WEBVTT - One on One: Rob Estes

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<v Speaker 1>I am all in all that's kiss you. I am

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<v Speaker 1>all in with Scott Pattison and I Heart Radio Podcast. Hello, Hello,

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<v Speaker 1>rob Estus, Hello, Hello, and thanks for joining us. Uh

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<v Speaker 1>and uh, it's really great to see again. I remember

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<v Speaker 1>we did some really great scenes together and it's it's

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<v Speaker 1>it's it's been a while. So your first appearance okay,

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<v Speaker 1>so you portray Jimmy Mariano, who's Just's dad in two

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<v Speaker 1>episode one is season two episode twenties Saga Night Gracie

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<v Speaker 1>in the last most season three episode twenty one, Here

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<v Speaker 1>Comes the Sun. That's it. This is some total and

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<v Speaker 1>it seems like so much more so. Um. You're known

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<v Speaker 1>for your roles as Harry Wilson Team Team Drama nine

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<v Speaker 1>O two one oh and Sergeant Chris Lorenzo and the

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<v Speaker 1>crime dramas series Silk Stockings, Col McBride, primetime soap opera

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<v Speaker 1>Melrose Place. Those are some very fancy credits, my friend,

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<v Speaker 1>very very very fancy show. And you currently start in

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<v Speaker 1>the Netflix after franchise playing Ken Scott. Let me start

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<v Speaker 1>off here by welcome you, welcoming you to the show,

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<v Speaker 1>and thanks for coming on. But we recently recapture comes

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<v Speaker 1>of Suns and we want some clarification on something. Did

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<v Speaker 1>this episode served as the pilot for Jess Jimmie spinoff

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<v Speaker 1>wind Boots Circle or did you guys shoot another pilot episode? No,

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<v Speaker 1>we shot a pilot. It's funny because I see I

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<v Speaker 1>knew you did. I knew that you did. Yes, it

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<v Speaker 1>was a very interesting time at WB because we shot

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<v Speaker 1>a spinoff and then I think some of the scenes

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<v Speaker 1>filtered into um actual Gilmore Girls, not not the spinoff obviously, um,

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<v Speaker 1>but it actually got picked up. It got picked up. UM.

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<v Speaker 1>I think they wanted to pick it up for nine

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<v Speaker 1>and if I would call, Amy wanted more episodes. She

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<v Speaker 1>didn't wanna do it for whatever. Um whatever they had,

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<v Speaker 1>okayed um, and so she kind of like, will then

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<v Speaker 1>we're not gonna do it. So it's very interesting. Yeah,

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<v Speaker 1>so they so, so the network gave you a nine

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<v Speaker 1>episode order and Amy wanted a full twenty two or

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<v Speaker 1>something like that. Yeah. I don't know what the numbers were.

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<v Speaker 1>It could have been six and she they wanted six

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<v Speaker 1>and she said thirteen. I don't I don't recall the numbers.

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<v Speaker 1>I just remember it was. It was a pretty big issue.

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<v Speaker 1>There were some phone calls that went back and forth, um,

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<v Speaker 1>and in the in the in the midnight hour, she went, Okay,

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<v Speaker 1>well then I'm not gonna do it. I'm good. Interesting. Well,

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<v Speaker 1>you know, because we were going back and forth on

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<v Speaker 1>the show, I distinctly remembered that you did shoot a

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<v Speaker 1>separate pilot, but the girls in the research was telling

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<v Speaker 1>them that no, that served as the pilot those two

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<v Speaker 1>scenes in the show, and the fans didn't react, so

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<v Speaker 1>they didn't know. We absolutely did. I remember you shooting

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<v Speaker 1>the pilot. I think I even went down and visited

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<v Speaker 1>Milo while he was shooting the pilot. I remember I

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<v Speaker 1>came down, we boardwalk, we shot it, shot it, um

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<v Speaker 1>right off Abbotckinney at that house with Sheylyn and um. Yeah.

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<v Speaker 1>And Milo was awesome. I mean we had such a

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<v Speaker 1>good time. He's such a good kid. Oh yeah, well, so,

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<v Speaker 1>well tell me what it was like working with him.

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<v Speaker 1>I mean it was funny because he was just he's

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<v Speaker 1>kind of you know, my my interpretation is with my loove. Uh,

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<v Speaker 1>he wears his heart. He's just very available. Um, and

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<v Speaker 1>he's real and whatever he does. You know, I watched

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<v Speaker 1>him on some of his stuff now and I knew

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<v Speaker 1>back down I was like, once this is done, he's

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<v Speaker 1>going to become huge, um, because he just you know,

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<v Speaker 1>he had a little place in Venice that he just got.

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<v Speaker 1>He was redoing the hardwood floors and his dad were doing,

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<v Speaker 1>you know, work on it, and I don't know, man,

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<v Speaker 1>he just he's a really good soul. So I'm so

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<v Speaker 1>glad to see how well he's done, because he deserved.

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<v Speaker 1>He's a hard worker. You know, you know him better

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<v Speaker 1>than I, but that's my remembrance. And it was fun

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<v Speaker 1>working on scenes that, you know, one in the morning

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<v Speaker 1>on the boardwalk in Venice, crazy people hanging out of him.

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<v Speaker 1>It's quite a It's a unique place in the world.

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<v Speaker 1>There's only there's only one Venice, California, and that's it. Um.

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<v Speaker 1>When you got the role of Jimmy Mariana, did you

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<v Speaker 1>know that this was the plan to have a spin off?

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<v Speaker 1>Is that how they booked you? Like, hey, you're gonna

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<v Speaker 1>be on the show? We read We went further the

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<v Speaker 1>network four times with different guys, um hours and hours.

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<v Speaker 1>So yeah, it was a set up pilot, um. And

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<v Speaker 1>you know Amy's Amy's dialogue is very specific, you know,

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<v Speaker 1>I mean she wants people to just roll and run

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<v Speaker 1>things off. You know, it's like, guess why Laurens so

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<v Speaker 1>great at it? It just falls out of her mouth beautifully.

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<v Speaker 1>Um And in the reading um in the tests and

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<v Speaker 1>I think we did three tests. It was just pages

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<v Speaker 1>of UM and I ended up getting cast in it.

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<v Speaker 1>But I don't know that her dialogue fits in my

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<v Speaker 1>mouth the way it needed to for it to be

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<v Speaker 1>really successful, you know. And not that I was the

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<v Speaker 1>death now, but it's pretty specific, you know, And for me,

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<v Speaker 1>I'm a little more if there's an ant or a

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<v Speaker 1>butt or a paraphrase, you know that works for me,

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<v Speaker 1>um uh and that you know, she was much more

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<v Speaker 1>specific than that. Interesting, how many other do so? It

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<v Speaker 1>was you and Milo? Were you testing Milo uh three times?

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<v Speaker 1>Or were you testing with other actors? You know what,

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<v Speaker 1>I don't think Milo was. Milo was never in the room.

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<v Speaker 1>It might have been me and Cherylyn. I don't recall

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<v Speaker 1>me so long ago that was in the thick of

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<v Speaker 1>you know, there was so many in person tests and auditions.

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<v Speaker 1>It was just a different thing back then. Um And

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<v Speaker 1>and w B. For me with um Peter at the

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<v Speaker 1>helm Um creatively, there was just so much stuff going

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<v Speaker 1>on there that my brain is a little foggy on it.

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<v Speaker 1>But I know, I never read with Milo until we

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<v Speaker 1>I think a table read and it was like, you know,

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<v Speaker 1>it was really cool. I know it wasn't it wasn't

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<v Speaker 1>at a table read. I didn't work with Milo until

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<v Speaker 1>I did some scenes in those, uh the two episodes

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<v Speaker 1>that I was in. That was the first time I

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<v Speaker 1>met Milo and that this fotty was awesome. So okay, So,

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<v Speaker 1>so you guys fit perfectly together as father and son, Um,

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<v Speaker 1>and I just wanted to tell you that, uh, it

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<v Speaker 1>really really really really worked. Um. The character however, you know,

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<v Speaker 1>I you know, you you say some interesting things like

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<v Speaker 1>her dial I didn't fit in your mouth. I don't

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<v Speaker 1>know that the character was so well conceived, thought out. Yeah,

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<v Speaker 1>I mean, I I don't know, so address this because

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<v Speaker 1>it confused me when I was watching those scenes, because

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<v Speaker 1>I know you're such a strong actor and you really

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<v Speaker 1>know your stuff, but I was just kind of wondering

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<v Speaker 1>how they thought somebody and you're so likable, How somebody

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<v Speaker 1>so likable could play a character that was so unlikable

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<v Speaker 1>and think that that was going to be successful. I

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<v Speaker 1>guess I don't remember all the facts of you know

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<v Speaker 1>what the backstory was. But you know, I remember there

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<v Speaker 1>being a part of Jimmy that was like, okay, you know,

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<v Speaker 1>on some level it's you know, maybe this is a

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<v Speaker 1>way to make amends atonement, even though I don't know

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<v Speaker 1>that I'm capable of it, because he says to him,

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<v Speaker 1>you know, and he I, you know, I don't want

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<v Speaker 1>you at my house. I you know, and in the

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<v Speaker 1>midnight hour I let him sleep on my couch. It's like,

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<v Speaker 1>you know, what kind of person does that? But I

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<v Speaker 1>think that's you know, part of an arc is you

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<v Speaker 1>want to get in there and cheer for the person.

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<v Speaker 1>You're like, oh, what a you know, this guy's got

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<v Speaker 1>a lot of you know, growing up in maturing to do.

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<v Speaker 1>Is he capable of it? So I don't know if

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<v Speaker 1>that was going to be part of the art. Um

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<v Speaker 1>maybe you know that was that was part of hoping

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<v Speaker 1>supposed to happen. I don't know, right right, Yeah, anyway,

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<v Speaker 1>tell us about Sherylyn Fenn. What was it like working

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<v Speaker 1>on She was great, man, she was just in it

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<v Speaker 1>and it was so funny. I was like, you know,

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<v Speaker 1>I grew up in Santa Monica and Venice and she,

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<v Speaker 1>you know, so many um of my the high school,

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<v Speaker 1>high school females that I went to school with, you

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<v Speaker 1>could say that back in the day. Um, you know,

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<v Speaker 1>they ended up living around there and they were so

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<v Speaker 1>much like her, just kind of like real chill and

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<v Speaker 1>you know, earthy um. And back then Venice wasn't or

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<v Speaker 1>Abbot Kennyet wasn't. You weren't paying three million for hous.

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<v Speaker 1>It was like the starter place, you know what I mean,

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<v Speaker 1>the canals and everything. My sister lived there for a

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<v Speaker 1>while and it had some grit to it. Um. But

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<v Speaker 1>she was great, um, very into working on scenes. If

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<v Speaker 1>I recall making adjustments, being able to make adjustments, Um,

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<v Speaker 1>did you did you read with her? In the addition?

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<v Speaker 1>You know what I may have I don't recall. I

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<v Speaker 1>think we did. I think she and I read um

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<v Speaker 1>and I, oh you know what, I think I gotten

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<v Speaker 1>cast and then we were finding uh, the other role

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<v Speaker 1>and I think she and I read them for her

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<v Speaker 1>test um or I read. I don't know, but that

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<v Speaker 1>you know, yeah, that kind of rings about. Yeah, alright,

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<v Speaker 1>So the scene in front of the bookstore with Milo,

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<v Speaker 1>How did you memorize so much dialogue? What's your process like? Um?

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<v Speaker 1>How do I rememberize so much dialogue. It's so funny.

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<v Speaker 1>I watched it, um, like what a couple of days ago,

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<v Speaker 1>just custing. It's like, oh God, look at yourself and

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<v Speaker 1>the old days, just like, oh that's horrible. Um. With Milo,

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<v Speaker 1>we ran it a ton. We ran that scene so

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<v Speaker 1>many times, and we ran it different ways. Um. And

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<v Speaker 1>he was just completely of available and willing to do whatever.

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<v Speaker 1>I think at that time, I was working with Larry

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<v Speaker 1>Moss in his class and we did all kinds of

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<v Speaker 1>like you know, fun exercises, and mine was like I'm

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<v Speaker 1>in man, I'm game. You want to paraphrase the whole scene.

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<v Speaker 1>Let's paraphrase the whole scene, you know, if you're gonna

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<v Speaker 1>do it with a Texas accent and okay, whatever whatever

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<v Speaker 1>works for you. Um. So we have fun. We just

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<v Speaker 1>throw it around. And I think the process for me

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<v Speaker 1>was trying to get underneath what why I was there?

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<v Speaker 1>You know why? Um all suddenly you know there's a

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<v Speaker 1>there was a connection there again with the two of

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<v Speaker 1>us as characters. And what does that mean if you

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<v Speaker 1>think you're a really shitty dad? Um, what do you

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<v Speaker 1>do even when you think you you still I don't

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<v Speaker 1>know what to do, But do you have kids. Yeah. Yeah,

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<v Speaker 1>Oh how old he's a he's a yeah, thanks, he's

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<v Speaker 1>It's wonderful. Yeah. How about you? I got I have three? Yeah,

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<v Speaker 1>I got twenty three year old, which I was thinking

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<v Speaker 1>about because you know, as kids get older, things flip

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<v Speaker 1>um and you look at the mistakes that you've made

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<v Speaker 1>and you're like, ah, for the lack of your own maturity,

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<v Speaker 1>you know what I mean, every parent's gonna make mistakes.

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<v Speaker 1>But sure, sure anyway, I don't know with my logist,

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<v Speaker 1>that scene made me rethink of like, Okay, yeah, dad,

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<v Speaker 1>I wish I had known that back then. Um, but

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<v Speaker 1>do you do you do you remember that? You know?

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<v Speaker 1>I mean you know every parent, every parent makes mistakes.

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<v Speaker 1>It's it's inevitable. You know, there are no perfect parents.

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<v Speaker 1>Hey man, I just you know, as long as you

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<v Speaker 1>show up and you're there, I think that's that's that's

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<v Speaker 1>half the battle. So like that, Um, do you remember

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<v Speaker 1>the day because I remember very distinctly. Do you're not

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<v Speaker 1>about a spinoff but about getting gilmarp and becoming Seriously,

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<v Speaker 1>do you remember the day you were told about the

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<v Speaker 1>spinoff going forward and that you were involved in it?

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<v Speaker 1>I don't. I don't remember No, it was kind of

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<v Speaker 1>it was for me, it was a really crazy time

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<v Speaker 1>because I had a holding deal with Warner Brothers, um,

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<v Speaker 1>and just like so much stuff came at me really fast,

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<v Speaker 1>and I could never quite catch up with some of

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<v Speaker 1>the things that were happening. So tell us about that. So,

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<v Speaker 1>so for the fans listening, in a holding deal is

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<v Speaker 1>when they pay an actor not to take job. Right,

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<v Speaker 1>So you're just they pay you a pretty nice chunk

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<v Speaker 1>of money to steal your heels for a year, right

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<v Speaker 1>until they can find something to put you in and

0:13:49.920 --> 0:13:51.840
<v Speaker 1>you don't have to take it. They can suggest it.

0:13:51.920 --> 0:13:54.480
<v Speaker 1>They send you the script. What do you think about this?

0:13:55.160 --> 0:13:57.880
<v Speaker 1>Would you would you like to do that? We see you.

0:13:59.440 --> 0:14:02.760
<v Speaker 1>It's a nice position because you can actually, you know,

0:14:02.960 --> 0:14:07.880
<v Speaker 1>look at um uh what you might want to do,

0:14:08.280 --> 0:14:09.680
<v Speaker 1>and then you know, you go and you meet with

0:14:09.720 --> 0:14:13.520
<v Speaker 1>showrunners and you you see if there's there are avenues

0:14:13.559 --> 0:14:17.360
<v Speaker 1>that are interesting to you that way. Um. Sometimes wish

0:14:17.400 --> 0:14:18.760
<v Speaker 1>I would I wish I would have been a little

0:14:18.760 --> 0:14:21.680
<v Speaker 1>more business savty back then. Tell us about some of

0:14:21.680 --> 0:14:24.280
<v Speaker 1>the projects you met on and were there any projects

0:14:24.280 --> 0:14:27.640
<v Speaker 1>that you met on that went on and did big things? Uh,

0:14:27.680 --> 0:14:30.040
<v Speaker 1>it's funny because I always wanted to do a sitcom.

0:14:30.040 --> 0:14:32.880
<v Speaker 1>That was one of my things. So so you know,

0:14:33.000 --> 0:14:37.480
<v Speaker 1>this is literally what ye are we talking about? What? What?

0:14:37.480 --> 0:14:40.120
<v Speaker 1>What year are we talking about? Here? We're talking about

0:14:40.800 --> 0:14:44.960
<v Speaker 1>I'm gonna guess two thousand, No earlier than that, I

0:14:45.000 --> 0:14:50.120
<v Speaker 1>would say probably two thousand one and a half. And

0:14:50.160 --> 0:14:52.400
<v Speaker 1>you had and you had a holding deal at Warner Brothers.

0:14:52.440 --> 0:14:55.600
<v Speaker 1>And well how it happened was I was doing melrose

0:14:55.680 --> 0:15:00.480
<v Speaker 1>Place and um and and it's funny because I think

0:15:00.560 --> 0:15:05.200
<v Speaker 1>I think gil mgirls, you guys did twenty two a year, right, yes, okay,

0:15:05.320 --> 0:15:08.520
<v Speaker 1>so we did thirty six a year. So on Marrows,

0:15:08.560 --> 0:15:10.880
<v Speaker 1>you would do thirty six a year. You'd have two teams,

0:15:11.280 --> 0:15:13.160
<v Speaker 1>have a red team and a blue team, and the

0:15:13.360 --> 0:15:15.960
<v Speaker 1>and the characters would be heavy and one enlighten another.

0:15:16.240 --> 0:15:19.720
<v Speaker 1>So you get two paychecks a week. You do thirty

0:15:19.760 --> 0:15:22.240
<v Speaker 1>six a year, you know, two for a total of

0:15:22.400 --> 0:15:25.960
<v Speaker 1>I think two hundred and something. Long story short, uh

0:15:26.000 --> 0:15:28.640
<v Speaker 1>spelling that you know was done with the show. Fox

0:15:28.720 --> 0:15:30.480
<v Speaker 1>was kind of done with the show. And I get

0:15:30.480 --> 0:15:32.880
<v Speaker 1>a I'm on set in the middle of a scene

0:15:33.600 --> 0:15:35.640
<v Speaker 1>and the A D condomnent goes, hey, there's a phone

0:15:35.640 --> 0:15:38.800
<v Speaker 1>call for you. And I was like, okay, they can wait. No, no, no, no,

0:15:38.880 --> 0:15:40.320
<v Speaker 1>there's a phone call for you. You You need to take

0:15:40.320 --> 0:15:43.280
<v Speaker 1>it right now. And I'm like, we'll dude, we're all

0:15:43.440 --> 0:15:45.400
<v Speaker 1>about to shoot. He said, I don't care, go pick

0:15:45.480 --> 0:15:48.160
<v Speaker 1>up the phone. And I was like that never. When

0:15:48.200 --> 0:15:51.520
<v Speaker 1>does that happen the United States? So what's going on?

0:15:51.600 --> 0:15:55.880
<v Speaker 1>People going you know? Um? So I go and it's

0:15:55.920 --> 0:15:59.600
<v Speaker 1>Peter Roth, who was the head of TV development for

0:16:00.040 --> 0:16:05.880
<v Speaker 1>Order Brothers. He was the president, the big guy. Yeah yeah, Peter.

0:16:06.040 --> 0:16:08.040
<v Speaker 1>Oh heay, Peter, what's going on? And I knew him

0:16:08.080 --> 0:16:11.000
<v Speaker 1>from working with cattle. He ran Cattle's company from a while.

0:16:11.000 --> 0:16:13.080
<v Speaker 1>He goes, you gotta do me a favor and I

0:16:13.080 --> 0:16:15.120
<v Speaker 1>said what. He goes, you still, you gotta stay and

0:16:15.160 --> 0:16:17.400
<v Speaker 1>work for me, And I was like, what do you mean.

0:16:17.600 --> 0:16:19.240
<v Speaker 1>I said, if there's a couple of other things that

0:16:19.240 --> 0:16:21.400
<v Speaker 1>are happening, and he goes, listen to me, I will

0:16:21.440 --> 0:16:24.040
<v Speaker 1>make this worth your while. You're gonna stay with us,

0:16:24.880 --> 0:16:27.080
<v Speaker 1>and we're gonna get a holding deal. We'll get it

0:16:27.080 --> 0:16:32.240
<v Speaker 1>done by tomorrow. Okay. So just just down of the

0:16:32.280 --> 0:16:35.880
<v Speaker 1>blue like that. Your agent hadn't approached them. It was

0:16:35.880 --> 0:16:40.680
<v Speaker 1>just Peter picking up the phone. He went around, he

0:16:40.720 --> 0:16:43.240
<v Speaker 1>went around the back door, because we knew each other

0:16:43.360 --> 0:16:46.920
<v Speaker 1>and I knew that, you know, I mean I actually

0:16:47.080 --> 0:16:51.960
<v Speaker 1>rather had the conversation then agents at that point. Um.

0:16:52.040 --> 0:16:54.480
<v Speaker 1>So anyway, you know, I said, you know, I'm down

0:16:54.520 --> 0:16:56.480
<v Speaker 1>for this, but I don't want to sit and wait

0:16:56.520 --> 0:16:59.240
<v Speaker 1>a year. I said, if you can get me, so

0:16:59.360 --> 0:17:02.040
<v Speaker 1>I'm working. I really wanted to a sitcom. So I

0:17:02.080 --> 0:17:05.120
<v Speaker 1>ended up doing Suddenly Susan for a season, and then

0:17:05.160 --> 0:17:10.240
<v Speaker 1>I did a John Burrows pilot called Tikiville, so I

0:17:10.280 --> 0:17:12.360
<v Speaker 1>got to do some things I really wanted to do.

0:17:13.000 --> 0:17:15.560
<v Speaker 1>Um and it just kind of built from there. We

0:17:15.600 --> 0:17:19.320
<v Speaker 1>did two pilots and then I can't remember what ultimately

0:17:19.480 --> 0:17:22.840
<v Speaker 1>ended up getting. Oh, I ended up getting it getting

0:17:22.960 --> 0:17:27.080
<v Speaker 1>the evidence for John Wells, the John Wells project, um

0:17:27.119 --> 0:17:30.600
<v Speaker 1>that we shot in Vancouver. So you know, it was

0:17:31.680 --> 0:17:34.439
<v Speaker 1>it was really fun. It was fun to you know,

0:17:34.640 --> 0:17:37.040
<v Speaker 1>to get to jump to front of lines just because

0:17:37.080 --> 0:17:40.800
<v Speaker 1>Peter Roth went, no, it's it's it's his right, right

0:17:40.880 --> 0:17:48.680
<v Speaker 1>right right right? Yeah, you know, fantastic. Um. Um, So

0:17:48.720 --> 0:17:54.040
<v Speaker 1>what was the reaction like getting back to this pilot? Right?

0:17:54.119 --> 0:17:59.040
<v Speaker 1>And it was the pilot ever aired? No, not to

0:17:59.080 --> 0:18:01.680
<v Speaker 1>see some of the scene was sprinkled in. I was like, wait,

0:18:01.720 --> 0:18:05.119
<v Speaker 1>I think that that was from the pilot. No, it

0:18:05.240 --> 0:18:08.359
<v Speaker 1>never aired. The pilot never aired, right, right, Okay, so

0:18:08.359 --> 0:18:13.600
<v Speaker 1>so did you do you recall any reaction from Gilmore

0:18:13.680 --> 0:18:16.679
<v Speaker 1>fans at the time about those scenes and about the pilot.

0:18:17.520 --> 0:18:22.800
<v Speaker 1>Never remember, Um, the loyalty to Gooldboy Girls was unbelievable,

0:18:23.240 --> 0:18:25.200
<v Speaker 1>so I'd be in the market whatever in The reaction was,

0:18:25.280 --> 0:18:29.360
<v Speaker 1>Oh my god, hey, lovel of Love. I'm like, yeah,

0:18:29.359 --> 0:18:31.720
<v Speaker 1>I think it's gonna be on the show and it

0:18:31.800 --> 0:18:39.320
<v Speaker 1>was great. Um. And I remember distinctly at Gelson's um,

0:18:39.760 --> 0:18:43.679
<v Speaker 1>somebody kind of saying to me, you better be a

0:18:43.680 --> 0:18:49.280
<v Speaker 1>good dad to him. I was like, like, you know,

0:18:49.440 --> 0:18:54.240
<v Speaker 1>and there was no preamble, there was no no either

0:18:54.320 --> 0:18:57.000
<v Speaker 1>for him. And I was like, yeah, I don't know

0:18:57.080 --> 0:19:01.680
<v Speaker 1>you what no, no, no, but you they know you.

0:19:01.840 --> 0:19:08.200
<v Speaker 1>The gil were fans of the real deal manc Yeah.

0:19:09.560 --> 0:19:13.000
<v Speaker 1>Uh so, what are your favorite memories from being on

0:19:13.080 --> 0:19:17.679
<v Speaker 1>that set? You know, God, it's gonna be it's it's

0:19:17.680 --> 0:19:24.720
<v Speaker 1>gonna sound weird, but for me, um, like, um in

0:19:24.960 --> 0:19:29.400
<v Speaker 1>the lemonade stands. My little sister worked in that lemonade

0:19:29.400 --> 0:19:33.560
<v Speaker 1>stand growing up and I'm in there, like you know,

0:19:33.840 --> 0:19:36.399
<v Speaker 1>mixing it up and running the place. I mean, I

0:19:36.400 --> 0:19:40.080
<v Speaker 1>can remember, um being on that boarder walk, you know,

0:19:40.440 --> 0:19:43.040
<v Speaker 1>summertime when it was ninety degrees and I've been at

0:19:43.040 --> 0:19:46.720
<v Speaker 1>the beach all day. I remember like this little gang

0:19:46.760 --> 0:19:48.560
<v Speaker 1>of us that would would go and be on that

0:19:48.640 --> 0:19:51.720
<v Speaker 1>boarder walk and go and you know being a lot

0:19:51.760 --> 0:19:56.200
<v Speaker 1>of the places that we filmed out from the bookstore. Um,

0:19:56.240 --> 0:19:59.159
<v Speaker 1>so that was cool. And then Milo man Milo, and

0:19:59.200 --> 0:20:02.920
<v Speaker 1>I was winner when we shot it. And I showed

0:20:03.000 --> 0:20:06.359
<v Speaker 1>up with an old vintage World War two jacket. And

0:20:06.440 --> 0:20:09.720
<v Speaker 1>Milo has really good style, like Milo is just he's

0:20:09.760 --> 0:20:11.479
<v Speaker 1>tight and he doesn't throw it in your face. It's

0:20:11.480 --> 0:20:14.119
<v Speaker 1>not about money. He just has good taste. And I

0:20:14.119 --> 0:20:15.960
<v Speaker 1>said to him, I said, dude, I said, you dressed

0:20:16.000 --> 0:20:19.120
<v Speaker 1>so like, you know, humble but sharp. And he goes,

0:20:19.160 --> 0:20:21.400
<v Speaker 1>I was just thinking the same about you, like your

0:20:21.480 --> 0:20:25.000
<v Speaker 1>your boots and the jacket. And I was like, well,

0:20:25.000 --> 0:20:27.600
<v Speaker 1>I was thinking the same about you. When he goes, well,

0:20:28.080 --> 0:20:30.960
<v Speaker 1>we should go shot Melrose. So like we we took

0:20:30.960 --> 0:20:32.640
<v Speaker 1>a day and just the two of us wasn't got

0:20:32.640 --> 0:20:36.320
<v Speaker 1>food shop non Rose cruised around. He got a World

0:20:36.320 --> 0:20:40.760
<v Speaker 1>War two jacket, exactly like I had. It was really cool. Um,

0:20:40.800 --> 0:20:44.040
<v Speaker 1>So I wish it would have. UM. I think my

0:20:44.160 --> 0:20:50.720
<v Speaker 1>takeaway from that whole environment is that I wish I

0:20:50.960 --> 0:20:54.440
<v Speaker 1>would have had more time with that character and with

0:20:54.520 --> 0:20:58.199
<v Speaker 1>Milo everything, because she's so talented, just to see what

0:20:58.359 --> 0:21:01.760
<v Speaker 1>could have blossomed, because I don't think it was quite there.

0:21:02.480 --> 0:21:04.760
<v Speaker 1>You know, but as you know, how many shows have

0:21:04.840 --> 0:21:06.879
<v Speaker 1>you done, and Gilmore Girls might have been one of

0:21:06.920 --> 0:21:09.360
<v Speaker 1>them that you know, the first four or five episodes,

0:21:09.359 --> 0:21:12.679
<v Speaker 1>they're okay, and then the writer starts to write for

0:21:12.760 --> 0:21:14.760
<v Speaker 1>you a little bit more, you know what I mean,

0:21:15.400 --> 0:21:18.520
<v Speaker 1>and you know, the show really starts to take its

0:21:18.680 --> 0:21:23.840
<v Speaker 1>form and it gets great exponentially sometimes. Um, And I

0:21:23.880 --> 0:21:26.520
<v Speaker 1>wish I would have had the shot at seeing if

0:21:26.560 --> 0:21:33.760
<v Speaker 1>if that was the trajectory of the spinoff didn't happen. Yeah,

0:21:37.920 --> 0:21:42.200
<v Speaker 1>So after Gilmore you went on to other TV shows

0:21:42.200 --> 0:21:47.840
<v Speaker 1>and films obviously, and U currently you are in after uh,

0:21:47.880 --> 0:21:51.879
<v Speaker 1>the after franchise on Netflix. What else do you have

0:21:52.160 --> 0:21:55.840
<v Speaker 1>coming up? If anything? It's funny because After After Ever Happy,

0:21:55.960 --> 0:21:58.240
<v Speaker 1>which is the fourth and Sam it came out in

0:21:58.280 --> 0:22:00.800
<v Speaker 1>theaters today, so that's kind of cool. So it's in

0:22:00.840 --> 0:22:03.080
<v Speaker 1>local theaters now for anybody wants to jump on and

0:22:03.160 --> 0:22:05.879
<v Speaker 1>see it. UM tell us a little bit about it.

0:22:06.800 --> 0:22:10.119
<v Speaker 1>Great Uh. Ana Todd is the writer. She wrote a

0:22:10.160 --> 0:22:15.040
<v Speaker 1>series of five UM kind of young, not young, I

0:22:15.080 --> 0:22:19.840
<v Speaker 1>would say twenty something romantic novels UM. And the two

0:22:19.960 --> 0:22:25.360
<v Speaker 1>leads Um Hero Fines and Josephine Um have become huge stars.

0:22:25.400 --> 0:22:28.080
<v Speaker 1>I mean and again it's the fans are almost as

0:22:28.160 --> 0:22:30.520
<v Speaker 1>rapid as the old Gilmar girls. I mean, they have

0:22:30.560 --> 0:22:33.600
<v Speaker 1>a loyalty. They post things and it's like, you know,

0:22:34.000 --> 0:22:37.840
<v Speaker 1>a million hits, two million hits, um. And and it

0:22:37.920 --> 0:22:40.879
<v Speaker 1>was built from the ground up. Ana Todd wrote it

0:22:40.960 --> 0:22:44.879
<v Speaker 1>as a in E series. She got a billion hits,

0:22:44.960 --> 0:22:48.679
<v Speaker 1>then she sold the books UM and now Voltage Um

0:22:49.280 --> 0:22:53.840
<v Speaker 1>is making the films and UM, this one's really good.

0:22:54.119 --> 0:22:58.840
<v Speaker 1>It's awesome. I played the lead's dad. I'm the dad.

0:22:59.119 --> 0:23:03.280
<v Speaker 1>I like just a great guy. Actually reminds me of Milow.

0:23:03.440 --> 0:23:07.240
<v Speaker 1>Just really solid human being. So it's been a blast

0:23:07.280 --> 0:23:09.640
<v Speaker 1>to do them. UM. And then they got a movie,

0:23:09.680 --> 0:23:11.879
<v Speaker 1>Beautiful Disaster. It will come out a couple of months.

0:23:12.080 --> 0:23:16.800
<v Speaker 1>So just you know, doing it and trying to keep

0:23:16.800 --> 0:23:20.280
<v Speaker 1>it keep it moving right right right, Um, all right,

0:23:20.359 --> 0:23:26.639
<v Speaker 1>so you can get after on Netflix right now they dropped.

0:23:27.200 --> 0:23:29.320
<v Speaker 1>You can you can get the old ones. There's four

0:23:29.400 --> 0:23:32.000
<v Speaker 1>of them. You can get those on Netflix. And the

0:23:32.160 --> 0:23:37.040
<v Speaker 1>one after Ever Happy literally hit theaters today, so it's in.

0:23:37.440 --> 0:23:43.720
<v Speaker 1>It's got a big national release today, right right right? Um? Uh,

0:23:43.840 --> 0:23:46.119
<v Speaker 1>let me see what else? What else? Anything else you

0:23:46.119 --> 0:23:48.760
<v Speaker 1>want to talk about? Yeah, I want to discuss the

0:23:48.800 --> 0:23:52.439
<v Speaker 1>fact that of the best looking guys on Gilmore Girls,

0:23:52.480 --> 0:24:01.840
<v Speaker 1>you're number five, And I'm yeah, yeah, what are you

0:24:01.920 --> 0:24:07.240
<v Speaker 1>talking about? Who? Who raided? Who? Who rated this? I

0:24:07.280 --> 0:24:12.240
<v Speaker 1>think it's what I was looking at IMDb like I

0:24:12.440 --> 0:24:17.280
<v Speaker 1>was die And then I'm like fIF five, coming in

0:24:17.320 --> 0:24:20.320
<v Speaker 1>at number five? Number five? Did I just never do

0:24:20.440 --> 0:24:25.080
<v Speaker 1>with the hat backwards? You were so comfortable? But who?

0:24:25.160 --> 0:24:28.119
<v Speaker 1>But who are the top four? But Milo? Matt, No,

0:24:29.560 --> 0:24:33.920
<v Speaker 1>you beat Milo? I beat Milo? Yeah? You killed him?

0:24:33.920 --> 0:24:39.840
<v Speaker 1>Man trusted Dan Wells? Who's Dan Wells? There you go?

0:24:40.200 --> 0:24:48.280
<v Speaker 1>He was number one? Yanni Yanni? Leave Matt? Wait minute,

0:24:48.280 --> 0:24:52.040
<v Speaker 1>wait a minute, you say Yanni Truesdale was number two? Uh?

0:24:52.680 --> 0:24:56.440
<v Speaker 1>Dan Wells number one? Dan number number one was Dan

0:24:56.800 --> 0:25:01.240
<v Speaker 1>Yanni Truesdale. Number two, rareman, I don't know who that is,

0:25:01.680 --> 0:25:08.400
<v Speaker 1>Matt Zerki Zukri. And then you an accomplished actor in film,

0:25:08.400 --> 0:25:13.800
<v Speaker 1>television and theater. Scott Persons well noticed. Awesome, Uh Jackson

0:25:13.840 --> 0:25:19.240
<v Speaker 1>Douglas number coming at number seven, my little Bitamlia and

0:25:19.280 --> 0:25:24.120
<v Speaker 1>the way down. Oh my god, Oh my god. Man,

0:25:25.280 --> 0:25:27.080
<v Speaker 1>it's hey. We made the let at least we made

0:25:27.080 --> 0:25:31.680
<v Speaker 1>the list, right exactly. Yeah, yeah, yeah. I don't even

0:25:31.760 --> 0:25:35.000
<v Speaker 1>do facials, man, so it's like, you know, I don't

0:25:35.000 --> 0:25:43.359
<v Speaker 1>belong to ever. He Uh, you gotta represent the regular guys, right. Well, listen,

0:25:43.400 --> 0:25:47.560
<v Speaker 1>it's been uh, it's been a pleasure catching up and uh,

0:25:47.560 --> 0:25:51.760
<v Speaker 1>thank you for your time. Rob estis one of the

0:25:53.080 --> 0:25:56.000
<v Speaker 1>one of the most well known and best actors working,

0:25:56.680 --> 0:25:58.879
<v Speaker 1>uh in the time. Why did you start out? I

0:25:58.920 --> 0:26:01.000
<v Speaker 1>mean you must, I mean, would you start out in

0:26:01.000 --> 0:26:05.760
<v Speaker 1>the like the mid nineties or acting started? Yeah, well,

0:26:05.760 --> 0:26:08.199
<v Speaker 1>I mean we started. I was a stuntman. I was

0:26:08.240 --> 0:26:12.199
<v Speaker 1>a stuntman for a while. Um, I hated that, and

0:26:12.200 --> 0:26:15.320
<v Speaker 1>then I started doing theater. Actually ended up working with

0:26:15.359 --> 0:26:18.919
<v Speaker 1>Michael remember Michael Winners. Yeah, so he and I did

0:26:18.960 --> 0:26:22.320
<v Speaker 1>a play in Seattle. We did um Taylor Taylor Josie.

0:26:22.320 --> 0:26:24.480
<v Speaker 1>You're talking about Taylor Josie. Yeah, I did a play

0:26:24.520 --> 0:26:29.000
<v Speaker 1>with him. Chuck Off three sisters. Oh he was so good.

0:26:29.400 --> 0:26:34.159
<v Speaker 1>Yeah he's great. Yeah he's great. But so yeah, I

0:26:34.200 --> 0:26:37.399
<v Speaker 1>just went into theater like I don't know, I just

0:26:37.480 --> 0:26:39.639
<v Speaker 1>kind of fell into it. I was a dancer. I was.

0:26:39.680 --> 0:26:42.960
<v Speaker 1>I did a break I was breakdancing in Venice again

0:26:43.119 --> 0:26:50.880
<v Speaker 1>for Michael Jackson commercial on Fire. Tell us about that.

0:26:52.119 --> 0:26:57.359
<v Speaker 1>Come on, I've always I was a break dancer forever.

0:26:57.560 --> 0:26:59.560
<v Speaker 1>I don't know how or why. I guess because I

0:26:59.560 --> 0:27:01.960
<v Speaker 1>was invented so much on our football team and everybody.

0:27:02.119 --> 0:27:05.160
<v Speaker 1>We just did that. And I was at a club

0:27:05.200 --> 0:27:06.600
<v Speaker 1>one night and think this lady came and said, hey,

0:27:06.640 --> 0:27:09.000
<v Speaker 1>I got a commercial and you'd be great for it.

0:27:09.000 --> 0:27:11.520
<v Speaker 1>And I had long blonde hair and like, you know,

0:27:12.080 --> 0:27:14.639
<v Speaker 1>funky clothes. And I said, okay, because we'll show up

0:27:14.640 --> 0:27:16.040
<v Speaker 1>to this thing and I want to addition to you.

0:27:16.119 --> 0:27:18.880
<v Speaker 1>And I said, okay. So I show up and there's

0:27:18.920 --> 0:27:22.920
<v Speaker 1>like this kid pupping taco iced tea like all these

0:27:23.119 --> 0:27:30.320
<v Speaker 1>real dancers and rappers before wrap was wrapped. And she said, okay, cool,

0:27:30.440 --> 0:27:33.879
<v Speaker 1>you're you're hired, Will, And I'm like, I said, I

0:27:33.880 --> 0:27:35.439
<v Speaker 1>don't have a ssadcratch. She goes, well, you know, we

0:27:35.480 --> 0:27:39.160
<v Speaker 1>have to pay the penalty of because you can do

0:27:39.240 --> 0:27:41.680
<v Speaker 1>something whatever. So I got my sad heart that way.

0:27:42.119 --> 0:27:44.840
<v Speaker 1>So we're I'm on Venice Beach and I didn't even

0:27:44.880 --> 0:27:48.359
<v Speaker 1>know the Michael Jackson connection, but I'm on I'm on

0:27:48.720 --> 0:27:52.080
<v Speaker 1>Venice Beach and like a tank top and these funky clothes,

0:27:52.119 --> 0:27:55.119
<v Speaker 1>just you know, hitting all this stuff on the boardwalk

0:27:56.600 --> 0:27:59.800
<v Speaker 1>and we're doing it for four or five hours when

0:28:00.080 --> 0:28:03.040
<v Speaker 1>d and all of a sudden, there's all these walkie

0:28:03.040 --> 0:28:05.800
<v Speaker 1>talkie clicks going off and people freaking out. I'm like,

0:28:06.200 --> 0:28:09.359
<v Speaker 1>what happened? We're closing up shots? Why are we closing

0:28:09.440 --> 0:28:11.880
<v Speaker 1>up shot? So there's been a there's been an accident

0:28:11.920 --> 0:28:17.360
<v Speaker 1>at Shrine Ontorium, and um it was when Michael Jackson's

0:28:17.560 --> 0:28:19.880
<v Speaker 1>Jackson's hair caught on fire. And I was like, okay,

0:28:19.960 --> 0:28:23.000
<v Speaker 1>So I wasn't at the shrine. I wasn't there, but

0:28:23.160 --> 0:28:26.359
<v Speaker 1>we were. We were. We were shooting an accompanying piece

0:28:27.160 --> 0:28:30.000
<v Speaker 1>and uh they shut everything down and it never aired.

0:28:30.440 --> 0:28:35.440
<v Speaker 1>There was never from there on it. But you put that.

0:28:35.600 --> 0:28:38.360
<v Speaker 1>But that was your first gig. That was my that

0:28:38.400 --> 0:28:41.800
<v Speaker 1>was my sag. That was it. That was it, And

0:28:41.800 --> 0:28:46.840
<v Speaker 1>you got it right. You're still in high school. I

0:28:46.960 --> 0:28:49.320
<v Speaker 1>was out of high school. You're out of high school school.

0:28:49.360 --> 0:28:54.160
<v Speaker 1>I was at USC program. Huh, you were on the

0:28:54.160 --> 0:28:57.920
<v Speaker 1>football Wow, you're on the football team at USC. No

0:28:58.120 --> 0:29:03.000
<v Speaker 1>b f A all arts. So No, I was an

0:29:03.160 --> 0:29:05.920
<v Speaker 1>act not a football player. Because she said the guys

0:29:05.920 --> 0:29:07.920
<v Speaker 1>in the football team did a lot of breakdancing. So

0:29:07.960 --> 0:29:10.520
<v Speaker 1>I that was high school football guys on our football

0:29:10.520 --> 0:29:13.600
<v Speaker 1>team when I was in high school. So I learned

0:29:13.880 --> 0:29:16.040
<v Speaker 1>when I was, you know, in middle school, in high school,

0:29:16.680 --> 0:29:18.560
<v Speaker 1>and then when I went away to college, I would

0:29:18.600 --> 0:29:21.120
<v Speaker 1>put out of a big piece of cardboard and to

0:29:21.160 --> 0:29:25.960
<v Speaker 1>make money on the side. Hilarious. Yeah wow, but boy,

0:29:26.040 --> 0:29:29.240
<v Speaker 1>the injuries, man, that is nuts. And I should have

0:29:29.240 --> 0:29:33.440
<v Speaker 1>been on a football team. Beat you up. But fun God,

0:29:33.480 --> 0:29:35.520
<v Speaker 1>I wish we could see some footage. If we could

0:29:35.520 --> 0:29:37.320
<v Speaker 1>see I wish I had some. Now you don't have

0:29:37.320 --> 0:29:40.400
<v Speaker 1>any footage of your breakdancing. Come on, but you don't.

0:29:40.520 --> 0:29:43.920
<v Speaker 1>You don't have any footage of you break dancing? No real,

0:29:44.040 --> 0:29:47.560
<v Speaker 1>did I did? Of May? I did a May company? Well,

0:29:47.600 --> 0:29:50.400
<v Speaker 1>think about it. Back then, there were no cell phones,

0:29:50.520 --> 0:29:55.040
<v Speaker 1>there were no like nobody. I remember going and watching

0:29:55.080 --> 0:29:58.800
<v Speaker 1>flash Flash dancing in the movie theater like thirty times.

0:29:58.880 --> 0:30:01.480
<v Speaker 1>Try to get those day us is down. But there

0:30:01.560 --> 0:30:05.040
<v Speaker 1>was no you know, you couldn't stream, you couldn't just

0:30:05.080 --> 0:30:10.080
<v Speaker 1>take out your phone and go being so unbelievable. Well,

0:30:10.200 --> 0:30:15.800
<v Speaker 1>another side, another surprising side of rob Estes. That's very

0:30:15.880 --> 0:30:19.720
<v Speaker 1>very interesting. Um, alright, buddy, I'm not gonna take up

0:30:19.720 --> 0:30:21.320
<v Speaker 1>any more of your time. I know you're busy. Thank

0:30:21.360 --> 0:30:26.560
<v Speaker 1>you good. Yeah right, And I really love that you

0:30:26.600 --> 0:30:28.600
<v Speaker 1>know that one scene we did where I come in

0:30:28.640 --> 0:30:30.000
<v Speaker 1>and tell you to get the hell out of town

0:30:30.360 --> 0:30:33.480
<v Speaker 1>and to leave Jessela. I just I love that scenes

0:30:33.560 --> 0:30:36.280
<v Speaker 1>so much. It's one of my favorite Luke scenes because

0:30:36.320 --> 0:30:40.680
<v Speaker 1>it really was him protecting you know, his his family.

0:30:40.800 --> 0:30:44.560
<v Speaker 1>So it's it's those kinds of scenes really resonate with me. Um,

0:30:44.600 --> 0:30:46.640
<v Speaker 1>and you were great. What a great scene that was.

0:30:46.720 --> 0:30:48.280
<v Speaker 1>I think I think I put it on my real

0:30:48.440 --> 0:30:53.520
<v Speaker 1>I think that's yeah. Um anyway, really special catching up.

0:30:53.560 --> 0:30:56.720
<v Speaker 1>Thank you for the time, Keep on keeping on man,

0:30:56.840 --> 0:30:59.560
<v Speaker 1>You're you're you're as good as it gets. Uh and

0:30:59.680 --> 0:31:02.920
<v Speaker 1>a good guy and uh I really appreciate you coming on.

0:31:04.080 --> 0:31:39.240
<v Speaker 1>Well bro all right, buddy, Scott, take care, bye, hey everybody,

0:31:39.240 --> 0:31:42.560
<v Speaker 1>and don't forget Follow us on Instagram at I Am

0:31:42.600 --> 0:31:46.600
<v Speaker 1>all In Podcast and email us at Gilmore at I

0:31:46.800 --> 0:31:50.000
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0:31:50.000 --> 0:31:52.000
<v Speaker 1>you're looking for the best cup of coffee in the world,

0:31:52.040 --> 0:31:56.000
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0:31:56.120 --> 0:31:58.320
<v Speaker 1>s c O T t y P dot com, scotty

0:31:58.400 --> 0:32:09.160
<v Speaker 1>p dot com, Grade, and specially coffeeh