WEBVTT - Listener Mail: Into the Void

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow your Mind a listener mail.

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<v Speaker 2>My name is Robert Lamb.

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<v Speaker 3>And I'm Joe McCormick, and it's Monday. So we're going

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<v Speaker 3>to be reading some messages from the Stuff to Blow

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<v Speaker 3>your Mind mail bag. If you have never gotten in

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<v Speaker 3>touch with us before, why not give it a try sometime.

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<v Speaker 3>You can email us at contact at stuff to Blow

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<v Speaker 3>your Mind dot com. Any kind of messages are fair game.

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<v Speaker 3>We always like feedback to recent episodes. If you want

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<v Speaker 3>to add something interesting to something we've talked about on

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<v Speaker 3>the show, or if you want to request a topic

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<v Speaker 3>for the future, if you want to send a general

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<v Speaker 3>feedback or corrections. Of course, if need be all fair game.

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<v Speaker 3>Contact at stuff to Blow your Mind dot com.

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<v Speaker 2>Yeah, try it, you might like it now.

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<v Speaker 3>I mentioned this on last week's Male episode. We have

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<v Speaker 3>been getting a lot of message in response to our

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<v Speaker 3>series on childhood amnesia. Specifically, we were asking about people's

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<v Speaker 3>earliest memories, and boy, that's really been pouring in. So

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<v Speaker 3>we will still we will probably be working through those

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<v Speaker 3>messages for quite some time. There is no way we're

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<v Speaker 3>going to be able to read them all today, but

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<v Speaker 3>we'll try to make some headway and read several here.

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<v Speaker 2>Yeah, and just as usual, we have to remind everyone

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<v Speaker 2>we can't read everything on these episodes, especially when the

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<v Speaker 2>floodgates really open, but we do read everything at least

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<v Speaker 2>off the mic as it comes in. So yeah, keep

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<v Speaker 2>it coming regardless.

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<v Speaker 3>Right, and even if your message is not featured on

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<v Speaker 3>the show, we still do appreciate everything we get. It

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<v Speaker 3>always means a lot when people take the time to

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<v Speaker 3>write in. Absolutely, let's see this first message about childhood

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<v Speaker 3>amnesia comes from Mattay. Matey says, Hello, I recently came

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<v Speaker 3>across your podcast and I think it's great. I'm a

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<v Speaker 3>truck driver, so I'm always looking for new things to

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<v Speaker 3>listen to, and you guys will definitely be a continuing

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<v Speaker 3>part of that. Thanks Mite. I just listened to part

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<v Speaker 3>one of your memory episode and I want to share

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<v Speaker 3>some of my earliest memories. I'm in somewhat of a

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<v Speaker 3>unique position because I can one hundred percent verified that

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<v Speaker 3>these memories occurred before I turned four. This is because

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<v Speaker 3>I was born in Germany and then we moved to

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<v Speaker 3>Canada shortly before I turned four. My fourth birthday was

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<v Speaker 3>celebrated in Canada. I have many memories from Germany, but

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<v Speaker 3>one is particularly interesting because it was verified by my

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<v Speaker 3>mother years ago when we were talking about memories and

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<v Speaker 3>she was shocked that I could remember this random event.

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<v Speaker 3>I was in daycare wearing a red sweater and I

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<v Speaker 3>got glue on the sweater, and I remember being scolded

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<v Speaker 3>by my mother for not being more careful. Memory has

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<v Speaker 3>always fascinated me because I used to speak German and

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<v Speaker 3>I have memories with German friends, yet the language is

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<v Speaker 3>completely foreign to me. It's as if my brain completely

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<v Speaker 3>over wrote German as I learned English in Canada. It

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<v Speaker 3>might be interesting to note that we always spoke Slovak

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<v Speaker 3>at home because we are of Slovakian heritage, So perhaps

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<v Speaker 3>there's only so many languages an infant or toddler can

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<v Speaker 3>hold on to at one time. As for my earliest

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<v Speaker 3>jar memory, that would be this is referring to. There

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<v Speaker 3>is a type of test done in some psychological studies

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<v Speaker 3>of memory, where it's called a word Q test, where

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<v Speaker 3>you will say a random word and you will say,

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<v Speaker 3>tell me a memory associated with this word, and then

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<v Speaker 3>you'll see what ages people produce. Memories from if you

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<v Speaker 3>give them a bunch of these kind of prompts. And

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<v Speaker 3>one of the words we talked about was jar. Rob,

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<v Speaker 3>you had a memory of, I think, pulling cherries out

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<v Speaker 3>of a jar before you were old enough to be

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<v Speaker 3>allowed them. Yeah.

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<v Speaker 2>Absolutely, Yeah. I think it sounds like a good prompt

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<v Speaker 2>because I think that we grow up in a world

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<v Speaker 2>with jars around. Jars have things in them that we want,

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<v Speaker 2>so it seems like we would have we would tend

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<v Speaker 2>to have those memories.

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<v Speaker 3>Anyway, back to Mate's message. Matesas as for my earliest

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<v Speaker 3>jar memory, that would be from when I was six

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<v Speaker 3>years old or in the first grade. We loved nutella.

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<v Speaker 3>My parents would buy it in Germany and they continued

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<v Speaker 3>to buy it in Canada on a regular basis, so

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<v Speaker 3>we always had empty jars of nutella. Anyway, we had

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<v Speaker 3>show and tell one day in the first grade and

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<v Speaker 3>I found a baby garter snake and put it in

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<v Speaker 3>one of the empty jars of nutella and put holes

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<v Speaker 3>in the plastic lid and brought that to school to

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<v Speaker 3>show everyone. The teacher was not happy about it, but

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<v Speaker 3>most of the kids loved it. Anyway. Thanks for the

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<v Speaker 3>great content. Keep doing what you're doing sincerely, Mattee. Well,

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<v Speaker 3>first of all, thank you for the message. Second, I

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<v Speaker 3>think that that is very interesting about the language thing. So,

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<v Speaker 3>if I understand correctly, you grew up initially speaking German,

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<v Speaker 3>I guess German and Slovak at home, but then at

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<v Speaker 3>an early age, just before you turned four, moved and

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<v Speaker 3>you still have some memories of the time when you

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<v Speaker 3>spoke when you were learning to speak German, but now

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<v Speaker 3>you don't speak German at all. Yeah, that is strange.

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<v Speaker 2>I was mostly just distracted by the nutella mentions because

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<v Speaker 2>this this I've never looked into this, but I had

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<v Speaker 2>like a cousin of who's older than me, and I

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<v Speaker 2>remember them traveling to Europe coming back with nutella, and

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<v Speaker 2>I had had no experience with nutella, and it was

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<v Speaker 2>like a thing that had to be acquired in Europe

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<v Speaker 2>and brought back to the States. But you can buy

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<v Speaker 2>nutella everywhere now. And I was trying to like figure out, well,

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<v Speaker 2>when did nutella become widely available in the United States,

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<v Speaker 2>And I don't know. I ended up looking at the

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<v Speaker 2>corporate website, which tells me that positivity is the main ingredient,

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<v Speaker 2>so but it doesn't it was sugar. That's like hazel

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<v Speaker 2>nut and chocolate, right, but also positivity apparently. But I

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<v Speaker 2>couldn't find a ready answer on when they have other

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<v Speaker 2>dates on here. But I'm still scratching my head about

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<v Speaker 2>when this became so widespread. When did it become an

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<v Speaker 2>empire of creamy a hazel nut chocolate goodness? It eludes me.

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<v Speaker 2>We'll have to come back to it. Maybe we'll do

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<v Speaker 2>an Invention episode on chocolate hazel nutspread.

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<v Speaker 3>Honestly, I do remember when I first found out about nutella.

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<v Speaker 3>My reaction was, like, that's a thing that isn't allowed

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<v Speaker 3>to exist. Do you can't have spreadable chocolate like peanut butter?

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<v Speaker 2>That just no, Yeah, I remember my cousin had nutella.

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<v Speaker 2>And then the actual kinderregs, the German style ones where

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<v Speaker 2>you have chocolate encasing a capsule with a toy inside

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<v Speaker 2>of It's something that does not fly in the United States,

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<v Speaker 2>So you can't get that style of kinderreg in recent years,

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<v Speaker 2>during my son's childhood, at least probably before that, you know,

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<v Speaker 2>they introduced the kind that is designed differently where it's

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<v Speaker 2>an egg and then one half contains a spreadable chocolate

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<v Speaker 2>and the other half contains a toy, but there are

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<v Speaker 2>no toys inside of chocolate shells.

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<v Speaker 3>Is there positivity in there somewhere?

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<v Speaker 2>It depends on the toy, you know. It varies wildly.

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<v Speaker 2>All right, let's move on to another one. This one

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<v Speaker 2>comes to us from Jess. Jess rights to be honest

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<v Speaker 2>with you, I couldn't even pretend to know what my

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<v Speaker 2>first memory is. I've often pondered that fact and thought

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<v Speaker 2>it very strange that I couldn't. When forced, I can

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<v Speaker 2>summon a sort of memory, but I've never really felt

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<v Speaker 2>it to be real. It's a memory of crawling into

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<v Speaker 2>my big brother's bedroom, all the way across the single

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<v Speaker 2>wide trailer I grew up in. At the same time,

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<v Speaker 2>I recall a specific picture of me setting on the

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<v Speaker 2>floor of my brother's bedroom, holding a toy gun of

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<v Speaker 2>his and sporting a grin on my face. Because of

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<v Speaker 2>this picture, I almost feel a sort of disembodied sensation

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<v Speaker 2>about the memory when I try and summon it. Now

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<v Speaker 2>that I think about it, I'm not entirely certain as

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<v Speaker 2>to whether it's the potentially false memory it's self that

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<v Speaker 2>causes the sensation, or the picture. Having been forced to

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<v Speaker 2>have a third person perspective on something that my memory

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<v Speaker 2>allegedly recalls as being experienced as first person. I wonder

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<v Speaker 2>how much that sort of thing influences our ability to

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<v Speaker 2>recall memories, or whether it might influence us to recall

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<v Speaker 2>false memories. Anyway, thanks for making my electric brain meat

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<v Speaker 2>cogitate in new and interesting ways. Yeah, this whole subject

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<v Speaker 2>of remembered photographs is fascinating when you think of that,

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<v Speaker 2>a thing that certainly did not exist for the vast

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<v Speaker 2>majority of human history and the history of human memories.

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<v Speaker 2>But here is this thing that is, you know, generally

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<v Speaker 2>considered to be like this one hundred percent accurate, you know,

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<v Speaker 2>with an asterisk there, of course, snapshot of a moment

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<v Speaker 2>in time, and then how that influences our highly malleable

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<v Speaker 2>memory of and and of course, at times the lacking

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<v Speaker 2>memory of our early life.

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<v Speaker 3>Yeah, thank you, Jess. Okay, this next message is from Jonathan.

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<v Speaker 3>Jonathan says, I'm just catching up on episodes after a

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<v Speaker 3>period of life changes that kept me off my regular

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<v Speaker 3>listening schedule and have just finished part one of Before

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<v Speaker 3>you could remember It might be connected with having gone

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<v Speaker 3>through those life changes that thinking about our earliest memories

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<v Speaker 3>put me in mind of something else. What are the

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<v Speaker 3>through connections between the way we remember ourselves in those

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<v Speaker 3>memories and our current experience remembering them. Presumably we are

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<v Speaker 3>now adults, even young adults, and very different physically and mentally.

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<v Speaker 3>It's easy to think about the situation as a ship

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<v Speaker 3>of theseus thought experiment. What is the real me and

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<v Speaker 3>the real ship? Belated congratulations to Joe and Rachel on

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<v Speaker 3>their parenthood. I can guarantee it will enrich both of

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<v Speaker 3>your lives. And congrats to your daughter. Great choice of parents,

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<v Speaker 3>Best Jonathan. Thanks Jonathan, This is a really good question,

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<v Speaker 3>the ship of theseus question about ourselves and memories. Is

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<v Speaker 3>the person you're remembering from years ago really yourself in

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<v Speaker 3>a meaningful way? And how do the differences between those

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<v Speaker 3>two people affect what it means to remember? In fact,

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<v Speaker 3>we got another message along these lines from Scott rob

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<v Speaker 3>If you don't mind, I'm going to read this too,

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<v Speaker 3>because it's on a similar subject. Go for it, Scott

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<v Speaker 3>says Hi writing into comment on your recent episodes on

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<v Speaker 3>the subject of memory, formation and children, and now the

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<v Speaker 3>most recent listener mail, where a listener reports memories related

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<v Speaker 3>to sinse one thing that your episodes, and the listener

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<v Speaker 3>mail from Rose made me think of is how as

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<v Speaker 3>a child grows, their body schema updates rather quickly compared

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<v Speaker 3>to the speed of any normally expected updates in later life.

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<v Speaker 3>I think it's possible that old memories may become impossible

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<v Speaker 3>to decode due to that rapid change in one's body

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<v Speaker 3>schema as one transitions from a completely helpless infant body

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<v Speaker 3>into what in most cases is a less vulnerable body.

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<v Speaker 3>My thinking here is that as the infant body grows

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<v Speaker 3>into an adult body, the perceptions of the individual's surroundings

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<v Speaker 3>are changing so drastically that the brain can't later make

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<v Speaker 3>sense of any potentially stored memories from the earlier period

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<v Speaker 3>of life in the quote old body, once an individual

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<v Speaker 3>is well out of infancy. This change in perspective and

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<v Speaker 3>sensations from an infant who can hardly move on its

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<v Speaker 3>own to a child moving about freely and inspecting the

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<v Speaker 3>world on their own terms from multiple points of view

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<v Speaker 3>can be compared to attempting memory recall with a human

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<v Speaker 3>body from memories formed and stored using the sensory experiences

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<v Speaker 3>and hardware of a dog body. This chimera analogy may

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<v Speaker 3>be a bit of a stretch, but hopefully it helps

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<v Speaker 3>get across the idea I'm trying for here. The idea

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<v Speaker 3>has no backing I'm aware of, just some thoughts on

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<v Speaker 3>the episodes. Thank you for the show and idea flows.

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<v Speaker 2>Hmmm, now that's fascinating. I mean, our body scheme is

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<v Speaker 2>pretty amazing, but we also have such an amazing ability

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<v Speaker 2>to update it to make a tool of varying complexity

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<v Speaker 2>a part of our body and an extension of our body.

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<v Speaker 2>And I don't think I've ever read anything about it,

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<v Speaker 2>you know, leading to distortions of memory per se. This

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<v Speaker 2>would have been a good one to potentially ask David

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<v Speaker 2>Eagleman about because I know one of the things that

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<v Speaker 2>he's discussed in his book Live Wired is the idea

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<v Speaker 2>of plugging in new senses to the human brain. And

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<v Speaker 2>then his argument is that the brain can then make

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<v Speaker 2>use of those new information feeds and that has an

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<v Speaker 2>impact on just your entire mindset and your entire shape

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<v Speaker 2>of your consciousness. And would that have any change any

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<v Speaker 2>effect on your memory? I would tend to suspect it wouldn't,

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<v Speaker 2>but Eagleman would have been the one to ask about it.

0:12:56.360 --> 0:12:58.200
<v Speaker 2>You have to write into him. But of course what

0:12:58.240 --> 0:13:00.480
<v Speaker 2>we would be talking about here in this example that's

0:13:00.480 --> 0:13:04.360
<v Speaker 2>brought to mind is something that would occur as part

0:13:04.520 --> 0:13:07.360
<v Speaker 2>of growing out of childhood into adulthood, and not because

0:13:07.400 --> 0:13:10.360
<v Speaker 2>as an adult you suddenly started using some sort of

0:13:10.360 --> 0:13:14.280
<v Speaker 2>complex tool or decided to plug the stock exchange directly

0:13:14.280 --> 0:13:15.560
<v Speaker 2>into your brain. Well.

0:13:15.640 --> 0:13:17.840
<v Speaker 3>Yeah, one of the things I think highlighted in this

0:13:17.880 --> 0:13:21.679
<v Speaker 3>email that does seem relevant to me is the distinction

0:13:22.040 --> 0:13:26.800
<v Speaker 3>of basically the adaptation for agency as you get older,

0:13:26.840 --> 0:13:29.760
<v Speaker 3>like as you can move on your own or really

0:13:29.800 --> 0:13:32.480
<v Speaker 3>even as you can start using your hands for things,

0:13:32.920 --> 0:13:37.040
<v Speaker 3>there's an increasing awareness I'm sure that you can act

0:13:37.160 --> 0:13:40.520
<v Speaker 3>upon the outside world, whereas in you know, when you're

0:13:41.000 --> 0:13:44.520
<v Speaker 3>just a newborn, you can't really do anything. The world

0:13:44.600 --> 0:13:46.959
<v Speaker 3>just sort of acts upon you, and then you can

0:13:46.960 --> 0:13:49.000
<v Speaker 3>only do a few things. You know, you can like cry,

0:13:49.160 --> 0:13:51.120
<v Speaker 3>and you can suck and things like that, but you

0:13:51.160 --> 0:13:54.440
<v Speaker 3>really you can't like move, you can't like I want

0:13:54.480 --> 0:13:56.720
<v Speaker 3>to know about this to go over and look at it.

0:13:56.840 --> 0:13:59.200
<v Speaker 3>You can't talk, you can't you know what I mean.

0:13:59.679 --> 0:14:03.360
<v Speaker 2>Yeah, the crying is pretty effective though, Yeah, but.

0:14:03.360 --> 0:14:06.600
<v Speaker 3>Yeah, anyway, I mean I wonder if as you mature,

0:14:07.240 --> 0:14:10.600
<v Speaker 3>your increasing awareness of your ability not just to exist

0:14:10.600 --> 0:14:13.560
<v Speaker 3>in the world, but to act upon the world, to

0:14:14.160 --> 0:14:17.760
<v Speaker 3>you know, move about freely and to change things by

0:14:17.800 --> 0:14:22.160
<v Speaker 3>your own volition. If that changes your cognition so radically

0:14:22.320 --> 0:14:24.760
<v Speaker 3>that I don't know that it would be it would

0:14:24.800 --> 0:14:28.200
<v Speaker 3>be hard to make sense of experiences from before that. Yeah,

0:14:28.400 --> 0:14:29.600
<v Speaker 3>that makes sense to me.

0:14:30.360 --> 0:14:34.280
<v Speaker 2>Yeah, yeah, it's a It's wonderful, thought provoking idea, that's

0:14:34.280 --> 0:14:45.480
<v Speaker 2>for sure. All right. Before we go into the next listener, mail,

0:14:45.840 --> 0:14:48.640
<v Speaker 2>I do have to quickly refer to The Daily Beast

0:14:49.120 --> 0:14:53.160
<v Speaker 2>to a twenty seventeen article how Nutella Conquered America by

0:14:53.200 --> 0:14:59.480
<v Speaker 2>Emily Schier. I found a partial answer quote, but Nutella's

0:14:59.520 --> 0:15:01.800
<v Speaker 2>path to a American hearts has been far slower and

0:15:01.880 --> 0:15:05.480
<v Speaker 2>more meandering than its European route to success. After appearing

0:15:05.520 --> 0:15:08.920
<v Speaker 2>on supermarket shelves in the Northeast as early as nineteen

0:15:08.920 --> 0:15:11.360
<v Speaker 2>eighty three, it would be decades before it had the

0:15:11.440 --> 0:15:13.600
<v Speaker 2>kind of fan base that might spend a work day

0:15:13.920 --> 0:15:17.760
<v Speaker 2>morning queued up to celebrate its existence. So there you go.

0:15:17.880 --> 0:15:21.120
<v Speaker 2>Partial answer eighty three is maybe when it starts really

0:15:21.200 --> 0:15:23.480
<v Speaker 2>creeping into some markets, but it's still going to be

0:15:23.480 --> 0:15:25.880
<v Speaker 2>a couple of decades after that before. It's just really

0:15:25.920 --> 0:15:29.200
<v Speaker 2>widespread and popular in the United States. So that kind

0:15:29.240 --> 0:15:32.760
<v Speaker 2>of explains some of these my experience and part of

0:15:32.760 --> 0:15:36.080
<v Speaker 2>that listener mail about nutella being a primarily a European

0:15:36.120 --> 0:15:36.920
<v Speaker 2>thing at the time.

0:15:37.400 --> 0:15:40.080
<v Speaker 3>I've never lived in the Northeast, but I don't recall

0:15:40.120 --> 0:15:45.040
<v Speaker 3>seeing nutella any on supermarket shelves or anywhere really until

0:15:45.280 --> 0:15:47.239
<v Speaker 3>I don't know, probably the late two thousands.

0:15:47.880 --> 0:15:49.600
<v Speaker 2>Yeah, yeah, that would that would make sense. That'd be

0:15:49.600 --> 0:15:52.280
<v Speaker 2>about when I would have begun to notice it. But

0:15:52.400 --> 0:15:54.240
<v Speaker 2>it's one of those things where like at the time,

0:15:54.280 --> 0:15:56.240
<v Speaker 2>I was just like, oh, I guess nutella has always

0:15:56.280 --> 0:15:59.840
<v Speaker 2>been around, and I just wasn't very observant like before that,

0:16:00.960 --> 0:16:03.960
<v Speaker 2>you know, I didn't really put those those memories of

0:16:04.000 --> 0:16:06.040
<v Speaker 2>my cousin bringing it back from Europe on trial and

0:16:06.360 --> 0:16:07.280
<v Speaker 2>really think about it.

0:16:07.600 --> 0:16:10.040
<v Speaker 3>The family that I grew up knowing that I associate

0:16:10.040 --> 0:16:12.440
<v Speaker 3>with nutella were like euro traveling people.

0:16:13.240 --> 0:16:17.000
<v Speaker 2>Yeah, yeah, it was. It was like having like frankencense

0:16:17.120 --> 0:16:17.920
<v Speaker 2>or something on hand.

0:16:18.320 --> 0:16:22.520
<v Speaker 3>It's like, yeah, here's here's a box of Underberg shooters

0:16:21.960 --> 0:16:25.040
<v Speaker 3>and some some neutella.

0:16:25.640 --> 0:16:28.080
<v Speaker 2>All right. This next listener mail message comes to us

0:16:28.080 --> 0:16:30.920
<v Speaker 2>from Chris. Chris wrights, since says Hi, Joe and Robert.

0:16:31.120 --> 0:16:33.360
<v Speaker 2>I just finished listening to your series on childhood memory,

0:16:33.360 --> 0:16:35.160
<v Speaker 2>and I thought I would share an experience of mine.

0:16:35.600 --> 0:16:37.320
<v Speaker 2>When I was maybe six to ten years old, I

0:16:37.320 --> 0:16:40.880
<v Speaker 2>would have occasional nightmares about being chased down by construction equipment,

0:16:41.080 --> 0:16:45.120
<v Speaker 2>specifically backos, front end loader types of things. They would

0:16:45.200 --> 0:16:48.120
<v Speaker 2>have the bucket at the front with arms that could

0:16:48.160 --> 0:16:50.960
<v Speaker 2>grab me, and I don't really recall what happened next

0:16:51.000 --> 0:16:55.040
<v Speaker 2>apart from being scared. My parents have an excavation business,

0:16:55.320 --> 0:16:57.480
<v Speaker 2>so I was very familiar with this type of equipment

0:16:57.480 --> 0:16:59.960
<v Speaker 2>and knew to be safe around it. It definitely wasn't

0:17:00.080 --> 0:17:03.080
<v Speaker 2>something that should have caused fear. By eight, I was

0:17:03.120 --> 0:17:06.400
<v Speaker 2>comfortable driving a back hoe. I later learned that when

0:17:06.400 --> 0:17:08.960
<v Speaker 2>I was around one year old that I was involved

0:17:08.960 --> 0:17:11.320
<v Speaker 2>in an accident. Dad was working with the back ho

0:17:11.520 --> 0:17:14.600
<v Speaker 2>with the rear wheels up. If you're not aware, when

0:17:14.640 --> 0:17:17.400
<v Speaker 2>working with the hoe, use rams to lift the rear

0:17:17.440 --> 0:17:20.520
<v Speaker 2>wheels for stability. Apparently I tried to climb up to

0:17:20.640 --> 0:17:24.200
<v Speaker 2>Dad and fell and was struck by the wheel. I'm

0:17:24.240 --> 0:17:26.280
<v Speaker 2>not really sure what happened. I don't remember beyond what

0:17:26.320 --> 0:17:28.280
<v Speaker 2>my parents have told me. I ended up with a

0:17:28.320 --> 0:17:31.160
<v Speaker 2>broken pelvis and not being able to walk until months later.

0:17:31.560 --> 0:17:33.960
<v Speaker 2>I've always wondered if the two things were connected. Was

0:17:34.480 --> 0:17:38.080
<v Speaker 2>there part of my brain that remembered when I consciously

0:17:38.160 --> 0:17:41.119
<v Speaker 2>could not? Anyway, your series prompted me to ride in

0:17:41.240 --> 0:17:44.040
<v Speaker 2>as always. Thanks for the content. I look forward to

0:17:44.080 --> 0:17:46.600
<v Speaker 2>it each week, even if I wait until series are

0:17:46.640 --> 0:17:48.080
<v Speaker 2>completed before listening to them.

0:17:48.240 --> 0:17:53.280
<v Speaker 3>Chris, Well, thanks Chris. That is interesting. Yeah, so like

0:17:53.440 --> 0:17:56.800
<v Speaker 3>you wonder if somehow the memory inspired the dream even

0:17:56.800 --> 0:17:59.240
<v Speaker 3>though you couldn't consciously remember the memory.

0:18:00.320 --> 0:18:03.320
<v Speaker 2>Yeah, yeah, it's an interesting argument to me made there.

0:18:03.359 --> 0:18:06.520
<v Speaker 2>I mean, obviously there are different memory systems in the

0:18:06.520 --> 0:18:09.920
<v Speaker 2>brain and when you know when parts of the when

0:18:10.000 --> 0:18:14.679
<v Speaker 2>when one memory system is impacted by one condition or another,

0:18:15.480 --> 0:18:19.320
<v Speaker 2>sometimes we fall back on another memory system. So yeah,

0:18:19.400 --> 0:18:21.360
<v Speaker 2>it's an interesting thought here.

0:18:21.840 --> 0:18:23.320
<v Speaker 3>All right, Well, I think we're gonna have to cap

0:18:23.359 --> 0:18:27.040
<v Speaker 3>it there on the before you could remember messages for today,

0:18:27.080 --> 0:18:29.280
<v Speaker 3>but we will keep reading through as many of them

0:18:29.280 --> 0:18:31.719
<v Speaker 3>as we can get to in subsequent weeks as we

0:18:31.840 --> 0:18:34.520
<v Speaker 3>as we move on down the road. But before we

0:18:34.560 --> 0:18:36.560
<v Speaker 3>wrap up today, we also wanted to do a bit

0:18:36.560 --> 0:18:37.959
<v Speaker 3>of weird house cinema email.

0:18:38.320 --> 0:18:40.640
<v Speaker 2>All right, Yeah, let's jump into it. This one comes

0:18:40.680 --> 0:18:48.040
<v Speaker 2>to us from Michael. Michael says, Hello, Joe and Rod.

0:18:48.280 --> 0:18:50.840
<v Speaker 2>I admit I usually skip the Weird House Cinema episodes,

0:18:51.080 --> 0:18:53.480
<v Speaker 2>but you've drawn me in again with this one. It's

0:18:53.480 --> 0:18:55.320
<v Speaker 2>just not my cup of tea to listen about movies

0:18:55.320 --> 0:18:57.560
<v Speaker 2>I've never seen. But I'm a child of the eighties,

0:18:57.880 --> 0:19:01.000
<v Speaker 2>so of course I've seen The never Ending Story. I

0:19:01.080 --> 0:19:03.160
<v Speaker 2>just wanted to share a thought on the comment about

0:19:03.160 --> 0:19:06.480
<v Speaker 2>it being strained. The narrator changed at some point during

0:19:06.480 --> 0:19:09.320
<v Speaker 2>the film. I haven't seen the movie recently, but I

0:19:09.359 --> 0:19:11.840
<v Speaker 2>remember it well. It may just be a plot hole,

0:19:11.880 --> 0:19:14.600
<v Speaker 2>but perhaps they changed the narrator at the point that

0:19:14.680 --> 0:19:18.760
<v Speaker 2>Bastian becomes part of the story. At the beginning, he's

0:19:18.800 --> 0:19:21.960
<v Speaker 2>reading the book and there's no expectation that anyone other

0:19:22.000 --> 0:19:26.040
<v Speaker 2>than him is taking us the viewer through the story. Later,

0:19:26.119 --> 0:19:29.080
<v Speaker 2>Bastian starts to leak into the story, or the story

0:19:29.200 --> 0:19:33.040
<v Speaker 2>starts to leak into Bastian's world. At that point, it

0:19:33.040 --> 0:19:35.960
<v Speaker 2>would be sensible to have a new narrator that is

0:19:36.000 --> 0:19:39.960
<v Speaker 2>now describing the whole world, including what's happening with Bastian

0:19:40.080 --> 0:19:43.360
<v Speaker 2>and Atreyu. It would be a complete misunderstanding. It could

0:19:43.400 --> 0:19:46.320
<v Speaker 2>be a complete misunderstanding on my part, But if I'm right,

0:19:46.440 --> 0:19:48.520
<v Speaker 2>I think that would be a pretty cool nuance to

0:19:48.560 --> 0:19:51.520
<v Speaker 2>the storytelling best Michael good insight.

0:19:51.880 --> 0:19:53.119
<v Speaker 3>Yeah, that makes sense to me.

0:19:53.480 --> 0:19:57.320
<v Speaker 2>Yeah, I think I think my any confusion I had

0:19:57.359 --> 0:20:00.360
<v Speaker 2>on it was probably colored by watching too many films

0:20:00.880 --> 0:20:05.160
<v Speaker 2>that are are less well executed, because I know I've

0:20:05.240 --> 0:20:09.199
<v Speaker 2>encountered a film or two before that have multiple narrators

0:20:09.200 --> 0:20:12.600
<v Speaker 2>in them. But I don't think there's any like high

0:20:12.600 --> 0:20:16.320
<v Speaker 2>concept behind it. It's just at some point they're like,

0:20:16.359 --> 0:20:19.040
<v Speaker 2>I think we need narration here, all right, let's add

0:20:19.080 --> 0:20:22.360
<v Speaker 2>some and then they forget that they have another narrator

0:20:22.400 --> 0:20:24.199
<v Speaker 2>elsewhere in the film, or they're like, well, you need

0:20:24.240 --> 0:20:26.679
<v Speaker 2>another narrator, let's get this character in.

0:20:27.280 --> 0:20:29.919
<v Speaker 3>When I think of intrusive narration, I think of the

0:20:30.040 --> 0:20:33.240
<v Speaker 3>abrupt ending of the animated Lord of the Rings movie,

0:20:33.359 --> 0:20:36.119
<v Speaker 3>where you know they they're nowhere near the end of

0:20:36.119 --> 0:20:39.280
<v Speaker 3>the story, but suddenly and thus concludes the tale of

0:20:39.359 --> 0:20:41.000
<v Speaker 3>the Lord of the Rings.

0:20:42.200 --> 0:20:44.280
<v Speaker 2>Oh man, I haven't seen it, and forever so I

0:20:44.480 --> 0:20:46.520
<v Speaker 2>forgot about that. I keep trying to get my son

0:20:46.560 --> 0:20:49.679
<v Speaker 2>to watch it, or to finish the book. The books

0:20:49.720 --> 0:20:52.040
<v Speaker 2>with me, but he's just like he really enjoyed the Hobbit,

0:20:52.520 --> 0:20:55.280
<v Speaker 2>and I just can't get him interested again in the

0:20:55.280 --> 0:20:56.359
<v Speaker 2>Lord of the Rings just yet.

0:20:56.720 --> 0:20:59.160
<v Speaker 3>All Right, I think I'm gonna do this message from Daniel.

0:20:59.240 --> 0:21:06.600
<v Speaker 3>If you don't mind, go for it, Daniel says, dear

0:21:06.720 --> 0:21:09.280
<v Speaker 3>Robin Joe. I listened with interest to your Weird House

0:21:09.280 --> 0:21:15.120
<v Speaker 3>Cinema episode on the Incredible Shrinking Man. This brought up

0:21:15.640 --> 0:21:18.879
<v Speaker 3>many nostalgic memories for me, as I had this film

0:21:19.080 --> 0:21:22.280
<v Speaker 3>along with it came from outer space and many others

0:21:22.359 --> 0:21:27.080
<v Speaker 3>on two hundred and four hundred foot condensed eight millimeter film,

0:21:27.440 --> 0:21:32.000
<v Speaker 3>and some full length feature movies on sixteen millimeter sound parentheses.

0:21:32.040 --> 0:21:35.520
<v Speaker 3>The sixteen millimeter was due to my media connections back

0:21:35.560 --> 0:21:37.640
<v Speaker 3>in the set. By the way, what he's about to say,

0:21:37.640 --> 0:21:41.119
<v Speaker 3>I had no idea about this. Back in the nineteen seventies,

0:21:41.359 --> 0:21:43.960
<v Speaker 3>you could buy two hundred foot and four hundred foot

0:21:44.000 --> 0:21:48.240
<v Speaker 3>that is, ten and twenty minute condensed versions of movies.

0:21:48.800 --> 0:21:52.120
<v Speaker 3>These were optically printed from the thirty five or seventy

0:21:52.119 --> 0:21:56.080
<v Speaker 3>millimeter releases and so were at the sound speed of

0:21:56.160 --> 0:21:59.200
<v Speaker 3>twenty four frames per second. Even though most were silent

0:21:59.280 --> 0:22:02.639
<v Speaker 3>with captions, most people saw these films at the slow

0:22:02.760 --> 0:22:06.359
<v Speaker 3>lethargic silent speed of eighteen frames per second, as they

0:22:06.400 --> 0:22:09.960
<v Speaker 3>did not have sound equipment. These reels usually contained the

0:22:10.000 --> 0:22:14.160
<v Speaker 3>most exciting action scenes with just enough context to sometimes

0:22:14.240 --> 0:22:17.280
<v Speaker 3>guess what the movie was about. I remember the mix

0:22:17.359 --> 0:22:20.040
<v Speaker 3>of large and small elements in The Shrinking Man to

0:22:20.080 --> 0:22:22.560
<v Speaker 3>be very well done by the standards of the time.

0:22:23.080 --> 0:22:26.119
<v Speaker 3>The other movie you mentioned was It Came from Outer Space.

0:22:26.359 --> 0:22:29.040
<v Speaker 3>I had it on two hundred foot silent Standard eight

0:22:29.119 --> 0:22:33.320
<v Speaker 3>with captions. It was also one I remember being visually stunning,

0:22:33.400 --> 0:22:37.480
<v Speaker 3>with lots of rotoscoping, laser and killer ray effects. Anyway,

0:22:37.520 --> 0:22:39.720
<v Speaker 3>thank you for the memories. I'd forgotten about both of

0:22:39.760 --> 0:22:43.040
<v Speaker 3>these until I heard your show, as I long since

0:22:43.080 --> 0:22:45.520
<v Speaker 3>have gone out of film. The last time I actually

0:22:45.560 --> 0:22:48.520
<v Speaker 3>shot cinema film was in two thousand and one, and

0:22:48.800 --> 0:22:50.760
<v Speaker 3>I assume he means the year two thousand and one,

0:22:50.840 --> 0:22:53.119
<v Speaker 3>not the movie two thousand and one. And it costs

0:22:53.160 --> 0:22:57.200
<v Speaker 3>two dollars a second to use once you accounted for processing, etc.

0:22:57.880 --> 0:22:58.960
<v Speaker 3>Cheers Daniel.

0:23:00.080 --> 0:23:04.880
<v Speaker 2>Oh, some fascinating av details, nice too.

0:23:04.960 --> 0:23:09.080
<v Speaker 3>Yeah, so ten or twenty minute condensed versions of movies

0:23:09.280 --> 0:23:13.760
<v Speaker 3>on film. I wonder how those were mainly used I mean,

0:23:13.760 --> 0:23:16.240
<v Speaker 3>do people literally just like buy them for entertainment to

0:23:16.240 --> 0:23:17.200
<v Speaker 3>project them at home.

0:23:17.640 --> 0:23:20.600
<v Speaker 2>I mean, maybe in the nineteen seventies people were like, look,

0:23:20.800 --> 0:23:22.639
<v Speaker 2>we've made a lot of films by this point, but

0:23:22.760 --> 0:23:27.080
<v Speaker 2>maybe it's not employ impossible to catch up with all

0:23:27.200 --> 0:23:29.280
<v Speaker 2>the movies that have come out. If we just get

0:23:29.320 --> 0:23:32.639
<v Speaker 2>some shorter cuts of these films, then we'll be okay.

0:23:32.760 --> 0:23:36.399
<v Speaker 2>And then later, you know, by decades later, you're just like, well,

0:23:36.440 --> 0:23:38.040
<v Speaker 2>I'll never see all the films I want to see,

0:23:38.280 --> 0:23:40.800
<v Speaker 2>no matter what the cut happens to be. I'm just

0:23:40.840 --> 0:23:43.359
<v Speaker 2>gonna have to accept the fact that I'll never see

0:23:43.440 --> 0:23:44.639
<v Speaker 2>I don't know, Funky Monkey.

0:23:45.280 --> 0:23:48.119
<v Speaker 3>Fortunately, though, Rob, You're gonna see all of Funky Monkey

0:23:48.160 --> 0:23:51.760
<v Speaker 3>when we do it on Weird House Cinema. Yeah, okay,

0:23:51.760 --> 0:23:53.800
<v Speaker 3>So you can imagine what might be in the ten

0:23:53.840 --> 0:23:56.200
<v Speaker 3>minute cut of The Incredible Shrinking Man. You had missed

0:23:56.200 --> 0:23:59.200
<v Speaker 3>a lot of the great character drama and those aspects

0:23:59.200 --> 0:24:01.800
<v Speaker 3>of the story. Uh, there's probably like the fight with

0:24:01.880 --> 0:24:04.560
<v Speaker 3>the spider or the confrontation with the cat or whatever.

0:24:05.320 --> 0:24:07.119
<v Speaker 3>What do you think would be in the ten minute

0:24:07.160 --> 0:24:09.639
<v Speaker 3>condensed version of Attack of the Puppet People?

0:24:10.720 --> 0:24:12.760
<v Speaker 2>Oh? Well, I mean it would be a it would

0:24:12.760 --> 0:24:14.840
<v Speaker 2>be easier to cut that one down. I think just

0:24:14.840 --> 0:24:18.560
<v Speaker 2>because there's there's there's a there's a maybe a little

0:24:18.560 --> 0:24:20.800
<v Speaker 2>more wasted space, there's a little more uh you know,

0:24:20.960 --> 0:24:22.640
<v Speaker 2>fat on the bone in that one that you could

0:24:22.640 --> 0:24:26.000
<v Speaker 2>potentially trim. Uh you know, you'd want all those special

0:24:26.000 --> 0:24:29.520
<v Speaker 2>effect shots in there, but you can maybe maybe cut

0:24:29.560 --> 0:24:31.359
<v Speaker 2>a lot of the meandering around the office.

0:24:31.600 --> 0:24:33.560
<v Speaker 3>Yeah, you'd have the scene where the puppet people are

0:24:33.640 --> 0:24:36.560
<v Speaker 3>running around while mister Franz is like telling his friend

0:24:36.560 --> 0:24:38.439
<v Speaker 3>to go away so he can get back to his

0:24:38.520 --> 0:24:39.240
<v Speaker 3>living dolls.

0:24:39.840 --> 0:24:40.040
<v Speaker 2>Yeah.

0:24:41.680 --> 0:24:43.840
<v Speaker 3>Or oh, the scene where John Agar beats up the

0:24:43.880 --> 0:24:45.159
<v Speaker 3>puppet that's got to be in the.

0:24:45.920 --> 0:24:49.000
<v Speaker 2>Oh, well, that's that's that's key, that's that's that's an

0:24:49.000 --> 0:24:51.320
<v Speaker 2>important moment in the film. All right, let's do one

0:24:51.400 --> 0:24:53.439
<v Speaker 2>last Weird House Cinema listener mail. This one comes to

0:24:53.480 --> 0:25:00.960
<v Speaker 2>us from Alena. Elena says, Robert and Joke, thanks for

0:25:00.960 --> 0:25:03.920
<v Speaker 2>the great podcast. I have a couple of movie recommendations

0:25:03.960 --> 0:25:08.919
<v Speaker 2>for weird House Cinema. The Troehlenberg Terror aka Crawling I

0:25:09.440 --> 0:25:12.840
<v Speaker 2>nineteen fifty eight. The creature is a giant eyeball with

0:25:12.920 --> 0:25:16.400
<v Speaker 2>tentacles that kills people in the Swiss Alps, and then

0:25:16.520 --> 0:25:19.800
<v Speaker 2>also Fantastic Voyage nineteen sixty six, a submarine and its

0:25:19.840 --> 0:25:22.840
<v Speaker 2>crew get reduced to microscopic size to enter the human

0:25:22.880 --> 0:25:25.440
<v Speaker 2>body and say a life.

0:25:25.520 --> 0:25:28.600
<v Speaker 3>We always appreciate suggestions for weird house cinema. In fact,

0:25:28.640 --> 0:25:31.680
<v Speaker 3>we have done movies before that were suggested by listeners,

0:25:31.680 --> 0:25:34.399
<v Speaker 3>so never give up. In fact, we did one recently.

0:25:34.400 --> 0:25:36.880
<v Speaker 3>Treasurer of the Four Crowns was a listener suggestion.

0:25:37.600 --> 0:25:42.159
<v Speaker 2>Yeah. Yeah, Like these suggestions sometimes introduce us to something

0:25:42.200 --> 0:25:45.560
<v Speaker 2>that we were not familiar with, or if it's a

0:25:45.600 --> 0:25:48.280
<v Speaker 2>film we're familiar with, sometimes it like bumps, it towards

0:25:48.280 --> 0:25:52.440
<v Speaker 2>the top of the list. So yeah, the crawling I

0:25:52.440 --> 0:25:56.359
<v Speaker 2>I'm trying to remember. Yeah, yeah, this was featured on

0:25:56.440 --> 0:25:58.679
<v Speaker 2>Mystery Science Theater three thousand back in the day, and

0:25:58.720 --> 0:26:01.680
<v Speaker 2>I think it was it was a ktm A episode,

0:26:01.680 --> 0:26:03.199
<v Speaker 2>So I don't know that I've actually seen it, but

0:26:03.240 --> 0:26:06.160
<v Speaker 2>I remember seeing a clip from it in the old

0:26:06.280 --> 0:26:10.639
<v Speaker 2>old intro to MST. And then as far as Fantastic

0:26:10.680 --> 0:26:13.720
<v Speaker 2>Voyage goes, I mean, that's that's a classic. Isaac Asimov

0:26:13.760 --> 0:26:17.200
<v Speaker 2>wrote a novel based on the screenplay, but also worked

0:26:17.200 --> 0:26:20.720
<v Speaker 2>on the screenplay, and I think I read that book

0:26:20.760 --> 0:26:24.560
<v Speaker 2>When I Was a Kid has a pretty strong cast

0:26:24.600 --> 0:26:28.440
<v Speaker 2>as well, and for the time, had some pretty amazing effects.

0:26:28.440 --> 0:26:30.399
<v Speaker 2>But yeah, I wrote, Raquel Welch is in it. Donald

0:26:30.400 --> 0:26:33.960
<v Speaker 2>Pleasants is in it. Author Kennedy is in it. So yeah,

0:26:34.000 --> 0:26:35.560
<v Speaker 2>that would be a fun one to potentially watch.

0:26:35.560 --> 0:26:38.359
<v Speaker 3>At some point when we did our back back Shrink movies,

0:26:38.400 --> 0:26:43.760
<v Speaker 3>I think multiple listeners suggested fantastic voyage. Yeah, so yeah,

0:26:43.800 --> 0:26:45.080
<v Speaker 3>we may have to come back to it. By the way,

0:26:45.119 --> 0:26:47.760
<v Speaker 3>I just looked up the poster for the Crawling Eye

0:26:47.800 --> 0:26:51.000
<v Speaker 3>to see does the eye somehow like is it carrying

0:26:51.240 --> 0:26:55.520
<v Speaker 3>a screaming woman or an unconscious woman? Yep, yep, it is.

0:26:55.880 --> 0:26:58.680
<v Speaker 3>It's an I I guess the tentacles are what's holding her.

0:26:59.160 --> 0:27:02.160
<v Speaker 2>It's kind of like how she's kind of screaming. It's

0:27:02.160 --> 0:27:04.359
<v Speaker 2>almost like the when I look at it, it's like

0:27:04.359 --> 0:27:06.280
<v Speaker 2>the eyes like, I'm not really sure how to pick

0:27:06.320 --> 0:27:12.400
<v Speaker 2>this up. Yeah, my tentacles are not really leadbearing, They're

0:27:12.400 --> 0:27:15.719
<v Speaker 2>more for undulating as I float through the astral plane.

0:27:15.960 --> 0:27:18.119
<v Speaker 2>I don't really know how to how to hold this

0:27:18.200 --> 0:27:21.480
<v Speaker 2>woman in my arms, but the director and the promotions

0:27:21.560 --> 0:27:22.880
<v Speaker 2>team says that I must do it.

0:27:23.560 --> 0:27:28.320
<v Speaker 3>I cannot yet I must Yeah, how do you calculate that? Okay,

0:27:28.359 --> 0:27:29.760
<v Speaker 3>we got to wrap it up there.

0:27:30.080 --> 0:27:31.560
<v Speaker 2>Oh we do. Oh, but I have to point out

0:27:31.600 --> 0:27:34.280
<v Speaker 2>the Janet Monroe is in that film, so that's kind

0:27:34.280 --> 0:27:36.760
<v Speaker 2>of exciting. She was in Darby O'Gill and the Little

0:27:36.800 --> 0:27:41.359
<v Speaker 2>People opposite Sean Connery, which is a film I have

0:27:41.440 --> 0:27:44.040
<v Speaker 2>a lot of affection for. So I don't know. Both

0:27:44.040 --> 0:27:46.600
<v Speaker 2>of these are strong candidates. Maybe we'll come back and

0:27:46.680 --> 0:27:47.919
<v Speaker 2>consider one of them in the future.

0:27:48.200 --> 0:27:49.160
<v Speaker 3>Yeah, I'm on the hook.

0:27:49.680 --> 0:27:52.360
<v Speaker 2>All right, we'll go and shut the book. But we'll

0:27:52.359 --> 0:27:54.639
<v Speaker 2>go ahead and remind you that listener mails every Monday

0:27:54.680 --> 0:27:56.679
<v Speaker 2>and the Stuff to Blue Remind podcast feed core episodes

0:27:56.680 --> 0:27:59.000
<v Speaker 2>on Tuesdays and Thursdays. On Wednesday we do a short

0:27:59.000 --> 0:28:02.000
<v Speaker 2>form monster or artifact episode, and on Fridays we set

0:28:02.000 --> 0:28:04.520
<v Speaker 2>aside most serious concerns to just talk about a weird

0:28:04.520 --> 0:28:07.320
<v Speaker 2>film celebrate a weird film on Weird House Cinema.

0:28:07.480 --> 0:28:10.600
<v Speaker 3>Huge thanks to our audio producer JJ Posway. If you

0:28:10.600 --> 0:28:12.680
<v Speaker 3>would like to get in touch with us with feedback

0:28:12.680 --> 0:28:15.080
<v Speaker 3>on this episode or any other, to suggest topic for

0:28:15.119 --> 0:28:17.359
<v Speaker 3>the future, or just to say hello, you can email

0:28:17.440 --> 0:28:27.160
<v Speaker 3>us at contact at stuff to Blow your Mind dot com.

0:28:27.240 --> 0:28:30.199
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

0:28:30.280 --> 0:28:33.080
<v Speaker 1>more podcasts from my heart Radio, visit the iHeartRadio app,

0:28:33.240 --> 0:28:36.000
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.