WEBVTT - #536 - Kai Ca$h

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<v Speaker 1>Cood Cash here.

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<v Speaker 2>I'm here right now with my unks boot Podcast.

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<v Speaker 3>Boot Podcast, and we have air forces and the boot Pods.

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<v Speaker 2>Man, Nah, listen, we hear the Bootleg CAV Podcast over.

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<v Speaker 4>Hey.

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<v Speaker 1>Before we start the episode, we're gonna remind everybody, man,

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<v Speaker 1>we got one of the biggest radio shows in the country,

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<v Speaker 1>syndicated in almost one hundred cities all over. Shout out

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<v Speaker 1>to iHeartRadio. All right, some of the latest cities that

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<v Speaker 1>we've been able to add. Man, we want to give

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<v Speaker 1>a shout out to ninety three point nine the Beat

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<v Speaker 1>in Honolulu. That's right, Hawaii, We over there going crazy.

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<v Speaker 1>I also want to give a shout out Hot ninety

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<v Speaker 1>eight three and Tucson. Shout out to Tucson going crazy.

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<v Speaker 1>Also want to give a shout out to Wild ninety

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<v Speaker 1>four one in Tampa going crazy. We just got Richmond.

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<v Speaker 1>We also just got the good folks in Bakersfield at

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<v Speaker 1>Hot one of four to seven. So we're going crazy

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<v Speaker 1>on the radio with my partner James Andre Jefferson Junior

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<v Speaker 1>for the Bootleg CAV Show. So make sure you tune

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<v Speaker 1>in and you can listen anywhere on that iHeartRadio app.

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<v Speaker 1>That's right, let's get into the interview Boutlet Cap Podcast.

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<v Speaker 1>We got a special guest in here. My guys pulled

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<v Speaker 1>up shout to Generation Now, always involved and always bringing

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<v Speaker 1>new talent to the to the the same man, DJ

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<v Speaker 1>Drama Don Cannon, I want you to introduce your news

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<v Speaker 1>artists from Brooklyn.

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<v Speaker 3>Yeah, what's up, everybody, We're here on boutlet keV, our brother,

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<v Speaker 3>our family, and h we brought the newest signee of

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<v Speaker 3>Generation Now to the table, to the family, to our guy.

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<v Speaker 3>He goes by the name of ky Cash from Brooklyn. Yeah,

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<v Speaker 3>and he is gonna be on the Mount Rushmore.

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<v Speaker 1>Yeah. Yeah, Wow.

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<v Speaker 2>Yeah, that's a great intro. I don't think it's it's

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<v Speaker 2>better than that.

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<v Speaker 3>Man, I can't follow that, okay, I mean ship like okay,

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<v Speaker 3>you know, keV, we don't been here before, like we

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<v Speaker 3>done did this before. You know, it's it's it's kind

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<v Speaker 3>of fun sometimes when it's you know, you feel like

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<v Speaker 3>good underdog situation, even you know, when you have so

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<v Speaker 3>many wins, so many successes. But I mean when we

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<v Speaker 3>first met Kai and we first were introduced, like it

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<v Speaker 3>was it was a studio session where you know, he

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<v Speaker 3>just kept playing record after record after record. He was

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<v Speaker 3>blown away, you know what I'm saying, just to you know,

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<v Speaker 3>hear those bars, and especially in the climbing of today,

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<v Speaker 3>where you know, you only have a real handful of

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<v Speaker 3>artists doing the type of music that he's doing right

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<v Speaker 3>and can really like you know, come to the table

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<v Speaker 3>and really he's really from the cloth.

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<v Speaker 4>So you know, that's always been exciting.

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<v Speaker 1>Dream Bill fast this weekend too, Yes, sir, Saturday, last

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<v Speaker 1>stream Bilfest. I'm super excited. You know.

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<v Speaker 2>There's a little bit of performance hit is that I

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<v Speaker 2>always get before I get on stage, but other than that,

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<v Speaker 2>it's just like, hell no.

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<v Speaker 1>So how did you get on these guys radar? Because

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<v Speaker 1>this is not an easy radar to get on. Facts,

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<v Speaker 1>it's not an easy cold to crack. I'm just working

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<v Speaker 1>for real.

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<v Speaker 2>Some mutuals always put the bug in the air, but

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<v Speaker 2>it's just like doesn't always work right. So finally it

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<v Speaker 2>came to Fruition and it was just like, yo, let's

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<v Speaker 2>let's sit down, let's just see.

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<v Speaker 5>What we can.

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<v Speaker 1>Let's just listen to the music first and foremost the

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<v Speaker 1>most important part. Want to go play the music, and

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<v Speaker 1>we hear, yeah, what part of Brooklyn you're from? I'm

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<v Speaker 1>from East New York by way a bed style. My

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<v Speaker 1>dad is from the sty old family from the sty

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<v Speaker 1>so so for people who don't understand, like East New

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<v Speaker 1>York because it's is I feel like we we shocked

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<v Speaker 1>some ship in the East New York before. What is

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<v Speaker 1>the vibe over there?

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<v Speaker 2>East New York is the last East New York and

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<v Speaker 2>Brownsville are like the last places that are gentrified in Brooklyn.

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<v Speaker 6>That's I should tell you that aren't right right right

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<v Speaker 6>right right? That aren't my bad?

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<v Speaker 1>Yeah, that should tell you everything that you need to

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<v Speaker 1>know about it. I feel like if they ever tried

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<v Speaker 1>to gentrify Brownsville, like I don't think will come with

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<v Speaker 1>a hipsters.

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<v Speaker 6>I feel like, yeah, you know it, don't It just

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<v Speaker 6>don't make no sense.

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<v Speaker 2>Like it's like the grit of Brooklyn for real, and

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<v Speaker 2>it still is. It still looks the same, still feels

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<v Speaker 2>the same, is it?

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<v Speaker 4>Like? By the way, MP is probably in the whole

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<v Speaker 4>foods as we speak.

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<v Speaker 1>Yeah, shots, it's crazy like our favorite like rappers from

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<v Speaker 1>New York are like super healthy now shots and ship.

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<v Speaker 4>Gz somewhere you know, drinking a wheat grass shot right.

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<v Speaker 1>Jada Kisses is literally all types of pull ups So

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<v Speaker 1>I was checking out some of your ship. I saw

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<v Speaker 1>you you obviously tapped in with the l A Boys.

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<v Speaker 1>I saw you got some ship with Greedo. Yeah, shout

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<v Speaker 1>out to Greedo. I got a song with Chick that

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<v Speaker 1>it's old the joint. I'm trying to get him back

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<v Speaker 1>in the studio. What a new Chick before the Kendrick ship.

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<v Speaker 1>Yeah yeah, I mean we all did shot the fact

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<v Speaker 1>shout out, Yeah for sure. So uh give me kind

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<v Speaker 1>of like man like, like what your influences, Like who

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<v Speaker 1>are you listening to? Like you know, because I was

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<v Speaker 1>listening to your ship and like they said, like I'm like, oh,

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<v Speaker 1>this ship is like like you really doing this hip

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<v Speaker 1>hop ship rapping. Yeah.

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<v Speaker 2>Craziest thing is I listened a little bit of everything.

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<v Speaker 2>Like I'm a fan of music in this entirety, like

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<v Speaker 2>even the dumb shit, but like growing up find dumb shit,

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<v Speaker 2>dumb ship Like it's this, it's this song called Phoebe Phoebe.

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<v Speaker 1>Yeah, it's it's to me is fire, you know what

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<v Speaker 1>I really loved as hell, But it's ship like that,

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<v Speaker 1>like I fuck with it, Like yeah, he's like he's

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<v Speaker 1>the most hilarious artist alive, Like ours are so disrespectfully offensive.

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<v Speaker 1>He don't he don't.

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<v Speaker 6>Care at all of it, but he just doesn't get

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<v Speaker 6>And that's that's my thing.

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<v Speaker 2>Like when you hear me, you wouldn't think I would

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<v Speaker 2>even listen to somebody like Dave Bloods, but I'll be

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<v Speaker 2>listening to everything, like my ear is just open. But

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<v Speaker 2>growing up, it was more so like what I seen.

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<v Speaker 2>It was Mace, it was chay Zy, it was big

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<v Speaker 2>fifty cent Lloyd Banks.

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<v Speaker 1>You think Double Up is slept on, Yeah, yeah, I

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<v Speaker 1>do think so.

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<v Speaker 2>But I don't think it's better than Hallom World though,

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<v Speaker 2>But I do think it's slept on.

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<v Speaker 5>Yeah.

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<v Speaker 1>Double Uve has some ship on it. Yeah, it did, definitely. Yeah,

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<v Speaker 1>so Mace is up there for you. Yeah, it's been

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<v Speaker 1>kind of cool to watch Mace turn into like facts podcaster. Yeah,

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<v Speaker 1>that shit is fine because he's hilarious. You know, I'm

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<v Speaker 1>like really disappointed in the guys that you decided to

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<v Speaker 1>do business with because they pumped faked this well, this

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<v Speaker 1>fucker right here, Like, you know, I'm gonna do a

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<v Speaker 1>podcast for like six episodes and then disappear and stop

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<v Speaker 1>doing it.

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<v Speaker 4>You know, I'm been doing another season.

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<v Speaker 1>The problem is is people like DJ drama, have the

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<v Speaker 1>biggest podcast in the world and hip if he but

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<v Speaker 1>all he wanted to do was come and get a

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<v Speaker 1>bag and then disappear the Silver Surfer.

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<v Speaker 6>I'm still should definitely do a part problem.

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<v Speaker 1>You should have the biggest hip hop podcast in the

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<v Speaker 1>world's can't you put your ship behind a paywall or

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<v Speaker 1>something crazy?

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<v Speaker 4>No, I put it out through Amazon Prime.

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<v Speaker 1>That's where you fucked up. But they gave you a bag,

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<v Speaker 1>so take that bag and then you know, launch a

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<v Speaker 1>whole new podcast.

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<v Speaker 3>That's not a bad idea because they get Calid a bag.

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<v Speaker 3>Well I don't know, but they gave me one. Shout

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<v Speaker 3>to Kenya Barras.

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<v Speaker 1>But yo, for real, like nobody should be fucking with

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<v Speaker 1>you in this space.

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<v Speaker 3>Yeah, you know again, it's it's very oversaturated right now.

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<v Speaker 1>So it is.

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<v Speaker 4>If I if I was to, it'd be like me

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<v Speaker 4>trying to.

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<v Speaker 3>After the Rush try to come out with a DJ

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<v Speaker 3>record with like artists on it, like in twenty sixteen,

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<v Speaker 3>like a little late.

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<v Speaker 4>Yeah you feel me. So, I mean, I'm not opposed

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<v Speaker 4>to it.

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<v Speaker 3>But the reason why you brought it up, which is

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<v Speaker 3>so dope, is because of how Mason can pivoted and

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<v Speaker 3>did like a sports podcast. So if I was to

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<v Speaker 3>do something, I would like to do something with a.

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<v Speaker 4>Twist to it.

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<v Speaker 1>Yeah you know what I'm saying. Yeah, you could talk about.

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<v Speaker 4>But again anything again, I mean I did.

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<v Speaker 3>I did have one season run with the Gangster Grills podcast.

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<v Speaker 3>We just do you on the ID episodes? Yeah, me

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<v Speaker 3>and Kenya on it together. Yeah, and I still have

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<v Speaker 3>the visual from it that I haven't put out.

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<v Speaker 1>Yeah, you didn't do any visuals.

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<v Speaker 4>Huh, No, I didn't.

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<v Speaker 1>You just did the whole shit wrong.

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<v Speaker 5>Stuff.

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<v Speaker 4>It was.

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<v Speaker 3>It was I mean, but you know, I don't want

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<v Speaker 3>to say because because of the bag, I chose to

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<v Speaker 3>go in the directions. But obviously it would have been

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<v Speaker 3>nice to have the video that come out with it.

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<v Speaker 1>You have your own, like like actual headquarters where you

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<v Speaker 1>could shoot it like you don't need anybody.

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<v Speaker 4>Yeah.

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<v Speaker 3>Well, I mean we want to do a whole documentary

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<v Speaker 3>about all that too, So that's still in the works.

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<v Speaker 4>We got the.

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<v Speaker 3>Affiliate story, the Gangster Grill story, the Generation Now story,

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<v Speaker 3>the Mean Street studio story.

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<v Speaker 1>So are you guys going to do a documentary about

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<v Speaker 1>just like the you know, the late two thousand run.

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<v Speaker 3>Yeah, I think we're still trying to figure out and

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<v Speaker 3>what context that we want to tell all the stories,

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<v Speaker 3>Like is it four part series where we go through

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<v Speaker 3>the different time periods? It two separate ones, you know

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<v Speaker 3>what I'm saying. So we're still trying to figure that out.

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<v Speaker 1>Did you grow up listening to Gangster Girls? Yeah?

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<v Speaker 6>Started from maybe like dedication to I think was the

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<v Speaker 6>first one that I kind of.

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<v Speaker 2>Got familiar with drama was and Cannon, and then from

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<v Speaker 2>there I just kept just like I kept hearing them.

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<v Speaker 2>It was inevitable. It's like they did every mixtape. So

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<v Speaker 2>I've been tapped in for quite some time end in

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<v Speaker 2>my whole life.

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<v Speaker 1>Some of the most slept on mixtapes of all time

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<v Speaker 1>to matter facts, it's the brother a little I haven't

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<v Speaker 1>even got that far, That's what I'm saying, Little Brothers,

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<v Speaker 1>the Mad Gangster Girls taps. I've never heard Skateboard P

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<v Speaker 1>One two, heard that one, classic, super classic, Hey Druma,

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<v Speaker 1>what do you think is your most underrated mixtape of

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<v Speaker 1>all time? And maybe didn't necessarily get like the the

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<v Speaker 1>eyes of like a dedication.

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<v Speaker 3>To and.

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<v Speaker 4>Hm hmm, there's uh Jeremiah Late Nights, Oh for sure, Yeah,

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<v Speaker 4>that was it. That was slept on.

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<v Speaker 3>What I consider Chris Brown in my zone, slept on.

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<v Speaker 3>He came off that joint, A smash came off. Yeah,

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<v Speaker 3>there was no bullshit was on there. Yeah, the second one,

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<v Speaker 3>Deuces was on there. So yeah, it was a couple

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<v Speaker 3>of songs that came off that tape.

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<v Speaker 4>What what I mean?

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<v Speaker 3>Me and beat Out have this argument a lot of times.

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<v Speaker 3>I don't feel like Crenshaw gets counted as a gangster

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<v Speaker 3>girls as much as it should. That's one, It's so

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<v Speaker 3>there's so many What else is a slept one must

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<v Speaker 3>have left there?

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<v Speaker 5>Slept on the girls?

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<v Speaker 4>Huh? I was just about to say that.

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<v Speaker 3>I was just about to say that one next I'm

0:10:52.040 --> 0:10:54.000
<v Speaker 3>still going in rich preloaded.

0:10:54.160 --> 0:10:55.079
<v Speaker 4>I think that was the name of it.

0:10:55.240 --> 0:11:07.280
<v Speaker 1>Yeah, the way is one ship. Yeah, bad love just

0:11:07.480 --> 0:11:10.439
<v Speaker 1>different pocket like after Christian and you guys should fucking

0:11:10.480 --> 0:11:13.040
<v Speaker 1>spin the block on like eggster grills, just because I

0:11:13.080 --> 0:11:15.480
<v Speaker 1>wouldn't be opposed to that. You're kind of like, standon

0:11:15.559 --> 0:11:18.000
<v Speaker 1>Taylor gang already thirty tours.

0:11:17.800 --> 0:11:20.480
<v Speaker 4>And that's I'm definitely tell a gang that's family for life.

0:11:21.160 --> 0:11:24.040
<v Speaker 1>Uh do you get just like you know, I feel

0:11:24.080 --> 0:11:26.400
<v Speaker 1>like Don Cannon's speaking of slept on one of the

0:11:26.440 --> 0:11:28.840
<v Speaker 1>most slept on the greatest producers of all time. Facts

0:11:30.120 --> 0:11:32.840
<v Speaker 1>do you just get like your your first pick on Beazzer?

0:11:33.120 --> 0:11:35.680
<v Speaker 1>Just like yeah, yeah, so you get.

0:11:35.600 --> 0:11:38.839
<v Speaker 2>To pull up before you like now he'll just come

0:11:38.880 --> 0:11:40.679
<v Speaker 2>in in the in the studio and just open the

0:11:40.720 --> 0:11:44.040
<v Speaker 2>laptop and just start playing ship Like he'll play chops,

0:11:44.120 --> 0:11:46.640
<v Speaker 2>the simple chops with this Yep.

0:11:47.559 --> 0:11:50.280
<v Speaker 1>Even if I don't fuck it, Yep, I need it. Yeah,

0:11:50.440 --> 0:11:53.240
<v Speaker 1>he's all right sending it to you leave. Are you like,

0:11:53.320 --> 0:11:55.439
<v Speaker 1>are you like actively producing? Like with him and mine are.

0:11:55.480 --> 0:11:59.319
<v Speaker 7>Actively well because he's there. It's like I know that

0:11:59.440 --> 0:12:02.480
<v Speaker 7>he's gonna up on certain things that this game is

0:12:02.559 --> 0:12:04.880
<v Speaker 7>really missing, Like I'm going to certain artists they're not

0:12:04.960 --> 0:12:06.240
<v Speaker 7>in that bag anymore.

0:12:06.240 --> 0:12:07.160
<v Speaker 1>But he's in that bag.

0:12:07.640 --> 0:12:09.480
<v Speaker 5>So I'm like, Okay, I'm in that bag. Let me

0:12:09.559 --> 0:12:09.880
<v Speaker 5>get there.

0:12:10.040 --> 0:12:11.960
<v Speaker 7>You know, I'm in a hip hop state of mind

0:12:12.000 --> 0:12:14.760
<v Speaker 7>right now. You know we're purist, So sometimes I just

0:12:14.840 --> 0:12:16.800
<v Speaker 7>get in that mode where it's like, man, I know

0:12:16.880 --> 0:12:18.880
<v Speaker 7>we're gonna make something special because I'm in that I'm

0:12:18.920 --> 0:12:19.480
<v Speaker 7>in that mode.

0:12:20.440 --> 0:12:22.559
<v Speaker 1>Is it like we're freshed? Obviously, not to get into

0:12:22.559 --> 0:12:24.880
<v Speaker 1>the politics of what happened with Kendrick and Drake. But

0:12:25.200 --> 0:12:27.439
<v Speaker 1>do you feel like the Kendrick moment at least brought

0:12:27.600 --> 0:12:30.960
<v Speaker 1>like a certain level of like fans being a little

0:12:31.000 --> 0:12:33.840
<v Speaker 1>more cognitive to the lyricism one thousand.

0:12:33.480 --> 0:12:37.079
<v Speaker 7>Per It brought so much to it. I mean it

0:12:37.200 --> 0:12:41.440
<v Speaker 7>invited invited other people to try their hand in bars.

0:12:41.480 --> 0:12:43.679
<v Speaker 5>You know what I'm saying. You've seen Joey Badass just

0:12:43.760 --> 0:12:44.160
<v Speaker 5>jump in.

0:12:44.240 --> 0:12:46.160
<v Speaker 1>And just yeah, people were manager. I'm like, why don't

0:12:46.160 --> 0:12:48.040
<v Speaker 1>mad at Joey. Joe's one of the ones like this.

0:12:48.559 --> 0:12:51.960
<v Speaker 7>I'm supposed to inviting people to be excited about rapping again.

0:12:52.040 --> 0:12:54.800
<v Speaker 7>And that's what that's how we clear up the belly

0:12:54.840 --> 0:12:55.320
<v Speaker 7>of hip.

0:12:55.160 --> 0:12:57.720
<v Speaker 3>Hop, like you know what I mean, make it interesting,

0:12:58.640 --> 0:13:02.800
<v Speaker 3>not even just fans, but like the artists too, artists exactly.

0:13:02.800 --> 0:13:06.240
<v Speaker 3>I think everybody looked at after that time period, this

0:13:06.360 --> 0:13:09.520
<v Speaker 3>time last year and the months that ensued afterwards, like

0:13:10.240 --> 0:13:12.040
<v Speaker 3>I think everybody felt like we got to step our

0:13:12.040 --> 0:13:12.440
<v Speaker 3>ship up.

0:13:13.240 --> 0:13:16.120
<v Speaker 1>Yeah, I think too. It's like you see, you know

0:13:17.200 --> 0:13:19.160
<v Speaker 1>how you think about the Big Three, like all of

0:13:19.240 --> 0:13:21.080
<v Speaker 1>them are like lyrical killers, you know what I'm saying.

0:13:22.400 --> 0:13:27.160
<v Speaker 4>And it's been like that forever and generations and.

0:13:27.240 --> 0:13:29.679
<v Speaker 1>The error is like those like that for trying to

0:13:29.679 --> 0:13:31.400
<v Speaker 1>tell everybody. I'm like, yo, if y'all see the artists

0:13:31.400 --> 0:13:34.120
<v Speaker 1>who are here forever, they got longevity. None of them

0:13:34.120 --> 0:13:34.520
<v Speaker 1>are whack.

0:13:34.600 --> 0:13:35.360
<v Speaker 4>Yeah they're killers.

0:13:35.800 --> 0:13:39.599
<v Speaker 1>Yeah a little way, they'll have a little you know,

0:13:39.679 --> 0:13:42.280
<v Speaker 1>two three year run. But then it's like, well, ship,

0:13:42.720 --> 0:13:44.319
<v Speaker 1>what happened? A little pop? I don't know, you know

0:13:44.360 --> 0:13:47.360
<v Speaker 1>what I'm saying, not to take your shot a little pump,

0:13:47.400 --> 0:13:49.800
<v Speaker 1>but but yeah, no, I think I think that's why,

0:13:49.880 --> 0:13:51.400
<v Speaker 1>you know, it's dope to see, you know. I mean,

0:13:51.480 --> 0:13:54.120
<v Speaker 1>I think Jack's like that too, man Like I think

0:13:54.280 --> 0:13:56.280
<v Speaker 1>like Jack had Remia motherfuckers he could rap when he

0:13:56.360 --> 0:13:57.400
<v Speaker 1>dropped that Jackman Ship.

0:13:57.480 --> 0:14:00.360
<v Speaker 4>Yeah absolutely, I think you know that was his whole

0:14:00.360 --> 0:14:00.920
<v Speaker 4>point in doing it.

0:14:01.440 --> 0:14:04.199
<v Speaker 1>Yeah, a little punch in the throat. What's up with

0:14:04.280 --> 0:14:07.760
<v Speaker 1>his new uh? His new album? Is it? Is it done?

0:14:07.880 --> 0:14:08.199
<v Speaker 4>Is it come?

0:14:08.280 --> 0:14:09.360
<v Speaker 1>I know the single with Dose.

0:14:09.320 --> 0:14:11.559
<v Speaker 5>Cats out, he's actively working on it, you know what

0:14:11.559 --> 0:14:11.839
<v Speaker 5>I mean.

0:14:11.920 --> 0:14:15.559
<v Speaker 7>I just feel like he's still looking for a satisfying

0:14:15.600 --> 0:14:18.160
<v Speaker 7>moment for him as far as lyrics and stuff like that.

0:14:18.440 --> 0:14:20.880
<v Speaker 5>You know, these guys are writers, you know him, and

0:14:21.200 --> 0:14:21.800
<v Speaker 5>they're writers.

0:14:21.840 --> 0:14:25.080
<v Speaker 7>They're sitting there and just going through the best lines,

0:14:25.280 --> 0:14:29.240
<v Speaker 7>best possible idea they can and that takes time, you know.

0:14:29.480 --> 0:14:30.760
<v Speaker 7>That's how we used to do it back in then,

0:14:30.920 --> 0:14:33.280
<v Speaker 7>like three four years sometimes to make an album because

0:14:33.280 --> 0:14:34.840
<v Speaker 7>they were trying to come up with the best ideas.

0:14:35.080 --> 0:14:37.680
<v Speaker 1>Yeah, that's true. Back in the day, people used to

0:14:37.880 --> 0:14:42.320
<v Speaker 1>really like, damn, when is when is NAS gonna drop again?

0:14:42.440 --> 0:14:43.000
<v Speaker 1>You know what I mean?

0:14:43.840 --> 0:14:46.080
<v Speaker 5>The living experience, you know what I mean, just going

0:14:46.160 --> 0:14:46.440
<v Speaker 5>out there.

0:14:46.840 --> 0:14:48.880
<v Speaker 6>That's why you could appreciate like Tyler so much.

0:14:50.080 --> 0:14:53.000
<v Speaker 3>Yeah, especially because he makes such a moment out of

0:14:53.080 --> 0:14:56.480
<v Speaker 3>it too, and like in every album or every season,

0:14:57.040 --> 0:15:00.520
<v Speaker 3>similar to like someone like Outcasts is like it's not

0:15:00.680 --> 0:15:04.840
<v Speaker 3>comparable to the last Like that's that doesn't happen that

0:15:04.960 --> 0:15:05.720
<v Speaker 3>often these days.

0:15:06.080 --> 0:15:08.080
<v Speaker 1>It's almost like you have to in order for it

0:15:08.240 --> 0:15:11.840
<v Speaker 1>to be so unique and like intentional, you have to

0:15:11.880 --> 0:15:15.080
<v Speaker 1>take your time, yes, Like you can't rush Chromacopia and

0:15:15.160 --> 0:15:17.880
<v Speaker 1>that rollout. Hey, yo, what's the what's the what's the

0:15:18.000 --> 0:15:20.440
<v Speaker 1>mood board? Like for this album? What am I gonna wear?

0:15:20.640 --> 0:15:21.360
<v Speaker 4>Right? You know what I mean?

0:15:21.560 --> 0:15:23.560
<v Speaker 6>Well, ship, college schemes, all that ship.

0:15:23.600 --> 0:15:25.400
<v Speaker 1>That's what Kanye used to do before. You know, obviously

0:15:25.400 --> 0:15:29.200
<v Speaker 1>he's got his own mood board. But like you think.

0:15:29.520 --> 0:15:31.480
<v Speaker 3>But speaking of that too, though, he made a very

0:15:31.560 --> 0:15:34.240
<v Speaker 3>good point I will say in that interview, and not

0:15:34.360 --> 0:15:36.840
<v Speaker 3>to get controversial, but when he talked when he was

0:15:36.920 --> 0:15:40.200
<v Speaker 3>talking about like putting an album together and like you know,

0:15:40.560 --> 0:15:43.840
<v Speaker 3>when you take an album of a certain specific like

0:15:44.000 --> 0:15:47.560
<v Speaker 3>it needs to be curated to have a certain sound,

0:15:47.720 --> 0:15:49.640
<v Speaker 3>like you know what I mean, Like for sure, people

0:15:49.720 --> 0:15:52.240
<v Speaker 3>don't do that any like they don't take it that serious.

0:15:53.520 --> 0:15:54.920
<v Speaker 1>H Kyle, what what's up with you?

0:15:55.120 --> 0:15:55.240
<v Speaker 4>Man?

0:15:55.240 --> 0:15:57.000
<v Speaker 1>What do you got coming? Man? I know you, I

0:15:57.080 --> 0:15:59.120
<v Speaker 1>know you dropped a single. Yeah, What you Want just

0:15:59.200 --> 0:16:00.520
<v Speaker 1>came out? Do you see it?

0:16:00.640 --> 0:16:03.160
<v Speaker 2>Before that? And Cash Rules is coming out on April

0:16:03.240 --> 0:16:06.320
<v Speaker 2>twenty fifth. It's the first project on the label Cash Rules.

0:16:06.440 --> 0:16:06.640
<v Speaker 1>Yeah.

0:16:06.840 --> 0:16:10.560
<v Speaker 6>Yeah, I'm just super hype, Like that's why we're out

0:16:10.560 --> 0:16:11.040
<v Speaker 6>here right now.

0:16:11.280 --> 0:16:14.240
<v Speaker 1>Yeah, pushing are you? I mean? You know, I think

0:16:14.320 --> 0:16:17.200
<v Speaker 1>at this point, like Generation now has become like a staple.

0:16:17.400 --> 0:16:20.000
<v Speaker 1>Yeah for sure if you think about, like appreciate that

0:16:20.200 --> 0:16:22.720
<v Speaker 1>the legacy of you know, two of the biggest artists

0:16:22.760 --> 0:16:26.200
<v Speaker 1>of the last decade are facts. You know. Yeah, So

0:16:26.640 --> 0:16:28.720
<v Speaker 1>is is there any pressure now?

0:16:28.880 --> 0:16:29.080
<v Speaker 5>For me?

0:16:29.200 --> 0:16:32.960
<v Speaker 2>It's more so like I'm just excited because I'm about

0:16:32.960 --> 0:16:35.080
<v Speaker 2>to be third. That's how I've come into it, Like

0:16:35.480 --> 0:16:37.080
<v Speaker 2>I know I'm gonna be the third, right I've seen

0:16:37.360 --> 0:16:39.240
<v Speaker 2>I got the chance to really see, like just as

0:16:39.360 --> 0:16:42.200
<v Speaker 2>fans first, well as a fan of them first, like

0:16:42.440 --> 0:16:44.840
<v Speaker 2>how it worked for both of them, Jack and Uzzi,

0:16:45.200 --> 0:16:46.720
<v Speaker 2>And it's just like, oh, yeah, I'm in this place.

0:16:47.520 --> 0:16:49.880
<v Speaker 2>I can't do no wrong, right, you know, so I'll

0:16:49.920 --> 0:16:51.400
<v Speaker 2>be more excited than pressure for real?

0:16:51.800 --> 0:16:53.680
<v Speaker 1>What made you tap in with like the la guys? Really,

0:16:54.280 --> 0:16:55.160
<v Speaker 1>I used to be out here a lot.

0:16:55.360 --> 0:16:57.960
<v Speaker 2>I used to come out here from when I was

0:16:58.040 --> 0:17:01.200
<v Speaker 2>like thirteen all the way to maybe twenty nineteen, right

0:17:01.240 --> 0:17:02.600
<v Speaker 2>before COVID, I was out here, damn man.

0:17:02.920 --> 0:17:05.639
<v Speaker 1>So you were out here, grip Yeah yeah, yeah, family

0:17:05.720 --> 0:17:06.360
<v Speaker 1>out here. Yeah.

0:17:06.720 --> 0:17:09.120
<v Speaker 2>My pops ended up staying out here for ten years.

0:17:09.640 --> 0:17:11.640
<v Speaker 2>He had a sneaker store, he had hands and I'm

0:17:11.680 --> 0:17:13.439
<v Speaker 2>reopening world on wheels before COVID.

0:17:13.560 --> 0:17:16.360
<v Speaker 6>Oh dope, Yeah, so I should just be out here. Yeah,

0:17:16.680 --> 0:17:18.040
<v Speaker 6>so you got fucking ties down?

0:17:18.280 --> 0:17:18.480
<v Speaker 4>Yeah?

0:17:18.640 --> 0:17:19.879
<v Speaker 1>Yeah's your pop still out here?

0:17:20.000 --> 0:17:20.040
<v Speaker 3>No?

0:17:20.119 --> 0:17:21.640
<v Speaker 6>No, no, no, he moved back to New York.

0:17:21.800 --> 0:17:22.000
<v Speaker 4>Yeah.

0:17:22.080 --> 0:17:25.159
<v Speaker 1>But yeah once COVID, COVID got a little Yeah, COVID

0:17:25.240 --> 0:17:28.040
<v Speaker 1>fucked everything up. Set in Atlanta.

0:17:28.480 --> 0:17:30.119
<v Speaker 2>Yeah, and that's why I ended up moving to So

0:17:30.240 --> 0:17:33.320
<v Speaker 2>it was just like I don't being outside over.

0:17:33.200 --> 0:17:36.080
<v Speaker 1>There, like damn, you can still get lapd into Yeah,

0:17:36.160 --> 0:17:41.920
<v Speaker 1>they close for a weekend. We shout out to the ATM.

0:17:43.600 --> 0:17:43.800
<v Speaker 5>For you.

0:17:43.960 --> 0:17:46.920
<v Speaker 1>Man, Is there anything like obviously would you drop like

0:17:47.000 --> 0:17:49.000
<v Speaker 1>a you know, I know it's not your debut project.

0:17:49.000 --> 0:17:50.960
<v Speaker 1>You got a couple of projects out, yeah, but this

0:17:51.160 --> 0:17:54.280
<v Speaker 1>is like your first like real major major yeah, you know,

0:17:54.400 --> 0:17:58.639
<v Speaker 1>released with a generation? Now, is there a are you

0:17:58.720 --> 0:18:02.520
<v Speaker 1>like super cognisant of like yo ship with fifty dropped

0:18:02.840 --> 0:18:05.000
<v Speaker 1>his first time? I am there was get rid of that?

0:18:05.040 --> 0:18:07.840
<v Speaker 1>I try and Doggie style, like there's all these kind

0:18:07.880 --> 0:18:12.119
<v Speaker 1>of like this legacy of like classic first projects you

0:18:12.200 --> 0:18:14.920
<v Speaker 1>will is that something you you go into thinking about it?

0:18:15.080 --> 0:18:15.480
<v Speaker 1>I try.

0:18:15.560 --> 0:18:17.639
<v Speaker 2>I try not to put because that feels like pressured

0:18:17.680 --> 0:18:21.119
<v Speaker 2>to me sometimes like yeah, and it all comes, you know,

0:18:21.520 --> 0:18:23.920
<v Speaker 2>when you see the end result, it's like, oh, this

0:18:24.040 --> 0:18:25.879
<v Speaker 2>is legendary. And I feel like Cashrews is gonna be

0:18:25.880 --> 0:18:31.040
<v Speaker 2>super legendary still, But I don't really pay that too

0:18:31.119 --> 0:18:34.400
<v Speaker 2>much attention like I have before. But it's just like nah,

0:18:34.560 --> 0:18:37.960
<v Speaker 2>like more so I'd be like, damn, this Nigga might

0:18:38.000 --> 0:18:40.639
<v Speaker 2>have got a Grammy nomination of his first mixtape for

0:18:40.760 --> 0:18:42.760
<v Speaker 2>he made a million on his first mixtape, like how

0:18:42.840 --> 0:18:44.960
<v Speaker 2>Drake did or how Meek did or something like that,

0:18:45.119 --> 0:18:47.479
<v Speaker 2>or even like just things in that nature more than

0:18:47.560 --> 0:18:49.680
<v Speaker 2>like oh this first project with the label so on

0:18:49.760 --> 0:18:52.840
<v Speaker 2>and so forth, like what can I do with the mixtape?

0:18:53.119 --> 0:18:53.239
<v Speaker 4>Right?

0:18:53.920 --> 0:18:55.439
<v Speaker 6>That's really how I look at it for the most war.

0:18:55.960 --> 0:18:59.520
<v Speaker 1>Yeah, do you think there's gonna be a reassurgence of

0:18:59.640 --> 0:19:02.280
<v Speaker 1>the mix tape era? It feels like artists are doing

0:19:02.400 --> 0:19:05.199
<v Speaker 1>more like on the fly ship and not worry too

0:19:05.280 --> 0:19:06.280
<v Speaker 1>much about DSPs.

0:19:07.359 --> 0:19:08.720
<v Speaker 4>Like I think there's some nostalgia.

0:19:08.760 --> 0:19:11.480
<v Speaker 3>There's always some nostalgia, So I don't know if I

0:19:11.480 --> 0:19:14.800
<v Speaker 3>would see I feel like a full resurgence, But I mean,

0:19:15.720 --> 0:19:18.200
<v Speaker 3>you know, in the last couple of years, obviously, like

0:19:19.840 --> 0:19:22.639
<v Speaker 3>even after me and Tyler did call me if You

0:19:22.680 --> 0:19:25.760
<v Speaker 3>Get Lost, there was a huge gangster girls resurgeons, Like

0:19:26.200 --> 0:19:29.320
<v Speaker 3>you see what Swamp is doing with Cardi, Like even with.

0:19:30.920 --> 0:19:31.639
<v Speaker 4>If you listen to.

0:19:33.400 --> 0:19:36.680
<v Speaker 3>West Side projects a lot, like he has various like

0:19:37.400 --> 0:19:39.600
<v Speaker 3>drops in there and everything. And then like you said,

0:19:39.680 --> 0:19:43.240
<v Speaker 3>like you know, artists are going back to some rogue ship.

0:19:43.160 --> 0:19:46.159
<v Speaker 1>Where they even like who Kid getting a drop on

0:19:46.280 --> 0:19:48.560
<v Speaker 1>the push ups was sick fire.

0:19:48.880 --> 0:19:49.240
<v Speaker 5>But I heard.

0:19:49.680 --> 0:19:51.080
<v Speaker 1>I was like, check out that who Kid.

0:19:51.400 --> 0:19:54.320
<v Speaker 3>Yeah, because I talked when that happened, I hit him like, YO,

0:19:54.440 --> 0:19:56.639
<v Speaker 3>send me the song. I'm thinking he did, he did it,

0:19:56.800 --> 0:19:59.320
<v Speaker 3>he had it, But I just literally literally was just

0:19:59.400 --> 0:20:02.000
<v Speaker 3>placed there just to give you that tape feels.

0:20:02.280 --> 0:20:05.280
<v Speaker 7>You know, people don't notice too well, don't think about it.

0:20:05.359 --> 0:20:09.879
<v Speaker 7>But Damn was a mixtape. M hm, yes, Capri, that

0:20:10.000 --> 0:20:13.240
<v Speaker 7>drops off, you know what I mean, So that that

0:20:13.440 --> 0:20:15.919
<v Speaker 7>was another form of it. I was still the other day.

0:20:15.960 --> 0:20:17.680
<v Speaker 7>I was like, Damn, it's actually a mixtape. He's doing

0:20:17.720 --> 0:20:20.600
<v Speaker 7>what Swamp was doing just little you know, I'm sprinkled

0:20:21.280 --> 0:20:22.160
<v Speaker 7>throughout the whole joint.

0:20:22.520 --> 0:20:23.600
<v Speaker 5>It's dope for sure.

0:20:23.840 --> 0:20:28.439
<v Speaker 1>That Damn put that in perspective. Yeah, shout to kid Capri. Man,

0:20:29.000 --> 0:20:34.200
<v Speaker 1>he's kind of like the godfather of of course. So yeah,

0:20:34.240 --> 0:20:34.920
<v Speaker 1>that's wow.

0:20:34.800 --> 0:20:35.920
<v Speaker 4>Man and and ship.

0:20:35.960 --> 0:20:37.680
<v Speaker 3>If you put it like that, it really makes sense

0:20:38.280 --> 0:20:41.160
<v Speaker 3>since when you think about the mixtapes he was the Godfather,

0:20:41.800 --> 0:20:43.760
<v Speaker 3>went on to become who he was, and then you know,

0:20:44.240 --> 0:20:46.920
<v Speaker 3>a project like Damn came out and you know, I

0:20:46.960 --> 0:20:52.320
<v Speaker 3>didn't even remember Cole put project out and had killer

0:20:52.400 --> 0:20:53.359
<v Speaker 3>talking at the beginning.

0:20:53.359 --> 0:20:55.880
<v Speaker 1>Oh yeah, yeah, yeah, when we and Cameron just talking

0:20:55.880 --> 0:21:00.399
<v Speaker 1>to another that's another Yeah, that's dope. And he had

0:21:00.440 --> 0:21:01.520
<v Speaker 1>little John at the end.

0:21:03.680 --> 0:21:04.240
<v Speaker 5>That was hard.

0:21:04.480 --> 0:21:05.680
<v Speaker 4>That was hard.

0:21:06.640 --> 0:21:08.800
<v Speaker 1>Dream deal Fest gonna be crazy though. Yeah, I'm hype

0:21:09.240 --> 0:21:10.719
<v Speaker 1>and it's the last one. I'm kind of mad it's

0:21:10.760 --> 0:21:13.000
<v Speaker 1>the last one. No, man, I think it's been so

0:21:14.040 --> 0:21:17.760
<v Speaker 1>I understand, like why though, I feel like the festival

0:21:17.800 --> 0:21:19.760
<v Speaker 1>game has been bastardized and hoard out.

0:21:20.240 --> 0:21:23.200
<v Speaker 5>Yeah, we talk about that all the time.

0:21:23.359 --> 0:21:25.760
<v Speaker 1>I just feel like, you know, and then it also

0:21:25.880 --> 0:21:28.960
<v Speaker 1>kind of fucked up, like you won't see like artists

0:21:29.040 --> 0:21:31.680
<v Speaker 1>doing like normal shows anymore because they're just holding out

0:21:31.680 --> 0:21:33.720
<v Speaker 1>to get a festival bag because they could charge more.

0:21:33.840 --> 0:21:36.440
<v Speaker 1>So then you won't Like a lot of kids these days,

0:21:36.440 --> 0:21:38.439
<v Speaker 1>they don't have the experience of going to watching their

0:21:38.480 --> 0:21:42.200
<v Speaker 1>favorite artists do like a three hundred room or three

0:21:42.280 --> 0:21:45.960
<v Speaker 1>hundred person cap anymore, because they're just gonna go do

0:21:46.160 --> 0:21:49.040
<v Speaker 1>like be like the twelfth artists on Coachella or something

0:21:49.080 --> 0:21:52.399
<v Speaker 1>and look and make it. You know. That's the thing.

0:21:52.440 --> 0:21:54.359
<v Speaker 1>That's why I respect. There's a lot of artists like Doci.

0:21:54.480 --> 0:21:57.840
<v Speaker 1>Doci just did her her tour and she did the

0:21:57.920 --> 0:22:00.520
<v Speaker 1>Crowbar in Tampa, which is like one hundred and fifty people.

0:22:00.840 --> 0:22:04.840
<v Speaker 4>Recently, Yeah, since the Grammy No No, she was.

0:22:04.840 --> 0:22:07.960
<v Speaker 1>Touring this mixtape for this project. She did that tour

0:22:08.000 --> 0:22:11.080
<v Speaker 1>and I remember even seeing the dates and I was like, Oh,

0:22:11.160 --> 0:22:13.920
<v Speaker 1>she's doing Crowbar. Wow, that's sick.

0:22:14.280 --> 0:22:15.680
<v Speaker 4>That's fire like.

0:22:15.840 --> 0:22:18.119
<v Speaker 3>But she's smart enough and has people around her to

0:22:18.680 --> 0:22:20.280
<v Speaker 3>know what it's like to build up to be a

0:22:21.119 --> 0:22:23.560
<v Speaker 3>have a ticketing fan base, and that's important too.

0:22:23.760 --> 0:22:25.440
<v Speaker 1>I think Boss Mandilo just went through that where he

0:22:25.560 --> 0:22:27.639
<v Speaker 1>was getting all that all that club money and his

0:22:27.800 --> 0:22:29.720
<v Speaker 1>team had to be like, hey man, you're gonna suck

0:22:29.800 --> 0:22:31.600
<v Speaker 1>up your hard ticket bread and then they did their

0:22:31.920 --> 0:22:33.240
<v Speaker 1>His tour is going crazy.

0:22:33.080 --> 0:22:35.760
<v Speaker 4>Right, that's shot at the Boss Mandlo.

0:22:36.040 --> 0:22:38.600
<v Speaker 1>By the way, you and Boss Mandilo doing a Gangster

0:22:38.680 --> 0:22:40.840
<v Speaker 1>Girls would be fucking like, that would be classic.

0:22:41.720 --> 0:22:42.400
<v Speaker 4>I like that idea.

0:22:42.480 --> 0:22:43.520
<v Speaker 6>That should be funny as hell.

0:22:43.600 --> 0:22:45.680
<v Speaker 1>Yeah, I like that idea that she would be sick

0:22:45.760 --> 0:22:47.919
<v Speaker 1>because he's kind of like the new Jezy look key

0:22:48.080 --> 0:22:50.119
<v Speaker 1>like obviously they don't sound the same at all, but

0:22:50.280 --> 0:22:51.880
<v Speaker 1>like you know, just subject matter.

0:22:52.080 --> 0:22:55.280
<v Speaker 3>That statement has come up before. It's an interesting statement.

0:22:55.600 --> 0:22:57.879
<v Speaker 3>I love Boss Manilo, I love, I love. Just on

0:22:57.960 --> 0:22:59.680
<v Speaker 3>the intro, make sure you shout out KIV.

0:23:00.320 --> 0:23:04.000
<v Speaker 1>Trying to move like idea, let's go.

0:23:05.960 --> 0:23:07.719
<v Speaker 4>I would say something way more creative.

0:23:07.880 --> 0:23:11.560
<v Speaker 1>Thank you, thank you, I appreciate it. Let's go.

0:23:11.640 --> 0:23:17.200
<v Speaker 7>It's not a terminology, mister, Thanksgiving Rocko trauma.

0:23:17.600 --> 0:23:19.159
<v Speaker 4>Yeah, come up with.

0:23:19.480 --> 0:23:21.280
<v Speaker 1>Is there any new ak's that you've come up with

0:23:21.400 --> 0:23:25.119
<v Speaker 1>a topical drama? Who dramatic?

0:23:25.280 --> 0:23:27.040
<v Speaker 4>Yeah? I like that fine, man, Yeah.

0:23:26.880 --> 0:23:28.200
<v Speaker 1>That's man, it's tough.

0:23:28.640 --> 0:23:30.480
<v Speaker 4>I like it. I'm probably I'm actually in.

0:23:30.480 --> 0:23:35.920
<v Speaker 1>The dramaa Harris. If she would have won, if she

0:23:35.960 --> 0:23:36.720
<v Speaker 1>would have won, you go.

0:23:36.800 --> 0:23:42.240
<v Speaker 4>With the drama Harris, Right, I'm gonna probably skip that one.

0:23:42.760 --> 0:23:46.000
<v Speaker 1>Yeah, I mean you couldn't do it now, for many reasons,

0:23:46.400 --> 0:23:47.080
<v Speaker 1>For many reasons.

0:23:48.520 --> 0:23:49.479
<v Speaker 4>I didn't think about that one.

0:23:49.880 --> 0:23:51.880
<v Speaker 5>My favorite was the iPod King, though I was mad

0:23:51.880 --> 0:23:53.720
<v Speaker 5>about that. I want to call myself the.

0:23:55.560 --> 0:24:00.119
<v Speaker 6>Bro the iPod Era. I had that big one, that

0:24:00.280 --> 0:24:01.240
<v Speaker 6>fat silver joint.

0:24:01.680 --> 0:24:05.480
<v Speaker 1>Man. I had so many did you have? No?

0:24:05.640 --> 0:24:06.080
<v Speaker 4>I didn't.

0:24:06.920 --> 0:24:07.679
<v Speaker 1>You had the shirts?

0:24:08.000 --> 0:24:10.800
<v Speaker 4>I had the shirts. Yeah, I had the shirts. Somebody

0:24:10.880 --> 0:24:13.239
<v Speaker 4>had an eye I think they did. Somebody they did.

0:24:14.600 --> 0:24:17.400
<v Speaker 1>Somebody had the iPod they did?

0:24:18.160 --> 0:24:18.720
<v Speaker 3>Who was it?

0:24:18.920 --> 0:24:21.119
<v Speaker 1>But it was like the case I pod used to

0:24:21.119 --> 0:24:23.240
<v Speaker 1>be man was crazy.

0:24:24.040 --> 0:24:25.639
<v Speaker 4>I'm sure you can still get one, Yeah you can,

0:24:26.080 --> 0:24:28.120
<v Speaker 4>you can, you can't.

0:24:28.520 --> 0:24:30.800
<v Speaker 5>I'm sure the connected technology.

0:24:31.920 --> 0:24:33.359
<v Speaker 1>About like that.

0:24:34.359 --> 0:24:37.000
<v Speaker 4>Well, you know that PIFF went into bit shot the

0:24:37.040 --> 0:24:42.600
<v Speaker 4>KP there and this that PIFF bought world Star.

0:24:42.760 --> 0:24:44.600
<v Speaker 3>If I'm not mistaken, I know there's some sort of

0:24:44.640 --> 0:24:49.120
<v Speaker 3>world Star Piff. I just saw KP do an interview

0:24:50.000 --> 0:24:50.879
<v Speaker 3>just recently.

0:24:51.200 --> 0:24:52.119
<v Speaker 1>He did something with him.

0:24:52.320 --> 0:24:54.639
<v Speaker 4>He did it with at him, he did. I watched that,

0:24:54.880 --> 0:24:59.040
<v Speaker 4>So I wouldn't say, like the question you just asked

0:24:59.080 --> 0:25:04.280
<v Speaker 4>about buying that PIF. What I will say is speaking

0:25:04.359 --> 0:25:08.040
<v Speaker 4>of mistakes or things that I'm I'm upset that I

0:25:08.119 --> 0:25:08.480
<v Speaker 4>didn't do.

0:25:08.800 --> 0:25:12.840
<v Speaker 3>Was around that time not making Gangster Grills dot com

0:25:13.240 --> 0:25:15.919
<v Speaker 3>and when artists were trying to put out Gangster Grills

0:25:16.560 --> 0:25:18.600
<v Speaker 3>not doing it where it was like, okay, you if

0:25:18.680 --> 0:25:21.040
<v Speaker 3>we can do it, but we're dropping on Gangster girls

0:25:21.040 --> 0:25:23.520
<v Speaker 3>dot com. Because I remember the type of money that

0:25:23.560 --> 0:25:26.479
<v Speaker 3>I was getting paid, initially from loud mixtapes and then

0:25:26.520 --> 0:25:29.600
<v Speaker 3>from that PIF, and it was I was making more

0:25:29.680 --> 0:25:32.520
<v Speaker 3>money in that era than I made before the raid,

0:25:33.440 --> 0:25:33.880
<v Speaker 3>for sure.

0:25:34.359 --> 0:25:35.520
<v Speaker 1>And that was after the raid.

0:25:35.640 --> 0:25:36.480
<v Speaker 4>That was after the raid.

0:25:36.560 --> 0:25:39.200
<v Speaker 1>This was five cashing for the exclusive.

0:25:39.400 --> 0:25:41.280
<v Speaker 4>Yeah, they were. They were cashing me out for the exclusive.

0:25:41.560 --> 0:25:43.280
<v Speaker 3>I was basically on payroll, so I was getting to

0:25:43.359 --> 0:25:45.679
<v Speaker 3>check every month just to be exclusive, and then when

0:25:45.680 --> 0:25:48.639
<v Speaker 3>an artist would come, they would cash me out for

0:25:48.800 --> 0:25:52.359
<v Speaker 3>the tape up until the artists realized what it was,

0:25:52.440 --> 0:25:55.080
<v Speaker 3>and then KP had to start cutting the artist checks,

0:25:55.160 --> 0:25:57.480
<v Speaker 3>which I was totally all for, don't get me wrong.

0:25:57.840 --> 0:26:02.040
<v Speaker 3>But looking back on and thinking about how how much

0:26:02.119 --> 0:26:04.920
<v Speaker 3>money was being given to me, which means how much

0:26:04.960 --> 0:26:05.760
<v Speaker 3>money was being made.

0:26:05.800 --> 0:26:08.440
<v Speaker 4>If I would have made a site and like if.

0:26:08.359 --> 0:26:09.880
<v Speaker 1>You ought to, almost been like, well shit, if they're

0:26:09.880 --> 0:26:11.160
<v Speaker 1>paying me this much, they must.

0:26:11.000 --> 0:26:15.000
<v Speaker 3>Be feeling enough yeah to cover this and more to

0:26:15.080 --> 0:26:18.200
<v Speaker 3>be living contently, So why didn't I do this?

0:26:18.480 --> 0:26:18.560
<v Speaker 1>Right?

0:26:19.440 --> 0:26:20.920
<v Speaker 4>But you know it's all the high site.

0:26:21.240 --> 0:26:24.000
<v Speaker 1>Yeah, I know you there's a lot of artists you

0:26:24.080 --> 0:26:25.080
<v Speaker 1>guys almost signed.

0:26:26.240 --> 0:26:27.800
<v Speaker 4>How the list is extensive?

0:26:28.760 --> 0:26:31.119
<v Speaker 1>What was like the closest one that people kind of

0:26:31.200 --> 0:26:32.400
<v Speaker 1>I mean, I don't want you to like air out

0:26:32.440 --> 0:26:35.320
<v Speaker 1>somebody's like fucking deal situation, but I know that there's

0:26:35.359 --> 0:26:38.080
<v Speaker 1>a few artists that you guys were talking to that

0:26:38.200 --> 0:26:40.320
<v Speaker 1>has been it was it was there something that almost

0:26:40.320 --> 0:26:42.000
<v Speaker 1>got over the finish line that just for whatever reason,

0:26:42.119 --> 0:26:42.719
<v Speaker 1>just didn't work out.

0:26:46.880 --> 0:26:48.760
<v Speaker 4>Yeah, there are many.

0:26:48.960 --> 0:26:53.879
<v Speaker 3>I mean we were, we were close to signing Tory

0:26:56.040 --> 0:26:58.760
<v Speaker 3>Lanes shout to his album's hard.

0:27:00.200 --> 0:27:00.680
<v Speaker 4>To listen to it.

0:27:01.880 --> 0:27:05.399
<v Speaker 1>It's tough, especially all things considered. Yeah, of course, I

0:27:05.440 --> 0:27:07.720
<v Speaker 1>don't know how he recorded it, but that ship is tough.

0:27:08.440 --> 0:27:12.560
<v Speaker 5>Yeah, we quartered a lot, quartered a lot of artists

0:27:12.600 --> 0:27:14.040
<v Speaker 5>quarter a lot. I can't remember.

0:27:14.840 --> 0:27:16.679
<v Speaker 1>You guys got the compound it a lot.

0:27:16.760 --> 0:27:20.000
<v Speaker 3>Yeah, we quord it a lot. I just can't remember now,

0:27:20.200 --> 0:27:26.560
<v Speaker 3>trying to think. I mean he speaks on it too, huh. Migos,

0:27:26.880 --> 0:27:31.040
<v Speaker 3>Oh yeah, migos you know spoken on that EESTG recently.

0:27:31.320 --> 0:27:32.920
<v Speaker 1>Yeah, nice guy.

0:27:33.440 --> 0:27:37.600
<v Speaker 4>Yeah, ot Genesis. I was gonna say that one. Yeah,

0:27:37.760 --> 0:27:38.320
<v Speaker 4>it's a bunch.

0:27:38.680 --> 0:27:38.880
<v Speaker 5>Yeah.

0:27:39.200 --> 0:27:41.440
<v Speaker 1>What is you guys have done such a good job

0:27:41.520 --> 0:27:43.600
<v Speaker 1>of Like, you guys have had a lot of artists

0:27:43.600 --> 0:27:45.720
<v Speaker 1>that have worked out, but then you've had some that, like,

0:27:45.920 --> 0:27:50.040
<v Speaker 1>for whatever reason, don't work out. Right, what from the

0:27:50.119 --> 0:27:52.680
<v Speaker 1>label side and your guys's perspective, You guys have worn

0:27:52.720 --> 0:27:54.680
<v Speaker 1>too many hats over the years in this music industry.

0:27:55.760 --> 0:28:02.240
<v Speaker 1>What is like the I guess it's twenty twenty five things.

0:28:02.400 --> 0:28:04.680
<v Speaker 1>The rules change every few years in the music game,

0:28:04.800 --> 0:28:06.600
<v Speaker 1>right when it comes to breaking the artists, what are

0:28:06.640 --> 0:28:10.399
<v Speaker 1>the things that, like, you guys feel like you're looking for,

0:28:10.640 --> 0:28:12.639
<v Speaker 1>Like someone has to have a certain trade or they

0:28:12.680 --> 0:28:14.639
<v Speaker 1>have to have a certain work ethic, or like what

0:28:14.840 --> 0:28:17.160
<v Speaker 1>is it when it comes to signing and all? Because music,

0:28:17.440 --> 0:28:20.119
<v Speaker 1>y'all know this more than anybody. I'm sure music is

0:28:20.359 --> 0:28:22.120
<v Speaker 1>one thing. You could be talented, you could be dope,

0:28:22.680 --> 0:28:25.040
<v Speaker 1>but that's like just a small part of the pie.

0:28:26.840 --> 0:28:28.520
<v Speaker 1>You almost got to be coachable, low key.

0:28:28.520 --> 0:28:31.120
<v Speaker 7>Right, Yeah, But you're also asking for something when you're

0:28:31.160 --> 0:28:33.880
<v Speaker 7>coming to what you would say the sittaple, like you're

0:28:34.000 --> 0:28:37.360
<v Speaker 7>asking for us to make you the superstar you want

0:28:37.400 --> 0:28:40.680
<v Speaker 7>to be. You have to actually be convicted in that word,

0:28:40.760 --> 0:28:42.920
<v Speaker 7>and you really got to do it, Like you really can't,

0:28:43.040 --> 0:28:45.440
<v Speaker 7>Like we're not going to do this promo run come

0:28:45.520 --> 0:28:47.280
<v Speaker 7>to you and you like start rapping and you can't

0:28:47.360 --> 0:28:50.000
<v Speaker 7>rap or you're not prepared or you're not in this mode,

0:28:50.000 --> 0:28:52.280
<v Speaker 7>you're not ready to do the songs. You just you

0:28:52.520 --> 0:28:55.560
<v Speaker 7>really rebellion against everything, but you really want to be

0:28:55.840 --> 0:28:58.280
<v Speaker 7>that person, and that's what you run into a lot.

0:28:58.360 --> 0:29:01.400
<v Speaker 7>We run into artists that weren't ready for that stage.

0:29:02.280 --> 0:29:04.520
<v Speaker 1>And it's like it's like, if you want to be Lebron,

0:29:04.680 --> 0:29:05.960
<v Speaker 1>you got to do Lebron shit.

0:29:06.040 --> 0:29:08.000
<v Speaker 7>And we're convicted in it. So it's like you really

0:29:08.080 --> 0:29:11.400
<v Speaker 7>want this, Okay, We're going to show you what it takes.

0:29:11.400 --> 0:29:12.000
<v Speaker 1>You know what I'm saying.

0:29:12.040 --> 0:29:14.880
<v Speaker 7>It's waking up early, it's being in mental shape, It's

0:29:14.960 --> 0:29:17.440
<v Speaker 7>having all your raps together, it's having your songs together,

0:29:17.560 --> 0:29:19.600
<v Speaker 7>knowing your information, knowing who you're going to sit down with,

0:29:20.440 --> 0:29:22.400
<v Speaker 7>knowing what that stage to prepare for. Like you know,

0:29:23.320 --> 0:29:25.680
<v Speaker 7>it's just a lot of those things that I feel

0:29:25.760 --> 0:29:28.680
<v Speaker 7>like as artists need to prepare for when they come

0:29:28.760 --> 0:29:31.280
<v Speaker 7>to us because we're not going to stop right, you

0:29:31.360 --> 0:29:31.840
<v Speaker 7>know what I'm saying.

0:29:31.920 --> 0:29:34.920
<v Speaker 1>But you guys also developed talent one thousand, which is

0:29:34.920 --> 0:29:37.600
<v Speaker 1>a lost art form, which is something like that. I

0:29:37.640 --> 0:29:40.120
<v Speaker 1>don't like, there's nobody really doing that anymore. Yeah, Like

0:29:40.400 --> 0:29:42.400
<v Speaker 1>you know, I think like if even if you just

0:29:42.480 --> 0:29:45.600
<v Speaker 1>look at like like Jack had like some dope projects

0:29:45.680 --> 0:29:48.880
<v Speaker 1>before fucking What's popping? Yeah, you know what I mean,

0:29:49.000 --> 0:29:51.160
<v Speaker 1>Like that wasn't like an overnight thing, even though some

0:29:51.200 --> 0:29:52.880
<v Speaker 1>people might think it was something with Uzy I mean,

0:29:52.920 --> 0:29:55.000
<v Speaker 1>you guys fucking had Uzy forever. You know, But like

0:29:55.520 --> 0:29:57.840
<v Speaker 1>what about the key to just kind of helping develop talent,

0:29:58.880 --> 0:30:00.560
<v Speaker 1>you know, because a lot of people like might be dope,

0:30:00.600 --> 0:30:02.120
<v Speaker 1>but hey man, you got to work on a live show.

0:30:02.840 --> 0:30:05.040
<v Speaker 1>You know, you got this, this and this going for you.

0:30:05.400 --> 0:30:08.160
<v Speaker 1>We're gonna like, let's say ki right, cool Kyle, We're

0:30:08.160 --> 0:30:08.960
<v Speaker 1>gonna put a tape.

0:30:08.760 --> 0:30:09.120
<v Speaker 4>Out for you.

0:30:09.200 --> 0:30:11.240
<v Speaker 1>We're gonna take you around, introduce you to the public.

0:30:11.360 --> 0:30:13.720
<v Speaker 1>Like what did y'all's like strategy when it comes to

0:30:13.840 --> 0:30:17.040
<v Speaker 1>developing a new artist like that maybe isn't known yet.

0:30:17.240 --> 0:30:20.040
<v Speaker 3>I mean, you know, we look at ourselves like but

0:30:20.200 --> 0:30:22.000
<v Speaker 3>it comes to meet Cannon and Lake like the three

0:30:22.040 --> 0:30:25.160
<v Speaker 3>headed monster in a lot of ways. So when you

0:30:25.280 --> 0:30:27.720
<v Speaker 3>think about the music business and some of the things

0:30:27.760 --> 0:30:30.880
<v Speaker 3>you just touched on, like a lot of people or artists,

0:30:31.000 --> 0:30:33.000
<v Speaker 3>new artists will just come to the table and you know,

0:30:33.640 --> 0:30:36.760
<v Speaker 3>want to just put a project out and don't understand

0:30:37.160 --> 0:30:40.320
<v Speaker 3>the other sides of it. Like you know again, like

0:30:40.600 --> 0:30:43.719
<v Speaker 3>you know, artists early on don't even know the difference

0:30:43.800 --> 0:30:46.920
<v Speaker 3>or understand the value of you know, going to the

0:30:47.000 --> 0:30:50.720
<v Speaker 3>club and getting the brown paper bag and being a

0:30:50.800 --> 0:30:53.600
<v Speaker 3>hard ticket selling artists. You know what that means to

0:30:54.680 --> 0:30:57.720
<v Speaker 3>to you know, sacrifice going to get that club bag

0:30:57.880 --> 0:31:00.480
<v Speaker 3>and you know, working your way up through one hundred,

0:31:00.960 --> 0:31:03.920
<v Speaker 3>one hundred cat venues to three hundred to five hundred

0:31:03.920 --> 0:31:06.040
<v Speaker 3>and so forth. So when it comes to us, you

0:31:06.120 --> 0:31:10.400
<v Speaker 3>know obviously, like I'm like the you know, the bullhorn.

0:31:10.480 --> 0:31:12.760
<v Speaker 3>You know what I'm saying, Like I played the druma

0:31:12.840 --> 0:31:15.040
<v Speaker 3>role where you know, I can go out and you know,

0:31:15.520 --> 0:31:17.640
<v Speaker 3>do my one two and you know, shed some light

0:31:17.720 --> 0:31:20.320
<v Speaker 3>on an artist. Canon is the wizard when it comes

0:31:20.360 --> 0:31:22.800
<v Speaker 3>to the sound, when it comes to the to the music,

0:31:22.920 --> 0:31:27.080
<v Speaker 3>you know, to the production, to you know, everything technical

0:31:27.160 --> 0:31:30.960
<v Speaker 3>and beyond, you know, business business, super business savvy. And

0:31:31.080 --> 0:31:34.480
<v Speaker 3>then you know, Lake is Lake is, you know, a

0:31:34.560 --> 0:31:38.000
<v Speaker 3>one man killer himself. You know, for sure, one of

0:31:38.040 --> 0:31:40.680
<v Speaker 3>the smartest people I've ever met in the music industry

0:31:40.920 --> 0:31:42.880
<v Speaker 3>outside of being my best friend that I've known for

0:31:42.960 --> 0:31:43.680
<v Speaker 3>twenty five years.

0:31:44.000 --> 0:31:47.040
<v Speaker 4>And you know what he brings to the table.

0:31:47.800 --> 0:31:51.120
<v Speaker 5>When it comes to the right there, it's real sentimental.

0:31:51.280 --> 0:31:53.600
<v Speaker 3>I mean, it's just real shit. I'm speaking, you know

0:31:53.600 --> 0:32:00.480
<v Speaker 3>what I mean, crying talking facts like I mean, you know,

0:32:00.720 --> 0:32:04.320
<v Speaker 3>like just watching you know what I mean, Like it's

0:32:04.320 --> 0:32:06.480
<v Speaker 3>one of those people that can walk in any room

0:32:06.560 --> 0:32:11.640
<v Speaker 3>with the smartest people and be the smartest person in

0:32:11.680 --> 0:32:15.920
<v Speaker 3>the room type. So you know, he handles business like

0:32:16.320 --> 0:32:18.200
<v Speaker 3>you know, he has his input in on the music

0:32:18.400 --> 0:32:23.080
<v Speaker 3>like you know, nobody has has had a such a

0:32:23.120 --> 0:32:25.800
<v Speaker 3>successful career when it comes to touring as far as

0:32:25.920 --> 0:32:29.760
<v Speaker 3>like what he's done with you know, for years before

0:32:29.840 --> 0:32:32.840
<v Speaker 3>we create a generation now to my career, to Uji's career,

0:32:33.280 --> 0:32:36.080
<v Speaker 3>to you know, assist him with Jack and you know

0:32:36.360 --> 0:32:40.360
<v Speaker 3>where we want to see Kay going. So and then

0:32:40.480 --> 0:32:44.880
<v Speaker 3>you know it's it's we're giving our shoulders of legacy

0:32:45.040 --> 0:32:47.080
<v Speaker 3>for artists to stand on, you know what I'm saying. So,

0:32:47.480 --> 0:32:50.280
<v Speaker 3>and I think that's very important, that's very potent, you

0:32:50.360 --> 0:32:54.040
<v Speaker 3>know what I mean with just what what we've already

0:32:54.240 --> 0:32:57.080
<v Speaker 3>established and created and you know, the jewels and the

0:32:57.120 --> 0:33:00.200
<v Speaker 3>wisdom that we can you know give to Kai and

0:33:00.600 --> 0:33:01.920
<v Speaker 3>you know the other uh.

0:33:03.360 --> 0:33:06.080
<v Speaker 4>We are very boutique label. So the other few artists

0:33:06.120 --> 0:33:08.280
<v Speaker 4>that we have like or we have our eye on

0:33:08.400 --> 0:33:08.880
<v Speaker 4>and everything.

0:33:09.040 --> 0:33:11.440
<v Speaker 7>So the shadow what he was saying too, I think

0:33:11.480 --> 0:33:15.840
<v Speaker 7>our strong point is building legos, like building even though

0:33:15.920 --> 0:33:19.040
<v Speaker 7>we've worked with houses that already worked with you know

0:33:19.080 --> 0:33:21.240
<v Speaker 7>what I mean machines that were already moving. I think

0:33:21.280 --> 0:33:24.400
<v Speaker 7>our strong point is actually building something from ground up.

0:33:24.640 --> 0:33:26.720
<v Speaker 7>It's something interesting about gratification.

0:33:27.400 --> 0:33:32.560
<v Speaker 3>Gratification for sure, it's a difference in that from the

0:33:32.680 --> 0:33:37.960
<v Speaker 3>ground up to going out and signing an artist that

0:33:38.280 --> 0:33:42.239
<v Speaker 3>you know has had that. Everybody's trying to sound right,

0:33:42.520 --> 0:33:43.480
<v Speaker 3>you see what I'm saying.

0:33:43.440 --> 0:33:45.480
<v Speaker 1>Like, Yeah, if you're in a bidding war for somebody,

0:33:45.560 --> 0:33:48.880
<v Speaker 1>it's like exactly yeah. But if like you bring somebody.

0:33:49.080 --> 0:33:52.280
<v Speaker 4>That's that's not that's not exactly what we do. Now.

0:33:52.320 --> 0:33:54.200
<v Speaker 4>We're not opposed to that as well.

0:33:54.360 --> 0:33:57.000
<v Speaker 3>Like you know, we're all we're all in it to win,

0:33:57.160 --> 0:34:00.080
<v Speaker 3>but you know, we we get way more gratification and

0:34:00.120 --> 0:34:01.080
<v Speaker 3>out of the development.

0:34:01.160 --> 0:34:03.120
<v Speaker 5>That's crazy. We've never won a bidding war.

0:34:04.840 --> 0:34:05.800
<v Speaker 1>Part of something, but never won.

0:34:07.360 --> 0:34:09.640
<v Speaker 5>Have we been a part of something where we actually

0:34:09.680 --> 0:34:11.640
<v Speaker 5>put a bid in or it was other people seeking

0:34:11.680 --> 0:34:12.040
<v Speaker 5>that artist.

0:34:12.080 --> 0:34:13.560
<v Speaker 4>There's other people seeking that artist.

0:34:15.360 --> 0:34:18.440
<v Speaker 7>Not a bona fide bidding war here. We're offering you this,

0:34:19.360 --> 0:34:21.200
<v Speaker 7>you know what I'm saying. But we've never been in it.

0:34:21.280 --> 0:34:23.440
<v Speaker 7>But we've never won nothing either, right, you know what

0:34:23.480 --> 0:34:23.719
<v Speaker 7>I mean.

0:34:24.680 --> 0:34:25.760
<v Speaker 1>But we've had.

0:34:25.680 --> 0:34:30.600
<v Speaker 7>Somewhere we were like, oh, talking to me and we're

0:34:30.640 --> 0:34:33.160
<v Speaker 7>talking to them too, but we never really, we really

0:34:33.239 --> 0:34:34.800
<v Speaker 7>never bid it. It was like, Yo, this is a

0:34:34.880 --> 0:34:35.719
<v Speaker 7>house and if you want to.

0:34:35.719 --> 0:34:38.680
<v Speaker 5>Be here, this is what we expect. This is what

0:34:38.800 --> 0:34:40.800
<v Speaker 5>you can see moving forward in the future.

0:34:40.960 --> 0:34:43.080
<v Speaker 7>But we never was like here, here's a million dollars

0:34:43.280 --> 0:34:45.439
<v Speaker 7>sign with us, like we never you know what I'm saying,

0:34:45.600 --> 0:34:46.200
<v Speaker 7>that makes sense.

0:34:46.400 --> 0:34:48.279
<v Speaker 1>What have you learned, Kai from being around these guys

0:34:48.640 --> 0:34:50.600
<v Speaker 1>any amount of time you've been signing them, because obviously

0:34:50.600 --> 0:34:52.439
<v Speaker 1>they're legends. Yeah for sure.

0:34:53.760 --> 0:34:57.040
<v Speaker 2>Mainly just like stick it to your guns. This is

0:34:57.080 --> 0:34:59.840
<v Speaker 2>what I took away just seeing Dram and Cannon like

0:35:00.080 --> 0:35:02.600
<v Speaker 2>every day they're still actively working. Like I ain't gonna lie.

0:35:02.600 --> 0:35:04.840
<v Speaker 2>Before this, I didn't know how active because I'm not

0:35:04.880 --> 0:35:07.680
<v Speaker 2>thinking about how active DJ Drummer Don Cannon off. But

0:35:07.760 --> 0:35:09.920
<v Speaker 2>it's like being here, it's just like, nah, these niggas

0:35:10.040 --> 0:35:13.239
<v Speaker 2>outside they working like young niggas. They're out working young

0:35:13.320 --> 0:35:19.200
<v Speaker 2>niggas and like, I know, but still still you know

0:35:19.239 --> 0:35:23.080
<v Speaker 2>what I mean, But it's just like that, and you

0:35:23.200 --> 0:35:24.400
<v Speaker 2>aging me at the same time.

0:35:25.640 --> 0:35:29.799
<v Speaker 1>Just say veterans, yeah, yeah, yeah, I get the young.

0:35:32.640 --> 0:35:35.480
<v Speaker 2>One of the main reasons why even came to Gen

0:35:35.600 --> 0:35:39.520
<v Speaker 2>now while we you know, came together, is which I

0:35:39.640 --> 0:35:41.520
<v Speaker 2>was just talking about the development and I've seen that.

0:35:41.680 --> 0:35:45.480
<v Speaker 2>It's like they take pride in building artists up. I

0:35:45.520 --> 0:35:48.520
<v Speaker 2>felt like for me, being an artist that had dreams

0:35:48.560 --> 0:35:51.920
<v Speaker 2>of being signed to a label, we kind of lost

0:35:52.960 --> 0:35:55.600
<v Speaker 2>those you know recipes, and it was just like, damn,

0:35:55.600 --> 0:35:57.399
<v Speaker 2>they don't even develop nobody Nomore. It's like you gotta

0:35:57.440 --> 0:35:59.960
<v Speaker 2>go viral, you get signed, you fall off.

0:36:00.320 --> 0:36:02.480
<v Speaker 1>Yeah, like the allure of like back in the day,

0:36:02.600 --> 0:36:04.480
<v Speaker 1>like man, I'm trying to get sign. People don't give

0:36:04.480 --> 0:36:05.920
<v Speaker 1>a fuck about that shit Nomore. They just want to

0:36:06.040 --> 0:36:06.360
<v Speaker 1>catch up.

0:36:06.400 --> 0:36:09.040
<v Speaker 2>What they want, they want to grab and I don't

0:36:09.120 --> 0:36:10.760
<v Speaker 2>know nobody that could do it on their own because

0:36:10.800 --> 0:36:12.440
<v Speaker 2>I before I got here, I was doing a lot

0:36:12.480 --> 0:36:14.760
<v Speaker 2>of good shit on my own. But it's just like Nigga,

0:36:15.120 --> 0:36:17.000
<v Speaker 2>that has always been my dream. I know what type

0:36:17.000 --> 0:36:17.719
<v Speaker 2>of system I want.

0:36:17.880 --> 0:36:20.200
<v Speaker 1>I just say this, like any artists who like, like

0:36:20.320 --> 0:36:22.600
<v Speaker 1>there's one side of being independent, it's great, but not

0:36:22.680 --> 0:36:24.440
<v Speaker 1>everyone's La Russell exactly.

0:36:24.640 --> 0:36:26.080
<v Speaker 6>That was the example I was going to bring up,

0:36:26.160 --> 0:36:28.680
<v Speaker 6>Like La Russell is like an alien literally, you know.

0:36:28.680 --> 0:36:30.800
<v Speaker 1>What I mean. So it's like that man has his

0:36:30.920 --> 0:36:34.160
<v Speaker 1>own thing going and it works for him. If you're

0:36:34.200 --> 0:36:37.279
<v Speaker 1>an artist and you're like, yo, I want to make music, Yeah,

0:36:37.719 --> 0:36:40.160
<v Speaker 1>I want to focus on the creative aspect. You have

0:36:40.360 --> 0:36:42.560
<v Speaker 1>to kind of It might not be a label, it

0:36:42.640 --> 0:36:45.320
<v Speaker 1>might be a management team, but you gotta, like, you

0:36:45.480 --> 0:36:48.480
<v Speaker 1>gotta put a team together. You have to because otherwise

0:36:48.640 --> 0:36:51.120
<v Speaker 1>I tell people, man, the most frustrating shit. I'll see

0:36:51.120 --> 0:36:53.000
<v Speaker 1>his artists who just like put music out and hope

0:36:53.000 --> 0:36:57.640
<v Speaker 1>for the best that don't work. Ever, there's too much music.

0:36:57.960 --> 0:36:59.520
<v Speaker 1>But that shit happens all the time.

0:37:00.320 --> 0:37:02.759
<v Speaker 6>You'll see artists dropping and I'm like, yeah, but like

0:37:03.480 --> 0:37:04.560
<v Speaker 6>because it's get spoiled.

0:37:04.640 --> 0:37:06.560
<v Speaker 2>What's the You get the chance to see somebody might

0:37:06.800 --> 0:37:08.800
<v Speaker 2>have done something that looks similar to that and not

0:37:08.920 --> 0:37:10.160
<v Speaker 2>knowing they had a whole team, and.

0:37:10.239 --> 0:37:12.400
<v Speaker 1>A lot of a lot of artists be pocket watching

0:37:12.440 --> 0:37:15.120
<v Speaker 1>too much bout not even necessarily mean dollars, but they'll

0:37:15.200 --> 0:37:17.240
<v Speaker 1>just like be pocket watching people's attention.

0:37:17.680 --> 0:37:19.760
<v Speaker 3>Yeah, I mean that's why a lot of people always

0:37:19.800 --> 0:37:23.000
<v Speaker 3>go wrong. Like you know, you can't you can't trust

0:37:23.040 --> 0:37:27.799
<v Speaker 3>someone else's process. Facts like you know your your time

0:37:27.920 --> 0:37:30.959
<v Speaker 3>and your energy and when what you put into the game,

0:37:31.160 --> 0:37:34.120
<v Speaker 3>like is it's your path. You know what I'm saying,

0:37:34.280 --> 0:37:36.400
<v Speaker 3>like you know, I mean Kevin, you know, like how

0:37:36.440 --> 0:37:38.160
<v Speaker 3>we all came up? Like you know, I've been doing

0:37:38.200 --> 0:37:40.160
<v Speaker 3>this shit since I was thirteen. How do you guys,

0:37:40.880 --> 0:37:43.040
<v Speaker 3>I'm about to be forty seven, I'm thirty eight.

0:37:43.760 --> 0:37:46.839
<v Speaker 1>I'm pretty eight. I'm actually thirty eight. So I'm gonna

0:37:46.840 --> 0:37:50.840
<v Speaker 1>say I was a kids grille. I probably got a decade.

0:37:53.760 --> 0:37:56.839
<v Speaker 1>I was tro I was stroll. Yeah, I was like, damn,

0:37:56.920 --> 0:38:00.520
<v Speaker 1>we're both thirty eight. Were talking crazy teen when you

0:38:00.560 --> 0:38:08.800
<v Speaker 1>did Canada Real Child? Probably? How isn't that record like

0:38:08.880 --> 0:38:11.239
<v Speaker 1>twenty years old? Now? Is the record twenty years?

0:38:11.320 --> 0:38:13.480
<v Speaker 4>It'll be twenty next year?

0:38:14.680 --> 0:38:16.440
<v Speaker 1>Twenty one? When I made it, I made it in

0:38:16.480 --> 0:38:18.960
<v Speaker 1>two thousand and four. Out he's twenty one.

0:38:19.920 --> 0:38:22.440
<v Speaker 5>No, I was twenty four to two thousand and four.

0:38:22.480 --> 0:38:24.439
<v Speaker 5>I was twenty five years four five.

0:38:24.680 --> 0:38:29.200
<v Speaker 3>Jesus was young niggas though twenty Yeah, young niggers. But

0:38:29.320 --> 0:38:31.640
<v Speaker 3>it's twenty years is Trapp or die? It will be

0:38:31.680 --> 0:38:35.440
<v Speaker 3>twenty years of dedication to next year? Crazy coming out

0:38:35.480 --> 0:38:37.520
<v Speaker 3>on twenty years on all those tapes, Bro.

0:38:38.680 --> 0:38:39.120
<v Speaker 1>What a time?

0:38:39.160 --> 0:38:40.239
<v Speaker 4>Why did you ask our age?

0:38:40.800 --> 0:38:42.839
<v Speaker 1>Oh? No, because I just wanted to see how off

0:38:42.920 --> 0:38:47.319
<v Speaker 1>he was calling y'all old, because I'm I'm like an

0:38:47.360 --> 0:38:48.719
<v Speaker 1>unk to a lot of these moth Like three one

0:38:48.760 --> 0:38:51.080
<v Speaker 1>old baby calls me unk. I'm like, full, that's crazy.

0:38:51.120 --> 0:38:56.239
<v Speaker 3>I mean he youngest's youngest, I mean in high school exactly, right, Yo,

0:38:56.680 --> 0:38:58.319
<v Speaker 3>I have a nineteen years old yo.

0:38:59.320 --> 0:39:01.200
<v Speaker 1>That's the worst part. Does I'll be interviewing artists like

0:39:01.239 --> 0:39:03.279
<v Speaker 1>I interviewed that kid, baby.

0:39:03.080 --> 0:39:07.200
<v Speaker 6>Kia K from Atlanta, right, yeah, like seventeen, and I

0:39:07.320 --> 0:39:08.120
<v Speaker 6>was like, wait, how old are you?

0:39:08.239 --> 0:39:11.279
<v Speaker 1>And he told me. I was like fuck, And I'm like, oh,

0:39:11.840 --> 0:39:14.960
<v Speaker 1>it makes sense. I'm having a conversation with a juvenile essentially.

0:39:15.760 --> 0:39:18.239
<v Speaker 4>But you know, I got past that, or not past that.

0:39:18.360 --> 0:39:22.759
<v Speaker 4>But we went through that early because but.

0:39:22.800 --> 0:39:24.680
<v Speaker 1>You didn't have to interview these motherfuckers and get them

0:39:24.680 --> 0:39:26.000
<v Speaker 1>to be interesting as children.

0:39:26.760 --> 0:39:29.400
<v Speaker 3>I went through a period like we were still we

0:39:29.480 --> 0:39:31.640
<v Speaker 3>were still doing interviews when we're doing like Chade forty five,

0:39:31.800 --> 0:39:33.480
<v Speaker 3>right right right, right, right, right, right right. You know,

0:39:33.560 --> 0:39:36.520
<v Speaker 3>I've definitely I've done my fair share of interviews with

0:39:36.680 --> 0:39:40.040
<v Speaker 3>artists who you got it, they're not the easiest to

0:39:40.120 --> 0:39:44.239
<v Speaker 3>talk to correct figuring that's part out. But early on

0:39:45.200 --> 0:39:49.040
<v Speaker 3>a lot of our peers got hipped to UZI because

0:39:49.320 --> 0:39:52.399
<v Speaker 3>of their kids. So that was one of the times

0:39:52.440 --> 0:39:55.640
<v Speaker 3>where it kind of came full circle where you know,

0:39:55.760 --> 0:40:00.520
<v Speaker 3>people that like in our eras and beyond where hitting

0:40:00.600 --> 0:40:02.800
<v Speaker 3>us up about records because of their kids, you know

0:40:02.840 --> 0:40:05.520
<v Speaker 3>what I'm saying. So that's always kind of fun to see,

0:40:05.719 --> 0:40:06.960
<v Speaker 3>you know what I'm saying. I mean, my daughter is

0:40:06.960 --> 0:40:10.480
<v Speaker 3>about to be twenty four this year, So I'm in

0:40:10.560 --> 0:40:11.279
<v Speaker 3>a lot.

0:40:11.320 --> 0:40:13.239
<v Speaker 5>I feel like we was OG's in two thousand and

0:40:13.719 --> 0:40:14.200
<v Speaker 5>I feel.

0:40:14.040 --> 0:40:15.520
<v Speaker 1>Like they called us they were.

0:40:19.320 --> 0:40:22.880
<v Speaker 3>We were in it for five years officially, I just

0:40:22.960 --> 0:40:26.280
<v Speaker 3>got into the league, but it was Big Brog like early.

0:40:26.360 --> 0:40:34.279
<v Speaker 1>I'm like, yeah, that was, uh you when is it

0:40:34.400 --> 0:40:35.640
<v Speaker 1>the Pirico tape coming out?

0:40:36.400 --> 0:40:37.120
<v Speaker 4>What's the date on it?

0:40:38.520 --> 0:40:41.040
<v Speaker 1>Because that ship he just dropped that music. That ship

0:40:41.160 --> 0:40:41.600
<v Speaker 1>was tough.

0:40:41.760 --> 0:40:43.920
<v Speaker 3>Yeah, we just we just shot some ship yesterday and

0:40:43.920 --> 0:40:46.920
<v Speaker 3>it's gonna be hilarious, hilarious.

0:40:48.480 --> 0:40:50.720
<v Speaker 4>It's called La Gangster. It's definitely dropping.

0:40:50.760 --> 0:40:52.359
<v Speaker 1>Happy Birthday, Japrico, very.

0:40:52.719 --> 0:40:58.359
<v Speaker 4>Birthday, Yeah, birthday, my god. Yeah, great guy, this's you know, uh,

0:40:59.200 --> 0:40:59.960
<v Speaker 4>we've got a few.

0:41:00.520 --> 0:41:03.560
<v Speaker 1>So I know you have like flirted with obviously you

0:41:03.560 --> 0:41:05.960
<v Speaker 1>guys had scheme schemes also all time under.

0:41:08.520 --> 0:41:09.880
<v Speaker 4>Uh still signed to us.

0:41:10.040 --> 0:41:12.399
<v Speaker 5>That guy, when is he going to put music now?

0:41:13.120 --> 0:41:13.440
<v Speaker 4>I don't know.

0:41:13.480 --> 0:41:15.200
<v Speaker 7>I think he just toys with the idea of it.

0:41:15.320 --> 0:41:19.400
<v Speaker 7>But I think bro he he does and the freestyle

0:41:19.520 --> 0:41:22.280
<v Speaker 7>Like I feel like, because he's so good, he's waiting

0:41:22.360 --> 0:41:23.000
<v Speaker 7>for some type of.

0:41:23.040 --> 0:41:24.759
<v Speaker 5>Challenge, like our word don't mean nothing.

0:41:24.800 --> 0:41:26.759
<v Speaker 7>I'll be like, yo, put some music out. But I

0:41:26.800 --> 0:41:28.919
<v Speaker 7>feel like if a rapper challenge him, like he really

0:41:28.960 --> 0:41:29.600
<v Speaker 7>get upset and.

0:41:29.680 --> 0:41:31.279
<v Speaker 5>Trying to you know, dog them.

0:41:31.480 --> 0:41:32.960
<v Speaker 4>You know what I mean. He's an l A legend.

0:41:33.080 --> 0:41:35.319
<v Speaker 5>Yeah, for sure, he's a He's a dog for sure,

0:41:35.800 --> 0:41:36.200
<v Speaker 5>no doubt.

0:41:36.920 --> 0:41:44.440
<v Speaker 3>You're asking him, we're thinking about yeah always, yeah, yeah.

0:41:44.360 --> 0:41:45.200
<v Speaker 1>You got one in mind?

0:41:45.360 --> 0:41:50.759
<v Speaker 5>We do nice. I can't tell him they followed us, Yeah,

0:41:51.239 --> 0:41:51.680
<v Speaker 5>they want to.

0:41:51.680 --> 0:41:57.120
<v Speaker 1>Find out it wasn't in the city. Of course. You

0:41:57.760 --> 0:42:01.279
<v Speaker 1>gotta gotta wrap inside of Mexican. Yeah, yeah, I get it.

0:42:01.920 --> 0:42:05.400
<v Speaker 3>And we signed a Mexican before we signed in a

0:42:05.760 --> 0:42:06.760
<v Speaker 3>rapper from Atlanta.

0:42:06.920 --> 0:42:08.080
<v Speaker 4>That would be insane.

0:42:08.920 --> 0:42:09.520
<v Speaker 5>That will be a.

0:42:12.080 --> 0:42:15.200
<v Speaker 3>But I would they be rapping Listen, man, you know

0:42:15.760 --> 0:42:18.400
<v Speaker 3>the way we've gone about things, our whole career has

0:42:18.440 --> 0:42:21.440
<v Speaker 3>always been against the grain, so you never know what

0:42:21.520 --> 0:42:22.480
<v Speaker 3>could happen there it is.

0:42:22.640 --> 0:42:24.560
<v Speaker 7>I told the story before when I did I want

0:42:24.600 --> 0:42:27.360
<v Speaker 7>to mister cartoon real quick and uh and I was

0:42:27.440 --> 0:42:29.439
<v Speaker 7>down there with Rich Hill and there was a couple

0:42:30.120 --> 0:42:31.479
<v Speaker 7>uh Mexicans out there rapping.

0:42:31.560 --> 0:42:33.360
<v Speaker 5>I was like, they're good. But at that time, my

0:42:33.440 --> 0:42:35.240
<v Speaker 5>brain wasn't even thinking about signing nobody.

0:42:35.360 --> 0:42:40.480
<v Speaker 1>There's just like I would do wa. Yeah the good

0:42:40.560 --> 0:42:43.799
<v Speaker 1>bro A good couple of brothers named Coyote. Oh yeah

0:42:43.960 --> 0:42:47.439
<v Speaker 1>that that Johnny did Shipes did a distro deal with them.

0:42:47.320 --> 0:42:48.520
<v Speaker 4>Their hardest fire.

0:42:48.840 --> 0:42:53.960
<v Speaker 1>Yeah, they's tough, ye fire for sure. All Right, Well, fellas,

0:42:53.960 --> 0:42:55.920
<v Speaker 1>I'm gonna have We're gonna have you do a freestyle.

0:42:56.000 --> 0:42:58.440
<v Speaker 1>That's cool, okay, but that's gonna be separate piece of content.

0:42:59.080 --> 0:42:59.640
<v Speaker 1>Go watch that.

0:43:00.320 --> 0:43:02.800
<v Speaker 2>I appreciate you all pulling up doming out out April

0:43:02.800 --> 0:43:05.080
<v Speaker 2>twenty fifth, Cash Rules Man, any features.

0:43:06.000 --> 0:43:07.880
<v Speaker 1>I'll just let you all see that when it dropped

0:43:09.480 --> 0:43:12.480
<v Speaker 1>there it is Cash Rules. Appreciate y'all man, Thank you,

0:43:12.560 --> 0:43:12.680
<v Speaker 1>Bo