WEBVTT - Welcome to Melrose Place (Pilot, S1 E1)

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<v Speaker 1>Still the Place with Laura Layton, Courtney thorn Smith.

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<v Speaker 2>And Daphne's Aniga an iHeartRadio podcast.

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<v Speaker 3>All right, here, we are here, we are ready on

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<v Speaker 3>the pilot.

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<v Speaker 4>I'm so glad we finally get to talk about an episode.

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<v Speaker 4>SOA's trying so hard not to on our intro podcast

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<v Speaker 4>and I was doing a very bad job.

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<v Speaker 1>So now I actually get to tell you.

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<v Speaker 3>About episode one.

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<v Speaker 5>Courtney has stories.

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<v Speaker 2>We all have opinions because we all just watched it

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<v Speaker 2>air date.

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<v Speaker 6>We have some thoughts.

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<v Speaker 2>Nineteen ninety two. We definitely have thoughts. You want to

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<v Speaker 2>read the synopsis, Laura.

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<v Speaker 6>Sure, Episode one of Melroe's plays the pilot synopsis. Handsome

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<v Speaker 6>bachelor Billy Campbell moves in with Allison played by Courtney

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<v Speaker 6>Thorn Smith after her roommate leaves her in a lurch.

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<v Speaker 6>Doctor Michael Mancini's marriage to Jane could flatline because of

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<v Speaker 6>his hectic hospital schedule, and meanwhile, Jake is starting to

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<v Speaker 6>become a flake when he sees young Kelly Taylor as

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<v Speaker 6>nothing more than puppy love. That My Friends was the pilot,

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<v Speaker 6>and so Courtney Thorne Smith was the resident expert because

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<v Speaker 6>she was there where Daphne and I. Our characters hadn't

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<v Speaker 6>quite appeared yet, so we're gonna have so many questions

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<v Speaker 6>for you.

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<v Speaker 4>I'm so happy, lots of thoughts. I noticed that, back

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<v Speaker 4>to the synopsis is like, did no one notice that

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<v Speaker 4>Jake was dating a high school girl?

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<v Speaker 3>We have notes about that, creepy, lots of.

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<v Speaker 6>Notes about it. Yeah, no, we definitely noticed. It is weird,

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<v Speaker 6>but like the synopsis doesn't bad and I it calls

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<v Speaker 6>it poppylave, but I call it creepy.

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<v Speaker 4>Yeah, because I was thinking, and I'm like, no, they're

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<v Speaker 4>not gonna get they're kissing.

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<v Speaker 1>Oh my god, they're kissing.

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<v Speaker 6>It's just okay, wait, but we do need to start

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<v Speaker 6>at the beginning. Back, so let's let's let's let's back up.

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<v Speaker 1>I'd like to go in order of the credits.

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<v Speaker 4>When Grahat opens the fridge and the light is on

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<v Speaker 4>his chest, there's a place.

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<v Speaker 6>To john Ello put that in the opening credits.

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<v Speaker 2>Fore like the whole season was that that was like

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<v Speaker 2>him opening the fridge ye in the silhouette.

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<v Speaker 4>Yes, And I don't know if you guys noticed. I

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<v Speaker 4>know it's supposed to start at the beginning. Laura's gonna

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<v Speaker 4>keep me on point, but later In the episode, Andrew opens.

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<v Speaker 1>The fridge without his shirt on. So this is the theme.

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<v Speaker 6>Well, we do have I think a shirtless count for

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<v Speaker 6>the episode, right, did you guys? Did the guys in

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<v Speaker 6>the right It would have been it would have been

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<v Speaker 6>easier to count shirts on than shirts off.

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<v Speaker 4>Fluffy rope and andrews I love.

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<v Speaker 6>Okay, So wait a minute, let's start with like the cast,

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<v Speaker 6>like the cast of the pilot, the series regulars, the

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<v Speaker 6>cast of melrose Place. Josie Pizzette played Jane Mancini. She

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<v Speaker 6>was married to Michael Mancini played by Thomas Calabro. Amy

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<v Speaker 6>lo Caine played a character named Sandy Haring. Harley Harling okay,

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<v Speaker 6>I'm talking. Welass played Matt Fielding. Grant Show played Jake Hansen,

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<v Speaker 6>Andrew Shoe played Billy Campbell, Courtney down Smith who was

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<v Speaker 6>in our presence, Alison Parker and Vanessa A.

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<v Speaker 5>Williams played Ronda Blair.

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<v Speaker 6>And the show was created by Darn Starr. Special appearances

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<v Speaker 6>by Jenny Garth playing Kelly Tiller. And these are all

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<v Speaker 6>appearances from the nine O, two and o cast members

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<v Speaker 6>who were like the younger version and the spinoff show

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<v Speaker 6>that we were sort of crossing over using Grant Show's

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<v Speaker 6>character Jake was crossing over from the nine O two

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<v Speaker 6>and oh cast, Jenny Garth playing Kelly Teller, Tory Spelling

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<v Speaker 6>playing Donna Martin, Brian Austin Green whose voice I don't

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<v Speaker 6>think it changed yet, even playing David's Silver Irons Eering

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<v Speaker 6>as Steve Sanders.

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<v Speaker 5>Yeah, and guest stars.

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<v Speaker 2>Of course, we have the Sherman Howard played your creepy

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<v Speaker 2>boss Hal Barber and Victor Love played Daniel.

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<v Speaker 6>This episode was directed by Howie Deutsche yeahe Deutsche Big

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<v Speaker 6>feature director.

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<v Speaker 2>Yeah, that was paying some kind of wonderful. I didn't

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<v Speaker 2>know that until I saw the credits on the screen when.

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<v Speaker 1>Yeah, Thomson such a nice fan.

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<v Speaker 4>That was really fun, so cool. Yeah, that was really fun.

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<v Speaker 4>I was watching the plot. I was like, because it

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<v Speaker 4>started off, I was like, who's Natalie, Like totally forgot

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<v Speaker 4>that the roommate, you know, in the beginning, the roommate

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<v Speaker 4>sneaks away. I don't remember any of that. I was like,

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<v Speaker 4>who's Natalie That. That's when I noticed my legs. I'm

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<v Speaker 4>going from door to door to door, knocking on doors

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<v Speaker 4>in like a shirt.

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<v Speaker 6>Your legs were adorable.

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<v Speaker 4>Self conscious and I was looking at this. You showed

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<v Speaker 4>never worn pants. Your legs were so cute.

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<v Speaker 1>I wish i'd.

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<v Speaker 3>Known you were adorable.

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<v Speaker 5>You were.

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<v Speaker 6>I wish i'd know super adorable, like classic Angeneu. You

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<v Speaker 6>were just you were the girl it opened on you and.

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<v Speaker 7>With your perfect blonde hair and those blue eyes.

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<v Speaker 4>Well it wasn't perfect blonde hair because the other thing

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<v Speaker 4>I remembered is I had gone brunette to try to

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<v Speaker 4>get more serious roles because I was getting all I

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<v Speaker 4>had gone brunette, and then, of course my first big job,

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<v Speaker 4>they want me to go back to blonde.

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<v Speaker 1>So they spent eight.

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<v Speaker 4>Hours in a hair chair, and I have sort of

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<v Speaker 4>like strawberry blonde Tammy here. You probably didn't notice it

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<v Speaker 4>because you're picturing my blunt hair. The other thing I

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<v Speaker 4>noticed I have the exact same haircut.

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<v Speaker 3>Now, man, if it works, apparently.

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<v Speaker 1>I have not let that go. It's exactly.

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<v Speaker 4>I style it differently, thank god, but it's the exact

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<v Speaker 4>same haircut.

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<v Speaker 2>I always want to comment on the we're talking about

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<v Speaker 2>the nineties and the culture. When I saw the shot

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<v Speaker 2>of those boots leaving Yes, I was like, I know

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<v Speaker 2>that star on Melrose where everyone got cowboy boots, but

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<v Speaker 2>like fancy ones with.

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<v Speaker 7>Colors, and like the short ones and the long way everyone.

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<v Speaker 4>Were I still jeans, is saying yeah, and remember like

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<v Speaker 4>the shots in between scenes in the pilot that they

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<v Speaker 4>were the lightwashed jeans that everybody's wearing. Again, it looked

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<v Speaker 4>it could have been shot right now.

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<v Speaker 6>But when you said, like, I think your first line

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<v Speaker 6>is Nat because you're calling her name and you're trying

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<v Speaker 6>to find out where your roommate is and your first

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<v Speaker 6>line is nat. I heard it night and I was

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<v Speaker 6>watching with my husband, who's there, but he I was like,

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<v Speaker 6>did she just say Matt? Did she call is your

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<v Speaker 6>character's name the first word out of you know, out

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<v Speaker 6>of Courtney's mouth in the show, And he's like, no,

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<v Speaker 6>nat So, And that was like, who's nat?

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<v Speaker 4>So?

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<v Speaker 6>Then we find out that Natalie was your roommate, was

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<v Speaker 6>Allison's roommate, right, and she's leaving. Allison's waking up, So

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<v Speaker 6>I'm about to start the episode recap.

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<v Speaker 4>Right, and apparently room close to the bone that the

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<v Speaker 4>second my roommate leaves, I'm about to be evicted, Like

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<v Speaker 4>how close to the boat, Like there was no cushion

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<v Speaker 4>at all if I don't find a roommate today, like

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<v Speaker 4>I'm on the street.

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<v Speaker 1>That was. I can't believe I don't remember that. You

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<v Speaker 1>don't remember that at all.

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<v Speaker 6>It was it was high drama, and that very drama.

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<v Speaker 6>And you were so you go to you go door

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<v Speaker 6>to door to say have you have you seen Nat?

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<v Speaker 6>Have you seen that?

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<v Speaker 4>So that's how, here's the way I could have solved

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<v Speaker 4>that problem. I could have put on pants.

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<v Speaker 6>Before I went, Well, if the guys aren't going to

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<v Speaker 6>wear shirts, you do not wear pants in this show.

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<v Speaker 6>So but you were maybe fourteen years old. You were

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<v Speaker 6>so cute. I was twenty four, So I mean you

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<v Speaker 6>were tiny, little young cute, Oh my gosh, adorable.

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<v Speaker 1>Yeah, everybody was so young, weren't we.

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<v Speaker 5>Yeah, it was super young.

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<v Speaker 6>Like I wrote down, I think Courtney is fourteen years old.

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<v Speaker 2>But right off the bat, I like how they Darren

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<v Speaker 2>who wrote it, really captured the camaraderie in an apartment

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<v Speaker 2>building like that, because that didn't exist in every apartment building.

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<v Speaker 2>And you know, I don't think and that you know, well, okay,

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<v Speaker 2>so here's another thing. I don't know that you knew this,

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<v Speaker 2>but I told you that Darren and I lived in

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<v Speaker 2>an apartment. We were roommates in college. Off we went

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<v Speaker 2>to UCLA, so he had a guy roommate and I

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<v Speaker 2>had a girl roommate. So there was two bedroom.

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<v Speaker 7>I think we shared the freaking bathroom.

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<v Speaker 2>Yeah, but at any rate, there was that kind of

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<v Speaker 2>like everyone barring each other's this and that and the

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<v Speaker 2>other thing. But that's I love that really. That really

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<v Speaker 2>set the tone for this show. And I saw it

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<v Speaker 2>in the pilot, how you're knocking on everyone and you know, yeah,

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<v Speaker 2>my shirt's off, but it's not and anything other than

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<v Speaker 2>I just need to find her.

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<v Speaker 6>Everyone knows everyone's business.

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<v Speaker 1>Yeah.

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<v Speaker 2>I just really like that they all knew each other. We're,

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<v Speaker 2>you know, having coffee. You need your coffee. I just

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<v Speaker 2>love that vibe that sets the show on its course

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<v Speaker 2>of like all being there for each other until we

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<v Speaker 2>start until episode sixteen each.

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<v Speaker 1>Other we start sleeping with each other. And to start

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<v Speaker 1>out with such a good point that was so sweet.

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<v Speaker 6>Well, you're knocking on everyone's doors, and it's a great

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<v Speaker 6>way for the audience to meet all the characters one

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<v Speaker 6>by one whatever and get a sense. And you know,

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<v Speaker 6>there's cute little Doug Savant with his coffee. Yeah he

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<v Speaker 6>had oh so we were starting to get you know,

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<v Speaker 6>of course, when Grant opens the door, he's shirtless because yes, yeah,

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<v Speaker 6>you know, might as well put him shirtless and everything

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<v Speaker 6>because I because I mean everything. So yeah, so he's

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<v Speaker 6>he's opening the door shirtless. I think so was my Michael,

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<v Speaker 6>who was you know, answering the door with Jane. I

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<v Speaker 6>think he was also shirtless. And then Doug opens the

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<v Speaker 6>door and like I think maybe a robe opened or

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<v Speaker 6>something is like an indication of shirtless, you know, but

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<v Speaker 6>he's like the nice guy. But and then you know,

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<v Speaker 6>you start of get a sense of who these characters are.

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<v Speaker 6>And right off the bat, why was Michael played by

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<v Speaker 6>Thomas Glauber. Why was he being such a jerk to

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<v Speaker 6>you about like, ah, did you notice that? Like he

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<v Speaker 6>already decided I'm going to be a jerk and go, yeah,

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<v Speaker 6>better come.

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<v Speaker 3>Up with the rent?

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<v Speaker 4>What was happening? Like, were we just on the brink?

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<v Speaker 4>Do we pay the last possible day of every month?

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<v Speaker 4>And my son wandered in for a minute while I

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<v Speaker 4>was watching the show, and they said, you know, four

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<v Speaker 4>hundred dollars, Chat goes four hundred dollars for an apartment

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<v Speaker 4>in LA that's amazing. Yeah, yeah, right, we were sharing

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<v Speaker 4>a two bedroom apartment with a pool.

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<v Speaker 1>Apparently eight hundred dollars, but amazing.

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<v Speaker 6>We learn about the rent, the amount of the rent

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<v Speaker 6>while you're driving down the road writing on your standing.

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<v Speaker 6>I mean, if that, if that isn't a sign of

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<v Speaker 6>the time, it's a precursor to texting all driving. But

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<v Speaker 6>I'm actually gonna do it with the pen and paper.

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<v Speaker 5>You caught that, I caught that.

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<v Speaker 6>Oh, it's really it's absurd.

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<v Speaker 2>I mean even though we used to, like I used

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<v Speaker 2>to drive and change outfits from audition to audition.

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<v Speaker 6>When I was you know what I mean.

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<v Speaker 5>You'd have something in.

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<v Speaker 2>The back or your yoga mat or whatever, but I

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<v Speaker 2>would change on the four or five driving from like

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<v Speaker 2>you know, the hussy to the nun or whatever.

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<v Speaker 7>Literally, well, traffic was so bad you were barely moving.

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<v Speaker 6>Yeah, but like a sign of the time, I'm not

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<v Speaker 6>just texting. Yeah, I'm writing with a pen and paper

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<v Speaker 6>and maybe a propos. Right after that, you accidentally hit

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<v Speaker 6>your driver's say door into into my box, into your boss.

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<v Speaker 1>He played my boss.

0:10:50.040 --> 0:10:52.800
<v Speaker 4>Then, but later Edward Edwards played my boss. But you're

0:10:52.840 --> 0:10:55.240
<v Speaker 4>only remember I was like, that's not Edward Edwards, who

0:10:55.240 --> 0:10:57.920
<v Speaker 4>I remember. I remember his name because.

0:10:57.760 --> 0:11:02.280
<v Speaker 1>Obviously it was whatever. I was like, that's not my boss,

0:11:02.320 --> 0:11:03.440
<v Speaker 1>that was my other boss.

0:11:03.440 --> 0:11:08.480
<v Speaker 6>How how Barber was the character's name? Yes, was super smarmy.

0:11:08.640 --> 0:11:11.839
<v Speaker 1>And you know what, I'd totally forgotten that Billy was

0:11:11.880 --> 0:11:14.360
<v Speaker 1>a writer. Did you guys remember that?

0:11:15.080 --> 0:11:15.280
<v Speaker 2>Yes?

0:11:15.520 --> 0:11:18.319
<v Speaker 6>I remember, you knew that. What I did not, and

0:11:18.400 --> 0:11:20.600
<v Speaker 6>we're not there yet, But what I did not remember

0:11:20.760 --> 0:11:25.800
<v Speaker 6>was that he was a Arthur Murray dance instruct The

0:11:25.920 --> 0:11:28.239
<v Speaker 6>character was that is hysterical?

0:11:28.400 --> 0:11:29.439
<v Speaker 1>Is that the cutest thing?

0:11:29.920 --> 0:11:30.160
<v Speaker 2>I mean?

0:11:30.760 --> 0:11:32.480
<v Speaker 1>So do I say my life? I can't say my

0:11:32.559 --> 0:11:33.079
<v Speaker 1>favorite line?

0:11:33.160 --> 0:11:34.800
<v Speaker 6>Yet I think we I think we have to get there.

0:11:35.040 --> 0:11:37.400
<v Speaker 6>So like we follow, We follow Alison as she gets

0:11:37.440 --> 0:11:39.600
<v Speaker 6>to D and D and and all of you must

0:11:39.679 --> 0:11:41.760
<v Speaker 6>have noticed, like the D and D establishing a shot

0:11:41.840 --> 0:11:44.640
<v Speaker 6>the exteriors. Those are Spellings offices on Wolfshire, right, So

0:11:44.720 --> 0:11:48.080
<v Speaker 6>they used I remember it, yes, as the establishing shot

0:11:48.160 --> 0:11:53.400
<v Speaker 6>for D and D the advertising firm, right. So yeah,

0:11:53.679 --> 0:11:57.920
<v Speaker 6>and how you know smarmy how immediately starts flirting with

0:11:58.120 --> 0:12:01.200
<v Speaker 6>cute little receptionist Allison, which is just like ew right

0:12:01.280 --> 0:12:01.480
<v Speaker 6>off the.

0:12:01.480 --> 0:12:04.959
<v Speaker 4>Bat, which Alson doesn't know. I don't under she's like,

0:12:05.120 --> 0:12:07.080
<v Speaker 4>I'm like, sure, I'd love to go to that party

0:12:07.160 --> 0:12:07.280
<v Speaker 4>with you.

0:12:07.400 --> 0:12:08.120
<v Speaker 1>Thanks so much.

0:12:08.640 --> 0:12:09.959
<v Speaker 5>How does she not know?

0:12:10.280 --> 0:12:11.800
<v Speaker 1>Is she not seeing what we're seeing?

0:12:12.320 --> 0:12:15.040
<v Speaker 5>Well, I mean, you have to go back to that age.

0:12:15.160 --> 0:12:15.760
<v Speaker 5>Let's not forget.

0:12:15.840 --> 0:12:19.400
<v Speaker 2>You have like thirty years of insight and experience and

0:12:19.480 --> 0:12:22.439
<v Speaker 2>wisdom and on it. So go back and you're what

0:12:22.679 --> 0:12:25.360
<v Speaker 2>in your twenties the character, and I don't think that

0:12:25.520 --> 0:12:26.199
<v Speaker 2>she would know.

0:12:26.400 --> 0:12:28.120
<v Speaker 5>And by the way, he wasn't flirting.

0:12:28.200 --> 0:12:34.240
<v Speaker 7>First off, he was being boss but saying little dropping little.

0:12:34.120 --> 0:12:35.880
<v Speaker 5>Things like oh well was it to my wife?

0:12:36.360 --> 0:12:39.240
<v Speaker 2>And these little things that's not flirting. That's like throwing

0:12:39.280 --> 0:12:40.720
<v Speaker 2>it out there and see if you bite, and then

0:12:40.800 --> 0:12:44.520
<v Speaker 2>you didn't. So he just kind of like God even more.

0:12:44.720 --> 0:12:46.760
<v Speaker 4>That's that's a time of that age too. Do you

0:12:46.840 --> 0:12:49.079
<v Speaker 4>remember this as young actor? I'm going off keeper, but

0:12:49.120 --> 0:12:53.959
<v Speaker 4>remember this as young actors. You'd get called into meetings

0:12:54.360 --> 0:12:56.880
<v Speaker 4>what are they called, h general You get called into

0:12:56.880 --> 0:12:59.040
<v Speaker 4>a general meeting and you're sitting there with an executive

0:12:59.080 --> 0:13:00.679
<v Speaker 4>of some sort and all a sudden they'd say, do

0:13:00.720 --> 0:13:03.280
<v Speaker 4>you like sushi? And you're like, I don't think we're

0:13:03.320 --> 0:13:06.120
<v Speaker 4>talking about a project, are we didn't that happen to you.

0:13:06.760 --> 0:13:09.000
<v Speaker 4>That reminded me of this thing with Hallie. She called

0:13:09.000 --> 0:13:11.560
<v Speaker 4>into general meetings all the time. It's not like they

0:13:11.640 --> 0:13:14.079
<v Speaker 4>try anything, but it was like, I'm not here to

0:13:14.160 --> 0:13:16.599
<v Speaker 4>talk about a project. I'm here, you know, well, I

0:13:17.160 --> 0:13:18.600
<v Speaker 4>think you're eating like a first date.

0:13:19.000 --> 0:13:20.800
<v Speaker 7>It's they wouldn't do that because that's two forward.

0:13:20.840 --> 0:13:24.040
<v Speaker 2>But it's this casuality, like casual about things we can

0:13:24.120 --> 0:13:24.520
<v Speaker 2>talk about.

0:13:24.600 --> 0:13:26.280
<v Speaker 5>We cross the personal in the business.

0:13:26.400 --> 0:13:28.959
<v Speaker 6>Absolutely, yes, And I think it is a sign of

0:13:29.000 --> 0:13:30.880
<v Speaker 6>the times like that we can look at it now

0:13:30.920 --> 0:13:33.920
<v Speaker 6>and go ow, you know, but it wasn't you know then,

0:13:33.960 --> 0:13:35.559
<v Speaker 6>it was just the way it was, but or the

0:13:35.679 --> 0:13:38.160
<v Speaker 6>expectation was you're just supposed to smile and be nice

0:13:38.160 --> 0:13:40.439
<v Speaker 6>about it. Yeah, like as a young girl, you're just

0:13:40.559 --> 0:13:42.480
<v Speaker 6>and he was in a position of power and whatever,

0:13:42.640 --> 0:13:45.000
<v Speaker 6>so like yeah, but just I mean, right off the bat,

0:13:45.120 --> 0:13:48.520
<v Speaker 6>the character is so from our point of view now,

0:13:48.600 --> 0:13:52.480
<v Speaker 6>he's so obviously smarty, right, and you're you're just like

0:13:52.600 --> 0:13:56.599
<v Speaker 6>the sweet girl going okay, sure, whatever you need and

0:13:56.720 --> 0:13:59.319
<v Speaker 6>like just trying to like secure your job and yeah,

0:13:59.320 --> 0:14:01.880
<v Speaker 6>all that stuff. So it's just such an interesting perspective

0:14:01.920 --> 0:14:02.280
<v Speaker 6>to look at it.

0:14:02.559 --> 0:14:04.600
<v Speaker 4>And times were so different I mean as much as

0:14:04.679 --> 0:14:06.439
<v Speaker 4>we had a weird thing on Maro's place, because it's

0:14:06.440 --> 0:14:08.880
<v Speaker 4>the guys who were topless all the time. I remember

0:14:09.040 --> 0:14:11.599
<v Speaker 4>when our costumer Denise said to me, I got a

0:14:11.679 --> 0:14:15.400
<v Speaker 4>note from on up high shorter, brighter, tighter on Alison.

0:14:15.559 --> 0:14:18.720
<v Speaker 1>Oh, like you couldn't say that today. It was such

0:14:18.760 --> 0:14:19.480
<v Speaker 1>a time, right, And.

0:14:19.560 --> 0:14:22.120
<v Speaker 4>I didn't mind, like the crew guys say hey, sweetie, hay, sweetheart,

0:14:22.240 --> 0:14:24.600
<v Speaker 4>like it didn't bother me. I don't think that would

0:14:24.640 --> 0:14:26.680
<v Speaker 4>happen today, right, Like this.

0:14:27.000 --> 0:14:28.720
<v Speaker 6>Was so much nice, wouldn't happen today?

0:14:28.760 --> 0:14:30.160
<v Speaker 1>Yeah, so different, the.

0:14:30.440 --> 0:14:32.560
<v Speaker 5>The shorter skirts.

0:14:32.600 --> 0:14:35.760
<v Speaker 2>And I remember Heather, our dear Heather Lockley, or like

0:14:36.400 --> 0:14:38.280
<v Speaker 2>like she just fed them like a glove. She's like,

0:14:38.400 --> 0:14:40.680
<v Speaker 2>hike it up, you know, Like but she was still

0:14:40.760 --> 0:14:42.840
<v Speaker 2>kind of tomboy, is she even in those little but

0:14:42.960 --> 0:14:45.200
<v Speaker 2>you and Heather and then all of your guest stars,

0:14:45.520 --> 0:14:47.320
<v Speaker 2>bosses or whatever would come in.

0:14:48.040 --> 0:14:50.760
<v Speaker 7>Now it was like almost the blazer ended here and

0:14:50.880 --> 0:14:53.480
<v Speaker 7>the skirt was like a few inches younger.

0:14:54.040 --> 0:14:57.040
<v Speaker 5>Yeah, I wasn't. Joe didn't get those wardrobe notes.

0:14:57.880 --> 0:14:59.000
<v Speaker 1>No, you were all in black.

0:14:59.080 --> 0:15:03.200
<v Speaker 2>You were and kind of like flowy and esoteric, bohemian

0:15:03.360 --> 0:15:05.160
<v Speaker 2>or whatever, I don't know what it was.

0:15:05.240 --> 0:15:08.120
<v Speaker 5>It kind of switched around, but yeah, I was comfortable

0:15:08.160 --> 0:15:08.640
<v Speaker 5>in pants.

0:15:09.520 --> 0:15:10.240
<v Speaker 1>I still end.

0:15:14.200 --> 0:15:18.600
<v Speaker 6>All right. So we're gonna so from Allison's experience at

0:15:18.680 --> 0:15:20.960
<v Speaker 6>D and D we cut to the exterior of the

0:15:21.040 --> 0:15:23.720
<v Speaker 6>Burger Joint where Kelly, Donna, and David, these are the

0:15:23.800 --> 0:15:25.760
<v Speaker 6>nine O two and zero characters are in the car

0:15:25.840 --> 0:15:28.440
<v Speaker 6>outside the burger joint. Did you guys recognize what was that?

0:15:28.640 --> 0:15:31.000
<v Speaker 6>Was that a Hamburger hamlet with the burger thing on top?

0:15:31.120 --> 0:15:34.640
<v Speaker 6>What was that place? Was it an actual place on Melrose?

0:15:34.880 --> 0:15:36.280
<v Speaker 6>I was trying to figure it out. I was like

0:15:36.400 --> 0:15:37.080
<v Speaker 6>shaped like a hand.

0:15:37.120 --> 0:15:39.480
<v Speaker 4>I was noticing that we all looked the same age,

0:15:39.680 --> 0:15:41.840
<v Speaker 4>like that Ion Zering looked the same age as Grant.

0:15:42.160 --> 0:15:43.080
<v Speaker 1>That's what I was noticing.

0:15:43.120 --> 0:15:44.520
<v Speaker 4>That he was supposed to be in high school and

0:15:44.520 --> 0:15:47.120
<v Speaker 4>they're having this thing where Amy o'caine's character was hitting

0:15:47.200 --> 0:15:50.640
<v Speaker 4>on him, but it didn't look crazy like they look

0:15:50.720 --> 0:15:53.440
<v Speaker 4>the same age, like you buy how much we buy

0:15:53.560 --> 0:15:56.840
<v Speaker 4>into Like I think Jenny at the time, she obviously

0:15:56.960 --> 0:15:59.520
<v Speaker 4>wasn't a teenager. She came off very young though she

0:16:00.880 --> 0:16:02.400
<v Speaker 4>was the I think she was the youngest one in

0:16:02.480 --> 0:16:06.120
<v Speaker 4>that cast, maybe next to Tory, right, she actually was

0:16:06.240 --> 0:16:08.280
<v Speaker 4>closer to age, but she was of age, which knowing

0:16:08.360 --> 0:16:09.400
<v Speaker 4>that made it a little.

0:16:09.280 --> 0:16:13.040
<v Speaker 1>Less creepy to me. But the fact that they actually

0:16:13.200 --> 0:16:15.640
<v Speaker 1>had them kiss, like now you might have them flirting,

0:16:15.680 --> 0:16:17.440
<v Speaker 1>but he would say no, no, no, little lady, like

0:16:17.520 --> 0:16:21.400
<v Speaker 1>they actually had a romance. Yeah, that was so surprising

0:16:21.560 --> 0:16:21.760
<v Speaker 1>to me.

0:16:22.120 --> 0:16:25.960
<v Speaker 6>Well, and she was that character was like so in

0:16:26.160 --> 0:16:30.040
<v Speaker 6>pursuit of Jake, who just seemed to that they had

0:16:30.160 --> 0:16:32.640
<v Speaker 6>Jake be like so tormented should he shouldn't he? Like

0:16:32.800 --> 0:16:36.560
<v Speaker 6>I thought this thing was like, dude, she's seventeen.

0:16:36.200 --> 0:16:39.080
<v Speaker 1>Or whatever, Like, ye would not have been tormented, right,

0:16:39.320 --> 0:16:40.640
<v Speaker 1>it would have been like no, thank you?

0:16:40.840 --> 0:16:43.120
<v Speaker 6>Yeah yeah, yeah yeah. But like this, you know, this

0:16:43.360 --> 0:16:47.240
<v Speaker 6>character was like this was a perfectly normal sort of

0:16:47.360 --> 0:16:50.520
<v Speaker 6>debate that he was having. Is shouldn't he with this girl?

0:16:50.840 --> 0:16:52.120
<v Speaker 6>Our times?

0:16:52.680 --> 0:16:54.880
<v Speaker 5>But guys perspective, it is probably not crazy.

0:16:55.000 --> 0:16:57.120
<v Speaker 7>It's probably not like what's the difference between seven?

0:16:57.160 --> 0:16:58.120
<v Speaker 5>I mean besides.

0:16:57.880 --> 0:17:01.960
<v Speaker 6>Legally, well there's a lot of problem so in other words,

0:17:02.000 --> 0:17:03.200
<v Speaker 6>it's kind of a big difference.

0:17:04.800 --> 0:17:05.000
<v Speaker 1>Yeah.

0:17:05.200 --> 0:17:08.080
<v Speaker 2>So, and that's brought out that Amy Locaine character tells

0:17:08.160 --> 0:17:08.760
<v Speaker 2>him and stuff.

0:17:09.200 --> 0:17:11.720
<v Speaker 4>But you wouldn't you wouldn't have that many high school

0:17:11.840 --> 0:17:17.320
<v Speaker 4>kids going to go after this motorcycle guy to well,

0:17:18.040 --> 0:17:20.159
<v Speaker 4>would you have I'm trying to think when I was

0:17:20.240 --> 0:17:23.440
<v Speaker 4>in high school, I don't know what. No, No, we

0:17:23.520 --> 0:17:25.800
<v Speaker 4>were like like a sophomore to senior. Seemed like a

0:17:25.920 --> 0:17:27.520
<v Speaker 4>crazy age leap to us.

0:17:27.600 --> 0:17:31.400
<v Speaker 6>I don't know it, like somebody living in his own apartments, right,

0:17:32.000 --> 0:17:34.240
<v Speaker 6>like with all that stuff in it like that. That's

0:17:34.280 --> 0:17:35.120
<v Speaker 6>the kind I will say.

0:17:35.160 --> 0:17:37.840
<v Speaker 4>Growing up in the seventies, no parents were home ever,

0:17:37.960 --> 0:17:39.480
<v Speaker 4>so it was like we all had our own houses

0:17:39.760 --> 0:17:42.480
<v Speaker 4>right in the seventies in northern California, Like basically everyone

0:17:42.560 --> 0:17:45.760
<v Speaker 4>had their own house, but their own apartment. We didn't

0:17:45.840 --> 0:17:49.360
<v Speaker 4>know those guys, no, right, Like even in our early twenties,

0:17:49.440 --> 0:17:51.040
<v Speaker 4>everyone had like seven roommates.

0:17:51.920 --> 0:17:56.679
<v Speaker 6>Yeah. So when Kelly goes to look for Jake at

0:17:56.720 --> 0:17:59.600
<v Speaker 6>his apartment, that's when we're introduced to the to Amy

0:17:59.640 --> 0:18:04.120
<v Speaker 6>Lokaine character. She's sunning by the pool, right, and she's

0:18:04.200 --> 0:18:07.320
<v Speaker 6>in that red bathing suit talk for Jake. She talks

0:18:07.359 --> 0:18:09.480
<v Speaker 6>to Kelly and she finds out that Kelly's in high school,

0:18:09.480 --> 0:18:11.440
<v Speaker 6>and so she has a little dialogue with Kelly, and

0:18:11.560 --> 0:18:13.719
<v Speaker 6>that's the far and that's the first time you hear

0:18:13.840 --> 0:18:17.720
<v Speaker 6>amy Ocaine's Southern accent and get to know, Oh, this

0:18:18.000 --> 0:18:20.560
<v Speaker 6>is a girl who's moved to La and she's got

0:18:20.600 --> 0:18:24.760
<v Speaker 6>a very interesting Southern accent, like she wants to do.

0:18:24.880 --> 0:18:27.879
<v Speaker 4>You remember the pool, so it was a sound stage,

0:18:27.920 --> 0:18:30.199
<v Speaker 4>so there was no natural light, and do you remember

0:18:30.359 --> 0:18:33.000
<v Speaker 4>having to be there like in bathing suits in the

0:18:33.080 --> 0:18:34.680
<v Speaker 4>fake light? And that was when my son came in

0:18:34.760 --> 0:18:37.480
<v Speaker 4>and I said, I said, you know this wasn't outside,

0:18:37.520 --> 0:18:38.160
<v Speaker 4>and he goes.

0:18:38.480 --> 0:18:43.960
<v Speaker 1>I can tell you, swear to god, Oh you're kidding me.

0:18:44.080 --> 0:18:44.280
<v Speaker 2>Mom.

0:18:45.320 --> 0:18:48.040
<v Speaker 4>Remember we couldn't had the cameras, couldn't shoot up because

0:18:48.040 --> 0:18:48.760
<v Speaker 4>you'd see the lights.

0:18:48.880 --> 0:18:52.119
<v Speaker 1>And then season two or three, when we got some

0:18:52.280 --> 0:18:56.159
<v Speaker 1>money they had, they created like a false scrim in

0:18:56.200 --> 0:18:58.679
<v Speaker 1>the What was it? Why could we shoot up?

0:18:58.880 --> 0:18:59.040
<v Speaker 2>Was it?

0:18:59.320 --> 0:19:01.240
<v Speaker 1>Was it a fact? I think some reason?

0:19:01.440 --> 0:19:05.080
<v Speaker 5>Maybe just higher up in one direction. Do you remember

0:19:05.160 --> 0:19:06.359
<v Speaker 5>the foliage.

0:19:06.040 --> 0:19:08.440
<v Speaker 6>They could move it right, yeah?

0:19:08.480 --> 0:19:10.800
<v Speaker 4>But why could we suddenly have sky in the background,

0:19:10.800 --> 0:19:12.639
<v Speaker 4>because you remember, we couldn't have no one could be

0:19:12.760 --> 0:19:15.320
<v Speaker 4>talking down to anybody, not emotionally.

0:19:14.840 --> 0:19:17.639
<v Speaker 6>But we did we have a skyscram like just a

0:19:17.720 --> 0:19:18.440
<v Speaker 6>fake maybe.

0:19:18.760 --> 0:19:21.479
<v Speaker 4>I remember when they first got the sky and they

0:19:21.520 --> 0:19:23.920
<v Speaker 4>were so excited. Maybe they had it over the whole thing. No,

0:19:23.960 --> 0:19:24.960
<v Speaker 4>because you need the lights.

0:19:25.520 --> 0:19:25.879
<v Speaker 7>I don't know.

0:19:26.560 --> 0:19:31.359
<v Speaker 1>I remember I remember having to be quote outside and

0:19:31.480 --> 0:19:32.960
<v Speaker 1>inside and it was so weird.

0:19:33.560 --> 0:19:34.400
<v Speaker 7>It felt like a play.

0:19:34.520 --> 0:19:36.480
<v Speaker 2>Even just watching it, didn't it feel like that was

0:19:36.520 --> 0:19:39.200
<v Speaker 2>a stage like a play in a way. I don't

0:19:39.240 --> 0:19:42.680
<v Speaker 2>know the whole set, just watching it this time, seeing

0:19:44.080 --> 0:19:44.520
<v Speaker 2>where were the.

0:19:44.560 --> 0:19:47.720
<v Speaker 4>Practical sets because my apartment was my apartment, Billy's in

0:19:47.800 --> 0:19:51.120
<v Speaker 4>my apartment was my apartment. But people who were upstairs,

0:19:51.160 --> 0:19:54.119
<v Speaker 4>where did they build your practical around?

0:19:54.200 --> 0:19:54.360
<v Speaker 5>Yeah?

0:19:54.480 --> 0:19:56.719
<v Speaker 6>It was just right nearby. I mean, eventually we had

0:19:56.760 --> 0:19:59.240
<v Speaker 6>two sound stages. The whole apartment was right because we

0:19:59.320 --> 0:20:01.159
<v Speaker 6>had like I think four and five or something with

0:20:01.240 --> 0:20:04.520
<v Speaker 6>those the actual numbers that that really you Wow, I

0:20:04.560 --> 0:20:07.639
<v Speaker 6>could be making that up, but they were. They were

0:20:07.760 --> 0:20:11.480
<v Speaker 6>just like setups, like a sound stage of the interiors

0:20:11.840 --> 0:20:12.760
<v Speaker 6>just right nearby.

0:20:13.160 --> 0:20:13.360
<v Speaker 2>Wow.

0:20:13.680 --> 0:20:17.159
<v Speaker 6>Yeah, for the upstairs apartments. But like Allison story was

0:20:17.200 --> 0:20:20.080
<v Speaker 6>really like the primary like the way to get in

0:20:20.160 --> 0:20:23.240
<v Speaker 6>the world of Meloye's place was through the Allison characters.

0:20:23.600 --> 0:20:26.440
<v Speaker 6>Ju Right, So we're following her journey of trying to

0:20:26.480 --> 0:20:28.560
<v Speaker 6>find a new roommate, trying to hold onto her job,

0:20:28.640 --> 0:20:31.919
<v Speaker 6>and then the next scene is Allison is unloading her

0:20:31.960 --> 0:20:36.280
<v Speaker 6>trunk and Billy Campbell played by Andrew Shoe, stops by

0:20:36.560 --> 0:20:39.480
<v Speaker 6>to ask about the apartment. He's ostensibly heard about the

0:20:39.520 --> 0:20:43.359
<v Speaker 6>apartment somehow through this random roommate aide naturally, but he

0:20:43.520 --> 0:20:46.440
<v Speaker 6>stops by and he's immediately like cute.

0:20:46.880 --> 0:20:48.320
<v Speaker 1>Yeah, And I don't know why.

0:20:48.520 --> 0:20:50.960
<v Speaker 4>I must have been directed to play it super annoyed.

0:20:51.080 --> 0:20:53.760
<v Speaker 4>I'm like, would you be annoyed if Andrew you.

0:20:55.000 --> 0:20:55.760
<v Speaker 3>Wipe you.

0:20:57.400 --> 0:20:59.120
<v Speaker 7>Find something and my apartment?

0:20:59.240 --> 0:21:01.600
<v Speaker 4>Maybe literally in real life I was saying, hey, there,

0:21:01.920 --> 0:21:04.760
<v Speaker 4>but in my character was yeah, yeah.

0:21:04.840 --> 0:21:06.280
<v Speaker 1>I don't know why I was so annoyed.

0:21:06.280 --> 0:21:08.040
<v Speaker 4>I guess I had to be otherwise, why wouldn't I

0:21:08.119 --> 0:21:09.639
<v Speaker 4>just say yes, please move in right now?

0:21:09.720 --> 0:21:13.080
<v Speaker 6>And and I mean just could not be more adorable.

0:21:13.160 --> 0:21:16.000
<v Speaker 6>And he was scripted like he just had like the

0:21:16.080 --> 0:21:17.320
<v Speaker 6>best scenes day.

0:21:17.359 --> 0:21:19.320
<v Speaker 1>Now I can tell the andrews Shoe audition story.

0:21:19.480 --> 0:21:20.840
<v Speaker 6>Yeah, okay, okay, good, yeah.

0:21:20.760 --> 0:21:24.080
<v Speaker 4>Yeah, see finally I'm up. Oh go, So that sweet

0:21:24.160 --> 0:21:26.720
<v Speaker 4>Stephen Fanning who was wonderful. It didn't work out. Don't

0:21:26.760 --> 0:21:29.760
<v Speaker 4>know why sometimes that happens. So then in the middle

0:21:29.800 --> 0:21:33.080
<v Speaker 4>of shooting the pilot, they had to recast the billy character.

0:21:33.680 --> 0:21:37.640
<v Speaker 4>So this was like on a Saturday. So we're shooting fourteen,

0:21:37.760 --> 0:21:38.720
<v Speaker 4>sixteen hours a day.

0:21:38.840 --> 0:21:39.520
<v Speaker 1>It's insane.

0:21:39.640 --> 0:21:41.520
<v Speaker 4>Like in the pilot, for whatever reason, I'm in every scene.

0:21:42.040 --> 0:21:44.400
<v Speaker 4>And we said, okay, we have to have these auditions.

0:21:44.400 --> 0:21:47.240
<v Speaker 4>We're gonna have them at Aaron Spelling's house. So do

0:21:47.280 --> 0:21:55.560
<v Speaker 4>you know Aaron Spelling's famous house in like Beverly Wood Bell, Yeah, Homihills.

0:21:56.080 --> 0:21:59.639
<v Speaker 4>So you drive up to this big, fancy house and

0:22:00.040 --> 0:22:02.800
<v Speaker 4>were in his library. So it's a huge library, like

0:22:02.880 --> 0:22:05.399
<v Speaker 4>something out of Hogwarts, right, and you look there were

0:22:05.480 --> 0:22:08.080
<v Speaker 4>all these leatherbound books. And I went close to look

0:22:08.119 --> 0:22:11.600
<v Speaker 4>at the leatherbound books and their scripts. So he has

0:22:11.760 --> 0:22:15.800
<v Speaker 4>leather bound Fantasy Island scripts and love bound scripts. Isn't

0:22:15.800 --> 0:22:21.040
<v Speaker 4>that amazing library? We love boat scripts. Walls and Walls

0:22:21.480 --> 0:22:25.280
<v Speaker 4>did a million show volumes, right, leather bound volumes of

0:22:25.480 --> 0:22:26.399
<v Speaker 4>every single script.

0:22:26.480 --> 0:22:29.320
<v Speaker 1>So they're probably have Malroth's place too. And all these

0:22:29.400 --> 0:22:31.800
<v Speaker 1>guys waiting, and I'm sitting in this room with all

0:22:31.840 --> 0:22:33.959
<v Speaker 1>these executives and I'm just sitting there and he's being

0:22:34.080 --> 0:22:35.560
<v Speaker 1>very would you like some water, sweetheart?

0:22:36.280 --> 0:22:37.840
<v Speaker 6>Were there lots of actors?

0:22:38.160 --> 0:22:38.920
<v Speaker 1>There were all these.

0:22:38.880 --> 0:22:41.160
<v Speaker 4>Actors in the other room, and they came in one

0:22:41.240 --> 0:22:43.880
<v Speaker 4>by one and they were all good. And this one

0:22:43.920 --> 0:22:46.000
<v Speaker 4>guy came in and he was a really good, serious

0:22:46.040 --> 0:22:48.000
<v Speaker 4>actor and he had sort of a Grant vibe like

0:22:48.040 --> 0:22:49.840
<v Speaker 4>he was sort of tough, but like a really good

0:22:49.960 --> 0:22:54.200
<v Speaker 4>experienced actor. And all the guys in the room are going, yeah, yeah, yeah, great.

0:22:54.240 --> 0:22:55.840
<v Speaker 4>You know, Andrew didn't have a lot of experience, so

0:22:55.880 --> 0:23:02.399
<v Speaker 4>it's because of his shoes brother, but just absolutely adorable, right, natural,

0:23:02.920 --> 0:23:05.560
<v Speaker 4>that energy, natural, and he just is like still to

0:23:05.640 --> 0:23:09.520
<v Speaker 4>this day, he's just an adorable, sweet, a brilliant man. Right.

0:23:10.240 --> 0:23:13.880
<v Speaker 4>And he comes in and all of the executives are like, yeah,

0:23:14.000 --> 0:23:16.080
<v Speaker 4>you know, the first guy, the tough guy, the tough guy,

0:23:16.119 --> 0:23:16.600
<v Speaker 4>the tough guy.

0:23:17.240 --> 0:23:19.320
<v Speaker 1>And Aaron goes, yeah, yeah, I think you're right.

0:23:19.359 --> 0:23:21.280
<v Speaker 4>I think you guys are right, but I want you

0:23:21.359 --> 0:23:23.480
<v Speaker 4>to there's something about that Andrew shoe guy.

0:23:23.600 --> 0:23:24.600
<v Speaker 1>I just thought there was something.

0:23:24.640 --> 0:23:26.200
<v Speaker 4>But I totally agree with the guys were one hundred

0:23:26.200 --> 0:23:28.200
<v Speaker 4>percent right, But I just want to kind of see

0:23:28.240 --> 0:23:30.199
<v Speaker 4>him again. I'm kind of curious about him. And then

0:23:30.240 --> 0:23:32.320
<v Speaker 4>he were Andrew beck in and I watched like I

0:23:32.400 --> 0:23:35.679
<v Speaker 4>was watching, I watched him turn all of these executives around,

0:23:36.200 --> 0:23:38.240
<v Speaker 4>so they're going, Andrew, shoot, I don't know where You're

0:23:38.240 --> 0:23:40.320
<v Speaker 4>sure Andrews, and Andrewsho, Andrew Shoe.

0:23:40.359 --> 0:23:40.840
<v Speaker 5>I watched it.

0:23:41.080 --> 0:23:42.320
<v Speaker 1>I was like, and I think that.

0:23:42.600 --> 0:23:44.800
<v Speaker 4>I think that day we'll ask Andrew when he comes on.

0:23:45.280 --> 0:23:48.720
<v Speaker 4>I think they called him in and said you have it. Wow,

0:23:48.960 --> 0:23:52.600
<v Speaker 4>Like I think that day, Like in Aaron Spelling's Home

0:23:52.760 --> 0:23:54.640
<v Speaker 4>and library, Andrew got the part.

0:23:54.840 --> 0:23:55.840
<v Speaker 1>Isn't that crazy?

0:23:56.280 --> 0:23:58.320
<v Speaker 6>That's such a I can't wait for him to hear

0:23:58.440 --> 0:23:59.119
<v Speaker 6>him talk about it too.

0:23:59.320 --> 0:24:01.080
<v Speaker 4>Yes, I'd love to here he does it. He tells

0:24:01.119 --> 0:24:05.200
<v Speaker 4>the story adorably, but it was so crazy to watch him,

0:24:05.320 --> 0:24:07.840
<v Speaker 4>watch how he would play these people and turn them on.

0:24:08.160 --> 0:24:10.240
<v Speaker 4>And he was right because the other guy was wonderful.

0:24:10.280 --> 0:24:12.560
<v Speaker 4>I honestly don't know his name, but it would have

0:24:12.680 --> 0:24:14.919
<v Speaker 4>been like he and Brant were so similar, and Grant

0:24:15.000 --> 0:24:18.959
<v Speaker 4>and Andrew were so opposite and it worked so well, right,

0:24:19.160 --> 0:24:21.440
<v Speaker 4>like that a tough guy and then this sweet guy.

0:24:21.520 --> 0:24:24.040
<v Speaker 1>It was just such a perfect perfect match. And he

0:24:24.119 --> 0:24:27.560
<v Speaker 1>could see it. Yeah, he was so good at spotting

0:24:27.920 --> 0:24:30.720
<v Speaker 1>talent right and making that the mix of people.

0:24:31.000 --> 0:24:31.640
<v Speaker 6>That's so great.

0:24:31.840 --> 0:24:32.280
<v Speaker 5>That's great.

0:24:32.440 --> 0:24:36.840
<v Speaker 6>Yeah, So here's cute Andrew Shoe Billy Campbell Alison for

0:24:36.960 --> 0:24:40.240
<v Speaker 6>some reason being a complete bitch, and he asked you

0:24:40.320 --> 0:24:44.080
<v Speaker 6>to see the apartment and Allison says no, and he

0:24:44.200 --> 0:24:46.600
<v Speaker 6>gives you because of his numbers and an idiot WoT

0:24:46.640 --> 0:24:51.480
<v Speaker 6>it up and throw it in thees. You were an idiot,

0:24:52.119 --> 0:24:55.000
<v Speaker 6>not gonna lie. But from there we go to we

0:24:55.119 --> 0:24:58.480
<v Speaker 6>ended up in Shooters Bar, and girl, right, that bar

0:24:58.960 --> 0:25:00.600
<v Speaker 6>was a set.

0:25:00.600 --> 0:25:02.560
<v Speaker 5>Iconic when I love shooting in there.

0:25:02.680 --> 0:25:04.960
<v Speaker 1>Yeah, come in because were we at the gate and

0:25:05.040 --> 0:25:07.119
<v Speaker 1>he takes my didn't or didn't come in that day.

0:25:07.440 --> 0:25:09.720
<v Speaker 6>The first time you say no, you can't come in,

0:25:09.880 --> 0:25:11.480
<v Speaker 6>you can't see the apartment. He tries to give you

0:25:11.560 --> 0:25:14.160
<v Speaker 6>his number. You're like, yeah, no, you up the number

0:25:14.160 --> 0:25:16.040
<v Speaker 6>and you go inside and you leave and he, you know,

0:25:16.200 --> 0:25:19.080
<v Speaker 6>sort of leaves the apartment complex. So the next scene

0:25:19.160 --> 0:25:23.720
<v Speaker 6>is then cutting to Shooters, which is a it's not

0:25:23.800 --> 0:25:27.040
<v Speaker 6>an actual bar. It was the bar that was built

0:25:27.160 --> 0:25:29.399
<v Speaker 6>for Melrose and it was named for Melrose. We had

0:25:29.440 --> 0:25:33.000
<v Speaker 6>a lot of good like sort of swag with shooter

0:25:33.080 --> 0:25:34.840
<v Speaker 6>stuff on it over the years, Right, didn't you guys

0:25:34.880 --> 0:25:40.280
<v Speaker 6>have like the drink tumbler, Shooters Shooters Bar made like shirts,

0:25:42.320 --> 0:25:43.159
<v Speaker 6>the T shirt we.

0:25:43.200 --> 0:25:46.080
<v Speaker 1>All had the glasses. Remember the tumblers said shooters.

0:25:46.080 --> 0:25:50.399
<v Speaker 6>And Jake is teaching a blonde to play pool. A

0:25:50.520 --> 0:25:52.560
<v Speaker 6>blonde who when I from a distance the.

0:25:53.040 --> 0:25:55.560
<v Speaker 3>Wide shot and I thought that looked like Cony.

0:25:56.680 --> 0:25:59.520
<v Speaker 6>I like, yeah, which changeable one of ours?

0:25:59.560 --> 0:25:59.920
<v Speaker 2>But it was.

0:26:00.920 --> 0:26:03.600
<v Speaker 6>It was a blonde. It was not one of her characters.

0:26:03.840 --> 0:26:05.560
<v Speaker 5>Sandy was coming to tell Jake.

0:26:06.320 --> 0:26:08.240
<v Speaker 7>By the way, there's been a high school hanging around

0:26:08.280 --> 0:26:08.800
<v Speaker 7>the apartment.

0:26:09.480 --> 0:26:14.800
<v Speaker 2>Nice high schooler, Jake haskel Jike, do you do you

0:26:14.920 --> 0:26:15.520
<v Speaker 2>remember me?

0:26:15.920 --> 0:26:18.840
<v Speaker 4>Because when I I seem to remember there was debate

0:26:18.880 --> 0:26:19.840
<v Speaker 4>about her keeping the accent.

0:26:19.880 --> 0:26:21.320
<v Speaker 1>I don't know that she kept it. We'll find out

0:26:21.320 --> 0:26:23.560
<v Speaker 1>in the future, and we will remember them discussing it.

0:26:23.680 --> 0:26:25.280
<v Speaker 6>I have to say that was one of the things

0:26:25.320 --> 0:26:28.200
<v Speaker 6>while watching it with Doug. He said that there was

0:26:28.640 --> 0:26:31.800
<v Speaker 6>ongoing discussion about yes, and I remember that she keep it?

0:26:31.880 --> 0:26:32.720
<v Speaker 1>Should she drop it?

0:26:32.840 --> 0:26:35.240
<v Speaker 6>How is it going? Is it working? It was a

0:26:35.320 --> 0:26:39.200
<v Speaker 6>thing and there were times when I could not understand

0:26:39.240 --> 0:26:40.800
<v Speaker 6>what she was saying due to the accent.

0:26:40.960 --> 0:26:43.440
<v Speaker 2>And about what I loved about it is that it

0:26:43.560 --> 0:26:46.960
<v Speaker 2>remind me that this show is not reality. She was

0:26:47.040 --> 0:26:50.879
<v Speaker 2>this iconic blonde who came from the South, you know,

0:26:50.960 --> 0:26:53.440
<v Speaker 2>it could have been from the Midwest anywhere. She came

0:26:53.520 --> 0:26:55.359
<v Speaker 2>out and she was gonna.

0:26:55.119 --> 0:26:55.679
<v Speaker 5>Be a stuff.

0:26:55.800 --> 0:26:58.119
<v Speaker 2>She was the actress, yeah, classes, and she went to

0:26:58.200 --> 0:27:00.159
<v Speaker 2>acting school and she was a waitress and she was

0:27:00.240 --> 0:27:01.639
<v Speaker 2>just She's an archetype.

0:27:01.960 --> 0:27:03.800
<v Speaker 5>That's what this show is filled with.

0:27:03.960 --> 0:27:06.920
<v Speaker 7>That's why Jake and Billie had to be different.

0:27:06.960 --> 0:27:10.680
<v Speaker 2>They couldn't be the same, like Hero, you know, hercules guy,

0:27:11.359 --> 0:27:14.320
<v Speaker 2>just like you know, we had the crazy redhead, we had,

0:27:14.400 --> 0:27:16.760
<v Speaker 2>you know, the tough burnette Joe comes in. We had

0:27:16.920 --> 0:27:19.480
<v Speaker 2>Ronda played by Vanessa which we didn't go over, but

0:27:19.760 --> 0:27:25.080
<v Speaker 2>those outfits with her aerobics classes. You know, I thought

0:27:25.119 --> 0:27:27.840
<v Speaker 2>it was very archetypal yea character, which I really totally

0:27:28.440 --> 0:27:29.360
<v Speaker 2>liked because they.

0:27:29.320 --> 0:27:32.440
<v Speaker 7>Didn't get really nitty gritty reality.

0:27:32.560 --> 0:27:33.359
<v Speaker 5>You know, this was a school.

0:27:33.480 --> 0:27:35.160
<v Speaker 4>What you're pointing out too, though, is when they brought

0:27:35.200 --> 0:27:37.560
<v Speaker 4>in the different archetypes like you and Heather and you

0:27:37.800 --> 0:27:39.760
<v Speaker 4>that's when it worked. When we were all like we

0:27:39.800 --> 0:27:41.840
<v Speaker 4>said earlier, and we're all just nice kids trying to

0:27:41.880 --> 0:27:42.159
<v Speaker 4>make it.

0:27:42.359 --> 0:27:43.760
<v Speaker 5>Yeah, yeah, it didn't work.

0:27:43.800 --> 0:27:45.560
<v Speaker 4>There was no conflict. We have all these nice kids

0:27:45.600 --> 0:27:48.320
<v Speaker 4>knocking on each other's door, right right, Okay, well I

0:27:48.400 --> 0:27:50.159
<v Speaker 4>can have that in my real life, you need to have.

0:27:50.320 --> 0:27:51.439
<v Speaker 6>Somebody needed to start up.

0:27:52.000 --> 0:27:53.840
<v Speaker 4>Somebody needed to stir it up. And it can't just

0:27:53.920 --> 0:27:56.280
<v Speaker 4>be being mean to the really nice boy who says

0:27:56.320 --> 0:27:56.720
<v Speaker 4>hello to you.

0:27:57.160 --> 0:27:58.199
<v Speaker 5>They need to stir it up.

0:27:58.240 --> 0:28:00.320
<v Speaker 2>And then the writers needed to jump on that and

0:28:00.600 --> 0:28:03.359
<v Speaker 2>really stirred up. You would have been canceled, and they

0:28:03.400 --> 0:28:04.960
<v Speaker 2>did so.

0:28:05.640 --> 0:28:09.760
<v Speaker 6>So yeah, so Sandy's warning warning Jake that if you

0:28:10.119 --> 0:28:11.800
<v Speaker 6>you know, if you're gonna pursue this, you're gonna have

0:28:11.800 --> 0:28:16.360
<v Speaker 6>to deal with the consequences of your actions. So then

0:28:16.720 --> 0:28:21.240
<v Speaker 6>back to Allison's apartment where the montage of potential roommates

0:28:21.280 --> 0:28:23.879
<v Speaker 6>at Allison's door who are not a good fit, and

0:28:24.040 --> 0:28:26.959
<v Speaker 6>we see a hysterical.

0:28:26.440 --> 0:28:31.280
<v Speaker 4>Like hilarious which is also dates right, it's also that

0:28:31.400 --> 0:28:32.960
<v Speaker 4>doesn't that doesn't age well.

0:28:33.080 --> 0:28:35.480
<v Speaker 1>You know, you have the guy who says I'm about

0:28:35.560 --> 0:28:36.280
<v Speaker 1>to be a woman and.

0:28:37.200 --> 0:28:40.000
<v Speaker 4>Wow, the things that were okay then that wouldn't be

0:28:40.160 --> 0:28:43.040
<v Speaker 4>okay now that mohawk like wow, we thought those we

0:28:43.120 --> 0:28:45.000
<v Speaker 4>thought the older one funny to be older.

0:28:45.120 --> 0:28:49.320
<v Speaker 6>Like also like another sign of the time that they

0:28:49.400 --> 0:28:51.160
<v Speaker 6>all just get to come knocking on your door to

0:28:51.440 --> 0:28:52.080
<v Speaker 6>I just love it.

0:28:52.440 --> 0:28:57.040
<v Speaker 1>I pull it right over. Yeah, yeah, no, I'll be

0:28:57.120 --> 0:28:57.680
<v Speaker 1>home alone.

0:28:57.720 --> 0:29:01.440
<v Speaker 6>Come on over, come on over, yep. Uh yeah, So

0:29:01.560 --> 0:29:06.320
<v Speaker 6>that was funny and funny. And that's when Michael drops

0:29:06.320 --> 0:29:08.920
<v Speaker 6>off an eviction notice yeah, like all of a sudden, Nope.

0:29:08.880 --> 0:29:12.640
<v Speaker 1>This is the same day or maybe the next day. Yeah,

0:29:13.800 --> 0:29:14.400
<v Speaker 1>but he does.

0:29:14.360 --> 0:29:16.960
<v Speaker 6>Suggest to write a bad check to cover the rent.

0:29:17.400 --> 0:29:17.520
<v Speaker 3>Well.

0:29:17.560 --> 0:29:19.440
<v Speaker 4>What I also love is that none of my dear

0:29:19.520 --> 0:29:21.920
<v Speaker 4>friends in the building said, why don't we each loan

0:29:22.000 --> 0:29:23.160
<v Speaker 4>you one hundred bucks to get.

0:29:23.080 --> 0:29:25.600
<v Speaker 1>You through this time? Like ere like, sorry, too bad?

0:29:26.440 --> 0:29:27.640
<v Speaker 5>But what did we have?

0:29:27.800 --> 0:29:30.000
<v Speaker 1>What did they have it? I guess nobody had money.

0:29:30.040 --> 0:29:32.719
<v Speaker 1>I guess that's none of it. We were all very

0:29:32.840 --> 0:29:33.680
<v Speaker 1>close to the edge.

0:29:33.760 --> 0:29:37.080
<v Speaker 4>I guess it was maybe the dichotomy between you know,

0:29:37.240 --> 0:29:39.280
<v Speaker 4>actually I think it was a dichotomy between Moros and

0:29:39.360 --> 0:29:42.320
<v Speaker 4>nine two is they were rich kids and we were.

0:29:42.280 --> 0:29:45.480
<v Speaker 1>Not struggling at the part struggling struggling.

0:29:45.680 --> 0:29:47.800
<v Speaker 4>So that's why we start with the money. Because we

0:29:47.920 --> 0:29:50.280
<v Speaker 4>couldn't scrape together four hundred dollars.

0:29:50.360 --> 0:29:51.080
<v Speaker 5>Yeah right.

0:29:51.240 --> 0:29:53.880
<v Speaker 4>Nobody even tried to help, which, you know, maybe that's

0:29:53.880 --> 0:29:56.400
<v Speaker 4>why I was so cranky because nobody was trying.

0:29:56.200 --> 0:29:58.640
<v Speaker 6>To well, but the doctor or it was in med

0:29:58.680 --> 0:30:00.760
<v Speaker 6>school or was he an actual doctor By that, Michael,

0:30:01.160 --> 0:30:03.920
<v Speaker 6>he was an intern. Okay, he's the one who's been

0:30:04.440 --> 0:30:06.680
<v Speaker 6>he's acting as the landlord for the building and he's

0:30:06.720 --> 0:30:10.600
<v Speaker 6>also the manager. But he's also suggesting that you write

0:30:10.600 --> 0:30:14.920
<v Speaker 6>a bad check. So in the beginning, Michael Mancini was

0:30:14.920 --> 0:30:18.320
<v Speaker 6>already acting shady. He was suggesting to Alison just write

0:30:18.360 --> 0:30:20.680
<v Speaker 6>a bad check. And then later in the episode, it

0:30:20.800 --> 0:30:23.200
<v Speaker 6>turns turns out, you know that whatever, there was a

0:30:23.240 --> 0:30:25.840
<v Speaker 6>bad check or whatever, but he's he's suggesting that that's

0:30:25.880 --> 0:30:26.360
<v Speaker 6>his solution.

0:30:27.920 --> 0:30:29.880
<v Speaker 1>Lord do we ever meet the landlord?

0:30:29.960 --> 0:30:35.479
<v Speaker 4>Apparently the landlord was awful, apparently right, well, I think

0:30:35.520 --> 0:30:39.280
<v Speaker 4>at all, Michael Mancini was trying to steer Alison wrong anyway.

0:30:39.480 --> 0:30:42.760
<v Speaker 2>Well, and also he was a jerk because then he

0:30:43.040 --> 0:30:45.960
<v Speaker 2>exits and he's like, come on, Bubby, let's go, come on, honey,

0:30:46.040 --> 0:30:46.720
<v Speaker 2>let's come back to bed.

0:30:46.840 --> 0:30:49.120
<v Speaker 3>He was come back in here, come back to bed,

0:30:49.320 --> 0:30:50.920
<v Speaker 3>like talent, Jane, what to do you know?

0:30:51.080 --> 0:30:53.320
<v Speaker 5>Like, I'm like, ew, yeah, it was.

0:30:53.520 --> 0:30:53.720
<v Speaker 4>It was.

0:30:53.880 --> 0:30:59.200
<v Speaker 6>Yeah. So just like foreshadowing, foreshadowing exactly, they knew exactly

0:30:59.240 --> 0:31:03.280
<v Speaker 6>which direction to say the character. So anyway, back to Shooters,

0:31:03.440 --> 0:31:08.920
<v Speaker 6>where Alison sees Sandy at Shooters and asks where she

0:31:08.960 --> 0:31:10.800
<v Speaker 6>can find Billy. So that's where you go back to

0:31:10.880 --> 0:31:13.880
<v Speaker 6>the Shooters and find him playing pool, right, Yes, and

0:31:14.000 --> 0:31:18.640
<v Speaker 6>now you're ready to ask him to be your roommate. Yeah,

0:31:19.080 --> 0:31:21.840
<v Speaker 6>and you guys had that cute little like dance, Well

0:31:22.320 --> 0:31:25.320
<v Speaker 6>I already have one. No, I don't, and it's just

0:31:25.480 --> 0:31:29.240
<v Speaker 6>like your chemistry and you're like, you know, meet cute

0:31:29.360 --> 0:31:33.280
<v Speaker 6>relationship already was like, oh come on, this is done

0:31:33.360 --> 0:31:37.040
<v Speaker 6>deal too. Super cute people being super cute with each other.

0:31:37.520 --> 0:31:39.880
<v Speaker 4>Yeah, he was adorable, and maybe it's better that I

0:31:39.960 --> 0:31:42.720
<v Speaker 4>started off so mean, because then he's so adorable you

0:31:42.840 --> 0:31:45.240
<v Speaker 4>can't not respond to You were. I think it was

0:31:45.320 --> 0:31:48.719
<v Speaker 4>the me being so mean to such an objectively sweet,

0:31:48.840 --> 0:31:49.920
<v Speaker 4>adorable person.

0:31:50.720 --> 0:31:52.320
<v Speaker 1>I was watching, going, why am I?

0:31:53.200 --> 0:31:53.720
<v Speaker 4>Yeah, you were?

0:31:54.560 --> 0:31:57.760
<v Speaker 3>You were definitely I'm thinking the same thing, like what

0:31:58.280 --> 0:31:58.760
<v Speaker 3>But you know what I.

0:31:58.840 --> 0:32:01.720
<v Speaker 4>Forgot when when I show him the fridge, which is

0:32:01.760 --> 0:32:04.160
<v Speaker 4>coming up very quickly, and I have labels on everything.

0:32:04.240 --> 0:32:06.000
<v Speaker 1>So I was like, oh, so that was the.

0:32:06.120 --> 0:32:10.000
<v Speaker 4>Character super uptight, organized, ridgid, super organized.

0:32:10.560 --> 0:32:11.880
<v Speaker 1>Forgotten that about Alison.

0:32:11.960 --> 0:32:12.880
<v Speaker 5>You're wondering.

0:32:14.920 --> 0:32:16.680
<v Speaker 1>Decline is so clear in my mind.

0:32:16.760 --> 0:32:19.640
<v Speaker 3>I forgot the suitcases She's like, I gotta get out

0:32:19.640 --> 0:32:21.640
<v Speaker 3>of I can't live with this.

0:32:23.240 --> 0:32:27.320
<v Speaker 5>I'm not paying for this. Pretty uptight, I must say.

0:32:32.960 --> 0:32:35.000
<v Speaker 6>So, I mean basically where we left off is then

0:32:35.040 --> 0:32:39.600
<v Speaker 6>we see when Michael goes back and he's with Jane

0:32:40.200 --> 0:32:43.480
<v Speaker 6>in bed. Is this where Jane is kissing his toe?

0:32:43.680 --> 0:32:45.920
<v Speaker 6>I just have to say, because when that, it's a

0:32:46.000 --> 0:32:49.680
<v Speaker 6>commercial break and it comes back right and it opens

0:32:49.840 --> 0:32:55.720
<v Speaker 6>on Josie like actually kissing a toe, and Doug and

0:32:55.760 --> 0:32:58.840
<v Speaker 6>I were so and it was so Melrose is pushing

0:32:59.080 --> 0:33:01.040
<v Speaker 6>and we're like, did we just see that? Did she

0:33:01.280 --> 0:33:02.000
<v Speaker 6>actually have to do that?

0:33:02.040 --> 0:33:02.520
<v Speaker 1>And she did.

0:33:02.800 --> 0:33:04.240
<v Speaker 6>We had to go back, we had to rewind it

0:33:04.280 --> 0:33:07.080
<v Speaker 6>and make sure watch it again. She crawled up and

0:33:07.760 --> 0:33:10.720
<v Speaker 6>she was so cute and so adorable.

0:33:10.320 --> 0:33:12.200
<v Speaker 3>And he just prove it, Oh my gosh.

0:33:12.560 --> 0:33:14.240
<v Speaker 6>And then he just continues to be a little bit

0:33:14.360 --> 0:33:19.480
<v Speaker 6>like smug and weird, gorgeous, begging.

0:33:21.080 --> 0:33:21.600
<v Speaker 4>Do you have that?

0:33:22.400 --> 0:33:26.640
<v Speaker 6>Yeah, Jane, you deserve better, all right. So then Ronda

0:33:27.520 --> 0:33:29.600
<v Speaker 6>is where we meet Ronda and she's peeking through the

0:33:29.680 --> 0:33:33.120
<v Speaker 6>window to see Billy going into Alison's apartment. So she

0:33:33.640 --> 0:33:35.240
<v Speaker 6>is learning.

0:33:35.840 --> 0:33:37.640
<v Speaker 4>Remember we forgot to say that she did say that

0:33:37.760 --> 0:33:40.520
<v Speaker 4>she saw her sneak out and hadn't stopped her, right, Oh.

0:33:40.560 --> 0:33:40.960
<v Speaker 5>Yeah, yeah.

0:33:41.040 --> 0:33:43.280
<v Speaker 6>So Ronda seems to have a little bit of an

0:33:43.320 --> 0:33:45.240
<v Speaker 6>eye on what else is going on in the building.

0:33:46.200 --> 0:33:48.200
<v Speaker 5>She's like, who's the guy, the cute guy.

0:33:49.160 --> 0:33:51.200
<v Speaker 7>Ronda says that yep and uh.

0:33:51.400 --> 0:33:54.520
<v Speaker 6>And she's also shaming Sandy for sleeping until noon.

0:33:56.440 --> 0:33:57.320
<v Speaker 5>That's a lot of energy.

0:33:57.880 --> 0:34:00.480
<v Speaker 6>Sort of funny. But back in Allison and Billy's apartment,

0:34:01.000 --> 0:34:05.520
<v Speaker 6>Alison walks in to find Billy shirtless. Yes yeah yang

0:34:05.800 --> 0:34:09.680
<v Speaker 6>on the shirtless yay winter winner. Alison is the winner,

0:34:10.760 --> 0:34:13.520
<v Speaker 6>and Billy asks Allison if she's told them. Okay, this

0:34:13.719 --> 0:34:15.759
<v Speaker 6>was a super cute scene because it was all like

0:34:15.960 --> 0:34:18.160
<v Speaker 6>the on Tundra, like have you told your parents yet?

0:34:18.560 --> 0:34:20.279
<v Speaker 6>Oh no, but I think they would be supportive, like

0:34:20.640 --> 0:34:24.720
<v Speaker 6>like super cute dialogue with super cute couple, like flirty

0:34:24.840 --> 0:34:26.799
<v Speaker 6>but not supposed to be. And then the thing about

0:34:26.800 --> 0:34:29.399
<v Speaker 6>the food sharing, which is it was just so chiming

0:34:29.440 --> 0:34:31.680
<v Speaker 6>and adorable and labeled not sharing.

0:34:31.760 --> 0:34:33.920
<v Speaker 2>You mean the food not sharing. I don't want your

0:34:33.960 --> 0:34:36.239
<v Speaker 2>peanut butter, you don't get to touch mine, right.

0:34:36.280 --> 0:34:38.000
<v Speaker 4>Yeah, I don't think those some of the like sometimes

0:34:38.040 --> 0:34:40.160
<v Speaker 4>in a pilot where you have these very strong character

0:34:40.320 --> 0:34:42.440
<v Speaker 4>choices and then they fade because I don't remember that

0:34:42.520 --> 0:34:44.920
<v Speaker 4>about Alison going forward, right, I don't remember seeing the

0:34:45.000 --> 0:34:45.880
<v Speaker 4>labels again.

0:34:45.719 --> 0:34:47.800
<v Speaker 1>That she was pretty a cute idea to have that character.

0:34:47.960 --> 0:34:50.080
<v Speaker 6>It was, Yeah, it was a cute dynamicte I do it.

0:34:50.160 --> 0:34:52.120
<v Speaker 5>And then Melo just left her.

0:34:53.840 --> 0:34:54.800
<v Speaker 1>Boy did it?

0:34:55.760 --> 0:34:59.799
<v Speaker 6>And uh so then Ronda, Ronda is talking with Matt

0:34:59.800 --> 0:35:01.400
<v Speaker 6>who swimming in the pool. So guess what to be

0:35:01.400 --> 0:35:03.920
<v Speaker 6>swimming in the pool, you have to be sure less.

0:35:04.840 --> 0:35:07.960
<v Speaker 4>And you remember if the pool was really warm? Did

0:35:08.000 --> 0:35:09.560
<v Speaker 4>you guys talk about it? Because I was trying to

0:35:09.600 --> 0:35:12.000
<v Speaker 4>remember how warm the pool was as people were swimming

0:35:12.040 --> 0:35:12.200
<v Speaker 4>in it.

0:35:12.400 --> 0:35:15.160
<v Speaker 6>I remember when I eventually got in the pool and

0:35:15.239 --> 0:35:18.279
<v Speaker 6>your wedding rider there was that, but it.

0:35:19.760 --> 0:35:20.600
<v Speaker 5>Was it was warm.

0:35:20.640 --> 0:35:22.080
<v Speaker 6>It was not a prop like I never felt like

0:35:22.120 --> 0:35:25.000
<v Speaker 6>it was a cold situation. But like Doug said that,

0:35:25.120 --> 0:35:27.880
<v Speaker 6>he remembered and maybe you can corroborate or not that

0:35:28.680 --> 0:35:31.440
<v Speaker 6>because they had dug this pool in a sound stage.

0:35:31.520 --> 0:35:33.560
<v Speaker 6>They had dug out into the floor and built this

0:35:33.640 --> 0:35:35.520
<v Speaker 6>pool in the sound stage. They'd spent so much money

0:35:35.560 --> 0:35:38.400
<v Speaker 6>on it. Mister Spelling was like, we need to use

0:35:38.440 --> 0:35:40.080
<v Speaker 6>the pool. Make sure people are in the pool in

0:35:40.120 --> 0:35:42.319
<v Speaker 6>every episode, and so every episode he was like, who's

0:35:42.360 --> 0:35:43.319
<v Speaker 6>going this week?

0:35:43.400 --> 0:35:45.920
<v Speaker 3>Oh that's so right. Well, they sure piled you all

0:35:45.960 --> 0:35:47.040
<v Speaker 3>into the pilot.

0:35:47.080 --> 0:35:48.960
<v Speaker 6>Right, so I think they were the people were in

0:35:49.000 --> 0:35:50.600
<v Speaker 6>the pool like three or four times in the pilot

0:35:50.600 --> 0:35:52.680
<v Speaker 6>at least, but it was like, get our money's worth

0:35:52.760 --> 0:35:55.120
<v Speaker 6>out of that pool. So yeah.

0:35:55.160 --> 0:35:57.680
<v Speaker 2>The next scene when Billy's dancing with the flower court,

0:35:58.000 --> 0:36:00.560
<v Speaker 2>Oh that was the cute you love doing that scene?

0:36:00.560 --> 0:36:01.160
<v Speaker 5>Do you remember?

0:36:01.239 --> 0:36:04.040
<v Speaker 1>Daly forgot? But watching it, I was like, that is

0:36:04.120 --> 0:36:05.520
<v Speaker 1>the cutest. And I think that was one of the

0:36:05.560 --> 0:36:06.320
<v Speaker 1>audition scenes.

0:36:06.440 --> 0:36:08.439
<v Speaker 3>Oh really, and no wonder he won the job.

0:36:08.520 --> 0:36:12.560
<v Speaker 1>He was adorable, adorable, I know, So was it?

0:36:12.840 --> 0:36:14.640
<v Speaker 5>I don't imagine it being hard.

0:36:15.520 --> 0:36:19.799
<v Speaker 2>Uh you know, you as the character getting lit up

0:36:19.840 --> 0:36:22.840
<v Speaker 2>by him and opening up to that kind of like

0:36:22.920 --> 0:36:25.160
<v Speaker 2>oh I like him and just using that chemistry and

0:36:25.320 --> 0:36:26.840
<v Speaker 2>using your feelings or did you know.

0:36:26.920 --> 0:36:30.000
<v Speaker 1>We were dating by episode like two.

0:36:32.239 --> 0:36:33.400
<v Speaker 7>To you guys actually dating?

0:36:33.680 --> 0:36:34.759
<v Speaker 5>We were actually.

0:36:34.560 --> 0:36:37.319
<v Speaker 4>Flirting, Like any flirting you see was actually we were

0:36:37.400 --> 0:36:38.280
<v Speaker 4>actually flirting.

0:36:38.320 --> 0:36:40.360
<v Speaker 6>It's so funny because they're writing the character is like

0:36:40.520 --> 0:36:44.200
<v Speaker 6>not flirting, but it's impossible not to because it's just

0:36:44.239 --> 0:36:46.680
<v Speaker 6>such cute yeah, chemistry everything.

0:36:46.840 --> 0:36:50.080
<v Speaker 1>As you know, he's so adorable, like is a person, Yeah,

0:36:50.160 --> 0:36:51.160
<v Speaker 1>so adorable.

0:36:50.800 --> 0:36:52.760
<v Speaker 6>That dancing scene because he has to do it twice.

0:36:52.920 --> 0:36:55.080
<v Speaker 6>First he's dancing when you walk in on and he's

0:36:55.160 --> 0:36:57.320
<v Speaker 6>dancing like just kind of on his own and whatever,

0:36:57.560 --> 0:37:00.279
<v Speaker 6>just like with wild abandon and like good for him

0:37:00.360 --> 0:37:05.120
<v Speaker 6>for such commitment and like such, like you know, he

0:37:05.320 --> 0:37:07.480
<v Speaker 6>was not that experience as an actor, right because he

0:37:07.600 --> 0:37:09.600
<v Speaker 6>was he was a soccer player, he's or whatever, and

0:37:10.200 --> 0:37:13.560
<v Speaker 6>he's but he was just so natural and so willing

0:37:13.640 --> 0:37:17.399
<v Speaker 6>to that and it was so charming. So and then

0:37:17.840 --> 0:37:19.600
<v Speaker 6>and Doug was watching it, going, wait, I thought he

0:37:19.680 --> 0:37:21.480
<v Speaker 6>was dancing with the Mop And then sure enough later

0:37:21.600 --> 0:37:23.480
<v Speaker 6>he comes in he has another scene where he's dancing

0:37:23.480 --> 0:37:27.279
<v Speaker 6>with the Mop and he's like, yep, I remember it correctly. Yeah,

0:37:27.360 --> 0:37:29.440
<v Speaker 6>So that was cute. And then of course we're back

0:37:29.480 --> 0:37:32.120
<v Speaker 6>to Kelly showing up at Jake's apartment, and this is

0:37:32.320 --> 0:37:35.400
<v Speaker 6>where you know, they're in this like sort of struggle

0:37:35.480 --> 0:37:38.800
<v Speaker 6>of like should I or shouldn't I? And it's.

0:37:40.120 --> 0:37:42.000
<v Speaker 2>You know what, it's so funny because this is such

0:37:42.040 --> 0:37:45.360
<v Speaker 2>a cliche way for a guy to act after being with,

0:37:45.600 --> 0:37:50.080
<v Speaker 2>you know, leading on a younger girl. I mean not

0:37:50.239 --> 0:37:53.320
<v Speaker 2>even there, not even using their big age difference.

0:37:53.440 --> 0:37:54.440
<v Speaker 1>But it's just like, oh, I.

0:37:54.400 --> 0:37:56.560
<v Speaker 5>Don't remember us. What's the line? I don't remember I

0:37:56.640 --> 0:37:57.760
<v Speaker 5>was planning a future together.

0:37:58.160 --> 0:38:01.040
<v Speaker 2>I mean, that's so like for all the young people

0:38:01.160 --> 0:38:03.840
<v Speaker 2>now they got away with that ship back then and

0:38:03.920 --> 0:38:06.440
<v Speaker 2>we went home ashamed and like what did I do wrong?

0:38:06.719 --> 0:38:08.680
<v Speaker 2>And it's like that doesn't I hope that doesn't happen

0:38:08.719 --> 0:38:12.120
<v Speaker 2>anymore because I would be like so indignant now, you

0:38:12.160 --> 0:38:13.759
<v Speaker 2>know what I mean, Like in this day and age,

0:38:13.760 --> 0:38:14.560
<v Speaker 2>I don't think they could.

0:38:14.440 --> 0:38:15.360
<v Speaker 1>Get away with stuff like that.

0:38:15.520 --> 0:38:15.960
<v Speaker 5>But I don't know.

0:38:16.480 --> 0:38:20.080
<v Speaker 1>Ye are smarter now than we were. Honestly, I think

0:38:20.120 --> 0:38:21.560
<v Speaker 1>that smarter.

0:38:22.480 --> 0:38:23.520
<v Speaker 5>But that was one of the lines.

0:38:23.520 --> 0:38:25.280
<v Speaker 7>I don't remember us planning a future together?

0:38:25.600 --> 0:38:29.520
<v Speaker 1>And yeah she had she had the line that that, uh,

0:38:30.280 --> 0:38:36.080
<v Speaker 1>what's the problem, Jake. Don't you think I'm all out

0:38:36.160 --> 0:38:37.360
<v Speaker 1>for women everywhere?

0:38:37.560 --> 0:38:37.759
<v Speaker 5>Yeah?

0:38:38.239 --> 0:38:41.160
<v Speaker 1>Poor baby jokes, you know.

0:38:42.040 --> 0:38:45.560
<v Speaker 6>And speaking of that scene, though, another one of Grant's

0:38:45.600 --> 0:38:48.880
<v Speaker 6>lines that he had to deliver was I hate moral dilemmas.

0:38:51.360 --> 0:38:55.520
<v Speaker 6>He had to say it out loud soap operas, though,

0:38:55.600 --> 0:38:58.319
<v Speaker 6>so jes became the audience doesn't know what I'm going

0:38:58.400 --> 0:39:03.360
<v Speaker 6>through I hate moral Alemma. Yeah, yeah, right, that was

0:39:03.440 --> 0:39:04.320
<v Speaker 6>his moral dilemma.

0:39:04.600 --> 0:39:05.320
<v Speaker 1>That's so funny.

0:39:05.400 --> 0:39:08.000
<v Speaker 6>Okay. So then they end up scene by kissing passionately

0:39:08.080 --> 0:39:10.000
<v Speaker 6>by the pool. Did anybody do a kiss count? Do

0:39:10.080 --> 0:39:11.920
<v Speaker 6>we remember to do a kiss count for this episode?

0:39:12.000 --> 0:39:14.560
<v Speaker 1>I didn't have to remember many in this episode. It

0:39:14.640 --> 0:39:16.040
<v Speaker 1>gets it gets more later.

0:39:16.080 --> 0:39:17.520
<v Speaker 6>I think I forgot. I was counting on one of

0:39:17.600 --> 0:39:21.759
<v Speaker 6>you to remember, Shirtless I counted. So then Allison was

0:39:21.800 --> 0:39:24.320
<v Speaker 6>even for work from Ronda comes by asks her about Billy,

0:39:24.719 --> 0:39:28.200
<v Speaker 6>and Alison complains about Billy again you stink her me,

0:39:28.840 --> 0:39:33.200
<v Speaker 6>complaining that he's messy Alice, all right, whatever, But Ronda

0:39:33.320 --> 0:39:35.359
<v Speaker 6>goes to her exercise class, and we need to talk

0:39:35.400 --> 0:39:37.640
<v Speaker 6>about this because then another sign of the times her

0:39:37.680 --> 0:39:38.960
<v Speaker 6>cardio funk love.

0:39:39.320 --> 0:39:41.759
<v Speaker 1>Did you cringe when they had the closes up on her?

0:39:42.040 --> 0:39:45.640
<v Speaker 6>Like, I was like, wait, the butt, the butt, the butt? Yeah,

0:39:45.719 --> 0:39:48.960
<v Speaker 6>they they went up twice. They went up in the

0:39:49.000 --> 0:39:50.600
<v Speaker 6>butt and then they came back to it. I have

0:39:50.719 --> 0:39:54.040
<v Speaker 6>to say, I couldn't you And it wasn't short.

0:39:54.480 --> 0:39:57.000
<v Speaker 5>It did like it lasted. I'm just like, okay, we

0:39:57.160 --> 0:39:57.440
<v Speaker 5>got it.

0:39:57.640 --> 0:39:59.560
<v Speaker 3>And the guy looking at the girls in front of

0:39:59.640 --> 0:40:00.200
<v Speaker 3>them and they're.

0:40:00.760 --> 0:40:01.720
<v Speaker 1>To be quite so close.

0:40:02.000 --> 0:40:04.800
<v Speaker 6>To be clear, it wasn't Vanessa's, but it was some

0:40:05.320 --> 0:40:07.560
<v Speaker 6>actor who was in the scene, which, by the way,

0:40:07.840 --> 0:40:09.840
<v Speaker 6>was that scene shot in the production office of the

0:40:09.880 --> 0:40:12.040
<v Speaker 6>sound stage. They cleared it out. Do you remember this?

0:40:12.160 --> 0:40:15.320
<v Speaker 6>Doug said, Look that it was the production office space

0:40:15.560 --> 0:40:18.600
<v Speaker 6>of our sound stages, and they dressed it up go

0:40:18.840 --> 0:40:22.200
<v Speaker 6>art department like an aerobics studio lot. And they must

0:40:22.239 --> 0:40:24.799
<v Speaker 6>have had to rehearse that choreography and do all those

0:40:25.280 --> 0:40:28.120
<v Speaker 6>aerobics and cardio funk things. But then that was the

0:40:28.160 --> 0:40:30.800
<v Speaker 6>shot they chose to do. Is this you know actress

0:40:30.840 --> 0:40:33.480
<v Speaker 6>who just appears in one scene and they show her

0:40:33.520 --> 0:40:37.200
<v Speaker 6>butt twice, like from a very awkward angle. It really

0:40:37.360 --> 0:40:40.360
<v Speaker 6>whoa close up And then yeah, see that was just

0:40:40.400 --> 0:40:43.120
<v Speaker 6>a way to do that. We see, Yeah, sign of

0:40:43.160 --> 0:40:44.520
<v Speaker 6>the times for sure, because that would not.

0:40:44.840 --> 0:40:47.040
<v Speaker 2>But can we just pull away from that and like,

0:40:47.239 --> 0:40:50.520
<v Speaker 2>how fun is it seeing those outfits those aerobics outfits

0:40:50.680 --> 0:40:55.840
<v Speaker 2>the belt the Leoitar took a cardiofunk class in the nineties.

0:40:56.080 --> 0:40:59.200
<v Speaker 7>I took Jane Fonda's workout on Robertson same did you.

0:40:59.600 --> 0:41:00.359
<v Speaker 3>I went to Karen.

0:41:00.440 --> 0:41:04.960
<v Speaker 6>I went to Karen Voight and Jane Karen on Losienica.

0:41:04.400 --> 0:41:07.680
<v Speaker 2>Yeah, Losa and Santa Monica, and then also Jane fond

0:41:07.760 --> 0:41:09.560
<v Speaker 2>Is on Robertson Jane found to work out.

0:41:09.600 --> 0:41:14.320
<v Speaker 6>So Vanessa's Karen Farms. Yeah, that was the that was

0:41:14.360 --> 0:41:15.960
<v Speaker 6>the real deal in the nineties.

0:41:16.040 --> 0:41:19.279
<v Speaker 4>That was actually like former I dare you to try

0:41:19.360 --> 0:41:22.200
<v Speaker 4>to do her video now, Yeah, it's like a thousand

0:41:22.520 --> 0:41:23.239
<v Speaker 4>leg lifts so.

0:41:23.360 --> 0:41:25.560
<v Speaker 6>Hard, but if you have the belt, it's probably better

0:41:25.600 --> 0:41:27.759
<v Speaker 6>if you belt your belt.

0:41:27.800 --> 0:41:28.720
<v Speaker 1>That makes a big difference.

0:41:29.160 --> 0:41:32.359
<v Speaker 6>Okay, all right, so that a Rubbics class is really

0:41:32.400 --> 0:41:35.480
<v Speaker 6>something and he she ends up having a guy ask

0:41:35.560 --> 0:41:39.000
<v Speaker 6>her out from taking her Rubbics class. So we then

0:41:39.120 --> 0:41:43.560
<v Speaker 6>circle back to D and D where Allison is asked

0:41:43.680 --> 0:41:45.839
<v Speaker 6>by hal Barber about going to an event.

0:41:46.680 --> 0:41:49.360
<v Speaker 1>Very good news and yet we'll get back to that.

0:41:50.160 --> 0:41:52.200
<v Speaker 6>Well, it sounded like good news to Allison at the time,

0:41:52.239 --> 0:41:56.640
<v Speaker 6>but the audience is going, Alison, do you not see.

0:41:56.719 --> 0:41:59.040
<v Speaker 2>The audience now or don't you think the audience back

0:41:59.120 --> 0:42:01.520
<v Speaker 2>then was like She's yeah, I mean I watched it.

0:42:01.640 --> 0:42:03.240
<v Speaker 5>You can look at it through.

0:42:05.040 --> 0:42:08.239
<v Speaker 1>Through the way. How played it? The audience knew it was.

0:42:08.440 --> 0:42:11.239
<v Speaker 1>He wasn't subtle, he was not he was really playing it.

0:42:11.400 --> 0:42:13.560
<v Speaker 6>But I do think that the times were different, like

0:42:13.680 --> 0:42:17.239
<v Speaker 6>because the character's written as like she just needs to

0:42:17.280 --> 0:42:20.480
<v Speaker 6>go smile and go, oh great, thank you, I'm so excited.

0:42:20.680 --> 0:42:25.040
<v Speaker 6>Like the expectation is you're just supposed to be, you know,

0:42:25.200 --> 0:42:30.239
<v Speaker 6>ignoring all those signs and and just like taking like

0:42:30.440 --> 0:42:31.960
<v Speaker 6>the gift of this invitation.

0:42:32.840 --> 0:42:35.040
<v Speaker 1>As I was thinking, I was so much nicer to

0:42:35.120 --> 0:42:36.360
<v Speaker 1>him than I was to Sweet.

0:42:36.120 --> 0:42:43.160
<v Speaker 6>Billy I was watching, which is like Barry Macks. Oh boy.

0:42:43.480 --> 0:42:46.560
<v Speaker 4>So then Rondo stops by Jane store. Was that the

0:42:46.680 --> 0:42:49.640
<v Speaker 4>makeup was that the wardrobe trailer her store looked like

0:42:49.680 --> 0:42:50.840
<v Speaker 4>the wardrobe trailer to me.

0:42:51.239 --> 0:42:53.960
<v Speaker 6>Interesting, it seemed bigger than that because it was two rooms, right,

0:42:55.200 --> 0:42:57.560
<v Speaker 6>didn't they go? They kept going from one to another.

0:42:57.800 --> 0:42:59.880
<v Speaker 1>I thought it looked like the wardrobe trailer to me.

0:43:00.680 --> 0:43:03.080
<v Speaker 5>I don't think so that's so small.

0:43:03.239 --> 0:43:05.560
<v Speaker 1>But or the room, remember we had the wardrobe rooms

0:43:05.680 --> 0:43:09.359
<v Speaker 1>upstairs and buff maybe that mabe it was, yeah, that's

0:43:09.400 --> 0:43:09.920
<v Speaker 1>what it looked like.

0:43:10.160 --> 0:43:13.160
<v Speaker 6>Yeah, yeah, but that was cute. And and Josie and

0:43:13.280 --> 0:43:15.440
<v Speaker 6>Vanessa had like a ton of dialogue and they're going

0:43:15.520 --> 0:43:18.480
<v Speaker 6>back and forth, and yeah, it was really cute. So

0:43:18.680 --> 0:43:22.440
<v Speaker 6>then back at the burger joint. Donna can't believe Saney

0:43:22.560 --> 0:43:26.040
<v Speaker 6>high schoolers yep, yep, And I can't believe Jake ignored

0:43:26.120 --> 0:43:27.879
<v Speaker 6>you and you're still going to pursue it blah blah

0:43:27.920 --> 0:43:31.640
<v Speaker 6>blah blah. But back to Billy and Allison, where Billy's

0:43:31.719 --> 0:43:33.880
<v Speaker 6>dancing again. So this is the second time we were

0:43:34.000 --> 0:43:35.480
<v Speaker 6>dancing with the mop and he's so cute, and you

0:43:35.680 --> 0:43:39.680
<v Speaker 6>learn Allison learns that he's an Arthur Murray dance teacher,

0:43:39.760 --> 0:43:42.360
<v Speaker 6>which is so funny to me. That is not something

0:43:42.400 --> 0:43:43.239
<v Speaker 6>I recalled at all.

0:43:43.520 --> 0:43:44.839
<v Speaker 1>I didn't remember it last.

0:43:44.920 --> 0:43:46.160
<v Speaker 7>All probably did last.

0:43:46.880 --> 0:43:48.680
<v Speaker 1>I don't remember the ways.

0:43:49.360 --> 0:43:49.880
<v Speaker 5>And then it's so.

0:43:49.920 --> 0:43:54.840
<v Speaker 1>Funny down to Billy, I will live with you. That

0:43:54.960 --> 0:43:56.759
<v Speaker 1>does not mean I have to dance with you.

0:43:57.160 --> 0:44:02.000
<v Speaker 6>Yeah, yeah, but with a little cute little KOI like

0:44:02.280 --> 0:44:06.400
<v Speaker 6>cute little glisten in your eye, Oh my gosh. And

0:44:06.800 --> 0:44:09.560
<v Speaker 6>so then there's the shooter scene where all the high

0:44:09.600 --> 0:44:12.080
<v Speaker 6>schoolers show up to sort of back Kelly up as

0:44:12.160 --> 0:44:12.799
<v Speaker 6>she's trying to have.

0:44:12.840 --> 0:44:13.840
<v Speaker 1>A date with Jacob.

0:44:14.040 --> 0:44:16.160
<v Speaker 5>This motorcycle kind of up on him.

0:44:16.560 --> 0:44:18.640
<v Speaker 6>Kind of yeah, but that's where I was struck by

0:44:18.840 --> 0:44:22.839
<v Speaker 6>Ian Zeering's mullet. Yes as maybe the best worst hair

0:44:23.000 --> 0:44:24.719
<v Speaker 6>of the episode that stood out.

0:44:24.920 --> 0:44:26.120
<v Speaker 1>Yeah, great sign of the times.

0:44:26.280 --> 0:44:29.360
<v Speaker 6>Yes, and that's where I noticed that maybe Brian Austin

0:44:29.840 --> 0:44:34.120
<v Speaker 6>Green's voice had he was super young too, Yeah, it

0:44:34.160 --> 0:44:38.880
<v Speaker 6>just seems really young. But yeah, So Sandy learns that

0:44:39.600 --> 0:44:44.520
<v Speaker 6>Ian has a very famous actress mom, and she's, you know,

0:44:45.360 --> 0:44:49.480
<v Speaker 6>gaga over that. But back at the apartment building, Jane

0:44:49.640 --> 0:44:52.879
<v Speaker 6>is planning for a romantic night. She's made a nice dinner,

0:44:52.920 --> 0:44:55.000
<v Speaker 6>a nice bottle of wine. When Michael comes home from work.

0:44:55.160 --> 0:44:57.000
<v Speaker 6>Did you notice it was eleven thirty at night.

0:44:57.520 --> 0:44:59.640
<v Speaker 4>I was just thinking that's too late to eat, but

0:44:59.719 --> 0:45:02.759
<v Speaker 4>I'm five o'clock or did they say that's what they said,

0:45:02.800 --> 0:45:03.960
<v Speaker 4>it's eleven thirty at night.

0:45:04.120 --> 0:45:05.520
<v Speaker 5>Oh oh that you were listening?

0:45:05.800 --> 0:45:07.560
<v Speaker 1>Yeah, God bless her.

0:45:07.719 --> 0:45:09.759
<v Speaker 4>Like the way he stays up till eleven thirty to

0:45:09.840 --> 0:45:11.640
<v Speaker 4>cook dinner after doctors hours.

0:45:11.719 --> 0:45:14.360
<v Speaker 1>Wow. But when the phone rang and still can't she

0:45:14.400 --> 0:45:17.239
<v Speaker 1>still can't get laid, no what And she just couldn't.

0:45:16.960 --> 0:45:21.040
<v Speaker 6>Be sweeter and he couldn't be like yeah, it's hilarious,

0:45:21.160 --> 0:45:23.160
<v Speaker 6>and he just couldn't be less interested. So when the

0:45:23.280 --> 0:45:25.879
<v Speaker 6>phone rings in the middle of their dinner, my first

0:45:25.880 --> 0:45:27.960
<v Speaker 6>impulse is like, well, it's not Sydney because she's not

0:45:28.040 --> 0:45:30.600
<v Speaker 6>there yet, because usually that's what it is. It's like, uh,

0:45:30.760 --> 0:45:33.960
<v Speaker 6>Sydney is in jail again something like that, but it's

0:45:33.960 --> 0:45:37.640
<v Speaker 6>not as ye wait for wait for it, because it

0:45:37.640 --> 0:45:39.200
<v Speaker 6>will be Sydney down the line. But now it's the

0:45:39.280 --> 0:45:41.759
<v Speaker 6>landlord and there's been a bounced check which was bail.

0:45:42.120 --> 0:45:44.279
<v Speaker 4>Was also like you would never answer the phone at

0:45:44.280 --> 0:45:46.239
<v Speaker 4>eleven thirty. That was in the time, the thing about

0:45:46.239 --> 0:45:48.239
<v Speaker 4>then we answered the phone when the phone rang, went

0:45:48.280 --> 0:45:50.520
<v Speaker 4>oh phone, that's all we had, Like you never could

0:45:50.640 --> 0:45:53.239
<v Speaker 4>you never thought of not answering your phone the phone

0:45:53.280 --> 0:45:54.040
<v Speaker 4>with thirty at door.

0:45:54.719 --> 0:45:59.839
<v Speaker 6>Yeah, but that of course was Billy's bounced rent check. Yes,

0:46:00.880 --> 0:46:04.480
<v Speaker 6>so there's that. What's gonna happen if they can't pay

0:46:04.480 --> 0:46:05.520
<v Speaker 6>their rest the next morning?

0:46:05.640 --> 0:46:07.799
<v Speaker 2>Jane in the pool, I just I can see your

0:46:07.840 --> 0:46:11.359
<v Speaker 2>point about Aaron Spelling saying get him in the bowl because.

0:46:11.320 --> 0:46:13.399
<v Speaker 5>You know she's in the pool. Yeah, you can buye

0:46:13.440 --> 0:46:14.200
<v Speaker 5>a chat with her and.

0:46:14.239 --> 0:46:16.800
<v Speaker 1>You're I think there was more in the pilot.

0:46:16.880 --> 0:46:18.880
<v Speaker 4>I think over time we started to take a stand

0:46:19.160 --> 0:46:21.760
<v Speaker 4>and also then you'd have to redo hair and makeup,

0:46:21.800 --> 0:46:24.160
<v Speaker 4>and nobody wanted the time to redo hair and makeup. Remember,

0:46:24.200 --> 0:46:25.839
<v Speaker 4>because there were so many of us, So I think

0:46:25.880 --> 0:46:28.160
<v Speaker 4>that that lessoned and the pilot were like, sure, i'll

0:46:28.200 --> 0:46:30.680
<v Speaker 4>do it, I'll do it, yes, service to spelling.

0:46:30.360 --> 0:46:32.239
<v Speaker 1>I'll do it. And then people sort of backed away

0:46:32.280 --> 0:46:32.480
<v Speaker 1>from it.

0:46:32.680 --> 0:46:34.759
<v Speaker 6>But like in this scene, Jake comes up and he's

0:46:34.840 --> 0:46:37.239
<v Speaker 6>threatening to throw Alison in, and hair and makeup is

0:46:37.239 --> 0:46:38.400
<v Speaker 6>probably going no no, no, no, no no no no,

0:46:39.120 --> 0:46:41.719
<v Speaker 6>like no no, and so you in turn you push

0:46:41.920 --> 0:46:43.799
<v Speaker 6>Jake in instead, and Jake is the one who has

0:46:43.840 --> 0:46:45.680
<v Speaker 6>to go in the pool because, let me guess, is

0:46:45.719 --> 0:46:49.040
<v Speaker 6>he shirtless? As a matter of fact, he was, yes,

0:46:49.080 --> 0:46:52.480
<v Speaker 6>oh stress and I've lost county. No, I'll give you

0:46:52.520 --> 0:46:54.799
<v Speaker 6>a final talent at the end, unless anybody's keeping track

0:46:55.080 --> 0:46:59.040
<v Speaker 6>along with me. Then back at D and D at

0:46:59.080 --> 0:47:02.279
<v Speaker 6>the advertising agents, see how surprises ow Oh wait no,

0:47:02.440 --> 0:47:05.239
<v Speaker 6>here's where he gets invited to the thing. So there

0:47:05.320 --> 0:47:07.640
<v Speaker 6>was all these things leading up to the actual invitation.

0:47:07.719 --> 0:47:10.239
<v Speaker 6>But now he's finally inviting our and cheese going and

0:47:10.600 --> 0:47:13.200
<v Speaker 6>Ronda is getting excited about her night out because she

0:47:14.480 --> 0:47:15.719
<v Speaker 6>has a new dress to wear and she.

0:47:15.800 --> 0:47:19.960
<v Speaker 1>Wants to a handsome guy. Yeah, we all had such

0:47:20.040 --> 0:47:20.920
<v Speaker 1>high hopes for that date.

0:47:21.160 --> 0:47:23.840
<v Speaker 6>And I love their relationship like Ronda and Matt's like

0:47:23.880 --> 0:47:26.160
<v Speaker 6>friendship and like she goes straight to Matt like and

0:47:26.320 --> 0:47:30.520
<v Speaker 6>he's he's like totally adorably appreciative of her looking great

0:47:30.640 --> 0:47:32.480
<v Speaker 6>and wishing her well and having a great night. And

0:47:32.560 --> 0:47:34.600
<v Speaker 6>that was such a cute relation to rible, don't do

0:47:34.680 --> 0:47:43.799
<v Speaker 6>anything I wouldn't do, Okay, Matt. So then we're at

0:47:43.840 --> 0:47:47.520
<v Speaker 6>the hel Hell's taking Alison too, the client work party,

0:47:47.600 --> 0:47:50.719
<v Speaker 6>and yeah, and Alison's such an adorable in her polka

0:47:50.760 --> 0:47:53.880
<v Speaker 6>dot dress, being so grateful to be there and so

0:47:54.000 --> 0:47:56.560
<v Speaker 6>excited about the people she might meet and what could

0:47:56.600 --> 0:47:58.919
<v Speaker 6>possibly go wrong? Could they possibly go wrong?

0:47:59.360 --> 0:47:59.560
<v Speaker 2>Yeah?

0:48:00.000 --> 0:48:02.160
<v Speaker 6>And then but on the other hand, Ronda and her

0:48:02.360 --> 0:48:07.160
<v Speaker 6>date are having dinner on Melrose. Was Kafy Luna? Was

0:48:07.200 --> 0:48:08.840
<v Speaker 6>that an actual restaurant? Was that a name that we

0:48:09.000 --> 0:48:09.360
<v Speaker 6>changed her?

0:48:09.400 --> 0:48:09.720
<v Speaker 5>Cafe?

0:48:10.120 --> 0:48:11.360
<v Speaker 1>Cafe Luna was a restaurant.

0:48:11.440 --> 0:48:13.400
<v Speaker 6>It was an actual rest Yeah, yeah, we remember when

0:48:13.440 --> 0:48:15.920
<v Speaker 6>we used We used like regular locations and like we

0:48:16.040 --> 0:48:20.280
<v Speaker 6>went to place. Yeah, but their date goes wrong because

0:48:20.840 --> 0:48:24.280
<v Speaker 6>he's really only interested in proposing a multi level marketing

0:48:24.880 --> 0:48:25.800
<v Speaker 6>level marketing.

0:48:25.920 --> 0:48:30.520
<v Speaker 4>That was so heartbreaking that moment, right, she was devastated. Yeah,

0:48:31.480 --> 0:48:34.480
<v Speaker 4>that was that was catfishing in the nineties. They wouldn't

0:48:34.480 --> 0:48:36.479
<v Speaker 4>steal your money, but they try to sell you multi level.

0:48:37.800 --> 0:48:40.040
<v Speaker 6>I only see you as an opportunity for my multi

0:48:40.120 --> 0:48:41.680
<v Speaker 6>level mictings.

0:48:41.800 --> 0:48:42.439
<v Speaker 1>That was sad.

0:48:42.600 --> 0:48:43.160
<v Speaker 5>Oh my gosh.

0:48:43.360 --> 0:48:47.800
<v Speaker 6>Yeah. So then the other couple sort of struggling is

0:48:48.120 --> 0:48:51.480
<v Speaker 6>Kelly and Jake as Kelly one more time is trying

0:48:51.520 --> 0:48:52.799
<v Speaker 6>to girl.

0:48:53.360 --> 0:48:55.600
<v Speaker 5>She does not get the third or fourth time. I

0:48:55.719 --> 0:48:56.760
<v Speaker 5>was like, are you serious?

0:48:57.360 --> 0:49:01.480
<v Speaker 1>Yeah, he's just not that into you. Yeah, that movie

0:49:01.520 --> 0:49:04.120
<v Speaker 1>hadn't come out yet, or the book where we couldn't help.

0:49:04.040 --> 0:49:06.719
<v Speaker 6>Her then, yeah, she had not read it. But he

0:49:06.840 --> 0:49:08.800
<v Speaker 6>did answer the door while pulling a tank top on,

0:49:08.880 --> 0:49:10.480
<v Speaker 6>so he's like, all right, I'm not doing this shirtless.

0:49:10.719 --> 0:49:14.439
<v Speaker 6>I'm just gonna have a tank top on. So yeah,

0:49:14.960 --> 0:49:19.960
<v Speaker 6>then but in Alison and Billy's apartment, he is.

0:49:19.960 --> 0:49:20.759
<v Speaker 5>He shirtless for this?

0:49:21.239 --> 0:49:24.800
<v Speaker 6>When Billy sticks out the bed, Yeah, shirtless on the bed. Okay,

0:49:26.000 --> 0:49:28.279
<v Speaker 6>when hell comes in and he's just super smart.

0:49:28.280 --> 0:49:31.160
<v Speaker 4>Yeah, super super smart comes after her, and why is

0:49:31.200 --> 0:49:32.040
<v Speaker 4>he at her apartment?

0:49:32.160 --> 0:49:34.400
<v Speaker 1>Why did she let him pick? But that was before right,

0:49:34.480 --> 0:49:35.360
<v Speaker 1>people picked us up.

0:49:35.880 --> 0:49:38.319
<v Speaker 4>I don't remember I never met anybody for first date.

0:49:38.360 --> 0:49:41.279
<v Speaker 4>They always picked me up at my apartment, right, such

0:49:41.320 --> 0:49:42.200
<v Speaker 4>a different time. Then.

0:49:42.239 --> 0:49:45.560
<v Speaker 6>Did you see how he was walking Alison across the courtyard.

0:49:45.600 --> 0:49:46.840
<v Speaker 6>He had you by the elbow and he was like

0:49:46.960 --> 0:49:50.040
<v Speaker 6>steering you like okay, this way, young lady to the

0:49:50.080 --> 0:49:55.840
<v Speaker 6>principal character just sort of really apartment yeah, like walking

0:49:55.880 --> 0:49:58.120
<v Speaker 6>out across the courtyard up to the apartment door.

0:49:58.280 --> 0:50:00.760
<v Speaker 5>This isn't there kind of like this this assumed.

0:50:01.440 --> 0:50:03.839
<v Speaker 2>I know this is hard to say now because we're

0:50:03.840 --> 0:50:08.520
<v Speaker 2>in twenty twenty four, but he's your boss, this is work,

0:50:09.320 --> 0:50:10.120
<v Speaker 2>this is safe.

0:50:10.440 --> 0:50:11.120
<v Speaker 5>I'm fine.

0:50:11.520 --> 0:50:15.319
<v Speaker 3>Yeah, you just assume, you know, he's my senior, Like.

0:50:15.480 --> 0:50:18.520
<v Speaker 5>It's you just don't. It's so weird all these things.

0:50:18.600 --> 0:50:20.760
<v Speaker 7>It's confusing because it's so confused.

0:50:20.840 --> 0:50:21.799
<v Speaker 5>I remember thinking that.

0:50:22.040 --> 0:50:24.400
<v Speaker 3>Like you know, and oh, yeah, well he's my boss or.

0:50:24.760 --> 0:50:26.959
<v Speaker 4>Well that's why when these stories came out about women

0:50:27.040 --> 0:50:28.680
<v Speaker 4>being taken advantage of and be like, how did she

0:50:28.800 --> 0:50:31.560
<v Speaker 4>not know? It's like, because we had an assumption that

0:50:32.200 --> 0:50:34.520
<v Speaker 4>this is a person I respect, they're my boss, they wouldn't.

0:50:34.600 --> 0:50:37.759
<v Speaker 4>It was surprising. You're right, we were more naiven. It

0:50:37.880 --> 0:50:41.239
<v Speaker 4>was a very different time. So I think when people

0:50:41.360 --> 0:50:43.640
<v Speaker 4>roll their eyes and say how why didn't she know?

0:50:44.239 --> 0:50:47.759
<v Speaker 4>We didn't like we thought there was an understanding that

0:50:47.920 --> 0:50:50.400
<v Speaker 4>there's going to be respect here. So I do understand

0:50:50.440 --> 0:50:54.839
<v Speaker 4>why Alison was surprised and how adorable Andrew coming out

0:50:54.920 --> 0:50:58.440
<v Speaker 4>in his boxers yes to take a stand right, and

0:50:58.600 --> 0:51:00.880
<v Speaker 4>how the actor was so much bigger than Andrew. But

0:51:00.960 --> 0:51:05.040
<v Speaker 4>Andrew's holding his own Yeah, she's my wife, bigger and older.

0:51:05.160 --> 0:51:08.080
<v Speaker 6>I was noting, like, there's these two really young, adorable

0:51:08.160 --> 0:51:11.480
<v Speaker 6>kids going get out, get yeah. And Andrew's like, get out,

0:51:11.600 --> 0:51:14.920
<v Speaker 6>you older man, gross guy, and he's like, okay, you kiddo,

0:51:15.280 --> 0:51:17.279
<v Speaker 6>you know what he does. And then like that was

0:51:17.400 --> 0:51:19.320
<v Speaker 6>just such a funny little dynamic.

0:51:19.640 --> 0:51:21.520
<v Speaker 1>Yeah, it was so sweet that it came out to

0:51:21.600 --> 0:51:25.719
<v Speaker 1>take a stand that was adorable, so that you.

0:51:25.760 --> 0:51:28.400
<v Speaker 6>Know, we can see where this is headed with Alison

0:51:28.440 --> 0:51:31.680
<v Speaker 6>and Billy and we're all here for it. And then

0:51:31.960 --> 0:51:35.800
<v Speaker 6>Michael and Jane are. Michael is waking Jane up in

0:51:35.960 --> 0:51:39.560
<v Speaker 6>bed with breakfast in bed, and did anybody else notice?

0:51:39.840 --> 0:51:40.560
<v Speaker 6>He's like, are you up?

0:51:40.680 --> 0:51:40.840
<v Speaker 2>Are you?

0:51:41.719 --> 0:51:42.960
<v Speaker 3>I was like, what I do for you?

0:51:43.160 --> 0:51:44.120
<v Speaker 6>Look what you want?

0:51:44.160 --> 0:51:44.600
<v Speaker 5>A cookie?

0:51:44.800 --> 0:51:47.600
<v Speaker 3>It was can I sleep in? Cannot be your prize?

0:51:47.719 --> 0:51:50.239
<v Speaker 7>Like she he wakes her up to say, look what

0:51:50.360 --> 0:51:50.880
<v Speaker 7>I did for you?

0:51:51.040 --> 0:51:51.320
<v Speaker 2>Money?

0:51:51.719 --> 0:51:53.600
<v Speaker 5>Yeah, I am the dishwasher.

0:51:54.520 --> 0:51:58.640
<v Speaker 6>But then Josie was so lovely in that scene where

0:51:58.640 --> 0:52:02.880
<v Speaker 6>she says I'm lonely, Like Josie as the actress in

0:52:03.000 --> 0:52:06.520
<v Speaker 6>that scene, like with what she's doing, she had the

0:52:06.640 --> 0:52:12.319
<v Speaker 6>most authentic, like emotional, vulnerable, vulnerable moment of like I'm lonely, and.

0:52:12.400 --> 0:52:14.960
<v Speaker 1>It was so so sweetly and we have to like,

0:52:15.040 --> 0:52:16.799
<v Speaker 1>you need to pay attention to me, you need to listen.

0:52:16.880 --> 0:52:21.160
<v Speaker 6>Oh my gosh, that was so lovely. So anyway, poor

0:52:21.360 --> 0:52:24.640
<v Speaker 6>Jane is just not getting what she needs from this marriage.

0:52:24.719 --> 0:52:26.640
<v Speaker 5>And then they embrace. So that's kind of like a

0:52:26.719 --> 0:52:29.440
<v Speaker 5>button on you know that that stories come somewhere.

0:52:29.719 --> 0:52:32.320
<v Speaker 6>I mean, I will say he did sort of slammer

0:52:32.400 --> 0:52:36.919
<v Speaker 6>down on the bed and they like kissed hard after

0:52:37.000 --> 0:52:43.120
<v Speaker 6>an hour, that kind of embrace. But yes, it was

0:52:43.120 --> 0:52:45.120
<v Speaker 6>an embrace, and she was lovely.

0:52:45.360 --> 0:52:48.120
<v Speaker 1>And then they all gather for a pool party, because

0:52:48.200 --> 0:52:50.040
<v Speaker 1>we had a lot of those in the beginning. There

0:52:50.080 --> 0:52:51.120
<v Speaker 1>was always a pool party.

0:52:51.280 --> 0:52:53.680
<v Speaker 4>And I remember like the argument about wearing a bathing

0:52:53.719 --> 0:52:56.560
<v Speaker 4>sit anyone her bathing, So apparently I compromised on really

0:52:56.800 --> 0:52:58.760
<v Speaker 4>thick bike shorts, which.

0:52:58.640 --> 0:53:02.239
<v Speaker 1>Seemed like really bad choice. I'm going to get a

0:53:02.280 --> 0:53:04.480
<v Speaker 1>really thick cotton bike.

0:53:05.120 --> 0:53:06.520
<v Speaker 6>Really I looked really cute.

0:53:06.600 --> 0:53:09.320
<v Speaker 4>And what a bad call, though, Like just suck it

0:53:09.400 --> 0:53:10.759
<v Speaker 4>up and wear a bathing suit. It would have been

0:53:10.880 --> 0:53:11.360
<v Speaker 4>so much.

0:53:11.280 --> 0:53:12.919
<v Speaker 5>Less about his grill.

0:53:13.600 --> 0:53:15.920
<v Speaker 6>Do you feel like he remembered saying I don't want

0:53:15.960 --> 0:53:17.200
<v Speaker 6>to be in a bathing suit or that was That's

0:53:17.200 --> 0:53:17.719
<v Speaker 6>what I'm saying.

0:53:17.760 --> 0:53:21.200
<v Speaker 4>I remember being so insecure and so self conscious about

0:53:21.280 --> 0:53:24.800
<v Speaker 4>that gorgeous twenty four year old body, which again breaks

0:53:24.840 --> 0:53:25.279
<v Speaker 4>my heart.

0:53:25.400 --> 0:53:27.400
<v Speaker 1>How hard I was on myself at that age. How

0:53:27.440 --> 0:53:29.360
<v Speaker 1>hard I was because it's.

0:53:29.160 --> 0:53:33.800
<v Speaker 4>Adorable, Like we all looked adorable, but those voices, you know,

0:53:33.880 --> 0:53:37.719
<v Speaker 4>obviously society, my own whatever it was. That's why I

0:53:37.800 --> 0:53:40.319
<v Speaker 4>was wearing that ridiculous thing because I was too shy

0:53:40.440 --> 0:53:41.480
<v Speaker 4>to wear a bathing suit.

0:53:41.560 --> 0:53:44.919
<v Speaker 2>Yeah, well you looked really cute Sandy there, and they're

0:53:45.200 --> 0:53:48.680
<v Speaker 2>you know, in her that archetypal thing and she's always

0:53:49.800 --> 0:53:50.839
<v Speaker 2>half naked or whatever.

0:53:50.960 --> 0:53:52.440
<v Speaker 4>I know, But I wasted so much time, Like I

0:53:52.480 --> 0:53:54.400
<v Speaker 4>remember looking back, and I did a lot of fitness

0:53:54.400 --> 0:53:57.240
<v Speaker 4>stuff things it wasn't a fitness and I remember seeing

0:53:57.880 --> 0:54:00.200
<v Speaker 4>like a cover I did on a fitness magazine, and

0:54:00.320 --> 0:54:02.680
<v Speaker 4>I remember how I felt about myself and looking at it.

0:54:02.800 --> 0:54:04.640
<v Speaker 1>I was like, God, I just couldn't see myself.

0:54:04.960 --> 0:54:07.799
<v Speaker 4>Yeah, right, like you as hard as a young woman, Like, yeah,

0:54:08.040 --> 0:54:11.400
<v Speaker 4>I'm so much kinder about my much older body now,

0:54:11.480 --> 0:54:12.359
<v Speaker 4>I'm so much more.

0:54:12.360 --> 0:54:14.920
<v Speaker 1>I would never do that to myself today. And it's

0:54:15.000 --> 0:54:17.080
<v Speaker 1>just heartbreaking that I wasted so much time being so

0:54:17.160 --> 0:54:17.760
<v Speaker 1>hard on myself.

0:54:17.840 --> 0:54:20.799
<v Speaker 6>And I don't think that's changed. I think women now,

0:54:21.120 --> 0:54:24.560
<v Speaker 6>like these young women are picking themselves apart and you know,

0:54:24.800 --> 0:54:27.399
<v Speaker 6>comparing and looking at all these little things when when

0:54:27.480 --> 0:54:30.560
<v Speaker 6>we can look at them through our eyes and so

0:54:30.719 --> 0:54:33.959
<v Speaker 6>you're beautiful, and it's just but they can't. You can't

0:54:34.040 --> 0:54:36.040
<v Speaker 6>see it on yourself that age, and it's just.

0:54:36.120 --> 0:54:39.640
<v Speaker 2>Heart I think times have changed, frankly, and I see

0:54:39.719 --> 0:54:43.200
<v Speaker 2>more body types. You see more body types and commercials

0:54:43.320 --> 0:54:43.879
<v Speaker 2>and out there.

0:54:43.960 --> 0:54:46.560
<v Speaker 5>And we didn't have that. We had like a stick.

0:54:47.200 --> 0:54:51.440
<v Speaker 5>They meant it. They meant blonde and skinny and boobs

0:54:51.520 --> 0:54:51.960
<v Speaker 5>and that's it.

0:54:52.560 --> 0:54:55.360
<v Speaker 7>Like that's what was on the covers of magazines and stuff.

0:54:55.400 --> 0:54:57.360
<v Speaker 5>You know, these supermodels. This was the nineties.

0:54:57.440 --> 0:54:57.840
<v Speaker 4>That was that.

0:54:58.160 --> 0:55:00.279
<v Speaker 2>And what I see now, I'm like, wow, wow, you

0:55:00.360 --> 0:55:04.319
<v Speaker 2>could you would never see that normal looking young woman

0:55:04.640 --> 0:55:07.600
<v Speaker 2>or middle aged woman on a commercial ever.

0:55:07.960 --> 0:55:09.759
<v Speaker 7>And now you do see it, and I feel like

0:55:10.200 --> 0:55:12.160
<v Speaker 7>it is a little more open and accepting.

0:55:12.360 --> 0:55:15.800
<v Speaker 5>I mean, I hope that's thanks goodness. Well, that's it.

0:55:16.000 --> 0:55:18.480
<v Speaker 6>We end. We end the episode and the pilot with

0:55:18.560 --> 0:55:21.600
<v Speaker 6>everybody playing. Was that a chicken fight called the chicken fight?

0:55:22.600 --> 0:55:22.799
<v Speaker 2>Yeah?

0:55:23.440 --> 0:55:25.000
<v Speaker 1>Fight chicken in the pool?

0:55:25.280 --> 0:55:28.240
<v Speaker 4>Yeah, because who doesn't fight? Get all of your as

0:55:28.360 --> 0:55:33.960
<v Speaker 4>we were younger, all right, and that's the end. So uh, anything,

0:55:34.280 --> 0:55:38.239
<v Speaker 4>any favorite hair, any favorite clothes, anything you noticed. Like

0:55:38.360 --> 0:55:41.800
<v Speaker 4>I said, I was surprised by how current the clothes looked,

0:55:41.960 --> 0:55:44.720
<v Speaker 4>how cute it looked. Love my first outfit. Not crazy

0:55:44.760 --> 0:55:46.279
<v Speaker 4>about my hair, but it's gonna be a lot of

0:55:46.360 --> 0:55:48.200
<v Speaker 4>bad hair over the course of that series.

0:55:48.280 --> 0:55:50.120
<v Speaker 6>I haven't appeared like I don't even know.

0:55:53.360 --> 0:55:54.479
<v Speaker 1>What was the shirt count?

0:55:55.239 --> 0:55:57.839
<v Speaker 6>Okay, so I counted thirteen, but I have to say

0:55:58.560 --> 0:56:01.240
<v Speaker 6>it was hard to keep track as I was tallying.

0:56:01.360 --> 0:56:04.600
<v Speaker 6>So any listeners who count a different number, I am

0:56:04.880 --> 0:56:08.880
<v Speaker 6>open to like being corrected on that. But I counted thirteen. Wow,

0:56:09.360 --> 0:56:09.879
<v Speaker 6>all the guys.

0:56:10.000 --> 0:56:12.600
<v Speaker 4>At least I was to mention, like in the scene

0:56:12.600 --> 0:56:14.320
<v Speaker 4>with me and Andrew and I had that like that

0:56:14.440 --> 0:56:17.240
<v Speaker 4>big fluffy robe, how where I'm in the big fluffy

0:56:17.360 --> 0:56:19.000
<v Speaker 4>Blue Moon and Stars robe.

0:56:18.840 --> 0:56:20.560
<v Speaker 3>Which is everybody wanted at the time.

0:56:20.800 --> 0:56:22.399
<v Speaker 1>That was a big thing at the time.

0:56:22.440 --> 0:56:25.160
<v Speaker 4>They made it very recently. I wore it for years

0:56:25.280 --> 0:56:28.359
<v Speaker 4>and he's naked, like they never made us be naxt.

0:56:29.120 --> 0:56:32.640
<v Speaker 6>I bet that robe sold a million robes because it

0:56:32.760 --> 0:56:35.360
<v Speaker 6>was adorable on being on Allison on the show, and

0:56:35.440 --> 0:56:37.480
<v Speaker 6>it was on for years, like for seconds, it was

0:56:37.560 --> 0:56:40.880
<v Speaker 6>like icronic, just that wardrobe item. But I bet I

0:56:41.040 --> 0:56:41.680
<v Speaker 6>wanted one.

0:56:42.000 --> 0:56:42.160
<v Speaker 4>You know.

0:56:42.280 --> 0:56:44.320
<v Speaker 2>Speaking of wardrobe, I noticed from the very end I

0:56:44.440 --> 0:56:47.840
<v Speaker 2>noticed two things. One Andrew was wearing a Dartmouth shirt.

0:56:47.920 --> 0:56:51.839
<v Speaker 1>Oh yes, I meant to say that, yes, yeah.

0:56:52.040 --> 0:56:53.520
<v Speaker 5>And then I noticed at the very end.

0:56:55.160 --> 0:56:58.200
<v Speaker 2>Doug was wearing Matt was wearing a Rock the Vote

0:56:58.239 --> 0:57:01.880
<v Speaker 2>T shirt, which was all the rage in which I

0:57:03.120 --> 0:57:04.920
<v Speaker 2>was very good friends with the person who started that,

0:57:05.520 --> 0:57:09.279
<v Speaker 2>nice Patrick Uh, and we were very involved in the.

0:57:09.280 --> 0:57:10.239
<v Speaker 5>Beginning of Rock the Vote.

0:57:10.280 --> 0:57:13.879
<v Speaker 7>So it was really cool, like getting getting messages out there.

0:57:14.000 --> 0:57:16.360
<v Speaker 7>Janine was I don't know if he chose it.

0:57:16.440 --> 0:57:19.280
<v Speaker 6>If it was he, he said that he was all

0:57:19.440 --> 0:57:21.800
<v Speaker 6>you know, very much in the beginning. That was very

0:57:21.880 --> 0:57:24.040
<v Speaker 6>much his wardrobe. He always had a political statement on

0:57:24.120 --> 0:57:26.320
<v Speaker 6>his shirt. And there was another one later in the episode.

0:57:26.360 --> 0:57:29.880
<v Speaker 6>I think the last shirt he was wearing had censorship

0:57:30.680 --> 0:57:32.920
<v Speaker 6>was the word on his T shirt. So yeah, he

0:57:33.040 --> 0:57:36.080
<v Speaker 6>had two different sort of political statements that he was wearing. Yeah,

0:57:36.480 --> 0:57:38.960
<v Speaker 6>as his character, so many things to talk about, so

0:57:39.080 --> 0:57:41.880
<v Speaker 6>many things to cover, and I think I think we did.

0:57:41.960 --> 0:57:43.440
<v Speaker 6>We hit all of the things we wanted to hit,

0:57:43.600 --> 0:57:47.400
<v Speaker 6>like the favorites and the most memorable line, did anybody

0:57:47.480 --> 0:57:48.320
<v Speaker 6>have any Well?

0:57:48.360 --> 0:57:50.360
<v Speaker 5>I liked yours about the moral dilemma? That was that

0:57:50.600 --> 0:57:52.680
<v Speaker 5>crazy kind of just stuck out. You know.

0:57:53.840 --> 0:57:55.960
<v Speaker 2>What really struck me was the hair, like not just

0:57:56.080 --> 0:57:59.760
<v Speaker 2>you're not even yes your hair, but the but Sandy's hair,

0:58:00.320 --> 0:58:02.480
<v Speaker 2>just the there's a lot of hair spray, a lot

0:58:02.520 --> 0:58:03.160
<v Speaker 2>of hairspray.

0:58:03.920 --> 0:58:06.080
<v Speaker 4>Yeah, it was stiff, it was there was a less

0:58:06.080 --> 0:58:10.360
<v Speaker 4>scrunchless scrunch spray, hair spray. Most do you guys remember

0:58:10.760 --> 0:58:13.040
<v Speaker 4>that Every day at about ten thirty, they would bring

0:58:13.120 --> 0:58:17.080
<v Speaker 4>out huge tubs of tuna, no tuna, you don't remember that,

0:58:17.640 --> 0:58:20.160
<v Speaker 4>and these huge hubs and everybody would eat.

0:58:20.200 --> 0:58:21.880
<v Speaker 1>It was so disgusting.

0:58:22.120 --> 0:58:23.960
<v Speaker 4>It was like a protein break because we've been there

0:58:24.040 --> 0:58:30.360
<v Speaker 4>since you know, six am. And people would go hi, like, oh, people.

0:58:30.160 --> 0:58:31.080
<v Speaker 5>You're trying to be healthy.

0:58:31.400 --> 0:58:33.360
<v Speaker 1>You don't remember that. I do not remember that.

0:58:33.600 --> 0:58:39.280
<v Speaker 6>God. Well, so we get to talk about an episode

0:58:39.480 --> 0:58:42.120
<v Speaker 6>in another week, we get to come back and talk

0:58:42.160 --> 0:58:44.840
<v Speaker 6>about the next episode, and there's so much to talk about,

0:58:44.960 --> 0:58:48.600
<v Speaker 6>and we'll we'll start to one is a yeah, we

0:58:48.720 --> 0:58:49.959
<v Speaker 6>start to think about having guests.

0:58:50.120 --> 0:58:52.600
<v Speaker 1>Yeah, okay, wait to see you guys next week.

0:58:52.880 --> 0:58:53.120
<v Speaker 2>Yeah.

0:58:53.760 --> 0:58:55.320
<v Speaker 3>It's so fun, very fun.