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Speaker 1: No worry now, I got us a seven eleven ad. Okay,

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Speaker 1: bringing in the dollars, bring.

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Speaker 2: Them in, as long as you don't bring in none

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Speaker 2: of those nasty assu the hot dogs posed to be

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Speaker 2: under the light seven eleven.

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Speaker 1: You gotta be if you have to be a different

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Speaker 1: type of hungry or drunk.

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Speaker 2: If you get rid of every hot dog in seven eleven,

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Speaker 2: I think you drastically drop the numbers of cancer.

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Speaker 3: And it definitely is leading to global warming, certain of it.

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Speaker 2: The hot dogs in seven eleven definitely contribute to cancer

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Speaker 2: in the United States. I'm a believer in that. Yeah,

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Speaker 2: I'm with that. The nastiest shit ever.

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Speaker 1: And this episode is brought to you by seven eleven.

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Speaker 2: Moment you know you want some cancer and some coffee,

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Speaker 2: I mean, go to seven eleven twenty four hours whenever

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Speaker 2: you need it. Man, what did you think of our sketch?

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Speaker 2: I liked it, man, I liked it. I think that

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Speaker 2: you know, it was it was informed, it was it

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Speaker 2: was realistic. I could definitely see uh An evening out

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Speaker 2: with a young lady going like that.

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Speaker 3: It was a It was a love letter to zodiac signs. Okay,

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Speaker 3: and how much I hate them.

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Speaker 2: You hate zodiacs. Happen you hate zodiac signs? Or do

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Speaker 2: you hate people that overly like lean into the zodiac

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Speaker 2: horoscope ship If I don't you say you hate zodiac

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Speaker 2: sign you say you hate people? Well, no, that is

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Speaker 2: a fact.

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Speaker 3: I just don't like when people lean into them as

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Speaker 3: an excuse for like their shitty behavior. Okay, I'm much

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Speaker 3: what I don't like, Like, do I think there's probably

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Speaker 3: some truth in the stars and when you're born and

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Speaker 3: all that shit, Probably it's something there's something some similarities there.

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Speaker 3: But anytime like someone will have a shitty quality about them,

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Speaker 3: that's like, it's just that's that's my libra sign rising, Like, no,

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Speaker 3: you're that's what I'm having, your shitty behavior rising.

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Speaker 1: No, it's just you know, you're just a dirt back,

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Speaker 1: like just admit it.

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Speaker 2: Yeah, I don't. I'll never really lean into that. A

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Speaker 2: young lady years ago told me to read the Barnum effect. Okay,

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Speaker 2: and the bottom effect from from what I've read, it

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Speaker 2: basically gives you the It's it's basically saying, like every

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Speaker 2: every horroscope where every person has similarities no matter when

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Speaker 2: you were born. I think I think that's what I

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Speaker 2: kind of yeah. Barnum effect, also called the four effect

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Speaker 2: in psychology. The phenomenon occurs when individual believe that personally

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Speaker 2: descriptions apply specifically to them more so than to other people,

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Speaker 2: despite the fact that the description is actually filled with

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Speaker 2: information that applies to everyone. But that's what I feel.

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Speaker 3: And again, people that really know about Zodac science, I'm

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Speaker 3: not talking about y'all that really understand the ship and studied.

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Speaker 3: I'm talking about more about like Twitter that says the

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Speaker 3: most basic shit in the world. Right, that could be anybody, right,

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Speaker 3: I believe, I believe more. I think I'm more into numerology.

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Speaker 1: I agree with you, but I think they're kind of connected.

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Speaker 2: They're kind of connected, but I think numerology is more

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Speaker 2: it for me. It was more believable, like oh shit,

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Speaker 2: you know, like somebody asks you the time you're born

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Speaker 2: and this and that and doing the numbers, and oh

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Speaker 2: this is this type of person usually like this type

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Speaker 2: of attitude and energy. I'm like, okay, this is kind

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Speaker 2: of this is a little different than just the horoscope

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Speaker 2: in the zodiac. This this feels a little more personal.

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Speaker 1: Do you think it?

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Speaker 3: Do you think hereditary and like where you were raised

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Speaker 3: the time you were raised, Like the years has more

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Speaker 3: effect than the stars.

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Speaker 2: I think it's all connected somehow, honestly, in some way.

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Speaker 2: I'm not you know, I'm not the smartest guy in

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Speaker 2: the room, but I think I think it's all connected

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Speaker 2: in some way. I think definitely the time, the year,

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Speaker 2: the you know, the generation in which you were born,

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Speaker 2: and stuff like that. I think it definitely, you know,

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Speaker 2: is connected with the stars and things like that.

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Speaker 3: Yeah, I think hereditory shit is more of a factor

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Speaker 3: when it comes to that type of shit.

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Speaker 2: That's just me.

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Speaker 1: I hope people enjoyed the sketch and I don't get it.

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Speaker 2: It was good, man, it was the young lady did

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Speaker 2: a great job.

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Speaker 1: Yes, yes, I'll put her at name in the thing.

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Speaker 2: She did a really good job. He did a really

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Speaker 2: good job.

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Speaker 3: Well she's actually like an actress. Yeah, so you can

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Speaker 3: tell she has Yeah, I'm just an idiot that No, but.

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Speaker 1: You did microsoft.

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Speaker 2: They did a good job. Man, you did a good

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Speaker 2: job on that. I did a good job. I think.

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Speaker 1: I think the best line of the entire thing is

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Speaker 1: you smell like regret.

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Speaker 2: I mean, you know, sometimes you got to let your

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Speaker 2: people know when they you know, you know what they've

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Speaker 2: been doing. You know when people smell like the night before.

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Speaker 2: Oh yeah, you know when you smell like it. Yeah,

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Speaker 2: you can smell it. Oh yeah, I know you still

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Speaker 2: got that club. What's the party smell on you?

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Speaker 3: What's the longest after you spent a night out at

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Speaker 3: a young lady's house before you went home?

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Speaker 1: How many hours?

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Speaker 4: Man?

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Speaker 2: I've I've spent the night at a young lady's house.

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Speaker 2: I might have did it. I might have did a double.

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Speaker 2: Did I think about it? I think I think I

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Speaker 2: went to her house on a Friday, and I might

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Speaker 2: that left and went home like Sunday morning.

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Speaker 1: Oh you were it was good cuddles, Yeah, yeah it was.

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Speaker 2: But it was the type where it's like, you know,

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Speaker 2: I'm walking around like in like just a towel, yeah,

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Speaker 2: like showering, like and she had the good ship and hush.

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Speaker 2: That's one thing you got is just unappreciated, Like when

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Speaker 2: a woman has like the good shitt and hush shower,

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Speaker 2: like the good body washed, the good shampool and conditioner,

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Speaker 2: you know what I mean, Like that's like underrated.

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Speaker 3: Oh no, how I learned about all like real proper

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Speaker 3: hygiene and like extraxualrush and ship came from like sleeping

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Speaker 3: with women.

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Speaker 1: Like I was in a shower, like what, let me

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Speaker 1: take a picture of this shit.

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Speaker 2: I'm getting this from my career, like I gotta upgrade

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Speaker 2: my fucking shower, like my lotion does not smell. Yeah. Yeah,

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Speaker 2: she had actually the toothbrushes. I was like, what is

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Speaker 2: this a short stay? Like what is it? And then

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Speaker 2: you got to kind of think like how many that's

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Speaker 2: cause you look at that toothbrush pack You're like, all right,

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Speaker 2: this is a four pack. It's two left, man, Like

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Speaker 2: you know what I'm saying. And it's not the brand

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Speaker 2: she uses. So she has an electric toothbrush, so you

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Speaker 2: know that's not her using that ship. So you got

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Speaker 2: to kind of like, all right, man, like you know

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Speaker 2: it is what it is. She's resourceful, so we appreciate that.

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Speaker 3: Would you ever admit that you maybe have taken a

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Speaker 3: pair of shorts from a woman, pair of basketball shorts

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Speaker 3: that they're clearly wearing her size?

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Speaker 2: No, I have way too much pride for that. I

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Speaker 2: can't I'm not taking First of all, if she pulls

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Speaker 2: out some basketball shorts and hand them to me, I'm

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Speaker 2: gonna look at her like, all right, listen, we gotta

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Speaker 2: have a deeper talk.

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Speaker 1: What if she just gave you a big T shirt

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Speaker 1: to sleeping first off?

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Speaker 2: Yo, a man sleeping in a long shirt, Holy shit,

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Speaker 2: you be happy as out like you're in a hospital.

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Speaker 5: Gun.

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Speaker 2: You can't sleep in no fucking long hey, man can't

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Speaker 2: sleep in long.

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Speaker 3: Tea matter of fact, if you if you're a man

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Speaker 3: and you put on your shirt before your draws, yeah, all.

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Speaker 1: The men in your family are rolling in their grade.

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Speaker 2: You have to start from, like the first thing you

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Speaker 2: put on after you shaollows yourself has to be underwear

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Speaker 2: draws for sure.

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Speaker 5: Yeah.

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Speaker 2: Like you can't just be walking around willy nilly just

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Speaker 2: like put your draws on. Then you go to the socks.

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Speaker 1: Say you are as sick dude, when you get dressed,

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Speaker 1: you put your shirt on first.

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Speaker 2: Yeah. I know. I got a cousin that he gets

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Speaker 2: fully dressed in the bathroom.

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Speaker 1: I mean, was he in jail.

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Speaker 2: He's never committed a crime in his life. He just

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Speaker 2: gets dressed. I'm talking about jean sneakers. Everything that's sick.

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Speaker 2: It's the bathroom dressed. Why are you like, what is

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Speaker 2: that about? I'm talking about? He come out the bathroom

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Speaker 2: fully dressed, ready, to go. I'm like, all right, man,

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Speaker 2: you're just awaredo.

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Speaker 1: But that's some jail or summer camp shit.

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Speaker 2: Yeah yeah, yeah, but yeah, man, you can't a woman

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Speaker 2: gives you like something to sleep in as a man,

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Speaker 2: I got too much problem. A woman can't give me nothing.

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Speaker 2: What happens if she has on the basketball shorts? Did

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Speaker 2: your mind wander? Of course?

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Speaker 1: And what if they're they're like official practice shorts.

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Speaker 2: Yeah, because it's a difference from game shorts. That difference

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Speaker 2: by online or at the NBA store, and then game

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Speaker 2: practice shorts is like okay, you know somebody that knows somebody.

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Speaker 1: And like, where'd you get the official socks?

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Speaker 2: Well, the official socks you can probably still get on

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Speaker 2: the NBA dot com.

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Speaker 1: Surety's going on NBA dot com device socks.

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Speaker 2: That's what she's doing. I mean, if she says it,

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Speaker 2: you can't. They're on there. They're on the site, so

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Speaker 2: you can't. But the practice shorts are not on the site.

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Speaker 2: That you have to know somebody on the team or

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Speaker 2: that works on the staff. Like, yeah, that's a that's

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Speaker 2: a fact. That's a fact. But yeah, I appreciate women

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Speaker 2: that you know you can you know, you can spend

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Speaker 2: a night at the house if you don't have any

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Speaker 2: of your talllet trees or you know, and the ones

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Speaker 2: that have like wash it and dry that will like

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Speaker 2: wash it underwear for you and like oh yeah, it's like,

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Speaker 2: oh my god, like who I love you already, Like

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Speaker 2: you know what I mean.

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Speaker 3: It makes me nervous. It just makes me nervous. Though

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Speaker 3: she's too good at this, but you can security.

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Speaker 2: That's a certain age. Man. It's like, listen, man.

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Speaker 3: I'm experienced. You to keep the whole bag in my car.

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Speaker 3: There's always clean.

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Speaker 2: You learned that from a woman too, though of course

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Speaker 2: that was the first I didn't know. I never the

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Speaker 2: first time I saw a whole back well, obviously I

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Speaker 2: don't want to call it women whole, but that's why

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Speaker 2: we call it a whole, and men carry the whole

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Speaker 2: down for them. Ye're doing whoever has the bag is

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Speaker 2: the hop Yeah, but you're doing whole shiit men or women.

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Speaker 2: And but I learned it from a woman and she

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Speaker 2: told me, like, yo, can you go in my bag,

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Speaker 2: and you know, bring my sneakers. So I go in

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Speaker 2: the bag. But I'm talking about it. It's beautiful. I

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Speaker 2: thought she was going away it was like everything was folded.

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Speaker 2: It was the tall tree bag was there. It was like, oh,

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Speaker 2: this is you're.

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Speaker 3: Prepared, But were y'all prepared prior to that? Was there

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Speaker 3: a conversation that she was sleeping over? Was this a

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Speaker 3: woman you met and just happened to have everything ready?

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Speaker 2: Like it wasn't traveled with crest? Yeah, there wasn't a

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Speaker 2: crest to Griffin. Yeah, no, no, no, no it wasn't.

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Speaker 2: It wasn't a conversation. But she lived far and you know,

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Speaker 2: we were hanging out, we were going out, she was

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Speaker 2: going to be drinking. So you kind of, as adult,

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Speaker 2: you kind of know that I'm prepared to stay here tonight.

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Speaker 2: I'm not prepared to go home. You know after as adult,

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Speaker 2: you just you don't even have to have that conversation.

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Speaker 2: It's kind of like she knows me, we know each other,

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Speaker 2: We're comfortable with each other, and you know, she can

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Speaker 2: spend the night here if she wants. Like it's so good.

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Speaker 3: Were you intending on staying for one night when you

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Speaker 3: stayed for the two?

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Speaker 2: I intended to leave the next day, but Yo, the

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Speaker 2: breakfast was so immaculate, the spread, it was like it

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Speaker 2: was like.

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Speaker 1: Food and the pussy.

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Speaker 2: Oh, ok, come on. But it was like the food

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Speaker 2: and the fruit, like when they slice the fruit a

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Speaker 2: certain way, like I never had strawberries and oranges sliced

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Speaker 2: like that. She sliced the grapes. You ever had sliced grapes? Though,

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Speaker 2: I wasn't going anywhere. I've never had sliced grapes in

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Speaker 2: my life. Are you kidding me? Sliced grapes? I'm not

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Speaker 2: leaving here. You so, you don't drink So I drink

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Speaker 2: wine occasionally, okay, but.

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Speaker 1: At some point you drank a little bit.

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Speaker 2: Absolutely, That's why I stop.

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Speaker 3: When you're drunk and go to a woman's house, you

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Speaker 3: tolerate a lot of things that night that you typically

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Speaker 3: wouldn't tolerate. Oh, she doesn't even have ac like her roommate.

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Speaker 3: This bathroom is disgusting. She has a roommate that's literally

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Speaker 3: sleeping right here.

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Speaker 2: You know, I'm nasty. If a woman has a nasty bathroom,

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Speaker 2: I leave cat.

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Speaker 1: Yeah that says a lot. When you're learning tox kid,

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Speaker 1: you put up with those things.

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Speaker 3: Yeah, it's that coming to age moment when you wake

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Speaker 3: up sober and really start understanding your surroundings. That makes

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Speaker 3: you want to stop drinking completely. But no, that that

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Speaker 3: was an accidental conversation. Yeah, but like fourth, did you

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Speaker 3: do anything July fourth?

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Speaker 2: Yeah, I went. I met up with some of the

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Speaker 2: homies that I haven't seen in a while uptown. I

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Speaker 2: had no plans on. I had plans on being out

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Speaker 2: of town. Actually I was gonna go see my uh

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Speaker 2: my family down down down South, but I stayed. I

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Speaker 2: met up with some of the homies that I haven't

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Speaker 2: seen in a while, and it was It was dope, man,

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Speaker 2: because you know when you don't plan on doing something

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Speaker 2: and then it kind of like just happens, and then

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Speaker 2: you're like, damn, this is I'm glad. I you know,

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Speaker 2: I went, I did this. I'm glad I went here

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Speaker 2: and I got up with the homies. I had a

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Speaker 2: real interesting conversation man. Uh one of the homies, and

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Speaker 2: you know, fortunately he had been through some things. He

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Speaker 2: had committed a crime years ago. He did a lot

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Speaker 2: of time for it. He killed somebody, and the situation

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Speaker 2: was unfortunate, you know what I mean. You know, growing

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Speaker 2: up in the hood, in the streets, you get involved

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Speaker 2: in things. Sometimes things happen, there's actions, there's reactions, you know,

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Speaker 2: what I mean, and there's consequences, but his perspective was

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Speaker 2: so interesting. Man, Like he really feels like that moment

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Speaker 2: was necessary in his life. Like he feels like that

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Speaker 2: changed him and made him the person that he is today.

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Speaker 2: And if you meet this guy, you would never think

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Speaker 2: like very you know, well spoken, soft spoken, humble energy

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Speaker 2: about him, and you would never think that he been

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Speaker 2: through something as traumatic as that, because it is a

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Speaker 2: traumatic experience for anybody involved in that type of situation.

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Speaker 2: But you know, he really said, like, you know, I

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Speaker 2: feel like that I had to go through that in

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Speaker 2: order to become the man that I am today and

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Speaker 2: the person that I am today. As unfortunate in it

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Speaker 2: as it sounds, yeah, and you know, and and and

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Speaker 2: hearing that from somebody that you know, you know, to me,

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Speaker 2: there's very few things that are more traumatizing than you know,

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Speaker 2: somebody being killed. That would be number one, right, So

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Speaker 2: to be in that situation and then to look at

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Speaker 2: it in the sess of years later, like you know,

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Speaker 2: the way he did and the way he he feels

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Speaker 2: like that really is the one thing in life that

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Speaker 2: he knows was his crossroad that it turned him into

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Speaker 2: the person and the man that he is today. It

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Speaker 2: was it was just it was just you know, uh,

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Speaker 2: I want to say it was a life changing thing

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Speaker 2: for me because at times, you know, we all go

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Speaker 2: through our things in life and we have, you know,

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Speaker 2: emotions and feelings and thoughts. But to see somebody that

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Speaker 2: went through something like that and their perspective on it

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Speaker 2: and how it changed them and how, you know, in

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Speaker 2: a in a crazy way, it helped them. It was like, damn, man,

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Speaker 2: like you just never know in life, like you know,

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Speaker 2: what happens. And I say that to say, like I

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Speaker 2: had no intentions on going uptown and I didn't think

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Speaker 2: I was gonna see them. I haven't seen them in years.

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Speaker 2: And I was like, you know, I just called and

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Speaker 2: I was like, what's up, what y'all doing? Ye're were

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00:14:07,320 --> 00:14:08,840
Speaker 2: on the block and cooking out. I said, I'm gonna

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Speaker 2: come over there. And I'm glad I did, man, Like

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Speaker 2: I'm glad I did that. I feel I felt really good,

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00:14:14,960 --> 00:14:16,520
Speaker 2: you know, seeing a lot of my friends that I

316
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Speaker 2: haven't seen in a wild and a lot of the homies.

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Speaker 2: But we got to stop this fireworkshit. Man, I should

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Speaker 2: have to say, you know. With all that said, yeah,

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00:14:26,040 --> 00:14:27,920
Speaker 2: because like the home is sitting there telling me about

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Speaker 2: you know, because like I said, he had he did

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Speaker 2: a lot of time in jail, you know, haven't seen him,

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Speaker 2: you know. So it was like now that we outside

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Speaker 2: and you know, these fireworks are going off, and I'm

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Speaker 2: just like my head is on the swivel, yeah, because

325
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Speaker 2: I don't know what's a firework. I don't know what's

326
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Speaker 2: you know, a gun. And it's like, am I the

327
00:14:48,760 --> 00:14:50,960
Speaker 2: only one that feels like this shit hasn't stopped since

328
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Speaker 2: you remember when the pandemic first started and like everyone

329
00:14:54,840 --> 00:14:58,920
Speaker 2: had fireworks? Yeah, I feel like what the fireworks have? Fireworks?

330
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Speaker 2: I feel like once you set the fireworks off, I

331
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Speaker 2: feel like that ship blows up and then like it's

332
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Speaker 2: more fireworks that come after that from the firework.

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Speaker 1: Just does anyone get exhausted? Like they go literally the

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Speaker 1: entire night.

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Speaker 2: How much? How much are they they have to be

336
00:15:13,280 --> 00:15:16,120
Speaker 2: giving them out? These are VP fireworks, bro, These are like,

337
00:15:16,320 --> 00:15:19,160
Speaker 2: these are scam of fireworks. These are fireworks that are

338
00:15:19,280 --> 00:15:23,480
Speaker 2: definitely scammed. These are stolen fireworks. And I am ready

339
00:15:23,480 --> 00:15:25,520
Speaker 2: to call the policeman. I'm not gonna lie, like I'm

340
00:15:25,600 --> 00:15:28,080
Speaker 2: ready to have individuals put away. No it's just it.

341
00:15:28,920 --> 00:15:30,680
Speaker 2: You turned it to that guy. Yeah. Man, it's like

342
00:15:30,880 --> 00:15:33,080
Speaker 2: it's so get hold of the community. It's five in

343
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Speaker 2: the morning. What are we celebrating. I thought we were

344
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Speaker 2: done with the fourth of July.

345
00:15:37,160 --> 00:15:39,840
Speaker 3: Actually, listen, it was so sick in Jersey City because

346
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Speaker 3: it rains, like right before July fourth, and you know,

347
00:15:42,680 --> 00:15:45,240
Speaker 3: it was pockets of ring going on. Yeah, they were

348
00:15:45,320 --> 00:15:49,320
Speaker 3: lighting the fireworks in the rain, like go inside.

349
00:15:49,400 --> 00:15:52,080
Speaker 2: Yeah, no, no, no, it's no I'm telling you these five

350
00:15:52,120 --> 00:15:54,360
Speaker 2: I think the fireworks set themselves off. At this point,

351
00:15:54,880 --> 00:15:56,480
Speaker 2: you don't even see people doing it.

352
00:15:56,800 --> 00:15:59,040
Speaker 1: No you don't. You just hear see the students, just

353
00:15:59,080 --> 00:15:59,720
Speaker 1: see it exist.

354
00:16:00,040 --> 00:16:02,840
Speaker 2: Nobody is near these fireworks. I'm like, yo, what is

355
00:16:02,920 --> 00:16:06,760
Speaker 2: going on? And it's like NonStop from the time people

356
00:16:06,800 --> 00:16:10,120
Speaker 2: get up and get outside until they don't even have

357
00:16:10,200 --> 00:16:13,320
Speaker 2: to beat inside. The fireworks are going off by themselves.

358
00:16:13,480 --> 00:16:16,480
Speaker 2: This shit is crazy. It needs to stop. And I'm

359
00:16:16,520 --> 00:16:20,840
Speaker 2: calling the authorities. I'm letting you know now, I'm calling authorities.

360
00:16:20,920 --> 00:16:23,680
Speaker 3: If you see something, say something, if it'll be aposter

361
00:16:23,880 --> 00:16:25,120
Speaker 3: of mass, say something.

362
00:16:25,280 --> 00:16:27,840
Speaker 2: You see a Roman candle, you will be handled. What

363
00:16:27,960 --> 00:16:30,600
Speaker 2: are what are we celebrate? If you just tell me

364
00:16:30,680 --> 00:16:36,160
Speaker 2: what we're celebrating, like before, like Juneteenth, and like after

365
00:16:36,240 --> 00:16:38,160
Speaker 2: the fourth. Just tell me what we're celebrating.

366
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Speaker 3: Well, we're celebrating the red, white and blue with this

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00:16:40,680 --> 00:16:43,600
Speaker 3: beautiful country of America, red white, blue, and the freedom,

368
00:16:43,680 --> 00:16:46,960
Speaker 3: the colors that never run, the freedom, the freedom of one.

369
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Speaker 2: Remember when you learned that the colors that never run,

370
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Speaker 2: they run. No, we've been running. We've been running. We've

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Speaker 2: actually been running.

372
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Speaker 3: I mean yeah, No, July fourth, we celebrate the freedom

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Speaker 3: of all people in America.

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Speaker 2: No, oh, okay, got it? I no idea. I'm just

375
00:17:02,040 --> 00:17:06,200
Speaker 2: telling you these are scammers with these fireworks. I'm talking about,

376
00:17:06,520 --> 00:17:10,680
Speaker 2: niggas have unlimited far. I'm talking about from January to December,

377
00:17:10,760 --> 00:17:12,080
Speaker 2: there are fireworks going off.

378
00:17:12,160 --> 00:17:14,199
Speaker 3: Well do you remember last Fourth of July or the

379
00:17:14,200 --> 00:17:18,080
Speaker 3: one before that that really worked, like accusations and conspiracy theories,

380
00:17:18,080 --> 00:17:21,080
Speaker 3: Like they were finding people taking pictures, just finding stacks

381
00:17:21,080 --> 00:17:22,080
Speaker 3: of fireworks in the hood.

382
00:17:22,160 --> 00:17:23,920
Speaker 1: I just lieling it and I was like, the cops

383
00:17:23,920 --> 00:17:24,440
Speaker 1: are putting these.

384
00:17:24,760 --> 00:17:28,840
Speaker 2: I believe it. Man, this is I've never heard fireworks

385
00:17:28,880 --> 00:17:32,399
Speaker 2: like this. This shit is crazy. It's a little in authorities. Man.

386
00:17:32,400 --> 00:17:34,199
Speaker 2: I have to enough is enough? Is enough?

387
00:17:34,280 --> 00:17:35,919
Speaker 1: Damn it, it's scaring Baisley.

388
00:17:36,240 --> 00:17:37,920
Speaker 2: That's really what And that's another thing, like a lot

389
00:17:37,920 --> 00:17:41,919
Speaker 2: of people's dogs are you know, dying from stress and anxiety.

390
00:17:42,520 --> 00:17:44,359
Speaker 2: It's just like I get it. I'm you know, I'm not.

391
00:17:44,880 --> 00:17:48,520
Speaker 2: I get it if it's around holidays, you know, but

392
00:17:48,640 --> 00:17:52,440
Speaker 2: niggas is blasting fireworks if Booker makes a jump shot.

393
00:17:52,440 --> 00:17:55,240
Speaker 2: It's just like, you know, it doesn't matter what's going on. Oh,

394
00:17:55,240 --> 00:17:57,679
Speaker 2: it's not for the things. Yeah, it's like, come on,

395
00:17:57,880 --> 00:18:00,240
Speaker 2: enough is enough? Man like to have fun with d

396
00:18:00,640 --> 00:18:00,879
Speaker 2: is this?

397
00:18:01,320 --> 00:18:03,040
Speaker 3: Is this a safe space? Can I tell you what

398
00:18:03,080 --> 00:18:05,159
Speaker 3: I did on July fourth? This is a safe It

399
00:18:05,200 --> 00:18:06,640
Speaker 3: feels safe. It feels safe.

400
00:18:07,160 --> 00:18:08,800
Speaker 1: So I can't admit what I did on July fourth.

401
00:18:08,800 --> 00:18:10,800
Speaker 2: Absolutely, It's just.

402
00:18:10,800 --> 00:18:12,920
Speaker 3: Not only am I going to admit it. I'm going

403
00:18:12,920 --> 00:18:14,120
Speaker 3: to admit that I enjoyed it too.

404
00:18:14,200 --> 00:18:14,440
Speaker 2: Okay.

405
00:18:16,480 --> 00:18:20,199
Speaker 3: I went to a Doja Cat concert, Okay, and I

406
00:18:20,320 --> 00:18:24,359
Speaker 3: danced Wow, look at you? And I danced Were you becoming?

407
00:18:24,400 --> 00:18:27,040
Speaker 3: I danced the night away?

408
00:18:27,040 --> 00:18:28,879
Speaker 2: First of all, don't have a look a man in

409
00:18:28,920 --> 00:18:29,280
Speaker 2: his eyes.

410
00:18:29,680 --> 00:18:35,000
Speaker 3: I dance the night away around a community that likes

411
00:18:35,040 --> 00:18:36,920
Speaker 3: to dance aka gay people.

412
00:18:37,000 --> 00:18:39,520
Speaker 1: Let's not get it. Lists it's not political correct podcasts.

413
00:18:40,320 --> 00:18:42,159
Speaker 3: Gay people love to dance, love it, and you know

414
00:18:42,160 --> 00:18:45,119
Speaker 3: what they also love, but when straight people dance with them,

415
00:18:45,480 --> 00:18:48,399
Speaker 3: there's not there's nothing. There's not a warmer community on

416
00:18:48,440 --> 00:18:50,359
Speaker 3: earth than the gay community. They just want they're the

417
00:18:50,480 --> 00:18:51,080
Speaker 3: nicest people.

418
00:18:52,720 --> 00:18:52,960
Speaker 6: Do it.

419
00:18:53,160 --> 00:18:55,840
Speaker 2: Just just be He were jumping up and down like

420
00:18:56,560 --> 00:18:58,000
Speaker 2: we were teenagers again. Okay.

421
00:19:00,320 --> 00:19:03,520
Speaker 3: And then I realized halfway through to myself, I know

422
00:19:03,600 --> 00:19:04,800
Speaker 3: a lot of Doja Cat songs.

423
00:19:04,880 --> 00:19:05,040
Speaker 4: Yeah.

424
00:19:05,280 --> 00:19:08,119
Speaker 2: She was like, wait, she does this one too, fam.

425
00:19:08,160 --> 00:19:10,240
Speaker 2: I didn't know one of her records was her record

426
00:19:10,280 --> 00:19:12,720
Speaker 2: and I was like, oh she. I always knew Doja

427
00:19:12,800 --> 00:19:16,119
Speaker 2: Cat was dope. But when when the artist sneaks a

428
00:19:16,160 --> 00:19:19,480
Speaker 2: record in that you didn't know was theirs and fire,

429
00:19:19,520 --> 00:19:21,760
Speaker 2: you like damn, Like, okay, she really got some records.

430
00:19:21,840 --> 00:19:23,600
Speaker 1: Yeah it was great.

431
00:19:23,680 --> 00:19:23,880
Speaker 2: Yeah.

432
00:19:24,240 --> 00:19:26,240
Speaker 3: I mean, granted, I understand that she was in racist

433
00:19:26,320 --> 00:19:30,000
Speaker 3: chats showing feet or whatever happened in that Ye whatever

434
00:19:30,359 --> 00:19:32,560
Speaker 3: said showing feet?

435
00:19:33,119 --> 00:19:35,080
Speaker 2: That was that a Norri tweet. I think that was

436
00:19:35,119 --> 00:19:40,480
Speaker 2: the funniest she was chat showing feet. He took black

437
00:19:40,520 --> 00:19:43,600
Speaker 2: ass feet out of the camera. What were they saying?

438
00:19:44,040 --> 00:19:48,240
Speaker 2: I want to know, that's fucking nuts. Well, yeah.

439
00:19:48,240 --> 00:19:50,240
Speaker 3: If you guys canceled me for liking Doja Cat, I'm sorry.

440
00:19:50,320 --> 00:19:52,720
Speaker 3: I don't know much about this woman except I didn't

441
00:19:52,720 --> 00:19:53,560
Speaker 3: realize how many songs.

442
00:19:53,600 --> 00:19:55,360
Speaker 2: I didn't know she has a lot of records.

443
00:19:55,520 --> 00:19:57,679
Speaker 3: And granted it was a day party prior to and

444
00:19:57,840 --> 00:20:00,480
Speaker 3: I was actually planning on leaving before Dojah have performed

445
00:20:00,480 --> 00:20:02,720
Speaker 3: to go somewhere else. But it was just a cool,

446
00:20:03,000 --> 00:20:07,200
Speaker 3: cool vibe there. The duce was going, and then when

447
00:20:07,240 --> 00:20:09,840
Speaker 3: she came on and did that little Scisson number that

448
00:20:09,880 --> 00:20:12,600
Speaker 3: she has, Yeah, that jazzy little we're.

449
00:20:12,480 --> 00:20:15,640
Speaker 2: Staying Yeah, Yeah, I like that. I saw I saw

450
00:20:15,640 --> 00:20:17,640
Speaker 2: some people at that that was in Was that in Brooklyn?

451
00:20:18,080 --> 00:20:18,480
Speaker 2: It was?

452
00:20:18,480 --> 00:20:21,280
Speaker 3: Was that Cony Allen ar Wolves? Okay, yeah, Lenny hosted it.

453
00:20:21,280 --> 00:20:21,920
Speaker 3: Shout out to Lenny.

454
00:20:21,960 --> 00:20:22,080
Speaker 2: It was.

455
00:20:22,119 --> 00:20:23,840
Speaker 3: It was a really really good event. It was it

456
00:20:23,880 --> 00:20:26,240
Speaker 3: was a lot of fun. I just you know, I

457
00:20:27,000 --> 00:20:28,040
Speaker 3: had to admit that.

458
00:20:28,160 --> 00:20:29,200
Speaker 2: No listen, I listened.

459
00:20:29,280 --> 00:20:31,479
Speaker 1: I was shaking my rump to Doja Cat little Syrens.

460
00:20:31,520 --> 00:20:33,960
Speaker 2: And if I would have bumped into you and saw

461
00:20:34,000 --> 00:20:36,440
Speaker 2: you doing that, I would have been concerned. But now

462
00:20:36,480 --> 00:20:38,359
Speaker 2: that you've said it in ad minute, it's it's fine.

463
00:20:38,440 --> 00:20:42,560
Speaker 3: And it was amazing I felt like I could escape because,

464
00:20:43,400 --> 00:20:46,600
Speaker 3: I mean, I thought we had a pretty diverse fan base.

465
00:20:47,800 --> 00:20:50,479
Speaker 3: That group doesn't really listen to our podcast m hm.

466
00:20:51,000 --> 00:20:54,479
Speaker 3: So like I could dance without the fear of a

467
00:20:54,520 --> 00:20:56,840
Speaker 3: fan going yo, fam you knocked that shot.

468
00:20:57,000 --> 00:20:59,720
Speaker 2: Okay, Yeah, I could be myself. You were in a

469
00:20:59,760 --> 00:21:02,080
Speaker 2: safe space. You can let your head down. Yeah, you

470
00:21:02,200 --> 00:21:02,720
Speaker 2: be yourself.

471
00:21:03,119 --> 00:21:09,760
Speaker 3: Man, listen Dojah cat Cony, good wee beautiful July fourth Dance. Man,

472
00:21:09,920 --> 00:21:12,159
Speaker 3: I double parked my car because that's how short I

473
00:21:12,160 --> 00:21:13,000
Speaker 3: thought I was gonna stay.

474
00:21:14,119 --> 00:21:15,440
Speaker 2: Listen, you end up staying all day.

475
00:21:15,560 --> 00:21:17,520
Speaker 1: I was there. I closed it out with with Doja.

476
00:21:17,720 --> 00:21:19,360
Speaker 1: You closed the the whole shit down.

477
00:21:20,440 --> 00:21:22,800
Speaker 2: But why why do guys? Why do we When did

478
00:21:22,880 --> 00:21:25,280
Speaker 2: that become a thing like why don't we dance anymore?

479
00:21:25,800 --> 00:21:27,639
Speaker 2: And I'm not saying men have to bust out and

480
00:21:27,720 --> 00:21:31,359
Speaker 2: routes because doing routines like it's just weird, don't you?

481
00:21:31,440 --> 00:21:35,160
Speaker 2: But it's nothing fun routines. I bet not. I can't.

482
00:21:35,600 --> 00:21:38,280
Speaker 1: I am a kappa. I listen, but that's different though

483
00:21:38,320 --> 00:21:39,000
Speaker 1: I was by.

484
00:21:38,960 --> 00:21:41,159
Speaker 3: My shoulders in line with a bunch of other men

485
00:21:41,200 --> 00:21:42,720
Speaker 3: at the same time. But if we're in a club

486
00:21:42,760 --> 00:21:43,880
Speaker 3: while we were squatted down.

487
00:21:44,200 --> 00:21:46,160
Speaker 2: Yeah, but if we're in a club and you start

488
00:21:46,280 --> 00:21:49,119
Speaker 2: doing like routines, I'm gonna tap you. Like, bro, you

489
00:21:49,119 --> 00:21:51,119
Speaker 2: can dance, but you gotta stop doing like a routine.

490
00:21:51,160 --> 00:21:54,399
Speaker 3: But isn't that your era, like doing routines and dancing

491
00:21:54,440 --> 00:21:57,399
Speaker 3: and ship No, allright, No, I thought that was like

492
00:21:57,880 --> 00:21:58,480
Speaker 3: killing the eighties.

493
00:21:58,520 --> 00:22:01,240
Speaker 2: I never know. First of all, I don't need you

494
00:22:01,320 --> 00:22:03,119
Speaker 2: thought I was like out in the club in the eighties.

495
00:22:04,320 --> 00:22:07,159
Speaker 2: I think that's wrong with you, man. No, Like we

496
00:22:07,160 --> 00:22:10,800
Speaker 2: we definitely did like dances like oh, I know the

497
00:22:10,880 --> 00:22:13,720
Speaker 2: name of that, Like that move is called the whatever

498
00:22:14,080 --> 00:22:17,040
Speaker 2: I'm talking about, full out routines where you can almost

499
00:22:17,040 --> 00:22:20,840
Speaker 2: see like yourself counting the one, two, three, and four

500
00:22:20,920 --> 00:22:21,600
Speaker 2: and one, Like.

501
00:22:21,640 --> 00:22:23,199
Speaker 3: If you're doing that and white, that's how I have

502
00:22:23,240 --> 00:22:25,760
Speaker 3: to dance. Yeah, you gotta catch ours is more two

503
00:22:25,880 --> 00:22:26,280
Speaker 3: four one?

504
00:22:26,320 --> 00:22:29,200
Speaker 2: Yeah? Yeah. Yeah, y'all dance on the damn Yeah we do. Yeah,

505
00:22:29,560 --> 00:22:32,320
Speaker 2: y'all dance on the up, nothing down. Black people dance

506
00:22:32,359 --> 00:22:34,800
Speaker 2: on the dawn. White people dance on the up because

507
00:22:34,800 --> 00:22:38,240
Speaker 2: we get excited. Yeah, that's why y'all dance to words exactly. Yeah,

508
00:22:38,359 --> 00:22:40,200
Speaker 2: y'all don't dance to like drops in and we want

509
00:22:40,200 --> 00:22:42,920
Speaker 2: to we want to go. It's like, give it one beat,

510
00:22:44,000 --> 00:22:47,840
Speaker 2: now go Now. It's like I'm excited. Yeah, like y'all

511
00:22:47,840 --> 00:22:50,600
Speaker 2: hear words and white people just lose their mind. But yeah,

512
00:22:50,600 --> 00:22:52,159
Speaker 2: I don't know, like it's next. I don't see a

513
00:22:52,200 --> 00:22:53,560
Speaker 2: lot of guys dancing anymore.

514
00:22:54,480 --> 00:22:57,760
Speaker 3: I think we just discovered white people's rhythm. We do

515
00:22:57,880 --> 00:23:00,000
Speaker 3: dance to words. Dance never even cross my eyes.

516
00:23:00,280 --> 00:23:02,920
Speaker 2: That's what white people. That's why we accept Justin Timulk

517
00:23:03,000 --> 00:23:05,280
Speaker 2: because he's one of the few white guys that danced

518
00:23:05,320 --> 00:23:06,080
Speaker 2: to like the beat.

519
00:23:06,640 --> 00:23:10,280
Speaker 3: Yeah, and I appreciated Justin Bieber when he told all

520
00:23:10,280 --> 00:23:11,920
Speaker 3: his fans, Yo, you guys are off beat.

521
00:23:12,400 --> 00:23:14,200
Speaker 2: Yeah, he said that unstated.

522
00:23:14,680 --> 00:23:16,959
Speaker 3: They were clapped like they were clapping whatever song. He's like, Yo,

523
00:23:17,160 --> 00:23:19,200
Speaker 3: I'm gonna stop this record. You guys are all off

524
00:23:19,200 --> 00:23:20,840
Speaker 3: beat because they would throw the artists off.

525
00:23:20,920 --> 00:23:23,040
Speaker 2: Of course, I've seen that before, and I'm like, the

526
00:23:23,200 --> 00:23:26,080
Speaker 2: entire arena is off beat, Like that has to be

527
00:23:26,359 --> 00:23:28,560
Speaker 2: annoying for the artists, Like I'm about to be off

528
00:23:28,560 --> 00:23:31,560
Speaker 2: beat because it's fifteen thousand people that are clapping off beat.

529
00:23:31,720 --> 00:23:33,479
Speaker 3: But that's the beauty of Doja Cat's music. You can

530
00:23:33,600 --> 00:23:35,639
Speaker 3: move to whatever you want to. Yeah, the beat is everywhere,

531
00:23:36,280 --> 00:23:38,960
Speaker 3: the lyrics always on beat with Yeah. That's why she

532
00:23:39,119 --> 00:23:40,639
Speaker 3: is who she is. He's such a great artist. But

533
00:23:40,640 --> 00:23:41,360
Speaker 3: I love Doja Cat.

534
00:23:41,400 --> 00:23:43,520
Speaker 2: That's dope. I saw a lot of people there. I

535
00:23:43,520 --> 00:23:45,600
Speaker 2: didn't know what it was, but I saw Doja Cat

536
00:23:45,600 --> 00:23:46,960
Speaker 2: and I saw a bunch of people and I'm like, Okay,

537
00:23:47,000 --> 00:23:50,320
Speaker 2: they must have smookd a Doja Cat show, Doja Cat.

538
00:23:50,680 --> 00:23:52,719
Speaker 2: I love her. I love Doja. I know she's canceled.

539
00:23:52,760 --> 00:23:56,480
Speaker 2: I know people don't really fuck with her, but listen, man,

540
00:23:56,760 --> 00:23:59,040
Speaker 2: I don't know. He hangs out with Sweety Black. She

541
00:23:59,119 --> 00:24:01,440
Speaker 2: was doing blackfeet on online.

542
00:24:01,200 --> 00:24:02,840
Speaker 1: Something different intead of black face. It's black feet.

543
00:24:02,880 --> 00:24:04,119
Speaker 2: You just said she was You just said she was

544
00:24:04,160 --> 00:24:06,080
Speaker 2: exposing her feet.

545
00:24:06,160 --> 00:24:08,080
Speaker 3: I don't know anything about Doja K. So if you

546
00:24:08,119 --> 00:24:10,199
Speaker 3: guys call to me for liking her, I apologize. If

547
00:24:10,200 --> 00:24:12,000
Speaker 3: she has some crazy past that I don't know about,

548
00:24:12,080 --> 00:24:15,160
Speaker 3: I'm sorry. I again, didn't even know she had these

549
00:24:15,160 --> 00:24:17,840
Speaker 3: records that I knew. I was expecting not to know

550
00:24:17,880 --> 00:24:19,560
Speaker 3: one song, and then all of a sudden, I knew

551
00:24:19,560 --> 00:24:20,000
Speaker 3: every song.

552
00:24:20,400 --> 00:24:22,080
Speaker 2: And I love the video with her and Sweety. I

553
00:24:22,160 --> 00:24:25,800
Speaker 2: watch it probably twice a week. Yeah, no, I sing

554
00:24:25,840 --> 00:24:28,719
Speaker 2: it to Baisley. That's that's my that's my friends, that's

555
00:24:28,720 --> 00:24:32,399
Speaker 2: the name of a best friends. Yeah, I like that record, Jesus,

556
00:24:32,480 --> 00:24:35,640
Speaker 2: I love that record. Well, I love Sweetie, I love

557
00:24:35,680 --> 00:24:38,080
Speaker 2: Sweetie and happy then she just have a birthday, I think, right,

558
00:24:38,119 --> 00:24:40,280
Speaker 2: happy birthday. Oh of course we didn't get it. Really.

559
00:24:40,359 --> 00:24:42,119
Speaker 2: I heard it was like a freak Nick and.

560
00:24:42,040 --> 00:24:45,240
Speaker 1: I see that is she what an aries?

561
00:24:45,560 --> 00:24:48,600
Speaker 2: I don't know what. I don't know what she is.

562
00:24:50,160 --> 00:24:52,480
Speaker 2: She had like a freak Nick themed birthday party.

563
00:24:52,520 --> 00:24:55,840
Speaker 1: I believe that's fire and sorry, cut you off.

564
00:24:56,600 --> 00:25:01,480
Speaker 2: I never did freak Nick. I was still kind. I

565
00:25:01,560 --> 00:25:03,880
Speaker 2: was in my teens. I was a little too young

566
00:25:03,920 --> 00:25:06,560
Speaker 2: to do the Freaknick thing. A few of my homies

567
00:25:06,600 --> 00:25:08,879
Speaker 2: from my hood they used to do Freaknick. But we

568
00:25:08,960 --> 00:25:14,040
Speaker 2: did like Black College Weekend, King's Dominion in Virginia, we

569
00:25:14,119 --> 00:25:17,120
Speaker 2: used to do that. We did Myrtle Beach a couple

570
00:25:17,080 --> 00:25:19,040
Speaker 2: of time, Virginia Beach a couple of times. Can't go

571
00:25:19,040 --> 00:25:23,080
Speaker 2: wrong Virginia Beach. Yeah, but never Freaknik. I never did Freaknick.

572
00:25:23,359 --> 00:25:27,080
Speaker 2: I used to buy all of the DVDs though it's

573
00:25:27,080 --> 00:25:29,520
Speaker 2: Oh my god, horny flaug God. I had the collection

574
00:25:29,600 --> 00:25:31,560
Speaker 2: of Freaknick. Like, that's what I'm saying. If you go

575
00:25:31,640 --> 00:25:33,879
Speaker 2: back and look at some of these things, like the

576
00:25:33,920 --> 00:25:37,639
Speaker 2: things that people get canceled about now as opposed to

577
00:25:37,760 --> 00:25:40,879
Speaker 2: like things that were freely happening like in the early

578
00:25:40,920 --> 00:25:45,679
Speaker 2: two thousands, like yeah, late nineties, it's like the world

579
00:25:45,760 --> 00:25:48,359
Speaker 2: has changed significantly because if you go look at some

580
00:25:48,400 --> 00:25:52,960
Speaker 2: of those early Freaknik DVDs, women are walking down the

581
00:25:52,960 --> 00:25:55,320
Speaker 2: street and I'm talking about guys are just grabbing ass.

582
00:25:55,680 --> 00:25:59,760
Speaker 2: They're not saying hello, said, it's just like you're out here,

583
00:26:00,200 --> 00:26:03,480
Speaker 2: you know what's going down? I might want to clip

584
00:26:03,520 --> 00:26:08,240
Speaker 2: this part. Why that's what it was. I'm not saying

585
00:26:08,280 --> 00:26:10,760
Speaker 2: it was right. I'm just saying, okay, good, that's what

586
00:26:10,840 --> 00:26:13,399
Speaker 2: was happening. I'm just saying, yo, I'm not saying it, well,

587
00:26:13,440 --> 00:26:15,160
Speaker 2: you know what time it is out here? May you back?

588
00:26:15,480 --> 00:26:17,800
Speaker 2: Let me grab your ass? That's what the energy was.

589
00:26:17,840 --> 00:26:20,280
Speaker 2: Sick though you can't do that, but listen, I know,

590
00:26:20,440 --> 00:26:23,200
Speaker 2: But I'm just saying back then, it was like there

591
00:26:23,280 --> 00:26:25,359
Speaker 2: was no police were right there.

592
00:26:26,160 --> 00:26:27,880
Speaker 1: Well we know cops don't really care.

593
00:26:27,920 --> 00:26:30,240
Speaker 2: I'm just saying this wasn't like you know what I mean,

594
00:26:30,280 --> 00:26:32,520
Speaker 2: it was kind of like, this is what this is,

595
00:26:32,600 --> 00:26:34,439
Speaker 2: this is what this energy is. We all know what

596
00:26:34,440 --> 00:26:35,359
Speaker 2: we're doing out here.

597
00:26:36,200 --> 00:26:39,320
Speaker 3: It was a lot of ass shake grab understanding of Freaknick.

598
00:26:39,480 --> 00:26:41,840
Speaker 3: From what I understand, everyone knew what time it was

599
00:26:41,880 --> 00:26:43,320
Speaker 3: and was a willing participant.

600
00:26:43,359 --> 00:26:46,200
Speaker 2: And that's what I'm saying. So it's something like, again,

601
00:26:46,240 --> 00:26:47,800
Speaker 2: when you look at it now, it wasn't like a

602
00:26:47,840 --> 00:26:49,879
Speaker 2: civilian walking but no, no, no, no no, it was not

603
00:26:50,480 --> 00:26:52,639
Speaker 2: no no no, it wasn't a civilian. These were women that,

604
00:26:52,800 --> 00:26:56,000
Speaker 2: these were freaks these and at a picnic, you know

605
00:26:56,000 --> 00:26:57,600
Speaker 2: what I mean. So it was kind of like this

606
00:26:57,640 --> 00:27:00,440
Speaker 2: is what these are all dirt, which I get. I

607
00:27:00,480 --> 00:27:03,720
Speaker 2: don't know what yous, Yeah, I didn't. I don't know.

608
00:27:03,880 --> 00:27:06,040
Speaker 2: I'm just saying when you go back and look at

609
00:27:06,080 --> 00:27:09,440
Speaker 2: some of those old Freaknik DVDs with the twenty twenty

610
00:27:09,480 --> 00:27:12,560
Speaker 2: one mentality of the way society is now, bro I'm

611
00:27:12,600 --> 00:27:15,920
Speaker 2: talking about, you would be like, holy shit, yes, is

612
00:27:15,960 --> 00:27:18,320
Speaker 2: insane that this was a real thing that was happening before.

613
00:27:18,359 --> 00:27:20,119
Speaker 3: And in no way is it a comparison because men

614
00:27:20,160 --> 00:27:22,280
Speaker 3: grab women's ass without their permission all the time, but

615
00:27:22,359 --> 00:27:26,159
Speaker 3: we never get into women grabbing dicks without our permission. Yeah,

616
00:27:26,320 --> 00:27:29,040
Speaker 3: it happens way more often than people think. Absolutely, and

617
00:27:29,080 --> 00:27:32,520
Speaker 3: it's really uncomfortable it, especially especially in denim.

618
00:27:32,600 --> 00:27:34,280
Speaker 2: Yeah, but it depends on who's grabbing it.

619
00:27:35,119 --> 00:27:38,920
Speaker 3: Women don't really have like an idea of their strength

620
00:27:39,000 --> 00:27:41,760
Speaker 3: and their grip a lot of times. Yeah, so like

621
00:27:41,880 --> 00:27:44,800
Speaker 3: to them it they think they're being sexy, but like,

622
00:27:44,840 --> 00:27:45,600
Speaker 3: I'm really in pain.

623
00:27:45,840 --> 00:27:48,400
Speaker 2: This is attached to me. This doesn't come off yeah,

624
00:27:48,960 --> 00:27:51,080
Speaker 2: or they're really painful, or what about when they missed

625
00:27:51,200 --> 00:27:53,639
Speaker 2: like the entire and they just grab like one nut.

626
00:27:54,760 --> 00:27:57,760
Speaker 2: Ooh that a fuck. That'll have you listen when they

627
00:27:57,800 --> 00:28:01,800
Speaker 2: just grab the one nut though not sack. I want

628
00:28:01,840 --> 00:28:03,760
Speaker 2: to think that's like the whole you like, yo, shorty,

629
00:28:03,800 --> 00:28:06,359
Speaker 2: hold on, that's a one ball that hurts.

630
00:28:06,800 --> 00:28:09,520
Speaker 3: Yeah, And that's that's the type of woman that ends

631
00:28:09,600 --> 00:28:12,600
Speaker 3: up being like the over the top dick sucker when

632
00:28:12,640 --> 00:28:15,040
Speaker 3: you're like, yo, relax, you're doing a lot. I know

633
00:28:15,080 --> 00:28:20,400
Speaker 3: you think you're going crazy. This isn't fun. Yeah, like

634
00:28:20,400 --> 00:28:22,600
Speaker 3: like your mouth is a vacuum all my nut right now,

635
00:28:22,680 --> 00:28:24,240
Speaker 3: and it's not in a good way, Like it hurts

636
00:28:24,240 --> 00:28:24,480
Speaker 3: a lot.

637
00:28:24,640 --> 00:28:26,800
Speaker 2: Yeah, that's like a sensitive it's a sensitive area.

638
00:28:26,880 --> 00:28:27,000
Speaker 4: Man.

639
00:28:27,040 --> 00:28:29,639
Speaker 2: You can't really go too crazy on on on the nuts.

640
00:28:29,640 --> 00:28:32,800
Speaker 2: You can't do that pause that just sounds it was

641
00:28:32,840 --> 00:28:33,280
Speaker 2: kind of nuts.

642
00:28:33,520 --> 00:28:35,760
Speaker 3: But here I'll take it even further and ask her

643
00:28:35,840 --> 00:28:39,400
Speaker 3: so we can't get any ads. I'm not a huge

644
00:28:39,400 --> 00:28:42,440
Speaker 3: fan of the continuing to suck after I nut thing,

645
00:28:43,320 --> 00:28:45,400
Speaker 3: Like I know that's like, oh my gosh, you kept

646
00:28:45,440 --> 00:28:49,000
Speaker 3: like that's a thing. It's a really sensitive and vulnerable

647
00:28:49,000 --> 00:28:51,640
Speaker 3: time for me after I come. Yeah, I go into

648
00:28:51,640 --> 00:28:54,320
Speaker 3: my shell. I'm not as masculine as I once was.

649
00:28:54,960 --> 00:28:56,800
Speaker 3: Like I'm like a wounded baby.

650
00:28:56,760 --> 00:29:00,560
Speaker 2: Yeah, I'm a young calf at that time, are feeling

651
00:29:00,600 --> 00:29:07,440
Speaker 2: like I turned into ve You get way too vulnerable

652
00:29:07,480 --> 00:29:10,239
Speaker 2: after that. It's just like I'm still a man, but

653
00:29:10,320 --> 00:29:13,000
Speaker 2: you don't have the man's strength. Yea, Like all of

654
00:29:13,000 --> 00:29:15,480
Speaker 2: the strength just leaves your body and you feel like

655
00:29:15,520 --> 00:29:17,040
Speaker 2: a wet mink coat exactly.

656
00:29:17,400 --> 00:29:19,880
Speaker 3: She's still sucking the same way. I'm like all stop

657
00:29:20,280 --> 00:29:21,520
Speaker 3: and like I'm curling into a ball.

658
00:29:21,680 --> 00:29:24,160
Speaker 2: It's great times though, it makes it makes a great

659
00:29:24,160 --> 00:29:29,360
Speaker 2: conversation after Yeah, man, I don't know, but yeah, we

660
00:29:29,440 --> 00:29:30,000
Speaker 2: just went down a.

661
00:29:30,040 --> 00:29:35,400
Speaker 3: Whole Yeah, everyone's a atl Greek no Ato Greek. I mean,

662
00:29:35,640 --> 00:29:37,680
Speaker 3: of course, not freaking it but that was kind of

663
00:29:37,680 --> 00:29:40,360
Speaker 3: our version of it. Atl Greek was the ship.

664
00:29:40,200 --> 00:29:42,120
Speaker 2: Didn't They used to have like Greek Fest up here

665
00:29:42,160 --> 00:29:44,240
Speaker 2: at like was it Jones Beach or.

666
00:29:45,120 --> 00:29:48,440
Speaker 3: It was Greeton was at Brighton Beach once. It was

667
00:29:48,520 --> 00:29:51,440
Speaker 3: kind of kind of traveled, Okay, Greeton was the ship.

668
00:29:51,680 --> 00:29:54,080
Speaker 2: Yeah, you had to be there. I used to, like

669
00:29:54,080 --> 00:29:56,920
Speaker 2: I said, Black College Weekend. Uh did that a few

670
00:29:56,960 --> 00:30:00,680
Speaker 2: times Myrtle Beach, Virginia Beach And that was it.

671
00:30:00,760 --> 00:30:02,120
Speaker 3: The first time I lied about my age was at

672
00:30:02,160 --> 00:30:05,120
Speaker 3: Atl Greek and I forgot like Facebook existed at the time.

673
00:30:05,240 --> 00:30:08,720
Speaker 3: And when I got back, Shorty messaged me on Facebook

674
00:30:08,840 --> 00:30:11,120
Speaker 3: and said, you know your birthday is on your Facebook

675
00:30:13,000 --> 00:30:16,000
Speaker 3: and she was like thirty. I was nineteen and I

676
00:30:16,160 --> 00:30:18,160
Speaker 3: just lied. She was like you too young. I was like, noa,

677
00:30:18,720 --> 00:30:20,880
Speaker 3: I pulled it you up, call back, Yeah, pulled it

678
00:30:20,960 --> 00:30:21,240
Speaker 3: you well.

679
00:30:21,320 --> 00:30:23,960
Speaker 2: Santana crazy like I'll.

680
00:30:23,880 --> 00:30:26,480
Speaker 3: Tell you what the nineties like with the nineties, like, yeah,

681
00:30:26,480 --> 00:30:28,200
Speaker 3: that's what you should have hit her with. No I

682
00:30:28,280 --> 00:30:29,880
Speaker 3: hit But then she got really mad at me when

683
00:30:29,920 --> 00:30:31,440
Speaker 3: she realized I lied about my age, and she fucked

684
00:30:31,480 --> 00:30:32,000
Speaker 3: the teenager.

685
00:30:32,680 --> 00:30:34,880
Speaker 2: It's okay, she turned I was legal, man. Yeah, she

686
00:30:34,920 --> 00:30:36,800
Speaker 2: turned you into it. Man, it's so good. I had

687
00:30:36,920 --> 00:30:38,920
Speaker 2: I had had sex with women by that. Oh, okay, okay,

688
00:30:38,920 --> 00:30:40,720
Speaker 2: I lost my virginia of fourteen th This was a

689
00:30:40,800 --> 00:30:44,800
Speaker 2: first encounter that would lose you, you think, I am. I

690
00:30:44,800 --> 00:30:46,240
Speaker 2: thought this was your first encounter at Greek?

691
00:30:46,240 --> 00:30:46,520
Speaker 5: What is it?

692
00:30:46,680 --> 00:30:47,160
Speaker 2: Greek doom?

693
00:30:47,480 --> 00:30:48,480
Speaker 1: This was Atl Greek?

694
00:30:48,640 --> 00:30:51,160
Speaker 2: Atl Greek? Yes, and I never heard of Atl Greek.

695
00:30:51,360 --> 00:30:51,800
Speaker 2: It's dope.

696
00:30:51,840 --> 00:30:53,960
Speaker 1: It was a really good time speaking of but they

697
00:30:54,040 --> 00:30:55,360
Speaker 1: still have it, of course.

698
00:30:55,600 --> 00:30:57,760
Speaker 2: Yeah, okay, it was the thing. Okay, yeah, I know,

699
00:30:57,800 --> 00:31:01,080
Speaker 2: freaknikas out of it. There's no there's no country for

700
00:31:01,120 --> 00:31:01,600
Speaker 2: freak naked.

701
00:31:01,640 --> 00:31:02,680
Speaker 1: Oh my fucking nuts.

702
00:31:02,760 --> 00:31:05,600
Speaker 2: Yeah, no, it's over for that. That would be canceled picnic.

703
00:31:07,360 --> 00:31:09,960
Speaker 3: Speaking of college, did I ever tell you about the

704
00:31:10,040 --> 00:31:10,840
Speaker 3: legend of day song?

705
00:31:11,360 --> 00:31:14,520
Speaker 2: Have we ever had that conversation? No? I don't think so.

706
00:31:15,240 --> 00:31:15,480
Speaker 2: I was.

707
00:31:16,000 --> 00:31:19,160
Speaker 1: I was at dinner last night with a friend of mine, Beatrice.

708
00:31:19,200 --> 00:31:21,320
Speaker 2: Hi, Beatrice shout out to be.

709
00:31:21,800 --> 00:31:24,080
Speaker 3: And we were just reminiscing on college the way you know,

710
00:31:24,120 --> 00:31:25,720
Speaker 3: you meet up with your friends and reminisces about it,

711
00:31:26,480 --> 00:31:30,600
Speaker 3: and she reminded me of the day song story, and

712
00:31:30,680 --> 00:31:33,440
Speaker 3: I heard as a guy, day soon is a guy.

713
00:31:34,480 --> 00:31:35,080
Speaker 2: I'm going to change.

714
00:31:35,080 --> 00:31:36,240
Speaker 1: Everyone else's name should like I.

715
00:31:36,200 --> 00:31:37,680
Speaker 2: Should have changed. Shout him out right.

716
00:31:37,640 --> 00:31:39,240
Speaker 3: Now, I shout out to day Song. I don't know

717
00:31:39,240 --> 00:31:41,760
Speaker 3: where day Soon is at. Dayson is from Atlantic City.

718
00:31:42,240 --> 00:31:45,320
Speaker 3: Day Song was way cooler than me in college. Day

719
00:31:45,320 --> 00:31:46,040
Speaker 3: Song was that dude.

720
00:31:46,440 --> 00:31:46,560
Speaker 2: Right.

721
00:31:47,680 --> 00:31:52,600
Speaker 3: So, day Song was sleeping with a woman next door

722
00:31:52,680 --> 00:31:54,880
Speaker 3: to the dorm that I was sleeping with a woman.

723
00:31:57,000 --> 00:31:58,760
Speaker 3: What's what's a cool woman name that we can I

724
00:31:58,800 --> 00:31:59,800
Speaker 3: don't want to say her real name.

725
00:32:00,840 --> 00:32:01,959
Speaker 2: I always like Erica's.

726
00:32:02,280 --> 00:32:06,440
Speaker 3: Okay, Dayson is sleeping with Erica, just sleeping with Erica.

727
00:32:06,800 --> 00:32:08,440
Speaker 3: Erica thinks that she's dating day Song.

728
00:32:09,520 --> 00:32:10,720
Speaker 2: Okay.

729
00:32:10,920 --> 00:32:14,080
Speaker 1: Meanwhile, Dayson is also knocking down Erica's roommate.

730
00:32:15,560 --> 00:32:16,040
Speaker 2: As well.

731
00:32:16,080 --> 00:32:19,520
Speaker 3: Okay, he's just timing it with classes. Got you Saint

732
00:32:19,560 --> 00:32:24,720
Speaker 3: Peter's legend day Soon. So one Friday night, just hear

733
00:32:25,200 --> 00:32:29,040
Speaker 3: Erica busts out crying like a bad cry. So we

734
00:32:29,120 --> 00:32:30,760
Speaker 3: open the door, we go knock on her door.

735
00:32:30,760 --> 00:32:31,440
Speaker 2: You everything. Okay.

736
00:32:32,080 --> 00:32:35,160
Speaker 3: It's like I just got a text message that day

737
00:32:35,280 --> 00:32:39,080
Speaker 3: Song was murdered, and he was like, damn, that sucks.

738
00:32:40,720 --> 00:32:43,360
Speaker 3: Had this whole paragraph like, hey, I'm Dayson's sister. I

739
00:32:43,360 --> 00:32:45,040
Speaker 3: forgot what it was, but it was just Yo, day

740
00:32:45,120 --> 00:32:50,200
Speaker 3: Song was murdered, like sorry type shit. So that word

741
00:32:50,200 --> 00:32:52,800
Speaker 3: spreads quickly around campus, and day Soon was a popular dude.

742
00:32:53,680 --> 00:32:56,640
Speaker 3: They do candled vigils or whatever that shit the word is.

743
00:32:57,640 --> 00:33:00,760
Speaker 3: The college sends out an email like, ok, just if

744
00:33:00,800 --> 00:33:02,880
Speaker 3: anyone needs help. Or it was a Catholic school too,

745
00:33:02,920 --> 00:33:03,840
Speaker 3: so it's like if you need to talk to the

746
00:33:03,840 --> 00:33:07,440
Speaker 3: priests about Dayson dying, like we have times for this

747
00:33:07,480 --> 00:33:10,440
Speaker 3: type of shit. People are literally like the campus stop.

748
00:33:10,480 --> 00:33:13,680
Speaker 3: People are balling their fucking eyes out like it was

749
00:33:13,760 --> 00:33:19,680
Speaker 3: a thing. Sunday passes, no one does nothing, another fucking ceremony.

750
00:33:20,160 --> 00:33:23,160
Speaker 3: I'm literally laying in my bed hearing people scream cry

751
00:33:23,320 --> 00:33:24,000
Speaker 3: all fucking night.

752
00:33:24,920 --> 00:33:38,280
Speaker 2: Monday rolls around. Day Soon just walks on campus, fam Monday.

753
00:33:38,480 --> 00:33:41,040
Speaker 2: Mind Saint Peter's a really small campus, like you kind

754
00:33:41,040 --> 00:33:41,640
Speaker 2: of see everybody.

755
00:33:41,680 --> 00:33:44,520
Speaker 3: Everyone starts they classes at like ten. Again, everybody's outside.

756
00:33:44,560 --> 00:33:47,440
Speaker 3: So word has spread that he was murdered already. The

757
00:33:47,840 --> 00:33:49,120
Speaker 3: college sent out an email.

758
00:33:49,160 --> 00:33:52,880
Speaker 2: There was candlelight vigils, okay, like they were making airbrush

759
00:33:52,880 --> 00:33:56,320
Speaker 2: t shirts already, Like, no Dayson is dead murdered, it's

760
00:33:56,960 --> 00:34:00,160
Speaker 2: over right, right, he fucking.

761
00:34:01,680 --> 00:34:04,880
Speaker 3: Walks on campus like nothing is wrong. Uh huh, Like

762
00:34:04,960 --> 00:34:10,040
Speaker 3: he didn't just get murdered, right, Yeah, it was good fan, No,

763
00:34:10,160 --> 00:34:10,880
Speaker 3: what's good?

764
00:34:11,200 --> 00:34:11,399
Speaker 2: Right?

765
00:34:11,719 --> 00:34:15,279
Speaker 3: This is a ghost. You're a ghost. What the fuck

766
00:34:15,320 --> 00:34:17,239
Speaker 3: are you doing here? He was really cool with my

767
00:34:17,280 --> 00:34:22,880
Speaker 3: man Cosey. So Cosey tells me like an hour later,

768
00:34:23,360 --> 00:34:24,919
Speaker 3: I was like, yo, what the fuck is going?

769
00:34:24,960 --> 00:34:25,000
Speaker 2: Like?

770
00:34:25,080 --> 00:34:27,200
Speaker 3: Dayson is here? He's like, Yo, the small fuck is

771
00:34:27,239 --> 00:34:30,239
Speaker 3: on campus right now alive. I'm like, what happened? Like

772
00:34:30,920 --> 00:34:33,279
Speaker 3: I thought he was murdered. He was like, nah, he

773
00:34:33,320 --> 00:34:34,600
Speaker 3: was trying to get away from Erica.

774
00:34:36,040 --> 00:34:37,839
Speaker 2: Nah, he did all of that just he.

775
00:34:37,880 --> 00:34:40,439
Speaker 3: Sent the text message because she, I guess, was blowing

776
00:34:40,440 --> 00:34:41,759
Speaker 3: his phone up and annoying him, and he went back

777
00:34:41,800 --> 00:34:44,080
Speaker 3: to Atlantic City for the weekend. So she was blowing

778
00:34:44,120 --> 00:34:47,440
Speaker 3: his fucking phone up, going crazy, So he sent a

779
00:34:47,480 --> 00:34:49,960
Speaker 3: text message pretending to be like his sister so she

780
00:34:50,000 --> 00:34:51,879
Speaker 3: would leave him the fuck alone and said, day Song

781
00:34:51,960 --> 00:34:53,000
Speaker 3: was murdered tonight.

782
00:34:53,520 --> 00:34:56,040
Speaker 2: But what a day soon? Let me ask you something

783
00:34:56,120 --> 00:34:58,359
Speaker 2: Dayson and I hope, I hope you're in great health.

784
00:34:58,400 --> 00:35:00,279
Speaker 2: I hope everything too. Dayson was a cool dude. I

785
00:35:00,320 --> 00:35:04,280
Speaker 2: fucking him, walk me, walk me through this. Why would

786
00:35:04,280 --> 00:35:06,160
Speaker 2: he go to murder and not just say he was

787
00:35:06,360 --> 00:35:07,560
Speaker 2: arrested or something like that.

788
00:35:09,040 --> 00:35:10,440
Speaker 1: It was flyer to get murdered.

789
00:35:10,160 --> 00:35:14,120
Speaker 2: I guess, But you're not. You have to come back

790
00:35:14,200 --> 00:35:14,600
Speaker 2: like I know.

791
00:35:14,680 --> 00:35:16,759
Speaker 3: That's that's why I love the confidence of it. Like, YO,

792
00:35:16,880 --> 00:35:21,520
Speaker 3: just give me. Women don't understand, like nod, then just

793
00:35:21,560 --> 00:35:23,560
Speaker 3: need peace for like a little bit. If y'all just

794
00:35:23,560 --> 00:35:27,319
Speaker 3: like my murder, Like YO, just give me two days

795
00:35:27,320 --> 00:35:29,040
Speaker 3: to relax. I'm man ins to be my family. I'm

796
00:35:29,080 --> 00:35:32,240
Speaker 3: trying to chill, maybe knock down some old high school pussy's,

797
00:35:32,239 --> 00:35:33,120
Speaker 3: like leave me the fuck alone.

798
00:35:33,200 --> 00:35:36,439
Speaker 2: Here's where he's really alleged. Did he ever have sex

799
00:35:36,480 --> 00:35:39,600
Speaker 2: with Erica? After that of Oh, he's a fucking legend.

800
00:35:39,719 --> 00:35:42,040
Speaker 2: He's the fucking legend, and and then went on to

801
00:35:42,800 --> 00:35:45,200
Speaker 2: like really date her roommate that he was already knocking down.

802
00:35:45,840 --> 00:35:47,680
Speaker 2: Oh who is this guy? He was day soon was

803
00:35:47,719 --> 00:35:51,399
Speaker 2: a fucking legend. We need if she.

804
00:35:51,360 --> 00:35:54,000
Speaker 3: Could uh, if she could find his number today, please

805
00:35:54,040 --> 00:35:55,560
Speaker 3: do man, because I wanted to call him on this

806
00:35:55,600 --> 00:35:58,040
Speaker 3: podcast in twelve years.

807
00:35:58,080 --> 00:36:00,600
Speaker 2: But he's lying like that in college. I have to

808
00:36:00,640 --> 00:36:02,120
Speaker 2: know the type of lives he's getting off as an

809
00:36:02,160 --> 00:36:06,239
Speaker 2: adult Yeah, like he's getting some sick shit off. Like

810
00:36:06,719 --> 00:36:09,440
Speaker 2: as an adult, if you go to murder just so

811
00:36:09,719 --> 00:36:12,120
Speaker 2: a girl will stop hitting your phone, because most guys say,

812
00:36:12,320 --> 00:36:18,520
Speaker 2: I rested, lost my phone, you know, car got told whatever,

813
00:36:18,719 --> 00:36:21,239
Speaker 2: my phone is in my car, whatever, something that just

814
00:36:21,239 --> 00:36:25,080
Speaker 2: buy you twenty four hours. Yeah, Like every dude has

815
00:36:25,160 --> 00:36:28,960
Speaker 2: killed their grandmother murdered times. Oh yo, grandma, I got

816
00:36:28,960 --> 00:36:31,520
Speaker 2: to go to a funeral. How many grandma's defend like that,

817
00:36:32,200 --> 00:36:34,920
Speaker 2: things like that, you don't put yourself in the casket.

818
00:36:35,000 --> 00:36:36,480
Speaker 1: Well that's that's what he was. He was saving his

819
00:36:36,480 --> 00:36:38,439
Speaker 1: grandma killing.

820
00:36:38,520 --> 00:36:41,200
Speaker 2: He made an executive decision he wasn't gonna do this.

821
00:36:41,320 --> 00:36:43,000
Speaker 2: I can't do that to grandma, So I'll just say

822
00:36:43,040 --> 00:36:45,360
Speaker 2: I'm dead, all right, I got you. That's that's some crazy.

823
00:36:45,360 --> 00:36:47,680
Speaker 3: But it was also the confidence of just coming back

824
00:36:47,719 --> 00:36:48,800
Speaker 3: on Monday like nothing.

825
00:36:49,000 --> 00:36:51,640
Speaker 2: He didn't get in trouble for that. No. I just

826
00:36:51,680 --> 00:36:53,480
Speaker 2: feel like it would be like some type of repercussions

827
00:36:53,480 --> 00:36:55,320
Speaker 2: if a school, since I email, somebody died and you

828
00:36:55,360 --> 00:36:56,920
Speaker 2: just walk candlelight.

829
00:36:56,560 --> 00:37:00,520
Speaker 3: Vision, I think the school needs to like check their facts.

830
00:37:00,520 --> 00:37:02,200
Speaker 3: May be called the Atlantic.

831
00:37:01,840 --> 00:37:06,480
Speaker 2: City with his parents, like just don't go off Erica's word. Yeah, yeah, no,

832
00:37:06,520 --> 00:37:08,799
Speaker 2: you're right, you're right now, absolutely, you're absolutely right about

833
00:37:08,840 --> 00:37:11,680
Speaker 2: they definitely should have called family and somebody, like you're right,

834
00:37:11,760 --> 00:37:11,960
Speaker 2: you know.

835
00:37:12,000 --> 00:37:14,640
Speaker 3: When I'm telling you for two days like it ruined

836
00:37:14,640 --> 00:37:17,720
Speaker 3: the weekend for real, like everyone.

837
00:37:17,440 --> 00:37:18,759
Speaker 1: Was fucked up.

838
00:37:18,840 --> 00:37:21,959
Speaker 2: That's hilarious because he was real popular, like everyone fucked

839
00:37:22,000 --> 00:37:24,160
Speaker 2: with him. But if he showed up to the candlelight vigil,

840
00:37:24,400 --> 00:37:28,800
Speaker 2: like what y'all got going on? What y'all doing? Damn

841
00:37:29,000 --> 00:37:31,560
Speaker 2: Todd Yah, what you'all doing?

842
00:37:31,600 --> 00:37:33,880
Speaker 1: Like why a, I'm so sad.

843
00:37:34,120 --> 00:37:40,960
Speaker 2: There's a big ass picture you can the gymnasium. Oh man,

844
00:37:41,000 --> 00:37:41,719
Speaker 2: that's hilarious.

845
00:37:41,760 --> 00:37:44,000
Speaker 3: Days on wherever you are, if you're still in New Jersey,

846
00:37:44,040 --> 00:37:47,360
Speaker 3: please episode dude, Man, I need you to call it.

847
00:37:47,440 --> 00:37:48,880
Speaker 3: Matter of fact, I'll call Cozy to see if he

848
00:37:48,920 --> 00:37:49,560
Speaker 3: still has his number.

849
00:37:49,600 --> 00:37:50,239
Speaker 2: That's a sick dude.

850
00:37:50,600 --> 00:37:53,480
Speaker 3: That was the funniest ship of all time. And like

851
00:37:53,480 --> 00:37:55,400
Speaker 3: the casual reason like now you're just trying to get

852
00:37:55,440 --> 00:37:55,920
Speaker 3: away from.

853
00:37:55,760 --> 00:37:56,840
Speaker 2: Her, Yeah, I get it.

854
00:37:56,880 --> 00:37:58,640
Speaker 3: I mean, look, you gotta do what you gotta do sometimes,

855
00:37:58,840 --> 00:38:01,160
Speaker 3: even the way Cosey said it to me, like Coachy

856
00:38:01,239 --> 00:38:02,719
Speaker 3: totally understands, like, you know, I just trying to get

857
00:38:02,719 --> 00:38:03,239
Speaker 3: away from short.

858
00:38:03,560 --> 00:38:07,160
Speaker 2: I'm like, that's murders. Listen. I've done some sick things

859
00:38:07,160 --> 00:38:10,040
Speaker 2: for the homies, like we've done ship, like Yo, you

860
00:38:10,080 --> 00:38:12,719
Speaker 2: got to come to the studio, Jay is here. You know,

861
00:38:12,800 --> 00:38:14,440
Speaker 2: niggas used to use that for me all the time.

862
00:38:14,680 --> 00:38:16,440
Speaker 2: YO call me, call me, you say Jay want me

863
00:38:16,480 --> 00:38:19,319
Speaker 2: to wrap, want me to rap for him? I'm like,

864
00:38:19,560 --> 00:38:22,359
Speaker 2: fam what you know't? First of all, you don't even

865
00:38:22,360 --> 00:38:27,279
Speaker 2: wrap like I've done. We've done some six ship growing up.

866
00:38:27,400 --> 00:38:32,200
Speaker 2: But like I'm listen, it worked. You had to get

867
00:38:32,200 --> 00:38:33,919
Speaker 2: your ship up, especially when the two waves was out.

868
00:38:34,120 --> 00:38:35,520
Speaker 2: All you had to do was in the message, like

869
00:38:35,600 --> 00:38:38,440
Speaker 2: Yo's hover ware. You guys were doing this absolutely not

870
00:38:39,200 --> 00:38:41,440
Speaker 2: fuck no, but even mine. I mean we laugh at

871
00:38:41,440 --> 00:38:43,040
Speaker 2: the ship, of course, but we had the two ways.

872
00:38:43,080 --> 00:38:45,040
Speaker 2: It was literally like the first text message, so it

873
00:38:45,080 --> 00:38:46,920
Speaker 2: was kind of like, you know, we used to send

874
00:38:46,960 --> 00:38:49,640
Speaker 2: Yo jay and we say jay Z Yo jay Z

875
00:38:49,760 --> 00:38:53,560
Speaker 2: want you to come out studio and J. But then

876
00:38:53,680 --> 00:38:55,680
Speaker 2: but then the way we used to do it is

877
00:38:55,719 --> 00:38:58,200
Speaker 2: like show the girl to the two way, like show

878
00:38:58,239 --> 00:39:00,520
Speaker 2: I gotta get out of here. You show the screen

879
00:39:00,520 --> 00:39:02,960
Speaker 2: like y'all got y'all got to get out of here.

880
00:39:03,000 --> 00:39:04,280
Speaker 2: They want me to come down to the studio.

881
00:39:04,360 --> 00:39:06,840
Speaker 1: And you said the stew. You didn't say the studio.

882
00:39:06,880 --> 00:39:08,960
Speaker 2: No, no, there wasn't the studiet. It was a studio.

883
00:39:09,040 --> 00:39:10,400
Speaker 2: It was this is the early two thousands, it was

884
00:39:10,440 --> 00:39:10,960
Speaker 2: still a studio.

885
00:39:11,000 --> 00:39:14,120
Speaker 1: What they needed you in the stew for nothing at all?

886
00:39:14,920 --> 00:39:17,040
Speaker 2: They wouldn't care. It was business as usual. If I

887
00:39:17,120 --> 00:39:20,319
Speaker 2: was there or not, nobody cared. Like it was Jay

888
00:39:20,360 --> 00:39:21,960
Speaker 2: recorded P. S. A. And was like, na, we have

889
00:39:21,960 --> 00:39:24,399
Speaker 2: to get males approved. Like yo, you'll tell me all

890
00:39:24,400 --> 00:39:24,880
Speaker 2: to come down here.

891
00:39:25,000 --> 00:39:27,120
Speaker 3: Let him let him hear, but make sure he's with

892
00:39:27,160 --> 00:39:29,520
Speaker 3: a girl first though before before we ask him to

893
00:39:29,560 --> 00:39:31,680
Speaker 3: come down. Great times, man, Yeah, we got some sick

894
00:39:31,719 --> 00:39:34,680
Speaker 3: lives off as as kids, man. But but never murdered

895
00:39:34,680 --> 00:39:37,680
Speaker 3: myself though. That's that's that's yeah, that's legendary status. I've

896
00:39:37,719 --> 00:39:40,120
Speaker 3: just killed all family members. That's that's really what I've done.

897
00:39:40,640 --> 00:39:42,919
Speaker 2: What you would normally do family members that are already dead.

898
00:39:43,440 --> 00:39:45,680
Speaker 2: You know, you can't kill a family member that's still living.

899
00:39:45,680 --> 00:39:46,200
Speaker 2: That's crazy.

900
00:39:46,239 --> 00:39:48,919
Speaker 3: I wonder if like grandmas know that, like they really

901
00:39:48,920 --> 00:39:52,120
Speaker 3: have been the excuse. Of course they did, like they're

902
00:39:52,160 --> 00:39:53,799
Speaker 3: the standard excuse for our age.

903
00:39:53,800 --> 00:39:56,200
Speaker 2: At one point. They lied about some crazy shit too.

904
00:39:56,320 --> 00:39:58,240
Speaker 1: They killed our great grandmother bad times.

905
00:39:58,360 --> 00:40:00,400
Speaker 2: It's a cycle. It just keeps repeating it.

906
00:40:00,440 --> 00:40:01,759
Speaker 3: So all of this shit is a sight and one

907
00:40:01,800 --> 00:40:04,359
Speaker 3: day we will be killed off by arguing absolutely by

908
00:40:04,360 --> 00:40:07,120
Speaker 3: our kids. Yeah, not our grant, our kids, like yeah,

909
00:40:07,320 --> 00:40:09,400
Speaker 3: you know dad died. Well, listen, I've told you I

910
00:40:09,719 --> 00:40:12,360
Speaker 3: used them. My mom's coming at seven am. Excuse since

911
00:40:12,680 --> 00:40:14,520
Speaker 3: I lived alone. Yeah, my mother has been coming to

912
00:40:14,560 --> 00:40:16,160
Speaker 3: my house at seven am for that's a good excuse

913
00:40:16,200 --> 00:40:16,839
Speaker 3: twenty five years.

914
00:40:16,880 --> 00:40:20,480
Speaker 2: Because you go to women. Understand, first of all, woman,

915
00:40:20,520 --> 00:40:22,520
Speaker 2: a woman doesn't want to meet your mom like that anyway.

916
00:40:22,560 --> 00:40:24,120
Speaker 2: She doesn't want to be spending the night from the

917
00:40:24,200 --> 00:40:24,720
Speaker 2: night before.

918
00:40:25,000 --> 00:40:27,400
Speaker 3: Oh no, it's it's not backfire before, but it's like,

919
00:40:27,400 --> 00:40:28,879
Speaker 3: oh I would love to meet your mom.

920
00:40:29,280 --> 00:40:31,360
Speaker 1: Oh my god, and now oh yo, my mother hates

921
00:40:31,480 --> 00:40:32,560
Speaker 1: like everybody.

922
00:40:32,719 --> 00:40:35,880
Speaker 2: Yeah, my mom hates people like she hates me, and

923
00:40:35,880 --> 00:40:37,680
Speaker 2: you're like a libra. She fucking hates libras.

924
00:40:37,680 --> 00:40:38,360
Speaker 1: So I got to go.

925
00:40:38,560 --> 00:40:40,399
Speaker 3: Yeah, man's in conclusion, if you're trying to get away

926
00:40:40,440 --> 00:40:42,640
Speaker 3: from her, murder yourself.

927
00:40:43,520 --> 00:40:45,160
Speaker 2: I mean, if it works, it works, man, I'm not

928
00:40:45,200 --> 00:40:46,680
Speaker 2: mad at it. But that's some sick shit.

929
00:40:48,560 --> 00:40:50,879
Speaker 3: Yeah, I actually just I saw my whole family these

930
00:40:50,880 --> 00:40:51,680
Speaker 3: past few days.

931
00:40:52,120 --> 00:40:55,120
Speaker 2: Oh yeah, condolences, man, I appreciate that shit, that loss

932
00:40:55,320 --> 00:40:55,920
Speaker 2: in the family.

933
00:40:56,040 --> 00:41:00,080
Speaker 3: Yeah, she was that she actually died. My Yeah, it

934
00:41:00,080 --> 00:41:00,880
Speaker 3: shouldn't be laughing.

935
00:41:01,040 --> 00:41:04,040
Speaker 2: That's just how I avoid my problems. Yeah, but now

936
00:41:04,040 --> 00:41:04,399
Speaker 2: it's cool.

937
00:41:04,600 --> 00:41:06,960
Speaker 3: You know a lot it's the Pharaohs man, a lot

938
00:41:06,960 --> 00:41:10,280
Speaker 3: of red meat, a lot of politically incorrect jokes. Definitely

939
00:41:10,280 --> 00:41:13,920
Speaker 3: wouldn't be a great environment for more because you're a vegan,

940
00:41:14,000 --> 00:41:14,560
Speaker 3: because you're black.

941
00:41:14,640 --> 00:41:17,879
Speaker 2: No, No, I got it. I knew. I knew where

942
00:41:17,880 --> 00:41:19,320
Speaker 2: you I knew where he was going with it, you

943
00:41:19,320 --> 00:41:20,880
Speaker 2: know what I mean. That's why that's why I laughed.

944
00:41:20,920 --> 00:41:23,560
Speaker 2: I knew my family likes black. You know, I got it.

945
00:41:23,760 --> 00:41:26,759
Speaker 2: I met your dad. Cool God, great guy? Man? Oh

946
00:41:27,080 --> 00:41:28,280
Speaker 2: but ship? What uh?

947
00:41:28,360 --> 00:41:29,600
Speaker 1: What else happened? Music?

948
00:41:30,560 --> 00:41:33,440
Speaker 2: Music still exists, the verses did you uh? Did you

949
00:41:33,440 --> 00:41:34,880
Speaker 2: get catch the soldier?

950
00:41:35,560 --> 00:41:38,480
Speaker 3: I caught that one? I didn't catch Keith Sweat and

951
00:41:38,480 --> 00:41:41,040
Speaker 3: Bobby Brown listen man. First of all, shout out to

952
00:41:41,080 --> 00:41:43,120
Speaker 3: all the legends number one, first and foremost. Before we

953
00:41:43,200 --> 00:41:47,040
Speaker 3: go any further, shout out to all the legends. Soldier boy, Bye, Wow,

954
00:41:47,440 --> 00:41:51,680
Speaker 3: Keith Sweat, Bobby Brown. Uh, Bobby Brown.

955
00:41:51,520 --> 00:41:54,800
Speaker 2: Is still one of the most fun people to watch.

956
00:41:55,080 --> 00:41:57,279
Speaker 1: He's the fucking one of the best entertainers ever.

957
00:41:57,680 --> 00:42:00,839
Speaker 2: But it's music aside, Like, I just want to know

958
00:42:00,880 --> 00:42:04,720
Speaker 2: what Bobby Brown is doing right now, chilling like he's

959
00:42:04,760 --> 00:42:10,560
Speaker 2: he's He's just like the most interesting person. Because when

960
00:42:10,560 --> 00:42:14,760
Speaker 2: you think about Bobby Brown's like his like his life.

961
00:42:15,719 --> 00:42:19,920
Speaker 2: He was easily one of the biggest stars in his

962
00:42:20,040 --> 00:42:22,279
Speaker 2: time a fact, easily one of the biggest R and

963
00:42:22,360 --> 00:42:27,480
Speaker 2: B stars just and you know, seeing him at Keith

964
00:42:27,480 --> 00:42:31,879
Speaker 2: Sweat on the stage going through you know, a bunch

965
00:42:31,880 --> 00:42:36,840
Speaker 2: of the hits and Bobby just being Bobby man, bruh.

966
00:42:37,000 --> 00:42:39,000
Speaker 2: I mean, it's just like, how can you not watch

967
00:42:39,040 --> 00:42:43,200
Speaker 2: this and just like enjoy this shit? He Sweat looks great, man.

968
00:42:43,200 --> 00:42:45,040
Speaker 1: Did you have some Harlem bias?

969
00:42:45,120 --> 00:42:50,160
Speaker 2: Who do you think? One Keith Sweat. I'm gonna be honest.

970
00:42:50,480 --> 00:42:52,919
Speaker 2: I'm gonna be honest here, Keith Sweat kicked Bobby's ass

971
00:42:52,960 --> 00:42:56,120
Speaker 2: as far as the performance, Yeah, he kicked Bobby's ass.

972
00:42:56,680 --> 00:42:59,120
Speaker 2: I think that Keith is just you know, I mean,

973
00:42:59,120 --> 00:43:03,520
Speaker 2: he's probably in better shape, obviously better you know, energy

974
00:43:03,560 --> 00:43:07,000
Speaker 2: at this point. But it's hard. Bobby Brown got so

975
00:43:07,040 --> 00:43:09,160
Speaker 2: many hits though Keith Swag got a lot of hits too,

976
00:43:09,200 --> 00:43:11,719
Speaker 2: though he wrote a lot of hits, but Bobby got

977
00:43:11,760 --> 00:43:14,960
Speaker 2: a lot of hit records. Man, But the performance wise,

978
00:43:15,040 --> 00:43:16,759
Speaker 2: just being honest, I love them both. I grew up

979
00:43:16,760 --> 00:43:18,600
Speaker 2: and this is you know, grew up on this type

980
00:43:18,640 --> 00:43:22,000
Speaker 2: of R and B. But performance wise, man, Keith, Keith

981
00:43:22,120 --> 00:43:24,919
Speaker 2: just was in He was in better He had better energy,

982
00:43:24,920 --> 00:43:27,160
Speaker 2: but he was in better shape. And that's a big

983
00:43:27,200 --> 00:43:29,440
Speaker 2: part of you know, live performance. You gotta be in shape.

984
00:43:29,440 --> 00:43:32,760
Speaker 2: You gotta be able to, you know, perform and entertain

985
00:43:33,120 --> 00:43:35,640
Speaker 2: at a certain level. But it was dope to see

986
00:43:35,640 --> 00:43:37,759
Speaker 2: both of them up there. This was one of This

987
00:43:37,840 --> 00:43:39,560
Speaker 2: is one of my favorite ones, just because, like I said,

988
00:43:39,600 --> 00:43:41,560
Speaker 2: I just enjoy watching Bobby Brown. Whenever you get a

989
00:43:41,640 --> 00:43:42,280
Speaker 2: chance to watch.

990
00:43:42,200 --> 00:43:44,520
Speaker 3: Him, I'm gonna go back. I do want to watch

991
00:43:44,560 --> 00:43:47,000
Speaker 3: this because I love both of them. Yeah, did how

992
00:43:47,040 --> 00:43:49,520
Speaker 3: far did Bobby's twenty stretch? Did you have to go

993
00:43:49,520 --> 00:43:51,000
Speaker 3: into the thug loving bag or.

994
00:43:53,680 --> 00:43:56,279
Speaker 2: He didn't have to? I think he did, though, I think,

995
00:43:56,280 --> 00:43:57,719
Speaker 2: if I'm not mistaken, I think he did.

996
00:43:57,880 --> 00:43:58,920
Speaker 1: Did he do the karate kick?

997
00:43:59,760 --> 00:44:01,960
Speaker 2: Bobby was still he was still getting into some moves.

998
00:44:02,480 --> 00:44:04,960
Speaker 2: But again, Bobby, but Bobby, Bobby gotta get you know

999
00:44:05,000 --> 00:44:07,080
Speaker 2: what I mean, He ain't, He ain't the same he

1000
00:44:07,080 --> 00:44:09,239
Speaker 2: in it obviously not in the same shape though he can't,

1001
00:44:09,239 --> 00:44:10,680
Speaker 2: you know what I mean. But he's still he still

1002
00:44:10,680 --> 00:44:12,760
Speaker 2: got rhythm. But Bobby ain't been in shape.

1003
00:44:12,800 --> 00:44:15,120
Speaker 3: And Bobby has been out of shape longer than he's

1004
00:44:15,120 --> 00:44:17,000
Speaker 3: been in shape and was still performing well.

1005
00:44:17,040 --> 00:44:18,840
Speaker 2: But this is what I'm saying though, But Keith Sweat

1006
00:44:18,880 --> 00:44:21,719
Speaker 2: is in shape though, like he looked like he's at

1007
00:44:21,760 --> 00:44:24,440
Speaker 2: the sports club every morning getting the hour and a

1008
00:44:24,440 --> 00:44:26,520
Speaker 2: half in. Do real R and B singers ever get

1009
00:44:26,520 --> 00:44:28,600
Speaker 2: out of shape? I'm all real R and B singers.

1010
00:44:29,280 --> 00:44:32,600
Speaker 1: Yeah, Like I've never seen a vocalist just let himself go.

1011
00:44:32,920 --> 00:44:37,000
Speaker 2: Yeah, absolutely, absolutely, absolutely hell yeah, are you kidding me?

1012
00:44:37,600 --> 00:44:40,000
Speaker 2: It's not easy, bro, That shit ain't like getting older

1013
00:44:40,320 --> 00:44:44,600
Speaker 2: and staying in shape, especially if you have, like you know, money,

1014
00:44:44,840 --> 00:44:47,600
Speaker 2: like because now you can you can fucking eat, drink,

1015
00:44:47,760 --> 00:44:49,080
Speaker 2: do drugs all you want.

1016
00:44:49,120 --> 00:44:52,480
Speaker 3: Or drug drugs keep you skinny. That's that's what keeps

1017
00:44:52,520 --> 00:44:53,680
Speaker 3: all these artists looking so.

1018
00:44:53,640 --> 00:44:55,960
Speaker 2: Great, depending on which drug, depending on.

1019
00:44:55,920 --> 00:45:00,319
Speaker 3: Which listen, man, they all kind of make you skinny.

1020
00:45:00,920 --> 00:45:03,360
Speaker 2: We shouldn't be laughing at this, but that's just fucking crazy.

1021
00:45:03,400 --> 00:45:07,040
Speaker 2: But yeah, but nah, I mean, you know, Keith, Keith,

1022
00:45:07,120 --> 00:45:09,560
Speaker 2: Keith is in shape. Though. Keith looked like he's still

1023
00:45:09,600 --> 00:45:11,600
Speaker 2: like he active, man, Keith look like he's still out there,

1024
00:45:11,680 --> 00:45:14,200
Speaker 2: like really really being active in them streets.

1025
00:45:14,200 --> 00:45:14,399
Speaker 6: Man.

1026
00:45:14,840 --> 00:45:17,440
Speaker 1: Well, from my understanding, he was pretty active in the streets.

1027
00:45:17,640 --> 00:45:20,120
Speaker 2: Yeah, he told he told, uh, he told DJ Cassidy

1028
00:45:20,560 --> 00:45:24,040
Speaker 2: because DJ he had like jury on his ship. And

1029
00:45:24,760 --> 00:45:26,279
Speaker 2: Keith made a reference like, yeah, you got a lot

1030
00:45:26,280 --> 00:45:28,840
Speaker 2: of jurry on you know whatever. Whatever it was like

1031
00:45:29,160 --> 00:45:29,840
Speaker 2: back in the day.

1032
00:45:29,680 --> 00:45:32,040
Speaker 3: I would have got you can can you give some

1033
00:45:32,080 --> 00:45:35,920
Speaker 3: of our younger listeners that may not know Keith's background

1034
00:45:36,080 --> 00:45:39,280
Speaker 3: and in these Harlem streets, No, Keith is h he's

1035
00:45:40,040 --> 00:45:41,919
Speaker 3: don't let the R and B don't let this, don't

1036
00:45:41,960 --> 00:45:44,439
Speaker 3: let the ballads fool you, Bobby neither. Yeah, no, no,

1037
00:45:44,560 --> 00:45:46,239
Speaker 3: for sure, I mean but we know that that's I

1038
00:45:46,239 --> 00:45:47,360
Speaker 3: think that's a little more docky.

1039
00:45:47,440 --> 00:45:48,080
Speaker 1: Yeah, for sure.

1040
00:45:48,160 --> 00:45:50,320
Speaker 2: Keith is. You know, people don't get it twisted. Keith

1041
00:45:50,440 --> 00:45:53,240
Speaker 2: is he writes some fucking hits. What you did there? Yeah,

1042
00:45:53,520 --> 00:45:56,760
Speaker 2: forget it? Yeah, don't get it twisted. He he got

1043
00:45:56,800 --> 00:46:00,120
Speaker 2: he got some hits, but he probably he probably he

1044
00:46:00,640 --> 00:46:03,279
Speaker 2: probably knocked a few niggas out too. Don't get it

1045
00:46:03,320 --> 00:46:05,239
Speaker 2: fucked up. They don't. Don't let it. Don't let the

1046
00:46:05,360 --> 00:46:07,120
Speaker 2: R and B ship full. You keep sweating definitely from

1047
00:46:07,120 --> 00:46:07,799
Speaker 2: the streets.

1048
00:46:08,520 --> 00:46:09,839
Speaker 1: No, yeah, I have to go back and watch.

1049
00:46:10,080 --> 00:46:10,200
Speaker 6: Uh.

1050
00:46:10,560 --> 00:46:13,520
Speaker 2: It was very entertaining. Yeah, we very very and Bobby

1051
00:46:13,560 --> 00:46:20,000
Speaker 2: wants everyone to drink responsibility, not drink responsibly. Drink responsibility. Okay,

1052
00:46:20,480 --> 00:46:22,360
Speaker 2: I get it. Understand you to see what he was

1053
00:46:22,400 --> 00:46:24,080
Speaker 2: going with it. Drink and responsibility.

1054
00:46:24,600 --> 00:46:27,160
Speaker 3: Yeah, you know what I mean, have responsibility when you

1055
00:46:27,239 --> 00:46:29,640
Speaker 3: drink exactly, don't drink responsibly.

1056
00:46:29,680 --> 00:46:32,439
Speaker 2: Don't drink responsible, get responsibility. Bad wow.

1057
00:46:32,480 --> 00:46:33,239
Speaker 1: And soldier was cool.

1058
00:46:33,320 --> 00:46:35,520
Speaker 3: And again I don't want to versus the people to death,

1059
00:46:35,560 --> 00:46:39,000
Speaker 3: but yeah, that was fun. I just I like young

1060
00:46:39,040 --> 00:46:39,880
Speaker 3: people get their flowers.

1061
00:46:39,960 --> 00:46:41,920
Speaker 2: Yeah, and they was throwing jabs at each other, joking

1062
00:46:41,960 --> 00:46:44,040
Speaker 2: about internet ship that happened over the year. Like I

1063
00:46:44,080 --> 00:46:46,080
Speaker 2: like that this kind of light. Listen, man, we successful.

1064
00:46:46,120 --> 00:46:48,279
Speaker 2: What do we really have to be upset about?

1065
00:46:48,680 --> 00:46:48,839
Speaker 4: That?

1066
00:46:49,560 --> 00:46:51,719
Speaker 3: Why I love so much about the Soldier and baw wow,

1067
00:46:51,719 --> 00:46:55,520
Speaker 3: shit is for everyone in the verses, like because of

1068
00:46:55,560 --> 00:46:57,600
Speaker 3: the Internet, and because they both made it at such

1069
00:46:57,600 --> 00:47:00,480
Speaker 3: a young age, we watched all the fun shit they

1070
00:47:00,560 --> 00:47:05,040
Speaker 3: did in real time every day. Like, granted, Bobby, we

1071
00:47:05,080 --> 00:47:07,719
Speaker 3: saw a lot of the problems that Bobby faced, But

1072
00:47:08,200 --> 00:47:10,320
Speaker 3: if Bobby grew up in the same era that Soldier

1073
00:47:10,320 --> 00:47:13,480
Speaker 3: Boy grew up, it'd be fucking nuts.

1074
00:47:13,400 --> 00:47:15,680
Speaker 2: Right for sure. Absolutely, so I.

1075
00:47:15,680 --> 00:47:18,320
Speaker 3: Can appreciate watching these these two guys that got super

1076
00:47:18,400 --> 00:47:21,360
Speaker 3: rich as kids, and we watched all their mistakes, but

1077
00:47:21,400 --> 00:47:24,560
Speaker 3: we also watched all the successes and how they changed music.

1078
00:47:24,880 --> 00:47:27,560
Speaker 3: It was just nice to see give people their flowers early.

1079
00:47:27,800 --> 00:47:30,920
Speaker 2: That's why to understand when people get too upset at

1080
00:47:31,080 --> 00:47:37,160
Speaker 2: uh at like kid stars, like young pop stars, because

1081
00:47:37,200 --> 00:47:39,840
Speaker 2: it's like, this is a kid who's really supposed to

1082
00:47:39,880 --> 00:47:42,120
Speaker 2: be in high school, like making all of these types

1083
00:47:42,120 --> 00:47:43,960
Speaker 2: of mistakes without the world looking at him.

1084
00:47:43,840 --> 00:47:47,640
Speaker 1: Like yeah, and with access money, right and fame.

1085
00:47:47,760 --> 00:47:49,680
Speaker 2: Yeah, It's like how could what do you think is

1086
00:47:49,680 --> 00:47:51,960
Speaker 2: this is still a kid? Like these are young kids.

1087
00:47:52,000 --> 00:47:54,600
Speaker 3: Man, If you gave me Soldier Boys money when I

1088
00:47:54,640 --> 00:47:57,359
Speaker 3: was sixteen years old, I would have been thirty times

1089
00:47:57,400 --> 00:47:59,520
Speaker 3: worse than Soldier Boy for.

1090
00:48:00,080 --> 00:48:02,760
Speaker 1: Decades, right right, still trying to recover.

1091
00:48:03,440 --> 00:48:05,200
Speaker 3: Yeah, I feel like with a lot of like the

1092
00:48:05,320 --> 00:48:09,640
Speaker 3: child stars I've heard and again i'm just civilian, I've

1093
00:48:09,680 --> 00:48:11,840
Speaker 3: heard the term of when you go to jail sometimes

1094
00:48:11,920 --> 00:48:14,480
Speaker 3: you just remain that age the entire time. When you

1095
00:48:14,480 --> 00:48:16,040
Speaker 3: get out, you're still kind of that age you were

1096
00:48:16,040 --> 00:48:16,879
Speaker 3: when you got locked up.

1097
00:48:17,320 --> 00:48:19,000
Speaker 1: I think it's very similar with fame.

1098
00:48:19,280 --> 00:48:21,719
Speaker 3: Like if you're a child star and you get fame

1099
00:48:21,760 --> 00:48:25,200
Speaker 3: and money at fifteen, a lot of them just kind

1100
00:48:25,200 --> 00:48:27,680
Speaker 3: of remain fifteen because they don't have to really grow

1101
00:48:28,400 --> 00:48:30,640
Speaker 3: in that sense, like there's still a kid.

1102
00:48:31,600 --> 00:48:32,800
Speaker 2: No, I get it. I understand.

1103
00:48:32,920 --> 00:48:34,799
Speaker 3: Not all of them, of course, but not a lot

1104
00:48:34,840 --> 00:48:37,080
Speaker 3: of child stars. I feel like they just always remain

1105
00:48:37,200 --> 00:48:40,279
Speaker 3: kids because they got success, fame, and money at that age,

1106
00:48:40,320 --> 00:48:40,960
Speaker 3: and they just kind of.

1107
00:48:41,040 --> 00:48:42,640
Speaker 2: They didn't have that mind state. Yeah, and they didn't

1108
00:48:42,680 --> 00:48:45,279
Speaker 2: have a chance to really live out there, you know,

1109
00:48:45,360 --> 00:48:49,000
Speaker 2: because essentially they're now they're you know, cash cow, and

1110
00:48:49,040 --> 00:48:51,600
Speaker 2: they're supporting their families. Friend, then you have people that

1111
00:48:51,600 --> 00:48:53,680
Speaker 2: work at these companies that depend on this young kid

1112
00:48:53,719 --> 00:48:56,640
Speaker 2: to be successful in order for them to have, you know,

1113
00:48:56,760 --> 00:48:58,560
Speaker 2: money and take care of their family. So it's a

1114
00:48:58,600 --> 00:49:00,960
Speaker 2: lot of responsibility and they don't get a chance to

1115
00:49:00,960 --> 00:49:03,000
Speaker 2: really live out their childhood. Man, they're forced to grow

1116
00:49:03,040 --> 00:49:06,760
Speaker 2: up way too fast. And yeah, you know, it's unfortunate

1117
00:49:06,840 --> 00:49:08,560
Speaker 2: that a lot of these stories end up bad. But

1118
00:49:08,600 --> 00:49:10,719
Speaker 2: for these two, you know, this is a this is

1119
00:49:10,760 --> 00:49:13,200
Speaker 2: a great story. Of course, they had their turbulence here

1120
00:49:13,200 --> 00:49:15,600
Speaker 2: and there and their ups and downs, but everybody does.

1121
00:49:15,640 --> 00:49:18,239
Speaker 2: But it's it's good to see them in their adulthood.

1122
00:49:18,239 --> 00:49:21,319
Speaker 2: They're both you know, doing well. They're in good health,

1123
00:49:21,320 --> 00:49:23,799
Speaker 2: they're taking care of themselves and still having fun.

1124
00:49:23,840 --> 00:49:27,520
Speaker 3: Man, we have to celebrate longevity. These both, these gentlemen

1125
00:49:27,520 --> 00:49:32,040
Speaker 3: have reinvented themselves constantly, absolutely kept moving so absolutely soja

1126
00:49:32,080 --> 00:49:32,600
Speaker 3: and bow wow.

1127
00:49:33,040 --> 00:49:34,160
Speaker 1: I love that that was a versus.

1128
00:49:34,320 --> 00:49:34,960
Speaker 2: Yeah.

1129
00:49:35,000 --> 00:49:36,520
Speaker 3: But what I actually want to talk about, and I

1130
00:49:36,520 --> 00:49:39,000
Speaker 3: don't really want the verses, y'all. I just want to

1131
00:49:39,040 --> 00:49:39,680
Speaker 3: talk about.

1132
00:49:39,440 --> 00:49:42,719
Speaker 2: Beans in North Beans in North. Yes, that appears to

1133
00:49:42,760 --> 00:49:46,440
Speaker 2: be happenings. Did they announce it or I'm not sure

1134
00:49:46,480 --> 00:49:49,600
Speaker 2: they did, but we can announce it here. It's happening.

1135
00:49:50,080 --> 00:49:51,400
Speaker 1: Can we say the date or swis.

1136
00:49:53,160 --> 00:49:57,640
Speaker 2: All right? It's it exists? Yeah, yeah, it's somewhere, it's

1137
00:49:57,680 --> 00:50:01,080
Speaker 2: a date, it's on somebody's whiteboard. It's it's happening. It's

1138
00:50:01,080 --> 00:50:02,719
Speaker 2: happening where do you.

1139
00:50:03,040 --> 00:50:04,800
Speaker 1: Of course, I know you're biased.

1140
00:50:05,680 --> 00:50:07,719
Speaker 2: Now because Noori is my Noori is my god.

1141
00:50:07,840 --> 00:50:08,040
Speaker 4: Man.

1142
00:50:08,200 --> 00:50:11,080
Speaker 1: I consider Noria front. There are a lot of people in front.

1143
00:50:11,080 --> 00:50:14,000
Speaker 2: Noorri is. That's that's fam right there, man, Like, but

1144
00:50:14,080 --> 00:50:16,640
Speaker 2: Beans is part of your lineage. Beans is Beans is

1145
00:50:16,719 --> 00:50:19,560
Speaker 2: Rockefeller Noorious two though Norrie still has he still has

1146
00:50:19,600 --> 00:50:22,840
Speaker 2: big Rockefeller chain and doesn't know where it's at allegedly.

1147
00:50:23,120 --> 00:50:28,600
Speaker 2: But yeah, man, this is this is This is interesting

1148
00:50:28,680 --> 00:50:32,880
Speaker 2: only because I look at this matchup and to me,

1149
00:50:33,360 --> 00:50:38,839
Speaker 2: this is very very similar to Fab and jadakiss.

1150
00:50:39,600 --> 00:50:42,359
Speaker 1: All right, expound on that in what sense?

1151
00:50:42,600 --> 00:50:47,080
Speaker 2: Only because I feel like if Beans, if he goes straight,

1152
00:50:47,440 --> 00:50:50,719
Speaker 2: if he stays stay street and just gives us like

1153
00:50:50,760 --> 00:50:56,800
Speaker 2: his his his his illness versus Norrie has hit records.

1154
00:50:56,800 --> 00:50:58,480
Speaker 2: He you know, he even got some of the reggae

1155
00:50:58,480 --> 00:51:02,080
Speaker 2: tone and all of that. But I feel like if

1156
00:51:02,120 --> 00:51:05,600
Speaker 2: Beans stayed street, I think that supersedes all of that.

1157
00:51:05,600 --> 00:51:07,400
Speaker 1: That's why I think he'll win because.

1158
00:51:07,239 --> 00:51:10,640
Speaker 2: And that's what Fab and Jada Jada stayed street. You know,

1159
00:51:10,680 --> 00:51:11,719
Speaker 2: fab Ibby stas to.

1160
00:51:11,800 --> 00:51:14,120
Speaker 1: But nah, Jay, I mean Jada, he broke out some

1161
00:51:14,160 --> 00:51:14,680
Speaker 1: bad boy.

1162
00:51:14,600 --> 00:51:16,719
Speaker 2: Hits and no, I mean he got it because it's like,

1163
00:51:16,719 --> 00:51:19,040
Speaker 2: all right, Benjamin's then what It's like, I don't you

1164
00:51:19,040 --> 00:51:21,400
Speaker 2: can play any what do you go? That's why, like

1165
00:51:21,480 --> 00:51:25,839
Speaker 2: Big said, Benjamin's just top maybe top five hip hop

1166
00:51:25,880 --> 00:51:27,680
Speaker 2: record of all time. You could all that.

1167
00:51:27,719 --> 00:51:29,080
Speaker 1: You could argue top one.

1168
00:51:28,920 --> 00:51:30,640
Speaker 2: Exactly like you play that. It's like, you know what

1169
00:51:30,640 --> 00:51:33,120
Speaker 2: I mean. But but for the most part, Jada kept

1170
00:51:33,160 --> 00:51:35,879
Speaker 2: it street. He gave us a lot of street versus,

1171
00:51:35,920 --> 00:51:37,560
Speaker 2: you know what I mean. And I feel like if

1172
00:51:37,600 --> 00:51:41,040
Speaker 2: Beans does that in this battle, I feel like the

1173
00:51:41,120 --> 00:51:43,920
Speaker 2: people might roll with that. I'm just curious to see

1174
00:51:43,920 --> 00:51:47,920
Speaker 2: how the reggaetone stuff works in it, because that was

1175
00:51:47,920 --> 00:51:48,640
Speaker 2: certainly an era.

1176
00:51:48,960 --> 00:51:52,719
Speaker 1: Like if you was around for Nori doing reg fucking.

1177
00:51:52,440 --> 00:51:54,279
Speaker 2: Know that that was just the ship. But let me,

1178
00:51:54,320 --> 00:51:55,080
Speaker 2: I don't know how.

1179
00:51:54,920 --> 00:51:56,680
Speaker 1: It's gonna in twenty twenty one. I don't know how

1180
00:51:56,680 --> 00:51:57,319
Speaker 1: it's gonna be.

1181
00:51:57,360 --> 00:51:59,319
Speaker 2: Right, but let me not, you know, just say it

1182
00:51:59,320 --> 00:52:01,879
Speaker 2: like Noorid don't have street versus like he is band

1183
00:52:01,880 --> 00:52:04,080
Speaker 2: from TV. Yeah, that's what I'm saying. I don't want

1184
00:52:04,120 --> 00:52:07,080
Speaker 2: to say I'm very aware of Norriy's catalog, like, but

1185
00:52:07,120 --> 00:52:09,640
Speaker 2: I just feel like I feel like a lot of

1186
00:52:09,680 --> 00:52:12,000
Speaker 2: people because you know, honestly, a lot of people didn't

1187
00:52:12,040 --> 00:52:15,960
Speaker 2: even Bean's name was probably only I don't think it

1188
00:52:16,000 --> 00:52:18,880
Speaker 2: was ever brought up as far as versus was it

1189
00:52:19,440 --> 00:52:20,120
Speaker 2: that I don't.

1190
00:52:20,120 --> 00:52:24,239
Speaker 1: I don't think Bean's ever really was ever brought up.

1191
00:52:24,640 --> 00:52:27,440
Speaker 3: Nor I feel like it's a good matchup, mmm, just

1192
00:52:27,440 --> 00:52:30,359
Speaker 3: because it was not the same era, but they were

1193
00:52:30,360 --> 00:52:34,359
Speaker 3: probably the same time. And I just don't know if

1194
00:52:34,560 --> 00:52:36,560
Speaker 3: the recordsontion is gonna work. That's that's really it.

1195
00:52:36,840 --> 00:52:39,680
Speaker 2: I mean, it's it's hits though, you know what I mean.

1196
00:52:39,719 --> 00:52:41,560
Speaker 2: It's a hit is a hit, all right?

1197
00:52:41,600 --> 00:52:44,359
Speaker 3: What goes again? If it's band from TV a point

1198
00:52:44,400 --> 00:52:50,279
Speaker 3: no matter what? Uh, I don't know, man, what does

1199
00:52:50,320 --> 00:52:52,000
Speaker 3: Reservoir Dogs do against band from TV?

1200
00:52:52,120 --> 00:52:55,840
Speaker 2: This is what I'm saying. It depends. It depends on

1201
00:52:55,840 --> 00:52:56,839
Speaker 2: how you feel in that day.

1202
00:52:57,760 --> 00:53:01,000
Speaker 3: I think band from TV gets that point. But and

1203
00:53:01,080 --> 00:53:05,279
Speaker 3: I love Norri's verse on that We do play puns verse.

1204
00:53:06,040 --> 00:53:08,440
Speaker 3: That's the one that plays now. Oh absolutely, Noorri kills

1205
00:53:08,440 --> 00:53:12,279
Speaker 3: the shit. Matter of fact, we play Nature's verse right right,

1206
00:53:13,480 --> 00:53:16,360
Speaker 3: Bean shit on Reservoir Dogs gets played absolutely, So I

1207
00:53:16,400 --> 00:53:18,560
Speaker 3: don't know if that's a different in that point, And

1208
00:53:18,760 --> 00:53:20,600
Speaker 3: I'm not shitting on it because he killed Band from TV.

1209
00:53:20,640 --> 00:53:22,480
Speaker 3: I'm just saying, what if that shit comes on it

1210
00:53:22,520 --> 00:53:25,480
Speaker 3: at the party, they're gonna play puns verse. But then again,

1211
00:53:25,520 --> 00:53:27,360
Speaker 3: Reservot Dogs doesn't really even come on the party the beginning.

1212
00:53:27,480 --> 00:53:30,239
Speaker 2: But right, But that's what I'm saying. People might like

1213
00:53:30,440 --> 00:53:34,239
Speaker 2: the verse more though, like people might like Beans verse

1214
00:53:34,280 --> 00:53:37,640
Speaker 2: more than Norry's verse on Band from TV. You understand

1215
00:53:37,640 --> 00:53:39,359
Speaker 2: what I'm saying. So this is why this is gonna

1216
00:53:39,360 --> 00:53:42,040
Speaker 2: be a fun a fun thing, because again, it depends

1217
00:53:42,080 --> 00:53:45,200
Speaker 2: on how it. One thing I learned about these verses

1218
00:53:45,400 --> 00:53:49,680
Speaker 2: is when you're sitting home and you're watching it because

1219
00:53:49,719 --> 00:53:52,959
Speaker 2: you kind of anticipate the records that are coming. But

1220
00:53:53,040 --> 00:53:56,920
Speaker 2: for some reason it it's weird because certain records you

1221
00:53:56,960 --> 00:53:59,839
Speaker 2: think are gonna hit when they play at the verses,

1222
00:53:59,880 --> 00:54:03,040
Speaker 2: you like it, don't. Yeah, it don't. Like damn, that

1223
00:54:03,120 --> 00:54:04,040
Speaker 2: wasn't really what I thought.

1224
00:54:04,040 --> 00:54:06,680
Speaker 1: It was like blood money would go in my house

1225
00:54:06,680 --> 00:54:07,719
Speaker 1: would go crazy.

1226
00:54:07,840 --> 00:54:10,560
Speaker 3: But I just don't know, like CNN, like if they

1227
00:54:10,600 --> 00:54:12,359
Speaker 3: played the l A L A shit, that's crazy.

1228
00:54:12,400 --> 00:54:13,840
Speaker 1: I just don't know what that does in a person.

1229
00:54:14,120 --> 00:54:17,440
Speaker 3: But then again, Beans records that I love, like the

1230
00:54:17,520 --> 00:54:21,400
Speaker 3: truth to me is just a point.

1231
00:54:20,400 --> 00:54:22,319
Speaker 1: On the versus stage. I don't know what the truth does.

1232
00:54:22,600 --> 00:54:25,120
Speaker 2: That's what I just don't know they might need to see.

1233
00:54:25,200 --> 00:54:26,640
Speaker 2: And that's the thing too, I don't want this to

1234
00:54:26,680 --> 00:54:30,200
Speaker 2: be for them, for Beans and Norway, I feel I

1235
00:54:30,200 --> 00:54:32,359
Speaker 2: don't want them to be on the stage. I kind

1236
00:54:32,360 --> 00:54:36,920
Speaker 2: of want them to be like maybe in like a

1237
00:54:36,920 --> 00:54:38,920
Speaker 2: a studio or a poolhole. So I don't I don't.

1238
00:54:38,920 --> 00:54:40,440
Speaker 2: I don't want this to be too much of a

1239
00:54:40,480 --> 00:54:44,440
Speaker 2: corporation ship. Yeah, like because this is a real you know,

1240
00:54:44,719 --> 00:54:50,000
Speaker 2: this is a real like street versus. This is like

1241
00:54:50,160 --> 00:54:53,880
Speaker 2: really really entrenched in what hip hop is. This is

1242
00:54:53,920 --> 00:54:56,759
Speaker 2: like a real street versus for me, like these are

1243
00:54:56,800 --> 00:54:59,680
Speaker 2: something two of my favorite rappers with some of my

1244
00:54:59,680 --> 00:55:02,759
Speaker 2: favorite versus from some of my favorite records. So it's

1245
00:55:02,840 --> 00:55:05,800
Speaker 2: kind of like I don't want to see the two overproduced,

1246
00:55:05,920 --> 00:55:08,640
Speaker 2: you know thing with these two. And then I feel

1247
00:55:08,640 --> 00:55:12,960
Speaker 2: like Noor is such a character. I feel like, you know,

1248
00:55:13,160 --> 00:55:14,560
Speaker 2: you don't want to kind of put him on this

1249
00:55:14,600 --> 00:55:18,080
Speaker 2: big ass stage and this big ass you know hall,

1250
00:55:18,680 --> 00:55:20,960
Speaker 2: I feel like you get through real Norri character more

1251
00:55:20,960 --> 00:55:22,720
Speaker 2: into like a real intimate setting.

1252
00:55:22,880 --> 00:55:27,080
Speaker 3: And also, you know, unfortunately beings beings we shot. It

1253
00:55:27,280 --> 00:55:31,160
Speaker 3: affected his lungs and voice voice. Yes, so that that's

1254
00:55:31,200 --> 00:55:34,560
Speaker 3: also a factor that I think sucks for beings, that

1255
00:55:35,040 --> 00:55:36,920
Speaker 3: it might be tough for him to perform, Like his

1256
00:55:37,000 --> 00:55:40,319
Speaker 3: voice is drastically different because what happened. So you know,

1257
00:55:40,320 --> 00:55:43,759
Speaker 3: it made alter some of those records or again, I

1258
00:55:43,760 --> 00:55:46,440
Speaker 3: don't know what healthy is in as far as performing.

1259
00:55:46,520 --> 00:55:49,439
Speaker 3: I just I hope Beans is you know, strong enough

1260
00:55:49,440 --> 00:55:51,240
Speaker 3: to get through all those records, just because what happened

1261
00:55:51,239 --> 00:55:51,480
Speaker 3: to him.

1262
00:55:51,520 --> 00:55:54,600
Speaker 2: But I do put Beans and Nori in a in

1263
00:55:54,640 --> 00:55:57,520
Speaker 2: a bodega by the chips and shit them on two

1264
00:55:57,560 --> 00:56:01,640
Speaker 2: crates for real and let them ship in the store somewhere. Man,

1265
00:56:01,680 --> 00:56:04,480
Speaker 2: And you know what I mean, Like that's how they

1266
00:56:04,480 --> 00:56:05,040
Speaker 2: need to do this.

1267
00:56:05,120 --> 00:56:08,120
Speaker 3: All this is becoming a segment by accident. You know

1268
00:56:08,120 --> 00:56:11,319
Speaker 3: how we went back to the Jewel's ship. Yeah, this

1269
00:56:11,320 --> 00:56:15,600
Speaker 3: this segment is now becoming Rory trying to understand songs

1270
00:56:15,600 --> 00:56:16,960
Speaker 3: from his childhood.

1271
00:56:17,160 --> 00:56:19,480
Speaker 2: Trying to trying to trying to make sure you got

1272
00:56:19,480 --> 00:56:19,839
Speaker 2: it right.

1273
00:56:20,440 --> 00:56:22,560
Speaker 1: I don't understand this one to this day. And maybe

1274
00:56:22,600 --> 00:56:23,200
Speaker 1: you can help me.

1275
00:56:23,800 --> 00:56:28,440
Speaker 3: NOORI superdug classic record, classic classic fucking record.

1276
00:56:29,000 --> 00:56:29,359
Speaker 2: Love it.

1277
00:56:30,080 --> 00:56:34,120
Speaker 3: Shout out to Pharrell shout out to Neptunes the beginning

1278
00:56:34,160 --> 00:56:38,000
Speaker 3: of Diverse, which is is iconic and which Nori kills.

1279
00:56:39,080 --> 00:56:41,840
Speaker 3: We light a candle, run laps around the English Channel.

1280
00:56:41,960 --> 00:56:43,000
Speaker 3: I'm on board so far.

1281
00:56:43,560 --> 00:56:44,279
Speaker 2: I know where you're going.

1282
00:56:46,320 --> 00:56:51,759
Speaker 3: I'm I'm on board. This run laps around the English Channel.

1283
00:56:51,840 --> 00:56:56,040
Speaker 3: I love that. That's a bar Neptunes. I'm on board

1284
00:56:56,080 --> 00:57:00,400
Speaker 3: because they produced it. Absolutely, Neptunes, I got a cocker Spaniel.

1285
00:57:00,160 --> 00:57:02,640
Speaker 2: That's what. But this is what I'm saying.

1286
00:57:03,840 --> 00:57:07,040
Speaker 3: I know, yeah, you know, it ain't no fun now,

1287
00:57:07,560 --> 00:57:09,480
Speaker 3: but there's a cocker spaniel. I would have a blast

1288
00:57:09,520 --> 00:57:13,120
Speaker 3: if the Neptunes had a cocker spaniel. But this is

1289
00:57:13,120 --> 00:57:16,840
Speaker 3: what you more. I am a white kid that does

1290
00:57:16,880 --> 00:57:17,960
Speaker 3: not fully understand it.

1291
00:57:18,000 --> 00:57:20,560
Speaker 1: But this I am a culture vulture. Can you explain this?

1292
00:57:20,720 --> 00:57:20,880
Speaker 5: Fuck?

1293
00:57:21,200 --> 00:57:23,800
Speaker 2: This is why you gotta love Nori because the way

1294
00:57:23,880 --> 00:57:27,920
Speaker 2: he writes is coinm of just his personality, Like he

1295
00:57:28,000 --> 00:57:30,400
Speaker 2: just blursh it out and you're like, Okay, I'm fucking

1296
00:57:30,440 --> 00:57:31,440
Speaker 2: with it if you fucking with it.

1297
00:57:31,520 --> 00:57:33,520
Speaker 3: Like, so, do you think that the Neptun's in fact

1298
00:57:33,560 --> 00:57:36,600
Speaker 3: had a cocker Spaniel in the session? Or I thought

1299
00:57:36,640 --> 00:57:39,080
Speaker 3: maybe I'm such a civilian, like maybe I didn't know

1300
00:57:39,160 --> 00:57:41,880
Speaker 3: that was like code for like your Neptune's.

1301
00:57:41,400 --> 00:57:43,840
Speaker 2: I got sometimes you don't even gotta I got the thinky,

1302
00:57:44,040 --> 00:57:45,680
Speaker 2: you ain't even got a thing too deep. It's just

1303
00:57:45,760 --> 00:57:47,640
Speaker 2: right there. I got a cocker spaniel, all right, cool?

1304
00:57:48,200 --> 00:57:50,560
Speaker 2: Norri has a cocas. Maybe he purchased the cocker spaniel

1305
00:57:50,560 --> 00:57:52,520
Speaker 2: the way to the studio. I don't know what Nori

1306
00:57:52,640 --> 00:57:55,320
Speaker 2: was feeling like when he wrote that. I never even

1307
00:57:55,440 --> 00:57:57,040
Speaker 2: I don't even know if Nory ever even had a

1308
00:57:57,080 --> 00:58:00,360
Speaker 2: dog like, but he had one that day and actually

1309
00:58:00,360 --> 00:58:03,720
Speaker 2: makes Norri Nori, I'm a call, no man, call on

1310
00:58:03,720 --> 00:58:06,640
Speaker 2: the phone. Man, let's let's let's let's hopefully he answers.

1311
00:58:07,640 --> 00:58:22,480
Speaker 1: We'll see nor is a busy duode. Yep, hold on,

1312
00:58:27,400 --> 00:58:27,640
Speaker 1: nor we.

1313
00:58:27,680 --> 00:58:32,000
Speaker 2: Got assistance, answered his phone. That ain't Norri. Hello, yep,

1314
00:58:32,840 --> 00:58:35,760
Speaker 2: it's going on. You are you are alive on air

1315
00:58:36,040 --> 00:58:39,960
Speaker 2: with myself and Maul. Oh you got me lined up up?

1316
00:58:40,880 --> 00:58:43,680
Speaker 3: No, never that we we we have we have a

1317
00:58:43,720 --> 00:58:47,560
Speaker 3: few questions. We don't know if it's confirmed. We don't care,

1318
00:58:48,320 --> 00:58:50,320
Speaker 3: but we are discussing you verse.

1319
00:58:50,120 --> 00:58:54,480
Speaker 2: Beans, Yeah, keep discussing it. Go ahead.

1320
00:58:57,320 --> 00:58:59,680
Speaker 1: What what are you gonna do? When Beans plays the truth.

1321
00:59:01,200 --> 00:59:04,800
Speaker 2: I don't even know what that record is. Do we

1322
00:59:04,880 --> 00:59:10,240
Speaker 2: cut it out? Man? It's the truth that the move

1323
00:59:10,320 --> 00:59:15,000
Speaker 2: that joint? Yes, yeah, oh man, let me think about it.

1324
00:59:15,040 --> 00:59:16,960
Speaker 2: I would say, I don't know.

1325
00:59:17,280 --> 00:59:18,600
Speaker 6: I'm not worried about that one.

1326
00:59:19,200 --> 00:59:22,000
Speaker 1: Okay, what happens when he gets in his field in

1327
00:59:22,000 --> 00:59:22,520
Speaker 1: the air bag?

1328
00:59:24,840 --> 00:59:29,440
Speaker 2: Sometimes I love my life Okay, okay, okay, I'm into that.

1329
00:59:30,400 --> 00:59:33,520
Speaker 2: Yeah that as well. Reservoir Dogs Verse band from TV.

1330
00:59:34,840 --> 00:59:36,760
Speaker 5: Yeah, I mean I'm going band from TV because I

1331
00:59:36,760 --> 00:59:39,080
Speaker 5: can still get the duders to come out, you know

1332
00:59:39,120 --> 00:59:41,600
Speaker 5: what I'm saying, every last one of them, even Fat Joe.

1333
00:59:42,320 --> 00:59:42,800
Speaker 6: You know what I'm saying.

1334
00:59:42,840 --> 00:59:45,400
Speaker 2: He can replace fun Oh that would be hard.

1335
00:59:45,520 --> 00:59:47,480
Speaker 5: He could probably, he could probably get the lots, but

1336
00:59:47,520 --> 00:59:48,960
Speaker 5: he ain't getting the big dog to come out.

1337
00:59:49,000 --> 00:59:51,560
Speaker 1: So so do you know that though?

1338
00:59:52,800 --> 00:59:53,600
Speaker 2: I'm positive?

1339
00:59:57,400 --> 01:00:00,760
Speaker 3: Okay, quickly, because we were talking about with Thug and

1340
01:00:00,920 --> 01:00:03,480
Speaker 3: I was just a young young kid when Super Thug

1341
01:00:03,560 --> 01:00:06,880
Speaker 3: came out and I never understood this bar And I

1342
01:00:06,920 --> 01:00:08,680
Speaker 3: would like to ask you what you meant?

1343
01:00:09,920 --> 01:00:10,200
Speaker 2: Thank you?

1344
01:00:11,120 --> 01:00:11,400
Speaker 6: All right?

1345
01:00:11,440 --> 01:00:11,840
Speaker 2: Go ahead?

1346
01:00:12,240 --> 01:00:14,640
Speaker 3: You said run laps around the English Channel. Love that

1347
01:00:14,720 --> 01:00:17,800
Speaker 3: bar Neptunes. I got a cocker span light.

1348
01:00:18,240 --> 01:00:20,240
Speaker 6: You can't you can't forget the beginning.

1349
01:00:20,560 --> 01:00:23,120
Speaker 2: We light a can't handle light a candle back.

1350
01:00:22,920 --> 01:00:25,680
Speaker 5: In Queens, you know, you know the realness, the foundation

1351
01:00:26,240 --> 01:00:28,000
Speaker 5: someone or someone will pass away.

1352
01:00:27,800 --> 01:00:28,680
Speaker 6: You would light a candle.

1353
01:00:28,800 --> 01:00:31,919
Speaker 4: Of course, original ball was light a white canda. One

1354
01:00:32,000 --> 01:00:34,160
Speaker 4: laps around the English channel. I'm so mad because the

1355
01:00:34,200 --> 01:00:35,880
Speaker 4: homie passed away. You know what I'm saying.

1356
01:00:35,920 --> 01:00:38,640
Speaker 6: I could one last English channel and then Neptunes, I.

1357
01:00:38,640 --> 01:00:39,439
Speaker 2: Got a cocker span.

1358
01:00:39,920 --> 01:00:41,040
Speaker 6: Back then were.

1359
01:00:40,840 --> 01:00:43,080
Speaker 4: Calling guns, you know, four or five would be a

1360
01:00:43,160 --> 01:00:45,760
Speaker 4: rock weroller, pitch ball will be a nine millimeter, so

1361
01:00:45,960 --> 01:00:47,760
Speaker 4: cocker span, you as what to five?

1362
01:00:47,920 --> 01:00:50,800
Speaker 2: Come on, wake up, listen. I'm just a he just yeah,

1363
01:00:50,840 --> 01:00:55,640
Speaker 2: he just bro I just figured that Neptunes because for

1364
01:00:55,720 --> 01:00:57,240
Speaker 2: that looks like he could have a cocker Spaniel in

1365
01:00:57,240 --> 01:00:59,760
Speaker 2: the studio. So I just like assumed he was like, yo,

1366
01:00:59,760 --> 01:01:02,320
Speaker 2: I'm I'm filling the dog. Maybe that's.

1367
01:01:06,480 --> 01:01:08,680
Speaker 3: I could just see Chad Shilling with a cocker Spaniel

1368
01:01:08,680 --> 01:01:09,280
Speaker 3: on the stew.

1369
01:01:09,720 --> 01:01:11,000
Speaker 6: Yeah, man, there's no problem.

1370
01:01:11,120 --> 01:01:13,360
Speaker 2: What kind of dog we got? What we got? What

1371
01:01:13,440 --> 01:01:14,320
Speaker 2: kind of dog do we have?

1372
01:01:15,240 --> 01:01:16,320
Speaker 6: I got a yakee right now?

1373
01:01:16,840 --> 01:01:21,160
Speaker 2: Okay? What what what gun? Would a Yorkie be? Maybe

1374
01:01:21,240 --> 01:01:23,280
Speaker 2: a three eight three eight something you can put in

1375
01:01:23,320 --> 01:01:27,840
Speaker 2: your boot like that put in your boots a long

1376
01:01:27,920 --> 01:01:30,440
Speaker 2: time from there, you know what I mean, of course.

1377
01:01:32,040 --> 01:01:32,520
Speaker 6: Exactly.

1378
01:01:32,760 --> 01:01:36,000
Speaker 2: The ball just taught me something I didn't know that. Okay, Yeah,

1379
01:01:36,000 --> 01:01:36,440
Speaker 2: that's that's all.

1380
01:01:36,480 --> 01:01:38,120
Speaker 3: I just want to check on you and try to

1381
01:01:38,160 --> 01:01:39,840
Speaker 3: pump this Beans and Noise shit because we do want

1382
01:01:39,840 --> 01:01:41,520
Speaker 3: to see it. I think it's a great matchup you

1383
01:01:41,560 --> 01:01:43,720
Speaker 3: deserve to be in a versus in case.

1384
01:01:43,840 --> 01:01:46,200
Speaker 6: I don't know how we've got beans both that racket

1385
01:01:46,280 --> 01:01:49,760
Speaker 6: right now in Miami, and he's also you know, stepping

1386
01:01:49,760 --> 01:01:51,919
Speaker 6: on that Dream Champ stage as well.

1387
01:01:52,880 --> 01:01:55,480
Speaker 2: Just the case, just in case is breaking news right here.

1388
01:01:55,640 --> 01:01:57,720
Speaker 2: Oh I love that. That'll be a fucking amazing that's so.

1389
01:01:58,160 --> 01:02:00,120
Speaker 2: That's dope, that's really so.

1390
01:02:00,120 --> 01:02:02,080
Speaker 4: I'm gonna give him his flowers and then that night off,

1391
01:02:02,120 --> 01:02:03,000
Speaker 4: I'm gonna take them back.

1392
01:02:05,720 --> 01:02:07,400
Speaker 6: Definitely getting this flowers because that's the.

1393
01:02:07,320 --> 01:02:10,040
Speaker 2: Homie for sure. Absolutely absolutely, But.

1394
01:02:10,080 --> 01:02:13,240
Speaker 3: Yeah, man, think thanks for checking in with us. We're

1395
01:02:13,240 --> 01:02:14,800
Speaker 3: trying to trying to pump this up. I don't know

1396
01:02:14,840 --> 01:02:16,920
Speaker 3: it's been booked, but if it hasn't, we're trying to

1397
01:02:16,920 --> 01:02:18,720
Speaker 3: make sure it is in process.

1398
01:02:19,120 --> 01:02:20,960
Speaker 4: I'll tell you that it's in the process. I thought,

1399
01:02:21,000 --> 01:02:23,680
Speaker 4: I thought, at first, we ain't make enough noise. Well

1400
01:02:23,800 --> 01:02:26,720
Speaker 4: I'm hearing, I'm seeing, I'm seeing a couple of things.

1401
01:02:26,440 --> 01:02:29,240
Speaker 2: Moving and shaking. So absolutely things moving and shaking.

1402
01:02:29,280 --> 01:02:32,160
Speaker 6: So once one thing moving shape, we're gonna move and shake,

1403
01:02:32,240 --> 01:02:33,480
Speaker 6: you know, and everything is gonna.

1404
01:02:33,280 --> 01:02:34,240
Speaker 2: Be a lot of shaking baking.

1405
01:02:34,280 --> 01:02:35,680
Speaker 6: You know what I mean, Bricky Bobby.

1406
01:02:35,320 --> 01:02:36,920
Speaker 2: Out here, you know, I mean, that's the fact.

1407
01:02:37,720 --> 01:02:39,520
Speaker 1: Is bloody money on on on the docket.

1408
01:02:40,320 --> 01:02:45,000
Speaker 2: Absolutely, thank you, Part three one and as it should be,

1409
01:02:45,280 --> 01:02:45,880
Speaker 2: as it should be.

1410
01:02:46,720 --> 01:02:50,600
Speaker 3: Ye, all the trunk is too well, I thought that

1411
01:02:50,600 --> 01:02:53,600
Speaker 3: went what I'm saying. Okay, how many records on records

1412
01:02:53,640 --> 01:02:54,720
Speaker 3: make it?

1413
01:02:54,920 --> 01:02:55,320
Speaker 2: I don't know.

1414
01:02:55,360 --> 01:02:58,040
Speaker 4: I ain't even really, I ain't really even getting nothing

1415
01:02:58,040 --> 01:02:59,640
Speaker 4: together because it ain't.

1416
01:02:59,520 --> 01:03:01,280
Speaker 6: At the point know inking nothing.

1417
01:03:01,320 --> 01:03:02,400
Speaker 2: But I will.

1418
01:03:02,480 --> 01:03:04,520
Speaker 4: And you know, I like to tell you too, I'm

1419
01:03:04,600 --> 01:03:06,640
Speaker 4: doing this playing around man.

1420
01:03:06,760 --> 01:03:07,280
Speaker 6: You know what I'm saying.

1421
01:03:07,280 --> 01:03:08,800
Speaker 2: I think being ship should be outside.

1422
01:03:08,800 --> 01:03:10,600
Speaker 6: I think he's getting a lot of money at this point.

1423
01:03:10,840 --> 01:03:12,840
Speaker 4: You know, you got people like Cameron, you know, selling

1424
01:03:12,880 --> 01:03:15,680
Speaker 4: horsepower and you know what I'm saying, and me, you know,

1425
01:03:15,840 --> 01:03:17,360
Speaker 4: turning into media's time.

1426
01:03:17,560 --> 01:03:19,919
Speaker 2: Or leg you like him to come back outside.

1427
01:03:19,600 --> 01:03:20,439
Speaker 6: To get some of this money.

1428
01:03:20,440 --> 01:03:22,040
Speaker 2: So that's really what I meant, you know what I mean.

1429
01:03:22,080 --> 01:03:23,680
Speaker 4: I know a lot of people took it in the

1430
01:03:23,680 --> 01:03:26,080
Speaker 4: wrong way, but look how much people are talking about

1431
01:03:26,080 --> 01:03:27,880
Speaker 4: beings are a real good manner, like in a real

1432
01:03:27,960 --> 01:03:29,800
Speaker 4: good way. And you know a lot of people got

1433
01:03:29,800 --> 01:03:31,280
Speaker 4: his back. And I like that, you know what I'm saying.

1434
01:03:31,400 --> 01:03:33,080
Speaker 4: I actually love that, you know what I mean. I

1435
01:03:33,120 --> 01:03:34,960
Speaker 4: actually loved that because you know, for a long time,

1436
01:03:34,960 --> 01:03:38,640
Speaker 4: Philadelphia and like, you know, even Rockefeller wasn't even showing unity.

1437
01:03:38,760 --> 01:03:41,320
Speaker 4: It's the first time you seen Rockefeller and Philadelphia just

1438
01:03:41,360 --> 01:03:42,480
Speaker 4: come together, like let's come on.

1439
01:03:42,680 --> 01:03:44,720
Speaker 2: Me, let bees go out like that. And I'm like, okay,

1440
01:03:44,800 --> 01:03:45,480
Speaker 2: look look at this.

1441
01:03:45,520 --> 01:03:47,040
Speaker 5: I don't form unity by mistake.

1442
01:03:49,640 --> 01:03:50,080
Speaker 2: I love that.

1443
01:03:50,680 --> 01:03:51,480
Speaker 1: I love that great thing.

1444
01:03:51,520 --> 01:03:54,440
Speaker 4: I was arguing for young girl to you name him,

1445
01:03:54,440 --> 01:03:54,600
Speaker 4: you know.

1446
01:03:54,600 --> 01:03:56,840
Speaker 5: What I mean, And it was dope because it was, like.

1447
01:03:56,800 --> 01:03:58,640
Speaker 4: You know what, I'm glad beans get to see the

1448
01:03:58,680 --> 01:04:00,480
Speaker 4: love they got, you know what I'm saying. Maybe if

1449
01:04:00,520 --> 01:04:02,400
Speaker 4: I didn't do that, he wouldn't have seen it, you

1450
01:04:02,400 --> 01:04:02,840
Speaker 4: know what I mean.

1451
01:04:02,880 --> 01:04:04,400
Speaker 6: And I don't know what it is, but you know,

1452
01:04:04,880 --> 01:04:05,720
Speaker 6: I think a lot.

1453
01:04:05,640 --> 01:04:07,240
Speaker 4: Told me to do this, and I did it, And

1454
01:04:07,280 --> 01:04:09,600
Speaker 4: you know we're gonna get a good get a good.

1455
01:04:09,400 --> 01:04:12,040
Speaker 2: Match out of this, yeah for sure. And we're waiting

1456
01:04:12,080 --> 01:04:14,080
Speaker 2: on it. And don't get too scary when rock the

1457
01:04:14,120 --> 01:04:14,760
Speaker 2: mic comes.

1458
01:04:14,520 --> 01:04:16,840
Speaker 6: On, I don't even know what that is.

1459
01:04:20,360 --> 01:04:25,600
Speaker 2: Crack, don't do that shout out to PD. No, I'm

1460
01:04:25,640 --> 01:04:27,760
Speaker 2: just saying, I don't listen. I'm just saying I don't

1461
01:04:27,800 --> 01:04:33,600
Speaker 2: be listening. It's Freeways on it too. Yeah. Yeah, he

1462
01:04:33,720 --> 01:04:36,200
Speaker 2: needs that. We need that, We need that, we need that.

1463
01:04:36,240 --> 01:04:38,560
Speaker 4: I love free I believe free rays out here as well.

1464
01:04:38,600 --> 01:04:39,160
Speaker 2: You know what I'm saying.

1465
01:04:39,200 --> 01:04:41,040
Speaker 6: So if we're gonna have a bunch, you know, you know,

1466
01:04:41,160 --> 01:04:42,880
Speaker 6: most of the time, I've been playing around with this stuff.

1467
01:04:43,000 --> 01:04:43,400
Speaker 6: All the time.

1468
01:04:43,440 --> 01:04:44,440
Speaker 4: I'm playing around, but.

1469
01:04:44,400 --> 01:04:46,040
Speaker 6: I want a good match, and I want you know

1470
01:04:46,080 --> 01:04:47,200
Speaker 6: what I mean, Like I said, I want him to

1471
01:04:47,200 --> 01:04:49,160
Speaker 6: come outside. I want him to come to the forefront. He's,

1472
01:04:49,400 --> 01:04:50,720
Speaker 6: you know what I mean, a legend in this game.

1473
01:04:50,760 --> 01:04:53,280
Speaker 6: You know that's what Drink Champions about, giving people their flowers.

1474
01:04:53,400 --> 01:04:54,840
Speaker 6: I know a lot of people. You know that was

1475
01:04:54,840 --> 01:04:56,160
Speaker 6: an old fifty SID tactics.

1476
01:04:56,160 --> 01:04:57,440
Speaker 2: You know what I'm saying. You know what I mean?

1477
01:04:57,480 --> 01:04:58,720
Speaker 2: You say something, man, you.

1478
01:04:58,680 --> 01:05:01,400
Speaker 6: Know things happen and you know, yeah, but I'm excited.

1479
01:05:01,480 --> 01:05:03,760
Speaker 6: I'm excited to get it done. And you know right

1480
01:05:03,760 --> 01:05:06,400
Speaker 6: now I'm here in early September, but you know it.

1481
01:05:06,280 --> 01:05:08,800
Speaker 2: Is what it is for sure, looking forward to that.

1482
01:05:09,360 --> 01:05:10,120
Speaker 2: We can't wait.

1483
01:05:11,080 --> 01:05:12,800
Speaker 1: Shout out to you. We'll be in Miami soon and

1484
01:05:13,040 --> 01:05:13,720
Speaker 1: we'll all get up.

1485
01:05:14,240 --> 01:05:15,880
Speaker 6: Oh yeah, man, you know I need to ask you

1486
01:05:16,000 --> 01:05:16,560
Speaker 6: some questions.

1487
01:05:16,560 --> 01:05:19,040
Speaker 2: Man, Man, here we go.

1488
01:05:19,440 --> 01:05:20,280
Speaker 4: I'm media now.

1489
01:05:20,280 --> 01:05:20,840
Speaker 6: You know what I'm saying.

1490
01:05:20,880 --> 01:05:23,920
Speaker 2: I understand, I understandig you, Nori. Man, cut it out.

1491
01:05:25,440 --> 01:05:29,240
Speaker 2: I'm not too I'm not Now. We'll we'll come down there.

1492
01:05:29,480 --> 01:05:33,640
Speaker 2: We'll make more drink different definitely, y'all. Yeah, yeah, yah,

1493
01:05:33,680 --> 01:05:34,160
Speaker 2: take it easy.

1494
01:05:34,160 --> 01:05:35,919
Speaker 6: May you have a wonderful day. Man, keep doing You're

1495
01:05:36,000 --> 01:05:37,400
Speaker 6: doing positive illess all.

1496
01:05:37,400 --> 01:05:41,480
Speaker 1: Right, bro, appreciate you.

1497
01:05:41,520 --> 01:05:43,800
Speaker 2: No Man, that that would be my favorite of my

1498
01:05:43,960 --> 01:05:47,640
Speaker 2: one of my favorite people is NOI is the greatest yea.

1499
01:05:47,960 --> 01:05:49,960
Speaker 1: And even through Ship, he's saying he had questions and

1500
01:05:50,000 --> 01:05:50,640
Speaker 1: ship through.

1501
01:05:50,480 --> 01:05:53,200
Speaker 3: Through all the bullshit that happened through those few months,

1502
01:05:53,280 --> 01:05:57,400
Speaker 3: like Noriri was super communicative and like yeah, I'm just

1503
01:05:57,440 --> 01:05:58,439
Speaker 3: checking in on you type ship.

1504
01:05:58,880 --> 01:06:00,920
Speaker 2: That's my dude. Noy's a really really good, good person

1505
01:06:01,040 --> 01:06:03,200
Speaker 2: on the side of just making fucking great music, one

1506
01:06:03,240 --> 01:06:04,000
Speaker 2: of the best for sure.

1507
01:06:04,280 --> 01:06:09,560
Speaker 3: But I feel Beans, Beans does need that attention. Let

1508
01:06:09,600 --> 01:06:10,880
Speaker 3: me not know, all right, let me reword that he

1509
01:06:10,920 --> 01:06:14,280
Speaker 3: does not need that attention. He deserves the recognition like

1510
01:06:14,360 --> 01:06:16,960
Speaker 3: Beans is one of the love of rappers ever.

1511
01:06:17,240 --> 01:06:21,680
Speaker 2: Absolutely to me, Beans is you know, if you, if you,

1512
01:06:21,840 --> 01:06:25,240
Speaker 2: if you, you can't be a fan of rap and

1513
01:06:25,360 --> 01:06:30,960
Speaker 2: hip hop and not respect and appreciate what Beanie Siegel did.

1514
01:06:31,680 --> 01:06:33,760
Speaker 2: You know, as far as his career just for the

1515
01:06:33,800 --> 01:06:38,320
Speaker 2: city of Philadelphia, you know, obviously the success of Beans

1516
01:06:38,360 --> 01:06:42,880
Speaker 2: and State Property. You know, it birthed the meek miles,

1517
01:06:43,680 --> 01:06:46,440
Speaker 2: you know what I mean. It's so it's you gotta respect.

1518
01:06:46,440 --> 01:06:47,600
Speaker 2: You gotta respect what he did.

1519
01:06:47,800 --> 01:06:52,240
Speaker 1: You know, clothing line, you know, movies, just everything with

1520
01:06:52,520 --> 01:06:52,960
Speaker 1: State prop.

1521
01:06:53,200 --> 01:06:56,640
Speaker 2: Yeah, I mean, you got it. It's I mean, it's

1522
01:06:56,360 --> 01:07:00,160
Speaker 2: it's almost laughable when people try to like ignore or

1523
01:07:00,840 --> 01:07:03,520
Speaker 2: Beans and you know, his his role in the culture

1524
01:07:03,520 --> 01:07:05,680
Speaker 2: and what he did.

1525
01:07:06,360 --> 01:07:09,440
Speaker 3: Yeah, I mean he brought the I could actually wrap

1526
01:07:09,760 --> 01:07:12,640
Speaker 3: and make hit records type ship. Yeah, and his staff

1527
01:07:12,920 --> 01:07:14,840
Speaker 3: in a grimier way and not the way like Jay

1528
01:07:14,920 --> 01:07:16,600
Speaker 3: kind of did. More like the cooler finesse.

1529
01:07:17,200 --> 01:07:19,080
Speaker 1: That's what I'm saying, like like Beans was just grimy

1530
01:07:19,080 --> 01:07:19,840
Speaker 1: as fun, like.

1531
01:07:21,760 --> 01:07:25,360
Speaker 2: His style was really like it's unique, Like you knew

1532
01:07:25,600 --> 01:07:27,320
Speaker 2: Beans as soon as you heard him. He didn't sound

1533
01:07:27,360 --> 01:07:30,280
Speaker 2: like nobody. His his flow, his cadence, you know what

1534
01:07:30,320 --> 01:07:33,680
Speaker 2: I mean, His his his punchlines, everything about him was

1535
01:07:33,720 --> 01:07:36,680
Speaker 2: just so unique and special. And it's it's dope, Like

1536
01:07:36,680 --> 01:07:38,400
Speaker 2: I said, you know what Nory said, It's it's dope

1537
01:07:38,400 --> 01:07:40,840
Speaker 2: for people to be talking about Beans and wanting to

1538
01:07:40,840 --> 01:07:43,840
Speaker 2: see him, wanting to hear from him, Like I love

1539
01:07:43,880 --> 01:07:46,160
Speaker 2: seeing ship like that because you know, again I'm a

1540
01:07:46,160 --> 01:07:49,680
Speaker 2: little biased, but I I know how important Beans is

1541
01:07:49,720 --> 01:07:50,320
Speaker 2: for the culture.

1542
01:07:50,760 --> 01:07:53,360
Speaker 3: If Norri brings out and we can wrap up soon.

1543
01:07:53,400 --> 01:07:56,720
Speaker 3: But if Norri brings out Jadakiss during for Banford TV,

1544
01:07:58,240 --> 01:08:02,120
Speaker 3: probably Beans Beans has to RepA Live with Jadakins disk.

1545
01:08:03,480 --> 01:08:06,080
Speaker 3: That would be hilarious, how funny, which was one of

1546
01:08:06,080 --> 01:08:08,920
Speaker 3: my favorite battles in history. Beans and Jada still is

1547
01:08:09,040 --> 01:08:11,080
Speaker 3: one of the illest battles because you have two of

1548
01:08:11,080 --> 01:08:13,200
Speaker 3: the best rappers probably ever.

1549
01:08:13,320 --> 01:08:18,760
Speaker 2: And if he comes with a kiss fucking disc that's

1550
01:08:18,760 --> 01:08:20,639
Speaker 2: funny off ban from TV, I'm not even do Reservoir.

1551
01:08:22,000 --> 01:08:24,599
Speaker 1: I'll switch it up that would be amazing.

1552
01:08:24,600 --> 01:08:26,920
Speaker 3: If Nora can pull off bringing out Fat Joe to

1553
01:08:27,000 --> 01:08:31,320
Speaker 3: dupuns verse bringing out cam bringing nature like that would

1554
01:08:31,360 --> 01:08:32,040
Speaker 3: be crazy.

1555
01:08:32,320 --> 01:08:34,479
Speaker 2: See so when you when he's hearing him say that,

1556
01:08:34,600 --> 01:08:39,439
Speaker 2: so obviously they're going for the stage performance thing. They

1557
01:08:39,479 --> 01:08:42,360
Speaker 2: don't want to just lightweight performing the records in the

1558
01:08:42,439 --> 01:08:45,000
Speaker 2: studio type of setting. They want to like, he wants

1559
01:08:45,040 --> 01:08:48,080
Speaker 2: to make it a full out, let's perform. Let's make

1560
01:08:48,080 --> 01:08:49,559
Speaker 2: it a show. And I'm not mad at that.

1561
01:08:49,640 --> 01:08:51,280
Speaker 1: Do you think we'll bring out Daddy Yankee and Nina

1562
01:08:51,320 --> 01:08:53,920
Speaker 1: skuy That would be crazy, that'd be hard.

1563
01:08:54,080 --> 01:08:56,800
Speaker 2: Yeah, that was That's a big record. That's a big record. Yeah.

1564
01:08:56,840 --> 01:09:01,680
Speaker 2: I hope this happens. You know, Triller versus make it happen. Man,

1565
01:09:01,680 --> 01:09:03,839
Speaker 2: we won't see this. We need this for the culture,

1566
01:09:04,360 --> 01:09:07,160
Speaker 2: and it'll be it'll be one of the better battles.

1567
01:09:07,320 --> 01:09:10,760
Speaker 3: I actually just recently watched Cormega on Drink Champs and

1568
01:09:10,840 --> 01:09:12,720
Speaker 3: it was a fucking amazing episode.

1569
01:09:12,960 --> 01:09:15,520
Speaker 2: Yeah, like amazing Cormega.

1570
01:09:16,080 --> 01:09:18,559
Speaker 3: He should be in podcasting, like he's just such a

1571
01:09:18,600 --> 01:09:21,240
Speaker 3: fucking intelligent dude.

1572
01:09:20,040 --> 01:09:24,439
Speaker 2: Just so that's probably Need and Cormega. I'm pretty sure

1573
01:09:24,439 --> 01:09:26,559
Speaker 2: they talked about a lot of.

1574
01:09:26,560 --> 01:09:27,920
Speaker 1: Ship Cormega had.

1575
01:09:27,920 --> 01:09:31,080
Speaker 3: He had this one part talking about ego, and it

1576
01:09:31,120 --> 01:09:32,800
Speaker 3: was funny when you were talking about your mans that

1577
01:09:32,800 --> 01:09:34,920
Speaker 3: you met up with over July fourth, It just it

1578
01:09:34,960 --> 01:09:39,160
Speaker 3: reminded me so much of what Cormega was saying about

1579
01:09:39,160 --> 01:09:41,839
Speaker 3: how so much of his life was driven by ego

1580
01:09:42,720 --> 01:09:46,040
Speaker 3: and it was only for the moment, and then once

1581
01:09:46,080 --> 01:09:50,480
Speaker 3: that moment was gone, your ego wasn't there for the consequences.

1582
01:09:51,160 --> 01:09:54,479
Speaker 3: Only regret was there for the consequences. Like it's go

1583
01:09:54,520 --> 01:09:57,120
Speaker 3: watch Cormega and Norrie. Yeah, I'm a check going on.

1584
01:09:58,080 --> 01:10:02,040
Speaker 3: It's a really really good episode. But yeah, other music,

1585
01:10:03,200 --> 01:10:05,000
Speaker 3: we got Snow coming out today.

1586
01:10:05,960 --> 01:10:09,719
Speaker 2: The one and only, the Beautiful to go elegant listen

1587
01:10:09,800 --> 01:10:10,360
Speaker 2: pressures on.

1588
01:10:11,680 --> 01:10:14,600
Speaker 3: I think her last album called Me Nuts is a

1589
01:10:14,600 --> 01:10:17,600
Speaker 3: classical and I you know, I don't give up the

1590
01:10:17,600 --> 01:10:18,880
Speaker 3: classic tag like that.

1591
01:10:18,960 --> 01:10:21,600
Speaker 1: No, she she Snow Those Feelings is a fucking classic.

1592
01:10:21,280 --> 01:10:25,799
Speaker 2: You know. Snow. She put out some amazing records, Amazing records.

1593
01:10:26,160 --> 01:10:27,800
Speaker 2: You know what I like about Snow the most away

1594
01:10:27,840 --> 01:10:32,360
Speaker 2: from just like the dope ass records. I like her

1595
01:10:32,680 --> 01:10:38,720
Speaker 2: like it's her style to me is very unique in

1596
01:10:38,720 --> 01:10:46,439
Speaker 2: what sense, she's almost like a she reminds me of

1597
01:10:46,479 --> 01:10:50,840
Speaker 2: like she gives me like a leaner horn okay type

1598
01:10:50,880 --> 01:10:53,800
Speaker 2: of vibe where it's like you don't really hear from

1599
01:10:53,800 --> 01:10:56,880
Speaker 2: her much, you don't really see her much, but when

1600
01:10:56,920 --> 01:11:00,160
Speaker 2: you do see her, she just like looks she's like

1601
01:11:00,200 --> 01:11:02,280
Speaker 2: a fairy. It's like she weird. She just float down

1602
01:11:02,320 --> 01:11:05,320
Speaker 2: from and how does she get here? Like, I just

1603
01:11:05,400 --> 01:11:08,080
Speaker 2: love her her energy, I love her style. I love

1604
01:11:08,800 --> 01:11:12,320
Speaker 2: even though in her tone of voice, the way she speaks. Yeah,

1605
01:11:12,400 --> 01:11:17,320
Speaker 2: like she's very she's very like just elegant, if that's

1606
01:11:17,360 --> 01:11:18,160
Speaker 2: the word I'm looking for.

1607
01:11:18,400 --> 01:11:24,680
Speaker 3: Yeah, No, she she's definitely separated herself from I mean,

1608
01:11:24,840 --> 01:11:26,800
Speaker 3: it's been called this, and I'm sure a lot of

1609
01:11:26,880 --> 01:11:29,400
Speaker 3: R and B singers are mad by this term being this,

1610
01:11:29,520 --> 01:11:32,200
Speaker 3: but like the whisper singers, because she's not a whisper singer, no, no, no,

1611
01:11:32,400 --> 01:11:34,759
Speaker 3: but she a lot of the sound that no Idea

1612
01:11:34,840 --> 01:11:38,120
Speaker 3: creates is around just the era of what's happening in

1613
01:11:38,320 --> 01:11:40,920
Speaker 3: R and B. And when you get her tone in

1614
01:11:40,960 --> 01:11:43,280
Speaker 3: her actually being able to sing, it kind of separates

1615
01:11:43,360 --> 01:11:46,439
Speaker 3: drastically from the mellow R and B. And her writing

1616
01:11:46,439 --> 01:11:50,320
Speaker 3: to her writing is fucking phenomenal. But I'm really excited.

1617
01:11:50,400 --> 01:11:53,400
Speaker 3: I Snow is one of my favorite artists. I think,

1618
01:11:53,640 --> 01:11:58,800
Speaker 3: is this the track list there? Yeah, two Tyler features

1619
01:11:59,000 --> 01:12:02,200
Speaker 3: James Fonce Roy. I don't even even need to say anything.

1620
01:12:02,240 --> 01:12:04,960
Speaker 1: Matter of fact, I will name drop for a second.

1621
01:12:05,800 --> 01:12:06,599
Speaker 1: It'll form right here.

1622
01:12:06,640 --> 01:12:10,559
Speaker 3: I was talking to Snow at her show and No

1623
01:12:10,640 --> 01:12:14,080
Speaker 3: Idea was there as well, and I said to them, Snow,

1624
01:12:14,400 --> 01:12:16,920
Speaker 3: it's now your responsibility to put Cocaine Eighties back together.

1625
01:12:18,120 --> 01:12:22,600
Speaker 3: It's now your responsibility. You are the artist that No

1626
01:12:22,720 --> 01:12:26,160
Speaker 3: Ideas is focused on the most. You are amazing. You're

1627
01:12:26,200 --> 01:12:28,240
Speaker 3: the only one that could go over there and be like, Yo,

1628
01:12:28,400 --> 01:12:30,280
Speaker 3: Cocaine Eighties exist now and I'm part of it.

1629
01:12:31,080 --> 01:12:34,200
Speaker 2: That would be fly, that would be Cocaine eighties was

1630
01:12:34,240 --> 01:12:38,320
Speaker 2: like it was some of the best, Like just that time.

1631
01:12:38,560 --> 01:12:41,840
Speaker 2: First of all, it was that twenty eleven eleven eleven.

1632
01:12:42,040 --> 01:12:46,719
Speaker 2: That time was just like an interesting time in music.

1633
01:12:46,960 --> 01:12:50,479
Speaker 3: Within one month we got Frank Ocean Nostalgia, Ultra Weekend,

1634
01:12:50,520 --> 01:12:52,759
Speaker 3: House of Balloons, right, and we got Cocaine Eighties.

1635
01:12:52,880 --> 01:12:55,720
Speaker 2: Right. That was like a really really interesting, unique time

1636
01:12:55,720 --> 01:12:58,880
Speaker 2: in music. I don't know what was going on. I

1637
01:12:58,920 --> 01:13:01,640
Speaker 2: don't know, like what was happening in the universe. But

1638
01:13:01,800 --> 01:13:05,559
Speaker 2: that time, that moment was really really special in music.

1639
01:13:05,840 --> 01:13:09,360
Speaker 2: We got some amazing records creatively, some records that we

1640
01:13:09,360 --> 01:13:12,680
Speaker 2: didn't even know we would like. That probably changed the

1641
01:13:12,680 --> 01:13:14,759
Speaker 2: way we even listen to yeah music.

1642
01:13:14,800 --> 01:13:16,960
Speaker 3: Well, I mean from there, not to say that James

1643
01:13:16,960 --> 01:13:20,040
Speaker 3: fons Worth hadn't already penned some great records at that point,

1644
01:13:20,080 --> 01:13:23,120
Speaker 3: but I feel like after Cocaine eighties he really got

1645
01:13:23,160 --> 01:13:26,000
Speaker 3: in his stride and became like in demand. For every

1646
01:13:26,000 --> 01:13:29,920
Speaker 3: major artist, they need James, So I can totally understand,

1647
01:13:29,920 --> 01:13:32,479
Speaker 3: and there's there was more writers in Cokin eighties. I

1648
01:13:32,520 --> 01:13:34,559
Speaker 3: don't want to just make it about James, and obviously

1649
01:13:34,560 --> 01:13:38,479
Speaker 3: no id putting everything together helps, right, Yeah, it does

1650
01:13:38,479 --> 01:13:41,080
Speaker 3: a little bit roight, Yeah, But I just I feel

1651
01:13:41,080 --> 01:13:45,400
Speaker 3: like James just got too in demand and like, yeah,

1652
01:13:45,400 --> 01:13:48,559
Speaker 3: I could go write justin Simlek's album and be rich.

1653
01:13:49,520 --> 01:13:51,360
Speaker 3: I probably wouldn't make Cocain eighties music either.

1654
01:13:51,680 --> 01:13:55,600
Speaker 2: I mean, but that too, or sometimes you know you

1655
01:13:55,640 --> 01:13:57,840
Speaker 2: got you got the real real artists who they're just

1656
01:13:57,880 --> 01:14:01,479
Speaker 2: not motivated in that space any more to yeah jump

1657
01:14:01,479 --> 01:14:04,360
Speaker 2: into that and me I would, I would think I'm

1658
01:14:04,439 --> 01:14:06,920
Speaker 2: leaning towards that. I don't. I just think that James Funtleroy,

1659
01:14:07,840 --> 01:14:09,880
Speaker 2: you know, in Cocaine Eighties. I think that was like

1660
01:14:09,960 --> 01:14:13,000
Speaker 2: a moment they had fun, and I don't I think

1661
01:14:13,040 --> 01:14:15,839
Speaker 2: that they don't want to force that energy again. Yeah,

1662
01:14:15,920 --> 01:14:18,200
Speaker 2: if it happens, it happens great. I think, you know,

1663
01:14:18,320 --> 01:14:20,240
Speaker 2: that's more so what it is. But I don't think

1664
01:14:20,240 --> 01:14:23,479
Speaker 2: that James just got so busy and everyone just became

1665
01:14:23,960 --> 01:14:25,479
Speaker 2: in demand that they just don't want to do it.

1666
01:14:25,520 --> 01:14:27,479
Speaker 3: I just think that they had fun. That was like

1667
01:14:27,520 --> 01:14:29,880
Speaker 3: a jam session that they let us in on. That's

1668
01:14:29,920 --> 01:14:31,680
Speaker 3: probably the best way to put it. Yeah, But the

1669
01:14:31,720 --> 01:14:33,880
Speaker 3: way direction they were going, like when they added Comment

1670
01:14:33,920 --> 01:14:36,360
Speaker 3: into the group, and then when they added Jane into

1671
01:14:36,360 --> 01:14:38,160
Speaker 3: the group, I was like, Oh, they're about to do

1672
01:14:38,240 --> 01:14:41,000
Speaker 3: like some R and B native tongue shit, Like I

1673
01:14:41,080 --> 01:14:42,719
Speaker 3: was excited. I was like, they're just gonna start adding

1674
01:14:43,080 --> 01:14:45,519
Speaker 3: And then I think probably the last Cocaine eighties feature

1675
01:14:45,640 --> 01:14:49,080
Speaker 3: was on NASA's Life is Good album maybe, and I

1676
01:14:49,120 --> 01:14:51,280
Speaker 3: was like, Oh, they add Nasa. This shit like this

1677
01:14:51,320 --> 01:14:54,040
Speaker 3: is about to be the click that no ID puts together.

1678
01:14:54,080 --> 01:14:57,439
Speaker 3: And then it was like n twenty experience came out

1679
01:14:57,439 --> 01:14:59,120
Speaker 3: and it was like all right, everyone on Earth did

1680
01:14:59,160 --> 01:15:03,240
Speaker 3: want sponsorbility. Yeah yeah, yeah, but listen, Snow. I'm excited

1681
01:15:03,280 --> 01:15:05,400
Speaker 3: for your album if you can. If you're listening, which

1682
01:15:05,439 --> 01:15:09,120
Speaker 3: I know you're not, please ask No Idea and James

1683
01:15:09,160 --> 01:15:10,679
Speaker 3: to put Cocaine Eighties back together.

1684
01:15:10,720 --> 01:15:11,920
Speaker 1: And you joined the group as well.

1685
01:15:12,080 --> 01:15:14,680
Speaker 3: Go get your get Calmon, go get nas, go get

1686
01:15:15,360 --> 01:15:20,120
Speaker 3: let's like make a real R and B native tongues situation.

1687
01:15:20,200 --> 01:15:21,880
Speaker 2: I'm not mad at that. I'm not mad at that.

1688
01:15:21,960 --> 01:15:25,679
Speaker 1: But I'm excited. Vince's album is also out today.

1689
01:15:25,960 --> 01:15:28,360
Speaker 2: Vince Staples shout out to Vince. I think it's just

1690
01:15:28,400 --> 01:15:32,120
Speaker 2: called Vince Staples. That's definitely a vent. That's that's what

1691
01:15:32,240 --> 01:15:34,160
Speaker 2: Vince Will called his album. Did you watch as La

1692
01:15:34,240 --> 01:15:38,320
Speaker 2: Leakers though? Yeah, sto absolutely, he went on.

1693
01:15:39,040 --> 01:15:40,000
Speaker 1: Somebody pissed Vince off.

1694
01:15:40,120 --> 01:15:43,280
Speaker 2: He went crazy, like knock a rap is Vince might

1695
01:15:43,320 --> 01:15:47,360
Speaker 2: be the best kept secret in hip hop. Actually, Like

1696
01:15:48,200 --> 01:15:50,080
Speaker 2: I only say that obviously Vince is known and he

1697
01:15:50,120 --> 01:15:52,920
Speaker 2: has a following and he has but I think Vince

1698
01:15:53,040 --> 01:15:55,879
Speaker 2: is a biggest star than people. Probably.

1699
01:15:56,040 --> 01:15:59,240
Speaker 3: No, I mean, I won't speak for it because we

1700
01:15:59,280 --> 01:16:03,120
Speaker 3: obviously know It's personality is just as good as his rapping.

1701
01:16:03,400 --> 01:16:05,240
Speaker 2: As far as that's that's what I'm saying. He's a

1702
01:16:05,320 --> 01:16:07,080
Speaker 2: he's a star. He's a star.

1703
01:16:07,800 --> 01:16:10,160
Speaker 1: But I mean, why I respect him. Again, I'm not

1704
01:16:10,200 --> 01:16:11,400
Speaker 1: speaking for him. I do not notice.

1705
01:16:11,400 --> 01:16:13,880
Speaker 2: To be a fact, it seems like Vince don't really

1706
01:16:13,880 --> 01:16:16,040
Speaker 2: want to fuck with y'all, like I like being just

1707
01:16:16,280 --> 01:16:18,439
Speaker 2: over here. But that's to me, that's what makes him

1708
01:16:18,439 --> 01:16:21,679
Speaker 2: a star. It's it's it's you know, he he knows. Obviously,

1709
01:16:21,760 --> 01:16:26,160
Speaker 2: he's talented, he's obviously a smart guy. He's obviously entertaining,

1710
01:16:26,280 --> 01:16:28,920
Speaker 2: he's obviously funny, and you know, all of these things.

1711
01:16:29,600 --> 01:16:33,479
Speaker 2: But I think that he's just not playing. He doesn't

1712
01:16:33,479 --> 01:16:37,360
Speaker 2: want to play the game. Yeah, It's like he jumps

1713
01:16:37,360 --> 01:16:39,120
Speaker 2: in and out when he wants. He is, he's on

1714
01:16:39,160 --> 01:16:40,880
Speaker 2: his own terms. He moves, he moves when he wants

1715
01:16:41,040 --> 01:16:43,639
Speaker 2: wants to move, which I respect. He's not chasing nothing,

1716
01:16:43,760 --> 01:16:45,400
Speaker 2: he's not you know what I mean. And I like

1717
01:16:45,439 --> 01:16:48,559
Speaker 2: shit like that because it's kind of like, I'm dope,

1718
01:16:48,920 --> 01:16:51,640
Speaker 2: I'm smart. I'm gonna let y'all in on some of

1719
01:16:51,640 --> 01:16:53,439
Speaker 2: this fly shit I've been doing, and then I'm gonna

1720
01:16:53,439 --> 01:16:55,400
Speaker 2: just disappear. And I don't want to be bothered with

1721
01:16:55,439 --> 01:16:56,000
Speaker 2: none of y'all.

1722
01:16:56,000 --> 01:16:57,600
Speaker 3: I would call him, but he said in the La

1723
01:16:57,720 --> 01:17:00,519
Speaker 3: Leakers freestyle that he doesn't want to do a roll up, so.

1724
01:17:01,640 --> 01:17:04,000
Speaker 2: Yeah, no please, and then no Advince, He's probably in

1725
01:17:04,000 --> 01:17:06,920
Speaker 2: the middle of the hood watching some WOWD shit go down,

1726
01:17:06,960 --> 01:17:09,800
Speaker 2: and you know that's just that's just what Vince is. Vince.

1727
01:17:09,880 --> 01:17:12,240
Speaker 2: Vince is another one to me that needs a uh.

1728
01:17:12,280 --> 01:17:14,439
Speaker 2: He needs cameras on him twenty four hours a day.

1729
01:17:14,560 --> 01:17:17,639
Speaker 2: Oh yeah, he's his own cameras, not overly produced shit,

1730
01:17:17,720 --> 01:17:21,120
Speaker 2: Like he just needs to like record just from his

1731
01:17:21,200 --> 01:17:22,960
Speaker 2: point of view all day, every day and put that

1732
01:17:22,960 --> 01:17:23,439
Speaker 2: shit out.

1733
01:17:23,600 --> 01:17:27,559
Speaker 3: There was way other better bars in that that's terrible English,

1734
01:17:27,560 --> 01:17:30,240
Speaker 3: but there was better bars in his uh freestyle. I

1735
01:17:30,240 --> 01:17:33,559
Speaker 3: did appreciate him saying I'm problematic and proud of it.

1736
01:17:33,840 --> 01:17:36,720
Speaker 2: Vince, I like, really for me, Yeah, this is me

1737
01:17:36,840 --> 01:17:39,160
Speaker 2: and if you don't like it, fuck you then if so,

1738
01:17:39,479 --> 01:17:42,040
Speaker 2: fuck you too. Yeah, that type of attitude.

1739
01:17:42,120 --> 01:17:43,719
Speaker 1: But I'm excited for the album.

1740
01:17:43,880 --> 01:17:45,880
Speaker 3: I did want to ask him, which maybe we'll call

1741
01:17:45,960 --> 01:17:49,400
Speaker 3: him after the album and actually talk about it. I

1742
01:17:49,439 --> 01:17:51,400
Speaker 3: did want to ask him if he thought that wearing

1743
01:17:51,439 --> 01:18:00,120
Speaker 3: the Yankees hat made him rap better. But that's your attitude,

1744
01:18:00,240 --> 01:18:02,960
Speaker 3: that's like it's special powers anytime the Yankee fitted come on.

1745
01:18:03,000 --> 01:18:05,560
Speaker 2: You gotta wrap got it. You gotta know what you

1746
01:18:05,680 --> 01:18:08,960
Speaker 2: see Dodgers fitted on. Yeah, you gotta you gotta throw

1747
01:18:08,960 --> 01:18:11,120
Speaker 2: that Yankee hat on. You gotta do something. Yeah.

1748
01:18:11,120 --> 01:18:12,720
Speaker 1: I felt like he wrote that verse and was like, Nah,

1749
01:18:12,760 --> 01:18:13,240
Speaker 1: ship too good.

1750
01:18:13,280 --> 01:18:16,280
Speaker 2: Let me throw on the Yankee fitted. That's funny. You

1751
01:18:16,439 --> 01:18:18,320
Speaker 2: shut out the Vince Man. I'm looking forward to hearing this.

1752
01:18:18,560 --> 01:18:21,880
Speaker 1: Yes, that's my guy. I'm trying to think anything else

1753
01:18:22,160 --> 01:18:26,760
Speaker 1: come out today. I'm out. I'm out of touch. That's

1754
01:18:26,760 --> 01:18:27,080
Speaker 1: why I do.

1755
01:18:27,080 --> 01:18:30,679
Speaker 2: I never know when albums are dropping. I'm still listening

1756
01:18:30,760 --> 01:18:32,200
Speaker 2: to a bunch of shit that came out. I'm still

1757
01:18:32,200 --> 01:18:35,080
Speaker 2: listening to Larry June. Larry June is great. I'm still

1758
01:18:35,120 --> 01:18:38,320
Speaker 2: listening to mak Hami. I'm still listening in the banks,

1759
01:18:39,080 --> 01:18:45,240
Speaker 2: still listening to Tyler her or Ship. Did you did

1760
01:18:45,240 --> 01:18:48,320
Speaker 2: you re listen to? Das P has album coming out.

1761
01:18:48,640 --> 01:18:55,439
Speaker 3: Ghosting Styles, Space Jammu, Space Jamma soundtrack comes out New Legacy.

1762
01:18:56,520 --> 01:18:58,080
Speaker 1: I mean the records that have been released are great.

1763
01:18:58,120 --> 01:19:00,640
Speaker 3: I don't doubt that that it's not gonna be a

1764
01:19:00,640 --> 01:19:03,000
Speaker 3: good album, especially if lebron Is ain't rit Can you

1765
01:19:03,040 --> 01:19:05,760
Speaker 3: pull up the track list for A for Space jam

1766
01:19:05,760 --> 01:19:06,439
Speaker 3: a New Legacy.

1767
01:19:06,560 --> 01:19:07,960
Speaker 2: Wait, Lebron is an RN.

1768
01:19:08,160 --> 01:19:09,840
Speaker 1: Well, he's in the movie, so I assume he A

1769
01:19:09,960 --> 01:19:11,040
Speaker 1: and R the soundtrack, so.

1770
01:19:11,120 --> 01:19:12,679
Speaker 2: You just tied it together. He's doing everything.

1771
01:19:12,720 --> 01:19:14,479
Speaker 1: I just can't wait for the Deluxe.

1772
01:19:15,080 --> 01:19:18,040
Speaker 2: Remember that you gotta put out the deluxe Bron.

1773
01:19:18,080 --> 01:19:19,720
Speaker 1: Do you think he'll put out the deluxe movie too?

1774
01:19:19,840 --> 01:19:19,920
Speaker 2: Like?

1775
01:19:19,960 --> 01:19:25,120
Speaker 1: Ooh, there was another game, Game two, the deluxe game.

1776
01:19:25,960 --> 01:19:29,000
Speaker 3: Lebron was with fucking Universal or Paramount and was like, Yo,

1777
01:19:29,520 --> 01:19:32,680
Speaker 3: what if like we play the game against the monsters

1778
01:19:32,520 --> 01:19:35,960
Speaker 3: best of three and then and then at the end

1779
01:19:36,200 --> 01:19:39,120
Speaker 3: like they say, yo, doubleing nothing like a week later

1780
01:19:39,960 --> 01:19:41,080
Speaker 3: we give them the other game.

1781
01:19:41,240 --> 01:19:42,880
Speaker 2: Yeah, not, that's the deluxe game.

1782
01:19:42,880 --> 01:19:44,599
Speaker 1: You're right, the Deluxe game.

1783
01:19:45,640 --> 01:19:47,120
Speaker 2: There's a lot of big names on this, on this

1784
01:19:47,160 --> 01:19:48,599
Speaker 2: project though. Yeah, I wouldn't doubt it.

1785
01:19:49,400 --> 01:19:54,000
Speaker 3: Oh god, Chance in John Legend, I already know what

1786
01:19:54,040 --> 01:19:57,759
Speaker 3: that song sounds like. You know what that song sounds

1787
01:19:57,800 --> 01:19:59,920
Speaker 3: like to You know what the Chance the rapper in

1788
01:20:00,040 --> 01:20:00,680
Speaker 3: John Legends song?

1789
01:20:00,920 --> 01:20:03,640
Speaker 2: You know it already. It's definitely the song you hear

1790
01:20:03,680 --> 01:20:07,960
Speaker 2: while you're in Bloomingdale's wait for the guy to go

1791
01:20:07,960 --> 01:20:12,080
Speaker 2: in the back and get the Polo Teas. That's definitely

1792
01:20:12,320 --> 01:20:14,000
Speaker 2: my god. You've heard that song before.

1793
01:20:14,120 --> 01:20:18,559
Speaker 3: Of course, I'll say John is on there. We heard

1794
01:20:18,560 --> 01:20:20,439
Speaker 3: that record already. That says the record is that that's

1795
01:20:20,439 --> 01:20:24,519
Speaker 3: fire Cord. You know, It's just this looks pretty good.

1796
01:20:25,200 --> 01:20:26,719
Speaker 2: It's a lot of big names, didn't I didn't realize

1797
01:20:26,720 --> 01:20:27,840
Speaker 2: all of these names on it though.

1798
01:20:28,280 --> 01:20:30,160
Speaker 1: Well, I mean when Brown is A and R and

1799
01:20:30,200 --> 01:20:31,440
Speaker 1: there's there's no boundaries.

1800
01:20:31,640 --> 01:20:35,000
Speaker 2: Okay, look at Dame Dollar getting a placement. That's what's up. Man,

1801
01:20:35,240 --> 01:20:35,880
Speaker 2: shout out to day.

1802
01:20:37,400 --> 01:20:41,160
Speaker 3: All right, Well we'll come back next week and dissect

1803
01:20:41,360 --> 01:20:42,720
Speaker 3: Oh saltn Pepper and Cashed off?

1804
01:20:43,080 --> 01:20:45,360
Speaker 2: How came you to tell us about that one? You know,

1805
01:20:46,160 --> 01:20:48,280
Speaker 2: Cash has been kind of acting funny. I haven't spoken

1806
01:20:48,320 --> 01:20:51,200
Speaker 2: to her really. Yeah, man, she wasn't there when you

1807
01:20:51,200 --> 01:20:56,200
Speaker 2: needed her. Huh. I'm just out here by myself, man, naked,

1808
01:20:56,360 --> 01:20:59,880
Speaker 2: just knowing that to help you. Yeah, man, shit is crazy, bro.

1809
01:21:00,240 --> 01:21:04,160
Speaker 2: She really didn't check on you. No, man, it's crazy.

1810
01:21:04,320 --> 01:21:06,160
Speaker 2: You know that. You know who's you gotta go through

1811
01:21:06,160 --> 01:21:07,760
Speaker 2: things to learn who's in your corner? Roy. You know

1812
01:21:07,800 --> 01:21:09,680
Speaker 2: what I'm saying, You gotta this is this is a

1813
01:21:09,760 --> 01:21:10,400
Speaker 2: learning experience.

1814
01:21:10,439 --> 01:21:12,080
Speaker 1: How didn't feel what you found out Cash wasn't in

1815
01:21:12,080 --> 01:21:12,479
Speaker 1: your corner.

1816
01:21:12,520 --> 01:21:13,720
Speaker 2: Man should hurt?

1817
01:21:13,760 --> 01:21:16,640
Speaker 1: Man, that should hurt, yeah, she felt because y'all were

1818
01:21:16,680 --> 01:21:17,719
Speaker 1: like my favorite power couple.

1819
01:21:18,080 --> 01:21:20,400
Speaker 2: Yeah, man, it should hurt. I thought there was some

1820
01:21:20,400 --> 01:21:21,080
Speaker 2: some future there.

1821
01:21:21,120 --> 01:21:23,280
Speaker 3: I'm gonna bounce back though, Like mal Doll, I really

1822
01:21:23,320 --> 01:21:24,120
Speaker 3: thought it was a thing.

1823
01:21:26,160 --> 01:21:28,639
Speaker 2: Bro, don't ever say mald Doll again. Please not. No,

1824
01:21:28,720 --> 01:21:30,160
Speaker 2: I'm not. But you know how they do a couple

1825
01:21:30,200 --> 01:21:33,200
Speaker 2: of names together. Don't like Jennifer, don't like all day

1826
01:21:33,280 --> 01:21:37,040
Speaker 2: that went for it was so nasty, was running with that.

1827
01:21:37,040 --> 01:21:40,280
Speaker 2: That was discussed, why do we do that? We don't

1828
01:21:40,320 --> 01:21:46,120
Speaker 2: do that. They no, dog, I did not do anything,

1829
01:21:46,800 --> 01:21:48,680
Speaker 2: and Jennifi Lopez did not come up with that. They

1830
01:21:48,680 --> 01:21:50,680
Speaker 2: were Benefit No, but the streets came up with that,

1831
01:21:50,720 --> 01:21:53,040
Speaker 2: and then everybody just started calling them benefit What street?

1832
01:21:53,200 --> 01:21:54,680
Speaker 2: Tell me what street? I don't know what street. It

1833
01:21:54,720 --> 01:22:00,120
Speaker 2: was probably Third Avenue, Houston. Yeah, somebody came on and

1834
01:22:00,120 --> 01:22:01,840
Speaker 2: street came up with that ship. I don't know who

1835
01:22:01,840 --> 01:22:02,200
Speaker 2: did that.

1836
01:22:02,280 --> 01:22:06,240
Speaker 3: Man, Oh my god, Bennifer. But nah, like I felt,

1837
01:22:06,280 --> 01:22:09,000
Speaker 3: you don't like because it's cash Doll. I got here,

1838
01:22:09,160 --> 01:22:11,560
Speaker 3: mal I got it, and it kind of rhymes a

1839
01:22:11,560 --> 01:22:15,840
Speaker 3: little bit Maldo. No, no, please, no, God, no, Dolly mal.

1840
01:22:17,920 --> 01:22:21,280
Speaker 3: It just gets worse every time we try to. Oh,

1841
01:22:22,360 --> 01:22:27,160
Speaker 3: since you're she's cash, Huh, you're Jamal Clay, Cassius Clay.

1842
01:22:30,479 --> 01:22:31,920
Speaker 2: Listen, man, I just think it's a great end of

1843
01:22:31,960 --> 01:22:34,080
Speaker 2: I think we're gonna wrap this, wrap this up, and

1844
01:22:34,120 --> 01:22:36,640
Speaker 2: we'll talk to the people. You're not Casius, No, I'm not.

1845
01:22:38,160 --> 01:22:39,160
Speaker 2: I'm not. I'm really not.

1846
01:22:39,360 --> 01:22:42,600
Speaker 1: I mean you're Muslim. So you're Mamma, I'm really not

1847
01:22:44,479 --> 01:22:45,080
Speaker 1: Muhammad Doll.

1848
01:22:48,200 --> 01:22:50,840
Speaker 2: We're gonna get ca We're gonna get cancer. Try to

1849
01:22:50,840 --> 01:22:52,080
Speaker 2: come up with some of these days. We'll tell you.

1850
01:22:52,320 --> 01:22:54,360
Speaker 1: Jay Lectron is gonna call me and curse me out.

1851
01:22:54,640 --> 01:22:55,439
Speaker 1: I promise you.

1852
01:22:56,800 --> 01:22:58,920
Speaker 3: I am not making fun of any Muslim names. I'm

1853
01:22:58,960 --> 01:23:02,080
Speaker 3: only making fun of all uh. But yeah, we could

1854
01:23:02,280 --> 01:23:02,840
Speaker 3: we could do that.

1855
01:23:02,880 --> 01:23:05,240
Speaker 2: Wait, Sweety's on a song pepper and cash Doll song.

1856
01:23:08,320 --> 01:23:10,360
Speaker 2: All right, Oh it's hoops. The name of the song

1857
01:23:10,360 --> 01:23:13,600
Speaker 2: features salt, peppering cash doll. Bye Sweetye.

1858
01:23:14,320 --> 01:23:17,559
Speaker 3: So what what this means is this is how they

1859
01:23:17,560 --> 01:23:21,599
Speaker 3: do with the fucking uh streaming. Now, so Sweetie will

1860
01:23:21,600 --> 01:23:24,760
Speaker 3: be the quote unquote primary artists, So to say bye

1861
01:23:24,760 --> 01:23:27,400
Speaker 3: Sweetie and the people that are featured are not the

1862
01:23:27,400 --> 01:23:28,120
Speaker 3: primary artists.

1863
01:23:28,120 --> 01:23:29,080
Speaker 2: Won't show up on their page.

1864
01:23:29,080 --> 01:23:30,519
Speaker 1: It'll show up on Sweety's page.

1865
01:23:30,760 --> 01:23:31,360
Speaker 2: Got you okay?

1866
01:23:31,439 --> 01:23:34,800
Speaker 3: Yeah, it's it's the numbers game on how to get

1867
01:23:34,800 --> 01:23:37,679
Speaker 3: an artist, okay, how to steal their fans more or less?

1868
01:23:37,760 --> 01:23:40,519
Speaker 2: Got you okay. But that's why it says.

1869
01:23:40,320 --> 01:23:44,640
Speaker 3: By chance the rapper John legend, uh, et cetera. But

1870
01:23:45,880 --> 01:23:47,960
Speaker 3: shout out to Saint for being dolo on that and

1871
01:23:47,960 --> 01:23:50,559
Speaker 3: they just got the featuring Scissa siss I said.

1872
01:23:50,400 --> 01:23:53,000
Speaker 1: Funk out of here. You are not you are not

1873
01:23:53,040 --> 01:23:54,120
Speaker 1: going on my page, Saint.

1874
01:23:56,040 --> 01:23:56,840
Speaker 2: That's a good record.

1875
01:23:57,000 --> 01:23:58,080
Speaker 1: It's a fucking great record.

1876
01:23:58,160 --> 01:23:58,920
Speaker 2: I love it. Am.

1877
01:23:58,960 --> 01:24:00,959
Speaker 1: I allowed to ask you about what happened with Saint John.

1878
01:24:03,160 --> 01:24:06,639
Speaker 2: Short story. It was just I mean, I don't even

1879
01:24:06,720 --> 01:24:08,160
Speaker 2: I don't even know how to give us the T.

1880
01:24:08,960 --> 01:24:12,160
Speaker 2: It's not even no T. It was just, you know,

1881
01:24:12,479 --> 01:24:16,679
Speaker 2: I think insecurities. It's the only way to put it. Okay,

1882
01:24:16,760 --> 01:24:20,360
Speaker 2: it's just insecurities, ego and misunderstanding.

1883
01:24:21,080 --> 01:24:24,080
Speaker 3: Well well, I mean it's sincerely prayers that were involved.

1884
01:24:24,320 --> 01:24:27,200
Speaker 3: I hope no woman was actually harmed. Yeah, in that

1885
01:24:27,280 --> 01:24:28,920
Speaker 3: and I don't want to get on the gossip ship.

1886
01:24:28,920 --> 01:24:31,400
Speaker 3: I just know that that's that's your man's and that's

1887
01:24:31,400 --> 01:24:33,000
Speaker 3: what I thought, maybe you would have the exclusive.

1888
01:24:33,400 --> 01:24:35,840
Speaker 2: No, I mean I reached out. I mean I reached

1889
01:24:35,840 --> 01:24:37,640
Speaker 2: out to him. He didn't hit me back, you know,

1890
01:24:37,720 --> 01:24:40,320
Speaker 2: he didn't. It's probably it's probably a time where he's

1891
01:24:40,360 --> 01:24:42,160
Speaker 2: you know, his phone is going crazy and he's just

1892
01:24:42,240 --> 01:24:45,799
Speaker 2: like he probably he actually probably thought I was recording,

1893
01:24:46,439 --> 01:24:49,599
Speaker 2: but he not. But yeah, he know I wouldn't even

1894
01:24:49,640 --> 01:24:52,120
Speaker 2: do that. So I talked to him soon. I did

1895
01:24:52,200 --> 01:24:55,040
Speaker 2: speak the bigs, and you know, he told me everything

1896
01:24:55,040 --> 01:25:00,160
Speaker 2: that happened. You know, it's unfortunate, but again, sh like

1897
01:25:00,240 --> 01:25:01,080
Speaker 2: this happens.

1898
01:25:01,680 --> 01:25:05,320
Speaker 3: I just I wonder if anyone in LA was watching.

1899
01:25:05,600 --> 01:25:07,200
Speaker 3: And again I don't know if any of this happened.

1900
01:25:07,320 --> 01:25:10,200
Speaker 3: Ouzzi scream at Saint John and was like, why is

1901
01:25:10,720 --> 01:25:12,240
Speaker 3: his little brother going nuts?

1902
01:25:12,960 --> 01:25:15,280
Speaker 2: Exactly right, That's what That's what it would look like

1903
01:25:15,280 --> 01:25:16,479
Speaker 2: if you was doing walking.

1904
01:25:16,280 --> 01:25:20,240
Speaker 3: Around that like, wow, his little brother's really upset.

1905
01:25:20,479 --> 01:25:23,040
Speaker 2: Brother, Yeah, he's upset. He should he should definitely go

1906
01:25:23,080 --> 01:25:24,720
Speaker 2: by the bottle sneakers that he wants.

1907
01:25:25,120 --> 01:25:27,639
Speaker 3: But no, I don't want a joke because I don't

1908
01:25:27,640 --> 01:25:30,360
Speaker 3: know what happened, and those those allegations are are kind

1909
01:25:30,360 --> 01:25:33,080
Speaker 3: of nuts. So I really really pray that no woman

1910
01:25:33,200 --> 01:25:37,000
Speaker 3: was harmed. And if a woman was harmed, then fuck him.

1911
01:25:37,160 --> 01:25:38,040
Speaker 3: And that's that's really all.

1912
01:25:38,240 --> 01:25:39,640
Speaker 2: Mad at it. I'm not mad at that.

1913
01:25:40,040 --> 01:25:42,920
Speaker 3: But whatever facts, I guess hopefully will come out and

1914
01:25:42,960 --> 01:25:44,320
Speaker 3: we will know, so I don't want to say buck

1915
01:25:44,400 --> 01:25:48,919
Speaker 3: someone without facts, but if that is indeed what happened, I'm.

1916
01:25:49,000 --> 01:25:52,519
Speaker 2: Fucking I'm with you. I'm with you on that. But yeah,

1917
01:25:52,520 --> 01:25:53,240
Speaker 2: do you have anything else?

1918
01:25:53,720 --> 01:25:57,240
Speaker 3: What are we at as far as time right now?

1919
01:25:56,000 --> 01:25:59,280
Speaker 2: You all right? I'm not mad. I'm not mad at that.

1920
01:25:59,360 --> 01:26:02,960
Speaker 1: Yeah, Oh, let's add this for next week.

1921
01:26:03,000 --> 01:26:04,679
Speaker 3: I'm gonna write it down. We've been good at getting

1922
01:26:04,680 --> 01:26:08,200
Speaker 3: back to things over the weekend or whatever the funk

1923
01:26:08,240 --> 01:26:12,960
Speaker 3: it was. I liked a picture of a woman and

1924
01:26:13,040 --> 01:26:18,519
Speaker 3: her boyfriend and then Maul then screenshoted it and texted

1925
01:26:18,520 --> 01:26:20,720
Speaker 3: it to me and said, what did you like about this?

1926
01:26:21,439 --> 01:26:25,120
Speaker 3: And we will get to that next week. We will definitely,

1927
01:26:25,200 --> 01:26:27,760
Speaker 3: I know we're gonna get to that. What if I

1928
01:26:27,880 --> 01:26:28,120
Speaker 3: liked it?

1929
01:26:28,200 --> 01:26:30,280
Speaker 2: But we're gonna get to that. We ain't even we

1930
01:26:30,320 --> 01:26:31,640
Speaker 2: ain't even got to get to that, because you know

1931
01:26:31,680 --> 01:26:35,160
Speaker 2: it's you know, it's some backstory to that. So I'm

1932
01:26:35,160 --> 01:26:37,479
Speaker 2: happy for I know, I understand, but we'll get to that.

1933
01:26:37,520 --> 01:26:44,439
Speaker 2: We go maybe because it's a big you definitely did

1934
01:26:45,600 --> 01:26:48,439
Speaker 2: I know you text it? I know you did. She

1935
01:26:48,479 --> 01:26:52,160
Speaker 2: text me it could go the way text me, it

1936
01:26:52,160 --> 01:26:56,120
Speaker 2: could go either way. But that's why, that's why I

1937
01:26:56,200 --> 01:26:57,800
Speaker 2: three shot it and ship it to you, because I

1938
01:26:57,840 --> 01:27:00,960
Speaker 2: was like, yo, fan, which you like about this week?

1939
01:27:01,240 --> 01:27:02,880
Speaker 1: Just you can just tell me you would beat two though,

1940
01:27:02,960 --> 01:27:03,759
Speaker 1: So so don't do that.

1941
01:27:04,000 --> 01:27:08,000
Speaker 2: For sure, you know, like for sure, we know that.

1942
01:27:08,120 --> 01:27:09,839
Speaker 1: She looked like she gotta go pussy too.

1943
01:27:11,160 --> 01:27:15,439
Speaker 2: Listen, this is the Ginger bad Man. I'm all, My

1944
01:27:15,560 --> 01:27:23,400
Speaker 2: CARMA's beautiful. We'll talk to y'all next week, No worry

1945
01:27:23,479 --> 01:27:24,120
Speaker 2: and loud