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Speaker 1: What's angela ye, Angela yee?

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Speaker 2: And we have I obtained in the building for the

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Speaker 2: first time.

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Speaker 3: Yes, yes, yes, I got any I need.

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Speaker 2: My glasses too, it's too shiny hair.

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Speaker 3: Yes, when I get done, I know.

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Speaker 2: How's it going.

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Speaker 3: It's beautiful.

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Speaker 1: Man. So you said you were just in Bridgeport, Connecticut,

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Speaker 1: but you've been making some big moves.

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Speaker 2: I got so many things we got to talk about today.

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Speaker 3: Let's go, let's go, let's go to be on white.

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Speaker 3: I know you know well.

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Speaker 1: First of all, I've been following your journey, yes, for

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Speaker 1: quite some time, and I know you had moved from

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Speaker 1: Jamaica to South Florida.

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Speaker 2: Yes, and talked about how.

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Speaker 1: And it's interesting to me because I feel like you

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Speaker 1: are very perceptive about things about yourself. You know that

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Speaker 1: it's sometimes hard for people to admit or or say

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Speaker 1: out loud, right, but you felt like it was necessary

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Speaker 1: for you to do that.

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Speaker 3: Yes, yes, yes, yes, because if you don't speak up

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Speaker 3: when they need to speak, then who's going to speak

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Speaker 3: for you? I remember, no one knows what they're really

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Speaker 3: going to No one see it from your perspective, you

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Speaker 3: know what I mean. So I always process things and

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Speaker 3: look from that perspective and just looking to myself and

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Speaker 3: the better, the more I become a better person, then

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Speaker 3: I am better for society.

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Speaker 2: Right, So you're not a yearous anymore? Ah?

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Speaker 3: I mean no, no, no, no, no, but no the ladies,

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Speaker 3: the yeh majority of finds them as ladies. I'm alis

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Speaker 3: have this carries my thing when it comes to the ladies.

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Speaker 3: And you know, for me, for me, it's not just

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Speaker 3: only for me. A lot of ladies love me because

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Speaker 3: it's not only sex for me. You know, if alist

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Speaker 3: can have a conversation with them.

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Speaker 2: Okay, you know what I mean.

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Speaker 3: I have a lot of females out there where they

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Speaker 3: create a persona male to or they create of females

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Speaker 3: greater persona and live chough that persona. You know, the

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Speaker 3: person behind the persona. I have a lot of emotional scars, insecurities,

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Speaker 3: a these things. So people live choo what becomes the

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Speaker 3: sound track of their existence, which is their persona. So

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Speaker 3: when you can break through that persona, see that person

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Speaker 3: and accept that person, and then give that person can

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Speaker 3: constructive criticism and also motivate that person, then that person

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Speaker 3: will got places somewhere, you know, somewhere special in their world.

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Speaker 2: That's good. I like this.

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Speaker 1: And you also lost a lot of weight, and I

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Speaker 1: know that was a journey for you to when we

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Speaker 1: talk about people also having insecurities and things like that,

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Speaker 1: that was something even for you that you were really

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Speaker 1: open about.

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Speaker 3: Yeah, because again up to like two hundred and fifty

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Speaker 3: six spoons and a lot of people in even even

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Speaker 3: the music industry, I was like, yo, you know people

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Speaker 3: feel about people with yeah. You know, so a lot

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Speaker 3: of people in the music industry don't really actually the meals.

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Speaker 3: They don't really like acting like that. They don't really

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Speaker 3: like me like that because may have this this this

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Speaker 3: presence when you know, artists I said, I am the

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Speaker 3: best and I am the greatest, greatest, you know what

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Speaker 3: I mean, And artist walk with this light. So people

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Speaker 3: always get intimidiated by that presentation, you know what I mean.

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Speaker 3: But I'm speaking about myself, like I don't want to

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Speaker 3: be the best dancer. Artists are the best reggae artists.

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Speaker 3: I just want to be the best acting, you know

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Speaker 3: what I mean. So people don't like that. And then

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Speaker 3: I always invest in the production side of my brand.

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Speaker 3: You know, a lot of artists break, you know, then

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Speaker 3: by a couple of them soping a coup of cheat

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Speaker 3: and you know them by you have.

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Speaker 2: How many changes do you have? I don't even know

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Speaker 2: how many.

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Speaker 3: I like up to fifteen all.

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Speaker 2: All the ones too, by the way.

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Speaker 3: Not fifty today, but a lad yeah, because I think

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Speaker 3: for me, I think presentation is.

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Speaker 1: Everything, okay, And then you saw that and you were like,

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Speaker 1: you didn't like comments that people were making about your

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Speaker 1: weight and you didn't like how you felt.

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Speaker 3: I yes, I and bout it. So I also look on

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Speaker 3: the glass full at all times instead of half empty.

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Speaker 3: So whenever, because I might say something to you know,

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Speaker 3: and I might say it with the anger, I might

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Speaker 3: say it to a jealousy, but it might be the truth,

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Speaker 3: right because they will say, oh, you're fatty, Ata said that,

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Speaker 3: But I was really at that stage with you. So

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Speaker 3: I just look into it and say, all right then,

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Speaker 3: and then it's take kind of weightlass and then I

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Speaker 3: show the journey because we live in an era right

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Speaker 3: now where people don't show the end product. So nobody

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Speaker 3: showed the journey to the end product. That's why nobody

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Speaker 3: have no love. If you understand the love in the

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Speaker 3: world's less know, because everybody create this fascating where they

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Speaker 3: just posset and they just said, all right, I am

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Speaker 3: doing this. I am doing this, so you don't show

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Speaker 3: the journey where it's not easy. Yes, metraphic wake up

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Speaker 3: in the morning, Merafi do this, MEFI sacrifice, MEFI do this,

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Speaker 3: and this is the end product.

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Speaker 1: It also makes you more accountable when you're posting your

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Speaker 1: journey for people to see. So it makes you feel

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Speaker 1: like I can't mess up because people are watching.

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Speaker 3: Point and that's done. I have I have other people

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Speaker 3: to whatever. Just said, Oh, you can't lose so much weight.

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Speaker 3: I try that for years, say you must do a surgery,

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Speaker 3: so you know what I mean, Like you.

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Speaker 2: Can watch it and see it.

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Speaker 1: Don't take you there long either, Like, given how much

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Speaker 1: weight you lost, it was what four months, five months?

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Speaker 3: I lose like one hundreds or something ponies in eight months.

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Speaker 2: Okay, Yeah, that's good, that's not bad.

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Speaker 3: Yeah. And what I what I the losing weight start from?

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Speaker 3: From from it, from what you're consumed. Yeah.

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Speaker 1: They always say that because that's the number one reason

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Speaker 1: people gain weight is what they eat. Yes, and work

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Speaker 1: out and all of that matters, But diet's a bit

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Speaker 1: part of what I do.

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Speaker 3: I do lick a start. If if I can drink it,

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Speaker 3: I'm not consuming it. So I don't actually chew no

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Speaker 3: food for like eight one straight.

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Speaker 2: You can put that fire chicken in a blender though.

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Speaker 3: No, I don't need what I would like to see that.

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Speaker 2: A little crunch. Yeah, how hard was that? Though? They

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Speaker 2: give up me.

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Speaker 3: No, I don't like twenty years over, you know what

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Speaker 3: I mean? But while again do it again? Success and

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Speaker 3: then you know what I mean, I get comfortable.

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Speaker 2: And everybody's having drinks.

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Speaker 3: Yeah. And when you get comfortable and you know, and

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Speaker 3: then you have your we as drum make and we

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Speaker 3: can express ourselves as meal. I want to express ourselves

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Speaker 3: as male. And let me say, delicate your feet, you know, yeah,

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Speaker 3: you know you have this female tendency, tendency and you know,

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Speaker 3: so we grew up where we keep our emotion in.

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Speaker 3: You know, we battle up with this emotional and emotional

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Speaker 3: scarce just because I want to show this march aside

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Speaker 3: and this this type of vibration to fit in right

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Speaker 3: to be a part of you know, be a you know,

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Speaker 3: to blending, you know what I mean. You just just

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Speaker 3: want to coexist. So when you get success on your

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Speaker 3: startup money you start of everything nowhere you know, the

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Speaker 3: nose ninety percent that the knows don't become yes. You know,

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Speaker 3: people knows that, the tailor know them, continual teller. Yes.

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Speaker 3: So you get caught up into the world everybody telling

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Speaker 3: you yes, and you know, you're putting on weird and

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Speaker 3: you're really getting at shape and people, I said, look good,

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Speaker 3: you know.

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Speaker 2: You have yours a baller belly. You got a ball belly.

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Speaker 3: Yeah, you talk to some girl and I must say no,

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Speaker 3: man like it get teddy beer style and this, and

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Speaker 3: when you lose it, oh baby, you're you know what

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Speaker 3: I mean? Yes, you're living at this world where you know.

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Speaker 1: So you know, And let's talk about that a little

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Speaker 1: bit because, for instance, a song like Sorry, which is

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Speaker 1: something that is very introspective and you talk about your

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Speaker 1: karma on there and people that you've heard, what exactly

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Speaker 1: were you going through when you wrote that song, because

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Speaker 1: it feels like there were some specific people that you

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Speaker 1: wanted to apologize to.

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Speaker 3: Yeah, because I was carrying this burden for years. Because

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Speaker 3: success and fame is you know, it can really take

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Speaker 3: away the human side of you. You know, my first

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Speaker 3: hid song, I was sixteen and I'm coming from a

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Speaker 3: background with single period, no father, you know, no mentor

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Speaker 3: just people around us in my community. You know, we

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Speaker 3: looked up to and when we look up to that individual,

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Speaker 3: they don't really have a solid foundation. So we look

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Speaker 3: up to these individual and we grew up with these

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Speaker 3: things embedded in us, you know. So yeah, yeah, you're

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Speaker 3: sixty in your feelings, it's and you want to be

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Speaker 3: a gale. You want to do this, and they start

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Speaker 3: to have kids to start to you start to travel,

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Speaker 3: you start to do all over the world. So you

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Speaker 3: have our kids who are growing up without you because

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Speaker 3: I am in Japan doing that to work and my

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Speaker 3: my one of my kids them having a graduation. I

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Speaker 3: can be in Japan and being so you do a

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Speaker 3: lot of things. And then girls that they're going to

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Speaker 3: the same thing because you're coming from the same background, right,

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Speaker 3: So there there are also single parents that everybody is

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Speaker 3: looking away out. So everybody want to wrap top each other,

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Speaker 3: existence in each other, you know what I mean. So

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Speaker 3: you know, people have different things and then you're not

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Speaker 3: arow and a lot of people where this were more

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Speaker 3: advanced than you to show you a lot of things.

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Speaker 3: So you have to do child and and learn along

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Speaker 3: the way. So you're doing your best and your basis

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Speaker 3: casts in a lot of earth along the line. Right,

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Speaker 3: So you might seminal, you might say, yo, acting do

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Speaker 3: something to me today, But I'm too near the forest.

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Speaker 3: I can answer the cheese. So you're looking at I

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Speaker 3: disrespect it, but I don't see it, you know what

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Speaker 3: I mean. And people don't. People don't take a people

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Speaker 3: you know, human beings don't really take countability for their mystics.

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Speaker 2: Yeah, some people will never come to the realization.

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Speaker 3: No, So it's just it's just a therapy for me. Right,

200
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Speaker 3: So I just expressed myself and then I move on.

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Speaker 2: Yeah, because it felt like you could even admit, like

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Speaker 2: I'm the problem.

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Speaker 3: I am the problem and listen, people out there that

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Speaker 3: is listening. If you have problems, sorrown you. Even if

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Speaker 3: you're not the problem, you're the commandnaminator, right, So if

206
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Speaker 3: you're not the problem and you are the common denaminated,

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Speaker 3: the problem stems from you.

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Speaker 1: So you have to look into that, right, And like

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Speaker 1: you've said, like if things keep doing, you keep doing

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Speaker 1: the same thing, you'll get the same results.

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Speaker 3: Yes, it's like taking show and I raincourt. You don't

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Speaker 3: be it.

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Speaker 1: All the metaphors and analogies. Have you ever done therapy

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Speaker 1: because it feels like a therapy session.

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Speaker 3: Yeah, I do it free of course, like like for

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Speaker 3: a lot of people because I help like more than

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Speaker 3: tosan like over tosand people.

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Speaker 2: To lose it, that's great, that's a big deal.

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Speaker 3: I talk to them, get them numbers, send them recipe

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Speaker 3: and keep up. Yo, I lose twenty four and three weeks,

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Speaker 3: I lose you know what I mean? And I speak

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Speaker 3: to people like you know, even there before yesterday and

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Speaker 3: kind of people calling me yo, I have this problem

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Speaker 3: in my relationship, and I was like, yo, you know,

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Speaker 3: so I talked to people dearly like give them because

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Speaker 3: I got.

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Speaker 2: You it right? Who do you talk to?

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Speaker 3: I don't talk enough because because when I talk to

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Speaker 3: you is like terrap if for me, that's why I

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Speaker 3: sing at the music is like my yeah, it is

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Speaker 3: tozans and songs lose a friend. Yeah, I sing a lot,

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Speaker 3: and so when I talk to you, you know, it's

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Speaker 3: like that. And then my experience, my personal experience, I

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Speaker 3: don't I don't talk about something that I don't put

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Speaker 3: myself to. Right, So you have a lot of you

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Speaker 3: to call me you know who you know, growing up

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Speaker 3: growing up in crime and violence, going jail, going in prison.

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Speaker 3: I grew up the same way. When I was growing up,

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Speaker 3: I was my friends, there was in crime and violence.

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Speaker 3: I was a part of that too. I went to jail.

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Speaker 3: I have all of these experiences, so you know what

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Speaker 3: I mean. I shot at and I've been shot at,

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Speaker 3: you know what I mean. And I see people die

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Speaker 3: in front of me. You know, retaliation from oversight actually

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Speaker 3: take life. So I've been to all of the these

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Speaker 3: first and experience, so I can give people that perspective,

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Speaker 3: like look at it this way, you know what I mean.

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Speaker 3: And then I always teach people about life. It said

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Speaker 3: like people don't understand. Said, you know, like three days ago,

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Speaker 3: I was just telling somebody that is more older than me,

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Speaker 3: like them just can't accept life, like them can't fathom it.

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Speaker 3: And I was like, yo, life in flash is temporary.

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Speaker 3: You know, every human beings ever expiraed it. And two

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Speaker 3: twenty twenty four, twenty twenty four, so five I was

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Speaker 3: in this room. I don't think none of none of

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Speaker 3: other other of five, we don't thin. I don't think

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Speaker 3: anyone of us going to live, say the twenty third century.

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Speaker 3: So there's is if we make at the age that

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Speaker 3: we are now, if we make twenty fourth century, we're

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Speaker 3: going to be a hundred and something years.

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Speaker 2: What do you think happens after you die?

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Speaker 3: Your spirit don't die. You don't die because it exist

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Speaker 3: before the earth, So you don't. Life force don't die.

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Speaker 3: But your flesh have I expired it. So whatever work,

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Speaker 3: whatever work you put your put in earth, whatever legacy,

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Speaker 3: and leave. That is a reward after flesh. That is

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Speaker 3: where your spirit gets, you know, reward from the Creator himself,

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Speaker 3: the almighty got themselves. So you replace in different dimension

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Speaker 3: and even on Earth may become recon it back in

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Speaker 3: something different. But life itself, life force gonna die mm hmm.

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Speaker 3: But you yourself. That's why people is not always tell

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Speaker 3: people is not life, undb it's life. And it's too

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Speaker 3: all world life and live because that is inevitable, right,

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Speaker 3: You don't matter what, it's still gonna die. So if

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Speaker 3: you live and don't live, you're still gonna die. And

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Speaker 3: if you live and live, you're still gonna die.

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Speaker 2: Okay, that's a good way.

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Speaker 3: So you've been living, yeah, because you never know?

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Speaker 2: Yeah, yeah, And I think even like with your music.

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Speaker 2: Like you said, it is like therapy for you.

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Speaker 1: You know, things that you've been through and you've been

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Speaker 1: very vulnerable in your music, which sometimes people don't necessarily do.

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Speaker 3: Yeah, because people always seeking valid want to be validated.

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Speaker 3: People there don't try to be validated by the next

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Speaker 3: human being because the judga, every judge of a judge,

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Speaker 3: every person that is going, every person that is fighting

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Speaker 3: you and fighting you with your career, somebody is fighting

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Speaker 3: them also, you know what I mean. And a lot

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Speaker 3: of people try a lot of things. It don't necessarily

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Speaker 3: mean that it's it's it's it's intentional. It's just that

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Speaker 3: you're the only outlet for them. You have a lot

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Speaker 3: of people who see a lot of things about me

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Speaker 3: and the media and do a lot of things, and

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Speaker 3: I'm like, well, maybe I'm just the therapy for you.

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Speaker 2: Right, so you can get the best to look at

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Speaker 2: it your therapy.

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Speaker 3: Yeah, because when you're really check it. It don't start

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Speaker 3: me from if you don't like me. It don't start

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Speaker 3: me from me money, don't start me from being successful.

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Speaker 3: It don't start me from the people come to my stage.

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Speaker 3: So it don't start me from when we wake up

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Speaker 3: in the morning. I'm still annealing and exeling, and that

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00:15:45,200 --> 00:15:48,200
Speaker 3: is the greatest thing, right you understand, and anything that,

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Speaker 3: anything that is given to you by a human being

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Speaker 3: can be taken away.

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Speaker 2: Yeah, no, you're right.

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Speaker 3: So once you know that, then you know that life

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Speaker 3: is just for living and you just leave it right

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Speaker 3: and set the legacy, you know, do it the right way.

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Speaker 2: You know. How was it?

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Speaker 1: And I saw your vlog that you did when you

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Speaker 1: went back to Jamaica to perform for the first time

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Speaker 1: in four years after you had been gone for four years,

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Speaker 1: and you were like, I'm not going to do any

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Speaker 1: shows here, you know, because you felt like you've kind

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Speaker 1: of done the same thing, done it all, and then

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Speaker 1: came back.

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Speaker 2: What was that day like for you to come back

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Speaker 2: and see all the love that you were getting.

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Speaker 3: I love Jamiica, like whoa, And I think I have

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Speaker 3: one of the most one of you know, my journey

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Speaker 3: in music is totally different. I never I wasn't popular

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Speaker 3: in music. I'm a star, like a mega star in music,

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Speaker 3: you know, so, and what whole I emerge on the

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Speaker 3: scene in music is different. It never rere knocked. And

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Speaker 3: it's the first and only because when I get the

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Speaker 3: break in music. If it never affiliated with a camp

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Speaker 3: or a team, you could have never it would never

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Speaker 3: get a break. You have to and I break at

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Speaker 3: my old And when I imagined that, the major producer

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Speaker 3: when I got to the mem say your vice is

332
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Speaker 3: not rough enough. And when I got to the reggae producer,

333
00:17:11,840 --> 00:17:15,200
Speaker 3: them say you can't. You're just singing off you sing jay.

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Speaker 3: So I have to create a niche for myself. So

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00:17:17,840 --> 00:17:21,160
Speaker 3: this sing jay niche that they're hearing, it's me created.

336
00:17:22,080 --> 00:17:26,359
Speaker 3: It's me created singing and dance salaryms. Because before me,

337
00:17:27,080 --> 00:17:34,200
Speaker 3: you have people who sing and reggae rythms, reggae songs.

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00:17:34,320 --> 00:17:37,680
Speaker 3: I have people who sing dance salary and dancers. I

339
00:17:37,880 --> 00:17:42,560
Speaker 3: sing cultural reading, cultural song and dance salaryms. So I

340
00:17:42,680 --> 00:17:47,399
Speaker 3: just create that niche for myself because I know I

341
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Speaker 3: have the talent. Definitely do I know have the talent.

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Speaker 3: And then when I leave school, I leave school with

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Speaker 3: a lot of subjects. I was of like distinction and

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Speaker 3: principle of business. So when when I went in to

345
00:18:00,160 --> 00:18:03,320
Speaker 3: the music, I was like, what is this a music business?

346
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Speaker 3: I see a lot of people when I went to

347
00:18:04,520 --> 00:18:06,440
Speaker 3: the music and was like, burn corporate. I don't want

348
00:18:06,440 --> 00:18:09,919
Speaker 3: to do Carpriate. What I said, I can't burnt carporate

349
00:18:10,160 --> 00:18:12,480
Speaker 3: because when you go to the statue and the banners

350
00:18:12,520 --> 00:18:15,720
Speaker 3: them and everything, if they say I had to read

351
00:18:15,760 --> 00:18:19,000
Speaker 3: a post behind it when you're profiming, that means that

352
00:18:19,040 --> 00:18:21,159
Speaker 3: I had reader. It's one of the big sponsors, and

353
00:18:21,359 --> 00:18:23,520
Speaker 3: I had reader. I've set the cast that you take,

354
00:18:23,960 --> 00:18:27,119
Speaker 3: the peer that you take. I had really give the

355
00:18:27,600 --> 00:18:30,960
Speaker 3: promoter that to give you, so they're paying you indirectly.

356
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Speaker 3: So what I do. I am the first youth in

357
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Speaker 3: music that is a rasta would rasta Phi signed to

358
00:18:39,840 --> 00:18:43,639
Speaker 3: corporate like thirteen Corporate Company Street. And it was like,

359
00:18:43,720 --> 00:18:46,760
Speaker 3: oh you do that because I have the business mentality.

360
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Speaker 3: So when I enter into the music, I see nobody

361
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Speaker 3: doing that. So I just pushed my burn to Carpriate

362
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Speaker 3: and I'm like my vibe, I'm like, you know where

363
00:18:55,359 --> 00:18:57,520
Speaker 3: my edge space at? And I can you know what

364
00:18:57,520 --> 00:18:59,879
Speaker 3: I mean? You know, sell the product and do the

365
00:19:00,040 --> 00:19:04,119
Speaker 3: product and I get to a lot of people, then

366
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Speaker 3: you know what I mean?

367
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Speaker 2: So I do I do I feel like you get

368
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Speaker 2: credit for that?

369
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Speaker 3: Not really, not really, I don't. I don't get I

370
00:19:11,680 --> 00:19:15,000
Speaker 3: don't get a lot of credit in the music industry.

371
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Speaker 3: Or to the music with the funds them. Fine, I

372
00:19:18,640 --> 00:19:20,240
Speaker 3: don't get a lot of credit. Like me is the

373
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Speaker 3: best profumer out the New School. There's no other. I

374
00:19:23,480 --> 00:19:25,200
Speaker 3: just can't proform like me, not the New School.

375
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Speaker 1: You know, it's interesting because you've been around for so

376
00:19:29,040 --> 00:19:32,480
Speaker 1: long you still consider yourself new school because you've.

377
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Speaker 3: Already had Because because I cannot disrespect elephant, you know,

378
00:19:37,480 --> 00:19:42,080
Speaker 3: because you know mother, I cannot disrespect being the man

379
00:19:43,000 --> 00:19:50,719
Speaker 3: and spruga and turbulence, you know, just a feeling. Yeah, business,

380
00:19:51,240 --> 00:19:53,040
Speaker 3: you know what I mean. I cannot disrespect these people,

381
00:19:53,080 --> 00:19:56,080
Speaker 3: you know what I mean? So I can look and

382
00:19:56,200 --> 00:19:59,159
Speaker 3: fire Queen Africa. I can because these people are already

383
00:19:59,240 --> 00:20:04,160
Speaker 3: paved the way. What after that comino?

384
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Speaker 1: Yeah, listen, and speaking of vibes cartels and you just

385
00:20:08,280 --> 00:20:10,520
Speaker 1: brought them up, you know, that was a big deal

386
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Speaker 1: that he's home.

387
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Speaker 3: Yeah, my bigger Vibes card.

388
00:20:13,040 --> 00:20:14,680
Speaker 2: You know right now? What was that like for?

389
00:20:14,960 --> 00:20:16,520
Speaker 1: Like, where were you when you heard the New Spice

390
00:20:16,560 --> 00:20:19,159
Speaker 1: posting herself just landing and obviously they have.

391
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Speaker 2: A great relationship.

392
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Speaker 3: Yeah, my bigger vibes guard that I am. I am

393
00:20:22,359 --> 00:20:28,000
Speaker 3: the only male artists one of the big artists who

394
00:20:28,440 --> 00:20:33,720
Speaker 3: went to visit my brother, like my friend, like you

395
00:20:33,760 --> 00:20:35,639
Speaker 3: know what I mean. So you know a lot of

396
00:20:35,680 --> 00:20:37,680
Speaker 3: people will never go go you know, you have a

397
00:20:37,720 --> 00:20:41,359
Speaker 3: lot of females like Spices and other artists and you know,

398
00:20:41,520 --> 00:20:44,080
Speaker 3: Seeker Rhymes and other artists. But me, you just you know,

399
00:20:44,280 --> 00:20:48,800
Speaker 3: visit And because I used to the jail system, and

400
00:20:48,880 --> 00:20:53,680
Speaker 3: I understand. And I understand because for me, I leave

401
00:20:53,760 --> 00:20:56,840
Speaker 3: Jahmica for a while because they tried to imprison me.

402
00:20:57,000 --> 00:20:59,040
Speaker 3: They tried to imprison they tried to put me, to

403
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Speaker 3: put me in prison.

404
00:21:00,200 --> 00:21:02,200
Speaker 2: Like so that's why you left.

405
00:21:02,800 --> 00:21:06,920
Speaker 3: That one of the reason because because they're saying that

406
00:21:07,080 --> 00:21:10,520
Speaker 3: acting I have this type of friends and involving a

407
00:21:10,600 --> 00:21:12,600
Speaker 3: this a name of these type of people are friends,

408
00:21:12,600 --> 00:21:14,360
Speaker 3: and that type of people are friends, and these type

409
00:21:14,359 --> 00:21:19,040
Speaker 3: of people are friends. I'm from the Garrison and I'm

410
00:21:19,080 --> 00:21:22,920
Speaker 3: a multi million you're superstar from the Garrison. I don't

411
00:21:23,000 --> 00:21:29,160
Speaker 3: buy Garrison people. Guns. I don't buy you know, there's

412
00:21:29,280 --> 00:21:34,760
Speaker 3: no individual and Draymaica, which is that done? I can

413
00:21:34,880 --> 00:21:39,200
Speaker 3: ever say involving any criminal activities, Yes, you're done. Will

414
00:21:39,280 --> 00:21:41,119
Speaker 3: know what you do, you know what you have to

415
00:21:41,200 --> 00:21:45,760
Speaker 3: don the community. But you're a human being at first,

416
00:21:46,200 --> 00:21:49,119
Speaker 3: and you have other things. Right. So I'm from the

417
00:21:49,160 --> 00:21:52,760
Speaker 3: Garrison community. So if if you a lot of people

418
00:21:52,800 --> 00:21:55,320
Speaker 3: from the Garrison community that is involved in crime and violence,

419
00:21:56,440 --> 00:21:58,280
Speaker 3: I want to go into music. I said, that is

420
00:21:58,320 --> 00:22:01,160
Speaker 3: what you should do with the time. Alatter them, I'm

421
00:22:01,200 --> 00:22:03,879
Speaker 3: the first one who turned them into a producers. As

422
00:22:03,920 --> 00:22:06,919
Speaker 3: I get a reading, a vice fear, it becomes they

423
00:22:06,920 --> 00:22:10,440
Speaker 3: eat songs a vice vield, vice field. Turn yourself gave

424
00:22:10,520 --> 00:22:14,040
Speaker 3: and do something constructive. Man, keep some cheap, do something constructive.

425
00:22:13,520 --> 00:22:14,800
Speaker 2: Because they can see there you did it.

426
00:22:15,320 --> 00:22:18,280
Speaker 1: Yeah, because I've been there, and that's somebody that's more relatable.

427
00:22:18,680 --> 00:22:21,240
Speaker 3: But so when you're burin a society want to take

428
00:22:21,359 --> 00:22:28,320
Speaker 3: you away Jamaica having this bringing thing that is going

429
00:22:28,400 --> 00:22:31,840
Speaker 3: on where society take the most important people from the

430
00:22:31,920 --> 00:22:36,520
Speaker 3: lower class and isolate them and keep the lower class suppress.

431
00:22:37,000 --> 00:22:40,159
Speaker 3: You understand, So they want to take me away. So

432
00:22:40,240 --> 00:22:44,120
Speaker 3: I don't put a substance in the individual was them,

433
00:22:44,880 --> 00:22:46,840
Speaker 3: you know what I mean. But if they don't, if

434
00:22:46,880 --> 00:22:48,960
Speaker 3: they don't live that life, you cannot understand. If you

435
00:22:49,040 --> 00:22:52,879
Speaker 3: never if you never suffer before, you don't understand Bavati Right,

436
00:22:53,080 --> 00:22:56,320
Speaker 3: So it's a teen line between that you can't go

437
00:22:56,440 --> 00:22:59,240
Speaker 3: to school for it, and you can have a prospective

438
00:22:59,280 --> 00:23:01,680
Speaker 3: of it, but when you're live it, you know what

439
00:23:01,720 --> 00:23:04,280
Speaker 3: I mean. So I live it and I have a

440
00:23:04,520 --> 00:23:07,879
Speaker 3: you know, deal with that. Teach you the variety. Do

441
00:23:08,000 --> 00:23:12,240
Speaker 3: this thing, don't do that, don't involve in crime and violence. Yo,

442
00:23:12,840 --> 00:23:15,920
Speaker 3: you think about like ever live in the country, like

443
00:23:16,160 --> 00:23:18,359
Speaker 3: change your life, do something like that. These are the

444
00:23:18,920 --> 00:23:23,440
Speaker 3: you know, the encouragement that give this individual this and that.

445
00:23:23,520 --> 00:23:27,520
Speaker 3: So I just decided, you know what you want to

446
00:23:27,560 --> 00:23:29,520
Speaker 3: do it Vibess Gardalan and I a child, I did me,

447
00:23:32,680 --> 00:23:33,760
Speaker 3: you know what I mean? And then I come to

448
00:23:33,880 --> 00:23:36,560
Speaker 3: find it with the mentality like am I like I'm

449
00:23:36,600 --> 00:23:39,879
Speaker 3: a young artist right now, totally young artists. This is

450
00:23:39,920 --> 00:23:43,399
Speaker 3: a different market, right, Nobody know me. That is the

451
00:23:43,480 --> 00:23:46,919
Speaker 3: mentality I have. Nobody know me, this interview that I'm doing,

452
00:23:47,000 --> 00:23:49,480
Speaker 3: it is my first big interview, Like even though I do,

453
00:23:50,240 --> 00:23:52,520
Speaker 3: this is the mentality because this is a different market.

454
00:23:52,840 --> 00:23:57,080
Speaker 3: I'm starting from scratch, like I want to break internationally. Right.

455
00:23:57,640 --> 00:24:00,719
Speaker 1: No, that's interesting because because I I've always looked at

456
00:24:00,760 --> 00:24:03,919
Speaker 1: you just from knowing your music as having so much history,

457
00:24:04,440 --> 00:24:06,440
Speaker 1: but you and this is how I kind of grind

458
00:24:06,520 --> 00:24:07,880
Speaker 1: with my show where yeah, but I act like it's

459
00:24:07,880 --> 00:24:08,640
Speaker 1: a brand new show.

460
00:24:08,720 --> 00:24:10,960
Speaker 2: People don't know me. Yeah, because I used to be

461
00:24:11,000 --> 00:24:11,760
Speaker 2: on the Breakfast Club.

462
00:24:11,840 --> 00:24:14,160
Speaker 1: But this is my own thing now, So I'm okay

463
00:24:14,280 --> 00:24:17,800
Speaker 1: with grinding it out and starting off like no one

464
00:24:17,920 --> 00:24:19,440
Speaker 1: knows who I am, like it's brand new.

465
00:24:19,640 --> 00:24:22,280
Speaker 3: And if you make fifty percent, that's you, okay, if

466
00:24:22,320 --> 00:24:24,800
Speaker 3: you're working for me, if you're if you're an employ

467
00:24:25,119 --> 00:24:28,320
Speaker 3: if you're an employee, you make a one hundred percent.

468
00:24:28,400 --> 00:24:30,600
Speaker 3: Only twenty or ten is years, right, So if you're

469
00:24:30,600 --> 00:24:33,760
Speaker 3: maybe fifty that this is you. H you know, this

470
00:24:33,920 --> 00:24:37,120
Speaker 3: is what you come early, because yeah, I see myself

471
00:24:37,160 --> 00:24:41,040
Speaker 3: as if I come as a superstar, I'll be just

472
00:24:41,160 --> 00:24:41,879
Speaker 3: walking through the door.

473
00:24:41,920 --> 00:24:42,760
Speaker 2: Because you walked in here.

474
00:24:42,840 --> 00:24:45,280
Speaker 1: You were about twenty minutes early, which is amazing because

475
00:24:45,280 --> 00:24:47,280
Speaker 1: I'm like most people are late. There's traffic, and you

476
00:24:47,359 --> 00:24:49,240
Speaker 1: were like, we didn't know how much traffic. The team

477
00:24:49,359 --> 00:24:51,040
Speaker 1: was like, we don't know what the traffic is going

478
00:24:51,119 --> 00:24:52,200
Speaker 1: to be. Like that's how I am too.

479
00:24:52,640 --> 00:24:53,760
Speaker 2: I'm always planning to.

480
00:24:53,760 --> 00:24:58,280
Speaker 3: Get there early because people people always a lot of

481
00:24:58,560 --> 00:25:00,920
Speaker 3: a lot a lot of especially dance, all music and

482
00:25:01,000 --> 00:25:03,200
Speaker 3: reggae musical. A lot of people. When I get established

483
00:25:06,040 --> 00:25:09,720
Speaker 3: music is not on their paroity list anymore, right, so

484
00:25:10,560 --> 00:25:12,879
Speaker 3: they have a parody list, but is not and what

485
00:25:14,119 --> 00:25:17,639
Speaker 3: the music that makes them this famous is not on

486
00:25:17,720 --> 00:25:20,919
Speaker 3: their party list? So the party is a car, the jewelry,

487
00:25:21,040 --> 00:25:26,040
Speaker 3: the girls, this liqua, party, everything, But what makes you

488
00:25:26,200 --> 00:25:27,119
Speaker 3: into this? You're not?

489
00:25:27,920 --> 00:25:30,040
Speaker 2: Were you always like that or did you become like that?

490
00:25:30,160 --> 00:25:32,439
Speaker 1: Because you know sometimes when you get into this business

491
00:25:32,520 --> 00:25:34,960
Speaker 1: first it is nice to be able to get the money,

492
00:25:35,080 --> 00:25:37,080
Speaker 1: the jewelry, the cars, you know.

493
00:25:37,480 --> 00:25:37,879
Speaker 2: The girls.

494
00:25:37,960 --> 00:25:42,200
Speaker 3: I'm always like that because poverty scares me because it

495
00:25:42,480 --> 00:25:45,600
Speaker 3: gives me it. Really, it really scarred me because my

496
00:25:45,760 --> 00:25:49,520
Speaker 3: mama five of us, she alone, you know, she's a vendor.

497
00:25:49,600 --> 00:25:53,080
Speaker 3: She's sell on the road side. I sell every single

498
00:25:53,160 --> 00:25:57,480
Speaker 3: thing on the roadside. Deally like suffaration. So I wasn't

499
00:25:58,280 --> 00:26:01,160
Speaker 3: I wasn't poor. I was b and be low or poor.

500
00:26:01,280 --> 00:26:06,159
Speaker 3: I was below a poverty. So going back to that stage, no,

501
00:26:07,119 --> 00:26:10,159
Speaker 3: So I always consistent. I went people, I said, no, man,

502
00:26:10,240 --> 00:26:16,760
Speaker 3: you're read no after continual, continual continue because you don't

503
00:26:16,800 --> 00:26:18,959
Speaker 3: want your kids? Then come got your way, you got

504
00:26:19,000 --> 00:26:21,240
Speaker 3: you and then you know, not even just your kids

505
00:26:21,240 --> 00:26:24,320
Speaker 3: and alone other people who who invest in you and

506
00:26:24,560 --> 00:26:27,680
Speaker 3: work with you and them their on every day. I

507
00:26:27,800 --> 00:26:29,719
Speaker 3: sacrifice them life every day, so I have to make

508
00:26:29,760 --> 00:26:31,520
Speaker 3: sure so them are right for them kids. All right,

509
00:26:31,560 --> 00:26:35,840
Speaker 3: the environment all right? You know, yeah, so go hard

510
00:26:35,880 --> 00:26:37,960
Speaker 3: every day, like think about it.

511
00:26:38,680 --> 00:26:40,240
Speaker 2: You know when you talked about.

512
00:26:41,680 --> 00:26:43,359
Speaker 1: We talked about so many different things, but let's go

513
00:26:43,440 --> 00:26:45,840
Speaker 1: back to the karma situation. What are some things you

514
00:26:45,920 --> 00:26:49,480
Speaker 1: feel like you've done to try to write anything from

515
00:26:49,560 --> 00:26:51,800
Speaker 1: your wrongs from the past when you think about karma,

516
00:26:51,840 --> 00:26:54,000
Speaker 1: because we always feel like, all right, I'm taking accountability.

517
00:26:54,000 --> 00:26:55,720
Speaker 1: I'd entry people, well, I didn't do this, I didn't

518
00:26:55,760 --> 00:26:56,600
Speaker 1: do what I was supposed to do.

519
00:26:57,480 --> 00:27:01,199
Speaker 3: Everybody would feel like I mean around macall and myself

520
00:27:02,280 --> 00:27:06,920
Speaker 3: and have a conversation with them and we're good, like

521
00:27:07,119 --> 00:27:09,119
Speaker 3: you know what I mean, Carl and myself have a

522
00:27:09,240 --> 00:27:10,200
Speaker 3: conversation with them.

523
00:27:10,440 --> 00:27:13,320
Speaker 2: Do you consider yourself having friends in this business?

524
00:27:13,680 --> 00:27:16,800
Speaker 1: Because I remember years ago you said you don't like

525
00:27:16,840 --> 00:27:20,000
Speaker 1: to say that you have friends in this music business.

526
00:27:20,920 --> 00:27:22,160
Speaker 2: Do you feel like you have friends?

527
00:27:22,280 --> 00:27:25,720
Speaker 3: Yeah, I've like, yeah, friends, our friends, our friends and

528
00:27:25,760 --> 00:27:30,800
Speaker 3: the music I have business friends of friends. Were you know,

529
00:27:30,960 --> 00:27:34,160
Speaker 3: does Carl and well a vibanting but my life don't

530
00:27:34,400 --> 00:27:38,800
Speaker 3: allow me to have too much like a personal type

531
00:27:38,800 --> 00:27:41,119
Speaker 3: of friend in the music because I am so busy

532
00:27:41,760 --> 00:27:44,840
Speaker 3: I can't get a play some footballer and some soccer

533
00:27:44,960 --> 00:27:48,359
Speaker 3: video that men. No, you know, it's rare. But I

534
00:27:48,400 --> 00:27:51,720
Speaker 3: have people where you know, you know, converse, you know,

535
00:27:52,119 --> 00:27:55,760
Speaker 3: we have a conversation and I might you know, record

536
00:27:55,840 --> 00:27:58,240
Speaker 3: a song as a hold this song, you know what

537
00:27:58,240 --> 00:28:04,800
Speaker 3: I mean. But in the music business, friends, friends is

538
00:28:05,000 --> 00:28:08,600
Speaker 3: very it's a hard word. It's a hard word, especially

539
00:28:08,800 --> 00:28:11,920
Speaker 3: dancer and reggae music people. It's very fragile. You know,

540
00:28:12,000 --> 00:28:15,639
Speaker 3: you make a decision for yourself and and you're not

541
00:28:16,160 --> 00:28:21,320
Speaker 3: you're you know, a individual don't included and they're just

542
00:28:21,760 --> 00:28:23,000
Speaker 3: don't do immediately.

543
00:28:23,960 --> 00:28:27,000
Speaker 1: So you know, how do you respond when your fans

544
00:28:27,000 --> 00:28:30,600
Speaker 1: because obviously you care about that. But your music it

545
00:28:30,720 --> 00:28:34,040
Speaker 1: doesn't always fit like a specific genre. It might not

546
00:28:34,200 --> 00:28:36,119
Speaker 1: even be it does. Sometimes it doesn't even sound like

547
00:28:36,160 --> 00:28:38,800
Speaker 1: a reggae or a dancehall song. It just is like

548
00:28:39,040 --> 00:28:40,960
Speaker 1: your own thing. Like you said, you kind of created

549
00:28:41,000 --> 00:28:42,040
Speaker 1: your own lane too.

550
00:28:42,480 --> 00:28:47,080
Speaker 3: Because after after after I'm doing my first hit song

551
00:28:47,200 --> 00:28:52,520
Speaker 3: is two years ago. It was a seventeen anniversary, like seventeen.

552
00:28:52,120 --> 00:28:55,400
Speaker 2: Years so after that, what is your first hit song.

553
00:28:55,520 --> 00:28:58,640
Speaker 3: My first hit song is stop vampy yourselo. They gonna

554
00:28:58,640 --> 00:29:04,080
Speaker 3: tell you what toda. So after I travel so much

555
00:29:04,440 --> 00:29:06,280
Speaker 3: and do it over and do it over, then you

556
00:29:06,440 --> 00:29:09,400
Speaker 3: find out that when I when I just get established,

557
00:29:09,520 --> 00:29:15,560
Speaker 3: my main audience was mostly male, like to me the

558
00:29:15,680 --> 00:29:19,280
Speaker 3: social commentary and you know male, and then it becomes

559
00:29:19,320 --> 00:29:21,360
Speaker 3: more female. So when I travel so much, you have

560
00:29:21,480 --> 00:29:28,120
Speaker 3: different diverse characteristics involved. So I look at my fans

561
00:29:28,120 --> 00:29:31,800
Speaker 3: and I said, my funds grow so I might sing

562
00:29:31,840 --> 00:29:34,160
Speaker 3: a song and the core fans say that is not

563
00:29:34,320 --> 00:29:37,840
Speaker 3: for us. So but the girls them like it. Are

564
00:29:38,440 --> 00:29:40,360
Speaker 3: these people like it? And I know why I do

565
00:29:40,440 --> 00:29:43,160
Speaker 3: it because I have all different type of funds. So

566
00:29:43,240 --> 00:29:45,280
Speaker 3: when I do dance, all my regga fans them don't

567
00:29:45,400 --> 00:29:49,040
Speaker 3: like it. Is that crazy regga funds them was like, yo,

568
00:29:49,200 --> 00:29:51,680
Speaker 3: we love you do dance. We like you to dancer,

569
00:29:51,720 --> 00:29:53,560
Speaker 3: but we like going to do reggae and I want

570
00:29:53,560 --> 00:29:55,680
Speaker 3: to do reggae dance fans and I say you we

571
00:29:55,840 --> 00:29:58,640
Speaker 3: like when I do reggae. What but what what happened

572
00:29:58,680 --> 00:30:03,040
Speaker 3: on that that might bless mate with with with with

573
00:30:03,280 --> 00:30:06,200
Speaker 3: the talent that I can do just as good, just

574
00:30:06,320 --> 00:30:09,160
Speaker 3: as good. So I just continue to do it and

575
00:30:09,360 --> 00:30:12,760
Speaker 3: then in the music. In the music, I don't have

576
00:30:12,920 --> 00:30:15,120
Speaker 3: like you don't have like ten artists like me because

577
00:30:15,160 --> 00:30:17,520
Speaker 3: I song, I can do a reggae song and I

578
00:30:17,640 --> 00:30:22,520
Speaker 3: sung totally different from a dancers song. You have artists who,

579
00:30:22,600 --> 00:30:24,520
Speaker 3: don't get me wrong, you have artists who do dancers

580
00:30:24,600 --> 00:30:28,320
Speaker 3: song and reggae song. Well you can't identify like from

581
00:30:28,360 --> 00:30:31,719
Speaker 3: you hear it, you know that's them. Yeah, and may

582
00:30:31,800 --> 00:30:35,720
Speaker 3: have songs that when you hear it you know no

583
00:30:35,920 --> 00:30:38,040
Speaker 3: one you know what I mean? So that's all creative

584
00:30:38,400 --> 00:30:38,680
Speaker 3: I am.

585
00:30:39,120 --> 00:30:39,520
Speaker 2: Yeah, you know.

586
00:30:39,640 --> 00:30:41,720
Speaker 1: One of my favorite songs is unfair Games. But of

587
00:30:41,760 --> 00:30:44,000
Speaker 1: course I'm like that fair Games.

588
00:30:44,400 --> 00:30:48,480
Speaker 3: Yeah, big of curvy, Yeah, big of curvy, big good

589
00:30:48,520 --> 00:30:50,960
Speaker 3: good production, and I mean big of favy producer work

590
00:30:51,160 --> 00:30:52,280
Speaker 3: and big up good good production.

591
00:30:52,640 --> 00:30:54,680
Speaker 2: Of course I like that because you know she talking

592
00:30:54,760 --> 00:30:55,680
Speaker 2: hers on there too.

593
00:30:56,120 --> 00:30:58,000
Speaker 3: Yes, you know, you know I did that song that

594
00:30:58,240 --> 00:31:01,040
Speaker 3: I did it by myself. I did the song by myself,

595
00:31:01,800 --> 00:31:05,080
Speaker 3: like write it and recorded and already man, the producer

596
00:31:05,280 --> 00:31:10,680
Speaker 3: was like, yo, you need a female exactly because what

597
00:31:10,800 --> 00:31:13,440
Speaker 3: you're saying, you can't really say that to you. So

598
00:31:13,760 --> 00:31:16,280
Speaker 3: you know, have you ever been cheated on a lot

599
00:31:16,360 --> 00:31:22,040
Speaker 3: of times, yo, when yo, when you are Gellius and

600
00:31:22,120 --> 00:31:24,080
Speaker 3: have more than one on one, come out right and

601
00:31:24,400 --> 00:31:26,560
Speaker 3: notice and then and then you're not You're not to

602
00:31:26,680 --> 00:31:29,360
Speaker 3: have time for me and no one right right because

603
00:31:29,400 --> 00:31:32,320
Speaker 3: you're so you're so, you're out in the world. You're

604
00:31:32,360 --> 00:31:33,080
Speaker 3: doing what you're doing.

605
00:31:33,320 --> 00:31:35,640
Speaker 2: Does it hurt your feelings when it happens to can

606
00:31:35,720 --> 00:31:37,160
Speaker 2: you be like? I deserve that?

607
00:31:38,840 --> 00:31:41,560
Speaker 3: I really did. I get that won that never deserved

608
00:31:41,560 --> 00:31:45,880
Speaker 3: though I guess that I was actually in the hearing it.

609
00:31:46,400 --> 00:31:51,880
Speaker 2: Wait what, no, slow down, please go back and tell

610
00:31:51,920 --> 00:31:52,480
Speaker 2: me the story.

611
00:31:53,840 --> 00:31:57,800
Speaker 3: So I met this girl, right, I met this girl, yo,

612
00:31:58,040 --> 00:32:01,959
Speaker 3: the tear. So I met this girl and she invited

613
00:32:02,000 --> 00:32:04,840
Speaker 3: me to our home. So I live in a different community,

614
00:32:05,040 --> 00:32:11,720
Speaker 3: so I went there. And when I went there, you know,

615
00:32:11,880 --> 00:32:14,680
Speaker 3: she says she lives. She and her mom live together,

616
00:32:14,800 --> 00:32:17,360
Speaker 3: but her mother gun, I works her mother, our mom

617
00:32:17,520 --> 00:32:21,400
Speaker 3: leave gun. So I went there hurly. So you know,

618
00:32:21,560 --> 00:32:24,760
Speaker 3: she was like, yo, you want some food. She got

619
00:32:24,840 --> 00:32:27,680
Speaker 3: to cook some food. Jo makers love cook. Okay, so

620
00:32:28,320 --> 00:32:30,960
Speaker 3: I actually take my take my money up my pocket

621
00:32:31,000 --> 00:32:33,800
Speaker 3: giver should go and buy what buy cook? I don't

622
00:32:33,840 --> 00:32:36,000
Speaker 3: really meet. So she cooked something different from me, all right,

623
00:32:36,040 --> 00:32:38,840
Speaker 3: that's nice. Yes, So you know she cooked the food

624
00:32:38,880 --> 00:32:42,240
Speaker 3: like don't playing and all these things and then greens,

625
00:32:42,280 --> 00:32:46,360
Speaker 3: and then she cooked me for herself and and I

626
00:32:46,560 --> 00:32:48,840
Speaker 3: was there, you know, and then I hear him. Then

627
00:32:48,880 --> 00:32:58,280
Speaker 3: I hear her. She said, oh, come come, leave, live, leave,

628
00:32:58,320 --> 00:33:01,160
Speaker 3: he's coming. I was like, who can you say? You

629
00:33:01,200 --> 00:33:03,960
Speaker 3: don't have no man? What are you talking about? But

630
00:33:04,600 --> 00:33:07,120
Speaker 3: toward all the all the buildings set up now is

631
00:33:07,200 --> 00:33:09,600
Speaker 3: one way in, one way out, so I can't come out.

632
00:33:09,880 --> 00:33:11,640
Speaker 3: Now you're in the closet, so may have a run.

633
00:33:11,760 --> 00:33:12,680
Speaker 3: Got under the bed.

634
00:33:13,400 --> 00:33:16,000
Speaker 2: Oh my god, this is like a movie. So you're

635
00:33:16,120 --> 00:33:19,400
Speaker 2: under the bed and the man reach.

636
00:33:19,840 --> 00:33:23,480
Speaker 3: The man was a soldier. So what happened? Now? He

637
00:33:24,360 --> 00:33:29,280
Speaker 3: he She think he was at work, but you know

638
00:33:29,440 --> 00:33:33,280
Speaker 3: him just pop up sudden you got papa because because

639
00:33:33,280 --> 00:33:34,320
Speaker 3: he's just a girl and him.

640
00:33:34,200 --> 00:33:35,000
Speaker 2: Have to write.

641
00:33:35,320 --> 00:33:39,840
Speaker 3: But she tell him that's her me and man, okay,

642
00:33:40,480 --> 00:33:43,560
Speaker 3: watch him does papa? So him pop up and he's

643
00:33:43,600 --> 00:33:46,560
Speaker 3: a soldier. I was like, yo, all right, then we

644
00:33:46,640 --> 00:33:51,560
Speaker 3: are pros and kinds and said, all right, listen, just

645
00:33:51,680 --> 00:33:53,360
Speaker 3: make sure she leave this house.

646
00:33:53,120 --> 00:33:55,480
Speaker 2: With with your life, right, you're right about that.

647
00:33:55,880 --> 00:33:59,680
Speaker 3: So I was there hyding under the bed and the

648
00:33:59,760 --> 00:34:02,800
Speaker 3: man come and said, and when the man entered.

649
00:34:02,720 --> 00:34:06,440
Speaker 2: The doors, babes cook, I got you some dumplings.

650
00:34:07,040 --> 00:34:08,800
Speaker 3: It might be a cook. So she mine was like,

651
00:34:08,880 --> 00:34:11,440
Speaker 3: so why is sher twol food? She was like yo,

652
00:34:12,560 --> 00:34:15,480
Speaker 3: oh man, you know we kid in. You're like, she

653
00:34:15,680 --> 00:34:18,960
Speaker 3: was like, yo, I cook this, and I then my

654
00:34:19,040 --> 00:34:21,719
Speaker 3: mind changed, so I just cooked that. So it's my

655
00:34:21,800 --> 00:34:24,480
Speaker 3: mind and you know that the man can see my

656
00:34:24,680 --> 00:34:25,319
Speaker 3: plate of food.

657
00:34:30,880 --> 00:34:32,759
Speaker 2: And you gotta sit here and listen to all this

658
00:34:33,840 --> 00:34:34,520
Speaker 2: under the bed.

659
00:34:34,680 --> 00:34:38,359
Speaker 3: And the man going out with some something then sex

660
00:34:38,440 --> 00:34:41,200
Speaker 3: the world entire night after Black Cork was like, yo,

661
00:34:42,440 --> 00:34:45,719
Speaker 3: you gotta kill me. Yeah?

662
00:34:46,120 --> 00:34:47,960
Speaker 2: Wow, story, So you had to be under the bed

663
00:34:48,040 --> 00:34:49,239
Speaker 2: the bed they were having sex on.

664
00:34:50,320 --> 00:34:53,840
Speaker 3: Yes, be right, because the bed is so why is

665
00:34:53,960 --> 00:34:56,520
Speaker 3: she why was she not inside the bed? Oh my?

666
00:34:56,680 --> 00:34:58,520
Speaker 1: Why was she not like yo, let's go out or

667
00:34:58,680 --> 00:35:00,520
Speaker 1: like she should have did something out of there so

668
00:35:00,640 --> 00:35:01,239
Speaker 1: you could get out.

669
00:35:01,280 --> 00:35:01,520
Speaker 2: I mean.

670
00:35:01,800 --> 00:35:06,600
Speaker 3: And then so this is like maybe six six pm

671
00:35:06,640 --> 00:35:10,359
Speaker 3: in the evening, six pm and then you know him

672
00:35:10,400 --> 00:35:16,120
Speaker 3: come and him leave like two three am in the morning.

673
00:35:16,280 --> 00:35:21,120
Speaker 3: So you know, the pressure woman got you like, you

674
00:35:21,200 --> 00:35:23,640
Speaker 3: know this is terrible, Yes, it's very terrible.

675
00:35:23,640 --> 00:35:25,239
Speaker 2: Did you take a nap under the bed at least?

676
00:35:25,320 --> 00:35:26,280
Speaker 3: Yeah, asleep?

677
00:35:27,960 --> 00:35:29,160
Speaker 2: What have you started snoring?

678
00:35:29,840 --> 00:35:31,240
Speaker 3: Yeah, I've never.

679
00:35:33,160 --> 00:35:33,399
Speaker 2: Quick.

680
00:35:34,320 --> 00:35:37,000
Speaker 3: Anyway, I'm going. And the girl when him leave, the

681
00:35:37,040 --> 00:35:37,560
Speaker 3: girls like.

682
00:35:39,400 --> 00:35:42,440
Speaker 2: She was like there's still food left. She was your life,

683
00:35:43,480 --> 00:35:44,160
Speaker 2: Oh my god.

684
00:35:44,239 --> 00:35:46,680
Speaker 3: And then when the man leave, now she'd go and

685
00:35:46,800 --> 00:35:49,880
Speaker 3: have a bat And then she was like, well she

686
00:35:50,040 --> 00:35:52,120
Speaker 3: never planned for it, and she should have told me

687
00:35:52,200 --> 00:35:55,120
Speaker 3: the truth. But if if me still will have sex

688
00:35:55,160 --> 00:35:57,760
Speaker 3: before we leave, that's a girl. Come like, you're crazy.

689
00:35:57,840 --> 00:35:59,880
Speaker 2: I can't believe you stayed while she took a shower.

690
00:36:00,120 --> 00:36:00,560
Speaker 2: Did all of that?

691
00:36:01,120 --> 00:36:03,320
Speaker 3: No, because it was two am and three am in

692
00:36:03,360 --> 00:36:07,359
Speaker 3: the morning and she living in a garrison community. Okay,

693
00:36:07,840 --> 00:36:11,080
Speaker 3: so I didn't want to walk from room because I

694
00:36:11,160 --> 00:36:13,960
Speaker 3: don't know it years, because I didn't want to walk

695
00:36:14,000 --> 00:36:16,839
Speaker 3: from to the bus stop. And then now because them

696
00:36:16,920 --> 00:36:18,879
Speaker 3: times I was taking the bus, so I didn't want

697
00:36:18,880 --> 00:36:20,879
Speaker 3: to walk from there to the bus stop. And then

698
00:36:21,719 --> 00:36:22,640
Speaker 3: anybody tried.

699
00:36:22,440 --> 00:36:24,960
Speaker 2: To hear you can't go to nobody's house after.

700
00:36:24,840 --> 00:36:29,600
Speaker 3: That, from that day in Jamaica, I went, I went

701
00:36:29,680 --> 00:36:32,800
Speaker 3: to the hardware store and I get four part loucks.

702
00:36:34,400 --> 00:36:36,680
Speaker 3: So if i'm if I'm talking to you, I'm not

703
00:36:36,840 --> 00:36:38,799
Speaker 3: coming to your home if if you don't have grill

704
00:36:38,880 --> 00:36:42,000
Speaker 3: on your home. I have grill, okay, So when I

705
00:36:42,160 --> 00:36:44,239
Speaker 3: come to you, I take off your part locks and

706
00:36:44,400 --> 00:36:48,520
Speaker 3: put right so anybody outside still tide when I'm leaving.

707
00:36:48,640 --> 00:36:50,080
Speaker 3: Then I took mine and put.

708
00:36:50,000 --> 00:36:52,120
Speaker 2: On in years so they step you from doing it.

709
00:36:52,200 --> 00:36:53,040
Speaker 2: You just had to go back.

710
00:36:53,239 --> 00:36:56,239
Speaker 3: No. Never, I never really do that but one until times.

711
00:36:56,239 --> 00:36:58,400
Speaker 3: But I never really do it after and then and

712
00:36:58,520 --> 00:37:01,759
Speaker 3: then it teached me a lot where teach my life

713
00:37:02,080 --> 00:37:03,320
Speaker 3: in a savage mood where.

714
00:37:03,360 --> 00:37:06,160
Speaker 2: Yeah, you don't trust women after something like that, and then.

715
00:37:06,120 --> 00:37:08,560
Speaker 3: May have this million a girl and I don't really

716
00:37:08,600 --> 00:37:11,440
Speaker 3: care about them, and that is I just do whatever

717
00:37:11,480 --> 00:37:14,360
Speaker 3: I want to do with them. And but then I

718
00:37:14,520 --> 00:37:16,480
Speaker 3: realized that hurt people. Hurt people.

719
00:37:16,840 --> 00:37:20,040
Speaker 1: You're right about that. That is quite a lesson to learn.

720
00:37:20,440 --> 00:37:23,720
Speaker 1: Not be honest. You didn't stay and do anything, No, okay,

721
00:37:23,840 --> 00:37:24,360
Speaker 1: I just want.

722
00:37:24,239 --> 00:37:28,960
Speaker 3: To make sure I was traumatized. Everyone's was a law.

723
00:37:30,880 --> 00:37:31,719
Speaker 2: It wouldn't even work.

724
00:37:32,360 --> 00:37:35,080
Speaker 3: You no go to work, good work, because I always

725
00:37:35,080 --> 00:37:39,160
Speaker 3: didn't get well. Like this man was maybe outside seeing me,

726
00:37:39,760 --> 00:37:41,120
Speaker 3: you know what I mean. So I was just speaking.

727
00:37:41,160 --> 00:37:42,000
Speaker 3: I was seeking somebody.

728
00:37:42,200 --> 00:37:44,239
Speaker 2: Thank God, you're alive, because that's the main thing.

729
00:37:44,640 --> 00:37:49,280
Speaker 3: And that more me into this individual where you know, yeah.

730
00:37:49,640 --> 00:37:50,640
Speaker 2: How did you get out of that?

731
00:37:50,880 --> 00:37:54,320
Speaker 1: Like? How are you able to trust now you know

732
00:37:54,440 --> 00:37:56,759
Speaker 1: from moving on past that? Or are you still not?

733
00:37:57,440 --> 00:38:04,040
Speaker 3: Yeah? Because because why not trust when you make mistakes

734
00:38:04,080 --> 00:38:08,200
Speaker 3: every day? Only a perfect person not supposed to trust.

735
00:38:09,880 --> 00:38:12,239
Speaker 3: That don't mean I didn't have to be protective or

736
00:38:13,560 --> 00:38:22,040
Speaker 3: aware and be wise and don't overapply yourself. But I'm

737
00:38:22,080 --> 00:38:24,680
Speaker 3: not the type of person where a million girls don't

738
00:38:24,760 --> 00:38:26,600
Speaker 3: do me something, but then a meet and then I

739
00:38:26,760 --> 00:38:30,080
Speaker 3: use that to judge you because you don't do me nothing,

740
00:38:30,520 --> 00:38:33,879
Speaker 3: you know what I mean? So words of other work

741
00:38:33,960 --> 00:38:37,840
Speaker 3: can sustain? Can I sustain in my work? So I

742
00:38:37,960 --> 00:38:41,400
Speaker 3: cannot use this. I know it's possible with you, and

743
00:38:41,520 --> 00:38:43,880
Speaker 3: I have to look out for it. But if I

744
00:38:44,080 --> 00:38:47,040
Speaker 3: use this to contual you, then I may become a

745
00:38:47,160 --> 00:38:51,640
Speaker 3: tyrant and countual in life. And here's an entity by yourself.

746
00:38:52,360 --> 00:38:55,920
Speaker 3: There's not a remote, it's not a TV. I'm not supposed.

747
00:38:56,920 --> 00:38:59,839
Speaker 3: I don't think I supposed a program yea, because if

748
00:38:59,880 --> 00:39:02,520
Speaker 3: I the programming to you for you be lial to me.

749
00:39:03,960 --> 00:39:08,680
Speaker 3: What about when I'm going for six month tour. Then

750
00:39:08,719 --> 00:39:10,800
Speaker 3: you have gotta mess up. So I want you to

751
00:39:10,880 --> 00:39:13,239
Speaker 3: do it naturally, you know what I mean. So I

752
00:39:13,360 --> 00:39:15,879
Speaker 3: can I use that to judge you, and I don't

753
00:39:15,920 --> 00:39:18,640
Speaker 3: really use people past to judge them. Everybody ever passed.

754
00:39:18,880 --> 00:39:21,040
Speaker 2: Yeah, imagine if people judge you by your parents.

755
00:39:21,120 --> 00:39:24,040
Speaker 3: Yeah, because my past was wild and violent and all

756
00:39:24,120 --> 00:39:24,759
Speaker 3: type of something.

757
00:39:25,000 --> 00:39:26,240
Speaker 2: You know, this feels like a movie.

758
00:39:26,600 --> 00:39:28,960
Speaker 3: Yes, was while I'm violent. So you have a lot

759
00:39:29,040 --> 00:39:32,000
Speaker 3: of girl who back in the past or have a

760
00:39:32,080 --> 00:39:36,800
Speaker 3: lot of sexual partners and analyst things where you know,

761
00:39:37,040 --> 00:39:38,560
Speaker 3: do the line. I end up talking to them and

762
00:39:38,640 --> 00:39:40,920
Speaker 3: then they be the best girl told me even do

763
00:39:41,120 --> 00:39:44,120
Speaker 3: them off that past day because everybody ever passed and

764
00:39:44,120 --> 00:39:46,400
Speaker 3: everybody got to a lot of things, and why there

765
00:39:46,560 --> 00:39:49,160
Speaker 3: was going tweet or the greatest thing is to learn

766
00:39:49,239 --> 00:39:50,880
Speaker 3: from it. You know.

767
00:39:52,160 --> 00:39:55,560
Speaker 1: All of this makes me think of the song Frozen Heart. Yes,

768
00:39:56,200 --> 00:39:58,479
Speaker 1: that you have talk to me about writing that song.

769
00:39:59,400 --> 00:40:02,200
Speaker 3: I don't really right, you know, you're just going and

770
00:40:02,520 --> 00:40:03,320
Speaker 3: just go in and do it.

771
00:40:04,040 --> 00:40:05,279
Speaker 2: What was on your mind that day.

772
00:40:08,320 --> 00:40:10,080
Speaker 3: It just depends on the vibe and we wake up

773
00:40:10,080 --> 00:40:13,080
Speaker 3: with coman is that you I can't see my later knowledge.

774
00:40:13,400 --> 00:40:15,839
Speaker 3: The greatest thing is to know right. So every day

775
00:40:15,840 --> 00:40:18,400
Speaker 3: I get up, I try to learn something new. I

776
00:40:18,440 --> 00:40:20,359
Speaker 3: don't try to try that farm my daughter. I learned

777
00:40:20,440 --> 00:40:23,560
Speaker 3: something right, So I just apply that to my life,

778
00:40:23,880 --> 00:40:25,759
Speaker 3: and then I might just wake up in our mood

779
00:40:25,800 --> 00:40:33,480
Speaker 3: where I was, I'm like, yo, them really then really overlooked,

780
00:40:33,760 --> 00:40:36,520
Speaker 3: like my talent and MA really overlook this, and so

781
00:40:36,800 --> 00:40:39,920
Speaker 3: might innother mood that we're you know, why people are

782
00:40:39,960 --> 00:40:42,480
Speaker 3: going to them, were over look this is the greatness,

783
00:40:42,640 --> 00:40:45,560
Speaker 3: like you know what I mean. And then I'll just

784
00:40:45,640 --> 00:40:49,040
Speaker 3: write a song towards that, and then sometimes I get

785
00:40:49,080 --> 00:40:50,920
Speaker 3: some riadims and the idea comes from.

786
00:40:50,800 --> 00:40:53,759
Speaker 1: The riadim, right, No, I mean the whole album I

787
00:40:53,880 --> 00:40:56,920
Speaker 1: Am Great? Did you get backlash from a title like that?

788
00:40:57,160 --> 00:41:00,680
Speaker 3: I mean I love it, yeah, man, because people don't

789
00:41:00,760 --> 00:41:04,640
Speaker 3: like when people don't like when it, especially Black people,

790
00:41:05,600 --> 00:41:10,640
Speaker 3: because we've been through so much things and we you know,

791
00:41:12,040 --> 00:41:13,920
Speaker 3: and we don't go to therapy for it, and we

792
00:41:14,000 --> 00:41:17,400
Speaker 3: don't you know, we don't relieve all of these stress

793
00:41:17,400 --> 00:41:19,759
Speaker 3: and we're coming from slavery with this will Lane scene

794
00:41:19,840 --> 00:41:24,040
Speaker 3: somewhere when I see you with the same color, the

795
00:41:24,280 --> 00:41:29,680
Speaker 3: same similar backgrown. Now you're from the black side, where

796
00:41:30,040 --> 00:41:37,279
Speaker 3: you're Mexican you're from that side, right. I want you

797
00:41:37,480 --> 00:41:40,640
Speaker 3: to be great, but not before me. Okay, I want

798
00:41:40,680 --> 00:41:42,920
Speaker 3: you to be rich, but not more than me. But

799
00:41:43,080 --> 00:41:45,400
Speaker 3: I can accept a different color, like a white person

800
00:41:45,480 --> 00:41:48,440
Speaker 3: to be rich, to be greater than me, and I

801
00:41:48,600 --> 00:41:51,000
Speaker 3: accept it. But once you look away that I don't

802
00:41:51,040 --> 00:41:54,520
Speaker 3: want it. And how do I feel? How do I

803
00:41:54,640 --> 00:41:56,440
Speaker 3: feel this way about it? And I don't know you?

804
00:41:56,880 --> 00:42:00,839
Speaker 3: So these are embedded insecurity. It's not you is insecurity.

805
00:42:00,920 --> 00:42:03,800
Speaker 3: That is embedded in me. Why I feel so about you?

806
00:42:03,880 --> 00:42:06,239
Speaker 3: I never do me nothing wrong, so I have to

807
00:42:06,360 --> 00:42:06,800
Speaker 3: fix that.

808
00:42:07,120 --> 00:42:10,080
Speaker 2: It's about yourself when you bring that out.

809
00:42:10,120 --> 00:42:12,840
Speaker 1: Kamala Harris running for president here in the United States,

810
00:42:13,560 --> 00:42:17,040
Speaker 1: and people will say that, you know, she's Jamaican and

811
00:42:17,280 --> 00:42:20,560
Speaker 1: she's Indian, but I've heard people say that she's not black,

812
00:42:20,719 --> 00:42:22,919
Speaker 1: and people will say that Jamaican is not black.

813
00:42:22,960 --> 00:42:27,200
Speaker 2: And I've never understood that you can be black and Jamaican.

814
00:42:27,320 --> 00:42:31,360
Speaker 3: You're black by the melanin in your skin and your derms.

815
00:42:31,760 --> 00:42:34,360
Speaker 3: It don't matter the bloodline and where're coming from because

816
00:42:34,400 --> 00:42:35,360
Speaker 3: you're on a Caucasian.

817
00:42:36,480 --> 00:42:39,160
Speaker 1: Right, It's always been like I don't I don't understand

818
00:42:39,239 --> 00:42:40,000
Speaker 1: this whole narrative.

819
00:42:40,160 --> 00:42:43,799
Speaker 3: Certain Puerto Rican you're black. Mexican, you're black. Africanis you're black.

820
00:42:43,840 --> 00:42:46,920
Speaker 3: You have different shades of black. And you don't necessarily

821
00:42:46,960 --> 00:42:50,160
Speaker 3: mean by your skin. You understanding the matter, which as

822
00:42:50,239 --> 00:42:54,240
Speaker 3: long as you come from if you come from people Morocca,

823
00:42:54,360 --> 00:42:56,560
Speaker 3: is in Africa, if you come from you're black. If

824
00:42:56,600 --> 00:43:00,920
Speaker 3: you come from this, you're black. You come these, you

825
00:43:01,040 --> 00:43:04,120
Speaker 3: are black people. Israelites, you are black people. You're black people.

826
00:43:04,160 --> 00:43:05,680
Speaker 3: Is just different shades and different.

827
00:43:05,960 --> 00:43:07,360
Speaker 2: There are white Jamaicans though.

828
00:43:10,560 --> 00:43:11,360
Speaker 3: White Jamaicans.

829
00:43:11,400 --> 00:43:13,319
Speaker 2: Well, you could be born in Jamaica and be white,

830
00:43:13,400 --> 00:43:14,400
Speaker 2: because then you'd be Jamaican.

831
00:43:14,719 --> 00:43:17,080
Speaker 3: Oh yeah, yeah, that's it. That's what if you have

832
00:43:17,120 --> 00:43:19,880
Speaker 3: a Jamaican peerent with no no, no, your crash like

833
00:43:19,920 --> 00:43:21,960
Speaker 3: Bob Marley have white and black and you know what

834
00:43:21,960 --> 00:43:24,480
Speaker 3: I mean. So, yeah, you're black, you're a black person.

835
00:43:24,680 --> 00:43:27,279
Speaker 2: What do you think of that Babe Maley movie? Did

836
00:43:27,360 --> 00:43:27,719
Speaker 2: you watch it?

837
00:43:28,160 --> 00:43:28,960
Speaker 3: No? I never watch it?

838
00:43:29,320 --> 00:43:31,319
Speaker 2: Okay, is there a reason why or do you want

839
00:43:31,360 --> 00:43:32,360
Speaker 2: to watch it? Or you just haven't.

840
00:43:32,600 --> 00:43:34,359
Speaker 3: I never watched it because I heard so much mixed

841
00:43:34,400 --> 00:43:38,160
Speaker 3: review and then another people said the story didn't really

842
00:43:38,440 --> 00:43:44,719
Speaker 3: give didn't really give Bob Maley the right Old look,

843
00:43:45,719 --> 00:43:49,680
Speaker 3: so the story was more from like Ziggy Miley perspective

844
00:43:49,719 --> 00:43:55,000
Speaker 3: and Maley perspective. So it's more like looking to Ruta

845
00:43:55,080 --> 00:43:58,520
Speaker 3: eyes and Ziggy Maley eyes than from Bob Maley perspective.

846
00:43:59,400 --> 00:44:03,320
Speaker 3: So it's like your child and your wife telling us story.

847
00:44:04,000 --> 00:44:09,600
Speaker 3: So it wasn't like from like right, so try so

848
00:44:10,440 --> 00:44:14,520
Speaker 3: it's so historical for us to we hear so much

849
00:44:14,640 --> 00:44:15,600
Speaker 3: mixed reviews like that.

850
00:44:15,840 --> 00:44:17,560
Speaker 1: It was hard because by Marley, there's so much you

851
00:44:17,600 --> 00:44:20,640
Speaker 1: can't even do a movie that's just yeah, a.

852
00:44:20,680 --> 00:44:23,239
Speaker 3: Lot of people saying that because people say a lot

853
00:44:23,280 --> 00:44:25,480
Speaker 3: of people saying, all right, but in Jamaica and get

854
00:44:25,560 --> 00:44:28,080
Speaker 3: your him, come to England, you know when you go

855
00:44:28,200 --> 00:44:30,239
Speaker 3: to England and just play some football and then come

856
00:44:30,320 --> 00:44:32,920
Speaker 3: back at your Maican, but may do a lot of

857
00:44:33,160 --> 00:44:36,799
Speaker 3: different greetings. So all these things don't incorporate into the thing.

858
00:44:36,920 --> 00:44:40,400
Speaker 3: And you know, addther kids them towards it exists and

859
00:44:41,000 --> 00:44:43,960
Speaker 3: you know everything. But this is the mixed review that

860
00:44:44,040 --> 00:44:47,600
Speaker 3: I heard never. I never really watched it for myself,

861
00:44:48,400 --> 00:44:50,400
Speaker 3: so I can't really give it. But he is a

862
00:44:50,480 --> 00:44:52,440
Speaker 3: great movie and I love Big.

863
00:44:53,880 --> 00:44:56,120
Speaker 1: Your own story too though, you know, even for you,

864
00:44:56,880 --> 00:44:58,480
Speaker 1: I think like you said a lot of people don't

865
00:44:58,520 --> 00:45:01,719
Speaker 1: know your full story, and you feel like it's time

866
00:45:01,800 --> 00:45:04,320
Speaker 1: now for you to be able to really start telling

867
00:45:04,360 --> 00:45:04,840
Speaker 1: that story.

868
00:45:05,440 --> 00:45:08,920
Speaker 3: Yeah, man, documented so people can learn from it. My story,

869
00:45:10,440 --> 00:45:12,640
Speaker 3: my story. Don't really have no pride in it. You know,

870
00:45:13,880 --> 00:45:15,640
Speaker 3: you don't really have no pride. I'll probably give your

871
00:45:15,719 --> 00:45:19,719
Speaker 3: bunches and limit you because pride are gonna make you

872
00:45:19,920 --> 00:45:23,880
Speaker 3: think that, oh, this person is gonna think this of me. Right,

873
00:45:24,560 --> 00:45:26,680
Speaker 3: but that person is still in the n X is

874
00:45:26,760 --> 00:45:30,000
Speaker 3: not That person is not God. So what you don't

875
00:45:30,040 --> 00:45:32,359
Speaker 3: care if they want to think this, boy, But your

876
00:45:32,440 --> 00:45:34,680
Speaker 3: story is supposed to impact a lot of people because

877
00:45:35,400 --> 00:45:39,480
Speaker 3: but Maley died thirty six and he's still the greatest artist.

878
00:45:39,600 --> 00:45:42,239
Speaker 1: Yeah, he's one of the biggest stars in the ever

879
00:45:42,520 --> 00:45:44,640
Speaker 1: in the way ever existed.

880
00:45:44,960 --> 00:45:47,440
Speaker 2: But Maley internationally, Maley is.

881
00:45:47,440 --> 00:45:52,520
Speaker 3: The biggest star that ever existed in music. And I'm

882
00:45:52,560 --> 00:45:55,360
Speaker 3: not speaking about fame wise. I have people bigger than

883
00:45:55,400 --> 00:45:59,560
Speaker 3: Bab Maley fame wise, but impact wise. But Maley is

884
00:45:59,600 --> 00:46:03,480
Speaker 3: a glue start impact wise. You have a lot of

885
00:46:03,520 --> 00:46:07,120
Speaker 3: start in America. Only beg in America, right, like huge

886
00:46:07,200 --> 00:46:09,359
Speaker 3: in America. When you come with America, they're like Ray,

887
00:46:09,719 --> 00:46:13,120
Speaker 3: I have a letter start big worldwide. But they said, oh,

888
00:46:13,160 --> 00:46:17,000
Speaker 3: Bob Maley impact the world. Bob Maley impact the world.

889
00:46:17,160 --> 00:46:22,919
Speaker 3: Every rap artists, every every calypse, every race, every race,

890
00:46:23,400 --> 00:46:26,600
Speaker 3: every every drawn romo place is in the world that

891
00:46:27,920 --> 00:46:30,440
Speaker 3: I don't know a lot a major star in America,

892
00:46:31,719 --> 00:46:32,160
Speaker 3: but they know.

893
00:46:32,680 --> 00:46:35,640
Speaker 2: They definitely do. He's got all didn't think coffee.

894
00:46:35,640 --> 00:46:40,800
Speaker 3: He's everywhere in the world. I said, Jamaica above Maley.

895
00:46:41,719 --> 00:46:43,600
Speaker 3: You know what I mean. And I think the government

896
00:46:43,680 --> 00:46:46,960
Speaker 3: of Jamaica should make Bob Malia nationally right now.

897
00:46:47,200 --> 00:46:49,040
Speaker 2: Yeah, yeah, absolutely.

898
00:46:50,040 --> 00:46:51,279
Speaker 1: You know what I want to ask you to with

899
00:46:51,360 --> 00:46:54,480
Speaker 1: your success, thinking about where you came from, with you know,

900
00:46:54,680 --> 00:46:57,720
Speaker 1: five of you, your mom, how did that impact the family,

901
00:46:57,960 --> 00:47:02,000
Speaker 1: Like how how were you able to to uh like

902
00:47:02,360 --> 00:47:04,480
Speaker 1: when you when you did get successful, talk to me

903
00:47:04,560 --> 00:47:07,960
Speaker 1: about getting your mom straight and getting the family straight,

904
00:47:07,960 --> 00:47:10,759
Speaker 1: because that's also difficult to when you're the one that's

905
00:47:10,800 --> 00:47:12,120
Speaker 1: really like making the money.

906
00:47:12,680 --> 00:47:17,640
Speaker 3: Yeah, money is nothing when they over there management money, yo,

907
00:47:17,800 --> 00:47:20,080
Speaker 3: trust me, money mean nothing to me. Watch my kids

908
00:47:20,080 --> 00:47:23,719
Speaker 3: straight and everybody straight and these things. You don't mean

909
00:47:23,760 --> 00:47:27,279
Speaker 3: nothing to me like that because when when I get

910
00:47:27,320 --> 00:47:30,960
Speaker 3: to establish, there's nothing too good forgive my family my mother,

911
00:47:31,080 --> 00:47:36,080
Speaker 3: my mom, my mom my mom. Literally like cook food

912
00:47:36,120 --> 00:47:39,080
Speaker 3: the people, just to send us the school so I

913
00:47:39,200 --> 00:47:42,640
Speaker 3: can repeat anything what you want anything with My kids

914
00:47:42,680 --> 00:47:45,600
Speaker 3: them want the people and that is connected to me,

915
00:47:45,640 --> 00:47:46,480
Speaker 3: even my enemies.

916
00:47:46,520 --> 00:47:49,440
Speaker 2: And you give your enemy staff stop it.

917
00:47:49,680 --> 00:47:51,800
Speaker 3: Yeah, man, God to feed them with a lang strap

918
00:47:51,880 --> 00:47:56,840
Speaker 3: because because because because who don't like you know, because

919
00:47:56,880 --> 00:48:02,640
Speaker 3: remember I don't think about today, think about twenty years after. Okay,

920
00:48:02,840 --> 00:48:04,640
Speaker 3: so who is the enemy today can be the best

921
00:48:04,680 --> 00:48:08,040
Speaker 3: friend twenty years after. So you have you are for

922
00:48:08,120 --> 00:48:09,680
Speaker 3: just continent a good all right?

923
00:48:09,719 --> 00:48:10,640
Speaker 2: How many kids do you have?

924
00:48:14,360 --> 00:48:19,799
Speaker 3: No number, no number, no number kids?

925
00:48:22,320 --> 00:48:24,640
Speaker 2: Okay, yeah, yeah, yeah, yeah yeah yeah.

926
00:48:24,680 --> 00:48:28,840
Speaker 3: When they're like what yeah you got my kids, we

927
00:48:28,960 --> 00:48:31,440
Speaker 3: got my son, you know what I mean?

928
00:48:31,840 --> 00:48:35,280
Speaker 1: Yeah yeah, Well listen, thank you so much for joining

929
00:48:35,840 --> 00:48:36,120
Speaker 1: me for.

930
00:48:37,680 --> 00:48:39,520
Speaker 2: It is always a pleasure to see you talk. And

931
00:48:40,480 --> 00:48:42,279
Speaker 2: you know, a new project on the way, what's coming on?

932
00:48:42,560 --> 00:48:46,200
Speaker 3: A new project will have we'll have us sang name

933
00:48:46,320 --> 00:48:49,120
Speaker 3: backers for the girl said, so the new the videos

934
00:48:49,160 --> 00:48:50,840
Speaker 3: coming out soon, look gord for that.

935
00:48:50,960 --> 00:48:52,000
Speaker 2: You got the clean versions?

936
00:48:52,200 --> 00:48:55,440
Speaker 3: Have the clean version. Yeah. And I also have a

937
00:48:55,480 --> 00:49:01,080
Speaker 3: reggae album that is finished, like completely done for twenty

938
00:49:01,200 --> 00:49:03,720
Speaker 3: I'm going to release it, you know, maybe January twenty

939
00:49:03,760 --> 00:49:05,319
Speaker 3: twenty five, twenty twenty five.

940
00:49:05,560 --> 00:49:07,200
Speaker 2: Why are you holding on so long for it?

941
00:49:07,560 --> 00:49:10,040
Speaker 3: Maybe? But I'm going to drop a single before that, okay,

942
00:49:10,080 --> 00:49:12,279
Speaker 3: And then you know, because I wanted nomine I want

943
00:49:12,360 --> 00:49:14,000
Speaker 3: to put it the right time so you can get

944
00:49:14,040 --> 00:49:15,080
Speaker 3: nominated for the Grammar.

945
00:49:15,160 --> 00:49:17,040
Speaker 2: Oh gotcha, Okay, I know when to.

946
00:49:17,080 --> 00:49:20,759
Speaker 3: Release music right. Yeah. And that album is a great

947
00:49:20,800 --> 00:49:24,120
Speaker 3: album of collaboration with Gentleman of Steve Maley and the

948
00:49:24,200 --> 00:49:26,880
Speaker 3: album of demark On, the album of pint On, the

949
00:49:26,960 --> 00:49:31,640
Speaker 3: album oh Wow. So yeah, man is a powerful album

950
00:49:31,760 --> 00:49:33,719
Speaker 3: for the reggae people and many people. Then we'll say

951
00:49:33,760 --> 00:49:35,360
Speaker 3: acting and we need that thing. So we have that

952
00:49:35,840 --> 00:49:37,080
Speaker 3: for the rest of year, and we're going to some

953
00:49:37,200 --> 00:49:39,080
Speaker 3: dance a music and just going you know, put on

954
00:49:39,200 --> 00:49:39,560
Speaker 3: some songs.

955
00:49:39,880 --> 00:49:40,520
Speaker 2: You could do it all.

956
00:49:40,600 --> 00:49:42,760
Speaker 3: Well, just do it all and then you know, look.

957
00:49:42,640 --> 00:49:45,040
Speaker 2: Out for that some Aprobast collaboration.

958
00:49:45,880 --> 00:49:48,440
Speaker 3: Have a new collaboration coming up with Stone Boil look

959
00:49:48,480 --> 00:49:51,319
Speaker 3: out for Oh okay, we like yes stone boy brother,

960
00:49:51,760 --> 00:49:52,239
Speaker 3: you know what I mean?

961
00:49:53,040 --> 00:49:55,360
Speaker 2: Said that the markt he's doing the Mark or.

962
00:49:55,440 --> 00:49:57,880
Speaker 3: Yes, the Bigger yourself and my brother that have a

963
00:49:58,000 --> 00:50:00,839
Speaker 3: new collaboration coming out with nice you boy.

964
00:50:01,160 --> 00:50:02,640
Speaker 2: Okay, we go up that.

965
00:50:02,760 --> 00:50:06,320
Speaker 3: You know, we have a collaboration with Cranny Clak you

966
00:50:06,400 --> 00:50:08,760
Speaker 3: know where do Wolper.

967
00:50:08,360 --> 00:50:10,040
Speaker 2: Work and do some more with the ladies too.

968
00:50:10,080 --> 00:50:13,040
Speaker 3: I like that, Yes, I like the ladies. Manale. We

969
00:50:13,080 --> 00:50:16,400
Speaker 3: have Wolper sang for the ladies, honey, no wonder for

970
00:50:16,440 --> 00:50:20,239
Speaker 3: the Monday and take care of the ladies then thank you. Yeah,

971
00:50:21,400 --> 00:50:27,920
Speaker 3: all right, that's love. Respect, respect, It's way up, way up.