1 00:00:01,440 --> 00:00:07,320 Speaker 1: Body doats, but Joseph's gotten more A long long time ago. 2 00:00:08,480 --> 00:00:12,280 Speaker 1: When I was a little boy, there were certain cultural 3 00:00:12,600 --> 00:00:20,000 Speaker 1: icons that captured my attention. Let's see who were some 4 00:00:20,079 --> 00:00:25,440 Speaker 1: of them. Oh, I know, I liked Muhammad Ali because 5 00:00:25,480 --> 00:00:31,600 Speaker 1: he was such a bombastic kind of personality. I liked 6 00:00:31,760 --> 00:00:33,880 Speaker 1: because he's so rare, you know, back then he would 7 00:00:33,920 --> 00:00:36,640 Speaker 1: get in front of the camera and he would say things, 8 00:00:36,640 --> 00:00:39,680 Speaker 1: and he could make things up, you know, quote quote 9 00:00:39,920 --> 00:00:44,960 Speaker 1: homemade poetry if you will on the fly. I loved 10 00:00:45,000 --> 00:00:47,000 Speaker 1: Evil can Eevil As a little boy. I had a 11 00:00:47,040 --> 00:00:49,320 Speaker 1: little Evil can Evil toy, you know that you'd wind 12 00:00:49,400 --> 00:00:51,120 Speaker 1: up and you could jump boxes with it and all 13 00:00:51,120 --> 00:00:54,720 Speaker 1: that sort of thing. And I loved loved ABC wide 14 00:00:54,720 --> 00:00:59,200 Speaker 1: Wide World of Sports watching him jump over cars. And 15 00:00:59,280 --> 00:01:03,160 Speaker 1: of course subsequently I think at caesar Palace, Caesar's Palace 16 00:01:03,160 --> 00:01:05,679 Speaker 1: broke every bone in his body when he jumped over 17 00:01:05,760 --> 00:01:07,840 Speaker 1: that fountain. If you ever go to Vegas, check out 18 00:01:07,840 --> 00:01:09,360 Speaker 1: the side of that fountain. I don't know how he 19 00:01:09,400 --> 00:01:11,760 Speaker 1: did it. And then of course, you know snacker of 20 00:01:11,840 --> 00:01:15,360 Speaker 1: a Canyon, don't forget about that. That wasn't exactly a 21 00:01:15,360 --> 00:01:18,280 Speaker 1: brilliant move, but it's something that stands out in your mind. 22 00:01:19,080 --> 00:01:26,320 Speaker 1: Another cultural icon in this former little boy's mind was 23 00:01:26,440 --> 00:01:30,520 Speaker 1: probably beauf Pusser. And the reason it was so cool 24 00:01:30,640 --> 00:01:33,080 Speaker 1: is that there was a movie that, of course I 25 00:01:33,240 --> 00:01:35,120 Speaker 1: was too young to go and see because of the 26 00:01:35,160 --> 00:01:37,960 Speaker 1: level of violence. But you knew about him. You heard 27 00:01:37,959 --> 00:01:40,679 Speaker 1: about him, You heard about walking tall, you heard that 28 00:01:40,760 --> 00:01:44,320 Speaker 1: he carried this massive stick that he would walk in 29 00:01:44,360 --> 00:01:48,280 Speaker 1: and he'd bust up bad guys. He'd run the ne'er 30 00:01:48,320 --> 00:01:52,280 Speaker 1: do wells out of the county. Of course, larger than life. 31 00:01:54,640 --> 00:01:58,400 Speaker 1: Joe Don Baker played him on the screen. But you 32 00:01:58,440 --> 00:02:03,720 Speaker 1: know what, sometimes, sometimes, just like in Hollywood, when you 33 00:02:03,800 --> 00:02:06,120 Speaker 1: go behind those facades that are on the back lots, 34 00:02:06,840 --> 00:02:12,680 Speaker 1: you realize that they're empty, and many times they're filled 35 00:02:12,680 --> 00:02:16,840 Speaker 1: with garbage and trash. You don't see it on the outside, 36 00:02:17,200 --> 00:02:23,079 Speaker 1: but dig deep enough and you'll see it. Today, I'm 37 00:02:23,160 --> 00:02:31,359 Speaker 1: going to discuss a possible domestic homicide that involves Beford Puster, 38 00:02:32,840 --> 00:02:35,880 Speaker 1: and we're going to explore this a little bit and 39 00:02:36,000 --> 00:02:39,680 Speaker 1: probably put an end to those dreams that I had 40 00:02:40,000 --> 00:02:42,480 Speaker 1: as a little boy that there were real heroes out there, 41 00:02:42,919 --> 00:02:47,680 Speaker 1: at least those that Hollywood told me to believe. I'm 42 00:02:47,760 --> 00:02:55,200 Speaker 1: Joseph Scott Morgan and this is body Bags. You know, Dave, 43 00:02:55,400 --> 00:02:58,280 Speaker 1: one of the myriad of reasons, just one of the 44 00:02:58,320 --> 00:03:05,200 Speaker 1: reasons that I just like Hollywood nowadays is that their 45 00:03:05,200 --> 00:03:08,880 Speaker 1: brain seem to be so infantile that they're incapable of 46 00:03:08,960 --> 00:03:16,399 Speaker 1: creating new content. I absolutely despise remakes. There are very 47 00:03:16,440 --> 00:03:21,240 Speaker 1: few that are out there that are worth my time viewing. 48 00:03:21,400 --> 00:03:23,760 Speaker 1: You know, I'll sit there and I'll see some movie 49 00:03:23,760 --> 00:03:28,519 Speaker 1: that's being remade that was fantastic and it's an original form, 50 00:03:28,639 --> 00:03:31,440 Speaker 1: and you're sitting there thinking, why why are you going 51 00:03:31,560 --> 00:03:33,560 Speaker 1: to redo this? And you know, just a couple of 52 00:03:33,639 --> 00:03:37,120 Speaker 1: years back, we had Dwayne the Rock Johnson that came 53 00:03:37,160 --> 00:03:40,880 Speaker 1: in and remade Walking. Wait a minute, the movie. 54 00:03:40,960 --> 00:03:42,880 Speaker 2: You know what's funny about that? What you just said 55 00:03:43,000 --> 00:03:43,720 Speaker 2: cracks me up. 56 00:03:44,280 --> 00:03:44,720 Speaker 1: What's up? 57 00:03:45,040 --> 00:03:46,200 Speaker 2: Is it just a few years ago? 58 00:03:47,000 --> 00:03:47,280 Speaker 1: Yeah? 59 00:03:47,720 --> 00:03:51,320 Speaker 2: Twenty one years ago? That movie was made two fars 60 00:03:52,000 --> 00:03:55,640 Speaker 2: Holy smokes. Yeah, well, I got another question for you 61 00:03:55,680 --> 00:03:57,000 Speaker 2: about that. Then go ahead. 62 00:03:58,200 --> 00:04:01,600 Speaker 1: I'm wondering light of this recent evidence, I wonder Dwayne 63 00:04:02,080 --> 00:04:05,640 Speaker 1: the Rock Johnson is signing up to do a sequel. Well, 64 00:04:05,680 --> 00:04:07,400 Speaker 1: you know, what do you think? 65 00:04:07,560 --> 00:04:10,400 Speaker 2: I will tell you it's interesting because that Walking Tall 66 00:04:10,440 --> 00:04:13,800 Speaker 2: that he did it was It was not a remake, 67 00:04:13,920 --> 00:04:16,240 Speaker 2: It was not a retelling of the It was just 68 00:04:16,520 --> 00:04:21,960 Speaker 2: utilizing an image from back in the day, the big 69 00:04:22,040 --> 00:04:25,080 Speaker 2: stick and Walking Tall and everything else was you know, 70 00:04:25,120 --> 00:04:26,960 Speaker 2: it had nothing to do. It was all brought to 71 00:04:27,040 --> 00:04:30,719 Speaker 2: a contemporary look at things. It had nothing to do 72 00:04:30,800 --> 00:04:33,440 Speaker 2: with what the original story was, which, by the way, 73 00:04:33,680 --> 00:04:36,920 Speaker 2: Buford Pusser, Okay, the original Walking Tall movie. And you 74 00:04:36,960 --> 00:04:42,880 Speaker 2: mentioned Joe Don Baker, I was like, I remember bos Vincent. Yeah, yeah, 75 00:04:42,920 --> 00:04:45,839 Speaker 2: because they did a Walking Tall TV show in nineteen 76 00:04:45,880 --> 00:04:50,120 Speaker 2: eighty one and it didn't last long. And I always 77 00:04:50,160 --> 00:04:52,760 Speaker 2: thought the reason it didn't really work is because it 78 00:04:52,800 --> 00:04:55,280 Speaker 2: wasn't based in truth. I always thought there was something 79 00:04:55,360 --> 00:04:59,760 Speaker 2: wrong about the story of Buford Pusser, And as I 80 00:04:59,800 --> 00:05:03,880 Speaker 2: got older, I thought, maybe I have a weird feeling 81 00:05:03,880 --> 00:05:06,880 Speaker 2: about it because he was so young when he became 82 00:05:06,960 --> 00:05:09,520 Speaker 2: the sheriff. He was the youngest sheriff in the United 83 00:05:09,520 --> 00:05:11,960 Speaker 2: States of America in the early sixties when he first 84 00:05:11,960 --> 00:05:17,400 Speaker 2: became sheriff there in mcneer County, right and anyway. 85 00:05:17,480 --> 00:05:19,240 Speaker 1: Just up the road in Tennessee from where we are. 86 00:05:19,320 --> 00:05:22,520 Speaker 2: Yeah, and I look at this and the things that 87 00:05:22,600 --> 00:05:28,320 Speaker 2: I know now and I look back, and most of 88 00:05:28,320 --> 00:05:32,560 Speaker 2: the people that were made into heroes were not heroic 89 00:05:32,680 --> 00:05:35,279 Speaker 2: in life. They were heroic in the stories that were 90 00:05:35,279 --> 00:05:38,760 Speaker 2: told about them, but they were not heroes in their 91 00:05:39,000 --> 00:05:46,680 Speaker 2: personal life. While and I don't think I don't like 92 00:05:46,839 --> 00:05:51,560 Speaker 2: seeing these so called heroes torn down at all, but 93 00:05:51,680 --> 00:05:53,880 Speaker 2: I liked the truth to have its day, And I 94 00:05:53,920 --> 00:05:57,039 Speaker 2: wonder where was the truth when this happened, because people 95 00:05:57,240 --> 00:06:00,240 Speaker 2: knew then you realize what we're about to talk about 96 00:06:00,800 --> 00:06:05,520 Speaker 2: was common knowledge at the time the BS was flying. 97 00:06:06,200 --> 00:06:09,000 Speaker 2: There were people that at least or maybe you know what, 98 00:06:09,080 --> 00:06:11,320 Speaker 2: if it wasn't then they're claiming it was. That. 99 00:06:11,480 --> 00:06:13,040 Speaker 1: That's why you got to take a lot of these 100 00:06:13,040 --> 00:06:19,200 Speaker 1: things with a grain of salt. There's only like, I 101 00:06:19,240 --> 00:06:22,480 Speaker 1: have very few heroes that I actually believe in now. 102 00:06:24,920 --> 00:06:27,600 Speaker 1: I think like one that stands out in mind is 103 00:06:27,600 --> 00:06:32,040 Speaker 1: probably Audie Murphy that I love because he never sought 104 00:06:32,080 --> 00:06:36,520 Speaker 1: out the glory that landed upon him, and he was 105 00:06:36,600 --> 00:06:38,800 Speaker 1: just one of these people that just took took the 106 00:06:38,800 --> 00:06:41,480 Speaker 1: bull by the horns and he didn't care, and of 107 00:06:41,560 --> 00:06:43,800 Speaker 1: course he paid a price for it later on in life, 108 00:06:43,920 --> 00:06:45,960 Speaker 1: you know, I mean, he was he had terrible problem 109 00:06:45,960 --> 00:06:48,760 Speaker 1: with alcoholism, and you know, just all these things. You 110 00:06:48,800 --> 00:06:51,480 Speaker 1: know that he bore the burden of that. People didn't understand, 111 00:06:51,640 --> 00:06:54,920 Speaker 1: you know, shell shock and all that. For Pussor was 112 00:06:55,040 --> 00:06:58,160 Speaker 1: not that person. He was no Audie Murphy. There's heroes. 113 00:06:58,200 --> 00:07:00,600 Speaker 1: I take exception with people too. They throw that term 114 00:07:00,680 --> 00:07:03,680 Speaker 1: around a lot. You hear it a lot. Oh, well, 115 00:07:03,760 --> 00:07:07,480 Speaker 1: you're so brave your hero. No you're not. No, you're not. 116 00:07:08,120 --> 00:07:11,480 Speaker 1: There are real heroes out there, and it's really sad. 117 00:07:11,560 --> 00:07:19,440 Speaker 1: I think that that, you know that that Buford Pusser 118 00:07:19,960 --> 00:07:24,160 Speaker 1: occupies that space where they you know, they have so 119 00:07:24,280 --> 00:07:27,120 Speaker 1: idolized him to the point where he, for many years 120 00:07:27,280 --> 00:07:31,520 Speaker 1: was viewed as a hero. And now with these stories 121 00:07:31,560 --> 00:07:35,960 Speaker 1: that have come to light in the wake of new 122 00:07:35,960 --> 00:07:40,360 Speaker 1: information that has come about as a result of of 123 00:07:40,400 --> 00:07:45,240 Speaker 1: his of his journey, if you will, his matrimonial journey 124 00:07:45,720 --> 00:07:49,520 Speaker 1: and things that they suspected that he was involved in. 125 00:07:51,920 --> 00:07:54,680 Speaker 1: Now you know, we view things in a different light 126 00:07:54,800 --> 00:07:58,600 Speaker 1: relative to him. You know, we heard these tales of 127 00:07:58,640 --> 00:08:01,680 Speaker 1: the Dixie Mafia, you know, for years and years, and 128 00:08:01,720 --> 00:08:04,840 Speaker 1: how it was integrated into a lot of the underworld stuff. 129 00:08:04,880 --> 00:08:06,600 Speaker 1: And of course I think they try to pull that 130 00:08:06,720 --> 00:08:11,560 Speaker 1: narrative in with these activities that were going on in 131 00:08:11,600 --> 00:08:14,760 Speaker 1: this county where he was, you know, the sheriff of 132 00:08:15,840 --> 00:08:19,000 Speaker 1: and there's not really a lot there a lot of 133 00:08:19,040 --> 00:08:21,720 Speaker 1: meat on the bone from an evidentiary standpoint, that that 134 00:08:22,000 --> 00:08:26,000 Speaker 1: was the case, I think, And so you know, it 135 00:08:26,040 --> 00:08:31,240 Speaker 1: makes you question everything else. And here's really the thing 136 00:08:31,560 --> 00:08:35,640 Speaker 1: is that, as we always say, the science, the science 137 00:08:35,640 --> 00:08:38,960 Speaker 1: in any case is not going to lie. And many 138 00:08:39,000 --> 00:08:43,079 Speaker 1: people don't anticipate that there is going to be a 139 00:08:45,840 --> 00:08:49,160 Speaker 1: telling of the truth down the line. But you know, 140 00:08:49,320 --> 00:08:54,120 Speaker 1: I got to tell you, if an individual happens to 141 00:08:54,160 --> 00:08:58,920 Speaker 1: be I don't know, let's say, exhumed the dead in fact, 142 00:08:59,679 --> 00:09:20,439 Speaker 1: do tell tales, Brother Dave. I'm curious about this. You know. 143 00:09:20,720 --> 00:09:24,959 Speaker 1: I felt like that, plus, the story had been essentially 144 00:09:25,000 --> 00:09:29,720 Speaker 1: I don't know, put to bed for decades now, and 145 00:09:30,760 --> 00:09:32,840 Speaker 1: you know, and I know the people up there, you know, 146 00:09:33,000 --> 00:09:35,280 Speaker 1: kind of scrap out a living. You know, they have 147 00:09:35,360 --> 00:09:38,720 Speaker 1: a museum up there. I think that kind of honors 148 00:09:38,760 --> 00:09:41,760 Speaker 1: his memory. And yeah, you know, there's all manner of 149 00:09:41,760 --> 00:09:44,040 Speaker 1: things that go on, and you know that's kind of 150 00:09:44,080 --> 00:09:46,800 Speaker 1: been a cottage industry. I guess now I kind of 151 00:09:46,800 --> 00:09:50,439 Speaker 1: feel sorry for the people now, you know, retrospectively. 152 00:09:50,920 --> 00:09:54,000 Speaker 2: Well joke. When the story first broke that they were 153 00:09:54,240 --> 00:09:58,440 Speaker 2: filing a report on this, the website for the museum 154 00:09:58,760 --> 00:10:01,400 Speaker 2: was down and it was not open, you know, they 155 00:10:01,400 --> 00:10:03,880 Speaker 2: closed it for a few days, but I went to 156 00:10:03,920 --> 00:10:07,400 Speaker 2: it before taping. Today, the Beauford puss Er Home and 157 00:10:07,480 --> 00:10:11,200 Speaker 2: Museum is open. The I mean, the website is and 158 00:10:11,400 --> 00:10:13,680 Speaker 2: the first line right there in the middle credited with 159 00:10:13,720 --> 00:10:16,640 Speaker 2: Beauford Pusser, like his slogan or the theme that he 160 00:10:16,720 --> 00:10:20,040 Speaker 2: lived by, what's right is right and what's wrong is wrong. 161 00:10:20,240 --> 00:10:24,160 Speaker 2: It doesn't matter who you are. I thought, how fitting 162 00:10:24,160 --> 00:10:26,400 Speaker 2: it is if they actually leave that on there and 163 00:10:26,440 --> 00:10:30,880 Speaker 2: now tell the real story based on information, you know, 164 00:10:30,920 --> 00:10:36,320 Speaker 2: I think that would be a way to honor his 165 00:10:36,440 --> 00:10:39,960 Speaker 2: wife and maybe open up a real discussion about domestic violence. 166 00:10:40,240 --> 00:10:41,880 Speaker 2: You know, we just did a story the other day 167 00:10:42,600 --> 00:10:47,600 Speaker 2: domestic violence where young woman was allegedly thrown over the 168 00:10:47,679 --> 00:10:50,959 Speaker 2: twenty fourth balcony, you know, by her husband, who has 169 00:10:51,000 --> 00:10:55,280 Speaker 2: been convicted of domestic violence. Now, and yet at first 170 00:10:55,360 --> 00:10:57,240 Speaker 2: it I don't know what they're going to I still 171 00:10:57,240 --> 00:10:59,160 Speaker 2: don't know how that's going to be ruled because there 172 00:10:59,200 --> 00:11:02,520 Speaker 2: was so much damage, you know, pulverized. Well, in this case, Joe, 173 00:11:03,520 --> 00:11:06,880 Speaker 2: you have Beauford Pusser's story. And I'm calling it that 174 00:11:06,920 --> 00:11:09,800 Speaker 2: because even back when he first told it, there were 175 00:11:09,840 --> 00:11:13,480 Speaker 2: people that didn't buy it. It didn't make a lot 176 00:11:13,520 --> 00:11:16,920 Speaker 2: of sense. I mean, he claims that, you know, one 177 00:11:16,960 --> 00:11:18,960 Speaker 2: of the things they built the walking tall myth on 178 00:11:19,480 --> 00:11:21,520 Speaker 2: was that he was the guy who stood up to 179 00:11:21,679 --> 00:11:24,480 Speaker 2: you know, all these wrongdoers in the hills, and they 180 00:11:24,480 --> 00:11:26,520 Speaker 2: were trying to kill him. You know, he was trying 181 00:11:26,559 --> 00:11:28,800 Speaker 2: they were trying to assassinate him. They were trying to 182 00:11:29,200 --> 00:11:31,240 Speaker 2: you know, catch him and get him. And this happens, 183 00:11:31,240 --> 00:11:33,360 Speaker 2: what at three in the morning, and he says his 184 00:11:33,440 --> 00:11:36,880 Speaker 2: wife is going out on a call with who takes it? What? 185 00:11:36,880 --> 00:11:40,080 Speaker 2: What shrif? I don't know, would take their wife out 186 00:11:40,120 --> 00:11:42,280 Speaker 2: on a call at three o'clock in the morning. 187 00:11:42,960 --> 00:11:45,400 Speaker 1: I don't know, you know, I guess I think the 188 00:11:45,400 --> 00:11:47,800 Speaker 1: the mythology of the thing is kind of painted out 189 00:11:47,880 --> 00:11:51,960 Speaker 1: so that you know, she's also the hero wife or 190 00:11:52,000 --> 00:11:56,920 Speaker 1: something like that, and again mythologizing this to that point 191 00:11:57,120 --> 00:12:01,720 Speaker 1: where you know, she becomes essentially a prop Think about 192 00:12:01,720 --> 00:12:05,040 Speaker 1: that just for a second. In this story, I think Hollywood, 193 00:12:05,200 --> 00:12:08,400 Speaker 1: you know, viewed it that way. Certainly, how brave you know, 194 00:12:08,440 --> 00:12:12,320 Speaker 1: this brave, brave couple you know that are going to 195 00:12:12,360 --> 00:12:15,520 Speaker 1: sally forth into the darkness of night, you know, and 196 00:12:15,920 --> 00:12:18,680 Speaker 1: go out and he's going to run this call, a 197 00:12:18,760 --> 00:12:23,520 Speaker 1: potentially very violent call where not only that, he also 198 00:12:23,920 --> 00:12:27,720 Speaker 1: if you're to believe this, and it's one thing, if 199 00:12:27,760 --> 00:12:29,839 Speaker 1: you have a sheriff, okay, and this does happen. I've 200 00:12:29,840 --> 00:12:34,960 Speaker 1: actually seen this happen where there are crime scenes I've 201 00:12:35,040 --> 00:12:38,840 Speaker 1: rolled out on and you've got a high ranking official 202 00:12:39,679 --> 00:12:44,360 Speaker 1: that happened to be out at night with his wife, okay, 203 00:12:45,880 --> 00:12:49,200 Speaker 1: and they show up at a scene because that high 204 00:12:49,280 --> 00:12:53,600 Speaker 1: ranking official has been notified that something major has happened, 205 00:12:53,640 --> 00:12:55,920 Speaker 1: like if you've got a multiple homicide that's been committed. 206 00:12:56,240 --> 00:12:58,600 Speaker 1: This individual wants to go out there because they're the 207 00:12:58,640 --> 00:13:02,360 Speaker 1: face of the elected sheriff or it is the sheriff, 208 00:13:03,120 --> 00:13:05,199 Speaker 1: and their spouse would actually wait in the car. And 209 00:13:05,240 --> 00:13:07,400 Speaker 1: I've actually seen that because I've known their spouse is 210 00:13:07,520 --> 00:13:09,199 Speaker 1: you know, we go to parties and all that stuff, 211 00:13:09,200 --> 00:13:11,760 Speaker 1: and I might acknowledge by waving at them, I would 212 00:13:11,760 --> 00:13:15,280 Speaker 1: think I wouldn't want this to be my spouse. But 213 00:13:15,559 --> 00:13:17,680 Speaker 1: we're not talking about you know, you're going out to 214 00:13:17,679 --> 00:13:20,400 Speaker 1: the local fish house on Friday night and you happen 215 00:13:20,480 --> 00:13:22,120 Speaker 1: to get a call and you're going to know you're 216 00:13:22,120 --> 00:13:25,680 Speaker 1: talking about somebody that's like, yeah, I got this call, 217 00:13:25,840 --> 00:13:27,600 Speaker 1: and she's going to hop in the car to go 218 00:13:27,640 --> 00:13:31,600 Speaker 1: to this potentially very dangerous event with him and show up. 219 00:13:31,920 --> 00:13:35,440 Speaker 1: It seems first off, if you're truly a law enforcement 220 00:13:35,480 --> 00:13:38,360 Speaker 1: officer and there is no excuse for time, you can't say, well, 221 00:13:38,400 --> 00:13:42,559 Speaker 1: it was a different time back then. No, No, things 222 00:13:42,559 --> 00:13:46,040 Speaker 1: were dangerous. They were dangerous. There was violence, and you know, 223 00:13:46,080 --> 00:13:49,120 Speaker 1: in prior to this, he had allegedly experienced violence, he 224 00:13:49,160 --> 00:13:51,280 Speaker 1: was aware of the violence that was going on. So 225 00:13:51,440 --> 00:13:55,640 Speaker 1: you're telling me that the most precious person in your life, who, 226 00:13:55,679 --> 00:13:58,679 Speaker 1: by the way, should be your spouse first and then 227 00:13:58,720 --> 00:14:01,520 Speaker 1: your kids, you're going to put them in the car 228 00:14:01,559 --> 00:14:05,200 Speaker 1: with you and go out to this location and oh, 229 00:14:05,280 --> 00:14:08,320 Speaker 1: by the way, there's a hit team out that's going 230 00:14:08,400 --> 00:14:11,880 Speaker 1: to take you out. Now, this sounds like something that's created, 231 00:14:12,960 --> 00:14:16,800 Speaker 1: created in I don't know, in somebody that's living on 232 00:14:16,840 --> 00:14:21,960 Speaker 1: a fantastic plane in their brain. And Hollywood bought into it, 233 00:14:22,240 --> 00:14:25,480 Speaker 1: and listen, you know, you know they put a lot 234 00:14:25,480 --> 00:14:27,400 Speaker 1: of butts in seats, didn't they in the theaters with 235 00:14:27,520 --> 00:14:30,920 Speaker 1: this thing? This thing was People don't realize what a like. 236 00:14:31,000 --> 00:14:32,960 Speaker 1: I'm not going to say it was a cultural landmark, 237 00:14:33,520 --> 00:14:35,680 Speaker 1: but you know, the theaters were full to see this 238 00:14:35,760 --> 00:14:38,520 Speaker 1: movie and the book. The book also sold well. 239 00:14:38,480 --> 00:14:42,040 Speaker 2: Jay, you think about it, though, it was Hollywood didn't 240 00:14:42,440 --> 00:14:46,080 Speaker 2: create the story or they sold it. But the story 241 00:14:46,120 --> 00:14:48,360 Speaker 2: had been going on for six years before that nineteen 242 00:14:48,400 --> 00:14:51,760 Speaker 2: seventy three movie came out. This happened in nineteen sixty seven. Yeah, 243 00:14:52,040 --> 00:14:55,920 Speaker 2: So in nineteen sixty seven, he says that he's got 244 00:14:55,920 --> 00:14:58,360 Speaker 2: this domestic violence call he has to go on in 245 00:14:58,360 --> 00:15:00,320 Speaker 2: the middle of three thirty in the morning, and his 246 00:15:00,360 --> 00:15:04,200 Speaker 2: wife volunteers to go with him. He claims that a 247 00:15:04,280 --> 00:15:07,960 Speaker 2: car pulled up alongside his and again three thirty in 248 00:15:08,000 --> 00:15:11,640 Speaker 2: the morning on a domestic violence call, and somebody pulled 249 00:15:11,680 --> 00:15:16,520 Speaker 2: up alongside his car and fired several shots, killing Pauline 250 00:15:16,560 --> 00:15:20,000 Speaker 2: and injuring him, and what he claimed was an ambush 251 00:15:20,040 --> 00:15:23,120 Speaker 2: intended for him and was carried out by unknown assailants. 252 00:15:23,160 --> 00:15:26,800 Speaker 2: They were never caught. The sheriff was shot, Buford Puster 253 00:15:27,000 --> 00:15:29,200 Speaker 2: was shot. Wasn't he shot in the face? Yes, he 254 00:15:29,440 --> 00:15:33,480 Speaker 2: was yeah, he's and his wife is is dead. Now, 255 00:15:33,960 --> 00:15:37,240 Speaker 2: usually when you have somebody with a self inflicted gunshot wound, 256 00:15:37,320 --> 00:15:39,800 Speaker 2: it's usually not on the face, is it. 257 00:15:39,920 --> 00:15:42,400 Speaker 1: No, it's not, and that that's quite interesting. But it 258 00:15:42,440 --> 00:15:46,600 Speaker 1: was in such a location I think that well, first off, 259 00:15:46,640 --> 00:15:49,080 Speaker 1: if you if you see any of the post surgical 260 00:15:49,840 --> 00:15:54,640 Speaker 1: images of him, dudes disfigured. I mean, I got handed 261 00:15:54,720 --> 00:15:59,040 Speaker 1: to him, you boys, disfigured. You know, you can see 262 00:15:59,720 --> 00:16:04,320 Speaker 1: that it almost if this was if his face was 263 00:16:04,360 --> 00:16:06,840 Speaker 1: a candle, you'd say that it only burned on one 264 00:16:06,920 --> 00:16:09,080 Speaker 1: side because it's like drooping, you know, it's kind of 265 00:16:09,120 --> 00:16:13,160 Speaker 1: drooping and hanging down. He went through multiple reconstructive surgeries, 266 00:16:13,720 --> 00:16:19,160 Speaker 1: but interestingly enough, they didn't score, you know, they didn't 267 00:16:19,200 --> 00:16:23,080 Speaker 1: score a shot to the top of his noggin. The 268 00:16:23,160 --> 00:16:27,000 Speaker 1: scene is kind of it's peripheral. So if you're gonna look, 269 00:16:27,040 --> 00:16:29,280 Speaker 1: if you're going to try to sell it, if you're 270 00:16:29,280 --> 00:16:32,640 Speaker 1: going to act the part, you know it'd be one thing. 271 00:16:32,680 --> 00:16:34,720 Speaker 1: You know, you see these people in movies. It's always 272 00:16:34,800 --> 00:16:36,800 Speaker 1: people in movies, you know, the hero that get shot 273 00:16:36,800 --> 00:16:40,120 Speaker 1: on the shoulder or the thigh, But yet they can 274 00:16:40,120 --> 00:16:42,440 Speaker 1: put rounds on target at center mass with one thousand 275 00:16:42,520 --> 00:16:47,240 Speaker 1: yards with a handgun, you know, but I got to 276 00:16:47,240 --> 00:16:50,600 Speaker 1: hand it to him. He really sold it, and so 277 00:16:51,640 --> 00:16:55,840 Speaker 1: you know, it's a survivable a survivable injury. And also 278 00:16:57,080 --> 00:17:00,440 Speaker 1: further consideration of this, of the case and his injuries, 279 00:17:00,480 --> 00:17:04,760 Speaker 1: the assessment of it is that it was determined that 280 00:17:04,840 --> 00:17:10,920 Speaker 1: this was not a distance injury, that this injury was 281 00:17:11,080 --> 00:17:17,399 Speaker 1: in fact close range. And I guess one of the 282 00:17:17,480 --> 00:17:23,240 Speaker 1: questions that I would have about this is going back 283 00:17:23,280 --> 00:17:26,000 Speaker 1: to surgical notes that would have had to have been 284 00:17:26,040 --> 00:17:29,679 Speaker 1: included in this particular case, what was the nature of 285 00:17:29,680 --> 00:17:32,359 Speaker 1: the injury, because this is a this is not a 286 00:17:32,400 --> 00:17:35,399 Speaker 1: case where back then there wasn't a lot of what 287 00:17:35,440 --> 00:17:38,280 Speaker 1: we refer to, and people don't know that this practice exists, 288 00:17:38,280 --> 00:17:40,399 Speaker 1: but it actually does. You know that there's actually a 289 00:17:40,400 --> 00:17:44,480 Speaker 1: practice called living forensic pathology where you can have Yeah, 290 00:17:44,720 --> 00:17:51,679 Speaker 1: and I've been involved in well, I guess two or 291 00:17:51,720 --> 00:17:54,719 Speaker 1: three cases where we had other fatalities, but the forensic 292 00:17:54,720 --> 00:17:59,159 Speaker 1: pathologists actually went in and examined a living victim to 293 00:17:59,240 --> 00:18:03,879 Speaker 1: do an assessment of the of the subject at the hospital. 294 00:18:04,000 --> 00:18:06,040 Speaker 1: It's kind of fascinating stuff. You don't hear about it 295 00:18:06,040 --> 00:18:09,560 Speaker 1: a lot, but it does happen. In this case, you've 296 00:18:09,560 --> 00:18:13,560 Speaker 1: got you've got a guy that's going through multiple reconstructive surgery, 297 00:18:14,040 --> 00:18:17,560 Speaker 1: and one of the things that that we do, let's 298 00:18:17,560 --> 00:18:21,320 Speaker 1: just say that he had died. All right, did you know, 299 00:18:21,440 --> 00:18:25,679 Speaker 1: Dave that that when we request medical records, let's just 300 00:18:25,680 --> 00:18:29,880 Speaker 1: say that somebody survives, they get into surgery, the forensic 301 00:18:29,920 --> 00:18:34,439 Speaker 1: pathologist will ask ask the investigators to compel the hospital 302 00:18:35,119 --> 00:18:38,200 Speaker 1: through a subpoena to get all of the surgery notes. 303 00:18:38,560 --> 00:18:41,840 Speaker 1: We're gonna get all the surgery notes, and the surgeon 304 00:18:42,000 --> 00:18:47,719 Speaker 1: will actually, in pretty detailed detailed notes, will describe the 305 00:18:47,800 --> 00:18:49,840 Speaker 1: track of the wound because they're going to go in. 306 00:18:50,920 --> 00:18:53,240 Speaker 1: They're going to go in and they're actually they're actually 307 00:18:53,280 --> 00:18:55,359 Speaker 1: going to retrieve Let's say, for instance, you've got an 308 00:18:55,400 --> 00:18:58,399 Speaker 1: in dwelling round that's still in the body. They're going 309 00:18:58,480 --> 00:19:00,640 Speaker 1: to go in and retrieve that round if they can 310 00:19:00,680 --> 00:19:05,040 Speaker 1: get to it. Sometimes they can't. Got a great story, 311 00:19:05,280 --> 00:19:07,600 Speaker 1: I got to tell you sometime about that, but that's 312 00:19:07,600 --> 00:19:12,840 Speaker 1: for another episode. But anyway, they will go in and 313 00:19:12,880 --> 00:19:15,000 Speaker 1: they're going to track the wound, kind of like we 314 00:19:15,119 --> 00:19:18,639 Speaker 1: do in the Morgue. But their goal in tracking the 315 00:19:18,680 --> 00:19:22,760 Speaker 1: wound is to go in and first off, stop any 316 00:19:22,840 --> 00:19:25,560 Speaker 1: kind of hemorrhage that's in there. That's the first stage 317 00:19:25,880 --> 00:19:28,040 Speaker 1: if you're trying to do surgical repair. They want to 318 00:19:28,080 --> 00:19:31,680 Speaker 1: go in and those little you know, you can have 319 00:19:31,720 --> 00:19:35,840 Speaker 1: these kind of gross injuries that come up as a 320 00:19:35,840 --> 00:19:38,120 Speaker 1: result of the wound track where it's kind of cavitating, 321 00:19:38,280 --> 00:19:40,359 Speaker 1: you know, through the body, but you can have these 322 00:19:40,400 --> 00:19:44,680 Speaker 1: little micro micro injuries, you know, where you've clipped little 323 00:19:44,800 --> 00:19:47,919 Speaker 1: vessels that are you know, hemorrhaging into the soft tissue. 324 00:19:47,960 --> 00:19:50,600 Speaker 1: They've got to go in and stem that bleeding. So 325 00:19:50,640 --> 00:19:53,800 Speaker 1: they're tracking the wound kind of like we do, but 326 00:19:54,160 --> 00:19:57,359 Speaker 1: it's with a much finer point. So we would in 327 00:19:57,359 --> 00:20:00,439 Speaker 1: that part. Let's just say that under that circumstance person 328 00:20:00,560 --> 00:20:04,360 Speaker 1: died in the hospital, we would subpoena those notes, those 329 00:20:04,400 --> 00:20:07,399 Speaker 1: surgical notes, and we'd like to try to get them 330 00:20:07,400 --> 00:20:11,640 Speaker 1: before the autopsy. We go in and review what the 331 00:20:11,680 --> 00:20:16,479 Speaker 1: surgeon saw, and even though that surgeon saw it in place, 332 00:20:16,760 --> 00:20:18,520 Speaker 1: we're still going to do the autopsy. This is a 333 00:20:18,520 --> 00:20:22,560 Speaker 1: homicide that we're talking about, and we're going to note 334 00:20:22,680 --> 00:20:25,800 Speaker 1: all the surgical repairs maybe where they failed to pick 335 00:20:25,880 --> 00:20:28,479 Speaker 1: up on things, not as like a judgment, but just 336 00:20:28,520 --> 00:20:30,720 Speaker 1: to explain to death, you know, because there's a certain 337 00:20:30,720 --> 00:20:34,359 Speaker 1: area there's sometimes you can have these catastrophic injuries that 338 00:20:34,760 --> 00:20:37,959 Speaker 1: is as desperately as a surgeon might try to repair 339 00:20:38,040 --> 00:20:40,879 Speaker 1: them and stem bleeding and all this other tissue damage 340 00:20:40,880 --> 00:20:44,080 Speaker 1: where it's you know, it's compromising organ system's ability to 341 00:20:44,119 --> 00:20:46,600 Speaker 1: function and they're bleeding out and all that sort of stuff. 342 00:20:46,720 --> 00:20:49,200 Speaker 1: There's not enough that they can do, but the person 343 00:20:49,320 --> 00:20:52,240 Speaker 1: dies in a post surgical state. We want to know 344 00:20:52,359 --> 00:20:55,440 Speaker 1: all of that before we go in. But with with Pusser, 345 00:20:56,800 --> 00:20:58,960 Speaker 1: you know, I'd like to know what did the surgeon 346 00:20:59,080 --> 00:21:02,440 Speaker 1: see and did they make any kind of notes relative 347 00:21:02,520 --> 00:21:08,119 Speaker 1: to any kind of powder deposition on the skin, because 348 00:21:08,119 --> 00:21:13,960 Speaker 1: if you're you know, retrospectively, there's this er physician who 349 00:21:14,040 --> 00:21:17,080 Speaker 1: is apparently also a de facto medical examiner up in 350 00:21:18,000 --> 00:21:21,080 Speaker 1: Tennessee that was called in to consult on the scene, 351 00:21:21,080 --> 00:21:24,000 Speaker 1: and he claims that he's gone in and reviewed, you know, 352 00:21:24,080 --> 00:21:26,800 Speaker 1: reviewed reviewed to stuff, and he could tell that this 353 00:21:27,040 --> 00:21:33,080 Speaker 1: was actually as actually an injury that was sustained at 354 00:21:33,119 --> 00:21:38,639 Speaker 1: a close range to Pusser, and that there's evidence that 355 00:21:39,280 --> 00:21:43,720 Speaker 1: this round was potentially self inflicted. Dave as opposed to 356 00:21:43,880 --> 00:21:47,359 Speaker 1: something because what's the scenario again with this. They're saying 357 00:21:47,359 --> 00:21:51,440 Speaker 1: that he claims that people pulled up alongside of them 358 00:21:52,080 --> 00:21:56,200 Speaker 1: and began to fire into the vehicle that they're riding in. 359 00:21:56,280 --> 00:21:58,679 Speaker 1: And it turns out that that doesn't seem like that's 360 00:21:59,080 --> 00:21:59,960 Speaker 1: you know, that dog's gone. 361 00:22:00,560 --> 00:22:02,480 Speaker 2: Well, you got a little problem with blood spatter on 362 00:22:02,520 --> 00:22:07,360 Speaker 2: the hood. That's a little problem. And there were other 363 00:22:07,400 --> 00:22:11,680 Speaker 2: problems because the injury suffered by Pauline did not match 364 00:22:11,720 --> 00:22:14,880 Speaker 2: his story. And the thing is, Joe, I keep going 365 00:22:14,920 --> 00:22:16,760 Speaker 2: back to this, but they knew it at the time. 366 00:22:17,040 --> 00:22:19,960 Speaker 2: You already have the problem with the evidence at the 367 00:22:20,000 --> 00:22:23,200 Speaker 2: scene not matching his story, and they knew that then. 368 00:22:23,400 --> 00:22:27,680 Speaker 2: They knew that in nineteen sixty seven. But what was 369 00:22:27,760 --> 00:22:31,360 Speaker 2: the reason for digging up his wife? Because you've explained 370 00:22:31,359 --> 00:22:34,960 Speaker 2: to me that that is one big problem. It's not 371 00:22:35,119 --> 00:22:38,800 Speaker 2: something that judges liked to do to It is rest 372 00:22:38,840 --> 00:22:39,639 Speaker 2: in peace, right. 373 00:22:40,760 --> 00:22:44,000 Speaker 1: Yeah, yeah, and they take that very seriously. But here's 374 00:22:44,040 --> 00:22:48,760 Speaker 1: the thing. What I think the impetus behind this is 375 00:22:49,920 --> 00:22:53,800 Speaker 1: not the FBI, but the TBI, the Tennessee Bureau of Investigation, 376 00:22:54,800 --> 00:22:58,600 Speaker 1: and in an organization I've always been really impressed with over 377 00:22:58,640 --> 00:23:04,320 Speaker 1: the years and their thoroughness. Uh, those folks don't get 378 00:23:04,320 --> 00:23:10,280 Speaker 1: paid a lot of money, but they they work with 379 00:23:10,320 --> 00:23:14,720 Speaker 1: what they have and they're really tenacious the ones that 380 00:23:14,760 --> 00:23:18,040 Speaker 1: I've come across. And there's great stories about some of 381 00:23:18,119 --> 00:23:20,840 Speaker 1: the cases that that TBI has worked on over the years, 382 00:23:21,440 --> 00:23:23,879 Speaker 1: and they do have a cold case squad. Dave this 383 00:23:24,040 --> 00:23:27,840 Speaker 1: case now, listen to me. This is kind of fascinating. 384 00:23:28,280 --> 00:23:34,080 Speaker 1: This case is still a cold case. Just let that 385 00:23:34,200 --> 00:23:36,400 Speaker 1: sink in. You know, this is still a cold case. 386 00:23:36,480 --> 00:23:44,920 Speaker 1: This is an unsolved, an unsolved violent assault case. Also, oh, 387 00:23:44,960 --> 00:23:47,760 Speaker 1: by the way, we've got a woman that's homicide victim, 388 00:23:48,640 --> 00:23:51,080 Speaker 1: and we've got these assailants that have been you know, 389 00:23:51,640 --> 00:23:54,159 Speaker 1: rolling down the road in a car, and this is 390 00:23:54,200 --> 00:24:00,000 Speaker 1: a targeted attack on a public official and it remained 391 00:24:00,080 --> 00:24:02,560 Speaker 1: and solved. I don't know, you know, I think that 392 00:24:03,000 --> 00:24:04,800 Speaker 1: we might not like to think of it this way. 393 00:24:04,880 --> 00:24:07,760 Speaker 1: But if you've got an open case involving an elected 394 00:24:07,760 --> 00:24:11,680 Speaker 1: official and it is unsolved, and it was something as 395 00:24:11,720 --> 00:24:16,240 Speaker 1: horrible as a local sheriff who was ambushed while going 396 00:24:16,280 --> 00:24:21,919 Speaker 1: down the road and in his official capacity to work 397 00:24:23,040 --> 00:24:27,240 Speaker 1: a domestic violence call in his wife is murdered along 398 00:24:27,280 --> 00:24:31,200 Speaker 1: the way, that's something that no matter how much time 399 00:24:32,359 --> 00:24:37,679 Speaker 1: passes by, people are still going to have an interest in, 400 00:24:38,080 --> 00:24:59,080 Speaker 1: particularly the Tennessee Bureau of Investigations. Every fall, Dave, I 401 00:24:59,160 --> 00:25:06,000 Speaker 1: take my class at Jacksonville State University. I take my class. 402 00:25:06,040 --> 00:25:11,240 Speaker 1: I teach a course in the fall called Clandestine Burials. 403 00:25:11,080 --> 00:25:12,679 Speaker 1: As matter of fact, I'm in the middle of it 404 00:25:12,760 --> 00:25:16,480 Speaker 1: right now, we're winding down semester. I take them out 405 00:25:16,480 --> 00:25:21,840 Speaker 1: to the cemetery. And because most people, first off, don't 406 00:25:21,840 --> 00:25:23,959 Speaker 1: know the difference between a cemetery in a graveyard. They 407 00:25:23,960 --> 00:25:27,360 Speaker 1: don't know the difference between a casket and coffin, they 408 00:25:27,400 --> 00:25:31,760 Speaker 1: don't know what a vault is. Many of them have 409 00:25:31,920 --> 00:25:35,360 Speaker 1: never taken time to read headstones, which is something that, 410 00:25:36,040 --> 00:25:38,760 Speaker 1: as morbid as it is, I find I find cemeteries 411 00:25:38,880 --> 00:25:42,240 Speaker 1: very peaceful, particularly if I don't have a loved one 412 00:25:42,240 --> 00:25:45,960 Speaker 1: that's buried there. There's a certain solemnity that comes along 413 00:25:46,000 --> 00:25:48,760 Speaker 1: with it. And I love because you're you're reading, you know, 414 00:25:48,800 --> 00:25:51,080 Speaker 1: you're walking through stones of history. I try to be 415 00:25:51,359 --> 00:25:55,760 Speaker 1: very respectful out there. But you've got these these engravings 416 00:25:55,760 --> 00:25:58,440 Speaker 1: on stones, you know, that talk about the love that 417 00:25:58,840 --> 00:26:02,720 Speaker 1: individuals had for their famiamily members decades and many times 418 00:26:02,760 --> 00:26:05,200 Speaker 1: those families are completely gone now, but they still they 419 00:26:05,200 --> 00:26:07,720 Speaker 1: occupy the space that you currently occupy, you know what 420 00:26:07,760 --> 00:26:10,520 Speaker 1: I'm saying. And so I take my kids out there. 421 00:26:11,119 --> 00:26:14,240 Speaker 1: And some of these graves in our local municipal cemetery 422 00:26:14,359 --> 00:26:17,840 Speaker 1: are very very old. Some of them are ante bellum, 423 00:26:17,880 --> 00:26:20,560 Speaker 1: their pre Civil War. Some of them are caving in, 424 00:26:21,480 --> 00:26:24,119 Speaker 1: and you can kind of get an idea of old 425 00:26:24,160 --> 00:26:28,680 Speaker 1: burial practices. You can see you can see that at 426 00:26:28,720 --> 00:26:30,720 Speaker 1: one point in time somebody really cared for the grave. 427 00:26:30,880 --> 00:26:32,520 Speaker 1: They may have put up a wrought iron fence. And 428 00:26:32,520 --> 00:26:35,320 Speaker 1: now even the rod arn fence is collapsing, it's covered 429 00:26:35,359 --> 00:26:39,680 Speaker 1: in rust, the gate is off the hinges, there's overgrowth. 430 00:26:40,520 --> 00:26:42,879 Speaker 1: But still, you know, you see these that are pristine. 431 00:26:43,320 --> 00:26:45,800 Speaker 1: Every now and then you'll see I know that a 432 00:26:45,840 --> 00:26:48,800 Speaker 1: couple of times we've seen elderly people that are out there. 433 00:26:49,600 --> 00:26:54,040 Speaker 1: I remember one date a couple of years ago, back 434 00:26:54,080 --> 00:26:58,240 Speaker 1: in the fall, there was a little old lady that 435 00:26:58,400 --> 00:27:01,440 Speaker 1: was at a grave and she was knelt at the 436 00:27:01,520 --> 00:27:03,720 Speaker 1: at the foot of the grave and she was weeping, 437 00:27:03,880 --> 00:27:05,560 Speaker 1: and she was off in the distance, and I told 438 00:27:05,560 --> 00:27:08,359 Speaker 1: the kids, stay, you know, we're not going that way. 439 00:27:08,720 --> 00:27:11,040 Speaker 1: We're going here to the really old section of the graveyard. 440 00:27:11,680 --> 00:27:15,639 Speaker 1: And the reason I make this point is that you 441 00:27:15,720 --> 00:27:18,199 Speaker 1: mentioned the r I p rest in peace right. You 442 00:27:18,240 --> 00:27:20,199 Speaker 1: see that everywhere, you know, you can see it on 443 00:27:20,240 --> 00:27:23,399 Speaker 1: the internet, you know, and social media. You know, people 444 00:27:23,400 --> 00:27:26,960 Speaker 1: will say, you know, happy heavenly Birthday r IP, you know, 445 00:27:29,920 --> 00:27:32,399 Speaker 1: and you're thinking about it. You know, you go out 446 00:27:32,480 --> 00:27:35,320 Speaker 1: there and these are families, you know, that are represented here. 447 00:27:35,560 --> 00:27:40,520 Speaker 1: There's individuals that have have lived these lives and some 448 00:27:40,560 --> 00:27:45,360 Speaker 1: of them ended very violently. What's fascinating to me about 449 00:27:46,480 --> 00:27:53,520 Speaker 1: about Pauline Pusser is the fact that in a way, 450 00:27:54,000 --> 00:27:57,480 Speaker 1: her death and her burial is kind of a clandestine 451 00:27:57,520 --> 00:28:01,600 Speaker 1: burial in the sense that and when I say clandestine, 452 00:28:01,680 --> 00:28:05,440 Speaker 1: that means that you're trying to hide something. The reason 453 00:28:05,480 --> 00:28:07,320 Speaker 1: I take my kids out of the graveyard so I 454 00:28:07,359 --> 00:28:08,840 Speaker 1: want them to be able to see what a regular 455 00:28:08,880 --> 00:28:13,080 Speaker 1: grave looks like. But you know, it's fascinating that maybe 456 00:28:13,200 --> 00:28:21,720 Speaker 1: just maybe people people actually die, someone does not do 457 00:28:21,800 --> 00:28:24,679 Speaker 1: a sufficient investigation, and that person gets put in the ground, 458 00:28:25,359 --> 00:28:27,280 Speaker 1: and in a way that's kind of clandestine, isn't it, 459 00:28:27,560 --> 00:28:30,320 Speaker 1: you know, because they're buried, and you know, you no 460 00:28:30,400 --> 00:28:34,000 Speaker 1: one thinks when they're standing around a grave. I wonder 461 00:28:34,080 --> 00:28:37,240 Speaker 1: if Pusser all those years ago, as he you know, 462 00:28:37,320 --> 00:28:40,320 Speaker 1: as he went back to visit his wife's grave and 463 00:28:40,360 --> 00:28:45,040 Speaker 1: she was placed in the earth, if you know, after 464 00:28:45,080 --> 00:28:46,840 Speaker 1: he had gone through all the surgeries and everything. I 465 00:28:46,840 --> 00:28:48,200 Speaker 1: don't know if he ever went back out there. I 466 00:28:48,200 --> 00:28:52,080 Speaker 1: guess he did to honor her, or at least demonstrate honor. 467 00:28:52,800 --> 00:28:56,840 Speaker 1: If he ever thought, you know, well, got away with it. 468 00:28:58,800 --> 00:29:01,520 Speaker 1: No one's ever going to cracked this grave open, no 469 00:29:01,560 --> 00:29:03,920 Speaker 1: one's ever going to know. I'll take this with me 470 00:29:04,040 --> 00:29:06,240 Speaker 1: to my grave. And you know, of course he died. 471 00:29:07,000 --> 00:29:10,240 Speaker 1: He died I think in seventy four as a result 472 00:29:10,280 --> 00:29:12,280 Speaker 1: of a car accident. He had some kind of hopped 473 00:29:12,360 --> 00:29:15,880 Speaker 1: up corvette that he died in, and of course that 474 00:29:15,960 --> 00:29:18,960 Speaker 1: secret was taken the grave with him, Dave. But you know, 475 00:29:19,000 --> 00:29:22,880 Speaker 1: when you think about back in the sixties when she 476 00:29:23,120 --> 00:29:27,840 Speaker 1: was interned there, things were hidden Wrenth They Dave. 477 00:29:28,080 --> 00:29:30,760 Speaker 2: She had a healing broken nose when she was buried, 478 00:29:31,200 --> 00:29:38,000 Speaker 2: a healing broken nose when she was buried. So the 479 00:29:38,040 --> 00:29:42,440 Speaker 2: person that was there when she's dead, they're examined it, 480 00:29:42,480 --> 00:29:46,600 Speaker 2: they see, they know, and nobody says anything. 481 00:29:47,400 --> 00:29:51,320 Speaker 1: Nobody, nobody at all. And you know, going back to 482 00:29:52,480 --> 00:29:56,560 Speaker 1: the earlier part of our conversation, Dave the idea that 483 00:29:57,120 --> 00:30:00,280 Speaker 1: he would take his wife on the domestic urban it's 484 00:30:00,280 --> 00:30:02,560 Speaker 1: called how many times have I mentioned and you've you've 485 00:30:02,560 --> 00:30:07,280 Speaker 1: said it too, all right, and it's it's rote. I mean, 486 00:30:07,320 --> 00:30:10,840 Speaker 1: it's everywhere, the most dangerous call a police officer will 487 00:30:10,880 --> 00:30:14,800 Speaker 1: ever go on. It's not some drug cartel thing, it's 488 00:30:14,840 --> 00:30:20,960 Speaker 1: not it's you know, it's uticule entrapment. It's a domestic 489 00:30:21,040 --> 00:30:24,880 Speaker 1: violence call. Because they're so unpredictable. So with that knowledge 490 00:30:24,920 --> 00:30:28,520 Speaker 1: in mind, you're going to take your wife there. Well, 491 00:30:29,040 --> 00:30:32,040 Speaker 1: let me just kind of throw this into the flame 492 00:30:32,080 --> 00:30:35,520 Speaker 1: as well. Here, if you're popping your wife in the 493 00:30:35,560 --> 00:30:38,120 Speaker 1: face to the point. He was a big man too, 494 00:30:38,720 --> 00:30:44,120 Speaker 1: I mean he was big and powerful, yeah, and had 495 00:30:44,120 --> 00:30:48,360 Speaker 1: a history as an athlete, I believe kind of sounds 496 00:30:48,360 --> 00:30:52,680 Speaker 1: like a brute to me. And Pauline, you know everything 497 00:30:52,760 --> 00:31:01,200 Speaker 1: I've heard. You know, she's kind of diminutive, quiet, beautiful. Well, 498 00:31:01,280 --> 00:31:06,800 Speaker 1: if your husband is so inclined and he's been putting 499 00:31:06,800 --> 00:31:09,440 Speaker 1: his hands on you and popping you in the face 500 00:31:09,480 --> 00:31:13,400 Speaker 1: to the point where you fracture her nasal bone, I'm 501 00:31:13,400 --> 00:31:16,800 Speaker 1: talking about the cartilage here, I'm talking about a facial fracture. 502 00:31:17,280 --> 00:31:19,840 Speaker 1: Here's the thing about facial fractures day. I wonder who 503 00:31:19,880 --> 00:31:23,600 Speaker 1: else was aware of this, because with fractured noses, you 504 00:31:23,640 --> 00:31:26,880 Speaker 1: know what you get, you get raccoon eyes because that 505 00:31:27,160 --> 00:31:29,840 Speaker 1: goes to what's referred to as a base of skull fracture, 506 00:31:30,400 --> 00:31:34,360 Speaker 1: the floor of the of the skull in that area. 507 00:31:34,960 --> 00:31:37,880 Speaker 1: That's why you see people that you know, you'll see 508 00:31:37,920 --> 00:31:40,360 Speaker 1: people that have had like facial reconstruction or you know, 509 00:31:40,400 --> 00:31:43,720 Speaker 1: some kind of plastic surgery on their nose size reduction 510 00:31:43,960 --> 00:31:48,320 Speaker 1: or whatever it is. They'll have bilateral black eyes called 511 00:31:48,440 --> 00:31:51,480 Speaker 1: raccoon eyes. And that's because you get this this trauma 512 00:31:51,520 --> 00:31:54,120 Speaker 1: to the bone that's in there and I many times 513 00:31:54,120 --> 00:31:59,320 Speaker 1: will be swelling black. And I'd like to know the 514 00:31:59,360 --> 00:32:03,400 Speaker 1: domestic history on them at she was. She the type 515 00:32:03,440 --> 00:32:05,480 Speaker 1: of person that you wouldn't see for a period of 516 00:32:05,480 --> 00:32:08,800 Speaker 1: time because abuse victims are like that sometimes, you know, 517 00:32:08,920 --> 00:32:12,440 Speaker 1: they get abused. Many times they're not allowed to leave 518 00:32:12,480 --> 00:32:16,760 Speaker 1: the house by their abuser. They have to stay indoors, 519 00:32:16,880 --> 00:32:19,360 Speaker 1: particularly if they're presenting with any kind of trauma because 520 00:32:19,400 --> 00:32:22,560 Speaker 1: generally the abuser is not that stupid. You know, how 521 00:32:22,560 --> 00:32:25,280 Speaker 1: are you going to explain. She honey, what why do 522 00:32:25,360 --> 00:32:29,000 Speaker 1: you Why are both your eyes black? You know? Oh, 523 00:32:28,840 --> 00:32:32,200 Speaker 1: I you know I bumped into the door. Really, you 524 00:32:32,280 --> 00:32:34,880 Speaker 1: bumped into the door. That's why both of your eyes 525 00:32:34,920 --> 00:32:38,160 Speaker 1: are black. You know, she can't say that. You know, 526 00:32:38,400 --> 00:32:40,920 Speaker 1: my husband, with hands the size of a canned ham, 527 00:32:41,920 --> 00:32:46,160 Speaker 1: you know, landed a blow in the middle of my 528 00:32:46,280 --> 00:32:49,760 Speaker 1: face and fractured my fractured my nose. And lots of 529 00:32:49,800 --> 00:32:51,880 Speaker 1: times when abuse are strike and they'll do this with 530 00:32:52,040 --> 00:32:55,280 Speaker 1: kids as well. They like to punch in the stomach, 531 00:32:56,040 --> 00:32:58,000 Speaker 1: you know that. They like to punch in the stomach. 532 00:32:58,760 --> 00:33:03,760 Speaker 1: They because you're going to be clothed in that area, 533 00:33:04,000 --> 00:33:06,960 Speaker 1: and they'll do they'll do things where trauma can be hidden, 534 00:33:07,000 --> 00:33:09,160 Speaker 1: but where the trauma cannot be hidden, they'll hide the 535 00:33:09,600 --> 00:33:14,560 Speaker 1: victim from from public views. So I guess you know, 536 00:33:14,600 --> 00:33:18,040 Speaker 1: when when you're going to do an exhamation and you 537 00:33:18,080 --> 00:33:23,440 Speaker 1: can actually tell this, her body would in fact have 538 00:33:23,560 --> 00:33:28,720 Speaker 1: been X rayed and anything that was there or the 539 00:33:28,800 --> 00:33:31,440 Speaker 1: skeleton remains all the remains of her. Remember she was 540 00:33:31,480 --> 00:33:35,520 Speaker 1: buried back in the sixties day. I'd like to know 541 00:33:35,600 --> 00:33:42,640 Speaker 1: how much remained of her that was casketed and even less, 542 00:33:42,640 --> 00:33:45,920 Speaker 1: say all of the soft tissue is gone, you'd be 543 00:33:46,000 --> 00:33:51,320 Speaker 1: surprised with embalmed bodies, particularly dependent upon how well they're embalmed, 544 00:33:52,280 --> 00:33:55,920 Speaker 1: how you can have surviving soft tissue. Sometimes that'll be there. 545 00:33:56,080 --> 00:34:00,400 Speaker 1: You know, it's kind of amazing. And again it all depends, 546 00:34:00,520 --> 00:34:03,480 Speaker 1: It depends on a lot of factors. If if, first off, 547 00:34:03,560 --> 00:34:06,280 Speaker 1: the embalming job was really good, all right, that's that's 548 00:34:06,320 --> 00:34:09,560 Speaker 1: the baseline. And if you can keep moisture out of 549 00:34:10,000 --> 00:34:13,719 Speaker 1: the vault and certainly out of the casket, you know 550 00:34:13,800 --> 00:34:16,920 Speaker 1: you want to keep if you can keep it reasonably 551 00:34:17,040 --> 00:34:24,759 Speaker 1: dry many times, that will facilitate preservation. And plus the 552 00:34:24,760 --> 00:34:28,520 Speaker 1: the embalming, the embalming fluids that they used back then 553 00:34:29,000 --> 00:34:31,720 Speaker 1: were you know, still had a lot of heavy metals 554 00:34:31,719 --> 00:34:34,279 Speaker 1: in them and that sort of thing. I don't know 555 00:34:34,320 --> 00:34:38,120 Speaker 1: how well she would have been preserved, but they would 556 00:34:38,160 --> 00:34:40,319 Speaker 1: have to have something to work with. But if she's 557 00:34:40,400 --> 00:34:43,320 Speaker 1: got and they've been able to appreciate this day apparently 558 00:34:43,360 --> 00:34:47,680 Speaker 1: per this exhammation, that she's got a resolving facial fracture 559 00:34:47,719 --> 00:34:51,200 Speaker 1: here and that they were able to pick up on it, 560 00:34:51,600 --> 00:34:53,759 Speaker 1: that it was in the and this is key man, 561 00:34:54,920 --> 00:34:58,080 Speaker 1: that there's a trauma response here. That you've got to 562 00:34:58,160 --> 00:35:03,520 Speaker 1: nose that was in fact healing at the time she 563 00:35:03,680 --> 00:35:09,080 Speaker 1: was murdered. So this is pre existing trauma. And how 564 00:35:09,120 --> 00:35:11,440 Speaker 1: far do the rest of this trauma extend where there 565 00:35:12,400 --> 00:35:15,160 Speaker 1: do you just have like one fracture line? Because even 566 00:35:15,400 --> 00:35:18,000 Speaker 1: and I've seen this, even in cases where we will 567 00:35:18,000 --> 00:35:22,879 Speaker 1: have people that will sustain injuries and they have pre 568 00:35:22,960 --> 00:35:27,399 Speaker 1: existing you know, trauma like to bone, the bone will 569 00:35:27,440 --> 00:35:33,959 Speaker 1: respond and sometimes it'll do what's called modeling. You'll you'll 570 00:35:33,960 --> 00:35:38,840 Speaker 1: have this kind of abnormal growth and it's the bone 571 00:35:38,880 --> 00:35:42,800 Speaker 1: trying to kind of reconstitute itself so that it's still viable. 572 00:35:42,880 --> 00:35:46,520 Speaker 1: Is fascinating and you can appreciate that. You know, you 573 00:35:46,560 --> 00:35:48,680 Speaker 1: can look at it and I think that somebody that's 574 00:35:48,719 --> 00:35:50,920 Speaker 1: probably more well versed than I am, can say, Okay, 575 00:35:50,960 --> 00:35:55,040 Speaker 1: that's not some type of disease pathology. That's evidence of trauma, 576 00:35:55,960 --> 00:35:57,919 Speaker 1: and you'll see maybe an outgrowth from it. You see 577 00:35:57,920 --> 00:36:00,000 Speaker 1: it in long bones a lot. You know, get these 578 00:36:00,080 --> 00:36:04,840 Speaker 1: kind of gnarly looking, you know, presentations on the shaft 579 00:36:04,880 --> 00:36:08,319 Speaker 1: of the bone, particularly where people have not had had 580 00:36:08,360 --> 00:36:13,160 Speaker 1: their bones like professionally set the bone. It nature dictates 581 00:36:13,160 --> 00:36:16,160 Speaker 1: that it wants to rejoin and if they can approximate 582 00:36:16,200 --> 00:36:19,560 Speaker 1: that you'll get these kind of odd presentations. I wonder 583 00:36:19,600 --> 00:36:22,719 Speaker 1: what they saw with her nose that gave them an 584 00:36:22,760 --> 00:36:26,120 Speaker 1: indication that it was in the midst of healing. That's 585 00:36:26,200 --> 00:36:30,000 Speaker 1: kind of fascinating. And how long? How long did this 586 00:36:30,080 --> 00:36:32,960 Speaker 1: happen before the so called ambush occurred? Sorry, I don't 587 00:36:32,920 --> 00:36:33,600 Speaker 1: mean step. 588 00:36:33,320 --> 00:36:36,880 Speaker 2: Now, no, no, I remember asking you about this when this 589 00:36:37,040 --> 00:36:40,560 Speaker 2: came out a cotle of months ago that I wanted 590 00:36:40,560 --> 00:36:44,520 Speaker 2: to know for my own edification. How could they know this? 591 00:36:44,840 --> 00:36:48,440 Speaker 2: And I was looking at you know, they just have 592 00:36:48,600 --> 00:36:52,520 Speaker 2: made parts of the report, which is very, very long. 593 00:36:52,880 --> 00:36:55,680 Speaker 2: They've they've made it available through the University of Tennessee. 594 00:36:56,239 --> 00:36:59,600 Speaker 2: And one of the things that I found fascinating about 595 00:36:59,640 --> 00:37:03,160 Speaker 2: the report of that day is that I just want 596 00:37:03,160 --> 00:37:04,799 Speaker 2: to share this with you because this is kind of 597 00:37:04,800 --> 00:37:09,560 Speaker 2: to me, it's a hint to According to the files, 598 00:37:09,600 --> 00:37:13,920 Speaker 2: witnesses said that Beauford Pusser attempted to flee from emergency 599 00:37:13,960 --> 00:37:17,360 Speaker 2: personnel that were responding to provide medical care for Pusser 600 00:37:17,719 --> 00:37:21,520 Speaker 2: and his wife. In a statement to the TBI, Donald G. 601 00:37:21,640 --> 00:37:23,720 Speaker 2: Smith stated that on the morning of August twelve, nineteen 602 00:37:23,800 --> 00:37:25,839 Speaker 2: sixty seven, he was working on the ambulance that picked 603 00:37:25,880 --> 00:37:29,120 Speaker 2: up Buford Puzzer. Smith provided that he couldn't understand much 604 00:37:29,160 --> 00:37:31,800 Speaker 2: of what Bufferser was saying. Caud You mentioned his injuries. 605 00:37:32,080 --> 00:37:35,000 Speaker 2: According to Smith, Buford's injuries were severe and it was 606 00:37:35,040 --> 00:37:39,680 Speaker 2: difficult to distinguish what he was trying to say. Smith 607 00:37:39,680 --> 00:37:44,600 Speaker 2: told the TBI he described that Pusser on top of 608 00:37:44,600 --> 00:37:47,319 Speaker 2: the hill on Highway forty five going south on Guy's Road, 609 00:37:47,320 --> 00:37:50,840 Speaker 2: and that Pusser was driving the car and Pauline Pusser 610 00:37:50,960 --> 00:37:56,320 Speaker 2: was lying over his lap. He told investigators that Pusser 611 00:37:56,360 --> 00:38:02,239 Speaker 2: refused to stop the vehicle for emergency person. Now, now, 612 00:38:04,239 --> 00:38:07,640 Speaker 2: was he doing that to make sure her injuries were 613 00:38:07,760 --> 00:38:08,600 Speaker 2: going to be fatal? 614 00:38:11,400 --> 00:38:12,759 Speaker 1: Making sure that she bled out? 615 00:38:12,800 --> 00:38:14,160 Speaker 2: In other words, right? 616 00:38:14,520 --> 00:38:16,480 Speaker 1: Yeah? Because you know the thing about it is that 617 00:38:17,440 --> 00:38:21,320 Speaker 1: even back then in law enforcement, they were still trained 618 00:38:21,360 --> 00:38:24,560 Speaker 1: in first aid. They had and if I'm not mistaken, 619 00:38:25,040 --> 00:38:28,360 Speaker 1: Pussler had served time in the United States Marine Corps. 620 00:38:28,840 --> 00:38:32,160 Speaker 1: He would have had some level of basic basic first aid. 621 00:38:32,800 --> 00:38:35,279 Speaker 1: And it doesn't take a rocket scientist to understand that 622 00:38:35,320 --> 00:38:39,080 Speaker 1: if you've got a traumatic related event, particularly relative gunshot ones, 623 00:38:39,880 --> 00:38:43,440 Speaker 1: you got to stem the bleeding. You have to so 624 00:38:44,160 --> 00:38:52,360 Speaker 1: I can't imagine that an individual that would that would 625 00:38:52,440 --> 00:38:56,320 Speaker 1: have this kind of knowledge relative to just basic trauma assessment, 626 00:38:56,840 --> 00:39:00,200 Speaker 1: would not want someone to get you know, to get well, 627 00:39:00,400 --> 00:39:02,920 Speaker 1: you know, not just for themselves, but for you know, 628 00:39:03,000 --> 00:39:06,680 Speaker 1: for their so called loved one as well. You would 629 00:39:06,719 --> 00:39:08,960 Speaker 1: want this, you know, you would want this to happen 630 00:39:09,120 --> 00:39:12,319 Speaker 1: so that you could observe them, you know, having a 631 00:39:12,360 --> 00:39:14,839 Speaker 1: shot at least some kind of shot of survival. 632 00:39:14,960 --> 00:39:19,959 Speaker 2: Dave, it breaks my heart, it just does. 633 00:39:20,040 --> 00:39:23,160 Speaker 1: I well, I got to tell you, just let me 634 00:39:23,239 --> 00:39:27,360 Speaker 1: run this down to you. If just from a forensic 635 00:39:27,440 --> 00:39:33,600 Speaker 1: pathology standpoint and from an anthropology standpoint, Pauline when she 636 00:39:34,560 --> 00:39:40,400 Speaker 1: when she died, this is the evidence that they found. 637 00:39:40,840 --> 00:39:41,000 Speaker 2: So. 638 00:39:42,440 --> 00:39:49,680 Speaker 1: She had survived or struck that Dave, I'm sorry. Three two. 639 00:39:52,600 --> 00:40:00,200 Speaker 1: Pauline has sustained an entrance gunshot wound actually to her 640 00:40:00,560 --> 00:40:03,640 Speaker 1: left occipital bone. So if everybody in the side, in 641 00:40:03,680 --> 00:40:06,239 Speaker 1: the sound of my voice right now, will take either 642 00:40:06,239 --> 00:40:09,120 Speaker 1: your left or your right hand, and you will reach 643 00:40:09,239 --> 00:40:11,920 Speaker 1: behind your head and you will find that that bump 644 00:40:12,160 --> 00:40:14,160 Speaker 1: on the back of your head, that bony bump that's 645 00:40:14,200 --> 00:40:17,200 Speaker 1: called the eccipital protuberance. Okay, if you will find that 646 00:40:17,239 --> 00:40:21,960 Speaker 1: point of reference. Move over to the left side of 647 00:40:22,000 --> 00:40:24,279 Speaker 1: that bump on the back of your head, and that's 648 00:40:24,280 --> 00:40:28,680 Speaker 1: still your occipital bone. That's where the bullet, the projectile 649 00:40:28,760 --> 00:40:33,240 Speaker 1: actually entered, Dave. And this round, that's an entrance wound. 650 00:40:33,360 --> 00:40:41,400 Speaker 1: And what do we classically classically define an exit you 651 00:40:41,400 --> 00:40:46,440 Speaker 1: remember had We've had this several times, an execution style murder. 652 00:40:46,520 --> 00:40:50,240 Speaker 1: You'll hear that term thrown around a lot. It's generally somebody. 653 00:40:50,320 --> 00:40:53,759 Speaker 1: You have this vision of somebody like kneeling before you, 654 00:40:54,760 --> 00:40:57,800 Speaker 1: are seated next to you, and they sustain a gunshot 655 00:40:57,840 --> 00:41:00,880 Speaker 1: wound to the back of the head in this round, 656 00:41:01,680 --> 00:41:09,400 Speaker 1: interestingly enough travels from back to front, and the the 657 00:41:09,480 --> 00:41:16,359 Speaker 1: reality is is that there is a still to this day, 658 00:41:16,400 --> 00:41:19,560 Speaker 1: they are projectile fragments after all these years that were 659 00:41:19,600 --> 00:41:23,800 Speaker 1: actually found inside of her skull. Now there's market signs 660 00:41:23,840 --> 00:41:28,640 Speaker 1: of decomposition. But here's the other thing. When they examined 661 00:41:28,680 --> 00:41:32,080 Speaker 1: her body, they were able to and I know that 662 00:41:32,120 --> 00:41:35,319 Speaker 1: they did X rays. They had to. That's if you're 663 00:41:35,360 --> 00:41:37,200 Speaker 1: going to go to the trouble to ezum a body, 664 00:41:37,560 --> 00:41:40,680 Speaker 1: you're going to do like extensive X ray another body. 665 00:41:41,400 --> 00:41:43,040 Speaker 1: They were able to pick up on the fact that 666 00:41:43,120 --> 00:41:47,880 Speaker 1: her nose, that her nose was actually in a state 667 00:41:47,920 --> 00:41:50,840 Speaker 1: of healing, this fracture that was going on. And you 668 00:41:50,880 --> 00:41:55,960 Speaker 1: can tell that when any forensic anthropologist in particular, and 669 00:41:56,280 --> 00:42:00,239 Speaker 1: it's you know, they're involving ut in this, you know 670 00:42:00,280 --> 00:42:02,040 Speaker 1: that that's that's going to be the people in the 671 00:42:02,040 --> 00:42:07,960 Speaker 1: forensic anthropology department there. You know that they're able to 672 00:42:08,719 --> 00:42:11,880 Speaker 1: understand the difference between fresh trauma, which is going to 673 00:42:11,880 --> 00:42:16,239 Speaker 1: be associated with the immediate cause of death, and healing trauma. Well, 674 00:42:16,239 --> 00:42:19,080 Speaker 1: if there's no other report of her having sustained a 675 00:42:19,160 --> 00:42:22,400 Speaker 1: fractured nose and that was in the healing process, I 676 00:42:22,440 --> 00:42:29,080 Speaker 1: think that my question probably would be time wise, given 677 00:42:29,200 --> 00:42:34,040 Speaker 1: the state of healing, how long prior to this fatal 678 00:42:34,080 --> 00:42:40,400 Speaker 1: event did this this fractured nose, you know, happen. I 679 00:42:40,440 --> 00:42:43,440 Speaker 1: think that that's I think that that goes a long 680 00:42:43,480 --> 00:42:46,759 Speaker 1: way to kind of establishing perhaps you know what you're 681 00:42:46,800 --> 00:42:50,200 Speaker 1: going to find relative to her, you know, and kind 682 00:42:50,239 --> 00:42:52,640 Speaker 1: of and there's no way you know, we're I don't know, 683 00:42:52,719 --> 00:42:56,759 Speaker 1: we're decades now, you know, down range. As a matter 684 00:42:56,800 --> 00:43:00,560 Speaker 1: of fact, I guess what in two years this will 685 00:43:00,600 --> 00:43:04,920 Speaker 1: have occurred sixty years ago, There's no way that we can, 686 00:43:05,120 --> 00:43:08,200 Speaker 1: you know, actually go back and there's no one to charge. Now, 687 00:43:08,400 --> 00:43:12,479 Speaker 1: you know, he's dead and gone. He's buried somewhere up there, 688 00:43:12,680 --> 00:43:15,720 Speaker 1: maybe adjacent to her. I don't know. I've never visited 689 00:43:15,719 --> 00:43:18,799 Speaker 1: the grave, don't care to. But what I'm saying is 690 00:43:19,040 --> 00:43:25,080 Speaker 1: there's nobody to charge here. But just perhaps, just perhaps, 691 00:43:26,000 --> 00:43:30,200 Speaker 1: the mystery behind the assassins that chase them down that 692 00:43:30,360 --> 00:43:35,640 Speaker 1: night has finally been solved. And it wasn't a Dixie mafia. 693 00:43:36,160 --> 00:43:40,600 Speaker 1: It wasn't you know, it wasn't some phantom that emerged 694 00:43:40,640 --> 00:43:44,760 Speaker 1: in the night, according to what the TBI says. Now, 695 00:43:45,880 --> 00:43:49,880 Speaker 1: if he were still alive today, they put the bracelets 696 00:43:49,920 --> 00:43:54,480 Speaker 1: on him, they take him downtown, they would ask him 697 00:43:54,560 --> 00:43:59,200 Speaker 1: questions because he would be the prime suspect. But dave 698 00:43:59,600 --> 00:44:03,359 Speaker 1: you start or you started something here, and I would 699 00:44:03,400 --> 00:44:05,759 Speaker 1: be remiss for not following up with it. And I'm 700 00:44:05,800 --> 00:44:09,640 Speaker 1: going to go ahead and say it now. If you 701 00:44:10,840 --> 00:44:18,440 Speaker 1: or anybody you know is in a violent relationship pleading 702 00:44:18,480 --> 00:44:22,080 Speaker 1: with you, you got to get them help. Now. I'm 703 00:44:22,080 --> 00:44:24,239 Speaker 1: not saying I have all the answers. I'm not saying 704 00:44:24,239 --> 00:44:27,000 Speaker 1: anybody else does either, But a place to start is 705 00:44:27,040 --> 00:44:31,359 Speaker 1: going to be the National Domestic Violence Hotline. And let 706 00:44:31,360 --> 00:44:33,759 Speaker 1: me give you that number. I'll repeat it after I 707 00:44:33,800 --> 00:44:37,520 Speaker 1: say it's the first time. It's one eight hundred seven 708 00:44:37,680 --> 00:44:43,799 Speaker 1: nine to nine seven two three three. That's one eight 709 00:44:44,120 --> 00:44:53,800 Speaker 1: zero zero seven nine tonne seven two three three. I hope, 710 00:44:54,960 --> 00:44:59,719 Speaker 1: I do hope that Pauline Pusser rest in peace, and 711 00:44:59,719 --> 00:45:07,480 Speaker 1: I that her death stands for something more than the 712 00:45:07,520 --> 00:45:10,480 Speaker 1: false image that was created by her husband. That it 713 00:45:10,520 --> 00:45:14,400 Speaker 1: stands for what is a problem in this country, and 714 00:45:14,480 --> 00:45:18,759 Speaker 1: that is domestic violence. Those are the memories that we 715 00:45:18,760 --> 00:45:23,440 Speaker 1: should hold onto relative to the murder of Pauline Pusser. 716 00:45:25,960 --> 00:45:30,360 Speaker 1: I'm Joseph Scott Morgan, and this is Bodybags