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Speaker 1: So Lisa Leslie is like, oh, like you know, like

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Speaker 1: I don't know how to play, just like she teach

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Speaker 1: me the rules.

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Speaker 2: It's like she's like I think she's like a professional

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Speaker 2: basketball this acad No she is, because because because she's

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Speaker 2: so tall, I thought, like, you must be a real

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Speaker 2: basketball player. But she just wanted me to like get

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Speaker 2: behind her and like teach her you shooting saying, and

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Speaker 2: just be like close to her. But I can't even tuch.

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Speaker 2: Like when we're doing that, I can't even reach the

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Speaker 2: ball because she's so tall. So I'm just kind of

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Speaker 2: hugging her waist and she's just like making the shots.

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Speaker 2: So it's like I think you already know how to do.

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Speaker 1: This and right, but then she's doing the whole like, oh,

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Speaker 1: you're such a good teacher. Oh my gosh, she didn't

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Speaker 1: try to juice you up. Yes, And then did you.

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Speaker 2: Huh?

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Speaker 3: I mean, did you drill her after that?

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Speaker 2: Yeah? We did that. We set out the cones and

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Speaker 2: I drilled her with.

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Speaker 3: Yeah, did dribbling drills?

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Speaker 2: Yeah yeah yeah, dropping names in the red carpet line back.

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Speaker 2: Always in this industry, there is that going here. Uh

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Speaker 2: it sounds like what up? What up? And we didn't

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Speaker 2: work on that. We got forehanded worked great. What are

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Speaker 2: we gonna do instead of what I put up? Yeah?

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Speaker 2: People hate it?

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Speaker 1: Yeah that's true. I guess people don't want to hear

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Speaker 1: it anymore.

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Speaker 2: What should we say? What about wan wawan? Yeah that's

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Speaker 2: pretty good. People might like that. It reminds me a wigwam.

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Speaker 2: It's like a dream. You remember. Shaggy used to say that

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Speaker 2: it's like an island, like an islands.

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Speaker 3: Thingam, Yes, and wau what if I do?

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Speaker 2: Yeah? What if it's you? And then I go waguana?

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Speaker 2: I think that would be nice, just to put people

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Speaker 2: in sort of an island place. Yeah, that would be good.

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Speaker 1: And I'm learning, you know, I'm learning more about island

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Speaker 1: culture because I grew up in the farm world where

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Speaker 1: we said howdy, you know, or what we'd actually say

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Speaker 1: that that's like a myth that they say howdy.

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Speaker 2: What we would say is how do how do? And

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Speaker 2: it became howdy? I guess as it made its way

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Speaker 2: to the coast.

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Speaker 1: Yes, the fucking East coast elite I think wanted to

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Speaker 1: mock it, and so they changed the letters to make

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Speaker 1: it seem like we couldn't say the word.

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Speaker 2: Do and you would never put a piece of hay

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Speaker 2: in your mouth, Like, no, the hey is filthy. That's

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Speaker 2: another myth.

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Speaker 1: Well, because I'm actually as a farm person, I'm one

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Speaker 1: of the only people that actually knows what's on that hay,

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Speaker 1: and it is disgusting. But I like that because that's

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Speaker 1: almost like a Blarney Stone thing where a lot of

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Speaker 1: people are like, hey, I'm a hick and they put

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Speaker 1: the hay in their mouth, and I'm like.

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Speaker 2: Enjoy that.

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Speaker 3: Because there's germs.

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Speaker 2: Yea.

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Speaker 3: Even when the cows eat it, they kind of are a.

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Speaker 1: Little grossed out, you can tell, Yeah, they kind of

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Speaker 1: are making a face like I wish I had some

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Speaker 1: of the options, but I'm so hungry for hey. And

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Speaker 1: that's the cow character that I'm doing in the New

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Speaker 1: Cloudy with a Chance of Meat Bulbs movie.

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Speaker 2: We wanted to talk about the oscars. People seem to

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Speaker 2: be very upset about a pist. It's just like I

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Speaker 2: turn on my phone and getting all these texts from

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Speaker 2: unnamed numbers just being mad and not even necessarily at me.

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Speaker 2: I don't know who these people are. Some of it

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Speaker 2: is killing at me. Yeah, I'm like, oh, do you

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Speaker 2: think I'm only one making the decisions here. Yeah, because

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Speaker 2: it's like but anyway, there's a lot of you know,

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Speaker 2: there are always snobs supposedly because people want, I guess

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Speaker 2: everyone to get a nod. Is that what? That is?

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Speaker 2: This what you want? You want every movie and every

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Speaker 2: person who's in a movie to get a nod. That

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Speaker 2: this is what you want. We can do this because

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Speaker 2: you seem to get so angry.

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Speaker 1: Everyone gets a trophy. Everyone gets a trophy. Now everyone

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Speaker 1: gets this is what we now, everyone gets.

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Speaker 2: A norm Yeah alrighty, no, we already gave we extended

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Speaker 2: the number of best pictures.

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Speaker 3: We put on more because people were so pissed.

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Speaker 2: Now more pictures are the best somehow, I don't know

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Speaker 2: exactly how that works.

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Speaker 1: But to the people that complain, we've had to say

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Speaker 1: this about things before, but we'll say it again. It's

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Speaker 1: not a perfect system, but it's a damn good one.

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Speaker 2: And we'd love to hear your pitches. By the way,

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Speaker 2: if you have such.

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Speaker 1: A great idea, well i'll tell you what a lot

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Speaker 1: of there just knocked down the old ideas. I'll tell

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Speaker 1: you what their pitches are is, let's nominate anyone who's

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Speaker 1: not a white guy, because he's not a white guy,

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Speaker 1: and they're all mad that all these white guysminated.

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Speaker 2: And like not like real ones.

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Speaker 1: Well, because let's base it on the movies. And everyone's going, oh,

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Speaker 1: the oscars are whitewashed and it's all old white men

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Speaker 1: and it's this and that, And I'm like, did you

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Speaker 1: forget that we gave you twelve years a slave last year?

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Speaker 2: Yes, that's what's so ridiculous.

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Speaker 1: I'm like, that's why we did that, so you would

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Speaker 1: shut up and stop talking about this.

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Speaker 2: Yes, And now they come back and say, like.

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Speaker 3: We made some of this time.

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Speaker 2: Could you do it again? We have another one? Can

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Speaker 2: we do it again? Please? Suble. It's like, dude, we

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Speaker 2: gave you that one. Did you see that movie? It's like,

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Speaker 2: if you remember, there's a class. Peter Griffin, uh huh,

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Speaker 2: goes to the sample man, the free sample man in

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Speaker 2: the store and he eats a free sample, okay, and

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Speaker 2: then he comes back in a mustache and then he

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Speaker 2: wants another. He's saying that he's like a different guy.

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Speaker 2: He's doing a funny voice this time. That's just what

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Speaker 2: this is like. And that's what it is. I think

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Speaker 2: it was actually talking about this issue that we're facing

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Speaker 2: now and like it is a joke, but it is.

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Speaker 1: It's a joke when he doesn't because he's a cartoon

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Speaker 1: man and the samples don't actually cost money.

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Speaker 2: They just have to draw us. And I think it

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Speaker 2: did turn out that the mustache man was not actually him,

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Speaker 2: it was a but for the purposes of this metaphor,

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Speaker 2: it is the same person, yes, but this time it's

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Speaker 2: like twelve years of slave last year. But it's like

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Speaker 2: coming back the same movie, coming back and saying like, oh,

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Speaker 2: my name's Selma now yeah, And it's like you can't

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Speaker 2: just change the title of a movie and get another award. No,

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Speaker 2: it has to be a different movie.

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Speaker 1: I mean, only Tom Hanks is allowed to do that,

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Speaker 1: and he and he's earned it.

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Speaker 2: He's earned it.

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Speaker 3: Yes, he's an American treasurer, so do it for a while.

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Speaker 1: And but anyway, it just it's it pissed me off

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Speaker 1: to hear so many people doing this, complaining, and I

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Speaker 1: just want to say, maybe, uh, try to have some

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Speaker 1: kind of memory in your brain where you actually remember

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Speaker 1: what we did last year, which is this is just

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Speaker 1: like when we gave deaf people the Artist and then

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Speaker 1: the next year they were like can we do another one?

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Speaker 1: And they made some movie with Marley Matlin or something

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Speaker 1: and they wanted to get the Oscar and I'm like,

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Speaker 1: you can't.

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Speaker 2: And if you want the Selma woman, is her name Selma?

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Speaker 1: Uh oh? If the person who made that, it's like,

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Speaker 1: I think I don't know, friend, I don't know if

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Speaker 1: her first name or last name is Selma or if

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Speaker 1: it is for friends.

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Speaker 2: Oprah and Selma and Gail, is it them? They're like the.

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Speaker 1: Three and Gaie They're like, uh yeah, the sort of

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Speaker 1: which is of Eastwick of Hollywood or something, right, like

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Speaker 1: they're together as friends.

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Speaker 2: Whichever one it is the woman that they want. They

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Speaker 2: wanted this woman who made Selma to.

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Speaker 1: Right and that's either that's another thing either made or

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Speaker 1: is Selma to be director of this? Oh? Right? And

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Speaker 1: it's got to be a woman, right, And it's like, uh,

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Speaker 1: hurt Lucker anyone? And that one the movie barely even

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Speaker 1: looked directed, Yes, but we went ahead. We gave it

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Speaker 1: to Bigelow, partially because their last name is so funny,

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Speaker 1: but also because she is a woman and we didn't

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Speaker 1: want to hear about that anymore. And if you want

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Speaker 1: one of these people to get the nomination. I please

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Speaker 1: you be the one to tell Morton Tildam, director of

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Speaker 1: Imitation Game, that he doesn't get one.

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Speaker 3: Yes, please, I'd love for you to be on the other.

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Speaker 2: Hand, please go knock on his door or yes, or

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Speaker 2: just call him up and say like, hey, we decided

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Speaker 2: that this other person should have it instead of you.

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Speaker 3: You didn't deserve it, even though you know.

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Speaker 1: They made some movie we don't even know what it is,

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Speaker 1: and it's about some lady named Selma or something. And

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Speaker 1: then he actually made a movie where there's.

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Speaker 2: A whole story about.

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Speaker 1: When Curing was a little kid and being picked on

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Speaker 1: as a little kid and his best friend who he

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Speaker 1: was in love with, and he names the computer after

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Speaker 1: his friend. So just please get ready to go and

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Speaker 1: watch that and enjoy it. And the little kid. We

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Speaker 1: really like that part with the kids. I think that

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Speaker 1: made the movie better and gave us some good context

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Speaker 1: for this story that wouldn't have been all that interesting

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Speaker 1: on its own of them just breaking code. I think

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Speaker 1: what we really needed in that movie, and it.

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Speaker 4: Was good that they noticed this was to see a

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Speaker 4: bunch of seats some fucking little kids doing math problems

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Speaker 4: instead of watching the actual story of these pretty incredible cup.

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Speaker 2: Records and busy doing Real War two, which who cares

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Speaker 2: about that?

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Speaker 4: What about the boy and the.

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Speaker 2: Kid has asthma? Something that's a story.

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Speaker 3: Put that in the movie.

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Speaker 2: Let's stop down for it.

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Speaker 3: So they spotted that.

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Speaker 1: That's good, and let's talk about more movies, because that's

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Speaker 1: what the show's about.

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Speaker 2: We wanted to do something that we do sometimes, which is.

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Speaker 1: People love it, we should say, but uh, then that's

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Speaker 1: why we're willing to do it. But it is difficult

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Speaker 1: and it's sort of brave because we do have to

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Speaker 1: get our parkas and we do have to put on

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Speaker 1: the minds and is it the right season for this?

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Speaker 1: It's called outside, Yes, that's the thing. A lot of

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Speaker 1: times it can be refreshing for to do this segment

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Speaker 1: in the summertime because it's a nice way to cool off,

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Speaker 1: but when it's cold outside, then there's no relief.

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Speaker 2: To be found. And then a cold other thing.

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Speaker 1: Yes, and we don't want to name it quite yet

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Speaker 1: because saying the name is yes, it.

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Speaker 3: Ruins the build up.

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Speaker 1: And so for people who don't know it's a thing

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Speaker 1: we go into that's not hot where there is.

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Speaker 2: Commercials for movies and so I guess what I would

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Speaker 2: say is, do you have your It just started playing?

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Speaker 2: Oh okay, it's a teaser freezer. I wish it had

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Speaker 2: been timed better, so yes, we could. Do you have

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Speaker 2: your stuff on?

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Speaker 4: No?

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Speaker 2: I don't even have my stuff on it yet. Oh gosh,

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Speaker 2: it's very dangerous. It's so cold.

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Speaker 1: It's so fucking cold in the teaser freeze. So anyway,

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Speaker 1: what weird I'll tell you thinking about is like, is

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Speaker 1: there's a commercials for movies and they're called teasers, and

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Speaker 1: so when you go to the movies, you can see

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Speaker 1: them before the movies, but please don't leave right after

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Speaker 1: they're done, because they are just building up to the

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Speaker 1: movie itself. And so it's a small piece. And what

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Speaker 1: we do is we go in the freezer where they're

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Speaker 1: as fresh as can possibly be, and we get the

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Speaker 1: absolute freshest ones and we bring them straight to you

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Speaker 1: and we tell you why they're good.

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Speaker 2: And you, guys know what the teaser, the freshest teaser

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Speaker 2: out there is now that everyone wants us to do

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Speaker 2: a freezer of, and it is Mordecai.

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Speaker 1: We have been noticing, is it Mortdecai? Nobody do it Mortkai?

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Speaker 2: I think that is something that is a joke within

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Speaker 2: even the title of the movie, with the movie itself

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Speaker 2: is so packed with jokes they put they have to

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Speaker 2: squeeze one into the title.

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Speaker 1: And that is the thing with Depp is he is

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Speaker 1: doing so many layers at once.

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Speaker 2: So he'll slip a little tea into the middle of

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Speaker 2: it because he is English, and it's like a spot

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Speaker 2: of tea even in like the.

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Speaker 3: You know, it's just bringing up tea.

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Speaker 5: I crave it because it's so cool, just teaser freezer

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Speaker 5: and I just wish I had some hot tea, but

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Speaker 5: it would freeze right away, So what's the point.

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Speaker 3: Let's just get into it.

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Speaker 2: One thing we've been noticing about a lot of these

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Speaker 2: teasers lately is they're getting shorter. They're small and more teasier. Yes,

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Speaker 2: which is like when they change the soda boxes so

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Speaker 2: that they would fit into the freezer a little better.

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Speaker 2: But what they don't tell you is you're not supposed

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Speaker 2: to put them in there at all. I don't know

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Speaker 2: why they would shape them to be so much easier

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Speaker 2: to put into the freezer when they blow up.

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Speaker 1: You know what it reminds me of when fine dining

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Speaker 1: suddenly became about these really tiny portions. Yeah, so literally,

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Speaker 1: And if you guys haven't been to some fancy restaurants

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Speaker 1: like me and Hayes I've been to, is you pay

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Speaker 1: a thousand dollars for the meal or whatever, and it's

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Speaker 1: a little a pee and then like a little miniature

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Speaker 1: version of like a piece of corn, and that's on the.

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Speaker 2: Beautiful it's a miniature piece of corn. So it's not

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Speaker 2: even normal sized corn piece. No, no, it's not normal

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Speaker 2: sized corn piece. It's a mini piece.

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Speaker 1: The presentation is outstanding, he's pretty honest. Yes, and the

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Speaker 1: way the play is as clean as all get out,

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Speaker 1: and you just can really have that be confident in

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Speaker 1: what you're eating.

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Speaker 2: But you pay all this for the tiny food and

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Speaker 2: then it's just like the movie. They say afterwards, like

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Speaker 2: now do you want the real food? It costs like

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Speaker 2: ten thousand dollars. Yes, and now already you're so hungry you.

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Speaker 3: Gotta have more.

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Speaker 2: And it makes it taste good.

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Speaker 1: Yeah, And they make these teaser so tasty and they

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Speaker 1: get my mouth drooling for a whole movie of Mortdecai.

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Speaker 2: And one other things they do when they make it

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Speaker 2: is they use your favorite song sometimes, and in this

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Speaker 2: case they look at a movie like Mordecai and they

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Speaker 2: think of, like, what song is like a good more

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Speaker 2: to gui song? Well, because it is this sort of

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Speaker 2: proper British guy.

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Speaker 1: Yeah, I don't want to have despoil too much about it,

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Speaker 1: but it is this sort of proper British guy that

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Speaker 1: he's playing, And so what does that guy really match with?

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Speaker 2: There's a lot of soul to this movie, is I

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Speaker 2: think what they said, they're sort of like that street like.

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Speaker 1: Yeah, just like that, you know, yes, as much as

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Speaker 1: he is a gentleman, there's.

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Speaker 2: Also that like ow that like urb like urban.

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Speaker 1: Not putting any particular race on it, but it is

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Speaker 1: definitely not stuffy any way. So yeah, and so you

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Speaker 1: just kind of are watching this. And even when I

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Speaker 1: just saw the poster for it, in my head it

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Speaker 1: was going a.

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Speaker 2: Little boo boo boo it plays in your head or

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Speaker 2: what do you look at it?

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Speaker 3: Yeah, don't believe me, just watch.

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Speaker 2: So that would be a good song to play in

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Speaker 2: this teaser.

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Speaker 3: And we think, let's see yes.

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Speaker 4: On January twenty three and get ready for a new.

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Speaker 2: Kind of hero. I'm wildly interested. Now we should. There's

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Speaker 2: so much of this, there's so much already. First of all,

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Speaker 2: you get the flavor, you get the that that uh,

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Speaker 2: that's that push and the there's that there's so much

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Speaker 2: visually happening. What they decided to do with this movie

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Speaker 2: is I think they decided there were so many funny

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Speaker 2: things to show you, yes, that they just show you

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Speaker 2: a sliver of each one.

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Speaker 1: You can't spend too long on any one thing or

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Speaker 1: let you see exactly how it's funny, but you know

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Speaker 1: that it feels funny and that it's moving fast.

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Speaker 2: Yes, And so what you get is so the one

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Speaker 2: line you get is Johnny Depp, who is mister Mordecai,

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Speaker 2: says Charlie, oh hello, and then he gets punched in

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Speaker 2: the face, just like really quick, dude, just as you're

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Speaker 2: about to finish laughing at that. It's another like two

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Speaker 2: frames of another thing, bro, bro, Yes, yes, that is

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Speaker 2: what we're watching.

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Speaker 3: Yes, and it's so good.

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Speaker 1: And where did they find this song? I mean, we

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Speaker 1: keep talking about the song, but I haven't heard it.

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Speaker 1: But the feeling is so much.

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Speaker 2: It's for the movie, sure, for the movie.

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Speaker 3: It was just for the movie.

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Speaker 2: Yes, I think it's someone watching the movie and being like,

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Speaker 2: what does this make me?

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Speaker 1: Think of somehow they discover whoever is their music guy

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Speaker 1: should get a raise because they discovered a real gem.

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Speaker 2: So they show little clips of like him standing there,

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Speaker 2: and then he's like sitting in the car, and then

336
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Speaker 2: there's a car driving into a big house, just like

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Speaker 2: a couple frames of each twitch is like, that's the

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Speaker 2: teasiest thing about it, I think, which like Jimmy, gimmy,

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Speaker 2: gimme uh. And then she says Mordecai. And then you

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Speaker 2: get the guy saying I'm wildly interested, which that's you.

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Speaker 2: That's you being like you listened to him.

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Speaker 1: Actors is playing the audience brain in this, essentially, because

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Speaker 1: when your brain is seeing Johnny Debt, you're going wildly interested,

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Speaker 1: but you haven't made those words yet. And then the

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Speaker 1: actor comes in and and do's the words for your brain.

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Speaker 2: And he's on the phone in this you can't see it,

347
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Speaker 2: but he's on the phone in the scene and he's

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Speaker 2: actually calling the movie.

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Speaker 1: Well and to he's calling the movie, but he's also

350
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Speaker 1: on the other line, has your body on hold to

351
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Speaker 1: tell your feet, hey, start walking towards the.

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Speaker 2: Theater wildly interested. He shoots a gush when the danger

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Speaker 2: the guy likes it. Shorty, He'll say, the world won

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Speaker 2: so many more. I just can't even It's like seven

355
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Speaker 2: things in that. And it's not that they're hiding from

356
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Speaker 2: all the funny things in the movie, like there's so

357
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Speaker 2: many funny things. They just say, like why are we

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Speaker 2: gonna get them all in there? They have to be

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Speaker 2: all be so sword breaking.

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Speaker 1: I mean, you can't see this, but and we do

361
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Speaker 1: want to say, if you if the jokes aren't coming across.

362
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Speaker 2: Visual I wish I wish you could see it. I

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Speaker 2: wish you guys could see it.

364
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Speaker 3: And if there's some way, if the library has a.

365
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Speaker 1: Computer for you to use where you can look this up,

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Speaker 1: please go look. Because it's not just the giant Depp

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Speaker 1: is being funny saying these things. It's his face and

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Speaker 1: the hair on the face, which is this I can't

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Speaker 1: even describe it.

370
00:18:32,800 --> 00:18:34,159
Speaker 2: It's a curly hair face.

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Speaker 1: It's a yes and a mustache face with the curl

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Speaker 1: in the mustache.

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Speaker 2: And you see him he drops a glass and then

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Speaker 2: there's a fire. It's mixed with like exciting and funny,

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Speaker 2: exciting and funny.

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Speaker 3: Well yes, because you're gonna get action too.

377
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Speaker 2: Yes, And then the two of them are sitting like

378
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Speaker 2: he's sitting with a woman and she says, oh, Charlie, and.

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Speaker 1: Like he was like you to be like what is

380
00:19:00,680 --> 00:19:03,760
Speaker 1: she saying? Oh Charlie? About what did he do?

381
00:19:03,960 --> 00:19:07,119
Speaker 2: And it's and it's also the woman is sexy, you know.

382
00:19:07,560 --> 00:19:08,800
Speaker 2: So it's like, are these.

383
00:19:08,640 --> 00:19:11,639
Speaker 1: Guys gonna are they gonna be pounding it out? Like

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Speaker 1: in addition to all the laughs and all the action,

385
00:19:14,680 --> 00:19:16,960
Speaker 1: am I gonna get my fucking rocks off at this movie?

386
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Speaker 1: And the answer is yes. Depth never disappoints.

387
00:19:19,359 --> 00:19:21,280
Speaker 2: And then there's a there is a complete joke in

388
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Speaker 2: here if he has having a sword fight and then

389
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Speaker 2: he gets his sword cut in half by the other

390
00:19:25,320 --> 00:19:29,240
Speaker 2: sword and he says truth because now he was the truth.

391
00:19:29,280 --> 00:19:32,280
Speaker 2: He didn't want one before when he was having a

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Speaker 2: like a full sword.

393
00:19:33,920 --> 00:19:37,200
Speaker 1: Yes, yes, there's that, and there's also explaining that that's yes,

394
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Speaker 1: he's doing sword fight. Sword gets come up. But also

395
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Speaker 1: and then he says truth. But also when he shoots

396
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Speaker 1: a guy in the face and the guy goes, you

397
00:19:45,760 --> 00:19:49,480
Speaker 1: might well see what they're doing is this new kind

398
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Speaker 1: of humor and it's an understatement humor, yes, And what

399
00:19:52,920 --> 00:19:56,239
Speaker 1: they do is very in a very extreme situation like

400
00:19:56,520 --> 00:19:59,800
Speaker 1: your sword just broken half or you just got shot

401
00:19:59,840 --> 00:20:02,920
Speaker 1: in the face. You don't go like, oh my god,

402
00:20:03,000 --> 00:20:07,240
Speaker 1: what's gonna happen? You just go like, oh truth, because

403
00:20:07,280 --> 00:20:10,280
Speaker 1: it's like, we know, the situation is intense, and it

404
00:20:10,400 --> 00:20:11,720
Speaker 1: is that let's bring it down.

405
00:20:11,800 --> 00:20:16,679
Speaker 2: It is that that British, that dry British. Yeah, Wick,

406
00:20:17,160 --> 00:20:21,440
Speaker 2: you could combine combined with that soul, you know, that

407
00:20:21,800 --> 00:20:22,840
Speaker 2: filthy soul.

408
00:20:23,000 --> 00:20:27,680
Speaker 1: Oh yeah, you know that dirty down stuff, that dirty down,

409
00:20:27,760 --> 00:20:33,000
Speaker 1: dirty down, muddy, muddy, filthy soul. And when you combine

410
00:20:33,040 --> 00:20:36,639
Speaker 1: those two and the British, it's so dry you could sop.

411
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Speaker 3: Up some gravy.

412
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Speaker 6: You know.

413
00:20:39,600 --> 00:20:42,399
Speaker 2: Some one problem an a time was that thing on

414
00:20:42,440 --> 00:20:46,760
Speaker 2: your lips? Some find it quite a feeling. Oh donkeys,

415
00:20:46,840 --> 00:20:50,240
Speaker 2: you are killing me, Johnny he hates, Yeah, he hates.

416
00:20:51,840 --> 00:20:54,600
Speaker 2: That is very funny because it's twice and this very

417
00:20:54,640 --> 00:20:57,479
Speaker 2: short thing and both times they hate it.

418
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Speaker 1: You know why? But something yuckies have so yeah, you

419
00:20:59,840 --> 00:21:02,359
Speaker 1: don't know why, but won't it be won't it be

420
00:21:02,400 --> 00:21:04,960
Speaker 1: interesting to find out when you go So for everyone

421
00:21:05,040 --> 00:21:07,560
Speaker 1: else who has a brain in their head and remembers

422
00:21:07,640 --> 00:21:10,399
Speaker 1: that pink panther was a good idea for movies, But

423
00:21:10,560 --> 00:21:12,879
Speaker 1: Peter Selli's is a hack, and Donnie Depp's got all

424
00:21:12,920 --> 00:21:15,679
Speaker 1: the comedic chopped, and this pinky that Peter Sellers couldn't

425
00:21:16,040 --> 00:21:18,919
Speaker 1: manufacture over an entire lifetime with his whole body and

426
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Speaker 1: career and some good writers.

427
00:21:21,960 --> 00:21:24,440
Speaker 2: It's a smart, very current movie to make where I

428
00:21:24,440 --> 00:21:28,840
Speaker 2: think they said, like there's this new like mustache marketing,

429
00:21:28,920 --> 00:21:31,120
Speaker 2: I guess is what they're sort of calling it, where

430
00:21:31,160 --> 00:21:34,200
Speaker 2: they say, like people are going into wedding photo booths

431
00:21:34,400 --> 00:21:37,160
Speaker 2: and they're holding these things on sticks and they're putting

432
00:21:37,200 --> 00:21:39,680
Speaker 2: them on their faces and girls are doing it, and

433
00:21:39,720 --> 00:21:42,359
Speaker 2: it's like they want to have mustaches and they want

434
00:21:42,359 --> 00:21:45,520
Speaker 2: to like see people have mustaches. So they look at

435
00:21:45,520 --> 00:21:49,080
Speaker 2: this movie where the guy has the big curly face

436
00:21:49,680 --> 00:21:53,440
Speaker 2: on his hair, and they say, well, do I want

437
00:21:53,480 --> 00:21:55,679
Speaker 2: to go And it'll be like I'm enjoying a wedding

438
00:21:55,800 --> 00:21:57,679
Speaker 2: and they're taking a picture of me at a wedding.

439
00:21:58,080 --> 00:22:00,640
Speaker 1: Yeah, it's a new kind of marketing where it makes

440
00:22:00,680 --> 00:22:02,080
Speaker 1: you feel like you're at a wedding when you're in

441
00:22:02,119 --> 00:22:06,480
Speaker 1: a movie. And and that is a popular thing and

442
00:22:06,520 --> 00:22:12,560
Speaker 1: everyone remembers Margaret's wedding, big hit, and then what's my big,

443
00:22:13,080 --> 00:22:17,200
Speaker 1: my big what's the one with Uh? It was Rachel

444
00:22:17,200 --> 00:22:19,960
Speaker 1: getting married? Rachel getting married? Yes, yes, and such a one,

445
00:22:20,240 --> 00:22:24,240
Speaker 1: such a fun romp. My big old, my big old family,

446
00:22:24,480 --> 00:22:27,520
Speaker 1: big old, Like I know what you're talking about, my

447
00:22:27,520 --> 00:22:30,440
Speaker 1: big old Yes, I'm still in this.

448
00:22:30,640 --> 00:22:33,400
Speaker 2: Yes, this song has got me. This song they wrote

449
00:22:33,440 --> 00:22:35,320
Speaker 2: for the movie has got me in this sort of groove.

450
00:22:35,520 --> 00:22:38,040
Speaker 1: Yeah, just like and forget whatever the name was, it

451
00:22:38,040 --> 00:22:39,960
Speaker 1: doesn't matter. We got a great guest for you guys.

452
00:22:40,280 --> 00:22:42,359
Speaker 1: And her name is Jess McCowan and she's on the

453
00:22:42,400 --> 00:22:44,680
Speaker 1: show Mistresses and she does a bunch of other stuff.

454
00:22:44,720 --> 00:22:47,280
Speaker 2: She's a real actress, and she's to be right on

455
00:22:47,280 --> 00:22:50,840
Speaker 2: the show right now and right now. What's happening on Hollywood?

456
00:22:50,880 --> 00:22:57,520
Speaker 2: Ham not another word? So I so I got the

457
00:22:57,520 --> 00:22:58,600
Speaker 2: dictionary a.

458
00:23:00,640 --> 00:23:04,600
Speaker 1: X Yeah, yeah, I say challenge, I challenge And he's

459
00:23:04,640 --> 00:23:05,120
Speaker 1: like he.

460
00:23:05,119 --> 00:23:07,600
Speaker 2: Does his whole like huffing him puffing like no dog,

461
00:23:08,320 --> 00:23:08,680
Speaker 2: you know.

462
00:23:08,640 --> 00:23:11,400
Speaker 1: Like he's like trying to intimidate me out a challenging

463
00:23:11,440 --> 00:23:13,760
Speaker 1: in And so we look it up and turns out, yes,

464
00:23:14,160 --> 00:23:17,680
Speaker 1: winge is a word, you know. So he's and he's

465
00:23:17,680 --> 00:23:19,480
Speaker 1: got it on the triple, on the triple where he's

466
00:23:19,480 --> 00:23:20,840
Speaker 1: got the W on the triple letters.

467
00:23:20,920 --> 00:23:21,719
Speaker 3: That's twelve, you know.

468
00:23:21,840 --> 00:23:24,719
Speaker 1: So I'm like, Okay, it is a word, but it

469
00:23:24,760 --> 00:23:26,119
Speaker 1: has an H in it.

470
00:23:26,119 --> 00:23:28,920
Speaker 2: It's like wine because it means like wine. So it's

471
00:23:28,920 --> 00:23:29,600
Speaker 2: like he's like he's.

472
00:23:29,440 --> 00:23:30,600
Speaker 3: Got winge of the word dog.

473
00:23:30,640 --> 00:23:33,320
Speaker 1: Wine is a word, and it's like, yeah, it is DMX,

474
00:23:33,400 --> 00:23:34,600
Speaker 1: but you didn't spell it right.

475
00:23:34,760 --> 00:23:35,280
Speaker 7: Yeah.

476
00:23:35,560 --> 00:23:37,520
Speaker 2: So, I mean he wanted to winning, but it's just

477
00:23:37,560 --> 00:23:40,359
Speaker 2: like that's not the point, you know. Turn My name

478
00:23:40,480 --> 00:23:43,080
Speaker 2: is Letters, you know, so I'm an expert, so I'm

479
00:23:43,080 --> 00:23:43,840
Speaker 2: mister Letters. Yeah.

480
00:23:43,840 --> 00:23:44,800
Speaker 3: That's why you don't want to play with him.

481
00:23:44,800 --> 00:23:47,159
Speaker 2: That's why you don't want to plays And that's how

482
00:23:47,200 --> 00:23:48,240
Speaker 2: he approaches every game.

483
00:23:49,160 --> 00:23:53,800
Speaker 1: Well, anyway, we're he's not invited to the next game night,

484
00:23:53,840 --> 00:23:55,200
Speaker 1: and he has to take one off and then he

485
00:23:55,240 --> 00:24:00,520
Speaker 1: can come back if he behaves himself. He now depicating

486
00:24:00,560 --> 00:24:02,760
Speaker 1: butt end dropping names in a red carpet lineback hallways

487
00:24:02,800 --> 00:24:04,240
Speaker 1: of this industry we call showbiz.

488
00:24:04,840 --> 00:24:10,360
Speaker 2: Wewam. We have a really great guest. It's the kind

489
00:24:10,359 --> 00:24:11,720
Speaker 2: of person we wanted to have on the show for

490
00:24:11,760 --> 00:24:15,000
Speaker 2: a long time. We've been saying we wanted we couldn't get.

491
00:24:15,080 --> 00:24:20,679
Speaker 2: We talked about craft a lot the art of the show.

492
00:24:21,160 --> 00:24:24,040
Speaker 1: We get all these stupid comedy guys who are just

493
00:24:24,480 --> 00:24:25,520
Speaker 1: making noise.

494
00:24:25,200 --> 00:24:29,919
Speaker 2: Of who come in, like like always coming in.

495
00:24:29,920 --> 00:24:32,760
Speaker 1: And it's bull shucking and they talk about acting but

496
00:24:32,800 --> 00:24:35,200
Speaker 1: they don't know about acting, and we actually got a real,

497
00:24:35,280 --> 00:24:37,439
Speaker 1: actual actress who actually knows how to do it.

498
00:24:37,560 --> 00:24:42,600
Speaker 2: Yes, Jess McCallen is here from the show Mistresses on ABC.

499
00:24:43,920 --> 00:24:49,560
Speaker 2: You are one of the main mistresses. I am, yeah.

500
00:24:49,600 --> 00:24:49,719
Speaker 1: There.

501
00:24:49,840 --> 00:24:52,520
Speaker 7: There there are four of us, so I would be

502
00:24:52,560 --> 00:24:54,160
Speaker 7: I would be one of the main It's it's sort

503
00:24:54,160 --> 00:24:56,120
Speaker 7: of like a Sex and the City Desperate Housewives.

504
00:24:56,160 --> 00:24:58,439
Speaker 2: I think four is the magic numbers, so if I

505
00:24:58,600 --> 00:25:00,720
Speaker 2: was five, I would definitely not be one of the mains.

506
00:25:01,080 --> 00:25:04,760
Speaker 2: How many devious maids are there? I think there's four.

507
00:25:04,920 --> 00:25:05,840
Speaker 2: It's the magic number.

508
00:25:05,880 --> 00:25:09,119
Speaker 1: That's like who wins in a fight between the devious maids,

509
00:25:09,119 --> 00:25:11,159
Speaker 1: the Desperate Housewives and the mistresses.

510
00:25:12,080 --> 00:25:15,000
Speaker 2: And we love doing these sort of like fantasy ideas.

511
00:25:15,160 --> 00:25:17,800
Speaker 7: Oh you know what, I think I think the devious

512
00:25:17,840 --> 00:25:18,720
Speaker 7: Maids take that one.

513
00:25:18,840 --> 00:25:20,880
Speaker 2: I don't know. I mean the Desperate.

514
00:25:20,560 --> 00:25:25,840
Speaker 8: Housewives are too, which man, she's humble too, because most

515
00:25:25,840 --> 00:25:29,359
Speaker 8: people would say their own show, no, no, no, no,

516
00:25:30,119 --> 00:25:34,960
Speaker 8: who's the strongest maid of the of the Devious Maids.

517
00:25:35,240 --> 00:25:37,720
Speaker 2: Yes, it's not always about being strong when you're devious,

518
00:25:37,840 --> 00:25:42,159
Speaker 2: is it. And it does seem like they it's cunning, Yes, cunning.

519
00:25:42,480 --> 00:25:46,400
Speaker 2: They've cast some people in the Devious Maids for this

520
00:25:46,520 --> 00:25:49,159
Speaker 2: reason if it were to ever come to like the

521
00:25:49,240 --> 00:25:52,720
Speaker 2: hunger fight situation. Yes, it seems like they've designed it

522
00:25:52,760 --> 00:25:55,879
Speaker 2: around like some of the maids would perform very well

523
00:25:55,920 --> 00:25:56,840
Speaker 2: in that scenario.

524
00:25:57,280 --> 00:25:59,640
Speaker 1: And I've had a devious maid actually, and she used

525
00:25:59,680 --> 00:26:02,480
Speaker 1: to swing which me and my wife Steffy's toothbrushes.

526
00:26:03,080 --> 00:26:04,439
Speaker 2: She used to switch with side they were on.

527
00:26:04,560 --> 00:26:06,159
Speaker 7: Oh it's what you meant, Like you've had them like

528
00:26:06,200 --> 00:26:08,439
Speaker 7: you've had them in it. Oh, like I've had them

529
00:26:08,480 --> 00:26:10,280
Speaker 7: in the boudoir like like I don't know, like like

530
00:26:10,280 --> 00:26:11,919
Speaker 7: i'm watching too much doubt, Nabby.

531
00:26:11,720 --> 00:26:13,239
Speaker 2: Like I've had them. They were right.

532
00:26:13,960 --> 00:26:16,480
Speaker 3: We do speak that way, yes we do.

533
00:26:16,720 --> 00:26:19,200
Speaker 1: Yes, we do when we're talking about what a lot

534
00:26:19,200 --> 00:26:22,800
Speaker 1: of people would call boning, but we we don't use

535
00:26:22,840 --> 00:26:24,200
Speaker 1: that dirty like I was getting.

536
00:26:23,920 --> 00:26:26,000
Speaker 7: Ready for this really exciting story about you having a

537
00:26:26,040 --> 00:26:27,679
Speaker 7: devious maid and you can toothbrush.

538
00:26:27,880 --> 00:26:30,560
Speaker 1: Well, this is exciting too, because what would happen is

539
00:26:30,600 --> 00:26:34,160
Speaker 1: we would accidentally get one another's germs because I would

540
00:26:34,240 --> 00:26:36,320
Speaker 1: go to reach for my toothbrush where it would normally be,

541
00:26:36,359 --> 00:26:38,240
Speaker 1: and it would be the opposite one, and I'd be

542
00:26:38,240 --> 00:26:40,160
Speaker 1: halfway through brushing before I realized it.

543
00:26:40,359 --> 00:26:41,760
Speaker 3: And that's a good story too.

544
00:26:41,920 --> 00:26:46,200
Speaker 2: And what's so inconvenient about that is you don't share

545
00:26:46,240 --> 00:26:49,520
Speaker 2: a home with your wife. No, that's true. It's something

546
00:26:49,520 --> 00:26:51,320
Speaker 2: not weird. I mean a lot of people are doing now,

547
00:26:51,400 --> 00:26:56,919
Speaker 2: m m. You are cohabitating with your dad in a

548
00:26:57,400 --> 00:27:01,240
Speaker 2: sick basement apartment. But so you could see it, Jess

549
00:27:01,280 --> 00:27:04,160
Speaker 2: with the with the wife, Okay, it's just very inconvenient

550
00:27:04,200 --> 00:27:05,320
Speaker 2: to go all the way to your wife's house to

551
00:27:05,320 --> 00:27:07,680
Speaker 2: brush your teeth and then you're using the wrong toothbrush.

552
00:27:07,720 --> 00:27:12,439
Speaker 2: I'm sure you can speak on that, Jess. Yeah. Really

553
00:27:12,600 --> 00:27:15,200
Speaker 2: you're married. Are you married?

554
00:27:15,600 --> 00:27:17,600
Speaker 1: And are you doing the same house marriage or are

555
00:27:17,640 --> 00:27:19,720
Speaker 1: you doing what some of the kids are doing?

556
00:27:19,840 --> 00:27:25,640
Speaker 2: Yeah, we do, we do the same house marriage. It's good. Classic, yeah, classic. Yeah,

557
00:27:25,680 --> 00:27:28,760
Speaker 2: it's weird. Is it weird at night being in the

558
00:27:28,800 --> 00:27:33,359
Speaker 2: same place? No, No, I mean it feels pretty normal.

559
00:27:33,520 --> 00:27:35,760
Speaker 3: Can you watch your movies as loud as you want?

560
00:27:37,720 --> 00:27:37,960
Speaker 2: Yeah?

561
00:27:38,000 --> 00:27:41,800
Speaker 7: We can we actually watched them together, which is bizarre normally.

562
00:27:41,880 --> 00:27:43,400
Speaker 3: Oh really, you agree on movies.

563
00:27:43,560 --> 00:27:44,400
Speaker 2: That's nice.

564
00:27:44,480 --> 00:27:45,640
Speaker 3: That's a strong marriage.

565
00:27:45,760 --> 00:27:47,480
Speaker 2: Yeah, yeah, I think that's what I think.

566
00:27:47,480 --> 00:27:50,400
Speaker 7: That's what sealed the deal was we wrote our list

567
00:27:50,400 --> 00:27:52,680
Speaker 7: of top ten and they matched perfectly, and then we

568
00:27:52,800 --> 00:27:55,080
Speaker 7: set our IDs top.

569
00:27:54,840 --> 00:27:59,840
Speaker 2: Ten movies, top head. Let's do them. It's goods. Let

570
00:27:59,880 --> 00:28:05,960
Speaker 2: me just go at random. Okay, six, six, Princess Bride, Oh.

571
00:28:07,440 --> 00:28:15,840
Speaker 6: Okay, one, big, Okay, four, I can't remember what four is.

572
00:28:15,960 --> 00:28:16,840
Speaker 2: Okay, so I gave it.

573
00:28:16,880 --> 00:28:17,199
Speaker 3: That's that.

574
00:28:17,280 --> 00:28:21,679
Speaker 2: I gave you a stumper about nine nine. Runaway Bride

575
00:28:21,720 --> 00:28:23,840
Speaker 2: is number four. Princess Bride is number six.

576
00:28:23,920 --> 00:28:27,600
Speaker 1: Whow, I'm sensing a b Actually, no wonder you guys

577
00:28:27,600 --> 00:28:29,040
Speaker 1: got married after you made this list.

578
00:28:29,560 --> 00:28:32,280
Speaker 2: Each list has what the themes are, So that's that's

579
00:28:32,320 --> 00:28:34,919
Speaker 2: This is the wedding list of This is the wedding

580
00:28:35,000 --> 00:28:36,440
Speaker 2: top ten wedding movie.

581
00:28:36,600 --> 00:28:39,880
Speaker 1: Right big, So BIG's the number one wedding movie for you.

582
00:28:39,600 --> 00:28:41,520
Speaker 2: Yeah, well no, that's what she called. That's what she

583
00:28:41,600 --> 00:28:45,120
Speaker 2: calls my big fat Greek wedding, Big wedding. That's the

584
00:28:45,240 --> 00:28:47,440
Speaker 2: name of it. You helped me, you helped remind me.

585
00:28:47,480 --> 00:28:49,120
Speaker 2: I was trying to think of it earlier. It was

586
00:28:49,120 --> 00:28:49,920
Speaker 2: like my big old.

587
00:28:49,880 --> 00:28:52,920
Speaker 7: Big fat Greek wedding. Yeah, yes, exactly is it's fantastic.

588
00:28:53,000 --> 00:28:56,160
Speaker 2: I'm just calling big and that's your number one. We

589
00:28:56,320 --> 00:28:58,040
Speaker 2: know it so well. We were watching your show. We

590
00:28:58,120 --> 00:29:01,320
Speaker 2: love it really, yeahsolutely, we're crazy about it.

591
00:29:01,440 --> 00:29:02,480
Speaker 3: Yes, very cool.

592
00:29:02,600 --> 00:29:05,000
Speaker 2: There is something about it we will know.

593
00:29:05,320 --> 00:29:07,400
Speaker 3: Yeah, and it's because we work in the industry too.

594
00:29:07,440 --> 00:29:10,000
Speaker 1: I'm not actually saying or bad. This is something that

595
00:29:10,080 --> 00:29:13,320
Speaker 1: is unconventional for me. Yes, well it's a question at

596
00:29:13,360 --> 00:29:17,120
Speaker 1: any rate, how come on your show, no one is

597
00:29:17,160 --> 00:29:23,440
Speaker 1: ever doing any kissing. They almost kiss, they get very close.

598
00:29:23,680 --> 00:29:25,800
Speaker 1: We see situations where they should kiss, they.

599
00:29:25,720 --> 00:29:28,600
Speaker 2: Start to move together, and then they're just not suddenly

600
00:29:28,640 --> 00:29:31,120
Speaker 2: not kissing. And some other people are talking to you saying,

601
00:29:31,320 --> 00:29:34,520
Speaker 2: we do we do a shit ton of kissing on

602
00:29:34,600 --> 00:29:35,800
Speaker 2: the show off camera?

603
00:29:35,920 --> 00:29:39,440
Speaker 1: Well yeah, I think, yes, you it's implied actually, but

604
00:29:39,520 --> 00:29:41,479
Speaker 1: nobody's doing it.

605
00:29:41,480 --> 00:29:42,520
Speaker 2: It's not really implied.

606
00:29:42,560 --> 00:29:46,320
Speaker 7: It's actually right there in front of your face to mouths,

607
00:29:46,360 --> 00:29:49,200
Speaker 7: hands face. We actually even pushed the envelope as far

608
00:29:50,600 --> 00:29:53,280
Speaker 7: sexually on camera as we can for ABC.

609
00:29:53,640 --> 00:29:58,480
Speaker 2: Really really pasties. Yeah, I mean we're not We're not pasties,

610
00:29:58,520 --> 00:30:02,200
Speaker 2: but close clothes are coming off. Huh, we're kissing for sure,

611
00:30:02,280 --> 00:30:05,400
Speaker 2: that's not you know what kissing? You watching? Yes? Watching?

612
00:30:06,160 --> 00:30:07,240
Speaker 3: They're touching mouth.

613
00:30:07,560 --> 00:30:09,720
Speaker 2: Yeah, and I'm worried they're exploiting you because if you

614
00:30:09,760 --> 00:30:12,440
Speaker 2: watch the show, none of that actually ends up on it.

615
00:30:12,520 --> 00:30:15,160
Speaker 1: And another thing is your show is so much shorter

616
00:30:16,520 --> 00:30:19,480
Speaker 1: than most hour long show. It's sixteen minutes, and I

617
00:30:19,520 --> 00:30:21,520
Speaker 1: feel like if you just put the kissing in.

618
00:30:21,600 --> 00:30:25,200
Speaker 2: It's sixteen it's actually it's a solid hour. It's a

619
00:30:25,240 --> 00:30:31,840
Speaker 2: solid hour show. Are you okay? Are you watching it

620
00:30:31,880 --> 00:30:32,920
Speaker 2: on me?

621
00:30:33,320 --> 00:30:35,280
Speaker 3: Well, I go and watch it on Hayes's TV.

622
00:30:35,440 --> 00:30:37,280
Speaker 2: I don't have TV. Yeah?

623
00:30:37,320 --> 00:30:38,360
Speaker 3: Is that interesting to you?

624
00:30:38,440 --> 00:30:41,320
Speaker 2: Oh well then okay, so you're watching it together. It's

625
00:30:41,480 --> 00:30:43,760
Speaker 2: the case the advantage of you being able to watch

626
00:30:43,800 --> 00:30:46,720
Speaker 2: whatever movie. You could theoretically watch whatever movies you want

627
00:30:46,760 --> 00:30:48,360
Speaker 2: to watch at your basement apart of it, but you

628
00:30:49,120 --> 00:30:53,000
Speaker 2: choose not to have the the wait apparatus.

629
00:30:53,160 --> 00:30:56,120
Speaker 1: Right, Yes, no, but I have that I have. Yes,

630
00:30:56,600 --> 00:30:58,720
Speaker 1: you come to my house, I come to Hayes's house.

631
00:30:59,320 --> 00:31:03,320
Speaker 1: But do you remember about two weeks ago my dad

632
00:31:03,360 --> 00:31:05,840
Speaker 1: went to your house to fix a leaky pipe. Yeah,

633
00:31:05,840 --> 00:31:07,880
Speaker 1: and he was goofing around I didn't even know which

634
00:31:07,880 --> 00:31:09,960
Speaker 1: I didn't even know was leaking. He No, he called

635
00:31:10,000 --> 00:31:13,000
Speaker 1: you to tell you your pipe was leaking. Do you

636
00:31:13,160 --> 00:31:16,960
Speaker 1: remember he gave you that phone call like four am,

637
00:31:17,000 --> 00:31:18,560
Speaker 1: and he was like, you got a leaky pipe.

638
00:31:18,560 --> 00:31:19,920
Speaker 3: I'm coming over that toolkit.

639
00:31:20,120 --> 00:31:24,160
Speaker 1: I absolutely remember that. Here's what I think happened. Okay,

640
00:31:24,280 --> 00:31:25,880
Speaker 1: I think he put a chip in your TV so

641
00:31:25,920 --> 00:31:27,400
Speaker 1: that we can't see anymore kissing.

642
00:31:27,520 --> 00:31:30,760
Speaker 2: Yeah, he was trying to get you to stop seeing kissing. Oh, well,

643
00:31:30,800 --> 00:31:32,400
Speaker 2: he knows how riled up I get.

644
00:31:33,960 --> 00:31:37,200
Speaker 7: So there's a lot of things in what just happened

645
00:31:37,200 --> 00:31:38,920
Speaker 7: there that I'm concerned from.

646
00:31:38,920 --> 00:31:40,760
Speaker 2: Maybe you could summarize it. Yeah, First of.

647
00:31:40,760 --> 00:31:43,200
Speaker 7: All, if my dad called someone else to tell them

648
00:31:43,200 --> 00:31:46,920
Speaker 7: that their pipe was leaking, your friend, my friend, I

649
00:31:46,960 --> 00:31:48,440
Speaker 7: mean you're clearly friends.

650
00:31:48,600 --> 00:31:51,160
Speaker 1: Yeah, oh yeah, maybe close to being best friends. Ye,

651
00:31:51,440 --> 00:31:54,280
Speaker 1: best he's forever in the neighborhood of best friends.

652
00:31:54,320 --> 00:31:56,560
Speaker 7: Okay, I think I would be concerned about that first

653
00:31:56,560 --> 00:31:59,080
Speaker 7: and foremost, how's dad?

654
00:31:59,120 --> 00:32:03,760
Speaker 2: How's Dad doing better? You guys? You guys are pretty close? Huh.

655
00:32:06,200 --> 00:32:08,560
Speaker 2: It goes up and down. Yeah, yeah.

656
00:32:09,360 --> 00:32:12,680
Speaker 1: I don't like to say it's any one thing because really.

657
00:32:12,720 --> 00:32:16,360
Speaker 1: The way he is now is very erratic, and on

658
00:32:16,400 --> 00:32:19,480
Speaker 1: any given day he could just fly off the handle

659
00:32:19,520 --> 00:32:21,120
Speaker 1: at me and we don't talk for a little while.

660
00:32:21,440 --> 00:32:24,240
Speaker 2: Right, I hate when that happens. And they're on separate floors.

661
00:32:24,280 --> 00:32:25,360
Speaker 2: I mean it's not like they live.

662
00:32:25,560 --> 00:32:28,040
Speaker 1: Oh no, we don't live in the same room. Separate

663
00:32:28,280 --> 00:32:31,760
Speaker 1: my whole own floor. Yes, I have one of those

664
00:32:31,880 --> 00:32:36,400
Speaker 1: egg chairs and a love sack. You have a big

665
00:32:36,480 --> 00:32:40,200
Speaker 1: love sack. It costs like eight hundred dollars anymore. I

666
00:32:40,280 --> 00:32:42,600
Speaker 1: sat on it with pocket knife in my pocket and

667
00:32:42,640 --> 00:32:43,840
Speaker 1: I'd forgotten to close it.

668
00:32:44,400 --> 00:32:45,719
Speaker 3: Yeah, love sack. Do you not know?

669
00:32:46,280 --> 00:32:49,240
Speaker 2: It's like a bean bag, but with like sort of

670
00:32:49,280 --> 00:32:56,480
Speaker 2: a Nauga hide exterior. You're not familiar, no, I think?

671
00:32:56,520 --> 00:32:59,000
Speaker 2: I mean I was suggesting you so you don't have

672
00:32:59,040 --> 00:33:02,000
Speaker 2: to get the two the ma all, get THEE to

673
00:33:01,480 --> 00:33:02,760
Speaker 2: the get THEE to a mall.

674
00:33:02,800 --> 00:33:06,400
Speaker 7: I haven't been to a mall, and I'm actually really afraid.

675
00:33:06,160 --> 00:33:07,840
Speaker 1: Of just you know what I was going to say,

676
00:33:08,600 --> 00:33:12,200
Speaker 1: at your clothes just seemed like you hadn't been to

677
00:33:12,240 --> 00:33:12,600
Speaker 1: a ma all.

678
00:33:12,520 --> 00:33:15,720
Speaker 2: A little while. Yeah, Is that is that a hint?

679
00:33:15,960 --> 00:33:18,160
Speaker 2: Maybe take a trip to them all? All right? All right?

680
00:33:18,360 --> 00:33:21,240
Speaker 2: You know I'll take that. I'll take that into I.

681
00:33:21,280 --> 00:33:26,360
Speaker 1: Want to all and we have no personal investment in malls. Okay,

682
00:33:26,600 --> 00:33:28,480
Speaker 1: A lot of times people think that we're getting paid

683
00:33:28,480 --> 00:33:30,160
Speaker 1: to advertise the things we talk about.

684
00:33:30,800 --> 00:33:33,680
Speaker 2: We just like malls. Is that against the rules, Well,

685
00:33:33,680 --> 00:33:34,880
Speaker 2: it's all in one place.

686
00:33:35,640 --> 00:33:37,760
Speaker 7: Because I'm sure that, like the food court is a

687
00:33:37,800 --> 00:33:39,840
Speaker 7: super hang for you and dad, you and you know,

688
00:33:39,840 --> 00:33:41,000
Speaker 7: all three of you guys want to go.

689
00:33:40,920 --> 00:33:41,520
Speaker 2: To the food court.

690
00:33:41,640 --> 00:33:45,120
Speaker 9: Food courts well, because we don't all want the same

691
00:33:45,200 --> 00:33:47,080
Speaker 9: thing all the time, right, I mean, I want a

692
00:33:47,120 --> 00:33:50,280
Speaker 9: in w Hayes wants some orange chicken and uh, and

693
00:33:50,360 --> 00:33:52,320
Speaker 9: we only eat roast beef.

694
00:33:53,120 --> 00:33:55,400
Speaker 2: And they'll set at a separate table just so people

695
00:33:55,440 --> 00:33:58,400
Speaker 2: don't like look over and think that Seawn's dad is

696
00:33:58,520 --> 00:34:02,720
Speaker 2: like it's scorting us, like like he'll sit a couple

697
00:34:02,720 --> 00:34:03,440
Speaker 2: of tables away.

698
00:34:03,800 --> 00:34:05,720
Speaker 1: Yeah, if we see some of our friends or whatever,

699
00:34:05,760 --> 00:34:07,720
Speaker 1: we don't necessarily want to seem like we're like eating

700
00:34:07,760 --> 00:34:09,239
Speaker 1: with my dad.

701
00:34:09,480 --> 00:34:13,359
Speaker 7: He just kind of you home, right right right, meet

702
00:34:13,400 --> 00:34:15,279
Speaker 7: the ladies and maybe the wife and then you guys

703
00:34:15,280 --> 00:34:16,080
Speaker 7: can have your own dinner and.

704
00:34:16,080 --> 00:34:19,080
Speaker 2: Then he picture up takeshow Yeah, my wife is able

705
00:34:19,080 --> 00:34:21,120
Speaker 2: to make it right? What do you think about all this,

706
00:34:21,239 --> 00:34:22,440
Speaker 2: Charlie hebdo stuff.

707
00:34:22,680 --> 00:34:26,239
Speaker 7: Oh, oh, you're just gonna go You're just gonna go

708
00:34:26,320 --> 00:34:28,080
Speaker 7: right there, aren't you.

709
00:34:28,120 --> 00:34:32,400
Speaker 1: Well, just like sum it up, just like just a capsule,

710
00:34:32,880 --> 00:34:36,440
Speaker 1: sum it up, takes like what's your take, just a

711
00:34:36,480 --> 00:34:37,319
Speaker 1: hot take on that.

712
00:34:37,440 --> 00:34:40,279
Speaker 7: Yeah, that's why it's my friend.

713
00:34:40,320 --> 00:34:44,240
Speaker 2: That's interesting. So you are taking their side my French. Yeah,

714
00:34:44,280 --> 00:34:48,600
Speaker 2: I mean I I think, you know, I think that

715
00:34:48,640 --> 00:34:51,680
Speaker 2: it would be a little crazy as artists in the

716
00:34:51,680 --> 00:34:55,239
Speaker 2: industry that we work in to feel any other way.

717
00:34:55,360 --> 00:34:57,560
Speaker 2: I'm more interested feeling.

718
00:34:58,280 --> 00:35:00,719
Speaker 1: We don't like to take a It's not the place

719
00:35:00,800 --> 00:35:03,160
Speaker 1: of this show to take sides on literally anything.

720
00:35:03,200 --> 00:35:07,399
Speaker 2: It's just a light show about Hollywood, right, it's educational,

721
00:35:07,560 --> 00:35:10,200
Speaker 2: it's fun. Well, so the thing when I was asking

722
00:35:10,200 --> 00:35:11,560
Speaker 2: you what you think about this stuff, what I was

723
00:35:11,600 --> 00:35:14,200
Speaker 2: sort of expecting you would say is like, it's not

724
00:35:14,239 --> 00:35:18,240
Speaker 2: really for this podcast. Well, I'll go there with you, guys.

725
00:35:18,480 --> 00:35:20,520
Speaker 1: Yeah, we were thinking, well, a lot of times will

726
00:35:20,520 --> 00:35:22,560
Speaker 1: ask you a question and the answer we're looking for,

727
00:35:22,800 --> 00:35:24,319
Speaker 1: just so you know, is for you to go like,

728
00:35:24,560 --> 00:35:26,279
Speaker 1: I don't think I should answer that, yeah, and then

729
00:35:26,320 --> 00:35:29,680
Speaker 1: we can kind of most of it if you want

730
00:35:29,719 --> 00:35:31,759
Speaker 1: to pay on it and talk about it. If you

731
00:35:31,800 --> 00:35:33,359
Speaker 1: want to put your foot down like this, and you've

732
00:35:33,400 --> 00:35:34,920
Speaker 1: taken a pretty strong stance so.

733
00:35:34,960 --> 00:35:37,680
Speaker 3: Far, you know that's fine.

734
00:35:38,400 --> 00:35:41,040
Speaker 1: Uh, it's just like we don't try to do that,

735
00:35:41,160 --> 00:35:44,600
Speaker 1: like you know, it comes out every now and then.

736
00:35:44,719 --> 00:35:46,839
Speaker 3: Look, Shakespeare didn't write his own plays. We all know that,

737
00:35:46,920 --> 00:35:47,440
Speaker 3: and I have.

738
00:35:48,320 --> 00:35:52,480
Speaker 2: And this is something that I would always prefer talk about.

739
00:35:52,400 --> 00:35:56,480
Speaker 7: Let's let's definitely not go There's much rather the letters.

740
00:35:56,520 --> 00:36:00,920
Speaker 2: Think about the letters we get. Yeah, I'm sure. Please Droves,

741
00:36:01,040 --> 00:36:02,760
Speaker 2: please don't encourage him about this shape?

742
00:36:02,760 --> 00:36:03,840
Speaker 3: Did you see anonymous?

743
00:36:04,040 --> 00:36:05,759
Speaker 2: Do we have to go there? Let's just move on.

744
00:36:06,360 --> 00:36:07,120
Speaker 2: Let's just move on.

745
00:36:07,440 --> 00:36:11,360
Speaker 3: Okay, we'll move on. So she picks her spots.

746
00:36:11,400 --> 00:36:13,560
Speaker 2: Yeah, I picked my spot and it was an appropriate one,

747
00:36:13,600 --> 00:36:15,080
Speaker 2: I think. Well, I was, you know, I was.

748
00:36:15,160 --> 00:36:16,440
Speaker 7: I was going to get deep with you guys if

749
00:36:16,440 --> 00:36:19,000
Speaker 7: you wanted to go there, but clearly you don't.

750
00:36:20,280 --> 00:36:25,640
Speaker 1: Well why are you so interested in getting deep?

751
00:36:25,680 --> 00:36:27,560
Speaker 2: And can you speak on that for us?

752
00:36:27,800 --> 00:36:29,880
Speaker 7: Well, you know, I feel like we've sort of bonded

753
00:36:29,920 --> 00:36:32,880
Speaker 7: here over the last little bit, and you told me

754
00:36:32,880 --> 00:36:35,480
Speaker 7: about your dad and you know your living situation, and

755
00:36:35,520 --> 00:36:38,560
Speaker 7: I'm really interested in that so like maybe we were

756
00:36:38,560 --> 00:36:39,080
Speaker 7: going to move.

757
00:36:39,480 --> 00:36:44,040
Speaker 2: We learned about well if you make sack chairs? Okay, Well,

758
00:36:44,080 --> 00:36:45,680
Speaker 2: we wanted to talk about acting.

759
00:36:46,040 --> 00:36:49,480
Speaker 1: And we have so many dumb, idiot comedians on here

760
00:36:49,520 --> 00:36:52,799
Speaker 1: who don't really know shit from shit about this, and uh,

761
00:36:53,280 --> 00:36:57,560
Speaker 1: you actually perform dramatic acting. So if you could give

762
00:36:57,640 --> 00:37:00,960
Speaker 1: us one big tip on craft for the audience, I

763
00:37:00,960 --> 00:37:02,600
Speaker 1: think that would really be valuable.

764
00:37:02,800 --> 00:37:06,799
Speaker 7: Well, you know, I'm clearly a fessed man, so yes,

765
00:37:06,880 --> 00:37:07,680
Speaker 7: I take my safe.

766
00:37:07,800 --> 00:37:09,360
Speaker 2: I take myself very very seriously.

767
00:37:09,880 --> 00:37:12,239
Speaker 7: Yeah, I think I think it's really I've seen a

768
00:37:12,280 --> 00:37:14,800
Speaker 7: lot of comedians and I love comedians, and I think.

769
00:37:17,680 --> 00:37:20,200
Speaker 1: Yeah, what they do, what they do, isn't it kind

770
00:37:20,200 --> 00:37:20,720
Speaker 1: of bullshit?

771
00:37:21,400 --> 00:37:23,560
Speaker 2: Well, I think it's I think it's pretty spectacular to

772
00:37:23,560 --> 00:37:24,880
Speaker 2: have the balls to get up there and do that.

773
00:37:26,280 --> 00:37:31,360
Speaker 2: Anyone can fake laugh, truth, truth, and doing it the

774
00:37:31,400 --> 00:37:34,120
Speaker 2: whole time I've since you met us. Yeah, it's great,

775
00:37:34,239 --> 00:37:36,239
Speaker 2: it's it's good. It's it's an easy thing to do.

776
00:37:36,880 --> 00:37:40,359
Speaker 2: I think. Yeah, No, I think anybody can fake laugh

777
00:37:40,400 --> 00:37:43,719
Speaker 2: but tell a good joke. That's fantastic. I like to

778
00:37:43,719 --> 00:37:44,520
Speaker 2: dig a little deeper.

779
00:37:44,560 --> 00:37:48,960
Speaker 7: I'm a little more into other you know, turning and

780
00:37:49,040 --> 00:37:51,600
Speaker 7: trying to understand where other people come from, a little

781
00:37:51,600 --> 00:37:54,080
Speaker 7: more of the psychology of it, a little more creating

782
00:37:54,080 --> 00:37:58,200
Speaker 7: a character like screaming jokes and faces.

783
00:37:57,840 --> 00:38:03,000
Speaker 2: Like you could be like a madly, a mad lady,

784
00:38:03,040 --> 00:38:06,200
Speaker 2: like on Mad Mad magazine. That's the opposite of what

785
00:38:06,239 --> 00:38:10,359
Speaker 2: I'm talking about saying that that's funny, but you turn

786
00:38:10,400 --> 00:38:14,000
Speaker 2: on mad TV, but it's actually everyone being silly, right,

787
00:38:14,120 --> 00:38:17,600
Speaker 2: But you could actually be a mad person in a show.

788
00:38:17,680 --> 00:38:23,000
Speaker 7: Like an angry person like emotionally, yes, you know, comedians

789
00:38:23,000 --> 00:38:24,919
Speaker 7: are really fucking angry.

790
00:38:24,760 --> 00:38:26,040
Speaker 3: When you actually get to know them.

791
00:38:26,080 --> 00:38:29,120
Speaker 1: They can sometimes be because they don't get to because

792
00:38:29,160 --> 00:38:33,920
Speaker 1: they can't play, they can't show that emotion in a

793
00:38:33,960 --> 00:38:35,000
Speaker 1: fake way like you can.

794
00:38:35,400 --> 00:38:39,160
Speaker 2: Okay, okay, how would you summon? How would you What

795
00:38:39,200 --> 00:38:42,440
Speaker 2: would you think about? I think there's a there's a

796
00:38:42,440 --> 00:38:45,240
Speaker 2: lot of different to get really mad. What person A parent,

797
00:38:45,480 --> 00:38:48,719
Speaker 2: A specific person, which parents? Pretty much day to day

798
00:38:48,920 --> 00:38:51,439
Speaker 2: I know it's day to day, which parent you get?

799
00:38:51,520 --> 00:38:53,279
Speaker 2: You think about when you want to get mad? Day

800
00:38:53,320 --> 00:38:57,160
Speaker 2: to day? It's day to day, minute to minute? Is

801
00:38:57,160 --> 00:38:57,680
Speaker 2: it right now?

802
00:38:59,080 --> 00:38:59,239
Speaker 1: Well?

803
00:38:59,239 --> 00:39:01,360
Speaker 2: When I when I here, I am going to do

804
00:39:01,400 --> 00:39:04,879
Speaker 2: some great angry auditioning. It's going to be Oh fantastic.

805
00:39:05,120 --> 00:39:07,000
Speaker 2: I'm kidding. See how serious. See how you both took

806
00:39:07,080 --> 00:39:07,799
Speaker 2: that's called acting.

807
00:39:07,920 --> 00:39:12,080
Speaker 1: Wow, you really took me there, Yes, and that was

808
00:39:12,120 --> 00:39:14,000
Speaker 1: you clapping And now I need a minute to get

809
00:39:14,040 --> 00:39:14,880
Speaker 1: back into the room.

810
00:39:15,239 --> 00:39:16,240
Speaker 2: I clapped for myself.

811
00:39:16,600 --> 00:39:18,760
Speaker 3: You took me out of it because I've been transported.

812
00:39:19,520 --> 00:39:21,080
Speaker 2: Yeah, did you see it?

813
00:39:21,120 --> 00:39:22,439
Speaker 7: Did you feel how all of a sudden you felt

814
00:39:22,480 --> 00:39:24,920
Speaker 7: really hurt? Yeah, and you felt kind of attacked and

815
00:39:24,960 --> 00:39:26,760
Speaker 7: you kind of wanted to acting.

816
00:39:27,239 --> 00:39:27,640
Speaker 2: Yeah.

817
00:39:28,080 --> 00:39:32,640
Speaker 1: Oh wow, pretty heavy. You did some modeling in Milan.

818
00:39:32,719 --> 00:39:37,560
Speaker 1: How was the food in Milan? Yeah, Milan's amazing. Yeah,

819
00:39:37,680 --> 00:39:40,279
Speaker 1: Milan's amazing the food. Have you been, you know, to

820
00:39:40,320 --> 00:39:41,240
Speaker 1: Italy anyway?

821
00:39:41,480 --> 00:39:42,520
Speaker 3: Oh?

822
00:39:42,560 --> 00:39:46,440
Speaker 2: Well, not big Italy. I've been to little Italy. Okay,

823
00:39:47,080 --> 00:39:49,839
Speaker 2: so not actual Italy. Oh.

824
00:39:50,120 --> 00:39:52,319
Speaker 1: I don't think the little Italy people would appreciate me

825
00:39:52,400 --> 00:39:52,879
Speaker 1: saying that.

826
00:39:53,080 --> 00:39:54,600
Speaker 3: Okay, yeah, no, I haven't.

827
00:39:54,400 --> 00:39:58,080
Speaker 2: Been to the other one is Yeah, it's just size. Well,

828
00:39:58,239 --> 00:39:58,920
Speaker 2: it's a country.

829
00:39:59,000 --> 00:40:02,440
Speaker 7: It's a difference in country, right, But so you but

830
00:40:02,520 --> 00:40:06,319
Speaker 7: little Italy is you're saying Italy, Okay, we'll go with that.

831
00:40:06,320 --> 00:40:06,759
Speaker 2: That's fine.

832
00:40:07,920 --> 00:40:09,560
Speaker 3: Well, I mean they couldn't put it in the name

833
00:40:09,600 --> 00:40:10,400
Speaker 3: if it wasn't true.

834
00:40:10,440 --> 00:40:12,640
Speaker 2: You don't seem to be offering a lot of details

835
00:40:12,680 --> 00:40:16,600
Speaker 2: about what you call real Italy. And I think Sean

836
00:40:16,680 --> 00:40:18,440
Speaker 2: is willing to speak for a long time. I mean,

837
00:40:18,520 --> 00:40:21,359
Speaker 2: I'll tell you, I at least believe that he went right.

838
00:40:21,920 --> 00:40:24,640
Speaker 2: And you seemed very reluctant to provide you. He has

839
00:40:24,680 --> 00:40:26,520
Speaker 2: to even know what the food was, and you said

840
00:40:26,680 --> 00:40:29,239
Speaker 2: Milan's great. Yeah, it almost seems like you didn't know

841
00:40:29,239 --> 00:40:29,880
Speaker 2: about the food.

842
00:40:30,000 --> 00:40:32,520
Speaker 1: And I actually have done a pretty big deep dive

843
00:40:32,640 --> 00:40:34,240
Speaker 1: on some of the food in little Italy.

844
00:40:34,680 --> 00:40:36,600
Speaker 2: Well, let's let's hear it. Let's hear all about the

845
00:40:36,600 --> 00:40:37,759
Speaker 2: beautiful food in little Italy.

846
00:40:37,840 --> 00:40:40,319
Speaker 7: I can I can tell you about my my quote

847
00:40:40,400 --> 00:40:42,080
Speaker 7: unquote big Italy after week.

848
00:40:42,560 --> 00:40:45,520
Speaker 1: Okay, all right, well I'm gonna and I'm gonna be

849
00:40:45,560 --> 00:40:47,920
Speaker 1: scanning your face for recognition when I name some of

850
00:40:47,920 --> 00:40:50,319
Speaker 1: these foods to see if you actually know he can

851
00:40:50,480 --> 00:40:50,719
Speaker 1: do that.

852
00:40:50,800 --> 00:40:54,880
Speaker 3: And yes, because I have seen meet the parents.

853
00:40:55,320 --> 00:40:57,800
Speaker 2: Okay, DeNiro me.

854
00:40:57,960 --> 00:41:00,480
Speaker 3: All right, she's pizza.

855
00:41:02,400 --> 00:41:04,600
Speaker 2: Yes, that's that's.

856
00:41:05,000 --> 00:41:09,279
Speaker 3: She's telling the truth. I'm sorry we doubted you.

857
00:41:09,360 --> 00:41:13,279
Speaker 1: Thank you, But when you're talking to a chameleon, you

858
00:41:13,280 --> 00:41:15,160
Speaker 1: know you're never told me she really.

859
00:41:14,960 --> 00:41:16,840
Speaker 2: Put us on our toes because a minute ago you

860
00:41:16,880 --> 00:41:19,200
Speaker 2: said that you were going to an audition, and you.

861
00:41:19,080 --> 00:41:20,560
Speaker 3: Were going in an angry audition.

862
00:41:20,680 --> 00:41:23,880
Speaker 2: Why you going on an audition? Is everything okay? Career wise,

863
00:41:24,000 --> 00:41:26,560
Speaker 2: everything is great. Everything is great career wise.

864
00:41:26,600 --> 00:41:29,879
Speaker 7: I'm actually so busy that I can't take auditions at

865
00:41:29,880 --> 00:41:30,280
Speaker 7: the moment.

866
00:41:31,040 --> 00:41:31,319
Speaker 2: Me too.

867
00:41:31,320 --> 00:41:32,080
Speaker 3: That's why I don't do it.

868
00:41:32,120 --> 00:41:33,200
Speaker 2: Too busy doing.

869
00:41:33,920 --> 00:41:36,440
Speaker 7: Everyone's called and I there's there have been a lot

870
00:41:36,480 --> 00:41:39,040
Speaker 7: of really really huge you know you guys, that's why.

871
00:41:39,760 --> 00:41:42,760
Speaker 3: That's why we don't audition. Yeah, right, just too busy.

872
00:41:42,920 --> 00:41:47,080
Speaker 7: Offer only, offer only, Yeah if that yeah, yeah, yeah

873
00:41:47,160 --> 00:41:51,680
Speaker 7: it seems that way. You guys have you're producing a

874
00:41:51,680 --> 00:41:54,240
Speaker 7: lot and you know you're you've done.

875
00:41:54,040 --> 00:41:57,000
Speaker 1: A lot of Oh gosh, this isn't about honest, but yeah,

876
00:41:57,040 --> 00:41:58,360
Speaker 1: I'd say that's too accurate.

877
00:41:58,520 --> 00:42:02,960
Speaker 2: M Yeah, we did. I did a video actually just

878
00:42:03,000 --> 00:42:07,719
Speaker 2: the other day for Wes Borland is going like kind

879
00:42:07,719 --> 00:42:11,960
Speaker 2: of out on his own. You know, Wes, you like

880
00:42:12,320 --> 00:42:15,279
Speaker 2: tell the audience about Wells. You might know he was

881
00:42:15,320 --> 00:42:20,240
Speaker 2: the guy in limp biscuit who just had the black eyes.

882
00:42:20,320 --> 00:42:22,719
Speaker 2: He used to wear contacts and made it look like

883
00:42:23,239 --> 00:42:26,160
Speaker 2: a black Okay, and some people people would watch is

884
00:42:26,239 --> 00:42:28,080
Speaker 2: see that I did it all for the nookie. Yeah,

885
00:42:29,520 --> 00:42:32,080
Speaker 2: and she's pretending like she doesn't know who it is.

886
00:42:32,680 --> 00:42:34,799
Speaker 2: And so people would watch Limp Biscuit and they would

887
00:42:34,800 --> 00:42:36,680
Speaker 2: see like the guy in the hat, and they'd be like,

888
00:42:36,680 --> 00:42:38,399
Speaker 2: I don't know about this guy. But then they look

889
00:42:38,440 --> 00:42:41,400
Speaker 2: at the guy whose eyes were all black and say, like,

890
00:42:41,440 --> 00:42:43,440
Speaker 2: what's going on with him? Like maybe he should do

891
00:42:43,520 --> 00:42:47,160
Speaker 2: something of his own. So we got together and we

892
00:42:47,200 --> 00:42:49,800
Speaker 2: did this sort of like d I Y video of him,

893
00:42:49,840 --> 00:42:52,640
Speaker 2: just like kind of walking around black guye list. He

894
00:42:52,719 --> 00:42:57,880
Speaker 2: does not do the black eyes anymore, oh, because it

895
00:42:57,960 --> 00:43:01,360
Speaker 2: was making his eyes not be able to see. And

896
00:43:01,440 --> 00:43:03,560
Speaker 2: so now if he's going to be walking around, he

897
00:43:03,680 --> 00:43:05,399
Speaker 2: needs to take the contacts out.

898
00:43:06,160 --> 00:43:06,279
Speaker 6: Uh.

899
00:43:06,440 --> 00:43:07,840
Speaker 2: And that was a big part of the video. Is

900
00:43:07,920 --> 00:43:09,840
Speaker 2: him like and if you were in Los Angeles, it

901
00:43:09,880 --> 00:43:11,479
Speaker 2: was going to be at night, but then it's hard

902
00:43:11,520 --> 00:43:14,480
Speaker 2: to actually film at night because it's so dark. So

903
00:43:14,520 --> 00:43:16,520
Speaker 2: we did it coupled with the black eyes. I can't

904
00:43:16,560 --> 00:43:17,839
Speaker 2: imagine too much.

905
00:43:17,960 --> 00:43:19,960
Speaker 1: I've seen some of the jailies and if you wanted

906
00:43:19,960 --> 00:43:22,520
Speaker 1: to take it in a different direction, some of the

907
00:43:22,560 --> 00:43:26,040
Speaker 1: black eye footage does have him walking right into walls

908
00:43:26,040 --> 00:43:28,000
Speaker 1: and stuff like that, And I think it could be

909
00:43:28,080 --> 00:43:32,640
Speaker 1: sort of a more Decai esque farcicle, a.

910
00:43:32,600 --> 00:43:35,560
Speaker 7: Little bit of an ironic sort of thing happening. Maybe

911
00:43:35,560 --> 00:43:38,040
Speaker 7: it's a political say, maybe you just go completely mmm

912
00:43:38,680 --> 00:43:39,560
Speaker 7: take his career.

913
00:43:39,400 --> 00:43:43,920
Speaker 1: To a very very what political statement would be making

914
00:43:44,360 --> 00:43:46,480
Speaker 1: just because I'm curious and that we don't like to

915
00:43:46,480 --> 00:43:48,480
Speaker 1: take a fist, but what political statement would have.

916
00:43:48,600 --> 00:43:51,879
Speaker 2: I get it. I just mean for everyone else, because

917
00:43:51,920 --> 00:43:52,759
Speaker 2: we're so plugged in.

918
00:43:52,840 --> 00:43:54,920
Speaker 7: I mean, you're right, Yeah, I don't know. I mean

919
00:43:54,960 --> 00:43:56,920
Speaker 7: I think you could go. You could go really like

920
00:43:57,000 --> 00:43:59,920
Speaker 7: he can't see and it's dark and he's walking in

921
00:44:00,080 --> 00:44:02,440
Speaker 7: the walls. And maybe that's how he felt a little

922
00:44:02,440 --> 00:44:04,920
Speaker 7: bit in the Limp Biscuit videos.

923
00:44:04,960 --> 00:44:10,160
Speaker 2: He felt a little like he was getting very politically politically, Sam, Yeah,

924
00:44:10,200 --> 00:44:10,880
Speaker 2: getting extreme.

925
00:44:10,960 --> 00:44:13,600
Speaker 1: I think it's like when I think, like, oh, who

926
00:44:13,719 --> 00:44:15,840
Speaker 1: can't see and is just basically can't get out of

927
00:44:15,880 --> 00:44:18,160
Speaker 1: their own way and is walking into walls, I think, uh, yeah,

928
00:44:18,280 --> 00:44:22,040
Speaker 1: that reminds me of a certain political figure.

929
00:44:22,360 --> 00:44:24,959
Speaker 2: Is at the top of the heap right for now?

930
00:44:25,760 --> 00:44:28,120
Speaker 2: For a couple more yes, and he actually.

931
00:44:27,760 --> 00:44:30,920
Speaker 1: He's he's renting not by a couple of daughters and

932
00:44:31,000 --> 00:44:35,080
Speaker 1: one happens to be named Milan, who we were speaking about.

933
00:44:35,320 --> 00:44:39,279
Speaker 2: Yes, yes, which Italy Milan. Yeah, I think it's a

934
00:44:39,320 --> 00:44:41,760
Speaker 2: good statement. I think oh wait, stop talking one second.

935
00:44:41,880 --> 00:44:45,560
Speaker 2: We have to do a segment called the Popcorn Galleries

936
00:44:46,080 --> 00:44:49,360
Speaker 2: and whatever you wanted to say. This is a lot

937
00:44:49,440 --> 00:44:55,120
Speaker 2: more important. We got questions from our viewers. Let me

938
00:44:55,120 --> 00:44:58,960
Speaker 2: catch up to the song these uh is the movies?

939
00:44:59,040 --> 00:45:00,560
Speaker 2: Is the name is the real then it's all the

940
00:45:00,560 --> 00:45:04,440
Speaker 2: popcorn gallery and Sean and Hayes let the viewers do it,

941
00:45:04,800 --> 00:45:09,400
Speaker 2: which is asking you questions. The questions are about movies

942
00:45:10,400 --> 00:45:14,640
Speaker 2: or in this case, uh, you are movies and TV shows.

943
00:45:14,640 --> 00:45:17,360
Speaker 2: So some of the questions might be about TV shows.

944
00:45:17,360 --> 00:45:20,440
Speaker 1: So the song explained, we just want you to briefly

945
00:45:20,600 --> 00:45:22,759
Speaker 1: just explain it back to us just before we get

946
00:45:22,800 --> 00:45:23,239
Speaker 1: into it.

947
00:45:23,320 --> 00:45:25,359
Speaker 2: That that was frightening the song.

948
00:45:25,640 --> 00:45:28,160
Speaker 7: Yeah, so you're gonna ask me some pop culture questions

949
00:45:28,160 --> 00:45:31,400
Speaker 7: about movies and I'm supposed to understand.

950
00:45:30,960 --> 00:45:33,600
Speaker 2: Comment on them. It was like an echo of a

951
00:45:33,960 --> 00:45:38,319
Speaker 2: gross proportion of popcorn. I could sing the song. Then

952
00:45:38,560 --> 00:45:40,440
Speaker 2: how do we convey this?

953
00:45:41,120 --> 00:45:41,799
Speaker 3: Sing the song?

954
00:45:43,280 --> 00:45:46,360
Speaker 7: It was a little bit of just echoing everything you know,

955
00:45:46,520 --> 00:45:50,120
Speaker 7: for saying, doing a little Garthen, what's.

956
00:45:50,120 --> 00:45:57,359
Speaker 1: The es and now Arthan Wayne, Garthan Wayne, Garthan Wayne, Yeah,

957
00:45:57,480 --> 00:46:02,000
Speaker 1: Garthan Wayne, Yeah, showing they like Claudia Schiffer, if you'll recall.

958
00:46:01,920 --> 00:46:06,640
Speaker 2: Not what I was thinking of. But let's ask you

959
00:46:06,840 --> 00:46:10,240
Speaker 2: questions from our listeners, and let's reach into the popcorn

960
00:46:10,239 --> 00:46:11,040
Speaker 2: bag and we'll get one.

961
00:46:11,239 --> 00:46:12,840
Speaker 1: Okay, so we have to reach in and I'll just

962
00:46:12,880 --> 00:46:15,319
Speaker 1: play the sound drop right now that has been pre

963
00:46:15,440 --> 00:46:26,160
Speaker 1: sent to us by my high school friend Mark.

964
00:46:21,680 --> 00:46:25,840
Speaker 2: For the popcorn got's a spaghetti meatball.

965
00:46:26,160 --> 00:46:28,600
Speaker 1: Okay, so what Mark found in the popcorn bag was

966
00:46:28,880 --> 00:46:31,520
Speaker 1: a question and the questions represented by a spaghetti meatball,

967
00:46:31,560 --> 00:46:32,840
Speaker 1: which of course you know all about.

968
00:46:33,320 --> 00:46:38,359
Speaker 2: Why Yeah, because we're in Italy. Yeah mm hmmm hm.

969
00:46:39,400 --> 00:46:43,399
Speaker 2: The question is from Bruce Reid Robinson too. Robinson. That's

970
00:46:43,560 --> 00:46:45,279
Speaker 2: a name, Okay, that's his.

971
00:46:45,800 --> 00:46:47,279
Speaker 3: That's going to be the most normal name.

972
00:46:48,480 --> 00:46:50,799
Speaker 2: Get ready if you think that's a weird name, get

973
00:46:50,840 --> 00:46:53,200
Speaker 2: ready the other internet care I help.

974
00:46:53,160 --> 00:46:54,719
Speaker 3: Your I hope you got your helmet on.

975
00:46:54,880 --> 00:47:00,720
Speaker 2: I do. Bruce Reid Robinson asks hardwoods or carpet, and

976
00:47:01,320 --> 00:47:06,080
Speaker 2: he clarifies, which I think is yes. Okay, okay, okay,

977
00:47:11,680 --> 00:47:14,480
Speaker 2: he does finish because our listeners in a way represent

978
00:47:14,520 --> 00:47:18,080
Speaker 2: the show. And he does say he means it in

979
00:47:18,160 --> 00:47:20,520
Speaker 2: terms of actual flooring. He is not.

980
00:47:21,320 --> 00:47:23,879
Speaker 1: He doesn't mean it in any kind of other way,

981
00:47:23,960 --> 00:47:26,239
Speaker 1: which I didn't even think of until he clarified it.

982
00:47:26,640 --> 00:47:29,520
Speaker 2: But he didn't mean it that way.

983
00:47:29,640 --> 00:47:32,200
Speaker 1: He meant he's asking about your house that you share

984
00:47:32,200 --> 00:47:32,760
Speaker 1: with your husband.

985
00:47:32,840 --> 00:47:33,840
Speaker 3: That is so interesting.

986
00:47:34,160 --> 00:47:36,239
Speaker 1: I can't imagine that he's not asking if you have

987
00:47:36,400 --> 00:47:38,480
Speaker 1: a hardwood huhuh.

988
00:47:38,560 --> 00:47:41,440
Speaker 2: Right, and then there's no carpet curtains happening here. Okay,

989
00:47:41,640 --> 00:47:43,520
Speaker 2: hardwood or carpet hard wood.

990
00:47:44,000 --> 00:47:47,480
Speaker 1: Yeah, always always because you can't because you don't have to.

991
00:47:47,520 --> 00:47:49,480
Speaker 2: And you also mean that in terms of floor You

992
00:47:49,520 --> 00:47:51,160
Speaker 2: don't mean that in any kind of I mean that

993
00:47:51,239 --> 00:47:58,680
Speaker 2: in every capacity. Oh my basement's carpeted, it is, so

994
00:47:58,800 --> 00:48:00,919
Speaker 2: you prefer carpet. I'm doing.

995
00:48:01,560 --> 00:48:04,319
Speaker 3: I just well it's not my name's not on the least.

996
00:48:04,920 --> 00:48:08,120
Speaker 2: Well, what that means is you can walk around as

997
00:48:08,200 --> 00:48:10,160
Speaker 2: late as you want and it's not going to.

998
00:48:11,239 --> 00:48:13,520
Speaker 7: Yeah, yeah, right, that's probably why they did that there.

999
00:48:13,719 --> 00:48:16,200
Speaker 1: Who It's like, I'm like, the guy's got terrible hearing

1000
00:48:16,280 --> 00:48:18,719
Speaker 1: twenty three hours a day. But then when I'm you know,

1001
00:48:19,360 --> 00:48:21,279
Speaker 1: trying to do like a workout at night. All of

1002
00:48:21,320 --> 00:48:23,839
Speaker 1: a sudden it's waking them up. Yeah, try to guess

1003
00:48:23,840 --> 00:48:25,040
Speaker 1: it's the vibration, not the sound.

1004
00:48:25,160 --> 00:48:27,960
Speaker 2: Try to show him something that you made, like a

1005
00:48:28,040 --> 00:48:30,360
Speaker 2: craft that you made, and all of a sudden he

1006
00:48:30,400 --> 00:48:31,200
Speaker 2: can't hear you.

1007
00:48:31,520 --> 00:48:34,240
Speaker 1: I've noticed this. Yeah, he'll come to say, Dad, look

1008
00:48:35,120 --> 00:48:36,080
Speaker 1: look what I did.

1009
00:48:36,000 --> 00:48:37,640
Speaker 2: With this craft that I've crafted.

1010
00:48:37,680 --> 00:48:39,760
Speaker 1: Yeah, and I will have made, you know, a God's

1011
00:48:39,800 --> 00:48:45,400
Speaker 1: eye or something with like really bitching colors, like frigging

1012
00:48:46,360 --> 00:48:48,560
Speaker 1: like a mustard yellow or something.

1013
00:48:48,320 --> 00:48:49,400
Speaker 3: Like pretty edgy.

1014
00:48:51,120 --> 00:48:53,600
Speaker 1: What are some of the baddest colors to you, like,

1015
00:48:53,680 --> 00:48:56,080
Speaker 1: if you really wanted to be out there and really

1016
00:48:56,080 --> 00:48:58,320
Speaker 1: be a badass.

1017
00:48:59,560 --> 00:49:00,720
Speaker 2: Colors just in general?

1018
00:49:01,440 --> 00:49:04,400
Speaker 1: Yeah, well not just in general, because only the baddest

1019
00:49:04,440 --> 00:49:05,800
Speaker 1: ones get named in this segment.

1020
00:49:05,920 --> 00:49:11,120
Speaker 7: Only the baddest colors like a nice sum highlighter orange.

1021
00:49:11,360 --> 00:49:13,640
Speaker 2: Okay, good answer, Yeah, that's good. It's good that you

1022
00:49:13,640 --> 00:49:15,839
Speaker 2: didn't say black, because that's actually not a color. It's

1023
00:49:15,880 --> 00:49:17,440
Speaker 2: not in the rainbow. I wasn't going to get into

1024
00:49:17,520 --> 00:49:19,080
Speaker 2: that with you guys, so I just kept it. I

1025
00:49:19,120 --> 00:49:22,160
Speaker 2: appreciate your that you would not want to yes, because

1026
00:49:22,160 --> 00:49:23,919
Speaker 2: that's another thing we get a lot of letters event

1027
00:49:24,120 --> 00:49:24,520
Speaker 2: or white.

1028
00:49:24,560 --> 00:49:27,960
Speaker 1: I'm sure, yes, yes, No, I do appreciate that. And

1029
00:49:28,440 --> 00:49:29,360
Speaker 1: is brown of color?

1030
00:49:29,600 --> 00:49:32,160
Speaker 2: Mm hmm, okay, good. It's in the little part of

1031
00:49:32,280 --> 00:49:34,279
Speaker 2: it's in the invisible part of the rainbow. You know

1032
00:49:34,400 --> 00:49:36,319
Speaker 2: how we read a lot of science books, and so

1033
00:49:36,480 --> 00:49:39,399
Speaker 2: there's parts of the rainbow that only certain animals can see.

1034
00:49:39,480 --> 00:49:43,759
Speaker 2: Do you dig on science? Can dig on science? Yeah?

1035
00:49:44,480 --> 00:49:46,359
Speaker 7: I dig you guys dig it on science. I think

1036
00:49:46,400 --> 00:49:49,359
Speaker 7: more than that's the effect is.

1037
00:49:49,320 --> 00:49:52,880
Speaker 2: That, yes, is if everyone liked science, then it wouldn't

1038
00:49:52,880 --> 00:49:54,719
Speaker 2: be as interesting for us.

1039
00:49:54,760 --> 00:49:56,600
Speaker 1: No, it wouldn't be cool for us to be kind

1040
00:49:56,640 --> 00:49:59,200
Speaker 1: of nerdy about it almost. And do you think that

1041
00:49:59,280 --> 00:50:00,719
Speaker 1: nerd culture taking over?

1042
00:50:00,920 --> 00:50:01,400
Speaker 8: Jess?

1043
00:50:01,880 --> 00:50:05,680
Speaker 7: I think, I know, I think I think Is that

1044
00:50:05,680 --> 00:50:07,000
Speaker 7: why you said it doesn't?

1045
00:50:07,120 --> 00:50:09,200
Speaker 1: Oh, this is a good answer. We haven't gotten this

1046
00:50:09,239 --> 00:50:10,840
Speaker 1: one before. No, you don't think it is.

1047
00:50:10,880 --> 00:50:13,080
Speaker 2: I don't think it is. Oh yeah, your eyes just

1048
00:50:13,120 --> 00:50:17,440
Speaker 2: went completely bug eyed. I feel like you're gonna.

1049
00:50:17,280 --> 00:50:20,920
Speaker 1: Yes, I've never been this surprise before. Now, does mistresss

1050
00:50:20,920 --> 00:50:22,040
Speaker 1: not do a comic con panel?

1051
00:50:22,160 --> 00:50:25,279
Speaker 2: We don't do a comic con panel. You could knock

1052
00:50:25,320 --> 00:50:26,759
Speaker 2: me over with a feather right now.

1053
00:50:27,400 --> 00:50:30,680
Speaker 7: We don't do a comic Con panel. Maybe that's why

1054
00:50:30,719 --> 00:50:32,399
Speaker 7: that I don't think nerd culture is taking over because

1055
00:50:32,400 --> 00:50:34,080
Speaker 7: we don't do a comic coon panel. Are we supposed

1056
00:50:34,120 --> 00:50:35,040
Speaker 7: to do a comic con panel?

1057
00:50:35,360 --> 00:50:37,080
Speaker 2: How release the first look teaser?

1058
00:50:38,320 --> 00:50:41,080
Speaker 7: Well, I guess it's just the old fashioned way, you know.

1059
00:50:41,160 --> 00:50:43,240
Speaker 7: It just it just comes out on the network.

1060
00:50:43,280 --> 00:50:47,120
Speaker 2: And I'm in the woods.

1061
00:50:47,560 --> 00:50:52,440
Speaker 1: I'm in the woods, I'm underwater, and it's nighttime and

1062
00:50:52,480 --> 00:50:55,440
Speaker 1: you're and it's very cold, and you're the.

1063
00:50:55,400 --> 00:50:57,400
Speaker 2: Guy from the olympiskuit thing they can't see.

1064
00:50:58,200 --> 00:51:00,399
Speaker 1: Well, that would be interesting, but as I said, there's

1065
00:51:00,440 --> 00:51:03,040
Speaker 1: no way to shoot that because you can't.

1066
00:51:03,120 --> 00:51:03,800
Speaker 3: Yes, you can't.

1067
00:51:03,840 --> 00:51:06,520
Speaker 1: Too dark to do it at night, and whenever they're

1068
00:51:06,560 --> 00:51:08,520
Speaker 1: doing a movie that's at night. And this is a

1069
00:51:08,520 --> 00:51:10,680
Speaker 1: fun fact for listeners in Scoop Troop get out your

1070
00:51:10,680 --> 00:51:12,800
Speaker 1: pens and you can say this because you've been on

1071
00:51:12,880 --> 00:51:16,120
Speaker 1: TV show. They're putting like a sheer piece of black

1072
00:51:16,160 --> 00:51:19,120
Speaker 1: cloth in front of the camera lens. Don't you think

1073
00:51:19,160 --> 00:51:20,560
Speaker 1: that's true or do you disagree?

1074
00:51:20,640 --> 00:51:21,240
Speaker 2: I disagree?

1075
00:51:21,440 --> 00:51:23,200
Speaker 1: Yeah, the face you made made me think that you

1076
00:51:23,360 --> 00:51:25,160
Speaker 1: feel like there's another way to shoot at night?

1077
00:51:25,520 --> 00:51:29,279
Speaker 2: I think you have to remove the black cloth. Oh well,

1078
00:51:29,320 --> 00:51:34,319
Speaker 2: the actress. The actress says, now she's the camera. Yeah, yes,

1079
00:51:34,800 --> 00:51:37,640
Speaker 2: the actress says, how a camera works. So everyone get

1080
00:51:37,680 --> 00:51:39,960
Speaker 2: out here. Don't actually get out your scoop for your notebooks,

1081
00:51:39,960 --> 00:51:42,320
Speaker 2: but just like for the joke, get out your scoop

1082
00:51:42,360 --> 00:51:45,319
Speaker 2: troop notebooks and write dad what the actress says the

1083
00:51:45,440 --> 00:51:48,520
Speaker 2: camera works? Like, because like, don't listen to the camera guy,

1084
00:51:48,640 --> 00:51:51,920
Speaker 2: he doesn't know. Yeah, let's get another question.

1085
00:51:52,239 --> 00:52:01,239
Speaker 1: Oh yes, uh, it's the Godfather. Okay, So yeah, it's

1086
00:52:01,280 --> 00:52:03,560
Speaker 1: really staying on theme of like that's something you would

1087
00:52:03,600 --> 00:52:06,080
Speaker 1: know about because of course you were in Sicily or

1088
00:52:06,080 --> 00:52:07,240
Speaker 1: whatever Italy.

1089
00:52:07,480 --> 00:52:11,000
Speaker 2: Yes, this question is from ASTech. So remember what we

1090
00:52:11,040 --> 00:52:16,200
Speaker 2: said about the names a zer as as. Okay, so

1091
00:52:16,440 --> 00:52:17,520
Speaker 2: who knows? Buckle up.

1092
00:52:18,719 --> 00:52:21,799
Speaker 1: Yes, you have a degree in business and seem to

1093
00:52:21,800 --> 00:52:24,160
Speaker 1: be doing well in show business, but you haven't been

1094
00:52:24,160 --> 00:52:26,279
Speaker 1: in many comedies. So why did you fail all of

1095
00:52:26,280 --> 00:52:27,800
Speaker 1: your funny business classes?

1096
00:52:28,280 --> 00:52:32,880
Speaker 2: Oh isn't that just sweet? It is a little The

1097
00:52:33,000 --> 00:52:34,960
Speaker 2: question does have an edge to it, and we actually

1098
00:52:35,000 --> 00:52:38,960
Speaker 2: asked for we want to try to create an environment

1099
00:52:39,080 --> 00:52:41,200
Speaker 2: of hostility. Ass business.

1100
00:52:41,480 --> 00:52:44,840
Speaker 7: Oh, ass business, Yes, it's it's ass business.

1101
00:52:45,160 --> 00:52:51,200
Speaker 2: Well, the business of the business is that you I have.

1102
00:52:51,440 --> 00:52:53,759
Speaker 2: I have been in quite a few comedies. Actually they

1103
00:52:53,800 --> 00:52:56,680
Speaker 2: never get hot seen. Yeah, they never.

1104
00:52:56,480 --> 00:53:00,520
Speaker 7: Seem to get seen, and they never show out home movies. Yeah,

1105
00:53:00,600 --> 00:53:03,520
Speaker 7: I do a lot of you know, little little sketches

1106
00:53:03,560 --> 00:53:04,799
Speaker 7: on my own camera.

1107
00:53:04,880 --> 00:53:07,799
Speaker 2: I do actually got a lot the next wave though everybody.

1108
00:53:07,480 --> 00:53:10,040
Speaker 7: Seems to be doing that, starting like some sort of channel.

1109
00:53:09,800 --> 00:53:13,480
Speaker 1: With online, with online, Yes on the line with online,

1110
00:53:13,560 --> 00:53:14,280
Speaker 1: are you online?

1111
00:53:14,320 --> 00:53:15,280
Speaker 2: I don't get the vine.

1112
00:53:15,360 --> 00:53:17,400
Speaker 7: This is the problem, even though I do know how

1113
00:53:17,400 --> 00:53:19,920
Speaker 7: to shoot at night and pull the sheet over, and

1114
00:53:19,960 --> 00:53:21,759
Speaker 7: I'm you know, that's as far as camera opera as

1115
00:53:21,800 --> 00:53:23,719
Speaker 7: I go. And I really am not good and all

1116
00:53:23,760 --> 00:53:27,000
Speaker 7: the rest of the vine and twat Twitter and yeah,

1117
00:53:27,880 --> 00:53:28,400
Speaker 7: that stuff.

1118
00:53:28,440 --> 00:53:31,320
Speaker 2: I try, and I'm not good to make the camera

1119
00:53:31,360 --> 00:53:33,560
Speaker 2: do the vine is and that is beyond me to

1120
00:53:34,000 --> 00:53:37,200
Speaker 2: stop and go and stop. It's not enough time.

1121
00:53:37,320 --> 00:53:40,080
Speaker 7: It's Twitter's not enough letters. Vine is not enough time.

1122
00:53:40,239 --> 00:53:42,840
Speaker 7: I have a problem. Yeah, I have a problem with

1123
00:53:42,880 --> 00:53:43,239
Speaker 7: all of it.

1124
00:53:43,600 --> 00:53:46,440
Speaker 2: Yeah, but I try. But yeah, I infact I do

1125
00:53:46,480 --> 00:53:47,920
Speaker 2: the compedy that you know you.

1126
00:53:47,840 --> 00:53:51,360
Speaker 7: Will ask business should learn that the first rule of

1127
00:53:51,400 --> 00:53:53,800
Speaker 7: business is that you pay your bills.

1128
00:53:54,320 --> 00:53:56,600
Speaker 3: An ass tech, oh is his name?

1129
00:53:56,640 --> 00:53:57,200
Speaker 2: Asked tech?

1130
00:53:58,600 --> 00:54:02,200
Speaker 1: Going to be called ass business, not because I think

1131
00:54:02,200 --> 00:54:05,600
Speaker 1: we've really stumbled on the subthing. Well.

1132
00:54:08,239 --> 00:54:11,279
Speaker 2: As tech is Yeah, we will not.

1133
00:54:11,400 --> 00:54:15,000
Speaker 1: Forget that, forget the tech. It's asked business.

1134
00:54:15,280 --> 00:54:21,560
Speaker 2: I can't believe changed his name to ask let's got

1135
00:54:21,560 --> 00:54:24,640
Speaker 2: another question? Because it's a girl. I'm sorry, as tech,

1136
00:54:24,840 --> 00:54:28,759
Speaker 2: it's not a girl. Think about where you are. You're

1137
00:54:28,800 --> 00:54:30,640
Speaker 2: listening to a podcast of.

1138
00:54:30,560 --> 00:54:34,840
Speaker 1: A podcast on freaking, a comedy never called wolf.

1139
00:54:34,960 --> 00:54:36,480
Speaker 2: There's not a lot of girls.

1140
00:54:36,880 --> 00:54:39,359
Speaker 3: If it's a girl, you're going to know yes, but

1141
00:54:39,440 --> 00:54:39,799
Speaker 3: we do.

1142
00:54:40,000 --> 00:54:41,960
Speaker 2: We are going to force a question from a girl,

1143
00:54:42,000 --> 00:54:45,600
Speaker 2: and so like it is more even like we don't

1144
00:54:45,600 --> 00:54:48,719
Speaker 2: want to make sure about that. The button that gets

1145
00:54:48,719 --> 00:55:10,080
Speaker 2: a girl question out the sound drop. Yeah, a popcorn

1146
00:55:10,160 --> 00:55:12,959
Speaker 2: component as well, because it's reaching into a popcorn bag.

1147
00:55:13,200 --> 00:55:16,840
Speaker 1: Oh yeah, that was just the elevator bringing the popcorn

1148
00:55:16,880 --> 00:55:17,440
Speaker 1: machine to me.

1149
00:55:18,760 --> 00:55:19,960
Speaker 3: That's yeah.

1150
00:55:20,040 --> 00:55:20,719
Speaker 2: That all that.

1151
00:55:20,680 --> 00:55:23,000
Speaker 1: Noise was just the elevator bringing the popcorn machine. And Jess,

1152
00:55:23,040 --> 00:55:23,560
Speaker 1: you knew that.

1153
00:55:24,960 --> 00:55:26,399
Speaker 2: Yeah, it was very very clear.

1154
00:55:26,520 --> 00:55:28,160
Speaker 7: Actually it was obviously I was waiting for the prison

1155
00:55:28,880 --> 00:55:31,960
Speaker 7: speak on that. Yeah, I think I just did.

1156
00:55:32,160 --> 00:55:36,359
Speaker 2: Yes, she's right, yeah, drop the mic. We love that, Mike.

1157
00:55:37,200 --> 00:55:41,880
Speaker 2: When you say something is like powerful you drop the dropped.

1158
00:55:41,640 --> 00:55:43,360
Speaker 3: The mic, and it's just saying.

1159
00:55:43,719 --> 00:55:46,120
Speaker 1: It's saying more with a physical action than you can

1160
00:55:46,160 --> 00:55:48,239
Speaker 1: with words, which is like what more can you say?

1161
00:55:48,520 --> 00:55:51,480
Speaker 2: Yeah? Pretty much, they don't let us. I would love

1162
00:55:51,560 --> 00:55:53,160
Speaker 2: some kind of way we could do it on this show.

1163
00:55:53,200 --> 00:55:54,240
Speaker 2: The mics are hanging.

1164
00:55:54,600 --> 00:55:57,680
Speaker 1: Yes, if you look at the photo suspended, you try

1165
00:55:57,719 --> 00:55:58,399
Speaker 1: it is really hard.

1166
00:55:58,400 --> 00:56:00,160
Speaker 2: I'm going to try to do it right now. You

1167
00:56:00,200 --> 00:56:02,360
Speaker 2: can't use your fist because that is not dropping. Okay,

1168
00:56:02,600 --> 00:56:05,080
Speaker 2: so it does sound the same. But here's one thing

1169
00:56:05,160 --> 00:56:07,560
Speaker 2: I might hear it fight you try to. That's good

1170
00:56:08,200 --> 00:56:10,040
Speaker 2: if you try to thump it against the table, but

1171
00:56:10,040 --> 00:56:12,280
Speaker 2: it's not the same as letting go. And also, Engineer

1172
00:56:12,360 --> 00:56:15,200
Speaker 2: Brett is very about just something really hard against the table.

1173
00:56:15,239 --> 00:56:16,200
Speaker 2: So we'll all do it now.

1174
00:56:16,520 --> 00:56:19,879
Speaker 3: The panic engineer really doesn't want us to say.

1175
00:56:20,080 --> 00:56:22,520
Speaker 10: You bang Each of those mics is like three hundred

1176
00:56:22,560 --> 00:56:24,000
Speaker 10: bucks you're banging on the table.

1177
00:56:24,080 --> 00:56:29,879
Speaker 1: The panic, well, oh god three. You know how much

1178
00:56:30,120 --> 00:56:34,360
Speaker 1: money this podcast bring to three dollars?

1179
00:56:34,760 --> 00:56:38,200
Speaker 2: They earned that off this show. In a second. That's good, guys,

1180
00:56:38,200 --> 00:56:43,680
Speaker 2: I'll buy you buy all. You're an actress, can you do? Brett? Can?

1181
00:56:43,920 --> 00:56:44,120
Speaker 8: Yeah?

1182
00:56:44,200 --> 00:56:44,919
Speaker 2: Can you? Yes?

1183
00:56:45,040 --> 00:56:47,160
Speaker 3: This will be a good challenge. Can you become Brett?

1184
00:56:47,160 --> 00:56:49,280
Speaker 2: And I just like to hear wait.

1185
00:56:49,160 --> 00:56:52,760
Speaker 7: Wait guy, guys, wait, guys, guys, wait, she's so scared.

1186
00:56:52,920 --> 00:57:00,360
Speaker 2: Guys, that's kind of what happened. And there's actually but

1187
00:57:00,400 --> 00:57:02,839
Speaker 2: I'm a smile. He kind of smiles for everything, says guys,

1188
00:57:02,840 --> 00:57:03,759
Speaker 2: get no, no.

1189
00:57:05,320 --> 00:57:09,400
Speaker 1: But that that's you, Brett, and you can't do anything.

1190
00:57:09,560 --> 00:57:10,880
Speaker 2: That is you Brett.

1191
00:57:10,920 --> 00:57:14,879
Speaker 10: That was you're really close. The sigh though I didn't

1192
00:57:14,920 --> 00:57:17,520
Speaker 10: do the sigh, and the smile was.

1193
00:57:17,120 --> 00:57:24,600
Speaker 7: But it was guys, love Brett.

1194
00:57:24,760 --> 00:57:27,400
Speaker 2: Oh man, Well, you don't need another bread in the room.

1195
00:57:27,440 --> 00:57:28,480
Speaker 2: What we need is a jess.

1196
00:57:28,680 --> 00:57:32,560
Speaker 1: So uh So, anyway, the popcorn machine is getting off

1197
00:57:32,560 --> 00:57:44,960
Speaker 1: the elevator. Hang on, you gotta make the popcorn. Let's

1198
00:57:45,000 --> 00:57:53,920
Speaker 1: me pouring the butter on premade geez or something. Yeah, okay,

1199
00:57:54,640 --> 00:58:01,880
Speaker 1: here we go. Okay, let me just scoop it into

1200
00:58:01,880 --> 00:58:08,880
Speaker 1: a bag. The bag ripped, okay, and now I'm just

1201
00:58:08,920 --> 00:58:11,800
Speaker 1: gonna pick one up off the floor. And wait, that's

1202
00:58:11,840 --> 00:58:14,520
Speaker 1: not a piece of popcorn. It is and we'll play

1203
00:58:14,520 --> 00:58:15,080
Speaker 1: marks drop.

1204
00:58:15,120 --> 00:58:20,680
Speaker 2: Now it's.

1205
00:58:22,400 --> 00:58:24,960
Speaker 1: Boot shape, okay, And you know about a shape of

1206
00:58:24,960 --> 00:58:27,000
Speaker 1: a boot, because you, of course have seen that on

1207
00:58:27,000 --> 00:58:28,640
Speaker 1: the pizza boxes, which are in.

1208
00:58:30,120 --> 00:58:34,360
Speaker 2: Big Italy. Yes, you almost said it, Oh Italy boot shape.

1209
00:58:34,120 --> 00:58:36,320
Speaker 3: Yes, yes, in the hole.

1210
00:58:36,600 --> 00:58:39,480
Speaker 1: It really seems like you're taking your cues from Shot

1211
00:58:39,600 --> 00:58:42,840
Speaker 1: in terms of things about this place that you supposedly

1212
00:58:43,240 --> 00:58:43,880
Speaker 1: supposedly are.

1213
00:58:43,920 --> 00:58:48,320
Speaker 7: We still on the supposedly are and now I'm from there, supposedly.

1214
00:58:48,960 --> 00:58:52,280
Speaker 1: Well, what I realized was you had heard of cheese pizza.

1215
00:58:52,880 --> 00:58:55,280
Speaker 2: But that could just mean that you also were in

1216
00:58:55,320 --> 00:58:56,360
Speaker 2: Little Italy.

1217
00:58:56,440 --> 00:58:58,760
Speaker 7: Right, I could have just been in Little Italy, or

1218
00:58:58,800 --> 00:59:01,480
Speaker 7: I could have been comp in Big Italy, which is

1219
00:59:02,360 --> 00:59:03,840
Speaker 7: boot shaped, as you put it.

1220
00:59:04,040 --> 00:59:09,760
Speaker 2: But I told you that. But but someone who had

1221
00:59:09,760 --> 00:59:12,960
Speaker 2: been in Big Italy would probably say something specific to

1222
00:59:13,000 --> 00:59:13,640
Speaker 2: Big Italy.

1223
00:59:13,880 --> 00:59:18,160
Speaker 7: You know that they specifically speak Italian in Big Italy,

1224
00:59:18,240 --> 00:59:21,320
Speaker 7: Like that's actually the language of Big Italy. I don't

1225
00:59:21,440 --> 00:59:25,360
Speaker 7: think it's the same in Little Italy. I'm pretty sure

1226
00:59:25,520 --> 00:59:28,160
Speaker 7: that you can order in English.

1227
00:59:28,360 --> 00:59:31,120
Speaker 1: Well, the cheese on the cheese pizza I mentioned is

1228
00:59:31,680 --> 00:59:36,120
Speaker 1: moo saa, and so knowing that, I think you'd have

1229
00:59:36,160 --> 00:59:36,720
Speaker 1: to kind.

1230
00:59:36,520 --> 00:59:37,920
Speaker 2: Of eat your words a little bit.

1231
00:59:38,240 --> 00:59:41,040
Speaker 1: But that's actually and the words you're eating are delicious

1232
00:59:41,040 --> 00:59:45,240
Speaker 1: because they are moot sare and that's an Italian cheese,

1233
00:59:45,360 --> 00:59:48,080
Speaker 1: So that is an Italian word. And I just wish

1234
00:59:48,120 --> 00:59:51,080
Speaker 1: you'ld give me something to hold on to about Big Italy.

1235
00:59:51,160 --> 00:59:54,120
Speaker 2: So I knew that you'd been there, but I like

1236
00:59:54,160 --> 00:59:57,640
Speaker 2: that you're specific. Was that they speak Italian there?

1237
00:59:57,800 --> 01:00:00,280
Speaker 1: Yeah, but you didn't have any Italian for me. I

1238
01:00:00,360 --> 01:00:06,000
Speaker 1: had some for you.

1239
01:00:06,280 --> 01:00:13,320
Speaker 2: Anyway. We have a question from Anastasia Vigo who asks Hi, Jess, Hi,

1240
01:00:15,080 --> 01:00:19,280
Speaker 2: and it's that question. Just move on, that's perfect. Hi. No,

1241
01:00:19,360 --> 01:00:22,720
Speaker 2: I'm just trying to hear it. Yeah, she she had

1242
01:00:22,760 --> 01:00:23,400
Speaker 2: a whole question.

1243
01:00:26,160 --> 01:00:27,400
Speaker 3: They tell it to me and I'll see if it's

1244
01:00:27,400 --> 01:00:27,800
Speaker 3: good for you.

1245
01:00:28,000 --> 01:00:29,760
Speaker 2: Want to let's hear it. I don't want to mess

1246
01:00:29,840 --> 01:00:32,080
Speaker 2: up Jess. Let's hear it. Hostagia made a mistake of

1247
01:00:32,120 --> 01:00:34,480
Speaker 2: acting like she was just saying she did something a

1248
01:00:34,480 --> 01:00:35,680
Speaker 2: little too friendly up top.

1249
01:00:35,800 --> 01:00:37,400
Speaker 7: Yeah, you got to get into it or else you're

1250
01:00:37,400 --> 01:00:38,720
Speaker 7: gonna you're gonna get passed over.

1251
01:00:38,840 --> 01:00:40,760
Speaker 2: Well, I wonder if this is something you actually want

1252
01:00:40,760 --> 01:00:42,760
Speaker 2: to talk about. Maybe you don't. But if you don't,

1253
01:00:42,880 --> 01:00:45,560
Speaker 2: just say no and we can cut it out. You

1254
01:00:45,600 --> 01:00:49,840
Speaker 2: play listen Milano's younger sister and mistresses. She is leaving

1255
01:00:49,880 --> 01:00:55,840
Speaker 2: the show. Does this bring up any family or abandonment

1256
01:00:55,960 --> 01:00:58,640
Speaker 2: issues for you, And we do sometimes like to talk

1257
01:00:58,680 --> 01:01:02,840
Speaker 2: about this kind of off on the show, Like we.

1258
01:01:02,840 --> 01:01:05,600
Speaker 1: Think it's really interesting for people to talk about their

1259
01:01:05,720 --> 01:01:07,880
Speaker 1: past and their family on a podcast.

1260
01:01:08,080 --> 01:01:11,400
Speaker 2: Go to therapy and just like to keep therapy and stuff.

1261
01:01:11,640 --> 01:01:15,960
Speaker 2: We do like we do that, dude, because we do

1262
01:01:16,200 --> 01:01:19,840
Speaker 2: think it's good. We like to get real and just.

1263
01:01:19,280 --> 01:01:23,680
Speaker 1: Like we do often these podcasts are people joking around

1264
01:01:23,760 --> 01:01:25,440
Speaker 1: and we're just like, when are we going to hear

1265
01:01:25,520 --> 01:01:27,040
Speaker 1: about where someone grew up?

1266
01:01:27,200 --> 01:01:28,920
Speaker 2: When are we going to hear like the you know,

1267
01:01:29,080 --> 01:01:33,320
Speaker 2: really mundane stuff that nobody gets religion, but like religion,

1268
01:01:33,640 --> 01:01:39,280
Speaker 2: religion or in the world really talk about Let's talk

1269
01:01:39,280 --> 01:01:42,400
Speaker 2: about religion. Let's talk about divorce. People talk about my

1270
01:01:42,440 --> 01:01:43,960
Speaker 2: parents divorce. Let's talk about that.

1271
01:01:45,560 --> 01:01:48,960
Speaker 3: Well, really exciting that we hit Okay, we hit up.

1272
01:01:49,080 --> 01:01:52,880
Speaker 2: It is no, I'm serious, I'm talking about this. It

1273
01:01:53,000 --> 01:01:57,160
Speaker 2: is like this is a it's a fun show. Yes,

1274
01:01:58,880 --> 01:02:02,800
Speaker 2: I mean, I like you so much fun? Are you joking? Yeah?

1275
01:02:02,880 --> 01:02:05,800
Speaker 2: I don't know what I talk like. We talk about

1276
01:02:05,800 --> 01:02:08,000
Speaker 2: like if you were raised in like a weird religion

1277
01:02:08,080 --> 01:02:08,640
Speaker 2: or something, but.

1278
01:02:08,760 --> 01:02:11,600
Speaker 1: Just like it's really divorced or like you know, Oh

1279
01:02:11,640 --> 01:02:16,120
Speaker 1: my god, are your parents well, yeah, that's that's your

1280
01:02:16,160 --> 01:02:19,400
Speaker 1: parents actually divorced. They are because marriage is supposed to

1281
01:02:19,440 --> 01:02:19,840
Speaker 1: be forever.

1282
01:02:20,000 --> 01:02:20,240
Speaker 8: It is.

1283
01:02:20,280 --> 01:02:21,960
Speaker 1: That's part of what the vows saying. I'm sure you

1284
01:02:22,000 --> 01:02:34,640
Speaker 1: and your husband did it, and uh wow, that.

1285
01:02:31,160 --> 01:02:35,720
Speaker 2: That's heavy for me. It is your dad, are they

1286
01:02:35,760 --> 01:02:38,480
Speaker 2: still well they were never married. They were never married.

1287
01:02:38,560 --> 01:02:40,920
Speaker 7: Yeah, oh well that's a whole other thing that we

1288
01:02:40,960 --> 01:02:41,680
Speaker 7: should get into.

1289
01:02:43,240 --> 01:02:45,240
Speaker 2: That's that's it. So you're a bastard.

1290
01:02:46,440 --> 01:02:52,320
Speaker 1: Yes, that's a technical term. Okay, yeah, taking that word back. Yeah, no,

1291
01:02:52,400 --> 01:02:52,960
Speaker 1: I own it.

1292
01:02:53,240 --> 01:02:54,040
Speaker 2: If I use it.

1293
01:02:54,080 --> 01:02:56,760
Speaker 1: If I call myself a bastard, then you can't hurt

1294
01:02:56,800 --> 01:03:00,400
Speaker 1: me anymore. And that's a message to all the bullies out.

1295
01:03:00,280 --> 01:03:04,800
Speaker 2: There, right, bullying. Let's talk about what I'm wondering. Here's

1296
01:03:04,840 --> 01:03:08,000
Speaker 2: something I'm wondering, something this all brings up. We don't

1297
01:03:08,000 --> 01:03:09,240
Speaker 2: want to take a position on bullying.

1298
01:03:09,600 --> 01:03:10,760
Speaker 3: Uh well, we don't know.

1299
01:03:10,800 --> 01:03:13,200
Speaker 2: If we don't know, there's not enough research.

1300
01:03:14,000 --> 01:03:16,760
Speaker 1: What if the nerd is mean? For example, what if

1301
01:03:16,840 --> 01:03:19,200
Speaker 1: it's like a mean nerd and bully.

1302
01:03:19,720 --> 01:03:22,360
Speaker 3: I've met a few they could use a good punching.

1303
01:03:23,400 --> 01:03:26,480
Speaker 7: Lots of them could use a good punching here something,

1304
01:03:26,520 --> 01:03:27,640
Speaker 7: but you don't take a stand on it.

1305
01:03:27,960 --> 01:03:30,160
Speaker 2: I don't want to put you in like a weird position.

1306
01:03:30,280 --> 01:03:32,200
Speaker 2: I wonder if you got the idea to be from

1307
01:03:32,240 --> 01:03:36,720
Speaker 2: Milan by like, your friend is Alyssa Milano, and so

1308
01:03:37,360 --> 01:03:39,919
Speaker 2: you just like saw her and it's okay. People asked

1309
01:03:39,920 --> 01:03:43,880
Speaker 2: you to name what Okay, she asked you what city

1310
01:03:43,920 --> 01:03:44,959
Speaker 2: you were from, and you were like.

1311
01:03:44,960 --> 01:03:49,680
Speaker 1: Oh, Milan, yeah, just like seeing her name on the

1312
01:03:49,720 --> 01:03:51,600
Speaker 1: wall or something like the poster of the show you

1313
01:03:51,640 --> 01:03:51,840
Speaker 1: were in.

1314
01:03:52,080 --> 01:03:54,880
Speaker 2: You found me out. You found me out. No, it's

1315
01:03:54,920 --> 01:03:55,600
Speaker 2: actually the city.

1316
01:03:55,720 --> 01:03:57,960
Speaker 3: You shouldn't admit that should.

1317
01:03:57,760 --> 01:04:01,280
Speaker 7: Really no, no, no, you should really be You've done

1318
01:04:01,280 --> 01:04:03,000
Speaker 7: some serious sleuthing.

1319
01:04:03,520 --> 01:04:06,480
Speaker 1: Charlie Mortai, because you actually got to the bottom of

1320
01:04:06,520 --> 01:04:09,760
Speaker 1: this mystery. Yes, and I believe that's what he does.

1321
01:04:10,360 --> 01:04:11,640
Speaker 1: What city are you really from?

1322
01:04:12,400 --> 01:04:14,080
Speaker 2: Well, I wasn't from Milan.

1323
01:04:14,440 --> 01:04:14,760
Speaker 6: I was.

1324
01:04:15,120 --> 01:04:17,800
Speaker 2: That's what we that's what we just found out. We

1325
01:04:17,960 --> 01:04:20,240
Speaker 2: know that you weren't actually from all right, right, right,

1326
01:04:20,440 --> 01:04:24,960
Speaker 2: I'm actually from We've skipped that from Sarahsota, Florida visited Milan.

1327
01:04:25,160 --> 01:04:26,000
Speaker 2: It's accurate.

1328
01:04:26,080 --> 01:04:31,560
Speaker 1: If only her name had been Alissa Sarah Sodio. You know,

1329
01:04:32,160 --> 01:04:34,960
Speaker 1: then be able to be honest if you were like

1330
01:04:35,600 --> 01:04:37,840
Speaker 1: co stars with Sarah's.

1331
01:04:39,040 --> 01:04:43,560
Speaker 2: Yeah, Sarah Silverman, she's drinking a soda, drinking soda, And

1332
01:04:43,640 --> 01:04:45,200
Speaker 2: I wonder if that's where you got the idea for

1333
01:04:45,240 --> 01:04:47,800
Speaker 2: that name and where you are actually from, and if

1334
01:04:47,800 --> 01:04:51,320
Speaker 2: we'll ever know Sarah Soda. Thank you so much for

1335
01:04:51,400 --> 01:04:54,320
Speaker 2: being on the show. Jess, I think, uh, we're done here.

1336
01:04:55,720 --> 01:04:58,360
Speaker 1: And then what was the rest of the question. Oh,

1337
01:04:58,400 --> 01:05:05,920
Speaker 1: we actually got it. I just forgot these pills. I'm on. Uh,

1338
01:05:06,160 --> 01:05:08,280
Speaker 1: we want people to rate us on iTunes and talk

1339
01:05:08,320 --> 01:05:09,160
Speaker 1: to us on our forums.

1340
01:05:09,160 --> 01:05:11,760
Speaker 2: That seems reasonable, right, Jess? Is that crazy?

1341
01:05:11,800 --> 01:05:13,560
Speaker 3: What do you think they should do in terms of

1342
01:05:13,560 --> 01:05:14,120
Speaker 3: a rating?

1343
01:05:14,840 --> 01:05:15,520
Speaker 2: How do you rate you?

1344
01:05:15,760 --> 01:05:15,960
Speaker 1: Well?

1345
01:05:16,000 --> 01:05:19,000
Speaker 2: I think you should just see five stars. Yeah, shocks.

1346
01:05:19,200 --> 01:05:22,040
Speaker 2: Five should be You don't whisper it should be five.

1347
01:05:22,160 --> 01:05:23,680
Speaker 2: I didn't know why. We were just realizing. Why am

1348
01:05:23,720 --> 01:05:24,360
Speaker 2: I whispering? Yeah?

1349
01:05:24,360 --> 01:05:25,200
Speaker 3: It should be five?

1350
01:05:25,280 --> 01:05:28,040
Speaker 2: I guess, yeah, well it Jess says that. Yeah. And

1351
01:05:28,120 --> 01:05:30,160
Speaker 2: here one thing. One other thing I want to do

1352
01:05:30,280 --> 01:05:31,880
Speaker 2: is go through our mail for the week, and so

1353
01:05:32,000 --> 01:05:33,640
Speaker 2: let's just go through. I have this big pile of

1354
01:05:33,680 --> 01:05:35,840
Speaker 2: mail here, Brett. If you could take a picture of

1355
01:05:35,880 --> 01:05:37,520
Speaker 2: me going through the mail. Please, that seems like a

1356
01:05:37,560 --> 01:05:38,520
Speaker 2: good picture for the website.

1357
01:05:38,760 --> 01:05:40,480
Speaker 1: While we're doing that, Just do you want to scratch

1358
01:05:40,480 --> 01:05:42,240
Speaker 1: your scratch off ticket just so we can see if

1359
01:05:42,240 --> 01:05:43,120
Speaker 1: you win a big money?

1360
01:05:43,160 --> 01:05:44,200
Speaker 2: Should I do it? Yes?

1361
01:05:44,400 --> 01:05:44,720
Speaker 3: Please?

1362
01:05:44,920 --> 01:05:46,520
Speaker 7: I literally put it in my bag and I was

1363
01:05:46,560 --> 01:05:48,600
Speaker 7: going to leave the building with it holm not scratched.

1364
01:05:50,240 --> 01:05:52,520
Speaker 1: Okay, let me just just because if it does make

1365
01:05:52,600 --> 01:05:54,440
Speaker 1: seventy five thousand dollars, I do want.

1366
01:05:54,320 --> 01:05:55,920
Speaker 2: To see that. Now, what do I How do I

1367
01:05:55,960 --> 01:05:59,720
Speaker 2: scratch it? Okay, Brett please me and Nicole Brett money.

1368
01:06:00,440 --> 01:06:04,440
Speaker 2: So okay. It's addressed to five sixty nine Hollywood Boulevard,

1369
01:06:04,560 --> 01:06:07,800
Speaker 2: number sixty six in Los Angeles, California. Nine years here too,

1370
01:06:07,800 --> 01:06:10,040
Speaker 2: eight that is where we do our podcast. Yes, so

1371
01:06:10,240 --> 01:06:12,160
Speaker 2: that's a piece of mail file. Oh, this one says

1372
01:06:12,200 --> 01:06:14,760
Speaker 2: it's for Elizabeth Lame and so she is not even

1373
01:06:14,800 --> 01:06:18,800
Speaker 2: doing a show a person to get mail. Oh, this

1374
01:06:18,880 --> 01:06:21,800
Speaker 2: one's for Jake fogel Nest, another guy who doesn't have

1375
01:06:21,920 --> 01:06:24,600
Speaker 2: enough respect for his audience to continue doing a podcast

1376
01:06:24,680 --> 01:06:25,880
Speaker 2: because he suddenly got.

1377
01:06:25,680 --> 01:06:27,880
Speaker 1: A job just as having a little trouble with the

1378
01:06:28,280 --> 01:06:29,160
Speaker 1: with the sketch off.

1379
01:06:29,320 --> 01:06:31,160
Speaker 2: And it's and it's one of the hard ones.

1380
01:06:31,240 --> 01:06:33,240
Speaker 3: It's really this is a mega Christian.

1381
01:06:33,560 --> 01:06:34,240
Speaker 2: You guys don't know.

1382
01:06:34,360 --> 01:06:36,760
Speaker 7: I had a really bad experience with with a scratch

1383
01:06:36,760 --> 01:06:39,120
Speaker 7: off where I scratched the wrong thing and I had won.

1384
01:06:39,280 --> 01:06:40,280
Speaker 3: This is what they used to do.

1385
01:06:40,320 --> 01:06:43,600
Speaker 1: They want to avoid this area scratched and it existed

1386
01:06:43,720 --> 01:06:45,800
Speaker 1: only to nullify ticket.

1387
01:06:46,040 --> 01:06:47,919
Speaker 2: So this doesn't have that. I can just scratch away.

1388
01:06:48,080 --> 01:06:51,560
Speaker 1: Yes you can scratch really, but but you don't want

1389
01:06:51,600 --> 01:06:53,480
Speaker 1: to scratch these yet because these.

1390
01:06:54,320 --> 01:06:56,280
Speaker 2: See but see you didn't say that right. See that's

1391
01:06:56,320 --> 01:06:57,040
Speaker 2: exactly the point.

1392
01:06:57,080 --> 01:06:59,680
Speaker 7: So I want, I want to reading the instructions while

1393
01:06:59,680 --> 01:07:00,560
Speaker 7: we were reading the mail.

1394
01:07:00,640 --> 01:07:02,480
Speaker 2: But I did it right, right, I do this so well,

1395
01:07:02,520 --> 01:07:05,160
Speaker 2: we can't read this mail because it's unfortunately not so

1396
01:07:05,320 --> 01:07:08,240
Speaker 2: it's unfortunately not addressed to us. It's addressed to Jake Fogunest.

1397
01:07:08,280 --> 01:07:10,560
Speaker 2: Who oh, he got a job writing on a TV show,

1398
01:07:10,640 --> 01:07:13,200
Speaker 2: so he certainly wouldn't be able to do a podcast anymore.

1399
01:07:13,560 --> 01:07:16,240
Speaker 2: It's not as if two people who have multiple jobs

1400
01:07:16,280 --> 01:07:19,880
Speaker 2: all across the industry are very busy and they somehow

1401
01:07:19,920 --> 01:07:21,959
Speaker 2: find time to do a podcast, so they wouldn't deserve

1402
01:07:22,000 --> 01:07:25,880
Speaker 2: any mail with the Jake Fogones gets the mail. Okay,

1403
01:07:25,960 --> 01:07:27,880
Speaker 2: let's check our other mail. Oh, this is for the

1404
01:07:27,960 --> 01:07:30,920
Speaker 2: cry babies women. Okay, they have barely I don't know

1405
01:07:31,080 --> 01:07:34,439
Speaker 2: who that is. Two weeks two email podcasts. Oh, let's

1406
01:07:34,440 --> 01:07:37,520
Speaker 2: send them some mail. Uh, Kyle Dune again at professor

1407
01:07:37,520 --> 01:07:41,800
Speaker 2: blast off. Okay, that's I have nothing to say about that.

1408
01:07:41,880 --> 01:07:44,840
Speaker 2: And another professor blast off mail. And that's all the

1409
01:07:44,840 --> 01:07:47,240
Speaker 2: mail for the week, and none of it was for us.

1410
01:07:47,280 --> 01:07:50,760
Speaker 2: Nobody felt like they had anything that was a nice gift.

1411
01:07:50,920 --> 01:07:55,160
Speaker 2: Spell out. I get five six nine Hollywood Boulevard, number

1412
01:07:55,200 --> 01:07:57,920
Speaker 2: sixty six, Los Angeles, California, nine years ere too. Wait

1413
01:07:58,080 --> 01:07:59,800
Speaker 2: whatever you just a fun thing for us to have

1414
01:07:59,920 --> 01:08:01,440
Speaker 2: it? It would be so nice if we came in here

1415
01:08:01,480 --> 01:08:03,360
Speaker 2: and people sent us just a nice.

1416
01:08:03,120 --> 01:08:04,920
Speaker 1: If I got a piece of meal. Oh well, no,

1417
01:08:05,040 --> 01:08:09,080
Speaker 1: that's impossible. I'm not Jake fogel Nest who doesn't have

1418
01:08:09,120 --> 01:08:11,520
Speaker 1: a podcast and has a TV writing job.

1419
01:08:11,640 --> 01:08:13,480
Speaker 2: Did you win? This is just gonna take too long

1420
01:08:13,520 --> 01:08:14,280
Speaker 2: for us to find out.

1421
01:08:14,320 --> 01:08:16,360
Speaker 3: Oh yeah, I'm here.

1422
01:08:16,400 --> 01:08:18,120
Speaker 7: So not only do you scratch, then you have to

1423
01:08:18,320 --> 01:08:21,240
Speaker 7: like play, you have to actually do a letter scramble

1424
01:08:21,360 --> 01:08:22,120
Speaker 7: to win some money.

1425
01:08:22,160 --> 01:08:24,479
Speaker 2: There you go. So there's an O, W, N and

1426
01:08:24,479 --> 01:08:27,840
Speaker 2: E are all in here. Oh you got that word.

1427
01:08:28,160 --> 01:08:30,160
Speaker 1: So if you get two words, you're already in the

1428
01:08:30,200 --> 01:08:31,760
Speaker 1: Plus you got a ticket, So I.

1429
01:08:31,680 --> 01:08:35,040
Speaker 2: Feel like rand Rand got the pro version. Uh, Sean,

1430
01:08:35,080 --> 01:08:37,479
Speaker 2: you want to work on the crossword, and yes I do.

1431
01:08:38,000 --> 01:08:41,439
Speaker 2: Just can just give us a special Brett impression for

1432
01:08:41,680 --> 01:08:45,679
Speaker 2: Ran Ran, for whose this is one of our listeners

1433
01:08:45,680 --> 01:08:53,680
Speaker 2: who bought every week a special Thanks so much. No thanks, No,

1434
01:08:53,760 --> 01:09:00,759
Speaker 2: it's good, it's fine, it's only thanks Ran. Bye.

1435
01:09:04,840 --> 01:09:07,800
Speaker 1: This has been an Earwolf Media production executive producers Jeff

1436
01:09:07,880 --> 01:09:08,839
Speaker 1: Ulrich and Scott Ackerman.

1437
01:09:09,000 --> 01:09:16,920
Speaker 2: For more information, visit earwolf dot com, ear Warf Radio,

1438
01:09:17,240 --> 01:09:26,240
Speaker 2: Boom dot com, The Worth Dead