1 00:00:00,680 --> 00:00:04,960 Speaker 1: From Hollywood. See you, thank you for listening to us 2 00:00:06,440 --> 00:00:15,160 Speaker 1: with Ryan Seacrest. Good morning. Today is National Buttered Corn Day. 3 00:00:15,520 --> 00:00:17,360 Speaker 1: I see that's one that I don't know. Do you 4 00:00:17,400 --> 00:00:20,960 Speaker 1: need that day? Do you need a day for buttered 5 00:00:22,160 --> 00:00:24,000 Speaker 1: I mean, look, no disrespect to the butter makers in 6 00:00:24,040 --> 00:00:29,560 Speaker 1: the corn growers, but a day this summer you should have. 7 00:00:29,640 --> 00:00:31,840 Speaker 1: We so we have these uh you buys when you 8 00:00:31,840 --> 00:00:35,760 Speaker 1: barbecue corn. We have these things you stick in the 9 00:00:36,520 --> 00:00:39,599 Speaker 1: like like a rolling pin in your mouth. Just roll 10 00:00:39,680 --> 00:00:41,519 Speaker 1: through those and I like my corn chart a little bit. 11 00:00:41,640 --> 00:00:46,680 Speaker 1: Oh me too, the best. Today, August twenty three is 12 00:00:46,680 --> 00:00:52,280 Speaker 1: the first day of school for el Unified from by 13 00:00:52,360 --> 00:00:55,560 Speaker 1: Fast also got a second date update this morning. We'll 14 00:00:55,600 --> 00:00:57,960 Speaker 1: tell you about that. That's gonna happen at seven twenty 15 00:00:58,320 --> 00:01:01,680 Speaker 1: Damnie Levado tickets post loan tickets every hour. It is 16 00:01:01,680 --> 00:01:04,360 Speaker 1: a Tuesday, which is the one of the more difficult 17 00:01:04,400 --> 00:01:06,080 Speaker 1: days to get through. We'll try and make it good 18 00:01:06,160 --> 00:01:08,480 Speaker 1: well and towards the end of August here and Tony, 19 00:01:08,560 --> 00:01:09,959 Speaker 1: you have a trending report coming up. What do you 20 00:01:09,959 --> 00:01:11,880 Speaker 1: got well? Since it's the start of a new school 21 00:01:11,920 --> 00:01:14,880 Speaker 1: year for some people, so why not get a little 22 00:01:15,160 --> 00:01:35,520 Speaker 1: advice from we s Witherspoon herself from West Come Here, 23 00:01:36,360 --> 00:01:49,960 Speaker 1: Come here next on air with Ryan Seacret, I don't know. 24 00:01:50,360 --> 00:01:52,800 Speaker 1: I love endorphin released a couple of minutes ago. There 25 00:01:53,560 --> 00:02:01,560 Speaker 1: Tuesday need that. Well, we do have one. Are you 26 00:02:01,640 --> 00:02:07,640 Speaker 1: convinced that you thought? You said? Reese Witherspoon said, we said, 27 00:02:09,000 --> 00:02:13,239 Speaker 1: it's so clear, But like what, because it's hard to 28 00:02:13,240 --> 00:02:16,240 Speaker 1: say times if you're if you're thinking fast. Often this 29 00:02:16,280 --> 00:02:18,240 Speaker 1: happens to me where my brain is on what I'm 30 00:02:18,240 --> 00:02:20,800 Speaker 1: gonna say, and you know, you know her name, so 31 00:02:20,800 --> 00:02:22,320 Speaker 1: you kind of focus on her name, you focus on 32 00:02:22,360 --> 00:02:30,600 Speaker 1: what you're about to say. Yeah, you skip, skip, she said, haven't, 33 00:02:30,600 --> 00:02:37,840 Speaker 1: I said with Georgia comely. Concerning we Witherspoon is in 34 00:02:37,880 --> 00:02:42,760 Speaker 1: the trend, Reeson Witherspoon is image reboard hard to say 35 00:02:42,880 --> 00:02:49,520 Speaker 1: if you're not paying attention yourself, I R Witherspoon, Well 36 00:02:49,560 --> 00:02:51,880 Speaker 1: what about her? I don't even know what we're talking about? Okay, 37 00:02:52,000 --> 00:02:55,040 Speaker 1: So you mentioned earlier we're entering into a new school year, 38 00:02:55,080 --> 00:02:57,400 Speaker 1: so people are starting a new grade or a new 39 00:02:57,480 --> 00:03:02,640 Speaker 1: chapter specifically today shout out to elsa unified. Yes, so um, 40 00:03:02,680 --> 00:03:04,880 Speaker 1: if you are doing that, I found something that I 41 00:03:04,919 --> 00:03:07,600 Speaker 1: think we all could think about going into this next chapter, 42 00:03:08,160 --> 00:03:11,960 Speaker 1: and it was from Reese witherspoon Um and kind of 43 00:03:12,000 --> 00:03:13,840 Speaker 1: something that she's learned over the years. She said, the 44 00:03:13,919 --> 00:03:16,839 Speaker 1: sooner you figure out that other people's opinions of you 45 00:03:16,960 --> 00:03:20,640 Speaker 1: are never your business, and it literally doesn't matter what 46 00:03:20,680 --> 00:03:24,880 Speaker 1: they think of you, you become free, totally free. And 47 00:03:24,919 --> 00:03:27,079 Speaker 1: I'm like, this goes into so many areas of life. 48 00:03:27,080 --> 00:03:29,400 Speaker 1: And I actually was thinking about you, Ryan, because you 49 00:03:29,400 --> 00:03:31,480 Speaker 1: always say you don't post stuff on Instagram because you 50 00:03:31,520 --> 00:03:34,120 Speaker 1: don't want to read the comments. So you're constantly worried 51 00:03:34,160 --> 00:03:41,040 Speaker 1: about other people's opinions. No, keep postment. Yeah, I postings 52 00:03:41,080 --> 00:03:43,480 Speaker 1: all the time. I just do not read the comments 53 00:03:43,520 --> 00:03:46,600 Speaker 1: intentionally because I don't need that anxiety. Okay, So, but 54 00:03:46,760 --> 00:03:51,600 Speaker 1: I need him in halls accuracy post more than like 55 00:03:51,640 --> 00:03:53,320 Speaker 1: the most out of the three best. Well, guess what 56 00:03:53,400 --> 00:03:57,680 Speaker 1: I have a meeting? Yeah no, no, no, You're gonna 57 00:03:57,680 --> 00:04:02,240 Speaker 1: start seeing some real content, to see some coffee content 58 00:04:02,520 --> 00:04:05,440 Speaker 1: and some food content. Dave and I have a meeting 59 00:04:05,720 --> 00:04:10,800 Speaker 1: a social media content. But okay, So what I'm saying is, okay, 60 00:04:11,000 --> 00:04:14,280 Speaker 1: take Ryan out of it. This anxiety plagues a lot 61 00:04:14,360 --> 00:04:16,400 Speaker 1: of people. They don't want to post uff. You have 62 00:04:16,480 --> 00:04:18,280 Speaker 1: to take me out of it. I do have what 63 00:04:18,320 --> 00:04:21,240 Speaker 1: you were saying, keep that because you think about what 64 00:04:21,279 --> 00:04:23,800 Speaker 1: other people are going to think about your photo or 65 00:04:23,839 --> 00:04:26,240 Speaker 1: your caption or what what you're doing, and people are 66 00:04:26,279 --> 00:04:29,320 Speaker 1: You're over analyzing what other people think. And it's like 67 00:04:29,360 --> 00:04:33,080 Speaker 1: if you took that chip out and just lived free, 68 00:04:33,160 --> 00:04:36,120 Speaker 1: could you imagine just being fully free? Yeah, we all 69 00:04:36,160 --> 00:04:40,159 Speaker 1: lived it before social media. No easier. We lived it easier. 70 00:04:40,160 --> 00:04:42,520 Speaker 1: But you know, in the Four Agreements, that simple book 71 00:04:42,520 --> 00:04:45,600 Speaker 1: that I love so much, he talks about that. Yeah, 72 00:04:46,720 --> 00:04:50,880 Speaker 1: you have it with you have it with me reading it. 73 00:04:51,640 --> 00:04:54,200 Speaker 1: Read the section, grab it, no, grab the section about 74 00:04:54,200 --> 00:04:58,120 Speaker 1: this what it's like, let's just let's live free. Uh, 75 00:04:58,160 --> 00:05:00,760 Speaker 1: it's the third or it's second. No, no no, go to 76 00:05:00,800 --> 00:05:02,840 Speaker 1: the table of contents and it should just give you 77 00:05:03,080 --> 00:05:07,680 Speaker 1: like the inn order. Mm hmmmm. But yes, you're right, 78 00:05:08,279 --> 00:05:11,560 Speaker 1: and those are very strong, powerful and accurate words. As 79 00:05:11,560 --> 00:05:14,039 Speaker 1: sooner you figure out that other people's opinions of you 80 00:05:14,160 --> 00:05:18,200 Speaker 1: are never your business. It doesn't matter what they think, 81 00:05:18,320 --> 00:05:20,440 Speaker 1: and true what they think is kind of on them, 82 00:05:20,480 --> 00:05:23,800 Speaker 1: Like why why does it influence us? It's on them, 83 00:05:23,839 --> 00:05:27,360 Speaker 1: it's their thought, it's their anxiety. It's their judgments, their opinion. 84 00:05:27,320 --> 00:05:30,240 Speaker 1: It shouldn't really you can't control it either, Yes, you 85 00:05:30,279 --> 00:05:32,680 Speaker 1: really can't. And like everybody's gonna have an opinion about something. 86 00:05:33,160 --> 00:05:34,760 Speaker 1: It's like, oh, you're posting too much about your boyfriend. 87 00:05:34,760 --> 00:05:36,440 Speaker 1: Oh you're posting to little Why aren't you posting his space? 88 00:05:36,440 --> 00:05:39,200 Speaker 1: It's like over social media and you don't care what 89 00:05:39,279 --> 00:05:41,520 Speaker 1: people think. No, I still do. Sometimes I'm like, no, 90 00:05:41,560 --> 00:05:43,160 Speaker 1: maybe I shouldn't. It's too much, it's too many, and 91 00:05:43,200 --> 00:05:45,000 Speaker 1: I'm like, no, I'm having such a good time. Go. 92 00:05:45,400 --> 00:05:47,320 Speaker 1: And as a parent, you think about this all the time. 93 00:05:47,360 --> 00:05:49,680 Speaker 1: Anytime I post stuff with the kids, I'm always thinking 94 00:05:49,680 --> 00:05:51,719 Speaker 1: I'm gonna get mom shamed for whatever, Like the car 95 00:05:51,760 --> 00:05:54,440 Speaker 1: seat strap isn't high enough on their armpits on their chest, 96 00:05:54,480 --> 00:05:56,280 Speaker 1: like whatever. It is like there's people that just come 97 00:05:56,279 --> 00:05:58,760 Speaker 1: out of the woodworks and just grind it out with you, 98 00:05:59,440 --> 00:06:02,160 Speaker 1: is it? It don't take anything personally? Is it that? 99 00:06:02,720 --> 00:06:05,600 Speaker 1: So just summarize or whatever happens around you, don't take 100 00:06:05,640 --> 00:06:08,760 Speaker 1: it personally. Using an earlier example, if I see you 101 00:06:08,839 --> 00:06:11,600 Speaker 1: on the street, I say, hey, you are so stupid 102 00:06:11,680 --> 00:06:14,159 Speaker 1: without knowing you. It's not about you, it's about me. 103 00:06:15,080 --> 00:06:17,120 Speaker 1: If you take it personally, then perhaps you believe that 104 00:06:17,160 --> 00:06:19,839 Speaker 1: you are stupid. Maybe you think it to yourself. How 105 00:06:19,880 --> 00:06:24,160 Speaker 1: does he know? And so it goes on basically time story, 106 00:06:24,360 --> 00:06:30,080 Speaker 1: Where's the Big Bad Wolf? I gotta tell you if 107 00:06:30,160 --> 00:06:32,440 Speaker 1: you this is such a well known book, and if 108 00:06:32,440 --> 00:06:36,800 Speaker 1: you've never picked it up, read it, get any book ordered. 109 00:06:37,320 --> 00:06:40,240 Speaker 1: It is by Don Miguel Ruiz and it is called 110 00:06:40,240 --> 00:06:45,000 Speaker 1: The Four Grams. It's amazing great. Um, Jeremy is on 111 00:06:45,040 --> 00:06:46,920 Speaker 1: the line for a second day up. They put on 112 00:06:46,960 --> 00:06:53,400 Speaker 1: your thinking caps here. If you have been out with 113 00:06:53,480 --> 00:06:56,479 Speaker 1: someone and you just thought, wow, this is called great 114 00:06:56,880 --> 00:07:02,400 Speaker 1: and then you hit a wall because it stops and 115 00:07:02,440 --> 00:07:04,240 Speaker 1: you can't figure out why. It's kind of why we 116 00:07:04,279 --> 00:07:07,240 Speaker 1: created this moment here called second date Update. But Jeremy's 117 00:07:07,240 --> 00:07:10,520 Speaker 1: in North Hollywood. So they went out a few weeks ago. Um, 118 00:07:10,560 --> 00:07:13,040 Speaker 1: she was with her friends, he was with his. I 119 00:07:13,080 --> 00:07:17,040 Speaker 1: guess they connected by making eyes. I never made eyes 120 00:07:17,720 --> 00:07:21,520 Speaker 1: and connected that way. I just feel uncomfortable. But Jeremy, 121 00:07:21,560 --> 00:07:25,840 Speaker 1: you did that. Yeah, you know, we just kind of 122 00:07:25,840 --> 00:07:28,400 Speaker 1: met eyes and it was like instant attraction. You know, 123 00:07:30,080 --> 00:07:33,160 Speaker 1: don't y'all look every time anybody were to look at me, 124 00:07:33,200 --> 00:07:38,080 Speaker 1: I look away always. You know, sometimes it could be intimidating, 125 00:07:38,120 --> 00:07:41,440 Speaker 1: but like if you really have that kind of connection 126 00:07:41,480 --> 00:07:43,920 Speaker 1: with somebody, which is why I'm calling, because like I 127 00:07:43,960 --> 00:07:46,040 Speaker 1: felt like it was such a I've never had something 128 00:07:46,120 --> 00:07:49,320 Speaker 1: quite like that before. She wa instant connection. Did you 129 00:07:49,360 --> 00:07:51,120 Speaker 1: I'm reading your email. Did you make out with her 130 00:07:51,200 --> 00:07:53,680 Speaker 1: there when you met her? Yeah, right in front of 131 00:07:53,680 --> 00:07:58,240 Speaker 1: her building on the first meeting. Yeah, I'm telling you. 132 00:07:58,280 --> 00:08:02,520 Speaker 1: It was lightning. Okay, that's fast. And then what happened 133 00:08:02,600 --> 00:08:07,640 Speaker 1: in your mind from there, well, everything went great. I'mlike 134 00:08:07,640 --> 00:08:10,080 Speaker 1: completely at a loss. We started m ng, it was 135 00:08:10,120 --> 00:08:14,200 Speaker 1: getting really flirty, it was really awesome. Like, I don't know, 136 00:08:14,280 --> 00:08:16,880 Speaker 1: I'm kind of like just at a loss of what happened. 137 00:08:19,040 --> 00:08:21,640 Speaker 1: I mean, there has to be she's dating somebody else 138 00:08:22,680 --> 00:08:25,960 Speaker 1: and she just no, no, no, no, no no, she's never 139 00:08:26,320 --> 00:08:29,560 Speaker 1: I just this is just me hypothesizing because you weren't there. Yeah. 140 00:08:29,600 --> 00:08:31,600 Speaker 1: I don't know them, um, but she probably is not 141 00:08:31,680 --> 00:08:37,160 Speaker 1: exclusive with a couple of people and pulling her a 142 00:08:37,160 --> 00:08:40,320 Speaker 1: little bit further along. Yeah. You know, I don't want 143 00:08:40,360 --> 00:08:42,839 Speaker 1: to believe that, but I can't deny that. That's crossed 144 00:08:42,880 --> 00:08:44,520 Speaker 1: my mind. All right, What you have to hold on 145 00:08:44,520 --> 00:08:45,840 Speaker 1: one second. Let's see what we can find it. We're 146 00:08:45,840 --> 00:08:48,520 Speaker 1: gonna get her on the line, so we're in a 147 00:08:48,520 --> 00:08:51,959 Speaker 1: second date. Update, Jeremy, hooked up, made out, whatever you 148 00:08:51,960 --> 00:08:55,800 Speaker 1: wanna call it. Hooked up is making out? Looked up? 149 00:08:55,840 --> 00:08:59,840 Speaker 1: Could be yea, you say we hooked up outside her, 150 00:08:59,840 --> 00:09:02,640 Speaker 1: aren't I hope that we all assume it was a kiss. 151 00:09:04,600 --> 00:09:09,280 Speaker 1: It's like it's like a square and a rectangle, right, 152 00:09:10,800 --> 00:09:15,200 Speaker 1: I don't know what the other, but it can be. Oh, 153 00:09:15,559 --> 00:09:22,120 Speaker 1: they're both, they're both shapes. No, I think what is it? 154 00:09:22,160 --> 00:09:24,000 Speaker 1: My rectangle can be a square, but square can be 155 00:09:24,040 --> 00:09:28,959 Speaker 1: a rectangle. I believe that's correct us that knowledge in 156 00:09:29,000 --> 00:09:32,800 Speaker 1: a long time. But you see, there's an umbrella theme. 157 00:09:32,960 --> 00:09:35,440 Speaker 1: So hooking up could be many many many things would 158 00:09:35,480 --> 00:09:39,439 Speaker 1: be as as many bases basis the shapes. But yeah, 159 00:09:39,440 --> 00:09:42,760 Speaker 1: I lost myself. Actually, uh, fifth graders could call me 160 00:09:42,840 --> 00:09:45,760 Speaker 1: and correct me right now. Anyway, So we've got to 161 00:09:45,840 --> 00:09:47,600 Speaker 1: live you on the line. Let me get to Jeremy 162 00:09:47,640 --> 00:09:49,960 Speaker 1: to tell him. Jeremy, we have Olivia that you met 163 00:09:50,600 --> 00:09:52,840 Speaker 1: that you guys connected with. You said it was lightning. 164 00:09:52,840 --> 00:09:54,720 Speaker 1: You made out at noh day and then she blew 165 00:09:54,760 --> 00:09:56,360 Speaker 1: you off. You were dem in for a while and it 166 00:09:56,320 --> 00:09:59,080 Speaker 1: it was going great. But now she's totally stopped. Tanya 167 00:09:59,160 --> 00:10:02,880 Speaker 1: thinks because she's got another dude or two. So hold 168 00:10:02,920 --> 00:10:05,720 Speaker 1: for a second. We have the key. Jeremy here is 169 00:10:06,240 --> 00:10:09,120 Speaker 1: no matter what you feel, are here. Try to be 170 00:10:09,200 --> 00:10:12,760 Speaker 1: very quiet until we bring you in. Okay, okay, sounds good. 171 00:10:12,840 --> 00:10:15,319 Speaker 1: Here we go, Jeremy. I'm gonna bring her und Olivia. 172 00:10:15,440 --> 00:10:20,720 Speaker 1: How are you? I'm all right? How are you? Thank 173 00:10:20,760 --> 00:10:22,400 Speaker 1: you for agreeing to come on? Let me just jump 174 00:10:22,480 --> 00:10:26,320 Speaker 1: into it. We're calling you about a guy that you 175 00:10:26,440 --> 00:10:31,080 Speaker 1: met named Jeremy in North Hollywood. Apparently you guys connected 176 00:10:31,120 --> 00:10:35,800 Speaker 1: while you're out. Yeah, I totally remember him. I was 177 00:10:36,160 --> 00:10:39,800 Speaker 1: really into him. So you say, was what happened? Why 178 00:10:39,840 --> 00:10:43,960 Speaker 1: were you into him? Um? I mean we just had 179 00:10:44,040 --> 00:10:47,400 Speaker 1: like a connection right away. I really put myself out there, 180 00:10:47,440 --> 00:10:52,559 Speaker 1: but he was he was not as into me. Um, 181 00:10:52,600 --> 00:10:55,560 Speaker 1: So how do you determine that? Like what made you 182 00:10:55,640 --> 00:10:59,640 Speaker 1: feel he's just not that into you? I mean I 183 00:10:59,760 --> 00:11:01,640 Speaker 1: just I got the feeling I was like one one 184 00:11:01,679 --> 00:11:06,640 Speaker 1: of many girls and like a long line, Um, it 185 00:11:06,760 --> 00:11:13,800 Speaker 1: was I kind of put myself out there and was yeah, 186 00:11:13,920 --> 00:11:17,839 Speaker 1: and it was not. I don't Yeah, did you guys 187 00:11:17,880 --> 00:11:23,720 Speaker 1: connect afterwards in any way or what's happened since? Um? Yeah, 188 00:11:23,800 --> 00:11:28,760 Speaker 1: we exchanged a lot of messages back and forth. Um, 189 00:11:28,960 --> 00:11:32,680 Speaker 1: and then I put myself out there and she kind 190 00:11:32,679 --> 00:11:35,079 Speaker 1: of it was I don't know it was did he 191 00:11:35,559 --> 00:11:39,600 Speaker 1: hold on? Did he put you up to this? Well? 192 00:11:39,600 --> 00:11:41,880 Speaker 1: I can't say it's just random that I'm calling you 193 00:11:41,920 --> 00:11:47,000 Speaker 1: with all this information. Yeah, I mean, like, Olivia, I 194 00:11:47,040 --> 00:11:50,600 Speaker 1: just want to say that I'm beginning to feel very happy, 195 00:11:50,760 --> 00:11:53,520 Speaker 1: and it's because I do have Jeremy on the line. 196 00:11:53,640 --> 00:11:55,280 Speaker 1: And I'm just going to tell you right now that 197 00:11:55,360 --> 00:11:59,440 Speaker 1: Jeremy feels all this way about you. I mean, this 198 00:11:59,559 --> 00:12:02,040 Speaker 1: is the thing about dating and not being able to 199 00:12:02,040 --> 00:12:05,520 Speaker 1: talk because it's also new. He's into you, you're into him, 200 00:12:05,520 --> 00:12:07,800 Speaker 1: but both of you think the others not Jeremy and 201 00:12:09,800 --> 00:12:12,400 Speaker 1: absolutely Olivia, Like, I don't. I don't know what I 202 00:12:12,400 --> 00:12:15,679 Speaker 1: did to make you feel that way, But I'm sorry, 203 00:12:15,760 --> 00:12:19,760 Speaker 1: I'm not. I really like you a lot. Wait, Jeremy, 204 00:12:19,760 --> 00:12:24,079 Speaker 1: I'm sorry. Why would you reject me and humiliate me 205 00:12:24,200 --> 00:12:28,079 Speaker 1: and then call a radio station to track me down? 206 00:12:28,520 --> 00:12:32,000 Speaker 1: This does not make any sense. Oh my god, Like, 207 00:12:32,040 --> 00:12:34,760 Speaker 1: I'm so confused. What what did I do? I mean, 208 00:12:35,040 --> 00:12:37,720 Speaker 1: I wouldn't go through all the trouble, like, you know, 209 00:12:38,120 --> 00:12:40,240 Speaker 1: how did he reject you? What do you mean happened? 210 00:12:41,000 --> 00:12:45,040 Speaker 1: Come on, dude, Come on, like, come on, what happened? 211 00:12:45,040 --> 00:12:48,720 Speaker 1: What happened? Jeremy? What don't we know? I'm not sure either. 212 00:12:48,760 --> 00:12:56,960 Speaker 1: I'm actually tell us you're gonna make me say it. Yeah, 213 00:12:57,040 --> 00:12:58,960 Speaker 1: I don't. I really, I don't know what's going on. 214 00:13:00,480 --> 00:13:07,839 Speaker 1: I sent you a nude? What a nude? I think, dude? 215 00:13:07,960 --> 00:13:14,480 Speaker 1: And you never responded, Oh my god, I didn't get Look, 216 00:13:14,520 --> 00:13:17,000 Speaker 1: I would have remembered that I did not see it. 217 00:13:17,040 --> 00:13:20,640 Speaker 1: I swear, yes, you did. You had to have seen it. 218 00:13:20,800 --> 00:13:22,800 Speaker 1: You you have to cap it to make it show up. 219 00:13:22,840 --> 00:13:26,120 Speaker 1: And it's said that you'd read it. Oh no. The 220 00:13:26,200 --> 00:13:28,240 Speaker 1: next day you were just like, how is your day going? 221 00:13:28,440 --> 00:13:33,040 Speaker 1: Clearly you're getting them all the time. Oh my god. 222 00:13:33,120 --> 00:13:35,520 Speaker 1: Like I'm actually kind of like shocked. I mean, it 223 00:13:35,600 --> 00:13:37,800 Speaker 1: must have been some weird thing with the phone or 224 00:13:37,840 --> 00:13:43,320 Speaker 1: like my WiFi, I mean, my weird stuff. I wait, Olivia, 225 00:13:43,320 --> 00:13:47,560 Speaker 1: are you sure you sent it to the right Jeremy. No, 226 00:13:47,880 --> 00:13:54,360 Speaker 1: I definitely sent it to Jeremy. I have approached approach history. 227 00:13:54,559 --> 00:13:58,080 Speaker 1: Jeremy sending her nude and let her respond and let's 228 00:13:58,080 --> 00:14:01,800 Speaker 1: start from scratch. Answer. I mean, I don't hate it. 229 00:14:01,960 --> 00:14:07,560 Speaker 1: I don't hate it, Jeremy, do fire up your ring light. 230 00:14:07,720 --> 00:14:12,400 Speaker 1: Let's get you know, listening, getting new together, make a 231 00:14:12,440 --> 00:14:15,520 Speaker 1: new I mean you know that sounds good to me. 232 00:14:15,720 --> 00:14:19,000 Speaker 1: I swear I would have remembered. And then I'm going 233 00:14:19,040 --> 00:14:22,880 Speaker 1: to respond with how is your day? Yes, and then 234 00:14:24,800 --> 00:14:27,080 Speaker 1: I will say it was excellent because I saw some 235 00:14:27,160 --> 00:14:32,280 Speaker 1: things I wanted to see and listen, Jeremy, Olivia, this 236 00:14:32,360 --> 00:14:34,280 Speaker 1: is why we do second date update, because you know 237 00:14:34,360 --> 00:14:37,360 Speaker 1: sometimes it's difficult. Now you're gonna look back and laugh 238 00:14:37,400 --> 00:14:41,000 Speaker 1: about this story once you're dating. Oh my god, I 239 00:14:41,040 --> 00:14:44,240 Speaker 1: can't believe. So you never saw you. Gotta check your history, 240 00:14:44,280 --> 00:14:48,480 Speaker 1: make sure you I would not. I'm so sorry. I 241 00:14:48,520 --> 00:14:51,080 Speaker 1: would not have rejected you like that. Guy's enough with us. 242 00:14:51,080 --> 00:14:53,440 Speaker 1: You've worked to do, Jeremy. Thank you very much, Olivia, 243 00:14:53,560 --> 00:15:04,320 Speaker 1: and congratulations on air with Ryan Seacrest. So. Dr Anthony Fauci, 244 00:15:04,360 --> 00:15:08,280 Speaker 1: the nation's top infectious disease expert, announced yesterday he will 245 00:15:08,360 --> 00:15:11,720 Speaker 1: leave the federal government in December after more than five 246 00:15:11,840 --> 00:15:14,800 Speaker 1: decades of service. As of December, he will leave the 247 00:15:14,800 --> 00:15:17,440 Speaker 1: position he's held for what thirty eight years as a 248 00:15:17,480 --> 00:15:21,320 Speaker 1: director of the National Institute of Allergy and Infectious Diseases, 249 00:15:21,600 --> 00:15:23,960 Speaker 1: as well as his role as Chief Medical advisor to 250 00:15:24,040 --> 00:15:27,440 Speaker 1: President Joe Biden. In announcing his departure, the eighty one 251 00:15:27,520 --> 00:15:30,560 Speaker 1: year old Fauci called his roles the honor of a lifetime, 252 00:15:30,840 --> 00:15:33,400 Speaker 1: but said it was time to pursue the next chapter 253 00:15:33,600 --> 00:15:37,320 Speaker 1: of his career. Crypto dot Com Arena, the home of 254 00:15:37,360 --> 00:15:41,800 Speaker 1: the Los Angeles Lakers, Clippers, Kings and Sparks and formally 255 00:15:41,840 --> 00:15:45,200 Speaker 1: known as Staples Center, will undergo a series of renovations 256 00:15:45,200 --> 00:15:47,400 Speaker 1: and upgrades over the coming years in an effort to 257 00:15:47,560 --> 00:15:51,800 Speaker 1: improve the visitor experience. The series of upgrades are expected 258 00:15:51,880 --> 00:15:56,520 Speaker 1: to be completed by late four The arena will remain 259 00:15:56,560 --> 00:15:59,240 Speaker 1: open throughout the course of construction to ensure that we 260 00:15:59,240 --> 00:16:02,640 Speaker 1: can all continue to enjoy it. In the meantime. Scott 261 00:16:02,720 --> 00:16:07,040 Speaker 1: Dissi crashed his Lamborghini SUV and Calabasas over the weekend 262 00:16:07,120 --> 00:16:10,720 Speaker 1: and suffered minor injuries. The primary cause of the traffic 263 00:16:10,760 --> 00:16:15,640 Speaker 1: collision was reported at least speed and Disneyland Monorail is 264 00:16:15,800 --> 00:16:18,880 Speaker 1: back in service for the first time since the start 265 00:16:18,960 --> 00:16:22,600 Speaker 1: of the pandemic. According to Disneyland's website, guests can ride 266 00:16:22,640 --> 00:16:26,440 Speaker 1: the monorail until eleven pm at night, and early entry 267 00:16:26,480 --> 00:16:30,840 Speaker 1: starts as early as seven thirty in the morning. On 268 00:16:31,040 --> 00:16:38,520 Speaker 1: air with Ryan Seacrets, let's get to Isabel and Montebello. So, Isabel, 269 00:16:38,640 --> 00:16:42,280 Speaker 1: how are you? It's Ryan's Hisney and Tanya. Okay, I'm good. 270 00:16:42,280 --> 00:16:45,240 Speaker 1: How are you guys? Good morning, We're doing well. Now 271 00:16:45,280 --> 00:16:49,720 Speaker 1: as this say, I need to understand which um advice 272 00:16:49,760 --> 00:16:56,760 Speaker 1: cap we're wearing? Is this a wedding advice cap? Yeah? Okay, 273 00:16:57,600 --> 00:17:02,560 Speaker 1: So what happened? So one of my best friends from 274 00:17:02,600 --> 00:17:07,200 Speaker 1: college was supposed to get married last December and um 275 00:17:07,240 --> 00:17:10,800 Speaker 1: so basically like a few weeks before the wedding date, 276 00:17:10,880 --> 00:17:13,040 Speaker 1: we all got an email saying that it was off 277 00:17:13,560 --> 00:17:16,800 Speaker 1: and that they broke up and so like I felt 278 00:17:16,880 --> 00:17:20,760 Speaker 1: really bad for her, but like we haven't been that 279 00:17:21,080 --> 00:17:23,919 Speaker 1: close in the last few years, so I kind of 280 00:17:23,960 --> 00:17:29,359 Speaker 1: like kept my distance. But anyways, I sent them a gift. Yeah, 281 00:17:29,480 --> 00:17:32,080 Speaker 1: actually I sent them a carbon steel fine pand it 282 00:17:32,160 --> 00:17:35,359 Speaker 1: was like ducks. So like, as far as I can tell, like, 283 00:17:36,200 --> 00:17:39,160 Speaker 1: I think she kept the pans because like I definitely 284 00:17:39,160 --> 00:17:42,240 Speaker 1: have not gotten them back, and I didn't want to 285 00:17:42,240 --> 00:17:46,240 Speaker 1: say anything because like obviously, like that's super devastating, right, 286 00:17:46,960 --> 00:17:51,080 Speaker 1: and um, I don't want to like even sensitive, but 287 00:17:51,160 --> 00:17:55,879 Speaker 1: like it's been well, it's been six months, Like do 288 00:17:56,000 --> 00:17:58,280 Speaker 1: I bring it up or do I just like kind 289 00:17:58,280 --> 00:18:01,119 Speaker 1: of like take my eyes and you know for a 290 00:18:01,119 --> 00:18:03,040 Speaker 1: fact it has not been returned on your credit card 291 00:18:03,080 --> 00:18:07,920 Speaker 1: like you've seen for the last six months. You're sure, right, No, yeah, definitely, 292 00:18:08,280 --> 00:18:11,440 Speaker 1: I would is about here's the way I gotta look 293 00:18:11,480 --> 00:18:16,960 Speaker 1: at it for you. I think you went into the 294 00:18:17,000 --> 00:18:20,520 Speaker 1: purchase knowing you were going to give it to the couple, 295 00:18:20,600 --> 00:18:22,440 Speaker 1: but knowing you were not going to get it back 296 00:18:22,600 --> 00:18:24,840 Speaker 1: or get a credit or get it for yourself. You 297 00:18:24,920 --> 00:18:29,480 Speaker 1: knew you were gonna give it away, right, So I 298 00:18:29,520 --> 00:18:32,439 Speaker 1: think you've got to keep that mindset because it sounds 299 00:18:32,440 --> 00:18:36,560 Speaker 1: like your friends going through it and you had already 300 00:18:36,600 --> 00:18:38,960 Speaker 1: decided in your mind that you were giving it as 301 00:18:39,040 --> 00:18:41,280 Speaker 1: a gift. It didn't end up in the two hands 302 00:18:41,440 --> 00:18:44,119 Speaker 1: four hands that you thought it would, but it is 303 00:18:44,160 --> 00:18:46,440 Speaker 1: with your friend whose wedding gut called off at the 304 00:18:46,520 --> 00:18:50,080 Speaker 1: last minute. I don't think you called to ask for 305 00:18:50,119 --> 00:18:53,800 Speaker 1: a back, No, you don't do that. Plus you don't 306 00:18:53,800 --> 00:18:55,840 Speaker 1: even know like how this was handled. Maybe she was 307 00:18:55,880 --> 00:18:57,840 Speaker 1: so devastated she gave all the gifts to her parents 308 00:18:57,840 --> 00:18:59,240 Speaker 1: and she's like, can you guys deal with it? And 309 00:18:59,240 --> 00:19:05,159 Speaker 1: then they never did. You know, who knows the intent 310 00:19:05,320 --> 00:19:07,080 Speaker 1: going in was you were going to give it away? 311 00:19:07,280 --> 00:19:10,879 Speaker 1: It's away? What if opening the gifts made her like 312 00:19:10,960 --> 00:19:13,199 Speaker 1: brought her so much joy in that moment? Know who 313 00:19:13,240 --> 00:19:15,320 Speaker 1: opens the gifts and brings joy? If you called the 314 00:19:15,320 --> 00:19:18,359 Speaker 1: wedding no, I probably would really, Oh my gosh, I'd 315 00:19:18,359 --> 00:19:20,439 Speaker 1: be like devastated. Yeah, I would do anything to make 316 00:19:20,480 --> 00:19:25,200 Speaker 1: me happy. That would make me sad. So it's about 317 00:19:25,240 --> 00:19:26,600 Speaker 1: I don't know ifindly what you want to hear, but 318 00:19:26,640 --> 00:19:30,199 Speaker 1: I think that's like probably the right thing to do. 319 00:19:30,720 --> 00:19:35,520 Speaker 1: If you want to push it, then nuts on you. Yeah, 320 00:19:35,560 --> 00:19:38,520 Speaker 1: I mean it's supposed to be for both of them, 321 00:19:38,560 --> 00:19:41,920 Speaker 1: you know, and it's like like divorced, like who keeps 322 00:19:41,960 --> 00:19:46,880 Speaker 1: the gifts? Like you know what I mean? Like it's 323 00:19:46,920 --> 00:19:51,840 Speaker 1: a bad, uncomfortable, unfortunate situation for everybody involved, but worse 324 00:19:51,960 --> 00:19:58,000 Speaker 1: I think for your friend. Yeah, yeah, all right, I guess, okay, 325 00:19:58,160 --> 00:20:00,280 Speaker 1: you're paying it forward. Thank you? As about for call it? 326 00:20:03,440 --> 00:20:05,520 Speaker 1: I mean you wonder what happened there at the last 327 00:20:05,520 --> 00:20:13,560 Speaker 1: minute right show before we go on last hour, we 328 00:20:13,680 --> 00:20:18,040 Speaker 1: did a great trending report on some stage guidance from 329 00:20:18,080 --> 00:20:20,400 Speaker 1: I guess did you read that somewhere? Reese? Withersmith said 330 00:20:20,400 --> 00:20:24,360 Speaker 1: that what was that guidance? It was standby, I don't 331 00:20:24,359 --> 00:20:28,040 Speaker 1: want to misquote Reese. Why not get a little advice 332 00:20:28,119 --> 00:20:33,000 Speaker 1: from Weese Witherspoon herself. She said she didn't say it, 333 00:20:33,119 --> 00:20:36,320 Speaker 1: she did. I knew we heard it. What's happened to 334 00:20:36,320 --> 00:20:39,760 Speaker 1: me so many times with different things where just like 335 00:20:40,840 --> 00:20:45,560 Speaker 1: just the wrong continant comes out. Wow, it happens the 336 00:20:45,640 --> 00:20:48,199 Speaker 1: sooner you figure out that other people's opinions of you 337 00:20:48,240 --> 00:20:51,199 Speaker 1: are never your business, and it literally doesn't matter what 338 00:20:51,240 --> 00:20:54,639 Speaker 1: they think of you. You become free. And I said, 339 00:20:54,960 --> 00:20:59,000 Speaker 1: that's so true. It's hard to do. But Don Miguel 340 00:20:59,119 --> 00:21:02,159 Speaker 1: Ruiz wrote about it in The Four Agreements, which is 341 00:21:02,200 --> 00:21:07,239 Speaker 1: a great book to read and reread. And I know 342 00:21:07,359 --> 00:21:10,080 Speaker 1: because I'm trying to reread it and I'm like, I 343 00:21:10,080 --> 00:21:11,639 Speaker 1: don't know something. I had me put it in my 344 00:21:11,640 --> 00:21:13,960 Speaker 1: purse this morning, like like I'm going to have time 345 00:21:14,000 --> 00:21:20,679 Speaker 1: today that comes up on what is today? August? This 346 00:21:20,760 --> 00:21:26,399 Speaker 1: comes up body doubling. Now I'm confused. With AI and 347 00:21:28,000 --> 00:21:32,080 Speaker 1: way too intense. There has nothing to do with that intense. Okay, 348 00:21:32,240 --> 00:21:34,240 Speaker 1: school's back in session for most people at L A U, 349 00:21:34,320 --> 00:21:36,040 Speaker 1: s D and a bunch of other districts and whatnot. 350 00:21:36,040 --> 00:21:39,120 Speaker 1: So if you have a hard time studying, this actually 351 00:21:39,160 --> 00:21:41,560 Speaker 1: could be working for you. It's called body doubling. It's 352 00:21:41,600 --> 00:21:45,520 Speaker 1: when another person works simultaneously with you, either in the 353 00:21:45,560 --> 00:21:49,800 Speaker 1: same room or virtually so sometimes it's called an accountability 354 00:21:49,840 --> 00:21:53,520 Speaker 1: buddy or for example, like maybe you're somebody that works 355 00:21:53,520 --> 00:21:55,520 Speaker 1: from home, but you tend to go to a coffee 356 00:21:55,520 --> 00:21:57,320 Speaker 1: shop just to be surrounded by other people that are 357 00:21:57,320 --> 00:21:59,840 Speaker 1: on their laptops. You get to work out of the 358 00:22:00,040 --> 00:22:03,080 Speaker 1: him with other people versus working out on your own 359 00:22:03,200 --> 00:22:05,639 Speaker 1: or alone at home. And when I mentioned that you 360 00:22:05,640 --> 00:22:08,600 Speaker 1: can do this virtually, there are hundreds and thousands of 361 00:22:08,680 --> 00:22:11,280 Speaker 1: videos on YouTube that you can find of people just studying, 362 00:22:11,400 --> 00:22:13,680 Speaker 1: like they're just staring at the computer. They don't say 363 00:22:13,680 --> 00:22:15,480 Speaker 1: anything for an hour and a half in the video 364 00:22:15,520 --> 00:22:17,400 Speaker 1: and you just play the video. A lot of gen 365 00:22:17,520 --> 00:22:20,159 Speaker 1: z ears do this to study, and they'll have a 366 00:22:20,240 --> 00:22:24,400 Speaker 1: laptop with a stranger that's essentially studying at the same time, 367 00:22:24,640 --> 00:22:28,399 Speaker 1: and it forces them to study better. This backfires on me. 368 00:22:28,760 --> 00:22:33,720 Speaker 1: Why because I remember as a kid when we were 369 00:22:33,800 --> 00:22:40,960 Speaker 1: reading silently in a room we're studying, and the students 370 00:22:41,040 --> 00:22:42,640 Speaker 1: near me or next to me read the page so much, 371 00:22:42,720 --> 00:22:44,760 Speaker 1: turned their pages so much faster, and I was still 372 00:22:44,800 --> 00:22:47,720 Speaker 1: on the first page that I felt already then that 373 00:22:47,800 --> 00:22:50,520 Speaker 1: distracted me from comprehending what I was reading, and I 374 00:22:50,560 --> 00:22:52,639 Speaker 1: felt like I was slore. For example, when you watch 375 00:22:52,760 --> 00:22:56,880 Speaker 1: a series or a movie and after it they put 376 00:22:56,960 --> 00:23:01,280 Speaker 1: up a paragraph of words mean, I have to pause 377 00:23:01,320 --> 00:23:05,080 Speaker 1: it the screen moosa for I'm done reading anything. Even 378 00:23:05,080 --> 00:23:09,840 Speaker 1: TikTok's like I have to p wait hold on, you 379 00:23:09,840 --> 00:23:11,480 Speaker 1: know you watch the documentary. At the end, they're like, 380 00:23:11,760 --> 00:23:14,480 Speaker 1: well five years later he went to prison, and and 381 00:23:14,520 --> 00:23:17,639 Speaker 1: I'm like wait wait wait, wait wait wait, So this 382 00:23:17,800 --> 00:23:21,399 Speaker 1: is backfire on me already. Well, I don't think it 383 00:23:21,440 --> 00:23:24,240 Speaker 1: does it It actually works when Also when it comes 384 00:23:24,280 --> 00:23:27,119 Speaker 1: to community, like I remember going to coffee being in 385 00:23:27,200 --> 00:23:30,879 Speaker 1: tea leaf you sail a campus when I was taking 386 00:23:30,920 --> 00:23:33,679 Speaker 1: classes at San Monica Community College, but we would go 387 00:23:33,760 --> 00:23:38,560 Speaker 1: study u c l A. Right, No people thought you 388 00:23:38,600 --> 00:23:40,080 Speaker 1: were going to u c l A. Or you're going 389 00:23:40,080 --> 00:23:45,240 Speaker 1: to the community college, but you were at it's terrible. 390 00:23:45,800 --> 00:23:48,040 Speaker 1: It's so lame, but we would go. You want to 391 00:23:48,080 --> 00:23:52,080 Speaker 1: go to the coffee bean in Westwood Camp based on 392 00:23:52,160 --> 00:23:55,240 Speaker 1: campus open up comp literally look like your U. C 393 00:23:55,359 --> 00:23:59,199 Speaker 1: L A studying student and would you study? Well, no, 394 00:23:59,280 --> 00:24:02,560 Speaker 1: he'd be distracted it by those frozen I'm telling you 395 00:24:04,000 --> 00:24:05,719 Speaker 1: what was that? Was that thing we used to love 396 00:24:05,760 --> 00:24:09,119 Speaker 1: from coffee being that frozen drink. Yeah, they still have them. 397 00:24:09,160 --> 00:24:10,960 Speaker 1: It was like the cookies and cream something. It's a 398 00:24:11,040 --> 00:24:15,160 Speaker 1: vanilla thing. Look it up, frozen vanilla. I was way 399 00:24:15,200 --> 00:24:20,440 Speaker 1: before ice cold bruise. It was like that, but their 400 00:24:20,560 --> 00:24:23,040 Speaker 1: version it was the point was I would be distracted 401 00:24:23,119 --> 00:24:26,119 Speaker 1: by somebody else studying faster or better or comprending it 402 00:24:26,240 --> 00:24:29,680 Speaker 1: quicker is but they're doing something completely different. Like these 403 00:24:29,800 --> 00:24:31,879 Speaker 1: videos that you see online. It's just them staring at 404 00:24:31,920 --> 00:24:34,320 Speaker 1: a computer like they're not flipping pages, they're not doing anything, 405 00:24:34,440 --> 00:24:37,160 Speaker 1: And it's just having that presence, having that body, that 406 00:24:37,200 --> 00:24:39,879 Speaker 1: body double right next to you forces you to actually 407 00:24:39,880 --> 00:24:43,480 Speaker 1: stay on task and study and finishing vanilla ice blending. 408 00:24:43,600 --> 00:24:47,639 Speaker 1: That's what it was, because it's this thing has like 409 00:24:48,119 --> 00:24:51,160 Speaker 1: a soft spot in my heart, the vanilla ice splendid 410 00:24:51,240 --> 00:24:52,680 Speaker 1: and they still have it. I've not had it in 411 00:24:52,720 --> 00:24:59,119 Speaker 1: a long time. My back tight mine too. You know, 412 00:24:59,359 --> 00:25:03,040 Speaker 1: a stretch. No, I'm like stressed about it. Yeah, well 413 00:25:03,040 --> 00:25:05,399 Speaker 1: that's gonna make it worse. Stretch. What you should do 414 00:25:05,600 --> 00:25:08,360 Speaker 1: is you should do this stretch on the floor where 415 00:25:08,400 --> 00:25:13,679 Speaker 1: you lay over pigeon, do pigeon? Ah? Yes, into it today? 416 00:25:13,760 --> 00:25:19,800 Speaker 1: So where what is it? It's auguste, so how many days? Weeks? 417 00:25:19,840 --> 00:25:24,600 Speaker 1: Months until Halloween? Let's see September? Two months, two months 418 00:25:24,640 --> 00:25:28,600 Speaker 1: until Halloween. It's basically now, well, let's just get through 419 00:25:28,600 --> 00:25:31,600 Speaker 1: the holidays. I'm trying to get through the day, maybe 420 00:25:31,640 --> 00:25:35,760 Speaker 1: even this hour, right, so let's try and get through 421 00:25:35,840 --> 00:25:39,720 Speaker 1: the hour. But it's really not too I have to 422 00:25:39,800 --> 00:25:43,040 Speaker 1: tell you, I'm way into this, and you're gonna be 423 00:25:43,040 --> 00:25:44,639 Speaker 1: shocked by it, by it. But I'm way into this, 424 00:25:44,680 --> 00:25:46,960 Speaker 1: and I have to tell you it's not too early 425 00:25:47,000 --> 00:25:50,919 Speaker 1: to start thinking about Halloween costumes. And I think Tanya 426 00:25:51,359 --> 00:25:53,600 Speaker 1: and Robbie, I guess will be the other person in 427 00:25:53,640 --> 00:25:57,200 Speaker 1: this pair couple's cost him. I think they've got a 428 00:25:57,240 --> 00:26:02,320 Speaker 1: great idea. Okay, well so it's my idea. What's not 429 00:26:02,359 --> 00:26:05,240 Speaker 1: about ownership? Well no, because here's it's not about ownership. 430 00:26:05,240 --> 00:26:07,719 Speaker 1: But here's the problem, because I want to do Margot, 431 00:26:07,800 --> 00:26:10,359 Speaker 1: Robbie and Ryan Gosling as Kenn and Barbie and the 432 00:26:10,440 --> 00:26:12,520 Speaker 1: Kenn and Barbie movie, so get like their full tight 433 00:26:12,560 --> 00:26:16,120 Speaker 1: eyed things. That Barbie fashion is hot right now? Yeah, 434 00:26:16,200 --> 00:26:18,639 Speaker 1: I think it would be so cute. What he wants 435 00:26:18,640 --> 00:26:23,440 Speaker 1: to be No Ho Hank from Barry. Oh he's great too, know. 436 00:26:23,560 --> 00:26:26,520 Speaker 1: You guys have to be the neon. You gotta put 437 00:26:26,520 --> 00:26:29,720 Speaker 1: on all the neon, the roller blades on in the kneepads, 438 00:26:29,800 --> 00:26:32,080 Speaker 1: and the visors in the Fannie pack. That is such 439 00:26:32,119 --> 00:26:33,879 Speaker 1: a cool cost. Yeah, you should do that. You already 440 00:26:33,920 --> 00:26:36,040 Speaker 1: have the rollerblades, I know. And him with like a 441 00:26:36,200 --> 00:26:38,719 Speaker 1: bright blonde wig on. I think it would be so funny. 442 00:26:38,920 --> 00:26:42,800 Speaker 1: So he's not into it, but can you convince him 443 00:26:43,080 --> 00:26:46,359 Speaker 1: to do this? He's so cool, he's not not into it. 444 00:26:46,520 --> 00:26:48,520 Speaker 1: I think he just wants to be no Ho Hank more. 445 00:26:48,720 --> 00:26:53,119 Speaker 1: But maybe no Ho Hank suits his demeanor more than Ken. 446 00:26:53,359 --> 00:26:56,399 Speaker 1: He's just funny, Like it's just funny. But there's no 447 00:26:56,440 --> 00:26:59,280 Speaker 1: girl in Barry that I could be. To be a company, 448 00:26:59,359 --> 00:27:01,399 Speaker 1: do you have to would be a couple? Yeah, and 449 00:27:01,480 --> 00:27:04,080 Speaker 1: you know how to put a bald wig a bald 450 00:27:04,080 --> 00:27:07,320 Speaker 1: cap on him. No, you go do that. I had to. Yeah, 451 00:27:07,320 --> 00:27:09,639 Speaker 1: I do. I did it on Michael. He was Uncle Fester. 452 00:27:10,720 --> 00:27:13,160 Speaker 1: I feel like putting a bald cap on your hair 453 00:27:13,800 --> 00:27:16,399 Speaker 1: it's just too many steps for a cost That's a 454 00:27:16,480 --> 00:27:18,879 Speaker 1: lot of steps and it's a lot of glue. Like 455 00:27:19,640 --> 00:27:22,480 Speaker 1: I feel like you could like really take some hair out. No, 456 00:27:22,600 --> 00:27:26,480 Speaker 1: it's just dressing up like Ken is easier. It's really cute. 457 00:27:26,560 --> 00:27:28,960 Speaker 1: It's so cute. Okay, you just like solidified it. I 458 00:27:29,000 --> 00:27:30,960 Speaker 1: think if you don't do it, I might do it. 459 00:27:31,040 --> 00:27:32,119 Speaker 1: You need to do it. You need to get all 460 00:27:32,119 --> 00:27:34,200 Speaker 1: the couple's costumes in now, because once you have kids, 461 00:27:34,200 --> 00:27:38,320 Speaker 1: it's like when you do family costumes. Is your boyfriend 462 00:27:38,560 --> 00:27:42,560 Speaker 1: Robbie as into costuming as you are? I wouldn't say 463 00:27:42,560 --> 00:27:44,840 Speaker 1: he's as into it as I am, but I think 464 00:27:44,920 --> 00:27:48,080 Speaker 1: he is into it for sure, and I think he 465 00:27:48,200 --> 00:27:50,800 Speaker 1: likes I think he likes it more than he leads on. 466 00:27:51,000 --> 00:27:52,800 Speaker 1: I mean, I do find it strange. This is the 467 00:27:52,840 --> 00:27:55,440 Speaker 1: effect you guys have had on me. It's auguste and 468 00:27:55,440 --> 00:27:58,000 Speaker 1: I'm already feeling like I'm short on time to get 469 00:27:58,040 --> 00:28:00,880 Speaker 1: ready for Halloween because you guys are miss stuff. There's 470 00:28:00,960 --> 00:28:03,679 Speaker 1: like you know there's delays with deliveries. If you want 471 00:28:03,680 --> 00:28:05,560 Speaker 1: to get the proper wig, you have to order it now. 472 00:28:05,760 --> 00:28:07,840 Speaker 1: Like all these things matter, trust me, take it from me. 473 00:28:07,920 --> 00:28:10,320 Speaker 1: I take Halloween very seriously. I know you do. And 474 00:28:10,359 --> 00:28:12,760 Speaker 1: that's why it's rubbing off on it's your it's your 475 00:28:12,800 --> 00:28:16,280 Speaker 1: favorite holiday. Halloween. I think it's it is because it 476 00:28:16,359 --> 00:28:19,280 Speaker 1: just kicks off the holiday. Sit rank your three alright, 477 00:28:19,359 --> 00:28:23,119 Speaker 1: three fair holidays. They go in order almost like Halloween 478 00:28:23,640 --> 00:28:28,840 Speaker 1: number one, Christmas two New Years, New Years and to 479 00:28:29,080 --> 00:28:34,280 Speaker 1: join years, mine's Christmas. I just love Christmas. I get 480 00:28:34,640 --> 00:28:38,320 Speaker 1: crazy about Christmas. I don't even need others. Christmas is 481 00:28:38,400 --> 00:28:41,720 Speaker 1: so good, you know. All right, we'll keep us posted 482 00:28:41,800 --> 00:28:44,240 Speaker 1: on that. But I do love your idea to beat 483 00:28:44,280 --> 00:28:45,880 Speaker 1: kenn and Barbie and I don't know where this picture 484 00:28:45,920 --> 00:28:51,120 Speaker 1: was taken at them rollerblading looks like in Santa Monica image. Brittany, 485 00:28:51,160 --> 00:28:55,120 Speaker 1: good morning, How you doing good? How are you? We're 486 00:28:55,200 --> 00:28:58,520 Speaker 1: doing well? So your boyfriend started to wear makeup? And 487 00:28:58,800 --> 00:29:03,080 Speaker 1: what's the issue? Um, I guess it just kind of 488 00:29:03,160 --> 00:29:06,400 Speaker 1: took me by surprise, like and it kind of made 489 00:29:06,440 --> 00:29:10,080 Speaker 1: me check my biases. But like, what does this mean 490 00:29:10,120 --> 00:29:13,120 Speaker 1: for sexuality? Doesn't mean anything for sexuality? How can I 491 00:29:13,200 --> 00:29:17,120 Speaker 1: be more inclusive? Like is there more biases that I need? 492 00:29:17,840 --> 00:29:21,200 Speaker 1: Can you tell us the about the transition? So he 493 00:29:21,400 --> 00:29:26,239 Speaker 1: was not wearing anything and then just start putting on what? Um, 494 00:29:26,680 --> 00:29:29,360 Speaker 1: he kind of just started with like lipstick and eyeshadow, 495 00:29:29,440 --> 00:29:35,880 Speaker 1: but now it's more like a full face and you're 496 00:29:35,920 --> 00:29:39,520 Speaker 1: just confused by it. Yeah, I guess like since it 497 00:29:39,600 --> 00:29:41,920 Speaker 1: kind of just came out of like nowhere, Like he's 498 00:29:42,000 --> 00:29:45,560 Speaker 1: kind of more of like the like manly man frat 499 00:29:45,600 --> 00:29:47,920 Speaker 1: boy type when I met him, but like over the 500 00:29:48,040 --> 00:29:51,800 Speaker 1: period that we've been dating, he's become like more feminine, 501 00:29:51,840 --> 00:29:54,280 Speaker 1: which I kind of I like it. Um just I 502 00:29:54,320 --> 00:29:58,600 Speaker 1: think the makeup came out of like left field. So so, 503 00:29:58,760 --> 00:30:03,440 Speaker 1: but Brittany, have you asked him why he's doing it? No? 504 00:30:03,760 --> 00:30:05,239 Speaker 1: I just I don't know how to bring it up, 505 00:30:05,320 --> 00:30:09,840 Speaker 1: Like I don't want to like scare him or I 506 00:30:09,920 --> 00:30:12,400 Speaker 1: think the same way you're talking to us. Yeah, exactly. 507 00:30:12,840 --> 00:30:17,640 Speaker 1: It's not like it's not an apparent thing, right, It's 508 00:30:17,680 --> 00:30:19,760 Speaker 1: not something you're like thinking about it something you see. 509 00:30:19,880 --> 00:30:24,920 Speaker 1: It's like it's physically there. So I think it's very 510 00:30:25,000 --> 00:30:27,040 Speaker 1: and he might want you to ask him to be 511 00:30:27,120 --> 00:30:28,840 Speaker 1: honest with you. He might be waiting for you to 512 00:30:28,880 --> 00:30:31,760 Speaker 1: ask him about this, which could be very telling, and 513 00:30:31,800 --> 00:30:33,720 Speaker 1: then how fun you guys can go makeup shopping together 514 00:30:34,120 --> 00:30:38,960 Speaker 1: and like share that. That'd be so fun. So I 515 00:30:39,040 --> 00:30:43,320 Speaker 1: think you're comfortable with it, so ask him. It's just eyeing. 516 00:30:43,400 --> 00:30:46,200 Speaker 1: It's stranger to not say anything. That's right. I mean, 517 00:30:46,240 --> 00:30:48,000 Speaker 1: you guys are together, you should be able to talk 518 00:30:48,040 --> 00:30:51,600 Speaker 1: about it. Let's see what he's trying to I think 519 00:30:51,640 --> 00:30:53,840 Speaker 1: he might be trying to get you to ask the question. 520 00:30:53,960 --> 00:30:58,080 Speaker 1: So why would start with that approach? Brittany, Okay, is 521 00:30:58,120 --> 00:31:00,920 Speaker 1: there any like topics or anything I should avoid that way? 522 00:31:00,960 --> 00:31:06,400 Speaker 1: I don't come off as like kind of like, I guess, 523 00:31:06,480 --> 00:31:10,959 Speaker 1: not biased, but rude or insensitive or like ask him 524 00:31:11,000 --> 00:31:13,360 Speaker 1: in a way that he thinks that I'm not inclusive 525 00:31:13,440 --> 00:31:17,040 Speaker 1: of it. I don't think there is. I think if 526 00:31:17,080 --> 00:31:19,600 Speaker 1: you're just completely honest and that you're open and just 527 00:31:19,720 --> 00:31:22,480 Speaker 1: want to find out more, yeah, I think Also, it's 528 00:31:22,480 --> 00:31:25,000 Speaker 1: just it's just chillous. It's like a change and change 529 00:31:25,080 --> 00:31:29,080 Speaker 1: in his routine. You know, like if my significant other 530 00:31:29,320 --> 00:31:31,720 Speaker 1: wasn't never went to the gym, then allously start going 531 00:31:31,720 --> 00:31:33,240 Speaker 1: to the gym every single day, I'd be like, where's 532 00:31:33,280 --> 00:31:36,000 Speaker 1: this coming from? You know, like your Yeah, I think 533 00:31:36,080 --> 00:31:39,040 Speaker 1: that's cool, Brittany. I think so you just you just 534 00:31:39,240 --> 00:31:42,480 Speaker 1: as his partner. You just want to understand the new 535 00:31:42,560 --> 00:31:45,920 Speaker 1: look or the new vibe or whatever. Right, well, good luck, 536 00:31:46,000 --> 00:31:49,360 Speaker 1: thanks for can. I think it would be stranger if 537 00:31:49,360 --> 00:31:51,120 Speaker 1: you're like in a relationship with somebody and you notice 538 00:31:51,160 --> 00:31:52,800 Speaker 1: it and they obviously you're doing it to be noticed. 539 00:31:53,560 --> 00:31:56,600 Speaker 1: You're doing that like you put accessories on, or you 540 00:31:56,680 --> 00:32:00,640 Speaker 1: do something so that there's notice he starts and earrings 541 00:32:00,680 --> 00:32:02,560 Speaker 1: and stuff like that that she's got to say something. 542 00:32:05,840 --> 00:32:08,800 Speaker 1: I just looked at your like you want to hear 543 00:32:08,920 --> 00:32:11,080 Speaker 1: some I don't know, but I think like when I 544 00:32:11,160 --> 00:32:13,560 Speaker 1: was in my early thirties, I thought, would that be 545 00:32:13,640 --> 00:32:18,560 Speaker 1: a cool look? Back then? Yes? Yeah, back then, right, yeah, 546 00:32:18,720 --> 00:32:22,040 Speaker 1: that was the look a stud. No, like a little 547 00:32:22,360 --> 00:32:25,160 Speaker 1: a little thing like David silver on at that's it. 548 00:32:25,680 --> 00:32:28,240 Speaker 1: That's it, right, But then at my time past, No, 549 00:32:28,480 --> 00:32:30,719 Speaker 1: Now Horren just got one, or maybe like, well when 550 00:32:30,840 --> 00:32:32,520 Speaker 1: was he here last? I guess that's been years. Huh, 551 00:32:32,760 --> 00:32:45,560 Speaker 1: who what you said? No one, Norman's got one. So 552 00:32:46,120 --> 00:32:48,480 Speaker 1: I am kind of into this. Yesterday we were talking 553 00:32:48,520 --> 00:32:51,320 Speaker 1: about we take for granted the names of places in 554 00:32:51,440 --> 00:32:54,680 Speaker 1: Los Angeles. We're talking about parks and how they got 555 00:32:54,760 --> 00:32:56,560 Speaker 1: their names, and when you look at the history of 556 00:32:56,560 --> 00:32:59,440 Speaker 1: how they got their names. So I'm just bizarre, fascinating, 557 00:33:00,000 --> 00:33:02,800 Speaker 1: but it's really a walk through history here in Los Angeles. 558 00:33:03,760 --> 00:33:06,360 Speaker 1: How much streets. I mean, I remember when my parents 559 00:33:06,440 --> 00:33:08,760 Speaker 1: came to visit for the first time, they called it 560 00:33:09,040 --> 00:33:14,120 Speaker 1: Sopovita Boulevard. And honestly, when you move here, you know 561 00:33:14,360 --> 00:33:17,320 Speaker 1: will Shire, will Shire like you. There are things that 562 00:33:17,720 --> 00:33:21,840 Speaker 1: you say La Canada, la like you don't know if 563 00:33:21,880 --> 00:33:24,440 Speaker 1: you're just visiting. So we were talking about the l 564 00:33:24,480 --> 00:33:27,880 Speaker 1: A parks, but here are the streets and how they 565 00:33:27,920 --> 00:33:30,120 Speaker 1: got their names. So Spate Boulevard, for example, which is 566 00:33:30,160 --> 00:33:33,280 Speaker 1: a thoroughfare. It's the longest street in l A County 567 00:33:33,280 --> 00:33:35,320 Speaker 1: from Mission Hills to Long Beach, and it was named 568 00:33:35,520 --> 00:33:39,800 Speaker 1: after Francisco Xavier Spulvida. I don't know who he is, 569 00:33:40,000 --> 00:33:43,920 Speaker 1: so I went deeper. Whose offspring became a prominent land 570 00:33:44,040 --> 00:33:47,000 Speaker 1: owning family in the San Fernando Valley. So it did 571 00:33:47,080 --> 00:33:49,480 Speaker 1: have to do with who was here. It had land first, 572 00:33:50,040 --> 00:33:53,440 Speaker 1: that street lank orshim. I mean, how many times you 573 00:33:53,520 --> 00:33:56,800 Speaker 1: take in Lankershim, Lankershim how many times right there? And 574 00:33:56,840 --> 00:33:58,440 Speaker 1: then I used to live right by there, so the 575 00:33:58,560 --> 00:34:02,440 Speaker 1: no whole art districts all that. I also remember just 576 00:34:02,480 --> 00:34:06,920 Speaker 1: backing it up to Universal City. I remember one of 577 00:34:07,000 --> 00:34:09,680 Speaker 1: my commutes to get to Burbank used to be jumping 578 00:34:09,719 --> 00:34:11,600 Speaker 1: on the one on one right there at Hollywood Bowl. 579 00:34:11,600 --> 00:34:13,640 Speaker 1: And then I haven't take all those lanes to get 580 00:34:13,719 --> 00:34:18,600 Speaker 1: off for Barham. You got to cut five lanes one second. 581 00:34:19,080 --> 00:34:22,080 Speaker 1: My heart wrote, pound you board, you get on the 582 00:34:22,120 --> 00:34:24,120 Speaker 1: one on one at Dollywood Bowl and then Barham's right 583 00:34:24,120 --> 00:34:26,520 Speaker 1: there the panic and sometimes I wouldn't even make it. 584 00:34:26,560 --> 00:34:30,560 Speaker 1: I wouldn't get there, you miss it. So Lancersham, Lancershim 585 00:34:30,600 --> 00:34:33,760 Speaker 1: Boulevard and Van Eyes are related. Van Eys Boulevard Isaac 586 00:34:33,880 --> 00:34:36,920 Speaker 1: Lancersham had a son in law named Isaac Van Eyes 587 00:34:37,200 --> 00:34:40,120 Speaker 1: and they bought thousands of acres. They grew barley, sisany, 588 00:34:40,360 --> 00:34:42,960 Speaker 1: they grew wheat, and they each named the town after themselves. 589 00:34:43,160 --> 00:34:45,080 Speaker 1: Van eysa still Van Eyes and Lankershim is now in 590 00:34:45,080 --> 00:34:47,120 Speaker 1: North Hollywood. Interesting that it was the son in law, 591 00:34:48,400 --> 00:34:51,279 Speaker 1: not the daughter, but he named after the son in 592 00:34:51,360 --> 00:34:53,400 Speaker 1: law's name is not his own daughter. We should go 593 00:34:53,520 --> 00:34:55,440 Speaker 1: back and talk to him about this. If we could, 594 00:34:55,480 --> 00:35:00,600 Speaker 1: we would. What is that about if my dad named 595 00:35:01,120 --> 00:35:09,279 Speaker 1: town town after Michael via Clara Uh Sherman way, not 596 00:35:09,440 --> 00:35:11,520 Speaker 1: after General Sherman from the Civil War. Its named after 597 00:35:11,640 --> 00:35:14,480 Speaker 1: Moses Sherman, a businessman who grabbed up much of the 598 00:35:14,560 --> 00:35:18,360 Speaker 1: valley In six he named a cross street after his daughter, 599 00:35:18,560 --> 00:35:27,040 Speaker 1: named what's her name? Valley? No Hazel Team Magna Hazeltine Okay, 600 00:35:27,320 --> 00:35:29,920 Speaker 1: okay uh and one more Okay? So these are l 601 00:35:29,920 --> 00:35:32,880 Speaker 1: a streets and how they got their names. Tarzana Street, 602 00:35:33,920 --> 00:35:37,080 Speaker 1: the street and the community of Tarzana are both named 603 00:35:37,080 --> 00:35:41,360 Speaker 1: after Tarzan. Oh, that's kind of fun, very obvious. I 604 00:35:41,400 --> 00:35:44,320 Speaker 1: wouldn't that right, See, I thought it was so obvious 605 00:35:44,400 --> 00:35:47,480 Speaker 1: that it couldn't be exactly. So. Edgar Rice Burrows, who 606 00:35:47,520 --> 00:35:51,360 Speaker 1: created Tarzan, bought a five acre ranch near Encino with 607 00:35:51,560 --> 00:35:55,839 Speaker 1: his Tarzan money and he named it Tarzana. We're gonna play, 608 00:35:56,760 --> 00:35:59,920 Speaker 1: We're gonna play all year. What did you say about Babcock? Babcock? 609 00:36:00,360 --> 00:36:01,920 Speaker 1: Babcock's one of the streets that I will never buy 610 00:36:01,920 --> 00:36:04,440 Speaker 1: a house on. What's one Babcock? I just don't like 611 00:36:04,520 --> 00:36:06,400 Speaker 1: the name. Can't live on Babcock, can't live on it? 612 00:36:06,800 --> 00:36:09,720 Speaker 1: What's wrong with it? Well, it's got it's the second 613 00:36:09,760 --> 00:36:12,120 Speaker 1: part of the street name that really bothers me. Yeah, 614 00:36:12,760 --> 00:36:17,520 Speaker 1: what about the one in Hollywood? Which one in Hollywood? Fountain? No, 615 00:36:18,640 --> 00:36:27,759 Speaker 1: same word, Cox's. We should come up with a game. 616 00:36:27,880 --> 00:36:29,600 Speaker 1: This is a fun game. Somehow, there's got to be 617 00:36:29,640 --> 00:36:33,160 Speaker 1: a game that can drived out of this. There's there's 618 00:36:33,160 --> 00:36:37,239 Speaker 1: another one that's like Lubau or something like that. I'm like, oh, good, 619 00:36:37,680 --> 00:36:41,200 Speaker 1: what's wrong? I don't know. I can't even say it. 620 00:36:41,239 --> 00:36:45,280 Speaker 1: Can I say? Can I say lube? Lu Beau reminds 621 00:36:45,320 --> 00:36:49,640 Speaker 1: you of lube? What's that? I don't even think I'm saying. 622 00:36:49,640 --> 00:36:52,200 Speaker 1: I think it's Lubao. You not live on cocon Oil Avenue. 623 00:36:53,560 --> 00:36:59,719 Speaker 1: That sounds cute. On Air with Ryan Seacrest. That's it 624 00:36:59,840 --> 00:37:02,799 Speaker 1: for us. Tomorrow morning, We've got tickets to go see 625 00:37:02,920 --> 00:37:06,040 Speaker 1: Demi Lavato at YouTube Theater and Post Malone at the 626 00:37:06,120 --> 00:37:09,359 Speaker 1: Kia form every hour. Thanks for listening to On Air 627 00:37:09,440 --> 00:37:12,120 Speaker 1: with Ryan Seacrest. Make sure to subscribe it and we'll 628 00:37:12,160 --> 00:37:13,160 Speaker 1: talk to you again tomorrow