1
00:00:04,160 --> 00:00:13,760
Speaker 1: Any one into empty anyway at nto anymore? Anti am

2
00:00:13,840 --> 00:00:17,319
Speaker 1: into and ben and beach and stretch and reach and

3
00:00:17,400 --> 00:00:21,760
Speaker 1: stretch and what into and stretch? Just reaching one and straight? Hey,

4
00:00:21,800 --> 00:00:25,960
Speaker 1: what's going on the eighty five South show? Man? Call

5
00:00:26,000 --> 00:00:27,960
Speaker 1: Os Miller. How y'all doing? Man? We've got my partners

6
00:00:27,960 --> 00:00:31,520
Speaker 1: in the studio. My man DC Young Fly is on

7
00:00:31,640 --> 00:00:35,080
Speaker 1: high atus today. So I got my other partners in

8
00:00:35,159 --> 00:00:38,159
Speaker 1: here with me. I got my boy Ronnie Jordan's you

9
00:00:38,159 --> 00:00:41,040
Speaker 1: know what I mean, what's happened and running him lup.

10
00:00:41,080 --> 00:00:43,680
Speaker 1: We want to talk like the NPR guys. Thanks for

11
00:00:43,720 --> 00:00:50,280
Speaker 1: having me. I'm glad to be here. First time calleray

12
00:00:50,400 --> 00:00:53,320
Speaker 1: you hit him with the somberness that's called somber. I

13
00:00:53,400 --> 00:00:56,440
Speaker 1: got my boy Rob Hayes in here, that's right. And

14
00:00:56,560 --> 00:00:58,319
Speaker 1: I got one of the more old js in here.

15
00:00:58,360 --> 00:01:03,880
Speaker 1: I got Rotten in Pery Day man ate it five souths?

16
00:01:04,040 --> 00:01:07,360
Speaker 1: What sucked? Right? You're doing? Man? Man, we're in here.

17
00:01:07,760 --> 00:01:10,200
Speaker 1: I've been here about the podcast. I finally got on bro.

18
00:01:10,319 --> 00:01:13,400
Speaker 1: We jumped it off, man, we jumped off. Man. This

19
00:01:13,440 --> 00:01:16,120
Speaker 1: ain't this ain't nobody basement or nothing. This this is

20
00:01:16,160 --> 00:01:18,880
Speaker 1: a studio. Man. They trust me. They trust you. They

21
00:01:18,880 --> 00:01:21,800
Speaker 1: trust me. The rest of these dudes you got hanging around,

22
00:01:21,840 --> 00:01:24,400
Speaker 1: I don't know they're cool. They ain't gonna still in

23
00:01:24,400 --> 00:01:28,880
Speaker 1: the their pants too type. We know, like a lot

24
00:01:28,880 --> 00:01:31,200
Speaker 1: of fashion that bad in here. Man, it's a lot

25
00:01:31,240 --> 00:01:33,560
Speaker 1: of That's how you crupper, candle, That's how you know

26
00:01:33,600 --> 00:01:36,920
Speaker 1: they're good and ship. Anytime they dress weird the mother

27
00:01:37,160 --> 00:01:41,600
Speaker 1: they quality. Yeah, quit, it's like every dude, that's how

28
00:01:41,680 --> 00:01:43,479
Speaker 1: you got the nice You know what I'm saying to dude,

29
00:01:43,520 --> 00:01:45,839
Speaker 1: your mama, All these dudes look like your little so's

30
00:01:45,880 --> 00:01:49,440
Speaker 1: the boyfriend. We're talking about the producers. For those of

31
00:01:49,480 --> 00:01:53,680
Speaker 1: you we got let me get around of applause for

32
00:01:53,720 --> 00:01:56,400
Speaker 1: the productions. We got something to want to be one

33
00:01:56,440 --> 00:01:58,960
Speaker 1: of these produces in here, and don't nobody got the

34
00:01:59,040 --> 00:02:03,440
Speaker 1: rich home in quin had nobody good quality. That's an

35
00:02:03,440 --> 00:02:07,440
Speaker 1: accomplishment in itself. Yeah, Brandy, what you've been up to, man? Man?

36
00:02:07,520 --> 00:02:10,320
Speaker 1: You know, traveling around the country slanging these jokes. Brother,

37
00:02:10,720 --> 00:02:14,280
Speaker 1: Uh right, I've been writing, man, because you know what

38
00:02:14,320 --> 00:02:17,880
Speaker 1: I realized in this game, you gotta create. You know,

39
00:02:17,919 --> 00:02:20,160
Speaker 1: you gotta create. If you know, like I'm getting to

40
00:02:20,200 --> 00:02:22,360
Speaker 1: the age where I ain't nobody go really hired me

41
00:02:22,960 --> 00:02:26,160
Speaker 1: unless I hired myself. I'm trying to be like jay Z,

42
00:02:26,280 --> 00:02:28,240
Speaker 1: write your way up out the hood. Come on, dog,

43
00:02:30,280 --> 00:02:32,440
Speaker 1: not get the sentiment what you got coming up? Man?

44
00:02:32,480 --> 00:02:34,120
Speaker 1: We know because you're like you'd be one of them

45
00:02:34,120 --> 00:02:36,720
Speaker 1: silent killers who just you didn't get in the industry

46
00:02:36,720 --> 00:02:38,680
Speaker 1: and you stuck around and then you'll do two or

47
00:02:38,680 --> 00:02:41,280
Speaker 1: three movies a year and then hit the road and

48
00:02:41,600 --> 00:02:43,880
Speaker 1: turn around and host the tom join the cruise. You

49
00:02:43,919 --> 00:02:46,280
Speaker 1: know you wanted the type of O g type. I

50
00:02:46,320 --> 00:02:48,320
Speaker 1: got six kids, don't. Yeah, you know, I mean, I

51
00:02:48,400 --> 00:02:51,080
Speaker 1: gotta I don't have a luxury of stopping, you know,

52
00:02:51,160 --> 00:02:53,640
Speaker 1: but I did. I did shoot like you got like

53
00:02:53,639 --> 00:02:56,320
Speaker 1: three movies coming out, and I'm getting I'm getting I'm

54
00:02:56,320 --> 00:02:59,480
Speaker 1: getting love on like not some comedy. I like, I

55
00:02:59,520 --> 00:03:02,240
Speaker 1: got like three read dramas. You know. I shot a

56
00:03:02,240 --> 00:03:05,200
Speaker 1: movie with Joe Blunt. He wrote produce his own film

57
00:03:05,200 --> 00:03:10,440
Speaker 1: out of Detroit called because It's Good Futher Commune Bleed.

58
00:03:11,280 --> 00:03:16,040
Speaker 1: I won't see my kids shout out, yeah, yeah, he's

59
00:03:16,080 --> 00:03:18,160
Speaker 1: awesome comedian. But man, he wrote the script. He sent

60
00:03:18,200 --> 00:03:19,600
Speaker 1: it to me. I read it. I was like, dude,

61
00:03:20,000 --> 00:03:23,520
Speaker 1: we're shooting it. Griffith's in it. Hey, Holmie, what up

62
00:03:23,639 --> 00:03:26,000
Speaker 1: is your boy? Graphic shout out to the whole Bay

63
00:03:26,040 --> 00:03:29,720
Speaker 1: area and uh, and you know it was dope. So

64
00:03:29,880 --> 00:03:31,280
Speaker 1: that's one of the one of the few ones we

65
00:03:31,400 --> 00:03:33,480
Speaker 1: got coming out. And other than that, man, it's just like,

66
00:03:33,560 --> 00:03:36,000
Speaker 1: you know, I still love comedy, man. I love going

67
00:03:36,000 --> 00:03:39,600
Speaker 1: out traveling and hitting these comedy clubs and uh, you

68
00:03:39,640 --> 00:03:42,040
Speaker 1: know that's that's mostly what I do, exactly. Hey, man,

69
00:03:42,080 --> 00:03:43,800
Speaker 1: I hate to interrupt, but we got it. We got

70
00:03:43,800 --> 00:03:46,520
Speaker 1: our first special guests. We gotta call up. I got

71
00:03:46,480 --> 00:03:56,040
Speaker 1: a call on the line. Who we got? How about them? Hey?

72
00:03:56,040 --> 00:03:59,000
Speaker 1: Did you dad? You see? Man? Listen here, man, I

73
00:03:59,000 --> 00:04:00,960
Speaker 1: don't a body to go in on the You know

74
00:04:01,080 --> 00:04:09,800
Speaker 1: what I'm saying, I'm not drink out the man I got. Hey,

75
00:04:09,880 --> 00:04:12,880
Speaker 1: I got Rob Hayes, Rodney Perry, and Ronnie Jordan in

76
00:04:12,880 --> 00:04:17,200
Speaker 1: the studio. Man, we're holding it down, right, What do

77
00:04:17,240 --> 00:04:22,320
Speaker 1: you say? I got? I got right, Ronnie Jordan and

78
00:04:22,400 --> 00:04:25,120
Speaker 1: Rob Hayes in here. Man, we're holding it down Rob

79
00:04:25,279 --> 00:04:29,880
Speaker 1: story that moment, man, everybody robbing this season. Man, So

80
00:04:29,920 --> 00:04:32,280
Speaker 1: you was after dabbing on them, folks, Man, I was

81
00:04:32,320 --> 00:04:33,800
Speaker 1: out that dabbing on the phone, And tell you something

82
00:04:33,880 --> 00:04:36,279
Speaker 1: scanned the head at me though I'm fat, you know,

83
00:04:36,360 --> 00:04:43,320
Speaker 1: Matt Ryan, I hate him get on my nerves. When

84
00:04:43,360 --> 00:04:45,640
Speaker 1: they pulled it off, Ronnie Jordan said, you played a

85
00:04:45,640 --> 00:04:48,160
Speaker 1: little wide receiver out there for the Falcons. Let me

86
00:04:48,160 --> 00:04:49,320
Speaker 1: say you so, they don't even know I was about

87
00:04:49,320 --> 00:04:51,800
Speaker 1: that suited up. I called him play. I called a

88
00:04:51,839 --> 00:04:58,520
Speaker 1: player with straight to the locker room. Hey, look I

89
00:04:58,560 --> 00:05:01,440
Speaker 1: had I had a stupid like who who number one hundred?

90
00:05:01,480 --> 00:05:08,039
Speaker 1: Out there? We got, man, we got request to folk.

91
00:05:08,120 --> 00:05:10,440
Speaker 1: The city of Atlanta, the whole city wants you to

92
00:05:10,600 --> 00:05:13,120
Speaker 1: roast Cam Newton today for thinking you don't worry about

93
00:05:13,160 --> 00:05:18,839
Speaker 1: it on the way. Someone's gonna sit out already, man, Yeah,

94
00:05:18,839 --> 00:05:22,160
Speaker 1: we're holding it down up close to creep deep off

95
00:05:22,160 --> 00:05:28,640
Speaker 1: in the woods. They're just food County flat. Gonna give

96
00:05:28,680 --> 00:05:30,839
Speaker 1: him shut out down the folk. Man, we're looking for

97
00:05:30,920 --> 00:05:35,279
Speaker 1: you all the man. It ain't about me, It's about

98
00:05:35,360 --> 00:05:40,760
Speaker 1: us about Super Bowl right now. We don't beat the

99
00:05:40,839 --> 00:05:43,720
Speaker 1: undefeated team. See we damn don't wanted to folks when

100
00:05:43,760 --> 00:05:45,800
Speaker 1: you had with it tonight. Man, you're in the city somewhere.

101
00:05:46,200 --> 00:05:49,000
Speaker 1: I don't know, Man, I give you some head right right,

102
00:05:53,000 --> 00:05:57,440
Speaker 1: say Hey, man, the head she's gonna pick your dick,

103
00:05:59,400 --> 00:06:07,880
Speaker 1: gonna tell her. You got to rise up first. What's up?

104
00:06:08,040 --> 00:06:11,280
Speaker 1: Did you cook them neckbones today? Did your auntie cook

105
00:06:11,320 --> 00:06:14,440
Speaker 1: them neckbones? She had them neckbones in the single man,

106
00:06:14,480 --> 00:06:18,200
Speaker 1: but don't nat alright, but okay, I was just trying

107
00:06:18,200 --> 00:06:20,400
Speaker 1: to see if she cook went over there. Hey, man,

108
00:06:20,480 --> 00:06:21,920
Speaker 1: y'all know, I'm on the weinside and I gotta keep

109
00:06:21,920 --> 00:06:24,080
Speaker 1: an eye on me, Nick, I don't company didn't fly,

110
00:06:24,480 --> 00:06:30,200
Speaker 1: so I'm I'm I'm gord if I have to hold

111
00:06:30,320 --> 00:06:35,520
Speaker 1: down here. And you said somewhere, Hey, that won't try

112
00:06:35,560 --> 00:06:37,920
Speaker 1: to pay you? All right, boy said dude living in

113
00:06:38,000 --> 00:06:46,160
Speaker 1: your countor's right now? Alright you? Yeah, man, I like that.

114
00:06:46,600 --> 00:06:49,000
Speaker 1: A you checking in from the Falcon's game and ship

115
00:06:49,200 --> 00:06:53,360
Speaker 1: man checking you got colleague capable the lift, bro, I'm

116
00:06:53,560 --> 00:06:56,720
Speaker 1: telling you, and it sounds good. Bro, it's official legits.

117
00:06:56,839 --> 00:06:59,360
Speaker 1: We're living down here. I love it. That's what's up.

118
00:06:59,839 --> 00:07:04,440
Speaker 1: You get some shows the podcast people call it on

119
00:07:04,600 --> 00:07:07,000
Speaker 1: the table on speaking Phonebody got to shut up what

120
00:07:07,080 --> 00:07:11,000
Speaker 1: they're talking about, because I'm telling we jumped at the gate, y'all?

121
00:07:11,040 --> 00:07:13,880
Speaker 1: Did jump jumped at the gate on that? Yeah? Watch

122
00:07:14,080 --> 00:07:16,520
Speaker 1: any podcast start after that because you can tell Hayden

123
00:07:16,520 --> 00:07:18,560
Speaker 1: because they don't never get clapping. That's what I want

124
00:07:18,560 --> 00:07:20,880
Speaker 1: to They will never give, you know, they don't never get,

125
00:07:20,880 --> 00:07:23,160
Speaker 1: you know, compliments. They just asking a bunch of questions,

126
00:07:23,240 --> 00:07:29,720
Speaker 1: like so when y'all started doing that shooting that, y'all

127
00:07:29,720 --> 00:07:31,760
Speaker 1: got y'all doing it like in the studio, or y'all

128
00:07:31,880 --> 00:07:36,000
Speaker 1: got somebody crib where about what we questions? We ate

129
00:07:36,040 --> 00:07:38,560
Speaker 1: the fast south? Y'all see Creed? Did anybody see Creed

130
00:07:40,000 --> 00:07:41,840
Speaker 1: was dumb? You see Big Meal trying to box now

131
00:07:43,400 --> 00:07:45,720
Speaker 1: this had he caught the jail though, but he had

132
00:07:46,560 --> 00:07:50,920
Speaker 1: my best advice to make Meal set your heads down somewhere.

133
00:07:51,240 --> 00:07:56,000
Speaker 1: You don't want no problem. You don't that's what you

134
00:07:56,040 --> 00:07:59,240
Speaker 1: should do. Run off on your blood is approbation, man,

135
00:07:59,400 --> 00:08:03,559
Speaker 1: meet Meal, He don't want no problem. He the court

136
00:08:03,640 --> 00:08:06,160
Speaker 1: system giving them hell all that they gave that man

137
00:08:06,240 --> 00:08:09,320
Speaker 1: a raw deal. You don't be on probation to get violated.

138
00:08:09,360 --> 00:08:11,360
Speaker 1: Then get out and be back on probation and let

139
00:08:11,440 --> 00:08:13,360
Speaker 1: them violate you. Whenever they want to think about it

140
00:08:13,560 --> 00:08:15,880
Speaker 1: is you violated. You left the state and you was

141
00:08:15,960 --> 00:08:19,160
Speaker 1: on TV. Yeah, that was not smart. Don't do that.

142
00:08:19,520 --> 00:08:23,280
Speaker 1: Don't do don't feel television when you're on the run. Yeah,

143
00:08:23,480 --> 00:08:25,760
Speaker 1: you're on the lamb. You signed the town. I'm gonna

144
00:08:25,760 --> 00:08:27,720
Speaker 1: be on the lamb. He didn't even try to use

145
00:08:27,800 --> 00:08:30,880
Speaker 1: world famous. He didn't disgube himself from that. He didn't

146
00:08:30,880 --> 00:08:37,840
Speaker 1: get a mustache or ghost face. I do not appreciate

147
00:08:37,960 --> 00:08:40,000
Speaker 1: the deal that they're given Meek Mills, and I think

148
00:08:40,040 --> 00:08:43,160
Speaker 1: he's getting Drake orchestrated all this. Drake called his probation

149
00:08:44,200 --> 00:08:48,000
Speaker 1: him one got a lot of everything. And I wish everybody.

150
00:08:48,080 --> 00:08:49,559
Speaker 1: I don't want to see nobody to go to jail,

151
00:08:49,640 --> 00:08:51,719
Speaker 1: especially for some old ship. I can see if he

152
00:08:51,760 --> 00:08:54,719
Speaker 1: did some new ship. But you know that looks like

153
00:08:54,800 --> 00:08:57,680
Speaker 1: he don't look like a guy that could function in jail. Well,

154
00:08:58,120 --> 00:09:00,800
Speaker 1: he he was. He was there for dudes like make

155
00:09:00,880 --> 00:09:03,520
Speaker 1: mell do real well in jail. Here a tall, linking nick.

156
00:09:03,640 --> 00:09:05,679
Speaker 1: Anybody really gonna try to scrap him, you know what

157
00:09:05,720 --> 00:09:07,400
Speaker 1: I mean? And he can wrap. He ain't gonna do

158
00:09:07,480 --> 00:09:11,640
Speaker 1: ship but rap take auditions, and that they're gonna be

159
00:09:11,679 --> 00:09:17,760
Speaker 1: trying to wrap that, right, is not Lucius did not

160
00:09:17,880 --> 00:09:22,280
Speaker 1: make jail look scary at all. Collide told man, wait

161
00:09:22,360 --> 00:09:25,400
Speaker 1: a minute, home, did y'all believe Chris Rock as a

162
00:09:25,679 --> 00:09:29,360
Speaker 1: vicious killer girl. Believe that, you know why. He had

163
00:09:29,400 --> 00:09:32,559
Speaker 1: the right tone of ash on his lips. He keep

164
00:09:32,600 --> 00:09:34,559
Speaker 1: a little ash, you know. But but this is the

165
00:09:34,640 --> 00:09:37,920
Speaker 1: thing about Chris Rock. I don't believe, ever believe Chris Rock.

166
00:09:38,360 --> 00:09:43,160
Speaker 1: I never accept pookie. I never believe him in a movie.

167
00:09:43,320 --> 00:09:46,760
Speaker 1: I like the Top five Top. He did good, but

168
00:09:46,800 --> 00:09:49,360
Speaker 1: I still didn't believe. They wouldn't believe. I didn't believe that.

169
00:09:49,679 --> 00:09:50,920
Speaker 1: Like when they put him in movie with all these

170
00:09:50,960 --> 00:09:55,560
Speaker 1: fine women, I'm like, he probably he probably everybody they

171
00:09:55,640 --> 00:10:00,199
Speaker 1: said Chris like them host I'm sure everybody don't seem it,

172
00:10:00,760 --> 00:10:03,240
Speaker 1: don't seem like he's like a friend zone guy. Yeah,

173
00:10:03,559 --> 00:10:05,599
Speaker 1: he seems like a friend zone. So you could be

174
00:10:05,679 --> 00:10:07,440
Speaker 1: like that, Rob. You could just dwell in the friend

175
00:10:07,559 --> 00:10:11,600
Speaker 1: zone on the surface, but underneath you're a savage beast. Yeah,

176
00:10:11,840 --> 00:10:14,079
Speaker 1: running you on here, man, I was giving Rob Hayes

177
00:10:14,320 --> 00:10:18,280
Speaker 1: some some side nigger pointers. You know. He didn't, he couldn't.

178
00:10:19,480 --> 00:10:21,079
Speaker 1: That's what I would say. He's a nice guy. He's

179
00:10:21,080 --> 00:10:23,000
Speaker 1: a good Guy's a good guy man. Just be that

180
00:10:23,920 --> 00:10:26,160
Speaker 1: he's just trying not to leave the friends. You know,

181
00:10:26,200 --> 00:10:29,200
Speaker 1: how would you be in the friends. Sometimes he had

182
00:10:29,280 --> 00:10:32,760
Speaker 1: aspirations to be a side dude aspiration. So he's leaving

183
00:10:32,840 --> 00:10:34,880
Speaker 1: these girls house. I'm sure they look good as the

184
00:10:35,400 --> 00:10:38,480
Speaker 1: pad on the back side dudes on my dream board

185
00:10:39,000 --> 00:10:45,839
Speaker 1: right on this pure at least fighter him used to

186
00:10:46,960 --> 00:10:54,120
Speaker 1: these young chicks raised on chicken nuggets and all these drugs.

187
00:10:55,160 --> 00:10:59,480
Speaker 1: You can't even say I used to. I took a

188
00:10:59,600 --> 00:11:01,920
Speaker 1: type of class instead of weightlifted, so I can finger

189
00:11:02,000 --> 00:11:04,240
Speaker 1: this girl in high school. Man, you came and your

190
00:11:04,280 --> 00:11:08,120
Speaker 1: fingers were strong because of the type was working on

191
00:11:08,200 --> 00:11:10,760
Speaker 1: myself at the same time. I'm glad you brought that up.

192
00:11:10,760 --> 00:11:13,800
Speaker 1: Don't know about it from type in one hand. That

193
00:11:13,920 --> 00:11:15,840
Speaker 1: That's how I knew I was getting ready for texting

194
00:11:15,920 --> 00:11:18,480
Speaker 1: before it came out, because I was, you know, I mean, yeah,

195
00:11:18,640 --> 00:11:20,880
Speaker 1: I wish. I wish this show was laugh so we

196
00:11:20,960 --> 00:11:23,360
Speaker 1: could have some women calling in. They like to get fingered.

197
00:11:23,520 --> 00:11:25,640
Speaker 1: I mean they're out there, but they all might. They probably.

198
00:11:29,520 --> 00:11:35,120
Speaker 1: I enjoyed I got finger on the line. We got Mildred. Yes,

199
00:11:35,679 --> 00:11:38,559
Speaker 1: I like to get fingered. And because I put it

200
00:11:38,960 --> 00:11:40,520
Speaker 1: after you put them grieves on, you got to do

201
00:11:40,640 --> 00:11:45,800
Speaker 1: something back. I feel like I feel like that is

202
00:11:45,840 --> 00:11:48,600
Speaker 1: the laziest ship ever that's enough. That's old school, y'all.

203
00:11:49,040 --> 00:11:51,959
Speaker 1: I'm all for the jack right and see that's what

204
00:11:52,080 --> 00:11:55,040
Speaker 1: I'm to you, the o g ladies jack be all

205
00:11:55,120 --> 00:11:59,880
Speaker 1: please right there, we're in the younger We don't even

206
00:12:00,000 --> 00:12:01,960
Speaker 1: know what we're missing out here. Man, this is the thing.

207
00:12:02,000 --> 00:12:03,960
Speaker 1: You can't let these young girl jackie off. You can't

208
00:12:05,600 --> 00:12:11,280
Speaker 1: hands distances you don't want that. You gotta have about

209
00:12:11,320 --> 00:12:18,640
Speaker 1: the correlation between dishwashing. You from Dishwashington dick washing. See that,

210
00:12:19,000 --> 00:12:23,360
Speaker 1: how don't come again right back together? That's why, that's

211
00:12:23,400 --> 00:12:26,040
Speaker 1: why were we all like these young chicks. They don't

212
00:12:26,080 --> 00:12:28,640
Speaker 1: really do nothing but show up with a big ass booty.

213
00:12:29,240 --> 00:12:32,000
Speaker 1: That's it. And that's my problem with the big booty.

214
00:12:32,240 --> 00:12:33,880
Speaker 1: I'm just gonna throw it out there, throw it out there.

215
00:12:34,679 --> 00:12:37,199
Speaker 1: They got the booties and they all artificial, and I'm

216
00:12:37,240 --> 00:12:41,280
Speaker 1: saying the booty arm ratio ain't intact. So the girl

217
00:12:41,360 --> 00:12:43,960
Speaker 1: got giant bootiest. Hold up, wait, before you they can

218
00:12:44,080 --> 00:12:48,400
Speaker 1: not successfully at wife. But before you lose, go through

219
00:12:48,480 --> 00:12:51,160
Speaker 1: that slow because you you just broke. You broke some

220
00:12:51,280 --> 00:12:55,640
Speaker 1: ground right there. The booty to racial they worried about

221
00:12:55,640 --> 00:12:57,560
Speaker 1: the lags, we worry about the leg Everybody looking at

222
00:12:57,600 --> 00:12:59,640
Speaker 1: the legs because you know you're looking at the bottom

223
00:12:59,640 --> 00:13:01,480
Speaker 1: of the body. But you gotta understand something. If a

224
00:13:01,559 --> 00:13:05,439
Speaker 1: woman got an ass that's outside her proportions, she cannot

225
00:13:05,520 --> 00:13:10,560
Speaker 1: successfully wipe it. Wow, she got to jump the shower.

226
00:13:10,679 --> 00:13:16,720
Speaker 1: That right there, that's geometry. That's that's your selection. All

227
00:13:16,800 --> 00:13:21,520
Speaker 1: the women whose disproportional booty shoulders, they died out right,

228
00:13:22,679 --> 00:13:26,920
Speaker 1: so they evolved it. I'm gonna get longer eventually. Right.

229
00:13:27,280 --> 00:13:29,480
Speaker 1: No no, no, no, no no no no, it's not

230
00:13:29,800 --> 00:13:34,400
Speaker 1: because it's because it's artificial. But they can't reach it.

231
00:13:34,480 --> 00:13:36,480
Speaker 1: I don't know next generation, they might be bored with

232
00:13:36,520 --> 00:13:38,959
Speaker 1: a shot. We gotta see, Rodney, when when do you

233
00:13:39,040 --> 00:13:43,480
Speaker 1: start a comedy? Man? Man ship fu? You know what

234
00:13:43,679 --> 00:13:46,959
Speaker 1: I say? Twenty plus, But it's been longer than that.

235
00:13:48,040 --> 00:13:51,600
Speaker 1: Man I started, I was, I was, alright, check out.

236
00:13:51,960 --> 00:13:55,079
Speaker 1: Let me ask you this that when when do you

237
00:13:55,240 --> 00:13:58,880
Speaker 1: remember first making a group of people laugh? Second grade?

238
00:13:59,120 --> 00:14:01,679
Speaker 1: Second grade? I had a teacher that would let me

239
00:14:01,720 --> 00:14:03,000
Speaker 1: tell jokes at the end of the day if I

240
00:14:03,000 --> 00:14:05,760
Speaker 1: would shut the funk up throughout the course of the bay. Yeah,

241
00:14:06,080 --> 00:14:08,760
Speaker 1: So that's we gotta shout the teachers out because if

242
00:14:08,800 --> 00:14:11,240
Speaker 1: it wasn't for those teachers. It wouldn't be no comedians. Man,

243
00:14:11,480 --> 00:14:14,920
Speaker 1: It's always that one teacher that CEO potential and be

244
00:14:15,000 --> 00:14:18,040
Speaker 1: like colors go up then and do the do the words,

245
00:14:18,600 --> 00:14:20,880
Speaker 1: do the words? So you know what I mean. It's

246
00:14:20,960 --> 00:14:23,440
Speaker 1: that little stuff that was your first show though, really yeah,

247
00:14:23,800 --> 00:14:27,640
Speaker 1: a little projects because you knew what was going to projects? Yeah,

248
00:14:27,840 --> 00:14:30,480
Speaker 1: what do you Rob Hayes, I would say it was

249
00:14:30,560 --> 00:14:33,880
Speaker 1: later it maybe like seventh grade. I feel like I

250
00:14:33,960 --> 00:14:36,880
Speaker 1: feel like I always felt like I was funny, but

251
00:14:36,920 --> 00:14:39,760
Speaker 1: I feel like I needed people to catch up through

252
00:14:40,000 --> 00:14:44,240
Speaker 1: element time, some beautiful mind ships. Right now, he was

253
00:14:44,320 --> 00:14:47,080
Speaker 1: a comedy prodigy. Bro. He started ripping right out. He

254
00:14:47,240 --> 00:14:49,280
Speaker 1: was killing in the little room with all the infants.

255
00:14:49,360 --> 00:14:54,760
Speaker 1: He was like, he was killing third floor hospital where

256
00:14:54,800 --> 00:14:57,480
Speaker 1: you start, right, I'm from Chicago, but I'm not a

257
00:14:57,520 --> 00:15:02,080
Speaker 1: shoutout to Chicago. Go um. I really I really started

258
00:15:02,120 --> 00:15:06,360
Speaker 1: like in Monroe, Louisiana, Man Louisiana, Northeast Louisiana up there,

259
00:15:06,360 --> 00:15:10,000
Speaker 1: about thirty minutes from Grambling. Started up there. Then you know,

260
00:15:10,080 --> 00:15:12,000
Speaker 1: we're doing coffee shops and stuff like that, you know,

261
00:15:12,120 --> 00:15:13,920
Speaker 1: just trying to find your way. And then I joined

262
00:15:13,960 --> 00:15:15,760
Speaker 1: the Navy because I had a baby on the way,

263
00:15:16,360 --> 00:15:19,120
Speaker 1: and New Orleans was kind of my comedy home at first.

264
00:15:19,240 --> 00:15:21,000
Speaker 1: So I was stationed in New Orleans and I was

265
00:15:21,160 --> 00:15:24,800
Speaker 1: in the Navy, and uh did comedy. Dr Ken John,

266
00:15:24,880 --> 00:15:28,800
Speaker 1: who was like crazy up now he was in medical

267
00:15:28,880 --> 00:15:32,200
Speaker 1: school when we was doing comedy back back then, myself,

268
00:15:32,480 --> 00:15:36,080
Speaker 1: Harry Ratchford who was Kevin Harris, y'all put a back. Yeah,

269
00:15:36,640 --> 00:15:39,440
Speaker 1: who else you're coming up with in the beginning? Uh,

270
00:15:39,840 --> 00:15:44,240
Speaker 1: Dr Ken John, Harry Um, who else it was? It was?

271
00:15:44,320 --> 00:15:45,840
Speaker 1: It was guys around then we moved to the Bay

272
00:15:46,240 --> 00:15:50,880
Speaker 1: then his cat cat was around, William Hat Williams cat

273
00:15:51,000 --> 00:15:53,440
Speaker 1: in the hat, Cat in the hat, Cat in the hat.

274
00:15:53,760 --> 00:15:59,080
Speaker 1: Bop was around back then the cil. Who else is around?

275
00:15:59,160 --> 00:16:01,560
Speaker 1: Daniel Dugard from the Bay Area shuts out of the Bay,

276
00:16:01,800 --> 00:16:04,840
Speaker 1: Lou Nell who was you know, we was all in

277
00:16:04,920 --> 00:16:07,880
Speaker 1: the same comedy family. So I'm really like a Bay

278
00:16:07,960 --> 00:16:10,920
Speaker 1: Area comedy. That's that's my comedy home. That's why, that's

279
00:16:10,960 --> 00:16:12,680
Speaker 1: why I grew up, you know, That's why I grew

280
00:16:12,760 --> 00:16:15,320
Speaker 1: up on stage. And you know the Bearer comedy competition

281
00:16:15,400 --> 00:16:17,240
Speaker 1: that was the thing back then. You know when you

282
00:16:17,320 --> 00:16:18,960
Speaker 1: did you did the Bay Area that could that could

283
00:16:19,000 --> 00:16:21,640
Speaker 1: really set your career off and it didn't work for me,

284
00:16:21,800 --> 00:16:26,000
Speaker 1: but I I was, I was in the pool. I

285
00:16:26,360 --> 00:16:29,840
Speaker 1: wanted later. I wanted later. But yeah, it was important

286
00:16:29,840 --> 00:16:32,200
Speaker 1: to me because of that though. That's when they found

287
00:16:32,280 --> 00:16:35,400
Speaker 1: Chris Tucker. Chris Tucker came in second. It's a lot

288
00:16:35,440 --> 00:16:38,800
Speaker 1: of history. How many times did you do it? I

289
00:16:39,240 --> 00:16:43,600
Speaker 1: did the contest maybe four times. You gotta give us

290
00:16:43,640 --> 00:16:45,640
Speaker 1: some games. I did it. I did it twice as

291
00:16:45,640 --> 00:16:48,240
Speaker 1: a Rudy Poop. I remember being in the room who

292
00:16:48,280 --> 00:16:51,240
Speaker 1: wanted and when you was young, Rudy Poop. Um, Mike

293
00:16:51,320 --> 00:16:54,360
Speaker 1: Epps should have won. That's the year that day, That's

294
00:16:54,360 --> 00:16:57,600
Speaker 1: the year Marvin one. Uh, Marvin Dixon one. Because he

295
00:16:57,720 --> 00:16:59,880
Speaker 1: was taking his clothes off at the time. So Marv

296
00:17:00,120 --> 00:17:02,080
Speaker 1: had a bit where he would he would he would

297
00:17:02,080 --> 00:17:04,760
Speaker 1: stripper dance at the end of the set. YouTube that

298
00:17:07,000 --> 00:17:10,720
Speaker 1: when the original it would peel the paint off the walls.

299
00:17:10,760 --> 00:17:13,280
Speaker 1: I mean, it was just so crazy. But Mike Epps,

300
00:17:13,560 --> 00:17:15,639
Speaker 1: that was the first time Mike would do the little

301
00:17:15,720 --> 00:17:18,000
Speaker 1: hand and the chicken wing and the running with the

302
00:17:18,119 --> 00:17:20,760
Speaker 1: gun and he was he was amazing, but he did

303
00:17:20,840 --> 00:17:24,600
Speaker 1: not win. And uh, I'll tell you who else he passed. Away. Now, Um,

304
00:17:25,040 --> 00:17:31,000
Speaker 1: the writer James Hannah was mean to be in the

305
00:17:31,119 --> 00:17:33,440
Speaker 1: room as a Rudy Pool comic up and coming comic,

306
00:17:33,800 --> 00:17:37,600
Speaker 1: and Cheryl Underwood was in the room. Uh Don D C.

307
00:17:37,720 --> 00:17:42,080
Speaker 1: Curry was hosting. Uh this is man j was in

308
00:17:42,119 --> 00:17:46,160
Speaker 1: the room. I mean I was super intimidated, super intimidated,

309
00:17:46,240 --> 00:17:48,320
Speaker 1: and and so I did it twice, you know, as

310
00:17:48,440 --> 00:17:51,320
Speaker 1: Rudy Pool. And I was like contest, bulletshit hate contest.

311
00:17:51,480 --> 00:17:54,440
Speaker 1: It ain't about the art, these contents. And then maybe

312
00:17:54,600 --> 00:17:57,159
Speaker 1: in the two thousand I went back and uh, I

313
00:17:57,280 --> 00:18:01,360
Speaker 1: wanted two thousand one. In two thousand I went there

314
00:18:01,440 --> 00:18:06,240
Speaker 1: the contest right, and um, I remember Tony Robert should

315
00:18:06,240 --> 00:18:08,960
Speaker 1: have won. He was smashing all of the early rounds

316
00:18:08,960 --> 00:18:11,119
Speaker 1: because it's it's two preliminary rounds and then you go

317
00:18:11,240 --> 00:18:14,360
Speaker 1: to the paramount theater for the finals. So the two

318
00:18:14,400 --> 00:18:18,080
Speaker 1: poliminary rounds we were in the clubs and in the

319
00:18:18,320 --> 00:18:21,159
Speaker 1: final round, the final round was in the theater. And

320
00:18:21,480 --> 00:18:25,120
Speaker 1: I don't think Tony adjusted his style to the theater

321
00:18:25,800 --> 00:18:29,080
Speaker 1: because he was so fast that his his jokes was

322
00:18:29,160 --> 00:18:31,240
Speaker 1: like a way they was. They was hitting each other

323
00:18:31,359 --> 00:18:34,520
Speaker 1: instead of when you're going to a bigger venue, you

324
00:18:34,600 --> 00:18:37,960
Speaker 1: gotta you gotta slow down a bit and and and

325
00:18:38,119 --> 00:18:40,959
Speaker 1: I think that's why. But but also Mike Bonner, who

326
00:18:41,040 --> 00:18:43,760
Speaker 1: won that year, the reason he won one he had

327
00:18:43,800 --> 00:18:45,480
Speaker 1: just had a near death experience. He had had a

328
00:18:45,600 --> 00:18:47,840
Speaker 1: terrible car wreck and he had came back from that.

329
00:18:48,240 --> 00:18:50,080
Speaker 1: I remember being in the green room with his nigga

330
00:18:50,200 --> 00:18:52,560
Speaker 1: joking like, joking around, and he just looked at me

331
00:18:52,640 --> 00:18:55,600
Speaker 1: with the most serious, focused face and he was like yeah.

332
00:18:56,240 --> 00:18:58,920
Speaker 1: And I was like, this nigga go in because he

333
00:18:59,040 --> 00:19:01,639
Speaker 1: was that focused. Was like he was way more focused

334
00:19:01,640 --> 00:19:03,920
Speaker 1: than any of us. Shout out to Mike Bonning, shout

335
00:19:06,640 --> 00:19:08,760
Speaker 1: Detroit got some monster. That's why I got a lot

336
00:19:08,760 --> 00:19:11,639
Speaker 1: of chops from Detroit and Atlanta. Detroit because you know,

337
00:19:12,280 --> 00:19:14,080
Speaker 1: Joe Cole used to fly you from the rest in

338
00:19:14,160 --> 00:19:16,560
Speaker 1: piece to Joe Cole on the Uptown. He did fly

339
00:19:16,680 --> 00:19:20,000
Speaker 1: you to Detroit and because the club, Yeah, the cos.

340
00:19:20,240 --> 00:19:21,879
Speaker 1: But it was like, I'll be waiting to go up.

341
00:19:22,040 --> 00:19:23,960
Speaker 1: I wasn't ready to headline, but I'll be waiting to

342
00:19:24,000 --> 00:19:26,520
Speaker 1: go up. It foolish your come down to Tony Brown

343
00:19:26,560 --> 00:19:32,000
Speaker 1: and coming downtown to Brown legend, the legend. I got

344
00:19:32,080 --> 00:19:34,600
Speaker 1: to follow this man. I sent downtown Tony Brown. I

345
00:19:34,680 --> 00:19:36,639
Speaker 1: did a tour I was. I was working with Steve

346
00:19:36,720 --> 00:19:41,000
Speaker 1: Harvey shouts out of Steve and Steve. Steve were in

347
00:19:41,040 --> 00:19:43,680
Speaker 1: Detroit about to do a gig at Downtown. Tony Brown

348
00:19:43,840 --> 00:19:46,000
Speaker 1: came up like out of nowhere, like and you know,

349
00:19:46,119 --> 00:19:47,960
Speaker 1: he had been kind of down on his luck. And

350
00:19:48,320 --> 00:19:50,600
Speaker 1: Steve reached in his pocket and pulled out five hundred

351
00:19:50,600 --> 00:19:55,399
Speaker 1: dollars to get to him. Goddamn money. I need some help, Niggle,

352
00:19:56,640 --> 00:20:01,959
Speaker 1: put me on nigg. Steve's like, man, you know, uh,

353
00:20:02,560 --> 00:20:05,440
Speaker 1: you know what you suspect me to do. Give me

354
00:20:05,520 --> 00:20:13,480
Speaker 1: the money. That's downtown, that is downtown, tunder ground. That

355
00:20:13,600 --> 00:20:15,639
Speaker 1: dude is hell. I gotta look his bad Boys a

356
00:20:15,680 --> 00:20:18,480
Speaker 1: comedy set was legend. His Bad Boys a comedy sit.

357
00:20:18,640 --> 00:20:20,520
Speaker 1: I saw him were talking about how you gotta stop

358
00:20:20,640 --> 00:20:23,639
Speaker 1: cussing because the team keep talking that every time. One

359
00:20:23,680 --> 00:20:30,920
Speaker 1: of the man he's the old school comedians. Max, You're

360
00:20:30,960 --> 00:20:34,000
Speaker 1: looking up over what I've seen in my career. The

361
00:20:34,119 --> 00:20:38,480
Speaker 1: people that make it. No, they know when nobody else knows.

362
00:20:38,600 --> 00:20:42,240
Speaker 1: Caat Williams knew like cat Cat won his contest say

363
00:20:42,320 --> 00:20:45,119
Speaker 1: It was doing the tour and he was auditioning for

364
00:20:45,200 --> 00:20:47,680
Speaker 1: the spot to be the opening from the radio station.

365
00:20:48,280 --> 00:20:50,200
Speaker 1: He got the spot. They didn't have no um, no

366
00:20:50,359 --> 00:20:53,159
Speaker 1: dressing room for him backstage, Big Big show, they had

367
00:20:53,200 --> 00:20:56,000
Speaker 1: no dressing room. He went took one of the bathrooms,

368
00:20:56,280 --> 00:20:58,879
Speaker 1: took a sheet of paper and wrote a star and

369
00:20:59,000 --> 00:21:00,800
Speaker 1: put it on the wall, put it on his on

370
00:21:00,880 --> 00:21:03,840
Speaker 1: the bathroom and he said, Kat Williams. And it had

371
00:21:03,840 --> 00:21:06,119
Speaker 1: a star under it. And I remember thinking of myself,

372
00:21:06,560 --> 00:21:10,720
Speaker 1: this nigga gonna make it because he knew like he

373
00:21:10,800 --> 00:21:12,760
Speaker 1: used to do. He used to do grandstand, ship like

374
00:21:12,840 --> 00:21:14,760
Speaker 1: Cat would do, ship like he would come to the

375
00:21:14,840 --> 00:21:17,840
Speaker 1: improv on a on a Monday night. That was the

376
00:21:17,880 --> 00:21:21,480
Speaker 1: hot night in l A. Still it ain't what it

377
00:21:21,640 --> 00:21:23,840
Speaker 1: was though. It used to be. Really the ship like

378
00:21:24,080 --> 00:21:27,120
Speaker 1: all the outside out there on the street. I met

379
00:21:27,200 --> 00:21:30,320
Speaker 1: Denzel outre it was that ship. So Kat came in

380
00:21:30,440 --> 00:21:33,200
Speaker 1: the club with a dude six like six eight dude

381
00:21:33,359 --> 00:21:36,480
Speaker 1: holding umbrella over his head. I remember this because Earthquake

382
00:21:36,520 --> 00:21:40,000
Speaker 1: was who is this nigga out here with this motherfucking umbrella?

383
00:21:40,800 --> 00:21:43,840
Speaker 1: How dare this nigger right? And Cat Cat said the

384
00:21:43,920 --> 00:21:47,080
Speaker 1: coldest shit I've ever heard anybody. He said, nigga, I'm

385
00:21:47,160 --> 00:21:55,159
Speaker 1: just trying to keep the hater aid off Menatar. This

386
00:21:55,359 --> 00:22:02,399
Speaker 1: nigga was already at this that nigga. Yeah, yeah, Kevin

387
00:22:02,440 --> 00:22:05,920
Speaker 1: Hart knew we did Comic View here in Atlanta. Kevin

388
00:22:06,000 --> 00:22:08,720
Speaker 1: had a motherfucking denim jump suit on and everybody was

389
00:22:08,800 --> 00:22:11,440
Speaker 1: clowning them, and he was the nigga just had a

390
00:22:11,560 --> 00:22:15,000
Speaker 1: different focus. It's like all the niggas. If you got

391
00:22:15,080 --> 00:22:17,320
Speaker 1: any doubt in your mind about this ship, then nigga,

392
00:22:17,560 --> 00:22:20,600
Speaker 1: it's gonna show. It's gonna show, niggas, it's gonna show.

393
00:22:21,040 --> 00:22:23,000
Speaker 1: To all the people who just tuned in. Man, you're

394
00:22:23,040 --> 00:22:25,239
Speaker 1: listening to the eighty five South Show, it's your man.

395
00:22:25,320 --> 00:22:29,359
Speaker 1: Carlos Miller, who I got in here with me? Ronnie

396
00:22:29,480 --> 00:22:32,000
Speaker 1: Jordan's is your boy? Rodney Perry? I need a nickname.

397
00:22:32,080 --> 00:22:35,960
Speaker 1: Y'all got an't type of nicknames? And ship a k G.

398
00:22:36,200 --> 00:22:43,480
Speaker 1: Your favorite baby daddy, we're gonna come up with. We're

399
00:22:43,560 --> 00:22:46,920
Speaker 1: in here. We've been chopping up straight comedy game. But

400
00:22:47,040 --> 00:22:49,600
Speaker 1: but Comic View was was huge for me personally because

401
00:22:50,640 --> 00:22:52,560
Speaker 1: they had took I had done probably about five or

402
00:22:52,560 --> 00:22:55,439
Speaker 1: six opportunities on the show at that point, and they

403
00:22:55,680 --> 00:22:57,760
Speaker 1: edited all my sets together and I was on the

404
00:22:57,840 --> 00:23:01,000
Speaker 1: first block of of the show. So they showed like

405
00:23:01,119 --> 00:23:04,560
Speaker 1: a like a mix of Rodney Perry. And that's what

406
00:23:04,760 --> 00:23:07,200
Speaker 1: really helped me start working when that went out and

407
00:23:07,240 --> 00:23:09,400
Speaker 1: I already did the sets and they took the best

408
00:23:09,520 --> 00:23:11,399
Speaker 1: of every one of those sets, and then that that

409
00:23:11,560 --> 00:23:14,000
Speaker 1: that's what got me on that man. And I saw

410
00:23:14,080 --> 00:23:16,240
Speaker 1: you on comic you and you kept taking all them

411
00:23:16,320 --> 00:23:20,080
Speaker 1: damn belts. I was throwing up. I was literally, I

412
00:23:20,240 --> 00:23:24,800
Speaker 1: was literally because after like the third or fourth belt,

413
00:23:25,440 --> 00:23:34,080
Speaker 1: I was like, ain't got another one. Moms not on YouTube,

414
00:23:34,840 --> 00:23:38,159
Speaker 1: don't do it anymore. But you know, the punchline for

415
00:23:38,240 --> 00:23:42,840
Speaker 1: the joke was like a Gary Coleman reference, And so

416
00:23:43,520 --> 00:23:45,000
Speaker 1: when he passed away, I was like, I didn't do

417
00:23:45,040 --> 00:23:47,840
Speaker 1: it no more, bro, And we're gonna pull out a

418
00:23:47,880 --> 00:23:50,200
Speaker 1: little bit, pull that clip. Sending that clip to comedy

419
00:23:50,320 --> 00:23:52,840
Speaker 1: hype man. We got to get that clip. I think

420
00:23:52,840 --> 00:23:54,840
Speaker 1: I got it. Someone got Can we talk about how

421
00:23:55,320 --> 00:23:57,280
Speaker 1: Rodney Perry be looking out though? Like he gave me

422
00:23:57,400 --> 00:23:59,680
Speaker 1: one of the best intros on the Monique Show, Like,

423
00:23:59,680 --> 00:24:02,160
Speaker 1: I can't go ahead, Rodney Parr be looking out, That's

424
00:24:02,160 --> 00:24:06,680
Speaker 1: all I'm saying, because he gave me a dope as intro.

425
00:24:07,200 --> 00:24:11,200
Speaker 1: You know what's crazy. Is it like Rodney Perry is

426
00:24:11,280 --> 00:24:14,800
Speaker 1: my TV good? Look? Anytime I tape anything on TV

427
00:24:15,000 --> 00:24:17,119
Speaker 1: and Rodney Perry is there, I'm getting to stand in

428
00:24:17,200 --> 00:24:20,920
Speaker 1: ovation got something to do with the fact that you're funny?

429
00:24:20,960 --> 00:24:25,120
Speaker 1: Is he okay? And I thought, so you you host

430
00:24:25,280 --> 00:24:27,880
Speaker 1: like off the chair right, still hosting that? What would

431
00:24:27,880 --> 00:24:31,000
Speaker 1: you do if you did the Steve Harvey the Best Universe? Like,

432
00:24:31,080 --> 00:24:32,960
Speaker 1: how would that? How would you play that? Man? I

433
00:24:33,040 --> 00:24:37,000
Speaker 1: mean hopefully I would handle a lot like he did. Hopefully,

434
00:24:37,119 --> 00:24:39,840
Speaker 1: you know what I mean. The funny part to me

435
00:24:39,920 --> 00:24:42,720
Speaker 1: as I watched it is, you know, we see Steve

436
00:24:42,760 --> 00:24:45,399
Speaker 1: hars he's a blodge the life person, but for a

437
00:24:45,480 --> 00:24:50,000
Speaker 1: couple of minutes humble, he got super humble. Shit, I

438
00:24:50,080 --> 00:24:52,679
Speaker 1: gotta say this ship and so you gotta think before

439
00:24:52,720 --> 00:24:54,920
Speaker 1: he said he don't went through it with his mind

440
00:24:54,960 --> 00:24:59,160
Speaker 1: like goddamn, he didn't enounce the winner with so much energy.

441
00:24:59,480 --> 00:25:02,119
Speaker 1: Bitch didn't win, right, he's thinking about the TV that

442
00:25:02,200 --> 00:25:05,760
Speaker 1: look good like she bad? She shot ladies and gentlemen.

443
00:25:05,880 --> 00:25:07,919
Speaker 1: That was that was it for me? That look when

444
00:25:07,960 --> 00:25:10,879
Speaker 1: he had the ass with the buck cut off the music,

445
00:25:11,720 --> 00:25:13,680
Speaker 1: Like did he tell them to cut off the music?

446
00:25:15,600 --> 00:25:17,680
Speaker 1: I was mad at the bench who put the crown

447
00:25:17,800 --> 00:25:20,040
Speaker 1: on the wrong motherfucker and she knew that that wasn't

448
00:25:20,040 --> 00:25:23,280
Speaker 1: the right person. But no, he said, and the winner

449
00:25:23,640 --> 00:25:26,480
Speaker 1: is he was supposed to say. But I didn't see

450
00:25:26,520 --> 00:25:31,119
Speaker 1: the show. They had to. They had to announced second

451
00:25:31,200 --> 00:25:33,600
Speaker 1: runner up because they had already announced second runner up,

452
00:25:33,880 --> 00:25:36,760
Speaker 1: and so they second runner up, miss Usa. Then they

453
00:25:36,840 --> 00:25:39,639
Speaker 1: come down, there's two ladies left, and Steve go all right,

454
00:25:40,160 --> 00:25:43,760
Speaker 1: this is it, and the winner is he was supposed

455
00:25:43,760 --> 00:25:46,760
Speaker 1: to say, and the first runner up is. So I

456
00:25:47,200 --> 00:25:49,480
Speaker 1: get it. But you know, as comics used to, you

457
00:25:49,720 --> 00:25:52,800
Speaker 1: used to announcing the winner because two people left. This

458
00:25:52,920 --> 00:25:55,359
Speaker 1: person I'm about to say next is the goddamn winner.

459
00:25:55,480 --> 00:26:00,399
Speaker 1: And her name was bigger on the car. Yeah, the

460
00:26:00,600 --> 00:26:03,840
Speaker 1: minute you say the minute you say the first runner up,

461
00:26:04,040 --> 00:26:06,600
Speaker 1: it's a rap. Nobody can't even here you say you

462
00:26:06,760 --> 00:26:10,480
Speaker 1: never say yeah. It's just like so much applause and

463
00:26:10,520 --> 00:26:13,440
Speaker 1: flaming fair and you know, Betty and everything. I didn't

464
00:26:13,440 --> 00:26:15,080
Speaker 1: like that when they was trying to diss them, though,

465
00:26:15,160 --> 00:26:18,160
Speaker 1: like y'all, he missed our rehearsal. And then I'm like, man,

466
00:26:19,040 --> 00:26:23,520
Speaker 1: he's been hosting my whole life up to his responsibilities quickly.

467
00:26:23,920 --> 00:26:27,119
Speaker 1: I was on Twitter. They called Steve Harvey every version

468
00:26:27,240 --> 00:26:33,560
Speaker 1: of the Spanish nigger that you could find. I was like,

469
00:26:37,000 --> 00:26:39,560
Speaker 1: can we talk about speed, the speed in which the

470
00:26:39,680 --> 00:26:41,920
Speaker 1: meats were made? Like this was? It happened like in

471
00:26:42,040 --> 00:26:45,399
Speaker 1: a minute. It was like my timeline was full. I'm like,

472
00:26:45,600 --> 00:26:48,960
Speaker 1: who is working on the funniest one? You saw the

473
00:26:49,040 --> 00:26:51,080
Speaker 1: one he put out on Crystal talking about happy Eastern

474
00:26:51,720 --> 00:26:55,280
Speaker 1: Mary Mary Eastern. Oh my god. I was like, all right,

475
00:26:55,320 --> 00:26:57,400
Speaker 1: he cool because he got signed again. He don't care.

476
00:26:57,520 --> 00:27:03,640
Speaker 1: He got a check. Plus nobody was watching that Miss Universe.

477
00:27:03,840 --> 00:27:06,440
Speaker 1: But next year, everybody's gonna Yeah, he just did it.

478
00:27:06,560 --> 00:27:08,199
Speaker 1: Might have been on purpose. It might have been all

479
00:27:08,359 --> 00:27:17,600
Speaker 1: Drake's orchestration. He's gonna come out, is up there pushing

480
00:27:17,680 --> 00:27:20,880
Speaker 1: buttons in a towel or something like the weirds. Drake

481
00:27:20,960 --> 00:27:23,880
Speaker 1: did it. Drake did it. That's a T shirt. That's

482
00:27:23,880 --> 00:27:26,600
Speaker 1: a T shirt. Drake did it. Drake is the only

483
00:27:26,640 --> 00:27:29,680
Speaker 1: person who's gonna help Bill Cosby come back. I don't

484
00:27:29,720 --> 00:27:32,040
Speaker 1: think so Drake could do it. I don't think so.

485
00:27:32,840 --> 00:27:35,240
Speaker 1: Just dude, every race he looked like every race. I

486
00:27:35,280 --> 00:27:37,440
Speaker 1: think he's gonna change again. I think Drake is gonna

487
00:27:37,440 --> 00:27:39,359
Speaker 1: be the Drake. Will he get a good lineup? He

488
00:27:39,480 --> 00:27:44,680
Speaker 1: looked like one of these young terrorists'd curl up a

489
00:27:44,760 --> 00:27:49,199
Speaker 1: little bit. Yeah, like he looked like everybody like he might.

490
00:27:49,359 --> 00:27:52,320
Speaker 1: I don't know that he could be Italian. He looked

491
00:27:52,359 --> 00:27:57,000
Speaker 1: like a jeweler. He looked like every jewelo Instagram. You're

492
00:27:57,000 --> 00:28:01,040
Speaker 1: a hip hop look like, are you seeing a rapper

493
00:28:01,400 --> 00:28:04,080
Speaker 1: be as open and sensitive as Drake when it comes

494
00:28:04,119 --> 00:28:08,440
Speaker 1: to these chicks and expressing their feelings? L L that's

495
00:28:08,480 --> 00:28:11,520
Speaker 1: what so, that's what he's on some ll but without

496
00:28:11,560 --> 00:28:14,639
Speaker 1: the muscle, the l L l L minus the muscles.

497
00:28:14,960 --> 00:28:18,000
Speaker 1: That was the nicest battle ever. He didn't call meet

498
00:28:18,080 --> 00:28:22,400
Speaker 1: me a little bit your ass nigger at all. None did. Yeah,

499
00:28:22,600 --> 00:28:24,879
Speaker 1: he didn't, he didn't. He was he got bodied by

500
00:28:26,800 --> 00:28:31,840
Speaker 1: he ate mild he We're gonna We're gonna get Drake

501
00:28:31,920 --> 00:28:34,359
Speaker 1: on the eighty five South Show. If anybody who is

502
00:28:34,440 --> 00:28:37,520
Speaker 1: listening right now, got to connect your cousin with the

503
00:28:37,600 --> 00:28:40,680
Speaker 1: school with the dude who know the dude who produced

504
00:28:40,720 --> 00:28:43,360
Speaker 1: the track for the dude who hang out with Drake,

505
00:28:44,280 --> 00:28:46,720
Speaker 1: whatever connection that we got, we're trying and get Drake

506
00:28:46,760 --> 00:28:49,160
Speaker 1: on the show. Let me say it when you're paying

507
00:28:49,200 --> 00:28:52,480
Speaker 1: your ship. We guess this is gonna be for the

508
00:28:52,600 --> 00:28:55,520
Speaker 1: love of the game. You know what I mean. We're

509
00:28:55,560 --> 00:28:57,719
Speaker 1: not paying you ship, and you need to bring us

510
00:28:57,760 --> 00:28:59,800
Speaker 1: some free ship when you come, bring us some ship,

511
00:29:01,480 --> 00:29:04,400
Speaker 1: some TENSI shoes, whatever it is, brings some rain to

512
00:29:04,480 --> 00:29:07,959
Speaker 1: bring something. Don't show up. Because Big Mill was solid.

513
00:29:08,080 --> 00:29:10,960
Speaker 1: Everybody liked this dude. But I thought Mill could fight.

514
00:29:11,240 --> 00:29:13,200
Speaker 1: I thought he was like I thought he was all

515
00:29:13,280 --> 00:29:15,760
Speaker 1: that ship that he wrapped about it because he was believable.

516
00:29:15,800 --> 00:29:21,120
Speaker 1: He was believable. I think out of somebody, he don't

517
00:29:21,120 --> 00:29:22,920
Speaker 1: have to slap somebody who ain't got shipped to do

518
00:29:23,000 --> 00:29:25,280
Speaker 1: with the Drake ship, like if him in French Montana

519
00:29:25,320 --> 00:29:29,320
Speaker 1: got into it, slap out of French. I can't wait

520
00:29:29,360 --> 00:29:32,920
Speaker 1: to hit the new mixtape. But until until some video

521
00:29:33,040 --> 00:29:36,200
Speaker 1: footage come out of him pressing the nigger, like actual

522
00:29:36,720 --> 00:29:39,960
Speaker 1: physical hands on nig. It's gotta be big though. He

523
00:29:40,000 --> 00:29:43,600
Speaker 1: gotta like whoop, Donald Trump asked on TV Donald Trump,

524
00:29:43,720 --> 00:29:46,360
Speaker 1: Donald Trump, that's gotta slap because Donald Trump is the

525
00:29:46,440 --> 00:29:48,760
Speaker 1: only person that could blame black slavery and making cool.

526
00:29:48,760 --> 00:29:51,280
Speaker 1: He's gonna break back some type of slave, Donald Trump

527
00:29:51,360 --> 00:29:54,560
Speaker 1: if he wins he's gonna bring back financial slavery. He's

528
00:29:54,560 --> 00:29:58,480
Speaker 1: gonna bring it back. He's like he gonna bring back nothing,

529
00:29:58,840 --> 00:30:01,120
Speaker 1: not gonna in. He wins all. It seemed like he

530
00:30:01,240 --> 00:30:03,400
Speaker 1: tried to lose, but their wife even keep messing with him,

531
00:30:03,400 --> 00:30:07,560
Speaker 1: the lovers. You want to hear my theory on Donald Trump. Yes,

532
00:30:07,880 --> 00:30:12,600
Speaker 1: Donald Trump is an elaborate ploy by Hillary Clinton. He's

533
00:30:12,600 --> 00:30:15,360
Speaker 1: been a Clint supporter all his life, stay woke New York,

534
00:30:15,560 --> 00:30:19,400
Speaker 1: stay woked. He's been, he's been, he'd been right there

535
00:30:19,480 --> 00:30:21,280
Speaker 1: with her. All of a sudden he a Republican. He

536
00:30:21,360 --> 00:30:24,680
Speaker 1: ain't been a Republican. He Jeff became a Republican, and

537
00:30:24,760 --> 00:30:29,080
Speaker 1: then he told him, if y'all don't pick me, I'm

538
00:30:29,080 --> 00:30:32,520
Speaker 1: gonna in. So I say, Donald Trump is the elaborate

539
00:30:32,520 --> 00:30:34,720
Speaker 1: ploy to split the Republican Party because they're supposed to

540
00:30:34,800 --> 00:30:37,280
Speaker 1: win just by virtue. Has been eight years of democrat

541
00:30:37,360 --> 00:30:40,240
Speaker 1: if they're supposed to this is their turn, if they turned,

542
00:30:40,880 --> 00:30:47,280
Speaker 1: but they might and putting the microscope on the Republican Party. Yes,

543
00:30:47,480 --> 00:30:51,080
Speaker 1: Now everybody's watching the debates. Everybody's watching all they candidates

544
00:30:51,200 --> 00:30:54,680
Speaker 1: mess up. Meanwhile, Democratic debates, they'll pop up on a

545
00:30:54,760 --> 00:31:01,440
Speaker 1: Saturday when nobody's watching, Nobody even cares. Yeah, I'm voting

546
00:31:01,440 --> 00:31:08,240
Speaker 1: for Barack Obama again again, right right back. Do you

547
00:31:08,280 --> 00:31:13,920
Speaker 1: think could want it if she try to with them arms?

548
00:31:13,960 --> 00:31:18,120
Speaker 1: Though she got nice arms. This is gonna sound weird,

549
00:31:18,240 --> 00:31:21,680
Speaker 1: but I've been in situations where black women would authority.

550
00:31:21,840 --> 00:31:24,080
Speaker 1: That ship ain't fun, not at all, that is not

551
00:31:24,240 --> 00:31:26,239
Speaker 1: Never come to the port of her head tied up

552
00:31:26,240 --> 00:31:28,880
Speaker 1: with that body, with that black body, with that gray strout.

553
00:31:29,480 --> 00:31:31,320
Speaker 1: Because now it's just the way that they can make

554
00:31:31,400 --> 00:31:34,960
Speaker 1: your ship sounds so insignificant matter what, Like a black woman,

555
00:31:35,000 --> 00:31:37,560
Speaker 1: you can do some amazing ship. Come up with the

556
00:31:38,000 --> 00:31:41,520
Speaker 1: cancer like what the fund took you all stand all

557
00:31:41,640 --> 00:31:44,440
Speaker 1: the folks at that sick and fun you got your

558
00:31:44,480 --> 00:31:49,800
Speaker 1: little cheered wow wow can do that. That's that's how

559
00:31:49,840 --> 00:31:51,840
Speaker 1: we act with you. You got a whole little lab.

560
00:31:51,920 --> 00:31:54,800
Speaker 1: You posed to come up with some chairs, you're coming

561
00:31:54,880 --> 00:31:56,880
Speaker 1: up with cherous. But what's up with your hairline? Though?

562
00:31:56,920 --> 00:32:02,640
Speaker 1: Why you ain't here? That ain't that. I'm talking niggas

563
00:32:02,680 --> 00:32:04,880
Speaker 1: do one little thing and act like they get all

564
00:32:04,880 --> 00:32:07,680
Speaker 1: the credit in the world. You're just gonna leave a dishwashing, right,

565
00:32:09,120 --> 00:32:16,440
Speaker 1: I know you don't pay. Yeah, mother, you can't. He

566
00:32:16,640 --> 00:32:19,360
Speaker 1: literally gave everybody else in shares maybe like you terrible?

567
00:32:19,440 --> 00:32:22,880
Speaker 1: How how's he terrible? What he gave free health insurance?

568
00:32:22,920 --> 00:32:25,640
Speaker 1: Crazy as people was like, I'd rather pay for my

569
00:32:25,800 --> 00:32:30,160
Speaker 1: own stupid they don't. I don't want nothing free from

570
00:32:30,240 --> 00:32:35,880
Speaker 1: now the negressh that's the real racist negre when they

571
00:32:35,960 --> 00:32:39,880
Speaker 1: put the art before the negresh. Now Obamacare, you're gonna

572
00:32:39,880 --> 00:32:41,680
Speaker 1: have an eight doctor like my wife had to have

573
00:32:41,760 --> 00:32:44,920
Speaker 1: a baby standard up. But other than that, they gave

574
00:32:44,960 --> 00:32:50,680
Speaker 1: you free healthcare but up on the wall and just

575
00:32:50,800 --> 00:32:54,600
Speaker 1: had the baby. I think Obama's gonna open He's gonna

576
00:32:54,640 --> 00:32:57,880
Speaker 1: legalize weed before he leave. He got no I'm talking

577
00:32:57,880 --> 00:32:59,959
Speaker 1: about everywhere. I think he's gonna do what everywhere I'm

578
00:33:00,520 --> 00:33:04,680
Speaker 1: feel like, and he gonna do it with his foot

579
00:33:04,760 --> 00:33:06,760
Speaker 1: still on the White House step, like hold on one

580
00:33:06,840 --> 00:33:13,360
Speaker 1: last thing. It just signed up his paper secret like

581
00:33:13,840 --> 00:33:17,480
Speaker 1: like traveling in the NBA. Like some people get called

582
00:33:17,560 --> 00:33:21,480
Speaker 1: for traveling. It's just like but a lot of people

583
00:33:21,640 --> 00:33:23,760
Speaker 1: take a lot of steps. Yeah, a lot of people

584
00:33:23,800 --> 00:33:30,240
Speaker 1: do do It depends on whe you acting, because Georgia

585
00:33:30,320 --> 00:33:33,480
Speaker 1: do not. I don't want no ship like I got tough.

586
00:33:34,000 --> 00:33:37,800
Speaker 1: I wouldn't want that's it. Like if we're legal or not,

587
00:33:37,960 --> 00:33:40,120
Speaker 1: we're still gonna smoke it. That would be a waste

588
00:33:40,160 --> 00:33:41,920
Speaker 1: of some ship that you could do. Tell me some

589
00:33:42,000 --> 00:33:44,200
Speaker 1: ship I need to know, Like what happened to the

590
00:33:44,280 --> 00:33:47,240
Speaker 1: Black Panthers for real? Who shot mar and Luther King? Yeah,

591
00:33:47,480 --> 00:33:51,520
Speaker 1: like released all that JF. You know he probably looked

592
00:33:51,520 --> 00:33:53,360
Speaker 1: at it because we see scandals, so half of that

593
00:33:53,560 --> 00:34:00,120
Speaker 1: is true. Like I want, I want well, rad We're

594
00:34:00,160 --> 00:34:01,880
Speaker 1: gonna work around it. I just want him to drop

595
00:34:02,120 --> 00:34:05,000
Speaker 1: a bombshell love some information that niggas can use. They've

596
00:34:05,000 --> 00:34:10,000
Speaker 1: been laying with the majority of the whole time. Leaves

597
00:34:10,080 --> 00:34:13,839
Speaker 1: very true. Though I believe that ship I think as

598
00:34:13,880 --> 00:34:16,480
Speaker 1: a myth, right, you don't believe that. I think it's

599
00:34:17,920 --> 00:34:20,920
Speaker 1: It's a whole cotton in Africa. I'm talking about in America.

600
00:34:20,960 --> 00:34:24,160
Speaker 1: I'm talking about globally nigger. If we're not a minority globally, Oh,

601
00:34:24,239 --> 00:34:30,120
Speaker 1: everybody gonna be light skinned and like Twitter nineteen, it's

602
00:34:30,160 --> 00:34:32,239
Speaker 1: covered up. It's gonna wake up and be Rob Hayes

603
00:34:32,320 --> 00:34:34,520
Speaker 1: can play everybody. Everybody. You gonna know what color everybody

604
00:34:34,520 --> 00:34:39,279
Speaker 1: gonna be. Steph Curry trying easily slowly you see, can

605
00:34:39,400 --> 00:34:43,640
Speaker 1: shoot the jumpertuse amazing. Did you see him trying to

606
00:34:43,680 --> 00:34:46,600
Speaker 1: fight Gilbert? Not giving the readers. But Steph Curry is

607
00:34:46,719 --> 00:34:51,040
Speaker 1: so good at shooting the basketball that everybody who didn't

608
00:34:51,040 --> 00:34:53,680
Speaker 1: played in the NBA up to now is embarrassed. And

609
00:34:53,760 --> 00:34:57,680
Speaker 1: how bad they shot the motherfucker. That's how you know you. Yeah,

610
00:34:58,239 --> 00:35:00,640
Speaker 1: when Mark Mark Mark Jackson came out and said he

611
00:35:00,719 --> 00:35:03,120
Speaker 1: sucking the game because he hit too much, because kids

612
00:35:03,200 --> 00:35:08,840
Speaker 1: like yeah, you go to a little kids who playing

613
00:35:08,840 --> 00:35:11,160
Speaker 1: in the game, so they just catching it off the

614
00:35:11,280 --> 00:35:13,600
Speaker 1: backboard and trying it again like they're just trying to

615
00:35:13,640 --> 00:35:16,960
Speaker 1: shoot threes. Now, shout out to stick. He really had.

616
00:35:17,480 --> 00:35:19,560
Speaker 1: It's only players like that that come every now and

617
00:35:19,600 --> 00:35:24,920
Speaker 1: then giving every race hope. He looked far away. He

618
00:35:25,080 --> 00:35:31,719
Speaker 1: little white sometimes white whole life. I'm not gonna let

619
00:35:31,760 --> 00:35:33,759
Speaker 1: you do this, right, not gonna let you do this.

620
00:35:34,560 --> 00:35:37,279
Speaker 1: My whole life, it's been like, man, let's get duse

621
00:35:37,320 --> 00:35:40,240
Speaker 1: care ball. Let's get du care ball. And then finally,

622
00:35:40,560 --> 00:35:42,360
Speaker 1: you know what I'm saying, we get a hero. And

623
00:35:42,400 --> 00:35:49,480
Speaker 1: then you're gonna say, they just let rob dudes who've

624
00:35:49,480 --> 00:35:52,480
Speaker 1: been looking for a hero. You finally got to yat.

625
00:35:52,880 --> 00:35:57,160
Speaker 1: He'd be humming songs. When you be out there, I

626
00:35:57,280 --> 00:36:01,560
Speaker 1: get so tired. I didn't know it was that the man.

627
00:36:01,600 --> 00:36:05,759
Speaker 1: It's tough man like like like people feel like, you

628
00:36:05,800 --> 00:36:08,279
Speaker 1: know what I'm saying, it's easy. Yeah, yeah, there's a

629
00:36:08,400 --> 00:36:11,160
Speaker 1: there's a nice road pay for the light skinned females,

630
00:36:11,239 --> 00:36:14,920
Speaker 1: but for us light skinned males, speak on it. You

631
00:36:14,960 --> 00:36:16,799
Speaker 1: know what I'm saying. We get teas I've been I've

632
00:36:16,800 --> 00:36:19,640
Speaker 1: been told light skinned people out of style my whole life.

633
00:36:19,680 --> 00:36:22,959
Speaker 1: People swear I look like every light skinned person because

634
00:36:23,000 --> 00:36:24,719
Speaker 1: then they just start laughing. They'd be like, you look

635
00:36:24,800 --> 00:36:27,719
Speaker 1: like Chris Brown and they started laughing. If they're younger

636
00:36:27,800 --> 00:36:29,480
Speaker 1: than that, they'd be like, you look like Drake they

637
00:36:29,520 --> 00:36:31,920
Speaker 1: start cracking up. If they're older than that, they'd be like,

638
00:36:32,000 --> 00:36:34,239
Speaker 1: you look like Bruce Leebroy. I can't look like all

639
00:36:34,320 --> 00:36:39,040
Speaker 1: three of them at the same time, but you look

640
00:36:39,320 --> 00:36:45,120
Speaker 1: you look good about default. It's not that's not true.

641
00:36:45,920 --> 00:36:48,520
Speaker 1: Light skinning never got a woman solely on the on

642
00:36:48,640 --> 00:36:51,200
Speaker 1: the I don't want to hear. I feel like they

643
00:36:51,360 --> 00:36:54,719
Speaker 1: see me first, but that's not always. They don't really

644
00:36:54,760 --> 00:36:57,040
Speaker 1: see the best thing. Like like if I walk in

645
00:36:57,080 --> 00:36:59,319
Speaker 1: the club, they might look at me first, but then

646
00:36:59,480 --> 00:37:04,320
Speaker 1: when I trip. It's like easy to see. You're easier

647
00:37:04,400 --> 00:37:06,600
Speaker 1: to see in the club. It's been it's been a

648
00:37:06,680 --> 00:37:09,319
Speaker 1: tough roll. Man, I didn't know. I thought you had

649
00:37:09,360 --> 00:37:11,600
Speaker 1: a good I don't want to hear the struggles. Yeah,

650
00:37:11,680 --> 00:37:22,920
Speaker 1: that's with regular blood pressure and stopping stopping. It's a

651
00:37:23,000 --> 00:37:29,720
Speaker 1: fat yea. That ship is funny as hell, man, that's funny.

652
00:37:29,800 --> 00:37:32,520
Speaker 1: I didn't know you had troubles. Like, yeah, we think

653
00:37:32,560 --> 00:37:35,320
Speaker 1: you honey is over there. That's what we think you

654
00:37:35,760 --> 00:37:37,359
Speaker 1: would be in the house if we were slay. That's

655
00:37:37,360 --> 00:37:40,080
Speaker 1: what we feel like. Nah. See the grass is always

656
00:37:40,160 --> 00:37:42,920
Speaker 1: grin on the side. Dud dude, the twelve years of slavers,

657
00:37:43,760 --> 00:37:52,000
Speaker 1: you know what he wanted. People wanted to speak. Yeah,

658
00:37:52,239 --> 00:37:55,280
Speaker 1: I know you have you have issues because I have issues.

659
00:37:55,280 --> 00:37:57,440
Speaker 1: I'm on the other side to speak on the man

660
00:37:57,840 --> 00:38:00,879
Speaker 1: a black conversation and here tonight I'm a dunks. I've

661
00:38:00,880 --> 00:38:04,239
Speaker 1: been caught every every color chart actually go down to

662
00:38:04,239 --> 00:38:10,080
Speaker 1: the okay, but the never been called killing. No, but

663
00:38:10,280 --> 00:38:13,359
Speaker 1: the reaction of someone who has been called skill. They

664
00:38:13,440 --> 00:38:15,440
Speaker 1: take it out on meat. So that I walk in

665
00:38:15,520 --> 00:38:20,319
Speaker 1: a room, somebody's been receiving this, you know, like like colorism.

666
00:38:20,640 --> 00:38:23,160
Speaker 1: Now I get the reverse colors. You know what I'm saying.

667
00:38:23,360 --> 00:38:25,520
Speaker 1: They're the lucky ones, these two in the middle. Yeah,

668
00:38:26,280 --> 00:38:31,440
Speaker 1: the sinner is really were that y'all don't understand. We

669
00:38:31,640 --> 00:38:38,480
Speaker 1: all need to the police as well. Straight up. I

670
00:38:38,640 --> 00:38:42,799
Speaker 1: know how to conduct myself. Me too, cooperative hands sir,

671
00:38:43,000 --> 00:38:45,360
Speaker 1: I will be moving to the right. I don't have

672
00:38:45,640 --> 00:38:48,720
Speaker 1: no web. I hope y'all find who y'all looking for. Actually,

673
00:38:50,320 --> 00:38:52,680
Speaker 1: I'm throwing up the rock. I don't need no sudden

674
00:38:52,960 --> 00:38:55,359
Speaker 1: ill get do y'all get treated better or worse if

675
00:38:55,360 --> 00:38:56,800
Speaker 1: they find out you a comedian, because I've had it

676
00:38:56,800 --> 00:38:59,040
Speaker 1: where they kind of get cooler, you know, when they

677
00:38:59,160 --> 00:39:01,640
Speaker 1: asked what it is that you're doing, and that comedian?

678
00:39:01,800 --> 00:39:04,000
Speaker 1: This isn't happened to me twice the police. I'm gonna

679
00:39:04,080 --> 00:39:06,279
Speaker 1: let you go because I believe it, because nobody would

680
00:39:06,320 --> 00:39:09,480
Speaker 1: say that they're a comedian. Wow, I've had the comedians.

681
00:39:09,600 --> 00:39:11,600
Speaker 1: I have a cops say, are you gonna talk about this?

682
00:39:12,040 --> 00:39:13,960
Speaker 1: Do you talk about cops? I'm like I will tonight.

683
00:39:14,080 --> 00:39:15,880
Speaker 1: I don't work around with the police. And I got

684
00:39:15,960 --> 00:39:20,000
Speaker 1: pulled over on Christmas. Yeah, I was sitting at the crib,

685
00:39:20,120 --> 00:39:22,040
Speaker 1: you know what I mean, and they pull you over

686
00:39:22,080 --> 00:39:26,840
Speaker 1: your God damn it, y'all want to get straight to

687
00:39:26,920 --> 00:39:32,680
Speaker 1: the me. I'm at the crib watch TV like I

688
00:39:32,800 --> 00:39:34,719
Speaker 1: need a blunt, So I get ready to go to

689
00:39:34,880 --> 00:39:37,240
Speaker 1: the store and ship. I pull out my apartment complex.

690
00:39:37,320 --> 00:39:40,240
Speaker 1: I see two cops sitting right there, so I'm just riding.

691
00:39:40,400 --> 00:39:42,960
Speaker 1: I'm doing less than the speed limit. I'm just you know,

692
00:39:43,040 --> 00:39:45,239
Speaker 1: it's kind of raining the ship. So I get pulled over.

693
00:39:45,640 --> 00:39:47,839
Speaker 1: Craziest stop ever because I got pulled over, Like there

694
00:39:47,920 --> 00:39:49,879
Speaker 1: was two police cars right there, and I got pulled

695
00:39:49,920 --> 00:39:52,239
Speaker 1: over about two police at once. They usually pull you

696
00:39:52,320 --> 00:39:54,200
Speaker 1: over one and then the other one cars, but they

697
00:39:54,280 --> 00:39:56,000
Speaker 1: both hit the lights at the same time, and I

698
00:39:56,080 --> 00:39:57,960
Speaker 1: grow the window down. He didn't even say, like I

699
00:39:58,080 --> 00:40:00,160
Speaker 1: need your license and ship. He was like, you know

700
00:40:00,280 --> 00:40:04,480
Speaker 1: why I pulled you over? I was like, say, you

701
00:40:04,600 --> 00:40:06,479
Speaker 1: know why I pulled you? I said what he said,

702
00:40:06,960 --> 00:40:12,600
Speaker 1: didn't you pull a gun on somebody earlier? I said, yeah,

703
00:40:12,680 --> 00:40:14,880
Speaker 1: you mass the description of the suspect. He had on

704
00:40:14,920 --> 00:40:18,000
Speaker 1: a red shirt and he was driving a challenger just

705
00:40:18,160 --> 00:40:20,239
Speaker 1: like this one, and you look just like who we're

706
00:40:20,280 --> 00:40:22,680
Speaker 1: looking for. Do you mind if we search your vehicle

707
00:40:22,760 --> 00:40:24,400
Speaker 1: to see if it's a gun in He was like, hell, no,

708
00:40:24,440 --> 00:40:26,080
Speaker 1: ain't a gun in there, the gun at the crib,

709
00:40:26,120 --> 00:40:28,680
Speaker 1: but gonna search the gun. It wasn't It wasn't even

710
00:40:28,800 --> 00:40:31,200
Speaker 1: my ship. Of course, we all have weapons, I'm sure,

711
00:40:31,360 --> 00:40:34,160
Speaker 1: but I didn't. It wasn't me pull guns on people.

712
00:40:35,080 --> 00:40:38,560
Speaker 1: Mistaken identity, mistaken identity. But just like I find out

713
00:40:38,600 --> 00:40:40,439
Speaker 1: if the dude looked like you at all. I believe

714
00:40:40,440 --> 00:40:44,240
Speaker 1: it's across the street from me. But I ain't no snitch.

715
00:40:45,239 --> 00:40:48,240
Speaker 1: I believe it's the nigger that stay right across the street.

716
00:40:48,520 --> 00:40:51,919
Speaker 1: They having a reason you were snitched though. Hell fuck yeah,

717
00:40:54,600 --> 00:40:59,160
Speaker 1: you motherfucking right. Because I'm not in the street, so

718
00:40:59,320 --> 00:41:01,480
Speaker 1: I don't have to every boy the coast of the streets,

719
00:41:01,600 --> 00:41:04,480
Speaker 1: got it. I'm not doing no time for nobody. That's

720
00:41:04,520 --> 00:41:06,320
Speaker 1: why when I do break the law, guess what, I

721
00:41:06,360 --> 00:41:09,239
Speaker 1: break the love with you by my goddamn self. I

722
00:41:09,360 --> 00:41:11,400
Speaker 1: don't need no help. I don't want to be with

723
00:41:11,520 --> 00:41:13,279
Speaker 1: you when you break the law. I don't want you

724
00:41:13,280 --> 00:41:15,000
Speaker 1: to be with me when I break do my dirt.

725
00:41:15,040 --> 00:41:21,040
Speaker 1: All if what if, if, if anything, if it's anything,

726
00:41:21,160 --> 00:41:25,479
Speaker 1: ain't had ship to do with anything fun this ship.

727
00:41:25,680 --> 00:41:27,840
Speaker 1: You shouldn't know me, do you know how many. Do

728
00:41:27,920 --> 00:41:30,520
Speaker 1: you know how many niggas is real in prison? I'd

729
00:41:30,600 --> 00:41:33,839
Speaker 1: rather be fake out said, fuck the niggas, man, I'm

730
00:41:33,920 --> 00:41:36,120
Speaker 1: not in the code of the streets like that. And

731
00:41:36,280 --> 00:41:38,080
Speaker 1: all the niggas who want to hold up all this

732
00:41:38,280 --> 00:41:41,120
Speaker 1: bullshit that you keep hearing these rap songs. Nigga, you

733
00:41:41,160 --> 00:41:43,000
Speaker 1: don't gotta live like that. You don't got to be

734
00:41:43,120 --> 00:41:45,279
Speaker 1: the nigga who try and drink all the lean and

735
00:41:45,480 --> 00:41:48,320
Speaker 1: then right around and be on Pluto and ship that

736
00:41:48,400 --> 00:41:51,879
Speaker 1: ain't for you. You're a regular nigga. Them niggas don't

737
00:41:51,880 --> 00:41:55,960
Speaker 1: even do that ship that's wrap you watched first for

738
00:41:56,080 --> 00:41:59,640
Speaker 1: the eight everybody eventually snipped, bro, that's what I'm saying,

739
00:42:00,000 --> 00:42:03,160
Speaker 1: you wrong. Yeah, but you know the stupid part now,

740
00:42:03,200 --> 00:42:04,960
Speaker 1: And I've been noticing lately. I don't know if y'all

741
00:42:05,600 --> 00:42:10,200
Speaker 1: be on WorldStar like that. This dude shot gleazy, got

742
00:42:10,280 --> 00:42:13,200
Speaker 1: his chain snatched at mythis so they showed on the

743
00:42:13,280 --> 00:42:15,680
Speaker 1: Instagram or something, and then they put another video over

744
00:42:15,800 --> 00:42:17,520
Speaker 1: like you should have did a song with the fun

745
00:42:18,040 --> 00:42:21,400
Speaker 1: got your That's That's what I'm saying. That's the cold

746
00:42:21,560 --> 00:42:23,960
Speaker 1: of the streets, right, So he a rapper, he go

747
00:42:24,120 --> 00:42:26,960
Speaker 1: to a show, they snatched his chain. They can get

748
00:42:27,000 --> 00:42:29,560
Speaker 1: all along the Instagram. Yeah, nigger, we got your But

749
00:42:29,640 --> 00:42:32,279
Speaker 1: guess what he called the police and report this ship.

750
00:42:32,360 --> 00:42:35,799
Speaker 1: Guess what he is? Snitch? That is the stupidest ship ever.

751
00:42:35,880 --> 00:42:38,520
Speaker 1: Why y'all niggers ain't help me, y'all, Why y'all ain't

752
00:42:38,560 --> 00:42:40,880
Speaker 1: help me? A club full of people. You see these

753
00:42:40,960 --> 00:42:45,080
Speaker 1: niggas whoop my hands. But you would have helped me.

754
00:42:45,120 --> 00:42:47,680
Speaker 1: I wouldn't have snitched. I wouldn't have snitch if one

755
00:42:47,680 --> 00:42:49,680
Speaker 1: of your niggers would have stopped that nigger from kicking

756
00:42:49,719 --> 00:42:52,120
Speaker 1: me in the stomach. But now I gotta snitch because

757
00:42:52,160 --> 00:42:55,040
Speaker 1: the nigger has stole my chains and my insurance won't

758
00:42:55,080 --> 00:42:57,359
Speaker 1: even cover the ship. I'm telling yeah, get my mother.

759
00:42:57,760 --> 00:43:00,000
Speaker 1: Got you gotta do is tag the police at the video.

760
00:43:00,000 --> 00:43:09,400
Speaker 1: You know this exactly what the police Instagram. They have

761
00:43:09,520 --> 00:43:12,000
Speaker 1: made a joke out of this d A damn yeah

762
00:43:12,640 --> 00:43:15,319
Speaker 1: that I see. There's a couple of dudes. I see

763
00:43:15,440 --> 00:43:17,920
Speaker 1: some dudes got called for robbing like CBS and look

764
00:43:17,920 --> 00:43:20,200
Speaker 1: to the Instagram. They're taking picture with the money drugs

765
00:43:20,239 --> 00:43:23,239
Speaker 1: out on the flow. Blunt, nigger, you robbed the story

766
00:43:23,320 --> 00:43:26,200
Speaker 1: when they found the blunts to you would you ever snitched? Yeah,

767
00:43:26,360 --> 00:43:28,440
Speaker 1: sch what would it take for you to snip? It

768
00:43:28,480 --> 00:43:30,160
Speaker 1: would just take for them to be like you gotta

769
00:43:30,200 --> 00:43:34,000
Speaker 1: take your shirt off in public. I mean like, hey, guy,

770
00:43:36,800 --> 00:43:42,600
Speaker 1: I was I was the name taker in elevation, So yes, yes, yes,

771
00:43:48,880 --> 00:43:51,360
Speaker 1: you the guy? Yeah, I was a guy. That was?

772
00:43:51,600 --> 00:43:54,720
Speaker 1: That was he as a comedian, we snitches by default.

773
00:43:54,760 --> 00:43:58,200
Speaker 1: We tell a lot of information. This is a lot

774
00:43:58,239 --> 00:44:00,920
Speaker 1: of people don't know different between this and like if

775
00:44:01,000 --> 00:44:03,560
Speaker 1: me and you rob a bank and you get called

776
00:44:03,600 --> 00:44:05,160
Speaker 1: and I don't, and you tell him I did it

777
00:44:05,239 --> 00:44:08,359
Speaker 1: with you, that's that snitching. That's that's snitching. But if

778
00:44:08,400 --> 00:44:10,960
Speaker 1: a name come in your neighborhood and shoot your nephew

779
00:44:11,280 --> 00:44:15,160
Speaker 1: on the porch while he outside playing, that ain't snitching. Now,

780
00:44:15,200 --> 00:44:18,520
Speaker 1: I'm telling you shot my nephew, nig I'm telling isn't that?

781
00:44:18,640 --> 00:44:21,160
Speaker 1: And I know you did it? Ship, But then the

782
00:44:21,360 --> 00:44:23,759
Speaker 1: rule of the streets, you get him yourself, Well then

783
00:44:23,880 --> 00:44:27,920
Speaker 1: guess what somebody else gonna doch His mama gonna go

784
00:44:27,960 --> 00:44:29,920
Speaker 1: down there. I don't know why he killed my baborite

785
00:44:30,000 --> 00:44:32,440
Speaker 1: like that. My babory didn't desire that bench. Your son

786
00:44:32,600 --> 00:44:34,760
Speaker 1: wasn't killing yeah, but he was getting his life together.

787
00:44:35,400 --> 00:44:37,480
Speaker 1: I see that he started yesterday. I see to do

788
00:44:37,640 --> 00:44:40,719
Speaker 1: on first forty eight and his name was killing. I

789
00:44:40,800 --> 00:44:43,080
Speaker 1: saw a video the nigger on first for they that

790
00:44:43,239 --> 00:44:45,000
Speaker 1: was like, do you know Little Mike was like, I

791
00:44:45,080 --> 00:44:47,759
Speaker 1: don't know, look like I know his brother. I shot

792
00:44:47,840 --> 00:44:54,120
Speaker 1: his brother market Yeah. Yeah, don't ever tell on yourself.

793
00:44:54,360 --> 00:44:58,160
Speaker 1: Don't ever tell on yourself. They're lying. If they say

794
00:44:58,239 --> 00:45:00,960
Speaker 1: that they need a confessionate life. They're asking you ship

795
00:45:01,000 --> 00:45:03,640
Speaker 1: because they don't know ship. Don't tell them say the

796
00:45:03,760 --> 00:45:08,200
Speaker 1: one word that can. I have a layer feeling about

797
00:45:08,200 --> 00:45:14,399
Speaker 1: the president state of comedy. There was no way out

798
00:45:14,440 --> 00:45:20,120
Speaker 1: of that. Yeah, what does that mean? The president? The

799
00:45:20,320 --> 00:45:23,319
Speaker 1: president state of like the climate of the game, man?

800
00:45:23,400 --> 00:45:26,280
Speaker 1: Do you like the where you see it's going? Social media?

801
00:45:26,480 --> 00:45:30,200
Speaker 1: A lot of people are creating their own platforms social media, Instagram,

802
00:45:30,320 --> 00:45:33,040
Speaker 1: A lot of the new social networking sites, Periscope is

803
00:45:33,040 --> 00:45:37,840
Speaker 1: getting real big um comedy hype type websites where you

804
00:45:37,920 --> 00:45:41,200
Speaker 1: know it's it's fresh comedy every day. They they're supplying

805
00:45:41,239 --> 00:45:44,359
Speaker 1: to fresh content comedy hype. Yeah, and it's not I'm saying,

806
00:45:44,400 --> 00:45:46,759
Speaker 1: it's just sites like comedy hype. They have others, you know,

807
00:45:47,239 --> 00:45:48,960
Speaker 1: So I'm just saying, how y'all feel about the game

808
00:45:49,040 --> 00:45:52,400
Speaker 1: right now? In short, Yeah, it's dope to have all

809
00:45:52,440 --> 00:45:55,560
Speaker 1: this independence and be your boss to do all this stuff.

810
00:45:55,560 --> 00:45:57,840
Speaker 1: But then like you see a lot of bullshit, Like

811
00:45:57,920 --> 00:45:59,680
Speaker 1: you see a lot of bullshit, but you'll have to

812
00:45:59,719 --> 00:46:01,560
Speaker 1: see that's the thing about now. You make a choice

813
00:46:01,880 --> 00:46:03,800
Speaker 1: to look for what you want to look for. So

814
00:46:03,920 --> 00:46:05,839
Speaker 1: it's kind of like all the powers in your hand

815
00:46:06,000 --> 00:46:08,080
Speaker 1: is a super But I don't I don't like the

816
00:46:08,160 --> 00:46:10,840
Speaker 1: fact that it's not nothing on TV for like just

817
00:46:11,000 --> 00:46:14,160
Speaker 1: a outlet for black comedians, like they you know, a

818
00:46:14,239 --> 00:46:16,120
Speaker 1: lot of black comedians we're trying to get on all

819
00:46:16,160 --> 00:46:17,880
Speaker 1: these other platforms, but they kind of group us just

820
00:46:17,880 --> 00:46:20,000
Speaker 1: because we're black or whatever. But you know, it's a

821
00:46:20,080 --> 00:46:21,719
Speaker 1: lot like we can we can do any room. A

822
00:46:21,800 --> 00:46:24,080
Speaker 1: lot of us could do any room. Like white comedians too.

823
00:46:24,160 --> 00:46:26,000
Speaker 1: Is they come over to the hood spots or whatever

824
00:46:27,600 --> 00:46:29,319
Speaker 1: some of them do. I've seen a few of them

825
00:46:29,360 --> 00:46:32,520
Speaker 1: that try it. If they do, they probably exclusively play

826
00:46:32,600 --> 00:46:36,400
Speaker 1: black Okay, yeah they don't. A white comic could go

827
00:46:36,480 --> 00:46:38,799
Speaker 1: his whole life and never play a black club. They

828
00:46:38,840 --> 00:46:40,759
Speaker 1: won't even know it was one of the town. They

829
00:46:40,760 --> 00:46:42,480
Speaker 1: can go the whole career. I don't think we as

830
00:46:42,480 --> 00:46:45,600
Speaker 1: African Americans have the luxury of of just playing black.

831
00:46:46,040 --> 00:46:47,920
Speaker 1: You know, you have to be prepared to play for

832
00:46:48,000 --> 00:46:51,080
Speaker 1: anybody that's in an audience. And uh, but the State,

833
00:46:51,800 --> 00:46:53,799
Speaker 1: I think I think it's a great place. I think

834
00:46:54,000 --> 00:46:56,439
Speaker 1: we got more control than ever, you know, in terms

835
00:46:56,480 --> 00:46:58,960
Speaker 1: of creating. You know, a cat like DC young Fly

836
00:46:59,400 --> 00:47:02,520
Speaker 1: can create noise on the Internet and that could be

837
00:47:02,640 --> 00:47:05,520
Speaker 1: your platform. I mean that it wasn't like that seven

838
00:47:05,640 --> 00:47:10,160
Speaker 1: years ago, so it's way different now. So I'm excited

839
00:47:10,200 --> 00:47:12,520
Speaker 1: about it, and I like, I don't I don't like

840
00:47:12,640 --> 00:47:15,320
Speaker 1: curse the young guys man. A lot of the the

841
00:47:15,360 --> 00:47:17,719
Speaker 1: way to know you're old, dude is when you don't

842
00:47:17,800 --> 00:47:19,480
Speaker 1: get what the young people is doing. If you don't

843
00:47:19,520 --> 00:47:21,640
Speaker 1: like nothing, that's your first day as an old nigger,

844
00:47:23,280 --> 00:47:26,360
Speaker 1: your first day. What the handling ball doing out that

845
00:47:27,080 --> 00:47:28,680
Speaker 1: come over? None of your them. But now you got

846
00:47:28,719 --> 00:47:30,239
Speaker 1: out of the control. Now it's like you're gonna be

847
00:47:30,360 --> 00:47:32,080
Speaker 1: what you said you're gonna be. You know what I'm saying, Like,

848
00:47:32,280 --> 00:47:35,520
Speaker 1: do you really want this ship? You're gonna put the

849
00:47:35,560 --> 00:47:36,960
Speaker 1: work here, You're gonna step it up, you know. So

850
00:47:37,080 --> 00:47:39,040
Speaker 1: that like that kind of inspired me to keep up

851
00:47:39,080 --> 00:47:41,520
Speaker 1: my Instagram and keep my ship going and keep you

852
00:47:41,560 --> 00:47:44,480
Speaker 1: gotta get some video, you know, you gotta have content now, man,

853
00:47:44,560 --> 00:47:46,520
Speaker 1: people want to look at you and bulk. They want

854
00:47:47,040 --> 00:47:49,319
Speaker 1: you watch you. You don't post nothing on social media

855
00:47:49,360 --> 00:47:55,399
Speaker 1: in twenty four hours. They think you did, like happy

856
00:47:55,480 --> 00:47:57,319
Speaker 1: to him, bro. You know. So that's why I reach

857
00:47:57,400 --> 00:47:59,520
Speaker 1: out to the younger cast and be like, show me

858
00:47:59,600 --> 00:48:01,000
Speaker 1: how to do that stuff. I could show you a

859
00:48:01,040 --> 00:48:02,839
Speaker 1: little bit about stand up that I know, like an

860
00:48:02,880 --> 00:48:06,840
Speaker 1: easy comedy. Were the cool dudes, you know, easiest funny man.

861
00:48:06,840 --> 00:48:08,120
Speaker 1: I didn't skip in the car with I did a

862
00:48:08,160 --> 00:48:09,800
Speaker 1: couple of skids, me mark a little ville. You know,

863
00:48:10,360 --> 00:48:13,960
Speaker 1: I reach out, man, ship, you will turn old out here, complained,

864
00:48:14,080 --> 00:48:16,120
Speaker 1: you know what I'm saying. And then you know, some

865
00:48:16,239 --> 00:48:17,880
Speaker 1: people too good to do this stch stuff, And then

866
00:48:17,920 --> 00:48:20,200
Speaker 1: they want to meet us. They want to meet the comedians.

867
00:48:20,200 --> 00:48:22,360
Speaker 1: They see the common you and they're like they'd be

868
00:48:22,440 --> 00:48:24,600
Speaker 1: scared because they'd be so you know, they've been met

869
00:48:24,680 --> 00:48:29,919
Speaker 1: with such resistance from the dude and right, so every

870
00:48:30,040 --> 00:48:32,800
Speaker 1: generation due to every generation hate on the generation before it,

871
00:48:33,040 --> 00:48:35,320
Speaker 1: you know, I mean I remember that was ahead of me.

872
00:48:35,400 --> 00:48:37,360
Speaker 1: I didn't didn't any funny. You know, they said that

873
00:48:37,440 --> 00:48:40,359
Speaker 1: about my generation, and and and we said that about

874
00:48:40,360 --> 00:48:43,239
Speaker 1: the generation. So you know that's that's again, we just

875
00:48:43,360 --> 00:48:47,200
Speaker 1: had to prepare ourselves to to to stay forever young

876
00:48:47,719 --> 00:48:51,200
Speaker 1: black people. Gotta let we gotta stop letting only one

877
00:48:51,320 --> 00:48:57,239
Speaker 1: motherfucker be great at one time. Ship man, Yeah, why

878
00:48:57,280 --> 00:48:59,439
Speaker 1: I gotta be just one? We came off we could

879
00:48:59,440 --> 00:49:05,040
Speaker 1: be great as group. Yeah, I mean, I I do enjoy, like, uh,

880
00:49:05,520 --> 00:49:08,640
Speaker 1: some of the newer aspects of social media and whatnot.

881
00:49:08,840 --> 00:49:11,840
Speaker 1: I do think I don't like how like your personal

882
00:49:11,920 --> 00:49:14,719
Speaker 1: life has to be infused with it. And I feel like,

883
00:49:15,600 --> 00:49:18,080
Speaker 1: you know, back in the day, there was something out

884
00:49:18,120 --> 00:49:20,239
Speaker 1: of his stuff. There was some stuff you didn't see.

885
00:49:20,400 --> 00:49:23,640
Speaker 1: You didn't see all the celebrities hang it out. You

886
00:49:23,719 --> 00:49:26,520
Speaker 1: didn't see like all this stuff. I like, now like

887
00:49:26,640 --> 00:49:29,200
Speaker 1: you see everything. So it kind of sucks because it's

888
00:49:29,280 --> 00:49:32,120
Speaker 1: like you see a picture of you know, no matter

889
00:49:32,160 --> 00:49:34,320
Speaker 1: who it is, from the top to the bottom, and

890
00:49:34,440 --> 00:49:36,840
Speaker 1: it's like they like, you know, we're gonna have no

891
00:49:37,000 --> 00:49:42,959
Speaker 1: Charlie work for your true Hollywood stories because you know that, Yeah,

892
00:49:43,120 --> 00:49:45,560
Speaker 1: that's real, that's real that I didn't think about it

893
00:49:45,560 --> 00:49:47,719
Speaker 1: from that perspective. I love to go and search for

894
00:49:47,800 --> 00:49:49,960
Speaker 1: all those types of back stories. And you know what

895
00:49:50,000 --> 00:49:51,800
Speaker 1: I'm saying. Did you know he wore my coat on

896
00:49:51,880 --> 00:49:54,759
Speaker 1: that album? But I love the best? Did you know

897
00:49:54,920 --> 00:49:58,359
Speaker 1: he had no shoes on? I liked sh Like, yeah, well, man,

898
00:49:58,360 --> 00:50:00,879
Speaker 1: I appreciate you all coming through. Man, blessing us here

899
00:50:01,000 --> 00:50:06,320
Speaker 1: on the eighty five South Show. I got Rodney, what

900
00:50:06,400 --> 00:50:08,120
Speaker 1: you got coming up? What's on the custom? What's on

901
00:50:08,200 --> 00:50:12,200
Speaker 1: the cups? We touring? The new tour kicks off January. Uh,

902
00:50:12,760 --> 00:50:15,000
Speaker 1: I'll be in New Orleans. I've been New Orleans forever

903
00:50:15,480 --> 00:50:17,239
Speaker 1: and that's kind of my comedy one of my early

904
00:50:17,320 --> 00:50:19,440
Speaker 1: comedy spots back in the day. So go to the

905
00:50:19,480 --> 00:50:22,080
Speaker 1: website Rodney Perry dot com. That's where I get down.

906
00:50:22,160 --> 00:50:25,400
Speaker 1: That's where everything is. And my all social media is

907
00:50:25,520 --> 00:50:30,200
Speaker 1: Rodney Perry or Rodney Perry Live on Instagram. I do,

908
00:50:30,400 --> 00:50:33,279
Speaker 1: I do got a comedy workshop. It's called Never Did

909
00:50:33,360 --> 00:50:34,680
Speaker 1: Not the Next Level. Thank you for asking me that,

910
00:50:34,719 --> 00:50:40,440
Speaker 1: because because they've been so I'm like, yeah, yeah, alumni.

911
00:50:40,680 --> 00:50:44,240
Speaker 1: Mr Rob Hayes was awesome in the class Man. Hopefully

912
00:50:44,520 --> 00:50:48,160
Speaker 1: it helps you too, And uh, it's improv and we

913
00:50:48,360 --> 00:50:52,040
Speaker 1: we are setting to start the next season in January

914
00:50:52,120 --> 00:50:55,040
Speaker 1: late January. So yeah, so to the website Rodney Parry

915
00:50:55,080 --> 00:50:57,520
Speaker 1: dot com. You wanna rock with us, Rob Hayes, what

916
00:50:57,600 --> 00:51:00,200
Speaker 1: you got for us about the next is it of

917
00:51:00,320 --> 00:51:04,759
Speaker 1: Ada the Vine's House party look out for flop house advice. Uh.

918
00:51:05,280 --> 00:51:07,520
Speaker 1: You can find out all our dates at Rob Hayes

919
00:51:07,719 --> 00:51:10,640
Speaker 1: dot com. I'm on Twitter at Robert is the Mad,

920
00:51:11,040 --> 00:51:16,200
Speaker 1: Instagram at Rob Hayes Snapchat Hayes Rode. That's what's up, man,

921
00:51:16,320 --> 00:51:19,480
Speaker 1: it's you already know she man, Carlos Miller and catch me.

922
00:51:19,560 --> 00:51:21,400
Speaker 1: I got some stuff coming up to I skimmed you.

923
00:51:21,520 --> 00:51:26,759
Speaker 1: Yeah you did. It's cool. I jumped. So check it out.

924
00:51:26,800 --> 00:51:29,640
Speaker 1: It's steal me at Carlos Miller k R. Hello you

925
00:51:29,760 --> 00:51:32,239
Speaker 1: as Carlos m and you know I'll be here, so

926
00:51:32,400 --> 00:51:34,960
Speaker 1: I catch you whatever you drop your ship. Man. I

927
00:51:35,040 --> 00:51:37,080
Speaker 1: gotta just keep on doing my college to it man.

928
00:51:37,080 --> 00:51:39,960
Speaker 1: I've been on my college to my own independent Yeah,

929
00:51:40,120 --> 00:51:41,759
Speaker 1: campus royalty to it. I got you know, I do

930
00:51:41,840 --> 00:51:43,640
Speaker 1: two tours it once, I'll be doing my college tour,

931
00:51:43,719 --> 00:51:46,239
Speaker 1: then I do my club dates. But I kind of

932
00:51:46,400 --> 00:51:47,920
Speaker 1: I love that you do that too, that because yeah,

933
00:51:48,200 --> 00:51:50,200
Speaker 1: because you gotta stay shop. You can't you can't get

934
00:51:50,280 --> 00:51:52,279
Speaker 1: the stuff ready for the colleges if it don't work

935
00:51:52,320 --> 00:51:54,399
Speaker 1: in the club. Like to me, I try to work

936
00:51:54,440 --> 00:51:56,160
Speaker 1: it out of the club getting ready for college. You

937
00:51:56,160 --> 00:51:57,759
Speaker 1: can shave off what you need, but you know, I

938
00:51:57,840 --> 00:51:59,759
Speaker 1: want to be able to do both because something you

939
00:51:59,800 --> 00:52:01,600
Speaker 1: get wrapped up in that college stuff. You can't do

940
00:52:01,680 --> 00:52:06,880
Speaker 1: a club no more like material be young as hell. Yeah, man,

941
00:52:07,000 --> 00:52:09,520
Speaker 1: it's like, damn, they don't know no fatny wasp songs.

942
00:52:10,640 --> 00:52:12,239
Speaker 1: I gotta work the opposite way. I could do the

943
00:52:12,320 --> 00:52:15,520
Speaker 1: clubs in my sleep, but they got You were talking

944
00:52:15,520 --> 00:52:18,080
Speaker 1: about that man, right, we're talking about the balance. You

945
00:52:18,160 --> 00:52:20,000
Speaker 1: either get them super young or you get you know

946
00:52:20,000 --> 00:52:21,880
Speaker 1: what I mean. Ain't no, ain't no middle, Ain't no middle.

947
00:52:22,200 --> 00:52:25,960
Speaker 1: But the great thing about colleges is that you kind

948
00:52:25,960 --> 00:52:29,040
Speaker 1: of grow your audience. So you got your your your

949
00:52:29,239 --> 00:52:32,080
Speaker 1: your audience is gonna love you for you you got

950
00:52:32,160 --> 00:52:36,040
Speaker 1: you just bought yourself twenty more years of relevance. Yeah

951
00:52:36,040 --> 00:52:37,399
Speaker 1: that's what I've been trying to do. But I'm trying

952
00:52:37,400 --> 00:52:39,239
Speaker 1: to be, you know, just out here because it's like

953
00:52:40,080 --> 00:52:42,399
Speaker 1: and then you get to rebook the schools, Like people

954
00:52:42,400 --> 00:52:44,520
Speaker 1: don't understand that ain't the book. It's the Red Book,

955
00:52:44,520 --> 00:52:46,680
Speaker 1: I'd be doing get so many schools three fours. I

956
00:52:46,719 --> 00:52:48,840
Speaker 1: talked talked about this all the time. It's like I

957
00:52:48,920 --> 00:52:51,040
Speaker 1: hadn't been to schools where I came there a couple

958
00:52:51,080 --> 00:52:53,160
Speaker 1: of years in a row. Didn't. One of the kids

959
00:52:53,239 --> 00:52:56,120
Speaker 1: that was on the board is being an advisor to

960
00:52:56,160 --> 00:52:58,160
Speaker 1: another school. He's like, man, you came to my school.

961
00:52:58,200 --> 00:53:00,000
Speaker 1: We had to have you. It's like I ain't even

962
00:53:00,160 --> 00:53:01,640
Speaker 1: know that they do. You know what I'm saying. Kind

963
00:53:01,680 --> 00:53:03,880
Speaker 1: of keeps going. So it's just like, you know, you

964
00:53:04,000 --> 00:53:05,960
Speaker 1: check out, I'll post my day. Yeah, when you get

965
00:53:06,000 --> 00:53:07,920
Speaker 1: off stage and the college come pull you to the

966
00:53:07,960 --> 00:53:10,919
Speaker 1: side of like when how soon can we get you back? Right? Yeah,

967
00:53:11,040 --> 00:53:13,239
Speaker 1: they kind of I've been booked right after before. It's

968
00:53:13,280 --> 00:53:15,640
Speaker 1: pretty cool. Man, So campus Roughty to look at the

969
00:53:15,680 --> 00:53:19,600
Speaker 1: hashtag on Instagram Twitter hashtag campus with a K. I

970
00:53:19,680 --> 00:53:22,439
Speaker 1: got my daddy Rannie T shirts. You know what I'm saying,

971
00:53:22,760 --> 00:53:26,080
Speaker 1: put them out? Yeah, yeah, you know, I'm just trying

972
00:53:26,120 --> 00:53:27,560
Speaker 1: to put it out. Put it down for the fat

973
00:53:27,680 --> 00:53:30,080
Speaker 1: dudes that go shop it a little bit. That's what

974
00:53:30,239 --> 00:53:32,840
Speaker 1: it is. That's what it is. Then shout out the

975
00:53:32,920 --> 00:53:35,200
Speaker 1: comedy hype. Man, you can go to Comedy Hype right

976
00:53:35,239 --> 00:53:38,960
Speaker 1: now and download uh the eighty five South Show. You

977
00:53:39,040 --> 00:53:43,399
Speaker 1: can go to SoundCloud subscribe on hold on, I lost

978
00:53:43,440 --> 00:53:45,840
Speaker 1: my whole wind right there. Um, you can go to

979
00:53:45,960 --> 00:53:48,919
Speaker 1: iTunes right now and subscribe to the eighty five South Show.

980
00:53:48,960 --> 00:53:51,839
Speaker 1: You can catch us on the Comedy Hype and SoundCloud.

981
00:53:51,960 --> 00:53:54,440
Speaker 1: Follow us on Twitter, follow us on Instagram. Man, we're

982
00:53:54,480 --> 00:53:58,200
Speaker 1: posting links everywhere. You can get exclusive out takes, um,

983
00:53:58,400 --> 00:54:01,359
Speaker 1: behind the scenes footage, the views. You never know who

984
00:54:01,440 --> 00:54:03,880
Speaker 1: we got down here. So make sure y'all keep supporting

985
00:54:03,920 --> 00:54:06,960
Speaker 1: the show. Send us your comments, questions, whatever. Go to

986
00:54:07,040 --> 00:54:09,560
Speaker 1: the eighty five South Show dot com and um, yeah,

987
00:54:09,719 --> 00:54:12,480
Speaker 1: just funk with it like that. Man, appreciate it. Can

988
00:54:12,520 --> 00:54:14,080
Speaker 1: I say something? If you're gonna post the link you

989
00:54:14,320 --> 00:54:16,520
Speaker 1: lavor here like you gotta post the link, I'm not.

990
00:54:16,640 --> 00:54:19,239
Speaker 1: You don't talk about people who like the show like

991
00:54:19,360 --> 00:54:23,160
Speaker 1: the show post the link personally. People keeping leave a review,

992
00:54:23,239 --> 00:54:26,000
Speaker 1: give us five stars. You're listening to the eighty five

993
00:54:26,120 --> 00:54:28,799
Speaker 1: South Show. It's your man, Carlos Miller. Who I got

994
00:54:28,880 --> 00:54:32,319
Speaker 1: in here? Written bron Hey, Monty Jordan's hits, your boy,

995
00:54:32,400 --> 00:54:36,880
Speaker 1: Roddy Perry. Ye, make sure you leave us some comments.

996
00:54:36,960 --> 00:54:40,120
Speaker 1: Tweet us, follow us on Instagram, Twitter, all of that

997
00:54:40,239 --> 00:54:42,160
Speaker 1: ship Man, let us know what you think about the show.

998
00:54:42,200 --> 00:54:48,320
Speaker 1: All right, eighty pipe f