WEBVTT - How Police Sketches Work

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<v Speaker 1>Welcome to you Stuff you Should Know front House, Stuff

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<v Speaker 1>Works dot Com. Chuck Chuck Chuck. Before we get started,

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<v Speaker 1>we should tell everybody we have a brand new animated

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<v Speaker 1>entire life. Like he just a little pauses and things

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<v Speaker 1>totally gets and then just exaggerates through animation. It's pretty

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<v Speaker 1>a lot to Nicktion for the just amazing animated series

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<v Speaker 1>watching it at Stuff you Should Know dot com. Yeah,

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<v Speaker 1>share it with some friends. Yeah, that's your problem, all right. Ready, Hey,

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<v Speaker 1>and welcome to the podcast. I'm Josh Clark. Just's Charles W.

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<v Speaker 1>Chuck Bryant. She's done the best mood today. He just

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<v Speaker 1>ruined my mood. Like seconds before we recorded. Um, I

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<v Speaker 1>was heading in a good direction. I didn't ruin you.

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<v Speaker 1>You reminded me of some task that we have to

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<v Speaker 1>do tomorrow, Like why did what? Can you just wait

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<v Speaker 1>a full after we recorded to say those words? Uh?

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<v Speaker 1>Because that's okay. I liked, I liked. I wanted to

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<v Speaker 1>get it off my chest. That's Thursday, and you know

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<v Speaker 1>what today is Tuesday. He would be mad until then. No,

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<v Speaker 1>I'm saying I'm gonna put off being mad again until Thursday.

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<v Speaker 1>Put on a sunshine face, Smiley. It's kind of hard

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<v Speaker 1>in the serial killer layer. But I hate this place.

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<v Speaker 1>I hate this place. I'm gonna use every bit of

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<v Speaker 1>power that I have, which is not much around here,

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<v Speaker 1>and you know how that works out? This change the

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<v Speaker 1>very least. Can we turn the overhead fluorescent lights on? No,

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<v Speaker 1>we don't want that. Does it not work? No, we

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<v Speaker 1>don't want that one. Are you sure well? I mean,

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<v Speaker 1>what is that would make it more serial killer light?

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<v Speaker 1>If that's all right, we'll turn it off. Thanks Casey,

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<v Speaker 1>Casey as our editor again. Oh yeah, uh that's Chuck

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<v Speaker 1>and I'm Josh And this is stuff you should know.

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<v Speaker 1>That may have been her most slap dash ever intro.

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<v Speaker 1>Uh no, prepare for that one. Are you familiar with

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<v Speaker 1>the guy named Timothy McVeigh um. I do not know

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<v Speaker 1>him personally, but I am familiar with his work. So

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<v Speaker 1>in he uh rented a truck, a rental truck, packed

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<v Speaker 1>it full of fertilizer nitrogen based explosives of it, parked

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<v Speaker 1>it next to the Alfred pi Mura Federal Building in

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<v Speaker 1>Oklahoma City and detonated it and killed um oh, got

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<v Speaker 1>a hundred and sixty eight people, including a bunch of

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<v Speaker 1>kids at a daycare center in the building. I was

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<v Speaker 1>I remember seeing that as it unfolded. That was one

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<v Speaker 1>of the few that I was up early when I

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<v Speaker 1>was living in New Jersey. And do you remember the

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<v Speaker 1>view of that billings missing. It was horrific because I mean,

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<v Speaker 1>this is pretty two thousand one, and this is at

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<v Speaker 1>a time when he was like, terrorism happens in Beirut.

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<v Speaker 1>I just don't fly a plane from Germany to Beirut.

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<v Speaker 1>And you're gonna be fine if you're in America. This

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<v Speaker 1>was weird. I mean, like it was after the World

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<v Speaker 1>Trade Center bombing, the first one, but that one hadn't

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<v Speaker 1>gone very well. And I remember I think America felt

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<v Speaker 1>a little cocky. This was the first big homeland incident

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<v Speaker 1>that kind of shocked everyone. I think. Ye. So, uh,

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<v Speaker 1>Timothy McVeigh got away and it wasn't even a suicide bombing, right,

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<v Speaker 1>he got away Within two hours, he happened to be

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<v Speaker 1>pulled over for a traffic violation and the cops said,

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<v Speaker 1>you seem a little hinky, skinny. Um, let me search

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<v Speaker 1>your car and found some weapons and said are these

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<v Speaker 1>do you have registration for these? And I'm sure Timothy

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<v Speaker 1>mcbate sid some crazy thing like I don't I don't

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<v Speaker 1>see I'm I don't bow to your authority, pig or

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<v Speaker 1>something like that, and um, and the cops that, well,

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<v Speaker 1>you're coming with me just on suspicion. Totally totally accidental.

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<v Speaker 1>It was totally happenstance, as Congra put it in this article,

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<v Speaker 1>that he was pulled over, but he was ultimately found

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<v Speaker 1>out as the um guy who blew up the Federal

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<v Speaker 1>building in Oklahoma City because while he was in police

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<v Speaker 1>custody after being pulled over a um a police sketch

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<v Speaker 1>came across the wire and this police uh this, I

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<v Speaker 1>guess the highway patrol looked at it and said, you

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<v Speaker 1>know what, this looks a lot like our guy. And

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<v Speaker 1>in fact that was and this police sketch helped catch

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<v Speaker 1>the Oklahoma City bomber. Have you seen it was ultimately executed.

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<v Speaker 1>Have you seen a sketch? Yeah, it's in the article,

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<v Speaker 1>and it's actually like it's pretty good. It is. At

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<v Speaker 1>first glance, it's like, that's not that great, and then

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<v Speaker 1>when you really start to look at it feature by feature,

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<v Speaker 1>it's pretty close or maybe two things that should have

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<v Speaker 1>been changed, or when you look at other police sketches

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<v Speaker 1>you realize this one falls in the what will learn

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<v Speaker 1>later is a very small percentage. Yeah, the nine that

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<v Speaker 1>are pretty aren't accurate. Yeah, And if you are in

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<v Speaker 1>the mood for amusement. You can type in funny police sketches,

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<v Speaker 1>bizarre police sketches. There's a lot of image galleries out

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<v Speaker 1>there of just there's no other way to put it,

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<v Speaker 1>really bad police sketches, and hilariously, some of them are

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<v Speaker 1>in like there it's a photo of a police sketch

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<v Speaker 1>in a newspaper, so like they made it out and

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<v Speaker 1>we're disseminated and and um, yeah, well we'll learn they

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<v Speaker 1>were varying levels of competency and artistic merit when it

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<v Speaker 1>comes to these, so that's probably where you get. Uh,

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<v Speaker 1>did you ever see the one where they did the

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<v Speaker 1>literary characters? No. I think they gathered sketch artists to

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<v Speaker 1>do some of the more famous literary characters based on

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<v Speaker 1>their book descriptions. And uh, it was pretty cool. Casey's nodding.

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<v Speaker 1>Did you see that? It was awesome? It was like

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<v Speaker 1>a big, you know, internet thing a couple of years ago. Um,

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<v Speaker 1>I have not seen it. I would like to, like,

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<v Speaker 1>what is what is the Great Gatsby look like? I'm

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<v Speaker 1>also I'm fond of those ones where they illustrate like um,

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<v Speaker 1>like with photo realism a cartoon character like what they

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<v Speaker 1>look like and really like those Beavis and butt Head

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<v Speaker 1>sculptures are so creepy, aren't they? And I think everyone

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<v Speaker 1>looked at those and be like, wait a minute, I

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<v Speaker 1>think I knew that exactly. Yeah. Um, so we shouldn't

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<v Speaker 1>just lay uh. We shouldn't start the whole thing out

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<v Speaker 1>by making fun of police sketches either. There are some

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<v Speaker 1>really bad ones. Um. You could have a really genuinely

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<v Speaker 1>talented artist with um with a sketch pad in hand,

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<v Speaker 1>and if the eye witness isn't isn't giving it up,

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<v Speaker 1>well it's not gonna come anywhere close exactly. Ultimately it

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<v Speaker 1>comes down to the eye witness. The problem is is

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<v Speaker 1>we're going to find out eye witnesses are not very reliable,

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<v Speaker 1>and so it's up to them, the police sketch artist,

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<v Speaker 1>to figure out how to call information from the eye witness.

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<v Speaker 1>That eye witness might not even know they know the

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<v Speaker 1>sweet science that's boxing though, that's right. I've never understood

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<v Speaker 1>why it's called sweet or science. It doesn't make any

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<v Speaker 1>sense either way. I think that's the whole point. As

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<v Speaker 1>they call it a science too, combat the notion that

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<v Speaker 1>it's just like two brawling guys. That's like a lot

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<v Speaker 1>more strategy yeah, I'm not a big fan of M

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<v Speaker 1>M A, but I like boxing. Um. Okay, So a

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<v Speaker 1>police sketching has been around for a while. In fact,

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<v Speaker 1>there was a there's an anecdote in here about a

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<v Speaker 1>guy named Annabel Karaate you should say him Annabella yea

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<v Speaker 1>who It was a sixteenth century painter, a good one too,

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<v Speaker 1>And as a boy he and his father were attacked

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<v Speaker 1>by robbers um on the road to Cremona, and Karachi said,

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<v Speaker 1>you know what, I have a secret weapon you don't

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<v Speaker 1>know about. I'm going to draw you guys my hands.

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<v Speaker 1>Yeah exactly. Uh, and he drew the band of robbers

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<v Speaker 1>and apparently he did such a good job. The robbers

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<v Speaker 1>were immediately identified and the kid got his father's stuff back.

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<v Speaker 1>That's a great story, at least, whether it's you or not. Right.

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<v Speaker 1>The modern police sketching came about around the time of

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<v Speaker 1>Jack the Ripper. Actually, oh yeah, there were a lot

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<v Speaker 1>of police sketches associated with the Jack the Ripper case,

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<v Speaker 1>and that was actually one of the early one of

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<v Speaker 1>the births of forensic police work, which was actually founded

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<v Speaker 1>by a guy named Alphonse Bertillon. Yes, and the teen

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<v Speaker 1>eighties in France, obviously because from Josh's outrageous accent. Uh,

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<v Speaker 1>you could tell. So this guy was a criminologist and

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<v Speaker 1>he started he became obsessed, some say, with notating these

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<v Speaker 1>physical characteristics of various criminals. And he would measure them

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<v Speaker 1>and measure their forehead, measure their arms and ears and

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<v Speaker 1>just anything anything that stood out, you know, scars two

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<v Speaker 1>twos and uh. It became known as criminal anthropometry, and

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<v Speaker 1>in four the police there in France napped repeat offenders

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<v Speaker 1>based on his notations. And from that people started saying,

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<v Speaker 1>you know, what might be good to start noting what

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<v Speaker 1>these people look like and drawing them because that could

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<v Speaker 1>help us. Yeah. Um. At first he was just looking

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<v Speaker 1>to find repeat offenders that kept coming in and out,

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<v Speaker 1>because this is prior to fingerprinting being a reliable technique. Sure, um.

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<v Speaker 1>But eventually, like yeah, people started to think, maybe we

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<v Speaker 1>should start using this one particular thing called sketching, please,

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<v Speaker 1>sketching to um to create a what an image of

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<v Speaker 1>a suspect, a lead perhaps exactly. And we mentioned this

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<v Speaker 1>guy in our crime Scene Photography episode if you remember,

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<v Speaker 1>because he started that as well. Oh yeah, yeah, same guy,

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<v Speaker 1>same guy. Wow, we have a lot to Yeah, he

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<v Speaker 1>was he was an obsessive Frenchman that we owe a

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<v Speaker 1>lot too. Alright, So a forensic artist these days, Um

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<v Speaker 1>it sort of depends on what kind of outfit you're

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<v Speaker 1>running with. Um it could, because they point out in

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<v Speaker 1>here it was this Connor um Kristen points out that

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<v Speaker 1>if you're in a sort of a small town, it

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<v Speaker 1>might just be a cop that draws better than the

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<v Speaker 1>rest of the cops on the course exactly, who was

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<v Speaker 1>like a patrolman otherwise. But it's like, we need some

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<v Speaker 1>money to make the sketch, and hey, I took some

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<v Speaker 1>art classes. Turtle what a turtle of the pirate? Or

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<v Speaker 1>I can't remember the other thing? What was that? Anyway?

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<v Speaker 1>It was for art mail in art courses and you

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<v Speaker 1>would if you could draw it really well, you sent

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<v Speaker 1>it in and what got what? Like you some money too,

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<v Speaker 1>and they would teach you how to draw even better?

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<v Speaker 1>Got you? It was a mail in art art courses,

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<v Speaker 1>And I just knew it was some sort of a

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<v Speaker 1>scam probably, but necessarily there's I'm sure they taught you

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<v Speaker 1>some techniques. I just remember that as like part of

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<v Speaker 1>the simpler times. Yeah, me too, you know, if that

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<v Speaker 1>was if that was the only scammy. Come on that

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<v Speaker 1>and see monkeys. That's all you gotta worry about it.

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<v Speaker 1>Those were real there, Brian shrimp, and they were alive.

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<v Speaker 1>They were they were, but they don't have faces and

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<v Speaker 1>stand around and chat like the little cartoon depicted. Um. Okay,

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<v Speaker 1>So it might be a patrol officer that control really well,

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<v Speaker 1>or a civilian contractor that's you know, qualified, although I've

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<v Speaker 1>learned there is no um like official university degree that

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<v Speaker 1>you can earn. No, but you can go of course,

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<v Speaker 1>you can go to the FBI. They have a training

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<v Speaker 1>program for forensic art and a lot of private people.

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<v Speaker 1>Private people teach this kind of thing too. So um.

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<v Speaker 1>So it could be a private uh civilian contractor. Or

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<v Speaker 1>it could be you know, a full time fully employed

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<v Speaker 1>artists that you have on staff. I guess if you've

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<v Speaker 1>got enough crime going on, might be good to pay

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<v Speaker 1>that person on a yearly basis instead of like, hey,

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<v Speaker 1>we gotta murder once every six months. You know, like

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<v Speaker 1>Atlanta probably has their own sketch artists, is what I'm guessing.

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<v Speaker 1>I wonder. I bet they do, or more than one. Probably, Oh,

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<v Speaker 1>I don't know, you know, think, No, we have to

0:12:58.880 --> 0:13:00.880
<v Speaker 1>look into this. We need find out a the crime

0:13:00.920 --> 0:13:05.480
<v Speaker 1>in Atlanta. Um, so that if you are a witness

0:13:05.520 --> 0:13:08.040
<v Speaker 1>to a crime and you agree to do uh to

0:13:08.160 --> 0:13:12.640
<v Speaker 1>give some some eye witness accounts to a police sketch artist,

0:13:13.200 --> 0:13:17.199
<v Speaker 1>you're going to find um. Well, it's kind of like

0:13:17.400 --> 0:13:20.240
<v Speaker 1>the lie detector test a little bit. It can be

0:13:20.280 --> 0:13:22.839
<v Speaker 1>broken on into three parts. Never thought that. And the

0:13:22.880 --> 0:13:25.480
<v Speaker 1>first part is just like what you will get when

0:13:25.520 --> 0:13:27.920
<v Speaker 1>you go take a lie detector. That's report building sure,

0:13:28.320 --> 0:13:31.319
<v Speaker 1>where the police sketch artist is saying like, hey, how's

0:13:31.360 --> 0:13:33.800
<v Speaker 1>it going. How are you feeling? You're okay, everything's good.

0:13:33.840 --> 0:13:35.280
<v Speaker 1>You want some ice cream? Can I get you a

0:13:35.320 --> 0:13:37.400
<v Speaker 1>Coca cola? What's going on? My name is Day. This

0:13:37.440 --> 0:13:39.760
<v Speaker 1>is a pencil, and this is a sketchpad. Right, don't

0:13:40.679 --> 0:13:44.040
<v Speaker 1>make yourself comfortable. Um you can. You can throw those

0:13:44.080 --> 0:13:48.480
<v Speaker 1>magazines anywhere. Um, just just have a seat. I'm sorry,

0:13:48.559 --> 0:13:51.040
<v Speaker 1>I'm an artist. And and is there my cramped quarters.

0:13:51.920 --> 0:13:54.400
<v Speaker 1>I'm gonna go off and smoke some opium. I'll be

0:13:54.480 --> 0:13:57.480
<v Speaker 1>right back. Let me go get my beret. So that

0:13:57.600 --> 0:14:01.280
<v Speaker 1>is part one, wherein they just arm and make the

0:14:01.400 --> 0:14:06.640
<v Speaker 1>person feel comfortable. That's right, That is not true. Uh,

0:14:06.800 --> 0:14:10.319
<v Speaker 1>then what's the second part called uh that is recall.

0:14:10.640 --> 0:14:13.560
<v Speaker 1>It's free recall. It's basically like, tell me everything you

0:14:13.640 --> 0:14:17.560
<v Speaker 1>remember about this person. And apparently most eyewitnesses start with

0:14:17.600 --> 0:14:21.240
<v Speaker 1>the shape of the head or the hair, usually the hair. Sure,

0:14:21.320 --> 0:14:22.960
<v Speaker 1>that makes sense. Like if I were to describe, you

0:14:23.000 --> 0:14:28.560
<v Speaker 1>would be like, well, he had fantastic hair and a beard. Yeah,

0:14:28.600 --> 0:14:35.000
<v Speaker 1>and then draw, Yeah, they would draw you know, Zach Galifanakis, Yes,

0:14:35.320 --> 0:14:37.680
<v Speaker 1>he has great hair and a beard. He does have

0:14:37.680 --> 0:14:41.520
<v Speaker 1>a nice hair, didn't he. You can call the main

0:14:42.120 --> 0:14:45.680
<v Speaker 1>it's a main. Uh, And the guy would be like, really,

0:14:45.720 --> 0:14:49.520
<v Speaker 1>that's it. That's the free recalls over, and you'd be like, yes,

0:14:49.760 --> 0:14:52.200
<v Speaker 1>let's move to part three. Well this is but that's

0:14:52.200 --> 0:14:54.560
<v Speaker 1>a perfect point. Even though you're getting around about why

0:14:55.200 --> 0:14:57.680
<v Speaker 1>I bet. A lot of times these artists are just

0:14:57.760 --> 0:15:02.760
<v Speaker 1>like like, come on, and I'm really trying here, but

0:15:02.840 --> 0:15:06.240
<v Speaker 1>you're not giving me much besides horse face. And apparently

0:15:06.280 --> 0:15:08.040
<v Speaker 1>that's what a lot of people say. He had a

0:15:08.040 --> 0:15:10.360
<v Speaker 1>horse face or he had bug eyes or something like that.

0:15:11.080 --> 0:15:16.560
<v Speaker 1>And again, part of the forensic artists, um the sweet science, right,

0:15:17.200 --> 0:15:20.080
<v Speaker 1>part of their job is to say, okay, well I

0:15:20.160 --> 0:15:22.200
<v Speaker 1>kind of know what they're talking about, and they can't

0:15:22.240 --> 0:15:24.880
<v Speaker 1>just like draw bug eyes. They know that bug eyes

0:15:24.920 --> 0:15:27.760
<v Speaker 1>also includes like a certain kind of bridge of the

0:15:27.800 --> 0:15:32.040
<v Speaker 1>nose and like makes the cheekbones go this way. And

0:15:32.080 --> 0:15:34.320
<v Speaker 1>so if you say bug eyes, it can be helpful

0:15:34.360 --> 0:15:37.400
<v Speaker 1>too if you're saying it to an experience. Forensic artists. Yeah,

0:15:37.400 --> 0:15:39.520
<v Speaker 1>I mean, that's that's the great skill I guess to

0:15:39.640 --> 0:15:42.560
<v Speaker 1>draw those things out right literally, And so that's part

0:15:42.560 --> 0:15:45.880
<v Speaker 1>of free recall, where the the eyewitness or the victims says,

0:15:46.040 --> 0:15:49.400
<v Speaker 1>you know, here's all the stuff I remember buck teeth, um,

0:15:49.840 --> 0:15:54.200
<v Speaker 1>claw hands, um, but wearing like a high lace call

0:15:54.360 --> 0:15:58.440
<v Speaker 1>or like you'd see on like Emily Dickinson or goiter disco.

0:15:58.520 --> 0:16:02.520
<v Speaker 1>I uh. And then they say, okay, well, I'm glad

0:16:02.560 --> 0:16:05.320
<v Speaker 1>you came up with all that really means stuff to

0:16:05.360 --> 0:16:09.320
<v Speaker 1>say about this this perpetrator. Yeah, let's but we didn't

0:16:09.360 --> 0:16:11.400
<v Speaker 1>talk about the mouth. So tell me about the mouth.

0:16:11.480 --> 0:16:13.160
<v Speaker 1>What did the mouth look like? Did it you know, look,

0:16:13.240 --> 0:16:14.680
<v Speaker 1>did it look like this? Did it look like that?

0:16:14.680 --> 0:16:17.000
<v Speaker 1>That's a cute recall. Yeah, And they may bring out

0:16:17.360 --> 0:16:20.520
<v Speaker 1>pictures of other criminals in the database just to see, like,

0:16:20.640 --> 0:16:22.280
<v Speaker 1>you know, did he look like this guy with a

0:16:22.280 --> 0:16:24.400
<v Speaker 1>big nose or this guy with a big nose. They

0:16:24.480 --> 0:16:28.080
<v Speaker 1>might pull out celebrities and show them celebrities because I

0:16:28.120 --> 0:16:31.800
<v Speaker 1>guess and the person sam, it's Burt Reynolds, right, he

0:16:31.920 --> 0:16:34.800
<v Speaker 1>did this to me. But I guess that can help.

0:16:35.560 --> 0:16:38.040
<v Speaker 1>I think people operate on those terms in this age

0:16:38.040 --> 0:16:41.320
<v Speaker 1>of celebrity anyway, because when someone says, you know, what's

0:16:41.400 --> 0:16:43.440
<v Speaker 1>what does your friend look like? If I'm setting your

0:16:43.440 --> 0:16:46.520
<v Speaker 1>friend up, and you would often say, you wouldn't say, well,

0:16:46.560 --> 0:16:49.480
<v Speaker 1>he's got a horse face and great cheekbones. He would

0:16:49.520 --> 0:16:54.400
<v Speaker 1>say he looks like, you know, Josh Dohamel, because that's

0:16:54.440 --> 0:16:56.920
<v Speaker 1>just the way we operate because everyone knows those faces.

0:16:57.160 --> 0:16:59.120
<v Speaker 1>So it doesn't surprise me that they use that tactic.

0:16:59.160 --> 0:17:01.480
<v Speaker 1>I'm with you, you know, in yeah, man, it's sad,

0:17:01.600 --> 0:17:03.840
<v Speaker 1>but it's the way things are these days. Well it's

0:17:03.880 --> 0:17:06.240
<v Speaker 1>part of our the way we remember things, as we'll

0:17:06.240 --> 0:17:12.840
<v Speaker 1>see eventually. Yeah. Um, so you've got the the interviews

0:17:13.160 --> 0:17:16.720
<v Speaker 1>kind of done, the que recalls done um, and the

0:17:16.840 --> 0:17:19.560
<v Speaker 1>forensic artists has probably been kind of sketching. It's a

0:17:19.600 --> 0:17:22.280
<v Speaker 1>work in progress for sure, right, But as the work progresses,

0:17:22.400 --> 0:17:25.560
<v Speaker 1>the the the eyewitness will probably be like, oh yeah,

0:17:25.560 --> 0:17:28.600
<v Speaker 1>that's like starting to look like this person, but maybe

0:17:28.640 --> 0:17:31.520
<v Speaker 1>just change this a little bit, change that, and as

0:17:31.560 --> 0:17:35.040
<v Speaker 1>the this this kind of fourth part where they're working

0:17:35.080 --> 0:17:39.360
<v Speaker 1>together to kind of carry out the details. Um, that's

0:17:39.400 --> 0:17:42.959
<v Speaker 1>when the sketch really starts to pop. That's when they

0:17:43.000 --> 0:17:46.000
<v Speaker 1>put like the shadow and the eye or something had

0:17:46.040 --> 0:17:48.280
<v Speaker 1>a third eye in the intermaw swords where to God?

0:17:48.880 --> 0:17:51.520
<v Speaker 1>All right, so who who are these people? Well, again

0:17:51.560 --> 0:17:53.240
<v Speaker 1>you said that they might may or may not be

0:17:53.280 --> 0:17:55.439
<v Speaker 1>a full time employee. Should just be like a patrol

0:17:55.480 --> 0:17:57.320
<v Speaker 1>officer who's good at drawing, or I guess what are

0:17:57.359 --> 0:18:00.760
<v Speaker 1>their what are their skills? Like, if you're not an

0:18:00.880 --> 0:18:04.480
<v Speaker 1>artist with a pen, you can use things like computers, right, Well, yeah,

0:18:04.560 --> 0:18:06.520
<v Speaker 1>sometimes you don't even have to have skills. So in

0:18:06.600 --> 0:18:10.880
<v Speaker 1>nine a company called the Townsend Corporation introduced this thing

0:18:10.920 --> 0:18:15.520
<v Speaker 1>in the United States called Identicate Yahn. It is still

0:18:15.520 --> 0:18:19.080
<v Speaker 1>around now, there's Identicate two thousand. Yeah, this version six

0:18:19.080 --> 0:18:23.000
<v Speaker 1>point is what they're on. So originally Identicate was a

0:18:23.000 --> 0:18:26.159
<v Speaker 1>wooden box that had a bunch of little um, I

0:18:26.160 --> 0:18:32.200
<v Speaker 1>guess plastic like know what it was it called where

0:18:32.560 --> 0:18:37.760
<v Speaker 1>that you used on the overhead like an overhead projector yeah,

0:18:37.760 --> 0:18:41.640
<v Speaker 1>what with the transparency transparencies, and then that transparency would

0:18:41.640 --> 0:18:45.000
<v Speaker 1>have a certain type of eyebrows, and then another transparency

0:18:45.000 --> 0:18:46.960
<v Speaker 1>have a certain type of eyes, certain type of nose,

0:18:47.000 --> 0:18:51.840
<v Speaker 1>and you have this this literal toolkit of facial characteristics

0:18:51.840 --> 0:18:55.560
<v Speaker 1>that anybody you didn't have to draw anything to the

0:18:55.720 --> 0:18:57.919
<v Speaker 1>did the eyebrows look like this? Yes, and then you

0:18:57.960 --> 0:19:00.240
<v Speaker 1>construct a face like that. That's pretty cool. It is

0:19:00.280 --> 0:19:05.800
<v Speaker 1>pretty cool, but also created some pretty laughable UM images.

0:19:06.440 --> 0:19:08.960
<v Speaker 1>And we should say that that that that's what's called

0:19:08.960 --> 0:19:11.600
<v Speaker 1>a composite image. It's like a bunch of different stuff together.

0:19:11.680 --> 0:19:14.480
<v Speaker 1>You could also call a composite image. If a police

0:19:14.480 --> 0:19:16.919
<v Speaker 1>sketch artists interviews a bunch of different eye witnesses and

0:19:16.920 --> 0:19:20.320
<v Speaker 1>then pulls it all together, that's a composite image as well.

0:19:20.880 --> 0:19:23.800
<v Speaker 1>That that's frustrating, Yeah, you know, because people see things

0:19:23.880 --> 0:19:25.960
<v Speaker 1>so differently. It's like he had a small nose, he

0:19:26.000 --> 0:19:29.280
<v Speaker 1>had a huge nose, and the guy's just the artist

0:19:29.359 --> 0:19:31.240
<v Speaker 1>that the lady of the dude is just like, oh

0:19:31.240 --> 0:19:37.080
<v Speaker 1>my god, here, when is it five o'clock? Eye witnesses? Um,

0:19:37.119 --> 0:19:40.119
<v Speaker 1>so you've got identicate you have. That was the first

0:19:40.160 --> 0:19:43.320
<v Speaker 1>one UM and they've kind of expanded on that ever since.

0:19:43.359 --> 0:19:46.240
<v Speaker 1>Then and entered the realm of computer software. And there's

0:19:46.240 --> 0:19:51.760
<v Speaker 1>basically like a division among forensic artists computer or paper,

0:19:52.359 --> 0:19:54.480
<v Speaker 1>and a lot of people say why not both man

0:19:55.400 --> 0:19:57.840
<v Speaker 1>so um. For example, there's a guy in the NYPD

0:19:59.040 --> 0:20:03.800
<v Speaker 1>who uses nothing but um pencil and paper, Stephen Mancusie.

0:20:04.280 --> 0:20:08.240
<v Speaker 1>Then there's a guy named Roderick Scratchard who, um it

0:20:08.280 --> 0:20:11.840
<v Speaker 1>works for Philly, and he basically creates a composite of

0:20:11.920 --> 0:20:15.520
<v Speaker 1>all like a computer composite of all the features, and

0:20:15.560 --> 0:20:19.840
<v Speaker 1>then he draws a sketch from that composite, and um,

0:20:19.880 --> 0:20:21.639
<v Speaker 1>both of them kind of have in common the idea

0:20:21.720 --> 0:20:25.680
<v Speaker 1>that a hand drawn sketch is better than a computer composite,

0:20:25.720 --> 0:20:28.800
<v Speaker 1>and that FBI actually agrees. Yeah, I mean that's my

0:20:28.880 --> 0:20:31.080
<v Speaker 1>first question was why would this guy draw it after

0:20:31.240 --> 0:20:34.680
<v Speaker 1>he's done the computer composite? Because they found there's about

0:20:34.680 --> 0:20:38.240
<v Speaker 1>a four percent greater likelihood of it being accurate when

0:20:38.240 --> 0:20:42.040
<v Speaker 1>it's hand drawn. Yeah, it gives the ability to add

0:20:42.080 --> 0:20:45.560
<v Speaker 1>more nuance. And apparently computer software is getting better and

0:20:45.600 --> 0:20:48.439
<v Speaker 1>better at that, but you still can't compare to a

0:20:48.480 --> 0:20:52.399
<v Speaker 1>really good hand drawn composite sketch. And and those numbers

0:20:52.400 --> 0:20:55.720
<v Speaker 1>are right. Sadly, nine percent of the time for hand

0:20:55.800 --> 0:20:58.600
<v Speaker 1>drawn in five percent at the time do you create

0:20:59.000 --> 0:21:03.000
<v Speaker 1>what ends up being uh in terms of what being

0:21:03.080 --> 0:21:07.240
<v Speaker 1>accurate in terms of like producing an image that looks

0:21:07.280 --> 0:21:11.440
<v Speaker 1>like the suspect, right, that's recognizable as yeah, that's that person. Yeah.

0:21:11.440 --> 0:21:13.199
<v Speaker 1>So it's not like they take the percentage on the

0:21:13.240 --> 0:21:15.919
<v Speaker 1>number of people who are the number of sketches that

0:21:16.000 --> 0:21:19.560
<v Speaker 1>it actually led to an apprehension, but that's probably way lower.

0:21:19.560 --> 0:21:23.359
<v Speaker 1>Even that's the only way to create this estimate is

0:21:23.560 --> 0:21:26.240
<v Speaker 1>by taking a police sketch and then taking a picture

0:21:26.240 --> 0:21:28.000
<v Speaker 1>of the guy who was eventually caught for this and

0:21:28.080 --> 0:21:31.399
<v Speaker 1>comparing them. They have a good website that um that

0:21:31.480 --> 0:21:33.560
<v Speaker 1>I found today that had some of the more famous

0:21:33.680 --> 0:21:36.600
<v Speaker 1>you know, killers and then their police sketches and a

0:21:36.640 --> 0:21:40.320
<v Speaker 1>lot of them are pretty good. Yeah, you know close, yeah,

0:21:40.520 --> 0:21:42.199
<v Speaker 1>and that's what what you're gunning for. You know, you

0:21:42.240 --> 0:21:46.360
<v Speaker 1>can't do a photo real picture of someone because, as

0:21:46.359 --> 0:21:50.320
<v Speaker 1>we're about to learn, people's memories suck. Right. So, like

0:21:50.440 --> 0:21:52.960
<v Speaker 1>we said, if you have a really great police sketch

0:21:53.040 --> 0:21:55.040
<v Speaker 1>artist and a really bad eye witness, you're not going

0:21:55.119 --> 0:21:59.520
<v Speaker 1>to produce a recognizable sketch. Um. And the reason why

0:21:59.600 --> 0:22:05.800
<v Speaker 1>I wentness by witness testimony um is so unreliable. Is

0:22:06.080 --> 0:22:09.200
<v Speaker 1>basically like what you were talking about earlier, Like when

0:22:09.200 --> 0:22:11.240
<v Speaker 1>you're saying, like you set your friend up with somebody

0:22:11.280 --> 0:22:14.440
<v Speaker 1>else and you don't say that they have bug eyes

0:22:14.520 --> 0:22:21.080
<v Speaker 1>or horse face, they look like who And that's the case, ladies,

0:22:21.200 --> 0:22:25.080
<v Speaker 1>you're in luck. The reason we do that is because

0:22:25.119 --> 0:22:29.359
<v Speaker 1>we use what's called recognition memory, where we we look

0:22:29.400 --> 0:22:32.320
<v Speaker 1>at someone's face as a whole. We look at the

0:22:32.359 --> 0:22:34.920
<v Speaker 1>forest rather than the trees. If we were to look

0:22:34.920 --> 0:22:37.600
<v Speaker 1>at it as the trees, that what the eyes look like,

0:22:37.640 --> 0:22:39.320
<v Speaker 1>what the eyebrows look like, what the nose looks like,

0:22:39.359 --> 0:22:41.320
<v Speaker 1>what the mouth looks like, and broke it down in

0:22:41.400 --> 0:22:44.320
<v Speaker 1>those component parts, that would be recall memory, and it

0:22:44.320 --> 0:22:47.840
<v Speaker 1>would pretty much be perfect. Our recall memory requires like

0:22:47.880 --> 0:22:52.679
<v Speaker 1>almost no priming. Recognition memory does require priming. So you

0:22:52.680 --> 0:22:55.199
<v Speaker 1>could say, did he look like Brad Pitt? Well kind of,

0:22:55.240 --> 0:22:57.160
<v Speaker 1>but he also he looked like Brad Pitt with Steve

0:22:57.160 --> 0:23:01.000
<v Speaker 1>Bushmi's eyes, And then the sketch are goes, it's like

0:23:01.000 --> 0:23:03.199
<v Speaker 1>that kind of O'Brien thing they do. Yeah, if they

0:23:03.240 --> 0:23:08.000
<v Speaker 1>made it, yeah exactly, Um, that's that's um. That would

0:23:08.000 --> 0:23:11.760
<v Speaker 1>be a composite sketch. Yeah, and that's why if like

0:23:11.840 --> 0:23:14.280
<v Speaker 1>I could see Josh Dohamel walking down the street and

0:23:14.680 --> 0:23:17.320
<v Speaker 1>in my heart would flutter. But if I sat down

0:23:17.320 --> 0:23:20.160
<v Speaker 1>with the sketch artists and had to describe Josh Touhamel

0:23:20.240 --> 0:23:22.960
<v Speaker 1>for him to sketch, it would probably end up looking

0:23:23.000 --> 0:23:26.000
<v Speaker 1>more like Josh Clark, which is even hunkier. Thanks man,

0:23:26.520 --> 0:23:28.800
<v Speaker 1>But yeah, it probably wouldn't look anything like Josh. Know.

0:23:29.560 --> 0:23:31.520
<v Speaker 1>I started to think about when I read this, like

0:23:31.640 --> 0:23:33.240
<v Speaker 1>they use Brad Pitt in the article, Like, how would

0:23:33.240 --> 0:23:36.920
<v Speaker 1>I describe Brad Pitt besides you know, handsome and then

0:23:37.720 --> 0:23:41.480
<v Speaker 1>sort of looks like Robert Redford a little bit. He

0:23:41.680 --> 0:23:45.200
<v Speaker 1>I think he always has, especially as Benjamin button By.

0:23:45.240 --> 0:23:48.480
<v Speaker 1>That movie was Sad? It was good. Did you like it? Yeah?

0:23:48.520 --> 0:23:52.040
<v Speaker 1>I liked it. I didn't have it was touching, But

0:23:52.080 --> 0:23:54.800
<v Speaker 1>the whole time it was just like the inevitable sad

0:23:54.840 --> 0:23:57.159
<v Speaker 1>conclusion was just looming. You know. It's weird, is the

0:23:57.600 --> 0:24:00.280
<v Speaker 1>That's the second time Scott Fitzgerald's come up because he

0:24:00.280 --> 0:24:02.199
<v Speaker 1>wrote that short story. Oh really, yeah, I don't think

0:24:02.200 --> 0:24:06.399
<v Speaker 1>I knew that one episode to a Scott Fitzgerald. What

0:24:06.440 --> 0:24:10.000
<v Speaker 1>was the first reference you said that? Um, Uh, the

0:24:10.040 --> 0:24:12.960
<v Speaker 1>Great Gatsby was dawned by a police sketch artist. Look

0:24:13.000 --> 0:24:16.320
<v Speaker 1>at that. I see. I told you I'm paying attention

0:24:16.400 --> 0:24:18.520
<v Speaker 1>that time. You took me to the side and you

0:24:18.560 --> 0:24:22.240
<v Speaker 1>said you need to pay attention while the podcast, and

0:24:22.480 --> 0:24:25.640
<v Speaker 1>I just proved it. Okay, we can put that on.

0:24:26.400 --> 0:24:28.760
<v Speaker 1>So we're talking about memory, right, Yeah, and now it

0:24:28.840 --> 0:24:31.320
<v Speaker 1>stinks for the most part if you're well, it stinks

0:24:31.320 --> 0:24:34.480
<v Speaker 1>in general, but especially if you're the victim of a crime. Right. Um,

0:24:34.640 --> 0:24:37.000
<v Speaker 1>that's a good point. I think you should make it. Well,

0:24:37.480 --> 0:24:40.879
<v Speaker 1>you're stressed. It happens very fast. You're probably not thinking.

0:24:41.440 --> 0:24:42.919
<v Speaker 1>All right, I gotta get a good look at this

0:24:43.000 --> 0:24:45.920
<v Speaker 1>perpetrator's face and features, you know, and have you ever

0:24:46.000 --> 0:24:48.680
<v Speaker 1>noticed and like a convenience store, if you look at

0:24:48.680 --> 0:24:53.280
<v Speaker 1>the door frame inside, it'll say like four or five, six, seven?

0:24:53.600 --> 0:24:56.000
<v Speaker 1>Really you know what it's for? Well, I do now,

0:24:56.400 --> 0:24:58.680
<v Speaker 1>but I never knew it existed. That's exactly what it's

0:24:58.720 --> 0:25:00.960
<v Speaker 1>force for. A wine of perpetrator runs out, the person

0:25:01.000 --> 0:25:03.159
<v Speaker 1>can just very easily, at the very least, get the

0:25:03.160 --> 0:25:07.040
<v Speaker 1>guy's height. Well, now, every convenient store rubber is just

0:25:07.040 --> 0:25:14.800
<v Speaker 1>going to like get small as they exit or jump. Um,

0:25:14.880 --> 0:25:18.200
<v Speaker 1>so that's a great tidbit. But yeah, if you are,

0:25:18.280 --> 0:25:20.840
<v Speaker 1>if you are the victim of crime, you're not going

0:25:20.880 --> 0:25:24.879
<v Speaker 1>to recall it very accurately. Um. And one of the

0:25:24.880 --> 0:25:28.359
<v Speaker 1>reasons also is Congred points out that to create a

0:25:28.400 --> 0:25:32.240
<v Speaker 1>long term memory, it has to undergo consolidation, which means

0:25:32.280 --> 0:25:36.080
<v Speaker 1>we have to file it away, and the neural pathways

0:25:36.119 --> 0:25:40.679
<v Speaker 1>that that memory follows I have to basically be strengthened

0:25:41.160 --> 0:25:44.160
<v Speaker 1>over and over again. Uh. And that requires thinking about

0:25:44.200 --> 0:25:46.960
<v Speaker 1>that person, which you might not want to do. So

0:25:47.000 --> 0:25:50.920
<v Speaker 1>a strong memory may never be created, um, which means

0:25:50.960 --> 0:25:54.760
<v Speaker 1>that the eyewitness account may be flawed from the start.

0:25:55.119 --> 0:25:58.320
<v Speaker 1>It it might not even be there. If it is there,

0:25:58.880 --> 0:26:06.600
<v Speaker 1>it's also subject to a lot of infiltration by unreal memories. Like, um,

0:26:06.640 --> 0:26:08.640
<v Speaker 1>there's there's some work that's going on. Like they used

0:26:08.640 --> 0:26:11.680
<v Speaker 1>to think that once a memory is consolidated, it was done.

0:26:11.720 --> 0:26:13.639
<v Speaker 1>Apparently the guy who came up with that won the

0:26:13.640 --> 0:26:18.919
<v Speaker 1>Nobel Prize for it. Um. They've recently proven or shown

0:26:18.960 --> 0:26:21.159
<v Speaker 1>that that's probably not the case. That every time we

0:26:21.240 --> 0:26:25.159
<v Speaker 1>remember something, we're actually taking all of its constituent parts

0:26:25.800 --> 0:26:28.040
<v Speaker 1>from the different parts of our brainword store and putting

0:26:28.040 --> 0:26:31.000
<v Speaker 1>it back together. And when we do that it's subject

0:26:31.040 --> 0:26:34.439
<v Speaker 1>to infiltration. Um. So, like if you are a victim

0:26:34.440 --> 0:26:37.959
<v Speaker 1>of bank robbery and you're remembering the bank robbery, you

0:26:38.040 --> 0:26:42.280
<v Speaker 1>may also inadvertently remember a scene from a movie about

0:26:42.280 --> 0:26:45.560
<v Speaker 1>a bank robbery, and that detail might enter and become

0:26:45.600 --> 0:26:48.959
<v Speaker 1>part of what you think is the actual event that

0:26:49.040 --> 0:26:53.520
<v Speaker 1>you witness. That's a big problem with eyewitness testimonies. Our

0:26:53.560 --> 0:26:57.240
<v Speaker 1>recall is very fat it's flawed. Yeah, you know. The

0:26:57.280 --> 0:27:00.879
<v Speaker 1>other problem, says is just eyesight being poor is one

0:27:00.920 --> 0:27:04.200
<v Speaker 1>of the fundamental basics. I wrote another article called wire

0:27:04.200 --> 0:27:07.800
<v Speaker 1>eyewitnesses Unreliable and uh. They did a study in the

0:27:08.040 --> 0:27:11.440
<v Speaker 1>University of Virginia and it's not surprising. They found that

0:27:11.600 --> 0:27:15.800
<v Speaker 1>participants over the age of sixty performed performed much worse

0:27:15.840 --> 0:27:20.520
<v Speaker 1>than younger people. But what's scary is the older eyewitnesses

0:27:20.560 --> 0:27:23.199
<v Speaker 1>were more adamant than the younger ones. So like they

0:27:23.200 --> 0:27:25.199
<v Speaker 1>would have the face wrong, but be like, you know,

0:27:25.320 --> 0:27:30.240
<v Speaker 1>super adamant. That exactly. It sounds like some some old

0:27:30.240 --> 0:27:33.480
<v Speaker 1>guy would say. Um. And then they did some testing

0:27:33.560 --> 0:27:37.600
<v Speaker 1>with eyewitnesses and they found that even if you have

0:27:37.640 --> 0:27:39.960
<v Speaker 1>good eyesight just ten feet away, you may not be

0:27:40.000 --> 0:27:43.560
<v Speaker 1>able to tell what color and person's eyes are from

0:27:43.600 --> 0:27:46.879
<v Speaker 1>two hundred feet away, the eyes themselves like are just

0:27:46.920 --> 0:27:50.760
<v Speaker 1>a blur U five ft you probably won't be able

0:27:50.800 --> 0:27:53.399
<v Speaker 1>to recognize any facial features at all. And if that

0:27:53.440 --> 0:27:57.919
<v Speaker 1>sounds like, you know, big d five feet away, there

0:27:57.920 --> 0:28:01.960
<v Speaker 1>have been convictions of five feet away eye witness accounts

0:28:02.359 --> 0:28:05.679
<v Speaker 1>based on that, you know, convictions convictions based on that.

0:28:05.760 --> 0:28:10.280
<v Speaker 1>So yeah, what about twelve Angry Men. Yeah, good movie,

0:28:10.359 --> 0:28:13.080
<v Speaker 1>that's a great movie. Um. They've come up with this, uh,

0:28:13.160 --> 0:28:16.000
<v Speaker 1>this thing called DNA phenotyping that actually is showing a

0:28:16.000 --> 0:28:19.000
<v Speaker 1>little bit of promise, at least in theory. If a

0:28:19.119 --> 0:28:23.080
<v Speaker 1>suspect least behind some sort of um usable DNA, some

0:28:23.200 --> 0:28:26.680
<v Speaker 1>sort um, you can test it and you can say, oh, well,

0:28:26.680 --> 0:28:31.240
<v Speaker 1>this suspect has brown hair, brown eyes and it's probably

0:28:31.640 --> 0:28:35.760
<v Speaker 1>um um. So at the very least you have that

0:28:36.520 --> 0:28:39.680
<v Speaker 1>set and then if you could add to that eyewitness testimony,

0:28:39.840 --> 0:28:43.920
<v Speaker 1>that's a good. Yeah, but it's still in its infancy.

0:28:44.520 --> 0:28:48.560
<v Speaker 1>So we talked about sketching criminals. There are other things

0:28:48.560 --> 0:28:50.800
<v Speaker 1>if you're forensic artists that you do that you probably

0:28:50.840 --> 0:28:53.080
<v Speaker 1>don't think about a lot, but you see it a lot. Like,

0:28:53.440 --> 0:28:57.480
<v Speaker 1>for instance, this child was abducted when they were six

0:28:58.120 --> 0:29:01.280
<v Speaker 1>and here is what they might look like today at sixteen,

0:29:01.800 --> 0:29:04.680
<v Speaker 1>so advancing or a criminal who has been on the

0:29:04.760 --> 0:29:07.560
<v Speaker 1>lamb for fifteen years on the lamb. Or here's what

0:29:07.600 --> 0:29:09.560
<v Speaker 1>they might look like with a beard. It's believed that

0:29:09.600 --> 0:29:11.360
<v Speaker 1>they've grown out their hair, and this is what they

0:29:11.440 --> 0:29:14.040
<v Speaker 1>might look like. Now here's what they might look like

0:29:14.160 --> 0:29:17.560
<v Speaker 1>as a clown exactly. Here's what they might look like

0:29:17.600 --> 0:29:21.480
<v Speaker 1>as a clown under your bed. Um. So that's called

0:29:21.520 --> 0:29:25.200
<v Speaker 1>age progressed imagery. Um. And then they have reconstructive imagery

0:29:25.200 --> 0:29:29.720
<v Speaker 1>when you have an unidentified body that's decayed quite a bit,

0:29:30.280 --> 0:29:32.280
<v Speaker 1>and sometimes it will be sculpture even that they'll try

0:29:32.320 --> 0:29:36.600
<v Speaker 1>and put together what the person. And I've never figured

0:29:36.600 --> 0:29:39.080
<v Speaker 1>out how they know where to put the points, you know,

0:29:39.160 --> 0:29:41.080
<v Speaker 1>the little points that stick off of the skull that

0:29:41.160 --> 0:29:44.240
<v Speaker 1>they use as like a guide, a structure for the putty.

0:29:44.640 --> 0:29:46.360
<v Speaker 1>How did they figure out how long it should be

0:29:46.440 --> 0:29:48.800
<v Speaker 1>where it should be. I guess it's just a decision

0:29:48.920 --> 0:29:51.960
<v Speaker 1>by the artist. Or was this person really fat because

0:29:52.000 --> 0:29:54.760
<v Speaker 1>your skull wouldn't be this any different. But it's just

0:29:54.960 --> 0:29:57.320
<v Speaker 1>it blows me away, man. I bet they there's a

0:29:57.320 --> 0:29:59.080
<v Speaker 1>lot they know. As far as I bet it's not

0:29:59.160 --> 0:30:01.880
<v Speaker 1>just like surmise and they're not telling no. You can

0:30:01.880 --> 0:30:05.240
<v Speaker 1>probably find out take on these courses. So oh, and

0:30:05.280 --> 0:30:08.680
<v Speaker 1>then there's also ones where they basically touch up photos

0:30:08.720 --> 0:30:11.640
<v Speaker 1>of really really grewesome dead bodies if they need to

0:30:11.680 --> 0:30:17.640
<v Speaker 1>show the public something. Um chuck. If only nine of

0:30:17.720 --> 0:30:23.360
<v Speaker 1>hand drawn police sketches are recognizable as the actual suspect

0:30:23.720 --> 0:30:29.320
<v Speaker 1>and even fewer are computer generated um sketches to or are,

0:30:30.720 --> 0:30:35.040
<v Speaker 1>what's the point of police catching. I was about to

0:30:35.040 --> 0:30:36.920
<v Speaker 1>say there's no points, but there is a point, because

0:30:36.960 --> 0:30:39.640
<v Speaker 1>what it does is, like I said, it provides a lead,

0:30:39.800 --> 0:30:43.000
<v Speaker 1>It publicizes the crime, It gets a face out there.

0:30:43.800 --> 0:30:47.840
<v Speaker 1>Even if it's and then this is me talking here,

0:30:47.920 --> 0:30:50.640
<v Speaker 1>even if it's only nine person accurate, it's probably not

0:30:50.760 --> 0:30:55.000
<v Speaker 1>so inaccurate that you know, it's probably in the wheelhouse

0:30:55.040 --> 0:30:58.080
<v Speaker 1>as far as you know some features. That's like, this

0:30:58.160 --> 0:31:00.680
<v Speaker 1>is a white guy who had dark hair and bug

0:31:00.680 --> 0:31:02.520
<v Speaker 1>eyes exactly, So at least that put you in the

0:31:02.560 --> 0:31:06.200
<v Speaker 1>wheelhouse in most cases, I would say. So. Also, if

0:31:06.240 --> 0:31:08.360
<v Speaker 1>the witnesses all agree, oh yeah, he had a huge

0:31:08.400 --> 0:31:11.880
<v Speaker 1>scar across his face, well that helps. Um, just seeing

0:31:11.880 --> 0:31:14.160
<v Speaker 1>that in print the suspect has a scar across his

0:31:14.200 --> 0:31:16.600
<v Speaker 1>face might not do the same as seeing it even

0:31:16.680 --> 0:31:19.920
<v Speaker 1>just on a rudimentary drawing of the scar and maybe

0:31:19.960 --> 0:31:22.120
<v Speaker 1>the direction it's going in, maybe how long it is.

0:31:22.600 --> 0:31:25.000
<v Speaker 1>That's going to help tremendously as well, because you know,

0:31:25.040 --> 0:31:29.840
<v Speaker 1>we're visual creatures. That is certainly true. So I did

0:31:29.840 --> 0:31:31.680
<v Speaker 1>look up a little bit of the schooling and they're

0:31:31.720 --> 0:31:35.120
<v Speaker 1>all kinds of course. Is that one guy, the pencil

0:31:35.200 --> 0:31:38.800
<v Speaker 1>and paper guy. Yeah, I think he has his own

0:31:39.040 --> 0:31:43.800
<v Speaker 1>um website. It's very outdated, but he teaches courses. So

0:31:43.840 --> 0:31:46.600
<v Speaker 1>if you're listening out there, uh, you should up thought

0:31:46.600 --> 0:31:49.320
<v Speaker 1>your website might get a little more Boy, what was

0:31:49.360 --> 0:31:51.960
<v Speaker 1>that one website we went to? It was the cryogenics

0:31:51.960 --> 0:31:55.280
<v Speaker 1>won't remember? Oh yeah, that's all the worst websites I've

0:31:55.280 --> 0:31:57.760
<v Speaker 1>ever seen. That was pretty bad. But this lady, Karen

0:31:57.800 --> 0:32:00.360
<v Speaker 1>Taylor is a forensic artists and she has the you know,

0:32:01.160 --> 0:32:03.840
<v Speaker 1>besides the FBI, they're all kinds of courses you can take.

0:32:04.560 --> 0:32:07.440
<v Speaker 1>You probably should have some artistic merit to go into it,

0:32:08.080 --> 0:32:10.240
<v Speaker 1>otherwise why would you even be interested in it to

0:32:10.280 --> 0:32:15.560
<v Speaker 1>begin with? And it can involve sculpting, model making, computer graphics, animation.

0:32:15.640 --> 0:32:18.120
<v Speaker 1>Even so they're doing all sorts of stuff. You can

0:32:18.120 --> 0:32:23.040
<v Speaker 1>work with anthropologists and dental specialists and other forensic scientists.

0:32:22.800 --> 0:32:25.080
<v Speaker 1>It's like a team effort sometimes. You know that Um

0:32:25.120 --> 0:32:28.600
<v Speaker 1>you mentioned animation. You know those those Chinese UM, I

0:32:28.600 --> 0:32:31.280
<v Speaker 1>guess state television news where they do like the c

0:32:31.400 --> 0:32:35.040
<v Speaker 1>g I recreations of I haven't seen that big news stories. Yeah,

0:32:35.040 --> 0:32:38.040
<v Speaker 1>they did, remember it like anime. Heir. No, it's um,

0:32:38.080 --> 0:32:44.280
<v Speaker 1>it's almost like uh like instruction manual art um. But

0:32:44.480 --> 0:32:50.320
<v Speaker 1>they an'd be awesome. Um. They they did one for

0:32:50.720 --> 0:32:55.360
<v Speaker 1>that's the Steward, this guy Steward, the flight attendant guy

0:32:55.880 --> 0:32:58.320
<v Speaker 1>who like told everybody to go to hell and then

0:32:58.360 --> 0:33:01.480
<v Speaker 1>like grab two beers and slid down on the shoe. Yeah,

0:33:01.480 --> 0:33:04.440
<v Speaker 1>Stephen something remember him. They did one for that for

0:33:04.480 --> 0:33:07.360
<v Speaker 1>some reason. Normally it's like crimes that they do it too,

0:33:07.360 --> 0:33:09.080
<v Speaker 1>but they did it for that one. It's weird. But

0:33:09.120 --> 0:33:12.080
<v Speaker 1>I imagine, like you, you would be a forensic artist

0:33:12.120 --> 0:33:15.320
<v Speaker 1>in that sense because you're just taking your recounting of

0:33:15.400 --> 0:33:19.200
<v Speaker 1>the of the episode and drawing it. Yeah. Hey, do

0:33:19.240 --> 0:33:21.840
<v Speaker 1>you ever make note when you see something you think

0:33:21.960 --> 0:33:25.040
<v Speaker 1>might be shady going, especially license plates? Yeah? I do that.

0:33:25.040 --> 0:33:27.080
<v Speaker 1>I do license plates and I look at people and

0:33:27.160 --> 0:33:30.560
<v Speaker 1>think this guy looks shady and I'm just gonna take

0:33:30.560 --> 0:33:34.600
<v Speaker 1>an extra glance and notice that he's tall and has

0:33:34.720 --> 0:33:39.960
<v Speaker 1>long blonde hair and the horse face Sean Sean White.

0:33:41.120 --> 0:33:44.160
<v Speaker 1>It's never come up, but you never know. I think

0:33:44.160 --> 0:33:45.640
<v Speaker 1>you should. You owe it to the world to be

0:33:45.720 --> 0:33:50.360
<v Speaker 1>like a vigilant citizen and no CPR. Yeah, don't be

0:33:50.400 --> 0:33:53.720
<v Speaker 1>a dummy, that's true. Uh, let's see you got anything else,

0:33:54.360 --> 0:33:57.360
<v Speaker 1>Sir d V. Cooper, great police sketch. Who knows if

0:33:57.360 --> 0:34:01.080
<v Speaker 1>they's what? He looks like the UNI bomber. Yeah, they

0:34:01.080 --> 0:34:03.360
<v Speaker 1>didn't give him much to go on, like anybody with

0:34:03.400 --> 0:34:06.680
<v Speaker 1>a hoodie and sunglasses pretty much, which anybody who wears

0:34:06.680 --> 0:34:08.440
<v Speaker 1>a hoodie and sunglasses. Now it looks like the UN.

0:34:08.680 --> 0:34:11.240
<v Speaker 1>They got the nose wrong the big time because it's Harry.

0:34:11.280 --> 0:34:15.160
<v Speaker 1>You had like Jerry curling like a perm Yeah, his nose,

0:34:15.280 --> 0:34:17.600
<v Speaker 1>the brilliant of bomber's nose is like really bulbous. And

0:34:17.680 --> 0:34:19.600
<v Speaker 1>this nose was just you know, it was a nice nose.

0:34:20.880 --> 0:34:24.120
<v Speaker 1>Anything else, Okay, let's police sketches. You can type those

0:34:24.160 --> 0:34:26.200
<v Speaker 1>words into the search bar how stuff works dot Com

0:34:26.239 --> 0:34:29.960
<v Speaker 1>and we'll bring up this great article and um you

0:34:29.960 --> 0:34:32.120
<v Speaker 1>can see some police sketches and including the one in

0:34:32.200 --> 0:34:34.480
<v Speaker 1>timis Mumick. They with a photo of him side by

0:34:34.480 --> 0:34:39.160
<v Speaker 1>side um and Uh, I said, uh, search bar in

0:34:39.160 --> 0:34:42.040
<v Speaker 1>there somewhere. So it's time for word from our sponsor.

0:34:42.920 --> 0:34:46.640
<v Speaker 1>All right now, listener mail Josh, you're gonna call this,

0:34:47.480 --> 0:34:51.520
<v Speaker 1>We laughed, he cried. My name is Luke. I'm currently

0:34:51.520 --> 0:34:55.560
<v Speaker 1>a junior at Grand Valley State. Uh. I'm a bottle

0:34:55.640 --> 0:34:59.560
<v Speaker 1>deposit broke student, which I guess that's a term for

0:35:00.280 --> 0:35:03.120
<v Speaker 1>when you're turning in glass bottles for five cents, So

0:35:03.400 --> 0:35:07.480
<v Speaker 1>I guess he's also in the nineties fifties about of

0:35:07.520 --> 0:35:09.560
<v Speaker 1>the time. I'm broke because of this. I got a

0:35:09.640 --> 0:35:11.800
<v Speaker 1>job at the beginning of the school. You're making hunting knives,

0:35:12.320 --> 0:35:14.640
<v Speaker 1>and I just want to thank you both were giving

0:35:14.640 --> 0:35:17.640
<v Speaker 1>me eight stitches and a trip to the emergency room.

0:35:17.960 --> 0:35:20.319
<v Speaker 1>I always have the iPod preloaded with a variety of

0:35:20.560 --> 0:35:23.080
<v Speaker 1>stuff you should know episodes, so I'm prepared for any

0:35:23.120 --> 0:35:25.760
<v Speaker 1>situation of sheer boredom. It was while I was listening

0:35:25.800 --> 0:35:28.799
<v Speaker 1>to Why Does Music Provoke the Motion that Josh maybe

0:35:28.840 --> 0:35:30.719
<v Speaker 1>laugh so hard I was sent to the e er.

0:35:30.920 --> 0:35:33.840
<v Speaker 1>Oh wow, that's really something. Thirty three minutes and forty

0:35:33.840 --> 0:35:37.960
<v Speaker 1>two seconds into the episode, Chuck, you had just officially

0:35:37.960 --> 0:35:40.400
<v Speaker 1>introduced Ben so Lee to the audience our musical guests.

0:35:40.880 --> 0:35:42.800
<v Speaker 1>I was sitting on a bench using a belt center

0:35:42.800 --> 0:35:45.160
<v Speaker 1>to sharpen blades when Ben said, all right, well, I

0:35:45.160 --> 0:35:46.960
<v Speaker 1>can't wait to hear what you all have been talking about.

0:35:46.960 --> 0:35:50.760
<v Speaker 1>Then Chuck manages to keep it cool, but Josh loses

0:35:50.800 --> 0:35:54.040
<v Speaker 1>it and starts immediately laughing hysterically. I don't remember that,

0:35:54.080 --> 0:35:56.080
<v Speaker 1>I guess because we did it in two parts and

0:35:56.120 --> 0:35:59.640
<v Speaker 1>it was clearly faked and you just couldn't get it together.

0:36:00.000 --> 0:36:02.239
<v Speaker 1>I don't remember that, though, I like always, Josh, your

0:36:02.280 --> 0:36:04.640
<v Speaker 1>laugh trigger my own laugh, and I was laughing so

0:36:04.680 --> 0:36:07.120
<v Speaker 1>hard that my left knee jerked up to my chest,

0:36:07.400 --> 0:36:10.320
<v Speaker 1>only to be stopped by the belt Sander caught my

0:36:10.360 --> 0:36:12.200
<v Speaker 1>lower thigh and sanded a hole so big in my

0:36:12.280 --> 0:36:15.560
<v Speaker 1>leg you could see the muscle in the meat. This

0:36:15.680 --> 0:36:18.360
<v Speaker 1>is your fault, dude. I never admitted to my employer

0:36:18.400 --> 0:36:19.759
<v Speaker 1>that it was you guys that made me laugh so hard,

0:36:19.800 --> 0:36:21.759
<v Speaker 1>But a trip to the E R and eight sigges later,

0:36:22.000 --> 0:36:23.680
<v Speaker 1>and I still can't listen to that clip without laughing

0:36:23.680 --> 0:36:26.040
<v Speaker 1>out loud. I really love the show no hard feelings

0:36:26.040 --> 0:36:29.239
<v Speaker 1>at all. Trip to the e R is good for

0:36:29.239 --> 0:36:31.839
<v Speaker 1>a person every now and again. I disagree by the way,

0:36:32.400 --> 0:36:36.160
<v Speaker 1>yeah he should. Really that's a terrible philosophy. Yeah. Uh,

0:36:36.160 --> 0:36:38.120
<v Speaker 1>and my parents aren't too happy about the hospital bill.

0:36:38.200 --> 0:36:40.360
<v Speaker 1>But what's done is done well. Thanks for covering for

0:36:40.640 --> 0:36:42.400
<v Speaker 1>keep up the good work. And if you feel a desire,

0:36:42.440 --> 0:36:45.000
<v Speaker 1>I would not deny a pret T shirt that is

0:36:45.040 --> 0:36:47.960
<v Speaker 1>from Luke Newman. And if we can dig up a

0:36:48.000 --> 0:36:50.640
<v Speaker 1>T shirt Luke, I'll send it to you because you

0:36:50.640 --> 0:36:54.480
<v Speaker 1>can find him on Discovery Store. But thing I might

0:36:54.480 --> 0:36:56.400
<v Speaker 1>try to dig one up for this kid, but he

0:36:56.520 --> 0:37:00.720
<v Speaker 1>was legitimately injured because of our actions. Yeah. Thanks, thanks

0:37:00.800 --> 0:37:03.040
<v Speaker 1>again for covering for us, Lucan, thanks for writing, and

0:37:03.040 --> 0:37:05.959
<v Speaker 1>we're glad you're okay. Seriously, we do think you should

0:37:06.000 --> 0:37:08.239
<v Speaker 1>reconsider your trip to the e ER every once in

0:37:08.239 --> 0:37:12.080
<v Speaker 1>a while. It is a good thing. Idea though. Uh,

0:37:12.160 --> 0:37:14.040
<v Speaker 1>let's see if you want to let us know how

0:37:14.160 --> 0:37:17.480
<v Speaker 1>we've made you injury yourself in a lighthearted way. I

0:37:17.480 --> 0:37:19.040
<v Speaker 1>hope there's not a lot of the stories. I would

0:37:19.080 --> 0:37:21.920
<v Speaker 1>hope not. Um. You can tweet to us at s

0:37:22.040 --> 0:37:24.120
<v Speaker 1>Y s K podcast. You can join us on Facebook

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