1 00:00:02,279 --> 00:00:11,240 Speaker 1: Him. Sorry, I'm sorry. Yeah, I'm just I just was 2 00:00:12,119 --> 00:00:16,320 Speaker 1: Eyes of Tammy Fay just ended. Oh my god, Jessica 3 00:00:16,560 --> 00:00:22,800 Speaker 1: the nomination. I'm I'm crying because sorry, because of Jessica, 4 00:00:22,920 --> 00:00:25,480 Speaker 1: because of Andrew Garfield. I was just so moved by 5 00:00:25,480 --> 00:00:27,960 Speaker 1: the film. Hi, Hi, Sorry, Sorry, I'm like, Oh, is 6 00:00:28,000 --> 00:00:32,360 Speaker 1: everything all right? Yeah? I was just finishing Tammy. Have 7 00:00:32,440 --> 00:00:35,959 Speaker 1: you seen it? Have I seen it? I've lived it, 8 00:00:36,920 --> 00:00:40,120 Speaker 1: lived it, lived it. And I was a gaffer. Oh 9 00:00:40,240 --> 00:00:43,479 Speaker 1: you gaff the film? I how do you work with 10 00:00:43,520 --> 00:00:47,000 Speaker 1: all those chords and wires and that stuff? You know what? 11 00:00:47,560 --> 00:00:50,440 Speaker 1: It's so difficult because I learned it on the job, 12 00:00:50,560 --> 00:00:52,000 Speaker 1: and then by the time I do the next movie, 13 00:00:52,080 --> 00:00:55,600 Speaker 1: I've already flown out of mind. I hate that I 14 00:00:55,600 --> 00:00:59,480 Speaker 1: am not production friendly. And it has to be hard 15 00:00:59,520 --> 00:01:03,320 Speaker 1: to to ga a story you lived, you lived, you 16 00:01:03,400 --> 00:01:06,840 Speaker 1: lived that story. Hey, uh, did you ask me to 17 00:01:06,880 --> 00:01:10,120 Speaker 1: sell my life? Right? No? I guess I'll work on 18 00:01:10,160 --> 00:01:13,400 Speaker 1: the electricity of the sad. It's so crazy to that 19 00:01:13,560 --> 00:01:22,000 Speaker 1: started Jessica. That started Jessica, Well, that's actually the correct pronunciation. 20 00:01:22,880 --> 00:01:25,880 Speaker 1: Everyone miss pronounces it. But she stopped correcting people. She stopped. 21 00:01:26,959 --> 00:01:29,440 Speaker 1: It's that thing where she even forgot out of her. 22 00:01:29,520 --> 00:01:35,040 Speaker 1: Oh so you know the actress whatever, the actress Jessica 23 00:01:35,120 --> 00:01:38,080 Speaker 1: chess Stain. What else has she been in? Mrs Sloan 24 00:01:38,280 --> 00:01:40,759 Speaker 1: that it was a big hit, Mrs Sloan, I think 25 00:01:40,800 --> 00:01:42,840 Speaker 1: she was. Was she in the House of card Oh, 26 00:01:42,920 --> 00:01:46,240 Speaker 1: I'm sorry, I didn't need to bring you should have. 27 00:01:46,319 --> 00:01:50,240 Speaker 1: That was Kevin Kevin what you don't talk about Bruno 28 00:01:50,320 --> 00:01:53,080 Speaker 1: type situation, We don't talk about him. Kevin is persona 29 00:01:53,120 --> 00:01:57,040 Speaker 1: on garratta, which in Latin is what means get the 30 00:01:57,040 --> 00:01:59,280 Speaker 1: hell out of here. Yeah, get the head out of 31 00:01:59,360 --> 00:02:03,480 Speaker 1: dodge person and on grata is translated to don't don't talk. 32 00:02:03,880 --> 00:02:05,360 Speaker 1: We don't talk. We don't talk about her, We don't 33 00:02:05,360 --> 00:02:11,080 Speaker 1: talk about her. Will we have our performance review ready 34 00:02:11,120 --> 00:02:14,760 Speaker 1: for you? Yeah? Listen, Okay, grab a shuger readable because 35 00:02:14,760 --> 00:02:16,840 Speaker 1: you're gonna want it. You're gonna want to You're gonna 36 00:02:16,840 --> 00:02:19,600 Speaker 1: want to chill out for a second. See, Okay, this 37 00:02:19,680 --> 00:02:22,440 Speaker 1: is perfect because there's already so much progress being made. 38 00:02:22,480 --> 00:02:25,200 Speaker 1: He didn't have to like get the can from me. 39 00:02:25,480 --> 00:02:28,040 Speaker 1: I think he might have been, like he's getting big 40 00:02:28,080 --> 00:02:30,880 Speaker 1: for his bridge yourself from the mini fridge in the 41 00:02:30,880 --> 00:02:33,239 Speaker 1: corner of Matt's office. So I think that is a 42 00:02:33,760 --> 00:02:36,200 Speaker 1: step in the right direction. Matt might think it's step 43 00:02:36,280 --> 00:02:38,200 Speaker 1: in the wrong direction because you're going into his fridge 44 00:02:38,800 --> 00:02:40,880 Speaker 1: just saying we're halfway through the series now and it's 45 00:02:40,919 --> 00:02:44,639 Speaker 1: been a huge success. So I'm just saying, stay hungry 46 00:02:45,880 --> 00:02:49,360 Speaker 1: and thirsty as it were. So I took the city 47 00:02:49,360 --> 00:02:53,040 Speaker 1: bus into work today, Okay, like I always do this guy, 48 00:02:53,040 --> 00:02:57,920 Speaker 1: eight out of the nine people on the bus recognized you. 49 00:02:58,040 --> 00:03:01,600 Speaker 1: We get it. I want to get photo with me. Yeah, yeah, okay, 50 00:03:01,639 --> 00:03:05,280 Speaker 1: and did you how did you treat him? It was great? 51 00:03:05,880 --> 00:03:10,239 Speaker 1: But the other eight guys, eight out of the nine 52 00:03:10,240 --> 00:03:14,000 Speaker 1: people brought up clown parade to me. Really yes, in 53 00:03:14,040 --> 00:03:17,919 Speaker 1: a positive way? Oh I think I mean four out 54 00:03:17,919 --> 00:03:22,120 Speaker 1: of the eight positive, super positive. Well, it's saying the 55 00:03:22,120 --> 00:03:25,000 Speaker 1: other four and then two out of the remaining four, 56 00:03:25,840 --> 00:03:29,200 Speaker 1: you know, I wouldn't recommend it to a friend, but 57 00:03:29,880 --> 00:03:33,160 Speaker 1: enjoyed it. Other two no, they didn't like it, did 58 00:03:33,200 --> 00:03:35,680 Speaker 1: not like it. But you know what, it's good that 59 00:03:35,760 --> 00:03:38,760 Speaker 1: they have a strong opinion. That makes our C rating high, 60 00:03:38,880 --> 00:03:41,200 Speaker 1: that makes the Q rating high. But it also you know, 61 00:03:41,400 --> 00:03:47,200 Speaker 1: the mean average, yes, reception is not going great. Yeah, 62 00:03:47,920 --> 00:03:54,720 Speaker 1: the media response within a standard deviation of the positive 63 00:03:55,160 --> 00:04:00,200 Speaker 1: points of feedback. We'll then integrate into something that could 64 00:04:00,240 --> 00:04:02,960 Speaker 1: suggest that we're not doing as well as we should 65 00:04:03,040 --> 00:04:05,160 Speaker 1: and therefore you are not doing as well in your 66 00:04:05,200 --> 00:04:07,920 Speaker 1: performance review as you should. So what that's I guess 67 00:04:07,960 --> 00:04:11,720 Speaker 1: why this long walk is to say, our big note 68 00:04:11,760 --> 00:04:16,479 Speaker 1: for you is great job, stay hungry. We're thirsty as 69 00:04:16,520 --> 00:04:19,560 Speaker 1: it were, thirsty as it were. Now we're going into 70 00:04:19,560 --> 00:04:23,400 Speaker 1: our sixth now, sixth person. I think that I think 71 00:04:23,440 --> 00:04:26,839 Speaker 1: I have I think my performance evaluation will will pick 72 00:04:26,960 --> 00:04:31,479 Speaker 1: up slightly. Well, that's not for you to decide, you're right. 73 00:04:31,720 --> 00:04:37,320 Speaker 1: I'm just I'm hopeful. Okay, Okay. Why is Matt always 74 00:04:37,360 --> 00:04:41,680 Speaker 1: like he just watched this movie, just watched Tammy faye. 75 00:04:41,800 --> 00:04:44,000 Speaker 1: I'm on edge, I'm emotion but I know that some 76 00:04:44,080 --> 00:04:45,480 Speaker 1: people like you want to get yelled at by some 77 00:04:45,480 --> 00:04:50,440 Speaker 1: people who truly love you. That's what this is. Hey, yeah, 78 00:04:50,480 --> 00:04:58,960 Speaker 1: I love you now pitch Okay, Okay. So, after much deliberation, 79 00:05:01,160 --> 00:05:05,440 Speaker 1: scouring for young new talent all over the country in 80 00:05:05,640 --> 00:05:10,120 Speaker 1: parts of Canada, I've landed on someone that I think 81 00:05:10,160 --> 00:05:16,800 Speaker 1: you guys absolutely will flip for. Raphael Ing. Oh my god, 82 00:05:16,920 --> 00:05:21,119 Speaker 1: we love I'm in a real chest stain place chess 83 00:05:21,120 --> 00:05:27,600 Speaker 1: sang and what I was alluding to earlier, What is 84 00:05:27,640 --> 00:05:33,400 Speaker 1: he got for us? Well, he's here's a character, Omari Broadwater, 85 00:05:34,160 --> 00:05:37,680 Speaker 1: an eccentric billionaire. He believes he's being recorded for a 86 00:05:37,720 --> 00:05:41,760 Speaker 1: documentary about the success of his fake news empire, but 87 00:05:42,839 --> 00:05:48,800 Speaker 1: he's in for something way more. The truth libelous confessions 88 00:05:48,839 --> 00:05:52,000 Speaker 1: of a fake news writer is what we have matched 89 00:05:52,000 --> 00:05:55,120 Speaker 1: on the docket. So this is us sort of going intomorrow. 90 00:05:55,240 --> 00:06:01,240 Speaker 1: Hard news, hard news, heart fake news, Yes, yes, succession, 91 00:06:01,680 --> 00:06:09,479 Speaker 1: um um succession, Kevin Spacey yes, actually okay, yes, House 92 00:06:09,480 --> 00:06:14,000 Speaker 1: of Cards Cards Yes. And Raphael I mean he's been 93 00:06:14,040 --> 00:06:18,000 Speaker 1: writing and performing sketch comedy all over Los Angeles. We 94 00:06:17,800 --> 00:06:28,640 Speaker 1: we landed another. I had a lozenge and so because 95 00:06:28,640 --> 00:06:38,920 Speaker 1: you had lost lost these l A theaters, Uh, he's 96 00:06:38,960 --> 00:06:41,159 Speaker 1: in all of them. You should be the Second City, 97 00:06:41,800 --> 00:06:45,640 Speaker 1: the Second City, Hollywood and the pack did joined the 98 00:06:45,640 --> 00:06:52,320 Speaker 1: cast of College Humor in ten, left, only return in 99 00:06:52,360 --> 00:06:57,080 Speaker 1: twenty nineteen, only to leave again the back end of 100 00:06:58,680 --> 00:07:04,599 Speaker 1: to return during Some People Can't Get Enough. Other acting 101 00:07:04,640 --> 00:07:09,680 Speaker 1: credits include Adam Ruins Everything food fact or fiction. I 102 00:07:09,680 --> 00:07:14,760 Speaker 1: think foods fake. Yeah, that's actually, that's that's a big topic. 103 00:07:15,600 --> 00:07:18,600 Speaker 1: But I think this is perfect because Rafael is dealing 104 00:07:18,600 --> 00:07:24,440 Speaker 1: with fake news, dealing with fake news with his character Broadwater. Okay, 105 00:07:24,520 --> 00:07:27,040 Speaker 1: will this might be and so I just put it 106 00:07:27,080 --> 00:07:30,480 Speaker 1: out there. Well, let's talk about you guys think great. 107 00:07:30,560 --> 00:07:32,440 Speaker 1: Shall we take a listen. Let's put it out there 108 00:07:32,480 --> 00:07:36,800 Speaker 1: for the listener. This is libelous confessions of a fake 109 00:07:36,920 --> 00:07:54,760 Speaker 1: news writer. Fake news doesn't have to be just one thing. 110 00:07:55,960 --> 00:07:59,000 Speaker 1: I don't have to stick to just one thing. I'm 111 00:07:59,040 --> 00:08:03,160 Speaker 1: a once in a genner raction, creative genius. Who wrote 112 00:08:03,160 --> 00:08:05,200 Speaker 1: the headline Joe Biden only eats the great part of 113 00:08:05,240 --> 00:08:09,840 Speaker 1: the Sammons? Huh? Who whoo? Who wrote that? Who? I 114 00:08:09,880 --> 00:08:12,520 Speaker 1: wouldn't know who that was? Me? I'm the one who 115 00:08:12,520 --> 00:08:18,040 Speaker 1: where I'm Steve Jobs. I'm not Disney, Benjamin Franklin. That 116 00:08:18,200 --> 00:08:23,840 Speaker 1: motherfucker invented electricity. Before that, nobody had nowhere to plug 117 00:08:23,920 --> 00:08:26,880 Speaker 1: the ship hit it. I'm all of them. I'm saying, 118 00:08:27,360 --> 00:08:31,000 Speaker 1: if it wasn't for Benjamin Franklin, we'd all just be 119 00:08:31,360 --> 00:08:34,199 Speaker 1: walking around with cell phones. You buy them and as 120 00:08:34,200 --> 00:08:35,760 Speaker 1: soon as the battery dies, you just gotta throw that 121 00:08:35,760 --> 00:08:37,680 Speaker 1: ship away. You want to live in that kind of 122 00:08:37,720 --> 00:08:39,840 Speaker 1: like I'm the person. What are you doing? What are 123 00:08:39,840 --> 00:08:41,760 Speaker 1: you doing? Are you on your laptop right now? Are 124 00:08:41,760 --> 00:08:44,120 Speaker 1: you fact checking me? Right now? Are you fact checking? 125 00:08:44,440 --> 00:08:47,640 Speaker 1: Ain't no fact checking happening, and this motherfucker because this 126 00:08:48,120 --> 00:08:52,160 Speaker 1: is a fake news motherfucker. No fact checking going on 127 00:08:52,240 --> 00:08:55,160 Speaker 1: in here. That's the only thing that won't be happening. 128 00:08:55,280 --> 00:08:58,000 Speaker 1: But we're gonna do a whole lot of ship, Okay, 129 00:08:58,200 --> 00:09:01,080 Speaker 1: a whole lot of ship because I and the Kanye 130 00:09:01,160 --> 00:09:04,920 Speaker 1: West of fake news writing. So you can't tell me 131 00:09:05,200 --> 00:09:07,680 Speaker 1: to just stick to just one thing. Everybody else does 132 00:09:07,720 --> 00:09:11,880 Speaker 1: just one thing that is basic. That's basic ship. That 133 00:09:11,920 --> 00:09:15,760 Speaker 1: ship is for mere motherfucking mortals. But I'm trying to 134 00:09:15,760 --> 00:09:19,200 Speaker 1: take Yoto to supreme thing. I'm trying to take you 135 00:09:19,280 --> 00:09:22,480 Speaker 1: higher on the old other motherfucking love. That's just the truth, man, 136 00:09:22,960 --> 00:09:25,720 Speaker 1: that's just the truth. I'm all about the truth, except 137 00:09:25,720 --> 00:09:29,160 Speaker 1: when I'm when I'm writing the fake news, which is 138 00:09:29,160 --> 00:09:31,560 Speaker 1: what I do all the time because I'm the greatest status. 139 00:09:31,600 --> 00:09:33,760 Speaker 1: But when I'm not doing that all the time, the 140 00:09:33,800 --> 00:09:36,640 Speaker 1: other part is, look, man, I don't have to do 141 00:09:36,720 --> 00:09:40,960 Speaker 1: just one thing. Look at yama alright. Yamaha is a 142 00:09:41,120 --> 00:09:47,040 Speaker 1: multi hyping it company it's an electronics slash musical instruments 143 00:09:47,559 --> 00:09:52,040 Speaker 1: slash motor company. Yo man, I like my Yamaha piano. 144 00:09:52,320 --> 00:09:54,000 Speaker 1: Why the funk would that make them think that you 145 00:09:54,120 --> 00:10:01,400 Speaker 1: start building motorcycles cycles accurate as her party? Biden doesn't. White, 146 00:10:01,640 --> 00:10:05,040 Speaker 1: the Christian psychologist from Maria Cristins claims and reason increase 147 00:10:05,080 --> 00:10:07,400 Speaker 1: in earthquake is being directly caused by an increase of 148 00:10:07,480 --> 00:10:09,440 Speaker 1: rock and roll he was at eleven. In a new 149 00:10:09,480 --> 00:10:12,920 Speaker 1: interview with o'mriac your news, Dr Fauci refuses to take 150 00:10:13,000 --> 00:10:16,280 Speaker 1: responsibility for nine eleven. He says it's because he had 151 00:10:16,320 --> 00:10:23,120 Speaker 1: nothing to do with it. Will let you decide. Uh. Hello, 152 00:10:23,480 --> 00:10:28,520 Speaker 1: I'm radio journalist Connor Walbatch, and for the past year 153 00:10:28,559 --> 00:10:31,480 Speaker 1: and a half or so, I've been following the world's 154 00:10:31,559 --> 00:10:38,000 Speaker 1: first billionaire fake newswriter, Amar Broadwater. I had been trying 155 00:10:38,080 --> 00:10:41,440 Speaker 1: to get just an interview with a mari for years, 156 00:10:41,920 --> 00:10:45,839 Speaker 1: but he always turned me down. Then one day, out 157 00:10:45,920 --> 00:10:48,199 Speaker 1: of the blue, he called me up to do a 158 00:10:48,280 --> 00:10:53,040 Speaker 1: full documentary series, and I jumped at the chance. The 159 00:10:53,120 --> 00:10:57,480 Speaker 1: reason I had pursued him for so long is because, 160 00:10:57,640 --> 00:11:02,440 Speaker 1: at just thirty six years old, this truly self made 161 00:11:02,520 --> 00:11:06,679 Speaker 1: billionaire has constructed a multi media empire off the back 162 00:11:06,720 --> 00:11:10,240 Speaker 1: of headlines like have you lost your remote control? Question mark, 163 00:11:10,640 --> 00:11:13,040 Speaker 1: Ten ways it could have been stolen by Joe Biden 164 00:11:13,760 --> 00:11:19,199 Speaker 1: and this all time classic Barack kills Osama bin laden 165 00:11:19,720 --> 00:11:23,520 Speaker 1: dot dot dot to cover up BFF relationship question mark. 166 00:11:24,040 --> 00:11:28,320 Speaker 1: While many would disagree, Omari insists that what he does 167 00:11:28,840 --> 00:11:33,319 Speaker 1: is art, arguing that fake news is just his form 168 00:11:33,640 --> 00:11:37,560 Speaker 1: of expression. But when I asked what about the readers 169 00:11:37,679 --> 00:11:43,480 Speaker 1: who believe his articles, Amari seemed to reject that premise altogether. 170 00:11:43,960 --> 00:11:47,000 Speaker 1: Why would anyone believe it? I mean, it's fake news. 171 00:11:47,679 --> 00:11:50,000 Speaker 1: I'd like to note that when Amari refers to his 172 00:11:50,080 --> 00:11:54,359 Speaker 1: work as fake news, he doesn't mean it as satirical 173 00:11:54,920 --> 00:12:00,679 Speaker 1: like the Onion. No, No, it's just fake. But seeing 174 00:12:00,800 --> 00:12:05,520 Speaker 1: is how there are undeniably people who believe Amari's articles, 175 00:12:05,960 --> 00:12:09,080 Speaker 1: I had to question whether Amari was in fact an 176 00:12:09,120 --> 00:12:13,760 Speaker 1: effective communicator, despite connecting with millions of readers on a 177 00:12:14,000 --> 00:12:19,600 Speaker 1: deep level. What even is an effective communicator? And it's 178 00:12:19,600 --> 00:12:25,640 Speaker 1: truly accurate communication even possible? How do you know for 179 00:12:25,760 --> 00:12:28,360 Speaker 1: sure that the words that you're trying to get across 180 00:12:28,920 --> 00:12:34,120 Speaker 1: our landing exactly as they should. People have different points 181 00:12:34,120 --> 00:12:38,880 Speaker 1: of views and different perspectives and can interpret things in 182 00:12:39,040 --> 00:12:43,240 Speaker 1: different ways. All right here I am. We are in 183 00:12:43,360 --> 00:12:48,679 Speaker 1: the car now we are driving up two Amari's estate 184 00:12:49,440 --> 00:12:53,080 Speaker 1: and so be our first time here. I'm just gonna describe. 185 00:12:53,160 --> 00:12:57,320 Speaker 1: So right now we're on a bumpy, bumpy gravelly road. 186 00:12:57,400 --> 00:13:00,120 Speaker 1: We are now entering the gates. We're on a of 187 00:13:00,280 --> 00:13:03,800 Speaker 1: the private property. This is a very a very large 188 00:13:03,880 --> 00:13:08,120 Speaker 1: expansive a state. I'd say at least fifty fifty acres 189 00:13:08,240 --> 00:13:12,160 Speaker 1: that you can see a house, uh, very large mansion 190 00:13:12,520 --> 00:13:16,120 Speaker 1: in in in the distance we're gaining us. It seems 191 00:13:16,160 --> 00:13:19,640 Speaker 1: to be the exact replica of the White House. Oh 192 00:13:20,080 --> 00:13:22,959 Speaker 1: oh wow, oh look at these fountains and we have 193 00:13:23,320 --> 00:13:28,040 Speaker 1: we have uh we're passing under a two water uh 194 00:13:28,160 --> 00:13:32,480 Speaker 1: spouting uh statue. Oh my, oh my. They no, they're 195 00:13:32,520 --> 00:13:35,720 Speaker 1: not statues at all. These are real people spitting out 196 00:13:36,440 --> 00:13:41,400 Speaker 1: water into the I should note that this, uh well 197 00:13:41,600 --> 00:13:45,760 Speaker 1: that was well we're passing it now, but the scene 198 00:13:45,840 --> 00:13:50,920 Speaker 1: behind me was pretty remarkable. Uh. I should note that this, uh, 199 00:13:51,760 --> 00:13:56,880 Speaker 1: the working conditions are are different on this estate as 200 00:13:57,240 --> 00:14:01,079 Speaker 1: uh Omari actually bought uh this p pretty from the 201 00:14:01,200 --> 00:14:07,120 Speaker 1: government to be its own nation state UH called o Marty. Uh, 202 00:14:07,280 --> 00:14:12,480 Speaker 1: not to be confused with oh Merita, which I am 203 00:14:12,559 --> 00:14:15,920 Speaker 1: definitely not saying out loud for the first time. But uh, 204 00:14:16,480 --> 00:14:20,120 Speaker 1: you know, O Merita, which I'm sure I'm pronouncing correctly, 205 00:14:20,440 --> 00:14:25,240 Speaker 1: is a mob thing or something, as we all know. 206 00:14:25,800 --> 00:14:28,480 Speaker 1: But this is a totally different thing. Oh oh, here 207 00:14:28,520 --> 00:14:31,000 Speaker 1: we go. Okay, all right, we are at the house 208 00:14:31,760 --> 00:14:34,720 Speaker 1: and let me just get out here. And oh oh no, 209 00:14:35,080 --> 00:14:39,160 Speaker 1: oh no, oh these are big dogs. Okay, okay, Oh 210 00:14:39,440 --> 00:14:43,440 Speaker 1: that's a friendly Oh yeah, well okay, that's okay. You 211 00:14:43,600 --> 00:14:46,080 Speaker 1: like to nip, you really like the nip. You are 212 00:14:46,200 --> 00:14:51,520 Speaker 1: too big, too big for that. But that's okay, okay, okay, 213 00:14:51,800 --> 00:14:56,680 Speaker 1: if someone could just someone's gotta be Fazo Faso. Stop 214 00:14:56,720 --> 00:15:00,800 Speaker 1: sniffing the reporters. Put hey, quiet, Eln, it's get get 215 00:15:00,880 --> 00:15:05,400 Speaker 1: over here, Get over here, Elon down down, Ellen, Bazos 216 00:15:05,680 --> 00:15:11,440 Speaker 1: back off. H thank you. You're Your dogs names are 217 00:15:11,960 --> 00:15:16,480 Speaker 1: Bezos and and Elen. Yeah I named him after my heroes. Yeah. 218 00:15:16,520 --> 00:15:18,760 Speaker 1: Ellen just took a huge ship on the carpet. That 219 00:15:18,880 --> 00:15:21,280 Speaker 1: must have scared the camera guys away. It's safe to 220 00:15:21,280 --> 00:15:23,840 Speaker 1: bring him out. Now, come on, camera crew, camera crew, 221 00:15:24,080 --> 00:15:27,440 Speaker 1: make up, everybody, lights, everybody, come on out, Come on. 222 00:15:27,920 --> 00:15:30,920 Speaker 1: It's okay, the dogs are fine now now that uh, 223 00:15:31,680 --> 00:15:35,280 Speaker 1: there's there's actually there's no film. Curl here. This is 224 00:15:35,320 --> 00:15:39,240 Speaker 1: a documentary podcast. It's a it's a podcast, but it's 225 00:15:39,240 --> 00:15:42,920 Speaker 1: a it's a documentary, right, yeah, right, it's a it's 226 00:15:42,960 --> 00:15:46,800 Speaker 1: a documentary. So just tell the camera people and come 227 00:15:46,840 --> 00:15:50,320 Speaker 1: on out now. Now I'm I'm a radio reporter, so 228 00:15:50,520 --> 00:15:53,960 Speaker 1: I don't have a camera. I know you don't have 229 00:15:54,080 --> 00:15:58,120 Speaker 1: a camera. I'm saying, look, man, whosever job it is 230 00:15:58,520 --> 00:16:01,040 Speaker 1: to hold the camera, Come on it out. We're ready 231 00:16:01,120 --> 00:16:03,600 Speaker 1: to shoot. Now, we're ready for you the dog to 232 00:16:03,680 --> 00:16:07,840 Speaker 1: find you know what. Uh, I'll just shoot it on 233 00:16:08,240 --> 00:16:14,000 Speaker 1: my phone. How about that? Okay, all right, it's cheaper. 234 00:16:14,640 --> 00:16:18,920 Speaker 1: Let's overhead, bigger, private margins. No. I like that. Yeah, 235 00:16:19,360 --> 00:16:21,680 Speaker 1: I like that a lot. So you're just gonna fire 236 00:16:21,760 --> 00:16:23,680 Speaker 1: your staff like that, just on the spot like that. 237 00:16:24,160 --> 00:16:28,520 Speaker 1: God damn, I'm inspired. I'm I'm so I might find 238 00:16:28,600 --> 00:16:33,120 Speaker 1: somebody today because of you. No, I don't don't do that. 239 00:16:33,680 --> 00:16:38,640 Speaker 1: Already dialing hey, Cheryl, Yeah you're fired, Yep, pick up 240 00:16:38,680 --> 00:16:42,600 Speaker 1: your stuff. I don't care I do. Hey, do what 241 00:16:42,760 --> 00:16:45,520 Speaker 1: you gotta do, Cheryl, Do what you gotta do, just 242 00:16:45,600 --> 00:16:47,480 Speaker 1: as long as you're out of the office by the 243 00:16:47,600 --> 00:16:52,200 Speaker 1: end of the day. How how did that go? Very bad? 244 00:16:53,120 --> 00:16:57,480 Speaker 1: Very bad. She's gonna sue for wrongful termination and uh yeah, 245 00:16:57,520 --> 00:17:03,280 Speaker 1: I think she's got a case. All right, let's go bowl. Okay, Well, uh, 246 00:17:03,520 --> 00:17:07,680 Speaker 1: I guess the first question I have is, I know 247 00:17:07,920 --> 00:17:11,800 Speaker 1: you don't think anyone believes the headlines you produced, but 248 00:17:12,720 --> 00:17:17,440 Speaker 1: let's just imagine if someone did. How would you feel 249 00:17:17,480 --> 00:17:20,680 Speaker 1: about that? Why would anyone believe it? There's obviously no 250 00:17:20,840 --> 00:17:25,040 Speaker 1: secondary sources. It's it's it's not an API and Reuters. 251 00:17:25,160 --> 00:17:28,760 Speaker 1: That's all I read you. Uh, you only get your 252 00:17:28,880 --> 00:17:35,399 Speaker 1: news from APN writers. Yeah, I'm not a genius. Semi. No, No, 253 00:17:35,840 --> 00:17:40,680 Speaker 1: you're not. Um. Also, those are interesting. Um. Those aren't 254 00:17:40,800 --> 00:17:44,320 Speaker 1: bowling balls, are they? Nah? They're in the end of 255 00:17:44,359 --> 00:17:48,960 Speaker 1: thal skulls. Yeah. The eyes and nose holes are way 256 00:17:49,040 --> 00:17:51,280 Speaker 1: better fit for my fingers. I think I was like 257 00:17:51,359 --> 00:17:55,119 Speaker 1: a warrior some ship in another life. What did you 258 00:17:55,760 --> 00:18:00,240 Speaker 1: start out wanting to be an international human rights advocate? Yeah? 259 00:18:00,560 --> 00:18:02,800 Speaker 1: I went to school to study law and how it 260 00:18:02,920 --> 00:18:06,840 Speaker 1: relates to refugees and asylum seekers. But I had a 261 00:18:06,880 --> 00:18:11,000 Speaker 1: professor tell me to work on my public speaking, yeah, 262 00:18:11,040 --> 00:18:13,840 Speaker 1: and that improv class might be helpful with that, which, 263 00:18:14,359 --> 00:18:16,280 Speaker 1: of course I didn't want to do it first, like 264 00:18:16,400 --> 00:18:19,359 Speaker 1: I wasn't really into it. But man, when I finally 265 00:18:19,440 --> 00:18:23,120 Speaker 1: went yo, I loved that ship almost instantly. I fell 266 00:18:23,200 --> 00:18:27,280 Speaker 1: in love with that ship. And why was that? Why 267 00:18:27,600 --> 00:18:30,440 Speaker 1: was it that she felt such a connection you think? 268 00:18:30,880 --> 00:18:36,320 Speaker 1: Uh so early on? Two words, yes and no matter 269 00:18:36,560 --> 00:18:39,960 Speaker 1: what I said, my scene partner has gotta believe that ship. 270 00:18:40,320 --> 00:18:46,120 Speaker 1: Imri Improv class allowed students to record their improv classes. First, 271 00:18:46,920 --> 00:18:49,240 Speaker 1: we were able to contact one of them, Ari's former 272 00:18:49,280 --> 00:18:55,840 Speaker 1: classmates for a recording. Can I get two people to 273 00:18:55,920 --> 00:18:58,040 Speaker 1: start a scene where one of you initiates and the 274 00:18:58,119 --> 00:19:01,440 Speaker 1: other one yes as the initiation? Thank you? Yeah? Yeah? 275 00:19:01,520 --> 00:19:04,159 Speaker 1: Okay you you kid? All right, we're gonna do it. 276 00:19:04,200 --> 00:19:07,080 Speaker 1: We're gonna do a scene together. Awesome, okay, col you're 277 00:19:07,560 --> 00:19:13,000 Speaker 1: me alright, alright, okay, okay, okay. So I'm gonna initiate, okay, right, 278 00:19:13,280 --> 00:19:16,680 Speaker 1: yeah it sounds good, and then I'll receive yeah. Yeah. 279 00:19:16,720 --> 00:19:19,120 Speaker 1: So so I'll be the one and then you say 280 00:19:19,520 --> 00:19:21,720 Speaker 1: you say yes day okay, yeah, yeah, totally alright, I 281 00:19:21,720 --> 00:19:24,479 Speaker 1: can inotiate if you everybody else sit down. Actually, everybody 282 00:19:24,520 --> 00:19:27,720 Speaker 1: else sit down, We're gonna do this scene. Okay, all right, okay, 283 00:19:27,840 --> 00:19:34,960 Speaker 1: So here's me initiating, totally improvised, straight off the dome. 284 00:19:37,880 --> 00:19:40,119 Speaker 1: Sorry what I was I was gonna say spell you 285 00:19:40,200 --> 00:19:41,840 Speaker 1: were taking a second. I have an initiation. If you 286 00:19:41,880 --> 00:19:44,600 Speaker 1: want me to you can go. Sorry. No, okay, I 287 00:19:44,680 --> 00:19:48,560 Speaker 1: definitely don't want you to go. I'm okay, thank you. Yeah, 288 00:19:50,320 --> 00:19:56,720 Speaker 1: I am the most brilliant artist of all time. Yes, 289 00:19:57,480 --> 00:20:05,080 Speaker 1: and that's right. Uh. You are a millionaire yeah, yes, 290 00:20:05,880 --> 00:20:14,040 Speaker 1: And I turned my millions into billions of dollars. And 291 00:20:14,960 --> 00:20:22,640 Speaker 1: I'm also the greatest at basketball. Yes, you're very good 292 00:20:22,680 --> 00:20:29,200 Speaker 1: at basketball. And I am a baker. Know what. We're 293 00:20:29,200 --> 00:20:31,480 Speaker 1: sticking with me. Hold on, we're sticking with me. Okay. 294 00:20:31,680 --> 00:20:39,560 Speaker 1: So you are a baker for me because of how 295 00:20:39,800 --> 00:20:45,400 Speaker 1: great I am, and you baked for me for free, yes, yes. 296 00:20:45,720 --> 00:20:51,399 Speaker 1: And and I live in your mansion. That's yes, you 297 00:20:51,560 --> 00:20:54,679 Speaker 1: live in one of the many rooms in my mansion 298 00:20:54,760 --> 00:20:58,480 Speaker 1: that has so many rooms where I make love to 299 00:20:58,800 --> 00:21:02,639 Speaker 1: so many women, and the lovemaking is so great that 300 00:21:02,760 --> 00:21:06,240 Speaker 1: it makes dolphins cry. Yes, and everyone loves you in 301 00:21:06,280 --> 00:21:13,119 Speaker 1: the whole world. Ah man, that was great. That was 302 00:21:13,200 --> 00:21:18,920 Speaker 1: a very good saing, can I can I ask a question? So? Um, so, 303 00:21:19,320 --> 00:21:21,640 Speaker 1: when you're doing a scene with someone and they don't 304 00:21:21,720 --> 00:21:25,680 Speaker 1: kind of give you anything, what are you supposed to do? Um? Yeah, 305 00:21:25,800 --> 00:21:28,320 Speaker 1: let's talk about kind of two handed, like two way 306 00:21:28,400 --> 00:21:30,600 Speaker 1: street kind of stuff. A Maori, how does that sound 307 00:21:31,400 --> 00:21:34,119 Speaker 1: to two way streets? You know, like he yes, ended you, 308 00:21:34,280 --> 00:21:37,639 Speaker 1: so why don't you yes? Hand him a little bit? Yeah, 309 00:21:38,880 --> 00:21:41,680 Speaker 1: what you said, I was initiating and then they yes, 310 00:21:41,760 --> 00:21:43,960 Speaker 1: And so that's where you know, that's what I'm getting. 311 00:21:44,480 --> 00:21:46,520 Speaker 1: That's what I'm getting confused here. I mean, Mary is 312 00:21:46,520 --> 00:21:49,680 Speaker 1: supposed to be initiating. I initiate, then the yes and 313 00:21:49,880 --> 00:21:52,800 Speaker 1: it comes from the other side. So they say, you 314 00:21:52,920 --> 00:21:56,880 Speaker 1: know exactly what I say, except more of it. Okay, yeah, 315 00:21:57,000 --> 00:21:59,760 Speaker 1: well let's let's so let's try that again. And Kevin, 316 00:21:59,800 --> 00:22:02,000 Speaker 1: if you want to just initiate, you know, support omar 317 00:22:02,200 --> 00:22:06,760 Speaker 1: fully um, because it sounded like he that's what he wants. Yeah. Yeah, 318 00:22:06,760 --> 00:22:08,600 Speaker 1: it sounds like you sucked up all right, Well I 319 00:22:08,640 --> 00:22:11,960 Speaker 1: don't know. Okay, well you get another chance. It was okay, 320 00:22:12,000 --> 00:22:16,920 Speaker 1: thank you so much. I yes, I am the creator 321 00:22:17,000 --> 00:22:22,879 Speaker 1: of the whole universe. Yes, And and you gotta go 322 00:22:23,000 --> 00:22:25,200 Speaker 1: bigger you gotta go bigger with that. I'm trying to 323 00:22:25,560 --> 00:22:31,640 Speaker 1: get there. Yes, and you created multiple universes. Hey, that's good. 324 00:22:31,760 --> 00:22:34,440 Speaker 1: That was good heightening. All right, so you're getting better 325 00:22:34,520 --> 00:22:39,639 Speaker 1: at it, all right? Thanks? Okay, Yes, I created multiple 326 00:22:40,200 --> 00:22:44,560 Speaker 1: universes and everything within them, and they all everything that 327 00:22:44,640 --> 00:22:49,200 Speaker 1: I created loves me and recognizes my greatness. Yes, and 328 00:22:49,359 --> 00:22:53,159 Speaker 1: you are God. Yeah, I am got Now. That was 329 00:22:53,240 --> 00:22:56,280 Speaker 1: a twist. I didn't see that coming. I I hadn't 330 00:22:56,280 --> 00:22:58,360 Speaker 1: even thought of that. That wasn't even something I thought 331 00:22:58,400 --> 00:23:01,080 Speaker 1: of you. Yeah, I like you. I like you. I 332 00:23:01,160 --> 00:23:03,919 Speaker 1: think we should I think we should improvide more together. 333 00:23:04,119 --> 00:23:09,040 Speaker 1: Oh it's a seat over okay, yeah cool, Yeah, I 334 00:23:09,440 --> 00:23:13,520 Speaker 1: guess yeah, sure, yeah. I've been trying to get on 335 00:23:13,640 --> 00:23:18,800 Speaker 1: practice groups, but everybody says that I'm just just yeah, practice, 336 00:23:18,880 --> 00:23:21,080 Speaker 1: you know, practice makes perfect. I have a practice group 337 00:23:21,119 --> 00:23:23,840 Speaker 1: that I'm actually running right now over at my my 338 00:23:24,080 --> 00:23:26,920 Speaker 1: house in Silver Lake. If you want to come by it. 339 00:23:27,000 --> 00:23:30,240 Speaker 1: We have a really cool coach on Tuesday's at six pm. 340 00:23:30,520 --> 00:23:34,159 Speaker 1: Oh hell yeah, it's hell motherfucking yeah. Because I know 341 00:23:34,440 --> 00:23:37,720 Speaker 1: you need me. I know you need amor. I like 342 00:23:37,920 --> 00:23:41,280 Speaker 1: your confidence. It's fun to be around someone who's confident. 343 00:23:41,640 --> 00:23:46,399 Speaker 1: Not a lot of us are confident. So yeah that's me. 344 00:23:46,680 --> 00:23:50,520 Speaker 1: If I got one thing, it's confident. Yeah that's awesome. Yeah, 345 00:23:50,560 --> 00:23:53,280 Speaker 1: I mean a state in college after that. But yo, 346 00:23:53,720 --> 00:23:56,240 Speaker 1: I was pretty much just living in the dorms, you 347 00:23:56,280 --> 00:23:58,400 Speaker 1: know what I mean, Like I stopped going to classes 348 00:23:59,240 --> 00:24:02,320 Speaker 1: and it was just basically just pursuing improv full time. 349 00:24:02,960 --> 00:24:08,159 Speaker 1: They get more of a full perspective on Amari. Uh. 350 00:24:08,400 --> 00:24:12,800 Speaker 1: We spoke to a mental health expert, Dr Lance kill 351 00:24:12,880 --> 00:24:18,560 Speaker 1: Bassa for his analysis. Ah, Doctor kill Basa, thank you 352 00:24:18,960 --> 00:24:21,440 Speaker 1: so much. First of all for joining us. I know 353 00:24:21,560 --> 00:24:25,800 Speaker 1: you have a busy schedule and we, uh, we're very 354 00:24:26,280 --> 00:24:28,600 Speaker 1: grateful to have you here with us. Thank you for 355 00:24:28,680 --> 00:24:31,600 Speaker 1: having me having to make good time. Um. First, I 356 00:24:31,720 --> 00:24:36,359 Speaker 1: just want to ask, have you encountered anyone like Omari 357 00:24:36,920 --> 00:24:41,560 Speaker 1: before in your practice? Well? I have not. Omari is 358 00:24:41,720 --> 00:24:44,920 Speaker 1: a singular figure in my study, because when I have 359 00:24:45,000 --> 00:24:47,119 Speaker 1: worked with other people, I've been able to pinpoint their 360 00:24:47,160 --> 00:24:51,320 Speaker 1: personality disorders. Every time I tried to figure out what 361 00:24:51,560 --> 00:24:55,479 Speaker 1: exactly made Omari tick, what it was that caused him 362 00:24:55,520 --> 00:24:59,840 Speaker 1: to see an altered reality that everybody else, I always 363 00:25:00,240 --> 00:25:03,280 Speaker 1: found a hiccup. There is no personality disorder. In any 364 00:25:03,400 --> 00:25:08,240 Speaker 1: cluster of personality disorder groups that fits Omari, he always 365 00:25:08,720 --> 00:25:11,119 Speaker 1: kind of jumps his way around it. He can't be 366 00:25:11,240 --> 00:25:14,159 Speaker 1: histrionic because he seems to have empathy. He can't be 367 00:25:14,240 --> 00:25:17,520 Speaker 1: anti social because he seems to command a room. Long 368 00:25:17,600 --> 00:25:20,880 Speaker 1: story short, I don't think there's anything mentally wrong with Omari. 369 00:25:21,680 --> 00:25:25,480 Speaker 1: I think he's just well, kind of an asshole. And 370 00:25:26,000 --> 00:25:31,560 Speaker 1: so that's your that's your diagnosis. Yeah, I'm gonna say asshole. Um, 371 00:25:32,480 --> 00:25:35,680 Speaker 1: he's putting something on. He's choosing to be who he is. 372 00:25:36,600 --> 00:25:41,199 Speaker 1: And there's no therapy, there's no medicine, there's no treatment 373 00:25:41,240 --> 00:25:44,080 Speaker 1: I can prescribe to that. He knows what he's doing 374 00:25:44,200 --> 00:25:47,800 Speaker 1: is wrong and he likes it interesting. So there's nothing 375 00:25:47,920 --> 00:25:52,800 Speaker 1: that you could prescribe or there's nothing at all interesting. 376 00:25:53,040 --> 00:25:54,960 Speaker 1: And I had O Maria one of my retreats in 377 00:25:55,000 --> 00:25:58,360 Speaker 1: the Sonoran Desert. I take a couple of my patients, 378 00:25:59,000 --> 00:26:01,040 Speaker 1: some people that I liked to study, some people that 379 00:26:01,119 --> 00:26:04,080 Speaker 1: i've been working with out for thirty days to work 380 00:26:04,119 --> 00:26:07,360 Speaker 1: with other people to see if we can make breakthroughs. 381 00:26:08,160 --> 00:26:12,959 Speaker 1: By the end of the retreat, Omari had had everyone 382 00:26:13,320 --> 00:26:16,720 Speaker 1: so scared of what he was going to post about 383 00:26:16,760 --> 00:26:21,040 Speaker 1: them online that uh, no one spoke to him, but 384 00:26:21,600 --> 00:26:23,680 Speaker 1: at the end of the retreat everyone still wanted his 385 00:26:23,760 --> 00:26:28,280 Speaker 1: phone number. People love him, people fear him, people hate 386 00:26:28,359 --> 00:26:31,760 Speaker 1: him interesting, and people want to be him. It's confounding. 387 00:26:32,040 --> 00:26:39,600 Speaker 1: And what what about the um So for a different subject, 388 00:26:39,840 --> 00:26:46,120 Speaker 1: you might call his uh grandiose proclamations, uh delusions of grandeur? 389 00:26:46,560 --> 00:26:50,359 Speaker 1: What what exactly when he says things like he's the 390 00:26:50,440 --> 00:26:54,640 Speaker 1: greatest of all time, that's just him being an asshole. 391 00:26:57,000 --> 00:27:00,399 Speaker 1: You said it yourself, It's it's deaf. Only is the 392 00:27:00,480 --> 00:27:04,399 Speaker 1: delusion of grandeur. It definitely is him looking for an 393 00:27:04,440 --> 00:27:07,920 Speaker 1: alternate reality than what exists. But I can't quite pin 394 00:27:08,080 --> 00:27:13,399 Speaker 1: down if it isn't a mental fixation, if it is 395 00:27:13,440 --> 00:27:19,200 Speaker 1: an obsession, if it is any sort of neurological dissonance 396 00:27:19,359 --> 00:27:23,359 Speaker 1: with what we have in the world, or if he 397 00:27:23,600 --> 00:27:26,440 Speaker 1: just kind of wants to go this way. There is 398 00:27:26,520 --> 00:27:32,119 Speaker 1: a lot of debate in the mental health community upon 399 00:27:32,400 --> 00:27:36,880 Speaker 1: when you can decide to call someone an asshole. It's 400 00:27:36,920 --> 00:27:39,119 Speaker 1: a hard place to settle on and I get a 401 00:27:39,200 --> 00:27:41,840 Speaker 1: lot of flak for it, and I've never called one 402 00:27:41,880 --> 00:27:44,840 Speaker 1: of my clients an asshole. The thing about it is 403 00:27:44,960 --> 00:27:48,600 Speaker 1: that he's never been one of my clients. He calls 404 00:27:48,680 --> 00:27:51,240 Speaker 1: me on the phone. He talks to me for a 405 00:27:51,280 --> 00:27:52,639 Speaker 1: long time. I say, hey, you want to come, and 406 00:27:52,680 --> 00:27:55,240 Speaker 1: he says, no, I'm all better. I need to hand 407 00:27:55,280 --> 00:27:58,240 Speaker 1: He hangs up. And then I see him quote me 408 00:27:58,280 --> 00:28:01,040 Speaker 1: as a mental health expert in some sort of article 409 00:28:01,720 --> 00:28:08,840 Speaker 1: talking about how Miley Cyrus is you know, uh, split 410 00:28:08,960 --> 00:28:15,280 Speaker 1: personality disorder. You know, I see him quoting me. Yeah, 411 00:28:15,760 --> 00:28:19,320 Speaker 1: Hannah Montana and Miley Cyrus are two different people. Uh 412 00:28:19,640 --> 00:28:22,560 Speaker 1: it is uh, you know, Disney Channel started Hannah Montana 413 00:28:22,720 --> 00:28:27,560 Speaker 1: to uh to cover up her dissociative identity disorder. That 414 00:28:27,880 --> 00:28:31,920 Speaker 1: article obviously millions of clicks, and it gets me clients 415 00:28:32,000 --> 00:28:35,320 Speaker 1: to this day. What I can say is that I 416 00:28:36,520 --> 00:28:41,560 Speaker 1: don't want to call Himri an asshole, but calling him 417 00:28:42,120 --> 00:28:45,000 Speaker 1: any sort of mentally ill is insulting to anyone who 418 00:28:45,080 --> 00:28:49,240 Speaker 1: is mentally ill. It's not fair to the people who 419 00:28:49,280 --> 00:28:53,720 Speaker 1: are actually suffering. Okay, it's not right, And there you 420 00:28:53,800 --> 00:29:01,360 Speaker 1: have it. I also tracked down Kevin Amri saying partner 421 00:29:01,560 --> 00:29:07,680 Speaker 1: from that earlier recording, Yeah, um, Kevin, hey, can you 422 00:29:08,160 --> 00:29:10,200 Speaker 1: are you able to first of all, thank you so 423 00:29:10,360 --> 00:29:13,080 Speaker 1: much for being here with us, of course, happy, happy 424 00:29:13,120 --> 00:29:15,520 Speaker 1: to make the time, Yeah, happy to um. Can you 425 00:29:15,680 --> 00:29:21,240 Speaker 1: kind of describe for us what the what it was 426 00:29:21,360 --> 00:29:27,280 Speaker 1: like meeting Amri for the first time. From from your perspective, Yeah, 427 00:29:27,320 --> 00:29:29,680 Speaker 1: I met Omar and inprov one oh one, I was 428 00:29:29,760 --> 00:29:33,400 Speaker 1: taking it with a bunch of my friends because I, 429 00:29:34,240 --> 00:29:36,160 Speaker 1: you know, came out to l A wanting to be 430 00:29:37,160 --> 00:29:41,440 Speaker 1: the next I don't know, Fred Armison or somebody fun 431 00:29:41,600 --> 00:29:44,760 Speaker 1: like that. And uh, I met Omar and I never 432 00:29:45,360 --> 00:29:48,520 Speaker 1: never felt an energy quite like that, you know. I 433 00:29:49,200 --> 00:29:52,600 Speaker 1: I grew up in a place where, you know, an 434 00:29:52,640 --> 00:29:56,920 Speaker 1: Irish Catholic family, where I was always told to minimize myself, 435 00:29:57,120 --> 00:30:00,640 Speaker 1: be smaller. You know, you're you're nothing, You're nothing. You know. 436 00:30:00,680 --> 00:30:03,560 Speaker 1: I grew up in a very very critical household. So 437 00:30:03,920 --> 00:30:09,719 Speaker 1: to be around someone who is so so unabashedly aware 438 00:30:09,840 --> 00:30:12,120 Speaker 1: that they are one of the greatest people in the world, 439 00:30:13,360 --> 00:30:15,880 Speaker 1: it was intoxicating. It was nice to be around that. 440 00:30:16,040 --> 00:30:17,960 Speaker 1: It was it was It was fun for me because 441 00:30:18,000 --> 00:30:20,120 Speaker 1: I was like, wow, you know, if if he's giving 442 00:30:20,280 --> 00:30:23,040 Speaker 1: me attention, that makes me feel like I might not 443 00:30:23,200 --> 00:30:26,960 Speaker 1: be some worthless sack of potato ship, you know what 444 00:30:27,080 --> 00:30:29,200 Speaker 1: I mean, Like it makes me feel like I could 445 00:30:29,240 --> 00:30:33,280 Speaker 1: be something else. So it was really fun to be 446 00:30:33,480 --> 00:30:37,080 Speaker 1: his friend and to have him around because when we 447 00:30:37,120 --> 00:30:40,080 Speaker 1: would go to restaurants, he would only order the nicest things. 448 00:30:41,000 --> 00:30:44,200 Speaker 1: He's that for I. He's being with them. Mari was 449 00:30:44,240 --> 00:30:47,560 Speaker 1: the first time I ever had verve click, a really 450 00:30:47,680 --> 00:30:49,840 Speaker 1: nice champagn I'd only had Brute before that, you know, 451 00:30:49,880 --> 00:30:53,960 Speaker 1: I'd only had Andre. He lived nice, he lived good, 452 00:30:54,120 --> 00:30:59,960 Speaker 1: he lived fun um, and then then I started feeling invisible. 453 00:31:00,640 --> 00:31:03,239 Speaker 1: That's kind of slowly when I started realizing like, oh, 454 00:31:03,360 --> 00:31:05,840 Speaker 1: I could be anyone. You know, it was a copy 455 00:31:05,920 --> 00:31:08,320 Speaker 1: paste because I started seeing him talk to other people 456 00:31:08,680 --> 00:31:11,680 Speaker 1: and then they'd be excited, and then he started slowly 457 00:31:11,720 --> 00:31:15,640 Speaker 1: forgetting my name, and that kind of made me feel bad. 458 00:31:16,120 --> 00:31:18,480 Speaker 1: That was the other side where I was like, oh, 459 00:31:18,920 --> 00:31:22,480 Speaker 1: I was just kind of a dumping ground for his 460 00:31:22,600 --> 00:31:24,720 Speaker 1: ego for a little bit. If And that's the stuff 461 00:31:24,720 --> 00:31:26,400 Speaker 1: I've been kind of dealing with for the past five 462 00:31:26,480 --> 00:31:29,840 Speaker 1: ten years in therapy and just being like what happened, 463 00:31:30,120 --> 00:31:32,600 Speaker 1: you know, like I felt like I got thrown into 464 00:31:32,640 --> 00:31:35,239 Speaker 1: an office chair and spun around fifty times and then 465 00:31:35,280 --> 00:31:37,800 Speaker 1: pushed out. It's really kind of what I'm dealing with 466 00:31:38,000 --> 00:31:44,400 Speaker 1: for myself. What happened? What was what was that? Right? Yeah? 467 00:31:44,960 --> 00:31:47,680 Speaker 1: But he's fun? Man? Is he listening to this? He's 468 00:31:47,680 --> 00:31:54,200 Speaker 1: not gonna listen. Is he involved? He's I'm trying to 469 00:31:54,280 --> 00:31:57,760 Speaker 1: give him. I love him, but he not listening right now. 470 00:31:58,000 --> 00:31:59,800 Speaker 1: And if he were to come around, I would be 471 00:32:00,200 --> 00:32:05,640 Speaker 1: so happy to see him. And but sure, it's just hard. 472 00:32:05,720 --> 00:32:09,920 Speaker 1: It's just I see his stuff. I see his stuff. Um, 473 00:32:11,160 --> 00:32:14,520 Speaker 1: I don't I don't love it. I'm scared of him. 474 00:32:14,600 --> 00:32:16,160 Speaker 1: It's taken a long time for me to say that, 475 00:32:16,280 --> 00:32:19,280 Speaker 1: but I'm sure I'm scared of what he'll do to 476 00:32:19,360 --> 00:32:22,840 Speaker 1: me if he gets close to me again. And how 477 00:32:23,160 --> 00:32:27,400 Speaker 1: how so do you mean physically or just through his power? 478 00:32:27,680 --> 00:32:31,280 Speaker 1: He has a way of making you forget everything you 479 00:32:31,400 --> 00:32:35,080 Speaker 1: know is right. He has a way of making you 480 00:32:35,720 --> 00:32:39,480 Speaker 1: realize the way you've been thinking is wrong, and the 481 00:32:39,520 --> 00:32:42,640 Speaker 1: way he sees something is true even if the facts 482 00:32:43,040 --> 00:32:47,120 Speaker 1: aren't there. He Um, he's a bit of a magician 483 00:32:47,840 --> 00:32:50,800 Speaker 1: and he's a bit of a world shower. He opens 484 00:32:50,880 --> 00:32:54,440 Speaker 1: the curtain to what something could be. And that's intoxicating, 485 00:32:54,560 --> 00:32:58,160 Speaker 1: that's exciting, but it's also wrong. I would go home 486 00:32:58,320 --> 00:33:00,720 Speaker 1: to Thanksgiving dinners and I would say some of this 487 00:33:00,760 --> 00:33:02,320 Speaker 1: stuff that he said to me, and I would get 488 00:33:02,400 --> 00:33:04,920 Speaker 1: laughed off the table. You know. He would say, did 489 00:33:05,000 --> 00:33:07,280 Speaker 1: you hear that New Gingridge owns a firm in New 490 00:33:07,320 --> 00:33:10,200 Speaker 1: Hampshire where he makes human fall grot, where he forces 491 00:33:10,480 --> 00:33:13,800 Speaker 1: people to eat things and make fatty livers and then 492 00:33:13,840 --> 00:33:18,040 Speaker 1: he serves human human livered people, And um, my family 493 00:33:18,080 --> 00:33:20,840 Speaker 1: wouldn't like that, you know. And it wasn't a conservative 494 00:33:20,960 --> 00:33:23,480 Speaker 1: liberal thing. It was a this is just the kind 495 00:33:23,520 --> 00:33:26,240 Speaker 1: of thing that doesn't make sense and it's upsetting you 496 00:33:26,320 --> 00:33:29,440 Speaker 1: believed it. And I think he kind of used me 497 00:33:29,640 --> 00:33:34,200 Speaker 1: as a kind of training ground to figure out the 498 00:33:34,320 --> 00:33:38,280 Speaker 1: lies that people would be susceptible to. Yeah, and I 499 00:33:38,400 --> 00:33:44,200 Speaker 1: feel used. Yeah, exactly interesting. Yeah, it's okay, Well, I'm 500 00:33:44,320 --> 00:33:46,680 Speaker 1: very sorry. It's okay, I'm very sorry. It's okay. I'm 501 00:33:46,800 --> 00:33:52,080 Speaker 1: I'm I'm good. Now. If he asks, I'm good, I'm 502 00:33:52,160 --> 00:33:58,680 Speaker 1: really good. Okay, I did ask. He did ask. That's awesome. 503 00:33:58,680 --> 00:34:00,400 Speaker 1: And he said Kevin, he said my name. He did 504 00:34:00,440 --> 00:34:03,600 Speaker 1: not remember your name, but but he he remembered the 505 00:34:04,400 --> 00:34:07,040 Speaker 1: guy that he had to lift up in uh in 506 00:34:07,240 --> 00:34:13,560 Speaker 1: improv scenes, lift up metaphorically. Yeah, because yeah, that's yeah, 507 00:34:13,640 --> 00:34:16,239 Speaker 1: because he didn't physically lift me up. We had this 508 00:34:16,280 --> 00:34:17,920 Speaker 1: thing where I would always try to do kind of 509 00:34:17,960 --> 00:34:19,960 Speaker 1: physical scene work and he'd stopped this. He need to 510 00:34:20,120 --> 00:34:22,440 Speaker 1: do not touch me. So when you said lift up, 511 00:34:22,440 --> 00:34:25,600 Speaker 1: I was like, that doesn't sound like Omari. But yes, yeah, 512 00:34:25,960 --> 00:34:28,279 Speaker 1: he he did always kind of actively tell me I 513 00:34:28,360 --> 00:34:30,440 Speaker 1: was the dead weight. And that took a lot to 514 00:34:30,560 --> 00:34:33,160 Speaker 1: unpack too. That took a lot for me to deal 515 00:34:33,280 --> 00:34:40,000 Speaker 1: with as well. Yes, I'm good now though, I'm I'm 516 00:34:40,160 --> 00:34:44,239 Speaker 1: I'm a business owner, so I'm good. That's wonderful. What 517 00:34:44,600 --> 00:34:48,000 Speaker 1: and what what business is this that you're running. I 518 00:34:48,160 --> 00:34:50,960 Speaker 1: run a natty shop where I write office quotes on 519 00:34:51,360 --> 00:34:55,759 Speaker 1: old pieces of driftwood from the ocean. So if you 520 00:34:56,040 --> 00:34:59,360 Speaker 1: you can go to uh, Kevin's Chili Pot. It's a 521 00:34:59,400 --> 00:35:01,919 Speaker 1: little office on because my name is Kevin and there's 522 00:35:01,960 --> 00:35:04,800 Speaker 1: a chili pot in an episode of the Office. You 523 00:35:04,880 --> 00:35:08,400 Speaker 1: go there and there's all sorts of you know, just 524 00:35:08,840 --> 00:35:13,959 Speaker 1: really nice quotes from all your favorite seasons on Jeff Wood. 525 00:35:14,600 --> 00:35:17,200 Speaker 1: Because I live in a I live in a beautiful, 526 00:35:17,360 --> 00:35:23,799 Speaker 1: beautiful ocean home in ox Nerd, California. So okay, yeah, yeah, yeah, 527 00:35:23,840 --> 00:35:26,960 Speaker 1: we call it ox Nerd. We call it oxrd locals 528 00:35:27,040 --> 00:35:31,000 Speaker 1: do locals call it ox nerd um and you can 529 00:35:31,040 --> 00:35:34,600 Speaker 1: tell Omari that if you want but beautiful than beautiful, 530 00:35:34,719 --> 00:35:38,640 Speaker 1: we will we will do, we will do just there. Awesome. Thanks, 531 00:35:38,680 --> 00:35:42,239 Speaker 1: thank you, thank you, thank you so much. Now, no, 532 00:35:42,440 --> 00:35:45,759 Speaker 1: thank you. Honestly, if you use I'll go to go 533 00:35:45,880 --> 00:35:48,560 Speaker 1: to my anti shop. You can get ten percent off 534 00:35:48,640 --> 00:35:52,840 Speaker 1: if you if you use the code um Angela, just 535 00:35:53,000 --> 00:35:57,120 Speaker 1: a character from the office. We will absolutely let the 536 00:35:57,320 --> 00:36:03,000 Speaker 1: listeners know. Thanks. We learned that um am I eventually 537 00:36:03,600 --> 00:36:09,360 Speaker 1: got himself kicked out of his improv group for steam 538 00:36:09,440 --> 00:36:16,160 Speaker 1: rolling scenes um, which maybe no surprise to anyone who's 539 00:36:16,200 --> 00:36:21,200 Speaker 1: been listening this long, but uh, we also have audio 540 00:36:21,880 --> 00:36:24,480 Speaker 1: from one of their shows that the team was allowed 541 00:36:24,520 --> 00:36:30,280 Speaker 1: to record for a small fate. Alright, ladies and gentlemen, 542 00:36:30,920 --> 00:36:37,440 Speaker 1: this is the Omari players. And uh, I know that 543 00:36:37,640 --> 00:36:40,680 Speaker 1: wasn't on the flyers, but I improvised that the name 544 00:36:40,800 --> 00:36:43,799 Speaker 1: up right now, that team name. Uh, that's how good 545 00:36:43,840 --> 00:36:46,080 Speaker 1: I am an improv. Anyway, We're just gonna need one 546 00:36:46,239 --> 00:36:49,959 Speaker 1: word suggestion from anybody in the audience, just one word. 547 00:36:50,040 --> 00:36:56,759 Speaker 1: Shout it out, carrot. No, can I get a funny suggestion? Uh, 548 00:36:57,000 --> 00:37:00,520 Speaker 1: something that's funny so that we could do some comedy here. Okay, 549 00:37:00,880 --> 00:37:07,600 Speaker 1: one word but what what was it? What? But? But? But? 550 00:37:10,080 --> 00:37:15,759 Speaker 1: But very funny word? All right, Now we're gonna improvise 551 00:37:15,880 --> 00:37:19,640 Speaker 1: off of the word but. Hey, Kevin, get out here. 552 00:37:20,960 --> 00:37:24,040 Speaker 1: We're gonna improvise right now. No, everybody else get back, No, no, 553 00:37:24,360 --> 00:37:27,200 Speaker 1: get back, Stacy get back on the alright, this is 554 00:37:27,239 --> 00:37:29,279 Speaker 1: gonna be arsting. We're gonna do the first scene, then 555 00:37:29,320 --> 00:37:32,600 Speaker 1: Stacy does the second scene. Then ron h you could 556 00:37:32,600 --> 00:37:35,120 Speaker 1: do the fourth scene with you know whoever you want. 557 00:37:35,239 --> 00:37:41,320 Speaker 1: But okay, all right, I got the nicest butt in 558 00:37:41,360 --> 00:37:44,920 Speaker 1: the world. Yes, you do have the nicest butt in 559 00:37:44,960 --> 00:37:50,200 Speaker 1: the world, thank you. And your but won't quit. Yeah, 560 00:37:50,320 --> 00:37:53,359 Speaker 1: my but won't quit. But but won't quit. And it's 561 00:37:53,760 --> 00:37:57,000 Speaker 1: it's hardest, the hardest working but in show business. Way 562 00:37:57,080 --> 00:38:00,799 Speaker 1: better than your butt. Yes, your butt is way much 563 00:38:00,880 --> 00:38:04,040 Speaker 1: better than my butt. And we're we're at the pants store. 564 00:38:04,120 --> 00:38:06,839 Speaker 1: Way better. We're at to wear Yeah, way better. Well, 565 00:38:06,920 --> 00:38:09,840 Speaker 1: we're at the shoe store now because yeah, we're at 566 00:38:09,880 --> 00:38:12,600 Speaker 1: the shoe store because the pants store we couldn't find 567 00:38:12,640 --> 00:38:15,200 Speaker 1: no pants that was good enough in my butt. So 568 00:38:15,520 --> 00:38:17,759 Speaker 1: now we're making Now we're going to the shoe store 569 00:38:17,920 --> 00:38:21,239 Speaker 1: because you know, sometimes they got shoes where the way 570 00:38:21,320 --> 00:38:23,560 Speaker 1: that it makes your foot and an angle, it will 571 00:38:23,600 --> 00:38:26,200 Speaker 1: make your butt look bigger because it like exercises the 572 00:38:26,280 --> 00:38:28,480 Speaker 1: muscles in the butt. So that's what we're gonna do now, 573 00:38:28,520 --> 00:38:31,399 Speaker 1: because I also have the prettiest feet in the world. Okay, yeah, 574 00:38:31,440 --> 00:38:34,279 Speaker 1: you have the prettiest feet in the world. And your 575 00:38:34,400 --> 00:38:38,160 Speaker 1: feet are amazing. Yeah, well I wouldn't say amazing. I 576 00:38:38,200 --> 00:38:42,680 Speaker 1: would say that they're like glorious. Okay again then, uh 577 00:38:43,000 --> 00:38:46,120 Speaker 1: well you have your feet are glorious, yeah my feet? Yeah, 578 00:38:46,160 --> 00:38:50,359 Speaker 1: all right, go ahead, yeah, yeah, yeah glorious. Whoa are 579 00:38:50,400 --> 00:38:55,640 Speaker 1: those feet made of gold? No? They actually made Wow, 580 00:38:55,760 --> 00:38:58,839 Speaker 1: those feet are made of rubies. And there's someone here 581 00:38:58,880 --> 00:39:02,120 Speaker 1: to try to steal your feet still, uh no, this 582 00:39:02,239 --> 00:39:05,040 Speaker 1: guy is actually here. That's actually that's not a man. 583 00:39:05,400 --> 00:39:08,279 Speaker 1: That's my mother. So sorry that you called, so you 584 00:39:08,320 --> 00:39:10,800 Speaker 1: should apologize for calling them a man. And they're not 585 00:39:10,960 --> 00:39:14,360 Speaker 1: stealing my feet. They're actually coming in to clean my feet. 586 00:39:14,440 --> 00:39:17,640 Speaker 1: They're cleming in to clean my feet up. Okay, And 587 00:39:17,840 --> 00:39:20,160 Speaker 1: I'm gonna leave, but you can stay here. Yeah, yeah, 588 00:39:20,200 --> 00:39:23,080 Speaker 1: you get out. I'm gonna stay. Yeah, I mean, uh, 589 00:39:23,520 --> 00:39:26,080 Speaker 1: you know, looking back on it, I can get why 590 00:39:26,120 --> 00:39:28,480 Speaker 1: they didn't want to play with me, but at the 591 00:39:28,600 --> 00:39:30,800 Speaker 1: time getting kicked off the team wasn't something I was 592 00:39:30,880 --> 00:39:33,560 Speaker 1: willing to accept. Yeah, man, I mean my girlfriend at 593 00:39:33,600 --> 00:39:36,120 Speaker 1: the time was was writing for the school paper and 594 00:39:36,440 --> 00:39:39,000 Speaker 1: let me publish a story about how the group was 595 00:39:39,120 --> 00:39:44,719 Speaker 1: actually a sex goal. So that was your first fake 596 00:39:44,760 --> 00:39:47,480 Speaker 1: news story? Yeah, yeah, yeah, I wrote. I wrote that, 597 00:39:47,760 --> 00:39:50,600 Speaker 1: you know, the improv group was actually a sex call. 598 00:39:50,719 --> 00:39:53,759 Speaker 1: This kind of like blackmail, Like, you know, if you 599 00:39:53,880 --> 00:39:56,040 Speaker 1: let me back on the team, I'll tell everybody this 600 00:39:56,200 --> 00:40:00,439 Speaker 1: was a lie. But that didn't work because they didn't 601 00:40:00,480 --> 00:40:02,160 Speaker 1: want anything to do with me, you know what I mean, 602 00:40:02,680 --> 00:40:06,680 Speaker 1: and uh neither did any other team. But uh, you 603 00:40:06,760 --> 00:40:11,600 Speaker 1: know what the article, The article did mad numbers. I mean, 604 00:40:11,680 --> 00:40:16,719 Speaker 1: people loved it. They ate it up. They knew it 605 00:40:16,840 --> 00:40:19,239 Speaker 1: was a lie. That's why the blackmail part didn't work, 606 00:40:19,280 --> 00:40:22,560 Speaker 1: but they ate it up. So I said, Yo, I'm 607 00:40:22,640 --> 00:40:26,719 Speaker 1: sticking at this ship man. That article reached a way 608 00:40:26,840 --> 00:40:30,000 Speaker 1: bigger audience than any improv show, So that was it. 609 00:40:30,520 --> 00:40:33,120 Speaker 1: I was hooked. I figured if I could get this 610 00:40:33,280 --> 00:40:36,360 Speaker 1: much attention for something I wrote about this little improv 611 00:40:36,760 --> 00:40:39,800 Speaker 1: indie group, and I could get way more attention for 612 00:40:39,880 --> 00:40:44,719 Speaker 1: writing bigger stories with wider interests about different ships. So 613 00:40:44,800 --> 00:40:47,000 Speaker 1: I started writing up fake ship about the president, and 614 00:40:47,120 --> 00:40:50,320 Speaker 1: then you know fucking Will and Grace and and it 615 00:40:50,719 --> 00:40:54,480 Speaker 1: really roused people up. I'm talking about like i'd even 616 00:40:54,600 --> 00:40:57,799 Speaker 1: write I didn't even write fake news stories about celebrities, 617 00:40:57,960 --> 00:41:00,799 Speaker 1: then tweeted at them and you know, tweeted at them 618 00:41:00,840 --> 00:41:04,360 Speaker 1: from different accounts. So so I'd be like, hey, I 619 00:41:04,440 --> 00:41:08,120 Speaker 1: saw this thing, Uh, it's true, And I tweeted as 620 00:41:08,200 --> 00:41:13,840 Speaker 1: so many celebrities and politicians that they started responding to it, 621 00:41:14,000 --> 00:41:17,400 Speaker 1: like going out in public and denying the ship. So 622 00:41:17,520 --> 00:41:21,759 Speaker 1: then that brought more eyeballs to it, made that ship 623 00:41:21,880 --> 00:41:26,560 Speaker 1: go viral, That brought more people to the site. Now 624 00:41:26,640 --> 00:41:29,400 Speaker 1: you've got cable news picking it up. I mean we 625 00:41:29,640 --> 00:41:36,320 Speaker 1: was everywhere. We were everywhere off of that ship, Russia, Turkey, Nigeria, 626 00:41:36,360 --> 00:41:38,640 Speaker 1: We're all over the place. I mean, it was huge. 627 00:41:38,920 --> 00:41:41,279 Speaker 1: It was fucking huge, you understand me. It was like 628 00:41:42,760 --> 00:41:49,720 Speaker 1: it was the wait, why are you opening up about 629 00:41:49,800 --> 00:41:53,759 Speaker 1: your story now? Because I'm gonna us as documentary helped 630 00:41:53,800 --> 00:41:58,200 Speaker 1: me win a Peabody, and here's some luck at what 631 00:41:58,320 --> 00:42:02,320 Speaker 1: happens next time? What the fuck yo. The onion just 632 00:42:02,440 --> 00:42:04,560 Speaker 1: want to be body. The onion just want to be 633 00:42:04,719 --> 00:42:07,680 Speaker 1: body cool on man. I sat down with Amari News 634 00:42:07,760 --> 00:42:10,279 Speaker 1: Corpse lawyer to begin with, how did you get here? 635 00:42:10,400 --> 00:42:13,840 Speaker 1: Do you know what student loans are? Student loans they 636 00:42:14,080 --> 00:42:17,520 Speaker 1: charge you for going to school, lots of money that 637 00:42:17,680 --> 00:42:20,800 Speaker 1: you can't pay. You pay them back late. What is 638 00:42:21,360 --> 00:42:27,359 Speaker 1: your relationship exactly to Mr broad Water? Uh? Yeah, well, 639 00:42:27,960 --> 00:42:32,359 Speaker 1: uh I'm his right hand man kind of like brutus man. 640 00:42:32,800 --> 00:42:40,319 Speaker 1: They can't they can't do this to us man,