WEBVTT - Mini Crush #174

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, welcome to Mini Crush Monday. Um, Charles b

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<v Speaker 1>Chuck Bryant. Here, you're co host along with Noel Brown,

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<v Speaker 1>also co host. Together, we make one host. Hello Chuck,

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<v Speaker 1>We morphed together to make one gelatinous blob of a

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<v Speaker 1>hairy human. Yeah, sort of like that movie The Thing. Yeah,

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<v Speaker 1>we are the Thing exactly, except we don't kill people. No,

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<v Speaker 1>we lift people up. We entertain them. We talked movies

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<v Speaker 1>to them, all that good stuff, all that good stuff. Noel,

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<v Speaker 1>As is per usual, this is our second episode where

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<v Speaker 1>in fact we have already caught up, so we can

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<v Speaker 1>kind of get right down to business, as they say,

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<v Speaker 1>and you go, I got a little surprise for you, know, okay,

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<v Speaker 1>because I managed at the last minute to get a

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<v Speaker 1>guest in because we haven't done pop Quiz hot Shot

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<v Speaker 1>in a while, and uh, I've just invited this person.

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<v Speaker 1>And as usual, we do a little surprise for you

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<v Speaker 1>because you don't know who's coming. I don't, and I

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<v Speaker 1>just sent the invite so we can kill time for

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<v Speaker 1>a second till until they get the invite and pop

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<v Speaker 1>into the room and are hopefully already recording. Otherwise we're

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<v Speaker 1>gonna have to take this all again and fake it

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<v Speaker 1>like well, or we could just you know, drop Yeah, Okay,

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<v Speaker 1>I see what you're saying. Fake fake the my surprise. Yeah.

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<v Speaker 1>Like that's my worst nightmare is if someone pops in

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<v Speaker 1>the room and we have that organic moment where you

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<v Speaker 1>don't know who it is, and then they say, oh,

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<v Speaker 1>I'm not recording, but here they are, nol, You're ready.

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<v Speaker 1>I'm ready. I mean meet them into the room. Boy.

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<v Speaker 1>The suspense is killing me. It's killing me, Chucks. Not

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<v Speaker 1>the same for you as it is for me. I'm

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<v Speaker 1>the one experiencing the suspense right now. Uh okay, So

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<v Speaker 1>why is this person not in? Hey? I thought it

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<v Speaker 1>was gonna be so any famous whoa, Oh my god.

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<v Speaker 1>It's one of my favorite human beings in the entire world,

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<v Speaker 1>Alex Williams, who composed this theme that's on a different show,

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<v Speaker 1>but he did, and they say his name at the

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<v Speaker 1>end of every episode of Ridiculous History because he composed

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<v Speaker 1>that theme. Okay, so let me clear this up. No,

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<v Speaker 1>because you're already fucking confusing everybody. U Alex. People know

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<v Speaker 1>from the past Edwood episode Alex is one of our colleagues, who,

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<v Speaker 1>by the way, if you don't look like goddamn John

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<v Speaker 1>Lennon right now, I don't know who you look like

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<v Speaker 1>because words people to look like. I guess I literally

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<v Speaker 1>get that every day now. I've let my that's because

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<v Speaker 1>you look just like him. You've got the long hair

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<v Speaker 1>in the stash, the round glasses and the circle glasses.

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<v Speaker 1>I would, dude, if I could look like that, I

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<v Speaker 1>would do no. I would always have that look. You

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<v Speaker 1>guys want to start a Beatles cover band? Yes, Alex?

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<v Speaker 1>No more bands, bro, No, I look like no Beatle.

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<v Speaker 1>I'm giving Alex ship because he and I play in

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<v Speaker 1>a little music band. That's what they call them when

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<v Speaker 1>you're cool. UM with our other buddy and colleague and

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<v Speaker 1>dear friend of the show and the network, Matt Frederick,

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<v Speaker 1>and UM do a couple other music side things. But

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<v Speaker 1>Alex has been in like just music mode. He's just

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<v Speaker 1>like starting bands left and right. So he's got off

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<v Speaker 1>no more bands. No, I'm kidding. I just can not

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<v Speaker 1>get mad every time I join another band. So I

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<v Speaker 1>want to gla a for for now? Uh do me

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<v Speaker 1>and fayvorre Alex just say this will will popular than

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<v Speaker 1>Jesus Christ. Wow. No, No, he got flagged for that

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<v Speaker 1>when he said, I'm not getting anywhere near that one man.

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<v Speaker 1>So listener you might remember also and we plugged this

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<v Speaker 1>on the show quite a few times, and Alex talked

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<v Speaker 1>about it on his Edward episode that you were the

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<v Speaker 1>creator and and doer of the great great podcast Ephemeral

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<v Speaker 1>who was just which has just launched season two, and uh,

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<v Speaker 1>we're having you on to talk about that a little bit,

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<v Speaker 1>and especially a very special episode that might really appeal

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<v Speaker 1>to the movie crushers. Right, Yeah, I mean somebody called

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<v Speaker 1>me out on Facebook and said maybe there would be uh,

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<v Speaker 1>some synergy between these two episodes. But we just put

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<v Speaker 1>out an episode about Alice Ki Alice Ki Blashcheser married name,

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<v Speaker 1>who is um one of the first filmmakers ever and

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<v Speaker 1>the first female filmmaker and the only female filmmaker for

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<v Speaker 1>like the first seventeen years of cinema. UM. And it's

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<v Speaker 1>sort of it's about it's a it's it's a it's

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<v Speaker 1>a it's a new history of early cinema. It's a

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<v Speaker 1>biography of her whole life. It's got a secret love

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<v Speaker 1>story in it that's incredible. UM, I don't want to

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<v Speaker 1>spoil anything. Um, I don't, don't. I listened to the

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<v Speaker 1>first like fifteen minutes today when you send it to

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<v Speaker 1>me because had to get down here and do this.

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<v Speaker 1>But I can't wait to finish it later today. It

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<v Speaker 1>was already in these ephemerals. Such a good show. It's

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<v Speaker 1>everything I like about podcast. It's sort of a I mean,

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<v Speaker 1>dare I say, sort of maybe a little more NPR

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<v Speaker 1>style show than we usually do it the network, full

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<v Speaker 1>of twist and turns and great stories. It's Part nine

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<v Speaker 1>invisible in a way. Uh, but it's it's it's human related,

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<v Speaker 1>human stories. It's really really great. Thanks Nextllen. It's also

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<v Speaker 1>beautifully sound design, and like I said, Alex as a

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<v Speaker 1>super talented musician. And you've got a cool little team

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<v Speaker 1>of folks working with you now, including your your brother

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<v Speaker 1>who is the new producer for Ridiculous History, of which

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<v Speaker 1>you composed the theme. Thanks man, my flesh and bread

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<v Speaker 1>blood brother, Max Williams. And then uh Trevor Young who's

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<v Speaker 1>done things like Monster DC, Sniper and all kinds of stuff. Trevor,

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<v Speaker 1>Trevor was on the show. Yeah he's done now, MAXI

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<v Speaker 1>bely on Mike eventually, and yeah, yeah, they're helping me

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<v Speaker 1>produce it, which is really nice because I did it

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<v Speaker 1>all by myself for for a little while, with some

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<v Speaker 1>help from my friends Beetle's reference right, with help from

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<v Speaker 1>George and fall in the ringo. But I meant to

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<v Speaker 1>mention this to you, completely unrelated to you being here

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<v Speaker 1>in the second, but I was looking through Apple Podcasts

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<v Speaker 1>and you're looking at the different little collections they have,

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<v Speaker 1>and they have a trending section, and Ephemeral was in

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<v Speaker 1>the trending section. All right, you're trending, bro, It's like

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<v Speaker 1>a trend. Thank you. I can't believe how much you

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<v Speaker 1>look like John Lynton. This is really striking. We're an

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<v Speaker 1>amazing thing to be able to do. You're gonna go

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<v Speaker 1>over the organ and play imagine or something. Yes, I

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<v Speaker 1>said that we're to call on a company call, and

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<v Speaker 1>I definitely got called out for it. I should be

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<v Speaker 1>offering things like this if I'm not, if I'm not rehearsed,

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<v Speaker 1>well you should just drop that into right now and

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<v Speaker 1>then just very subtly you could be like, well, guys, imagine, uh,

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<v Speaker 1>there's no heaven and just see what people say. No

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<v Speaker 1>positions and no religion too. You know, the only person

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<v Speaker 1>I can look like is Kevin Smith, and that's it.

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<v Speaker 1>It's not fun. And and the only person I look

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<v Speaker 1>is Bryant looking like Kevin Smith. It's not fun either.

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<v Speaker 1>You won't find me in a hockey jersey anytime soon,

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<v Speaker 1>that's fair. He looks weird now that he lost all

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<v Speaker 1>that weight, and I mean, I'm happy for him, but

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<v Speaker 1>it's just it's hard for me. He looks like he's

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<v Speaker 1>still wearing the same size clothes. He's just kind of

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<v Speaker 1>withered underneath them a little bit. Well, i'll tell you

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<v Speaker 1>what he's he's very inspiring with his taking hisself under control.

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<v Speaker 1>And so I'm completely agreed. Yeah, we just covered mall

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<v Speaker 1>rats on this very shows great. Oh yeah, but that

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<v Speaker 1>was fun. I gotta listen to that one. Miles is

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<v Speaker 1>great man, He's so much fun. And I didn't realize

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<v Speaker 1>there was so much crossover. There were a lot of

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<v Speaker 1>movie crushers who are daily Zeite guys fans, and so

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<v Speaker 1>it was pretty cool. I'm gonna have Jack on soon.

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<v Speaker 1>I've been reserved pulp fiction for Jack, so he's gonna

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<v Speaker 1>come on. That's a good one to reserve for somebody. Yeah,

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<v Speaker 1>I gotta say really quickly because Chuck and I talked

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<v Speaker 1>about this. Um, I'm really excited because I don't really

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<v Speaker 1>guessed on a ton of podcasts, but there's one that

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<v Speaker 1>I listened to called Pod Yourself a time. That's a

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<v Speaker 1>Sopranos podcast. Oh that's right, let everyone know. Yeah, and

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<v Speaker 1>and uh, well, Jack and um On a host and

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<v Speaker 1>I have been guests on it. And I found the

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<v Speaker 1>show clally organically because I was just mid Sopranos re

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<v Speaker 1>rewatched that I do every year, so and I was like,

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<v Speaker 1>I need some supplementary Sopranos content. So I googled, you know,

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<v Speaker 1>or or looked an Apple podcast and that came up.

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<v Speaker 1>And it's great. It's the dudes Matt Leeb and Vince

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<v Speaker 1>Mancini and there um these comedians from l A. And

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<v Speaker 1>clearly in the same circles as on On Jack and

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<v Speaker 1>Miles because they've both been guests on it a couple

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<v Speaker 1>of times. And so I literally just reached out to

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<v Speaker 1>on on today, Uh, could you maybe like connect me

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<v Speaker 1>with these guys. I want to, you know, put my

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<v Speaker 1>hat in the ring to be a guest. And she did,

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<v Speaker 1>and they immediately we're all about it. And I'm gonna

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<v Speaker 1>be episode one of season five, which is Divorced Dad

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<v Speaker 1>Tony season when um uh and also the season that

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<v Speaker 1>where his his cousin Tony Blendetto played by Steve Bushemi

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<v Speaker 1>comes into the picture. So I get to be episode

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<v Speaker 1>one of one of my favorite seasons. I'm really excited.

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<v Speaker 1>I'm recording in a in a week, but I don't

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<v Speaker 1>know when it's gonna come out, but I'll let you

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<v Speaker 1>know when I find out. That's amazing. You gotta do that.

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<v Speaker 1>You gotta reach out in life. Sometimes you gotta do it,

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<v Speaker 1>you know, just imagine. Uh, it's easy if you try.

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<v Speaker 1>I know I do that and it usually is. All right. So, Alex,

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<v Speaker 1>you do not know anything about this game that we

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<v Speaker 1>play here. You sent me a name about this morning.

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<v Speaker 1>It was like, hey, you want to come on a

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<v Speaker 1>movie a crush to play a quiz or something? Yeah,

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<v Speaker 1>and you said When I said, how about like an hour?

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<v Speaker 1>He said sure? Because what am I doing? Excite from

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<v Speaker 1>just composing beautiful beatles dunes all day? All right, Alex,

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<v Speaker 1>Here's how it goes. It's called pop Quiz hot Shot.

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<v Speaker 1>There are ten questions and three answers per for a

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<v Speaker 1>total of thirty points. Partial credit is allowed. So if

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<v Speaker 1>you get it's basically like name three movies that feature blank,

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<v Speaker 1>you know, Jack Nicholson, and then in ten seconds you

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<v Speaker 1>have to name three Jack Nicholson films. If you get timed,

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<v Speaker 1>it's timed. That's the whole rub here. My friend she

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<v Speaker 1>had all day to sit around and think about it

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<v Speaker 1>wouldn't be any fun. So, uh, it will trip up

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<v Speaker 1>even the best player, like the cases of the world

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<v Speaker 1>get very confused. Yeah, but you get parcel credits. So

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<v Speaker 1>if you get like one or two, you still get

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<v Speaker 1>those points where it's total of thirty. I would say

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<v Speaker 1>the biggest tip that I could give you is don't overreach.

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<v Speaker 1>Don't try to go for the most obscure pick. Just

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<v Speaker 1>go for like the most obvious, like whatever comes to

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<v Speaker 1>your mind. Just don't like be struggle literally say anything

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<v Speaker 1>I can think of. Okay, I think that has a ticket.

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<v Speaker 1>Maybe that's the ticket. Uh, and nol is our scorekeeper

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<v Speaker 1>and all can you I mean, good lord, we always

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<v Speaker 1>go through it with your I mean, let me make

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<v Speaker 1>a spreadsheet real quick. Here we go, so I get okay,

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<v Speaker 1>so at one point answer one point per answer, thirty

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<v Speaker 1>points total for the gay points to. So there's thirty questions.

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<v Speaker 1>I will keep it too good for just like hash marks,

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<v Speaker 1>like a big guir old, you know, make four a

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<v Speaker 1>cross five. We're doing a bit where I'm bad at

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<v Speaker 1>keeping school. Also, the other bit we do is we

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<v Speaker 1>have to pick out the the making time or sound.

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<v Speaker 1>So what should we go with? NOL? How about I

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<v Speaker 1>like the Clackson you know that what is that call?

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<v Speaker 1>It's not a lot. I don't know. I don't have

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<v Speaker 1>the enterprise is going down? All right, you're just making

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<v Speaker 1>stuff up now, John Lennon to be quiet, and that

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<v Speaker 1>one's too cheerful. That was pretty good already, Blade Runner, Yeah,

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<v Speaker 1>like we'll do that. It's called cosmic everybody cosmo. All right,

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<v Speaker 1>here we go, Alex at one. There your mind. In

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<v Speaker 1>ten seconds, name three movies with the word death in

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<v Speaker 1>the title starting now, Death Inc. That's not one Death

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<v Speaker 1>Becomes Her? Is that one murdered by death? Uh? Dead man?

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<v Speaker 1>That doesn't say death. A band called Death is a documentary.

0:11:57.040 --> 0:11:58.600
<v Speaker 1>All right. I'm gonna give that to you because you

0:11:58.720 --> 0:12:02.319
<v Speaker 1>started saying it as the timer sounded. So no, Death Inc.

0:12:02.480 --> 0:12:04.680
<v Speaker 1>Is a movie. Okay, you got four then, but we

0:12:04.720 --> 0:12:07.480
<v Speaker 1>can only give you three. Okay, I'll take it. Do

0:12:07.520 --> 0:12:10.200
<v Speaker 1>you know you know how the game works? Good job.

0:12:10.240 --> 0:12:12.280
<v Speaker 1>By the way, Death Death is one of my hot

0:12:12.320 --> 0:12:16.280
<v Speaker 1>topics and a band called Death is supposed to be

0:12:16.440 --> 0:12:18.720
<v Speaker 1>I haven't seen it yet, but it's awesome. You guys

0:12:18.720 --> 0:12:20.760
<v Speaker 1>need to see it. Yeah, it's on my on my list.

0:12:21.120 --> 0:12:25.160
<v Speaker 1>It's very good. All right. Question to pous hot shot

0:12:25.600 --> 0:12:30.600
<v Speaker 1>with our guests Alex Williams, reader of Ephemeral and Instant Karma.

0:12:31.040 --> 0:12:37.040
<v Speaker 1>Thank you. Name three movies starring or even featuring Matt

0:12:37.120 --> 0:12:42.000
<v Speaker 1>Damon starting now, Goodwill, Hunting God. He's in like a

0:12:42.040 --> 0:12:45.840
<v Speaker 1>million movies. There's one called Jerry that's got him in it.

0:12:45.840 --> 0:12:50.800
<v Speaker 1>That's a sand film. He's so many movies and blanking Okay,

0:12:51.480 --> 0:12:55.600
<v Speaker 1>two out of three. That was ten seconds. Ten seconds

0:12:55.679 --> 0:12:58.320
<v Speaker 1>a really short amount of time. It is. It's also

0:12:58.360 --> 0:13:00.520
<v Speaker 1>goes by faster when you say things like yeah, it's

0:13:00.520 --> 0:13:02.719
<v Speaker 1>a movie by Gus Van's and it was fairly well

0:13:02.720 --> 0:13:05.079
<v Speaker 1>reviewed in the theater, just like Jerry. Would be confusing

0:13:05.120 --> 0:13:08.720
<v Speaker 1>if I just said, you know, save that, save the

0:13:08.760 --> 0:13:11.839
<v Speaker 1>commentary for as this is not called pop quiz hot

0:13:11.840 --> 0:13:16.000
<v Speaker 1>shot and context no context needed to out of three,

0:13:16.040 --> 0:13:18.120
<v Speaker 1>though maybe one more Mad Damon movie for me, though,

0:13:18.120 --> 0:13:19.960
<v Speaker 1>I feel like a fool that I didn't know because

0:13:20.000 --> 0:13:24.160
<v Speaker 1>he's like Mr Ripley, Yeah, Mr Ripley. The born identity

0:13:24.280 --> 0:13:26.840
<v Speaker 1>is that him. Any of the born could have been

0:13:26.960 --> 0:13:31.000
<v Speaker 1>born supremacy. Garish said that, all right, that's all right.

0:13:31.040 --> 0:13:32.360
<v Speaker 1>Two out of three is good, man. If you hang

0:13:32.360 --> 0:13:35.240
<v Speaker 1>in there, you're you're doing well. Or as meat Loaf

0:13:35.280 --> 0:13:39.320
<v Speaker 1>would say, it ain't bad. Get out three, all right.

0:13:39.640 --> 0:13:43.160
<v Speaker 1>Don't come at John Lennon with meat Loaf is cool? Cool,

0:13:43.160 --> 0:13:46.680
<v Speaker 1>I'm done with me, Love me love. I mean, he

0:13:46.760 --> 0:13:49.800
<v Speaker 1>did some good work in his day, right, true, it's true?

0:13:49.840 --> 0:13:51.680
<v Speaker 1>And what was the thing he wouldn't do for love?

0:13:52.120 --> 0:13:54.319
<v Speaker 1>You do anything, but not the one thing. But he

0:13:54.360 --> 0:13:56.439
<v Speaker 1>never says what the one thing is. I think it's

0:13:56.440 --> 0:14:00.000
<v Speaker 1>probably anal that's what That's what everyone That's what everyone says.

0:14:01.000 --> 0:14:04.560
<v Speaker 1>Things are going downhill fast, guys. I just think what

0:14:04.559 --> 0:14:06.320
<v Speaker 1>I have a problem with that personally, But I don't

0:14:06.320 --> 0:14:09.120
<v Speaker 1>think so either. But you know, actually I think I've

0:14:09.160 --> 0:14:11.240
<v Speaker 1>told the story. And Noll knows this a little bit.

0:14:11.760 --> 0:14:15.040
<v Speaker 1>When I lived in l A, alex I was friends

0:14:15.200 --> 0:14:19.600
<v Speaker 1>with a guy who was dating Meet Loath's wife's assistant,

0:14:19.960 --> 0:14:21.840
<v Speaker 1>and so I hung it meets house A couple of

0:14:21.840 --> 0:14:23.680
<v Speaker 1>times when he was that, I wanted to say, I'm

0:14:23.720 --> 0:14:29.080
<v Speaker 1>glad you said that. People call him. You know. It

0:14:29.120 --> 0:14:33.800
<v Speaker 1>was very traditional, sort of colonial. Uh nothing fancy, but

0:14:33.840 --> 0:14:35.520
<v Speaker 1>I I mean, it was a nice house and everything,

0:14:35.520 --> 0:14:38.800
<v Speaker 1>but it wasn't like some palatial estate. And the end

0:14:38.840 --> 0:14:40.400
<v Speaker 1>of that story, which I always tell, is it but

0:14:40.440 --> 0:14:43.840
<v Speaker 1>he backed up his backyard to Steven Seagal's backyard, and

0:14:43.880 --> 0:14:45.360
<v Speaker 1>if you stood up on the thing, you could see

0:14:45.360 --> 0:14:48.080
<v Speaker 1>into it. And Steven Seagal had all these little Asian

0:14:48.320 --> 0:14:54.520
<v Speaker 1>uh what are they called? Not ada but pagoda, sure,

0:14:55.400 --> 0:15:00.760
<v Speaker 1>said will pagodas all over the property. Stevens. Also, he's

0:15:00.800 --> 0:15:04.960
<v Speaker 1>also famous for like wearing kimonos with nothing on underneath,

0:15:05.040 --> 0:15:08.600
<v Speaker 1>and like sing in front of women. You didn't see that.

0:15:09.640 --> 0:15:12.760
<v Speaker 1>I didn't see that backyard. All right? Number three, Alex,

0:15:12.880 --> 0:15:15.080
<v Speaker 1>and we're going you're doing great, Puck Quitz hot shot

0:15:15.560 --> 0:15:20.880
<v Speaker 1>in ten seconds. Name three movies directed by a woman

0:15:21.240 --> 0:15:25.160
<v Speaker 1>starting now, I'm gonna say Alaski blash films, Sticky Woman,

0:15:25.760 --> 0:15:30.040
<v Speaker 1>Falling Leaves, and the Consequences of Feminism. They're all short,

0:15:30.120 --> 0:15:32.160
<v Speaker 1>silent films from like the first ten years of the

0:15:32.640 --> 0:15:36.480
<v Speaker 1>night's handards. But that counts, right, dude. Not only does

0:15:36.520 --> 0:15:39.800
<v Speaker 1>that count, I think you did her justice and that

0:15:39.880 --> 0:15:41.800
<v Speaker 1>was clearly loaded for you to talk a little bit

0:15:41.800 --> 0:15:46.200
<v Speaker 1>more about your show. That's what I'm here for right now.

0:15:46.280 --> 0:15:48.640
<v Speaker 1>That was fantastic. Name one other movie directed by a

0:15:48.640 --> 0:15:52.760
<v Speaker 1>woman that's not her. One other movie directed by a

0:15:52.840 --> 0:15:55.280
<v Speaker 1>woman that's no time here involved. You know what I

0:15:55.360 --> 0:15:58.440
<v Speaker 1>just saw that was really good. Um. I don't remember

0:15:58.480 --> 0:15:59.720
<v Speaker 1>the name of the woman off the top of my head.

0:16:00.040 --> 0:16:04.360
<v Speaker 1>The boy the movie Chyla buff wrote about his pretty

0:16:04.400 --> 0:16:07.120
<v Speaker 1>good movie It's Tough Man. But I watched some interviews

0:16:07.160 --> 0:16:12.080
<v Speaker 1>with her. Her name is Alma Harrel h A R

0:16:12.200 --> 0:16:15.240
<v Speaker 1>with a little and then e L. So I'm probably

0:16:15.240 --> 0:16:19.360
<v Speaker 1>not pronouncing that right, but yes, she is from Tel Aviv, Israel. Yeah,

0:16:19.520 --> 0:16:22.920
<v Speaker 1>what else has she done? She did some um, I

0:16:22.960 --> 0:16:25.560
<v Speaker 1>think some kind of hybrid documentary sort of things before,

0:16:25.680 --> 0:16:28.240
<v Speaker 1>and they had collabed. I think maybe he had produced

0:16:28.240 --> 0:16:31.200
<v Speaker 1>a couple of projects with her. I don't know that

0:16:31.280 --> 0:16:34.040
<v Speaker 1>much about it yet, but honey Boy really left an

0:16:34.040 --> 0:16:38.080
<v Speaker 1>impression on me to see more of her work. Yeah,

0:16:38.120 --> 0:16:40.640
<v Speaker 1>she she hasn't done a ton of like big mainstream things.

0:16:40.680 --> 0:16:43.120
<v Speaker 1>But she's done a lot of music videos. I think

0:16:43.120 --> 0:16:45.840
<v Speaker 1>I think she's one of these music video people. Yeah,

0:16:45.920 --> 0:16:48.640
<v Speaker 1>she's a music videos for bay Rout like word Seagar

0:16:48.760 --> 0:16:53.040
<v Speaker 1>Ross Heerwater, Paul Smith. I don't know how nice Smith?

0:16:53.120 --> 0:16:55.840
<v Speaker 1>All right, but not for the Beatles. That's all right,

0:16:56.960 --> 0:17:00.960
<v Speaker 1>you should hire next time. Okay, you're doing the great

0:17:00.960 --> 0:17:02.840
<v Speaker 1>How many to get there? An oal? He got all three? Right? Sure?

0:17:02.920 --> 0:17:06.360
<v Speaker 1>He got all three? All right? Uh? In ten seconds

0:17:06.359 --> 0:17:08.800
<v Speaker 1>hot shot with guests Alex Williams of the Femeral Name

0:17:08.880 --> 0:17:23.320
<v Speaker 1>three directorial debuts, first films from directors starting now. How

0:17:23.320 --> 0:17:27.399
<v Speaker 1>about her Carveys Carnival Souls. That's the only one I

0:17:27.400 --> 0:17:30.520
<v Speaker 1>could think of? All right, that's right, you know for

0:17:30.560 --> 0:17:33.000
<v Speaker 1>a fact that is his. This is the only one

0:17:34.680 --> 0:17:37.680
<v Speaker 1>one out of three, one out of three you got

0:17:37.680 --> 0:17:39.240
<v Speaker 1>on the board. But you don't want to may not

0:17:39.280 --> 0:17:42.200
<v Speaker 1>be doing in a femoral episode on that too. Spoiler alert.

0:17:43.400 --> 0:17:46.439
<v Speaker 1>This is from Yeah, it's a classic like kind of

0:17:47.760 --> 0:17:50.800
<v Speaker 1>b maybe drive in horror movie. The Herk is a

0:17:50.840 --> 0:17:53.320
<v Speaker 1>guy that made He worked for the Center on Corporation

0:17:53.359 --> 0:17:57.000
<v Speaker 1>making um like educational industrial films for like thirty forty

0:17:57.040 --> 0:18:00.520
<v Speaker 1>fifty years and he made one horror film. It's as

0:18:00.520 --> 0:18:03.400
<v Speaker 1>a Centron Corporation, a real thing that's not sound movie

0:18:03.400 --> 0:18:06.840
<v Speaker 1>sounds like. Stron was like a Kansas based like like

0:18:06.880 --> 0:18:10.359
<v Speaker 1>a Coronet Films that made like social guidance and or

0:18:10.440 --> 0:18:15.359
<v Speaker 1>Encyclopedia Encyclopedia Britannic of films, Social guidance, classroom education films,

0:18:15.440 --> 0:18:20.879
<v Speaker 1>driving safety films, stuff like that, and yeah, um uh,

0:18:21.040 --> 0:18:23.880
<v Speaker 1>Centron was kind of the educational film company. With a heart.

0:18:24.640 --> 0:18:29.280
<v Speaker 1>Is one of our interviews. Ben Bowling Uh is a

0:18:29.320 --> 0:18:31.920
<v Speaker 1>big fan of Carnival. Those souls. He's talks of it often.

0:18:32.040 --> 0:18:34.280
<v Speaker 1>I've heard it. And folks, this this banter that you're

0:18:34.280 --> 0:18:37.679
<v Speaker 1>getting from Alex is what you get from Ephemeral because

0:18:38.119 --> 0:18:40.359
<v Speaker 1>Alex knows a lot about these stories and that's what

0:18:40.359 --> 0:18:43.760
<v Speaker 1>Ephemeral is about, these stories lost to time, little known

0:18:43.840 --> 0:18:47.000
<v Speaker 1>stories from from real human beings. And it's it's good stuff.

0:18:47.040 --> 0:18:50.280
<v Speaker 1>I love it. Oh my goodness. There's one of the

0:18:50.560 --> 0:18:53.440
<v Speaker 1>if you look at his IMDb, a lot of these

0:18:53.520 --> 0:18:56.159
<v Speaker 1>educational films are listed h and one of them is

0:18:56.200 --> 0:18:59.639
<v Speaker 1>called to Touch a Child. You've got to be careful

0:18:59.680 --> 0:19:03.280
<v Speaker 1>with i dB on folks like that because with silent

0:19:03.320 --> 0:19:05.439
<v Speaker 1>films and educational films and all these kind of fringe

0:19:05.440 --> 0:19:09.560
<v Speaker 1>film you know, filmmaking genres. Um, there's not a whole

0:19:09.560 --> 0:19:12.800
<v Speaker 1>lot of accreditation, especially for earlier stuff. Um No, this

0:19:12.840 --> 0:19:14.960
<v Speaker 1>one says uncredited like a lot of these days. Yeah,

0:19:15.000 --> 0:19:18.479
<v Speaker 1>but I am dB is really unreliable for for those folks.

0:19:18.520 --> 0:19:20.119
<v Speaker 1>So he might have done that one, he might not have.

0:19:20.880 --> 0:19:23.200
<v Speaker 1>His most famous one is probably Shake Hands with Danger,

0:19:23.320 --> 0:19:25.000
<v Speaker 1>which has got a great song and it it's got

0:19:25.000 --> 0:19:31.520
<v Speaker 1>a great riff tracks of it. Mr Science, these guys

0:19:31.520 --> 0:19:34.560
<v Speaker 1>are great. I love it. A cautionary training film for

0:19:34.600 --> 0:19:36.640
<v Speaker 1>those who operate and repair have you. He was sort

0:19:36.680 --> 0:19:40.080
<v Speaker 1>of famous for accident films and you definitely see that

0:19:40.160 --> 0:19:44.359
<v Speaker 1>Incarnival of souls, blood spills Red on the Highway, that accidents. Yeah,

0:19:44.960 --> 0:19:47.360
<v Speaker 1>it's good stuff. Drivers had movies that scared the ship

0:19:47.520 --> 0:19:52.440
<v Speaker 1>that young drivers. All right, you're doing great so far, buddy. Uh.

0:19:52.600 --> 0:19:59.439
<v Speaker 1>Number five, name three movies featuring any kind of violent

0:19:59.600 --> 0:20:06.120
<v Speaker 1>on green death starting now on screen death, Like does

0:20:06.200 --> 0:20:09.480
<v Speaker 1>pulp fiction have a death on it? Yes? Um, a

0:20:09.560 --> 0:20:13.959
<v Speaker 1>carnival of soul stuff. No, it's not that violent violent

0:20:14.000 --> 0:20:17.080
<v Speaker 1>on screen death. All right, Alex, I gotta tried you

0:20:17.119 --> 0:20:20.160
<v Speaker 1>a little bit, uh, because I need to just say things.

0:20:20.320 --> 0:20:22.960
<v Speaker 1>That one was so easy. I know, I don't know.

0:20:23.040 --> 0:20:26.080
<v Speaker 1>It's a blanking. Now, name any war movie, Name any

0:20:26.119 --> 0:20:31.159
<v Speaker 1>movie featuring a murderer, any horror movie. Godly, I've been

0:20:31.160 --> 0:20:36.240
<v Speaker 1>watching The wire Man so many violent onscreen deaths that constant,

0:20:36.840 --> 0:20:41.199
<v Speaker 1>constant on a dice rolling in that show too. I

0:20:41.200 --> 0:20:43.080
<v Speaker 1>think that was one out of three? Is that right?

0:20:43.320 --> 0:20:47.000
<v Speaker 1>Or do we don't know? I can't double up on Carnival.

0:20:47.080 --> 0:20:50.280
<v Speaker 1>That was a really cheap shot. Okay, all right, I

0:20:50.280 --> 0:20:52.199
<v Speaker 1>gotta say, I think you're letting the timer affect you here.

0:20:52.200 --> 0:20:57.320
<v Speaker 1>If you're blanking on, drink more, let me drink more coffee. Okay,

0:20:57.320 --> 0:21:00.640
<v Speaker 1>you're doing fine, all right. Number seven pop quiz hot

0:21:00.640 --> 0:21:04.920
<v Speaker 1>shot with Alex Williams of Ephemeral. Name three movies featuring

0:21:05.840 --> 0:21:11.320
<v Speaker 1>any non violent on screen death. Someone has to die

0:21:11.560 --> 0:21:17.840
<v Speaker 1>starting now, any violent, no no on screen death. What

0:21:17.920 --> 0:21:20.280
<v Speaker 1>about The Big Lebowski? What happens to seem in The

0:21:20.280 --> 0:21:24.359
<v Speaker 1>Big lebos Okay, that counts heart attack parts. He has

0:21:24.400 --> 0:21:27.000
<v Speaker 1>a heart attack, all right? Yeah, you see him clutch

0:21:27.040 --> 0:21:31.400
<v Speaker 1>his chest and then I'm gonna on each of these

0:21:31.480 --> 0:21:37.359
<v Speaker 1>rounds and then contextual follow ups. All right, that counts

0:21:38.280 --> 0:21:42.199
<v Speaker 1>one out of three with three three to three more

0:21:42.200 --> 0:21:44.840
<v Speaker 1>to go here, Oh my god. Question number eight hours

0:21:44.880 --> 0:21:47.879
<v Speaker 1>the Marathon pop quiz hot shot. I'm sorry, do you

0:21:47.880 --> 0:21:50.920
<v Speaker 1>want to leave? Brilliant songs? I love a show like wait, wait,

0:21:50.960 --> 0:21:52.159
<v Speaker 1>don't tell me him. I was like I would get

0:21:52.200 --> 0:21:54.600
<v Speaker 1>all the answers or like Jeopardy, but then, like I'm

0:21:54.600 --> 0:21:58.160
<v Speaker 1>feeling to the pressure, I'm just like, uh yeah, thanks

0:21:58.160 --> 0:22:03.040
<v Speaker 1>for Alex. Alright, Number eight pop quiz hot shot. In

0:22:03.080 --> 0:22:08.000
<v Speaker 1>ten seconds, name three movies with any kind of plot

0:22:08.040 --> 0:22:12.320
<v Speaker 1>twist starting now, like all those Oceans films and Oceans

0:22:12.320 --> 0:22:16.280
<v Speaker 1>eleven films. Okay, I'll count that. There's three of those. Yeah,

0:22:16.440 --> 0:22:23.760
<v Speaker 1>the Oceans eleven, twelve, and thirteen. Uh Jesus, I gotta

0:22:23.880 --> 0:22:28.440
<v Speaker 1>count it. I think you should. I think you should

0:22:28.480 --> 0:22:31.960
<v Speaker 1>get it. I guess the integral to the highest movie

0:22:32.000 --> 0:22:35.600
<v Speaker 1>to have a twice create Rick and Morty episode where

0:22:35.600 --> 0:22:37.960
<v Speaker 1>they talk about how terrible a plot device that is

0:22:37.960 --> 0:22:40.840
<v Speaker 1>once you take it to the nth degree, where it's

0:22:40.880 --> 0:22:43.880
<v Speaker 1>like every there's always someone in on in on the

0:22:43.920 --> 0:22:48.320
<v Speaker 1>plot at a higher leg. Yeah, it's alright, the center

0:22:48.320 --> 0:22:50.240
<v Speaker 1>cannot hold. That counts a bit of a hack, but

0:22:50.280 --> 0:22:55.160
<v Speaker 1>I'll take it, alright, two more Alex Williams Pop quiz

0:22:55.160 --> 0:23:01.359
<v Speaker 1>hot shot in ten seconds? Name three movies featuring male

0:23:01.480 --> 0:23:08.120
<v Speaker 1>nudity can be butt or pep? Starting now a clockwork orange?

0:23:09.080 --> 0:23:15.080
<v Speaker 1>Uh god, there's so many more. U. That's the the

0:23:15.080 --> 0:23:19.440
<v Speaker 1>one that came to mind. All Right, I gotta say,

0:23:19.480 --> 0:23:24.480
<v Speaker 1>you're really you started strong. You would have accepted saving

0:23:24.920 --> 0:23:30.479
<v Speaker 1>Sarah Marshall. What did you say? No? Saving Ryan's private

0:23:32.800 --> 0:23:34.960
<v Speaker 1>I was looking at pictures of John Lennon and Yoko

0:23:35.000 --> 0:23:38.760
<v Speaker 1>Owner naked together this morning, for what it's worth. Surely

0:23:38.800 --> 0:23:41.199
<v Speaker 1>those appear in document Yeah, I mean I think that

0:23:41.280 --> 0:23:44.280
<v Speaker 1>the documentary imagine you could probably you were in that.

0:23:44.560 --> 0:23:48.199
<v Speaker 1>You showed your butt in your pep. Yeah, and several

0:23:48.200 --> 0:23:50.080
<v Speaker 1>photos one off the back and one of the front.

0:23:50.960 --> 0:23:54.040
<v Speaker 1>All right, Noel, what's the score here going into the

0:23:54.119 --> 0:23:58.119
<v Speaker 1>last one? Um? We got three two three one two

0:23:58.119 --> 0:24:06.720
<v Speaker 1>one three one? What's that a time? Right? Am I

0:24:06.720 --> 0:24:09.000
<v Speaker 1>doing better than that person did? No? We've done this

0:24:09.080 --> 0:24:12.359
<v Speaker 1>quite a few times and you're doing quite poorly, and

0:24:12.400 --> 0:24:14.800
<v Speaker 1>you're you're fine. I mean, I'll tell you if you

0:24:14.800 --> 0:24:18.840
<v Speaker 1>get all three years at the end. Real hard to

0:24:18.960 --> 0:24:22.560
<v Speaker 1>just go for this one. You're very mellow guy though

0:24:22.600 --> 0:24:27.159
<v Speaker 1>this isn't timed. Games aren't for you. I can say safely,

0:24:27.200 --> 0:24:31.600
<v Speaker 1>I think, all right in ten seconds for the final question,

0:24:31.840 --> 0:24:35.399
<v Speaker 1>upwits hot shot Alex Williams a Ethemeral. You can find

0:24:35.440 --> 0:24:39.400
<v Speaker 1>it wherever you get your podcast, Real Human Stories about

0:24:39.440 --> 0:24:45.200
<v Speaker 1>Things Lost the time. Name three movies filmed in black

0:24:45.240 --> 0:24:50.320
<v Speaker 1>and white after the color era had begun, starting now,

0:24:51.160 --> 0:24:59.119
<v Speaker 1>Wood Tango, um Mala Noche. Okay, I don't know what

0:24:59.119 --> 0:25:02.040
<v Speaker 1>that is? Three that film? Yeah, and then sat Tangles

0:25:02.080 --> 0:25:05.760
<v Speaker 1>a Bailatar film, and Edwards apcially Tim Burton film. Look

0:25:05.800 --> 0:25:07.840
<v Speaker 1>at that that I got you. I could list I

0:25:07.880 --> 0:25:11.199
<v Speaker 1>could list a racer yeah, a racer head or like

0:25:11.280 --> 0:25:14.560
<v Speaker 1>sut finn Man. Hey, this is very impressive. But I

0:25:14.560 --> 0:25:16.560
<v Speaker 1>can give you extra points. I can do black and

0:25:16.600 --> 0:25:19.399
<v Speaker 1>white films. What did you say after what date? The

0:25:19.440 --> 0:25:22.840
<v Speaker 1>color era? After the color so like Wizard of Oz

0:25:22.880 --> 0:25:24.880
<v Speaker 1>is kind of like the perfect split of both of those,

0:25:24.880 --> 0:25:27.800
<v Speaker 1>because it was like on The Stalker Tarkovski Stalker. That's

0:25:27.800 --> 0:25:30.880
<v Speaker 1>when we changes color and CP and black and white. Hey, guys,

0:25:30.920 --> 0:25:33.240
<v Speaker 1>this isn't black and white talk with Nolan Allie got

0:25:33.359 --> 0:25:35.200
<v Speaker 1>can we do that? Though? I could do that one

0:25:35.320 --> 0:25:38.600
<v Speaker 1>all day. That's now you finally found my Matt Damon

0:25:38.640 --> 0:25:41.800
<v Speaker 1>movies like but black and white cinema of the modern era.

0:25:42.960 --> 0:25:44.800
<v Speaker 1>All right, well that's fantastic. I think you ended up

0:25:44.800 --> 0:25:48.159
<v Speaker 1>with eighteen out of thirty. There have been better and

0:25:48.200 --> 0:25:50.560
<v Speaker 1>there have been worse. Okay, I didn't know there's gonna

0:25:50.560 --> 0:25:53.480
<v Speaker 1>be so much judgment involved in this game, but we

0:25:53.560 --> 0:25:56.680
<v Speaker 1>gotta judge. The harsh hammer of the Movie Crunch audience

0:25:56.680 --> 0:25:59.760
<v Speaker 1>has to come up on your sweet mustachioed face. I'm

0:25:59.760 --> 0:26:03.680
<v Speaker 1>gonna be getting constant emails chiding me for not knowing

0:26:03.680 --> 0:26:07.240
<v Speaker 1>more male nudity films. Yeah, I'm sure that's the thing.

0:26:15.720 --> 0:26:17.919
<v Speaker 1>All right, Alex, I'll tell you what. You have your

0:26:17.960 --> 0:26:20.359
<v Speaker 1>option here. You can either exit if you need to

0:26:20.359 --> 0:26:22.119
<v Speaker 1>get on with your day, or you can stick around

0:26:22.119 --> 0:26:25.399
<v Speaker 1>for our final segment. It's up to you. I'm here, man.

0:26:25.480 --> 0:26:27.720
<v Speaker 1>Let's what's the final segment? Like? All right, let's do it.

0:26:27.920 --> 0:26:30.439
<v Speaker 1>The final segment today is we're gonna we go over

0:26:30.480 --> 0:26:32.920
<v Speaker 1>to the movie Crushers page and ask some questions, or

0:26:32.960 --> 0:26:35.480
<v Speaker 1>to the movie Crush page rather. And today I posed

0:26:35.480 --> 0:26:38.639
<v Speaker 1>a question Alex and all that I've never even done before.

0:26:39.359 --> 0:26:42.440
<v Speaker 1>Very simply, if you were on Movie Crush what would

0:26:42.440 --> 0:26:44.159
<v Speaker 1>be your pick? What's your all time favorite movie? And

0:26:44.160 --> 0:26:47.320
<v Speaker 1>I asked the crushers that, so let's go ahead. And

0:26:47.359 --> 0:26:50.080
<v Speaker 1>I think we got a lot of people sort of

0:26:50.119 --> 0:26:53.800
<v Speaker 1>auditioning because at some point I'd like to have a

0:26:53.840 --> 0:26:56.239
<v Speaker 1>listener on as a guest. We just gotta make sure

0:26:56.280 --> 0:27:01.280
<v Speaker 1>they can record themselves and they don't freeze under pressure. Jeez,

0:27:02.760 --> 0:27:09.000
<v Speaker 1>so easy in here, so icy. Uh let me see here,

0:27:09.119 --> 0:27:11.920
<v Speaker 1>let me filter this by all comments. What does most

0:27:11.960 --> 0:27:16.119
<v Speaker 1>relevant even mean? I don't know something. The algorithm algorithm

0:27:16.880 --> 0:27:21.120
<v Speaker 1>Facebook keywords based, I don't have no idea it really

0:27:21.200 --> 0:27:23.160
<v Speaker 1>is is a mystery to me. I think most relevant

0:27:23.200 --> 0:27:26.800
<v Speaker 1>might mean like if I'm Facebook friends personally with someone

0:27:26.840 --> 0:27:28.399
<v Speaker 1>that might kick them up on the list or something,

0:27:28.720 --> 0:27:31.119
<v Speaker 1>or if I've replied to someone who knows who cares

0:27:31.480 --> 0:27:34.040
<v Speaker 1>Facebook stupid. The only reason I do it is because

0:27:34.080 --> 0:27:37.440
<v Speaker 1>of this show, which is great, nicest little corner of

0:27:37.480 --> 0:27:39.720
<v Speaker 1>the Internet. So we're gonna go with Don Morris the

0:27:39.760 --> 0:27:42.399
<v Speaker 1>movie Away we Go, Underrated Jim that I'd love to

0:27:42.440 --> 0:27:44.399
<v Speaker 1>share with everyone. That was a good movie. Did you

0:27:44.400 --> 0:27:48.360
<v Speaker 1>guys see that? I never saw? And uh, I think

0:27:48.560 --> 0:27:52.440
<v Speaker 1>Maya Rudolph and John Krasinski if I'm not mistaken. What

0:27:52.560 --> 0:27:55.200
<v Speaker 1>a married couple I think it was. Who's the filmmaker

0:27:55.240 --> 0:28:03.000
<v Speaker 1>who did Revolutionary Road? Wasn't that Sam? Ye? Sam Mendez? Yeah,

0:28:03.040 --> 0:28:05.920
<v Speaker 1>I think the way we go with Sam Mendez? Right, Yeah?

0:28:05.960 --> 0:28:10.360
<v Speaker 1>And yeah, you're right Krasinski and my Rudolph. Yeah, Samande

0:28:10.400 --> 0:28:14.320
<v Speaker 1>is very underrated movie written by Dave Eggers and Nevenda

0:28:14.400 --> 0:28:18.359
<v Speaker 1>La Vita. Dave Eggers is great. I like his fiction.

0:28:19.600 --> 0:28:22.640
<v Speaker 1>Let me see here. Austin Handler, one of our old pal, says,

0:28:22.680 --> 0:28:25.840
<v Speaker 1>the movie about time has such heart and so well

0:28:25.880 --> 0:28:28.720
<v Speaker 1>constructed on all levels. One of the few films I

0:28:28.760 --> 0:28:33.600
<v Speaker 1>consider to be a perfect movie. Here, my little I

0:28:33.600 --> 0:28:35.960
<v Speaker 1>don't even know what often do you watch movies? Check?

0:28:38.560 --> 0:28:42.320
<v Speaker 1>I mean, I mean we do a lot of TV

0:28:42.440 --> 0:28:44.520
<v Speaker 1>these days, obviously because there's so much good stuff going on.

0:28:44.640 --> 0:28:47.400
<v Speaker 1>But I try to squeeze in movies when I can.

0:28:47.960 --> 0:28:50.000
<v Speaker 1>It's been there haven't been a ton of great new

0:28:50.040 --> 0:28:52.200
<v Speaker 1>movies over the past year, obviously, but I'm I'm a

0:28:52.240 --> 0:28:54.320
<v Speaker 1>movie guy. What about you? Can I tell you what

0:28:54.360 --> 0:28:57.160
<v Speaker 1>I just saw in the theatric where I saw Logan's Run.

0:28:57.760 --> 0:29:00.640
<v Speaker 1>Oh you're seeing that one? Sure? Where did they play

0:29:00.680 --> 0:29:04.640
<v Speaker 1>that at the Plaza? Here? In Atlanta. Um, that's a

0:29:04.640 --> 0:29:08.920
<v Speaker 1>movie with some newdity in it. Male nudity. Is there

0:29:08.920 --> 0:29:11.240
<v Speaker 1>a male button it? There might be a boy button it.

0:29:11.560 --> 0:29:14.200
<v Speaker 1>It's mostly but it's mostly female nudity. It's a it's

0:29:14.240 --> 0:29:17.280
<v Speaker 1>a it's a weird one. It's a pretty weird film. Yeah,

0:29:17.680 --> 0:29:19.600
<v Speaker 1>A good one though. It's the one with like the

0:29:19.640 --> 0:29:23.480
<v Speaker 1>gardening kind of like spaceship, right, it's not a spaceship

0:29:23.880 --> 0:29:27.360
<v Speaker 1>kind of planet the ape sort of thing where it's

0:29:27.400 --> 0:29:30.520
<v Speaker 1>like it's the world, but we let it go to

0:29:30.600 --> 0:29:32.960
<v Speaker 1>ship and there's like a sort of bubble where everyone lives,

0:29:33.240 --> 0:29:35.080
<v Speaker 1>but you have to die when you're third in there.

0:29:35.480 --> 0:29:38.360
<v Speaker 1>And then they're like what if we don't? And they

0:29:38.400 --> 0:29:41.520
<v Speaker 1>and they leave, and that's your movie, what if we

0:29:41.600 --> 0:29:47.560
<v Speaker 1>don't die? Basically all right, Kristen Glenn Kisser says, I

0:29:47.640 --> 0:29:51.000
<v Speaker 1>usually say Excalibur, but you did mention Silverado the other

0:29:51.040 --> 0:29:52.680
<v Speaker 1>day and that's one of my favorite movies, so now

0:29:52.720 --> 0:29:56.560
<v Speaker 1>i'm torn. Uh. Yeah, both of those are great. Excalibur

0:29:57.040 --> 0:29:59.160
<v Speaker 1>that was such a great movie for a kid my age,

0:30:00.240 --> 0:30:05.280
<v Speaker 1>like a sort of the Stone. Different different movie, but same,

0:30:05.440 --> 0:30:07.560
<v Speaker 1>you know, it's about that story, is it a John

0:30:07.600 --> 0:30:12.400
<v Speaker 1>Boorman corrected it and it's very violent. It's got a

0:30:12.400 --> 0:30:14.840
<v Speaker 1>lot of pretty raunchy stuff. And I remember seeing it

0:30:14.880 --> 0:30:16.880
<v Speaker 1>when I was too young, because it's like you think

0:30:16.920 --> 0:30:19.280
<v Speaker 1>about an Excalibur movie. You think of that as almost

0:30:19.280 --> 0:30:21.000
<v Speaker 1>as like a kid's story, but then when you watch

0:30:21.120 --> 0:30:23.040
<v Speaker 1>that treatment of it, and my parents just didn't know

0:30:23.120 --> 0:30:25.240
<v Speaker 1>how the scale was. So I kind of let that

0:30:25.280 --> 0:30:28.160
<v Speaker 1>one slide under the radar. But yeah, it's intense. It's

0:30:28.200 --> 0:30:33.680
<v Speaker 1>got some head chopping and some slashing and yeah, and

0:30:33.760 --> 0:30:36.080
<v Speaker 1>it came out in the eighties when we all saw

0:30:36.080 --> 0:30:38.360
<v Speaker 1>it too young because parents were like, oh, sure, King Arthur,

0:30:38.360 --> 0:30:40.160
<v Speaker 1>go see it, and they didn't know that was all

0:30:40.200 --> 0:30:44.720
<v Speaker 1>that stuff in it. Yep, that's great. Uh, Margarito Saramago.

0:30:44.760 --> 0:30:50.440
<v Speaker 1>When a earl pal says parasite, great movie it, Katie

0:30:50.440 --> 0:30:52.880
<v Speaker 1>Walker says, my real favorite movie is the original Parent

0:30:52.960 --> 0:30:56.520
<v Speaker 1>Trap with Hayley Mills or the new live action Cinderella

0:30:56.560 --> 0:30:58.840
<v Speaker 1>with Lily James. But if I were a movie crush,

0:30:58.880 --> 0:31:02.960
<v Speaker 1>I'd go with Baby Driver. Great movie. Did you see

0:31:03.000 --> 0:31:06.600
<v Speaker 1>that one else? I saw one of the just listed.

0:31:06.640 --> 0:31:09.720
<v Speaker 1>I didn't see Baby Driver. Oh man, you'd like that one.

0:31:09.760 --> 0:31:13.840
<v Speaker 1>That's a good one. Speaking of that, director Edgar Wright Uh,

0:31:13.920 --> 0:31:15.880
<v Speaker 1>he's gonna do what we do in the Shadows. He

0:31:15.920 --> 0:31:18.160
<v Speaker 1>doesn't have a new one coming out. Um. It is

0:31:18.200 --> 0:31:22.120
<v Speaker 1>about the band Sparks, who I adore so so much.

0:31:22.200 --> 0:31:25.400
<v Speaker 1>They're like, yeah, they're they're they're band. They're like a

0:31:25.400 --> 0:31:28.360
<v Speaker 1>lot of people don't really know. They never really had

0:31:28.400 --> 0:31:30.440
<v Speaker 1>a hit quote unquote. They had a couple under the

0:31:30.480 --> 0:31:33.959
<v Speaker 1>radar hits, but they started off very much like Contemporaries

0:31:33.960 --> 0:31:36.960
<v Speaker 1>with Queen, very glam, very kind of like Prague glam,

0:31:37.000 --> 0:31:39.880
<v Speaker 1>and then they went totally synth wave and um, they've

0:31:39.920 --> 0:31:41.680
<v Speaker 1>been making records all the time, the whole time, and

0:31:41.680 --> 0:31:45.400
<v Speaker 1>if their brothers and they're just EXCELLENTZ excited about that film. Also,

0:31:45.440 --> 0:31:49.480
<v Speaker 1>they just dropped the trailer for his narrative feature film, Uh,

0:31:49.560 --> 0:31:53.360
<v Speaker 1>last Night in Soho, which looks really interesting, sort of

0:31:53.400 --> 0:31:58.920
<v Speaker 1>a cookie genre bending horror film. Nice love it, Love

0:31:59.000 --> 0:32:01.920
<v Speaker 1>him Baby ever was great. I watched Scott Pilgrim Versus

0:32:01.960 --> 0:32:05.480
<v Speaker 1>The World last night. That is my daughter's absolute favorite movie. Um,

0:32:05.520 --> 0:32:07.240
<v Speaker 1>and it is just pure fun. Have you seen that

0:32:07.320 --> 0:32:11.160
<v Speaker 1>Chuck which one Scott Pilgrim Versus. We've covered that on

0:32:11.200 --> 0:32:13.720
<v Speaker 1>this very show. Your daughter would love that. It's a

0:32:13.800 --> 0:32:17.080
<v Speaker 1>it's about age appropriate. There's a little bit of smooching

0:32:17.120 --> 0:32:20.000
<v Speaker 1>a little more. I mean it's just not even inappropriate,

0:32:20.080 --> 0:32:23.480
<v Speaker 1>but just maybe a little over her head. Hold. Check.

0:32:23.840 --> 0:32:26.080
<v Speaker 1>She'll be six in July, so she's she's getting on

0:32:26.160 --> 0:32:29.960
<v Speaker 1>up there. Bennett Duckworth says, I picked Joe Versus the

0:32:30.000 --> 0:32:32.600
<v Speaker 1>Volcano one of my favorite films. It is one of

0:32:32.640 --> 0:32:36.240
<v Speaker 1>my favorite films too, So, Bennett, I don't know, Maybe

0:32:36.240 --> 0:32:38.520
<v Speaker 1>I should have you on the show. I've never seen that.

0:32:38.640 --> 0:32:42.560
<v Speaker 1>Who is the lead in that? Check? Is it? Okay? Okay,

0:32:42.600 --> 0:32:44.480
<v Speaker 1>I'm familiar with it, but I haven't. Is it a

0:32:44.560 --> 0:32:47.719
<v Speaker 1>rom com It is a very quirky, weird sort of

0:32:47.840 --> 0:32:51.840
<v Speaker 1>romantic comedy, but in a very strange way. It's all

0:32:51.840 --> 0:32:55.400
<v Speaker 1>a very offbeat and uh from John Patrick Shanley, a

0:32:55.760 --> 0:32:59.200
<v Speaker 1>wonderful playwright and filmmaker. But uh, it's it's good. I

0:32:59.240 --> 0:33:01.080
<v Speaker 1>really like it. A lot, very strange movie with a

0:33:01.120 --> 0:33:08.080
<v Speaker 1>big cult following. Now. Louis Silva's Is Rocky? I love? Yeah, Well,

0:33:08.120 --> 0:33:09.880
<v Speaker 1>I like a lot of them, but that first one

0:33:09.920 --> 0:33:12.640
<v Speaker 1>man so good. Bro. I like the fourth one the most.

0:33:12.680 --> 0:33:19.479
<v Speaker 1>Maybe We're rock We're Rocky defeats communism? Is that drag? Yeah?

0:33:19.600 --> 0:33:22.800
<v Speaker 1>But I love they would stream their stream. They would

0:33:22.840 --> 0:33:24.960
<v Speaker 1>run them on TV, like back to back to back,

0:33:25.040 --> 0:33:26.520
<v Speaker 1>on like I don't know, the fourth of July or whatever,

0:33:26.520 --> 0:33:28.080
<v Speaker 1>they do a marathon all day of Rocky and my

0:33:28.120 --> 0:33:30.200
<v Speaker 1>brother and I would watch all of them just and

0:33:30.320 --> 0:33:32.480
<v Speaker 1>just start back over when it looked that was a

0:33:32.520 --> 0:33:35.479
<v Speaker 1>big Rocky three guy. That movie came out, Yeah, just

0:33:35.560 --> 0:33:38.120
<v Speaker 1>the right time. Clever Lang and whole Cogan was in

0:33:38.160 --> 0:33:44.120
<v Speaker 1>It is thunder Lips stuff, thunder Lips in the Flesh. Baby,

0:33:44.400 --> 0:33:49.320
<v Speaker 1>that was this big, that was this big line. Let

0:33:49.320 --> 0:33:54.000
<v Speaker 1>me see here. Let's go with Amanda Coolas as Hot Fuzz.

0:33:54.320 --> 0:33:55.640
<v Speaker 1>Let's just take through a bunch of these because I

0:33:55.680 --> 0:33:56.920
<v Speaker 1>don't have much time and I want to get through

0:33:56.920 --> 0:33:59.800
<v Speaker 1>a lot of these. Matt Dents is Three o'clock High,

0:34:00.000 --> 0:34:03.320
<v Speaker 1>one of the most underrated comedies of the eighties, also

0:34:03.360 --> 0:34:05.360
<v Speaker 1>a cult favorite. Did you guys see that one three

0:34:05.400 --> 0:34:11.399
<v Speaker 1>o'clock High? Nope, good movie, very strange, Josh Toko says Explorers,

0:34:12.120 --> 0:34:16.040
<v Speaker 1>movie he saw repeatedly as a kid. You know, I

0:34:16.080 --> 0:34:19.799
<v Speaker 1>think the movie Crushers are a little more in my

0:34:19.880 --> 0:34:24.480
<v Speaker 1>wheelhouse age wise than you young uns. How do you know,

0:34:25.080 --> 0:34:30.080
<v Speaker 1>I mostly watched films from like there early I watched

0:34:30.080 --> 0:34:31.680
<v Speaker 1>a lot of silent films. Now, I watched a lot

0:34:31.680 --> 0:34:37.799
<v Speaker 1>of early sound films. I'm thirty one, okay, Jesus thirty one,

0:34:37.840 --> 0:34:41.400
<v Speaker 1>what a great age. But I'm just saying, like tastes

0:34:41.440 --> 0:34:45.719
<v Speaker 1>are kind of videosyncratic. Yeah, and and like reinforcing that

0:34:45.800 --> 0:34:48.520
<v Speaker 1>by having a podcast that like encourages me to like

0:34:48.600 --> 0:34:51.040
<v Speaker 1>go back in time more like just makes me more

0:34:51.040 --> 0:34:53.160
<v Speaker 1>and more out of sync with the cop of the

0:34:53.200 --> 0:34:55.880
<v Speaker 1>everyday world. That's right. The podcast is called a Family

0:34:55.880 --> 0:34:59.319
<v Speaker 1>Everyone Old Stuff. It's so good. It's about old stuff. Basically,

0:35:00.640 --> 0:35:02.480
<v Speaker 1>we'll go with the Danger of an Gael Counts, one

0:35:02.480 --> 0:35:05.000
<v Speaker 1>of my favorite crushers. Since you already said did Jaws,

0:35:05.840 --> 0:35:09.400
<v Speaker 1>I'd go with The Exorcist who counts. You're speaking my

0:35:09.520 --> 0:35:14.479
<v Speaker 1>language there, Joe Kimber says Shash inc Redemption. I haven't

0:35:14.520 --> 0:35:16.399
<v Speaker 1>even done that show yet. I'm surprised, or that movie.

0:35:16.440 --> 0:35:19.279
<v Speaker 1>I'm surprised. I want to pick that Get Busy Living,

0:35:20.040 --> 0:35:25.480
<v Speaker 1>get busy crushing. Oh wow, maybe that should be our new,

0:35:25.560 --> 0:35:29.319
<v Speaker 1>uh new thing. I like that. If there was like

0:35:29.360 --> 0:35:32.800
<v Speaker 1>a movie poster for movie crush, that could be the tagline.

0:35:32.800 --> 0:35:35.360
<v Speaker 1>I could see that get Busy Living or get busy crushing.

0:35:35.760 --> 0:35:38.560
<v Speaker 1>I love it. Uh, let me go with my friend

0:35:38.560 --> 0:35:41.439
<v Speaker 1>in real life. Sarah Murphy Robertson says, the Goodbye Girl,

0:35:42.120 --> 0:35:44.360
<v Speaker 1>you guys should see it if you haven't. Goodbye Girls

0:35:44.360 --> 0:35:47.200
<v Speaker 1>a great movie, Sarah. So maybe I'll even have Sarah

0:35:47.200 --> 0:35:49.880
<v Speaker 1>on because I know her and she's wonderful. What's the

0:35:49.880 --> 0:35:51.960
<v Speaker 1>Goodbye Girl? I made a bad joke when we were

0:35:51.960 --> 0:35:56.359
<v Speaker 1>talking about Gone Girl Goodbye Girls? Richard, Uh, sort of

0:35:56.440 --> 0:35:59.680
<v Speaker 1>a romantic comedy but a little more adulta uh and

0:35:59.719 --> 0:36:02.799
<v Speaker 1>not adult film like it you know, doesn't feature you know,

0:36:03.920 --> 0:36:06.680
<v Speaker 1>hardcore sex or anything full full dog, but it's it's

0:36:06.680 --> 0:36:09.040
<v Speaker 1>not like a teenage rom com. It's a little more

0:36:09.080 --> 0:36:11.120
<v Speaker 1>adult rom com back when they made this, like Richard

0:36:12.320 --> 0:36:16.960
<v Speaker 1>and let's finish up with our old friend. Kevin Herban says,

0:36:16.960 --> 0:36:20.400
<v Speaker 1>Oh Brother, where art thou? I have a thing for

0:36:20.560 --> 0:36:23.840
<v Speaker 1>escaped convict movies? Me too? I love I love a

0:36:23.840 --> 0:36:26.399
<v Speaker 1>good prison break and Oh Brother is a very very

0:36:26.440 --> 0:36:29.000
<v Speaker 1>fun film. But we got violent on screen death on

0:36:29.120 --> 0:36:33.360
<v Speaker 1>that one. I remember the part where John Goodman wacks

0:36:33.400 --> 0:36:36.680
<v Speaker 1>them with a rock while they're having lunch in the park. Yeah,

0:36:36.680 --> 0:36:38.919
<v Speaker 1>and he and he smashes that frog in that movie

0:36:38.960 --> 0:36:41.399
<v Speaker 1>doesn't he. I call that a violent on screen death.

0:36:42.200 --> 0:36:44.600
<v Speaker 1>It doesn't need to be human point. And I think

0:36:44.600 --> 0:36:47.880
<v Speaker 1>they killed cows too when they pick up the Gangster.

0:36:48.320 --> 0:36:49.920
<v Speaker 1>He just like shoots cows on the side of the

0:36:49.960 --> 0:36:52.719
<v Speaker 1>ring film brothers are always fucking with animals. That's why

0:36:52.760 --> 0:36:55.640
<v Speaker 1>Emily doesn't like their movies. So we got a lot

0:36:55.719 --> 0:36:57.759
<v Speaker 1>of comments here from crushers who are talking about their

0:36:57.800 --> 0:37:00.919
<v Speaker 1>favorite film. Wish we could have gotten through more, but

0:37:01.400 --> 0:37:03.239
<v Speaker 1>it's I'll leave this one up there for everyone to

0:37:03.280 --> 0:37:06.560
<v Speaker 1>go check it out. And Alex, thanks for coming in

0:37:06.600 --> 0:37:09.560
<v Speaker 1>here at the last second playing our little game. Thanks

0:37:09.560 --> 0:37:11.600
<v Speaker 1>for fighting man. How I didn't disappoint you too much

0:37:11.640 --> 0:37:16.440
<v Speaker 1>with my eighteen point win. We don't really have a

0:37:16.440 --> 0:37:18.960
<v Speaker 1>threshold for winning or losing that game, do each other? No,

0:37:19.280 --> 0:37:22.160
<v Speaker 1>I think everyone's a winner, right, Yeah, I would think so.

0:37:22.320 --> 0:37:25.239
<v Speaker 1>Alex definitely a winning, always a winner. So everyone check

0:37:25.239 --> 0:37:28.480
<v Speaker 1>out Ephemeral checkout, especially the episode what's the one on

0:37:28.520 --> 0:37:32.319
<v Speaker 1>Alex Gi? What's that one called? Okay, I think it's

0:37:32.320 --> 0:37:34.480
<v Speaker 1>at Alex GI by accident because you're I'm staring at

0:37:34.520 --> 0:37:38.080
<v Speaker 1>your face. That should have said John Lennon, gy you

0:37:38.160 --> 0:37:41.040
<v Speaker 1>figure type of Alex K You're you'll find it's it's

0:37:41.040 --> 0:37:43.680
<v Speaker 1>easy to find, easy to find, and you're in season

0:37:43.719 --> 0:37:45.879
<v Speaker 1>two now, and I'm glad you have some help because

0:37:45.920 --> 0:37:48.960
<v Speaker 1>it's a show that's heavily produced and researched and takes

0:37:48.960 --> 0:37:51.359
<v Speaker 1>a lot of work. So I'm very glad to see

0:37:51.360 --> 0:37:54.399
<v Speaker 1>it continuing on. Wonderful, wonderful show for our network. Thanks man,

0:37:54.800 --> 0:37:57.160
<v Speaker 1>it's all right, well, thanks for being here, and thank

0:37:57.200 --> 0:38:00.000
<v Speaker 1>you Noel, Yes, sir, and we'll see everybody next week.

0:38:00.480 --> 0:38:04.880
<v Speaker 1>Are you good back? Movie Crash is produced and written

0:38:04.880 --> 0:38:07.920
<v Speaker 1>by Charles Bryant and Meel Brown, edited and engineered by

0:38:07.960 --> 0:38:11.120
<v Speaker 1>Seth Nicholas Johnson, and scored by Noel Brown here in

0:38:11.200 --> 0:38:15.000
<v Speaker 1>our home studio at Pontsty Market, Atlanta, Georgia. For iHeart Radio.

0:38:15.520 --> 0:38:17.840
<v Speaker 1>For more podcasts for my Heart Radio, visit the iHeart

0:38:17.880 --> 0:38:20.640
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

0:38:20.640 --> 0:38:21.320
<v Speaker 1>favorite shows.