WEBVTT - Ep10 "Why is it so hard to spot a counterfeit bill?"

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<v Speaker 1>What do counterfeit bills have to do with brains? And

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<v Speaker 1>why is it so hard for you to recognize a

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<v Speaker 1>real penny? And what does this have to do with

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<v Speaker 1>the building on the fifty euro bill recently getting replaced

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<v Speaker 1>with the face of the goddess Europa And what did

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<v Speaker 1>I have to do with that? And why did I

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<v Speaker 1>campaign to the European Central Bank that all bills should

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<v Speaker 1>be blank with a single hologram in the middle. Welcome

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<v Speaker 1>to Inner Cosmos with me, David Eagleman.

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<v Speaker 2>I'm a neuroscientist, and you might wonder how a neuroscientist

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<v Speaker 2>got involved in studying counterfeit money. Ll hang tight, because

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<v Speaker 2>in this episode we're going to see how all these

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<v Speaker 2>issues intersect. The most pervasive mistakes that we make is

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<v Speaker 2>believing that our visual systems give us a faithful representation of.

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<v Speaker 1>What's out there. We think of our vision the way

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<v Speaker 1>we think of a movie camera, like it's just capturing

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<v Speaker 1>the information from the world. But there are a whole

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<v Speaker 1>bunch of simple demonstrations that can quickly disabuse you of

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<v Speaker 1>this notion. For example, imagine that I show you two pictures.

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<v Speaker 1>I flash one, then it goes off, then the second

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<v Speaker 1>one comes on, then it goes off, then the first

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<v Speaker 1>one comes back on, and so on, So it alternates

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<v Speaker 1>between pictures A and B, and it looks like it's

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<v Speaker 1>the same picture. But let's say I let you know

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<v Speaker 1>that there is a difference between the pictures, and your

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<v Speaker 1>job is simply to spot the difference. Well, if you've

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<v Speaker 1>ever played these sorts of games before, you know how

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<v Speaker 1>surprisingly difficult it can be to tell the difference between them.

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<v Speaker 1>It turns out that we are really blind to changes

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<v Speaker 1>in scene, and these can be quite large changes. So

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<v Speaker 1>you might have a big statue that's present in the

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<v Speaker 1>background of one photo and not the other, or a

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<v Speaker 1>jeep or an airplane, and the difference goes unseen. You

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<v Speaker 1>can see some demos of this at eagleman dot com

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<v Speaker 1>slash podcast. So what happens is that your attention slowly

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<v Speaker 1>crawls over the photograph and you analyze the interesting landmarks

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<v Speaker 1>until you finally detect what is changing. And once your

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<v Speaker 1>brain has latched on to the appropriate object, then the

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<v Speaker 1>change is trivial to see. But this happens only after

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<v Speaker 1>a pretty exhaustive inspection. This is what's known as change blindness,

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<v Speaker 1>and it highlights the importance of attention, which is to say,

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<v Speaker 1>to see an object change, you have to attend to it.

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<v Speaker 1>And what an experiment like this surface is is that

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<v Speaker 1>you're not actually seeing the world with the rich detail

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<v Speaker 1>that you implicitly believed you were. In fact, you're not

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<v Speaker 1>aware of most of what's hitting your eyes. So imagine

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<v Speaker 1>you're watching a short film with a single actor in it.

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<v Speaker 1>He's cooking an omelet, and the camera cuts to a

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<v Speaker 1>different angle as the actor continues his cooking. Surely you

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<v Speaker 1>would notice if the actor changed into a different person, right,

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<v Speaker 1>But in studies, two thirds of observers don't. In one

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<v Speaker 1>really astonishing demonstration of change blindness, random pedestrians in a

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<v Speaker 1>courtyard were stopped by an experimenter and they were asked

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<v Speaker 1>for directions, So they start giving directions, and at some point,

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<v Speaker 1>as the unsuspecting person is in the middle of explaining

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<v Speaker 1>this workmen carrying a door walk right in between the

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<v Speaker 1>two people, and unbeknownst to the pedestrian, the experimenter is

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<v Speaker 1>stealthily replaced by a confederate who's been hiding behind the door.

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<v Speaker 1>So the people are swapped, and after the door passes,

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<v Speaker 1>a new person is standing there and the majority of

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<v Speaker 1>subjects continue giving directions without noticing that the person they

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<v Speaker 1>were talking to is not the same one that they

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<v Speaker 1>were talking to. In other words, they were only encoding

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<v Speaker 1>small amounts of the information that was hitting their eyes.

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<v Speaker 1>The rest was assumption. Now, neuroscientists weren't the first to

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<v Speaker 1>discover that placing your eyes on something is no guarantee

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<v Speaker 1>of seeing it. Magicians figured this out long ago, and

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<v Speaker 1>they perfected ways of leveraging this knowledge. So by directing

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<v Speaker 1>your attention, magicians perform sleight of hand in full view.

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<v Speaker 1>Their actions, their hand motions should give away the game,

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<v Speaker 1>but they can rest assured that your brain process it

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<v Speaker 1>is only small bits of the visual scene. It's not

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<v Speaker 1>everything that's hitting your retinas. And by the way, this

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<v Speaker 1>limitation of our vision helps to explain the colossal number

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<v Speaker 1>of traffic accidents in which drivers will hit pedestrians who

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<v Speaker 1>are in plane view, or they'll collide with cars that

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<v Speaker 1>are right in front of them. Sometimes you'll even see

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<v Speaker 1>stories where a car intersects with a train on the track.

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<v Speaker 1>In some of these cases, the eyes are in the

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<v Speaker 1>right place, but the brain isn't registering the stimulus. Vision

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<v Speaker 1>is more than looking Now This is all an example

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<v Speaker 1>of a larger point, which is that we're not generally

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<v Speaker 1>aware of what's going on until we ask the question. So,

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<v Speaker 1>for example, what is the position of your tongue in

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<v Speaker 1>your mouth right now? Once you're asked the question, you

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<v Speaker 1>can answer it, But presumably you weren't aware of the

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<v Speaker 1>answer until I asked the question. Why does the brain

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<v Speaker 1>work this way because your brain generally doesn't need to

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<v Speaker 1>know most things. It simply needs to know how to

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<v Speaker 1>go out and retrieve the data when it needs it.

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<v Speaker 1>It perceives things on a need to know basis. You

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<v Speaker 1>don't continuously track the position of your tongue in your

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<v Speaker 1>consciousness because that knowledge is only useful in rare circumstances.

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<v Speaker 1>So again, you're not aware of much of anything until

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<v Speaker 1>you ask yourself about it. What does your left shoe

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<v Speaker 1>feel like on your foot right now? What pitch is

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<v Speaker 1>the hum of the air conditioner in the background. Just

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<v Speaker 1>like with change blindness, we are unaware of most of

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<v Speaker 1>what should be obvious to our senses. It's only after

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<v Speaker 1>we deploy our attention onto small bits of the scene

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<v Speaker 1>that we become aware of what we were missing. And

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<v Speaker 1>before we engage our attention. We're typically not aware that

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<v Speaker 1>we're not aware of those details. So not only is

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<v Speaker 1>our perception of the world a construction that doesn't accurately

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<v Speaker 1>represent the outside, it's weirder than that because we have

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<v Speaker 1>the false impression of a full, rich picture, when in

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<v Speaker 1>fact we only see what we need to know and

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<v Speaker 1>what we ask questions about, and we don't see anything

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<v Speaker 1>more than that. Now, this is a topic I'm going

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<v Speaker 1>to return to in many episodes, but for now I

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<v Speaker 1>want to ask what this has to do with the

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<v Speaker 1>economic currencies on this planet. So the scene is Lima, Peru,

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<v Speaker 1>a little before dawn. There's a bunch of houses and buildings,

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<v Speaker 1>and suddenly fifteen hundred Peruvian police officers and US Secret

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<v Speaker 1>Service agents storm the doors. This was called Operation Sunset,

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<v Speaker 1>and it was the finale of a long running inventstigation

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<v Speaker 1>aimed at reducing the flow of counterfeit US dollars from Peru.

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<v Speaker 1>They brought down six plants that had presses and plates

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<v Speaker 1>and negatives and piles of fake one hundred dollar bills,

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<v Speaker 1>and in just the past few years, counterfeit notes worth

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<v Speaker 1>more than seventy five million dollars have been confiscated in Peru,

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<v Speaker 1>and this is just one of lots of countries where

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<v Speaker 1>you have fraudsters who are cooking up fake dollars, And

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<v Speaker 1>it's essentially impossible to estimate the volume of counterfeit banknotes

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<v Speaker 1>passing through the US economy. What you find is that

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<v Speaker 1>the authorities claim they've captured most of the fakes, and

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<v Speaker 1>the counterfeitters claim exactly the opposite. Anyhow, counterfeiting is a

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<v Speaker 1>problem that faces every major player in the currency game.

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<v Speaker 1>Russia seizes counterfeits in the range of two hundred million

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<v Speaker 1>rubles per year. China captures five hundred million fake yu.

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<v Speaker 1>A few years years ago, India terminated their five hundred

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<v Speaker 1>and one thousand rupee notes, and this was at least

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<v Speaker 1>partially because of the rising concern about forgeries and their

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<v Speaker 1>inability to stem that. In Venezuela, the inflation was so

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<v Speaker 1>bad that it became worthwhile for fraudsters to bleach the

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<v Speaker 1>ten bole of oar bill and use the paper to

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<v Speaker 1>forge notes in other currencies. So it turns out there

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<v Speaker 1>are counterfeitters everywhere, and they're busy pushing fake banknotes into

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<v Speaker 1>streets and squares in every major city. You may wonder

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<v Speaker 1>how I came to care about counterfeits, given that I'm

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<v Speaker 1>a neuroscientist. Well, what happened is some years ago I

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<v Speaker 1>was giving a presentation at a brain science conference, and

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<v Speaker 1>afterwards I was approached by this guy and we started talking,

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<v Speaker 1>and I was surprised to learn that he was working

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<v Speaker 1>for the European Central Bank. And I was surprised because

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<v Speaker 1>it wasn't clear to me why someone like that would

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<v Speaker 1>be at a highly academic neuroscience conference. As it turns out,

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<v Speaker 1>his job was to find a solution to Europe's counterfeiting problem.

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<v Speaker 1>Their problem was that the EU comes across hundreds of

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<v Speaker 1>thousands of fake euro banknotes every year, mostly in the

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<v Speaker 1>form of twenties and fifties. At the heart of the

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<v Speaker 1>issue is the fact that governments spend millions creating security features.

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<v Speaker 1>So while we're talking, take out a twenty dollars bill,

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<v Speaker 1>or whatever country you're in, take out a high value bill.

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<v Speaker 1>They all have similar security features. Now, if you look

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<v Speaker 1>at it, you'll see that as you tilt the note

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<v Speaker 1>slightly back in fourth there's color changing ink. So the

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<v Speaker 1>color changes here of let's say the twenty and now

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<v Speaker 1>if you hold this up to the light, what you'll

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<v Speaker 1>see is a water mark that's otherwise invisible to you.

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<v Speaker 1>You can't see it normally, and it's not printed on

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<v Speaker 1>the front or the back, but it's printed on an

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<v Speaker 1>intermediate layer and on euros, and actually on the one

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<v Speaker 1>hundred dollars bill. What you see are holograms. So when

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<v Speaker 1>you angle this and change this, it moves around slightly

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<v Speaker 1>and appears to be three D. And you'll also see

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<v Speaker 1>colored strips that display the value of the note. And

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<v Speaker 1>if you happen to have an ultraviolet light, turn that

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<v Speaker 1>on and hold the bill under it, and you'll see

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<v Speaker 1>that the bill turns very colorful. You've got all these

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<v Speaker 1>invisible fibers in it that fluoresce under ultraviolet. So a

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<v Speaker 1>piece of currency is a bustling collection of security devices.

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<v Speaker 1>The problem is that no one pays attention to these

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<v Speaker 1>security devices. People who pass notes around in daily transactions

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<v Speaker 1>don't typically pause to examine them carefully. The special ink,

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<v Speaker 1>the watermark, the strip, the fibers, the hologram. These are

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<v Speaker 1>very expensive security features and they are a totally wasted

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<v Speaker 1>effort because counterfeit bills get passed from person to person

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<v Speaker 1>and no one ever notices these or notices if they

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<v Speaker 1>are badly rendered. Do you know how counterfeit bills almost

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<v Speaker 1>always are found at the banks? And that's because real

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<v Speaker 1>notes have one more feature, they have machine readable code

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<v Speaker 1>in the bill. Counterfeitters can do a good job making

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<v Speaker 1>a counterfeit, but they can't make the machine readable code,

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<v Speaker 1>and that's why the bank catches those. But the counterfeiters

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<v Speaker 1>don't need to do that because their bills get passed

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<v Speaker 1>around and no one ever notices. And this problem of

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<v Speaker 1>inattention led the European Central Bank to explore a simple question,

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<v Speaker 1>could banknotes be better designed so that the person on

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<v Speaker 1>the street would be more likely to notice when something

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<v Speaker 1>was amiss? And for that they finally started to think

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<v Speaker 1>about neuroscience. And that's how I got involved, because as

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<v Speaker 1>our understanding of the brain has developed over recent decades,

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<v Speaker 1>neuroscience has forged insights into a range of fields from

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<v Speaker 1>early education to consumer behavior to government policy, and modern

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<v Speaker 1>brain science has wide ranging applications, particularly when it comes

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<v Speaker 1>to understanding the ways in which our perceptions of the

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<v Speaker 1>world are inaccurate. In the case of banknotes, the questions

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<v Speaker 1>were straightforward, what details do we notice or not notice?

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<v Speaker 1>And why? What features could be better designed? To be

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<v Speaker 1>brain compatible of all the anti counterfeiting measures that the

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<v Speaker 1>government takes, which ones work, and how could their efforts

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<v Speaker 1>be better spent. So the man at the conference eventually

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<v Speaker 1>contracted with me to help them figure out the question

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<v Speaker 1>how should Europe redesign their bills? So we signed a

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<v Speaker 1>bunch of security documents and then I flew to the

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<v Speaker 1>headquarters of the European Central Bank in Frankfurt, Germany. Now

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<v Speaker 1>this was very cool because although the building was just

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<v Speaker 1>a boring government building, I was beeped through a badge

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<v Speaker 1>protected door, and then another, and then another, and we

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<v Speaker 1>finally arrived at this small inner room at the heart

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<v Speaker 1>of the building, and there were all these piles of

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<v Speaker 1>money of euros, mostly twenties and fifties, and they were

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<v Speaker 1>all counterfeit. Each pile had some feature that distinguished it,

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<v Speaker 1>whether that was the way they had done the shiny

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<v Speaker 1>foil or the way they had done the watermarks or whatever,

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<v Speaker 1>and this is how the bank arranged them. Now, many

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<v Speaker 1>of these forgeries were quite good. If you weren't paying

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<v Speaker 1>super close attention, the kind of attention no one ever

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<v Speaker 1>really pays to money, you couldn't tell there was anything

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<v Speaker 1>amiss with most of these forgeries you could tell under

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<v Speaker 1>ultraviolet light. But if you didn't have that, there was

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<v Speaker 1>really nothing that would even make you think to pay

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<v Speaker 1>extra attention. And here's a weird fact that I learned

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<v Speaker 1>there in the vaults. These really good forgeries, they always

0:15:24.480 --> 0:15:28.680
<v Speaker 1>have a slight error in them. And think about why

0:15:28.720 --> 0:15:33.000
<v Speaker 1>this is weird. You've got a otherwise amazingly well done

0:15:33.080 --> 0:15:37.600
<v Speaker 1>counterfeit bill, but it's got an error. For example, there

0:15:37.600 --> 0:15:42.280
<v Speaker 1>are essentially perfect counterfeits of the American twenty dollars bill.

0:15:42.520 --> 0:15:46.200
<v Speaker 1>But if you look at the number two, the way

0:15:46.280 --> 0:15:49.240
<v Speaker 1>that the bottom of the two spreads out what's called

0:15:49.240 --> 0:15:54.560
<v Speaker 1>the trumpeting in font language, it's just slightly wider than

0:15:54.600 --> 0:15:56.760
<v Speaker 1>it is on a real bill. So what's going on

0:15:56.800 --> 0:15:59.400
<v Speaker 1>with that? How can you get the whole bill right

0:16:00.080 --> 0:16:02.960
<v Speaker 1>but not get that little detail right? And there's actually

0:16:02.960 --> 0:16:05.920
<v Speaker 1>one more part to this mystery. There's only one mistake

0:16:06.080 --> 0:16:08.560
<v Speaker 1>on a bill and no more than that. And the

0:16:08.600 --> 0:16:11.520
<v Speaker 1>answer is it's not a mistake. It's on purpose, and

0:16:11.560 --> 0:16:16.160
<v Speaker 1>it's because counterfeitters need a way to distinguish their own

0:16:16.280 --> 0:16:19.280
<v Speaker 1>bills from the real ones. This is so they don't

0:16:19.280 --> 0:16:22.520
<v Speaker 1>spend their real money accidentally. Okay, so some of these

0:16:22.560 --> 0:16:26.480
<v Speaker 1>bills were almost perfect with this single tiny change, But

0:16:26.560 --> 0:16:30.320
<v Speaker 1>that's not the part that's interesting. What's interesting is that

0:16:30.520 --> 0:16:34.880
<v Speaker 1>most of the counterfeits were not as expertly done as

0:16:34.880 --> 0:16:38.320
<v Speaker 1>you might expect. On almost all of them, the part

0:16:38.360 --> 0:16:42.760
<v Speaker 1>where the color changing ink normally is didn't actually change color,

0:16:43.000 --> 0:16:47.000
<v Speaker 1>and on others the water mark had been hand drawn

0:16:47.520 --> 0:16:51.480
<v Speaker 1>really poorly, and in one pile of notes, the silver

0:16:51.560 --> 0:16:56.360
<v Speaker 1>hologram had been impersonated with a glued piece of shiny

0:16:56.440 --> 0:17:00.720
<v Speaker 1>material from the seal of a compact disc case. Many

0:17:00.800 --> 0:17:04.680
<v Speaker 1>of the notes had essentially none of the actual security features.

0:17:05.000 --> 0:17:08.120
<v Speaker 1>But the surprising thing is this, to get a counterfeit

0:17:08.240 --> 0:17:12.840
<v Speaker 1>into circulation, most counterfeiters don't bother to go through the

0:17:13.000 --> 0:17:17.320
<v Speaker 1>trouble of making an almost perfect one. Why because it

0:17:17.400 --> 0:17:21.120
<v Speaker 1>makes almost no difference. Almost no one in the general

0:17:21.160 --> 0:17:25.679
<v Speaker 1>public notices a bad forgery. People will stuff the notes

0:17:25.720 --> 0:17:28.439
<v Speaker 1>into their wallets, and they'll pass them on, and the

0:17:28.480 --> 0:17:32.160
<v Speaker 1>notes spread like a virus through the population. Because as

0:17:32.240 --> 0:17:37.200
<v Speaker 1>banknote users, we are surprisingly unobservant. We just don't pay

0:17:37.240 --> 0:17:41.800
<v Speaker 1>attention to the bills in our hand. The government spends

0:17:41.960 --> 0:17:46.200
<v Speaker 1>an incredible amount on security features, and we don't even

0:17:46.760 --> 0:17:50.320
<v Speaker 1>look at it now. The ECB tried to tackle this

0:17:50.440 --> 0:17:55.199
<v Speaker 1>problem by hosting public awareness campaigns where they encourage people

0:17:55.280 --> 0:17:59.080
<v Speaker 1>to stop and look carefully at what they were holding.

0:17:59.640 --> 0:18:04.400
<v Speaker 1>The coach failed. People wouldn't put in the effort. Governments

0:18:04.560 --> 0:18:08.800
<v Speaker 1>cary enormously about security features and the population doesn't. So

0:18:08.840 --> 0:18:12.280
<v Speaker 1>the Central Bank now wanted to try a different tack.

0:18:12.640 --> 0:18:15.800
<v Speaker 1>They wanted to work out what the human visual system

0:18:16.119 --> 0:18:20.679
<v Speaker 1>actually notices and why there was no point spending a

0:18:20.800 --> 0:18:24.320
<v Speaker 1>massive amount on security features that are only noticed by

0:18:24.400 --> 0:18:27.600
<v Speaker 1>security experts. And that was the beginning of a long

0:18:27.720 --> 0:18:31.840
<v Speaker 1>relationship I had with the ECB. For legal reasons, they

0:18:31.880 --> 0:18:36.479
<v Speaker 1>couldn't manufacture or mail to me counterfeit bills, and so

0:18:36.680 --> 0:18:42.119
<v Speaker 1>I had to figure out how to make pseudo bills myself. First,

0:18:42.200 --> 0:18:45.280
<v Speaker 1>I had to get approval from my university for this

0:18:45.680 --> 0:18:48.960
<v Speaker 1>very unusual study, and then my students that I set

0:18:49.000 --> 0:18:51.760
<v Speaker 1>to work. As it turns out, it's not that difficult

0:18:51.760 --> 0:18:55.320
<v Speaker 1>to make a rough counterfeit now. It happens that I

0:18:55.320 --> 0:18:59.200
<v Speaker 1>was recently talking with my friend Adam Savage of MythBusters fame,

0:18:59.440 --> 0:19:02.040
<v Speaker 1>and it turned out but that he also has done

0:19:02.080 --> 0:19:06.560
<v Speaker 1>lots of forgeries of things not illegally, but legal versions

0:19:06.600 --> 0:19:10.040
<v Speaker 1>of making replicas of all kinds of wonderful things. So

0:19:10.080 --> 0:19:12.600
<v Speaker 1>before I tell you about my experiences, I wanted to

0:19:12.680 --> 0:19:19.800
<v Speaker 1>ring up Adam to hear about his. So, Adam, you've

0:19:19.840 --> 0:19:22.280
<v Speaker 1>done some countershitting. Tell me about that?

0:19:22.840 --> 0:19:26.200
<v Speaker 3>Ha ha. Right, I don't want to brag that I've

0:19:26.240 --> 0:19:31.400
<v Speaker 3>done some counterfeiting, but I'm obsessed with the idea of replication.

0:19:31.520 --> 0:19:34.040
<v Speaker 3>That's one of my main practices here in the cave,

0:19:34.520 --> 0:19:37.600
<v Speaker 3>and so like. Just for instance, recently, I obtained a

0:19:37.640 --> 0:19:41.840
<v Speaker 3>really lovely replica of one of Leonardo da Vinci's coticies.

0:19:42.320 --> 0:19:45.600
<v Speaker 3>This is known as the Paris manuscript A, and I've

0:19:45.640 --> 0:19:48.800
<v Speaker 3>been slowly spending a couple of weeks making a completely

0:19:48.840 --> 0:19:52.480
<v Speaker 3>accurate cover for it, based on the information from the

0:19:52.520 --> 0:19:54.920
<v Speaker 3>collection that it's since so I've been printing up the

0:19:54.960 --> 0:19:58.119
<v Speaker 3>cover full size of and having the collection stamps made,

0:19:58.440 --> 0:20:02.160
<v Speaker 3>and I'm gonna slowly make this thing indistinguishable from the original.

0:20:02.240 --> 0:20:04.600
<v Speaker 3>So that's the kind of counterfeiting I really dig is

0:20:04.760 --> 0:20:06.359
<v Speaker 3>the experiential counterfeit.

0:20:06.480 --> 0:20:09.320
<v Speaker 1>Oh that's amazing. Now let me ask you this. Do

0:20:09.359 --> 0:20:13.640
<v Speaker 1>you find that if there are changes things you don't

0:20:13.680 --> 0:20:16.960
<v Speaker 1>get perfect? Do you find that people don't notice those.

0:20:18.080 --> 0:20:24.080
<v Speaker 3>People's threshold for what they notice is it's an interesting

0:20:24.160 --> 0:20:28.520
<v Speaker 3>mixture because you can kind of bypass some of their

0:20:28.600 --> 0:20:32.439
<v Speaker 3>filters with the right amount of aging, or even sometimes

0:20:32.480 --> 0:20:35.840
<v Speaker 3>a smell will just have someone bypass all their filters

0:20:35.840 --> 0:20:38.959
<v Speaker 3>from what they can see. So it's really different object

0:20:39.040 --> 0:20:42.679
<v Speaker 3>by object about what the threshold is for what lends

0:20:42.720 --> 0:20:46.400
<v Speaker 3>what feels like an experience of veracity.

0:20:47.000 --> 0:20:49.399
<v Speaker 1>Have you ever tried counterfeiting money? Is that something you've

0:20:49.440 --> 0:20:49.920
<v Speaker 1>ever tried?

0:20:50.600 --> 0:20:53.520
<v Speaker 3>Uh? I have made so behind me here on my

0:20:53.600 --> 0:20:56.800
<v Speaker 3>desk pieces in my collection, and it's the bank box

0:20:56.840 --> 0:21:00.520
<v Speaker 3>from the Borne identity, and this is the act bank

0:21:00.560 --> 0:21:03.840
<v Speaker 3>box from the Bourne identity. I bought it empty, but

0:21:03.880 --> 0:21:06.640
<v Speaker 3>one of my long term plans is to actually fill

0:21:06.680 --> 0:21:11.359
<v Speaker 3>it full of original bills or correct bills. And this

0:21:11.480 --> 0:21:13.600
<v Speaker 3>is made easier by the fact that a lot of

0:21:13.600 --> 0:21:15.800
<v Speaker 3>the bills that were in the Boorne identity bank box

0:21:15.880 --> 0:21:20.439
<v Speaker 3>are now euros, and so those original currencies, the real

0:21:21.080 --> 0:21:24.320
<v Speaker 3>it's the frank et cetera, are no longer extant, and

0:21:24.400 --> 0:21:29.399
<v Speaker 3>so I get suitably and appropriately nervous even doing Google

0:21:29.480 --> 0:21:33.359
<v Speaker 3>searches about replicating money. But to me, your job of

0:21:33.480 --> 0:21:36.680
<v Speaker 3>actually trying some counterfeits to see what work sounds like

0:21:36.720 --> 0:21:38.720
<v Speaker 3>an absolute dream come true for me. I was like

0:21:38.920 --> 0:21:40.359
<v Speaker 3>I was born to be a pen tester.

0:21:54.480 --> 0:21:58.320
<v Speaker 1>Okay, so back to my counterfeiting contract. So the notes

0:21:58.359 --> 0:22:01.360
<v Speaker 1>that we made in the lab had no security features

0:22:01.400 --> 0:22:04.720
<v Speaker 1>like holograms or color changing ink, because that wasn't precisely

0:22:04.720 --> 0:22:08.040
<v Speaker 1>what we were studying. We were studying how much somebody

0:22:08.119 --> 0:22:11.879
<v Speaker 1>would notice if we presented them with a bill with

0:22:11.960 --> 0:22:15.479
<v Speaker 1>a particular design, and we let them examine it and

0:22:15.600 --> 0:22:18.200
<v Speaker 1>turn it around in their hands, and then we took

0:22:18.240 --> 0:22:21.800
<v Speaker 1>it back and we handed them another note, and that

0:22:21.920 --> 0:22:25.159
<v Speaker 1>other note might have some change that was made to it,

0:22:25.480 --> 0:22:28.240
<v Speaker 1>and we asked them, is this the same bill or

0:22:28.280 --> 0:22:31.080
<v Speaker 1>a different one? In other words, how much do they

0:22:31.119 --> 0:22:35.080
<v Speaker 1>remember about the note that they just examined. Now, you

0:22:35.160 --> 0:22:38.640
<v Speaker 1>might expect that if you get to examine a note carefully,

0:22:38.720 --> 0:22:40.640
<v Speaker 1>it's not going to be any problem to see when

0:22:40.680 --> 0:22:45.520
<v Speaker 1>something changes, But you'd be shocked at the limits of

0:22:45.600 --> 0:22:50.080
<v Speaker 1>our observation and our memory. Take a simple experiment run

0:22:50.119 --> 0:22:54.320
<v Speaker 1>by the psychologists Raymond Nickerson and Marilyn Adams in nineteen

0:22:54.400 --> 0:22:57.520
<v Speaker 1>seventy nine. What they did is they showed people fifteen

0:22:57.760 --> 0:23:02.200
<v Speaker 1>different drawings of the US penny, and one was the

0:23:02.480 --> 0:23:06.880
<v Speaker 1>actual penny, while the other drawings were manipulated versions where

0:23:06.880 --> 0:23:09.439
<v Speaker 1>you had the date in a different place, or you

0:23:09.480 --> 0:23:14.560
<v Speaker 1>had the slogan changed, for example, United States of America

0:23:14.600 --> 0:23:18.639
<v Speaker 1>instead of in God we Trust. And fewer than half

0:23:18.680 --> 0:23:23.320
<v Speaker 1>the participants could identify which one was the correct penny.

0:23:23.760 --> 0:23:28.160
<v Speaker 1>Although the participants handled pennies almost every day of their lives,

0:23:28.640 --> 0:23:32.280
<v Speaker 1>they hadn't paid attention in the way they thought they had.

0:23:33.080 --> 0:23:40.000
<v Speaker 1>Experience doesn't translate into expertise. Why not. It's because we

0:23:40.119 --> 0:23:44.679
<v Speaker 1>only see what we closely attend to. So imagine you

0:23:44.840 --> 0:23:47.040
<v Speaker 1>catch a glimpse of a man and a woman having

0:23:47.119 --> 0:23:50.080
<v Speaker 1>a picnic in a park. All you actually see is

0:23:50.119 --> 0:23:55.200
<v Speaker 1>something like man, woman food. With time, as you crawl

0:23:55.320 --> 0:23:58.879
<v Speaker 1>the scene with your attentional systems, you'll incorporate more details.

0:23:58.920 --> 0:24:01.880
<v Speaker 1>Oh they've got bulls of suit. It's a checkered blanket

0:24:01.920 --> 0:24:04.919
<v Speaker 1>that's a little unusual. There are hills in the background,

0:24:05.320 --> 0:24:08.840
<v Speaker 1>and with more time you'll notice, Oh, his spoon is

0:24:08.880 --> 0:24:12.960
<v Speaker 1>slightly bent, or she's wearing a silver necklace, or the

0:24:13.200 --> 0:24:18.320
<v Speaker 1>encircling trees are buckthorn. But we incorporate more detail into

0:24:18.359 --> 0:24:21.640
<v Speaker 1>a scene only if we pay more attention and we

0:24:21.720 --> 0:24:25.159
<v Speaker 1>ask more questions. And as I said before, it's like

0:24:25.320 --> 0:24:28.640
<v Speaker 1>this with all of our senses. What is the feeling

0:24:28.720 --> 0:24:32.439
<v Speaker 1>of your pants on your left kneecap right now, or

0:24:32.480 --> 0:24:35.760
<v Speaker 1>the feeling of your shirt on your shoulders. As soon

0:24:35.760 --> 0:24:39.239
<v Speaker 1>as you ask these questions, you can become aware of

0:24:39.280 --> 0:24:42.760
<v Speaker 1>the answer, but you didn't know until you queried. So

0:24:42.880 --> 0:24:46.439
<v Speaker 1>our visual sense is not like a camera that's taking

0:24:46.440 --> 0:24:50.240
<v Speaker 1>in the complete scene. Instead, we see only the details

0:24:50.280 --> 0:24:52.120
<v Speaker 1>that we go out to seek. And this is the

0:24:52.200 --> 0:24:56.840
<v Speaker 1>issue with the banknotes. We may glance at one to

0:24:57.080 --> 0:25:01.520
<v Speaker 1>verify that it matches the general template expecting, but we

0:25:01.560 --> 0:25:07.000
<v Speaker 1>don't scrutinize the details. And that's why the European central

0:25:07.040 --> 0:25:11.919
<v Speaker 1>banks campaign to stop and pay attention to money it

0:25:12.000 --> 0:25:16.640
<v Speaker 1>just didn't work. We don't attend to things that sufficiently

0:25:16.760 --> 0:25:21.280
<v Speaker 1>fit our assumptions. We believe we already know the note

0:25:21.359 --> 0:25:22.680
<v Speaker 1>in our hands.

0:25:23.760 --> 0:25:26.840
<v Speaker 3>I recently had a fake bail passed to me in

0:25:26.920 --> 0:25:31.119
<v Speaker 3>New York City. I was getting a hot dog, which

0:25:31.200 --> 0:25:33.800
<v Speaker 3>was four bucks, and I gave him a ten, and

0:25:33.880 --> 0:25:36.160
<v Speaker 3>he gave me what looked like a one and a five,

0:25:36.240 --> 0:25:40.320
<v Speaker 3>except the five was I'm on the street, right, I'm

0:25:40.359 --> 0:25:42.479
<v Speaker 3>just I put it in my pocket. I get back

0:25:42.480 --> 0:25:45.400
<v Speaker 3>to my room. The five was actually a discontinued old

0:25:45.440 --> 0:25:47.480
<v Speaker 3>five thousand yen Japanese note.

0:25:50.280 --> 0:25:50.920
<v Speaker 1>Exactly.

0:25:51.000 --> 0:25:54.280
<v Speaker 3>We had Matt respect for him for handing that directly

0:25:54.359 --> 0:25:54.679
<v Speaker 3>to me.

0:25:55.800 --> 0:25:58.480
<v Speaker 1>That's amazing because you're a guy who pays so much

0:25:58.480 --> 0:26:01.800
<v Speaker 1>attention to what's there, and even for you, you expect

0:26:01.800 --> 0:26:04.800
<v Speaker 1>you're getting a five back, and so your brain fills

0:26:04.800 --> 0:26:06.359
<v Speaker 1>in all the blanks and you just take it and

0:26:06.359 --> 0:26:08.280
<v Speaker 1>you go, well, I mean, you know.

0:26:08.240 --> 0:26:10.439
<v Speaker 3>It's a difficult problem to solve when you realize that

0:26:10.520 --> 0:26:14.080
<v Speaker 3>we regularly interact with bills that are ancient and are

0:26:14.320 --> 0:26:18.480
<v Speaker 3>filthy and like soft leather and brand new, and they're

0:26:18.520 --> 0:26:21.720
<v Speaker 3>crisp and smell totally differently and look totally different. When

0:26:21.760 --> 0:26:24.320
<v Speaker 3>you hold those two up against each other and you think,

0:26:24.600 --> 0:26:27.760
<v Speaker 3>I've got to get someone to be able to parse

0:26:28.520 --> 0:26:31.760
<v Speaker 3>that both of these are real, that's that's a complicated

0:26:31.760 --> 0:26:32.560
<v Speaker 3>problem to solve.

0:26:33.040 --> 0:26:35.360
<v Speaker 1>What the EU Opinion Union does is they have all

0:26:35.400 --> 0:26:38.640
<v Speaker 1>these security features in their bills. They spend so much

0:26:38.720 --> 0:26:41.520
<v Speaker 1>money for these security features, and no one ever notices.

0:26:44.320 --> 0:26:46.600
<v Speaker 1>So my job is to figure out which elements of

0:26:46.640 --> 0:26:49.480
<v Speaker 1>the banknotes were noticed and which weren't, and to make

0:26:49.680 --> 0:26:54.200
<v Speaker 1>recommendations for next step. We performed a series of experiments

0:26:54.240 --> 0:26:57.159
<v Speaker 1>for over a year and in the end it became

0:26:57.320 --> 0:27:00.959
<v Speaker 1>obvious to me what needed to be done. So in

0:27:00.960 --> 0:27:03.920
<v Speaker 1>my final presentation to the European Central Bank, I put

0:27:03.960 --> 0:27:08.439
<v Speaker 1>forward evidence that the watermark on the euro should be

0:27:08.560 --> 0:27:13.240
<v Speaker 1>a face instead of a building. Why it's because the

0:27:13.359 --> 0:27:18.439
<v Speaker 1>human brain is massively specialized to recognizing faces, but it

0:27:18.520 --> 0:27:24.199
<v Speaker 1>has little neural real estate devoted to buildings. You can

0:27:24.240 --> 0:27:26.040
<v Speaker 1>see a building and then you can see a building

0:27:26.080 --> 0:27:28.720
<v Speaker 1>that looks sort of like it, and you really can't

0:27:28.760 --> 0:27:31.200
<v Speaker 1>tell the difference. Maybe you can't if you're an architect,

0:27:31.280 --> 0:27:35.040
<v Speaker 1>but the rest of us just wouldn't notice. And forged

0:27:35.280 --> 0:27:39.760
<v Speaker 1>water marks are generally hand drawn, and that's because it's

0:27:39.800 --> 0:27:42.760
<v Speaker 1>this intermediate layer and you need to do that by hand.

0:27:43.320 --> 0:27:46.680
<v Speaker 1>And it turns out that if you draw a building,

0:27:46.760 --> 0:27:49.680
<v Speaker 1>even if you do a really lousy job, no one's

0:27:49.720 --> 0:27:52.560
<v Speaker 1>going to catch the difference. Your brain just doesn't care

0:27:52.640 --> 0:27:55.760
<v Speaker 1>that much about the exact details of a building. But

0:27:56.040 --> 0:27:59.920
<v Speaker 1>contrast this with faces. We have a ton of brain

0:28:00.119 --> 0:28:05.240
<v Speaker 1>territory devoted to faces. Think about the difference in the

0:28:05.280 --> 0:28:07.960
<v Speaker 1>faces of the people you see every day. The length

0:28:08.040 --> 0:28:11.000
<v Speaker 1>of the nose, the distance between the eyes, the shape

0:28:11.000 --> 0:28:14.119
<v Speaker 1>of the lips. These are really subtle details, but we're

0:28:14.240 --> 0:28:17.320
<v Speaker 1>super sensitive to picking up on these. Now, this is

0:28:17.359 --> 0:28:20.720
<v Speaker 1>of course for human faces. You presumably couldn't tell that

0:28:20.800 --> 0:28:25.119
<v Speaker 1>much difference between the faces of twenty different German shepherd dogs.

0:28:25.160 --> 0:28:27.480
<v Speaker 1>They all sort of look alike to you. But now

0:28:27.520 --> 0:28:30.959
<v Speaker 1>put yourself in the position of the dog. Presumably humans

0:28:31.000 --> 0:28:34.120
<v Speaker 1>look mostly alike to it. But the details we are

0:28:34.200 --> 0:28:37.679
<v Speaker 1>so sensitive to, like the hairline and the cheekbones, and

0:28:37.720 --> 0:28:39.840
<v Speaker 1>the length of the nose and the exact position of

0:28:39.880 --> 0:28:42.680
<v Speaker 1>the ears and all that stuff, would mean nothing to

0:28:42.720 --> 0:28:47.160
<v Speaker 1>the dog. But we are incredibly sensitive to these tiny,

0:28:47.240 --> 0:28:51.000
<v Speaker 1>tiny differences. And this is why it's so much easier

0:28:51.040 --> 0:28:56.080
<v Speaker 1>to spot an imperfect face than an imperfect building. And

0:28:56.160 --> 0:28:59.480
<v Speaker 1>this is why the ECB decided to change the watermark

0:28:59.760 --> 0:29:05.200
<v Speaker 1>on fifty year D bill from a building to a face. Now, unfortunately,

0:29:05.320 --> 0:29:09.400
<v Speaker 1>they had an implementation challenge, a political one, which is,

0:29:09.640 --> 0:29:12.800
<v Speaker 1>how can they get all the different countries to agree

0:29:13.200 --> 0:29:16.880
<v Speaker 1>on one person's face. What nationality were they going to choose?

0:29:16.880 --> 0:29:20.160
<v Speaker 1>The Italians were going to want Michelangelo, the British would

0:29:20.160 --> 0:29:23.360
<v Speaker 1>want Shakespeare, the French would want Napoleon, and so on.

0:29:23.560 --> 0:29:26.640
<v Speaker 1>That's why they had originally chosen a building, because that

0:29:26.840 --> 0:29:30.360
<v Speaker 1>circumvented the argument. But now there was a reason to

0:29:30.440 --> 0:29:34.200
<v Speaker 1>choose a face. So finally someone suggested that instead of

0:29:34.600 --> 0:29:39.000
<v Speaker 1>fighting it out between historical heroes, they should just settle

0:29:39.040 --> 0:29:44.080
<v Speaker 1>on the mythological Princess Europa, after whom Europe is named,

0:29:44.200 --> 0:29:46.640
<v Speaker 1>and so the new fifty dollars note with her face

0:29:47.120 --> 0:29:51.800
<v Speaker 1>rolled out in twenty seventeen. Now that move is a

0:29:51.880 --> 0:29:55.080
<v Speaker 1>step in the right direction, but since they chose a

0:29:55.200 --> 0:30:00.880
<v Speaker 1>mythological face with no single correct version, it's slightly less

0:30:00.960 --> 0:30:04.400
<v Speaker 1>useful than a face everyone would recognize, like if they'd

0:30:04.480 --> 0:30:09.120
<v Speaker 1>used Juliete Bnotia's face or Benedict Cumberbatch's face. But anyway,

0:30:09.400 --> 0:30:11.520
<v Speaker 1>it was a good start. But that was only my

0:30:11.600 --> 0:30:16.520
<v Speaker 1>first recommendation. I then recommended that all euro banknotes should

0:30:16.600 --> 0:30:19.800
<v Speaker 1>be the same size, the way that American bills are.

0:30:20.280 --> 0:30:23.120
<v Speaker 1>Why because that would at least get people to look

0:30:23.200 --> 0:30:26.440
<v Speaker 1>at them a bit longer to see what they're dealing with.

0:30:26.800 --> 0:30:29.840
<v Speaker 1>Right if you're handing someone an American bill, they have

0:30:29.920 --> 0:30:33.360
<v Speaker 1>to stare at it for some hundreds of milliseconds longer

0:30:33.800 --> 0:30:36.560
<v Speaker 1>just to register what in the heck they're holding, because

0:30:36.560 --> 0:30:40.920
<v Speaker 1>there aren't other clues from size, whereas in Europe you

0:30:40.960 --> 0:30:43.440
<v Speaker 1>grab a bill and you know much faster if it's

0:30:43.440 --> 0:30:46.280
<v Speaker 1>a twenty or fifty or whatever, and as a result,

0:30:46.720 --> 0:30:50.600
<v Speaker 1>you pay even less attention to what is written on it. Now,

0:30:50.640 --> 0:30:54.560
<v Speaker 1>there are advantages to the blind community in having bills

0:30:54.560 --> 0:30:57.840
<v Speaker 1>of different sizes, but now you can do three D

0:30:58.000 --> 0:31:02.320
<v Speaker 1>printing on bills, and so the blind community no longer

0:31:02.400 --> 0:31:05.880
<v Speaker 1>needs different sizes to be able to tell what bill

0:31:05.880 --> 0:31:08.400
<v Speaker 1>they're holding. Now, the council told me that while they

0:31:08.400 --> 0:31:10.680
<v Speaker 1>took my point, there was no way they were going

0:31:10.720 --> 0:31:13.600
<v Speaker 1>to make all the bills the same size. Why it

0:31:13.680 --> 0:31:16.880
<v Speaker 1>wasn't just because they'd have to retool the mints where

0:31:16.920 --> 0:31:19.440
<v Speaker 1>they print the bills, but more importantly, they'd have to

0:31:19.480 --> 0:31:22.920
<v Speaker 1>retool all the vending machines in Europe, and this was

0:31:23.120 --> 0:31:26.320
<v Speaker 1>an impossible amount of work, which got me thinking about

0:31:26.320 --> 0:31:30.560
<v Speaker 1>the way that things get ensconced. They get calcified into

0:31:30.600 --> 0:31:35.160
<v Speaker 1>place by some historical trajectory, and then it becomes too

0:31:35.280 --> 0:31:37.760
<v Speaker 1>hard to change it, like the way that we use

0:31:37.840 --> 0:31:42.280
<v Speaker 1>the imperial measuring system in America, where it's not based

0:31:42.320 --> 0:31:45.280
<v Speaker 1>on tens, and therefore it's very difficult to convert between

0:31:45.360 --> 0:31:48.720
<v Speaker 1>different units, like we have twelve inches equally a foot

0:31:48.800 --> 0:31:51.880
<v Speaker 1>or sixteen ounces is a pound. And when I was

0:31:51.920 --> 0:31:55.280
<v Speaker 1>a kid, there was a big push to teach both

0:31:55.320 --> 0:31:58.120
<v Speaker 1>the imperial and the metric systems at the same time

0:31:58.600 --> 0:32:01.520
<v Speaker 1>so that we could slowly make the transition into something

0:32:01.560 --> 0:32:04.920
<v Speaker 1>that made more sense. But it just proved too hard

0:32:04.960 --> 0:32:10.080
<v Speaker 1>to change because the imperial measurement system got calcified into place,

0:32:10.560 --> 0:32:13.520
<v Speaker 1>and then you can't get rid of it. So anyway,

0:32:13.720 --> 0:32:16.880
<v Speaker 1>the European Central Bank acknowledge that I had a point

0:32:16.920 --> 0:32:19.760
<v Speaker 1>about the bill size, but they concluded it would just

0:32:19.840 --> 0:32:23.720
<v Speaker 1>be too much work to retool everything. So they asked

0:32:23.720 --> 0:32:27.440
<v Speaker 1>for my next recommendation, and here was my chance to

0:32:27.520 --> 0:32:31.600
<v Speaker 1>deliver my clincher. This was a sense that had been

0:32:31.640 --> 0:32:34.320
<v Speaker 1>creeping up on me for the entire year that I'd

0:32:34.360 --> 0:32:38.200
<v Speaker 1>been studying the problem of counterfeiting. The heart of the

0:32:38.280 --> 0:32:43.520
<v Speaker 1>problem is that notes are jam packed with decorative features

0:32:43.560 --> 0:32:45.960
<v Speaker 1>that have nothing to do with the security. So you

0:32:46.040 --> 0:32:50.200
<v Speaker 1>have pictures of trees and patriots and birds and flags,

0:32:50.240 --> 0:32:53.920
<v Speaker 1>you have swirling colors, and no one notices the security

0:32:53.920 --> 0:32:58.480
<v Speaker 1>features because of all these distractions. So I told them

0:32:58.880 --> 0:33:01.760
<v Speaker 1>that a piece of current, see a bill, should be

0:33:01.880 --> 0:33:05.959
<v Speaker 1>a blank, white piece of paper with a single hologram

0:33:06.040 --> 0:33:09.600
<v Speaker 1>in the middle. That's it, nothing else on it. A

0:33:09.720 --> 0:33:15.280
<v Speaker 1>counterfeiter wouldn't be able to replicate that without serious specialized equipment,

0:33:15.520 --> 0:33:19.080
<v Speaker 1>and the person in the street wouldn't be distracted by

0:33:19.280 --> 0:33:22.400
<v Speaker 1>all the detailing that has nothing to do with the security.

0:33:23.400 --> 0:33:26.880
<v Speaker 1>So they agreed with my recommendation in theory, but they

0:33:26.960 --> 0:33:31.240
<v Speaker 1>rejected it on the grounds that there's too much cultural

0:33:31.360 --> 0:33:35.400
<v Speaker 1>momentum in the design of banknotes. In other words, people

0:33:35.600 --> 0:33:39.760
<v Speaker 1>expect notes to look a certain way. Currencies are supposed

0:33:39.760 --> 0:33:45.080
<v Speaker 1>to impress the viewer with the regal power and artistic

0:33:45.600 --> 0:33:50.160
<v Speaker 1>talents of the ruling body, and apparently no government wants

0:33:50.200 --> 0:33:55.080
<v Speaker 1>to appear unregal and unartistic when compared to another government.

0:33:55.480 --> 0:33:58.800
<v Speaker 1>And so the experiment came to a close. The building

0:33:58.840 --> 0:34:01.040
<v Speaker 1>got changed to a face, which was a good start,

0:34:01.320 --> 0:34:04.880
<v Speaker 1>but so much about the rest of currencies is stuck

0:34:04.920 --> 0:34:08.200
<v Speaker 1>in place. So we'll see what happens with the future

0:34:08.239 --> 0:34:11.680
<v Speaker 1>of digital exchanges like PayPal or Venmo and the future

0:34:11.680 --> 0:34:15.320
<v Speaker 1>of crypto, but it appears that for now paper money

0:34:15.480 --> 0:34:18.879
<v Speaker 1>is sticking around almost everywhere on the planet. So it's

0:34:18.920 --> 0:34:23.239
<v Speaker 1>still my general hope that some government somewhere will get

0:34:23.280 --> 0:34:26.759
<v Speaker 1>this straight. And the advantage for them is they'll have

0:34:26.960 --> 0:34:30.920
<v Speaker 1>massively less counterfeiting to drag on their economy. So if

0:34:30.960 --> 0:34:33.480
<v Speaker 1>you're going to start a new country, take this podcast

0:34:33.520 --> 0:34:35.800
<v Speaker 1>as my free advice for how to do your bills.

0:34:36.239 --> 0:34:40.560
<v Speaker 1>Effective solutions from science can sometimes bump up against tradition,

0:34:40.719 --> 0:34:44.319
<v Speaker 1>but if we really care about tackling a problem, we

0:34:44.480 --> 0:34:48.480
<v Speaker 1>have to move beyond adherence to custom. The human visual

0:34:48.480 --> 0:34:51.160
<v Speaker 1>system is never going to notice security features that are

0:34:51.200 --> 0:34:54.239
<v Speaker 1>buried in other details, and if you give your brain

0:34:54.320 --> 0:34:58.239
<v Speaker 1>any excuse to believe it knows what's out there, it

0:34:58.280 --> 0:35:03.760
<v Speaker 1>will take shortcuts and make extra assumptions. So this episode

0:35:03.800 --> 0:35:06.520
<v Speaker 1>repeats a theme that you're going to hear many times

0:35:06.560 --> 0:35:10.279
<v Speaker 1>on this show. Whenever you want to improve society, you

0:35:10.320 --> 0:35:13.640
<v Speaker 1>have to do your best to understand the details of

0:35:13.719 --> 0:35:22.680
<v Speaker 1>the brains that comprise that society. That's all for this week.

0:35:22.880 --> 0:35:25.359
<v Speaker 1>To find out more and to share your thoughts, head

0:35:25.360 --> 0:35:29.200
<v Speaker 1>over to Eagleman dot com slash Podcasts, and you can

0:35:29.239 --> 0:35:33.680
<v Speaker 1>also watch full episodes of Inner Cosmos on YouTube. Subscribe

0:35:33.680 --> 0:35:36.000
<v Speaker 1>to my channel so you can follow along each week

0:35:36.040 --> 0:35:40.680
<v Speaker 1>for new updates until next time. I'm David Eagleman and

0:35:40.719 --> 0:35:42.279
<v Speaker 1>this is Inner Cosmos.