00:05:29,960
Speaker 6: the ass, and.

112
00:05:31,520 --> 00:05:35,520
Speaker 2: I, for me, it was I enjoyed those kinds of roles.

113
00:05:35,560 --> 00:05:40,400
Speaker 6: I still do because they typically are there in the

114
00:05:40,480 --> 00:05:43,440
Speaker 6: show to change.

115
00:05:43,120 --> 00:05:46,120
Speaker 2: The temperature, to create another vibe.

116
00:05:46,560 --> 00:05:48,680
Speaker 6: It's what I do on Joe Pickett as a matter,

117
00:05:49,240 --> 00:05:52,000
Speaker 6: it's what I did on Dynasty. They all have a

118
00:05:52,040 --> 00:05:57,120
Speaker 6: different profile to them. But I enjoy knowing that I

119
00:05:57,160 --> 00:06:00,880
Speaker 6: can come in and hit be asked to sort of

120
00:06:01,240 --> 00:06:04,479
Speaker 6: do hit some trick moves, and by that I mean

121
00:06:07,600 --> 00:06:11,280
Speaker 6: just change the temperature in whatever way it requires.

122
00:06:11,320 --> 00:06:12,200
Speaker 2: Whether it's.

123
00:06:14,520 --> 00:06:20,120
Speaker 6: Someone who is mercurial or someone who is can can

124
00:06:20,240 --> 00:06:22,800
Speaker 6: be many different things.

125
00:06:22,560 --> 00:06:25,000
Speaker 2: In a short period of time, shift.

126
00:06:25,279 --> 00:06:30,719
Speaker 6: Within a condensed period, so that you can't necessarily know

127
00:06:31,360 --> 00:06:34,440
Speaker 6: if this person is one you're going to if you're

128
00:06:34,440 --> 00:06:37,240
Speaker 6: going to be on their side or not, if you

129
00:06:37,320 --> 00:06:41,800
Speaker 6: have an ambivalence about them because they are not They

130
00:06:41,880 --> 00:06:44,080
Speaker 6: might be one note on the page, but I like

131
00:06:44,160 --> 00:06:46,000
Speaker 6: to play them what they call the blue notes, which

132
00:06:46,000 --> 00:06:48,599
Speaker 6: are the in jazz. It's what isn't the notes that

133
00:06:48,680 --> 00:06:53,320
Speaker 6: aren't there. So that's fun for me. On NYPD Blue,

134
00:06:53,360 --> 00:06:56,680
Speaker 6: I was required to be a good woman and it

135
00:06:56,839 --> 00:06:59,280
Speaker 6: was great. That was a great way to break into

136
00:06:59,279 --> 00:07:04,719
Speaker 6: television because people trusted me, they trusted what I was

137
00:07:04,760 --> 00:07:07,960
Speaker 6: going to bring to certain roles, and then I got

138
00:07:07,960 --> 00:07:10,680
Speaker 6: a chance to change it up and be somebody who

139
00:07:10,720 --> 00:07:12,160
Speaker 6: don't know if you can trust.

140
00:07:12,680 --> 00:07:14,800
Speaker 2: And for an actor, you understand that's.

141
00:07:14,600 --> 00:07:17,280
Speaker 6: Fun because ultimately what you want to do is be

142
00:07:17,360 --> 00:07:23,880
Speaker 6: able to just be layered, create a person who's layered,

143
00:07:23,880 --> 00:07:25,400
Speaker 6: because that's more interesting anyway.

144
00:07:26,000 --> 00:07:29,200
Speaker 4: The way that you played Sylvia with all those layers

145
00:07:30,000 --> 00:07:32,600
Speaker 4: becomes an extremely generous thing for you to do as

146
00:07:32,640 --> 00:07:35,840
Speaker 4: an actor because what it does is highlight the other

147
00:07:36,080 --> 00:07:39,440
Speaker 4: layers in different characters that we don't normally get to see.

148
00:07:40,080 --> 00:07:45,000
Speaker 4: Particularly in this episode with Victoria, there's something about who

149
00:07:45,120 --> 00:07:49,760
Speaker 4: Sylvia is that gives Victoria permission to explore a different

150
00:07:49,760 --> 00:07:54,160
Speaker 4: part of her personality that was really surprising to me

151
00:07:54,320 --> 00:07:56,920
Speaker 4: to see, even as a director on set, but going

152
00:07:56,960 --> 00:08:00,000
Speaker 4: back years later and watching it back, I was so surprised.

153
00:08:00,480 --> 00:08:05,240
Speaker 3: Well, and particularly because Brook and Victoria are butting heads

154
00:08:05,280 --> 00:08:08,080
Speaker 3: in such an intense way, and Victoria's just said, we

155
00:08:08,120 --> 00:08:10,600
Speaker 3: don't need to talk, and Brook's like, fine, I thought

156
00:08:10,600 --> 00:08:12,720
Speaker 3: I had a mom, and I guess I don't. The

157
00:08:12,920 --> 00:08:18,600
Speaker 3: heightened fight. Sylvia stepping in as an ally for Victoria

158
00:08:19,600 --> 00:08:23,000
Speaker 3: actually lets Victoria be more gentle because instead of I

159
00:08:23,080 --> 00:08:25,760
Speaker 3: see you yeah, instead of us just screaming at each other,

160
00:08:26,280 --> 00:08:28,520
Speaker 3: you give her a soft place to land, and so

161
00:08:28,680 --> 00:08:34,319
Speaker 3: she softens. And what you're making me realize, which I

162
00:08:35,120 --> 00:08:37,240
Speaker 3: hate to say I hadn't really thought of until this

163
00:08:37,400 --> 00:08:41,920
Speaker 3: moment with you, is that you essentially got brought in

164
00:08:41,960 --> 00:08:44,040
Speaker 3: to play this woman for the same reason I got

165
00:08:44,080 --> 00:08:46,840
Speaker 3: brought in as Brook. It was to stir the pot.

166
00:08:47,360 --> 00:08:51,520
Speaker 3: It was to cause conflict and be a pain in

167
00:08:51,520 --> 00:08:55,240
Speaker 3: the ass to these established people. So you know, they

168
00:08:55,240 --> 00:08:58,240
Speaker 3: added me in episode two and then Brooke and Julian

169
00:08:58,360 --> 00:09:01,280
Speaker 3: hit this point where we need is mom to come

170
00:09:01,280 --> 00:09:03,600
Speaker 3: in and cause conflict in our house, and I'm like,

171
00:09:03,679 --> 00:09:07,200
Speaker 3: oh my god. Of course Sylvia drives crazy because they're

172
00:09:07,360 --> 00:09:11,760
Speaker 3: so similar. And then that you become friends with my mom,

173
00:09:11,840 --> 00:09:14,840
Speaker 3: who I in this moment hate, like in this crazy

174
00:09:14,880 --> 00:09:18,760
Speaker 3: way as an adult reflecting, I'm seeing a whole thing

175
00:09:19,200 --> 00:09:21,000
Speaker 3: that while I was having the time of my life

176
00:09:21,040 --> 00:09:23,720
Speaker 3: with you and Daphne, I don't even think I saw them.

177
00:09:24,000 --> 00:09:29,400
Speaker 6: And if I may, and all are i've played your

178
00:09:29,440 --> 00:09:33,080
Speaker 6: mother's or your mother in laws now since the beginning

179
00:09:33,120 --> 00:09:33,439
Speaker 6: of the.

180
00:09:34,520 --> 00:09:38,440
Speaker 4: All three of ours right, yes, yes.

181
00:09:37,880 --> 00:09:43,199
Speaker 6: Bob's on the Hallmark hit movies The Christmas House as

182
00:09:43,240 --> 00:09:46,480
Speaker 6: a good woman and joy and points out us for

183
00:09:46,559 --> 00:09:50,640
Speaker 6: Christmas as a good woman, and of course yours Sophia

184
00:09:50,800 --> 00:09:51,440
Speaker 6: that the mother.

185
00:09:51,360 --> 00:09:52,960
Speaker 2: In law in One Tree Hill.

186
00:09:53,440 --> 00:09:59,440
Speaker 6: And what I think most people who I realize that

187
00:09:59,480 --> 00:10:05,520
Speaker 6: they're watching your show, you all realize too that women

188
00:10:05,600 --> 00:10:08,080
Speaker 6: your age are watching them as mothers. They were younger

189
00:10:08,120 --> 00:10:10,840
Speaker 6: women when watched, through younger people when they watched, and

190
00:10:10,840 --> 00:10:15,439
Speaker 6: now Rob as parents they're watching, so they I believe

191
00:10:16,200 --> 00:10:21,959
Speaker 6: you're the show's fans can perhaps have a more gracious

192
00:10:22,360 --> 00:10:26,280
Speaker 6: understanding of the parents in that show. The authority figures

193
00:10:26,400 --> 00:10:32,960
Speaker 6: that show, who weren't just someone to push against or

194
00:10:33,080 --> 00:10:40,200
Speaker 6: to misunderstand or to try to break free from. When

195
00:10:40,600 --> 00:10:46,120
Speaker 6: you see in this episode that these two middle aged

196
00:10:46,160 --> 00:10:50,480
Speaker 6: women are seated at the kids table basically, you know,

197
00:10:51,840 --> 00:10:56,439
Speaker 6: but are letting themselves relax, not necessarily help except when

198
00:10:56,440 --> 00:10:59,760
Speaker 6: we put the fire out with the fire extinguisher, which

199
00:10:59,760 --> 00:11:00,800
Speaker 6: we want to talk about.

200
00:11:01,200 --> 00:11:02,840
Speaker 4: Oh yeah, we'll get there.

201
00:11:02,920 --> 00:11:06,960
Speaker 2: And sipping on day drinking, I should say, just day drinking.

202
00:11:07,520 --> 00:11:08,960
Speaker 4: Yeah, they've earned it.

203
00:11:09,600 --> 00:11:15,720
Speaker 6: They have they have earned it, and they need to

204
00:11:15,720 --> 00:11:23,360
Speaker 6: to be careful that they don't forget how their uh

205
00:11:24,040 --> 00:11:29,640
Speaker 6: input and impact is still influencing people. You know, we

206
00:11:29,640 --> 00:11:32,040
Speaker 6: we're looking at the generation ahead of us to see

207
00:11:32,040 --> 00:11:34,840
Speaker 6: how they're doing it. And is day drinking a good

208
00:11:34,880 --> 00:11:39,120
Speaker 6: idea in your what we were I think both Daffy

209
00:11:39,200 --> 00:11:41,959
Speaker 6: who we'd worked together. We were in class together in Larry

210
00:11:41,960 --> 00:11:44,240
Speaker 6: Moss's acting class together, and then we done any serious

211
00:11:44,280 --> 00:11:47,800
Speaker 6: So it's also part of the environmental movement avandia.

212
00:11:48,800 --> 00:11:51,680
Speaker 2: So I think we were in our forties.

213
00:11:51,160 --> 00:11:53,440
Speaker 4: Then maybe fabulous.

214
00:11:53,160 --> 00:11:57,200
Speaker 6: Women drinking in the day. Women that age have to

215
00:11:57,240 --> 00:12:03,400
Speaker 6: be careful. We can't just anesthetize ourselves. So even though

216
00:12:03,920 --> 00:12:08,120
Speaker 6: there's a compassion that I hope we recognize for that

217
00:12:08,200 --> 00:12:11,360
Speaker 6: generation of characters in the show, it's also a tale

218
00:12:11,360 --> 00:12:14,120
Speaker 6: about how do you want to how do you want

219
00:12:14,160 --> 00:12:16,800
Speaker 6: to be in your in when you're the parents of

220
00:12:16,880 --> 00:12:18,000
Speaker 6: your grown kids.

221
00:12:19,160 --> 00:12:22,240
Speaker 4: It's to your credit and Daphne and a lot of

222
00:12:22,280 --> 00:12:25,760
Speaker 4: the other adult actors on the show, I think in

223
00:12:26,000 --> 00:12:30,800
Speaker 4: large part why the show is still resonating because so

224
00:12:30,920 --> 00:12:32,960
Speaker 4: many of the kids that were our age when we

225
00:12:32,960 --> 00:12:36,720
Speaker 4: were airing are now in their adulthood enjoying the adult

226
00:12:36,760 --> 00:12:40,560
Speaker 4: storylines because they weren't just figures to push against, because

227
00:12:40,600 --> 00:12:43,640
Speaker 4: you actually brought in all these extra layers that as

228
00:12:43,640 --> 00:12:46,959
Speaker 4: an adult, I can really enjoy the adult storylines now

229
00:12:47,520 --> 00:12:49,880
Speaker 4: more than I enjoy the kids' storylines, even because I

230
00:12:49,920 --> 00:12:50,800
Speaker 4: can relate to it.

231
00:12:52,040 --> 00:12:52,319
Speaker 3: Yeah.

232
00:12:52,360 --> 00:12:54,520
Speaker 4: And who can sit around in the afternoon and drink

233
00:12:56,280 --> 00:12:57,880
Speaker 4: some but it's Thanksgiving?

234
00:12:58,360 --> 00:13:01,160
Speaker 2: Yeah, only I had of alcohol all problem she did.

235
00:13:01,320 --> 00:13:03,400
Speaker 4: Yeah that's true. Yeah, also a whole through.

236
00:13:03,679 --> 00:13:06,400
Speaker 2: And it's not even that's subtle.

237
00:13:06,720 --> 00:13:10,120
Speaker 6: You know, it's not a story, but it's there and

238
00:13:10,520 --> 00:13:12,680
Speaker 6: I yeah, Oh they wrote it for a reason, and

239
00:13:12,720 --> 00:13:15,600
Speaker 6: I think it's important and I'm glad that they I'm

240
00:13:15,640 --> 00:13:17,320
Speaker 6: glad that we're able to talk about it now.

241
00:13:17,600 --> 00:13:30,400
Speaker 8: Yeah.

242
00:13:30,600 --> 00:13:33,040
Speaker 3: One of the things that I think is interesting too

243
00:13:34,120 --> 00:13:39,880
Speaker 3: is to see the sort of level of success in

244
00:13:40,000 --> 00:13:43,560
Speaker 3: career and life of these two women of Sylvia, of

245
00:13:43,640 --> 00:13:47,480
Speaker 3: Victoria Sylvia. Now as I watch this back, would be

246
00:13:47,559 --> 00:13:51,720
Speaker 3: my definition of a high functioning yeah addict. You know,

247
00:13:52,080 --> 00:13:54,120
Speaker 3: she makes everything look great and then you go like,

248
00:13:54,480 --> 00:13:57,320
Speaker 3: is it or or is she just having a moment

249
00:13:57,360 --> 00:13:59,760
Speaker 3: because you know she's finally got kids in their twenties

250
00:13:59,760 --> 00:14:02,240
Speaker 3: and she can have drinks with the kids, And isn't

251
00:14:02,240 --> 00:14:04,360
Speaker 3: that what parents, you know, talk about when their kids

252
00:14:04,400 --> 00:14:06,400
Speaker 3: are little, like want to be crazy when I have

253
00:14:06,440 --> 00:14:09,079
Speaker 3: a beer with my son someday kind of thing. And

254
00:14:09,120 --> 00:14:13,360
Speaker 3: you did it in a way where you constantly, as

255
00:14:13,400 --> 00:14:17,640
Speaker 3: an audience member go, maybe it's a lot, maybe it isn't.

256
00:14:18,000 --> 00:14:20,400
Speaker 3: Maybe she got overserved at the wedding expo, or maybe

257
00:14:20,440 --> 00:14:23,840
Speaker 3: she wanted to like And it's a credit to the

258
00:14:23,880 --> 00:14:27,680
Speaker 3: way you play her, and again to this sort of

259
00:14:27,760 --> 00:14:30,440
Speaker 3: moment that we're all going, oh, get we get things

260
00:14:30,480 --> 00:14:32,720
Speaker 3: now that we didn't get. Then, even when you and

261
00:14:32,760 --> 00:14:36,080
Speaker 3: I have our moment at the door when Victoria leaves

262
00:14:36,080 --> 00:14:38,120
Speaker 3: and you say I just want everyone to be happy,

263
00:14:39,600 --> 00:14:43,480
Speaker 3: that resonates for me in a way that I don't

264
00:14:43,480 --> 00:14:48,000
Speaker 3: think I could have seen it then, where despite whatever's

265
00:14:48,040 --> 00:14:50,200
Speaker 3: gone on in the family or whatever's gone on in

266
00:14:50,240 --> 00:14:53,600
Speaker 3: the chosen family, which is the friend group, and people

267
00:14:53,640 --> 00:14:55,480
Speaker 3: are having a hard time, but they still really love

268
00:14:55,520 --> 00:14:57,120
Speaker 3: each other and they're gonna work it out, and you're

269
00:14:57,120 --> 00:14:59,240
Speaker 3: gonna fight it out because you've done it for twenty years.

270
00:14:59,320 --> 00:15:02,440
Speaker 3: Whatever it is, like, you might just have a really

271
00:15:02,480 --> 00:15:04,760
Speaker 3: hard day and you might just want to have a

272
00:15:04,800 --> 00:15:07,760
Speaker 3: really nice day where people don't fight and where we

273
00:15:07,800 --> 00:15:10,320
Speaker 3: can put the differences aside and show up to the thing.

274
00:15:10,440 --> 00:15:14,240
Speaker 3: And I think you just understand how long life is

275
00:15:14,920 --> 00:15:17,600
Speaker 3: in your forties in a way that you don't in

276
00:15:17,640 --> 00:15:22,160
Speaker 3: your twenties. And I love that as much as Nicky

277
00:15:22,280 --> 00:15:28,440
Speaker 3: wrote this incredibly poignant, hilarious episode that gave us all

278
00:15:28,520 --> 00:15:30,320
Speaker 3: so much to do. And I mean, oh my God,

279
00:15:30,360 --> 00:15:32,280
Speaker 3: for me and Joy, who both love a prop to

280
00:15:32,320 --> 00:15:36,600
Speaker 3: your point, Oh yeah, choreography, bubbling pots, glasses, flower, oh

281
00:15:36,960 --> 00:15:38,120
Speaker 3: your physical comedy.

282
00:15:38,160 --> 00:15:39,920
Speaker 4: I have so many notes about that, like my.

283
00:15:40,000 --> 00:15:41,600
Speaker 3: Favorite thing to get to do, and then I got

284
00:15:41,600 --> 00:15:43,160
Speaker 3: to do it with you. And I remember being in

285
00:15:43,200 --> 00:15:44,720
Speaker 3: the kitchen and being like, and then we're gonna come

286
00:15:44,720 --> 00:15:46,400
Speaker 3: over here, and then we're gonna come over here, Like

287
00:15:46,480 --> 00:15:51,920
Speaker 3: it did feel like a dance show. There's so much

288
00:15:52,040 --> 00:15:57,520
Speaker 3: comedy and under it, there's this really beautiful life stuff.

289
00:15:58,720 --> 00:16:03,080
Speaker 3: That's really it's not like we have to hit you know,

290
00:16:03,560 --> 00:16:06,080
Speaker 3: beat a dead horse or whatever that phrase is. It

291
00:16:06,240 --> 00:16:11,120
Speaker 3: just simmers through the whole episode. And I think you're right, Joy.

292
00:16:11,160 --> 00:16:14,000
Speaker 3: I think it's why so many people in every phase

293
00:16:14,040 --> 00:16:17,280
Speaker 3: of their lives feel seen by our show, because even

294
00:16:17,320 --> 00:16:19,320
Speaker 3: for us, we made it and we're like, oh my god,

295
00:16:19,360 --> 00:16:21,120
Speaker 3: I didn't see that then, but I see it now.

296
00:16:21,640 --> 00:16:23,000
Speaker 4: Yeah, totally cool.

297
00:16:23,480 --> 00:16:26,680
Speaker 7: All right, we gotta talk about we're gonna get physical comedy.

298
00:16:26,720 --> 00:16:31,920
Speaker 7: We have to talk about the fire extinguisher Bitwe I

299
00:16:32,040 --> 00:16:35,800
Speaker 7: had to rewind it and watch it again because I

300
00:16:35,840 --> 00:16:38,000
Speaker 7: obviously I know how great you are, Sharon, so I

301
00:16:38,040 --> 00:16:41,280
Speaker 7: figured this was just a choice. When Sylvia runs out,

302
00:16:41,800 --> 00:16:46,160
Speaker 7: she starts spraying it, and in the span of spraying

303
00:16:46,200 --> 00:16:51,760
Speaker 7: the turkey, you make and break eye contact with Brooke three.

304
00:16:51,680 --> 00:16:53,440
Speaker 3: Times you counted.

305
00:16:53,760 --> 00:16:57,880
Speaker 7: And it's so perfect because it's like you're still going

306
00:16:58,360 --> 00:16:59,520
Speaker 7: and you're like, are you gonna stop?

307
00:16:59,640 --> 00:17:01,120
Speaker 5: It's this weird thing because it goes on.

308
00:17:01,200 --> 00:17:02,480
Speaker 7: To me, I felt like it went on too far,

309
00:17:02,560 --> 00:17:05,159
Speaker 7: But the fact that you keep bringing attention back to

310
00:17:05,280 --> 00:17:10,959
Speaker 7: Brook was just so wonderfully awkward and fun, like almost

311
00:17:10,960 --> 00:17:12,679
Speaker 7: like you were maybe is you're taking a little pleasure

312
00:17:12,680 --> 00:17:14,200
Speaker 7: in it now because it feels like three.

313
00:17:14,040 --> 00:17:17,600
Speaker 4: Seconds too far, you felt like, is this this is

314
00:17:17,840 --> 00:17:20,280
Speaker 4: this is what but you want me to this isn't

315
00:17:20,480 --> 00:17:21,679
Speaker 4: this is not what you wanted?

316
00:17:21,880 --> 00:17:28,120
Speaker 9: Oh yeah, Well, first of all, I love how silly

317
00:17:28,480 --> 00:17:32,080
Speaker 9: the wardrobe was for this, and I think that's part

318
00:17:32,080 --> 00:17:35,960
Speaker 9: of what makes that that she's already dressed before.

319
00:17:35,640 --> 00:17:40,560
Speaker 2: The you know, already yeah right, and wearing wearing a shrug.

320
00:17:40,800 --> 00:17:43,920
Speaker 4: By the way you were wearing a shrug.

321
00:17:45,040 --> 00:17:48,000
Speaker 2: It's a little half sweater that you know comes only

322
00:17:48,080 --> 00:17:52,159
Speaker 2: to hear that covers up your Yeah, it's a shrug.

323
00:17:52,200 --> 00:17:53,320
Speaker 2: It's so eighties.

324
00:17:53,400 --> 00:17:55,919
Speaker 4: I remembered loving those in the nineties as her Fiona

325
00:17:55,960 --> 00:17:59,400
Speaker 4: Apple's like favorite and a skirt.

326
00:18:01,320 --> 00:18:03,520
Speaker 2: She's going someplace she hasn't been before, right.

327
00:18:03,400 --> 00:18:08,600
Speaker 6: So she's and she's very she's overly excited, I think,

328
00:18:09,040 --> 00:18:13,439
Speaker 6: and in heels, which changes the physicality of every year.

329
00:18:13,840 --> 00:18:21,000
Speaker 6: When you're doing something like that, it's it you feel.

330
00:18:21,760 --> 00:18:24,320
Speaker 2: Almost like a bad ass, but not quite.

331
00:18:24,760 --> 00:18:27,440
Speaker 6: And I think that's what that's what was showing up

332
00:18:27,560 --> 00:18:30,919
Speaker 6: in in that uh, the fact that she's going to

333
00:18:30,920 --> 00:18:33,520
Speaker 6: be the hero here. I am going to fix what

334
00:18:33,640 --> 00:18:34,760
Speaker 6: Brook is always.

335
00:18:34,520 --> 00:18:37,240
Speaker 2: Going to break. I will always fix it, and I

336
00:18:37,280 --> 00:18:40,680
Speaker 2: can do it wearing my silk blouse and heel.

337
00:18:41,320 --> 00:18:47,320
Speaker 6: Yeah, and uh, she's certainly not a cook, but she

338
00:18:47,320 --> 00:18:50,720
Speaker 6: she's been criticizing Brook the whole time, right with the apple.

339
00:18:50,480 --> 00:18:56,160
Speaker 7: Pie, justifiably so though justifiably with the apple tar apple pie?

340
00:18:56,720 --> 00:18:58,880
Speaker 3: Was that the delivery on that was so good?

341
00:18:59,119 --> 00:18:59,280
Speaker 6: Is that?

342
00:18:59,520 --> 00:19:02,359
Speaker 4: Is that a peel? Oh that's interesting, I hope no

343
00:19:02,400 --> 00:19:02,919
Speaker 4: one jokes.

344
00:19:04,960 --> 00:19:05,160
Speaker 3: Yeah.

345
00:19:05,240 --> 00:19:09,760
Speaker 6: So she's not straight up mean, but she has she

346
00:19:09,840 --> 00:19:12,040
Speaker 6: has an opinion, and she notices everything. I think she

347
00:19:12,080 --> 00:19:14,639
Speaker 6: prides herself on noticing everything. And the fact that she

348
00:19:14,760 --> 00:19:18,760
Speaker 6: knew where their fire extinguisher was, uh huh. How many

349
00:19:18,840 --> 00:19:20,800
Speaker 6: do you know how many people in your lives that

350
00:19:20,840 --> 00:19:22,680
Speaker 6: don't live in the household have figured out?

351
00:19:22,960 --> 00:19:26,560
Speaker 7: That struck me as odd that someone as with such

352
00:19:26,640 --> 00:19:30,840
Speaker 7: a good eye as Brooke would have a fire extinguisher

353
00:19:31,119 --> 00:19:34,879
Speaker 7: in open visibility, like an open eyesight, and like it

354
00:19:34,920 --> 00:19:37,480
Speaker 7: felt like I would have just guessed at Brook's house

355
00:19:37,480 --> 00:19:39,280
Speaker 7: it would have been in a cabinet somewhere.

356
00:19:39,359 --> 00:19:43,040
Speaker 4: Yeah, yeah, yeah, we should have done that. We should

357
00:19:43,040 --> 00:19:43,560
Speaker 4: have done that.

358
00:19:44,000 --> 00:19:47,080
Speaker 6: It was it was accessible for a three shot. I

359
00:19:47,119 --> 00:19:49,840
Speaker 6: wonder what that stuff was that we breathed in. You know,

360
00:19:49,920 --> 00:19:55,199
Speaker 6: you have to the safety factors of that is My

361
00:19:55,320 --> 00:19:57,920
Speaker 6: favorite was the three shot of us staring at it,

362
00:19:57,960 --> 00:20:01,760
Speaker 6: looking at it like an American Gothic go on exactly.

363
00:20:02,040 --> 00:20:07,280
Speaker 3: And I loved the beat of quiet before Austin, who

364
00:20:07,440 --> 00:20:10,560
Speaker 3: committed again. Hats off to him. He commits to the

365
00:20:10,600 --> 00:20:13,240
Speaker 3: bit so hard that he's just the most precious person

366
00:20:14,440 --> 00:20:17,960
Speaker 3: all of us looking at it and knowing we have

367
00:20:18,040 --> 00:20:21,120
Speaker 3: to replan our whole day, and he just says, maybe

368
00:20:21,160 --> 00:20:23,920
Speaker 3: we can scrape it off. And that's where you see

369
00:20:23,960 --> 00:20:26,159
Speaker 3: you and you and I fully agree. We both just

370
00:20:26,200 --> 00:20:32,040
Speaker 3: go oooh. It's just like a perfect moment.

371
00:20:32,480 --> 00:20:34,960
Speaker 7: Also the way that I didn't even realize it was

372
00:20:34,960 --> 00:20:39,240
Speaker 7: happening until a bit in that it was perfectly contrasting

373
00:20:39,560 --> 00:20:43,120
Speaker 7: Brooke and Haley like that, like their domestic abilities.

374
00:20:43,119 --> 00:20:43,680
Speaker 5: I didn't realize.

375
00:20:43,720 --> 00:20:46,320
Speaker 7: It's like the second time that it went immediately back

376
00:20:46,359 --> 00:20:51,280
Speaker 7: to back where Haley is so calm, so in her elements,

377
00:20:51,359 --> 00:20:53,800
Speaker 7: so in control, and then it goes back to Brook,

378
00:20:53,840 --> 00:20:57,400
Speaker 7: which is hilarious because Brook is normally very poised, very

379
00:20:57,400 --> 00:21:00,520
Speaker 7: aware and in control, and she is wild out of

380
00:21:00,560 --> 00:21:04,879
Speaker 7: her depth, putting apple peels and tarts.

381
00:21:04,640 --> 00:21:07,200
Speaker 4: Oh so fun to see though, the level of commitment

382
00:21:07,359 --> 00:21:09,760
Speaker 4: you committed fully as well. I mean you were just

383
00:21:09,960 --> 00:21:13,159
Speaker 4: rushing around, like your hairs in your face. The glasses,

384
00:21:13,240 --> 00:21:15,919
Speaker 4: which I loved, this element of the glasses, which you

385
00:21:15,960 --> 00:21:18,159
Speaker 4: know as have we even seen brooking glasses before? I

386
00:21:18,200 --> 00:21:20,160
Speaker 4: don't know, but it worked.

387
00:21:20,840 --> 00:21:23,560
Speaker 2: And the glove, yes, me very happy.

388
00:21:23,600 --> 00:21:25,480
Speaker 6: I'm going to do a callback here which is not

389
00:21:25,560 --> 00:21:28,600
Speaker 6: about this show, but the gloves give it a level

390
00:21:28,680 --> 00:21:33,399
Speaker 6: of accessibility. They're awkward, but they are very relatable. And

391
00:21:33,400 --> 00:21:39,680
Speaker 6: on NYPD Blue years ago, actually when sil when Andy.

392
00:21:39,520 --> 00:21:43,359
Speaker 2: Proposes to Sylvia on and that's the other Sylvia I played,

393
00:21:43,359 --> 00:21:44,480
Speaker 2: how weird I played two?

394
00:21:45,720 --> 00:21:47,760
Speaker 4: I know, I was wondering if they named you Sylvia

395
00:21:47,840 --> 00:21:50,119
Speaker 4: on this as sort of like a nodmage.

396
00:21:51,119 --> 00:21:57,320
Speaker 6: Yeah, maybe it's it's just a weird, weird thing, Yeah,

397
00:21:57,760 --> 00:22:03,760
Speaker 6: weird Sylvia Costas and IPD Blue is doing the dishes.

398
00:22:04,680 --> 00:22:05,560
Speaker 2: No one are work.

399
00:22:05,440 --> 00:22:08,760
Speaker 6: Clothes, but I have an apron on and gloves, rubber gloves,

400
00:22:09,000 --> 00:22:14,480
Speaker 6: rubber gloves. And that's when he proposes, Oh there to

401
00:22:14,520 --> 00:22:19,959
Speaker 6: get and it's it's so sweet that domestic life that

402
00:22:21,200 --> 00:22:23,359
Speaker 6: we all relate to you, no matter how nice our

403
00:22:23,440 --> 00:22:29,600
Speaker 6: kitchen is yeah, what we'd say a palace or a

404
00:22:29,680 --> 00:22:34,440
Speaker 6: galley that just speaks to something in our culture.

405
00:22:36,320 --> 00:22:39,159
Speaker 4: It's such a lovely moment for Brook two because just

406
00:22:39,200 --> 00:22:43,280
Speaker 4: the season that she's in of exploring totally new parts

407
00:22:43,320 --> 00:22:47,639
Speaker 4: of herself, her personality, like, Okay, I'm I'm going to

408
00:22:47,680 --> 00:22:52,400
Speaker 4: branch out and do something very different. I love Julian

409
00:22:52,400 --> 00:22:54,119
Speaker 4: in this too, the way he just sort of stays

410
00:22:54,119 --> 00:22:56,800
Speaker 4: out of your way and gives you the space to explore.

411
00:22:57,800 --> 00:23:01,200
Speaker 4: There was something about fluffy salad another line he threw over.

412
00:23:01,080 --> 00:23:02,000
Speaker 3: His shoulder that I love.

413
00:23:02,080 --> 00:23:05,440
Speaker 4: I love this whole back and forth. But jello salad,

414
00:23:05,480 --> 00:23:08,120
Speaker 4: fluffy salad, and ambrosia, which are all the same thing,

415
00:23:08,280 --> 00:23:10,760
Speaker 4: maybe the same thing. Maybe they're not, Sharon, I don't know.

416
00:23:10,760 --> 00:23:12,720
Speaker 4: You're southern, tell us is there resolutely?

417
00:23:12,760 --> 00:23:16,399
Speaker 6: Are they involved canned fruit? Typically, if you're going to

418
00:23:16,440 --> 00:23:19,240
Speaker 6: make it, it's it's usually canned fruit that you've drained

419
00:23:19,720 --> 00:23:21,400
Speaker 6: some of the syrup off of if you don't want

420
00:23:21,440 --> 00:23:22,400
Speaker 6: it as sweet.

421
00:23:22,480 --> 00:23:24,920
Speaker 2: And jello and cool it.

422
00:23:25,480 --> 00:23:29,520
Speaker 6: And you know, another reason I said yes to the

423
00:23:29,560 --> 00:23:32,560
Speaker 6: offer to do Auntrey Hill is because I'm from North Carolina.

424
00:23:32,920 --> 00:23:36,640
Speaker 6: I got to go home for three months because that's

425
00:23:36,680 --> 00:23:38,960
Speaker 6: pretty much how long I was in the show and

426
00:23:40,560 --> 00:23:43,720
Speaker 6: be on the coast, and I know, as we say,

427
00:23:43,840 --> 00:23:46,560
Speaker 6: sort of white trash Southern.

428
00:23:46,280 --> 00:23:47,520
Speaker 2: Food, and that's.

429
00:23:49,760 --> 00:23:53,240
Speaker 6: And it's because it is accessible your ingredients that you

430
00:23:53,320 --> 00:23:55,159
Speaker 6: can keep in your pantry.

431
00:23:55,920 --> 00:23:59,280
Speaker 4: Is it regional whether you call it fluffy salad, yellow

432
00:23:59,280 --> 00:24:00,120
Speaker 4: salad or ambro.

433
00:24:00,760 --> 00:24:03,359
Speaker 7: Let's let's not also forget that it's also called pink

434
00:24:03,760 --> 00:24:08,119
Speaker 7: Charlene by Skills, who is making green and green stuff,

435
00:24:08,160 --> 00:24:10,119
Speaker 7: you see green stid of the way that runner is

436
00:24:10,160 --> 00:24:14,040
Speaker 7: so freaking funny that green stuff is like the panacea

437
00:24:14,160 --> 00:24:14,720
Speaker 7: for everyone.

438
00:24:15,040 --> 00:24:17,280
Speaker 3: Yes, and that you hit me with it, And I'm like,

439
00:24:17,320 --> 00:24:20,440
Speaker 3: is that a money joke? Like it's such a good

440
00:24:21,200 --> 00:24:25,679
Speaker 3: this this this regional thing. Which then it also is

441
00:24:25,720 --> 00:24:28,280
Speaker 3: interesting because to your point, Sharon, it's it's a Southern

442
00:24:29,960 --> 00:24:33,080
Speaker 3: commonality in a kitchen, but every family has their own

443
00:24:33,160 --> 00:24:34,240
Speaker 3: nicknames for things.

444
00:24:34,640 --> 00:24:36,119
Speaker 4: Yeah, where does that come from?

445
00:24:36,400 --> 00:24:38,959
Speaker 3: I just think it's a really sweet runner about what

446
00:24:39,040 --> 00:24:41,880
Speaker 3: everybody does. And of course Victoria is going to call

447
00:24:41,920 --> 00:24:44,440
Speaker 3: it ambrosia because it's fancy.

448
00:24:44,920 --> 00:24:48,520
Speaker 4: Well we called it ambrosia in Jersey, but in Texas

449
00:24:48,560 --> 00:24:52,719
Speaker 4: it was fluffy salad. But I don't know in North Carolina,

450
00:24:53,520 --> 00:24:56,080
Speaker 4: it's jello salad here. Just that last thing is giving.

451
00:24:56,080 --> 00:24:59,119
Speaker 4: Somebody brought green stuff jello salad and nobody called it

452
00:24:59,160 --> 00:25:01,040
Speaker 4: fluffy salad or no.

453
00:25:01,200 --> 00:25:02,920
Speaker 3: People in California say jealous out.

454
00:25:03,000 --> 00:25:06,119
Speaker 6: Well, you can also make a jellow mold with the

455
00:25:06,160 --> 00:25:08,480
Speaker 6: fruit in it that doesn't have the cool web, so

456
00:25:08,560 --> 00:25:12,520
Speaker 6: it's not it's the bright green, like, yeah, he is

457
00:25:12,960 --> 00:25:16,120
Speaker 6: beautiful green sweater today rather than the light green, which

458
00:25:16,160 --> 00:25:17,480
Speaker 6: is because you've added.

459
00:25:17,640 --> 00:25:20,280
Speaker 4: What did you grow up calling it sharon ambrosia?

460
00:25:20,280 --> 00:25:22,560
Speaker 6: If that had the whipped cream, it was ambrosia because

461
00:25:22,560 --> 00:25:29,760
Speaker 6: it's ambrosia, right, That whipped cream makes it more. It's

462
00:25:29,880 --> 00:25:34,520
Speaker 6: it's just lighter, that genteel, genteel. And I'd like to

463
00:25:34,560 --> 00:25:37,679
Speaker 6: think that pig Charlene was also what Skills was thinking

464
00:25:37,720 --> 00:25:39,960
Speaker 6: of Sylvia because read.

465
00:25:41,000 --> 00:25:42,320
Speaker 3: I'm obsessed with this.

466
00:25:42,760 --> 00:25:47,560
Speaker 2: It's flirtation, which hilarious.

467
00:25:46,640 --> 00:25:50,080
Speaker 3: So good, and all the boys lined up to play cornhole.

468
00:25:50,840 --> 00:25:53,000
Speaker 3: So when he walks in and sees you and you

469
00:25:53,000 --> 00:25:56,920
Speaker 3: guys are throwing the looks and Julian's like what. All

470
00:25:56,920 --> 00:25:59,480
Speaker 3: the boys are like, oh yeah, he's he's done this before.

471
00:25:59,760 --> 00:26:03,159
Speaker 4: And I never realized, like until that moment, how badly

472
00:26:03,240 --> 00:26:05,600
Speaker 4: I really really wished Barbara had been there too, because

473
00:26:05,640 --> 00:26:08,080
Speaker 4: we needed way more scenes with the three of you guys.

474
00:26:08,760 --> 00:26:11,720
Speaker 4: Where is Deb by the way, when was the last

475
00:26:11,760 --> 00:26:14,080
Speaker 4: time we saw her? Did she go somewhere?

476
00:26:14,200 --> 00:26:17,320
Speaker 5: I don't know she's been gone for her.

477
00:26:17,359 --> 00:26:19,560
Speaker 3: I don't feel like we've seen her in this season?

478
00:26:19,720 --> 00:26:20,320
Speaker 2: Have we no?

479
00:26:20,920 --> 00:26:21,880
Speaker 3: When was literally?

480
00:26:21,880 --> 00:26:23,360
Speaker 4: When was the last time we saw Deb?

481
00:26:23,600 --> 00:26:25,320
Speaker 5: Have we seen Dan yet this season?

482
00:26:26,240 --> 00:26:26,440
Speaker 4: No?

483
00:26:26,560 --> 00:26:27,280
Speaker 5: I don't think so.

484
00:26:27,480 --> 00:26:28,719
Speaker 3: Definitely not all right?

485
00:26:28,800 --> 00:26:30,119
Speaker 4: So that was weird. That's weird.

486
00:26:30,200 --> 00:26:31,720
Speaker 2: Do you get Gregory Harrison?

487
00:26:31,840 --> 00:26:35,440
Speaker 6: You get Paul finally getting to act with greg because

488
00:26:35,440 --> 00:26:40,119
Speaker 6: we are friends from way back and friends again for

489
00:26:40,280 --> 00:26:44,520
Speaker 6: environmental stuff Hell the Bay, which well know my passion

490
00:26:44,560 --> 00:26:47,359
Speaker 6: for here in California, but we just water an ocean

491
00:26:47,400 --> 00:26:53,400
Speaker 6: conservation in general, And how he and Treat were Treat Williams,

492
00:26:53,400 --> 00:26:56,439
Speaker 6: who played Rob and my Father, I mean Rob and

493
00:26:56,480 --> 00:26:58,760
Speaker 6: my and I and the Christmas House movies.

494
00:26:58,960 --> 00:27:02,600
Speaker 2: They were friends so so great.

495
00:27:02,880 --> 00:27:07,159
Speaker 6: They talked about each other, you know, yeah, yeah, it

496
00:27:07,359 --> 00:27:19,160
Speaker 6: was so sweet.

497
00:27:20,560 --> 00:27:21,800
Speaker 4: Do you guys want to go in order of the

498
00:27:21,840 --> 00:27:25,000
Speaker 4: episode because the next stuff we have is like Chase, Yes.

499
00:27:25,040 --> 00:27:28,280
Speaker 7: Let's get into that because I want to I gotta

500
00:27:28,320 --> 00:27:33,000
Speaker 7: say that is. I was surprised at how invested and

501
00:27:33,240 --> 00:27:37,359
Speaker 7: entertained I was watching Chase be by myself in an

502
00:27:37,359 --> 00:27:41,840
Speaker 7: empty bar, ye being himself entertained. Yeah, he was so good,

503
00:27:41,960 --> 00:27:44,679
Speaker 7: So I was curious, like, I was that fun to shoot?

504
00:27:44,720 --> 00:27:45,879
Speaker 5: I mean, did you did you just sort of let

505
00:27:45,960 --> 00:27:46,320
Speaker 5: him rip?

506
00:27:46,359 --> 00:27:47,440
Speaker 4: How was that so fun?

507
00:27:47,720 --> 00:27:47,960
Speaker 9: Yeah?

508
00:27:47,960 --> 00:27:51,199
Speaker 4: It was so fun. A lot of this episode what

509
00:27:51,320 --> 00:27:55,360
Speaker 4: I prefer to do as an actor and what I

510
00:27:55,400 --> 00:27:59,679
Speaker 4: hoped that you guys enjoyed was I'd like to just

511
00:27:59,680 --> 00:28:01,280
Speaker 4: show up up and say, like, where do you guys

512
00:28:01,280 --> 00:28:03,520
Speaker 4: want to be, Like, tell me where you want to

513
00:28:03,560 --> 00:28:05,560
Speaker 4: be in the room, and then we'll put lights up

514
00:28:05,760 --> 00:28:07,960
Speaker 4: and if something is going to really make life complicated,

515
00:28:08,000 --> 00:28:11,040
Speaker 4: then I'll tell you. But otherwise, like, let's just do

516
00:28:11,160 --> 00:28:13,080
Speaker 4: this a few times and see where everybody ends up.

517
00:28:14,440 --> 00:28:15,880
Speaker 3: So with.

518
00:28:17,520 --> 00:28:22,120
Speaker 4: Steven, because it was just him, it was really fun

519
00:28:22,160 --> 00:28:24,439
Speaker 4: to just be able to say, like, we have to

520
00:28:24,520 --> 00:28:27,920
Speaker 4: make each moment here a little bit different so it's

521
00:28:27,960 --> 00:28:30,679
Speaker 4: not just the same thing over and over. And obviously

522
00:28:30,720 --> 00:28:34,760
Speaker 4: there was some written in, but he is so reliable

523
00:28:34,920 --> 00:28:39,360
Speaker 4: as an actor to know that he's not going to

524
00:28:39,440 --> 00:28:42,080
Speaker 4: do a shtick or a bit. He's not looking for

525
00:28:42,120 --> 00:28:47,360
Speaker 4: the laugh He's not a needy actor, so when the

526
00:28:47,400 --> 00:28:49,840
Speaker 4: camera's on him, he's just in the moment and doing

527
00:28:49,920 --> 00:28:53,680
Speaker 4: whatever he's feeling, and it all pops out. To me,

528
00:28:54,280 --> 00:28:55,720
Speaker 4: it was like, just put the camera on him and

529
00:28:55,760 --> 00:28:57,600
Speaker 4: let him go, and he showed up.

530
00:28:57,760 --> 00:28:58,360
Speaker 3: He turned up.

531
00:29:00,320 --> 00:29:03,520
Speaker 4: The amount of dust on the bottle that he pulls

532
00:29:03,640 --> 00:29:08,280
Speaker 4: down from that shelf was like somebody did drywall work

533
00:29:08,320 --> 00:29:10,480
Speaker 4: on the ceiling of the bar and it only fell

534
00:29:10,560 --> 00:29:13,280
Speaker 4: on that bottle. I don't know what happened.

535
00:29:13,560 --> 00:29:16,840
Speaker 7: It was like he unearthed a relic in Indiana Jones

536
00:29:17,280 --> 00:29:17,760
Speaker 7: in the temple.

537
00:29:17,840 --> 00:29:19,800
Speaker 5: It was like it was the oldest I've met. It

538
00:29:19,840 --> 00:29:21,400
Speaker 5: was a comedic amount of dust.

539
00:29:21,400 --> 00:29:24,920
Speaker 7: And what's hilarious is you can see everything else around

540
00:29:24,960 --> 00:29:27,920
Speaker 7: the bottle is perfectly clean. It was like he picked

541
00:29:28,000 --> 00:29:31,920
Speaker 7: up a bottle from fifteen twenty five, yes, and brought

542
00:29:31,920 --> 00:29:32,240
Speaker 7: it back.

543
00:29:32,320 --> 00:29:34,479
Speaker 5: I mean, it was so much dust.

544
00:29:34,720 --> 00:29:36,640
Speaker 4: It has to be my fault. I just don't know

545
00:29:36,680 --> 00:29:38,880
Speaker 4: what I said, Like maybe because I was watching on

546
00:29:38,920 --> 00:29:41,320
Speaker 4: the monitor and the monitor's so small, and I was like,

547
00:29:41,360 --> 00:29:43,480
Speaker 4: I can't see the dust. This is what I feel like.

548
00:29:43,640 --> 00:29:45,800
Speaker 4: Probably happened is that I was like, I can't see

549
00:29:45,800 --> 00:29:48,880
Speaker 4: the dust. Can we add more, and I just didn't

550
00:29:48,960 --> 00:29:51,800
Speaker 4: understand that I was going to see a lot more because.

551
00:29:51,560 --> 00:29:53,920
Speaker 3: Now we're watching it all in the updated four K

552
00:29:54,080 --> 00:29:57,959
Speaker 3: and you're like, oh, oh goodness, it has to be

553
00:29:58,040 --> 00:29:58,480
Speaker 3: my fault.

554
00:29:58,960 --> 00:30:02,440
Speaker 2: Oh God, Peter Kowawska, he didn't stop you.

555
00:30:02,920 --> 00:30:03,440
Speaker 4: He might have.

556
00:30:03,600 --> 00:30:04,360
Speaker 3: He might have tried.

557
00:30:04,760 --> 00:30:07,640
Speaker 4: I also might have just been like, no, because I want.

558
00:30:07,560 --> 00:30:08,400
Speaker 3: To stop about ball.

559
00:30:08,560 --> 00:30:12,520
Speaker 4: Pete's also so sincere and supportive that, you know, if

560
00:30:12,560 --> 00:30:14,640
Speaker 4: I had been excited about this thing with the dust,

561
00:30:14,680 --> 00:30:17,040
Speaker 4: he might have just been like, just give him more dust. Whatever.

562
00:30:19,200 --> 00:30:22,560
Speaker 3: Honestly, I kind of loved it. It gave me that

563
00:30:22,560 --> 00:30:27,280
Speaker 3: that vibe of like an extinct spirit, you know, something

564
00:30:27,360 --> 00:30:31,360
Speaker 3: that was really important and to your point, watching Stephen

565
00:30:31,520 --> 00:30:36,640
Speaker 3: is so fun, and it it gave me you know,

566
00:30:36,640 --> 00:30:38,080
Speaker 3: when you look at your friends and you have those

567
00:30:38,080 --> 00:30:39,840
Speaker 3: sort of out of body moments where you're like, God,

568
00:30:39,880 --> 00:30:42,120
Speaker 3: I'm so proud. And I don't mean that to be annoying.

569
00:30:42,200 --> 00:30:47,080
Speaker 3: I'm not like your mom. But I remember how nervous

570
00:30:47,480 --> 00:30:50,720
Speaker 3: Stephen was when we first started working together in the

571
00:30:50,760 --> 00:30:54,640
Speaker 3: clean teen storyline. Yes, I mean just there were things

572
00:30:54,680 --> 00:30:58,280
Speaker 3: that terrified him, and he was such a sweet addition

573
00:30:58,400 --> 00:31:01,040
Speaker 3: to our little crew. And you know, we all had

574
00:31:01,320 --> 00:31:05,000
Speaker 3: the best time together. And I had this weird out

575
00:31:05,000 --> 00:31:08,240
Speaker 3: of body experience when he committed to that turkey walk

576
00:31:08,520 --> 00:31:12,320
Speaker 3: and gobble in this sequence, and I was like, look

577
00:31:12,360 --> 00:31:16,200
Speaker 3: at this kid. He's so in his body, he's so

578
00:31:16,440 --> 00:31:22,920
Speaker 3: at ease, He's leaning into every joke and just being free.

579
00:31:23,240 --> 00:31:25,920
Speaker 4: And I was like, God, this is really this is.

580
00:31:25,840 --> 00:31:30,479
Speaker 3: So cool, Like we literally grew up together. Yeah. I

581
00:31:30,560 --> 00:31:31,120
Speaker 3: just love it.

582
00:31:31,160 --> 00:31:33,360
Speaker 4: He learned so much and he grew so much, and

583
00:31:33,440 --> 00:31:36,760
Speaker 4: it was really fun to watch him in this episode.

584
00:31:36,520 --> 00:31:39,680
Speaker 2: That vocal gobble that he did with.

585
00:31:39,600 --> 00:31:41,280
Speaker 4: Tim McKinney standing behind him.

586
00:31:41,520 --> 00:31:43,720
Speaker 2: Beyond very impressed.

587
00:31:43,720 --> 00:31:45,280
Speaker 5: Steven is a man of many talents.

588
00:31:48,240 --> 00:31:51,520
Speaker 4: I just love that Nicky thought of having a bartender

589
00:31:51,760 --> 00:31:54,160
Speaker 4: on Thanksgiving be so bored. First of all, why is

590
00:31:54,200 --> 00:31:58,640
Speaker 4: trick open on Thanksgiving? It's another story, I guess, but why.

591
00:31:59,320 --> 00:32:01,400
Speaker 4: But the fact that she thought of having a bartender

592
00:32:01,840 --> 00:32:05,320
Speaker 4: come up with Thanksgiving drink meals in a glass like

593
00:32:05,440 --> 00:32:09,000
Speaker 4: drinks in a glass, Yeah, feels a glass. This does stuffing,

594
00:32:09,320 --> 00:32:10,560
Speaker 4: eh unrare.

595
00:32:10,840 --> 00:32:13,080
Speaker 3: There is a little beat and you almost missed it,

596
00:32:13,560 --> 00:32:17,920
Speaker 3: but it came out of the Millie, Marvin and Skills

597
00:32:17,960 --> 00:32:23,360
Speaker 3: storyline where mouth alludes to the fact that Chase isn't

598
00:32:23,400 --> 00:32:27,720
Speaker 3: coming because he wanted people who were alone on Thanksgiving

599
00:32:27,720 --> 00:32:31,600
Speaker 3: to have somewhere to go, which is so sweet because

600
00:32:31,600 --> 00:32:34,720
Speaker 3: it gives you this button of like, oh that's really nice.

601
00:32:34,760 --> 00:32:37,400
Speaker 3: You know. He just is he's newly single and sad,

602
00:32:37,440 --> 00:32:39,680
Speaker 3: his heart's broken. He's going to go open the bar

603
00:32:39,800 --> 00:32:42,360
Speaker 3: for the other lonely folks, and then it's just him.

604
00:32:42,520 --> 00:32:44,400
Speaker 3: It's like it's such a hat on a hat in

605
00:32:44,440 --> 00:32:47,280
Speaker 3: a good way of the fact that Chase is literally

606
00:32:47,320 --> 00:32:49,560
Speaker 3: the only person who is alone right now.

607
00:32:49,840 --> 00:32:52,440
Speaker 4: And then literally the one guy that shows up who

608
00:32:52,440 --> 00:32:55,400
Speaker 4: walks right back to Tim McKinney was our He was

609
00:32:55,440 --> 00:32:58,640
Speaker 4: one of our stunt coordinators, right or like the facts

610
00:32:58,960 --> 00:33:02,360
Speaker 4: effects thank you. Yeah, oh my gosh. I mean what

611
00:33:02,440 --> 00:33:05,960
Speaker 4: a what a good old boy. And it was really

612
00:33:05,960 --> 00:33:07,760
Speaker 4: fun having him and he's one of them got to

613
00:33:07,760 --> 00:33:09,600
Speaker 4: talk to. I was like death, He'd like real you know,

614
00:33:09,960 --> 00:33:13,880
Speaker 4: royal South Southern, and I loved that he'd never been

615
00:33:13,920 --> 00:33:16,320
Speaker 4: on camera before. He just walked in. It started him

616
00:33:16,400 --> 00:33:18,200
Speaker 4: and the fact that this is the lonely guy in

617
00:33:18,240 --> 00:33:20,480
Speaker 4: town who's like, I'm not even I'm not lonely enough

618
00:33:20,480 --> 00:33:22,280
Speaker 4: for this. Yeah, come out, I'm.

619
00:33:22,320 --> 00:33:26,640
Speaker 3: Like, never mind. I also fun fact about Tim just

620
00:33:26,720 --> 00:33:29,080
Speaker 3: the sweetest man who was the one who taught us

621
00:33:29,120 --> 00:33:34,880
Speaker 3: all about every sort of North Carolina wildlife, from like

622
00:33:34,920 --> 00:33:37,560
Speaker 3: the weirdest and you know, the weird insects, to like

623
00:33:37,600 --> 00:33:40,360
Speaker 3: the things you wanted to avoid in the water. He

624
00:33:40,480 --> 00:33:45,080
Speaker 3: just was an encyclopedia of the local natural world. And

625
00:33:45,360 --> 00:33:49,200
Speaker 3: Tim is the person who back then made me know

626
00:33:49,280 --> 00:33:52,200
Speaker 3: that someday I wanted to become a beekeeper because Timmy

627
00:33:52,280 --> 00:33:56,080
Speaker 3: used to bring his honey into work and I started

628
00:33:56,080 --> 00:33:58,880
Speaker 3: picking his brain about beekeeping and he's the reason that

629
00:33:58,960 --> 00:34:00,160
Speaker 3: I finally did it.

630
00:34:00,480 --> 00:34:01,840
Speaker 4: Oh, I love that.

631
00:34:02,600 --> 00:34:05,800
Speaker 6: Sweet man who is the one who would bring moonshine,

632
00:34:05,920 --> 00:34:07,600
Speaker 6: because I got some moonshine from what.

633
00:34:08,239 --> 00:34:12,239
Speaker 4: Oh yeah, no, we're not allowed to say scratch scratch that.

634
00:34:12,760 --> 00:34:15,600
Speaker 3: I still have two jars, left chair and stilt.

635
00:34:16,120 --> 00:34:16,239
Speaker 7: Oh.

636
00:34:16,320 --> 00:34:18,239
Speaker 3: And people ask, they're like can I and I'm like,

637
00:34:18,280 --> 00:34:22,200
Speaker 3: don't touch it, don't touch it. I'm hoarding the last

638
00:34:22,239 --> 00:34:22,920
Speaker 3: of the supply.

639
00:34:23,400 --> 00:34:28,239
Speaker 7: I like imagining the next time something so special and

640
00:34:28,320 --> 00:34:31,920
Speaker 7: big happens in your life and everyone's sending you really

641
00:34:31,960 --> 00:34:36,120
Speaker 7: expensive champagne and fine wines and like forty year old whiskeys,

642
00:34:36,520 --> 00:34:38,200
Speaker 7: and they're like, what are you going to open? And

643
00:34:38,200 --> 00:34:41,000
Speaker 7: You're like, I have a mason jar in my garage with.

644
00:34:41,040 --> 00:34:44,960
Speaker 4: Some moonshine saving each Moonshow is it in the blue bottles?

645
00:34:45,000 --> 00:34:47,200
Speaker 4: Like the little literally little water bottles.

646
00:34:47,280 --> 00:34:50,319
Speaker 3: I have two of the small sized mason jars with

647
00:34:50,360 --> 00:34:53,920
Speaker 3: the screwtops left, and one's blueberry and one's peach.

648
00:34:56,080 --> 00:34:58,600
Speaker 2: I got that much. I was there for a few months.

649
00:34:59,320 --> 00:35:02,640
Speaker 6: Is that like it came in a in a it

650
00:35:02,680 --> 00:35:04,760
Speaker 6: was glass, Thank god, whatever it was, it was glass.

651
00:35:04,760 --> 00:35:05,400
Speaker 2: He knew to do that.

652
00:35:06,800 --> 00:35:10,320
Speaker 6: Yeah, you know something that I find I want to

653
00:35:10,880 --> 00:35:13,480
Speaker 6: mention when you're talking about the natural world. One of

654
00:35:13,560 --> 00:35:15,920
Speaker 6: the things that gave me such joy watching it again

655
00:35:16,000 --> 00:35:18,640
Speaker 6: and made me remember about it because I've had a

656
00:35:18,680 --> 00:35:23,120
Speaker 6: recent experience with it. That beautiful coastline, that Coastal Waterway

657
00:35:23,360 --> 00:35:28,360
Speaker 6: football game happened that exterior.

658
00:35:28,320 --> 00:35:31,439
Speaker 2: Yeah, piers and the taking.

659
00:35:31,800 --> 00:35:36,880
Speaker 6: The trees with the moss on them. Then did we

660
00:35:37,040 --> 00:35:37,680
Speaker 6: film it?

661
00:35:37,719 --> 00:35:39,759
Speaker 2: Was it the fall or was that?

662
00:35:40,080 --> 00:35:42,960
Speaker 4: I feel like it was u yeah, like late, like

663
00:35:43,000 --> 00:35:46,480
Speaker 4: summer was headed out. I don't remember us being exceedingly

664
00:35:46,719 --> 00:35:49,080
Speaker 4: warm that day. The weather was perfect. It couldn't have

665
00:35:49,120 --> 00:35:49,600
Speaker 4: been better.

666
00:35:49,800 --> 00:35:52,760
Speaker 2: Oh yeah, Victoria turned around when she was leaving prison

667
00:35:52,840 --> 00:35:56,799
Speaker 2: and there were beautiful trees in their own foliage behind her.

668
00:35:56,880 --> 00:35:59,400
Speaker 3: Yes, well, if you think about it, you know, we

669
00:35:59,440 --> 00:36:04,680
Speaker 3: started shooting in July and like mid July, because it

670
00:36:04,719 --> 00:36:06,480
Speaker 3: was always I always had to fly back, like the

671
00:36:06,600 --> 00:36:09,959
Speaker 3: day after my birthday, so I'd travel usually the ninth,

672
00:36:09,960 --> 00:36:12,719
Speaker 3: that we'd start on the tenth or eleventh. And then

673
00:36:13,480 --> 00:36:19,680
Speaker 3: this episode aired November sixteenth, so you know, every week

674
00:36:19,719 --> 00:36:22,319
Speaker 3: we got closer and closer to the air dates because

675
00:36:22,360 --> 00:36:25,440
Speaker 3: we'd start airing in September, so I would think we

676
00:36:25,760 --> 00:36:32,560
Speaker 3: filmed this mid September early October, and.

677
00:36:32,760 --> 00:36:36,640
Speaker 7: Twodos to you, Joy, because that house and that property,

678
00:36:36,719 --> 00:36:39,240
Speaker 7: Nathan and Haley's house was so stunning, and I feel

679
00:36:39,239 --> 00:36:42,480
Speaker 7: like it was criminally underutilized. It was like, yes, we

680
00:36:42,480 --> 00:36:45,160
Speaker 7: would get as far as the pool and never any farther.

681
00:36:45,320 --> 00:36:47,920
Speaker 7: And I love that you did the steady cam walk

682
00:36:47,960 --> 00:36:50,799
Speaker 7: and talk of Nathan and Haley where I believe they

683
00:36:50,880 --> 00:36:53,120
Speaker 7: end up walking out onto the docks, so you really

684
00:36:53,160 --> 00:36:55,719
Speaker 7: get the full scope of how big and beautiful that

685
00:36:55,800 --> 00:36:56,279
Speaker 7: yard is.

686
00:36:56,480 --> 00:36:59,920
Speaker 4: Yeah, oh, thanks, There was so much that we because

687
00:37:00,000 --> 00:37:03,200
Speaker 4: it was a stacked episode with so many people as

688
00:37:03,320 --> 00:37:08,040
Speaker 4: often as I could rope shots into yeah, like as

689
00:37:08,120 --> 00:37:10,279
Speaker 4: much as I could put into a condensed moment, like

690
00:37:10,400 --> 00:37:13,080
Speaker 4: one steady cam shot, like even the opening with the

691
00:37:13,080 --> 00:37:14,560
Speaker 4: plates on the table and everything. I was like, we

692
00:37:14,680 --> 00:37:16,000
Speaker 4: just have to do this in one we don't have

693
00:37:16,080 --> 00:37:19,080
Speaker 4: time for everything else. Yeah, because it was it was

694
00:37:19,160 --> 00:37:20,760
Speaker 4: a lot of stuff.

695
00:37:20,719 --> 00:37:23,360
Speaker 3: But it was such a cool way to Rob's point,

696
00:37:23,840 --> 00:37:26,120
Speaker 3: you had to be efficient because you know, shooting a

697
00:37:26,160 --> 00:37:30,000
Speaker 3: football game is a nightmare, but that walk and talk

698
00:37:30,200 --> 00:37:33,160
Speaker 3: used the space and one of the kind of gags

699
00:37:33,160 --> 00:37:36,480
Speaker 3: of you know, a show like ours, Nathan and Haley's house,

700
00:37:36,640 --> 00:37:40,120
Speaker 3: including the pool for our friends at home, was built

701
00:37:40,120 --> 00:37:43,880
Speaker 3: on stage. Yeah. So so often when we filmed on

702
00:37:43,920 --> 00:37:48,160
Speaker 3: their patio, you never saw the yard because we weren't there.

703
00:37:48,760 --> 00:37:51,280
Speaker 3: We had to rent that house and move the family

704
00:37:51,320 --> 00:37:54,560
Speaker 3: out into a hotel every time we filmed there. So

705
00:37:54,680 --> 00:37:57,760
Speaker 3: the fact that we had probably I don't know, four

706
00:37:57,880 --> 00:38:03,040
Speaker 3: or five days out side meant we actually got to

707
00:38:03,120 --> 00:38:06,359
Speaker 3: see it. And it really is, you know, to your point, Sharon.

708
00:38:06,120 --> 00:38:06,719
Speaker 6: It's so.

709
00:38:08,239 --> 00:38:12,080
Speaker 3: Breathtaking and that golden light that starts in the fall

710
00:38:12,600 --> 00:38:15,760
Speaker 3: and the water behind everyone. I mean, there's a shot

711
00:38:16,000 --> 00:38:18,759
Speaker 3: on Kate Vogel and you know her and Jana are

712
00:38:18,800 --> 00:38:21,160
Speaker 3: fighting as Mia and Alex, and I know I'm supposed

713
00:38:21,160 --> 00:38:23,160
Speaker 3: to be caught up in the drama, and I'm just like, wow,

714
00:38:23,280 --> 00:38:24,960
Speaker 3: look at the water behind her shoes.

715
00:38:25,080 --> 00:38:27,560
Speaker 4: We're just look at look at the look at the lawn.

716
00:38:27,840 --> 00:38:30,000
Speaker 3: And I was like, oh my god, stop stop doing that.

717
00:38:30,160 --> 00:38:33,319
Speaker 3: Rewind and watch the scene. But I got lost in it.

718
00:38:34,040 --> 00:38:38,480
Speaker 4: Our show was so much about the town like that.

719
00:38:38,560 --> 00:38:41,320
Speaker 4: Wilmington really was a character in the in the story

720
00:38:41,400 --> 00:38:45,600
Speaker 4: when we started, and you know, eight seasons in, I think,

721
00:38:45,840 --> 00:38:47,759
Speaker 4: and we had so many directors that would come in

722
00:38:47,800 --> 00:38:51,319
Speaker 4: and they were doing there, they were doing good work,

723
00:38:51,360 --> 00:38:54,000
Speaker 4: but it was all focused on us and the so

724
00:38:54,120 --> 00:38:58,600
Speaker 4: much interior stuff. And I think that, Uh, I'm just

725
00:38:58,680 --> 00:39:01,080
Speaker 4: really glad any chance that we got to spend time

726
00:39:01,200 --> 00:39:04,799
Speaker 4: outside on camera in Wilmington, because I missed it. I

727
00:39:04,840 --> 00:39:07,720
Speaker 4: missed the town as a character. And I didn't realize

728
00:39:07,760 --> 00:39:10,239
Speaker 4: how much we had been missing it until you see

729
00:39:10,280 --> 00:39:13,839
Speaker 4: it in all its glory in episodes like this and

730
00:39:13,920 --> 00:39:15,560
Speaker 4: Yeah and some others that I think are coming up.

731
00:39:16,160 --> 00:39:19,319
Speaker 6: Well, it's all that you got that many good days

732
00:39:19,320 --> 00:39:21,680
Speaker 6: of weather in a row that you could kept on,

733
00:39:22,200 --> 00:39:25,960
Speaker 6: you know, because the weather's men and the storms and

734
00:39:26,000 --> 00:39:28,200
Speaker 6: the rain will come up. So you have you were

735
00:39:28,200 --> 00:39:32,640
Speaker 6: blessed by the directing gods, as you should be. And

736
00:39:32,760 --> 00:39:34,759
Speaker 6: I'm going to take this moment right now to say

737
00:39:35,000 --> 00:39:37,759
Speaker 6: that you should have started with congratulations to all of

738
00:39:37,800 --> 00:39:43,160
Speaker 6: you for your interest in directing in film is made.

739
00:39:43,480 --> 00:39:44,600
Speaker 2: How I was.

740
00:39:44,520 --> 00:39:47,279
Speaker 6: So proud to know that you all, that I got

741
00:39:47,360 --> 00:39:48,800
Speaker 6: to work with you Sophia as a director in the

742
00:39:48,840 --> 00:39:52,000
Speaker 6: Halloween episode, and of course you because my work with

743
00:39:52,040 --> 00:39:56,680
Speaker 6: women in film years earlier was all about that happening.

744
00:39:56,840 --> 00:40:01,279
Speaker 6: So I just shouted out that the show, the show

745
00:40:01,360 --> 00:40:04,960
Speaker 6: delivered on what our my generation of women was really

746
00:40:05,000 --> 00:40:06,279
Speaker 6: working for and hoping for.

747
00:40:06,840 --> 00:40:09,880
Speaker 2: We see the results and you all did us proud.

748
00:40:09,960 --> 00:40:11,320
Speaker 2: So thank you Jans.

749
00:40:11,440 --> 00:40:12,000
Speaker 4: That's great.

750
00:40:12,320 --> 00:40:14,760
Speaker 5: Thank you all right, King, here's the deal.

751
00:40:15,040 --> 00:40:18,440
Speaker 7: Uh, you don't get National Treasure Sharon Lawrence and not

752
00:40:18,600 --> 00:40:20,920
Speaker 7: talk for hours on end, which is exactly what we did.

753
00:40:20,960 --> 00:40:23,600
Speaker 7: So we're going to cap this off here and come

754
00:40:23,640 --> 00:40:28,040
Speaker 7: back for another episode chalk full of Sharon Lawrence, grace,

755
00:40:28,360 --> 00:40:30,880
Speaker 7: behind the scenes stories and all kinds of goodness.

756
00:40:31,560 --> 00:40:32,720
Speaker 4: Hey, thanks for listening.

757
00:40:32,840 --> 00:40:35,080
Speaker 3: Don't forget to leave us a review. You can also

758
00:40:35,120 --> 00:40:38,160
Speaker 3: follow us on Instagram at Drama Queen's ot.

759
00:40:38,239 --> 00:40:42,880
Speaker 6: H or email us at Drama Queens at iHeartRadio dot com.

760
00:40:43,200 --> 00:40:44,200
Speaker 3: See you next time.

761
00:40:45,440 --> 00:40:47,800
Speaker 4: We all about that high school drama.

762
00:40:47,840 --> 00:40:49,680
Speaker 2: Girl Drama, Girl, all about them.

763
00:40:49,560 --> 00:40:51,319
Speaker 4: High school queens.

764
00:40:51,360 --> 00:40:53,080
Speaker 2: We'll take you for a ride at our.

765
00:40:52,960 --> 00:40:55,840
Speaker 3: Comic Girl Shared for the right Teams.

766
00:40:55,640 --> 00:41:00,279
Speaker 4: Drama Queens Up Girl Fashion, Mit, You'll tough girl, Sit

767
00:41:00,320 --> 00:41:00,400
Speaker 4: with

768
00:41:00,520 --> 00:41:04,359
Speaker 1: Us, Girl Drama Queens, Drama Queens Drama, Queens Drama John

769
00:41:04,400 --> 00:41:05,800
Speaker 1: mc Queens Drama Queens