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Speaker 1: Still the Place with Laura Layton, Courtney thorn Smith.

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Speaker 2: And Daphne's Aniga an iHeartRadio podcast.

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Speaker 3: All right, here, we are here, we are ready on

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Speaker 3: the pilot.

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Speaker 4: I'm so glad we finally get to talk about an episode.

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Speaker 4: SOA's trying so hard not to on our intro podcast

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Speaker 4: and I was doing a very bad job.

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Speaker 1: So now I actually get to tell you.

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Speaker 3: About episode one.

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Speaker 5: Courtney has stories.

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Speaker 2: We all have opinions because we all just watched it

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Speaker 2: air date.

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Speaker 6: We have some thoughts.

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Speaker 2: Nineteen ninety two. We definitely have thoughts. You want to

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Speaker 2: read the synopsis, Laura.

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Speaker 6: Sure, Episode one of Melroe's plays the pilot synopsis. Handsome

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Speaker 6: bachelor Billy Campbell moves in with Allison played by Courtney

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Speaker 6: Thorn Smith after her roommate leaves her in a lurch.

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Speaker 6: Doctor Michael Mancini's marriage to Jane could flatline because of

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Speaker 6: his hectic hospital schedule, and meanwhile, Jake is starting to

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Speaker 6: become a flake when he sees young Kelly Taylor as

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Speaker 6: nothing more than puppy love. That My Friends was the pilot,

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Speaker 6: and so Courtney Thorne Smith was the resident expert because

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Speaker 6: she was there where Daphne and I. Our characters hadn't

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Speaker 6: quite appeared yet, so we're gonna have so many questions

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Speaker 6: for you.

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Speaker 4: I'm so happy, lots of thoughts. I noticed that, back

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Speaker 4: to the synopsis is like, did no one notice that

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Speaker 4: Jake was dating a high school girl?

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Speaker 3: We have notes about that, creepy, lots of.

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Speaker 6: Notes about it. Yeah, no, we definitely noticed. It is weird,

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Speaker 6: but like the synopsis doesn't bad and I it calls

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Speaker 6: it poppylave, but I call it creepy.

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Speaker 4: Yeah, because I was thinking, and I'm like, no, they're

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Speaker 4: not gonna get they're kissing.

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Speaker 1: Oh my god, they're kissing.

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Speaker 6: It's just okay, wait, but we do need to start

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Speaker 6: at the beginning. Back, so let's let's let's let's back up.

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Speaker 1: I'd like to go in order of the credits.

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Speaker 4: When Grahat opens the fridge and the light is on

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Speaker 4: his chest, there's a place.

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Speaker 6: To john Ello put that in the opening credits.

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Speaker 2: Fore like the whole season was that that was like

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Speaker 2: him opening the fridge ye in the silhouette.

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Speaker 4: Yes, And I don't know if you guys noticed. I

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Speaker 4: know it's supposed to start at the beginning. Laura's gonna

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Speaker 4: keep me on point, but later In the episode, Andrew opens.

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Speaker 1: The fridge without his shirt on. So this is the theme.

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Speaker 6: Well, we do have I think a shirtless count for

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Speaker 6: the episode, right, did you guys? Did the guys in

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Speaker 6: the right It would have been it would have been

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Speaker 6: easier to count shirts on than shirts off.

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Speaker 4: Fluffy rope and andrews I love.

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Speaker 6: Okay, So wait a minute, let's start with like the cast,

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Speaker 6: like the cast of the pilot, the series regulars, the

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Speaker 6: cast of melrose Place. Josie Pizzette played Jane Mancini. She

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Speaker 6: was married to Michael Mancini played by Thomas Calabro. Amy

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Speaker 6: lo Caine played a character named Sandy Haring. Harley Harling okay,

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Speaker 6: I'm talking. Welass played Matt Fielding. Grant Show played Jake Hansen,

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Speaker 6: Andrew Shoe played Billy Campbell, Courtney down Smith who was

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Speaker 6: in our presence, Alison Parker and Vanessa A.

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Speaker 5: Williams played Ronda Blair.

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Speaker 6: And the show was created by Darn Starr. Special appearances

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Speaker 6: by Jenny Garth playing Kelly Tiller. And these are all

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Speaker 6: appearances from the nine O, two and o cast members

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Speaker 6: who were like the younger version and the spinoff show

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Speaker 6: that we were sort of crossing over using Grant Show's

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Speaker 6: character Jake was crossing over from the nine O two

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Speaker 6: and oh cast, Jenny Garth playing Kelly Teller, Tory Spelling

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Speaker 6: playing Donna Martin, Brian Austin Green whose voice I don't

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Speaker 6: think it changed yet, even playing David's Silver Irons Eering

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Speaker 6: as Steve Sanders.

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Speaker 5: Yeah, and guest stars.

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Speaker 2: Of course, we have the Sherman Howard played your creepy

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Speaker 2: boss Hal Barber and Victor Love played Daniel.

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Speaker 6: This episode was directed by Howie Deutsche yeahe Deutsche Big

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Speaker 6: feature director.

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Speaker 2: Yeah, that was paying some kind of wonderful. I didn't

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Speaker 2: know that until I saw the credits on the screen when.

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Speaker 1: Yeah, Thomson such a nice fan.

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Speaker 4: That was really fun, so cool. Yeah, that was really fun.

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Speaker 4: I was watching the plot. I was like, because it

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Speaker 4: started off, I was like, who's Natalie, Like totally forgot

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Speaker 4: that the roommate, you know, in the beginning, the roommate

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Speaker 4: sneaks away. I don't remember any of that. I was like,

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Speaker 4: who's Natalie That. That's when I noticed my legs. I'm

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Speaker 4: going from door to door to door, knocking on doors

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Speaker 4: in like a shirt.

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Speaker 6: Your legs were adorable.

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Speaker 4: Self conscious and I was looking at this. You showed

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Speaker 4: never worn pants. Your legs were so cute.

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Speaker 1: I wish i'd.

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Speaker 3: Known you were adorable.

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Speaker 5: You were.

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Speaker 6: I wish i'd know super adorable, like classic Angeneu. You

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Speaker 6: were just you were the girl it opened on you and.

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Speaker 7: With your perfect blonde hair and those blue eyes.

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Speaker 4: Well it wasn't perfect blonde hair because the other thing

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Speaker 4: I remembered is I had gone brunette to try to

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Speaker 4: get more serious roles because I was getting all I

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Speaker 4: had gone brunette, and then, of course my first big job,

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Speaker 4: they want me to go back to blonde.

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Speaker 1: So they spent eight.

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Speaker 4: Hours in a hair chair, and I have sort of

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Speaker 4: like strawberry blonde Tammy here. You probably didn't notice it

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Speaker 4: because you're picturing my blunt hair. The other thing I

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Speaker 4: noticed I have the exact same haircut.

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Speaker 3: Now, man, if it works, apparently.

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Speaker 1: I have not let that go. It's exactly.

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Speaker 4: I style it differently, thank god, but it's the exact

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Speaker 4: same haircut.

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Speaker 2: I always want to comment on the we're talking about

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Speaker 2: the nineties and the culture. When I saw the shot

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Speaker 2: of those boots leaving Yes, I was like, I know

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Speaker 2: that star on Melrose where everyone got cowboy boots, but

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Speaker 2: like fancy ones with.

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Speaker 7: Colors, and like the short ones and the long way everyone.

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Speaker 4: Were I still jeans, is saying yeah, and remember like

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Speaker 4: the shots in between scenes in the pilot that they

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Speaker 4: were the lightwashed jeans that everybody's wearing. Again, it looked

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Speaker 4: it could have been shot right now.

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Speaker 6: But when you said, like, I think your first line

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Speaker 6: is Nat because you're calling her name and you're trying

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Speaker 6: to find out where your roommate is and your first

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Speaker 6: line is nat. I heard it night and I was

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Speaker 6: watching with my husband, who's there, but he I was like,

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Speaker 6: did she just say Matt? Did she call is your

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Speaker 6: character's name the first word out of you know, out

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Speaker 6: of Courtney's mouth in the show, And he's like, no,

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Speaker 6: nat So, And that was like, who's nat?

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Speaker 4: So?

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Speaker 6: Then we find out that Natalie was your roommate, was

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Speaker 6: Allison's roommate, right, and she's leaving. Allison's waking up, So

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Speaker 6: I'm about to start the episode recap.

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Speaker 4: Right, and apparently room close to the bone that the

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Speaker 4: second my roommate leaves, I'm about to be evicted, Like

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Speaker 4: how close to the boat, Like there was no cushion

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Speaker 4: at all if I don't find a roommate today, like

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Speaker 4: I'm on the street.

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Speaker 1: That was. I can't believe I don't remember that. You

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Speaker 1: don't remember that at all.

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Speaker 6: It was it was high drama, and that very drama.

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Speaker 6: And you were so you go to you go door

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Speaker 6: to door to say have you have you seen Nat?

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Speaker 6: Have you seen that?

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Speaker 4: So that's how, here's the way I could have solved

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Speaker 4: that problem. I could have put on pants.

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Speaker 6: Before I went, Well, if the guys aren't going to

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Speaker 6: wear shirts, you do not wear pants in this show.

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Speaker 6: So but you were maybe fourteen years old. You were

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Speaker 6: so cute. I was twenty four, So I mean you

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Speaker 6: were tiny, little young cute, Oh my gosh, adorable.

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Speaker 1: Yeah, everybody was so young, weren't we.

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Speaker 5: Yeah, it was super young.

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Speaker 6: Like I wrote down, I think Courtney is fourteen years old.

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Speaker 2: But right off the bat, I like how they Darren

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Speaker 2: who wrote it, really captured the camaraderie in an apartment

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Speaker 2: building like that, because that didn't exist in every apartment building.

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Speaker 2: And you know, I don't think and that you know, well, okay,

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Speaker 2: so here's another thing. I don't know that you knew this,

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Speaker 2: but I told you that Darren and I lived in

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Speaker 2: an apartment. We were roommates in college. Off we went

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Speaker 2: to UCLA, so he had a guy roommate and I

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Speaker 2: had a girl roommate. So there was two bedroom.

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Speaker 7: I think we shared the freaking bathroom.

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Speaker 2: Yeah, but at any rate, there was that kind of

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Speaker 2: like everyone barring each other's this and that and the

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Speaker 2: other thing. But that's I love that really. That really

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Speaker 2: set the tone for this show. And I saw it

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Speaker 2: in the pilot, how you're knocking on everyone and you know, yeah,

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Speaker 2: my shirt's off, but it's not and anything other than

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Speaker 2: I just need to find her.

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Speaker 6: Everyone knows everyone's business.

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Speaker 1: Yeah.

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Speaker 2: I just really like that they all knew each other. We're,

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Speaker 2: you know, having coffee. You need your coffee. I just

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Speaker 2: love that vibe that sets the show on its course

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Speaker 2: of like all being there for each other until we

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Speaker 2: start until episode sixteen each.

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Speaker 1: Other we start sleeping with each other. And to start

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Speaker 1: out with such a good point that was so sweet.

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Speaker 6: Well, you're knocking on everyone's doors, and it's a great

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Speaker 6: way for the audience to meet all the characters one

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Speaker 6: by one whatever and get a sense. And you know,

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Speaker 6: there's cute little Doug Savant with his coffee. Yeah he

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Speaker 6: had oh so we were starting to get you know,

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Speaker 6: of course, when Grant opens the door, he's shirtless because yes, yeah,

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Speaker 6: you know, might as well put him shirtless and everything

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Speaker 6: because I because I mean everything. So yeah, so he's

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Speaker 6: he's opening the door shirtless. I think so was my Michael,

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Speaker 6: who was you know, answering the door with Jane. I

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Speaker 6: think he was also shirtless. And then Doug opens the

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Speaker 6: door and like I think maybe a robe opened or

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Speaker 6: something is like an indication of shirtless, you know, but

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Speaker 6: he's like the nice guy. But and then you know,

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Speaker 6: you start of get a sense of who these characters are.

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Speaker 6: And right off the bat, why was Michael played by

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Speaker 6: Thomas Glauber. Why was he being such a jerk to

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Speaker 6: you about like, ah, did you notice that? Like he

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Speaker 6: already decided I'm going to be a jerk and go, yeah,

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Speaker 6: better come.

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Speaker 3: Up with the rent?

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Speaker 4: What was happening? Like, were we just on the brink?

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Speaker 4: Do we pay the last possible day of every month?

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Speaker 4: And my son wandered in for a minute while I

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Speaker 4: was watching the show, and they said, you know, four

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Speaker 4: hundred dollars, Chat goes four hundred dollars for an apartment

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Speaker 4: in LA that's amazing. Yeah, yeah, right, we were sharing

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Speaker 4: a two bedroom apartment with a pool.

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Speaker 1: Apparently eight hundred dollars, but amazing.

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Speaker 6: We learn about the rent, the amount of the rent

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Speaker 6: while you're driving down the road writing on your standing.

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Speaker 6: I mean, if that, if that isn't a sign of

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Speaker 6: the time, it's a precursor to texting all driving. But

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Speaker 6: I'm actually gonna do it with the pen and paper.

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Speaker 5: You caught that, I caught that.

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Speaker 6: Oh, it's really it's absurd.

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Speaker 2: I mean even though we used to, like I used

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Speaker 2: to drive and change outfits from audition to audition.

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Speaker 6: When I was you know what I mean.

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Speaker 5: You'd have something in.

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Speaker 2: The back or your yoga mat or whatever, but I

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Speaker 2: would change on the four or five driving from like

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Speaker 2: you know, the hussy to the nun or whatever.

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Speaker 7: Literally, well, traffic was so bad you were barely moving.

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Speaker 6: Yeah, but like a sign of the time, I'm not

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Speaker 6: just texting. Yeah, I'm writing with a pen and paper

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Speaker 6: and maybe a propos. Right after that, you accidentally hit

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Speaker 6: your driver's say door into into my box, into your boss.

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Speaker 1: He played my boss.

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Speaker 4: Then, but later Edward Edwards played my boss. But you're

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Speaker 4: only remember I was like, that's not Edward Edwards, who

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Speaker 4: I remember. I remember his name because.

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Speaker 1: Obviously it was whatever. I was like, that's not my boss,

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Speaker 1: that was my other boss.

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Speaker 6: How how Barber was the character's name? Yes, was super smarmy.

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Speaker 1: And you know what, I'd totally forgotten that Billy was

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Speaker 1: a writer. Did you guys remember that?

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Speaker 2: Yes?

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Speaker 6: I remember, you knew that. What I did not, and

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Speaker 6: we're not there yet, But what I did not remember

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Speaker 6: was that he was a Arthur Murray dance instruct The

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Speaker 6: character was that is hysterical?

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Speaker 1: Is that the cutest thing?

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Speaker 2: I mean?

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Speaker 1: So do I say my life? I can't say my

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Speaker 1: favorite line?

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Speaker 6: Yet I think we I think we have to get there.

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Speaker 6: So like we follow, We follow Alison as she gets

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Speaker 6: to D and D and and all of you must

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Speaker 6: have noticed, like the D and D establishing a shot

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Speaker 6: the exteriors. Those are Spellings offices on Wolfshire, right, So

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Speaker 6: they used I remember it, yes, as the establishing shot

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Speaker 6: for D and D the advertising firm, right. So yeah,

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Speaker 6: and how you know smarmy how immediately starts flirting with

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Speaker 6: cute little receptionist Allison, which is just like ew right

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Speaker 6: off the.

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Speaker 4: Bat, which Alson doesn't know. I don't under she's like,

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Speaker 4: I'm like, sure, I'd love to go to that party

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Speaker 4: with you.

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Speaker 1: Thanks so much.

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Speaker 5: How does she not know?

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Speaker 1: Is she not seeing what we're seeing?

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Speaker 5: Well, I mean, you have to go back to that age.

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Speaker 5: Let's not forget.

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Speaker 2: You have like thirty years of insight and experience and

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Speaker 2: wisdom and on it. So go back and you're what

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Speaker 2: in your twenties the character, and I don't think that

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Speaker 2: she would know.

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Speaker 5: And by the way, he wasn't flirting.

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Speaker 7: First off, he was being boss but saying little dropping little.

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Speaker 5: Things like oh well was it to my wife?

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Speaker 2: And these little things that's not flirting. That's like throwing

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Speaker 2: it out there and see if you bite, and then

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Speaker 2: you didn't. So he just kind of like God even more.

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Speaker 4: That's that's a time of that age too. Do you

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Speaker 4: remember this as young actor? I'm going off keeper, but

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Speaker 4: remember this as young actors. You'd get called into meetings

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Speaker 4: what are they called, h general You get called into

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Speaker 4: a general meeting and you're sitting there with an executive

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Speaker 4: of some sort and all a sudden they'd say, do

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Speaker 4: you like sushi? And you're like, I don't think we're

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Speaker 4: talking about a project, are we didn't that happen to you.

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Speaker 4: That reminded me of this thing with Hallie. She called

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Speaker 4: into general meetings all the time. It's not like they

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Speaker 4: try anything, but it was like, I'm not here to

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Speaker 4: talk about a project. I'm here, you know, well, I

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Speaker 4: think you're eating like a first date.

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Speaker 7: It's they wouldn't do that because that's two forward.

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Speaker 2: But it's this casuality, like casual about things we can

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Speaker 2: talk about.

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Speaker 5: We cross the personal in the business.

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Speaker 6: Absolutely, yes, And I think it is a sign of

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Speaker 6: the times like that we can look at it now

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Speaker 6: and go ow, you know, but it wasn't you know then,

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Speaker 6: it was just the way it was, but or the

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Speaker 6: expectation was you're just supposed to smile and be nice

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Speaker 6: about it. Yeah, like as a young girl, you're just

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Speaker 6: and he was in a position of power and whatever,

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Speaker 6: so like yeah, but just I mean, right off the bat,

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Speaker 6: the character is so from our point of view now,

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Speaker 6: he's so obviously smarty, right, and you're you're just like

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Speaker 6: the sweet girl going okay, sure, whatever you need and

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Speaker 6: like just trying to like secure your job and yeah,

305
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Speaker 6: all that stuff. So it's just such an interesting perspective

306
00:14:01,920 --> 00:14:02,280
Speaker 6: to look at it.

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Speaker 4: And times were so different I mean as much as

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Speaker 4: we had a weird thing on Maro's place, because it's

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Speaker 4: the guys who were topless all the time. I remember

310
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Speaker 4: when our costumer Denise said to me, I got a

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Speaker 4: note from on up high shorter, brighter, tighter on Alison.

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Speaker 1: Oh, like you couldn't say that today. It was such

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Speaker 1: a time, right, And.

314
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Speaker 4: I didn't mind, like the crew guys say hey, sweetie, hay, sweetheart,

315
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Speaker 4: like it didn't bother me. I don't think that would

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Speaker 4: happen today, right, Like this.

317
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Speaker 6: Was so much nice, wouldn't happen today?

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Speaker 1: Yeah, so different, the.

319
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Speaker 5: The shorter skirts.

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Speaker 2: And I remember Heather, our dear Heather Lockley, or like

321
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Speaker 2: like she just fed them like a glove. She's like,

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Speaker 2: hike it up, you know, Like but she was still

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Speaker 2: kind of tomboy, is she even in those little but

324
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Speaker 2: you and Heather and then all of your guest stars,

325
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Speaker 2: bosses or whatever would come in.

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Speaker 7: Now it was like almost the blazer ended here and

327
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Speaker 7: the skirt was like a few inches younger.

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Speaker 5: Yeah, I wasn't. Joe didn't get those wardrobe notes.

329
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Speaker 1: No, you were all in black.

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Speaker 2: You were and kind of like flowy and esoteric, bohemian

331
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Speaker 2: or whatever, I don't know what it was.

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Speaker 5: It kind of switched around, but yeah, I was comfortable

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Speaker 5: in pants.

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Speaker 1: I still end.

335
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Speaker 6: All right. So we're gonna so from Allison's experience at

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Speaker 6: D and D we cut to the exterior of the

337
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Speaker 6: Burger Joint where Kelly, Donna, and David, these are the

338
00:15:23,800 --> 00:15:25,760
Speaker 6: nine O two and zero characters are in the car

339
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Speaker 6: outside the burger joint. Did you guys recognize what was that?

340
00:15:28,640 --> 00:15:31,000
Speaker 6: Was that a Hamburger hamlet with the burger thing on top?

341
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Speaker 6: What was that place? Was it an actual place on Melrose?

342
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Speaker 6: I was trying to figure it out. I was like

343
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Speaker 6: shaped like a hand.

344
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Speaker 4: I was noticing that we all looked the same age,

345
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Speaker 4: like that Ion Zering looked the same age as Grant.

346
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Speaker 1: That's what I was noticing.

347
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Speaker 4: That he was supposed to be in high school and

348
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Speaker 4: they're having this thing where Amy o'caine's character was hitting

349
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Speaker 4: on him, but it didn't look crazy like they look

350
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Speaker 4: the same age, like you buy how much we buy

351
00:15:53,560 --> 00:15:56,840
Speaker 4: into Like I think Jenny at the time, she obviously

352
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Speaker 4: wasn't a teenager. She came off very young though she

353
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Speaker 4: was the I think she was the youngest one in

354
00:16:02,480 --> 00:16:06,120
Speaker 4: that cast, maybe next to Tory, right, she actually was

355
00:16:06,240 --> 00:16:08,280
Speaker 4: closer to age, but she was of age, which knowing

356
00:16:08,360 --> 00:16:09,400
Speaker 4: that made it a little.

357
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Speaker 1: Less creepy to me. But the fact that they actually

358
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Speaker 1: had them kiss, like now you might have them flirting,

359
00:16:15,680 --> 00:16:17,440
Speaker 1: but he would say no, no, no, little lady, like

360
00:16:17,520 --> 00:16:21,400
Speaker 1: they actually had a romance. Yeah, that was so surprising

361
00:16:21,560 --> 00:16:21,760
Speaker 1: to me.

362
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Speaker 6: Well, and she was that character was like so in

363
00:16:26,160 --> 00:16:30,040
Speaker 6: pursuit of Jake, who just seemed to that they had

364
00:16:30,160 --> 00:16:32,640
Speaker 6: Jake be like so tormented should he shouldn't he? Like

365
00:16:32,800 --> 00:16:36,560
Speaker 6: I thought this thing was like, dude, she's seventeen.

366
00:16:36,200 --> 00:16:39,080
Speaker 1: Or whatever, Like, ye would not have been tormented, right,

367
00:16:39,320 --> 00:16:40,640
Speaker 1: it would have been like no, thank you?

368
00:16:40,840 --> 00:16:43,120
Speaker 6: Yeah yeah, yeah yeah. But like this, you know, this

369
00:16:43,360 --> 00:16:47,240
Speaker 6: character was like this was a perfectly normal sort of

370
00:16:47,360 --> 00:16:50,520
Speaker 6: debate that he was having. Is shouldn't he with this girl?

371
00:16:50,840 --> 00:16:52,120
Speaker 6: Our times?

372
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Speaker 5: But guys perspective, it is probably not crazy.

373
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Speaker 7: It's probably not like what's the difference between seven?

374
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Speaker 5: I mean besides.

375
00:16:57,880 --> 00:17:01,960
Speaker 6: Legally, well there's a lot of problem so in other words,

376
00:17:02,000 --> 00:17:03,200
Speaker 6: it's kind of a big difference.

377
00:17:04,800 --> 00:17:05,000
Speaker 1: Yeah.

378
00:17:05,200 --> 00:17:08,080
Speaker 2: So, and that's brought out that Amy Locaine character tells

379
00:17:08,160 --> 00:17:08,760
Speaker 2: him and stuff.

380
00:17:09,200 --> 00:17:11,720
Speaker 4: But you wouldn't you wouldn't have that many high school

381
00:17:11,840 --> 00:17:17,320
Speaker 4: kids going to go after this motorcycle guy to well,

382
00:17:18,040 --> 00:17:20,159
Speaker 4: would you have I'm trying to think when I was

383
00:17:20,240 --> 00:17:23,440
Speaker 4: in high school, I don't know what. No, No, we

384
00:17:23,520 --> 00:17:25,800
Speaker 4: were like like a sophomore to senior. Seemed like a

385
00:17:25,920 --> 00:17:27,520
Speaker 4: crazy age leap to us.

386
00:17:27,600 --> 00:17:31,400
Speaker 6: I don't know it, like somebody living in his own apartments, right,

387
00:17:32,000 --> 00:17:34,240
Speaker 6: like with all that stuff in it like that. That's

388
00:17:34,280 --> 00:17:35,120
Speaker 6: the kind I will say.

389
00:17:35,160 --> 00:17:37,840
Speaker 4: Growing up in the seventies, no parents were home ever,

390
00:17:37,960 --> 00:17:39,480
Speaker 4: so it was like we all had our own houses

391
00:17:39,760 --> 00:17:42,480
Speaker 4: right in the seventies in northern California, Like basically everyone

392
00:17:42,560 --> 00:17:45,760
Speaker 4: had their own house, but their own apartment. We didn't

393
00:17:45,840 --> 00:17:49,360
Speaker 4: know those guys, no, right, Like even in our early twenties,

394
00:17:49,440 --> 00:17:51,040
Speaker 4: everyone had like seven roommates.

395
00:17:51,920 --> 00:17:56,679
Speaker 6: Yeah. So when Kelly goes to look for Jake at

396
00:17:56,720 --> 00:17:59,600
Speaker 6: his apartment, that's when we're introduced to the to Amy

397
00:17:59,640 --> 00:18:04,120
Speaker 6: Lokaine character. She's sunning by the pool, right, and she's

398
00:18:04,200 --> 00:18:07,320
Speaker 6: in that red bathing suit talk for Jake. She talks

399
00:18:07,359 --> 00:18:09,480
Speaker 6: to Kelly and she finds out that Kelly's in high school,

400
00:18:09,480 --> 00:18:11,440
Speaker 6: and so she has a little dialogue with Kelly, and

401
00:18:11,560 --> 00:18:13,719
Speaker 6: that's the far and that's the first time you hear

402
00:18:13,840 --> 00:18:17,720
Speaker 6: amy Ocaine's Southern accent and get to know, Oh, this

403
00:18:18,000 --> 00:18:20,560
Speaker 6: is a girl who's moved to La and she's got

404
00:18:20,600 --> 00:18:24,760
Speaker 6: a very interesting Southern accent, like she wants to do.

405
00:18:24,880 --> 00:18:27,879
Speaker 4: You remember the pool, so it was a sound stage,

406
00:18:27,920 --> 00:18:30,199
Speaker 4: so there was no natural light, and do you remember

407
00:18:30,359 --> 00:18:33,000
Speaker 4: having to be there like in bathing suits in the

408
00:18:33,080 --> 00:18:34,680
Speaker 4: fake light? And that was when my son came in

409
00:18:34,760 --> 00:18:37,480
Speaker 4: and I said, I said, you know this wasn't outside,

410
00:18:37,520 --> 00:18:38,160
Speaker 4: and he goes.

411
00:18:38,480 --> 00:18:43,960
Speaker 1: I can tell you, swear to god, Oh you're kidding me.

412
00:18:44,080 --> 00:18:44,280
Speaker 2: Mom.

413
00:18:45,320 --> 00:18:48,040
Speaker 4: Remember we couldn't had the cameras, couldn't shoot up because

414
00:18:48,040 --> 00:18:48,760
Speaker 4: you'd see the lights.

415
00:18:48,880 --> 00:18:52,119
Speaker 1: And then season two or three, when we got some

416
00:18:52,280 --> 00:18:56,159
Speaker 1: money they had, they created like a false scrim in

417
00:18:56,200 --> 00:18:58,679
Speaker 1: the What was it? Why could we shoot up?

418
00:18:58,880 --> 00:18:59,040
Speaker 2: Was it?

419
00:18:59,320 --> 00:19:01,240
Speaker 1: Was it a fact? I think some reason?

420
00:19:01,440 --> 00:19:05,080
Speaker 5: Maybe just higher up in one direction. Do you remember

421
00:19:05,160 --> 00:19:06,359
Speaker 5: the foliage.

422
00:19:06,040 --> 00:19:08,440
Speaker 6: They could move it right, yeah?

423
00:19:08,480 --> 00:19:10,800
Speaker 4: But why could we suddenly have sky in the background,

424
00:19:10,800 --> 00:19:12,639
Speaker 4: because you remember, we couldn't have no one could be

425
00:19:12,760 --> 00:19:15,320
Speaker 4: talking down to anybody, not emotionally.

426
00:19:14,840 --> 00:19:17,639
Speaker 6: But we did we have a skyscram like just a

427
00:19:17,720 --> 00:19:18,440
Speaker 6: fake maybe.

428
00:19:18,760 --> 00:19:21,479
Speaker 4: I remember when they first got the sky and they

429
00:19:21,520 --> 00:19:23,920
Speaker 4: were so excited. Maybe they had it over the whole thing. No,

430
00:19:23,960 --> 00:19:24,960
Speaker 4: because you need the lights.

431
00:19:25,520 --> 00:19:25,879
Speaker 7: I don't know.

432
00:19:26,560 --> 00:19:31,359
Speaker 1: I remember I remember having to be quote outside and

433
00:19:31,480 --> 00:19:32,960
Speaker 1: inside and it was so weird.

434
00:19:33,560 --> 00:19:34,400
Speaker 7: It felt like a play.

435
00:19:34,520 --> 00:19:36,480
Speaker 2: Even just watching it, didn't it feel like that was

436
00:19:36,520 --> 00:19:39,200
Speaker 2: a stage like a play in a way. I don't

437
00:19:39,240 --> 00:19:42,680
Speaker 2: know the whole set, just watching it this time, seeing

438
00:19:44,080 --> 00:19:44,520
Speaker 2: where were the.

439
00:19:44,560 --> 00:19:47,720
Speaker 4: Practical sets because my apartment was my apartment, Billy's in

440
00:19:47,800 --> 00:19:51,120
Speaker 4: my apartment was my apartment. But people who were upstairs,

441
00:19:51,160 --> 00:19:54,119
Speaker 4: where did they build your practical around?

442
00:19:54,200 --> 00:19:54,360
Speaker 5: Yeah?

443
00:19:54,480 --> 00:19:56,719
Speaker 6: It was just right nearby. I mean, eventually we had

444
00:19:56,760 --> 00:19:59,240
Speaker 6: two sound stages. The whole apartment was right because we

445
00:19:59,320 --> 00:20:01,159
Speaker 6: had like I think four and five or something with

446
00:20:01,240 --> 00:20:04,520
Speaker 6: those the actual numbers that that really you Wow, I

447
00:20:04,560 --> 00:20:07,639
Speaker 6: could be making that up, but they were. They were

448
00:20:07,760 --> 00:20:11,480
Speaker 6: just like setups, like a sound stage of the interiors

449
00:20:11,840 --> 00:20:12,760
Speaker 6: just right nearby.

450
00:20:13,160 --> 00:20:13,360
Speaker 2: Wow.

451
00:20:13,680 --> 00:20:17,159
Speaker 6: Yeah, for the upstairs apartments. But like Allison story was

452
00:20:17,200 --> 00:20:20,080
Speaker 6: really like the primary like the way to get in

453
00:20:20,160 --> 00:20:23,240
Speaker 6: the world of Meloye's place was through the Allison characters.

454
00:20:23,600 --> 00:20:26,440
Speaker 6: Ju Right, So we're following her journey of trying to

455
00:20:26,480 --> 00:20:28,560
Speaker 6: find a new roommate, trying to hold onto her job,

456
00:20:28,640 --> 00:20:31,919
Speaker 6: and then the next scene is Allison is unloading her

457
00:20:31,960 --> 00:20:36,280
Speaker 6: trunk and Billy Campbell played by Andrew Shoe, stops by

458
00:20:36,560 --> 00:20:39,480
Speaker 6: to ask about the apartment. He's ostensibly heard about the

459
00:20:39,520 --> 00:20:43,359
Speaker 6: apartment somehow through this random roommate aide naturally, but he

460
00:20:43,520 --> 00:20:46,440
Speaker 6: stops by and he's immediately like cute.

461
00:20:46,880 --> 00:20:48,320
Speaker 1: Yeah, And I don't know why.

462
00:20:48,520 --> 00:20:50,960
Speaker 4: I must have been directed to play it super annoyed.

463
00:20:51,080 --> 00:20:53,760
Speaker 4: I'm like, would you be annoyed if Andrew you.

464
00:20:55,000 --> 00:20:55,760
Speaker 3: Wipe you.

465
00:20:57,400 --> 00:20:59,120
Speaker 7: Find something and my apartment?

466
00:20:59,240 --> 00:21:01,600
Speaker 4: Maybe literally in real life I was saying, hey, there,

467
00:21:01,920 --> 00:21:04,760
Speaker 4: but in my character was yeah, yeah.

468
00:21:04,840 --> 00:21:06,280
Speaker 1: I don't know why I was so annoyed.

469
00:21:06,280 --> 00:21:08,040
Speaker 4: I guess I had to be otherwise, why wouldn't I

470
00:21:08,119 --> 00:21:09,639
Speaker 4: just say yes, please move in right now?

471
00:21:09,720 --> 00:21:13,080
Speaker 6: And and I mean just could not be more adorable.

472
00:21:13,160 --> 00:21:16,000
Speaker 6: And he was scripted like he just had like the

473
00:21:16,080 --> 00:21:17,320
Speaker 6: best scenes day.

474
00:21:17,359 --> 00:21:19,320
Speaker 1: Now I can tell the andrews Shoe audition story.

475
00:21:19,480 --> 00:21:20,840
Speaker 6: Yeah, okay, okay, good, yeah.

476
00:21:20,760 --> 00:21:24,080
Speaker 4: Yeah, see finally I'm up. Oh go, So that sweet

477
00:21:24,160 --> 00:21:26,720
Speaker 4: Stephen Fanning who was wonderful. It didn't work out. Don't

478
00:21:26,760 --> 00:21:29,760
Speaker 4: know why sometimes that happens. So then in the middle

479
00:21:29,800 --> 00:21:33,080
Speaker 4: of shooting the pilot, they had to recast the billy character.

480
00:21:33,680 --> 00:21:37,640
Speaker 4: So this was like on a Saturday. So we're shooting fourteen,

481
00:21:37,760 --> 00:21:38,720
Speaker 4: sixteen hours a day.

482
00:21:38,840 --> 00:21:39,520
Speaker 1: It's insane.

483
00:21:39,640 --> 00:21:41,520
Speaker 4: Like in the pilot, for whatever reason, I'm in every scene.

484
00:21:42,040 --> 00:21:44,400
Speaker 4: And we said, okay, we have to have these auditions.

485
00:21:44,400 --> 00:21:47,240
Speaker 4: We're gonna have them at Aaron Spelling's house. So do

486
00:21:47,280 --> 00:21:55,560
Speaker 4: you know Aaron Spelling's famous house in like Beverly Wood Bell, Yeah, Homihills.

487
00:21:56,080 --> 00:21:59,639
Speaker 4: So you drive up to this big, fancy house and

488
00:22:00,040 --> 00:22:02,800
Speaker 4: were in his library. So it's a huge library, like

489
00:22:02,880 --> 00:22:05,399
Speaker 4: something out of Hogwarts, right, and you look there were

490
00:22:05,480 --> 00:22:08,080
Speaker 4: all these leatherbound books. And I went close to look

491
00:22:08,119 --> 00:22:11,600
Speaker 4: at the leatherbound books and their scripts. So he has

492
00:22:11,760 --> 00:22:15,800
Speaker 4: leather bound Fantasy Island scripts and love bound scripts. Isn't

493
00:22:15,800 --> 00:22:21,040
Speaker 4: that amazing library? We love boat scripts. Walls and Walls

494
00:22:21,480 --> 00:22:25,280
Speaker 4: did a million show volumes, right, leather bound volumes of

495
00:22:25,480 --> 00:22:26,399
Speaker 4: every single script.

496
00:22:26,480 --> 00:22:29,320
Speaker 1: So they're probably have Malroth's place too. And all these

497
00:22:29,400 --> 00:22:31,800
Speaker 1: guys waiting, and I'm sitting in this room with all

498
00:22:31,840 --> 00:22:33,959
Speaker 1: these executives and I'm just sitting there and he's being

499
00:22:34,080 --> 00:22:35,560
Speaker 1: very would you like some water, sweetheart?

500
00:22:36,280 --> 00:22:37,840
Speaker 6: Were there lots of actors?

501
00:22:38,160 --> 00:22:38,920
Speaker 1: There were all these.

502
00:22:38,880 --> 00:22:41,160
Speaker 4: Actors in the other room, and they came in one

503
00:22:41,240 --> 00:22:43,880
Speaker 4: by one and they were all good. And this one

504
00:22:43,920 --> 00:22:46,000
Speaker 4: guy came in and he was a really good, serious

505
00:22:46,040 --> 00:22:48,000
Speaker 4: actor and he had sort of a Grant vibe like

506
00:22:48,040 --> 00:22:49,840
Speaker 4: he was sort of tough, but like a really good

507
00:22:49,960 --> 00:22:54,200
Speaker 4: experienced actor. And all the guys in the room are going, yeah, yeah, yeah, great.

508
00:22:54,240 --> 00:22:55,840
Speaker 4: You know, Andrew didn't have a lot of experience, so

509
00:22:55,880 --> 00:23:02,399
Speaker 4: it's because of his shoes brother, but just absolutely adorable, right, natural,

510
00:23:02,920 --> 00:23:05,560
Speaker 4: that energy, natural, and he just is like still to

511
00:23:05,640 --> 00:23:09,520
Speaker 4: this day, he's just an adorable, sweet, a brilliant man. Right.

512
00:23:10,240 --> 00:23:13,880
Speaker 4: And he comes in and all of the executives are like, yeah,

513
00:23:14,000 --> 00:23:16,080
Speaker 4: you know, the first guy, the tough guy, the tough guy,

514
00:23:16,119 --> 00:23:16,600
Speaker 4: the tough guy.

515
00:23:17,240 --> 00:23:19,320
Speaker 1: And Aaron goes, yeah, yeah, I think you're right.

516
00:23:19,359 --> 00:23:21,280
Speaker 4: I think you guys are right, but I want you

517
00:23:21,359 --> 00:23:23,480
Speaker 4: to there's something about that Andrew shoe guy.

518
00:23:23,600 --> 00:23:24,600
Speaker 1: I just thought there was something.

519
00:23:24,640 --> 00:23:26,200
Speaker 4: But I totally agree with the guys were one hundred

520
00:23:26,200 --> 00:23:28,200
Speaker 4: percent right, But I just want to kind of see

521
00:23:28,240 --> 00:23:30,199
Speaker 4: him again. I'm kind of curious about him. And then

522
00:23:30,240 --> 00:23:32,320
Speaker 4: he were Andrew beck in and I watched like I

523
00:23:32,400 --> 00:23:35,679
Speaker 4: was watching, I watched him turn all of these executives around,

524
00:23:36,200 --> 00:23:38,240
Speaker 4: so they're going, Andrew, shoot, I don't know where You're

525
00:23:38,240 --> 00:23:40,320
Speaker 4: sure Andrews, and Andrewsho, Andrew Shoe.

526
00:23:40,359 --> 00:23:40,840
Speaker 5: I watched it.

527
00:23:41,080 --> 00:23:42,320
Speaker 1: I was like, and I think that.

528
00:23:42,600 --> 00:23:44,800
Speaker 4: I think that day we'll ask Andrew when he comes on.

529
00:23:45,280 --> 00:23:48,720
Speaker 4: I think they called him in and said you have it. Wow,

530
00:23:48,960 --> 00:23:52,600
Speaker 4: Like I think that day, Like in Aaron Spelling's Home

531
00:23:52,760 --> 00:23:54,640
Speaker 4: and library, Andrew got the part.

532
00:23:54,840 --> 00:23:55,840
Speaker 1: Isn't that crazy?

533
00:23:56,280 --> 00:23:58,320
Speaker 6: That's such a I can't wait for him to hear

534
00:23:58,440 --> 00:23:59,119
Speaker 6: him talk about it too.

535
00:23:59,320 --> 00:24:01,080
Speaker 4: Yes, I'd love to here he does it. He tells

536
00:24:01,119 --> 00:24:05,200
Speaker 4: the story adorably, but it was so crazy to watch him,

537
00:24:05,320 --> 00:24:07,840
Speaker 4: watch how he would play these people and turn them on.

538
00:24:08,160 --> 00:24:10,240
Speaker 4: And he was right because the other guy was wonderful.

539
00:24:10,280 --> 00:24:12,560
Speaker 4: I honestly don't know his name, but it would have

540
00:24:12,680 --> 00:24:14,919
Speaker 4: been like he and Brant were so similar, and Grant

541
00:24:15,000 --> 00:24:18,959
Speaker 4: and Andrew were so opposite and it worked so well, right,

542
00:24:19,160 --> 00:24:21,440
Speaker 4: like that a tough guy and then this sweet guy.

543
00:24:21,520 --> 00:24:24,040
Speaker 1: It was just such a perfect perfect match. And he

544
00:24:24,119 --> 00:24:27,560
Speaker 1: could see it. Yeah, he was so good at spotting

545
00:24:27,920 --> 00:24:30,720
Speaker 1: talent right and making that the mix of people.

546
00:24:31,000 --> 00:24:31,640
Speaker 6: That's so great.

547
00:24:31,840 --> 00:24:32,280
Speaker 5: That's great.

548
00:24:32,440 --> 00:24:36,840
Speaker 6: Yeah, So here's cute Andrew Shoe Billy Campbell Alison for

549
00:24:36,960 --> 00:24:40,240
Speaker 6: some reason being a complete bitch, and he asked you

550
00:24:40,320 --> 00:24:44,080
Speaker 6: to see the apartment and Allison says no, and he

551
00:24:44,200 --> 00:24:46,600
Speaker 6: gives you because of his numbers and an idiot WoT

552
00:24:46,640 --> 00:24:51,480
Speaker 6: it up and throw it in thees. You were an idiot,

553
00:24:52,119 --> 00:24:55,000
Speaker 6: not gonna lie. But from there we go to we

554
00:24:55,119 --> 00:24:58,480
Speaker 6: ended up in Shooters Bar, and girl, right, that bar

555
00:24:58,960 --> 00:25:00,600
Speaker 6: was a set.

556
00:25:00,600 --> 00:25:02,560
Speaker 5: Iconic when I love shooting in there.

557
00:25:02,680 --> 00:25:04,960
Speaker 1: Yeah, come in because were we at the gate and

558
00:25:05,040 --> 00:25:07,119
Speaker 1: he takes my didn't or didn't come in that day.

559
00:25:07,440 --> 00:25:09,720
Speaker 6: The first time you say no, you can't come in,

560
00:25:09,880 --> 00:25:11,480
Speaker 6: you can't see the apartment. He tries to give you

561
00:25:11,560 --> 00:25:14,160
Speaker 6: his number. You're like, yeah, no, you up the number

562
00:25:14,160 --> 00:25:16,040
Speaker 6: and you go inside and you leave and he, you know,

563
00:25:16,200 --> 00:25:19,080
Speaker 6: sort of leaves the apartment complex. So the next scene

564
00:25:19,160 --> 00:25:23,720
Speaker 6: is then cutting to Shooters, which is a it's not

565
00:25:23,800 --> 00:25:27,040
Speaker 6: an actual bar. It was the bar that was built

566
00:25:27,160 --> 00:25:29,399
Speaker 6: for Melrose and it was named for Melrose. We had

567
00:25:29,440 --> 00:25:33,000
Speaker 6: a lot of good like sort of swag with shooter

568
00:25:33,080 --> 00:25:34,840
Speaker 6: stuff on it over the years, Right, didn't you guys

569
00:25:34,880 --> 00:25:40,280
Speaker 6: have like the drink tumbler, Shooters Shooters Bar made like shirts,

570
00:25:42,320 --> 00:25:43,159
Speaker 6: the T shirt we.

571
00:25:43,200 --> 00:25:46,080
Speaker 1: All had the glasses. Remember the tumblers said shooters.

572
00:25:46,080 --> 00:25:50,399
Speaker 6: And Jake is teaching a blonde to play pool. A

573
00:25:50,520 --> 00:25:52,560
Speaker 6: blonde who when I from a distance the.

574
00:25:53,040 --> 00:25:55,560
Speaker 3: Wide shot and I thought that looked like Cony.

575
00:25:56,680 --> 00:25:59,520
Speaker 6: I like, yeah, which changeable one of ours?

576
00:25:59,560 --> 00:25:59,920
Speaker 2: But it was.

577
00:26:00,920 --> 00:26:03,600
Speaker 6: It was a blonde. It was not one of her characters.

578
00:26:03,840 --> 00:26:05,560
Speaker 5: Sandy was coming to tell Jake.

579
00:26:06,320 --> 00:26:08,240
Speaker 7: By the way, there's been a high school hanging around

580
00:26:08,280 --> 00:26:08,800
Speaker 7: the apartment.

581
00:26:09,480 --> 00:26:14,800
Speaker 2: Nice high schooler, Jake haskel Jike, do you do you

582
00:26:14,920 --> 00:26:15,520
Speaker 2: remember me?

583
00:26:15,920 --> 00:26:18,840
Speaker 4: Because when I I seem to remember there was debate

584
00:26:18,880 --> 00:26:19,840
Speaker 4: about her keeping the accent.

585
00:26:19,880 --> 00:26:21,320
Speaker 1: I don't know that she kept it. We'll find out

586
00:26:21,320 --> 00:26:23,560
Speaker 1: in the future, and we will remember them discussing it.

587
00:26:23,680 --> 00:26:25,280
Speaker 6: I have to say that was one of the things

588
00:26:25,320 --> 00:26:28,200
Speaker 6: while watching it with Doug. He said that there was

589
00:26:28,640 --> 00:26:31,800
Speaker 6: ongoing discussion about yes, and I remember that she keep it?

590
00:26:31,880 --> 00:26:32,720
Speaker 1: Should she drop it?

591
00:26:32,840 --> 00:26:35,240
Speaker 6: How is it going? Is it working? It was a

592
00:26:35,320 --> 00:26:39,200
Speaker 6: thing and there were times when I could not understand

593
00:26:39,240 --> 00:26:40,800
Speaker 6: what she was saying due to the accent.

594
00:26:40,960 --> 00:26:43,440
Speaker 2: And about what I loved about it is that it

595
00:26:43,560 --> 00:26:46,960
Speaker 2: remind me that this show is not reality. She was

596
00:26:47,040 --> 00:26:50,879
Speaker 2: this iconic blonde who came from the South, you know,

597
00:26:50,960 --> 00:26:53,440
Speaker 2: it could have been from the Midwest anywhere. She came

598
00:26:53,520 --> 00:26:55,359
Speaker 2: out and she was gonna.

599
00:26:55,119 --> 00:26:55,679
Speaker 5: Be a stuff.

600
00:26:55,800 --> 00:26:58,119
Speaker 2: She was the actress, yeah, classes, and she went to

601
00:26:58,200 --> 00:27:00,159
Speaker 2: acting school and she was a waitress and she was

602
00:27:00,240 --> 00:27:01,639
Speaker 2: just She's an archetype.

603
00:27:01,960 --> 00:27:03,800
Speaker 5: That's what this show is filled with.

604
00:27:03,960 --> 00:27:06,920
Speaker 7: That's why Jake and Billie had to be different.

605
00:27:06,960 --> 00:27:10,680
Speaker 2: They couldn't be the same, like Hero, you know, hercules guy,

606
00:27:11,359 --> 00:27:14,320
Speaker 2: just like you know, we had the crazy redhead, we had,

607
00:27:14,400 --> 00:27:16,760
Speaker 2: you know, the tough burnette Joe comes in. We had

608
00:27:16,920 --> 00:27:19,480
Speaker 2: Ronda played by Vanessa which we didn't go over, but

609
00:27:19,760 --> 00:27:25,080
Speaker 2: those outfits with her aerobics classes. You know, I thought

610
00:27:25,119 --> 00:27:27,840
Speaker 2: it was very archetypal yea character, which I really totally

611
00:27:28,440 --> 00:27:29,360
Speaker 2: liked because they.

612
00:27:29,320 --> 00:27:32,440
Speaker 7: Didn't get really nitty gritty reality.

613
00:27:32,560 --> 00:27:33,359
Speaker 5: You know, this was a school.

614
00:27:33,480 --> 00:27:35,160
Speaker 4: What you're pointing out too, though, is when they brought

615
00:27:35,200 --> 00:27:37,560
Speaker 4: in the different archetypes like you and Heather and you

616
00:27:37,800 --> 00:27:39,760
Speaker 4: that's when it worked. When we were all like we

617
00:27:39,800 --> 00:27:41,840
Speaker 4: said earlier, and we're all just nice kids trying to

618
00:27:41,880 --> 00:27:42,159
Speaker 4: make it.

619
00:27:42,359 --> 00:27:43,760
Speaker 5: Yeah, yeah, it didn't work.

620
00:27:43,800 --> 00:27:45,560
Speaker 4: There was no conflict. We have all these nice kids

621
00:27:45,600 --> 00:27:48,320
Speaker 4: knocking on each other's door, right right, Okay, well I

622
00:27:48,400 --> 00:27:50,159
Speaker 4: can have that in my real life, you need to have.

623
00:27:50,320 --> 00:27:51,439
Speaker 6: Somebody needed to start up.

624
00:27:52,000 --> 00:27:53,840
Speaker 4: Somebody needed to stir it up. And it can't just

625
00:27:53,920 --> 00:27:56,280
Speaker 4: be being mean to the really nice boy who says

626
00:27:56,320 --> 00:27:56,720
Speaker 4: hello to you.

627
00:27:57,160 --> 00:27:58,199
Speaker 5: They need to stir it up.

628
00:27:58,240 --> 00:28:00,320
Speaker 2: And then the writers needed to jump on that and

629
00:28:00,600 --> 00:28:03,359
Speaker 2: really stirred up. You would have been canceled, and they

630
00:28:03,400 --> 00:28:04,960
Speaker 2: did so.

631
00:28:05,640 --> 00:28:09,760
Speaker 6: So yeah, so Sandy's warning warning Jake that if you

632
00:28:10,119 --> 00:28:11,800
Speaker 6: you know, if you're gonna pursue this, you're gonna have

633
00:28:11,800 --> 00:28:16,360
Speaker 6: to deal with the consequences of your actions. So then

634
00:28:16,720 --> 00:28:21,240
Speaker 6: back to Allison's apartment where the montage of potential roommates

635
00:28:21,280 --> 00:28:23,879
Speaker 6: at Allison's door who are not a good fit, and

636
00:28:24,040 --> 00:28:26,959
Speaker 6: we see a hysterical.

637
00:28:26,440 --> 00:28:31,280
Speaker 4: Like hilarious which is also dates right, it's also that

638
00:28:31,400 --> 00:28:32,960
Speaker 4: doesn't that doesn't age well.

639
00:28:33,080 --> 00:28:35,480
Speaker 1: You know, you have the guy who says I'm about

640
00:28:35,560 --> 00:28:36,280
Speaker 1: to be a woman and.

641
00:28:37,200 --> 00:28:40,000
Speaker 4: Wow, the things that were okay then that wouldn't be

642
00:28:40,160 --> 00:28:43,040
Speaker 4: okay now that mohawk like wow, we thought those we

643
00:28:43,120 --> 00:28:45,000
Speaker 4: thought the older one funny to be older.

644
00:28:45,120 --> 00:28:49,320
Speaker 6: Like also like another sign of the time that they

645
00:28:49,400 --> 00:28:51,160
Speaker 6: all just get to come knocking on your door to

646
00:28:51,440 --> 00:28:52,080
Speaker 6: I just love it.

647
00:28:52,440 --> 00:28:57,040
Speaker 1: I pull it right over. Yeah, yeah, no, I'll be

648
00:28:57,120 --> 00:28:57,680
Speaker 1: home alone.

649
00:28:57,720 --> 00:29:01,440
Speaker 6: Come on over, come on over, yep. Uh yeah, So

650
00:29:01,560 --> 00:29:06,320
Speaker 6: that was funny and funny. And that's when Michael drops

651
00:29:06,320 --> 00:29:08,920
Speaker 6: off an eviction notice yeah, like all of a sudden, Nope.

652
00:29:08,880 --> 00:29:12,640
Speaker 1: This is the same day or maybe the next day. Yeah,

653
00:29:13,800 --> 00:29:14,400
Speaker 1: but he does.

654
00:29:14,360 --> 00:29:16,960
Speaker 6: Suggest to write a bad check to cover the rent.

655
00:29:17,400 --> 00:29:17,520
Speaker 3: Well.

656
00:29:17,560 --> 00:29:19,440
Speaker 4: What I also love is that none of my dear

657
00:29:19,520 --> 00:29:21,920
Speaker 4: friends in the building said, why don't we each loan

658
00:29:22,000 --> 00:29:23,160
Speaker 4: you one hundred bucks to get.

659
00:29:23,080 --> 00:29:25,600
Speaker 1: You through this time? Like ere like, sorry, too bad?

660
00:29:26,440 --> 00:29:27,640
Speaker 5: But what did we have?

661
00:29:27,800 --> 00:29:30,000
Speaker 1: What did they have it? I guess nobody had money.

662
00:29:30,040 --> 00:29:32,719
Speaker 1: I guess that's none of it. We were all very

663
00:29:32,840 --> 00:29:33,680
Speaker 1: close to the edge.

664
00:29:33,760 --> 00:29:37,080
Speaker 4: I guess it was maybe the dichotomy between you know,

665
00:29:37,240 --> 00:29:39,280
Speaker 4: actually I think it was a dichotomy between Moros and

666
00:29:39,360 --> 00:29:42,320
Speaker 4: nine two is they were rich kids and we were.

667
00:29:42,280 --> 00:29:45,480
Speaker 1: Not struggling at the part struggling struggling.

668
00:29:45,680 --> 00:29:47,800
Speaker 4: So that's why we start with the money. Because we

669
00:29:47,920 --> 00:29:50,280
Speaker 4: couldn't scrape together four hundred dollars.

670
00:29:50,360 --> 00:29:51,080
Speaker 5: Yeah right.

671
00:29:51,240 --> 00:29:53,880
Speaker 4: Nobody even tried to help, which, you know, maybe that's

672
00:29:53,880 --> 00:29:56,400
Speaker 4: why I was so cranky because nobody was trying.

673
00:29:56,200 --> 00:29:58,640
Speaker 6: To well, but the doctor or it was in med

674
00:29:58,680 --> 00:30:00,760
Speaker 6: school or was he an actual doctor By that, Michael,

675
00:30:01,160 --> 00:30:03,920
Speaker 6: he was an intern. Okay, he's the one who's been

676
00:30:04,440 --> 00:30:06,680
Speaker 6: he's acting as the landlord for the building and he's

677
00:30:06,720 --> 00:30:10,600
Speaker 6: also the manager. But he's also suggesting that you write

678
00:30:10,600 --> 00:30:14,920
Speaker 6: a bad check. So in the beginning, Michael Mancini was

679
00:30:14,920 --> 00:30:18,320
Speaker 6: already acting shady. He was suggesting to Alison just write

680
00:30:18,360 --> 00:30:20,680
Speaker 6: a bad check. And then later in the episode, it

681
00:30:20,800 --> 00:30:23,200
Speaker 6: turns turns out, you know that whatever, there was a

682
00:30:23,240 --> 00:30:25,840
Speaker 6: bad check or whatever, but he's he's suggesting that that's

683
00:30:25,880 --> 00:30:26,360
Speaker 6: his solution.

684
00:30:27,920 --> 00:30:29,880
Speaker 1: Lord do we ever meet the landlord?

685
00:30:29,960 --> 00:30:35,479
Speaker 4: Apparently the landlord was awful, apparently right, well, I think

686
00:30:35,520 --> 00:30:39,280
Speaker 4: at all, Michael Mancini was trying to steer Alison wrong anyway.

687
00:30:39,480 --> 00:30:42,760
Speaker 2: Well, and also he was a jerk because then he

688
00:30:43,040 --> 00:30:45,960
Speaker 2: exits and he's like, come on, Bubby, let's go, come on, honey,

689
00:30:46,040 --> 00:30:46,720
Speaker 2: let's come back to bed.

690
00:30:46,840 --> 00:30:49,120
Speaker 3: He was come back in here, come back to bed,

691
00:30:49,320 --> 00:30:50,920
Speaker 3: like talent, Jane, what to do you know?

692
00:30:51,080 --> 00:30:53,320
Speaker 5: Like, I'm like, ew, yeah, it was.

693
00:30:53,520 --> 00:30:53,720
Speaker 4: It was.

694
00:30:53,880 --> 00:30:59,200
Speaker 6: Yeah. So just like foreshadowing, foreshadowing exactly, they knew exactly

695
00:30:59,240 --> 00:31:03,280
Speaker 6: which direction to say the character. So anyway, back to Shooters,

696
00:31:03,440 --> 00:31:08,920
Speaker 6: where Alison sees Sandy at Shooters and asks where she

697
00:31:08,960 --> 00:31:10,800
Speaker 6: can find Billy. So that's where you go back to

698
00:31:10,880 --> 00:31:13,880
Speaker 6: the Shooters and find him playing pool, right, Yes, and

699
00:31:14,000 --> 00:31:18,640
Speaker 6: now you're ready to ask him to be your roommate. Yeah,

700
00:31:19,080 --> 00:31:21,840
Speaker 6: and you guys had that cute little like dance, Well

701
00:31:22,320 --> 00:31:25,320
Speaker 6: I already have one. No, I don't, and it's just

702
00:31:25,480 --> 00:31:29,240
Speaker 6: like your chemistry and you're like, you know, meet cute

703
00:31:29,360 --> 00:31:33,280
Speaker 6: relationship already was like, oh come on, this is done

704
00:31:33,360 --> 00:31:37,040
Speaker 6: deal too. Super cute people being super cute with each other.

705
00:31:37,520 --> 00:31:39,880
Speaker 4: Yeah, he was adorable, and maybe it's better that I

706
00:31:39,960 --> 00:31:42,720
Speaker 4: started off so mean, because then he's so adorable you

707
00:31:42,840 --> 00:31:45,240
Speaker 4: can't not respond to You were. I think it was

708
00:31:45,320 --> 00:31:48,719
Speaker 4: the me being so mean to such an objectively sweet,

709
00:31:48,840 --> 00:31:49,920
Speaker 4: adorable person.

710
00:31:50,720 --> 00:31:52,320
Speaker 1: I was watching, going, why am I?

711
00:31:53,200 --> 00:31:53,720
Speaker 4: Yeah, you were?

712
00:31:54,560 --> 00:31:57,760
Speaker 3: You were definitely I'm thinking the same thing, like what

713
00:31:58,280 --> 00:31:58,760
Speaker 3: But you know what I.

714
00:31:58,840 --> 00:32:01,720
Speaker 4: Forgot when when I show him the fridge, which is

715
00:32:01,760 --> 00:32:04,160
Speaker 4: coming up very quickly, and I have labels on everything.

716
00:32:04,240 --> 00:32:06,000
Speaker 1: So I was like, oh, so that was the.

717
00:32:06,120 --> 00:32:10,000
Speaker 4: Character super uptight, organized, ridgid, super organized.

718
00:32:10,560 --> 00:32:11,880
Speaker 1: Forgotten that about Alison.

719
00:32:11,960 --> 00:32:12,880
Speaker 5: You're wondering.

720
00:32:14,920 --> 00:32:16,680
Speaker 1: Decline is so clear in my mind.

721
00:32:16,760 --> 00:32:19,640
Speaker 3: I forgot the suitcases She's like, I gotta get out

722
00:32:19,640 --> 00:32:21,640
Speaker 3: of I can't live with this.

723
00:32:23,240 --> 00:32:27,320
Speaker 5: I'm not paying for this. Pretty uptight, I must say.

724
00:32:32,960 --> 00:32:35,000
Speaker 6: So, I mean basically where we left off is then

725
00:32:35,040 --> 00:32:39,600
Speaker 6: we see when Michael goes back and he's with Jane

726
00:32:40,200 --> 00:32:43,480
Speaker 6: in bed. Is this where Jane is kissing his toe?

727
00:32:43,680 --> 00:32:45,920
Speaker 6: I just have to say, because when that, it's a

728
00:32:46,000 --> 00:32:49,680
Speaker 6: commercial break and it comes back right and it opens

729
00:32:49,840 --> 00:32:55,720
Speaker 6: on Josie like actually kissing a toe, and Doug and

730
00:32:55,760 --> 00:32:58,840
Speaker 6: I were so and it was so Melrose is pushing

731
00:32:59,080 --> 00:33:01,040
Speaker 6: and we're like, did we just see that? Did she

732
00:33:01,280 --> 00:33:02,000
Speaker 6: actually have to do that?

733
00:33:02,040 --> 00:33:02,520
Speaker 1: And she did.

734
00:33:02,800 --> 00:33:04,240
Speaker 6: We had to go back, we had to rewind it

735
00:33:04,280 --> 00:33:07,080
Speaker 6: and make sure watch it again. She crawled up and

736
00:33:07,760 --> 00:33:10,720
Speaker 6: she was so cute and so adorable.

737
00:33:10,320 --> 00:33:12,200
Speaker 3: And he just prove it, Oh my gosh.

738
00:33:12,560 --> 00:33:14,240
Speaker 6: And then he just continues to be a little bit

739
00:33:14,360 --> 00:33:19,480
Speaker 6: like smug and weird, gorgeous, begging.

740
00:33:21,080 --> 00:33:21,600
Speaker 4: Do you have that?

741
00:33:22,400 --> 00:33:26,640
Speaker 6: Yeah, Jane, you deserve better, all right. So then Ronda

742
00:33:27,520 --> 00:33:29,600
Speaker 6: is where we meet Ronda and she's peeking through the

743
00:33:29,680 --> 00:33:33,120
Speaker 6: window to see Billy going into Alison's apartment. So she

744
00:33:33,640 --> 00:33:35,240
Speaker 6: is learning.

745
00:33:35,840 --> 00:33:37,640
Speaker 4: Remember we forgot to say that she did say that

746
00:33:37,760 --> 00:33:40,520
Speaker 4: she saw her sneak out and hadn't stopped her, right, Oh.

747
00:33:40,560 --> 00:33:40,960
Speaker 5: Yeah, yeah.

748
00:33:41,040 --> 00:33:43,280
Speaker 6: So Ronda seems to have a little bit of an

749
00:33:43,320 --> 00:33:45,240
Speaker 6: eye on what else is going on in the building.

750
00:33:46,200 --> 00:33:48,200
Speaker 5: She's like, who's the guy, the cute guy.

751
00:33:49,160 --> 00:33:51,200
Speaker 7: Ronda says that yep and uh.

752
00:33:51,400 --> 00:33:54,520
Speaker 6: And she's also shaming Sandy for sleeping until noon.

753
00:33:56,440 --> 00:33:57,320
Speaker 5: That's a lot of energy.

754
00:33:57,880 --> 00:34:00,480
Speaker 6: Sort of funny. But back in Allison and Billy's apartment,

755
00:34:01,000 --> 00:34:05,520
Speaker 6: Alison walks in to find Billy shirtless. Yes yeah yang

756
00:34:05,800 --> 00:34:09,680
Speaker 6: on the shirtless yay winter winner. Alison is the winner,

757
00:34:10,760 --> 00:34:13,520
Speaker 6: and Billy asks Allison if she's told them. Okay, this

758
00:34:13,719 --> 00:34:15,759
Speaker 6: was a super cute scene because it was all like

759
00:34:15,960 --> 00:34:18,160
Speaker 6: the on Tundra, like have you told your parents yet?

760
00:34:18,560 --> 00:34:20,279
Speaker 6: Oh no, but I think they would be supportive, like

761
00:34:20,640 --> 00:34:24,720
Speaker 6: like super cute dialogue with super cute couple, like flirty

762
00:34:24,840 --> 00:34:26,799
Speaker 6: but not supposed to be. And then the thing about

763
00:34:26,800 --> 00:34:29,399
Speaker 6: the food sharing, which is it was just so chiming

764
00:34:29,440 --> 00:34:31,680
Speaker 6: and adorable and labeled not sharing.

765
00:34:31,760 --> 00:34:33,920
Speaker 2: You mean the food not sharing. I don't want your

766
00:34:33,960 --> 00:34:36,239
Speaker 2: peanut butter, you don't get to touch mine, right.

767
00:34:36,280 --> 00:34:38,000
Speaker 4: Yeah, I don't think those some of the like sometimes

768
00:34:38,040 --> 00:34:40,160
Speaker 4: in a pilot where you have these very strong character

769
00:34:40,320 --> 00:34:42,440
Speaker 4: choices and then they fade because I don't remember that

770
00:34:42,520 --> 00:34:44,920
Speaker 4: about Alison going forward, right, I don't remember seeing the

771
00:34:45,000 --> 00:34:45,880
Speaker 4: labels again.

772
00:34:45,719 --> 00:34:47,800
Speaker 1: That she was pretty a cute idea to have that character.

773
00:34:47,960 --> 00:34:50,080
Speaker 6: It was, Yeah, it was a cute dynamicte I do it.

774
00:34:50,160 --> 00:34:52,120
Speaker 5: And then Melo just left her.

775
00:34:53,840 --> 00:34:54,800
Speaker 1: Boy did it?

776
00:34:55,760 --> 00:34:59,799
Speaker 6: And uh so then Ronda, Ronda is talking with Matt

777
00:34:59,800 --> 00:35:01,400
Speaker 6: who swimming in the pool. So guess what to be

778
00:35:01,400 --> 00:35:03,920
Speaker 6: swimming in the pool, you have to be sure less.

779
00:35:04,840 --> 00:35:07,960
Speaker 4: And you remember if the pool was really warm? Did

780
00:35:08,000 --> 00:35:09,560
Speaker 4: you guys talk about it? Because I was trying to

781
00:35:09,600 --> 00:35:12,000
Speaker 4: remember how warm the pool was as people were swimming

782
00:35:12,040 --> 00:35:12,200
Speaker 4: in it.

783
00:35:12,400 --> 00:35:15,160
Speaker 6: I remember when I eventually got in the pool and

784
00:35:15,239 --> 00:35:18,279
Speaker 6: your wedding rider there was that, but it.

785
00:35:19,760 --> 00:35:20,600
Speaker 5: Was it was warm.

786
00:35:20,640 --> 00:35:22,080
Speaker 6: It was not a prop like I never felt like

787
00:35:22,120 --> 00:35:25,000
Speaker 6: it was a cold situation. But like Doug said that,

788
00:35:25,120 --> 00:35:27,880
Speaker 6: he remembered and maybe you can corroborate or not that

789
00:35:28,680 --> 00:35:31,440
Speaker 6: because they had dug this pool in a sound stage.

790
00:35:31,520 --> 00:35:33,560
Speaker 6: They had dug out into the floor and built this

791
00:35:33,640 --> 00:35:35,520
Speaker 6: pool in the sound stage. They'd spent so much money

792
00:35:35,560 --> 00:35:38,400
Speaker 6: on it. Mister Spelling was like, we need to use

793
00:35:38,440 --> 00:35:40,080
Speaker 6: the pool. Make sure people are in the pool in

794
00:35:40,120 --> 00:35:42,319
Speaker 6: every episode, and so every episode he was like, who's

795
00:35:42,360 --> 00:35:43,319
Speaker 6: going this week?

796
00:35:43,400 --> 00:35:45,920
Speaker 3: Oh that's so right. Well, they sure piled you all

797
00:35:45,960 --> 00:35:47,040
Speaker 3: into the pilot.

798
00:35:47,080 --> 00:35:48,960
Speaker 6: Right, so I think they were the people were in

799
00:35:49,000 --> 00:35:50,600
Speaker 6: the pool like three or four times in the pilot

800
00:35:50,600 --> 00:35:52,680
Speaker 6: at least, but it was like, get our money's worth

801
00:35:52,760 --> 00:35:55,120
Speaker 6: out of that pool. So yeah.

802
00:35:55,160 --> 00:35:57,680
Speaker 2: The next scene when Billy's dancing with the flower court,

803
00:35:58,000 --> 00:36:00,560
Speaker 2: Oh that was the cute you love doing that scene?

804
00:36:00,560 --> 00:36:01,160
Speaker 5: Do you remember?

805
00:36:01,239 --> 00:36:04,040
Speaker 1: Daly forgot? But watching it, I was like, that is

806
00:36:04,120 --> 00:36:05,520
Speaker 1: the cutest. And I think that was one of the

807
00:36:05,560 --> 00:36:06,320
Speaker 1: audition scenes.

808
00:36:06,440 --> 00:36:08,439
Speaker 3: Oh really, and no wonder he won the job.

809
00:36:08,520 --> 00:36:12,560
Speaker 1: He was adorable, adorable, I know, So was it?

810
00:36:12,840 --> 00:36:14,640
Speaker 5: I don't imagine it being hard.

811
00:36:15,520 --> 00:36:19,799
Speaker 2: Uh you know, you as the character getting lit up

812
00:36:19,840 --> 00:36:22,840
Speaker 2: by him and opening up to that kind of like

813
00:36:22,920 --> 00:36:25,160
Speaker 2: oh I like him and just using that chemistry and

814
00:36:25,320 --> 00:36:26,840
Speaker 2: using your feelings or did you know.

815
00:36:26,920 --> 00:36:30,000
Speaker 1: We were dating by episode like two.

816
00:36:32,239 --> 00:36:33,400
Speaker 7: To you guys actually dating?

817
00:36:33,680 --> 00:36:34,759
Speaker 5: We were actually.

818
00:36:34,560 --> 00:36:37,319
Speaker 4: Flirting, Like any flirting you see was actually we were

819
00:36:37,400 --> 00:36:38,280
Speaker 4: actually flirting.

820
00:36:38,320 --> 00:36:40,360
Speaker 6: It's so funny because they're writing the character is like

821
00:36:40,520 --> 00:36:44,200
Speaker 6: not flirting, but it's impossible not to because it's just

822
00:36:44,239 --> 00:36:46,680
Speaker 6: such cute yeah, chemistry everything.

823
00:36:46,840 --> 00:36:50,080
Speaker 1: As you know, he's so adorable, like is a person, Yeah,

824
00:36:50,160 --> 00:36:51,160
Speaker 1: so adorable.

825
00:36:50,800 --> 00:36:52,760
Speaker 6: That dancing scene because he has to do it twice.

826
00:36:52,920 --> 00:36:55,080
Speaker 6: First he's dancing when you walk in on and he's

827
00:36:55,160 --> 00:36:57,320
Speaker 6: dancing like just kind of on his own and whatever,

828
00:36:57,560 --> 00:37:00,279
Speaker 6: just like with wild abandon and like good for him

829
00:37:00,360 --> 00:37:05,120
Speaker 6: for such commitment and like such, like you know, he

830
00:37:05,320 --> 00:37:07,480
Speaker 6: was not that experience as an actor, right because he

831
00:37:07,600 --> 00:37:09,600
Speaker 6: was he was a soccer player, he's or whatever, and

832
00:37:10,200 --> 00:37:13,560
Speaker 6: he's but he was just so natural and so willing

833
00:37:13,640 --> 00:37:17,399
Speaker 6: to that and it was so charming. So and then

834
00:37:17,840 --> 00:37:19,600
Speaker 6: and Doug was watching it, going, wait, I thought he

835
00:37:19,680 --> 00:37:21,480
Speaker 6: was dancing with the Mop And then sure enough later

836
00:37:21,600 --> 00:37:23,480
Speaker 6: he comes in he has another scene where he's dancing

837
00:37:23,480 --> 00:37:27,279
Speaker 6: with the Mop and he's like, yep, I remember it correctly. Yeah,

838
00:37:27,360 --> 00:37:29,440
Speaker 6: So that was cute. And then of course we're back

839
00:37:29,480 --> 00:37:32,120
Speaker 6: to Kelly showing up at Jake's apartment, and this is

840
00:37:32,320 --> 00:37:35,400
Speaker 6: where you know, they're in this like sort of struggle

841
00:37:35,480 --> 00:37:38,800
Speaker 6: of like should I or shouldn't I? And it's.

842
00:37:40,120 --> 00:37:42,000
Speaker 2: You know what, it's so funny because this is such

843
00:37:42,040 --> 00:37:45,360
Speaker 2: a cliche way for a guy to act after being with,

844
00:37:45,600 --> 00:37:50,080
Speaker 2: you know, leading on a younger girl. I mean not

845
00:37:50,239 --> 00:37:53,320
Speaker 2: even there, not even using their big age difference.

846
00:37:53,440 --> 00:37:54,440
Speaker 1: But it's just like, oh, I.

847
00:37:54,400 --> 00:37:56,560
Speaker 5: Don't remember us. What's the line? I don't remember I

848
00:37:56,640 --> 00:37:57,760
Speaker 5: was planning a future together.

849
00:37:58,160 --> 00:38:01,040
Speaker 2: I mean, that's so like for all the young people

850
00:38:01,160 --> 00:38:03,840
Speaker 2: now they got away with that ship back then and

851
00:38:03,920 --> 00:38:06,440
Speaker 2: we went home ashamed and like what did I do wrong?

852
00:38:06,719 --> 00:38:08,680
Speaker 2: And it's like that doesn't I hope that doesn't happen

853
00:38:08,719 --> 00:38:12,120
Speaker 2: anymore because I would be like so indignant now, you

854
00:38:12,160 --> 00:38:13,759
Speaker 2: know what I mean, Like in this day and age,

855
00:38:13,760 --> 00:38:14,560
Speaker 2: I don't think they could.

856
00:38:14,440 --> 00:38:15,360
Speaker 1: Get away with stuff like that.

857
00:38:15,520 --> 00:38:15,960
Speaker 5: But I don't know.

858
00:38:16,480 --> 00:38:20,080
Speaker 1: Ye are smarter now than we were. Honestly, I think

859
00:38:20,120 --> 00:38:21,560
Speaker 1: that smarter.

860
00:38:22,480 --> 00:38:23,520
Speaker 5: But that was one of the lines.

861
00:38:23,520 --> 00:38:25,280
Speaker 7: I don't remember us planning a future together?

862
00:38:25,600 --> 00:38:29,520
Speaker 1: And yeah she had she had the line that that, uh,

863
00:38:30,280 --> 00:38:36,080
Speaker 1: what's the problem, Jake. Don't you think I'm all out

864
00:38:36,160 --> 00:38:37,360
Speaker 1: for women everywhere?

865
00:38:37,560 --> 00:38:37,759
Speaker 5: Yeah?

866
00:38:38,239 --> 00:38:41,160
Speaker 1: Poor baby jokes, you know.

867
00:38:42,040 --> 00:38:45,560
Speaker 6: And speaking of that scene, though, another one of Grant's

868
00:38:45,600 --> 00:38:48,880
Speaker 6: lines that he had to deliver was I hate moral dilemmas.

869
00:38:51,360 --> 00:38:55,520
Speaker 6: He had to say it out loud soap operas, though,

870
00:38:55,600 --> 00:38:58,319
Speaker 6: so jes became the audience doesn't know what I'm going

871
00:38:58,400 --> 00:39:03,360
Speaker 6: through I hate moral Alemma. Yeah, yeah, right, that was

872
00:39:03,440 --> 00:39:04,320
Speaker 6: his moral dilemma.

873
00:39:04,600 --> 00:39:05,320
Speaker 1: That's so funny.

874
00:39:05,400 --> 00:39:08,000
Speaker 6: Okay. So then they end up scene by kissing passionately

875
00:39:08,080 --> 00:39:10,000
Speaker 6: by the pool. Did anybody do a kiss count? Do

876
00:39:10,080 --> 00:39:11,920
Speaker 6: we remember to do a kiss count for this episode?

877
00:39:12,000 --> 00:39:14,560
Speaker 1: I didn't have to remember many in this episode. It

878
00:39:14,640 --> 00:39:16,040
Speaker 1: gets it gets more later.

879
00:39:16,080 --> 00:39:17,520
Speaker 6: I think I forgot. I was counting on one of

880
00:39:17,600 --> 00:39:21,759
Speaker 6: you to remember, Shirtless I counted. So then Allison was

881
00:39:21,800 --> 00:39:24,320
Speaker 6: even for work from Ronda comes by asks her about Billy,

882
00:39:24,719 --> 00:39:28,200
Speaker 6: and Alison complains about Billy again you stink her me,

883
00:39:28,840 --> 00:39:33,200
Speaker 6: complaining that he's messy Alice, all right, whatever, But Ronda

884
00:39:33,320 --> 00:39:35,359
Speaker 6: goes to her exercise class, and we need to talk

885
00:39:35,400 --> 00:39:37,640
Speaker 6: about this because then another sign of the times her

886
00:39:37,680 --> 00:39:38,960
Speaker 6: cardio funk love.

887
00:39:39,320 --> 00:39:41,759
Speaker 1: Did you cringe when they had the closes up on her?

888
00:39:42,040 --> 00:39:45,640
Speaker 6: Like, I was like, wait, the butt, the butt, the butt? Yeah,

889
00:39:45,719 --> 00:39:48,960
Speaker 6: they they went up twice. They went up in the

890
00:39:49,000 --> 00:39:50,600
Speaker 6: butt and then they came back to it. I have

891
00:39:50,719 --> 00:39:54,040
Speaker 6: to say, I couldn't you And it wasn't short.

892
00:39:54,480 --> 00:39:57,000
Speaker 5: It did like it lasted. I'm just like, okay, we

893
00:39:57,160 --> 00:39:57,440
Speaker 5: got it.

894
00:39:57,640 --> 00:39:59,560
Speaker 3: And the guy looking at the girls in front of

895
00:39:59,640 --> 00:40:00,200
Speaker 3: them and they're.

896
00:40:00,760 --> 00:40:01,720
Speaker 1: To be quite so close.

897
00:40:02,000 --> 00:40:04,800
Speaker 6: To be clear, it wasn't Vanessa's, but it was some

898
00:40:05,320 --> 00:40:07,560
Speaker 6: actor who was in the scene, which, by the way,

899
00:40:07,840 --> 00:40:09,840
Speaker 6: was that scene shot in the production office of the

900
00:40:09,880 --> 00:40:12,040
Speaker 6: sound stage. They cleared it out. Do you remember this?

901
00:40:12,160 --> 00:40:15,320
Speaker 6: Doug said, Look that it was the production office space

902
00:40:15,560 --> 00:40:18,600
Speaker 6: of our sound stages, and they dressed it up go

903
00:40:18,840 --> 00:40:22,200
Speaker 6: art department like an aerobics studio lot. And they must

904
00:40:22,239 --> 00:40:24,799
Speaker 6: have had to rehearse that choreography and do all those

905
00:40:25,280 --> 00:40:28,120
Speaker 6: aerobics and cardio funk things. But then that was the

906
00:40:28,160 --> 00:40:30,800
Speaker 6: shot they chose to do. Is this you know actress

907
00:40:30,840 --> 00:40:33,480
Speaker 6: who just appears in one scene and they show her

908
00:40:33,520 --> 00:40:37,200
Speaker 6: butt twice, like from a very awkward angle. It really

909
00:40:37,360 --> 00:40:40,360
Speaker 6: whoa close up And then yeah, see that was just

910
00:40:40,400 --> 00:40:43,120
Speaker 6: a way to do that. We see, Yeah, sign of

911
00:40:43,160 --> 00:40:44,520
Speaker 6: the times for sure, because that would not.

912
00:40:44,840 --> 00:40:47,040
Speaker 2: But can we just pull away from that and like,

913
00:40:47,239 --> 00:40:50,520
Speaker 2: how fun is it seeing those outfits those aerobics outfits

914
00:40:50,680 --> 00:40:55,840
Speaker 2: the belt the Leoitar took a cardiofunk class in the nineties.

915
00:40:56,080 --> 00:40:59,200
Speaker 7: I took Jane Fonda's workout on Robertson same did you.

916
00:40:59,600 --> 00:41:00,359
Speaker 3: I went to Karen.

917
00:41:00,440 --> 00:41:04,960
Speaker 6: I went to Karen Voight and Jane Karen on Losienica.

918
00:41:04,400 --> 00:41:07,680
Speaker 2: Yeah, Losa and Santa Monica, and then also Jane fond

919
00:41:07,760 --> 00:41:09,560
Speaker 2: Is on Robertson Jane found to work out.

920
00:41:09,600 --> 00:41:14,320
Speaker 6: So Vanessa's Karen Farms. Yeah, that was the that was

921
00:41:14,360 --> 00:41:15,960
Speaker 6: the real deal in the nineties.

922
00:41:16,040 --> 00:41:19,279
Speaker 4: That was actually like former I dare you to try

923
00:41:19,360 --> 00:41:22,200
Speaker 4: to do her video now, Yeah, it's like a thousand

924
00:41:22,520 --> 00:41:23,239
Speaker 4: leg lifts so.

925
00:41:23,360 --> 00:41:25,560
Speaker 6: Hard, but if you have the belt, it's probably better

926
00:41:25,600 --> 00:41:27,759
Speaker 6: if you belt your belt.

927
00:41:27,800 --> 00:41:28,720
Speaker 1: That makes a big difference.

928
00:41:29,160 --> 00:41:32,359
Speaker 6: Okay, all right, so that a Rubbics class is really

929
00:41:32,400 --> 00:41:35,480
Speaker 6: something and he she ends up having a guy ask

930
00:41:35,560 --> 00:41:39,000
Speaker 6: her out from taking her Rubbics class. So we then

931
00:41:39,120 --> 00:41:43,560
Speaker 6: circle back to D and D where Allison is asked

932
00:41:43,680 --> 00:41:45,839
Speaker 6: by hal Barber about going to an event.

933
00:41:46,680 --> 00:41:49,360
Speaker 1: Very good news and yet we'll get back to that.

934
00:41:50,160 --> 00:41:52,200
Speaker 6: Well, it sounded like good news to Allison at the time,

935
00:41:52,239 --> 00:41:56,640
Speaker 6: but the audience is going, Alison, do you not see.

936
00:41:56,719 --> 00:41:59,040
Speaker 2: The audience now or don't you think the audience back

937
00:41:59,120 --> 00:42:01,520
Speaker 2: then was like She's yeah, I mean I watched it.

938
00:42:01,640 --> 00:42:03,240
Speaker 5: You can look at it through.

939
00:42:05,040 --> 00:42:08,239
Speaker 1: Through the way. How played it? The audience knew it was.

940
00:42:08,440 --> 00:42:11,239
Speaker 1: He wasn't subtle, he was not he was really playing it.

941
00:42:11,400 --> 00:42:13,560
Speaker 6: But I do think that the times were different, like

942
00:42:13,680 --> 00:42:17,239
Speaker 6: because the character's written as like she just needs to

943
00:42:17,280 --> 00:42:20,480
Speaker 6: go smile and go, oh great, thank you, I'm so excited.

944
00:42:20,680 --> 00:42:25,040
Speaker 6: Like the expectation is you're just supposed to be, you know,

945
00:42:25,200 --> 00:42:30,239
Speaker 6: ignoring all those signs and and just like taking like

946
00:42:30,440 --> 00:42:31,960
Speaker 6: the gift of this invitation.

947
00:42:32,840 --> 00:42:35,040
Speaker 1: As I was thinking, I was so much nicer to

948
00:42:35,120 --> 00:42:36,360
Speaker 1: him than I was to Sweet.

949
00:42:36,120 --> 00:42:43,160
Speaker 6: Billy I was watching, which is like Barry Macks. Oh boy.

950
00:42:43,480 --> 00:42:46,560
Speaker 4: So then Rondo stops by Jane store. Was that the

951
00:42:46,680 --> 00:42:49,640
Speaker 4: makeup was that the wardrobe trailer her store looked like

952
00:42:49,680 --> 00:42:50,840
Speaker 4: the wardrobe trailer to me.

953
00:42:51,239 --> 00:42:53,960
Speaker 6: Interesting, it seemed bigger than that because it was two rooms, right,

954
00:42:55,200 --> 00:42:57,560
Speaker 6: didn't they go? They kept going from one to another.

955
00:42:57,800 --> 00:42:59,880
Speaker 1: I thought it looked like the wardrobe trailer to me.

956
00:43:00,680 --> 00:43:03,080
Speaker 5: I don't think so that's so small.

957
00:43:03,239 --> 00:43:05,560
Speaker 1: But or the room, remember we had the wardrobe rooms

958
00:43:05,680 --> 00:43:09,359
Speaker 1: upstairs and buff maybe that mabe it was, yeah, that's

959
00:43:09,400 --> 00:43:09,920
Speaker 1: what it looked like.

960
00:43:10,160 --> 00:43:13,160
Speaker 6: Yeah, yeah, but that was cute. And and Josie and

961
00:43:13,280 --> 00:43:15,440
Speaker 6: Vanessa had like a ton of dialogue and they're going

962
00:43:15,520 --> 00:43:18,480
Speaker 6: back and forth, and yeah, it was really cute. So

963
00:43:18,680 --> 00:43:22,440
Speaker 6: then back at the burger joint. Donna can't believe Saney

964
00:43:22,560 --> 00:43:26,040
Speaker 6: high schoolers yep, yep, And I can't believe Jake ignored

965
00:43:26,120 --> 00:43:27,879
Speaker 6: you and you're still going to pursue it blah blah

966
00:43:27,920 --> 00:43:31,640
Speaker 6: blah blah. But back to Billy and Allison, where Billy's

967
00:43:31,719 --> 00:43:33,880
Speaker 6: dancing again. So this is the second time we were

968
00:43:34,000 --> 00:43:35,480
Speaker 6: dancing with the mop and he's so cute, and you

969
00:43:35,680 --> 00:43:39,680
Speaker 6: learn Allison learns that he's an Arthur Murray dance teacher,

970
00:43:39,760 --> 00:43:42,360
Speaker 6: which is so funny to me. That is not something

971
00:43:42,400 --> 00:43:43,239
Speaker 6: I recalled at all.

972
00:43:43,520 --> 00:43:44,839
Speaker 1: I didn't remember it last.

973
00:43:44,920 --> 00:43:46,160
Speaker 7: All probably did last.

974
00:43:46,880 --> 00:43:48,680
Speaker 1: I don't remember the ways.

975
00:43:49,360 --> 00:43:49,880
Speaker 5: And then it's so.

976
00:43:49,920 --> 00:43:54,840
Speaker 1: Funny down to Billy, I will live with you. That

977
00:43:54,960 --> 00:43:56,759
Speaker 1: does not mean I have to dance with you.

978
00:43:57,160 --> 00:44:02,000
Speaker 6: Yeah, yeah, but with a little cute little KOI like

979
00:44:02,280 --> 00:44:06,400
Speaker 6: cute little glisten in your eye, Oh my gosh. And

980
00:44:06,800 --> 00:44:09,560
Speaker 6: so then there's the shooter scene where all the high

981
00:44:09,600 --> 00:44:12,080
Speaker 6: schoolers show up to sort of back Kelly up as

982
00:44:12,160 --> 00:44:12,799
Speaker 6: she's trying to have.

983
00:44:12,840 --> 00:44:13,840
Speaker 1: A date with Jacob.

984
00:44:14,040 --> 00:44:16,160
Speaker 5: This motorcycle kind of up on him.

985
00:44:16,560 --> 00:44:18,640
Speaker 6: Kind of yeah, but that's where I was struck by

986
00:44:18,840 --> 00:44:22,839
Speaker 6: Ian Zeering's mullet. Yes as maybe the best worst hair

987
00:44:23,000 --> 00:44:24,719
Speaker 6: of the episode that stood out.

988
00:44:24,920 --> 00:44:26,120
Speaker 1: Yeah, great sign of the times.

989
00:44:26,280 --> 00:44:29,360
Speaker 6: Yes, and that's where I noticed that maybe Brian Austin

990
00:44:29,840 --> 00:44:34,120
Speaker 6: Green's voice had he was super young too, Yeah, it

991
00:44:34,160 --> 00:44:38,880
Speaker 6: just seems really young. But yeah, So Sandy learns that

992
00:44:39,600 --> 00:44:44,520
Speaker 6: Ian has a very famous actress mom, and she's, you know,

993
00:44:45,360 --> 00:44:49,480
Speaker 6: gaga over that. But back at the apartment building, Jane

994
00:44:49,640 --> 00:44:52,879
Speaker 6: is planning for a romantic night. She's made a nice dinner,

995
00:44:52,920 --> 00:44:55,000
Speaker 6: a nice bottle of wine. When Michael comes home from work.

996
00:44:55,160 --> 00:44:57,000
Speaker 6: Did you notice it was eleven thirty at night.

997
00:44:57,520 --> 00:44:59,640
Speaker 4: I was just thinking that's too late to eat, but

998
00:44:59,719 --> 00:45:02,759
Speaker 4: I'm five o'clock or did they say that's what they said,

999
00:45:02,800 --> 00:45:03,960
Speaker 4: it's eleven thirty at night.

1000
00:45:04,120 --> 00:45:05,520
Speaker 5: Oh oh that you were listening?

1001
00:45:05,800 --> 00:45:07,560
Speaker 1: Yeah, God bless her.

1002
00:45:07,719 --> 00:45:09,759
Speaker 4: Like the way he stays up till eleven thirty to

1003
00:45:09,840 --> 00:45:11,640
Speaker 4: cook dinner after doctors hours.

1004
00:45:11,719 --> 00:45:14,360
Speaker 1: Wow. But when the phone rang and still can't she

1005
00:45:14,400 --> 00:45:17,239
Speaker 1: still can't get laid, no what And she just couldn't.

1006
00:45:16,960 --> 00:45:21,040
Speaker 6: Be sweeter and he couldn't be like yeah, it's hilarious,

1007
00:45:21,160 --> 00:45:23,160
Speaker 6: and he just couldn't be less interested. So when the

1008
00:45:23,280 --> 00:45:25,879
Speaker 6: phone rings in the middle of their dinner, my first

1009
00:45:25,880 --> 00:45:27,960
Speaker 6: impulse is like, well, it's not Sydney because she's not

1010
00:45:28,040 --> 00:45:30,600
Speaker 6: there yet, because usually that's what it is. It's like, uh,

1011
00:45:30,760 --> 00:45:33,960
Speaker 6: Sydney is in jail again something like that, but it's

1012
00:45:33,960 --> 00:45:37,640
Speaker 6: not as ye wait for wait for it, because it

1013
00:45:37,640 --> 00:45:39,200
Speaker 6: will be Sydney down the line. But now it's the

1014
00:45:39,280 --> 00:45:41,759
Speaker 6: landlord and there's been a bounced check which was bail.

1015
00:45:42,120 --> 00:45:44,279
Speaker 4: Was also like you would never answer the phone at

1016
00:45:44,280 --> 00:45:46,239
Speaker 4: eleven thirty. That was in the time, the thing about

1017
00:45:46,239 --> 00:45:48,239
Speaker 4: then we answered the phone when the phone rang, went

1018
00:45:48,280 --> 00:45:50,520
Speaker 4: oh phone, that's all we had, Like you never could

1019
00:45:50,640 --> 00:45:53,239
Speaker 4: you never thought of not answering your phone the phone

1020
00:45:53,280 --> 00:45:54,040
Speaker 4: with thirty at door.

1021
00:45:54,719 --> 00:45:59,839
Speaker 6: Yeah, but that of course was Billy's bounced rent check. Yes,

1022
00:46:00,880 --> 00:46:04,480
Speaker 6: so there's that. What's gonna happen if they can't pay

1023
00:46:04,480 --> 00:46:05,520
Speaker 6: their rest the next morning?

1024
00:46:05,640 --> 00:46:07,799
Speaker 2: Jane in the pool, I just I can see your

1025
00:46:07,840 --> 00:46:11,359
Speaker 2: point about Aaron Spelling saying get him in the bowl because.

1026
00:46:11,320 --> 00:46:13,399
Speaker 5: You know she's in the pool. Yeah, you can buye

1027
00:46:13,440 --> 00:46:14,200
Speaker 5: a chat with her and.

1028
00:46:14,239 --> 00:46:16,800
Speaker 1: You're I think there was more in the pilot.

1029
00:46:16,880 --> 00:46:18,880
Speaker 4: I think over time we started to take a stand

1030
00:46:19,160 --> 00:46:21,760
Speaker 4: and also then you'd have to redo hair and makeup,

1031
00:46:21,800 --> 00:46:24,160
Speaker 4: and nobody wanted the time to redo hair and makeup. Remember,

1032
00:46:24,200 --> 00:46:25,839
Speaker 4: because there were so many of us, So I think

1033
00:46:25,880 --> 00:46:28,160
Speaker 4: that that lessoned and the pilot were like, sure, i'll

1034
00:46:28,200 --> 00:46:30,680
Speaker 4: do it, I'll do it, yes, service to spelling.

1035
00:46:30,360 --> 00:46:32,239
Speaker 1: I'll do it. And then people sort of backed away

1036
00:46:32,280 --> 00:46:32,480
Speaker 1: from it.

1037
00:46:32,680 --> 00:46:34,759
Speaker 6: But like in this scene, Jake comes up and he's

1038
00:46:34,840 --> 00:46:37,239
Speaker 6: threatening to throw Alison in, and hair and makeup is

1039
00:46:37,239 --> 00:46:38,400
Speaker 6: probably going no no, no, no, no no no no,

1040
00:46:39,120 --> 00:46:41,719
Speaker 6: like no no, and so you in turn you push

1041
00:46:41,920 --> 00:46:43,799
Speaker 6: Jake in instead, and Jake is the one who has

1042
00:46:43,840 --> 00:46:45,680
Speaker 6: to go in the pool because, let me guess, is

1043
00:46:45,719 --> 00:46:49,040
Speaker 6: he shirtless? As a matter of fact, he was, yes,

1044
00:46:49,080 --> 00:46:52,480
Speaker 6: oh stress and I've lost county. No, I'll give you

1045
00:46:52,520 --> 00:46:54,799
Speaker 6: a final talent at the end, unless anybody's keeping track

1046
00:46:55,080 --> 00:46:59,040
Speaker 6: along with me. Then back at D and D at

1047
00:46:59,080 --> 00:47:02,279
Speaker 6: the advertising agents, see how surprises ow Oh wait no,

1048
00:47:02,440 --> 00:47:05,239
Speaker 6: here's where he gets invited to the thing. So there

1049
00:47:05,320 --> 00:47:07,640
Speaker 6: was all these things leading up to the actual invitation.

1050
00:47:07,719 --> 00:47:10,239
Speaker 6: But now he's finally inviting our and cheese going and

1051
00:47:10,600 --> 00:47:13,200
Speaker 6: Ronda is getting excited about her night out because she

1052
00:47:14,480 --> 00:47:15,719
Speaker 6: has a new dress to wear and she.

1053
00:47:15,800 --> 00:47:19,960
Speaker 1: Wants to a handsome guy. Yeah, we all had such

1054
00:47:20,040 --> 00:47:20,920
Speaker 1: high hopes for that date.

1055
00:47:21,160 --> 00:47:23,840
Speaker 6: And I love their relationship like Ronda and Matt's like

1056
00:47:23,880 --> 00:47:26,160
Speaker 6: friendship and like she goes straight to Matt like and

1057
00:47:26,320 --> 00:47:30,520
Speaker 6: he's he's like totally adorably appreciative of her looking great

1058
00:47:30,640 --> 00:47:32,480
Speaker 6: and wishing her well and having a great night. And

1059
00:47:32,560 --> 00:47:34,600
Speaker 6: that was such a cute relation to rible, don't do

1060
00:47:34,680 --> 00:47:43,799
Speaker 6: anything I wouldn't do, Okay, Matt. So then we're at

1061
00:47:43,840 --> 00:47:47,520
Speaker 6: the hel Hell's taking Alison too, the client work party,

1062
00:47:47,600 --> 00:47:50,719
Speaker 6: and yeah, and Alison's such an adorable in her polka

1063
00:47:50,760 --> 00:47:53,880
Speaker 6: dot dress, being so grateful to be there and so

1064
00:47:54,000 --> 00:47:56,560
Speaker 6: excited about the people she might meet and what could

1065
00:47:56,600 --> 00:47:58,919
Speaker 6: possibly go wrong? Could they possibly go wrong?

1066
00:47:59,360 --> 00:47:59,560
Speaker 2: Yeah?

1067
00:48:00,000 --> 00:48:02,160
Speaker 6: And then but on the other hand, Ronda and her

1068
00:48:02,360 --> 00:48:07,160
Speaker 6: date are having dinner on Melrose. Was Kafy Luna? Was

1069
00:48:07,200 --> 00:48:08,840
Speaker 6: that an actual restaurant? Was that a name that we

1070
00:48:09,000 --> 00:48:09,360
Speaker 6: changed her?

1071
00:48:09,400 --> 00:48:09,720
Speaker 5: Cafe?

1072
00:48:10,120 --> 00:48:11,360
Speaker 1: Cafe Luna was a restaurant.

1073
00:48:11,440 --> 00:48:13,400
Speaker 6: It was an actual rest Yeah, yeah, we remember when

1074
00:48:13,440 --> 00:48:15,920
Speaker 6: we used We used like regular locations and like we

1075
00:48:16,040 --> 00:48:20,280
Speaker 6: went to place. Yeah, but their date goes wrong because

1076
00:48:20,840 --> 00:48:24,280
Speaker 6: he's really only interested in proposing a multi level marketing

1077
00:48:24,880 --> 00:48:25,800
Speaker 6: level marketing.

1078
00:48:25,920 --> 00:48:30,520
Speaker 4: That was so heartbreaking that moment, right, she was devastated. Yeah,

1079
00:48:31,480 --> 00:48:34,480
Speaker 4: that was that was catfishing in the nineties. They wouldn't

1080
00:48:34,480 --> 00:48:36,479
Speaker 4: steal your money, but they try to sell you multi level.

1081
00:48:37,800 --> 00:48:40,040
Speaker 6: I only see you as an opportunity for my multi

1082
00:48:40,120 --> 00:48:41,680
Speaker 6: level mictings.

1083
00:48:41,800 --> 00:48:42,439
Speaker 1: That was sad.

1084
00:48:42,600 --> 00:48:43,160
Speaker 5: Oh my gosh.

1085
00:48:43,360 --> 00:48:47,800
Speaker 6: Yeah. So then the other couple sort of struggling is

1086
00:48:48,120 --> 00:48:51,480
Speaker 6: Kelly and Jake as Kelly one more time is trying

1087
00:48:51,520 --> 00:48:52,799
Speaker 6: to girl.

1088
00:48:53,360 --> 00:48:55,600
Speaker 5: She does not get the third or fourth time. I

1089
00:48:55,719 --> 00:48:56,760
Speaker 5: was like, are you serious?

1090
00:48:57,360 --> 00:49:01,480
Speaker 1: Yeah, he's just not that into you. Yeah, that movie

1091
00:49:01,520 --> 00:49:04,120
Speaker 1: hadn't come out yet, or the book where we couldn't help.

1092
00:49:04,040 --> 00:49:06,719
Speaker 6: Her then, yeah, she had not read it. But he

1093
00:49:06,840 --> 00:49:08,800
Speaker 6: did answer the door while pulling a tank top on,

1094
00:49:08,880 --> 00:49:10,480
Speaker 6: so he's like, all right, I'm not doing this shirtless.

1095
00:49:10,719 --> 00:49:14,439
Speaker 6: I'm just gonna have a tank top on. So yeah,

1096
00:49:14,960 --> 00:49:19,960
Speaker 6: then but in Alison and Billy's apartment, he is.

1097
00:49:19,960 --> 00:49:20,759
Speaker 5: He shirtless for this?

1098
00:49:21,239 --> 00:49:24,800
Speaker 6: When Billy sticks out the bed, Yeah, shirtless on the bed. Okay,

1099
00:49:26,000 --> 00:49:28,279
Speaker 6: when hell comes in and he's just super smart.

1100
00:49:28,280 --> 00:49:31,160
Speaker 4: Yeah, super super smart comes after her, and why is

1101
00:49:31,200 --> 00:49:32,040
Speaker 4: he at her apartment?

1102
00:49:32,160 --> 00:49:34,400
Speaker 1: Why did she let him pick? But that was before right,

1103
00:49:34,480 --> 00:49:35,360
Speaker 1: people picked us up.

1104
00:49:35,880 --> 00:49:38,319
Speaker 4: I don't remember I never met anybody for first date.

1105
00:49:38,360 --> 00:49:41,279
Speaker 4: They always picked me up at my apartment, right, such

1106
00:49:41,320 --> 00:49:42,200
Speaker 4: a different time. Then.

1107
00:49:42,239 --> 00:49:45,560
Speaker 6: Did you see how he was walking Alison across the courtyard.

1108
00:49:45,600 --> 00:49:46,840
Speaker 6: He had you by the elbow and he was like

1109
00:49:46,960 --> 00:49:50,040
Speaker 6: steering you like okay, this way, young lady to the

1110
00:49:50,080 --> 00:49:55,840
Speaker 6: principal character just sort of really apartment yeah, like walking

1111
00:49:55,880 --> 00:49:58,120
Speaker 6: out across the courtyard up to the apartment door.

1112
00:49:58,280 --> 00:50:00,760
Speaker 5: This isn't there kind of like this this assumed.

1113
00:50:01,440 --> 00:50:03,839
Speaker 2: I know this is hard to say now because we're

1114
00:50:03,840 --> 00:50:08,520
Speaker 2: in twenty twenty four, but he's your boss, this is work,

1115
00:50:09,320 --> 00:50:10,120
Speaker 2: this is safe.

1116
00:50:10,440 --> 00:50:11,120
Speaker 5: I'm fine.

1117
00:50:11,520 --> 00:50:15,319
Speaker 3: Yeah, you just assume, you know, he's my senior, Like.

1118
00:50:15,480 --> 00:50:18,520
Speaker 5: It's you just don't. It's so weird all these things.

1119
00:50:18,600 --> 00:50:20,760
Speaker 7: It's confusing because it's so confused.

1120
00:50:20,840 --> 00:50:21,799
Speaker 5: I remember thinking that.

1121
00:50:22,040 --> 00:50:24,400
Speaker 3: Like you know, and oh, yeah, well he's my boss or.

1122
00:50:24,760 --> 00:50:26,959
Speaker 4: Well that's why when these stories came out about women

1123
00:50:27,040 --> 00:50:28,680
Speaker 4: being taken advantage of and be like, how did she

1124
00:50:28,800 --> 00:50:31,560
Speaker 4: not know? It's like, because we had an assumption that

1125
00:50:32,200 --> 00:50:34,520
Speaker 4: this is a person I respect, they're my boss, they wouldn't.

1126
00:50:34,600 --> 00:50:37,759
Speaker 4: It was surprising. You're right, we were more naiven. It

1127
00:50:37,880 --> 00:50:41,239
Speaker 4: was a very different time. So I think when people

1128
00:50:41,360 --> 00:50:43,640
Speaker 4: roll their eyes and say how why didn't she know?

1129
00:50:44,239 --> 00:50:47,759
Speaker 4: We didn't like we thought there was an understanding that

1130
00:50:47,920 --> 00:50:50,400
Speaker 4: there's going to be respect here. So I do understand

1131
00:50:50,440 --> 00:50:54,839
Speaker 4: why Alison was surprised and how adorable Andrew coming out

1132
00:50:54,920 --> 00:50:58,440
Speaker 4: in his boxers yes to take a stand right, and

1133
00:50:58,600 --> 00:51:00,880
Speaker 4: how the actor was so much bigger than Andrew. But

1134
00:51:00,960 --> 00:51:05,040
Speaker 4: Andrew's holding his own Yeah, she's my wife, bigger and older.

1135
00:51:05,160 --> 00:51:08,080
Speaker 6: I was noting, like, there's these two really young, adorable

1136
00:51:08,160 --> 00:51:11,480
Speaker 6: kids going get out, get yeah. And Andrew's like, get out,

1137
00:51:11,600 --> 00:51:14,920
Speaker 6: you older man, gross guy, and he's like, okay, you kiddo,

1138
00:51:15,280 --> 00:51:17,279
Speaker 6: you know what he does. And then like that was

1139
00:51:17,400 --> 00:51:19,320
Speaker 6: just such a funny little dynamic.

1140
00:51:19,640 --> 00:51:21,520
Speaker 1: Yeah, it was so sweet that it came out to

1141
00:51:21,600 --> 00:51:25,719
Speaker 1: take a stand that was adorable, so that you.

1142
00:51:25,760 --> 00:51:28,400
Speaker 6: Know, we can see where this is headed with Alison

1143
00:51:28,440 --> 00:51:31,680
Speaker 6: and Billy and we're all here for it. And then

1144
00:51:31,960 --> 00:51:35,800
Speaker 6: Michael and Jane are. Michael is waking Jane up in

1145
00:51:35,960 --> 00:51:39,560
Speaker 6: bed with breakfast in bed, and did anybody else notice?

1146
00:51:39,840 --> 00:51:40,560
Speaker 6: He's like, are you up?

1147
00:51:40,680 --> 00:51:40,840
Speaker 2: Are you?

1148
00:51:41,719 --> 00:51:42,960
Speaker 3: I was like, what I do for you?

1149
00:51:43,160 --> 00:51:44,120
Speaker 6: Look what you want?

1150
00:51:44,160 --> 00:51:44,600
Speaker 5: A cookie?

1151
00:51:44,800 --> 00:51:47,600
Speaker 3: It was can I sleep in? Cannot be your prize?

1152
00:51:47,719 --> 00:51:50,239
Speaker 7: Like she he wakes her up to say, look what

1153
00:51:50,360 --> 00:51:50,880
Speaker 7: I did for you?

1154
00:51:51,040 --> 00:51:51,320
Speaker 2: Money?

1155
00:51:51,719 --> 00:51:53,600
Speaker 5: Yeah, I am the dishwasher.

1156
00:51:54,520 --> 00:51:58,640
Speaker 6: But then Josie was so lovely in that scene where

1157
00:51:58,640 --> 00:52:02,880
Speaker 6: she says I'm lonely, Like Josie as the actress in

1158
00:52:03,000 --> 00:52:06,520
Speaker 6: that scene, like with what she's doing, she had the

1159
00:52:06,640 --> 00:52:12,319
Speaker 6: most authentic, like emotional, vulnerable, vulnerable moment of like I'm lonely, and.

1160
00:52:12,400 --> 00:52:14,960
Speaker 1: It was so so sweetly and we have to like,

1161
00:52:15,040 --> 00:52:16,799
Speaker 1: you need to pay attention to me, you need to listen.

1162
00:52:16,880 --> 00:52:21,160
Speaker 6: Oh my gosh, that was so lovely. So anyway, poor

1163
00:52:21,360 --> 00:52:24,640
Speaker 6: Jane is just not getting what she needs from this marriage.

1164
00:52:24,719 --> 00:52:26,640
Speaker 5: And then they embrace. So that's kind of like a

1165
00:52:26,719 --> 00:52:29,440
Speaker 5: button on you know that that stories come somewhere.

1166
00:52:29,719 --> 00:52:32,320
Speaker 6: I mean, I will say he did sort of slammer

1167
00:52:32,400 --> 00:52:36,919
Speaker 6: down on the bed and they like kissed hard after

1168
00:52:37,000 --> 00:52:43,120
Speaker 6: an hour, that kind of embrace. But yes, it was

1169
00:52:43,120 --> 00:52:45,120
Speaker 6: an embrace, and she was lovely.

1170
00:52:45,360 --> 00:52:48,120
Speaker 1: And then they all gather for a pool party, because

1171
00:52:48,200 --> 00:52:50,040
Speaker 1: we had a lot of those in the beginning. There

1172
00:52:50,080 --> 00:52:51,120
Speaker 1: was always a pool party.

1173
00:52:51,280 --> 00:52:53,680
Speaker 4: And I remember like the argument about wearing a bathing

1174
00:52:53,719 --> 00:52:56,560
Speaker 4: sit anyone her bathing, So apparently I compromised on really

1175
00:52:56,800 --> 00:52:58,760
Speaker 4: thick bike shorts, which.

1176
00:52:58,640 --> 00:53:02,239
Speaker 1: Seemed like really bad choice. I'm going to get a

1177
00:53:02,280 --> 00:53:04,480
Speaker 1: really thick cotton bike.

1178
00:53:05,120 --> 00:53:06,520
Speaker 6: Really I looked really cute.

1179
00:53:06,600 --> 00:53:09,320
Speaker 4: And what a bad call, though, Like just suck it

1180
00:53:09,400 --> 00:53:10,759
Speaker 4: up and wear a bathing suit. It would have been

1181
00:53:10,880 --> 00:53:11,360
Speaker 4: so much.

1182
00:53:11,280 --> 00:53:12,919
Speaker 5: Less about his grill.

1183
00:53:13,600 --> 00:53:15,920
Speaker 6: Do you feel like he remembered saying I don't want

1184
00:53:15,960 --> 00:53:17,200
Speaker 6: to be in a bathing suit or that was That's

1185
00:53:17,200 --> 00:53:17,719
Speaker 6: what I'm saying.

1186
00:53:17,760 --> 00:53:21,200
Speaker 4: I remember being so insecure and so self conscious about

1187
00:53:21,280 --> 00:53:24,800
Speaker 4: that gorgeous twenty four year old body, which again breaks

1188
00:53:24,840 --> 00:53:25,279
Speaker 4: my heart.

1189
00:53:25,400 --> 00:53:27,400
Speaker 1: How hard I was on myself at that age. How

1190
00:53:27,440 --> 00:53:29,360
Speaker 1: hard I was because it's.

1191
00:53:29,160 --> 00:53:33,800
Speaker 4: Adorable, Like we all looked adorable, but those voices, you know,

1192
00:53:33,880 --> 00:53:37,719
Speaker 4: obviously society, my own whatever it was. That's why I

1193
00:53:37,800 --> 00:53:40,319
Speaker 4: was wearing that ridiculous thing because I was too shy

1194
00:53:40,440 --> 00:53:41,480
Speaker 4: to wear a bathing suit.

1195
00:53:41,560 --> 00:53:44,919
Speaker 2: Yeah, well you looked really cute Sandy there, and they're

1196
00:53:45,200 --> 00:53:48,680
Speaker 2: you know, in her that archetypal thing and she's always

1197
00:53:49,800 --> 00:53:50,839
Speaker 2: half naked or whatever.

1198
00:53:50,960 --> 00:53:52,440
Speaker 4: I know, But I wasted so much time, Like I

1199
00:53:52,480 --> 00:53:54,400
Speaker 4: remember looking back, and I did a lot of fitness

1200
00:53:54,400 --> 00:53:57,240
Speaker 4: stuff things it wasn't a fitness and I remember seeing

1201
00:53:57,880 --> 00:54:00,200
Speaker 4: like a cover I did on a fitness magazine, and

1202
00:54:00,320 --> 00:54:02,680
Speaker 4: I remember how I felt about myself and looking at it.

1203
00:54:02,800 --> 00:54:04,640
Speaker 1: I was like, God, I just couldn't see myself.

1204
00:54:04,960 --> 00:54:07,799
Speaker 4: Yeah, right, like you as hard as a young woman, Like, yeah,

1205
00:54:08,040 --> 00:54:11,400
Speaker 4: I'm so much kinder about my much older body now,

1206
00:54:11,480 --> 00:54:12,359
Speaker 4: I'm so much more.

1207
00:54:12,360 --> 00:54:14,920
Speaker 1: I would never do that to myself today. And it's

1208
00:54:15,000 --> 00:54:17,080
Speaker 1: just heartbreaking that I wasted so much time being so

1209
00:54:17,160 --> 00:54:17,760
Speaker 1: hard on myself.

1210
00:54:17,840 --> 00:54:20,799
Speaker 6: And I don't think that's changed. I think women now,

1211
00:54:21,120 --> 00:54:24,560
Speaker 6: like these young women are picking themselves apart and you know,

1212
00:54:24,800 --> 00:54:27,399
Speaker 6: comparing and looking at all these little things when when

1213
00:54:27,480 --> 00:54:30,560
Speaker 6: we can look at them through our eyes and so

1214
00:54:30,719 --> 00:54:33,959
Speaker 6: you're beautiful, and it's just but they can't. You can't

1215
00:54:34,040 --> 00:54:36,040
Speaker 6: see it on yourself that age, and it's just.

1216
00:54:36,120 --> 00:54:39,640
Speaker 2: Heart I think times have changed, frankly, and I see

1217
00:54:39,719 --> 00:54:43,200
Speaker 2: more body types. You see more body types and commercials

1218
00:54:43,320 --> 00:54:43,879
Speaker 2: and out there.

1219
00:54:43,960 --> 00:54:46,560
Speaker 5: And we didn't have that. We had like a stick.

1220
00:54:47,200 --> 00:54:51,440
Speaker 5: They meant it. They meant blonde and skinny and boobs

1221
00:54:51,520 --> 00:54:51,960
Speaker 5: and that's it.

1222
00:54:52,560 --> 00:54:55,360
Speaker 7: Like that's what was on the covers of magazines and stuff.

1223
00:54:55,400 --> 00:54:57,360
Speaker 5: You know, these supermodels. This was the nineties.

1224
00:54:57,440 --> 00:54:57,840
Speaker 4: That was that.

1225
00:54:58,160 --> 00:55:00,279
Speaker 2: And what I see now, I'm like, wow, wow, you

1226
00:55:00,360 --> 00:55:04,319
Speaker 2: could you would never see that normal looking young woman

1227
00:55:04,640 --> 00:55:07,600
Speaker 2: or middle aged woman on a commercial ever.

1228
00:55:07,960 --> 00:55:09,759
Speaker 7: And now you do see it, and I feel like

1229
00:55:10,200 --> 00:55:12,160
Speaker 7: it is a little more open and accepting.

1230
00:55:12,360 --> 00:55:15,800
Speaker 5: I mean, I hope that's thanks goodness. Well, that's it.

1231
00:55:16,000 --> 00:55:18,480
Speaker 6: We end. We end the episode and the pilot with

1232
00:55:18,560 --> 00:55:21,600
Speaker 6: everybody playing. Was that a chicken fight called the chicken fight?

1233
00:55:22,600 --> 00:55:22,799
Speaker 2: Yeah?

1234
00:55:23,440 --> 00:55:25,000
Speaker 1: Fight chicken in the pool?

1235
00:55:25,280 --> 00:55:28,240
Speaker 4: Yeah, because who doesn't fight? Get all of your as

1236
00:55:28,360 --> 00:55:33,960
Speaker 4: we were younger, all right, and that's the end. So uh, anything,

1237
00:55:34,280 --> 00:55:38,239
Speaker 4: any favorite hair, any favorite clothes, anything you noticed. Like

1238
00:55:38,360 --> 00:55:41,800
Speaker 4: I said, I was surprised by how current the clothes looked,

1239
00:55:41,960 --> 00:55:44,720
Speaker 4: how cute it looked. Love my first outfit. Not crazy

1240
00:55:44,760 --> 00:55:46,279
Speaker 4: about my hair, but it's gonna be a lot of

1241
00:55:46,360 --> 00:55:48,200
Speaker 4: bad hair over the course of that series.

1242
00:55:48,280 --> 00:55:50,120
Speaker 6: I haven't appeared like I don't even know.

1243
00:55:53,360 --> 00:55:54,479
Speaker 1: What was the shirt count?

1244
00:55:55,239 --> 00:55:57,839
Speaker 6: Okay, so I counted thirteen, but I have to say

1245
00:55:58,560 --> 00:56:01,240
Speaker 6: it was hard to keep track as I was tallying.

1246
00:56:01,360 --> 00:56:04,600
Speaker 6: So any listeners who count a different number, I am

1247
00:56:04,880 --> 00:56:08,880
Speaker 6: open to like being corrected on that. But I counted thirteen. Wow,

1248
00:56:09,360 --> 00:56:09,879
Speaker 6: all the guys.

1249
00:56:10,000 --> 00:56:12,600
Speaker 4: At least I was to mention, like in the scene

1250
00:56:12,600 --> 00:56:14,320
Speaker 4: with me and Andrew and I had that like that

1251
00:56:14,440 --> 00:56:17,240
Speaker 4: big fluffy robe, how where I'm in the big fluffy

1252
00:56:17,360 --> 00:56:19,000
Speaker 4: Blue Moon and Stars robe.

1253
00:56:18,840 --> 00:56:20,560
Speaker 3: Which is everybody wanted at the time.

1254
00:56:20,800 --> 00:56:22,399
Speaker 1: That was a big thing at the time.

1255
00:56:22,440 --> 00:56:25,160
Speaker 4: They made it very recently. I wore it for years

1256
00:56:25,280 --> 00:56:28,359
Speaker 4: and he's naked, like they never made us be naxt.

1257
00:56:29,120 --> 00:56:32,640
Speaker 6: I bet that robe sold a million robes because it

1258
00:56:32,760 --> 00:56:35,360
Speaker 6: was adorable on being on Allison on the show, and

1259
00:56:35,440 --> 00:56:37,480
Speaker 6: it was on for years, like for seconds, it was

1260
00:56:37,560 --> 00:56:40,880
Speaker 6: like icronic, just that wardrobe item. But I bet I

1261
00:56:41,040 --> 00:56:41,680
Speaker 6: wanted one.

1262
00:56:42,000 --> 00:56:42,160
Speaker 4: You know.

1263
00:56:42,280 --> 00:56:44,320
Speaker 2: Speaking of wardrobe, I noticed from the very end I

1264
00:56:44,440 --> 00:56:47,840
Speaker 2: noticed two things. One Andrew was wearing a Dartmouth shirt.

1265
00:56:47,920 --> 00:56:51,839
Speaker 1: Oh yes, I meant to say that, yes, yeah.

1266
00:56:52,040 --> 00:56:53,520
Speaker 5: And then I noticed at the very end.

1267
00:56:55,160 --> 00:56:58,200
Speaker 2: Doug was wearing Matt was wearing a Rock the Vote

1268
00:56:58,239 --> 00:57:01,880
Speaker 2: T shirt, which was all the rage in which I

1269
00:57:03,120 --> 00:57:04,920
Speaker 2: was very good friends with the person who started that,

1270
00:57:05,520 --> 00:57:09,279
Speaker 2: nice Patrick Uh, and we were very involved in the.

1271
00:57:09,280 --> 00:57:10,239
Speaker 5: Beginning of Rock the Vote.

1272
00:57:10,280 --> 00:57:13,879
Speaker 7: So it was really cool, like getting getting messages out there.

1273
00:57:14,000 --> 00:57:16,360
Speaker 7: Janine was I don't know if he chose it.

1274
00:57:16,440 --> 00:57:19,280
Speaker 6: If it was he, he said that he was all

1275
00:57:19,440 --> 00:57:21,800
Speaker 6: you know, very much in the beginning. That was very

1276
00:57:21,880 --> 00:57:24,040
Speaker 6: much his wardrobe. He always had a political statement on

1277
00:57:24,120 --> 00:57:26,320
Speaker 6: his shirt. And there was another one later in the episode.

1278
00:57:26,360 --> 00:57:29,880
Speaker 6: I think the last shirt he was wearing had censorship

1279
00:57:30,680 --> 00:57:32,920
Speaker 6: was the word on his T shirt. So yeah, he

1280
00:57:33,040 --> 00:57:36,080
Speaker 6: had two different sort of political statements that he was wearing. Yeah,

1281
00:57:36,480 --> 00:57:38,960
Speaker 6: as his character, so many things to talk about, so

1282
00:57:39,080 --> 00:57:41,880
Speaker 6: many things to cover, and I think I think we did.

1283
00:57:41,960 --> 00:57:43,440
Speaker 6: We hit all of the things we wanted to hit,

1284
00:57:43,600 --> 00:57:47,400
Speaker 6: like the favorites and the most memorable line, did anybody

1285
00:57:47,480 --> 00:57:48,320
Speaker 6: have any Well?

1286
00:57:48,360 --> 00:57:50,360
Speaker 5: I liked yours about the moral dilemma? That was that

1287
00:57:50,600 --> 00:57:52,680
Speaker 5: crazy kind of just stuck out. You know.

1288
00:57:53,840 --> 00:57:55,960
Speaker 2: What really struck me was the hair, like not just

1289
00:57:56,080 --> 00:57:59,760
Speaker 2: you're not even yes your hair, but the but Sandy's hair,

1290
00:58:00,320 --> 00:58:02,480
Speaker 2: just the there's a lot of hair spray, a lot

1291
00:58:02,520 --> 00:58:03,160
Speaker 2: of hairspray.

1292
00:58:03,920 --> 00:58:06,080
Speaker 4: Yeah, it was stiff, it was there was a less

1293
00:58:06,080 --> 00:58:10,360
Speaker 4: scrunchless scrunch spray, hair spray. Most do you guys remember

1294
00:58:10,760 --> 00:58:13,040
Speaker 4: that Every day at about ten thirty, they would bring

1295
00:58:13,120 --> 00:58:17,080
Speaker 4: out huge tubs of tuna, no tuna, you don't remember that,

1296
00:58:17,640 --> 00:58:20,160
Speaker 4: and these huge hubs and everybody would eat.

1297
00:58:20,200 --> 00:58:21,880
Speaker 1: It was so disgusting.

1298
00:58:22,120 --> 00:58:23,960
Speaker 4: It was like a protein break because we've been there

1299
00:58:24,040 --> 00:58:30,360
Speaker 4: since you know, six am. And people would go hi, like, oh, people.

1300
00:58:30,160 --> 00:58:31,080
Speaker 5: You're trying to be healthy.

1301
00:58:31,400 --> 00:58:33,360
Speaker 1: You don't remember that. I do not remember that.

1302
00:58:33,600 --> 00:58:39,280
Speaker 6: God. Well, so we get to talk about an episode

1303
00:58:39,480 --> 00:58:42,120
Speaker 6: in another week, we get to come back and talk

1304
00:58:42,160 --> 00:58:44,840
Speaker 6: about the next episode, and there's so much to talk about,

1305
00:58:44,960 --> 00:58:48,600
Speaker 6: and we'll we'll start to one is a yeah, we

1306
00:58:48,720 --> 00:58:49,959
Speaker 6: start to think about having guests.

1307
00:58:50,120 --> 00:58:52,600
Speaker 1: Yeah, okay, wait to see you guys next week.

1308
00:58:52,880 --> 00:58:53,120
Speaker 2: Yeah.

1309
00:58:53,760 --> 00:58:55,320
Speaker 3: It's so fun, very fun.