1 00:00:06,960 --> 00:00:10,920 Speaker 1: Welcome to episode to seventy four The Bobby Cast from California, 2 00:00:11,640 --> 00:00:14,520 Speaker 1: where it is almost ten am here. We took the 3 00:00:14,600 --> 00:00:17,159 Speaker 1: day off of the morning show today. I had a 4 00:00:17,320 --> 00:00:19,520 Speaker 1: late night at American Idol last night, about to head 5 00:00:19,560 --> 00:00:22,560 Speaker 1: back over today and tomorrow, So in between a lot 6 00:00:22,640 --> 00:00:25,680 Speaker 1: of American Idol taping, I'm recording this for you. So 7 00:00:25,720 --> 00:00:29,120 Speaker 1: if I sound exhausted, it's because I am. And we'll 8 00:00:29,120 --> 00:00:32,760 Speaker 1: get into some fun segments. We'll check up with tennil 9 00:00:32,920 --> 00:00:36,440 Speaker 1: arts check in catch up, I guess check ups a 10 00:00:36,479 --> 00:00:40,080 Speaker 1: tired way of combining the two words. You know. Last 11 00:00:40,080 --> 00:00:41,560 Speaker 1: time I had her on, we did a long form 12 00:00:41,600 --> 00:00:43,800 Speaker 1: interview with her for about an hour. She performed at 13 00:00:43,840 --> 00:00:46,480 Speaker 1: the house. But now she has the top twenty songs, 14 00:00:46,479 --> 00:00:49,400 Speaker 1: we'll talk to her by that. We will also bring 15 00:00:49,400 --> 00:00:52,080 Speaker 1: back Tom Lord, my manager who did an episode a 16 00:00:52,080 --> 00:00:54,760 Speaker 1: few back, Caitlyn, my fiance, and myself. We'll do our 17 00:00:54,800 --> 00:00:58,160 Speaker 1: top five songs. Each of us are picking our top 18 00:00:58,200 --> 00:01:00,920 Speaker 1: five songs, regardless of genre that's on the way, and 19 00:01:00,960 --> 00:01:02,840 Speaker 1: obviously what we get to first every week is the 20 00:01:02,880 --> 00:01:06,760 Speaker 1: best new music releases of the week. So here we go. 21 00:01:07,720 --> 00:01:11,000 Speaker 1: Twenty one. Pilots has a new song called Christmas Saves 22 00:01:11,080 --> 00:01:13,600 Speaker 1: the year. I thought it was an interesting Christmas song. 23 00:01:13,640 --> 00:01:20,959 Speaker 1: Here you go, Everybody's got somebodies got their name on 24 00:01:21,040 --> 00:01:24,360 Speaker 1: the show with Chame the Corn and Slave and cheer 25 00:01:24,840 --> 00:01:32,480 Speaker 1: you rest the short Christmas Saves at number four, sing 26 00:01:32,480 --> 00:01:35,800 Speaker 1: Me Back Home the music of Merle Haggard, Keith Richards, 27 00:01:35,840 --> 00:01:37,760 Speaker 1: when the Rolling Stones is on there, Cheryl Crowe, the 28 00:01:37,800 --> 00:01:41,840 Speaker 1: Abet Brothers, listen to Williams. Derek Spendley is on it 29 00:01:42,440 --> 00:01:44,840 Speaker 1: and this is him doing if we make it through December. 30 00:01:51,440 --> 00:01:57,240 Speaker 1: You got lit off down at the Factory and their Time. 31 00:01:58,640 --> 00:02:00,800 Speaker 1: At number three. This week, Eric Church has a new 32 00:02:00,840 --> 00:02:03,800 Speaker 1: song called do in Life with Me. I don't pray 33 00:02:04,000 --> 00:02:12,160 Speaker 1: much anymore. It's all true littleles, happenness, wishes, Polson, dates 34 00:02:12,639 --> 00:02:17,440 Speaker 1: in my rooms, horse and drinks in my living, getting thanks, 35 00:02:18,120 --> 00:02:24,080 Speaker 1: bull ships out, never sang every every little in everyday thinks, 36 00:02:24,320 --> 00:02:27,120 Speaker 1: the notes and words and the songs. I sang to 37 00:02:27,280 --> 00:02:34,080 Speaker 1: the wongs doing Live with Me. At number two, Taylor 38 00:02:34,120 --> 00:02:37,680 Speaker 1: dropped an entire album called Evermore. It was a surprise album, 39 00:02:37,720 --> 00:02:40,800 Speaker 1: her ninth studio album. She said it's the sister album 40 00:02:40,840 --> 00:02:43,680 Speaker 1: to Folklore. Here's a new song called Willow, which is 41 00:02:43,720 --> 00:02:48,519 Speaker 1: the first song on the album Knife was to Win 42 00:02:51,480 --> 00:02:58,080 Speaker 1: They Killed Me Out time and time again, Life and 43 00:02:58,160 --> 00:03:00,000 Speaker 1: the number one song you should check out this week 44 00:03:00,000 --> 00:03:02,600 Speaker 1: gets from Casey Musgraves. She has a new song called 45 00:03:02,680 --> 00:03:08,679 Speaker 1: Easy featuring Troice, Vonna Mark ronson have you See She 46 00:03:08,880 --> 00:03:26,560 Speaker 1: Still sweet Is and I'll do one honorable mention. Gwen 47 00:03:26,639 --> 00:03:29,800 Speaker 1: Stefani has a new song out called let Me Reintroduce 48 00:03:29,880 --> 00:03:47,160 Speaker 1: Myself and here is That. Some albums out today. Britney 49 00:03:47,160 --> 00:03:51,520 Speaker 1: Spears has Glory Deluxe. Star Jill Simpson has Cutting Grass 50 00:03:51,560 --> 00:03:54,800 Speaker 1: Volume two The butcher Shop Sessions. It's twenty of his 51 00:03:54,840 --> 00:03:59,120 Speaker 1: original songs but reimagined in blue grass form. The Avalanches 52 00:03:59,160 --> 00:04:01,600 Speaker 1: have a record, Chance the Rapper a Merry Christmas, Little Mom, 53 00:04:01,600 --> 00:04:07,320 Speaker 1: and Rewrapped Deft Tones, Less than Jake Oliver Tree not You. 54 00:04:07,400 --> 00:04:10,680 Speaker 1: New music out this week up amusing news. Bob Dylan 55 00:04:10,760 --> 00:04:15,000 Speaker 1: sold his entire song catalog to Universal Media for three 56 00:04:15,160 --> 00:04:19,240 Speaker 1: hundred million dollars. There are a lot of those songs 57 00:04:19,279 --> 00:04:21,440 Speaker 1: you probably don't even know that Bob Dylan wrote to 58 00:04:21,480 --> 00:04:24,480 Speaker 1: begin with, or that was him singing on the TV commercial. 59 00:04:25,040 --> 00:04:28,239 Speaker 1: Dolly Parton plots a stadium tour as part of Dolly 60 00:04:28,320 --> 00:04:31,320 Speaker 1: Fest One. You know Dolly is kind of having a 61 00:04:32,120 --> 00:04:36,120 Speaker 1: fifth or sixth reinvention. She's like the the st Dolly. 62 00:04:36,200 --> 00:04:38,960 Speaker 1: Now she's saving kids lives. She saved two kids live 63 00:04:39,000 --> 00:04:41,039 Speaker 1: on the night Netflix movie Say you see that? Yeah, 64 00:04:41,160 --> 00:04:42,920 Speaker 1: she's pulled him from a car. Farbs on the list. 65 00:04:42,960 --> 00:04:45,920 Speaker 1: She's amazing Dolly Parton. As you can tell, Mike's also tired. 66 00:04:47,520 --> 00:04:50,800 Speaker 1: To celebrate her seventy five birthday, there is Dolly Fest 67 00:04:50,920 --> 00:04:54,880 Speaker 1: and fifteen stadiums worldwide, as long as she can have 68 00:04:54,920 --> 00:04:58,800 Speaker 1: the shows without coronavirus, which is kind of what everybody's 69 00:04:58,839 --> 00:05:02,000 Speaker 1: hoping to do. She was invited to perform with Katy 70 00:05:02,040 --> 00:05:05,279 Speaker 1: Perry during the Super Bowl back in the day, but 71 00:05:05,360 --> 00:05:08,680 Speaker 1: Katy Perry couldn't, but Dolly couldn't because her husband was 72 00:05:08,720 --> 00:05:13,080 Speaker 1: said yeah, so Dolly Parton was invited to perform at 73 00:05:13,080 --> 00:05:14,960 Speaker 1: the super Bowl, but because she had a sick husband, 74 00:05:14,960 --> 00:05:19,200 Speaker 1: she said no. Kaylee Hammock is collaborating with Art Alexis 75 00:05:19,480 --> 00:05:23,000 Speaker 1: from Ever Clear for a fiery rendition of his band 76 00:05:23,080 --> 00:05:25,960 Speaker 1: smash Hit. I will buy you a New life. Here 77 00:05:25,960 --> 00:05:38,560 Speaker 1: you go, I will buy you, We'll bay you, I 78 00:05:38,800 --> 00:05:50,440 Speaker 1: will bake house West, I will bayue. It sounds like 79 00:05:50,520 --> 00:05:53,480 Speaker 1: all already ain't even singing there, he's trying. I saw 80 00:05:53,600 --> 00:05:56,000 Speaker 1: him perform because I was a massive ever Clear fan 81 00:05:56,080 --> 00:05:58,680 Speaker 1: in college. I saw him perform about two years ago 82 00:05:58,920 --> 00:06:01,880 Speaker 1: here in town, and it was tough. You really couldn't 83 00:06:01,920 --> 00:06:04,000 Speaker 1: do much other than stay right here in this ring 84 00:06:04,400 --> 00:06:07,880 Speaker 1: right there. Yeah. I loved ever Claire. Though. The Bobby 85 00:06:07,880 --> 00:06:11,200 Speaker 1: BoNT Show raises two point to five million dollars for 86 00:06:11,240 --> 00:06:14,279 Speaker 1: St Jude. We appreciate you. You all become a partners 87 00:06:14,279 --> 00:06:17,520 Speaker 1: and hope Chris Stapleton played the two day Radio thon 88 00:06:17,640 --> 00:06:19,600 Speaker 1: Radio thone. Here's a clip of I hope you dance? 89 00:06:20,800 --> 00:06:38,039 Speaker 1: Who have you dit? Dan and Shayer eight years old. 90 00:06:38,560 --> 00:06:41,159 Speaker 1: They've been making music together for eight years. Congratulations to 91 00:06:41,200 --> 00:06:44,839 Speaker 1: those guys a big anniversary. Obviously they're just killing it 92 00:06:44,960 --> 00:06:49,080 Speaker 1: right now. Mariah Carey splurged to create her magical Christmas 93 00:06:49,120 --> 00:06:52,279 Speaker 1: special for Apple TV Plus. She spent over five million 94 00:06:52,320 --> 00:06:55,840 Speaker 1: bucks on sets, costumes, and guest stars, which include Arianna, 95 00:06:56,000 --> 00:06:59,920 Speaker 1: Jennifer Hudson, Billie Agner, and Snoop Dogg. Also, Cardi Ba 96 00:07:00,000 --> 00:07:02,719 Speaker 1: claimed she spent a hundred thousand dollars just for rapid 97 00:07:02,760 --> 00:07:05,480 Speaker 1: COVID testing for cast and crew to make the Watt 98 00:07:05,560 --> 00:07:07,680 Speaker 1: music video. I don't know how people are mad about that. 99 00:07:07,760 --> 00:07:12,840 Speaker 1: If she has it, it makes everybody say great Radio Disney. 100 00:07:12,920 --> 00:07:15,640 Speaker 1: Radio Disney Country is gonna close, which stinks. Have a 101 00:07:15,680 --> 00:07:19,280 Speaker 1: lot of friends over there, but they will, you know, 102 00:07:19,320 --> 00:07:23,000 Speaker 1: stop operating a radio Disney. And I hit you with 103 00:07:23,080 --> 00:07:26,360 Speaker 1: one more post. Malone gave everyone at his old high 104 00:07:26,360 --> 00:07:29,840 Speaker 1: school a pair of crocs a grape Vine Gray Vine 105 00:07:29,880 --> 00:07:34,160 Speaker 1: High School student body nine. You all get crocs, you 106 00:07:34,200 --> 00:07:36,040 Speaker 1: get a croc. You get a croc. You get a croc. 107 00:07:36,280 --> 00:07:38,440 Speaker 1: He worked at Chicken Express there back in the day. 108 00:07:38,560 --> 00:07:40,800 Speaker 1: What do you mean that's where he worked as a teenager, 109 00:07:41,560 --> 00:07:46,000 Speaker 1: just in the town. Cool? Got it? All right, that's it. 110 00:07:46,720 --> 00:07:50,640 Speaker 1: Enjoy today's podcast. I know we did goodbye. Right now. 111 00:07:50,680 --> 00:07:53,840 Speaker 1: We are in the living room in our airbnb in 112 00:07:53,880 --> 00:07:57,320 Speaker 1: Los Angeles, and tomorrow we start American Idol. So we're 113 00:07:57,360 --> 00:08:00,680 Speaker 1: all gathered around the old microphone here. First, let me 114 00:08:00,680 --> 00:08:06,080 Speaker 1: introduce Kitlin, my fiance. Hello, thank you. Also, let me 115 00:08:06,080 --> 00:08:10,000 Speaker 1: introduce Tom Lord, my manager. You probably remember me from 116 00:08:10,000 --> 00:08:12,760 Speaker 1: the previous podcast I did, and I want to thank 117 00:08:12,760 --> 00:08:15,280 Speaker 1: you for all the comments and letters. Um, I will 118 00:08:15,320 --> 00:08:17,720 Speaker 1: be one person. There was one person, well yeah, but 119 00:08:17,800 --> 00:08:19,960 Speaker 1: I needed d M them back, Thank you so much 120 00:08:21,040 --> 00:08:23,880 Speaker 1: and obviously me what we're gonna do because the year 121 00:08:23,920 --> 00:08:26,320 Speaker 1: in less all come out, We're one after the other. 122 00:08:26,400 --> 00:08:28,080 Speaker 1: It's the best, this the best at So what we're 123 00:08:28,120 --> 00:08:30,320 Speaker 1: gonna do is go around the room and do our 124 00:08:30,520 --> 00:08:33,840 Speaker 1: top five songs from just straight up top five songs. 125 00:08:34,080 --> 00:08:38,680 Speaker 1: There was no genre that had to be you know, defined, 126 00:08:38,920 --> 00:08:40,840 Speaker 1: or we didn't have to, you know, pick any sort 127 00:08:40,880 --> 00:08:43,920 Speaker 1: of music. And so we'll go first with Tom Lord. 128 00:08:44,040 --> 00:08:46,640 Speaker 1: You know first, this was a really tough one for me. 129 00:08:47,160 --> 00:08:49,439 Speaker 1: I gotta be honest with you going through it, and 130 00:08:51,080 --> 00:08:53,160 Speaker 1: I like Caitlin is looking at your songs going, what 131 00:08:53,360 --> 00:08:57,839 Speaker 1: the well she has? She does that bad tasting songs? Well, 132 00:08:57,880 --> 00:09:00,360 Speaker 1: I'm a bit obscure, no, honestly, I you know, it 133 00:09:00,480 --> 00:09:03,439 Speaker 1: was a weird year listening to music. It was at 134 00:09:03,480 --> 00:09:05,240 Speaker 1: my house mostly and just kind of went with my 135 00:09:05,320 --> 00:09:10,719 Speaker 1: same song, so, um one, well the first song on 136 00:09:10,840 --> 00:09:13,040 Speaker 1: my list? What are we doing? Five to one? Are 137 00:09:13,080 --> 00:09:15,120 Speaker 1: we just naming five songs just so it could be 138 00:09:15,160 --> 00:09:18,200 Speaker 1: any song? There's no or let's keep going around the room. Yeah, 139 00:09:18,240 --> 00:09:19,959 Speaker 1: go ahead, So I was gonna do my first song. 140 00:09:20,120 --> 00:09:23,839 Speaker 1: Oh we're going one at a time, Yeah, yeah, okay, cool, yeah, 141 00:09:23,880 --> 00:09:26,160 Speaker 1: and I want to and we want to hear whine, right, Bubby? Sure, 142 00:09:26,200 --> 00:09:30,920 Speaker 1: go ahead? All right. My first song is Time Stands 143 00:09:31,360 --> 00:09:33,959 Speaker 1: by Nathaniel ray Lift. Let me hear this here is 144 00:09:45,800 --> 00:09:53,200 Speaker 1: you showed me this song. It's so good. I once 145 00:09:53,280 --> 00:09:55,800 Speaker 1: ran into him at a radio station in Colorado. He's 146 00:09:55,840 --> 00:09:59,719 Speaker 1: a Colorado guy, I believe, and I was maybe Mike 147 00:09:59,760 --> 00:10:02,040 Speaker 1: and I were together, or maybe I was just there 148 00:10:02,040 --> 00:10:03,240 Speaker 1: touring We're about to go on the other and I 149 00:10:03,320 --> 00:10:07,520 Speaker 1: saw this guy, chubby guy, but I knew, I knew 150 00:10:07,520 --> 00:10:09,160 Speaker 1: what he looked like. And I was like, that's Nathaniel 151 00:10:09,200 --> 00:10:11,360 Speaker 1: right left for Naniel in the night Sweats is what 152 00:10:11,440 --> 00:10:12,959 Speaker 1: I know I'm from. That's right, yeh. I was like, 153 00:10:13,000 --> 00:10:14,680 Speaker 1: I think that's him. He fits everything, Like if someone 154 00:10:14,720 --> 00:10:16,160 Speaker 1: were to be like that, it's a nerdy guy, that'd 155 00:10:16,160 --> 00:10:17,800 Speaker 1: be me. And I was like, hey man, big fan. 156 00:10:18,320 --> 00:10:21,040 Speaker 1: And he almost seemed shocked that I knew who he was. Well, 157 00:10:21,120 --> 00:10:23,880 Speaker 1: when you're kind of a chubby guy walk around a lot, 158 00:10:23,960 --> 00:10:26,280 Speaker 1: not a lot of people stop you. I guess I 159 00:10:26,400 --> 00:10:31,400 Speaker 1: know that feeling. I can't confer. I didn't mean that 160 00:10:31,480 --> 00:10:33,440 Speaker 1: a bad way. I was blend in like an octopus. 161 00:10:33,800 --> 00:10:36,640 Speaker 1: You change your shape with color to blend in with 162 00:10:36,720 --> 00:10:41,280 Speaker 1: your involuate menant. Alright, Kaylen, you're up. Okay, we're not 163 00:10:41,400 --> 00:10:45,160 Speaker 1: doing our We're not doing any order anyone you want. Okay, 164 00:10:45,240 --> 00:10:50,080 Speaker 1: my number one favorite song this year is if You're 165 00:10:50,120 --> 00:10:52,439 Speaker 1: gonna do it that way, save one for last, you 166 00:10:52,480 --> 00:10:55,160 Speaker 1: know what I mean? Like you don't favorite songs and 167 00:10:55,240 --> 00:10:58,839 Speaker 1: no particular order is holy by Justin Bieber and Chance 168 00:10:58,880 --> 00:11:10,200 Speaker 1: the Rapper pun into the other can. That's the jam 169 00:11:11,040 --> 00:11:13,240 Speaker 1: it is. And I was convinced. It took me a second. 170 00:11:13,480 --> 00:11:15,240 Speaker 1: She was like, I love this song. But I've become 171 00:11:15,240 --> 00:11:18,520 Speaker 1: a big Justin Bieber fan in the past year because 172 00:11:18,559 --> 00:11:21,800 Speaker 1: of her and me watching things that I didn't associate 173 00:11:21,840 --> 00:11:24,079 Speaker 1: with my thought of Justin Bieber, because we do have 174 00:11:24,160 --> 00:11:26,520 Speaker 1: a perception of Justin Bieber based on what we see 175 00:11:26,559 --> 00:11:28,760 Speaker 1: on the very surface, from every one of the tabloids, 176 00:11:28,800 --> 00:11:30,120 Speaker 1: from every one of the websites that want us to 177 00:11:30,200 --> 00:11:33,120 Speaker 1: click in. But then once we start watching the YouTube 178 00:11:33,160 --> 00:11:36,520 Speaker 1: series and her, you know, being around that crew a 179 00:11:36,600 --> 00:11:39,200 Speaker 1: bit at church, and it was I was like, Oh, 180 00:11:39,240 --> 00:11:41,360 Speaker 1: I think I could like this guy. He has convinced 181 00:11:41,400 --> 00:11:43,480 Speaker 1: me to not that I didn't want to like him. 182 00:11:43,520 --> 00:11:45,640 Speaker 1: But I think the same thing. If you're not diving 183 00:11:45,720 --> 00:11:51,000 Speaker 1: into someone's music, you're only opinion is based on external 184 00:11:51,160 --> 00:11:53,719 Speaker 1: influence until you get into like I when I had 185 00:11:54,160 --> 00:11:56,760 Speaker 1: oddly enough, when I got into Justin Bieber's when I 186 00:11:57,280 --> 00:12:00,960 Speaker 1: had my first child and we were watched the same 187 00:12:01,080 --> 00:12:04,559 Speaker 1: animated shows over and over again, and it was one days, 188 00:12:04,800 --> 00:12:09,360 Speaker 1: let's watch something different. And I got fed his documentary, 189 00:12:10,040 --> 00:12:11,959 Speaker 1: his first one that he put out, and I thought, well, 190 00:12:12,080 --> 00:12:15,880 Speaker 1: this would be interesting and this that kid was talented, 191 00:12:16,000 --> 00:12:17,960 Speaker 1: still is talented, but just the way he was busting 192 00:12:18,040 --> 00:12:22,080 Speaker 1: in Canada and this, I mean his his his determination 193 00:12:22,160 --> 00:12:25,439 Speaker 1: and touring and even independently releasing his music like I 194 00:12:25,800 --> 00:12:27,720 Speaker 1: was sold. And I gotta tell you, I almost put 195 00:12:27,800 --> 00:12:30,280 Speaker 1: that song on my list. It was it was an edge. 196 00:12:30,320 --> 00:12:35,160 Speaker 1: The video is great too, like he's working. Uh, he's 197 00:12:35,200 --> 00:12:38,400 Speaker 1: like an iron worker and an oil field and he 198 00:12:38,480 --> 00:12:41,439 Speaker 1: loses his job. Yeah, it's really good. She said that 199 00:12:41,520 --> 00:12:43,959 Speaker 1: Justin would also sing at church, just get up and sing. Yeah, 200 00:12:44,000 --> 00:12:47,600 Speaker 1: he would lead worship at church. Sometimes see against things 201 00:12:47,679 --> 00:12:49,840 Speaker 1: you don't know about, things that made you go well, 202 00:12:49,840 --> 00:12:52,120 Speaker 1: I was supposed. I never saw that on the internet. Yeah, 203 00:12:52,200 --> 00:12:53,560 Speaker 1: I was like, who was gonna pull out their phone 204 00:12:53,559 --> 00:12:55,800 Speaker 1: and record that. I never saw it. Yeah, And I 205 00:12:55,960 --> 00:12:58,560 Speaker 1: just love that song because he it's like new justin. 206 00:12:58,960 --> 00:13:00,880 Speaker 1: He's like, I'm very strong of my faith. These are 207 00:13:00,920 --> 00:13:03,480 Speaker 1: the two most important things to me, God and my wife, 208 00:13:04,240 --> 00:13:06,000 Speaker 1: and I'm putting that all out there in this song. 209 00:13:06,320 --> 00:13:09,439 Speaker 1: Fine fact he had Holy that Florida Georgia Line ended 210 00:13:09,480 --> 00:13:11,560 Speaker 1: up cutting. That was his song and he gave it up. 211 00:13:11,760 --> 00:13:13,400 Speaker 1: He cut it, and it was like, I don't want 212 00:13:13,400 --> 00:13:15,200 Speaker 1: to put on a record. Then Florida Georgia Line got 213 00:13:15,240 --> 00:13:20,360 Speaker 1: a second and they have Holy. Yeah, that's not true, 214 00:13:20,480 --> 00:13:23,839 Speaker 1: is it really? That was a Beaver song that is 215 00:13:23,960 --> 00:13:27,000 Speaker 1: so interesting. And if you put that one, I probably 216 00:13:27,000 --> 00:13:29,000 Speaker 1: couldn't put this one out because that have been like 217 00:13:30,480 --> 00:13:35,520 Speaker 1: it's like John Party putting out another boot song. He's 218 00:13:35,559 --> 00:13:38,800 Speaker 1: done too though he could do three once you factor. 219 00:13:39,320 --> 00:13:41,240 Speaker 1: My first song is going to be from the Chris 220 00:13:41,280 --> 00:13:44,360 Speaker 1: Stapleton record, The New One, And I would compare this 221 00:13:44,440 --> 00:13:46,760 Speaker 1: song to when I watched the movie Her or when 222 00:13:46,800 --> 00:13:49,480 Speaker 1: I watched Eternal Sunshine of the Spotless Mind. I only 223 00:13:49,480 --> 00:13:51,839 Speaker 1: need to watch it one time. This christ Apleton song, 224 00:13:51,880 --> 00:13:54,640 Speaker 1: Maggie song about his dog that died. It pops up, 225 00:13:54,679 --> 00:13:56,240 Speaker 1: but I never go chase it because it makes me 226 00:13:56,320 --> 00:13:58,559 Speaker 1: too sad. So but the first time I heard it, 227 00:13:58,960 --> 00:14:03,160 Speaker 1: I was emotional because I had a dog for fifteen 228 00:14:03,240 --> 00:14:05,439 Speaker 1: sixteen years that I just love more than anything, and 229 00:14:05,440 --> 00:14:07,199 Speaker 1: now I have a new dog where you know that 230 00:14:07,440 --> 00:14:09,720 Speaker 1: the same feeling is starting to happen. But I heard 231 00:14:09,720 --> 00:14:12,120 Speaker 1: this song, this is Maggie's song on christapele dion'snew record, 232 00:14:15,080 --> 00:14:27,120 Speaker 1: Were the h I was talking to him a few 233 00:14:27,200 --> 00:14:30,960 Speaker 1: days ago and asked him, Hey, which song was asked Morrigan, 234 00:14:31,080 --> 00:14:33,240 Speaker 1: his wife, and what was the most emotional song for 235 00:14:33,320 --> 00:14:36,440 Speaker 1: Chris to record? Because Chris doesn't talk a lot, but 236 00:14:36,600 --> 00:14:38,240 Speaker 1: I knew if I could, and I know Morgan a 237 00:14:38,280 --> 00:14:39,680 Speaker 1: little bit, and I was like, Morgan, you tell me. 238 00:14:39,840 --> 00:14:42,760 Speaker 1: But when Morgan starts talking, Chris lights up. So then 239 00:14:42,840 --> 00:14:45,520 Speaker 1: they started talking amongst each other and to me, and 240 00:14:46,160 --> 00:14:47,840 Speaker 1: he started talking about this song and he said that 241 00:14:48,080 --> 00:14:49,720 Speaker 1: this is the one that he cried through and you 242 00:14:49,760 --> 00:14:51,600 Speaker 1: can hear him crying in the last verse of the song, 243 00:14:51,920 --> 00:14:54,200 Speaker 1: like you can literally hear him crying in the recording 244 00:14:54,280 --> 00:14:56,240 Speaker 1: of this. And he said it was so hard for 245 00:14:56,320 --> 00:14:59,200 Speaker 1: him to sing about it in a day, recorded it 246 00:14:59,640 --> 00:15:02,120 Speaker 1: later down cry to the back end of it. I don't. 247 00:15:02,120 --> 00:15:03,840 Speaker 1: I just feel like there's something in the way he 248 00:15:03,920 --> 00:15:06,520 Speaker 1: delivers songs to you. Just listen to it with a 249 00:15:06,560 --> 00:15:08,480 Speaker 1: little more emotion, like with Whisky and You from the 250 00:15:08,760 --> 00:15:10,920 Speaker 1: song the album Traveler, same thing. I just sit there 251 00:15:10,960 --> 00:15:12,600 Speaker 1: and listen to it and it's like I feel it, 252 00:15:12,960 --> 00:15:14,640 Speaker 1: and I think with this one, I feel the same way. 253 00:15:14,680 --> 00:15:17,320 Speaker 1: It's just how he does it. Like if another artist 254 00:15:17,360 --> 00:15:19,000 Speaker 1: saying it, would it have the same impact. I don't know. 255 00:15:19,240 --> 00:15:22,200 Speaker 1: It's just the way he sings that that feels so real. 256 00:15:22,600 --> 00:15:25,440 Speaker 1: Whiskey and You was a phenomenal song. He's sang that 257 00:15:25,560 --> 00:15:28,480 Speaker 1: at our Raging Idiots Ryman show. He came out and 258 00:15:28,480 --> 00:15:31,560 Speaker 1: played with this and he did. That's a difference he 259 00:15:31,600 --> 00:15:35,280 Speaker 1: didn't Whiskey see the when we sing it together. First 260 00:15:35,280 --> 00:15:37,240 Speaker 1: of all, it sounds great, but it does sound different 261 00:15:38,280 --> 00:15:40,440 Speaker 1: because you have to bear in the same room. Yeah, alright, Tom, 262 00:15:40,520 --> 00:15:42,160 Speaker 1: you're up. Give us another song we've never heard everyone 263 00:15:42,200 --> 00:15:44,600 Speaker 1: ever hear of again? Go ahead? Well no, well, actually 264 00:15:44,600 --> 00:15:46,360 Speaker 1: I want to stay on theme that. I wasn't gonna 265 00:15:46,360 --> 00:15:50,840 Speaker 1: go there necessarily, but um staying with Chris Stapleton because 266 00:15:51,400 --> 00:15:54,360 Speaker 1: this new record diving into that, I mean there's so many. 267 00:15:54,400 --> 00:15:56,560 Speaker 1: I think starting overs great, but that is not my 268 00:15:57,080 --> 00:15:59,600 Speaker 1: Christapon song that's on my consolation list, which I do have, 269 00:15:59,760 --> 00:16:01,960 Speaker 1: which I'm not sure we'll have. Tom sound like thirty 270 00:16:02,040 --> 00:16:03,720 Speaker 1: songs over well, I did. I said, I was trying 271 00:16:03,760 --> 00:16:05,800 Speaker 1: to rank them a little bit in different genres. Send 272 00:16:05,880 --> 00:16:08,520 Speaker 1: me five songs all genre. He sent me the five, 273 00:16:08,720 --> 00:16:10,840 Speaker 1: then he sent me the backup team of five. Then 274 00:16:10,880 --> 00:16:13,680 Speaker 1: he sent me his all country version, and then he 275 00:16:13,760 --> 00:16:15,320 Speaker 1: sent me he just picked at random, and it's what 276 00:16:15,400 --> 00:16:18,240 Speaker 1: popped up in on Spotify. That's it the recommends. I 277 00:16:18,320 --> 00:16:23,880 Speaker 1: just go to the randomly pick No. So staying with 278 00:16:23,960 --> 00:16:29,000 Speaker 1: Chris Stapleton from the new record, you should probably leave you. 279 00:16:30,640 --> 00:16:39,920 Speaker 1: You know me, what this song reminds me of is 280 00:16:39,960 --> 00:16:41,760 Speaker 1: seeing christ and concert because I've seen him play this 281 00:16:41,800 --> 00:16:43,600 Speaker 1: a couple of times already before the record came out. 282 00:16:44,080 --> 00:16:45,560 Speaker 1: I said to him, I said, hey, this should be 283 00:16:45,560 --> 00:16:47,920 Speaker 1: your next radio song, and he was like, well, first 284 00:16:47,920 --> 00:16:49,680 Speaker 1: of all, you know, he doesn't care which song gets 285 00:16:49,720 --> 00:16:52,640 Speaker 1: picked for radio, and you can you know, like for him, 286 00:16:52,680 --> 00:16:55,280 Speaker 1: it's like if he puts it on his record, he 287 00:16:55,400 --> 00:16:57,920 Speaker 1: believes in the song, and so it's it's not he 288 00:16:58,000 --> 00:17:00,760 Speaker 1: doesn't sit there and dictate what songs shooters shouldn't be 289 00:17:00,760 --> 00:17:02,920 Speaker 1: played at radio. He kind of leaves that to other 290 00:17:02,960 --> 00:17:06,119 Speaker 1: people who that's their job. But this one, I'm with you. 291 00:17:06,240 --> 00:17:09,560 Speaker 1: I've first I've heard this scient and on this record, 292 00:17:09,680 --> 00:17:13,560 Speaker 1: but it has been living in the Chris Stapleton ecosystem 293 00:17:13,560 --> 00:17:14,879 Speaker 1: for a while and he plays it out. It's kind 294 00:17:14,880 --> 00:17:18,000 Speaker 1: of a fan favorite, and I just was so happy 295 00:17:18,040 --> 00:17:20,960 Speaker 1: he put it on this record, and it's the show 296 00:17:21,040 --> 00:17:23,560 Speaker 1: stopper to me. I believe he recorded it years ago, 297 00:17:23,920 --> 00:17:26,399 Speaker 1: recorded it and just hadn't put it on a record 298 00:17:26,480 --> 00:17:29,119 Speaker 1: yet because that could be He went down to Muscle 299 00:17:29,160 --> 00:17:31,600 Speaker 1: Shoals and recorded and they lost all power while they 300 00:17:31,640 --> 00:17:33,560 Speaker 1: were recording, and they were like, well, we can't keep 301 00:17:33,600 --> 00:17:36,320 Speaker 1: recording because everything shut down. You know that story. Well, 302 00:17:36,359 --> 00:17:37,960 Speaker 1: he talked about it. He should look to my show. 303 00:17:37,960 --> 00:17:40,879 Speaker 1: It's pretty good. I don't get up that early in COVID. 304 00:17:41,000 --> 00:17:45,200 Speaker 1: You sleep in Kaitlin. What's next? Um My next song 305 00:17:45,280 --> 00:17:48,080 Speaker 1: in no particular order is Adore You by Harry Styles. 306 00:17:55,720 --> 00:17:57,800 Speaker 1: In the same way that we were talking about Bieber, 307 00:17:57,880 --> 00:18:00,200 Speaker 1: I feel the same about Harry Styles and that I 308 00:18:00,320 --> 00:18:02,119 Speaker 1: just know him as the gooper from one direction. And 309 00:18:02,520 --> 00:18:05,280 Speaker 1: you know how real can they be? However, once you 310 00:18:05,359 --> 00:18:07,719 Speaker 1: really start to listen to this guy, you go, oh, man, 311 00:18:07,760 --> 00:18:09,800 Speaker 1: we shouldn't hold that against him. Yeah, if you take 312 00:18:09,840 --> 00:18:11,760 Speaker 1: one direction out of it, you'd love him. If he 313 00:18:11,920 --> 00:18:15,200 Speaker 1: were just marketed as a rock artist, like an alternative 314 00:18:15,320 --> 00:18:17,119 Speaker 1: artist that had him been in a boy band, I 315 00:18:17,160 --> 00:18:20,000 Speaker 1: think he would be a massive alternative success. You know, 316 00:18:20,080 --> 00:18:22,960 Speaker 1: they probably not put some of these super love ballads 317 00:18:23,040 --> 00:18:26,000 Speaker 1: on there, but he has rock stuff. The texture of 318 00:18:26,040 --> 00:18:28,880 Speaker 1: those songs sounds like it would easily be an alternative song. 319 00:18:29,400 --> 00:18:31,720 Speaker 1: What he has done for me, and he has a 320 00:18:32,520 --> 00:18:35,000 Speaker 1: um a positive reaction, maybe as negative to me, a 321 00:18:35,080 --> 00:18:37,680 Speaker 1: very positive reaction to my wife, who loves Harry Style. 322 00:18:37,760 --> 00:18:40,440 Speaker 1: So I get a lot of Harry Styles in my household, 323 00:18:41,000 --> 00:18:42,480 Speaker 1: and my other one has got a whisper jo named 324 00:18:42,520 --> 00:18:51,520 Speaker 1: Keith Urban. I just remember when this song came out, 325 00:18:52,119 --> 00:18:55,320 Speaker 1: I was just like, h not feel like that's Caitlin 326 00:18:55,440 --> 00:18:58,200 Speaker 1: in my mind, and I still feel that way. Thank you, 327 00:18:58,359 --> 00:19:00,639 Speaker 1: You're welcome. You just had a post on your socials 328 00:19:00,680 --> 00:19:03,000 Speaker 1: that sort of like completely put your heart out there too. 329 00:19:03,000 --> 00:19:06,080 Speaker 1: Would you say I breathe for people? What was that? 330 00:19:06,240 --> 00:19:09,000 Speaker 1: It was her? She took a sofie on my phone. Yeah, 331 00:19:09,119 --> 00:19:11,080 Speaker 1: that wasn't me, by the way, and the post those 332 00:19:11,080 --> 00:19:13,160 Speaker 1: words hold on, hold on. That was all a joke 333 00:19:13,400 --> 00:19:15,040 Speaker 1: that a lot of people didn't get, which means it 334 00:19:15,119 --> 00:19:18,200 Speaker 1: wasn't a good joke. So anytime she gets my phone, 335 00:19:18,320 --> 00:19:21,040 Speaker 1: she takes a selfie of herself. So I posted that 336 00:19:21,200 --> 00:19:23,200 Speaker 1: picture of her taking a selfie herself and then wrote 337 00:19:23,600 --> 00:19:27,520 Speaker 1: any something that she would write from my voice got it. 338 00:19:28,080 --> 00:19:29,720 Speaker 1: I guess it was a little too high brow for 339 00:19:29,800 --> 00:19:32,600 Speaker 1: the common folk out there. I always think a picture 340 00:19:32,640 --> 00:19:34,000 Speaker 1: of this phone because I always have to hold his 341 00:19:34,080 --> 00:19:37,320 Speaker 1: phone whether he's doing breaking body bones or whatever. So 342 00:19:37,400 --> 00:19:40,240 Speaker 1: I would just take a picture like, here's this behind 343 00:19:40,280 --> 00:19:42,320 Speaker 1: the scenes of me with a mask on, sitting staring 344 00:19:42,359 --> 00:19:44,560 Speaker 1: at you do your thing, so we can have a 345 00:19:44,640 --> 00:19:46,639 Speaker 1: nice compilation at the end of the season. And so 346 00:19:46,760 --> 00:19:48,960 Speaker 1: I did that. So the sincerity that I read into 347 00:19:49,000 --> 00:19:51,760 Speaker 1: it that it doesn't even really exist, and it was 348 00:19:52,320 --> 00:19:55,200 Speaker 1: the jokes didn't mean. The joke was if she were 349 00:19:55,240 --> 00:19:57,280 Speaker 1: posting that what you look like, that's what she would 350 00:19:57,359 --> 00:20:00,360 Speaker 1: write for me to say about her. People about you're 351 00:20:00,480 --> 00:20:03,639 Speaker 1: just saying everyone did Yeah, yeah, I mean it. I 352 00:20:03,680 --> 00:20:05,480 Speaker 1: didn't mean it, but I got a lot of people 353 00:20:05,520 --> 00:20:07,560 Speaker 1: that like, that's so sweet of you that I don't 354 00:20:07,560 --> 00:20:09,720 Speaker 1: like doesn't know how to get this failed attempted at 355 00:20:09,760 --> 00:20:13,000 Speaker 1: a Instagram joke. I think people just think you feel 356 00:20:13,040 --> 00:20:14,680 Speaker 1: that way about me. I did, I do too, Yeah, 357 00:20:14,760 --> 00:20:17,639 Speaker 1: and then God whispered your name and everything change all right? 358 00:20:17,680 --> 00:20:21,280 Speaker 1: Next time? Well taking a real left turn? Sweet? Oh anyway, 359 00:20:21,320 --> 00:20:24,560 Speaker 1: So well, well, this is definitely not that sort of 360 00:20:24,600 --> 00:20:28,520 Speaker 1: love story. Um. But American Aquarium, which is a band 361 00:20:28,560 --> 00:20:31,479 Speaker 1: that I've loved over the last several years, put out 362 00:20:31,480 --> 00:20:34,159 Speaker 1: a record called Lamentations this year and I love it 363 00:20:34,240 --> 00:20:36,040 Speaker 1: top to bottom. But there's a song on there that 364 00:20:36,840 --> 00:20:40,639 Speaker 1: haven't having been married for now twenty two years, you know, 365 00:20:40,680 --> 00:20:43,200 Speaker 1: I know that sacred relationship between a husband and wife 366 00:20:43,240 --> 00:20:45,960 Speaker 1: and telling the truth. And it's interesting that we've had 367 00:20:47,240 --> 00:20:51,000 Speaker 1: um a lot of our friends that have been married 368 00:20:51,040 --> 00:20:53,040 Speaker 1: and then get divorced, and you can just see it's 369 00:20:53,080 --> 00:20:55,560 Speaker 1: sad to see how some of those relationships dissolve, and 370 00:20:56,080 --> 00:20:59,280 Speaker 1: I think this speaks to how that might happen. It's 371 00:20:59,320 --> 00:21:02,840 Speaker 1: a song called the Day I Learned to Lie to You. Yes, 372 00:21:03,119 --> 00:21:08,520 Speaker 1: my biggest great life thing that keeps me up a 373 00:21:08,840 --> 00:21:20,359 Speaker 1: night lot. Are you doing okay? But because We've had 374 00:21:20,359 --> 00:21:23,680 Speaker 1: a few songs here. You like to feel, I like 375 00:21:23,800 --> 00:21:27,480 Speaker 1: to feel it's interesting. I think I live in a 376 00:21:27,640 --> 00:21:31,080 Speaker 1: very utopian life like I it's it's pretty polly in 377 00:21:31,200 --> 00:21:33,240 Speaker 1: and in the Lord's house. Like I love my wife. 378 00:21:33,280 --> 00:21:35,280 Speaker 1: We've been married for a long time and we have 379 00:21:35,359 --> 00:21:38,320 Speaker 1: two beautiful children. But music is one of my escape 380 00:21:38,359 --> 00:21:43,240 Speaker 1: and I lived through different songs. And um, there's a 381 00:21:43,280 --> 00:21:47,480 Speaker 1: song Jason Isbel has called traveling Alone and I'll just 382 00:21:48,560 --> 00:21:50,399 Speaker 1: love and I'll sit there and cry with that. Or 383 00:21:50,480 --> 00:21:57,720 Speaker 1: it's adele um what was their big blank A long time? No? No, 384 00:21:58,119 --> 00:22:01,000 Speaker 1: but yes, someone like you you that I'll just listen to. 385 00:22:01,080 --> 00:22:03,800 Speaker 1: And I'm like, I put myself in their movie, and um, 386 00:22:04,240 --> 00:22:07,320 Speaker 1: and it just makes me feel something. This one just 387 00:22:07,440 --> 00:22:09,960 Speaker 1: makes me feel something, and you know, it's outside of 388 00:22:10,040 --> 00:22:11,719 Speaker 1: my reality. But that's why I go to music. It's 389 00:22:11,720 --> 00:22:13,440 Speaker 1: what I love music. I mean, all my favorite songs 390 00:22:13,480 --> 00:22:16,159 Speaker 1: just slow, sad songs. Yeah they see, I mean except 391 00:22:16,200 --> 00:22:17,640 Speaker 1: for the few now that remind me of her. They're 392 00:22:17,680 --> 00:22:20,040 Speaker 1: all like blue eyes crying in the rain. Well, and 393 00:22:20,080 --> 00:22:22,840 Speaker 1: I was like, Maggie song, ain't no sunshine, Maggie song, 394 00:22:23,080 --> 00:22:25,120 Speaker 1: It's God. That's the only way to get me because 395 00:22:25,119 --> 00:22:27,440 Speaker 1: I don't feel happiness. I've started a little bit. I 396 00:22:27,480 --> 00:22:30,080 Speaker 1: don't feel I do now. Your therapy, she just told 397 00:22:30,080 --> 00:22:32,080 Speaker 1: me in the car ride back from Malibu. She's like, 398 00:22:32,320 --> 00:22:35,520 Speaker 1: we're teaching you new things. Joy No, I said it, 399 00:22:35,760 --> 00:22:38,879 Speaker 1: you know, I said before. It feels like from the 400 00:22:38,960 --> 00:22:41,760 Speaker 1: stories I've heard from others and from yourself, that you 401 00:22:42,000 --> 00:22:46,240 Speaker 1: struggled to feel happiness enjoy at one point in your life. 402 00:22:46,320 --> 00:22:47,600 Speaker 1: But now I don't feel that that's the case. I 403 00:22:47,640 --> 00:22:50,280 Speaker 1: think you're happy all the time. And then God whispered 404 00:22:50,320 --> 00:22:55,040 Speaker 1: you the day I learned how a lot of you 405 00:22:56,240 --> 00:22:59,359 Speaker 1: so good, so good encourage people to listen to it. 406 00:22:59,440 --> 00:23:04,840 Speaker 1: It's so American Aquarium, right, Okay, there you go, Caitlin. Okay, 407 00:23:05,400 --> 00:23:17,359 Speaker 1: my next song is Seven Summers by Morgan Wallen. The 408 00:23:17,400 --> 00:23:21,800 Speaker 1: funny thing about this is so once Morrigan had his trouble, 409 00:23:23,560 --> 00:23:25,520 Speaker 1: he went away for a bit. He came back and 410 00:23:25,680 --> 00:23:27,240 Speaker 1: he was only going to talk to one person, and 411 00:23:27,280 --> 00:23:29,399 Speaker 1: I got lucky that was me. So he came over 412 00:23:29,440 --> 00:23:32,080 Speaker 1: to the house and I said, hey, Caitlin, Morgan Wallace 413 00:23:32,080 --> 00:23:33,600 Speaker 1: coming overcau She loved Morgan Walling. She's like, well, I'm 414 00:23:33,640 --> 00:23:36,359 Speaker 1: gonna go go out and what did you go do 415 00:23:36,480 --> 00:23:39,080 Speaker 1: you guys like did We went to watch Stas Shiro 416 00:23:39,200 --> 00:23:41,960 Speaker 1: play in her championship soccer game, which was pretty important 417 00:23:42,680 --> 00:23:44,520 Speaker 1: Amy's daughter, and I was like, hey, but hurry back 418 00:23:45,560 --> 00:23:47,160 Speaker 1: to Morgan and she didn't give a crap about any 419 00:23:47,320 --> 00:23:49,160 Speaker 1: sort of celebrity but so that she didn't come back. 420 00:23:49,960 --> 00:23:52,080 Speaker 1: But what happened was Morrigan walked over to the main 421 00:23:52,160 --> 00:23:54,600 Speaker 1: house and sat on the piano and played in the 422 00:23:54,680 --> 00:23:56,760 Speaker 1: living room and she was like, oh, man, can get 423 00:23:56,840 --> 00:23:58,359 Speaker 1: him to stay And I was like, he's already gone. 424 00:24:00,119 --> 00:24:01,720 Speaker 1: That was really cool. I didn't see that that was 425 00:24:01,840 --> 00:24:04,080 Speaker 1: that was cool. What's funny for me? I wanted to 426 00:24:04,200 --> 00:24:06,840 Speaker 1: put and it's now two years old because I was 427 00:24:06,880 --> 00:24:09,160 Speaker 1: trying to find a loophole now, just to be clear, 428 00:24:09,200 --> 00:24:11,920 Speaker 1: on my list, these aren't songs that just got popular 429 00:24:11,960 --> 00:24:15,680 Speaker 1: in and they had to have come out in so 430 00:24:15,800 --> 00:24:17,840 Speaker 1: I was trying to be really cautious that because I 431 00:24:17,880 --> 00:24:21,320 Speaker 1: think still for me, heavy Rotation is Whiskey Glasses. You 432 00:24:21,440 --> 00:24:24,359 Speaker 1: for me say that before, like, I still love that 433 00:24:24,440 --> 00:24:26,800 Speaker 1: song and I'd probably put that as a top five 434 00:24:27,400 --> 00:24:29,560 Speaker 1: listened to country song for me this year, even though 435 00:24:29,640 --> 00:24:33,920 Speaker 1: it's now a year and a half older longer. Yeah, 436 00:24:34,040 --> 00:24:36,359 Speaker 1: and I would say even on because I'm gonna play mine, 437 00:24:36,400 --> 00:24:40,320 Speaker 1: which is Chasing You. That was a single, it has 438 00:24:40,320 --> 00:24:41,920 Speaker 1: been out, but if it's been sitting on a record, 439 00:24:42,520 --> 00:24:44,639 Speaker 1: I guess for me, my loophole was when was it 440 00:24:44,720 --> 00:24:47,359 Speaker 1: released as a single? And this song was released as 441 00:24:47,359 --> 00:24:52,439 Speaker 1: a single. But here's my third one, chasing you this? Uh. 442 00:24:53,720 --> 00:24:55,760 Speaker 1: I was never a Morgan Walling guy. And I told 443 00:24:55,840 --> 00:24:58,320 Speaker 1: him this, like, I just thought, alright, he's Florida Georgia 444 00:24:58,359 --> 00:25:00,760 Speaker 1: Line's buddy. He's just you know, they are. They're known 445 00:25:00,800 --> 00:25:03,240 Speaker 1: for just kind of having fun. And I was like, 446 00:25:03,280 --> 00:25:06,679 Speaker 1: you know, do we need another having fun guy? Unfairly 447 00:25:06,760 --> 00:25:09,119 Speaker 1: judged him, But I hit that song up down right 448 00:25:09,200 --> 00:25:13,320 Speaker 1: with Florida Georgia Line unfairly judged him. And so he 449 00:25:13,359 --> 00:25:15,160 Speaker 1: starts to put out a couple of songs and I'm like, okay. 450 00:25:15,160 --> 00:25:17,720 Speaker 1: I had friends who are passionate Morgan Walling fans before 451 00:25:17,720 --> 00:25:20,320 Speaker 1: he blew up. I went to a show because there 452 00:25:20,320 --> 00:25:22,400 Speaker 1: were a bunch of iHeart people there during a radio ceremony, 453 00:25:22,720 --> 00:25:26,280 Speaker 1: radio convention. It was packed at Marathon Music work, and 454 00:25:26,320 --> 00:25:28,120 Speaker 1: I'm like, what what am I missing about this guy? 455 00:25:28,720 --> 00:25:30,159 Speaker 1: So I invited him out to the studio and he 456 00:25:30,160 --> 00:25:32,840 Speaker 1: played Chasing You during the same Jude Radio thon last year, 457 00:25:33,080 --> 00:25:35,680 Speaker 1: and I was like, oh my god, he's so good. 458 00:25:35,800 --> 00:25:39,320 Speaker 1: Like he not only does he have good songs now, 459 00:25:40,080 --> 00:25:43,760 Speaker 1: but he has an extremely distinct voice when he talks 460 00:25:43,800 --> 00:25:47,520 Speaker 1: and when he sings difficult to have. Um so yeah, 461 00:25:47,800 --> 00:25:49,800 Speaker 1: and I told him I'm now a big Morgan Walling guy. 462 00:25:50,240 --> 00:25:53,080 Speaker 1: But I wasn't at first, and I was wrong. I'm 463 00:25:53,240 --> 00:25:56,080 Speaker 1: similar to me. I think we all get a little jaded. 464 00:25:56,080 --> 00:25:57,879 Speaker 1: I've worked in this industry for a long time, so 465 00:25:58,000 --> 00:25:59,960 Speaker 1: when a new newcomer hits the scene, you're like, Okay, 466 00:26:00,000 --> 00:26:02,320 Speaker 1: it's got one song, or I see it Florida, Georgia, 467 00:26:02,359 --> 00:26:04,080 Speaker 1: line up down and you see, Okay, that's how they're 468 00:26:04,080 --> 00:26:06,800 Speaker 1: getting an audience. But he has consistently done it more 469 00:26:06,880 --> 00:26:11,399 Speaker 1: than my hometown is great. Love that song and you 470 00:26:11,480 --> 00:26:14,760 Speaker 1: know the songs you guys added to your list? Where 471 00:26:14,800 --> 00:26:18,320 Speaker 1: would you put his ascent up there? Because listen, we've 472 00:26:18,400 --> 00:26:23,440 Speaker 1: never seen anything like Luke holmbs but this late Morgan Wallen, 473 00:26:23,840 --> 00:26:28,240 Speaker 1: extremely strong push is something that I haven't seen a 474 00:26:28,320 --> 00:26:31,720 Speaker 1: lot either me neither. But you know, I don't know 475 00:26:31,920 --> 00:26:35,280 Speaker 1: that we would have known it You know, there may 476 00:26:35,320 --> 00:26:39,440 Speaker 1: have been a similar sort of swell for artists, but 477 00:26:39,560 --> 00:26:42,560 Speaker 1: we didn't see it as quick because we're seeing it 478 00:26:42,640 --> 00:26:44,719 Speaker 1: now real time with streaming. You know, before we can 479 00:26:44,760 --> 00:26:46,880 Speaker 1: see with album sales, and album sales would do well. 480 00:26:47,680 --> 00:26:51,080 Speaker 1: But now you're seeing real time all these Morgan songs 481 00:26:51,200 --> 00:26:54,480 Speaker 1: from the first record to this record dominating the chartie 482 00:26:54,520 --> 00:26:58,200 Speaker 1: and Luke Holmes dominating the chart in that way. I'm 483 00:26:58,480 --> 00:27:00,760 Speaker 1: with you on that, Luke Hombs and and now Morgan 484 00:27:00,800 --> 00:27:02,879 Speaker 1: Wallen are are they in the same category to you 485 00:27:03,000 --> 00:27:07,720 Speaker 1: right now? I give Luke still ledge on that. But 486 00:27:08,280 --> 00:27:12,480 Speaker 1: Luke or excuse me, um, Morgan is quickly on his heels, yeah, 487 00:27:12,600 --> 00:27:15,960 Speaker 1: quicker than I would have imagined. And Luke Holmbs now 488 00:27:16,520 --> 00:27:19,280 Speaker 1: is think I only been around a few years, but 489 00:27:19,400 --> 00:27:22,800 Speaker 1: he's now like the guy. And Morgan Wallen's like the 490 00:27:22,840 --> 00:27:26,480 Speaker 1: new cooler guy, which isn't fair because that just popped 491 00:27:26,560 --> 00:27:30,080 Speaker 1: up on the He's crushing it. But I'm starting to 492 00:27:30,119 --> 00:27:31,480 Speaker 1: see people now who do you which one do you 493 00:27:31,560 --> 00:27:34,440 Speaker 1: like better like? And matching them against each other, like 494 00:27:34,520 --> 00:27:36,800 Speaker 1: are you a Morgan Wallen guy or a Luke Holmes guy? Oh? See, 495 00:27:37,000 --> 00:27:38,480 Speaker 1: you know you can't. I don't even put him in 496 00:27:38,560 --> 00:27:42,000 Speaker 1: that the same category that way, so um, nor do 497 00:27:42,080 --> 00:27:44,000 Speaker 1: you have to know, but you know, and I just 498 00:27:44,160 --> 00:27:48,480 Speaker 1: hope and I'm glad we're talking about him because I 499 00:27:48,680 --> 00:27:52,240 Speaker 1: don't know that the industry has given him the respect. 500 00:27:53,520 --> 00:27:55,480 Speaker 1: I don't know that he's helped himself in some cases, 501 00:27:55,560 --> 00:27:57,159 Speaker 1: but I don't think you know. And I saw it 502 00:27:57,240 --> 00:27:59,920 Speaker 1: like with Grammy nominations, Morgan Wallan, I think deserved to 503 00:28:00,000 --> 00:28:03,920 Speaker 1: Amy nomination maybe for Best New Artists or Singular Song, 504 00:28:04,040 --> 00:28:06,320 Speaker 1: and didn't get one. And you know, maybe it just 505 00:28:06,480 --> 00:28:09,320 Speaker 1: wasn't his year for that for whatever reason. But I 506 00:28:09,440 --> 00:28:13,480 Speaker 1: hope the industry recognizes that, like we talked about before, 507 00:28:13,480 --> 00:28:15,080 Speaker 1: like we talked about with Florida George, and there are 508 00:28:15,080 --> 00:28:19,080 Speaker 1: some artists that they the industry just doesn't quite lift up. Um. 509 00:28:19,240 --> 00:28:20,639 Speaker 1: I would say that was the Dan and Shay thing 510 00:28:20,640 --> 00:28:22,680 Speaker 1: for a long time until they just kicked the door 511 00:28:22,720 --> 00:28:25,760 Speaker 1: down with so much data that if you ignored them, 512 00:28:25,800 --> 00:28:27,800 Speaker 1: it was obvious you were only ignoring them because you 513 00:28:27,840 --> 00:28:30,520 Speaker 1: didn't like their their style. Yep. And I listen, I 514 00:28:30,560 --> 00:28:32,040 Speaker 1: have a I'm in a similar plight to work with 515 00:28:32,160 --> 00:28:34,080 Speaker 1: Gabby Barrett, and I feel like that's the same for her, 516 00:28:34,240 --> 00:28:36,320 Speaker 1: Like I think everybody's going, Okay, she has one song 517 00:28:37,160 --> 00:28:41,120 Speaker 1: and they're not totally seeing the whole ecosystem. And in 518 00:28:41,440 --> 00:28:43,600 Speaker 1: the fuller reaction that she's getting as a whole, is 519 00:28:43,640 --> 00:28:47,080 Speaker 1: that our truck getting broken into? Right now? I lovely 520 00:28:52,880 --> 00:29:02,040 Speaker 1: brak can she's getting after? Oh oh so they got it? Yeah, alright, 521 00:29:02,120 --> 00:29:04,600 Speaker 1: that's fun. Leave that in. Um, Kayla in your next 522 00:29:04,640 --> 00:29:08,240 Speaker 1: song that was a tom so you did um chasing you? Yeah? 523 00:29:08,280 --> 00:29:10,120 Speaker 1: I did. There's there. We're all three in all three 524 00:29:10,160 --> 00:29:14,280 Speaker 1: in okay. Um another just as is a Lord Household favorite. 525 00:29:15,880 --> 00:29:18,520 Speaker 1: I'm doing Yep, I'm doing Macareno. Is that too old? Um? 526 00:29:18,800 --> 00:29:35,400 Speaker 1: Moon Taxi light up? What are these guys about? Because 527 00:29:35,400 --> 00:29:38,440 Speaker 1: I hear their name, But what's moon Taxi about? Who 528 00:29:38,480 --> 00:29:45,680 Speaker 1: are they there? Nashville band? Now? Um, but they have quietly, 529 00:29:46,880 --> 00:29:50,240 Speaker 1: Um they're sort of based out of Birmingham, Alabama, Nashville 530 00:29:50,320 --> 00:29:54,720 Speaker 1: Band and have just slowly, and I think a little 531 00:29:54,760 --> 00:29:58,840 Speaker 1: bit quietly, built a really big following. Like my wife 532 00:29:58,880 --> 00:30:00,280 Speaker 1: and I went and saw him New Year's Eve at 533 00:30:00,320 --> 00:30:03,000 Speaker 1: Municipal Auditorium a couple of years ago. UM to a 534 00:30:03,080 --> 00:30:06,719 Speaker 1: sold out show there, and um, there's something about them. 535 00:30:06,760 --> 00:30:10,120 Speaker 1: They consistently make great music. And my wife, who's been 536 00:30:10,160 --> 00:30:11,800 Speaker 1: a fan of theirs for a number of years now, 537 00:30:11,880 --> 00:30:14,640 Speaker 1: I'll say this is her influence on my list because 538 00:30:15,280 --> 00:30:17,120 Speaker 1: she loves them so much that like I said, it's 539 00:30:17,160 --> 00:30:18,800 Speaker 1: in heavy rotation. So there is a newer song, but 540 00:30:18,840 --> 00:30:20,760 Speaker 1: they have songs like Morocco that I love. I mean, 541 00:30:20,800 --> 00:30:24,640 Speaker 1: you go back, I say similar like I did with 542 00:30:24,680 --> 00:30:28,280 Speaker 1: American Aquarium. They've just American Aquarium has a great CATALOGUS songs, 543 00:30:28,840 --> 00:30:32,080 Speaker 1: as did Moon Taxi, but they've never had that big, major, 544 00:30:32,200 --> 00:30:34,720 Speaker 1: major label break. Are they on a major label and 545 00:30:34,760 --> 00:30:37,240 Speaker 1: are they a rock band? They were on a major label, 546 00:30:37,360 --> 00:30:40,280 Speaker 1: now they're off the major label and they're a rock band. 547 00:30:40,440 --> 00:30:43,840 Speaker 1: I would say they have the potential. This is me 548 00:30:44,120 --> 00:30:47,600 Speaker 1: again biased, but I look at a band like Imagined Dragons, 549 00:30:47,600 --> 00:30:50,400 Speaker 1: who has a great energy on stage, you know, poppies 550 00:30:50,600 --> 00:30:53,080 Speaker 1: kind of rock songs, um, and I look at these 551 00:30:53,120 --> 00:30:55,200 Speaker 1: guys and I go, man, these guys could be and 552 00:30:55,280 --> 00:30:58,320 Speaker 1: imagine Dragons. I think it's really catchy songs, great energy 553 00:30:58,440 --> 00:31:02,520 Speaker 1: on stage, hugely talent and what I'm a melody guy, 554 00:31:02,600 --> 00:31:05,680 Speaker 1: and so they just there's so much melody either music. Um, 555 00:31:06,800 --> 00:31:10,000 Speaker 1: I'm a fan Kitlyn. What you're doing over there, look 556 00:31:10,120 --> 00:31:17,640 Speaker 1: him up. I'm looking at your turn. What's your turn? No? No, no, 557 00:31:18,160 --> 00:31:23,400 Speaker 1: My My next favorite song of is I was trying 558 00:31:23,400 --> 00:31:25,600 Speaker 1: to figure off it's Levitate or Levitating. I think it's 559 00:31:25,680 --> 00:31:44,880 Speaker 1: Levitate by Doulipata Go. Just so everybody knows, Caitlyn grabs 560 00:31:44,920 --> 00:31:47,200 Speaker 1: my ear because to rib my headphone off, it goes 561 00:31:47,280 --> 00:31:50,880 Speaker 1: very violently, like very violently. He's back into the microphone. 562 00:31:51,240 --> 00:31:53,360 Speaker 1: I don't have headphones, so I can't hear my song. 563 00:31:53,560 --> 00:31:58,040 Speaker 1: You do love I love you are a pop music fan, 564 00:31:58,800 --> 00:32:02,120 Speaker 1: your pop this is coming through well in country. Yeah, 565 00:32:02,280 --> 00:32:07,880 Speaker 1: she's like pop. I used to be all country, I 566 00:32:07,960 --> 00:32:12,960 Speaker 1: mean really probably until the last Like five is year's 567 00:32:13,000 --> 00:32:16,120 Speaker 1: favorite country song of all time. You're the reason Got 568 00:32:16,160 --> 00:32:20,520 Speaker 1: made Oklahoma. You're the reason God made Oklahoma. I think 569 00:32:20,560 --> 00:32:23,440 Speaker 1: man's Amarella by morning. I will always love you blue 570 00:32:23,480 --> 00:32:25,800 Speaker 1: eyes crying in the rain or if tomorrow never comes? 571 00:32:26,120 --> 00:32:32,480 Speaker 1: Oh good? Yeah? Did you ever meet the Aliba where 572 00:32:33,560 --> 00:32:38,640 Speaker 1: around town? Nice? All right, Matt Carney, Grand Canyon Mine. 573 00:32:44,400 --> 00:32:46,160 Speaker 1: Fun fact, This song came out the week before we 574 00:32:46,160 --> 00:32:47,920 Speaker 1: went to the Grand Canyon to shoot my Natgio show, 575 00:32:47,920 --> 00:32:49,680 Speaker 1: and we sing it the whole time. There you go 576 00:32:49,880 --> 00:32:52,400 Speaker 1: the alpun was that and that quickly made it to 577 00:32:52,440 --> 00:32:54,600 Speaker 1: the top of your list, didn't it. Well. I needed 578 00:32:54,640 --> 00:32:57,000 Speaker 1: to put a homage to Matt Carney in there because 579 00:32:57,560 --> 00:32:59,800 Speaker 1: he's our guy. Yeah right, he's our guy. And I 580 00:32:59,880 --> 00:33:02,920 Speaker 1: like this song. Give you another one, alright? Mine is 581 00:33:03,120 --> 00:33:11,000 Speaker 1: mount Joy Strangers. So are we five for five on 582 00:33:11,120 --> 00:33:13,080 Speaker 1: not knowing any of Tom's artists? No, I guess you 583 00:33:13,160 --> 00:33:15,320 Speaker 1: know Stapleton. I've known a few because you let me 584 00:33:15,360 --> 00:33:20,360 Speaker 1: listen to them. Yeah, yeah, it turns up. Say this again, 585 00:33:21,040 --> 00:33:33,960 Speaker 1: Mount Joy Strangers, Mount Joy. Okay, it's so indie, so good. 586 00:33:34,000 --> 00:33:36,040 Speaker 1: You're such an indie guy. Man. I grew listen. I 587 00:33:36,120 --> 00:33:39,880 Speaker 1: grew up in uh in an arrow. I listened to 588 00:33:40,080 --> 00:33:41,440 Speaker 1: you know, just everything, and I played in kind of 589 00:33:41,520 --> 00:33:44,560 Speaker 1: indie rock bands and I love the Pixies and um, 590 00:33:44,920 --> 00:33:50,520 Speaker 1: Pavement and Unrest and the Police, and then I like 591 00:33:50,680 --> 00:33:52,360 Speaker 1: hair metal. I'm all over the place. Yeah, I'm like 592 00:33:52,400 --> 00:33:55,200 Speaker 1: an enigma wrapped in a mystery. Once we did a 593 00:33:55,240 --> 00:33:57,920 Speaker 1: show Caitlin where we were like, let's pull a drummer 594 00:33:57,960 --> 00:33:59,600 Speaker 1: from the crowd who knows how to play the drums? 595 00:34:00,320 --> 00:34:02,600 Speaker 1: And it was Tom. We set it up and he played. 596 00:34:03,040 --> 00:34:04,640 Speaker 1: He did good because he used to play drums, and 597 00:34:04,680 --> 00:34:06,920 Speaker 1: then people were what is your name was Reggie? And 598 00:34:07,000 --> 00:34:08,480 Speaker 1: people were talking to you all after the show, like 599 00:34:08,520 --> 00:34:10,800 Speaker 1: Reggie did a great job. I'm leaving the show that 600 00:34:10,960 --> 00:34:12,840 Speaker 1: night walking in the back alley after the rhyme, and 601 00:34:12,880 --> 00:34:14,920 Speaker 1: there were people lined him. They were like, it's Reggie, 602 00:34:15,880 --> 00:34:21,240 Speaker 1: you did so great. Now you're blowing my cover, Caitlin, 603 00:34:21,280 --> 00:34:24,040 Speaker 1: your final song. My final song is I should probably 604 00:34:24,040 --> 00:34:32,080 Speaker 1: go to bed, Dan and Shay, I should probably go 605 00:34:32,280 --> 00:34:36,560 Speaker 1: to bed. So, I don't know, what do you like 606 00:34:36,640 --> 00:34:42,160 Speaker 1: about that song? Everything nice? What do I like? Um? Like, 607 00:34:42,320 --> 00:34:44,960 Speaker 1: why is it on your list? It's just so interesting 608 00:34:45,080 --> 00:34:47,279 Speaker 1: to me. I like that it sounds a little bit 609 00:34:47,360 --> 00:34:52,440 Speaker 1: like Queen. I love Abby Smiers and Dan Smiers was 610 00:34:52,480 --> 00:34:55,960 Speaker 1: her husband. I just like the song. I like everything 611 00:34:56,000 --> 00:34:57,920 Speaker 1: they do, but I love this. It's just so I 612 00:34:58,040 --> 00:35:02,080 Speaker 1: think it's so unique. My final song is Brett Eldridge 613 00:35:02,280 --> 00:35:05,560 Speaker 1: This is Fall for Me, which this is my favorite 614 00:35:05,600 --> 00:35:09,000 Speaker 1: album he's ever put out. Maybe not, it doesn't have 615 00:35:09,120 --> 00:35:11,160 Speaker 1: a monster on it yet from the radio. I know 616 00:35:11,239 --> 00:35:14,200 Speaker 1: Gabrielle still trying. But as far as like music that 617 00:35:14,280 --> 00:35:16,040 Speaker 1: I would listen to all the time, like this was 618 00:35:16,960 --> 00:35:19,400 Speaker 1: a home run and I know for him this is 619 00:35:19,400 --> 00:35:22,160 Speaker 1: I think that most he like putting out a record 620 00:35:23,080 --> 00:35:25,160 Speaker 1: because I think these were writing right down his lane, 621 00:35:25,200 --> 00:35:26,880 Speaker 1: to write down his alley, to to write them and 622 00:35:26,920 --> 00:35:30,360 Speaker 1: sing them and record them. So there you go. I 623 00:35:30,440 --> 00:35:33,680 Speaker 1: think part of the reason my list is it's what 624 00:35:34,680 --> 00:35:37,640 Speaker 1: I almost had a list that was fully songs from 625 00:35:37,719 --> 00:35:41,360 Speaker 1: Yellowstone because I got so engrossed in yellow Stone, so 626 00:35:41,480 --> 00:35:44,319 Speaker 1: I tried to diversify from that, and then I kept 627 00:35:44,320 --> 00:35:48,239 Speaker 1: peppering some in. But um, I love that song from 628 00:35:48,320 --> 00:35:50,560 Speaker 1: Dan and Jay that is that for me, is a 629 00:35:50,600 --> 00:35:52,840 Speaker 1: top five country song. I didn't put songs on the 630 00:35:52,960 --> 00:35:55,000 Speaker 1: people that I directly work with because I felt biased. 631 00:35:55,080 --> 00:35:57,000 Speaker 1: Oh yeah, you could have put Gabby because I could 632 00:35:57,000 --> 00:36:00,360 Speaker 1: have put in raging idiots, but but the raging it's not. 633 00:36:00,520 --> 00:36:02,279 Speaker 1: Must stay the good ones with her jam. I told 634 00:36:02,280 --> 00:36:04,920 Speaker 1: you that is my jam. Well, and when I look 635 00:36:04,920 --> 00:36:07,760 Speaker 1: at my most played songs, it's I've got Chris Jansen 636 00:36:08,200 --> 00:36:11,400 Speaker 1: and Gabby Barrett and you know some other artists that 637 00:36:11,400 --> 00:36:13,520 Speaker 1: I work with, and so I tried to do a 638 00:36:13,600 --> 00:36:16,840 Speaker 1: list without him. But Dan and Shay Um on my 639 00:36:16,960 --> 00:36:19,880 Speaker 1: country list, I'm just jumping into it. I do have 640 00:36:19,960 --> 00:36:22,560 Speaker 1: Chris Stapleton's hard to forget Sam Hunt. I'm surprised that's 641 00:36:22,600 --> 00:36:25,840 Speaker 1: not on our list. That's Sam record too. I missed 642 00:36:25,880 --> 00:36:27,200 Speaker 1: it when it came around the first time when he 643 00:36:27,200 --> 00:36:29,719 Speaker 1: put it out because we're writing a peak early coronavirus. 644 00:36:30,360 --> 00:36:33,239 Speaker 1: But then once I just kind of sat on it 645 00:36:33,360 --> 00:36:36,040 Speaker 1: for a few days in a row. Every song is 646 00:36:36,120 --> 00:36:39,960 Speaker 1: fantastic on the record. Yeah, it's a great record. Um. Oh, 647 00:36:40,040 --> 00:36:41,600 Speaker 1: he's going down his list that he made it. Well, 648 00:36:41,640 --> 00:36:45,120 Speaker 1: you know, I should probably go to bed. It's on there. Yeah, yeah, yeah, 649 00:36:45,160 --> 00:36:49,120 Speaker 1: I made the list. Um at number twenty three to 650 00:36:49,440 --> 00:36:52,600 Speaker 1: count down down? Right? Now, what are we gonna talk about? Movies? 651 00:36:53,840 --> 00:36:56,920 Speaker 1: We just had a half hour that hour. Yeah, well, 652 00:36:56,960 --> 00:36:59,239 Speaker 1: thank you. Let me thank my guest, Tom Lord, thank you, 653 00:36:59,480 --> 00:37:03,160 Speaker 1: Thank for me, Caitlin, Thank you for having me and me, 654 00:37:03,440 --> 00:37:12,640 Speaker 1: Thank me for having me all right, thank you. Hey, 655 00:37:13,120 --> 00:37:14,919 Speaker 1: good to talk to you. How are you. I'm doing 656 00:37:14,960 --> 00:37:16,880 Speaker 1: pretty well. How are you? You know? I wanted to 657 00:37:16,960 --> 00:37:18,720 Speaker 1: check in with you. It's been a while since we've talked, 658 00:37:18,760 --> 00:37:21,200 Speaker 1: and look at you, your songs crushing it. Now You've 659 00:37:21,200 --> 00:37:23,600 Speaker 1: got your first ever top twenty here in America. How 660 00:37:23,680 --> 00:37:27,360 Speaker 1: cool is that? It's so crazy? I literally am like, 661 00:37:27,560 --> 00:37:30,480 Speaker 1: I just keep refreshing the charts like this is this real? 662 00:37:31,000 --> 00:37:33,600 Speaker 1: You know, I say in America, because I think you 663 00:37:33,640 --> 00:37:35,640 Speaker 1: have a top ten in Canada right now to write 664 00:37:35,640 --> 00:37:38,360 Speaker 1: same song I do. We had a top ten with 665 00:37:38,719 --> 00:37:40,600 Speaker 1: Somebody like That up in Canada, and now we have 666 00:37:40,640 --> 00:37:44,040 Speaker 1: another single out up there called Everybody Knows Everybody's top 667 00:37:44,120 --> 00:37:46,719 Speaker 1: ten as well. Okay, Bragger, we get it. You're killing it, 668 00:37:46,840 --> 00:37:50,359 Speaker 1: all right, we get it. Let me play a couple 669 00:37:50,360 --> 00:37:53,640 Speaker 1: of clips here. Let's see. Let's play a clip of 670 00:37:53,800 --> 00:37:56,080 Speaker 1: Somebody like That, the song that's burning up the charts. 671 00:37:56,120 --> 00:38:06,239 Speaker 1: Here you go. So, you know, I got to ask, Yeah, 672 00:38:06,400 --> 00:38:09,160 Speaker 1: how awesome slash frustrating is it to watch that song 673 00:38:09,280 --> 00:38:11,120 Speaker 1: climb in a year where you can't even go out 674 00:38:11,200 --> 00:38:13,800 Speaker 1: to play it? Yeah? I mean, I think it's pretty 675 00:38:14,160 --> 00:38:15,920 Speaker 1: It's difficult to sit here and be like, oh, I 676 00:38:16,000 --> 00:38:18,000 Speaker 1: can't be out on the road and everything. But I 677 00:38:18,120 --> 00:38:20,000 Speaker 1: think as soon as I do get back out on 678 00:38:20,040 --> 00:38:23,760 Speaker 1: the road, having this song having so much more success 679 00:38:23,840 --> 00:38:25,759 Speaker 1: than you know, it would have had if we were 680 00:38:25,800 --> 00:38:28,080 Speaker 1: out on the road this year. Um, I just think 681 00:38:28,120 --> 00:38:29,880 Speaker 1: it's going to be so awesome to step out on 682 00:38:30,000 --> 00:38:32,440 Speaker 1: stage for the first time and have people know this 683 00:38:32,600 --> 00:38:35,759 Speaker 1: song from the radio. It's going to be crazy. So 684 00:38:36,080 --> 00:38:38,360 Speaker 1: do you go back to Canada for Christmas? Or do 685 00:38:38,440 --> 00:38:42,719 Speaker 1: you stay in Tennessee. So I'm planning on going back 686 00:38:42,880 --> 00:38:46,640 Speaker 1: to Canada, but I have to leave, um fifteen days 687 00:38:46,760 --> 00:38:49,880 Speaker 1: before Christmas to be able to see family, because I 688 00:38:49,960 --> 00:38:53,239 Speaker 1: have to quarantine for fourteen days. So you go over 689 00:38:53,360 --> 00:38:55,440 Speaker 1: in what do you just hop in a hotel room? Um? 690 00:38:55,560 --> 00:38:59,080 Speaker 1: I think I'm gonna hopefully stay in my mom's basement, 691 00:39:00,400 --> 00:39:03,720 Speaker 1: just try to distance away from her and um, hopefully 692 00:39:03,880 --> 00:39:05,640 Speaker 1: keep it safe that way, because I really don't have 693 00:39:05,680 --> 00:39:07,719 Speaker 1: anywhere else to go, and I think staying in a 694 00:39:07,800 --> 00:39:10,440 Speaker 1: hotel in my hometown would be I might go a 695 00:39:10,480 --> 00:39:12,600 Speaker 1: little crazy if I had to do that, and also 696 00:39:13,040 --> 00:39:15,080 Speaker 1: really expensive. I have a friend who went to Australia 697 00:39:15,080 --> 00:39:16,840 Speaker 1: who's an artist, and she went for Christmas and she 698 00:39:16,920 --> 00:39:19,560 Speaker 1: had to stay in a hotel for fifteen days, and 699 00:39:19,640 --> 00:39:21,279 Speaker 1: she did. She stayed there the whole time, and by 700 00:39:21,320 --> 00:39:24,040 Speaker 1: about day nine she was going absolutely berserk. Oh I 701 00:39:24,080 --> 00:39:27,080 Speaker 1: wouldn't I wouldn't make it. I swear I would go crazy. 702 00:39:27,280 --> 00:39:28,960 Speaker 1: I mean, I guess at least back home I would 703 00:39:28,960 --> 00:39:32,040 Speaker 1: be able to like go outside and stuff but I 704 00:39:32,080 --> 00:39:34,000 Speaker 1: don't know the Your song has been on the charts 705 00:39:34,040 --> 00:39:36,400 Speaker 1: for over thirty weeks. You know, you're you're on a 706 00:39:36,560 --> 00:39:39,239 Speaker 1: label that's not one of the massive labels in town, 707 00:39:39,280 --> 00:39:41,879 Speaker 1: but has a history of of being able to take 708 00:39:42,000 --> 00:39:44,080 Speaker 1: artists and and really grind out a hit if the 709 00:39:44,120 --> 00:39:46,440 Speaker 1: song is worth it, you know, and they absolutely do 710 00:39:46,560 --> 00:39:48,200 Speaker 1: think your song is worth it. With it being on 711 00:39:48,280 --> 00:39:49,880 Speaker 1: the chart for thirty weeks, have you been able to 712 00:39:49,920 --> 00:39:54,520 Speaker 1: see any money from the song yet? I haven't yet, Um, 713 00:39:55,080 --> 00:39:58,040 Speaker 1: So I don't know when that's supposed to come or whatever. 714 00:39:58,200 --> 00:40:00,600 Speaker 1: But I'm still driving. I think we talked about my 715 00:40:00,680 --> 00:40:04,120 Speaker 1: little yellow car, um that I drove down from Saskatchewan, 716 00:40:04,160 --> 00:40:06,680 Speaker 1: and I'm still driving that thing. So if I ever 717 00:40:06,960 --> 00:40:09,239 Speaker 1: get a new car, you will know that the money 718 00:40:09,320 --> 00:40:12,160 Speaker 1: has come. Do your parents get to hear your song 719 00:40:12,360 --> 00:40:14,040 Speaker 1: on the radio now, since you know you have a 720 00:40:14,080 --> 00:40:17,600 Speaker 1: couple of hits in Canada now? Yeah, they say it's 721 00:40:17,640 --> 00:40:19,480 Speaker 1: on there all the time, And of course my my 722 00:40:19,600 --> 00:40:22,680 Speaker 1: hometown station is just like, I'm sure everybody's sick of 723 00:40:22,800 --> 00:40:25,279 Speaker 1: hearing me back there because I know they played a lot. 724 00:40:25,760 --> 00:40:27,960 Speaker 1: Let me ask you a question about the song here, Um, 725 00:40:28,160 --> 00:40:30,239 Speaker 1: When you wrote this song might play club up before 726 00:40:30,239 --> 00:40:38,080 Speaker 1: me again. When you start writing this, do you start 727 00:40:38,120 --> 00:40:41,680 Speaker 1: with the melody or do you go on with some lyrics. 728 00:40:43,880 --> 00:40:45,960 Speaker 1: This one kind of came at the same time. I 729 00:40:46,080 --> 00:40:49,640 Speaker 1: remember we were just like that melody felt so right 730 00:40:49,800 --> 00:40:52,319 Speaker 1: with with those lyrics. It honestly just kind of all 731 00:40:52,440 --> 00:40:55,240 Speaker 1: happened at one time, and then we decided to loop 732 00:40:55,360 --> 00:40:58,560 Speaker 1: that whole thing again kind of in a weird spot, 733 00:40:58,640 --> 00:41:01,000 Speaker 1: and I remember thinking, this is cool and unique. I 734 00:41:01,040 --> 00:41:03,880 Speaker 1: think this is going to be something really special, and uh, 735 00:41:04,280 --> 00:41:07,040 Speaker 1: I guess, I guess it is. I don't know. You know, 736 00:41:07,160 --> 00:41:09,160 Speaker 1: the last time that we talked to Nail, it's been 737 00:41:09,640 --> 00:41:11,399 Speaker 1: maybe a year at this point, when she came over 738 00:41:11,480 --> 00:41:13,960 Speaker 1: and she she played in the house and we talked 739 00:41:13,960 --> 00:41:16,200 Speaker 1: about your neighbor. Your neighbor overheard you singing in the 740 00:41:16,239 --> 00:41:18,200 Speaker 1: backyard and said, hey, you should go get some vocal training. 741 00:41:18,400 --> 00:41:20,160 Speaker 1: Do you know who that neighbor is anymore? Have you 742 00:41:20,280 --> 00:41:23,680 Speaker 1: have you spoken to them since they still live next door? Yeah, 743 00:41:23,800 --> 00:41:28,000 Speaker 1: they still live next door. Her name's Donald Larson, and uh, 744 00:41:28,239 --> 00:41:31,759 Speaker 1: still super good friends with my my parents, and yeah, 745 00:41:31,880 --> 00:41:34,680 Speaker 1: it's it's a really cool that they still live there 746 00:41:34,719 --> 00:41:36,879 Speaker 1: because I can now kind of go over and thank her. 747 00:41:37,480 --> 00:41:39,960 Speaker 1: You did a show called Karaoke Star Jr. At fourteen 748 00:41:40,000 --> 00:41:41,719 Speaker 1: years old. What was that song? What was that show? 749 00:41:43,600 --> 00:41:47,000 Speaker 1: That show was? You know, Canada has a lot of 750 00:41:47,120 --> 00:41:49,719 Speaker 1: different like spinoffs of different things in the US, and 751 00:41:50,200 --> 00:41:52,600 Speaker 1: this was It was kind of with one of those 752 00:41:52,680 --> 00:41:56,160 Speaker 1: like younger UM TV channels, and they were like, we're 753 00:41:56,160 --> 00:41:58,200 Speaker 1: going to do kind of an American Idol type of thing, 754 00:41:58,360 --> 00:42:02,840 Speaker 1: but it's gonna be okay, aoke songs. So I auditioned 755 00:42:02,920 --> 00:42:07,000 Speaker 1: with um Carrie Underwood Jesus take the Wheel, and I 756 00:42:07,200 --> 00:42:09,799 Speaker 1: just remember being so nervous and that song gets so high. 757 00:42:09,920 --> 00:42:11,279 Speaker 1: I just like, I was like, why did I do 758 00:42:11,440 --> 00:42:14,600 Speaker 1: this to myself? I was speaking to TV I was 759 00:42:14,640 --> 00:42:17,240 Speaker 1: thinking about the other day because you did the Bachelor 760 00:42:17,360 --> 00:42:19,880 Speaker 1: or Bachelorette. What that series of show? You didn't eat 761 00:42:19,920 --> 00:42:23,680 Speaker 1: it twice? Right, I've actually been on the show three 762 00:42:23,800 --> 00:42:27,399 Speaker 1: times now three okay? So which ones did you do? Which? 763 00:42:27,480 --> 00:42:31,560 Speaker 1: Which which seasons? And people do you remember? So it 764 00:42:31,760 --> 00:42:37,360 Speaker 1: was Ari first, Um, and then it was Colton's season 765 00:42:37,640 --> 00:42:41,920 Speaker 1: and then Finns. So our buddy, my buddy Adam Hambrick 766 00:42:42,160 --> 00:42:46,120 Speaker 1: just played on the Bachelorette this season. After you finished 767 00:42:46,440 --> 00:42:48,279 Speaker 1: the first time, the second time, the third time. Did 768 00:42:48,360 --> 00:42:51,479 Speaker 1: you see like an infusion of folks coming to your music? 769 00:42:51,600 --> 00:42:55,160 Speaker 1: Did you feel the difference. Oh yeah, I mean I 770 00:42:55,320 --> 00:42:58,880 Speaker 1: think people don't realize how much, like the Bachelor fans 771 00:42:58,920 --> 00:43:02,000 Speaker 1: are country music ends as well. Like I couldn't believe 772 00:43:02,120 --> 00:43:04,279 Speaker 1: how many people not only did they check out the 773 00:43:04,360 --> 00:43:07,319 Speaker 1: song that I've played on the show, they were going 774 00:43:07,600 --> 00:43:10,800 Speaker 1: way back and finding music that I had released, you know, 775 00:43:10,920 --> 00:43:14,520 Speaker 1: completely independently in like two thousand fifteen. So they were 776 00:43:14,600 --> 00:43:17,360 Speaker 1: really diving into my stuff, and the albums were popping 777 00:43:17,480 --> 00:43:20,080 Speaker 1: up on the iTunes chart and stuff. I mean, yeah, 778 00:43:20,200 --> 00:43:23,080 Speaker 1: it's it's a really really great thing to be a 779 00:43:23,160 --> 00:43:24,960 Speaker 1: part of that show. Let me play a clip of this. 780 00:43:25,040 --> 00:43:27,279 Speaker 1: You just put out an original Christmas song called a 781 00:43:27,400 --> 00:43:36,920 Speaker 1: Winter Wonderland. Here's a clip of that. Lock in wondering 782 00:43:39,080 --> 00:43:43,760 Speaker 1: what month did you record that song? So we wrote 783 00:43:43,800 --> 00:43:46,960 Speaker 1: that song literally like two weeks ago and recorded it 784 00:43:47,080 --> 00:43:49,399 Speaker 1: that week. Okay, so it wasn't like a big July 785 00:43:49,920 --> 00:43:51,440 Speaker 1: we had to fake it. You actually wrote it when 786 00:43:51,440 --> 00:43:53,520 Speaker 1: it was cold out I probably, yeah, I mean we 787 00:43:53,680 --> 00:43:56,120 Speaker 1: were just in a writing session. I was with Alison 788 00:43:56,200 --> 00:43:59,440 Speaker 1: Belts and the Chris August and we couldn't write a 789 00:43:59,560 --> 00:44:02,080 Speaker 1: song that day, Like, we just were sitting there four 790 00:44:02,160 --> 00:44:04,840 Speaker 1: hours and we're like, we got nothing. Then Allison was like, 791 00:44:04,880 --> 00:44:08,160 Speaker 1: why don't we write a Christmas song? So we wrote 792 00:44:08,239 --> 00:44:10,200 Speaker 1: that song and then by the end of that week 793 00:44:10,280 --> 00:44:12,719 Speaker 1: we had already put vocals on it and Chris did 794 00:44:12,840 --> 00:44:15,080 Speaker 1: the whole thing, and we were like, well, we don't 795 00:44:15,080 --> 00:44:17,000 Speaker 1: want to wait a whole year to put this out, 796 00:44:17,160 --> 00:44:19,799 Speaker 1: so let's just rush it out and get it out there. 797 00:44:19,920 --> 00:44:21,880 Speaker 1: So I'm really glad that we did that. Well, let 798 00:44:21,960 --> 00:44:24,120 Speaker 1: me end on this. I'm reading here are some of 799 00:44:24,160 --> 00:44:27,600 Speaker 1: your accolades, because as as weird Aswies been for a 800 00:44:27,680 --> 00:44:30,239 Speaker 1: lot of folks you know, and even yourself included, it's 801 00:44:30,239 --> 00:44:33,160 Speaker 1: been a pretty great year for you musically professionally. You're 802 00:44:33,160 --> 00:44:37,480 Speaker 1: the recipient of the Canadian Country Music Associations twenty Rising 803 00:44:37,600 --> 00:44:40,480 Speaker 1: Star Award, which happened to the ccmaz um this fall 804 00:44:40,600 --> 00:44:42,520 Speaker 1: in September. I remember seeing it and I saw you win, 805 00:44:42,600 --> 00:44:44,399 Speaker 1: and I was like, holy crap, that's awesome. How cool 806 00:44:44,480 --> 00:44:46,399 Speaker 1: is it to give it? You get an awards now too? 807 00:44:46,719 --> 00:44:51,000 Speaker 1: Oh man, I'm like pincing myself, but it's so just 808 00:44:51,320 --> 00:44:53,360 Speaker 1: it's blowing my mind that this is happening in a 809 00:44:53,480 --> 00:44:56,719 Speaker 1: year that everybody just kind of expected it to just 810 00:44:56,960 --> 00:44:59,160 Speaker 1: be a wash. You know that nothing great was going 811 00:44:59,200 --> 00:45:00,680 Speaker 1: to happen out of it, and I think there are 812 00:45:00,840 --> 00:45:04,400 Speaker 1: so many amazing things that have happened this year. Well, congratulations, 813 00:45:04,480 --> 00:45:07,400 Speaker 1: I'm proud for you, proud of you. Um, don't get 814 00:45:07,440 --> 00:45:09,040 Speaker 1: too big for your bridges and you've got a little 815 00:45:09,080 --> 00:45:11,080 Speaker 1: a little success now, you know. Don't be too good 816 00:45:11,120 --> 00:45:14,520 Speaker 1: to pick up the phone. Okay, to Neil never, I'll 817 00:45:14,520 --> 00:45:16,520 Speaker 1: always chat with you, all right, Tanil Arts. You can 818 00:45:16,560 --> 00:45:19,560 Speaker 1: follow on Instagram at tanil arts one where t E 819 00:45:19,920 --> 00:45:23,000 Speaker 1: n I l l E Arts check out somebody like that. 820 00:45:23,400 --> 00:45:25,080 Speaker 1: I mean, I'm a big fan of I Hate This, 821 00:45:25,360 --> 00:45:31,120 Speaker 1: which is one of our older songs to kill. We've 822 00:45:31,160 --> 00:45:33,799 Speaker 1: played that in the Heart Women show on the weekends too. 823 00:45:34,040 --> 00:45:36,879 Speaker 1: Alright to Neil, have a merry Christmas. Thanks for talking 824 00:45:37,000 --> 00:45:39,239 Speaker 1: with this and we'll see you soon, hopefully next year 825 00:45:39,239 --> 00:45:40,640 Speaker 1: when things are normal when you come in the studio, 826 00:45:40,920 --> 00:45:43,320 Speaker 1: Thank you so much. I would love that and merry Christmas. 827 00:45:43,360 --> 00:45:45,000 Speaker 1: Hopefully see you soon YouTube. Bye to Neil