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Speaker 1: Greetings, listeners, we are back. If you're listening to this

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Speaker 1: audio on a Friday, we have our New York show

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Speaker 1: that's sold out today, but Maul's guest list is still available.

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Speaker 1: If you're watching this on YouTube on Saturday, thank you

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Speaker 1: for coming out to the show. If you did Patreon

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Speaker 1: dot com, backslash, new Rooryamol new Roywald dot com to

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Speaker 1: get merch, subscribe to everything smashed like buttons. Whatever the

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Speaker 1: kids are saying, comment do everything that you can possibly

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Speaker 1: do on our socials. I guess we're with our friend Ian.

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Speaker 1: He has some stuff as well.

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Speaker 2: Come to the show and market Monday's in Ghana December

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Speaker 2: twenty seventh. Got an event in Miami December ninth with

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Speaker 2: JP Morgan. Come check that out and.

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Speaker 1: Well, I see what you do there?

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Speaker 2: Yeah, you know look for one.

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Speaker 3: You love art?

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Speaker 2: Yeah, I love art. Earlier, Lisa has an event with

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Speaker 2: United Masters at our bosom after my event, and then

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Speaker 2: I want to wish my guy Rotine me happy birthday

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Speaker 2: and this project is out. Rotemi got a song this

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Speaker 2: birthday song, I don't if You're gonna put it out.

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Speaker 2: That's one of the best songs I've ever heard. So

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Speaker 2: shot the row shot my friends.

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Speaker 4: Yeah, yeah, it's my guy.

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Speaker 1: All right, let's get to the show.

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Speaker 2: I'm on a level. I'm I'm on a new level.

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Speaker 1: I'm on a level.

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Speaker 4: Brought me.

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Speaker 5: So.

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Speaker 6: Welcome to a new episode of the new Rory and

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Speaker 6: All podcast. I'm all you are, I'm I'm Rory and

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Speaker 6: today we are joined with somebody that I've been trying

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Speaker 6: to get some conversation with for a while.

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Speaker 4: But he's busy. Yeah, he's a busy guy.

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Speaker 6: We haven't had the competition, we haven't had the uh,

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Speaker 6: the opportunity to actually sit and connect in person. So

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Speaker 6: today is our actual first my first time meeting this gentleman.

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Speaker 6: With somebody that I've been watching for a while and

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Speaker 6: paying attention to for a while. We are joined with

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Speaker 6: none other than Ian Dunlap.

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Speaker 4: How you doing, my.

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Speaker 1: Brother, Classigny in the house. I was a little offended

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Speaker 1: yesterday because I know you have a relationship with Yomi

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Speaker 1: heading on our team, like, oh, Ian's gonna come by

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Speaker 1: to do voicemails, and then I felt like they were

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Speaker 1: kind of disrespecting you, like a two minute segment. Well,

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Speaker 1: I was like, he has to come on for a

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Speaker 1: full episode, not to just yea advice.

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Speaker 6: You can't have Ian just doing a relationship, even though

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Speaker 6: he might have some very interesting relationship advice to give.

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Speaker 3: But we will do.

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Speaker 6: We're still yeah, because most relationships, the turmoil is financial

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Speaker 6: and most relationships, I think me personally, I think that's

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Speaker 6: what causes most problems in relationships.

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Speaker 1: Absolutely, he's a lot of it.

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Speaker 4: I think it's a study on that though. Relationships.

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Speaker 2: Yeah, but I think it's more compatibility issues, not communicating. Well,

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Speaker 2: I'm not a relationship expert. That's what mine out like

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Speaker 2: three six months, so yeah, yeah, just jokes, Yeah, quarterly

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Speaker 2: Young Flight five.

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Speaker 1: I don't think finance is really think until you're married

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Speaker 1: or talking about talking about being married. I'm asking, I

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Speaker 1: was posing a question.

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Speaker 6: Most problems in relationships come from finances, whether it's a

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Speaker 6: wife a girlfriend, The most things you're gonna argue about

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Speaker 6: is financial ship.

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Speaker 1: But if we don't live together and we're just.

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Speaker 4: Dating, it's still it's still somehow ternas to find Absolutely.

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Speaker 1: And I don't live in the Twitter world where like

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Speaker 1: there's the financial dating rules that you have to like

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Speaker 1: spend one thousand dollars. Oay, I'm talking about like real life.

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Speaker 4: You know, it's it's I mean, if you're gonna if

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Speaker 4: you're gonna live with more than trust is money.

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Speaker 6: Money and trust is probably the same in a relationship

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Speaker 6: because if you ain't got a money, she don't trust you.

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Speaker 7: Know you got too much money on trust?

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Speaker 4: Yeah, if you got too much money, she definitely know

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Speaker 4: you're a man.

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Speaker 1: She doesn't trust you.

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Speaker 4: Well, here we go. And if you're a man, you

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Speaker 4: gotta make money.

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Speaker 1: Well that's true, but that's just a man.

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Speaker 4: You're not a man if you don't make money. That's

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Speaker 4: what the women say. Okay, that's to I'm just that's

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Speaker 4: what the women.

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Speaker 2: Given box away of mofuckers with no money.

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Speaker 1: I've been broken.

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Speaker 4: He is here to talk to that like this?

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Speaker 1: Yeah, he hit as a man who want to make

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Speaker 1: money for your out.

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Speaker 4: That shouldn't just be for yourself for just for life.

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Speaker 4: You should want to make.

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Speaker 2: You have more women when you were broken, when you

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Speaker 2: have money.

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Speaker 6: When I was broke, for sure, when I was broke

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Speaker 6: by choice. Though, if I wanted to have.

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Speaker 3: A broke by choice, you're trying to when I was.

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Speaker 2: Broke, I had more women by Oh oh got you?

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Speaker 1: I let you broke up the money thing right now?

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Speaker 4: No, No, No, when.

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Speaker 6: I was broke, I have more women by choice. If

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Speaker 6: I wanted more women now, I could have more women.

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Speaker 6: I just don't kill.

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Speaker 8: Because you have more time. Is that what you mean?

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Speaker 4: No, because you just when you're younger, When you're younger and.

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Speaker 6: You know you're hungruses, that's when you're broke. Is when

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Speaker 6: you're young, you don't trying to figure it out. It's

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Speaker 6: just you just out here just knocking them down. It's

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Speaker 6: not even about you. I mean your day is revolved

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Speaker 6: around trying to get some pussy.

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Speaker 8: That's what I'm saying. You have the time to actually

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Speaker 8: go do.

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Speaker 2: It like that.

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Speaker 4: When you get older, you don't. That shit is like

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Speaker 4: if it happens, it happens.

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Speaker 9: They say about twenty to forty percent of divorces are

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Speaker 9: caused by financial issues.

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Speaker 1: All so, but no, that makes sense to me when

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Speaker 1: it comes to the marginal slitting with someone.

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Speaker 4: Said, Uh, it's a it's an instagram.

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Speaker 3: I communication infidelity, lack.

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Speaker 2: Infidelity French, that's the bar.

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Speaker 4: Infidelity is in French. That's all it is.

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Speaker 1: But what would be like the first I've never had

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Speaker 1: a money conversation with a significant other where it was

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Speaker 1: like an issue per se so you got it you.

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Speaker 1: When I was broken and I was in relationships, that

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Speaker 1: just wasn't like the main focus.

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Speaker 7: So she wasn't talking to you about money. She's talking

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Speaker 7: to somebody else with money.

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Speaker 2: But that's a bar though.

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Speaker 7: But that's what I'm saying.

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Speaker 10: When I was broken, wasn't an issue yet or what

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Speaker 10: if you don't have money?

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Speaker 1: Or we were just in love and we were focused

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Speaker 1: on that rather thanialistic.

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Speaker 2: Yeah, how do you find the ones you'd be in love?

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Speaker 1: Instagram gotcha?

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Speaker 4: Usually social media.

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Speaker 1: But I don't even know how those conversations would go,

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Speaker 1: like how does that start? Like you missed the mark?

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Speaker 2: Like yo, I want this? Can we go here? I

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Speaker 2: think they do, like the feelers first post.

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Speaker 1: I mean now with having a kid, there's financial conversations

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Speaker 1: more than I've ever had, but it's not so much.

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Speaker 1: Luckily we're blessed enough to have enough, but it's not

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Speaker 1: money conversations like we're done if we can't get her

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Speaker 1: into avenue.

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Speaker 2: That's it.

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Speaker 4: Yeah, that's I.

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Speaker 1: Just don't know how I know that's a thing. I'm

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Speaker 1: just curious. I think so.

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Speaker 6: I think it's more so, like you said, communications, sometimes

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Speaker 6: you don't communicate some of the stresses that not having

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Speaker 6: money brings to a relationship, Yeah, because you're either so

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Speaker 6: busy trying to figure it out, which now just financially everybody.

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Speaker 6: I'm seeing people that have great incomes and they live

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Speaker 6: and check to check and people are just trying to

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Speaker 6: survive and just trying to and make it.

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Speaker 11: Uh.

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Speaker 6: But it's like, you know, you have to communicate through

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Speaker 6: the I think a healthy relationship communicated through it. Financially, Yes,

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Speaker 6: you're going to have ups and downs even if you're

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Speaker 6: making money. But I think if you have, like you said, trust,

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Speaker 6: you just have that open communication where y'all know, y'all

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Speaker 6: gonna figure it out together. That's what you're supposed to

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Speaker 6: have is love and trust in each other. But sometimes,

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Speaker 6: you know, finances overpowers all of that, because if you

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Speaker 6: can't pay the mortgage and then we lose our house

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Speaker 6: and then we have to you know, move in with

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Speaker 6: our parents and stay in the basement. It's like then

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Speaker 6: you're not horny, Like how you can't even be horny

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Speaker 6: if you're not making money in a relationship.

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Speaker 2: Yeah, I don't know.

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Speaker 1: When I was broke, I was probably the one.

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Speaker 6: But the best younger younger as an older man, like

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Speaker 6: you can't be on the hill and you broke like

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Speaker 6: it's not even you not even thinking about sex. You like, yo,

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Speaker 6: b I don't even know if we're gonna we be

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Speaker 6: living next month, you know what I'm saying, Like.

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Speaker 1: Well, I can guarantee how those forty percent of divorces

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Speaker 1: that are about money, it's never about her not making

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Speaker 1: enough money. Oh no, all forty percent, I'm sure because

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Speaker 1: he isn't making enough.

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Speaker 6: Absolutely, the men are supposed to be the ones that

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Speaker 6: bring the bread into the house, and you know, the

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Speaker 6: women are supposed to take care of the house and

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Speaker 6: home and make a house feel like a home and

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Speaker 6: all of those things that they just made up years ago.

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Speaker 4: But then Beyonce said, independent women, y'all.

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Speaker 6: Act like she forgot that they forgot. They act like

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Speaker 6: they forgot. She said that really happened independent women?

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Speaker 2: Yeah?

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Speaker 1: How many? How many do you think happened over COVID

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Speaker 1: because of crypto?

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Speaker 2: Yeah? Boy, you that back?

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Speaker 1: How many relationships are over because everything.

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Speaker 4: People we don't talk about, like those things that were

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Speaker 4: like big on the timelines at one point and now

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Speaker 4: people hardly ever talk about them anymore. Like NFT is, Hey,

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Speaker 4: are you talk about it.

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Speaker 2: Oh yeah.

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Speaker 6: The NFT thing to me was something that people that

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Speaker 6: just were not cool try to create a world.

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Speaker 4: Where they didn't have to really be cool, yeah, and

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Speaker 4: not be.

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Speaker 6: Outside like because I'm like, okay, you have a box

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Speaker 6: yacht where and you show me a picture on your

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Speaker 6: phone or some digital ship that's.

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Speaker 2: It's like digital Instagram. Like people wanted to charge they

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Speaker 2: didn't have, yeah, to try and finesse women that they

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Speaker 2: couldn't get normally right, the same cycle, yeah, same cycle.

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Speaker 1: And I phll on the same side as more with

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Speaker 1: the NFT stuff. But the more I think about it,

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Speaker 1: our actual currency isn't real.

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Speaker 4: It's all make believe.

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Speaker 1: So why not try to catch a lick off the

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Speaker 1: end of fluidation ship? Because I know some people that

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Speaker 1: did make to make money. Yeah, and they weren't art collectors.

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Speaker 1: They were just the same way they day trade. They

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Speaker 1: were just saw a lick and like, well this has

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Speaker 1: disappear soon, but let me catch some money.

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Speaker 2: And I'm not mad at them, but for the people

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Speaker 2: who was like this is going to be more valuable

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Speaker 2: than the actual moment pain and I'm like, what the

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Speaker 2: are you talking about? Like no bank is by and

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Speaker 2: for all of y'all. I'm not hating no NFTs and

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Speaker 2: I hate no crypto shot y'all up y'all. But it

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Speaker 2: was a lot of hustle. Yeah, that was into it.

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Speaker 2: And I don't think most men want to put in

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Speaker 2: time to be greater the craft. They want enough money

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Speaker 2: to be able to finesse women out of sex.

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Speaker 4: To be able to finesse women out of that's.

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Speaker 2: All that shit, Like, we're gonna be real. All the Instagram,

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Speaker 2: all the car I see a lot of cap ass ship. Yeah,

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Speaker 2: and so you can slide in the d M and

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Speaker 2: get some pussy you probably don't deserve. I'm not hating,

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Speaker 2: I'm not doing the Jackson, but that's what it comes

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Speaker 2: down to.

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Speaker 1: Well, men are simple. We would just need like a

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Speaker 1: lazy boy chair in a TV head and we'd probably

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Speaker 1: be okay. And what we get nicer things to impress women.

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Speaker 2: I like to stay combo on some throat.

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Speaker 8: Let me ask you on a lazy boy See, I

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Speaker 8: wasn't That's what.

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Speaker 3: The cup holder. The last time you need a charity

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Speaker 3: cup holders in.

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Speaker 1: A minute has a long time. Speaking of crypt NFTs,

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Speaker 1: is that something that you're going to discuss at the

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Speaker 1: next Revolt summit or where are we at with that?

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Speaker 1: Oh my gosh, sorry for being an asshole.

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Speaker 4: Take that, and will you get the next Revolte summit?

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Speaker 2: I probably shot to the Tavio. I probably will be tough.

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Speaker 3: Step down, Yes, so you can step up?

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Speaker 2: I could. I could.

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Speaker 4: Do you think he should sell it to fifty?

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Speaker 2: I would. I think he needs to lay low for

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Speaker 2: two or three years, like he's in some hot water. Man.

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Speaker 2: I don't. I don't know how he'll be able to

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Speaker 2: scape this one. I don't.

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Speaker 6: I was talking to I was talking to somebody last

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Speaker 6: night about it, and you know who was saying, like, Yo,

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Speaker 6: you know, it's it's funny all of this news came

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Speaker 6: out about Puff and these things, these allegations and everything

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Speaker 6: hit the net and he has to step down from

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Speaker 6: all of these companies that he's the officer of and

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Speaker 6: these things because I think in her lawsuit she sued

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Speaker 6: director and officer like, so he had to step away

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Speaker 6: from Revolt as a as a result of that. I

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Speaker 6: just don't know, like, if Puff doesn't address the culture

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Speaker 6: and have like a real sit down and really talk

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Speaker 6: and talk to these allegations and and and deny what's

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Speaker 6: not true and accept what is How do we how

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Speaker 6: do we accept Puff back after some allegations like this,

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Speaker 6: Like he can't just pop back up and be like Yo,

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Speaker 6: new album, new news rock flavor, Like I don't think

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Speaker 6: it could go that way.

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Speaker 1: We've seen it done before, we've seen it.

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Speaker 6: He's done it when when as he had allegations like

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Speaker 6: vis though Tupac Now, But that's that's different. That's that's

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Speaker 6: that's allegations.

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Speaker 2: From somebody and talking forever.

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Speaker 4: Yeah, but that's not I understand what you're saying. But

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Speaker 4: that's like violence.

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Speaker 6: That's like you know, I'm talking about sexual like rape,

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Speaker 6: sexual abuse.

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Speaker 1: And that's also a different community of YouTube, Like I

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Speaker 1: watched all that stuff. Yeah, but my mom texts me

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Speaker 1: when this news about. She's never been like, yo, do

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Speaker 1: you think puff had something to do with Pox's death?

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Speaker 1: My mom's never sent me that speculative.

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Speaker 9: This is just for flat out more definitive, right, Okay, Yeah, I.

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Speaker 2: Mean at some point he's gonna have to address it,

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Speaker 2: like if he wants to be a public figure. I

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Speaker 2: think we're just entering the error where people want truth

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Speaker 2: and unfortunately the most no matter how dark it is,

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Speaker 2: you're gonna have to You're gonna have to, Like when

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Speaker 2: Robert Donney Jr. Went to his rebrand, he had to

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Speaker 2: come forward and tell truth, Like you can't lie and

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Speaker 2: have a persona and have a cloud hanging over your head.

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Speaker 2: Now he may have to lay loaf for two years,

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Speaker 2: go to therapy, do that whole. Hey, I'm a changed person.

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Speaker 2: What's a dark time for me? But if he doesn't

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Speaker 2: address it, I don't see how he's heralded as the

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Speaker 2: icon of he is.

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Speaker 1: Do we think he even wants to be a public figure anymore?

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Speaker 3: Absolutely think he has to be addicted to that spotlight. Man,

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Speaker 3: that's his whole person, that's.

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Speaker 4: Who he is. But he's one of the kings of

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Speaker 4: our culture. Of course he has to. He has to.

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Speaker 6: The spotlight has been on him, he has. He's been

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Speaker 6: in the spotlight over twenty years, at least over twenty years.

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Speaker 6: I mean, how do you can't just not be in

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Speaker 6: the spotlight, because then how do you operate that like that?

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Speaker 1: But Puff has had I mean he's definitely been through

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Speaker 1: some shit, whether it was like with the Shine thing

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Speaker 1: or you know, obviously everything was big. Not to say

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Speaker 1: everything's been great for Puff in the limelight, but the

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Speaker 1: Limelight has been good to Puff and it's been forgiving

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Speaker 1: to Puff.

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Speaker 2: Yeah, it was.

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Speaker 1: Of course, sexual assault and robbing publishing are drastically different things.

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Speaker 1: But Puff has been under scrutiny through most of his

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Speaker 1: career and everyone still loved Puff. This is different. I

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Speaker 1: don't think he's gonna like the limelight the way he

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Speaker 1: once did. He's never had this type of life, but.

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Speaker 2: For business purposes, he's going to have to because I

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Speaker 2: don't think that he's in the right Like when the

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Speaker 2: Delion thing got taken away. Now you're back in the

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Speaker 2: entertainment space where you have to be public facing to

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Speaker 2: draw enough equity to the products that you're promoted. Like,

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Speaker 2: Revolk's not doing as great as everyone think it is.

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Speaker 1: I mean, I'm sure they spend a lot of money. Yeah,

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Speaker 1: I think there's still a young company that they're not

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Speaker 1: even really in the profit world yet or thinking that way.

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Speaker 1: I think that comes in another ten years. I think

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Speaker 1: they've been doing great with the slow burn process that

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Speaker 1: they're like ten years in now. Yeah, they've partnered with

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Speaker 1: the biggest breakfast club to drink Champs like they always

340
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Speaker 1: do fine.

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Speaker 2: Right liability every Monday, so.

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Speaker 1: They partner with the right people. It's just more of

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Speaker 1: a slow burn rather than them trying to.

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Speaker 2: Get Is it slow burn the wrong business model?

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Speaker 1: I don't think in the content game per se, especially

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Speaker 1: when they're kind of I don't think there's anyone like

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Speaker 1: them within our space. There's a bunch of different production companies, networks, yeah, elsewhere,

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Speaker 1: but within our culture, Revolt is by itself, so they

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Speaker 1: have the ability to take the slow burn. And it's

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Speaker 1: not the same as you know, you're playing with NBC money.

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Speaker 3: It's different.

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Speaker 2: Yeah.

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Speaker 1: So I thought they were doing fine. I didn't think

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Speaker 1: they were in the profit business yet. I think it's

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Speaker 1: great that he stepped down so it could continue to

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Speaker 1: move forward. But as someone that was affiliated with it,

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Speaker 1: where do you where's your last week?

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Speaker 2: Then?

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Speaker 1: As far as what it looks like now that my

360
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Speaker 1: name has been attached to somebody that has these accusations.

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Speaker 2: As far as Poff, yeah, gotta just be honest at

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Speaker 2: some point, man, I don't think he can just pop

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Speaker 2: back out in four months and be in a new

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Speaker 2: video and everyone's like it's okay. But to be honest,

365
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Speaker 2: I don't think hip hop gave a fuck about what

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Speaker 2: he did wrong. There's too much to hung over his

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00:15:47,600 --> 00:15:51,960
Speaker 2: head from ninety four, either because they wanted access to him,

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Speaker 2: wanted his help, or was afraid of him. He's still

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Speaker 2: not nothing to play with. Y'all can crack all him jokes.

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Speaker 2: Y'all want you online end up black Whie. We know

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00:16:02,880 --> 00:16:04,560
Speaker 2: Wiley and I love you, I fuck with you. But

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Speaker 2: how strong you got to be to hold of mother

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Speaker 2: fuck up? With their shoes in the air.

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Speaker 1: I mean it's m hm, while it is probably a

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Speaker 1: little taller than me, probably like it's probably like two

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Speaker 1: ten maybe two bodyguards.

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Speaker 2: Yeah, I think two bodyguards.

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00:16:19,760 --> 00:16:24,240
Speaker 1: That's easy to get to. While Yeah, but we've known

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00:16:24,240 --> 00:16:27,360
Speaker 1: Puff to be quote unquote the boogeyman the way Shug

380
00:16:27,560 --> 00:16:30,920
Speaker 1: Shug had that reputation. We've known as of recent that

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00:16:30,920 --> 00:16:33,920
Speaker 1: Puff has kind of been that for real. People can joke,

382
00:16:34,000 --> 00:16:36,520
Speaker 1: laffy dances this and that. Yeah, we know what time

383
00:16:36,560 --> 00:16:39,320
Speaker 1: it is, but that doesn't mean we should be quiet

384
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Speaker 1: about it. Like, I don't think we should speak out

385
00:16:42,560 --> 00:16:44,440
Speaker 1: only because we think someone might be pussy.

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Speaker 4: Yeah, that's called selective politic And I've never been down

387
00:16:48,120 --> 00:16:49,120
Speaker 4: with that period.

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Speaker 2: And I think everybody who's doing it, and everybody who

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Speaker 2: do grimy ship in the business like who it's a

390
00:16:57,680 --> 00:17:00,520
Speaker 2: it's a few, there's a coup, then, I think, who

391
00:17:00,960 --> 00:17:03,800
Speaker 2: be doing some foul shit some in Jersey.

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Speaker 4: I don't fuck with him, the leader.

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00:17:07,160 --> 00:17:08,000
Speaker 2: I'm not talking about.

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Speaker 1: I didn't know what we were talking about. I'm not aware,

395
00:17:12,600 --> 00:17:16,080
Speaker 1: are we saying within the podcast world your world? I'm

396
00:17:16,119 --> 00:17:19,760
Speaker 1: not fully aware of everything everyone's done in their past.

397
00:17:19,800 --> 00:17:22,080
Speaker 1: But anytime something even when it's been within my own

398
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Speaker 1: camp and attached to one of my businesses, I've just

399
00:17:25,320 --> 00:17:27,320
Speaker 1: first person to speak about it. I'll talk to my

400
00:17:27,359 --> 00:17:30,280
Speaker 1: podcast about it. On the socials, I try to stay

401
00:17:30,320 --> 00:17:33,280
Speaker 1: as consistent as I can. Now. With that said, I'm

402
00:17:33,280 --> 00:17:35,360
Speaker 1: not also going to take my time when we leave

403
00:17:35,400 --> 00:17:39,080
Speaker 1: here to go research everyone's personal life and make sure

404
00:17:39,119 --> 00:17:42,280
Speaker 1: that I'm speaking up about everything that they maybe did

405
00:17:42,320 --> 00:17:43,080
Speaker 1: behind the closed door.

406
00:17:43,119 --> 00:17:44,680
Speaker 2: Why do you think everybody in the industry turned the

407
00:17:44,720 --> 00:17:46,520
Speaker 2: blind owt to it was a fear or because they

408
00:17:46,520 --> 00:17:47,520
Speaker 2: wanted to be close to him?

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Speaker 4: I think it was both.

410
00:17:48,320 --> 00:17:51,840
Speaker 6: I think people a lot of people that was the

411
00:17:51,880 --> 00:17:53,000
Speaker 6: way they made money.

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00:17:53,600 --> 00:17:56,040
Speaker 4: They were directly attached to him or worked with one

413
00:17:56,080 --> 00:17:56,840
Speaker 4: of his companies.

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Speaker 6: Maybe some fear as well, but I don't know if

415
00:18:01,280 --> 00:18:03,960
Speaker 6: it's fear of like physical harm or financial.

416
00:18:04,440 --> 00:18:06,200
Speaker 4: I think it's more so financial if you ask me.

417
00:18:06,200 --> 00:18:08,520
Speaker 4: A lot of people don't know what their next move

418
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Speaker 4: is if they don't have this move, so you can't

419
00:18:12,000 --> 00:18:12,879
Speaker 4: blame people for that.

420
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Speaker 6: But at the same time, you know, like I spoke

421
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Speaker 6: last week, I just don't understand how you could sit

422
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Speaker 6: back and know that that was happening and still function

423
00:18:22,320 --> 00:18:24,560
Speaker 6: day to day, Like, how could you even focus on

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Speaker 6: knowing things like that are happening around your workspace? Like,

425
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Speaker 6: I just I don't get it. I understand people got

426
00:18:29,720 --> 00:18:31,280
Speaker 6: to make money and take care of their families. I

427
00:18:31,280 --> 00:18:33,320
Speaker 6: get that part and I respect that, But at the

428
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Speaker 6: same time, I just don't see how you can focus

429
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Speaker 6: to a point where you try to block out what

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Speaker 6: is actually going on and able to function day to day.

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Speaker 2: But the music business, you have to do music business

432
00:18:43,760 --> 00:18:49,080
Speaker 2: since the beginner's been run by gangsters, right, absolutely, finance, Yeah,

433
00:18:49,119 --> 00:18:50,399
Speaker 2: so I think it's power for the course.

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Speaker 1: Well, I guess we rightfully so pick and shoes crimes

435
00:18:54,280 --> 00:18:57,240
Speaker 1: that we find more heinous than the others. Like you know,

436
00:18:57,320 --> 00:19:01,440
Speaker 1: you could say, ex, drug dealers finance a label. When

437
00:19:01,480 --> 00:19:03,120
Speaker 1: you get down to the politics, of that of maybe

438
00:19:03,400 --> 00:19:05,560
Speaker 1: actually ruining a community and people did die of that.

439
00:19:05,600 --> 00:19:08,960
Speaker 1: We don't particularly care about that because there is more

440
00:19:09,119 --> 00:19:12,080
Speaker 1: into that backstory of how drugs got here, this and that.

441
00:19:12,119 --> 00:19:14,600
Speaker 1: But when it comes to sexual assault or harming women,

442
00:19:14,680 --> 00:19:17,600
Speaker 1: that's just the clear one. We'll let some heroin go. Like,

443
00:19:19,680 --> 00:19:23,360
Speaker 1: we kind of get it. There's some type of American

444
00:19:23,440 --> 00:19:26,040
Speaker 1: history in there has forced some people to sell drugs

445
00:19:26,040 --> 00:19:28,800
Speaker 1: and make the best situation of what it is. But yeah,

446
00:19:28,800 --> 00:19:30,240
Speaker 1: we can pick and shoot. I think there should be

447
00:19:30,240 --> 00:19:33,080
Speaker 1: a buffet with crimes within the music industry of what

448
00:19:33,080 --> 00:19:35,880
Speaker 1: we tolerate when we don't tolerate because some have understanding

449
00:19:35,880 --> 00:19:36,680
Speaker 1: and some don't.

450
00:19:37,320 --> 00:19:39,359
Speaker 3: Yeah, but I can.

451
00:19:39,200 --> 00:19:42,960
Speaker 1: Be a objective too, Like let's say I'm signed to

452
00:19:43,040 --> 00:19:46,879
Speaker 1: bad Boy as an artist. My relationship with Puff only

453
00:19:47,080 --> 00:19:50,160
Speaker 1: is that he gave me an advance, a recording budget.

454
00:19:50,400 --> 00:19:53,280
Speaker 1: He's helping me market my product. We went to a

455
00:19:53,320 --> 00:19:57,600
Speaker 1: few appearances together. I went to maybe one party, What

456
00:19:57,600 --> 00:20:00,959
Speaker 1: do you want me to do? Like, I get it.

457
00:20:01,000 --> 00:20:04,040
Speaker 1: As much as we did talk about it, a few

458
00:20:04,040 --> 00:20:07,840
Speaker 1: people that that brought a voice to the media because

459
00:20:07,840 --> 00:20:09,639
Speaker 1: no one was talking about it. I get why some

460
00:20:09,680 --> 00:20:12,200
Speaker 1: people shut up, Like, what is it? Even their place

461
00:20:12,400 --> 00:20:14,879
Speaker 1: to do it if they have no real affiliation with

462
00:20:15,960 --> 00:20:18,240
Speaker 1: I've heard a million things. You kind of looked even

463
00:20:18,280 --> 00:20:20,440
Speaker 1: crazier if you're that guy in the music industry, because

464
00:20:20,440 --> 00:20:22,480
Speaker 1: we've all heard rumblings of a bunch of different people

465
00:20:22,840 --> 00:20:24,239
Speaker 1: that just one day, I'm gonna get out of bed

466
00:20:24,240 --> 00:20:26,760
Speaker 1: and be like, yo, I heard this about this exact. No,

467
00:20:26,840 --> 00:20:28,479
Speaker 1: I have no evidence. I just heard it. And now

468
00:20:28,520 --> 00:20:31,719
Speaker 1: I'm on a microphone talking about someone's reputation in regards

469
00:20:31,760 --> 00:20:35,119
Speaker 1: to sexual assault. And I didn't see it happen. So

470
00:20:35,160 --> 00:20:36,000
Speaker 1: what do you really want?

471
00:20:36,000 --> 00:20:37,640
Speaker 2: You can't say anything if we didn't see it happen.

472
00:20:38,080 --> 00:20:40,320
Speaker 2: Once again, I think there's a line.

473
00:20:40,359 --> 00:20:43,520
Speaker 6: Well, so I think the fact that one of his

474
00:20:43,600 --> 00:20:46,760
Speaker 6: relationships that was so public and that so many people

475
00:20:46,840 --> 00:20:49,800
Speaker 6: kind of like, you know, enjoyed watching just from an

476
00:20:49,800 --> 00:20:54,920
Speaker 6: aesthetic a good looking couple for her to come out

477
00:20:54,920 --> 00:20:56,840
Speaker 6: and say those things will happen, and I think that

478
00:20:56,920 --> 00:20:59,880
Speaker 6: shocked everybody. So I think that was the reason why

479
00:21:00,000 --> 00:21:02,960
Speaker 6: people were like, whoa like, we actually liked that couple,

480
00:21:03,000 --> 00:21:05,640
Speaker 6: We actually like We didn't had no idea that well

481
00:21:05,680 --> 00:21:06,960
Speaker 6: the public public did.

482
00:21:07,040 --> 00:21:08,560
Speaker 4: Some people knew what was going on. We didn't.

483
00:21:08,680 --> 00:21:10,440
Speaker 6: Yeah, so for that to come out, for her to

484
00:21:10,480 --> 00:21:13,199
Speaker 6: say those things, I think you had to speak on

485
00:21:13,200 --> 00:21:14,800
Speaker 6: it because we spoke on it when it looked like

486
00:21:14,840 --> 00:21:16,960
Speaker 6: it was all good. Like Yo, they every time you

487
00:21:17,000 --> 00:21:19,679
Speaker 6: see them, they look good, dress, fly, you know whatever, whatever,

488
00:21:19,800 --> 00:21:21,040
Speaker 6: like great looking couple.

489
00:21:21,160 --> 00:21:21,360
Speaker 2: Yeah.

490
00:21:21,840 --> 00:21:23,639
Speaker 6: But now she's saying that she experienced all of these

491
00:21:23,680 --> 00:21:26,280
Speaker 6: things in that relationship. It's like, I think that through

492
00:21:26,320 --> 00:21:28,040
Speaker 6: everybody for a loop, like, oh shit.

493
00:21:27,920 --> 00:21:30,240
Speaker 4: We had no idea. From the outside looking in, it

494
00:21:30,320 --> 00:21:31,480
Speaker 4: looked like things were great.

495
00:21:31,800 --> 00:21:33,399
Speaker 2: I think from twenty four to thirty four we're going

496
00:21:33,440 --> 00:21:35,160
Speaker 2: to go through a period where people stoped buying tough

497
00:21:35,160 --> 00:21:37,359
Speaker 2: of science, like going back to your point, man, with

498
00:21:37,440 --> 00:21:40,080
Speaker 2: too much money, there can't be some red flags there.

499
00:21:40,280 --> 00:21:42,680
Speaker 2: Oh yeah. So I think we have to stop getting

500
00:21:42,680 --> 00:21:45,000
Speaker 2: caught up in the veneer of what looks good versus

501
00:21:45,240 --> 00:21:49,080
Speaker 2: is it actually healthy? Okay, So I need to know

502
00:21:49,840 --> 00:21:51,520
Speaker 2: how many women you didn't got off this money bag

503
00:21:51,600 --> 00:21:58,040
Speaker 2: drop you'd be doing, because every.

504
00:21:57,880 --> 00:22:00,679
Speaker 4: Time I pop on the ground, Yeah, well, like you,

505
00:22:01,080 --> 00:22:03,239
Speaker 4: I want to talk about money, trying to make the

506
00:22:03,240 --> 00:22:05,360
Speaker 4: conversation about money, trying to make it cool to talk

507
00:22:05,400 --> 00:22:08,520
Speaker 4: about money. I've I've I've met a lot of a

508
00:22:09,359 --> 00:22:12,080
Speaker 4: lot of conversations have happened. A lot of women have

509
00:22:12,119 --> 00:22:14,400
Speaker 4: that's the PC answer. No, No, seriously, a lot of.

510
00:22:14,320 --> 00:22:17,080
Speaker 6: Women have d M me about uh leaving money bags

511
00:22:17,080 --> 00:22:18,680
Speaker 6: when their pictures. They don't know what it means. They

512
00:22:18,680 --> 00:22:19,480
Speaker 6: just want to know what it means.

513
00:22:19,760 --> 00:22:21,280
Speaker 2: Trying to give them a bag or like, we know

514
00:22:21,400 --> 00:22:22,439
Speaker 2: what you mean. I'm not.

515
00:22:22,480 --> 00:22:25,400
Speaker 4: That's not your.

516
00:22:24,200 --> 00:22:25,439
Speaker 1: Firstifying his bonds.

517
00:22:25,600 --> 00:22:27,120
Speaker 4: Yeah, it's it's.

518
00:22:27,000 --> 00:22:31,360
Speaker 6: Just just showing love and support for great art.

519
00:22:31,720 --> 00:22:32,040
Speaker 2: Gotcha.

520
00:22:32,320 --> 00:22:34,600
Speaker 4: It's like an n f T if you will. It's

521
00:22:34,640 --> 00:22:37,320
Speaker 4: not I give you real money, got you? You know

522
00:22:37,320 --> 00:22:38,679
Speaker 4: what I'm saying, like, I'm.

523
00:22:38,520 --> 00:22:41,840
Speaker 2: Giving you more money bags and more valuable is to you,

524
00:22:41,920 --> 00:22:42,280
Speaker 2: not to.

525
00:22:42,320 --> 00:22:44,280
Speaker 4: Me, but I think to the the market.

526
00:22:44,320 --> 00:22:47,320
Speaker 6: To the market, you understand, I'm saying, like the bad

527
00:22:47,560 --> 00:22:53,840
Speaker 6: exactly introducing. Yeah, I'm helping build her financial portfolio. I'm

528
00:22:53,840 --> 00:22:55,840
Speaker 6: helping you know, people go to her page. They understand.

529
00:22:55,880 --> 00:22:58,639
Speaker 6: It's kind of like the Michelin start. You know that

530
00:22:58,680 --> 00:23:01,840
Speaker 6: this is quality, you know here see the money bags.

531
00:23:01,840 --> 00:23:03,639
Speaker 4: This is quality. Alright, this is a brand that I

532
00:23:03,640 --> 00:23:04,199
Speaker 4: can trust.

533
00:23:04,320 --> 00:23:06,960
Speaker 1: You are her Jordan Belford to her, Steve Madden.

534
00:23:08,000 --> 00:23:09,840
Speaker 4: Okay, only when they're in public.

535
00:23:10,880 --> 00:23:13,040
Speaker 1: And naturally, the pumping dump happens out.

536
00:23:13,080 --> 00:23:16,480
Speaker 4: Exactly got a pumping you did avoid a lot of pump.

537
00:23:16,760 --> 00:23:19,119
Speaker 1: I'm not going He asked you a direct question. You

538
00:23:19,160 --> 00:23:19,880
Speaker 1: didn't answer.

539
00:23:20,160 --> 00:23:22,320
Speaker 2: Single a lot of bag off dropping the bag?

540
00:23:22,359 --> 00:23:24,399
Speaker 1: How many women have you fucked from dropping that emotion?

541
00:23:24,960 --> 00:23:30,520
Speaker 6: I'm not I don't think I fucked women, but I'm

542
00:23:30,560 --> 00:23:30,960
Speaker 6: being honest.

543
00:23:31,119 --> 00:23:31,560
Speaker 4: I don't think.

544
00:23:33,119 --> 00:23:35,200
Speaker 6: Oh no, Now I have a lot of conversations start

545
00:23:35,400 --> 00:23:38,119
Speaker 6: with that. I've had a lot of conversations start because

546
00:23:38,160 --> 00:23:39,479
Speaker 6: a lot of women don't know what it is.

547
00:23:39,960 --> 00:23:42,000
Speaker 4: They see it, but then now when they get it,

548
00:23:42,040 --> 00:23:43,280
Speaker 4: they're like, oh ship.

549
00:23:43,040 --> 00:23:44,119
Speaker 3: Like I'm next.

550
00:23:47,480 --> 00:23:49,800
Speaker 1: Okay, Then follow up questions that you're avoiding out of

551
00:23:49,840 --> 00:23:52,239
Speaker 1: the conversations that started, how many of those women did

552
00:23:52,240 --> 00:23:54,120
Speaker 1: you penetrate once the conversation with.

553
00:23:54,119 --> 00:23:54,920
Speaker 8: With your cock?

554
00:23:56,040 --> 00:23:57,040
Speaker 3: Jesusesus?

555
00:23:57,400 --> 00:23:57,720
Speaker 8: Sorry?

556
00:23:57,760 --> 00:23:59,000
Speaker 2: Sorry, you put the paws on?

557
00:24:00,040 --> 00:24:04,720
Speaker 4: Are the po there's no pause? Eddy right there? I

558
00:24:04,720 --> 00:24:06,320
Speaker 4: don't know who's count maybe four?

559
00:24:06,960 --> 00:24:11,640
Speaker 10: Okay, Then we just use the city and meeting we

560
00:24:11,640 --> 00:24:12,560
Speaker 10: were just talking about.

561
00:24:12,680 --> 00:24:16,200
Speaker 1: I'm serious for women, you just you just pull the woman.

562
00:24:16,320 --> 00:24:20,680
Speaker 1: I only have five bodies, and I promise you they

563
00:24:20,720 --> 00:24:22,359
Speaker 1: think I'm out here throwing my ship around.

564
00:24:22,359 --> 00:24:24,639
Speaker 4: I'm really not, though, I promise you I'm not.

565
00:24:24,840 --> 00:24:27,280
Speaker 1: You have you have seven years in I think of

566
00:24:27,320 --> 00:24:28,080
Speaker 1: the emoji.

567
00:24:28,680 --> 00:24:29,560
Speaker 4: No, maybe five?

568
00:24:30,600 --> 00:24:35,960
Speaker 3: Yeah, maybe averaging a body a year take for that. Yeah, Fama, I.

569
00:24:35,960 --> 00:24:38,000
Speaker 6: Don't believe that because I'm really not. I really don't.

570
00:24:38,560 --> 00:24:41,440
Speaker 6: I don't turn it into a sexual conversation, which you're smart.

571
00:24:41,560 --> 00:24:42,240
Speaker 2: You play the long game.

572
00:24:42,320 --> 00:24:44,280
Speaker 9: You ask what they're reading, not even played a long game,

573
00:24:44,520 --> 00:24:45,480
Speaker 9: because you know what it is.

574
00:24:45,720 --> 00:24:47,800
Speaker 6: You could see a beautiful woman, and I've experienced this

575
00:24:47,880 --> 00:24:50,480
Speaker 6: beautiful women aesthetically, she's great everything.

576
00:24:50,680 --> 00:24:52,440
Speaker 4: But then when you meet them in person.

577
00:24:52,920 --> 00:24:54,440
Speaker 2: Are you not that in real life?

578
00:24:54,520 --> 00:24:54,720
Speaker 5: Oh?

579
00:24:54,840 --> 00:24:56,879
Speaker 6: That's so, that's why I don't. I'm not shooting my

580
00:24:57,720 --> 00:25:00,000
Speaker 6: A lot of these women I don't. I've never met

581
00:25:00,040 --> 00:25:03,159
Speaker 6: in person. So it's like I'm not shooting over like

582
00:25:03,200 --> 00:25:05,040
Speaker 6: in the DM, because I've seen some of these women

583
00:25:05,080 --> 00:25:06,960
Speaker 6: in person, and I'm like, I should go take all

584
00:25:06,960 --> 00:25:07,880
Speaker 6: my money bags back.

585
00:25:09,680 --> 00:25:10,960
Speaker 2: I ran to a couple of them like this.

586
00:25:11,040 --> 00:25:13,840
Speaker 6: It's like she smiled too hard, she got the side too,

587
00:25:14,000 --> 00:25:15,040
Speaker 6: the love seat is missing.

588
00:25:15,680 --> 00:25:17,000
Speaker 4: It's like a.

589
00:25:16,880 --> 00:25:18,520
Speaker 2: Different person than are doing real life.

590
00:25:18,600 --> 00:25:21,200
Speaker 4: Yeah, and I'm just like, oh, your feet is you're

591
00:25:21,200 --> 00:25:22,000
Speaker 4: a picky dude.

592
00:25:22,440 --> 00:25:26,600
Speaker 6: I mean what I'm like, you got ugly feed, no

593
00:25:27,760 --> 00:25:28,320
Speaker 6: ugly feet.

594
00:25:28,480 --> 00:25:30,320
Speaker 10: I've seen a lot of bad bitches with ugly feet.

595
00:25:30,320 --> 00:25:31,639
Speaker 10: I don't have ugly feet, but I've seen a lot

596
00:25:31,640 --> 00:25:32,760
Speaker 10: of bad bitches with ugly feet.

597
00:25:32,760 --> 00:25:33,480
Speaker 4: Well, I've seen something.

598
00:25:33,520 --> 00:25:35,520
Speaker 6: Not all I don't say all of them got ugly feet,

599
00:25:35,560 --> 00:25:37,440
Speaker 6: but a lot of a lot of them I've seen, yes,

600
00:25:37,520 --> 00:25:39,960
Speaker 6: and then it's like you see them in person, it's

601
00:25:40,000 --> 00:25:40,800
Speaker 6: just not what you thought.

602
00:25:41,160 --> 00:25:41,520
Speaker 4: It's just not.

603
00:25:41,600 --> 00:25:41,679
Speaker 5: So.

604
00:25:41,720 --> 00:25:44,040
Speaker 6: That's why when people say, yo, you out here, it's like, Bro,

605
00:25:44,119 --> 00:25:46,240
Speaker 6: I wish you could see these girls when I see them,

606
00:25:46,320 --> 00:25:49,199
Speaker 6: because it's not what y'all think it is. It's really not.

607
00:25:49,240 --> 00:25:50,720
Speaker 6: So That's why I'm not here, Yo, what's up?

608
00:25:50,920 --> 00:25:53,000
Speaker 4: Because I know if I see in person, I might

609
00:25:53,080 --> 00:25:53,919
Speaker 4: not be attracted to you.

610
00:25:54,040 --> 00:25:56,440
Speaker 2: Anybody on your roster come from the money back drop.

611
00:25:57,640 --> 00:26:01,119
Speaker 8: I'm just how you got on the shipping from that.

612
00:26:01,520 --> 00:26:02,600
Speaker 4: I don't even have a roster.

613
00:26:03,160 --> 00:26:06,640
Speaker 8: Oh my lord, bro, Bro, I don't.

614
00:26:06,440 --> 00:26:08,040
Speaker 2: Have a big cap segment.

615
00:26:08,320 --> 00:26:08,480
Speaker 1: Bro.

616
00:26:08,560 --> 00:26:10,639
Speaker 6: I know I'm probably listen. I'm not lying to I

617
00:26:10,680 --> 00:26:12,520
Speaker 6: don't have a you have a roster. I did not

618
00:26:12,560 --> 00:26:13,040
Speaker 6: have a roster.

619
00:26:13,119 --> 00:26:14,480
Speaker 2: Yeah, one special person.

620
00:26:14,240 --> 00:26:15,640
Speaker 6: I don't even I wouldn't even say I have one

621
00:26:15,640 --> 00:26:17,719
Speaker 6: special person, bro, I don't.

622
00:26:18,440 --> 00:26:20,000
Speaker 7: So you not getting no pussy?

623
00:26:20,480 --> 00:26:22,719
Speaker 6: I mean if I want pussy, I can get pussy.

624
00:26:22,720 --> 00:26:25,280
Speaker 6: But I'm not saying that's what Like, I'm not like

625
00:26:25,320 --> 00:26:27,320
Speaker 6: in a relationship. I don't have a roster, I don't

626
00:26:27,359 --> 00:26:28,720
Speaker 6: have a roller deck. Where could be yo, I'm gonna

627
00:26:28,720 --> 00:26:29,679
Speaker 6: get pussy from her today?

628
00:26:29,720 --> 00:26:30,800
Speaker 4: Like I don't live.

629
00:26:30,840 --> 00:26:32,880
Speaker 1: Like, let me see your Apple Music Artists of the Year.

630
00:26:32,960 --> 00:26:35,399
Speaker 1: I'm gonna see if you get pussy. It's all right,

631
00:26:35,760 --> 00:26:39,080
Speaker 1: get pussy? Yeah, because which Drake Records pull up your

632
00:26:39,119 --> 00:26:43,200
Speaker 1: Apple Oh you you definitely.

633
00:26:43,720 --> 00:26:45,639
Speaker 4: But I told you when I heard that record, how

634
00:26:45,640 --> 00:26:46,480
Speaker 4: phenomenal I thought that.

635
00:26:46,480 --> 00:26:47,879
Speaker 1: Record was because you were in some pussy when you

636
00:26:47,920 --> 00:26:48,119
Speaker 1: heard it.

637
00:26:49,080 --> 00:26:51,360
Speaker 2: Yeah, phenomenal, I thought that was.

638
00:26:51,720 --> 00:26:53,320
Speaker 4: I thought that was a phenomenal record.

639
00:26:53,359 --> 00:26:55,680
Speaker 6: Like that's that doesn't mean I'm getting pussy because thought

640
00:26:55,720 --> 00:26:58,639
Speaker 6: record was phenomenal, Drew Picasso is my top song of

641
00:26:58,640 --> 00:26:58,960
Speaker 6: the year.

642
00:27:00,200 --> 00:27:01,359
Speaker 4: Number two is members only.

643
00:27:01,560 --> 00:27:04,399
Speaker 1: You're not listening to these records by yourself not getting pussy?

644
00:27:04,600 --> 00:27:05,160
Speaker 2: What do you mean?

645
00:27:05,600 --> 00:27:09,800
Speaker 6: I've been by yourself and we were at the airport,

646
00:27:09,840 --> 00:27:11,239
Speaker 6: and we were we were standing there at the at

647
00:27:11,240 --> 00:27:13,000
Speaker 6: the at the baggers claiming you say your what song

648
00:27:13,000 --> 00:27:13,520
Speaker 6: you're listening to?

649
00:27:13,560 --> 00:27:15,159
Speaker 4: Because you heard me saying it. What was I listening to?

650
00:27:15,560 --> 00:27:15,760
Speaker 2: Yeah?

651
00:27:15,800 --> 00:27:17,720
Speaker 1: It was because he was probably the girl he was

652
00:27:17,760 --> 00:27:20,320
Speaker 1: fucking couldn't wait to get home. What I was just listening?

653
00:27:20,520 --> 00:27:22,000
Speaker 1: Text her and say, Yo, I'm listening to our song.

654
00:27:22,320 --> 00:27:25,040
Speaker 4: That's y'all, dude. I don't listen to think about fucking bitches.

655
00:27:25,040 --> 00:27:27,080
Speaker 7: I don't know mom, Mom be in the studio playing

656
00:27:27,119 --> 00:27:27,800
Speaker 7: like I listen.

657
00:27:27,840 --> 00:27:28,800
Speaker 1: I just like good music.

658
00:27:28,880 --> 00:27:32,000
Speaker 6: I'm not thinking about like bro, listen, I'm forty two.

659
00:27:32,080 --> 00:27:33,480
Speaker 6: I'm not as horny it used to be.

660
00:27:33,520 --> 00:27:33,600
Speaker 2: Bro.

661
00:27:33,640 --> 00:27:34,920
Speaker 4: I don't think about pussy all day.

662
00:27:34,920 --> 00:27:36,800
Speaker 6: I promise you thought like, if I'm listening to good music,

663
00:27:36,800 --> 00:27:38,000
Speaker 6: it's not because I'm like, yo, about to get it

664
00:27:38,040 --> 00:27:38,400
Speaker 6: with a girl.

665
00:27:38,840 --> 00:27:39,879
Speaker 4: Just listening to good music.

666
00:27:40,280 --> 00:27:43,160
Speaker 2: Just half today, h half today? You think about it.

667
00:27:43,520 --> 00:27:45,520
Speaker 6: No, I really don't think about pussy as much as

668
00:27:45,520 --> 00:27:47,159
Speaker 6: I and I thought about that.

669
00:27:47,160 --> 00:27:51,359
Speaker 4: I'm like, damn, like it's like I don't. It's like

670
00:27:51,400 --> 00:27:51,680
Speaker 4: I don't.

671
00:27:51,920 --> 00:27:53,640
Speaker 6: And then I see young like a lot of younger

672
00:27:53,720 --> 00:27:56,399
Speaker 6: dudes that I know, and they're like damn. They they

673
00:27:56,400 --> 00:27:58,560
Speaker 6: text the group chat Yo, we at the club, and

674
00:27:58,600 --> 00:28:00,119
Speaker 6: I'm like, yo, bro, y'all been at the club of

675
00:28:00,200 --> 00:28:01,320
Speaker 6: the last four nights.

676
00:28:01,400 --> 00:28:02,680
Speaker 4: What the fuck are y'all doing?

677
00:28:02,880 --> 00:28:03,120
Speaker 2: Yeah?

678
00:28:03,840 --> 00:28:05,639
Speaker 4: I didn't even know the clubs were still think in

679
00:28:05,680 --> 00:28:07,159
Speaker 4: New York, Like, I don't even know if you're not

680
00:28:07,280 --> 00:28:08,960
Speaker 4: talking about if you asked me what club to go

681
00:28:08,960 --> 00:28:10,800
Speaker 4: to New York, would't I wouldn't wouldn't be able to tell you.

682
00:28:10,840 --> 00:28:13,840
Speaker 1: But you're not supposed to the younger generation should ian?

683
00:28:13,840 --> 00:28:15,600
Speaker 3: How do you go out? What's what's the night out?

684
00:28:15,720 --> 00:28:15,800
Speaker 2: Like?

685
00:28:15,880 --> 00:28:16,800
Speaker 3: Not even on a date night?

686
00:28:16,880 --> 00:28:17,520
Speaker 7: What's your vibe?

687
00:28:17,600 --> 00:28:21,240
Speaker 2: Yeah? Here, yeah, give me here and then give me

688
00:28:21,280 --> 00:28:24,080
Speaker 2: Houston here, Like I may just do, like say, less

689
00:28:24,080 --> 00:28:27,640
Speaker 2: of summer friends real quick, like six eight us just chill.

690
00:28:27,880 --> 00:28:28,720
Speaker 1: I mean they're they're in there.

691
00:28:28,880 --> 00:28:30,520
Speaker 2: My thought for that, that's ship.

692
00:28:30,840 --> 00:28:34,400
Speaker 1: It's a little not even good even like low.

693
00:28:37,200 --> 00:28:40,920
Speaker 6: For the and the escorts in the back sitting there

694
00:28:40,960 --> 00:28:44,080
Speaker 6: drinking taking lemon shots.

695
00:28:44,520 --> 00:28:46,920
Speaker 2: You drop money bags on them to escorts.

696
00:28:47,480 --> 00:28:49,640
Speaker 4: Sure, I've dropped money bags on escorts that I didn't even.

697
00:28:49,480 --> 00:28:51,080
Speaker 8: Know because it on cards a lot of them.

698
00:28:51,760 --> 00:28:54,680
Speaker 4: I was like, wait a minute, wait a minute, she

699
00:28:54,800 --> 00:28:58,520
Speaker 4: sells that. I never I never, I never knew. I

700
00:28:58,560 --> 00:29:01,440
Speaker 4: see somebody's like wait what yeah, wow.

701
00:29:01,520 --> 00:29:05,280
Speaker 1: I'll say back to the broke to having money conversation

702
00:29:06,000 --> 00:29:08,320
Speaker 1: more of a letdown than finding out Santa wasn't real

703
00:29:08,400 --> 00:29:10,920
Speaker 1: when I was a kid. Is finding out how many

704
00:29:10,920 --> 00:29:15,480
Speaker 1: women so pussy heartbreaking? Like I wasn't naive, don't like,

705
00:29:15,520 --> 00:29:18,000
Speaker 1: I wasn't that green, But once I got money and

706
00:29:18,040 --> 00:29:20,840
Speaker 1: the offers, I was like, you so pussy too, man,

707
00:29:21,360 --> 00:29:25,080
Speaker 1: It's crazy. No, it's like it's a lot like a

708
00:29:25,120 --> 00:29:28,360
Speaker 1: lot of women. No, I've never got pussy. I paid

709
00:29:28,360 --> 00:29:30,720
Speaker 1: for it in the long run, but I.

710
00:29:32,400 --> 00:29:33,720
Speaker 8: Yeah, got you heartbreak.

711
00:29:33,960 --> 00:29:36,560
Speaker 1: Yeah, it's like it really kind of made me look

712
00:29:36,560 --> 00:29:39,120
Speaker 1: at the world in a different way. I was disappointed.

713
00:29:39,400 --> 00:29:41,440
Speaker 2: Yeah, you think all these girls going on their trips

714
00:29:41,480 --> 00:29:44,280
Speaker 2: because everybody's like a boss babe, and yeah, of course

715
00:29:44,400 --> 00:29:46,520
Speaker 2: it's tough, man. Don't do that.

716
00:29:46,680 --> 00:29:47,239
Speaker 5: Don't do that.

717
00:29:47,280 --> 00:29:49,680
Speaker 2: I'm not shout to the women that are building real businesses,

718
00:29:49,760 --> 00:29:52,440
Speaker 2: but I know, yeah that are really doing it. But

719
00:29:52,440 --> 00:29:54,360
Speaker 2: it's a lot of women who are acting as if

720
00:29:54,400 --> 00:29:56,880
Speaker 2: they're really selling candles and ship and they.

721
00:29:57,040 --> 00:29:57,880
Speaker 4: Ain't nobody buying them.

722
00:29:57,880 --> 00:29:59,120
Speaker 7: Many pussy come with the candle.

723
00:29:59,200 --> 00:30:01,480
Speaker 4: You can't go to BA for a week on selling.

724
00:30:02,080 --> 00:30:02,680
Speaker 7: Yes you can.

725
00:30:02,920 --> 00:30:04,800
Speaker 8: How many candles you How many candles are you selling?

726
00:30:05,480 --> 00:30:07,880
Speaker 4: Because the candle's is twenty four ninety nine? Yad damn it.

727
00:30:07,920 --> 00:30:09,479
Speaker 2: I know how much a coach to the margin may

728
00:30:09,520 --> 00:30:12,560
Speaker 2: be twelve bucks? Yeah, how many candles you gotta sell

729
00:30:12,600 --> 00:30:14,280
Speaker 2: to going to fifteen thousand dollars vacation?

730
00:30:15,280 --> 00:30:17,240
Speaker 4: Like, stop it. We could just be real and we're

731
00:30:17,280 --> 00:30:17,640
Speaker 4: not mad.

732
00:30:17,640 --> 00:30:21,880
Speaker 1: I'm not mad hero when you know, yeah, exactly.

733
00:30:21,600 --> 00:30:23,160
Speaker 4: See, somebody is willing to pay for.

734
00:30:23,120 --> 00:30:23,520
Speaker 2: It, all right.

735
00:30:23,560 --> 00:30:25,800
Speaker 1: So I think we're a little judgmental, and I think

736
00:30:25,800 --> 00:30:27,480
Speaker 1: we're a little hard on the girls that go on

737
00:30:27,480 --> 00:30:31,560
Speaker 1: the quote unquote whole trips. If you were in your twenties, yeah,

738
00:30:31,640 --> 00:30:33,600
Speaker 1: and your homegirl came up to you and said, hey,

739
00:30:33,640 --> 00:30:37,240
Speaker 1: I got this athlete friend that will fly all ten

740
00:30:37,280 --> 00:30:39,880
Speaker 1: of us out first class to stay at a resort,

741
00:30:40,040 --> 00:30:43,480
Speaker 1: all expenses paid, food, everything. Are you going to say no?

742
00:30:44,640 --> 00:30:46,280
Speaker 2: Nah? And my twenties are probably a little one.

743
00:30:47,040 --> 00:30:49,600
Speaker 1: Like we we give these women like, oh, I'm a

744
00:30:49,880 --> 00:30:50,240
Speaker 1: break on you.

745
00:30:50,400 --> 00:30:50,920
Speaker 2: I ain't mad at it.

746
00:30:50,960 --> 00:30:52,000
Speaker 4: I'm not mad at it at all.

747
00:30:52,040 --> 00:30:53,920
Speaker 6: I mean, get your shit off, but don't try to

748
00:30:54,160 --> 00:30:56,720
Speaker 6: come back and then say yo, nah, I want you

749
00:30:56,760 --> 00:30:57,400
Speaker 6: to be my man?

750
00:30:57,480 --> 00:30:58,920
Speaker 1: What but I want no?

751
00:30:58,920 --> 00:31:02,600
Speaker 10: Now, if you're day here that's on the whole trip

752
00:31:02,680 --> 00:31:03,479
Speaker 10: is giving up pussy.

753
00:31:03,640 --> 00:31:04,680
Speaker 7: Some are just going.

754
00:31:05,840 --> 00:31:11,240
Speaker 2: There talks one in the background. It's like, but not

755
00:31:12,080 --> 00:31:15,880
Speaker 2: yeah right, if.

756
00:31:15,040 --> 00:31:19,080
Speaker 10: There's ten, If there's ten bitches on the whole trip, six, okay,

757
00:31:19,120 --> 00:31:20,080
Speaker 10: so what about the four.

758
00:31:19,960 --> 00:31:21,880
Speaker 4: That's not on the period? They sucking dick?

759
00:31:22,240 --> 00:31:23,520
Speaker 8: That's not damn.

760
00:31:23,360 --> 00:31:27,120
Speaker 3: Throw goblin throat, goblin plane there.

761
00:31:27,280 --> 00:31:30,600
Speaker 1: Well, what does happen? Is there six other guys on

762
00:31:30,640 --> 00:31:30,920
Speaker 1: the trip?

763
00:31:31,000 --> 00:31:31,720
Speaker 7: Is one guy?

764
00:31:32,400 --> 00:31:33,920
Speaker 4: Oh, there's never one guy?

765
00:31:34,640 --> 00:31:37,320
Speaker 1: There is often there is one guy, one.

766
00:31:37,080 --> 00:31:39,600
Speaker 4: Guy, one guy. I get it.

767
00:31:39,760 --> 00:31:42,000
Speaker 1: No, that's a I think that's the thing.

768
00:31:42,360 --> 00:31:44,080
Speaker 3: I definitely he's not hitting all.

769
00:31:44,000 --> 00:31:49,720
Speaker 10: Six then exactly like one look at one nipples one

770
00:31:50,560 --> 00:31:51,760
Speaker 10: everything exactly.

771
00:31:52,080 --> 00:31:53,720
Speaker 3: Not Nippley would be nice.

772
00:31:53,800 --> 00:31:57,880
Speaker 6: But but somebody fucking the landscape of though the landscape

773
00:31:58,000 --> 00:31:58,760
Speaker 6: get pussy too.

774
00:31:58,600 --> 00:31:59,600
Speaker 8: On the landscape.

775
00:32:00,160 --> 00:32:01,360
Speaker 2: What you know.

776
00:32:01,360 --> 00:32:05,720
Speaker 4: What landscapers is? You got the landscapers.

777
00:32:06,800 --> 00:32:07,360
Speaker 8: Too much more?

778
00:32:07,640 --> 00:32:12,360
Speaker 4: No, I know too many nigs and Mexico. Yeah they no,

779
00:32:12,480 --> 00:32:13,120
Speaker 4: I know there are.

780
00:32:13,280 --> 00:32:15,640
Speaker 10: But but the bitches that are getting brought on the

781
00:32:15,680 --> 00:32:18,760
Speaker 10: whole trips by the NBA players are not fucking the landscaper.

782
00:32:19,360 --> 00:32:21,800
Speaker 10: Bitches that are sucking the landscapers. But those are the

783
00:32:21,840 --> 00:32:24,520
Speaker 10: bitches who lashes for a living. They're fucking the landscapers.

784
00:32:24,560 --> 00:32:29,000
Speaker 1: Why let me just screat, Let me have a vulnerable moment.

785
00:32:30,000 --> 00:32:32,440
Speaker 1: I could. I could be cool with finding out that

786
00:32:32,480 --> 00:32:34,240
Speaker 1: my girl, once upon a time went on a whole

787
00:32:34,240 --> 00:32:37,920
Speaker 1: trip with six of her girlfriends and six guys. One

788
00:32:37,920 --> 00:32:40,800
Speaker 1: of the guys on the trip. But I could stomach

789
00:32:40,840 --> 00:32:43,080
Speaker 1: that way more than finding out my girl went on

790
00:32:43,120 --> 00:32:46,640
Speaker 1: the whole trip with one guy and six girls. Why

791
00:32:47,800 --> 00:32:49,800
Speaker 1: what you just here the service one dude?

792
00:32:50,320 --> 00:32:54,320
Speaker 12: No, I'm not the one dude. Bitches are there for

793
00:32:54,440 --> 00:32:55,960
Speaker 12: company depends on the dude.

794
00:32:55,920 --> 00:32:58,240
Speaker 3: There for the look sit at the table.

795
00:32:58,840 --> 00:33:01,520
Speaker 1: We have a running the podcast community that was in

796
00:33:01,520 --> 00:33:04,320
Speaker 1: an open relationship, and she told me and her man

797
00:33:04,760 --> 00:33:08,520
Speaker 1: used to order six chicks legally swag and they would

798
00:33:08,560 --> 00:33:09,760
Speaker 1: go down there to fuck all six.

799
00:33:10,000 --> 00:33:13,080
Speaker 10: But she that same person also said in that same

800
00:33:13,120 --> 00:33:15,800
Speaker 10: conversation that not all girls had to give up pussy.

801
00:33:16,400 --> 00:33:17,880
Speaker 1: One of my ex girls went and didn't give off

802
00:33:17,880 --> 00:33:18,760
Speaker 1: the pussy.

803
00:33:19,120 --> 00:33:22,520
Speaker 3: You believe that, you believe No, it came straight from

804
00:33:22,520 --> 00:33:22,920
Speaker 3: the swords.

805
00:33:23,080 --> 00:33:23,680
Speaker 2: She didn't.

806
00:33:25,040 --> 00:33:26,240
Speaker 1: I was proud I was proud of her.

807
00:33:26,680 --> 00:33:31,000
Speaker 9: She held around how many ground keepers, the pool boys and.

808
00:33:30,800 --> 00:33:32,400
Speaker 3: All those kind of jobs.

809
00:33:32,440 --> 00:33:32,760
Speaker 8: Bubble.

810
00:33:32,800 --> 00:33:35,320
Speaker 9: He's thinking, Drake has gotten pussy, all of them if

811
00:33:35,360 --> 00:33:38,080
Speaker 9: he gives him DAP on the way out, all of them,

812
00:33:38,120 --> 00:33:41,600
Speaker 9: all of them, true about it all, both Drake and.

813
00:33:41,720 --> 00:33:43,640
Speaker 6: All of them, man, every last one of them. They

814
00:33:43,640 --> 00:33:46,280
Speaker 6: all went knocked, the knocked the Nike shirts with turks.

815
00:33:46,000 --> 00:33:47,560
Speaker 1: On the magic cutting grass.

816
00:33:48,160 --> 00:33:50,440
Speaker 6: They went to knock the shirts with the knock the slides.

817
00:33:50,640 --> 00:33:51,880
Speaker 6: They've been knocking bitches down too.

818
00:33:52,840 --> 00:33:55,680
Speaker 1: That's unfortunate because the times Drake has given me DAP

819
00:33:55,680 --> 00:33:57,640
Speaker 1: in public, no girls came up to me afterwards.

820
00:33:58,480 --> 00:33:59,560
Speaker 2: He putting videos out.

821
00:33:59,640 --> 00:34:01,280
Speaker 1: They probably thought I was forty, like he's going to

822
00:34:01,320 --> 00:34:08,440
Speaker 1: see he doesn't have time last time you were here? Well, actually,

823
00:34:08,480 --> 00:34:11,640
Speaker 1: do we want to go through our Apple Spotify what

824
00:34:11,680 --> 00:34:14,840
Speaker 1: I listens to? Because more you're not getting away with that.

825
00:34:14,960 --> 00:34:16,439
Speaker 1: I saw Don Tolliver.

826
00:34:17,680 --> 00:34:19,200
Speaker 2: Getting We're gonna do artists.

827
00:34:19,560 --> 00:34:21,000
Speaker 1: Let's do artists first.

828
00:34:21,320 --> 00:34:25,000
Speaker 2: My top five artists of this year. Number one o Vo, Aubrey,

829
00:34:25,040 --> 00:34:29,600
Speaker 2: Shut the Act, Ovo and Chubbs. Number two is Doja Cat.

830
00:34:30,680 --> 00:34:35,359
Speaker 2: Number three Rosalia. Let's go for Tolliver and number five,

831
00:34:35,520 --> 00:34:37,280
Speaker 2: The King of Pop, the New One BENEATHO.

832
00:34:37,520 --> 00:34:43,000
Speaker 6: Yeah, all right, I got number one Drake, number two,

833
00:34:43,080 --> 00:34:47,480
Speaker 6: Don Tolliver, number three, Brent Fires, number four, Jossie.

834
00:34:47,520 --> 00:34:48,920
Speaker 4: That was surprising me. I did listen to a lot

835
00:34:48,960 --> 00:34:51,759
Speaker 4: of Josey great project and number five Nick Grant.

836
00:34:51,760 --> 00:34:54,000
Speaker 6: Shout out to my guy, Nick Grant. I will say

837
00:34:54,000 --> 00:34:56,400
Speaker 6: this though, just for the sake of talking. Rory is

838
00:34:56,400 --> 00:34:58,239
Speaker 6: in my top ten artists that I listened to this year.

839
00:34:58,400 --> 00:35:00,279
Speaker 4: Oh thank you so number six, he's number tenant.

840
00:35:00,320 --> 00:35:02,480
Speaker 1: I saw Marris close to hers and I was nowhere

841
00:35:02,480 --> 00:35:02,959
Speaker 1: to be found.

842
00:35:03,120 --> 00:35:03,880
Speaker 5: I did.

843
00:35:03,920 --> 00:35:05,440
Speaker 1: I don't even think you gave me a stream?

844
00:35:05,560 --> 00:35:07,040
Speaker 7: What did I post directly after?

845
00:35:08,600 --> 00:35:09,160
Speaker 3: He didn't see that?

846
00:35:09,200 --> 00:35:11,200
Speaker 10: No, he didn't see that because somebody asked me that question.

847
00:35:11,239 --> 00:35:12,840
Speaker 10: When I posted that was like, why isn't Rory and

848
00:35:12,880 --> 00:35:13,279
Speaker 10: your rap?

849
00:35:13,440 --> 00:35:15,359
Speaker 1: I saw it. I saw your response made no sense.

850
00:35:15,400 --> 00:35:16,560
Speaker 1: She heard it.

851
00:35:17,920 --> 00:35:19,400
Speaker 7: I knew your album backwards forwards.

852
00:35:19,480 --> 00:35:21,160
Speaker 8: I was gonna say she heard it mad times before that.

853
00:35:21,160 --> 00:35:22,960
Speaker 10: Still, when I listened to your album, I go to

854
00:35:23,000 --> 00:35:25,759
Speaker 10: the exclusive Spotify link that us who are in the

855
00:35:25,760 --> 00:35:27,320
Speaker 10: credits have, So no, I don't.

856
00:35:27,360 --> 00:35:30,600
Speaker 1: Why would you do? Go give me the string? I

857
00:35:30,600 --> 00:35:32,560
Speaker 1: don't use that link. I used regular.

858
00:35:32,280 --> 00:35:35,839
Speaker 10: Spotify because it's just it's an automatic thing, because there's

859
00:35:35,880 --> 00:35:37,640
Speaker 10: songs on there that other people don't have.

860
00:35:38,400 --> 00:35:43,040
Speaker 4: It's your top song, give it your top five artists.

861
00:35:43,040 --> 00:35:44,000
Speaker 4: You know, Rory's number one.

862
00:35:44,080 --> 00:35:46,839
Speaker 1: No Drake is number one, of course, I'm number two,

863
00:35:47,400 --> 00:35:50,719
Speaker 1: Sick Frank is number three, jay Z is number four,

864
00:35:52,239 --> 00:35:55,120
Speaker 1: Kanye at number five, I'm gonna go. I'm gonna go

865
00:35:55,160 --> 00:35:57,680
Speaker 1: my ten. I have Child at six says that seven

866
00:35:58,520 --> 00:36:00,960
Speaker 1: at eight. Okay, this is a new one for me,

867
00:36:01,239 --> 00:36:03,799
Speaker 1: and I think it's because of the joint album. I

868
00:36:03,800 --> 00:36:07,600
Speaker 1: have twenty one Savage Oh yeah too, bro, who my

869
00:36:07,680 --> 00:36:10,160
Speaker 1: fucking mind? And then I have Little Brother at ten,

870
00:36:10,400 --> 00:36:12,320
Speaker 1: and then Jay Lex Tyler Keana.

871
00:36:12,120 --> 00:36:13,680
Speaker 8: Today number six.

872
00:36:13,719 --> 00:36:18,760
Speaker 6: I had sciss A seven, Diddy eight good album, Sean

873
00:36:18,840 --> 00:36:22,680
Speaker 6: Smith nine made a ten, Rory chut to eleven, Conway

874
00:36:22,680 --> 00:36:25,640
Speaker 6: to Machine twelve out Ian What's Your sixte was number

875
00:36:25,680 --> 00:36:27,200
Speaker 6: thirteen for me, little Spotify.

876
00:36:28,440 --> 00:36:30,080
Speaker 3: I don't know Spotify this top ten.

877
00:36:30,360 --> 00:36:31,560
Speaker 1: I'm on my Apple Damn.

878
00:36:31,600 --> 00:36:33,160
Speaker 3: I know. I'm saying. Of all of us Ian's the

879
00:36:33,160 --> 00:36:34,839
Speaker 3: only one needs to Spotify me too.

880
00:36:35,040 --> 00:36:35,839
Speaker 1: You know I do too.

881
00:36:35,920 --> 00:36:37,520
Speaker 3: Okay, let's go add in Europe Go.

882
00:36:38,120 --> 00:36:43,520
Speaker 13: Top five, Drake, Bad Buddy, Go Figure, Kanye West, Tyler

883
00:36:43,600 --> 00:36:45,120
Speaker 13: Creator and twenty one Savage.

884
00:36:45,600 --> 00:36:47,120
Speaker 3: Wow, yeah you're well rounded.

885
00:36:47,280 --> 00:36:51,560
Speaker 10: Yeah, Drake, Keiana, Today, Summer Walker, siss A, Beyonce, I

886
00:36:51,719 --> 00:36:52,960
Speaker 10: very obviously hate niggas.

887
00:36:53,160 --> 00:36:55,399
Speaker 3: Go ahead, Wow, Drake is your number one?

888
00:36:55,880 --> 00:36:59,399
Speaker 7: Because cheetd the algorithms with that long ass out.

889
00:37:00,000 --> 00:37:01,280
Speaker 8: How is that cheating the algorithm?

890
00:37:01,280 --> 00:37:02,040
Speaker 3: You still listen to it?

891
00:37:02,560 --> 00:37:05,200
Speaker 7: Because when you put that album on like and just

892
00:37:05,239 --> 00:37:07,520
Speaker 7: like let it play, I'm not listening to that album

893
00:37:07,600 --> 00:37:08,440
Speaker 7: and its entirety.

894
00:37:08,480 --> 00:37:09,440
Speaker 8: I'm not chocking that.

895
00:37:09,840 --> 00:37:14,000
Speaker 10: Drake's his latest album, so it's like just like to

896
00:37:14,080 --> 00:37:16,640
Speaker 10: get through the entire album. He has more songs, so

897
00:37:16,680 --> 00:37:18,479
Speaker 10: technically they counting songs that I play.

898
00:37:18,600 --> 00:37:19,640
Speaker 7: He's gonna get more play.

899
00:37:19,719 --> 00:37:20,759
Speaker 8: You could also not listen to.

900
00:37:21,200 --> 00:37:23,680
Speaker 9: You can listen to one and automatically doesn't become your

901
00:37:23,719 --> 00:37:25,040
Speaker 9: number one most album of the year.

902
00:37:25,640 --> 00:37:27,280
Speaker 8: How many times you think you listen to the album?

903
00:37:27,640 --> 00:37:29,319
Speaker 3: So what tells her how many times?

904
00:37:29,400 --> 00:37:31,879
Speaker 10: Because I've listened to as far as Drake, I've listened

905
00:37:31,920 --> 00:37:34,760
Speaker 10: to thirteen hundred, fourteen hundred Drake meant how.

906
00:37:34,600 --> 00:37:36,000
Speaker 3: Many records are on the album?

907
00:37:36,400 --> 00:37:39,160
Speaker 8: Twenty twenty four what's your top albums.

908
00:37:38,840 --> 00:37:39,200
Speaker 2: Of the year.

909
00:37:39,719 --> 00:37:43,120
Speaker 10: My top album is Grudges by Kiana Today, but Drake

910
00:37:43,239 --> 00:37:44,080
Speaker 10: is underneath that.

911
00:37:45,560 --> 00:37:48,000
Speaker 9: All right, see you that's my point, Julian, I'll go

912
00:37:48,840 --> 00:37:54,320
Speaker 9: one is Drake, two's Terris Martin, three's Mac Miller, Forest Jamison,

913
00:37:54,480 --> 00:37:55,920
Speaker 9: five is Tyler the Creator?

914
00:37:57,360 --> 00:37:58,560
Speaker 4: Like that, that's your top artist?

915
00:37:58,800 --> 00:37:59,040
Speaker 2: Yeah?

916
00:37:59,160 --> 00:38:02,760
Speaker 3: Yeah, and they Dinner Party Division.

917
00:38:03,080 --> 00:38:04,799
Speaker 2: So what Drake got to do to be considered the

918
00:38:04,800 --> 00:38:06,440
Speaker 2: greatest all the time? Because he's number one of all

919
00:38:06,440 --> 00:38:07,280
Speaker 2: all this, so.

920
00:38:07,680 --> 00:38:09,560
Speaker 6: He doesn't have to do anything to be considered No,

921
00:38:09,600 --> 00:38:11,920
Speaker 6: I think close to it. Yeah, at this point, I

922
00:38:11,920 --> 00:38:13,520
Speaker 6: don't even think you can argue whether you like him

923
00:38:13,600 --> 00:38:17,319
Speaker 6: or not. You got to respect his work ethic, the longevity,

924
00:38:18,040 --> 00:38:21,279
Speaker 6: the run that he's on, I mean, the amount of hits.

925
00:38:21,320 --> 00:38:22,120
Speaker 2: People stamp though.

926
00:38:22,480 --> 00:38:24,160
Speaker 7: And when you say the greatest, what do you mean

927
00:38:24,280 --> 00:38:25,000
Speaker 7: the greatest at what?

928
00:38:25,239 --> 00:38:26,680
Speaker 1: Yeah, that's what I would ask.

929
00:38:27,600 --> 00:38:29,480
Speaker 2: He's one of the greatest art rap music.

930
00:38:29,960 --> 00:38:32,279
Speaker 4: I'm not even going to box because rap.

931
00:38:32,440 --> 00:38:33,920
Speaker 7: But see that's the thing, like he's saying.

932
00:38:34,080 --> 00:38:36,000
Speaker 4: Giving us a dance album in the last eighteen months,

933
00:38:36,000 --> 00:38:36,839
Speaker 4: which I thought was fire.

934
00:38:36,960 --> 00:38:42,640
Speaker 2: Yeah, everybody was a vibe. Yo, it is the greatest art.

935
00:38:43,120 --> 00:38:45,279
Speaker 1: Okay, greatest drives of the reason why we don't like

936
00:38:45,600 --> 00:38:47,480
Speaker 1: we say Jay z is the greatest rapper of all time,

937
00:38:47,520 --> 00:38:49,920
Speaker 1: because Jay is a rapper through and through. That is

938
00:38:50,000 --> 00:38:54,000
Speaker 1: what Jay has done twenty five years. He's rapped. Drake's

939
00:38:54,280 --> 00:38:56,200
Speaker 1: biggest thing that he contributes is the reason we don't

940
00:38:56,200 --> 00:38:57,520
Speaker 1: call him the greatest because we wouldn't know what to

941
00:38:57,560 --> 00:39:00,600
Speaker 1: call him the greatest at he says, one of the

942
00:39:00,600 --> 00:39:02,600
Speaker 1: greatest artists of all time. I think that's fair. But

943
00:39:02,680 --> 00:39:05,200
Speaker 1: then you get into Michael Jackson conversations. Then that I

944
00:39:05,280 --> 00:39:08,719
Speaker 1: think separates Drake from Hove because we never put Hove

945
00:39:08,800 --> 00:39:11,279
Speaker 1: in Michael Jackson in the conversation, but we will say

946
00:39:11,520 --> 00:39:13,200
Speaker 1: Hove is the number one rapper of all time, which

947
00:39:13,200 --> 00:39:14,880
Speaker 1: we won't give to Drake. Well, Craig is one of

948
00:39:14,920 --> 00:39:16,719
Speaker 1: the greatest artists of all time, and I think that's

949
00:39:16,800 --> 00:39:18,280
Speaker 1: the only way.

950
00:39:18,120 --> 00:39:18,440
Speaker 2: To put it.

951
00:39:19,320 --> 00:39:22,120
Speaker 6: I mean, I don't know why and how people still

952
00:39:22,360 --> 00:39:24,480
Speaker 6: argue that. I mean, it's in front of you, I

953
00:39:24,560 --> 00:39:26,880
Speaker 6: get it. Streaming error is different than it was for

954
00:39:26,960 --> 00:39:29,840
Speaker 6: an artist like Michael Jackson when it was really actual

955
00:39:29,880 --> 00:39:33,520
Speaker 6: physical Alcoli. The numbers that Mike would have done in

956
00:39:33,600 --> 00:39:37,759
Speaker 6: this era fucking crazy in the streaming era. But you

957
00:39:37,840 --> 00:39:41,279
Speaker 6: can't make Drake a victim of his erar and when

958
00:39:41,360 --> 00:39:43,879
Speaker 6: he was going and when he was, you know, an artist.

959
00:39:43,960 --> 00:39:47,800
Speaker 6: So I think that it's undeniable and people just have

960
00:39:47,880 --> 00:39:50,920
Speaker 6: to accept it. He is one of the greatest recording

961
00:39:51,000 --> 00:39:51,799
Speaker 6: artists of all time.

962
00:39:52,000 --> 00:39:54,319
Speaker 1: Yeah, can I tell you guys what my top song

963
00:39:54,400 --> 00:39:57,560
Speaker 1: of twenty twenty three was? Yes, too Many Bubbles in

964
00:39:57,600 --> 00:39:58,120
Speaker 1: the Bathtoe.

965
00:39:58,320 --> 00:39:58,680
Speaker 3: I knew that.

966
00:39:58,880 --> 00:39:59,719
Speaker 7: I knew it was gonna be that.

967
00:40:00,640 --> 00:40:05,240
Speaker 1: Okay, Yeah, my my recap this year is drastically different.

968
00:40:05,480 --> 00:40:07,600
Speaker 1: Like I have a lot of adel in my top songs.

969
00:40:07,920 --> 00:40:11,640
Speaker 1: That album is so good, Frank Ocean Blonde, Almara loves

970
00:40:11,680 --> 00:40:13,680
Speaker 1: Like she calms down when that goes on. So Blonde

971
00:40:13,719 --> 00:40:15,680
Speaker 1: is my number one album of the year over my album.

972
00:40:16,080 --> 00:40:18,960
Speaker 1: But For the Dogs at number three for top albums

973
00:40:19,120 --> 00:40:20,719
Speaker 1: of twenty twenty three makes no sense to me.

974
00:40:21,040 --> 00:40:23,080
Speaker 7: That's what I'm saying. That's what I'm saying.

975
00:40:23,360 --> 00:40:26,359
Speaker 1: How one hundred and forty eight plays. I'll be honest

976
00:40:26,400 --> 00:40:28,080
Speaker 1: with you, I think I listened to For the Dogs

977
00:40:28,160 --> 00:40:28,919
Speaker 1: maybe three times.

978
00:40:29,400 --> 00:40:31,160
Speaker 10: But they don't mean the album when they say one

979
00:40:31,200 --> 00:40:32,680
Speaker 10: hundred and forty eight plays. They're not talking about the

980
00:40:32,800 --> 00:40:34,680
Speaker 10: album through and through. They're talking about songs off the

981
00:40:34,719 --> 00:40:37,840
Speaker 10: album because between that's why it cheats. When you have

982
00:40:38,040 --> 00:40:40,840
Speaker 10: more songs on a problem, it counts as more plays.

983
00:40:41,000 --> 00:40:44,080
Speaker 1: But like SOS is at number four, I know for

984
00:40:44,160 --> 00:40:47,239
Speaker 1: a fact I've listened to SOS way fucking more than.

985
00:40:47,320 --> 00:40:47,880
Speaker 2: For the Dogs.

986
00:40:48,160 --> 00:40:50,560
Speaker 1: Like, yeah, that shit is weird, but these are always

987
00:40:50,600 --> 00:40:53,279
Speaker 1: fun to look at. I know everyone thinks they could

988
00:40:53,320 --> 00:40:55,600
Speaker 1: be the music snobs. I think this pulls people.

989
00:40:55,440 --> 00:40:57,080
Speaker 3: Card like I like this absolutely.

990
00:40:57,840 --> 00:41:00,359
Speaker 1: It shows really what you listen to. Can't you are fans?

991
00:41:00,400 --> 00:41:02,560
Speaker 1: Stop with all this fucking underground ship you keep talking.

992
00:41:02,800 --> 00:41:04,200
Speaker 4: One of my top albums of the year is the

993
00:41:04,239 --> 00:41:06,480
Speaker 4: best of Shade. I don't know how that is. That's

994
00:41:06,520 --> 00:41:07,120
Speaker 4: number fifteen.

995
00:41:07,560 --> 00:41:08,600
Speaker 2: You were stalking something to that.

996
00:41:09,120 --> 00:41:10,839
Speaker 4: No, no, bro, listen.

997
00:41:11,000 --> 00:41:13,880
Speaker 6: I don't listen to rap before noon, Okay, so when

998
00:41:13,920 --> 00:41:16,160
Speaker 6: I wake up it's either Shade, Bob Marley.

999
00:41:18,040 --> 00:41:18,840
Speaker 4: I listened to a lot of.

1000
00:41:18,920 --> 00:41:19,160
Speaker 5: R and B.

1001
00:41:19,680 --> 00:41:21,880
Speaker 4: I can't listen to rap in the morning.

1002
00:41:22,120 --> 00:41:22,640
Speaker 2: I just can't.

1003
00:41:22,680 --> 00:41:24,319
Speaker 8: You said you said before nine am you can't do.

1004
00:41:24,320 --> 00:41:26,960
Speaker 4: It or twelve before that's my favorite time.

1005
00:41:27,160 --> 00:41:29,480
Speaker 2: Yeah, you make him do the walker Shane to you,

1006
00:41:32,440 --> 00:41:34,080
Speaker 2: I just like this because.

1007
00:41:33,840 --> 00:41:36,359
Speaker 1: That's inviting, that's like stay for breakfast and get out

1008
00:41:36,440 --> 00:41:37,840
Speaker 1: and it's I just I just.

1009
00:41:37,880 --> 00:41:39,719
Speaker 4: Love listening to R and B Bro. I just it's

1010
00:41:39,920 --> 00:41:42,000
Speaker 4: like in the mornings, like I just I can't wake

1011
00:41:42,080 --> 00:41:43,719
Speaker 4: up to the rat frequency.

1012
00:41:43,840 --> 00:41:44,200
Speaker 2: I can't.

1013
00:41:44,760 --> 00:41:46,600
Speaker 4: I can't do it well.

1014
00:41:46,600 --> 00:41:50,080
Speaker 1: Outside of this being probably the weirdest year in music

1015
00:41:50,520 --> 00:41:55,520
Speaker 1: as yeah, I think the output of quality mixed with

1016
00:41:57,120 --> 00:42:00,800
Speaker 1: Spotify being a tech company and algorithms in with TikTok,

1017
00:42:00,880 --> 00:42:03,080
Speaker 1: it's been one of the weirdest years in music history

1018
00:42:03,160 --> 00:42:07,080
Speaker 1: in my opinion, from the creative side and the business side.

1019
00:42:07,800 --> 00:42:09,200
Speaker 1: And we can talk about that, but I would like

1020
00:42:09,280 --> 00:42:11,200
Speaker 1: to have the conversation you and I had a few

1021
00:42:11,239 --> 00:42:13,600
Speaker 1: months ago off Mike when you came to the office

1022
00:42:14,360 --> 00:42:18,000
Speaker 1: about where podcasting is currently is this was probably the

1023
00:42:18,040 --> 00:42:21,560
Speaker 1: weirdest year for podcasting in the last seven eight years

1024
00:42:22,640 --> 00:42:25,640
Speaker 1: than it's ever been before. The big deals are done.

1025
00:42:26,480 --> 00:42:31,239
Speaker 1: Money isn't dried up per se, but different though if

1026
00:42:31,280 --> 00:42:33,480
Speaker 1: you don't have a core fan base, it's looking a

1027
00:42:33,520 --> 00:42:35,319
Speaker 1: little funny in the light as far as what your

1028
00:42:35,400 --> 00:42:38,560
Speaker 1: next moves are because they're not just passing out these

1029
00:42:38,920 --> 00:42:42,200
Speaker 1: insane deals to take risks advertisers are done taking risks.

1030
00:42:43,040 --> 00:42:44,520
Speaker 1: Distributors are done taking risks.

1031
00:42:44,800 --> 00:42:45,480
Speaker 2: This is what it is.

1032
00:42:45,600 --> 00:42:48,080
Speaker 1: Your CPM is your CPM, and if it's not there,

1033
00:42:48,160 --> 00:42:50,880
Speaker 1: we're not fucking with you and we're not dumping a

1034
00:42:50,920 --> 00:42:54,279
Speaker 1: bunch of money to see if it grows. Where are

1035
00:42:54,360 --> 00:42:57,640
Speaker 1: you going into the next year with your platforms? Are

1036
00:42:57,680 --> 00:43:01,480
Speaker 1: you going to differ? Are you taking a different approach.

1037
00:43:02,640 --> 00:43:02,840
Speaker 5: For me?

1038
00:43:03,080 --> 00:43:05,040
Speaker 2: I'm looking forward to doing more shows. This is always

1039
00:43:05,080 --> 00:43:07,560
Speaker 2: my plan. Like when everything like we have to blame

1040
00:43:07,680 --> 00:43:10,040
Speaker 2: Daniel for this as Spotify, and I want to say

1041
00:43:10,040 --> 00:43:12,520
Speaker 2: it again, Daniel, if you are going to sue over

1042
00:43:12,600 --> 00:43:14,880
Speaker 2: the fake streams, you're going to run into a lot

1043
00:43:14,960 --> 00:43:17,040
Speaker 2: of trouble with a lot of gangsters in the music industry.

1044
00:43:18,520 --> 00:43:21,360
Speaker 2: Stop in the stream and you got some issues you

1045
00:43:21,360 --> 00:43:23,760
Speaker 2: don't want you up in the stream. Leave it alone.

1046
00:43:24,040 --> 00:43:26,920
Speaker 2: You forget the fuck out with them robot farms in

1047
00:43:27,000 --> 00:43:29,759
Speaker 2: China and shit stop because you knew the numbers were't

1048
00:43:29,760 --> 00:43:31,080
Speaker 2: real when you were distributing the money.

1049
00:43:31,320 --> 00:43:34,200
Speaker 1: But what's good for the goose is good for the gander.

1050
00:43:34,920 --> 00:43:37,960
Speaker 1: With a lot of these labels are invested in sulin

1051
00:43:38,080 --> 00:43:40,719
Speaker 1: Fi and have not just the partnership, they have an

1052
00:43:40,719 --> 00:43:46,759
Speaker 1: actual ownership, right, Yeah, so the fake streams are good

1053
00:43:46,840 --> 00:43:49,200
Speaker 1: for everyone but the artists per se, because it just

1054
00:43:49,280 --> 00:43:51,920
Speaker 1: dilutes the entire market as far as what the stream

1055
00:43:52,000 --> 00:43:55,800
Speaker 1: is worth. That was purpose, Yeah, absolutely, so that's I

1056
00:43:55,880 --> 00:43:58,800
Speaker 1: think the soup shit is smoking mirrors. Yeah, they're suing

1057
00:43:58,800 --> 00:44:00,560
Speaker 1: each other. It's all insider trade at the end of

1058
00:44:00,600 --> 00:44:02,479
Speaker 1: the day, just to end up fucking over the people

1059
00:44:02,520 --> 00:44:04,520
Speaker 1: that they have to pay out. Yeah, I agree, it

1060
00:44:04,600 --> 00:44:08,320
Speaker 1: doesn't exist. It's fake streams are like sending money to

1061
00:44:08,560 --> 00:44:11,120
Speaker 1: Ukraine and is reel like, it's just diluting. We're the

1062
00:44:11,200 --> 00:44:13,120
Speaker 1: only ones that are gonna get fucked in the long

1063
00:44:13,160 --> 00:44:16,200
Speaker 1: run because you're ruining our dollar. Absolutely, so yeah, this

1064
00:44:16,320 --> 00:44:19,120
Speaker 1: is a show to me. Yeah, I don't think he's

1065
00:44:19,160 --> 00:44:21,600
Speaker 1: gonna run into any problems with anyone in the music

1066
00:44:21,640 --> 00:44:25,160
Speaker 1: business because it's good for everybody but the artists.

1067
00:44:25,280 --> 00:44:27,400
Speaker 2: But the artists, I think it was swinny podcasts to

1068
00:44:27,440 --> 00:44:30,400
Speaker 2: begin with. And let's be honest, most of the shows

1069
00:44:30,400 --> 00:44:35,520
Speaker 2: aren't good. So if the shows aren't good, a lot

1070
00:44:35,560 --> 00:44:38,359
Speaker 2: of shows are not passing the ODE test. Most shows

1071
00:44:38,400 --> 00:44:40,759
Speaker 2: are too fucking long. There's a big space I think

1072
00:44:40,760 --> 00:44:43,680
Speaker 2: available for somebody to do short form content five to

1073
00:44:44,280 --> 00:44:47,280
Speaker 2: fifteen minutes, but people don't have four or five hours

1074
00:44:47,320 --> 00:44:49,480
Speaker 2: to listen to a whole bunch of shows, so I think.

1075
00:44:49,840 --> 00:44:51,839
Speaker 2: And then the business models are always wrong, Like when

1076
00:44:51,880 --> 00:44:56,080
Speaker 2: I will go into like CAAA and I'll have conversations

1077
00:44:56,120 --> 00:44:58,200
Speaker 2: about how talent deals worked and all that shit, and

1078
00:44:58,200 --> 00:45:00,400
Speaker 2: I'm like, why are you trying to get me this

1079
00:45:00,600 --> 00:45:04,800
Speaker 2: deal when we produce to show ourselves and pay for everything. Yeah, No,

1080
00:45:05,320 --> 00:45:07,319
Speaker 2: I think the business model has been broken. Like even

1081
00:45:07,880 --> 00:45:09,920
Speaker 2: taking ads all the time, I think it is a

1082
00:45:10,040 --> 00:45:12,480
Speaker 2: huge mistake. I think every brand needs to have a

1083
00:45:12,600 --> 00:45:16,239
Speaker 2: product or at least have equity in what they're advertising. There.

1084
00:45:17,040 --> 00:45:20,759
Speaker 2: That's a horrors game to just get your blue cheo

1085
00:45:20,840 --> 00:45:22,839
Speaker 2: for the best dick ever when you put the money

1086
00:45:22,880 --> 00:45:23,600
Speaker 2: bags under the.

1087
00:45:25,320 --> 00:45:28,640
Speaker 1: Cold Roy Moore, Yeah, right, all right, I feel you

1088
00:45:28,680 --> 00:45:30,759
Speaker 1: on the ad thing. It's it's funny. We just had

1089
00:45:30,880 --> 00:45:32,959
Speaker 1: a little back and forth, well not back and forth,

1090
00:45:33,040 --> 00:45:35,200
Speaker 1: but a beef with the Minimalist podcast.

1091
00:45:36,360 --> 00:45:39,239
Speaker 2: It's funny, and yeah, that's a beef and it is

1092
00:45:39,280 --> 00:45:41,719
Speaker 2: a sign of the money drawing up to when the

1093
00:45:41,760 --> 00:45:43,400
Speaker 2: money and nobody's really arguing.

1094
00:45:43,840 --> 00:45:46,439
Speaker 1: And we should get to that quickly. On the Minimalist ship.

1095
00:45:46,960 --> 00:45:49,440
Speaker 1: We had fun with that, but I said at the

1096
00:45:49,480 --> 00:45:52,279
Speaker 1: end of that clip he was making valid points. We

1097
00:45:52,400 --> 00:45:55,360
Speaker 1: are a podcast that does do ads. It's a large

1098
00:45:55,360 --> 00:45:58,080
Speaker 1: part of our revenue and our business model, at least

1099
00:45:58,160 --> 00:46:01,520
Speaker 1: for the audio side of things, whether be not YouTube

1100
00:46:01,600 --> 00:46:04,480
Speaker 1: or Patreon, that is something that we are willing to

1101
00:46:04,640 --> 00:46:06,640
Speaker 1: put ads on for a revenue stream.

1102
00:46:06,680 --> 00:46:06,759
Speaker 2: Now.

1103
00:46:06,800 --> 00:46:10,279
Speaker 1: I think with YouTube or paywalls, that's where you can

1104
00:46:10,320 --> 00:46:13,240
Speaker 1: get a bit more creative with your core to focus

1105
00:46:13,360 --> 00:46:16,520
Speaker 1: on the content that they specifically like. This is almost

1106
00:46:16,880 --> 00:46:20,720
Speaker 1: a commercial for our paywall stuff and for our YouTube

1107
00:46:20,760 --> 00:46:23,680
Speaker 1: stuff that YouTube will run the ad for every now

1108
00:46:23,719 --> 00:46:25,600
Speaker 1: and then you'll see us do a YouTube ad, but

1109
00:46:25,719 --> 00:46:30,759
Speaker 1: not to any degree that it is with audio. I

1110
00:46:30,840 --> 00:46:32,800
Speaker 1: think there can be a balance with it. I do

1111
00:46:32,920 --> 00:46:35,120
Speaker 1: think it can disrupt the show. I'm not one of

1112
00:46:35,160 --> 00:46:39,920
Speaker 1: those people that doesn't understand that, and I could see

1113
00:46:39,960 --> 00:46:42,160
Speaker 1: as a consumer being a little upset. But you know,

1114
00:46:42,760 --> 00:46:44,760
Speaker 1: there's also the have you got second buttons?

1115
00:46:44,840 --> 00:46:46,600
Speaker 2: Just done product placement?

1116
00:46:48,440 --> 00:46:50,279
Speaker 1: I don't know if we've done product placement, you kind

1117
00:46:50,320 --> 00:46:57,640
Speaker 1: of done it. Yeah, I'm not gonna say that, but

1118
00:46:57,960 --> 00:47:01,160
Speaker 1: moving forward with podcasting, I think it's fine when you

1119
00:47:01,160 --> 00:47:03,200
Speaker 1: have acre families because you can do the paywall stuff.

1120
00:47:04,600 --> 00:47:07,200
Speaker 1: There's still a world where podcasters are gonna need ads.

1121
00:47:07,760 --> 00:47:09,400
Speaker 1: I don't think they're gonna get the same value that

1122
00:47:09,440 --> 00:47:12,560
Speaker 1: they once got. No, but it has to keep the

1123
00:47:12,640 --> 00:47:14,759
Speaker 1: lights on is some degree. Not everyone is in the

1124
00:47:14,800 --> 00:47:17,359
Speaker 1: position to be able not to take ads.

1125
00:47:17,640 --> 00:47:20,520
Speaker 2: Why do most podcasters want a music like deal when

1126
00:47:20,640 --> 00:47:24,719
Speaker 2: music like deals don't make money for most people. I

1127
00:47:24,800 --> 00:47:26,160
Speaker 2: think that's just a huge mistake.

1128
00:47:27,160 --> 00:47:32,480
Speaker 1: I think specifically with our genre of podcasting, a lot

1129
00:47:32,520 --> 00:47:35,279
Speaker 1: of people did come from the music business first, so

1130
00:47:35,440 --> 00:47:38,000
Speaker 1: that's the standard practice, which but I'm with you. We

1131
00:47:38,080 --> 00:47:40,640
Speaker 1: saw how fucked up those deals were in the marrlical business,

1132
00:47:40,880 --> 00:47:43,320
Speaker 1: and this is a completely different thing to begin with.

1133
00:47:43,800 --> 00:47:46,000
Speaker 1: And I mean when we did our with the last

1134
00:47:46,040 --> 00:47:48,040
Speaker 1: part with Spotify, and even to some degree with our

1135
00:47:48,120 --> 00:47:51,879
Speaker 1: serious deal. They are structured a bit like music business deals.

1136
00:47:52,160 --> 00:47:58,680
Speaker 1: There's advances, there's recouping. It is a similar process. But

1137
00:47:59,680 --> 00:48:03,879
Speaker 1: where's Spotify I think screwed up was they didn't value

1138
00:48:03,920 --> 00:48:06,560
Speaker 1: the podcast of keeping someone on that app longer than

1139
00:48:06,600 --> 00:48:12,080
Speaker 1: its breakout good. Yes, we're nowhere near anything that for

1140
00:48:12,160 --> 00:48:14,440
Speaker 1: the dogs is streaming, but Maul and I can keep

1141
00:48:14,480 --> 00:48:18,600
Speaker 1: someone on a Spotify app for seventy minutes straight, whereas

1142
00:48:19,040 --> 00:48:21,279
Speaker 1: the biggest artists in the world can't do that, And

1143
00:48:21,320 --> 00:48:23,439
Speaker 1: they were trying to value us at the exact same point.

1144
00:48:23,800 --> 00:48:27,160
Speaker 1: But then things shifted even more once we thought we

1145
00:48:27,280 --> 00:48:30,040
Speaker 1: were going to be valued and Spotify put all their

1146
00:48:30,080 --> 00:48:32,520
Speaker 1: money into podcasting, and you saw that go across the board.

1147
00:48:33,000 --> 00:48:36,920
Speaker 1: TikTok was introduced and short form content became king, and

1148
00:48:37,040 --> 00:48:39,040
Speaker 1: we're not that. So our value of being able to

1149
00:48:39,120 --> 00:48:42,680
Speaker 1: keep people somewhere for a long time got devalued because

1150
00:48:42,719 --> 00:48:46,000
Speaker 1: the consumer is not into long form content anymore. That's

1151
00:48:46,040 --> 00:48:47,880
Speaker 1: where you see us chopping up a bunch of clipps.

1152
00:48:48,040 --> 00:48:51,640
Speaker 1: That's where socials coming, that's where that's where it matters.

1153
00:48:51,719 --> 00:48:55,239
Speaker 1: So I'm in a place of understanding, but I don't

1154
00:48:55,280 --> 00:48:57,160
Speaker 1: really know where things are going to shift. It's kind

1155
00:48:57,200 --> 00:49:01,000
Speaker 1: of like, not let's play it out, but just be

1156
00:49:01,120 --> 00:49:03,279
Speaker 1: aware of your content, your audience, and what you want

1157
00:49:03,320 --> 00:49:06,319
Speaker 1: to do and navigate with what's coming.

1158
00:49:07,120 --> 00:49:10,240
Speaker 2: I think the media landscape is always the same. Media

1159
00:49:10,360 --> 00:49:14,560
Speaker 2: was created, like soap operas were created so that Procter

1160
00:49:14,640 --> 00:49:18,680
Speaker 2: and Gamble could sell soap against the product if you

1161
00:49:18,760 --> 00:49:22,040
Speaker 2: don't own a product, or like just our model market

1162
00:49:22,120 --> 00:49:25,480
Speaker 2: Monday's Live shows that you guys have invest fast off

1163
00:49:25,520 --> 00:49:28,720
Speaker 2: stock Club. If you're not selling a product or service

1164
00:49:28,719 --> 00:49:31,440
Speaker 2: attached to it, Brogan did it, would own it. Yeah,

1165
00:49:31,560 --> 00:49:33,680
Speaker 2: people didn't know he owned on it a great portion

1166
00:49:33,840 --> 00:49:35,960
Speaker 2: of it. I think if you're not going to a

1167
00:49:36,000 --> 00:49:38,279
Speaker 2: model where you're not advertising your own products like people

1168
00:49:38,280 --> 00:49:40,400
Speaker 2: are going to be a lot of trouble.

1169
00:49:40,719 --> 00:49:43,440
Speaker 1: Say what you will about Alex Jones and his politics,

1170
00:49:43,760 --> 00:49:48,320
Speaker 1: he is an example a model ahead of his fucking time. Absolutely,

1171
00:49:48,440 --> 00:49:51,880
Speaker 1: he wasn't selling conspiracy theories. He was selling supplements, coludial silver.

1172
00:49:52,080 --> 00:49:52,360
Speaker 2: He was.

1173
00:49:52,520 --> 00:49:55,560
Speaker 1: He was screaming on the internet on a camera in

1174
00:49:55,640 --> 00:49:58,640
Speaker 1: his crib and getting billions of views. He wasn't He

1175
00:49:58,680 --> 00:50:01,160
Speaker 1: didn't care about that money. Yeah, he was selling supplements

1176
00:50:01,200 --> 00:50:03,719
Speaker 1: out that ass at the end of those shows. So

1177
00:50:04,000 --> 00:50:05,560
Speaker 1: there needs to be something tangible there.

1178
00:50:05,800 --> 00:50:06,000
Speaker 2: Yeah.

1179
00:50:06,880 --> 00:50:10,800
Speaker 1: But to the point you brought up, people are beefing

1180
00:50:10,880 --> 00:50:14,640
Speaker 1: because it is trying up. Whereas the convo you and

1181
00:50:14,680 --> 00:50:16,200
Speaker 1: I had a few months ago, a lot.

1182
00:50:16,160 --> 00:50:18,480
Speaker 4: Of podcasts beef right now, what are you talking?

1183
00:50:19,800 --> 00:50:21,960
Speaker 8: Just did one on the screen?

1184
00:50:23,640 --> 00:50:25,840
Speaker 1: I think I think I think you funk way more

1185
00:50:25,880 --> 00:50:26,279
Speaker 1: than four all.

1186
00:50:26,480 --> 00:50:29,560
Speaker 4: Let me let me, let me let me be clear

1187
00:50:29,640 --> 00:50:31,560
Speaker 4: for the room. Is there any beefs outside of us?

1188
00:50:31,880 --> 00:50:34,840
Speaker 1: Yes, yes, yeah, everything.

1189
00:50:36,200 --> 00:50:38,920
Speaker 8: What you don't you don't. That's why I just ad yeah,

1190
00:50:39,960 --> 00:50:42,680
Speaker 8: even like even when Jesus Marrow happened though this podcast,

1191
00:50:42,760 --> 00:50:43,640
Speaker 8: this is a problem.

1192
00:50:43,600 --> 00:50:48,920
Speaker 1: Twenty two is betting beef mask everybody Gillian Wallow. Everyone

1193
00:50:49,000 --> 00:50:51,759
Speaker 1: has been in some form of a back and flow

1194
00:50:51,800 --> 00:50:55,000
Speaker 1: beefing with They were beefing with Joe from like beef is.

1195
00:50:57,320 --> 00:51:00,400
Speaker 8: From the stop that guy remember on him.

1196
00:51:01,000 --> 00:51:05,000
Speaker 2: Even if you want to take blat everybody Lad he's

1197
00:51:05,040 --> 00:51:05,759
Speaker 2: a vulture.

1198
00:51:07,680 --> 00:51:12,000
Speaker 1: That's a misconception. I've actually been very I've complimented a

1199
00:51:12,040 --> 00:51:15,160
Speaker 1: lot of a lot of critical but I think he's

1200
00:51:15,239 --> 00:51:18,799
Speaker 1: I think he's changed his platform drastically where I feel

1201
00:51:18,880 --> 00:51:24,800
Speaker 1: more comfortable watching, not only watching, but complimenting his interview skills,

1202
00:51:25,000 --> 00:51:28,120
Speaker 1: his how he preps, the guess he gets. I was

1203
00:51:28,840 --> 00:51:31,560
Speaker 1: I was critical of Lad in the earlier days when

1204
00:51:31,560 --> 00:51:35,040
Speaker 1: I felt like he was exploiting younger kids that did

1205
00:51:35,160 --> 00:51:35,840
Speaker 1: not understand.

1206
00:51:37,200 --> 00:51:41,520
Speaker 2: I was never mad when grown mental, so critical of Lad,

1207
00:51:41,680 --> 00:51:46,400
Speaker 2: but won't bring that to puff. Also, I'm gonna say too,

1208
00:51:46,800 --> 00:51:50,000
Speaker 2: I mean their business never was never our. So when

1209
00:51:50,000 --> 00:51:53,759
Speaker 2: we blacked the culture ship, what like Vlad and or

1210
00:51:54,200 --> 00:51:58,720
Speaker 2: are deploying assets for their culture. I don't know nobody

1211
00:51:58,800 --> 00:52:00,760
Speaker 2: blacked to own a majority of assets the music business.

1212
00:52:01,360 --> 00:52:03,160
Speaker 2: So when I hear that that he's a vulture, I'm like,

1213
00:52:03,239 --> 00:52:07,960
Speaker 2: how But if Puff is using artists not given him,

1214
00:52:08,280 --> 00:52:09,960
Speaker 2: is he a bigger volture or is Vlad?

1215
00:52:16,440 --> 00:52:18,520
Speaker 6: I mean, I've never thought of the Puff votes coming

1216
00:52:18,600 --> 00:52:20,279
Speaker 6: from because if you're not from the culture, I think

1217
00:52:20,400 --> 00:52:22,279
Speaker 6: if you're not of the culture.

1218
00:52:22,040 --> 00:52:25,080
Speaker 3: So being of the culture gives you a pass to disrespect, not.

1219
00:52:25,360 --> 00:52:26,200
Speaker 4: Don't give you a past.

1220
00:52:26,280 --> 00:52:28,719
Speaker 6: But it's like, at least you're of the culture, from

1221
00:52:28,800 --> 00:52:32,160
Speaker 6: the culture. You're not just somebody coming the culture meaning

1222
00:52:32,200 --> 00:52:33,600
Speaker 6: and being black or of hip hop.

1223
00:52:33,920 --> 00:52:36,000
Speaker 1: And it shouldn't it shouldn't be my face to bring

1224
00:52:36,080 --> 00:52:39,279
Speaker 1: this up. But I mean, Vlad was a DJ for real.

1225
00:52:39,360 --> 00:52:42,200
Speaker 1: Before I had Vlad mixtapes that were pretty good, Like

1226
00:52:42,440 --> 00:52:45,000
Speaker 1: before he was doing content. It wasn't like Vlad popped

1227
00:52:45,080 --> 00:52:49,800
Speaker 1: up and just started interviewing gang members Like listen, I've got.

1228
00:52:49,719 --> 00:52:52,480
Speaker 2: Thirty thousand views per interview. Would anybody call him a vulture?

1229
00:52:53,400 --> 00:52:56,560
Speaker 2: Then I'm not caping for Vlat because us but I

1230
00:52:56,600 --> 00:52:59,680
Speaker 2: don't think so. So that's my question.

1231
00:52:59,800 --> 00:53:01,960
Speaker 1: Like, but but we pick and shoes with that as well,

1232
00:53:01,960 --> 00:53:06,320
Speaker 1: because I've seen people called Vlad a culture vulture a

1233
00:53:06,360 --> 00:53:10,320
Speaker 1: million times, but wouldn't call Adam twenty two that. And

1234
00:53:10,400 --> 00:53:12,960
Speaker 1: I'm not even making that more of a white thing.

1235
00:53:13,600 --> 00:53:16,680
Speaker 1: Vlad was a DJ first and was within hip hop

1236
00:53:16,800 --> 00:53:20,800
Speaker 1: culture early. Adam came from the BMX rocker world and

1237
00:53:20,880 --> 00:53:25,880
Speaker 1: then started interviewing SoundCloud rappers and now he interviews everybody

1238
00:53:25,960 --> 00:53:31,960
Speaker 1: and his gang members. And I'm not calling Adam a

1239
00:53:32,000 --> 00:53:33,640
Speaker 1: culture vulture. I'm just bringing up the point that it

1240
00:53:33,760 --> 00:53:36,160
Speaker 1: is people do pick and shoes, myself included. I've been

1241
00:53:36,719 --> 00:53:39,520
Speaker 1: guilty and been a hypocrite where I have called Lad

1242
00:53:39,560 --> 00:53:41,920
Speaker 1: out for behavior that I've let other people slide and

1243
00:53:42,000 --> 00:53:44,759
Speaker 1: not say anything. I just told a grudge because he

1244
00:53:45,000 --> 00:53:46,920
Speaker 1: tried to say I was unintelligent because I didn't want

1245
00:53:46,920 --> 00:53:47,359
Speaker 1: to go in the show.

1246
00:53:48,160 --> 00:53:49,000
Speaker 2: Why'd you go to show?

1247
00:53:50,160 --> 00:53:51,319
Speaker 1: I have no interest on going.

1248
00:53:51,360 --> 00:53:54,120
Speaker 2: Can we get a Villains of Vultures tour going, I've

1249
00:53:54,160 --> 00:53:55,440
Speaker 2: been trying to do this for the longest time.

1250
00:53:55,840 --> 00:53:57,120
Speaker 4: Well, Vultures would be a dope.

1251
00:53:57,640 --> 00:54:02,120
Speaker 6: As Vultures tour off bro that ship, it'll be grand opening,

1252
00:54:02,160 --> 00:54:04,000
Speaker 6: grand closing, niggas fighting first night.

1253
00:54:04,200 --> 00:54:06,680
Speaker 1: This podcast sh it ain't real. It wouldn't be. I mean,

1254
00:54:07,360 --> 00:54:09,960
Speaker 1: I'm talking about the fake podcast, not like ex friend

1255
00:54:10,040 --> 00:54:14,120
Speaker 1: beef that could go somewhere. Yea, these when no one's

1256
00:54:14,160 --> 00:54:15,759
Speaker 1: really beefing like each other and.

1257
00:54:15,840 --> 00:54:17,040
Speaker 8: I gotta scrap with the minimalists.

1258
00:54:17,680 --> 00:54:18,800
Speaker 4: No, that's not a beef.

1259
00:54:18,920 --> 00:54:20,560
Speaker 1: I told Julian to reach out to him. I'll go

1260
00:54:20,640 --> 00:54:21,600
Speaker 1: on their show and debate.

1261
00:54:21,480 --> 00:54:23,400
Speaker 9: Ry him this morning and said, hey, let him know

1262
00:54:23,480 --> 00:54:25,040
Speaker 9: I go on their show. I was like, I don't

1263
00:54:25,040 --> 00:54:28,920
Speaker 9: think you open to do anything with us, Yeah, just

1264
00:54:29,400 --> 00:54:29,880
Speaker 9: their videos.

1265
00:54:30,560 --> 00:54:32,319
Speaker 2: But that's the question I asked when I first came

1266
00:54:32,360 --> 00:54:35,000
Speaker 2: up here. I'm like, why don't more people collapse, especially

1267
00:54:35,000 --> 00:54:37,960
Speaker 2: when the money drawing up? Everybody can really tough when

1268
00:54:38,360 --> 00:54:40,799
Speaker 2: these shows start drying up and the money is going

1269
00:54:41,239 --> 00:54:44,719
Speaker 2: motherfuckers like and I think, honestly, in the space, all

1270
00:54:44,760 --> 00:54:47,040
Speaker 2: of us not doing something together has cost us not

1271
00:54:47,120 --> 00:54:50,200
Speaker 2: being on TV. I agree if you look all the

1272
00:54:50,280 --> 00:54:54,440
Speaker 2: ego ship and y'all can will camera mind y'all not

1273
00:54:54,560 --> 00:54:56,680
Speaker 2: making as much money as y'all say. I asked, y'all,

1274
00:54:56,920 --> 00:54:59,359
Speaker 2: how many podcasts make four to seven million dollars a year?

1275
00:55:01,080 --> 00:55:05,160
Speaker 2: See how many make a million a year gross, not

1276
00:55:05,320 --> 00:55:11,080
Speaker 2: many I can divide. Yeah, So y'all rather have ego

1277
00:55:11,440 --> 00:55:15,279
Speaker 2: than actually be on to Like, what the fuck? That's

1278
00:55:15,280 --> 00:55:16,800
Speaker 2: what I'm like. It befoddles me.

1279
00:55:17,320 --> 00:55:21,000
Speaker 1: Well. I mean a lot of people, especially content creators

1280
00:55:21,000 --> 00:55:25,880
Speaker 1: and podcasters, are very much like hermits and love that

1281
00:55:25,960 --> 00:55:27,839
Speaker 1: they can stay in their house not have to speak

1282
00:55:27,840 --> 00:55:29,000
Speaker 1: to people at all, and could just yell on the

1283
00:55:29,040 --> 00:55:32,160
Speaker 1: microphone and stay by themselves and make money. Now, when

1284
00:55:32,200 --> 00:55:35,359
Speaker 1: we were talking, I was on that time. I went

1285
00:55:35,480 --> 00:55:38,520
Speaker 1: on barstool right after the pod split, and at that

1286
00:55:38,640 --> 00:55:41,120
Speaker 1: point Gilly and I had had choice words back and forth.

1287
00:55:41,160 --> 00:55:45,000
Speaker 1: We had squatched it. Everything was fine, misunderstanding it was

1288
00:55:45,120 --> 00:55:48,719
Speaker 1: nothing at all, And I said to KFC on barstool,

1289
00:55:48,800 --> 00:55:51,879
Speaker 1: I have no idea. I squatched that so quick because

1290
00:55:51,920 --> 00:55:53,839
Speaker 1: I didn't see the value in going back and forth

1291
00:55:54,440 --> 00:55:57,480
Speaker 1: with somebody when we could do shows together. Yep, when

1292
00:55:58,120 --> 00:55:59,759
Speaker 1: Joe and I went on Brilliant Idiots for the first

1293
00:55:59,800 --> 00:56:03,440
Speaker 1: time in twenty fourteen or whatever you could ask Andrew Schultz,

1294
00:56:03,480 --> 00:56:05,440
Speaker 1: the first thing I said was, Hey, you and I

1295
00:56:06,200 --> 00:56:08,719
Speaker 1: should do joint shows. Before Andrew took off in this

1296
00:56:09,360 --> 00:56:13,000
Speaker 1: stand up, I said we should do brilliant idiots. I'll

1297
00:56:13,080 --> 00:56:16,560
Speaker 1: name this podcast later. Live shows like the offers I'm

1298
00:56:16,600 --> 00:56:18,960
Speaker 1: getting from you know, Highline at that time or other

1299
00:56:19,000 --> 00:56:22,840
Speaker 1: spots were good, but four of us we could go

1300
00:56:23,120 --> 00:56:26,239
Speaker 1: crazy crazy. This was before podcast touring with at all.

1301
00:56:26,560 --> 00:56:28,239
Speaker 1: I've been on this type of time. But I fully

1302
00:56:28,360 --> 00:56:30,919
Speaker 1: understand that there's too much ego with people.

1303
00:56:31,360 --> 00:56:31,759
Speaker 3: Mm hmm.

1304
00:56:31,960 --> 00:56:34,319
Speaker 2: You think people rather the ego than the money, Yes,

1305
00:56:34,560 --> 00:56:38,160
Speaker 2: for sure, yes, some people.

1306
00:56:38,840 --> 00:56:41,480
Speaker 9: Well we were talking about when we first sat down here,

1307
00:56:41,640 --> 00:56:45,080
Speaker 9: the three of us, Rory and we were saying, what

1308
00:56:45,239 --> 00:56:48,080
Speaker 9: I admire most is in the comedy scene is how

1309
00:56:48,200 --> 00:56:49,480
Speaker 9: much they leverage it along.

1310
00:56:49,600 --> 00:56:51,640
Speaker 1: They got along, They leveraged each other on a pedestal.

1311
00:56:51,719 --> 00:56:54,760
Speaker 9: If one person drops a YouTube special or a Netflix special,

1312
00:56:54,840 --> 00:56:56,680
Speaker 9: or just has any new body of work coming out,

1313
00:56:57,120 --> 00:56:58,960
Speaker 9: they hit the circuit and they share.

1314
00:57:00,000 --> 00:57:02,360
Speaker 3: They just go for it. There's twenty of those podcasts.

1315
00:57:02,400 --> 00:57:04,320
Speaker 9: They touch every single one in La New York and

1316
00:57:04,400 --> 00:57:07,120
Speaker 9: now even down in the South in Austin, like there's

1317
00:57:07,280 --> 00:57:11,920
Speaker 9: such a healthy and every you know, community has its tension.

1318
00:57:13,200 --> 00:57:16,080
Speaker 9: A comedian is the biggest ego. I'm funnier than you.

1319
00:57:16,240 --> 00:57:18,880
Speaker 9: That's what more can you? That's the whole impetus is

1320
00:57:19,000 --> 00:57:21,800
Speaker 9: I'm the funniest guy, They're the biggest market. They will

1321
00:57:21,920 --> 00:57:25,280
Speaker 9: still champion each other and lift themselves up. And I

1322
00:57:25,440 --> 00:57:29,200
Speaker 9: was getting so upset because I think it's a residual

1323
00:57:29,240 --> 00:57:36,080
Speaker 9: of hip hop tension and in negative it yet's too

1324
00:57:36,200 --> 00:57:39,800
Speaker 9: much ego in a negative way, where it's your be

1325
00:57:39,880 --> 00:57:43,040
Speaker 9: willing to hurt yourself in your own dollar just so

1326
00:57:43,160 --> 00:57:46,440
Speaker 9: you don't uplift and help someone else in this that's

1327
00:57:46,480 --> 00:57:48,200
Speaker 9: in yours field, that's in your space.

1328
00:57:48,320 --> 00:57:48,920
Speaker 3: And I hate that.

1329
00:57:49,080 --> 00:57:52,680
Speaker 1: But is that also a reflection of our fan base.

1330
00:57:52,920 --> 00:57:54,520
Speaker 1: And I'm not putting this all the fan.

1331
00:57:54,880 --> 00:57:56,120
Speaker 2: No, not not at all.

1332
00:57:56,240 --> 00:57:59,720
Speaker 7: Now, your fan base don't right in the comedy this

1333
00:57:59,880 --> 00:58:01,120
Speaker 7: is this is a and I'm.

1334
00:58:00,960 --> 00:58:03,360
Speaker 3: Going to macate our relationship with these people, the fans don't.

1335
00:58:04,200 --> 00:58:06,120
Speaker 1: I want to make this very claric so words don't

1336
00:58:06,120 --> 00:58:10,160
Speaker 1: get misconstrued. When I say fan bases are demographics. I'm

1337
00:58:10,240 --> 00:58:14,400
Speaker 1: talking about the pod fan versus the comedy pod fan,

1338
00:58:15,040 --> 00:58:17,880
Speaker 1: not a race thing, because there's plenty of white hip

1339
00:58:17,880 --> 00:58:19,720
Speaker 1: hop fan based people that we have that I think

1340
00:58:20,080 --> 00:58:22,280
Speaker 1: just thrive on us arguing and going back and forth.

1341
00:58:23,000 --> 00:58:26,680
Speaker 1: There's nothing within our pod community where Kumbaia works with

1342
00:58:26,760 --> 00:58:28,680
Speaker 1: our fans. They want to see us go back and

1343
00:58:28,760 --> 00:58:32,720
Speaker 1: fucking forth NonStop. The comedy Pod fans loves to see

1344
00:58:33,280 --> 00:58:35,240
Speaker 1: three of their favorite comedians sit on a mic and

1345
00:58:35,320 --> 00:58:38,080
Speaker 1: be funny to get They want to see us go

1346
00:58:38,200 --> 00:58:39,000
Speaker 1: back and forth.

1347
00:58:38,800 --> 00:58:41,720
Speaker 9: Because we set that precedence, because they know that we're

1348
00:58:41,760 --> 00:58:44,040
Speaker 9: not in too seats to control how we interact with

1349
00:58:44,120 --> 00:58:46,640
Speaker 9: each other. If we argue, who doesn't like to see

1350
00:58:46,680 --> 00:58:48,440
Speaker 9: a fight. But if you choose not to argue, and

1351
00:58:48,440 --> 00:58:49,720
Speaker 9: you choose to uplift people.

1352
00:58:49,560 --> 00:58:50,919
Speaker 3: Guess what you think they're gonna stop wanting.

1353
00:58:52,280 --> 00:58:55,040
Speaker 1: Because I think our fan base came from h We're

1354
00:58:55,040 --> 00:58:56,800
Speaker 1: not hip hop podcasting, but it came from hip hop.

1355
00:58:56,800 --> 00:58:57,400
Speaker 3: That's where it starts.

1356
00:58:57,440 --> 00:59:00,680
Speaker 1: Yes, Wayne and two Chains just put out a joint album.

1357
00:59:01,840 --> 00:59:03,920
Speaker 1: The hip hop fan is going to skip over that

1358
00:59:04,040 --> 00:59:07,919
Speaker 1: collab album to go listen to a Wayne disk towards

1359
00:59:07,960 --> 00:59:10,920
Speaker 1: Two Chains or two Chains disc Little Wayne before they

1360
00:59:10,960 --> 00:59:12,960
Speaker 1: go listen to a joint album two of their favorite arts.

1361
00:59:13,960 --> 00:59:14,920
Speaker 1: But that's they don't want the.

1362
00:59:14,960 --> 00:59:19,000
Speaker 10: K that's not artists yet, they're older artists. Drake and

1363
00:59:19,640 --> 00:59:20,880
Speaker 10: the doing Savage one.

1364
00:59:21,400 --> 00:59:22,520
Speaker 1: That's an anominally that's different.

1365
00:59:22,800 --> 00:59:27,560
Speaker 2: That Drake, Yeah, is a prime example of what what

1366
00:59:27,760 --> 00:59:29,760
Speaker 2: is of getting a lot? At some point they got

1367
00:59:29,840 --> 00:59:30,560
Speaker 2: to put a project out?

1368
00:59:30,640 --> 00:59:32,520
Speaker 3: What did they what?

1369
00:59:32,640 --> 00:59:35,240
Speaker 1: What was what was the response to that amazing first

1370
00:59:35,280 --> 00:59:38,480
Speaker 1: person shooting record? Who got who got? Cole smoking him?

1371
00:59:38,680 --> 00:59:39,439
Speaker 1: Drake is washed?

1372
00:59:39,720 --> 00:59:39,840
Speaker 2: Yo?

1373
00:59:39,880 --> 00:59:42,280
Speaker 1: I wish they would just fucking beat where's Kendrick? Is

1374
00:59:42,320 --> 00:59:43,240
Speaker 1: Kendrick gonna diss him?

1375
00:59:43,240 --> 00:59:43,320
Speaker 5: Now?

1376
00:59:43,520 --> 00:59:44,520
Speaker 1: Is Kendrick getting on his beat?

1377
00:59:44,640 --> 00:59:44,720
Speaker 2: Right?

1378
00:59:44,760 --> 00:59:46,840
Speaker 9: But the point is they're in the position to control

1379
00:59:47,080 --> 00:59:50,480
Speaker 9: the narrative and dave with positivity. Not only did they

1380
00:59:50,560 --> 00:59:52,720
Speaker 9: put that out, they then two weeks later, a month later,

1381
00:59:52,760 --> 00:59:54,800
Speaker 9: they dropped Evil Ways with a video.

1382
00:59:54,720 --> 00:59:57,600
Speaker 10: And now everybody wants a joint album. They control which

1383
00:59:57,640 --> 00:59:58,240
Speaker 10: way our mind?

1384
00:59:58,960 --> 01:00:01,320
Speaker 6: People, people, people, I always wanted a joint album from

1385
01:00:01,320 --> 01:00:03,240
Speaker 6: those Yeah, But I think that I think.

1386
01:00:03,160 --> 01:00:05,760
Speaker 4: The genius and what they did was they didn't fed

1387
01:00:05,840 --> 01:00:06,080
Speaker 4: into it.

1388
01:00:06,160 --> 01:00:08,160
Speaker 6: They didn't feed into the beef shit. It was like, Yo,

1389
01:00:08,240 --> 01:00:09,919
Speaker 6: this is really my friend, this is really my guy,

1390
01:00:10,240 --> 01:00:12,920
Speaker 6: This is really like somebody I fuck with. And I

1391
01:00:12,960 --> 01:00:15,200
Speaker 6: think that they just made good on that with a

1392
01:00:15,360 --> 01:00:17,880
Speaker 6: great record, and then they followed it up with another

1393
01:00:17,960 --> 01:00:20,880
Speaker 6: good record, and then obviously they're leaning towards okay, obviously

1394
01:00:20,920 --> 01:00:23,520
Speaker 6: we have records together. Obviously there may be some more

1395
01:00:23,560 --> 01:00:25,440
Speaker 6: records together, and we know that people want us to

1396
01:00:25,480 --> 01:00:28,400
Speaker 6: do something an album together. I just think that we're

1397
01:00:28,440 --> 01:00:32,080
Speaker 6: podcasting in our in our demographic.

1398
01:00:32,160 --> 01:00:33,600
Speaker 4: It just it just it's so.

1399
01:00:33,720 --> 01:00:37,600
Speaker 6: Much this is mine, Like I don't need you, I

1400
01:00:37,640 --> 01:00:39,880
Speaker 6: don't need that, I don't need this is mine mind mine,

1401
01:00:40,120 --> 01:00:42,760
Speaker 6: and I think that cool. It can still be yours,

1402
01:00:42,800 --> 01:00:45,200
Speaker 6: But that don't mean that you can't set up work

1403
01:00:45,240 --> 01:00:47,320
Speaker 6: on my block and I can't see your block, and

1404
01:00:47,400 --> 01:00:48,040
Speaker 6: we can't like.

1405
01:00:48,480 --> 01:00:50,320
Speaker 2: Because we're the only space that doesn't do it. And

1406
01:00:50,440 --> 01:00:54,680
Speaker 2: also as the deals get smaller, the audience that fractured,

1407
01:00:54,880 --> 01:00:56,800
Speaker 2: Like a lot of these shows can go bankrupt real

1408
01:00:56,880 --> 01:00:59,120
Speaker 2: fast next year if inflation continues to go a lot

1409
01:00:59,560 --> 01:01:00,600
Speaker 2: have these going to be.

1410
01:01:00,560 --> 01:01:03,720
Speaker 1: Going very easy because it's not cheap. There's a certain

1411
01:01:04,240 --> 01:01:06,200
Speaker 1: level of production when it comes to podcast now, it's

1412
01:01:06,240 --> 01:01:09,160
Speaker 1: not what it once was. To maintain that level of

1413
01:01:09,200 --> 01:01:13,080
Speaker 1: production costs for money and fifteen dollars ads aren't going

1414
01:01:13,160 --> 01:01:15,160
Speaker 1: to keep it going but quickly. I'm not gonna let

1415
01:01:15,240 --> 01:01:18,960
Speaker 1: y'all get change my point. Based off Drake, based off

1416
01:01:19,040 --> 01:01:26,000
Speaker 1: drinking dog are the words we use now in just everyday, language, spin,

1417
01:01:26,080 --> 01:01:29,840
Speaker 1: the block op, everything is about beef and confrontation. Just

1418
01:01:29,920 --> 01:01:31,840
Speaker 1: because Cole and Drake did one song together, you guys

1419
01:01:31,840 --> 01:01:34,360
Speaker 1: are not going to tell me that hip hop and

1420
01:01:34,720 --> 01:01:37,920
Speaker 1: hip hop podcasting, hip hop YouTube, hip hop live stream

1421
01:01:38,040 --> 01:01:43,600
Speaker 1: does not thrive, thrive, triple its views with confrontation.

1422
01:01:43,880 --> 01:01:46,960
Speaker 12: We're not because clearly I've made that argument with you

1423
01:01:47,000 --> 01:01:50,360
Speaker 12: guys before about that too, even for our own safe right.

1424
01:01:50,720 --> 01:01:53,240
Speaker 12: It's at the sake it's it's not worth it though

1425
01:01:53,560 --> 01:01:55,240
Speaker 12: that we're not collabbing at the end of the day,

1426
01:01:55,400 --> 01:01:57,919
Speaker 12: or at least colabbing more. We could still be making

1427
01:01:58,080 --> 01:02:00,240
Speaker 12: way more money in the long run. I'm and the

1428
01:02:00,280 --> 01:02:03,120
Speaker 12: spikes that we get from a disc or from a beat.

1429
01:02:03,240 --> 01:02:05,680
Speaker 9: If every fifty episodes you have a beef cool, we

1430
01:02:05,800 --> 01:02:09,200
Speaker 9: get two x listens because you called out someone by name,

1431
01:02:09,480 --> 01:02:11,480
Speaker 9: and then it comes back down, it evens out, and

1432
01:02:11,560 --> 01:02:13,560
Speaker 9: then you wait for the next time the beef warms

1433
01:02:13,640 --> 01:02:16,560
Speaker 9: up again. The point is we control the narrative, We

1434
01:02:16,680 --> 01:02:20,440
Speaker 9: control our relationship with these other podcasts, utilize these other planforms.

1435
01:02:21,000 --> 01:02:24,960
Speaker 7: This is going from some episode collab with another podcast.

1436
01:02:24,840 --> 01:02:27,120
Speaker 4: We collect the podcast. Y'all doing it right now?

1437
01:02:27,360 --> 01:02:29,440
Speaker 1: Again, It's not but we should, we should do it

1438
01:02:29,840 --> 01:02:33,760
Speaker 1: more exactly exactly, it should be a common.

1439
01:02:33,520 --> 01:02:35,760
Speaker 9: That's but that's what I was just podcast in this

1440
01:02:35,880 --> 01:02:39,360
Speaker 9: city that haven't even never working with.

1441
01:02:39,720 --> 01:02:42,600
Speaker 2: Last year we did Hulu Theater, it was just me, Charlis,

1442
01:02:42,840 --> 01:02:46,160
Speaker 2: we had Mayweather come. My first thought was like, yeah,

1443
01:02:46,680 --> 01:02:50,600
Speaker 2: well for other people, huh yeah, no, I appreciate you

1444
01:02:50,800 --> 01:02:52,240
Speaker 2: coming to the show. I make you money, please put

1445
01:02:52,320 --> 01:02:55,520
Speaker 2: yes and hut. But what other five of us could

1446
01:02:55,560 --> 01:02:58,280
Speaker 2: do the garden garden and then then one showed up

1447
01:02:58,280 --> 01:03:01,640
Speaker 2: that shoot out twice. We always complained about the vulture

1448
01:03:01,640 --> 01:03:03,760
Speaker 2: shit and we don't work together, and then somebody comes

1449
01:03:03,800 --> 01:03:07,560
Speaker 2: in and fill that void we can't complain about. Like

1450
01:03:07,680 --> 01:03:10,080
Speaker 2: even with Lad, if a bunch of us got together

1451
01:03:11,000 --> 01:03:14,000
Speaker 2: and brought a platform together for artists and up and comer,

1452
01:03:14,280 --> 01:03:17,000
Speaker 2: there would be no room for Vlad. Us not working

1453
01:03:17,040 --> 01:03:18,520
Speaker 2: together makes that fucking vacuum.

1454
01:03:18,680 --> 01:03:19,800
Speaker 7: Well no, well Vlad does.

1455
01:03:19,960 --> 01:03:22,080
Speaker 10: There will always be room for him because he's willing

1456
01:03:22,160 --> 01:03:25,360
Speaker 10: to do shit other people aren't willing to do. True,

1457
01:03:25,520 --> 01:03:27,640
Speaker 10: so there will always be room for him because he

1458
01:03:27,720 --> 01:03:29,400
Speaker 10: goes out on a ledge that other people know better

1459
01:03:29,440 --> 01:03:30,160
Speaker 10: than to go out on.

1460
01:03:30,560 --> 01:03:33,160
Speaker 1: But knowing that the audience does want to hear those questions.

1461
01:03:33,440 --> 01:03:35,880
Speaker 1: Just there's plenty of people in the media that keep

1462
01:03:35,920 --> 01:03:38,560
Speaker 1: a certain moral ground that they won't ask those questions. Yeah, So,

1463
01:03:38,640 --> 01:03:40,440
Speaker 1: as much as you want to fault Vlad, it is

1464
01:03:40,560 --> 01:03:43,880
Speaker 1: what the consumer wants to hear. Yeah, I've been critical

1465
01:03:43,920 --> 01:03:46,040
Speaker 1: of Lad. There's been plenty of shit I've wanted to

1466
01:03:46,080 --> 01:03:47,440
Speaker 1: know him with guess that he had on that I

1467
01:03:47,560 --> 01:03:49,600
Speaker 1: know only Vlad's about to ask that question, and I

1468
01:03:49,640 --> 01:03:50,560
Speaker 1: would like to know that answer.

1469
01:03:51,000 --> 01:03:54,400
Speaker 2: So it's just a weird the whole run. The fact

1470
01:03:54,440 --> 01:03:56,720
Speaker 2: that he got him to admit that shit, well, I

1471
01:03:56,800 --> 01:03:58,680
Speaker 2: mean when he hit it out already.

1472
01:03:58,720 --> 01:04:01,640
Speaker 1: But yeah, but like so let me ask you this

1473
01:04:01,760 --> 01:04:04,760
Speaker 1: to your point with the Garden, and I'm trying not

1474
01:04:05,040 --> 01:04:06,760
Speaker 1: to be a pessimist the way I have been my

1475
01:04:06,920 --> 01:04:11,040
Speaker 1: entire life in twenty twenty four. But let's take ego

1476
01:04:11,080 --> 01:04:14,320
Speaker 1: out of it and just be realistic. If we were

1477
01:04:14,400 --> 01:04:16,440
Speaker 1: to all do a Garden show, Let's say the Garden

1478
01:04:16,720 --> 01:04:20,080
Speaker 1: agreed six of the biggest seven of the biggest podcasts

1479
01:04:22,640 --> 01:04:25,880
Speaker 1: is one podcast gonna come in rightfully rightfully so and

1480
01:04:26,000 --> 01:04:28,680
Speaker 1: say I know I'm gonna move more tickets than you guys.

1481
01:04:28,920 --> 01:04:32,920
Speaker 1: I need a different split here and as much as

1482
01:04:33,080 --> 01:04:35,760
Speaker 1: as much as you could call that ego kind of not,

1483
01:04:35,920 --> 01:04:38,120
Speaker 1: it's fair, that's fair, that makes sense, And who's gonna

1484
01:04:38,160 --> 01:04:41,720
Speaker 1: humble themselves? Where where's the That's what's great about festivals

1485
01:04:43,440 --> 01:04:45,960
Speaker 1: For the most part, Artists don't pick that. If artists

1486
01:04:45,960 --> 01:04:48,160
Speaker 1: were putting together a festival like all of us got together,

1487
01:04:48,640 --> 01:04:51,280
Speaker 1: that lineup would be a fucking mess of where people

1488
01:04:51,360 --> 01:04:54,720
Speaker 1: go this and that. Thank god, sometimes other people do

1489
01:04:54,840 --> 01:04:56,520
Speaker 1: that and you just are placing the slot that you're

1490
01:04:56,520 --> 01:04:58,080
Speaker 1: placed in, and it is what it is, and shut

1491
01:04:58,120 --> 01:04:59,880
Speaker 1: the fuck up. You guys saw that we all work together?

1492
01:05:00,160 --> 01:05:01,200
Speaker 2: Do that? Where? All right?

1493
01:05:01,320 --> 01:05:01,919
Speaker 3: What time?

1494
01:05:01,960 --> 01:05:03,840
Speaker 1: Slode online? What's my split on this?

1495
01:05:04,560 --> 01:05:04,840
Speaker 2: All right?

1496
01:05:04,880 --> 01:05:05,960
Speaker 1: Advertising? Who's doing what?

1497
01:05:06,200 --> 01:05:06,560
Speaker 2: Like it?

1498
01:05:07,080 --> 01:05:10,400
Speaker 1: It does get complicated? Okay, then you just drop in

1499
01:05:10,560 --> 01:05:13,000
Speaker 1: real ego and it gets even crazier.

1500
01:05:13,080 --> 01:05:14,840
Speaker 2: So why not model the festival format?

1501
01:05:16,040 --> 01:05:16,680
Speaker 8: You guys try that?

1502
01:05:16,760 --> 01:05:19,320
Speaker 13: Remember with Roots, you remember you guys were in a

1503
01:05:20,120 --> 01:05:21,320
Speaker 13: lineup of different podcasts.

1504
01:05:21,640 --> 01:05:24,440
Speaker 8: You guys saw the difference, and.

1505
01:05:24,680 --> 01:05:27,360
Speaker 6: Yeah, but that was that was just that in itself

1506
01:05:27,440 --> 01:05:30,600
Speaker 6: was weird because it was like we didn't see anybody.

1507
01:05:31,240 --> 01:05:31,439
Speaker 2: Yah.

1508
01:05:31,760 --> 01:05:33,680
Speaker 4: Yeah, no, I'm just saying that we didn't see any

1509
01:05:33,720 --> 01:05:35,520
Speaker 4: other of the other podcast.

1510
01:05:35,360 --> 01:05:37,600
Speaker 1: That's one almost not crowd other podcasters.

1511
01:05:37,800 --> 01:05:40,640
Speaker 4: Like, there was no like interaction with other part like

1512
01:05:40,800 --> 01:05:41,120
Speaker 4: at all.

1513
01:05:41,360 --> 01:05:42,560
Speaker 2: Yeah, the structure was weird.

1514
01:05:43,000 --> 01:05:46,280
Speaker 4: It was just like, yo, where's everybody at years ago?

1515
01:05:46,640 --> 01:05:49,480
Speaker 6: Yeah, like I saw, I saw, I saw, I saw

1516
01:05:49,560 --> 01:05:51,720
Speaker 6: nineteen Keys saw shoting when they did Day.

1517
01:05:52,200 --> 01:05:54,919
Speaker 4: That was the first time we actually met. But other

1518
01:05:55,000 --> 01:05:57,000
Speaker 4: than that, I didn't see anybody that we.

1519
01:05:57,280 --> 01:05:58,040
Speaker 2: That was on the lineup.

1520
01:05:58,360 --> 01:06:00,120
Speaker 1: I mean, and I know I sound like I'm the

1521
01:06:00,160 --> 01:06:01,360
Speaker 1: one that's arguing against it.

1522
01:06:02,040 --> 01:06:03,720
Speaker 6: Ale and Wallow was hosting it and I didn't even

1523
01:06:03,720 --> 01:06:06,400
Speaker 6: see them. Yeah, yeah, I was hosting the podcast. I

1524
01:06:06,440 --> 01:06:07,480
Speaker 6: didn't even can see weeezy.

1525
01:06:07,840 --> 01:06:08,520
Speaker 8: Yeah, it was it was.

1526
01:06:08,600 --> 01:06:09,080
Speaker 4: It was crazy.

1527
01:06:10,680 --> 01:06:12,760
Speaker 1: It's not like the end. All I know is I

1528
01:06:12,840 --> 01:06:15,560
Speaker 1: live my rhymes with the ship. So I don't mind

1529
01:06:15,760 --> 01:06:19,800
Speaker 1: all right being critiqued. No, I'm one of because I

1530
01:06:19,840 --> 01:06:22,480
Speaker 1: don't have an ego and just start fucking yelling out

1531
01:06:22,560 --> 01:06:24,240
Speaker 1: how I help people, because it's just not what I do.

1532
01:06:25,160 --> 01:06:27,439
Speaker 1: You can ask the podcast community of who I've put

1533
01:06:27,680 --> 01:06:30,120
Speaker 1: with major agencies. I've gotten them their first lawyer, I

1534
01:06:30,200 --> 01:06:33,600
Speaker 1: got them their first deal. I have put people on

1535
01:06:33,880 --> 01:06:36,800
Speaker 1: show bills. I have really tried to keep this podcast

1536
01:06:36,840 --> 01:06:40,120
Speaker 1: ship a community that we can really help each other.

1537
01:06:40,200 --> 01:06:43,200
Speaker 1: We're not. If I'm up, let me bring you with me.

1538
01:06:43,240 --> 01:06:44,760
Speaker 1: I don't think it's going to step on what we're

1539
01:06:44,760 --> 01:06:48,040
Speaker 1: doing over here. It can just help. I just see that.

1540
01:06:48,120 --> 01:06:52,680
Speaker 1: It doesn't. No one talks about it because it's not

1541
01:06:52,760 --> 01:06:55,840
Speaker 1: good content. I can tell. I can tell a story.

1542
01:06:56,720 --> 01:06:59,120
Speaker 1: I me and Mandy are cool. She won't care. Manny

1543
01:06:59,160 --> 01:07:03,120
Speaker 1: went on No Jumper and was telling the whole last

1544
01:07:03,200 --> 01:07:06,280
Speaker 1: year she had this and that. I think Adam was like, oh, so,

1545
01:07:06,360 --> 01:07:08,960
Speaker 1: what's up with the with Rory Mall Like, do do

1546
01:07:08,960 --> 01:07:10,520
Speaker 1: you have a relationship? She was like, yeah, I guess

1547
01:07:10,560 --> 01:07:12,080
Speaker 1: I see them like every now and then is what

1548
01:07:12,160 --> 01:07:15,480
Speaker 1: it is. Yeah, mind you. I had connected Manny and

1549
01:07:15,520 --> 01:07:18,520
Speaker 1: Bridget with Uta like I was trying to help chop this.

1550
01:07:18,640 --> 01:07:22,000
Speaker 1: She was doing that. But that's sold better. If Manny

1551
01:07:22,000 --> 01:07:23,720
Speaker 1: went up there and was like, yo, he helped me here,

1552
01:07:23,840 --> 01:07:26,080
Speaker 1: he helped me there, that's not good content. Fans are

1553
01:07:26,120 --> 01:07:26,880
Speaker 1: going to give a funk up.

1554
01:07:26,920 --> 01:07:29,040
Speaker 2: I can argue that if the only thing that works

1555
01:07:29,120 --> 01:07:31,000
Speaker 2: is the beef thing, that the person not because I

1556
01:07:31,080 --> 01:07:33,919
Speaker 2: fuck with Mandy love Mandy. Yeah, just that if most

1557
01:07:33,960 --> 01:07:37,320
Speaker 2: people in the podcast and space can only drive interest

1558
01:07:37,360 --> 01:07:38,680
Speaker 2: off beef. They're not good.

1559
01:07:39,440 --> 01:07:40,680
Speaker 1: I agree, I agree.

1560
01:07:41,160 --> 01:07:43,320
Speaker 2: So that's why, Like, if we get a comedian, you

1561
01:07:43,400 --> 01:07:46,240
Speaker 2: have also like the financial space, y'all, Like we can

1562
01:07:46,280 --> 01:07:48,880
Speaker 2: pick whoever and staggered a certain wayle most people not

1563
01:07:48,920 --> 01:07:52,480
Speaker 2: giving enough value. Like I think you can't have fifteen

1564
01:07:52,520 --> 01:07:54,240
Speaker 2: people talking about the same shit. I think there's too

1565
01:07:54,320 --> 01:07:58,600
Speaker 2: many voices that are copying voices. Even people are like, yo,

1566
01:07:58,680 --> 01:08:01,000
Speaker 2: you all more care about is Teger? It's like, but

1567
01:08:01,160 --> 01:08:04,760
Speaker 2: at least he's in his lane. I rather that than

1568
01:08:04,800 --> 01:08:07,520
Speaker 2: you copy and pair it what everybody else is saying.

1569
01:08:09,360 --> 01:08:09,960
Speaker 2: I mean, but.

1570
01:08:10,040 --> 01:08:12,840
Speaker 7: Everybody wants views. People are talking about the same thing

1571
01:08:12,920 --> 01:08:14,320
Speaker 7: because that's what's drawn views.

1572
01:08:14,680 --> 01:08:16,760
Speaker 2: This is the fucking Olympic, Like I'm telling you, like,

1573
01:08:17,200 --> 01:08:21,439
Speaker 2: we are the World Olympics. Like if not at some

1574
01:08:21,560 --> 01:08:25,160
Speaker 2: point and people hit on shows shots at some point,

1575
01:08:25,760 --> 01:08:28,720
Speaker 2: if we don't do it, and it'll be Schultz and

1576
01:08:28,840 --> 01:08:31,360
Speaker 2: Shane Gillis and Alex Jones and Da da da, and

1577
01:08:31,400 --> 01:08:32,840
Speaker 2: we're gonna be like, why the fuck did we do it?

1578
01:08:33,120 --> 01:08:36,479
Speaker 1: Listen, this is a creative meeting that we're just recording.

1579
01:08:36,520 --> 01:08:38,599
Speaker 1: You already know where I stand. I'm down to put

1580
01:08:38,680 --> 01:08:42,320
Speaker 1: up money to everything to make something like this happen

1581
01:08:42,400 --> 01:08:44,599
Speaker 1: because I do believe it would be great for all

1582
01:08:44,640 --> 01:08:47,519
Speaker 1: of us. But in any creative meeting, I'm always gonna

1583
01:08:47,520 --> 01:08:50,120
Speaker 1: bring up you have the issues of like is this

1584
01:08:50,280 --> 01:08:50,680
Speaker 1: even real?

1585
01:08:50,840 --> 01:08:52,519
Speaker 4: And it's certain niggas. I'm just gonna always have beef

1586
01:08:52,560 --> 01:08:55,320
Speaker 4: with I'm gonna just let you know that because that's

1587
01:08:55,360 --> 01:08:57,200
Speaker 4: just where I'm from. I'm from a small block in the.

1588
01:08:57,200 --> 01:09:01,479
Speaker 2: Bronx where till we in the podcast beef, Huh, when

1589
01:09:01,520 --> 01:09:02,439
Speaker 2: can we end the pot.

1590
01:09:02,360 --> 01:09:03,479
Speaker 4: When the truth is on the table?

1591
01:09:05,000 --> 01:09:05,200
Speaker 3: See?

1592
01:09:05,240 --> 01:09:05,680
Speaker 1: But that all right?

1593
01:09:05,720 --> 01:09:07,200
Speaker 8: See this this is that's very broad.

1594
01:09:07,920 --> 01:09:08,519
Speaker 2: We can end.

1595
01:09:09,479 --> 01:09:11,519
Speaker 1: Me and Gilly went back and forth. That ended because

1596
01:09:11,560 --> 01:09:14,479
Speaker 1: that was a podcast thing. But that was I think.

1597
01:09:16,080 --> 01:09:19,000
Speaker 4: That's another thing we got to stop. Stop beef. That

1598
01:09:19,120 --> 01:09:21,439
Speaker 4: ain't beef. That was just words exchange. That wasn't beef,

1599
01:09:21,840 --> 01:09:22,840
Speaker 4: That wasn't misunderstanding.

1600
01:09:22,880 --> 01:09:25,720
Speaker 1: What I think you're alluding to is not a podcast beef.

1601
01:09:26,400 --> 01:09:26,760
Speaker 5: It was.

1602
01:09:27,280 --> 01:09:29,640
Speaker 1: It's a disagreement that came from a podcast, But it

1603
01:09:29,760 --> 01:09:34,320
Speaker 1: is not a podcast disagreement or beef in that matter,

1604
01:09:34,360 --> 01:09:36,320
Speaker 1: because we're using that loosely. No one's going to be harmed.

1605
01:09:36,479 --> 01:09:39,960
Speaker 1: But that's different. I think anyone can get over any

1606
01:09:40,040 --> 01:09:43,559
Speaker 1: podcast beef like who cares about that type of ship

1607
01:09:44,080 --> 01:09:46,760
Speaker 1: and it's and then go in different green rooms like

1608
01:09:47,800 --> 01:09:49,599
Speaker 1: this is this is bigger than You're back and forth

1609
01:09:49,680 --> 01:09:53,240
Speaker 1: on a microphone for best buy, like if we do

1610
01:09:53,400 --> 01:09:57,320
Speaker 1: something in that regard, but we don't even support our shows.

1611
01:09:57,479 --> 01:09:59,599
Speaker 1: I went to Gilly and Wallow's show at Sony Hall

1612
01:10:00,640 --> 01:10:03,720
Speaker 1: just sitting there. Damn, thank you for showing up. I

1613
01:10:03,840 --> 01:10:05,280
Speaker 1: was like, I feel like we probably need to do

1614
01:10:05,400 --> 01:10:07,680
Speaker 1: this more. I got you free tickets, like I just

1615
01:10:07,760 --> 01:10:11,600
Speaker 1: bought a ticket because I think this is important, the

1616
01:10:11,720 --> 01:10:13,439
Speaker 1: live show aspect, all of.

1617
01:10:13,400 --> 01:10:13,880
Speaker 2: The way it is.

1618
01:10:13,960 --> 01:10:17,040
Speaker 6: Man, niggas got ego. Niggas never had nothing, Niggas come

1619
01:10:17,040 --> 01:10:18,760
Speaker 6: from nothing. They finally got a little bit of something

1620
01:10:18,800 --> 01:10:20,640
Speaker 6: and now they acting like they too good to fuck with.

1621
01:10:20,760 --> 01:10:21,000
Speaker 2: Nigga.

1622
01:10:21,000 --> 01:10:22,160
Speaker 8: Would y'll say y'all have ego?

1623
01:10:23,040 --> 01:10:23,320
Speaker 2: You too?

1624
01:10:23,520 --> 01:10:23,720
Speaker 1: Sure?

1625
01:10:24,080 --> 01:10:25,560
Speaker 2: Absolutely we all do.

1626
01:10:25,800 --> 01:10:27,800
Speaker 6: We all have ego, but I don't ego is healthy

1627
01:10:27,840 --> 01:10:30,880
Speaker 6: if you I don't push my ego, like somebody wouldn't

1628
01:10:30,880 --> 01:10:34,920
Speaker 6: feel my ego, like you wouldn't feel it, Like somebody

1629
01:10:34,920 --> 01:10:36,400
Speaker 6: wouldn't come in, They would never meet me and be

1630
01:10:36,479 --> 01:10:36,680
Speaker 6: like yo.

1631
01:10:36,800 --> 01:10:39,200
Speaker 4: He was kind of like that would never happen. I

1632
01:10:39,360 --> 01:10:40,920
Speaker 4: salute that, but yo, what's up? How you doing?

1633
01:10:41,760 --> 01:10:42,200
Speaker 2: And that's it.

1634
01:10:42,880 --> 01:10:44,719
Speaker 4: Like I don't I don't push my ego on people,

1635
01:10:44,760 --> 01:10:45,679
Speaker 4: but we all have an ego.

1636
01:10:45,760 --> 01:10:47,759
Speaker 6: But I just think that in this podcast, the space,

1637
01:10:48,600 --> 01:10:50,360
Speaker 6: you know, when you had these cameras and mics on,

1638
01:10:50,600 --> 01:10:53,479
Speaker 6: you know, people start thinking they you know, it's it's

1639
01:10:53,560 --> 01:10:57,360
Speaker 6: hard that attention that you know, you start making some money.

1640
01:10:57,439 --> 01:11:00,280
Speaker 6: It's hard for some people to kind of like remember

1641
01:11:00,280 --> 01:11:00,840
Speaker 6: who they are for.

1642
01:11:00,880 --> 01:11:05,040
Speaker 7: Real, because they weren't anybody for real before the MIC's

1643
01:11:05,080 --> 01:11:05,639
Speaker 7: and the attention.

1644
01:11:06,200 --> 01:11:07,519
Speaker 1: That's well, why were they.

1645
01:11:10,280 --> 01:11:10,960
Speaker 7: People from scene?

1646
01:11:11,120 --> 01:11:12,760
Speaker 6: It's not even I'm not even really I'm not really

1647
01:11:13,000 --> 01:11:14,919
Speaker 6: particularly shooting at anybody individually.

1648
01:11:14,920 --> 01:11:17,080
Speaker 4: I'm just saying just overall, I think that's what it is.

1649
01:11:17,120 --> 01:11:19,880
Speaker 6: A lot of people, this is a new platform, and

1650
01:11:20,240 --> 01:11:22,680
Speaker 6: people are like, you go outside, people stop and you

1651
01:11:22,720 --> 01:11:23,400
Speaker 6: want to take a picture.

1652
01:11:23,439 --> 01:11:23,800
Speaker 4: They want it.

1653
01:11:24,040 --> 01:11:27,040
Speaker 6: For some people, that's like theyre so they ever wanted.

1654
01:11:27,200 --> 01:11:29,840
Speaker 6: They just wanted attention, they wanted notoriety. They wanted people

1655
01:11:30,000 --> 01:11:32,479
Speaker 6: to you know, just just stop them in the streets

1656
01:11:32,520 --> 01:11:34,720
Speaker 6: and take pictures, and they wanted that. So now that

1657
01:11:34,800 --> 01:11:37,560
Speaker 6: they have that, they sometimes like they don't want to

1658
01:11:37,640 --> 01:11:40,920
Speaker 6: share that because it was a time where people wouldn't

1659
01:11:40,960 --> 01:11:43,280
Speaker 6: share it with them. So now that they have their

1660
01:11:43,320 --> 01:11:46,360
Speaker 6: own little thing going on, it's like they like, nah, nigga, like,

1661
01:11:46,400 --> 01:11:48,559
Speaker 6: you ain't help me when I was trying to get

1662
01:11:48,640 --> 01:11:50,320
Speaker 6: my ship off and trying to come up, so I'm

1663
01:11:50,360 --> 01:11:52,960
Speaker 6: not trying to And I think that's where which is

1664
01:11:53,040 --> 01:11:55,479
Speaker 6: corny to me, Like it's like, bro, it's.

1665
01:11:55,320 --> 01:11:56,760
Speaker 4: A podcast, but what were talking about?

1666
01:11:57,479 --> 01:12:00,599
Speaker 6: Like, we ain't rock stars, we ain't motherfucking like when

1667
01:12:00,640 --> 01:12:02,120
Speaker 6: people ask me, yo, you're a celebrity.

1668
01:12:02,200 --> 01:12:02,560
Speaker 4: No I'm not.

1669
01:12:03,160 --> 01:12:04,479
Speaker 6: You know what I'm saying. I still walk through hall

1670
01:12:04,560 --> 01:12:06,280
Speaker 6: and go get a hit. I'm not a celebrity. Bro, Like,

1671
01:12:06,280 --> 01:12:07,559
Speaker 6: I'm a regular nigga from Uptown.

1672
01:12:07,960 --> 01:12:10,080
Speaker 4: I do a podcast. People like what we do.

1673
01:12:10,280 --> 01:12:12,200
Speaker 6: They enjoy it, they enjoy the conversation is great. I

1674
01:12:12,280 --> 01:12:14,680
Speaker 6: love that, But I don't look at myself like a celebrity.

1675
01:12:14,920 --> 01:12:16,000
Speaker 2: You're a baddy curator.

1676
01:12:16,280 --> 01:12:16,679
Speaker 8: That's true.

1677
01:12:17,680 --> 01:12:18,479
Speaker 4: But I've always been.

1678
01:12:20,360 --> 01:12:21,519
Speaker 2: See I've always been that.

1679
01:12:21,640 --> 01:12:24,040
Speaker 4: I've always had pretty girls around. I've always been cool

1680
01:12:24,080 --> 01:12:25,680
Speaker 4: with the Q girl in school and all of that.

1681
01:12:26,360 --> 01:12:27,240
Speaker 2: That's just what it was.

1682
01:12:28,160 --> 01:12:30,680
Speaker 6: But now that it's a platform and Instagram and all that.

1683
01:12:30,720 --> 01:12:33,280
Speaker 6: People think that this is something bro. I just always

1684
01:12:33,400 --> 01:12:35,360
Speaker 6: just like being around pretty girls.

1685
01:12:36,120 --> 01:12:38,160
Speaker 2: You don't give some wars in December, like a top

1686
01:12:38,200 --> 01:12:39,880
Speaker 2: five batty list like Spotify got.

1687
01:12:43,760 --> 01:12:48,880
Speaker 4: Had to do a baddy tour. See, no, no, we're

1688
01:12:48,920 --> 01:12:50,800
Speaker 4: not doing that, never doing that.

1689
01:12:50,960 --> 01:12:51,679
Speaker 2: I have no faults.

1690
01:12:51,800 --> 01:12:54,520
Speaker 4: That's how you get sex trafficking.

1691
01:12:54,200 --> 01:12:55,600
Speaker 6: Charges a few years down the line and all that.

1692
01:12:55,680 --> 01:12:57,720
Speaker 6: No no, no, no, no, we're not doing that. Yeah,

1693
01:12:57,760 --> 01:13:00,680
Speaker 6: we're not doing that. But I just think that, like

1694
01:13:00,760 --> 01:13:04,679
Speaker 6: when people like cars, it's auto conventions Javidson.

1695
01:13:04,720 --> 01:13:07,439
Speaker 4: Every year, I want to have a badding convention. Not

1696
01:13:07,560 --> 01:13:09,960
Speaker 4: a bad idea, because then you bringing pretty women that

1697
01:13:10,040 --> 01:13:13,480
Speaker 4: have real ship going on and vultures and some music.

1698
01:13:13,520 --> 01:13:16,760
Speaker 1: After party is a bad convention. I give who would

1699
01:13:16,800 --> 01:13:19,799
Speaker 1: you put on your your villain set list.

1700
01:13:20,720 --> 01:13:24,560
Speaker 2: Adam, Who are there? Who are some other villain with

1701
01:13:24,600 --> 01:13:30,880
Speaker 2: their villains and vultures. Charleston White, that's a good cross White,

1702
01:13:30,880 --> 01:13:33,000
Speaker 2: a good mother fucking edition. People may not like him,

1703
01:13:33,280 --> 01:13:34,439
Speaker 2: content fire, you're.

1704
01:13:34,280 --> 01:13:34,760
Speaker 3: Still out there.

1705
01:13:35,160 --> 01:13:35,360
Speaker 2: Yeah.

1706
01:13:36,240 --> 01:13:37,240
Speaker 4: I like Charleston White.

1707
01:13:37,240 --> 01:13:40,799
Speaker 6: I just think sometimes I understand his message. I understand

1708
01:13:40,880 --> 01:13:43,360
Speaker 6: like yo, y'all glorified as rap ship and these rappers

1709
01:13:43,400 --> 01:13:46,680
Speaker 6: and the message that they're spewing, But why not glorified,

1710
01:13:46,960 --> 01:13:49,559
Speaker 6: you know, the ones that's really in the communities doing

1711
01:13:49,840 --> 01:13:52,559
Speaker 6: the work and helping people and doing that. I understand,

1712
01:13:52,640 --> 01:13:54,479
Speaker 6: but sometimes he goes a little crazy, and I know

1713
01:13:54,560 --> 01:13:56,240
Speaker 6: you have to be overt and kind of like out

1714
01:13:56,280 --> 01:13:57,679
Speaker 6: there to kind of like grab the attention.

1715
01:13:58,320 --> 01:14:00,840
Speaker 4: But I fucked with Charleston White. I just think sometimes it's.

1716
01:14:00,760 --> 01:14:02,720
Speaker 2: Like, what did you think? You go too far with

1717
01:14:02,840 --> 01:14:03,479
Speaker 2: the thing?

1718
01:14:04,760 --> 01:14:09,240
Speaker 6: I think that him calling uh the dude that shot

1719
01:14:09,479 --> 01:14:11,559
Speaker 6: King Vaughan, calling him like putting them on the same

1720
01:14:11,600 --> 01:14:12,680
Speaker 6: pedestal as of Malcolm X.

1721
01:14:13,280 --> 01:14:16,200
Speaker 4: It's kind of crazy. It's like, bro, what we talking about?

1722
01:14:16,479 --> 01:14:20,600
Speaker 6: You understand I'm saying like that now. I understand some

1723
01:14:20,800 --> 01:14:23,599
Speaker 6: of his messaging, but ship like that is I'm kind

1724
01:14:23,640 --> 01:14:25,760
Speaker 6: of like too much. That's just like, come on, man,

1725
01:14:25,920 --> 01:14:27,240
Speaker 6: why nobody check him on the throw?

1726
01:14:27,800 --> 01:14:29,040
Speaker 2: And that's the part I think a lot of.

1727
01:14:29,040 --> 01:14:32,920
Speaker 6: People really don't care about what he's doing. Now, somebody

1728
01:14:32,960 --> 01:14:34,599
Speaker 6: like me, just because I pay attention to certain things.

1729
01:14:34,640 --> 01:14:38,120
Speaker 4: I'm like, he's not wrong about that, Yeah, he's not

1730
01:14:38,280 --> 01:14:38,920
Speaker 4: wrong about that.

1731
01:14:39,160 --> 01:14:39,360
Speaker 2: Yeah.

1732
01:14:39,680 --> 01:14:41,400
Speaker 6: And he and then he show you his track record,

1733
01:14:41,479 --> 01:14:44,320
Speaker 6: like I've been doing this since before the cameras was on.

1734
01:14:45,200 --> 01:14:47,880
Speaker 6: I've had organizations in the community helping kids and putting

1735
01:14:47,960 --> 01:14:50,280
Speaker 6: kids through school and having after school programs, going to

1736
01:14:50,320 --> 01:14:52,640
Speaker 6: these He's been doing the work. So that's why I

1737
01:14:52,720 --> 01:14:55,320
Speaker 6: salute because he ain't just talking, He's really been doing it.

1738
01:14:56,120 --> 01:15:00,200
Speaker 6: I think cannics Owns is another one fire. She he's

1739
01:15:00,280 --> 01:15:02,800
Speaker 6: right for most things that she says, but because it's

1740
01:15:02,840 --> 01:15:05,880
Speaker 6: just been a unanimous thing that she's, uh, she doesn't

1741
01:15:05,960 --> 01:15:09,040
Speaker 6: like black people, and like I thought she said that,

1742
01:15:09,680 --> 01:15:12,200
Speaker 6: but no, I'm saying this. People feel like that she doesn't.

1743
01:15:12,560 --> 01:15:14,880
Speaker 6: She's she's she's for white America. That people just feel

1744
01:15:14,880 --> 01:15:17,160
Speaker 6: like because she's a Republican and she's a white whatever,

1745
01:15:17,320 --> 01:15:20,360
Speaker 6: that's your political shiit do that. I felt she was

1746
01:15:20,439 --> 01:15:22,919
Speaker 6: right when she said Cardi should not get into politics.

1747
01:15:23,240 --> 01:15:26,760
Speaker 6: Why because if the original hip hop was not politics,

1748
01:15:27,000 --> 01:15:27,639
Speaker 6: it's not it's.

1749
01:15:27,479 --> 01:15:28,280
Speaker 4: Not political at all.

1750
01:15:28,320 --> 01:15:29,400
Speaker 8: It was actually wrong.

1751
01:15:29,479 --> 01:15:31,519
Speaker 4: That's hip hop.

1752
01:15:31,880 --> 01:15:34,439
Speaker 6: Yes, hip hop was not politics. What are you talking about?

1753
01:15:34,760 --> 01:15:36,960
Speaker 6: How hip hop started was a voice of the people.

1754
01:15:37,040 --> 01:15:39,280
Speaker 6: That was just it wasn't about political. We was going

1755
01:15:39,320 --> 01:15:41,639
Speaker 6: against the agenda in the machine. It wasn't getting into

1756
01:15:41,680 --> 01:15:43,600
Speaker 6: your vote for this person. Vote for that person that

1757
01:15:43,720 --> 01:15:44,040
Speaker 6: was never.

1758
01:15:44,040 --> 01:15:49,160
Speaker 9: Hippolger is a commentary on political and social economics.

1759
01:15:49,200 --> 01:15:52,800
Speaker 6: The bottom line is this, She was right in saying that, Like, Yo,

1760
01:15:52,880 --> 01:15:55,320
Speaker 6: it's some things you don't know about this, so don't

1761
01:15:55,360 --> 01:15:57,360
Speaker 6: speak on it because you're going to speak on something

1762
01:15:57,400 --> 01:15:58,479
Speaker 6: that you don't know what you're saying.

1763
01:15:58,920 --> 01:16:00,240
Speaker 4: I didn't think she was wrong for that.

1764
01:16:00,439 --> 01:16:02,280
Speaker 6: Yeah, well, I mean, I'm not mad at Cardi trying

1765
01:16:02,280 --> 01:16:03,679
Speaker 6: to use a voice to get people to vote.

1766
01:16:03,680 --> 01:16:04,559
Speaker 4: I'm not mad at that far.

1767
01:16:04,760 --> 01:16:06,240
Speaker 2: Isn't it not a mistake for hip hop to not

1768
01:16:06,320 --> 01:16:07,559
Speaker 2: be involved in politics? Yeah?

1769
01:16:07,600 --> 01:16:09,439
Speaker 1: Why can't it evolve like it could evolve from hip

1770
01:16:09,479 --> 01:16:12,080
Speaker 1: hop starting as a party. The fact that the public enemy.

1771
01:16:12,280 --> 01:16:14,479
Speaker 2: All the culture talk, that's good. We don't own shit

1772
01:16:15,040 --> 01:16:19,839
Speaker 2: as the culture. No labels, no talent agencies, no private equity,

1773
01:16:20,000 --> 01:16:22,240
Speaker 2: all that culture talk. That's something like when vladd and

1774
01:16:22,320 --> 01:16:25,240
Speaker 2: Lee or do what they do, that's their motherfucking culture.

1775
01:16:26,720 --> 01:16:29,400
Speaker 2: What black owned label is there that the artists can

1776
01:16:29,479 --> 01:16:31,559
Speaker 2: go to and pop. You don't have a black owned

1777
01:16:31,560 --> 01:16:35,880
Speaker 2: platform shot to uta. There are very few black owned

1778
01:16:36,560 --> 01:16:40,679
Speaker 2: creative agencies. You can go to, very few black owned

1779
01:16:40,720 --> 01:16:45,519
Speaker 2: advertising agencies. What's culture? Most black people don't even like

1780
01:16:46,280 --> 01:16:50,080
Speaker 2: like being black enough to live in their blackness. What's culture?

1781
01:16:52,240 --> 01:16:54,680
Speaker 1: Well, let me ask you then, who would you just

1782
01:16:54,800 --> 01:16:59,880
Speaker 1: put everything in the white America bucket of ownership? Like, yeah,

1783
01:17:00,760 --> 01:17:04,800
Speaker 1: Leor doesn't own YouTube music, No he didn't. I mean

1784
01:17:04,840 --> 01:17:06,439
Speaker 1: he was the owner of three hundred and a depth Jam,

1785
01:17:06,520 --> 01:17:09,600
Speaker 1: et cetera. But then Universal was really the Is it

1786
01:17:09,720 --> 01:17:12,599
Speaker 1: just because Leor is white in that per se? Because

1787
01:17:12,600 --> 01:17:15,080
Speaker 1: he doesn't really own shit either. Vlad owns his company,

1788
01:17:15,160 --> 01:17:19,200
Speaker 1: Vlatt does not owned YouTube distributor. Yeah, he YouTube tells

1789
01:17:19,280 --> 01:17:20,920
Speaker 1: Lad how much they're paying him. It's not the other

1790
01:17:20,960 --> 01:17:27,200
Speaker 1: way around. So does anyone own anything? The words that

1791
01:17:27,320 --> 01:17:30,920
Speaker 1: own but we don't need those are faceless people. We

1792
01:17:31,040 --> 01:17:33,880
Speaker 1: can give Kanye West all the flak we want. And

1793
01:17:33,960 --> 01:17:35,920
Speaker 1: I used to find those Twitter rants a little funny

1794
01:17:35,960 --> 01:17:37,760
Speaker 1: as well. But when he did that one day, when

1795
01:17:37,760 --> 01:17:41,000
Speaker 1: he was trying to find all the faceless people of Universal. Yeah, Like,

1796
01:17:41,120 --> 01:17:44,320
Speaker 1: as much as I understand people saying Leor could be

1797
01:17:44,360 --> 01:17:46,160
Speaker 1: a culture vulture, et cetera, whatever, even though he you know,

1798
01:17:46,320 --> 01:17:49,200
Speaker 1: started in hip hop with y, but I get it. Yeah,

1799
01:17:50,080 --> 01:17:55,320
Speaker 1: he also doesn't own shit. He's put in position because

1800
01:17:55,479 --> 01:17:58,880
Speaker 1: of who he is, and I get that point, but

1801
01:17:59,200 --> 01:18:02,360
Speaker 1: on the ownerships, doesn't own YouTube, I don't.

1802
01:18:02,200 --> 01:18:03,160
Speaker 2: Think there are any vultures.

1803
01:18:04,000 --> 01:18:05,880
Speaker 4: But going back to the tour point, you don't think

1804
01:18:05,920 --> 01:18:07,960
Speaker 4: there's any vultures and the.

1805
01:18:08,000 --> 01:18:14,840
Speaker 2: Culture that we don't We won't take a stand and

1806
01:18:14,920 --> 01:18:18,320
Speaker 2: call people out when they do wrong, So we're not

1807
01:18:18,400 --> 01:18:21,280
Speaker 2: gonna take a stand with it. Like I've seen artists

1808
01:18:21,360 --> 01:18:24,040
Speaker 2: in the podcast space take deals and sell the rights

1809
01:18:24,439 --> 01:18:27,560
Speaker 2: to the show or get started. I'm like, Nigga, you

1810
01:18:27,640 --> 01:18:31,320
Speaker 2: are a thousand times more famous than all than me

1811
01:18:31,439 --> 01:18:34,000
Speaker 2: and Rashad and Troy. What are you doing? Man neat

1812
01:18:34,040 --> 01:18:36,360
Speaker 2: the back, I'm like, wait, a motherfucking you give you

1813
01:18:36,479 --> 01:18:37,880
Speaker 2: fourteen thousand dollars if you need it.

1814
01:18:38,600 --> 01:18:39,439
Speaker 1: I got some cameras.

1815
01:18:39,680 --> 01:18:43,160
Speaker 2: What No, man, it's the way the business go. You're

1816
01:18:43,200 --> 01:18:46,000
Speaker 2: gonna fuck up the value for everybody else. Then then

1817
01:18:46,040 --> 01:18:49,080
Speaker 2: you see they pot break up and fraction off, even

1818
01:18:49,160 --> 01:18:52,200
Speaker 2: like the pivot shot the thread and everybody like, how

1819
01:18:52,320 --> 01:18:54,400
Speaker 2: y'all no stay together to have and there, but they

1820
01:18:54,439 --> 01:18:57,160
Speaker 2: don't do it. And guess what, Pat McAfee slides, motherfucking

1821
01:18:57,200 --> 01:19:00,200
Speaker 2: ass right in ESPN that should have been chatted them

1822
01:19:00,200 --> 01:19:02,559
Speaker 2: the spot. But we don't work together.

1823
01:19:04,200 --> 01:19:06,560
Speaker 6: Yeah, but that that was something I think from what

1824
01:19:06,680 --> 01:19:10,840
Speaker 6: I understand, Brandon Marshall had did some business that was

1825
01:19:10,920 --> 01:19:11,519
Speaker 6: kind of shady.

1826
01:19:11,680 --> 01:19:13,200
Speaker 4: Yeah, and I think.

1827
01:19:13,160 --> 01:19:15,640
Speaker 6: Freddam they was like, yo, we ain't gone for that,

1828
01:19:15,840 --> 01:19:18,840
Speaker 6: and then Brandon started, I guess, lying on them saying things.

1829
01:19:18,880 --> 01:19:20,920
Speaker 6: So in that situation, it's hard to kind of work

1830
01:19:21,000 --> 01:19:24,839
Speaker 6: through that because once the damage is done, we know firsthand,

1831
01:19:24,880 --> 01:19:27,320
Speaker 6: you can't sit across from somebody and be like yo,

1832
01:19:27,479 --> 01:19:29,840
Speaker 6: like because it's just always there. It's like now the

1833
01:19:30,000 --> 01:19:32,160
Speaker 6: camaraderie and the trust and all of that is ruined.

1834
01:19:32,640 --> 01:19:35,080
Speaker 6: So it's hard to work through that sometimes. And you know,

1835
01:19:35,160 --> 01:19:36,600
Speaker 6: you want to know who your people's are. Put some

1836
01:19:36,640 --> 01:19:38,680
Speaker 6: money on the table and watch how a nigga starts saying, well,

1837
01:19:38,680 --> 01:19:40,800
Speaker 6: I feel like I should you know what I'm saying,

1838
01:19:40,840 --> 01:19:43,720
Speaker 6: Like it's like, oh so that's what you think about me? Okay, cool.

1839
01:19:43,800 --> 01:19:46,920
Speaker 6: So it's hard not to, you know, to work past

1840
01:19:47,000 --> 01:19:50,759
Speaker 6: those situations. And I understand what you're saying, like, sometimes

1841
01:19:50,840 --> 01:19:52,439
Speaker 6: it's better for us to kind of work through it.

1842
01:19:53,920 --> 01:19:55,760
Speaker 6: But then it's also sometimes where it's like it ain't

1843
01:19:55,800 --> 01:19:57,719
Speaker 6: no coming back from that, you know what I mean.

1844
01:19:57,840 --> 01:20:03,160
Speaker 1: Where it's all subjective to your ownership point where do

1845
01:20:03,240 --> 01:20:06,519
Speaker 1: we draw the hardline in the sand of what could

1846
01:20:06,560 --> 01:20:10,439
Speaker 1: be considered vulturing or not of the culture to ownership.

1847
01:20:10,520 --> 01:20:13,000
Speaker 1: Like if someone does a licensing deal with a company

1848
01:20:13,040 --> 01:20:16,600
Speaker 1: that is not of the culture, that's an agreement to

1849
01:20:17,760 --> 01:20:20,639
Speaker 1: sell their content against ads for a certain amount of time.

1850
01:20:22,479 --> 01:20:24,920
Speaker 1: That's where I get lost with the ownership conversations and

1851
01:20:25,000 --> 01:20:27,240
Speaker 1: the culture vulture conversations because I do agree with you,

1852
01:20:27,960 --> 01:20:31,240
Speaker 1: but what would be the solution for us? No, I understand,

1853
01:20:31,280 --> 01:20:36,000
Speaker 1: don't sell your content partnerships, Like I also think that

1854
01:20:36,439 --> 01:20:40,200
Speaker 1: the ownership thing got blown out of proportion where people

1855
01:20:40,240 --> 01:20:43,000
Speaker 1: are starting to think it's uncool to do a partnership

1856
01:20:43,200 --> 01:20:45,639
Speaker 1: or to do a licensing deal or work with somebody.

1857
01:20:45,960 --> 01:20:48,760
Speaker 2: I think people put that in our culture so that

1858
01:20:48,880 --> 01:20:53,320
Speaker 2: we don't elevate and grow together, even the like switching

1859
01:20:53,400 --> 01:20:55,559
Speaker 2: up on friends and all that op talk that only

1860
01:20:55,640 --> 01:20:57,960
Speaker 2: happens in our community. Like when we went to Italy,

1861
01:20:58,920 --> 01:21:00,240
Speaker 2: I was like trying to find a club go to

1862
01:21:00,360 --> 01:21:02,599
Speaker 2: at seven eight o'clock at night. They're like, there are

1863
01:21:02,640 --> 01:21:04,040
Speaker 2: no clubs here for you to go to, and like,

1864
01:21:04,120 --> 01:21:07,360
Speaker 2: come on, like spend time with your fucking family. I

1865
01:21:07,520 --> 01:21:09,439
Speaker 2: thought that was so dope. I'm like, there's no lounge.

1866
01:21:09,439 --> 01:21:13,719
Speaker 2: She's like, get gelato, but go hang with your fucking friends.

1867
01:21:13,720 --> 01:21:15,000
Speaker 2: I tried to go to the bank, gets some money.

1868
01:21:15,040 --> 01:21:16,680
Speaker 2: I'm like, hey, y'all open up at one third. It's like,

1869
01:21:16,800 --> 01:21:19,680
Speaker 2: we open up when we want to. You Americans care

1870
01:21:19,760 --> 01:21:22,720
Speaker 2: too much about individualism. We're not gonna let y'all fuck

1871
01:21:22,760 --> 01:21:26,040
Speaker 2: our vibe up, which all American shit that's not working fair,

1872
01:21:26,560 --> 01:21:30,200
Speaker 2: being collective, and it's seeped into like and I ask

1873
01:21:30,200 --> 01:21:32,080
Speaker 2: people all the time, like from when we was growing up,

1874
01:21:32,200 --> 01:21:33,760
Speaker 2: I don't even know that many black people that like

1875
01:21:33,800 --> 01:21:36,360
Speaker 2: hang out on a weekly just like kicking house parties

1876
01:21:36,400 --> 01:21:39,240
Speaker 2: and shit like we've lost our culture in our norms

1877
01:21:39,320 --> 01:21:42,920
Speaker 2: so much and it's bled into the business. So I think,

1878
01:21:44,680 --> 01:21:46,360
Speaker 2: I know it's a controversial take, but I think there

1879
01:21:46,400 --> 01:21:49,879
Speaker 2: are no vultures if we don't work together. That's planted

1880
01:21:50,120 --> 01:21:53,360
Speaker 2: the rules that we follow, even in all the drama. Publicly,

1881
01:21:54,040 --> 01:21:55,960
Speaker 2: it doesn't happen often. It may have happened with like

1882
01:21:56,080 --> 01:21:58,439
Speaker 2: Sam Autman and open Ai and Microsoft like last week.

1883
01:21:58,800 --> 01:22:02,680
Speaker 2: That's rare publicly, and for a publicly traded company to

1884
01:22:02,760 --> 01:22:05,200
Speaker 2: have like or like what Elon's hit the bib Biker

1885
01:22:05,200 --> 01:22:07,640
Speaker 2: about fuck You and doing advertise on that platform. I

1886
01:22:07,680 --> 01:22:09,920
Speaker 2: think we make a big mistake by not coming together

1887
01:22:09,920 --> 01:22:13,000
Speaker 2: because if so, if the tour works, then you don't

1888
01:22:13,040 --> 01:22:17,479
Speaker 2: think that same tour could get Stephen Colbert or fucking

1889
01:22:17,880 --> 01:22:20,040
Speaker 2: Jimmy Fallon shot him and fuck with him. But we

1890
01:22:20,120 --> 01:22:24,800
Speaker 2: couldn't have that slot. I agree, Like so, I think

1891
01:22:24,800 --> 01:22:26,320
Speaker 2: it's just important to pick the people who want to

1892
01:22:26,360 --> 01:22:27,920
Speaker 2: work together, and that's.

1893
01:22:27,800 --> 01:22:31,880
Speaker 1: That's been placed I think within the culture as well,

1894
01:22:31,880 --> 01:22:36,400
Speaker 1: because no one looks at film and it's like Netflix

1895
01:22:36,439 --> 01:22:39,200
Speaker 1: isn't doing it for the love anymore. Yeah, Like that's

1896
01:22:39,320 --> 01:22:41,920
Speaker 1: that's been put on. I feel like just hip hop,

1897
01:22:42,120 --> 01:22:47,120
Speaker 1: Like no, it's it's standard shitty business that's happening. You're

1898
01:22:47,120 --> 01:22:49,920
Speaker 1: putting emotions into it, and I understand that because this

1899
01:22:50,000 --> 01:22:54,439
Speaker 1: culture is so important and is derived from real life

1900
01:22:54,520 --> 01:22:57,920
Speaker 1: emotions and experiences it is. It's definitely diluted a bit

1901
01:22:57,920 --> 01:23:00,200
Speaker 1: because it became entertainment the biggest genre in the world world,

1902
01:23:00,520 --> 01:23:02,920
Speaker 1: but that's where it started at. So I fully understand

1903
01:23:03,000 --> 01:23:10,280
Speaker 1: people being emotional about it. But those standard business practices

1904
01:23:10,360 --> 01:23:14,839
Speaker 1: that we deem culture vulture are across the board everywhere, everywhere,

1905
01:23:14,920 --> 01:23:18,240
Speaker 1: and everyone goes that's just good business. It's shitty business.

1906
01:23:18,320 --> 01:23:22,840
Speaker 1: But that's I've never seen someone at lions Gate like

1907
01:23:22,960 --> 01:23:24,680
Speaker 1: you're a culture vulture because you don't do black and

1908
01:23:24,680 --> 01:23:27,920
Speaker 1: white films anymore. It's like, no, you're just making marvel

1909
01:23:27,920 --> 01:23:31,840
Speaker 1: ship because that's what's selling. It's really only in hip

1910
01:23:31,880 --> 01:23:35,400
Speaker 1: hop that that's put on. But I understand it. It's different.

1911
01:23:35,439 --> 01:23:37,920
Speaker 2: Gonna be a detriment to us because I think, if but.

1912
01:23:37,960 --> 01:23:38,479
Speaker 3: How do we do it?

1913
01:23:38,560 --> 01:23:40,080
Speaker 1: But that's what I'm saying. The only people that will

1914
01:23:40,120 --> 01:23:42,920
Speaker 1: suffer from it is the same people that have put

1915
01:23:42,960 --> 01:23:46,639
Speaker 1: their blood, sweat, tears. It's their life, it's their history

1916
01:23:47,000 --> 01:23:48,240
Speaker 1: into it, which.

1917
01:23:48,120 --> 01:23:49,800
Speaker 4: Is just how do we get it there? Though, to

1918
01:23:49,880 --> 01:23:53,680
Speaker 4: where everybody in the is on the same accord.

1919
01:23:54,920 --> 01:24:00,040
Speaker 2: I don't think money. I don't think it's just I

1920
01:24:00,080 --> 01:24:01,800
Speaker 2: don't think everybody will be on the same court. But

1921
01:24:01,880 --> 01:24:04,960
Speaker 2: I do think if they see if we make like

1922
01:24:05,000 --> 01:24:08,120
Speaker 2: I watched The Throne and it works, people will be like, Okay,

1923
01:24:08,320 --> 01:24:09,880
Speaker 2: if we do a tour. Let's say we do eight

1924
01:24:09,960 --> 01:24:11,679
Speaker 2: days and it's like we made forty two million dollars

1925
01:24:11,720 --> 01:24:14,479
Speaker 2: off of it, All niggas get along real fast. It

1926
01:24:14,560 --> 01:24:18,000
Speaker 2: may be behind the scenes bullshit, but more people are

1927
01:24:18,000 --> 01:24:20,840
Speaker 2: going to get along. I had the same conversation with Charlotmayne,

1928
01:24:21,160 --> 01:24:23,200
Speaker 2: I've had it with Yae. Everyone get the same answers,

1929
01:24:23,439 --> 01:24:25,840
Speaker 2: but then Pat McAfee gets a deal or everyone says,

1930
01:24:26,080 --> 01:24:28,679
Speaker 2: why can't we do what Rogan does? And it's gonna

1931
01:24:28,720 --> 01:24:30,280
Speaker 2: take all of us to get to those same numbers.

1932
01:24:30,600 --> 01:24:34,479
Speaker 2: Seeing show suit out the Garden twice crazy in ten minutes,

1933
01:24:35,560 --> 01:24:38,599
Speaker 2: I'm like, I hear him. I was like, Bro, you smart.

1934
01:24:39,760 --> 01:24:42,560
Speaker 2: You leverage yourself next to someone got bigger.

1935
01:24:43,400 --> 01:24:44,040
Speaker 1: On YouTube page.

1936
01:24:45,080 --> 01:24:51,920
Speaker 2: That's smart, like and people like a time. I agree,

1937
01:24:52,000 --> 01:24:53,680
Speaker 2: But Charlamage thinks like, I don't care. I got my

1938
01:24:53,760 --> 01:24:55,920
Speaker 2: own thing. Okay, great, But I'm like, why don't we

1939
01:24:56,080 --> 01:24:58,840
Speaker 2: if we banded together? I know it just seeing what

1940
01:24:58,920 --> 01:24:59,920
Speaker 2: we just do on our own tour.

1941
01:25:00,479 --> 01:25:00,920
Speaker 13: M hmm.

1942
01:25:01,200 --> 01:25:03,400
Speaker 2: I'm we got eight of us together. We can change

1943
01:25:03,400 --> 01:25:06,240
Speaker 2: the world and have a lot of fun doing it.

1944
01:25:06,920 --> 01:25:09,719
Speaker 2: We gotta lead by example, yeah.

1945
01:25:09,960 --> 01:25:11,760
Speaker 1: And I mean that's to be the dead horse that

1946
01:25:12,360 --> 01:25:15,360
Speaker 1: has to come to some understanding because respect to Black

1947
01:25:15,400 --> 01:25:18,960
Speaker 1: Effect and to all the other networks. As much as

1948
01:25:19,040 --> 01:25:20,680
Speaker 1: I want to do this and would put up my

1949
01:25:20,800 --> 01:25:23,920
Speaker 1: money to do it, I'm not it can't be Black

1950
01:25:23,960 --> 01:25:26,160
Speaker 1: Effect presents it can It would have to be a

1951
01:25:26,240 --> 01:25:28,800
Speaker 1: collective of all of us with a new name, a

1952
01:25:28,920 --> 01:25:31,920
Speaker 1: new LLC. It would have to be a new entity

1953
01:25:33,200 --> 01:25:34,599
Speaker 1: because it would never work.

1954
01:25:35,640 --> 01:25:36,519
Speaker 3: Agree, it can't.

1955
01:25:36,600 --> 01:25:38,719
Speaker 1: We could put all logos at the bottom of the flyer.

1956
01:25:38,760 --> 01:25:41,559
Speaker 1: I'm with all that ship, but it can't be presented

1957
01:25:42,120 --> 01:25:43,200
Speaker 1: because you feel your.

1958
01:25:43,200 --> 01:25:46,160
Speaker 4: We tried that, but Jay tried that with Title right,

1959
01:25:46,320 --> 01:25:47,120
Speaker 4: the whole title thing.

1960
01:25:47,160 --> 01:25:49,000
Speaker 6: He had prints on stage, He had all of these

1961
01:25:49,200 --> 01:25:52,840
Speaker 6: great amazing black artists, bad marketing, and it.

1962
01:25:52,920 --> 01:25:56,479
Speaker 1: Was it came across. It came across as uh, boohoo,

1963
01:25:56,520 --> 01:25:59,920
Speaker 1: I'm a millionaire, give me more money across it.

1964
01:26:00,080 --> 01:26:03,280
Speaker 2: I love the rollout, but the execution of the message

1965
01:26:03,479 --> 01:26:04,160
Speaker 2: I think was off.

1966
01:26:04,479 --> 01:26:07,240
Speaker 1: They were right, but that's not what the consumer wanted

1967
01:26:07,280 --> 01:26:09,320
Speaker 1: to hear to go buy a new app, like oh,

1968
01:26:09,479 --> 01:26:10,599
Speaker 1: let me make sure you guys.

1969
01:26:11,439 --> 01:26:13,360
Speaker 2: Now. If there were fan experiences like if I listen

1970
01:26:13,360 --> 01:26:14,800
Speaker 2: to Title and I can go to a pop up

1971
01:26:14,840 --> 01:26:17,920
Speaker 2: and say less with M yeah, that would be a

1972
01:26:18,040 --> 01:26:19,439
Speaker 2: vib like we have to give more.

1973
01:26:19,840 --> 01:26:23,200
Speaker 1: But the structure of how Title was was great because

1974
01:26:24,120 --> 01:26:26,479
Speaker 1: you know, like Nicki on part of Title, now you

1975
01:26:26,600 --> 01:26:29,760
Speaker 1: get Nicki going to say less because of Title. Because

1976
01:26:29,760 --> 01:26:32,200
Speaker 1: it's her company. She has no problem doing a pop

1977
01:26:32,280 --> 01:26:34,080
Speaker 1: up and you have to be a Title subscriber to

1978
01:26:34,120 --> 01:26:36,280
Speaker 1: go do that. That was the genius of Title. It

1979
01:26:36,320 --> 01:26:40,519
Speaker 1: would just didn't It wasn't presented the right way. But

1980
01:26:40,640 --> 01:26:42,240
Speaker 1: I mean, you even saw like the rumors of like

1981
01:26:42,360 --> 01:26:45,519
Speaker 1: Sugar J Prince IRV Games?

1982
01:26:45,680 --> 01:26:47,240
Speaker 2: Was that true? Was it like an internet rumor?

1983
01:26:47,800 --> 01:26:48,080
Speaker 5: I heard?

1984
01:26:48,120 --> 01:26:50,360
Speaker 1: There was real, real talks of that to do a

1985
01:26:50,840 --> 01:26:53,080
Speaker 1: distribution company where you wouldn't need a major anymore. The

1986
01:26:53,200 --> 01:26:55,880
Speaker 1: five of us get together and trust me, shit wasn't

1987
01:26:55,880 --> 01:26:59,160
Speaker 1: all peaches and cream between everybody, and it was way

1988
01:26:59,200 --> 01:27:02,720
Speaker 1: worse than anything podcast related we've been going. There was

1989
01:27:02,840 --> 01:27:06,559
Speaker 1: violence between going on. So I think there's a world,

1990
01:27:06,600 --> 01:27:07,400
Speaker 1: but people have to care.

1991
01:27:07,920 --> 01:27:11,960
Speaker 2: I'm in Houston from Yeah. I know, you know what

1992
01:27:11,960 --> 01:27:12,240
Speaker 2: I mean.

1993
01:27:13,000 --> 01:27:18,240
Speaker 4: We're family, nothing but love and respect. I like their

1994
01:27:18,280 --> 01:27:22,000
Speaker 4: business model. I respect, I respect their business model. Aute

1995
01:27:22,240 --> 01:27:23,920
Speaker 4: we land in Houston. Se was like, you want to

1996
01:27:23,920 --> 01:27:28,000
Speaker 4: meet J Prince's brother? I said, absolutely, I haven't slept,

1997
01:27:28,040 --> 01:27:28,639
Speaker 4: I haven't showered.

1998
01:27:28,680 --> 01:27:32,639
Speaker 2: I'm on my way the way from George Bush straight there.

1999
01:27:32,880 --> 01:27:37,000
Speaker 1: Would check wrighthen does any need anything for real? But Julie,

2000
01:27:37,040 --> 01:27:37,759
Speaker 1: we have a voicemail.

2001
01:27:38,320 --> 01:27:42,599
Speaker 9: We do so since it's the Spotify wrapped Apple replay

2002
01:27:42,680 --> 01:27:45,000
Speaker 9: time of here, let's start with a music question for

2003
01:27:45,080 --> 01:27:45,759
Speaker 9: everyone here.

2004
01:27:47,320 --> 01:27:55,360
Speaker 5: Yo Yomi, Julian I got a couple of This is

2005
01:27:55,479 --> 01:27:58,560
Speaker 5: Junior from Montreal. Let's say you guys live in a

2006
01:27:58,600 --> 01:28:01,680
Speaker 5: world where whenever you guys would make an entrance to

2007
01:28:01,760 --> 01:28:05,120
Speaker 5: let's say any building, house, business or whatever.

2008
01:28:06,840 --> 01:28:08,680
Speaker 2: There was a song that plays and you could pick

2009
01:28:08,760 --> 01:28:11,960
Speaker 2: between two songs for your whole life. Which two songs

2010
01:28:11,960 --> 01:28:15,360
Speaker 2: did you pick? Masking? Everyone in the group say that again,

2011
01:28:15,760 --> 01:28:16,960
Speaker 2: if you can put your songs for what?

2012
01:28:17,280 --> 01:28:19,960
Speaker 9: So if you walk into a room, you're entrance song.

2013
01:28:20,280 --> 01:28:23,200
Speaker 9: So like how baseball player with their walkout song? What

2014
01:28:23,280 --> 01:28:24,680
Speaker 9: do you want your song to be when you when

2015
01:28:24,680 --> 01:28:26,439
Speaker 9: you come into a room, or and you get to

2016
01:28:27,080 --> 01:28:28,000
Speaker 9: let's do one.

2017
01:28:32,200 --> 01:28:34,800
Speaker 1: Anytime I walk in the room, Yeah, that song plays.

2018
01:28:34,880 --> 01:28:37,160
Speaker 10: I feel like everybody has that song in their mind

2019
01:28:37,280 --> 01:28:38,640
Speaker 10: or maybe it's a girl thing. I don't know that

2020
01:28:38,760 --> 01:28:40,720
Speaker 10: that song in their mind that they hear that like

2021
01:28:40,880 --> 01:28:44,280
Speaker 10: really like embodies them or give it to me.

2022
01:28:44,320 --> 01:28:47,400
Speaker 4: Baby by regime, excuse me, really don't listen to them?

2023
01:28:47,479 --> 01:28:53,519
Speaker 9: Yes, so you say give it to me baby, Okay, Okay,

2024
01:28:54,439 --> 01:28:55,760
Speaker 9: you gotta walk into a funeral.

2025
01:28:55,640 --> 01:28:59,240
Speaker 4: Definitely for me, crazy Jay z Off American gangster.

2026
01:28:59,479 --> 01:29:01,120
Speaker 1: That's that's the area you want when you walk into

2027
01:29:01,120 --> 01:29:01,360
Speaker 1: the room.

2028
01:29:01,800 --> 01:29:04,040
Speaker 4: I feel like I feel like I feel like that

2029
01:29:04,120 --> 01:29:05,439
Speaker 4: would be like fitting for me.

2030
01:29:06,160 --> 01:29:07,040
Speaker 2: Oh yeah yeah.

2031
01:29:09,320 --> 01:29:11,560
Speaker 1: Can I pick this specific part of the song of

2032
01:29:11,600 --> 01:29:15,760
Speaker 1: the song I'm picking? Yeah, yeah, how am I bending?

2033
01:29:16,240 --> 01:29:16,960
Speaker 1: I just want to know the.

2034
01:29:17,200 --> 01:29:18,920
Speaker 3: Sink of where the same answer?

2035
01:29:20,120 --> 01:29:21,240
Speaker 8: But then why are you fucking I.

2036
01:29:21,240 --> 01:29:24,599
Speaker 1: Would do Kanye West so appalled, but only the part

2037
01:29:24,680 --> 01:29:28,520
Speaker 1: where Riza is screaming this ship is ridiculous, fucking ridiculous.

2038
01:29:29,280 --> 01:29:31,120
Speaker 1: Anytime I walk in the room, I just want Rizza

2039
01:29:31,240 --> 01:29:34,679
Speaker 1: to scream that over that beat, dirty white bitches, Dirty

2040
01:29:34,680 --> 01:29:37,400
Speaker 1: white bitches. This ship is ridiculous anytime I enter it

2041
01:29:38,040 --> 01:29:40,799
Speaker 1: like like the bank of funeral anyway.

2042
01:29:41,320 --> 01:29:45,679
Speaker 2: Mm hmm okay, a new level except for love It Wow,

2043
01:29:46,120 --> 01:29:46,800
Speaker 2: that's the funny one.

2044
01:29:46,840 --> 01:29:49,559
Speaker 3: I saw him performed that on t R L Oh yeah,

2045
01:29:49,680 --> 01:29:50,720
Speaker 3: my friends, like on TV.

2046
01:29:51,040 --> 01:29:52,719
Speaker 9: My friend used to do the program you have Cable

2047
01:29:53,160 --> 01:29:54,519
Speaker 9: because when I just moved to New York, She's like,

2048
01:29:54,560 --> 01:29:55,959
Speaker 9: do you want to come to some of these recordings?

2049
01:29:55,960 --> 01:29:58,559
Speaker 3: And it was he debuted there, Oh ship, I gave

2050
01:29:58,640 --> 01:30:01,000
Speaker 3: him dap nice. How do you feel there's a gift

2051
01:30:01,080 --> 01:30:01,200
Speaker 3: of it?

2052
01:30:01,360 --> 01:30:02,040
Speaker 4: You feel like a man?

2053
01:30:02,080 --> 01:30:04,080
Speaker 3: I felt like I was on a new level. Julian

2054
01:30:04,200 --> 01:30:04,839
Speaker 3: now mayor.

2055
01:30:08,960 --> 01:30:11,080
Speaker 1: Walk outside and soho. I'm sure you could run into Firk.

2056
01:30:12,120 --> 01:30:14,160
Speaker 4: He's right, He's always right there.

2057
01:30:14,800 --> 01:30:19,160
Speaker 9: Mine would be the horns part on Spotiody Dope malicious right.

2058
01:30:19,280 --> 01:30:25,600
Speaker 8: We got another Voicemailmars, Yeah, that's great, shaking it the.

2059
01:30:28,640 --> 01:30:30,240
Speaker 4: Leave, I'm out.

2060
01:30:32,080 --> 01:30:34,880
Speaker 3: He that music play around out.

2061
01:30:34,960 --> 01:30:36,840
Speaker 7: It would be that or dirty or Dirty Diana by

2062
01:30:36,880 --> 01:30:37,479
Speaker 7: Michael Jackson.

2063
01:30:37,560 --> 01:30:38,960
Speaker 4: That's Dirty Diana.

2064
01:30:40,120 --> 01:30:41,719
Speaker 8: It's so ridiculous. That doesn't wow?

2065
01:30:41,840 --> 01:30:42,360
Speaker 1: Why dirty?

2066
01:30:42,760 --> 01:30:45,160
Speaker 7: I just love the song. It's not really the lyrics

2067
01:30:45,200 --> 01:30:45,559
Speaker 7: is the song.

2068
01:30:45,640 --> 01:30:48,120
Speaker 3: The Weekend did a good cover that. No, he didn't

2069
01:30:48,200 --> 01:30:52,040
Speaker 3: know we can stop he did, just fired ahead.

2070
01:30:52,080 --> 01:30:53,400
Speaker 4: We got another voicemail.

2071
01:30:53,240 --> 01:30:55,680
Speaker 9: While we were recording. Someone submitted this call a minute ago.

2072
01:30:55,840 --> 01:30:57,800
Speaker 9: So let's all listen to this for the first time.

2073
01:30:58,000 --> 01:31:00,920
Speaker 1: Okay, I'm scared you have the one.

2074
01:31:01,560 --> 01:31:04,479
Speaker 14: I'm from dort Germany, and I know you had a

2075
01:31:04,520 --> 01:31:07,800
Speaker 14: lot of is this hip hop on not questions? But

2076
01:31:09,160 --> 01:31:12,800
Speaker 14: there's another one. So this might be the biggest pains yet.

2077
01:31:13,320 --> 01:31:16,960
Speaker 11: So I've been able and for the best idea maybe

2078
01:31:17,040 --> 01:31:21,160
Speaker 11: to get healthy animalost to smoke a blunt and take

2079
01:31:21,200 --> 01:31:25,840
Speaker 11: a bath and listen to my favorite music, which is

2080
01:31:25,960 --> 01:31:26,760
Speaker 11: like lower and me.

2081
01:31:28,439 --> 01:31:29,080
Speaker 4: Isn't hip hop.

2082
01:31:31,120 --> 01:31:32,519
Speaker 8: I don't know whatever what he just said.

2083
01:31:33,800 --> 01:31:40,880
Speaker 4: He's sounds like sound in the basement of a Are

2084
01:31:40,920 --> 01:31:41,400
Speaker 4: you okay?

2085
01:31:41,520 --> 01:31:41,760
Speaker 2: Rist?

2086
01:31:42,000 --> 01:31:43,280
Speaker 8: He's blindfolded right now.

2087
01:31:43,400 --> 01:31:45,160
Speaker 9: I don't even know what he says is a hip

2088
01:31:45,160 --> 01:31:47,240
Speaker 9: hop To smoke a blunt and take a bath and

2089
01:31:47,320 --> 01:31:48,280
Speaker 9: listen to slow R and B.

2090
01:31:49,240 --> 01:31:50,880
Speaker 2: That's a you come out that.

2091
01:31:54,400 --> 01:31:56,599
Speaker 1: Was kicking a girl out while you start to run

2092
01:31:56,640 --> 01:31:57,080
Speaker 1: a bath.

2093
01:31:57,000 --> 01:31:57,760
Speaker 2: For yourself.

2094
01:31:59,600 --> 01:32:06,080
Speaker 6: Walk we've done which thinking as for yeah, for sure,

2095
01:32:06,200 --> 01:32:07,880
Speaker 6: like oh this nigga that put the bubbles.

2096
01:32:07,560 --> 01:32:07,880
Speaker 9: In like.

2097
01:32:09,400 --> 01:32:11,320
Speaker 1: Like yo, you.

2098
01:32:13,080 --> 01:32:14,960
Speaker 3: My boy, that's why you took a bath.

2099
01:32:15,040 --> 01:32:17,480
Speaker 4: That's gangster a bath, paulse.

2100
01:32:19,040 --> 01:32:20,760
Speaker 7: Come on, that's the problem enough for y'all.

2101
01:32:20,760 --> 01:32:22,120
Speaker 4: Don't bathe, babe.

2102
01:32:22,160 --> 01:32:22,679
Speaker 8: I bathe.

2103
01:32:22,920 --> 01:32:26,320
Speaker 1: I shower, Yeah, I don't kind of dirty to bathing.

2104
01:32:26,600 --> 01:32:28,960
Speaker 2: No, yeah, shower first after the bath.

2105
01:32:29,200 --> 01:32:29,960
Speaker 4: I shower first.

2106
01:32:30,120 --> 01:32:31,040
Speaker 2: The first bath.

2107
01:32:31,200 --> 01:32:32,439
Speaker 6: Yeah, if I'm gonna take it, if I'm gonna sit

2108
01:32:32,479 --> 01:32:34,280
Speaker 6: in the tub and like soaking ship, I'm taking the

2109
01:32:34,320 --> 01:32:35,120
Speaker 6: shower first.

2110
01:32:35,000 --> 01:32:36,639
Speaker 7: See how usually bath and then shower.

2111
01:32:36,840 --> 01:32:40,719
Speaker 1: I like that nasty bath water off me. That should

2112
01:32:40,760 --> 01:32:42,400
Speaker 1: be for relaxing, not to like clean.

2113
01:32:42,479 --> 01:32:44,160
Speaker 4: But that's why you take a shower first, to clean

2114
01:32:44,240 --> 01:32:45,639
Speaker 4: yourself and then sit in the tub.

2115
01:32:46,000 --> 01:32:47,920
Speaker 1: Yeah, I guess still here water.

2116
01:32:47,960 --> 01:32:49,439
Speaker 3: You still have to shower after the bath.

2117
01:32:49,960 --> 01:32:50,160
Speaker 2: Get this?

2118
01:32:50,320 --> 01:32:51,920
Speaker 1: You know that's some salt and lavender and all the

2119
01:32:52,000 --> 01:32:55,200
Speaker 1: things that you love. All the honey that you put

2120
01:32:55,240 --> 01:32:55,599
Speaker 1: in your bath?

2121
01:32:55,840 --> 01:32:57,360
Speaker 3: You put Would you put honey in your bath knowing

2122
01:32:57,400 --> 01:32:58,400
Speaker 3: it's not vegan honey?

2123
01:32:58,840 --> 01:32:59,519
Speaker 8: Why would you do that?

2124
01:33:00,000 --> 01:33:01,360
Speaker 7: Why would you sticky ass bad?

2125
01:33:01,439 --> 01:33:03,599
Speaker 1: Why would tell you that's like honey bath bombs?

2126
01:33:03,600 --> 01:33:07,160
Speaker 4: And like, oh that's I'm thinking money, honey. I'm not

2127
01:33:07,160 --> 01:33:08,040
Speaker 4: putting honey in the tub.

2128
01:33:08,880 --> 01:33:10,280
Speaker 1: I took a bath two days ago, but I have

2129
01:33:10,400 --> 01:33:13,760
Speaker 1: the soak tub I used often, the one the same

2130
01:33:13,760 --> 01:33:17,479
Speaker 1: one used. Yes, I mean I spent clean so sorry.

2131
01:33:18,160 --> 01:33:18,840
Speaker 2: Got you good?

2132
01:33:19,080 --> 01:33:22,320
Speaker 3: You have Demerius masturbated using his shower head.

2133
01:33:23,000 --> 01:33:24,960
Speaker 2: This is what you tell you know I did. I

2134
01:33:25,000 --> 01:33:26,520
Speaker 2: knew that already, thought.

2135
01:33:26,760 --> 01:33:28,519
Speaker 3: That's good to see. It's good.

2136
01:33:28,560 --> 01:33:33,000
Speaker 2: Yeah, the world was that like on a show day

2137
01:33:33,120 --> 01:33:33,960
Speaker 2: or like I.

2138
01:33:34,080 --> 01:33:36,439
Speaker 1: Was out of town, got you and she was at

2139
01:33:36,479 --> 01:33:40,400
Speaker 1: my career, so update on that. So I had to

2140
01:33:40,439 --> 01:33:42,479
Speaker 1: have some work done in my master bathroom the new head,

2141
01:33:42,720 --> 01:33:45,360
Speaker 1: and I had to use my guest shower for like

2142
01:33:46,000 --> 01:33:48,439
Speaker 1: almost two weeks. And right when I got in there,

2143
01:33:48,439 --> 01:33:51,040
Speaker 1: and I'd never used my guest shower before, and that

2144
01:33:51,160 --> 01:33:54,720
Speaker 1: was the one that Demarus masturbated. The moment I walked

2145
01:33:54,760 --> 01:33:57,280
Speaker 1: in the shower was like for like a sex dungeon.

2146
01:33:57,400 --> 01:33:58,280
Speaker 1: The crime scene.

2147
01:34:00,560 --> 01:34:02,400
Speaker 3: That no, just one.

2148
01:34:02,520 --> 01:34:04,519
Speaker 10: It's the jets, the jets that hit like he has

2149
01:34:04,600 --> 01:34:06,280
Speaker 10: jets that are angled so that they hit right on

2150
01:34:06,360 --> 01:34:06,920
Speaker 10: your back.

2151
01:34:07,120 --> 01:34:09,920
Speaker 6: Soft so you bent over and she bent over, and

2152
01:34:09,960 --> 01:34:18,560
Speaker 6: that she was hitting the bean like a fucking speedbagf.

2153
01:34:17,280 --> 01:34:17,960
Speaker 3: Mike on the speed.

2154
01:34:18,400 --> 01:34:20,479
Speaker 6: You know, the marriage is sure, So she was all

2155
01:34:21,160 --> 01:34:22,880
Speaker 6: you know, she was all tippy toes the whole time,

2156
01:34:23,000 --> 01:34:24,920
Speaker 6: cast all kind of using on.

2157
01:34:25,000 --> 01:34:30,000
Speaker 2: Playing music, vibing the shower stood up on that.

2158
01:34:34,240 --> 01:34:35,000
Speaker 1: I'm so sorry.

2159
01:34:35,760 --> 01:34:36,800
Speaker 2: Definitely, we have a guest.

2160
01:34:37,320 --> 01:34:38,760
Speaker 1: What type of bath you have? Your crew? You want

2161
01:34:38,800 --> 01:34:39,559
Speaker 1: to invite to your cribs?

2162
01:34:39,680 --> 01:34:43,280
Speaker 2: Don't know, Senior, like so in my bathroom, like wait,

2163
01:34:43,320 --> 01:34:45,680
Speaker 2: hold on, you invite bade crib without your friends? Never?

2164
01:34:45,840 --> 01:34:47,439
Speaker 4: Of course I get it.

2165
01:34:48,000 --> 01:34:48,479
Speaker 1: I get it too.

2166
01:34:48,560 --> 01:34:52,280
Speaker 3: I only seeing mall post the same view from his window.

2167
01:34:52,360 --> 01:34:53,799
Speaker 3: That's all. We've never seen any.

2168
01:34:54,080 --> 01:34:55,960
Speaker 10: Living like a past angel and no furniture in that

2169
01:34:56,040 --> 01:34:59,040
Speaker 10: bitch window. I love that, sneakers.

2170
01:34:59,160 --> 01:34:59,960
Speaker 8: I love that for him too.

2171
01:35:00,160 --> 01:35:01,880
Speaker 1: And one time I tried to like pull his card

2172
01:35:01,920 --> 01:35:03,800
Speaker 1: and I showed up in the town that he lives in,

2173
01:35:04,479 --> 01:35:05,320
Speaker 1: and I texted, Oh.

2174
01:35:05,240 --> 01:35:06,200
Speaker 2: You don't even know the block.

2175
01:35:08,120 --> 01:35:10,000
Speaker 1: Well, it's somewhere, pat, I'm sure if I went through

2176
01:35:10,400 --> 01:35:11,560
Speaker 1: business agreements, I can find it.

2177
01:35:11,640 --> 01:35:12,439
Speaker 4: I saw, I saw.

2178
01:35:12,560 --> 01:35:15,400
Speaker 6: I saw event Staples interview and he was talking about that,

2179
01:35:15,520 --> 01:35:17,200
Speaker 6: like how none ever been in his house?

2180
01:35:17,240 --> 01:35:18,400
Speaker 4: And he was looking at the interview like, Yo, what

2181
01:35:18,479 --> 01:35:19,040
Speaker 4: are you asking me?

2182
01:35:19,080 --> 01:35:21,439
Speaker 1: Of course I'm not a long beach crypt like. No,

2183
01:35:21,680 --> 01:35:22,880
Speaker 1: Vince ad a different point in that.

2184
01:35:23,240 --> 01:35:24,840
Speaker 6: No, no, but I would have never I probably would

2185
01:35:24,840 --> 01:35:26,040
Speaker 6: have never been to the house if we didn't start

2186
01:35:26,040 --> 01:35:27,599
Speaker 6: recording it because it was in Jersey.

2187
01:35:27,800 --> 01:35:27,840
Speaker 5: No.

2188
01:35:28,080 --> 01:35:30,280
Speaker 4: Yeah, but I go to Jersey, you're.

2189
01:35:30,120 --> 01:35:32,320
Speaker 6: Gonna go to not coming to your bro I just

2190
01:35:32,360 --> 01:35:34,439
Speaker 6: don't go to I just don't go to people's houses

2191
01:35:34,560 --> 01:35:34,720
Speaker 6: like that.

2192
01:35:34,920 --> 01:35:38,200
Speaker 2: Like there's more baddies in Jersey and New York, New York.

2193
01:35:38,320 --> 01:35:41,519
Speaker 2: Come on, you know that in New York City South

2194
01:35:41,560 --> 01:35:42,240
Speaker 2: the beat of the baddie.

2195
01:35:42,280 --> 01:35:44,280
Speaker 1: Yeah, we do New York City versus the whole state

2196
01:35:44,320 --> 01:35:44,840
Speaker 1: of New Jersey.

2197
01:35:45,600 --> 01:35:47,760
Speaker 4: I don't care how you New York City wins.

2198
01:35:47,800 --> 01:35:48,840
Speaker 3: You do the whole East Coast.

2199
01:35:51,040 --> 01:35:52,080
Speaker 4: New York City, for sure.

2200
01:35:52,200 --> 01:35:54,560
Speaker 1: Things have changed, man, things have changed. But it's on

2201
01:35:54,640 --> 01:35:55,280
Speaker 1: the River road.

2202
01:35:55,320 --> 01:35:56,320
Speaker 3: But New York's got him.

2203
01:35:56,920 --> 01:36:00,920
Speaker 1: Go on River in New Jersey looks like Broadway. All

2204
01:36:00,960 --> 01:36:01,639
Speaker 1: the chicks moving.

2205
01:36:02,120 --> 01:36:02,519
Speaker 7: That's the thing.

2206
01:36:02,560 --> 01:36:04,000
Speaker 10: I do want to bring that up because you brought

2207
01:36:04,040 --> 01:36:07,840
Speaker 10: up Newark not having baddies. No, it has nothing to

2208
01:36:07,840 --> 01:36:09,000
Speaker 10: do with that, really has nothing to do with that.

2209
01:36:09,120 --> 01:36:11,439
Speaker 10: My thing is just because you don't have access to

2210
01:36:11,800 --> 01:36:13,880
Speaker 10: or these women don't have access and they work like

2211
01:36:13,960 --> 01:36:15,640
Speaker 10: regular jobs and they don't make it.

2212
01:36:16,160 --> 01:36:18,000
Speaker 7: What do you mean do you think just more beautiful

2213
01:36:18,000 --> 01:36:19,040
Speaker 7: women are born in New York.

2214
01:36:19,280 --> 01:36:22,840
Speaker 9: No, they live here because there's more going on, economics,

2215
01:36:22,880 --> 01:36:25,840
Speaker 9: more if you look at the from ery New York people,

2216
01:36:26,080 --> 01:36:28,479
Speaker 9: there's more content creation, which means you're on camera more

2217
01:36:28,520 --> 01:36:30,759
Speaker 9: often than not. Attractive people are on camera. There's modeling

2218
01:36:30,800 --> 01:36:33,439
Speaker 9: agencies here. Models are pretty good looking most of the time,

2219
01:36:33,479 --> 01:36:37,120
Speaker 9: the real ones. So like it attracts people that are

2220
01:36:37,800 --> 01:36:41,519
Speaker 9: New York City has a looking there's more money, attractive

2221
01:36:41,520 --> 01:36:42,200
Speaker 9: people tend to make.

2222
01:36:42,240 --> 01:36:44,000
Speaker 2: So if you open up an art gallery, like what

2223
01:36:44,160 --> 01:36:45,760
Speaker 2: part of New York City would you put your art

2224
01:36:45,800 --> 01:36:46,200
Speaker 2: gallery in?

2225
01:36:47,520 --> 01:36:47,920
Speaker 8: Of women?

2226
01:36:48,600 --> 01:36:49,479
Speaker 4: Prior to meet market?

2227
01:36:52,640 --> 01:37:00,559
Speaker 1: Yeah, what's the art gallery of a they stand there

2228
01:37:00,600 --> 01:37:00,960
Speaker 1: as art.

2229
01:37:01,800 --> 01:37:02,000
Speaker 2: Yeah.

2230
01:37:02,120 --> 01:37:04,800
Speaker 3: Yeah, it's like it's pretty much a fashion show pretty much.

2231
01:37:05,400 --> 01:37:07,160
Speaker 4: They do it now. It's not like we go to

2232
01:37:07,320 --> 01:37:09,040
Speaker 4: art shows now and women are just standing there with

2233
01:37:09,160 --> 01:37:09,640
Speaker 4: something on it.

2234
01:37:09,800 --> 01:37:11,800
Speaker 1: Like, okay, it's go bar on Saturday night.

2235
01:37:11,880 --> 01:37:12,280
Speaker 4: Exactly.

2236
01:37:12,920 --> 01:37:15,080
Speaker 6: Got to do somewhere downtown Lower Manhattan in the city

2237
01:37:15,120 --> 01:37:17,360
Speaker 6: because it's accessible to so many different people from different

2238
01:37:17,400 --> 01:37:17,960
Speaker 6: parts of the city.

2239
01:37:18,560 --> 01:37:21,320
Speaker 1: Yeah, well this was fun. I don't know if you

2240
01:37:21,360 --> 01:37:23,920
Speaker 1: have any more points or questions or anything that we can.

2241
01:37:24,080 --> 01:37:25,840
Speaker 6: Get to, but we're gonna make that to it happen.

2242
01:37:25,920 --> 01:37:29,519
Speaker 6: Man sitting here, think I'm listening to you, and you know,

2243
01:37:29,920 --> 01:37:31,120
Speaker 6: obviously pay attention to you.

2244
01:37:31,200 --> 01:37:32,680
Speaker 4: So I like the idea of it.

2245
01:37:32,800 --> 01:37:35,200
Speaker 6: I just want to see how it would be executed

2246
01:37:35,200 --> 01:37:37,560
Speaker 6: because I think that it's easier to sit in for

2247
01:37:37,680 --> 01:37:39,519
Speaker 6: us to talk about it, and it's a great idea,

2248
01:37:40,840 --> 01:37:42,800
Speaker 6: but I just don't have faith that we can do

2249
01:37:42,880 --> 01:37:45,759
Speaker 6: it because it's it's just ego ego.

2250
01:37:46,040 --> 01:37:49,439
Speaker 2: We got to take the egos out of the first run.

2251
01:37:50,120 --> 01:37:52,360
Speaker 2: That'll be a success, then the work because I'm gonna

2252
01:37:52,360 --> 01:37:52,559
Speaker 2: be real.

2253
01:37:52,680 --> 01:37:54,400
Speaker 6: Like so if you if we do a first one

2254
01:37:54,439 --> 01:37:56,720
Speaker 6: with people with no ego, everybody fuck with each other

2255
01:37:56,840 --> 01:37:58,600
Speaker 6: and it's a success, then you're saying that it'll be

2256
01:37:58,640 --> 01:37:59,280
Speaker 6: easy to get.

2257
01:38:01,600 --> 01:38:06,360
Speaker 1: Yeah, listen, I'm here to my part too. I can

2258
01:38:06,439 --> 01:38:08,479
Speaker 1: only be responsible for my effort. So I'm here.

2259
01:38:08,760 --> 01:38:11,679
Speaker 8: But good luck to us coming.

2260
01:38:11,479 --> 01:38:13,040
Speaker 3: To our show night Friday.

2261
01:38:13,120 --> 01:38:16,240
Speaker 2: If you're listening, absolutely, yeah, I'm on your guest list.

2262
01:38:16,880 --> 01:38:19,120
Speaker 2: You sold me up by coming on on the mic too.

2263
01:38:19,800 --> 01:38:23,200
Speaker 1: That's crazy. Well maul out of the only last episode,

2264
01:38:23,200 --> 01:38:25,280
Speaker 1: so I don't think we'll ever hear ever again.

2265
01:38:26,800 --> 01:38:28,800
Speaker 4: I didn't know she had a girlfriend. I didn't know.

2266
01:38:30,520 --> 01:38:34,840
Speaker 4: It was crazy what you mean? And somebody else said no,

2267
01:38:35,880 --> 01:38:38,439
Speaker 4: I was like, since I had no idea, apology, I

2268
01:38:38,479 --> 01:38:39,760
Speaker 4: did not know. I had no idea.

2269
01:38:40,880 --> 01:38:43,800
Speaker 1: If you're listening to this on Friday audio version, and

2270
01:38:43,840 --> 01:38:45,400
Speaker 1: then came to our show in New York, thank you

2271
01:38:45,479 --> 01:38:48,439
Speaker 1: for coming. If you're watching on Saturday on YouTube and

2272
01:38:48,520 --> 01:38:50,599
Speaker 1: went to our show, I'm sure it was the best

2273
01:38:50,640 --> 01:38:52,800
Speaker 1: show you've ever been to in your entire life, and

2274
01:38:52,920 --> 01:38:55,960
Speaker 1: we still thank you for coming. Maul's guest list is

2275
01:38:56,000 --> 01:38:59,920
Speaker 1: still available if you want a d M on a Friday,

2276
01:39:00,200 --> 01:39:03,160
Speaker 1: if you're listening on a Friday, because this drops five am,

2277
01:39:03,439 --> 01:39:04,920
Speaker 1: they have they have a few hours of d M.

2278
01:39:05,000 --> 01:39:08,360
Speaker 2: You please don't, please do there's space, Please don't.

2279
01:39:08,520 --> 01:39:09,360
Speaker 1: There's plenty of space.

2280
01:39:09,360 --> 01:39:11,000
Speaker 2: You got five on your guest list.

2281
01:39:11,880 --> 01:39:14,080
Speaker 4: I got more than that. You know how home is?

2282
01:39:14,760 --> 01:39:17,080
Speaker 1: It gets crazy for that text I was thinking about

2283
01:39:17,080 --> 01:39:18,559
Speaker 1: bring the mars to the show? Is that a bad idea?

2284
01:39:19,080 --> 01:39:19,400
Speaker 2: Very bad?

2285
01:39:21,120 --> 01:39:24,800
Speaker 1: No, like in the green room bad idea, not like

2286
01:39:24,880 --> 01:39:26,120
Speaker 1: where the people will be bad.

2287
01:39:26,760 --> 01:39:28,559
Speaker 3: You should do that. That'd be cute. My parents would

2288
01:39:28,600 --> 01:39:29,080
Speaker 3: love to meet her.

2289
01:39:29,560 --> 01:39:32,160
Speaker 4: It's a bad idea. That greenroom situation is terrible.

2290
01:39:32,240 --> 01:39:33,160
Speaker 8: You'd be very concerned.

2291
01:39:33,240 --> 01:39:34,960
Speaker 7: It's a lot going to a lot of people.

2292
01:39:35,200 --> 01:39:35,679
Speaker 4: Bad idea.

2293
01:39:36,120 --> 01:39:37,080
Speaker 3: Some headphones on here, you know.

2294
01:39:37,160 --> 01:39:37,680
Speaker 2: I noticed for.

2295
01:39:39,160 --> 01:39:43,519
Speaker 1: Then like three Sony Hall shows, great great green room

2296
01:39:43,560 --> 01:39:46,240
Speaker 1: they have down there, two different rooms. I've noticed that

2297
01:39:47,080 --> 01:39:49,600
Speaker 1: they get really packed and none of the people in

2298
01:39:49,680 --> 01:39:51,800
Speaker 1: there are people mall or I invite.

2299
01:39:51,720 --> 01:39:53,360
Speaker 4: Which is why I just say it always works like that.

2300
01:39:54,720 --> 01:39:56,880
Speaker 1: It's just keeping here the aas that just get passed out.

2301
01:39:56,920 --> 01:39:58,320
Speaker 1: I'm like, I don't know anyone in here.

2302
01:39:59,040 --> 01:40:00,000
Speaker 8: Keep keep going.

2303
01:40:02,120 --> 01:40:02,360
Speaker 1: People.

2304
01:40:02,960 --> 01:40:05,600
Speaker 3: Post show, you be directing people, bring them downstairs.

2305
01:40:05,880 --> 01:40:07,439
Speaker 1: Yeah, after the show. I'm talking about before the show

2306
01:40:07,439 --> 01:40:10,080
Speaker 1: when I'm trying to change, you know, I'm like, who

2307
01:40:10,680 --> 01:40:12,320
Speaker 1: can you get out this room because I'm gonna like

2308
01:40:12,400 --> 01:40:12,840
Speaker 1: be naked.

2309
01:40:13,000 --> 01:40:15,040
Speaker 6: That's why I said bad idea, because you already know

2310
01:40:15,080 --> 01:40:17,760
Speaker 6: how that goes true any other city, great idea.

2311
01:40:17,720 --> 01:40:19,000
Speaker 3: That's crazy this city.

2312
01:40:19,320 --> 01:40:21,439
Speaker 2: Now, what is your favorite city to tour on?

2313
01:40:22,479 --> 01:40:22,759
Speaker 4: London?

2314
01:40:22,880 --> 01:40:24,679
Speaker 2: London looked like, but I love London.

2315
01:40:24,760 --> 01:40:27,560
Speaker 1: Yea, you can't really go wrong with London. Yeah, but

2316
01:40:27,680 --> 01:40:31,680
Speaker 1: it is tough to beat that. That Texas run in

2317
01:40:32,120 --> 01:40:33,760
Speaker 1: Houston is always a really good.

2318
01:40:34,640 --> 01:40:37,080
Speaker 4: Yeah, Chicago was dope to though, Chicago dope.

2319
01:40:37,200 --> 01:40:38,880
Speaker 6: Chicago was dope. We had a good show in Chicago.

2320
01:40:39,000 --> 01:40:40,920
Speaker 6: People was dope and we went to soul House there.

2321
01:40:42,640 --> 01:40:44,479
Speaker 6: Joe fresh Goods took me out after we went around

2322
01:40:44,520 --> 01:40:46,360
Speaker 6: the city a little bit like it was COOLO was good.

2323
01:40:46,400 --> 01:40:48,120
Speaker 4: It was a good vibe. But London is just a

2324
01:40:48,160 --> 01:40:50,760
Speaker 4: different beautiful y'all. That love over there in the UK

2325
01:40:51,080 --> 01:40:52,479
Speaker 4: is just it's different.

2326
01:40:52,920 --> 01:40:53,439
Speaker 2: It's different.

2327
01:40:53,479 --> 01:40:55,760
Speaker 6: The people that worked at the venue was like dope

2328
01:40:55,800 --> 01:41:01,519
Speaker 6: the work. Yeah, well well, Ian, thank you, thank you,

2329
01:41:01,960 --> 01:41:04,599
Speaker 6: and hopefully we make some history in twenty four. Let's

2330
01:41:04,600 --> 01:41:07,400
Speaker 6: do some things together. I think it's long overdue, but

2331
01:41:07,520 --> 01:41:09,519
Speaker 6: we appreciate everything that you do, everything that you bring

2332
01:41:09,600 --> 01:41:10,200
Speaker 6: to the culture.

2333
01:41:10,920 --> 01:41:13,160
Speaker 4: Keep doing what y'all doing. Thank you, and we'll talk

2334
01:41:13,200 --> 01:41:13,639
Speaker 4: to you soon.

2335
01:41:14,200 --> 01:41:16,120
Speaker 6: Thank y'all for listening to another episode of the New

2336
01:41:16,200 --> 01:41:17,280
Speaker 6: Rory Mall podcast.

2337
01:41:18,000 --> 01:41:21,519
Speaker 4: We'll see y'all soon. Newroymaal dot com. Get your merch.

2338
01:41:23,080 --> 01:41:24,599
Speaker 4: Show's over now.

2339
01:41:25,360 --> 01:41:27,759
Speaker 2: Our gallery will twenty twenty four to our gallery.

2340
01:41:27,760 --> 01:41:30,000
Speaker 4: We're gonna work on that, working in that, y'all.

2341
01:41:30,400 --> 01:41:33,640
Speaker 1: It might be twenty twenty three, twenty.

2342
01:41:33,439 --> 01:41:36,120
Speaker 4: Twenty four, our Batty gallery coming soon. We'll talk to

2343
01:41:36,200 --> 01:41:39,160
Speaker 4: y'all soon. I'm that nigga. He's just gingent. Peace, No worry,

2344
01:41:39,600 --> 01:41:39,640
Speaker 4: en