WEBVTT - Black, White, and Read All Over

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<v Speaker 1>On Theme is a production of iHeartRadio and fair Weather

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<v Speaker 1>Friends Media.

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<v Speaker 2>It's the fourth of July, and you know what that means. Cookouts,

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<v Speaker 2>line dances, fireworks in the day off.

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<v Speaker 1>Yes, God, and that's what I love about black folks.

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<v Speaker 1>We ain't celebrating America's independence, but we will take that

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<v Speaker 1>day off.

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<v Speaker 2>I mean. Frederick Douglas said it best. What to the

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<v Speaker 2>slave is the fourth of July. Here's an excerpt from

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<v Speaker 2>the speech.

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<v Speaker 1>This fourth July is yours, not mine. You may rejoice.

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<v Speaker 1>I must mourn to drag a man in fetters into

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<v Speaker 1>the grand illuminated tim of liberty and call upon him

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<v Speaker 1>to join you in joyous anthems were in human mockery

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<v Speaker 1>and sacrilegious irony. That's one of Douglas's most famous speeches,

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<v Speaker 1>probably because it still captures the feelings of millions of

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<v Speaker 1>black Americans today.

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<v Speaker 2>Right. This speech is from eighteen fifty two, and here

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<v Speaker 2>we are in twenty twenty four. You know, Douglas also

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<v Speaker 2>printed the speech in its entirety in his newspaper aptly

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<v Speaker 2>titled Frederick Douglas Newspaper on July ninth of the same year.

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<v Speaker 1>I bet the local white newspaper wanted no parts of

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<v Speaker 1>that funny.

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<v Speaker 2>You should mention that I was curious and I did

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<v Speaker 2>find an article from the same year published by the

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<v Speaker 2>Boston Herald. Want to read a few.

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<v Speaker 1>Lines h before a century shall have elapsed from that declaration,

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<v Speaker 1>we shall not only be the greatest maritime nation upon

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<v Speaker 1>the face of the earth, but we shall exert a

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<v Speaker 1>moral power, before which bayonets will dwindle into insignificance and

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<v Speaker 1>scepters become babbles. With the expansion of our country, the

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<v Speaker 1>ideas of our people expand. Railroads are annihilating space, and

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<v Speaker 1>telegraphs are rivaling the lightning and speed. In the mental world,

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<v Speaker 1>there is more liberality of opinions, more candor and judgment,

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<v Speaker 1>and more tolerance toward the views of our fellow men

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<v Speaker 1>who The difference between that article and what Douglas wrote

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<v Speaker 1>is night and Day, Sleep and Woke, j Lo and Mariah, I'm.

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<v Speaker 2>Eves and I'm Katie. Today's episode black, White, and red

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<v Speaker 2>all over. So looking at those two examples about the

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<v Speaker 2>fourth of July got me thinking, how does coverage of

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<v Speaker 2>the same event or topic differ between black and white

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<v Speaker 2>newspapers Like that can be the only instance of wildly

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<v Speaker 2>different perspectives coming from these newspapers published in the same year,

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<v Speaker 2>same country, covering the same topic. I don't know. I'm

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<v Speaker 2>since in a little pattern, so I think to truly

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<v Speaker 2>understand why we might see a stark difference in the

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<v Speaker 2>coverage in black newspapers versus white newspapers. You got to

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<v Speaker 2>know a little sum about a fellow named Jim.

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<v Speaker 3>Crow him a time I wheel about a young Jim Room.

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<v Speaker 2>So following the end of reconstruction in the late nineteenth

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<v Speaker 2>century that Jim Crow era saw the encoding of racial

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<v Speaker 2>segregation across the many aspects of American life, including newspapers, newspapers, radio,

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<v Speaker 2>All forms of media that were around at that time.

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<v Speaker 2>Why owned and controlled newspapers, radio stations, and other media

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<v Speaker 2>outlets cadded primarily to a white audience, often ignoring or

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<v Speaker 2>misrepresenting the experiences and perspectives of Black Americans. This exclusion

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<v Speaker 2>for the mainstream media led to the emergence of a

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<v Speaker 2>vibrant black press. Newspapers like the Chicago Defender, the Pittsburgh Courier,

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<v Speaker 2>and the Baltimore Afro Americans served as vital sources of

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<v Speaker 2>news and information for the black community, and these newspapers

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<v Speaker 2>provided perspective and covers that were often absent from white

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<v Speaker 2>owned media. They reported on issues and events that really

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<v Speaker 2>mattered to Black Americans, like the fight for civil rights

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<v Speaker 2>and the achievements of the black community.

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<v Speaker 1>After the break, we'll see if there's something to this theory.

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<v Speaker 1>Stick around Exhibit one. Black Power bookstore and.

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<v Speaker 2>Researching pros to the people my book about Black Bookstores.

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<v Speaker 2>I looked at a lot of newspapers and discovered some

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<v Speaker 2>colorful characters. One of my favorites was the late Lewis

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<v Speaker 2>Henry Michell, owner of Harlem's National Memorial African Bookstore. Here's Michelle.

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<v Speaker 4>Black is beautiful, but black isn't power. Knowledge is power.

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<v Speaker 4>For you can be black as a crow, you can

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<v Speaker 4>be white as snow. And if you don't know and

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<v Speaker 4>ain't got no do, you can go And that's for show.

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<v Speaker 1>Ooh he seems fun.

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<v Speaker 2>Yeah, I really wish I would have known him. Michelle

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<v Speaker 2>is seen as one of the greatest, if not the greatest,

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<v Speaker 2>black booksellers in America. He sold books around the late

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<v Speaker 2>nineteen thirties, early nineteen forties to the mid nineteen seventies.

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<v Speaker 2>Him and his bookstore were known the world over.

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<v Speaker 1>So did black and white newspapers write about Michelle and

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<v Speaker 1>the National Memorial African Bookstore.

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<v Speaker 2>Definitely, Michelle stayed in the news more on the black

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<v Speaker 2>side things, of course, but white newspapers wrote about two.

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<v Speaker 2>Here's what the Daily Home News in New Brunswick, New

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<v Speaker 2>Jersey had to say about him in nineteen sixty six.

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<v Speaker 2>Ease you mind reading the headline for me?

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<v Speaker 1>Black Power bookstore is headquarters for Harlem Bitterness. That's a title. Okay,

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<v Speaker 1>The word bitter is a strong one.

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<v Speaker 2>Okay, right out the gate. You know what time they're on?

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<v Speaker 1>You do so.

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<v Speaker 2>Basically, in this article, a white reporter goes to the

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<v Speaker 2>store to profile it and to talk to Michhew. He

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<v Speaker 2>describes the outside of the store, which has a sign

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<v Speaker 2>that says God damn white Man. He describes the inside

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<v Speaker 2>of the store, which is full of flags of New

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<v Speaker 2>African nations and shelves bursting with Negro literature. He calls

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<v Speaker 2>Michew a militant extremist with an almost neurotic contempt for whitey,

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<v Speaker 2>and he makes fun of his height, calling him nome size,

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<v Speaker 2>which I thought was a nice little touch.

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<v Speaker 1>It's rude.

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<v Speaker 2>He had a lot of quips about Michelle. He quotes

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<v Speaker 2>a lot of Michell's quips he was known for, like

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<v Speaker 2>the way he talks. He talked in like aphorisms and rhymes.

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<v Speaker 2>So he talks about how Michelle said, the good white

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<v Speaker 2>man he met was in the grave and talked about

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<v Speaker 2>Michelle and how the bookstore was focusing on black supremacy.

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<v Speaker 1>He was a perfect kind of sound bite person. This

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<v Speaker 1>article was really funny to me because it has that

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<v Speaker 1>same kind of tone and tenor that so many white

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<v Speaker 1>articles about black spaces do, or white articles about black

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<v Speaker 1>things do, which is one of ogling, which is one

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<v Speaker 1>of exoticizing. It's just clearly such an outsider's view of

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<v Speaker 1>surprise and shock and awe of what the writer sees

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<v Speaker 1>when they go into the bookstore and how they feel

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<v Speaker 1>about his character. That feels very familiar to me, especially

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<v Speaker 1>from contemporary articles from newspapers, And that was really funny

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<v Speaker 1>to me.

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<v Speaker 2>Yeah, you can tell who he's speaking to when he's

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<v Speaker 2>writing this article. He's speaking to white people who already

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<v Speaker 2>have their like apprehensions about a black bookstore and what

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<v Speaker 2>might be going on there, and he's really stoking those flames.

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<v Speaker 2>And you know, like at the end of the day

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<v Speaker 2>newspapers are there to sell you ads and to make money.

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<v Speaker 2>The information I think is secondary truly, And I think

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<v Speaker 2>this was like a part of a black power series

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<v Speaker 2>where they were talking about different like black power things

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<v Speaker 2>going on. So people following along on this series, like

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<v Speaker 2>they hear about this little known size black supremacists who

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<v Speaker 2>said the only good white man he met was in

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<v Speaker 2>the grave. Like whatever fears or preconceived notions they have

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<v Speaker 2>are going to be on ten. Like this article does

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<v Speaker 2>not asswage those things at all. But I think that

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<v Speaker 2>is the purpose of it.

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<v Speaker 1>And then he starts with the word bitterness, So he's

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<v Speaker 1>automat studying the tone for how you should feel about

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<v Speaker 1>what Michelle is saying in the article.

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<v Speaker 2>Yeah, it's definitely at us versus them situation in this article.

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<v Speaker 2>So hold that in your mind while we look at

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<v Speaker 2>what black newspapers were saying about Michelle and the National

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<v Speaker 2>African Memorial Bookstore. Here's an article from nineteen sixty two

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<v Speaker 2>from New Insterdam News. It's titled Cooperation and Unity away out.

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<v Speaker 1>That headline is miles in a way different than the

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<v Speaker 1>last one. Yeah, like the opposite side of the spectrum.

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<v Speaker 2>Yeah, And the coverage was different too. So Michell actually

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<v Speaker 2>wrote this article in the new Insterdam News, which I

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<v Speaker 2>do think is very telling, Like I don't think he

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<v Speaker 2>would be invited to write his own article in a

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<v Speaker 2>white newspaper. And they start off this article that he's written,

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<v Speaker 2>but they give him a bio. They talk about how

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<v Speaker 2>he's the owner and operator of the bookstore for the

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<v Speaker 2>last twenty five years, president of the African Nationals and

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<v Speaker 2>America Incorporated, Chairman of the Harlan Consumer's Committee, so really

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<v Speaker 2>establishing him as a a man in the community doing

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<v Speaker 2>good things and talking about like all his involvement, and

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<v Speaker 2>then it gets into what he has to say, which

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<v Speaker 2>for the last one, I feel like the tone was

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<v Speaker 2>like fear mongering, and the writer in the white newspaper

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<v Speaker 2>was definitely speaking to white audiences. But Michelle, I think

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<v Speaker 2>makes it very clear that he's speaking to black audience.

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<v Speaker 2>He's like, hey, you, this is what we need to do,

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<v Speaker 2>Like I'm a part of this, You're a part of

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<v Speaker 2>this us as black people in America, Like this is

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<v Speaker 2>what we need to do to ensure economic security, to

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<v Speaker 2>uplift each other. So it's definitely a different tone, like

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<v Speaker 2>he's he has his audience and he has his message

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<v Speaker 2>in his bias, but he's not even trying to advertise

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<v Speaker 2>his bookstore. He's just saying like, hey, black man, like,

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<v Speaker 2>let's listen up, Yeah, listen to black man, Like, let's

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<v Speaker 2>you know, get together and not be oppressed and you know,

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<v Speaker 2>cooperate and be in unity and community with each other.

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<v Speaker 2>So I thought that was really telling of the different

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<v Speaker 2>the newspapers. Yeah, And I think this also has a

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<v Speaker 2>much more personal tone. So I think that also has

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<v Speaker 2>to do with the fact that show is writing it himself,

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<v Speaker 2>but that format instead of and Alan is going to

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<v Speaker 2>remove some of the distance between the person who's talking

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<v Speaker 2>the person who's reading the newspaper. And I think he

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<v Speaker 2>does this thing in which he drills down from a

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<v Speaker 2>more global perspective, or he uses we in the beginning

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<v Speaker 2>much so he's involving people in the conversation. He's not

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<v Speaker 2>necessarily defining that we, but that we definitely includes and

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<v Speaker 2>is focused on black people. And then later on, as

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<v Speaker 2>you continue reading through the article, we can see him

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<v Speaker 2>going more into the eye how he was inspired in

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<v Speaker 2>some of the things that are more personal to him,

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<v Speaker 2>and he's talking about when it lay in his bed,

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<v Speaker 2>he has a vision, so we get to see more

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<v Speaker 2>of him who he is as a person, what his

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<v Speaker 2>motivations are, and how those things influence the work that

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<v Speaker 2>he was doing. Which rather than have this very surface

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<v Speaker 2>level perspective that the person had the writer had and

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<v Speaker 2>the other article, in this case, we say we can

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<v Speaker 2>see his humanity very clearly, and you can't really make

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<v Speaker 2>excuses or do these workarounds around trying to cater or

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<v Speaker 2>trying to influence how people will understand his quotes by

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<v Speaker 2>using words like bitterness.

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<v Speaker 1>It's like, we see what his motivations are very clearly.

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<v Speaker 2>Yeah, And I will say it did seem like the

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<v Speaker 2>white reporter actually liked him, you know, it was surprised

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<v Speaker 2>that he's like, oh, this guy's kind of funny. Yeah,

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<v Speaker 2>you know, even though he didn't agree with his messaging,

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<v Speaker 2>which I mean, I don't agree with exactly everything he

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<v Speaker 2>says in this article that he wrote himself, but I

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<v Speaker 2>do like that he would always talk about and this

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<v Speaker 2>I just know this on background from researching him. He

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<v Speaker 2>used to work at his brother's church. His brother was

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<v Speaker 2>very well known. His name was Solomon Lightfoot Michelle, very

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<v Speaker 2>well known, like evangelical pastor and had like hit records

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<v Speaker 2>on the radio and stuff, but he loves the church,

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<v Speaker 2>saying that he didn't believe in God no more. But

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<v Speaker 2>he quote in the Bible like I don't know what.

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<v Speaker 1>Always seen that happen with more than one person.

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<v Speaker 2>But I mean he talks about like how like poor

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<v Speaker 2>people being taken it. And in the vision that you

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<v Speaker 2>talked about earlier, he said so one night while lying

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<v Speaker 2>in bed, I had a vision when I turned to

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<v Speaker 2>the Bible to two Samuel twelve, chapter A king had

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<v Speaker 2>a herd of sheep, and there was a poor man

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<v Speaker 2>with one lamb. The greedy king took the only lamb

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<v Speaker 2>the poor man had and cursed the king. And I mean,

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<v Speaker 2>I don't really know Lewis Michau's financials like that. Like

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<v Speaker 2>I know that he was a very well known bookseller

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<v Speaker 2>and people from all over the world would come to

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<v Speaker 2>the history, So I don't think he was hurting for money.

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<v Speaker 2>So for someone who you know, probably isn't in position

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<v Speaker 2>of like the poorest person in Harlem to kind of

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<v Speaker 2>really advocate for the poor, he talks about how greedy

0:12:40.160 --> 0:12:42.360
<v Speaker 2>people are one hundred and twenty fifth Street, where that's

0:12:42.360 --> 0:12:44.680
<v Speaker 2>the main thoroughfare in Harlem, so I think he was

0:12:44.720 --> 0:12:47.880
<v Speaker 2>really in this article talking about community and wanting to

0:12:47.960 --> 0:12:50.000
<v Speaker 2>uplift the community, all parts of it, not just like

0:12:50.040 --> 0:12:53.120
<v Speaker 2>the talented tenth, but like really trying to uplift people

0:12:53.320 --> 0:12:58.559
<v Speaker 2>and kind of have like a more nationalist, cooperative community vibe.

0:12:58.559 --> 0:13:00.560
<v Speaker 2>And that is definitely not the vibe in the way newspaper.

0:13:00.559 --> 0:13:02.920
<v Speaker 2>It's kind of like, even you're speaking to white people,

0:13:02.960 --> 0:13:04.880
<v Speaker 2>you're not really saying like, hey, white people, let us

0:13:05.000 --> 0:13:08.120
<v Speaker 2>like do this for ourselves, but it's kind of like

0:13:08.400 --> 0:13:09.160
<v Speaker 2>us versus them.

0:13:09.480 --> 0:13:12.440
<v Speaker 1>In the article written by the white person, there was

0:13:12.559 --> 0:13:16.480
<v Speaker 1>no attempt at understanding. It was just like these are

0:13:16.480 --> 0:13:18.600
<v Speaker 1>the things that I see from the outside. Like there's

0:13:18.640 --> 0:13:20.640
<v Speaker 1>that line where he says, not surprisingly, there are no

0:13:20.679 --> 0:13:23.640
<v Speaker 1>white books and there are only black books in here. Yeah,

0:13:23.880 --> 0:13:27.080
<v Speaker 1>it's not really an attempt to understand the whys behind

0:13:27.400 --> 0:13:31.600
<v Speaker 1>why this exists, or like what the writer's place or

0:13:31.640 --> 0:13:34.560
<v Speaker 1>the white audience's place would be in coming into a

0:13:34.600 --> 0:13:35.240
<v Speaker 1>store like this.

0:13:35.640 --> 0:13:39.040
<v Speaker 2>Yeah. And I think that's the thing with black newspapers generally.

0:13:39.600 --> 0:13:42.600
<v Speaker 2>They're there as like a counter narrative and to kind

0:13:42.600 --> 0:13:44.840
<v Speaker 2>of like correct the record, like Okay, these white people

0:13:44.880 --> 0:13:46.760
<v Speaker 2>are saying these things about us. And it's not true.

0:13:46.960 --> 0:13:48.959
<v Speaker 2>So we're going to have our own media and we're

0:13:49.000 --> 0:13:51.280
<v Speaker 2>going to say what we know to be true about us.

0:13:51.320 --> 0:13:53.640
<v Speaker 2>And I feel like this comparison really shows that the

0:13:53.679 --> 0:13:57.680
<v Speaker 2>newspaper is like, this is black folks to black folks,

0:13:57.720 --> 0:13:59.680
<v Speaker 2>and we know what's up with us. And I think

0:14:00.080 --> 0:14:02.920
<v Speaker 2>Show shows that perfectly as a bookseller, as a writer,

0:14:03.160 --> 0:14:06.360
<v Speaker 2>as a community person, like he's in the streets for

0:14:06.960 --> 0:14:08.040
<v Speaker 2>the for the blacks.

0:14:08.800 --> 0:14:11.680
<v Speaker 1>There's another thing about this article that stood out to me,

0:14:12.120 --> 0:14:15.040
<v Speaker 1>and that's how we talked about the other title, including

0:14:15.080 --> 0:14:17.680
<v Speaker 1>the word bitterness in it, and the title for this

0:14:17.840 --> 0:14:21.600
<v Speaker 1>article written by the show. It's peace. It is wonderful

0:14:21.920 --> 0:14:24.000
<v Speaker 1>is a phrase that's in there, and in one of

0:14:24.000 --> 0:14:28.120
<v Speaker 1>the pictures that accompanies the article, it says peaceful scene.

0:14:28.520 --> 0:14:32.920
<v Speaker 1>And I wonder if you have any insight our perspective

0:14:33.160 --> 0:14:38.760
<v Speaker 1>on this specific articles or black newspapers roles in specifically

0:14:39.320 --> 0:14:43.120
<v Speaker 1>adjusting perspectives of how people think about black people by

0:14:43.240 --> 0:14:46.360
<v Speaker 1>using intentional language by saying, see, look, this is peaceful.

0:14:46.440 --> 0:14:49.000
<v Speaker 1>This is not how other people are trying to portray us,

0:14:49.240 --> 0:14:52.920
<v Speaker 1>where they direct responses to the I'm sure proliferation of

0:14:53.040 --> 0:14:57.200
<v Speaker 1>articles like ones that said this is bitterness look at

0:14:57.320 --> 0:14:59.680
<v Speaker 1>you know, all of these things that black people are

0:14:59.720 --> 0:15:01.240
<v Speaker 1>doing that we should look.

0:15:01.120 --> 0:15:04.600
<v Speaker 2>Down upon generally, Yes, I do think so. I think

0:15:04.640 --> 0:15:07.160
<v Speaker 2>it is in response, like you know, if white people

0:15:07.160 --> 0:15:09.200
<v Speaker 2>call it right, we'll call it a uprising. You know,

0:15:09.400 --> 0:15:13.040
<v Speaker 2>if people are protesting, sometimes black newspapers or black people

0:15:13.040 --> 0:15:15.640
<v Speaker 2>will emphasize how peaceful the protests were are, like how

0:15:16.040 --> 0:15:18.600
<v Speaker 2>moral we are for doing this protest, like really trying

0:15:18.600 --> 0:15:21.960
<v Speaker 2>to change the narrative for this was particular instance, him

0:15:22.000 --> 0:15:23.200
<v Speaker 2>and Jackie Robinson.

0:15:22.840 --> 0:15:24.360
<v Speaker 1>Had beef, so it's not peaceful.

0:15:25.640 --> 0:15:28.840
<v Speaker 2>Him and Jackie Robinson had public beef. Jackie Robinson was

0:15:28.840 --> 0:15:31.840
<v Speaker 2>trying to like help some Jewish I believe, restaurant owner.

0:15:32.040 --> 0:15:36.000
<v Speaker 2>So he was boycotting the Jewish restaurant owner and talking

0:15:36.000 --> 0:15:38.920
<v Speaker 2>so much stuff about Jackie Robinson. There's pictures of this

0:15:39.040 --> 0:15:41.480
<v Speaker 2>in the Schomberg and it is so funny, like and

0:15:41.520 --> 0:15:43.480
<v Speaker 2>he is so short, and he's just really in these

0:15:43.520 --> 0:15:46.760
<v Speaker 2>streets like coming after Jackie. But then I think later

0:15:46.840 --> 0:15:49.440
<v Speaker 2>that same day, you know, Malcolm X was in town

0:15:49.480 --> 0:15:51.240
<v Speaker 2>and he was like, hey, brothers, like let's go to

0:15:51.320 --> 0:15:52.920
<v Speaker 2>the radio station and talk this out. And so they

0:15:53.000 --> 0:15:56.120
<v Speaker 2>like squashed the beef. So that's what they're talking about

0:15:56.520 --> 0:15:59.360
<v Speaker 2>right there. But I think it is like a separate

0:15:59.360 --> 0:16:00.600
<v Speaker 2>because he was just like always in the news, he

0:16:00.600 --> 0:16:02.040
<v Speaker 2>was always doing something, So I do think it's kind

0:16:02.040 --> 0:16:04.360
<v Speaker 2>of like a separate thing. I think the cooperation and unity,

0:16:05.040 --> 0:16:07.600
<v Speaker 2>but maybe he was referring to that because he was

0:16:07.720 --> 0:16:11.080
<v Speaker 2>mad that, like the white Jewish people were taking over

0:16:11.280 --> 0:16:13.640
<v Speaker 2>like the hood. Basically, he's like, why are you putting

0:16:13.640 --> 0:16:16.160
<v Speaker 2>a restaurant here when like the a black person should

0:16:16.160 --> 0:16:17.800
<v Speaker 2>have a restaurant here, And he is talking about like

0:16:17.880 --> 0:16:20.880
<v Speaker 2>economic stuff and the black buying power and all that.

0:16:20.920 --> 0:16:22.920
<v Speaker 2>So maybe it was connected. Maybe that's why he was

0:16:22.960 --> 0:16:23.320
<v Speaker 2>writing this.

0:16:23.720 --> 0:16:26.440
<v Speaker 1>So after the break, prepare to get your freak on.

0:16:27.160 --> 0:16:39.520
<v Speaker 5>Say what stay with us?

0:16:55.240 --> 0:16:57.960
<v Speaker 1>Before the break we looked at how differently a black

0:16:58.000 --> 0:17:01.160
<v Speaker 1>newspaper and a white newspaper per tra Lewis Michell and

0:17:01.240 --> 0:17:04.440
<v Speaker 1>his bookstore in Harlem. But now we're taking it back

0:17:04.560 --> 0:17:06.440
<v Speaker 1>down south exhibit too.

0:17:07.240 --> 0:17:15.960
<v Speaker 3>Freaknick, You've been to Fort Lauderdale, you've been to Panama City,

0:17:16.119 --> 0:17:18.720
<v Speaker 3>you've been to Cancun, you've been to Montano Bait.

0:17:18.880 --> 0:17:19.800
<v Speaker 4>But when you take.

0:17:19.640 --> 0:17:22.080
<v Speaker 3>Away the sands, when you take away the water and

0:17:22.160 --> 0:17:25.160
<v Speaker 3>you put all those people on the black stop in.

0:17:25.160 --> 0:17:26.000
<v Speaker 4>The Black Mecca.

0:17:26.200 --> 0:17:29.240
<v Speaker 3>You get the Black college spring Break. Welcome to Atlanta,

0:17:29.320 --> 0:17:31.320
<v Speaker 3>Hi not Ey something fo the station with hip hop

0:17:31.400 --> 0:17:35.320
<v Speaker 3>list Eaves.

0:17:36.240 --> 0:17:37.320
<v Speaker 2>What do you know about freak meeat?

0:17:37.600 --> 0:17:41.320
<v Speaker 1>Well, I know. Freak Nick began in my city, the

0:17:41.440 --> 0:17:44.760
<v Speaker 1>city of Atlanta, and it had to do with college

0:17:44.800 --> 0:17:48.000
<v Speaker 1>students needing to enjoy spring break. It started in the

0:17:48.080 --> 0:17:50.520
<v Speaker 1>late nineteen eighties, I believe, and at first it started

0:17:50.560 --> 0:17:54.480
<v Speaker 1>out as a smaller occasion, but it still had things

0:17:54.520 --> 0:17:56.960
<v Speaker 1>like performances, and they were there to have fun, kind

0:17:56.960 --> 0:18:00.400
<v Speaker 1>of like kick back, enjoy themselves, party a little little bit.

0:18:01.280 --> 0:18:03.760
<v Speaker 1>And then it grew into something much bigger and there

0:18:03.800 --> 0:18:07.840
<v Speaker 1>were these big acts and a lot of debauchery happened

0:18:07.840 --> 0:18:11.880
<v Speaker 1>at the events, and a lot of arguments over that debauchery,

0:18:12.160 --> 0:18:15.760
<v Speaker 1>and it has lived in fame and infamy since then.

0:18:16.320 --> 0:18:19.840
<v Speaker 2>Absolutely. Yeah, a lot of debauchery, a lot of traffic,

0:18:20.040 --> 0:18:26.479
<v Speaker 2>a lot of ass shaking, we smoking, gambling, and as

0:18:26.480 --> 0:18:28.160
<v Speaker 2>we've seen in the last couple of years, a lot

0:18:28.160 --> 0:18:30.439
<v Speaker 2>of documentaries coming out, a lot of people wanting to,

0:18:31.119 --> 0:18:36.360
<v Speaker 2>you know, talk about Freaknik, rehash what it was in documentaries,

0:18:36.520 --> 0:18:40.480
<v Speaker 2>radio or podcasts, even books. So yeah, that was Freakniek

0:18:40.520 --> 0:18:40.720
<v Speaker 2>for you.

0:18:41.119 --> 0:18:44.680
<v Speaker 1>Are you proud that freaknik is in the spotlight as

0:18:44.720 --> 0:18:48.400
<v Speaker 1>an Atlanta thing? Like this export of Atlanta.

0:18:49.720 --> 0:18:52.639
<v Speaker 2>I don't know, since we were too young to like

0:18:52.800 --> 0:18:55.560
<v Speaker 2>be in Freakneek. I guess our parents weren't. But I

0:18:55.560 --> 0:18:59.760
<v Speaker 2>don't think my parents was doing Oh okay, I see them,

0:19:03.640 --> 0:19:05.160
<v Speaker 2>But you know what, I do think it is funny

0:19:05.160 --> 0:19:07.320
<v Speaker 2>when you see picture the people who brought their kids

0:19:07.359 --> 0:19:09.040
<v Speaker 2>to freak me, like, I'm not missing out on it.

0:19:09.200 --> 0:19:11.200
<v Speaker 2>It's like, why you got yall two year old here?

0:19:11.400 --> 0:19:12.680
<v Speaker 1>Right? Be so for real?

0:19:13.080 --> 0:19:17.679
<v Speaker 2>But yeah, I mean I would say I'm neither proud norish.

0:19:18.960 --> 0:19:22.760
<v Speaker 1>My sister was that age. Ish, she was a little

0:19:22.800 --> 0:19:24.560
<v Speaker 1>too young, but she was still around the age like

0:19:24.600 --> 0:19:25.960
<v Speaker 1>by the time we got there, because I grew up

0:19:26.000 --> 0:19:29.679
<v Speaker 1>in the early nineties in College Park and so you know,

0:19:29.760 --> 0:19:31.399
<v Speaker 1>my sister was in high school at the time, so

0:19:31.440 --> 0:19:35.119
<v Speaker 1>she was closer to that kind of situation. But that

0:19:35.280 --> 0:19:37.160
<v Speaker 1>was definitely a little bit that was before my time

0:19:37.200 --> 0:19:40.120
<v Speaker 1>as well. Yeah, but I knew the stories already from

0:19:40.160 --> 0:19:42.920
<v Speaker 1>a young age. It's part of our I canon here

0:19:43.040 --> 0:19:45.920
<v Speaker 1>growing up in Atlanta, right, like, the stories of it,

0:19:46.040 --> 0:19:47.560
<v Speaker 1>no matter how young you were when you were growing

0:19:47.640 --> 0:19:49.080
<v Speaker 1>up in Atlanta. If you were here in the nineties,

0:19:49.119 --> 0:19:49.800
<v Speaker 1>you knew about it.

0:19:49.920 --> 0:19:51.000
<v Speaker 2>Everybody got a story.

0:19:51.920 --> 0:19:54.440
<v Speaker 1>So it seems like everyone also still has an opinion

0:19:54.480 --> 0:19:57.199
<v Speaker 1>about Freakingnick with the multiple documentaries that have been made

0:19:57.240 --> 0:19:59.920
<v Speaker 1>that you were just talking about, and then someone's always

0:20:00.000 --> 0:20:00.959
<v Speaker 1>trying to revive it.

0:20:01.240 --> 0:20:04.439
<v Speaker 2>So it's no surprise that when it was happening, the

0:20:04.560 --> 0:20:08.439
<v Speaker 2>newspapers were chalk full of criticisms and praises depending on

0:20:08.480 --> 0:20:11.879
<v Speaker 2>the source. The thought of tens of thousands of extra

0:20:11.960 --> 0:20:14.960
<v Speaker 2>Negroes descending upon an already black city did not make

0:20:14.960 --> 0:20:17.520
<v Speaker 2>the white owned newspapers and their majority white readers feel

0:20:17.560 --> 0:20:20.520
<v Speaker 2>all warm and fuzzy inside. In nineteen ninety six, the

0:20:20.600 --> 0:20:24.080
<v Speaker 2>Atlanta Journal Constitution published an article in their viewpoint section

0:20:24.160 --> 0:20:28.119
<v Speaker 2>which was called Metro Voices. In it, Mitch Scandalacus described

0:20:28.160 --> 0:20:32.320
<v Speaker 2>Freaknick as a quote major problem that's quote bad for

0:20:32.400 --> 0:20:37.000
<v Speaker 2>business and causes quote impossible traffic jams that prevent people

0:20:37.040 --> 0:20:38.640
<v Speaker 2>from shopping.

0:20:38.760 --> 0:20:41.280
<v Speaker 1>Oh my god, you can't believe it.

0:20:41.640 --> 0:20:44.840
<v Speaker 2>Ntch wants to say that clear message Freaknick is not wanted,

0:20:45.400 --> 0:20:48.600
<v Speaker 2>but much of his frustration that pesky little issue of

0:20:48.680 --> 0:20:50.600
<v Speaker 2>race keeps coming up whenever he tries to talk about

0:20:50.640 --> 0:20:53.560
<v Speaker 2>black college students annual spring break celebration wreaking havoc on

0:20:53.600 --> 0:20:55.120
<v Speaker 2>the city. Mitch says in.

0:20:55.080 --> 0:20:59.840
<v Speaker 1>His article, regrettably, any discussion of Freaknick is almost always

0:21:00.000 --> 0:21:03.320
<v Speaker 1>clouded by the issue that clouds far too many discussions

0:21:03.359 --> 0:21:07.679
<v Speaker 1>in Atlanta today. Race. But whether you are white or black,

0:21:08.000 --> 0:21:11.840
<v Speaker 1>ask yourself this question. If two hundred thousand white college

0:21:11.880 --> 0:21:14.880
<v Speaker 1>students came to Atlanta and behaved exactly the same way

0:21:14.880 --> 0:21:18.159
<v Speaker 1>as the freakingent crowds have behaved over the past few years,

0:21:18.800 --> 0:21:20.240
<v Speaker 1>would you want them to come back?

0:21:22.640 --> 0:21:23.639
<v Speaker 2>Clock y'all as.

0:21:24.560 --> 0:21:25.680
<v Speaker 1>What you got to say to that?

0:21:26.160 --> 0:21:28.720
<v Speaker 2>Gotcha?

0:21:29.240 --> 0:21:29.640
<v Speaker 3>All right?

0:21:29.760 --> 0:21:32.080
<v Speaker 1>Mitch? Okay? We have seen so many people try to

0:21:32.119 --> 0:21:35.040
<v Speaker 1>do this kind of anigland around a question, this kind

0:21:35.080 --> 0:21:40.840
<v Speaker 1>of fallacy and thinking before so Mitch was really clearly

0:21:40.840 --> 0:21:43.399
<v Speaker 1>focused on the economics of the situation that it was

0:21:43.440 --> 0:21:45.920
<v Speaker 1>bad for business. Yeah, cared a lot less about the

0:21:45.960 --> 0:21:48.359
<v Speaker 1>people who were involved in this in their enjoyment and

0:21:48.440 --> 0:21:52.560
<v Speaker 1>seemingly seemingly so. And also assume that nobody wanted it,

0:21:52.600 --> 0:21:55.080
<v Speaker 1>Like he was kind of speaking for everybody. We're just like,

0:21:56.400 --> 0:21:58.280
<v Speaker 1>why would we even be talking about this if nobody

0:21:58.320 --> 0:21:59.000
<v Speaker 1>wanted it here.

0:21:59.200 --> 0:22:01.720
<v Speaker 2>I think I'm going to go ahead and assume he

0:22:01.880 --> 0:22:05.920
<v Speaker 2>was white and probably like well off, maybe a business

0:22:05.960 --> 0:22:08.080
<v Speaker 2>owner himself. The way he was talking, so I think

0:22:08.119 --> 0:22:10.920
<v Speaker 2>he was saying like, no one of my ilk wants list,

0:22:10.960 --> 0:22:13.760
<v Speaker 2>which I think is fair. Probably like sure ninety nine

0:22:13.760 --> 0:22:16.399
<v Speaker 2>percent of white business owners who are doing well do

0:22:16.520 --> 0:22:17.439
<v Speaker 2>not want this to go on.

0:22:17.880 --> 0:22:20.320
<v Speaker 1>Yeah, really concerned about the traffic jams.

0:22:20.040 --> 0:22:23.800
<v Speaker 2>Too, Yeah, he was. And I think Mitch's article is

0:22:23.840 --> 0:22:27.280
<v Speaker 2>so much a testament to like the Atlanta way that

0:22:27.320 --> 0:22:31.040
<v Speaker 2>we've spoken to before on this podcast. Kind of just

0:22:31.080 --> 0:22:34.160
<v Speaker 2>like we're going to focus on having a good image

0:22:34.160 --> 0:22:36.399
<v Speaker 2>to the rest of the world. He brings up like

0:22:36.440 --> 0:22:38.480
<v Speaker 2>the Olympics are coming, and like, we don't want to

0:22:38.520 --> 0:22:40.760
<v Speaker 2>jeopardize anything with the Olympics, but we know what the

0:22:40.760 --> 0:22:43.880
<v Speaker 2>Olympics did to like black Atlanta, Like they're tearing down

0:22:43.880 --> 0:22:46.600
<v Speaker 2>people's houses and you know where they live, so that

0:22:46.840 --> 0:22:49.040
<v Speaker 2>when the world came to Atlanta, they would be impressed.

0:22:49.400 --> 0:22:54.280
<v Speaker 2>So I think Mitch's view point did represent a lot

0:22:54.280 --> 0:22:56.200
<v Speaker 2>of Atlanta's viewpoint of the situation.

0:22:56.600 --> 0:22:58.679
<v Speaker 1>Yeah, And to be fair, I also think that it

0:22:58.720 --> 0:23:04.080
<v Speaker 1>expanded beyond just the freaknik viewpoint. It was also the

0:23:04.119 --> 0:23:08.480
<v Speaker 1>spring break viewpoint that so many conservatives and evangelicals would

0:23:08.520 --> 0:23:11.119
<v Speaker 1>have had about things that weren't buttoned up enough for them,

0:23:11.160 --> 0:23:14.119
<v Speaker 1>Like spring break alone at the time was a lot

0:23:14.160 --> 0:23:17.400
<v Speaker 1>about debauchery, and it was about like having fun and drinking,

0:23:17.640 --> 0:23:19.439
<v Speaker 1>and it was about thing that they thought things that

0:23:19.480 --> 0:23:22.160
<v Speaker 1>people who were more conservative thought that teenagers and young

0:23:22.200 --> 0:23:25.680
<v Speaker 1>adults shouldn't be doing on spring break, and to have

0:23:25.800 --> 0:23:29.400
<v Speaker 1>that on such a grand scale as a freaknick would

0:23:29.400 --> 0:23:30.320
<v Speaker 1>be offensive to them.

0:23:30.640 --> 0:23:32.520
<v Speaker 2>I do think race played a big part of it,

0:23:32.560 --> 0:23:34.640
<v Speaker 2>because he said, like, oh, if like white people were

0:23:34.680 --> 0:23:37.120
<v Speaker 2>doing this, but like white people do do that type

0:23:37.119 --> 0:23:39.200
<v Speaker 2>of stuff, like they do go to Panama City, they

0:23:39.200 --> 0:23:42.399
<v Speaker 2>do go to Miami. Maybe they don't brand it a

0:23:42.440 --> 0:23:45.159
<v Speaker 2>certain name, but they do be at spring break, you know.

0:23:45.560 --> 0:23:47.800
<v Speaker 1>Yes, and no, I'm not saying that race wasn't involved.

0:23:47.840 --> 0:23:49.879
<v Speaker 1>I'm saying that that's an additional layer on top of

0:23:49.920 --> 0:23:52.600
<v Speaker 1>the fact that this person writings probably didn't care for

0:23:52.640 --> 0:23:55.440
<v Speaker 1>that kind of stuff around spring break period, like they

0:23:55.440 --> 0:23:59.399
<v Speaker 1>were already very stuffy conservative. This is the kind of

0:23:59.400 --> 0:24:02.520
<v Speaker 1>person who says, all these half naked people out in

0:24:02.600 --> 0:24:05.840
<v Speaker 1>public need to put some clothes on, you know, it's

0:24:05.920 --> 0:24:07.880
<v Speaker 1>not here for any of that. So, yes, race, I'm

0:24:07.920 --> 0:24:10.119
<v Speaker 1>not saying race is not involved, but it's absolutely involved.

0:24:10.119 --> 0:24:13.000
<v Speaker 1>It's just that this person probably was that kind of

0:24:13.040 --> 0:24:16.320
<v Speaker 1>person to not want any kind of situation like this. Yeah,

0:24:16.320 --> 0:24:21.639
<v Speaker 1>anything that would stop people from shopping right, no traffic fans.

0:24:22.920 --> 0:24:25.359
<v Speaker 1>So that was like an opinion column that citizens could

0:24:25.359 --> 0:24:28.679
<v Speaker 1>write into. But what did the paper itself say, like

0:24:28.760 --> 0:24:29.600
<v Speaker 1>the staff.

0:24:29.280 --> 0:24:32.640
<v Speaker 2>Writers True Metro Voices was an impendion column. I found

0:24:32.640 --> 0:24:35.000
<v Speaker 2>this article written by a staff writer and in it

0:24:35.040 --> 0:24:37.600
<v Speaker 2>you can definitely hear the racial tension present. Similar to

0:24:37.640 --> 0:24:41.040
<v Speaker 2>the opinion section, the staff writer says that a councilwoman

0:24:41.080 --> 0:24:44.520
<v Speaker 2>who was a fan of Freaknik implied at a council

0:24:44.800 --> 0:24:47.560
<v Speaker 2>meeting that the police were looking to kill some of

0:24:47.600 --> 0:24:51.520
<v Speaker 2>the partygoers, and said the same councilwoman compared Freaknik to

0:24:52.000 --> 0:24:55.399
<v Speaker 2>apartheid because of the city's decision to close some of

0:24:55.400 --> 0:24:58.200
<v Speaker 2>the highway exits. So she said, like these are apartheid tactics.

0:24:58.520 --> 0:25:02.120
<v Speaker 2>Other standout phrases from this article in the AJAC clogged

0:25:02.119 --> 0:25:05.639
<v Speaker 2>our streets and trashed our town and absolute carnage.

0:25:07.280 --> 0:25:09.080
<v Speaker 1>How do you feel about that apartheid comment?

0:25:09.400 --> 0:25:13.440
<v Speaker 2>I mean, I do think with Freaknik, the reaction to

0:25:13.480 --> 0:25:18.119
<v Speaker 2>it was very racially motivated, like apartheid, and I do

0:25:18.119 --> 0:25:21.199
<v Speaker 2>think they were trying to control people's movement based on

0:25:21.240 --> 0:25:24.080
<v Speaker 2>their race and based on like, you're not supposed to

0:25:24.080 --> 0:25:26.040
<v Speaker 2>be a here, you're an outsider. So I mean, I

0:25:26.040 --> 0:25:30.280
<v Speaker 2>think with white people, a lot of their racist tactics

0:25:30.440 --> 0:25:33.120
<v Speaker 2>are just in them. You know, whether you're in Cape

0:25:33.160 --> 0:25:35.480
<v Speaker 2>Town or whether you're in Atlanta, that racist is going

0:25:35.560 --> 0:25:37.400
<v Speaker 2>to pop out and you're going to do the same bullshit.

0:25:37.880 --> 0:25:41.160
<v Speaker 1>So it seems like at the end of this article

0:25:41.400 --> 0:25:43.880
<v Speaker 1>that's when the writer starts editorializing a little bit more

0:25:43.880 --> 0:25:46.280
<v Speaker 1>and inserting their own opinion, because at first is kind

0:25:46.280 --> 0:25:48.159
<v Speaker 1>of a blow by blow about what's going on with

0:25:48.240 --> 0:25:52.119
<v Speaker 1>the councilwoman Carolyn long Banks, and then towards the end,

0:25:52.119 --> 0:25:55.320
<v Speaker 1>that's when they start inserting their own opinion about how

0:25:55.720 --> 0:25:58.960
<v Speaker 1>they feel like council people should stand their grounds and

0:25:59.000 --> 0:26:02.960
<v Speaker 1>tell people that they need to be behaving correctly and

0:26:03.040 --> 0:26:06.280
<v Speaker 1>behaving respectably. Essentially the partygoers.

0:26:06.520 --> 0:26:09.800
<v Speaker 2>H yeah, And I mean, I think even the quotes

0:26:09.840 --> 0:26:12.600
<v Speaker 2>that the writer decides to include I think are very telling.

0:26:12.920 --> 0:26:15.240
<v Speaker 2>And it was implied that the police were trying to

0:26:15.320 --> 0:26:19.520
<v Speaker 2>kill kids. The writer says that rhetorically the congresswoman descended,

0:26:20.760 --> 0:26:23.280
<v Speaker 2>so it's like kind of making her seem like kind

0:26:23.280 --> 0:26:25.320
<v Speaker 2>of undone, like, oh, is she crazy?

0:26:25.400 --> 0:26:25.560
<v Speaker 4>Y'all?

0:26:25.640 --> 0:26:27.280
<v Speaker 2>She's saying the police trying to kill people, but like,

0:26:27.320 --> 0:26:29.360
<v Speaker 2>of course, like police did do that.

0:26:29.400 --> 0:26:34.800
<v Speaker 1>Sometimes the writer is definitely trying to portray the councilwoman

0:26:34.920 --> 0:26:35.879
<v Speaker 1>as radical.

0:26:36.359 --> 0:26:39.480
<v Speaker 2>Yeah, it's more extremely reckless, doesn't care about the city.

0:26:40.080 --> 0:26:42.359
<v Speaker 2>So it is mostly like quotes, but I think they

0:26:42.400 --> 0:26:48.040
<v Speaker 2>were picked very intentionally, and like the previous article talking

0:26:48.080 --> 0:26:50.920
<v Speaker 2>about Louis Mitchell's bookstore, like you know who the audience

0:26:51.200 --> 0:26:54.160
<v Speaker 2>for this is and who's going to be scandalized by

0:26:54.800 --> 0:26:55.679
<v Speaker 2>this coverage.

0:26:56.040 --> 0:26:58.280
<v Speaker 1>Yeah, So I know in your research, Katie, that you

0:26:58.320 --> 0:27:01.280
<v Speaker 1>came across a bunch of different articles and different newspapers,

0:27:01.320 --> 0:27:04.600
<v Speaker 1>and that the practice of journalism when it comes to

0:27:04.840 --> 0:27:07.720
<v Speaker 1>these really contentious issues that have to do with race

0:27:08.160 --> 0:27:11.200
<v Speaker 1>is very wide ranging and had a lot of nuance,

0:27:11.400 --> 0:27:15.359
<v Speaker 1>and that so many times just because a person said

0:27:15.400 --> 0:27:18.280
<v Speaker 1>something in the opinion section didn't necessarily mean those were

0:27:18.320 --> 0:27:20.760
<v Speaker 1>the reflective of the views of the newspaper in general.

0:27:21.480 --> 0:27:24.680
<v Speaker 1>And just because the newspaper was white didn't necessarily mean

0:27:24.720 --> 0:27:27.639
<v Speaker 1>they were always like anti black and everything that they wrote.

0:27:27.760 --> 0:27:30.240
<v Speaker 1>Just because the newspaper was black didn't necessarily mean that

0:27:30.240 --> 0:27:34.479
<v Speaker 1>their viewpoints were all the same, Like black people in

0:27:34.600 --> 0:27:39.000
<v Speaker 1>themselves have wide ranging opinions about different things. And I'm

0:27:39.040 --> 0:27:41.440
<v Speaker 1>sure like if in the case of Freakinick, there were

0:27:41.480 --> 0:27:45.119
<v Speaker 1>also black people who didn't want a bunch of people

0:27:45.200 --> 0:27:48.639
<v Speaker 1>descending upon the city. But I think it is of

0:27:48.720 --> 0:27:53.400
<v Speaker 1>course fair and valid and legitimate to see how all

0:27:53.440 --> 0:27:58.840
<v Speaker 1>of a newspaper's articles about a subject, taken in totality,

0:27:59.119 --> 0:28:02.600
<v Speaker 1>reflect how people felt about that and how they wanted

0:28:02.640 --> 0:28:05.800
<v Speaker 1>to express those views to their audiences. Because of course,

0:28:05.840 --> 0:28:08.240
<v Speaker 1>when you're creating a newspaper, when you're choosing what to

0:28:08.280 --> 0:28:10.560
<v Speaker 1>put in it, you know who your readers are. You

0:28:10.680 --> 0:28:14.159
<v Speaker 1>do that analysis. You want your newspaper to continue to

0:28:14.280 --> 0:28:16.920
<v Speaker 1>be that, you need to fund the newspaper. It has

0:28:16.960 --> 0:28:20.160
<v Speaker 1>to be funded. So there are going to be biases

0:28:20.240 --> 0:28:23.960
<v Speaker 1>that are included in the journalism that happens in the newspaper.

0:28:24.400 --> 0:28:30.119
<v Speaker 2>Absolutely, yeah, biases in any media. In this podcast, anything

0:28:30.160 --> 0:28:33.640
<v Speaker 2>you read like people are making it and people are biased.

0:28:33.640 --> 0:28:34.840
<v Speaker 1>So for sure.

0:28:35.400 --> 0:28:37.520
<v Speaker 2>Okay, now that we heard from the adac, let's see

0:28:37.520 --> 0:28:40.960
<v Speaker 2>what the bullack newspaper in Atlanta was saying that Atlanta

0:28:41.160 --> 0:28:45.080
<v Speaker 2>Daily Worlds, can you do us the honor of telling us?

0:28:45.120 --> 0:28:49.960
<v Speaker 1>The title Gladly College Fest Freaking Nick ninety three promises

0:28:50.000 --> 0:28:50.720
<v Speaker 1>to have meaning?

0:28:51.040 --> 0:28:55.400
<v Speaker 2>So basically this article by Della Pulam, a staff writer

0:28:55.600 --> 0:28:59.720
<v Speaker 2>at Atlanta Daily World, kind of it has a redemptive tale,

0:29:00.200 --> 0:29:02.760
<v Speaker 2>like we know that people didn't like freak me. We

0:29:02.880 --> 0:29:06.120
<v Speaker 2>know some stuff happened, and we're getting back to our roots.

0:29:06.800 --> 0:29:10.040
<v Speaker 2>It's gonna be smaller, but we're gonna have a scholarship

0:29:10.080 --> 0:29:13.959
<v Speaker 2>and people are gonna show off their talents, and you know,

0:29:14.000 --> 0:29:16.360
<v Speaker 2>these celebrities are going to be here like she named

0:29:16.440 --> 0:29:19.680
<v Speaker 2>drops baby Face and La Read and you know this

0:29:19.760 --> 0:29:22.360
<v Speaker 2>is about college students and we're getting back to that,

0:29:22.440 --> 0:29:24.880
<v Speaker 2>to college prep workshops for high schoolers and all this stuff.

0:29:25.000 --> 0:29:29.680
<v Speaker 2>So I think it had like a redemptive like, hey, hey,

0:29:29.840 --> 0:29:32.800
<v Speaker 2>not too much on us, like this is what we're

0:29:32.880 --> 0:29:36.080
<v Speaker 2>really about, or about education or about community being the

0:29:36.120 --> 0:29:38.920
<v Speaker 2>people together, which I think goes back to my point

0:29:38.920 --> 0:29:41.520
<v Speaker 2>about black newspapers trying to be a counter narrative, Like

0:29:42.200 --> 0:29:44.320
<v Speaker 2>I think this article is like real respectable.

0:29:44.640 --> 0:29:49.160
<v Speaker 1>Honestly, That's what I was gonna say because it seems

0:29:49.240 --> 0:29:52.800
<v Speaker 1>like they were admitting telling on ourselves, basically admitting to

0:29:53.000 --> 0:29:55.360
<v Speaker 1>that everything everybody has said before about this being a

0:29:55.440 --> 0:29:58.400
<v Speaker 1>terrible situation for Atlanta. Now we have to make up

0:29:58.400 --> 0:29:58.720
<v Speaker 1>for that.

0:29:58.960 --> 0:30:01.720
<v Speaker 2>I don't know if they were saying it was that terrible.

0:30:02.120 --> 0:30:05.120
<v Speaker 2>I don't know, so like from Humble Beginnings in nineteen

0:30:05.200 --> 0:30:09.040
<v Speaker 2>eighty four, like we're taking it back to that, you know,

0:30:09.320 --> 0:30:13.720
<v Speaker 2>like it got a little racous, but this is what

0:30:13.760 --> 0:30:15.560
<v Speaker 2>we're really about. This is what we're going to do,

0:30:15.880 --> 0:30:18.960
<v Speaker 2>come through. They're so advertising it, but they were definitely

0:30:19.000 --> 0:30:21.240
<v Speaker 2>a situating the positives. You know, they weren't talking about traffic,

0:30:21.640 --> 0:30:24.480
<v Speaker 2>they weren't talking about sexual assault. You know, they're name

0:30:24.560 --> 0:30:26.880
<v Speaker 2>dropping celebrities. It was kind of damage control.

0:30:26.960 --> 0:30:31.920
<v Speaker 1>Yeah, yeah, it's giving how when somebody when a black

0:30:32.080 --> 0:30:35.880
<v Speaker 1>child or a black person dies, and they have to say,

0:30:35.880 --> 0:30:38.560
<v Speaker 1>look at how good of a student they were after

0:30:38.600 --> 0:30:40.320
<v Speaker 1>the fact, or look at all these good things that

0:30:40.320 --> 0:30:43.160
<v Speaker 1>they did in society. They have to kind of justify

0:30:43.320 --> 0:30:45.840
<v Speaker 1>the good parts of the things that everybody else is

0:30:45.880 --> 0:30:49.640
<v Speaker 1>saying are negative about that person. That's kind of what

0:30:49.680 --> 0:30:50.479
<v Speaker 1>it reminds me of.

0:30:50.760 --> 0:30:52.760
<v Speaker 2>And I found this to be kind of a pattern

0:30:52.920 --> 0:30:56.480
<v Speaker 2>in the Atlanta Daily World, especially about Freaknik. There were

0:30:56.560 --> 0:30:59.840
<v Speaker 2>other ones where they're saying, like Freaknek students vow they'll

0:31:00.080 --> 0:31:03.240
<v Speaker 2>quit the drinking. You know, people saying like, oh, there's

0:31:03.280 --> 0:31:04.800
<v Speaker 2>too much to going on, and they're like, oh, we're

0:31:04.800 --> 0:31:06.520
<v Speaker 2>not We're not doing that anymore. And it seemed like

0:31:06.600 --> 0:31:09.640
<v Speaker 2>ninety three was a year that they were trying to

0:31:09.680 --> 0:31:14.000
<v Speaker 2>turn it around, like there was a concerted effort to

0:31:14.080 --> 0:31:16.400
<v Speaker 2>like push out this narrative like Freakneak is cleaning, it's

0:31:16.480 --> 0:31:18.080
<v Speaker 2>up its image. We're not going to be doing all

0:31:18.120 --> 0:31:19.880
<v Speaker 2>that or do a scholarships. We're not gonna be drinking,

0:31:19.880 --> 0:31:22.080
<v Speaker 2>we're not gonna doing drugs. But like there wasn't really

0:31:22.400 --> 0:31:24.959
<v Speaker 2>much mention about like the sexual assault that was going on,

0:31:25.040 --> 0:31:27.320
<v Speaker 2>which like I think is more important than the traffic

0:31:27.440 --> 0:31:30.440
<v Speaker 2>because it's just gonna be traffic. It's Atlanta, there's gonna

0:31:30.440 --> 0:31:33.280
<v Speaker 2>be traffic, but not mentioning of like the more you know,

0:31:33.840 --> 0:31:37.440
<v Speaker 2>illegal things that were happening. Like the black newspapers didn't

0:31:37.440 --> 0:31:38.880
<v Speaker 2>want to really touch on that because I think it

0:31:38.920 --> 0:31:44.520
<v Speaker 2>would just confirm what white people said about these freakneakers

0:31:44.680 --> 0:31:45.920
<v Speaker 2>that they were called.

0:31:46.320 --> 0:31:49.239
<v Speaker 1>They wanted to only touch on the harmless things that

0:31:49.280 --> 0:31:52.600
<v Speaker 1>it was really easy to justify after the fact, and

0:31:52.720 --> 0:31:55.959
<v Speaker 1>drinking was one of those things. But the article about

0:31:56.120 --> 0:31:58.960
<v Speaker 1>them saying I'm not drinking anymore was really funny to

0:31:59.000 --> 0:32:01.400
<v Speaker 1>me because I'm sure or they could throw a stone

0:32:01.560 --> 0:32:03.880
<v Speaker 1>and hit five other people who would be like that

0:32:04.040 --> 0:32:07.800
<v Speaker 1>was great, I'm drinking against tonight the party is still going, yeah,

0:32:08.120 --> 0:32:09.480
<v Speaker 1>and I'm ready for the next freaknik.

0:32:09.680 --> 0:32:13.560
<v Speaker 2>Three students said, we drink and drink and drink, but

0:32:13.640 --> 0:32:16.360
<v Speaker 2>that is it for a long time. So it's like,

0:32:16.400 --> 0:32:18.040
<v Speaker 2>I feel like a lot of people who drink are like, oh,

0:32:18.080 --> 0:32:19.320
<v Speaker 2>I'm never I was just.

0:32:19.280 --> 0:32:22.320
<v Speaker 1>About to say that. I mean, I can tell you

0:32:22.360 --> 0:32:23.560
<v Speaker 1>how many times I've said that.

0:32:25.000 --> 0:32:30.320
<v Speaker 2>It's like, girl, they hungover, just wait, drink. This is

0:32:30.360 --> 0:32:33.240
<v Speaker 2>a quote from that article about drinking. I will not

0:32:33.360 --> 0:32:35.680
<v Speaker 2>drink again, said ladies at film in college, who said

0:32:35.760 --> 0:32:38.280
<v Speaker 2>jokingly they had enough liquor in their system to last

0:32:38.280 --> 0:32:41.520
<v Speaker 2>a lifetime. So like, clearly they're just talking, but you know,

0:32:41.560 --> 0:32:43.400
<v Speaker 2>they make you make this a whole article trying to

0:32:43.440 --> 0:32:44.920
<v Speaker 2>like clean up the image of free peak, which like

0:32:44.960 --> 0:32:48.960
<v Speaker 2>I understand because you know, like people were very racist,

0:32:49.080 --> 0:32:51.960
<v Speaker 2>like saying like terrible things about these students, And I

0:32:52.040 --> 0:32:55.040
<v Speaker 2>just think like if one hundred thousand extra people are

0:32:55.080 --> 0:32:57.880
<v Speaker 2>in city, like somebody's going to go down, regardless of

0:32:58.160 --> 0:33:01.280
<v Speaker 2>the race, the age, Like someone's gonna do something illegal.

0:33:01.520 --> 0:33:04.440
<v Speaker 2>I think unless you're Muslim and taking the hajj, they're

0:33:04.480 --> 0:33:06.320
<v Speaker 2>not doing nothing illegal. I'm assumed they're not.

0:33:07.400 --> 0:33:10.280
<v Speaker 1>It's a pilgrimage of a different sort, but it is

0:33:10.320 --> 0:33:11.560
<v Speaker 1>not a modest one.

0:33:11.680 --> 0:33:14.560
<v Speaker 2>Yeah, So like if it's not that occurring, like somebody's

0:33:14.600 --> 0:33:17.360
<v Speaker 2>gonna someone's gonna be drinking too much, someone's gonna be littering,

0:33:17.400 --> 0:33:20.760
<v Speaker 2>someone's gonna be jying. But in the moment, people did

0:33:20.760 --> 0:33:23.800
<v Speaker 2>a little bit too much on freaknique, and black newspapers

0:33:23.800 --> 0:33:25.520
<v Speaker 2>were trying to combat that.

0:33:25.800 --> 0:33:29.120
<v Speaker 1>So m hm. And we're selective in that combating. So

0:33:29.160 --> 0:33:32.280
<v Speaker 1>were there any white newspapers that talked about sexual assault?

0:33:32.480 --> 0:33:35.360
<v Speaker 2>Yeah, and it got national covers too, So like the

0:33:35.400 --> 0:33:37.920
<v Speaker 2>New York Times is talking about Freaknikue and things are

0:33:37.960 --> 0:33:40.479
<v Speaker 2>going on. I think like it was because it was

0:33:40.480 --> 0:33:43.120
<v Speaker 2>the early nineties, So I think the sexual assault like

0:33:43.200 --> 0:33:46.120
<v Speaker 2>talking about it like in Earnest was more like a retrospective.

0:33:46.840 --> 0:33:49.320
<v Speaker 2>But you know, it was just like kind of like

0:33:49.400 --> 0:33:53.520
<v Speaker 2>they're naked and cogging up the highways, like that was

0:33:53.560 --> 0:33:58.560
<v Speaker 2>the main thrust of the coverage. And I mean, yeah, like,

0:33:59.200 --> 0:34:02.280
<v Speaker 2>I think we've come a lot way in the understanding

0:34:02.280 --> 0:34:04.960
<v Speaker 2>sexual assault and knowing like you could literally be walking

0:34:04.960 --> 0:34:06.800
<v Speaker 2>down the street naked and like no one should touch you,

0:34:07.200 --> 0:34:15.080
<v Speaker 2>but I don't think people really. Yeah, so we've talked

0:34:15.080 --> 0:34:17.360
<v Speaker 2>about a bookstore and a college ring break party. But

0:34:17.400 --> 0:34:20.120
<v Speaker 2>of course these are not the only examples of disparate

0:34:20.160 --> 0:34:23.040
<v Speaker 2>coverage based on the source. And that's not just a

0:34:23.040 --> 0:34:26.200
<v Speaker 2>phenomenon of the past. It's happening right now. So I

0:34:26.239 --> 0:34:31.680
<v Speaker 2>think a big takeaway from seeing these examples is media literacy,

0:34:31.719 --> 0:34:35.600
<v Speaker 2>which entails considering the source and considering the intended audience.

0:34:35.680 --> 0:34:40.239
<v Speaker 2>Like we said, each newspaper, each podcast, each radio program,

0:34:40.600 --> 0:34:42.560
<v Speaker 2>they have their own biases. They're trying to get whatever

0:34:42.600 --> 0:34:45.799
<v Speaker 2>message they're trying to get out, and not saying that

0:34:45.920 --> 0:34:48.640
<v Speaker 2>is a bad thing, like that's just what it is,

0:34:48.840 --> 0:34:51.560
<v Speaker 2>but being able to know that and understand the biases

0:34:51.600 --> 0:34:54.360
<v Speaker 2>and be able to peep it and think for yourself.

0:34:54.040 --> 0:34:57.200
<v Speaker 1>Yeah, we know that we're being influenced. Let's be mindful

0:34:57.200 --> 0:34:59.680
<v Speaker 1>of our awareness of that influence and then also try

0:34:59.719 --> 0:35:03.480
<v Speaker 1>to under stand that we can choose to take what

0:35:03.520 --> 0:35:04.880
<v Speaker 1>we want from it, and we don't just have to

0:35:04.880 --> 0:35:05.960
<v Speaker 1>mindlessly do that.

0:35:09.239 --> 0:35:12.480
<v Speaker 2>And now it's time for role credits, the segment where

0:35:12.520 --> 0:35:14.520
<v Speaker 2>we give credit to a person, place, or thing that

0:35:14.520 --> 0:35:17.600
<v Speaker 2>we encountered during the week. Eves, who what would you

0:35:17.640 --> 0:35:18.400
<v Speaker 2>like to give credit to you?

0:35:18.760 --> 0:35:22.040
<v Speaker 1>I would like to give credit to short braids. These

0:35:22.040 --> 0:35:24.680
<v Speaker 1>aren't that short. I have braids in right now, but

0:35:24.840 --> 0:35:27.080
<v Speaker 1>I do like the length of them. I've been wearing

0:35:27.120 --> 0:35:29.359
<v Speaker 1>them for a couple of weeks now, and usually when

0:35:29.400 --> 0:35:31.879
<v Speaker 1>I do get braids or twists, when I get weave

0:35:32.080 --> 0:35:35.360
<v Speaker 1>there a little bit longer. But it's been pretty freeing

0:35:35.480 --> 0:35:38.160
<v Speaker 1>having such a like it's like a little bit underneath

0:35:38.160 --> 0:35:42.919
<v Speaker 1>my shoulders length. So braids all day, shorter braids all day.

0:35:43.000 --> 0:35:46.319
<v Speaker 2>I like you, Okay, I'd like to give credit to

0:35:46.680 --> 0:35:52.160
<v Speaker 2>surprise parties. I went to one recently and NEWS don't

0:35:52.160 --> 0:35:52.960
<v Speaker 2>know how to keep auspries.

0:35:54.320 --> 0:35:55.920
<v Speaker 1>Did you set up the party or did somebody else

0:35:55.920 --> 0:35:56.479
<v Speaker 1>set up the party?

0:35:56.560 --> 0:35:58.799
<v Speaker 2>Someone else set it up. I was just there, but

0:35:58.800 --> 0:36:00.120
<v Speaker 2>I feel like people will be trying to make the

0:36:00.200 --> 0:36:03.120
<v Speaker 2>surprise about them, even though it's absolutely not about you. Like,

0:36:03.400 --> 0:36:05.880
<v Speaker 2>basically everyone was calling this the person that was being

0:36:05.920 --> 0:36:07.440
<v Speaker 2>surprised and being like, oh, what are you doing for

0:36:07.480 --> 0:36:12.440
<v Speaker 2>your birthday? Like, no, niggas are so annoying, like straight

0:36:12.520 --> 0:36:15.399
<v Speaker 2>up like you know me, I'm not the type to

0:36:15.480 --> 0:36:17.160
<v Speaker 2>like have really be hitting her up that much on

0:36:17.160 --> 0:36:18.400
<v Speaker 2>her birthday, So I didn't say anything.

0:36:18.560 --> 0:36:20.160
<v Speaker 1>Those are the type of people who be too loud

0:36:20.200 --> 0:36:23.839
<v Speaker 1>at the space table. They'd be talking too much. Go on,

0:36:26.320 --> 0:36:30.600
<v Speaker 1>continue this theory, because you know how there's like a

0:36:30.640 --> 0:36:32.880
<v Speaker 1>reverse psychology you can work when you're at when you're

0:36:32.920 --> 0:36:34.879
<v Speaker 1>playing space and you can be like, oh, I got

0:36:34.880 --> 0:36:37.279
<v Speaker 1>this heat in my hand, like I'm doing all of this,

0:36:37.360 --> 0:36:40.080
<v Speaker 1>I'm doing all of that, I'm whooped the wood. I

0:36:40.160 --> 0:36:44.000
<v Speaker 1>gotta set up whoop the looping there. Yeah, So I

0:36:44.080 --> 0:36:46.680
<v Speaker 1>feel like that's the same kind of person who rather

0:36:46.719 --> 0:36:48.839
<v Speaker 1>than a person who can be you know, they can

0:36:48.880 --> 0:36:52.280
<v Speaker 1>say things at the right time at the space table

0:36:52.880 --> 0:36:55.839
<v Speaker 1>and know when not to say things. You give up

0:36:55.880 --> 0:36:59.120
<v Speaker 1>too much, basically you lay your cards on the table. Yeah.

0:36:59.200 --> 0:37:00.960
<v Speaker 2>I don't know. I think people just want to be like, oh,

0:37:01.000 --> 0:37:04.000
<v Speaker 2>I tricked you. But it's like maybe if one person

0:37:04.040 --> 0:37:06.040
<v Speaker 2>does that, but if seventy five people call and say

0:37:06.040 --> 0:37:08.680
<v Speaker 2>what are you doing here? They like it's a little hit.

0:37:09.080 --> 0:37:11.200
<v Speaker 1>Yeah, what did the person say? Did the was the

0:37:11.239 --> 0:37:13.960
<v Speaker 1>person actually surprised? Now? Did they like the party?

0:37:14.120 --> 0:37:15.640
<v Speaker 2>Yeah, they had some time at the party, but they

0:37:15.640 --> 0:37:17.600
<v Speaker 2>weren't surprised. They're like something that's going on.

0:37:17.960 --> 0:37:19.560
<v Speaker 1>Yeah, And with that.

0:37:20.200 --> 0:37:21.359
<v Speaker 2>We will see y'all next week.

0:37:21.480 --> 0:37:27.960
<v Speaker 1>Bye bye. On Theme is a production of iHeartRadio and

0:37:28.160 --> 0:37:32.160
<v Speaker 1>Fairweather Friends Media. This episode was written by Eves Jeffco

0:37:32.280 --> 0:37:35.840
<v Speaker 1>and Katie Mitchell. It was edited and produced by Tari Harrison.

0:37:36.400 --> 0:37:39.680
<v Speaker 1>Follow us on Instagram at on Theme Show. You can

0:37:39.680 --> 0:37:42.760
<v Speaker 1>also send us an email at hello at on Theme

0:37:43.000 --> 0:37:46.040
<v Speaker 1>dot Show. Head to on Theme dot Show to check

0:37:46.040 --> 0:37:49.640
<v Speaker 1>out the show notes for episodes. For more podcasts from iHeartRadio,

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<v Speaker 1>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

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