WEBVTT - 94: The Lawnmower Women

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<v Speaker 1>Welcome Tonightcall a production of My Heart Radio. It's ten

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<v Speaker 1>thirty two pm in cyberspace and you're listening tonight. Call

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<v Speaker 1>Hello everyone, and welcome tonight call a show for your

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<v Speaker 1>strange days and lonely nights. I am Molly Lambert and

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<v Speaker 1>with me are Emily Ashida and Tess Lynch. Hello. We're

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<v Speaker 1>going to start off with the question that's been on

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<v Speaker 1>everyone's mind post by radio and friend Justine. What is

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<v Speaker 1>Swedish death cleaning? Have you guys ever heard of Swedish

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<v Speaker 1>death cleaning? Finitely? Really? Yeah, it's like the most metal

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<v Speaker 1>kind of clean. No. I I had heard about it

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<v Speaker 1>because it's like I feel like people were talking about it,

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<v Speaker 1>like around the time that Marie Condo was was blowing

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<v Speaker 1>up to similar via Justine, Swedish death cleaning is basically

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<v Speaker 1>like clean your house like you are about to die,

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<v Speaker 1>because you are get all your documents in one place

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<v Speaker 1>and throw out all your trinkets and crap. I realized

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<v Speaker 1>I've been doing this my whole life. I leave my

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<v Speaker 1>house each morning assuming I'll never make it back. Thank you, Justine.

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<v Speaker 1>So there was an article on BuzzFeed about this for

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<v Speaker 1>a while. I oh, there's a book written by a

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<v Speaker 1>Swedish woman who says that she is between eighty and

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<v Speaker 1>a hundred years old, but does not get more specific

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<v Speaker 1>than that. Umar to Magnussen, there you go. I had

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<v Speaker 1>not written that down. So I guess the word for

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<v Speaker 1>death cleaning in Swedish is those saddening. Oh yeah yeah.

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<v Speaker 1>And but I thought the most interesting. I mean, first

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<v Speaker 1>of all, this is a great idea, and I am

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<v Speaker 1>going to go home and do it, although I hope

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<v Speaker 1>I don't die. Um. But one of the things I

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<v Speaker 1>thought was really great about it was that she suggests

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<v Speaker 1>in the book that you make a throwaway box, which

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<v Speaker 1>is stuff that is sentimental to you but would not

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<v Speaker 1>have any meaning for other people. Stuff that's all my stuff.

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<v Speaker 1>I have a mailbox of just like printed out old

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<v Speaker 1>emails from like or something. But I was like, this

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<v Speaker 1>is a brilliant idea because you're basically giving your surviving

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<v Speaker 1>family members or whomever permission to look at it. And

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<v Speaker 1>then Marie Condo would be like, bye, I'm not going

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<v Speaker 1>to keep this. So um. I have a friend who

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<v Speaker 1>recently found her deceased family members diaries, and she was like,

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<v Speaker 1>it's so hard because if he didn't want anyone to

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<v Speaker 1>read his diaries, he would have destroyed them, right, But

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<v Speaker 1>then I'm holding the diary and I'm like, do I

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<v Speaker 1>open the diary and read the diary? Would be so

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<v Speaker 1>mad if someone read my diary. So I guess the

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<v Speaker 1>idea with Swedish death cleaning is to think ask yourself

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<v Speaker 1>those questions of like do I want someone to read

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<v Speaker 1>my diary? And if you do, you put it in

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<v Speaker 1>the throwaway box, and if you don't, you destroy it.

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<v Speaker 1>That's super smart. That's what are you gonna do with

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<v Speaker 1>your diaries? Exactly where they are? I I have been

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<v Speaker 1>thinking about it since I read this thing from my friend.

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<v Speaker 1>I don't know. I definitely wouldn't want anyone to read them,

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<v Speaker 1>but I also feel like I don't want to throw

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<v Speaker 1>them away until I'm like very close to death, but

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<v Speaker 1>I won't know probably like when I'm going to die.

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<v Speaker 1>So I feel like this is why historically have been

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<v Speaker 1>it's been really hard to motivate to keep a diary

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<v Speaker 1>for this exact reason, because I'm like, what do I

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<v Speaker 1>do with it? It's really I mean, I kept a

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<v Speaker 1>diary from when I was seven until right around the

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<v Speaker 1>time I got married, and so I have like all

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<v Speaker 1>the volumes of my and they're all organized by year

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<v Speaker 1>and were like thing to have, though I don't like

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<v Speaker 1>I wouldn't know what to do with it. But at

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<v Speaker 1>the same time, it's like cool for yourself to be

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<v Speaker 1>able to go back if there a signal you can

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<v Speaker 1>give that's like burn the diaries. Now, I think I

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<v Speaker 1>have to put them in a safe where I can

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<v Speaker 1>like press a button and it just explodes inside. I mean,

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<v Speaker 1>put them in a bear suit. Put them in a

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<v Speaker 1>bear suit midsummer them. Um. The one good thing about

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<v Speaker 1>having a diary, though, is then if you have kids,

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<v Speaker 1>going back and reading my diet the first volume of

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<v Speaker 1>my diary from when I was my son's age, is

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<v Speaker 1>so interesting because it's all just like these angry missives

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<v Speaker 1>about how pissed I am at my parents, and I

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<v Speaker 1>was like, whoa Like I just hated them, like at times,

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<v Speaker 1>I mean the times when I wrote in my diary

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<v Speaker 1>it was always hating someone. Also, another thing about being

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<v Speaker 1>an only child, you don't have a sibling who you

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<v Speaker 1>can just exactly your complaints about mom and dad. That's all.

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<v Speaker 1>You got to have a sibling so you can be like, man,

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<v Speaker 1>mom and Dad were being so annoying today and like

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<v Speaker 1>I was also there read Let's Union. Actually I've never

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<v Speaker 1>kept a diary, but my brother has like amazing recall

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<v Speaker 1>of everything that ever happened to us as children, who'll like,

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<v Speaker 1>tell me if I was at a story he's telling.

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<v Speaker 1>I'll be like, I don't think I was there. He'll

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<v Speaker 1>be like, yes, you where, you did this in this

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<v Speaker 1>and you ate this. It's also my worst nightmare. I mean,

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<v Speaker 1>this sounds great, but also I would hate that. I

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<v Speaker 1>want to be able to like bleach my brain of

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<v Speaker 1>certain things. I yeah, the whole the Swedish death cleanything.

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<v Speaker 1>I mean some of it. I think that some of

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<v Speaker 1>it is sort of generational where it feels I mean

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<v Speaker 1>not just like oh I'm thinking about death like in

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<v Speaker 1>that way, but that like the amount of stuff you've

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<v Speaker 1>amassed and the quality of that stuff, Like like most

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<v Speaker 1>of the stuff that would end up in my box

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<v Speaker 1>is just stuff that represents the majority of my possessions,

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<v Speaker 1>because I am not yet of the age where I

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<v Speaker 1>own very much furniture or anything at all. Like it's

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<v Speaker 1>all just like junk, like ticket stubs and bracelets from things,

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<v Speaker 1>and like there's somehow still so much of it. Yeah. Yeah,

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<v Speaker 1>it's somehow becomes just as burden. Some is like a credenza. Yeah,

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<v Speaker 1>whenever I move, I'm like, at least I don't have

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<v Speaker 1>a lot of stuff, and then I'm like, I have

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<v Speaker 1>so much stuff. It's dumb, little stuff that packs very easily,

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<v Speaker 1>and yet it's impossible to go through anytime you have

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<v Speaker 1>to move. It's yeah, I think we're all trying not

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<v Speaker 1>to buy clothes right now. Yeah, it's I don't want

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<v Speaker 1>to accumulate clothes either. I find that, Like, um my

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<v Speaker 1>mom was in town and she ended up giving me

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<v Speaker 1>some clothes and they were I ended up liking them

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<v Speaker 1>a lot when I put them on, but I was

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<v Speaker 1>kind of looking at them being like, if I had

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<v Speaker 1>fifty less clothes, then laundry would be so much more simple.

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<v Speaker 1>I would be able to like fold everything the right way.

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<v Speaker 1>But I have such a hard time getting rid of

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<v Speaker 1>especially clothes, that then when new stuff comes in, I'm

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<v Speaker 1>just like, I think there's also this minimalist fantasy that

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<v Speaker 1>people have of like if I only had five things

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<v Speaker 1>and that's all I needed, But it's actually very hard

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<v Speaker 1>to live that way. I have that with almost everything

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<v Speaker 1>except for clothes and sort of a maximalist when it

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<v Speaker 1>comes to clothes, and I'm very much like, oh, I

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<v Speaker 1>can't let go of this. I'll put it in a

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<v Speaker 1>box and then twenty years I'll love it. Like I

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<v Speaker 1>have that with with clothes more than I have with

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<v Speaker 1>other thing. I'm pretty unsentimental about almost everything else. But yeah,

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<v Speaker 1>I should do some Swedish death cleaning. Now I should

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<v Speaker 1>all do it. Yeah, it's a real our listener Oscar,

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<v Speaker 1>who's our Sweden expert, should tell us if Swedish death

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<v Speaker 1>cleaning is like a thing Swedish people actually do or

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<v Speaker 1>this is like marketing for American Further, it's like it's

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<v Speaker 1>like Swedish people in Japanese people. Um, both get like

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<v Speaker 1>the oh, it wouldn't it be wonderful to be so

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<v Speaker 1>clean in Japanese. That's why I like, there's a book

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<v Speaker 1>about tiny apartments and it's like one of the classic

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<v Speaker 1>like coffee books or or um like I don't know,

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<v Speaker 1>little art books. And it's just like these are not

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<v Speaker 1>the pristine Japanese apartments that I feel like our like

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<v Speaker 1>New York apartments. It's the idea of like you keep

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<v Speaker 1>all yourself in a tiny space because you have you

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<v Speaker 1>can just walk outside into a city. Yeah, you still again,

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<v Speaker 1>like however much room there is, it feels like you

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<v Speaker 1>take up oh yeah, and then you have a murphy

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<v Speaker 1>bed probably, which then you have to like make every

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<v Speaker 1>day and then like fast to the wall. I mean

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<v Speaker 1>I would just never do it, Like, let's be real,

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<v Speaker 1>I would never do it. Would you guys ever live

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<v Speaker 1>in a tiny house? I think we've discussed this before. No,

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<v Speaker 1>I no, no, God, I'd have to have a huge,

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<v Speaker 1>like I don't know, psychic break or something in order

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<v Speaker 1>to live in a tiny house. I don't know how

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<v Speaker 1>people with kids live in a tiny house. And I've

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<v Speaker 1>I've read all of these profiles of people who do,

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<v Speaker 1>and it just sounds so difficult. Even people who are

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<v Speaker 1>doing it really successfully have to at some point acknowledge

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<v Speaker 1>the strain it places on your marriage and your kids

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<v Speaker 1>a lot. I mean, it's just you're acknowledging like this

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<v Speaker 1>isn't great most of the time. Well, we're going to

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<v Speaker 1>take an ad break real quick, and when we come back,

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<v Speaker 1>we're going to talk about a very haunted doll. Welcome back.

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<v Speaker 1>We have a quick item that we felt was very nightcall.

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<v Speaker 1>This comes from a local Houston News site, and they

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<v Speaker 1>posted a saga last week about a talking Elsa doll

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<v Speaker 1>from the movie Frozen that is one of the most

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<v Speaker 1>compelling cases for a doll hunting that I've ever read.

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<v Speaker 1>Um This doll, originally when it was bought by the

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<v Speaker 1>family I think six years ago, spoke some phrases from

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<v Speaker 1>Frozen in English only, and it's sang let it go

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<v Speaker 1>when a button on its necklace was pushed, and that

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<v Speaker 1>is fine. Then after two years it became bilingual and

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<v Speaker 1>it started being able to speak Spanish and English and

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<v Speaker 1>sing in both languages, and that that was all that.

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<v Speaker 1>In a way, that's an improvement, So that's great. Uh.

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<v Speaker 1>But okay, by the way, this whole time, the batteries

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<v Speaker 1>in the stall were never changed. And I can speak

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<v Speaker 1>from experience that children's toys without a battery change start

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<v Speaker 1>exhibiting very strange behavior. But this doesn't explain the next thing.

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<v Speaker 1>So no change in batteries. The doll then started speaking

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<v Speaker 1>or singing even when she was turned off. So the

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<v Speaker 1>family went in saying they were like, we need this

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<v Speaker 1>thing out of there. They threw it away. Later, I

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<v Speaker 1>think a couple of weeks later, it appeared in a

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<v Speaker 1>bench in their living room and they were so freaked

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<v Speaker 1>out they double bagged it and put it at the

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<v Speaker 1>bottom of the trash can because they were like, the

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<v Speaker 1>only explanation is that their kids had gone to the

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<v Speaker 1>trash and taken else out and put her in the bench.

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<v Speaker 1>So they put her at the bottom of the trash

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<v Speaker 1>can then put a bunch of trash on top of her.

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<v Speaker 1>At that point, she appeared outside their house and their

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<v Speaker 1>daughter was like, I found Elsa. She came. So they

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<v Speaker 1>lost their mind and they've been posting about this on

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<v Speaker 1>social media and eventually they had to send the doll

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<v Speaker 1>to a family friend in Minnesota who had agreed to

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<v Speaker 1>take her in, and he was like, if she starts

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<v Speaker 1>acting scary and demonic, I'm gonna I'm gonna weld her

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<v Speaker 1>to a metal pipe and bury her in the woods.

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<v Speaker 1>And now that's where we are at present day. She's

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<v Speaker 1>duct taped to their car. Great, because I feel like

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<v Speaker 1>we're really getting back to our haunted doll roots. Yet exactly,

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<v Speaker 1>I was like, this is some original night called doll magic.

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<v Speaker 1>Let's do it. I mean it speak. The speaking in

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<v Speaker 1>Spanish just feels like they have like one ship that

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<v Speaker 1>they make for the doll, and it has the Spanish

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<v Speaker 1>language version on it too, and it's just a matter

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<v Speaker 1>of what it was. Two years later, there were two

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<v Speaker 1>years there was like an Adbusters thing where people would

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<v Speaker 1>swap the chips from g I Joe's and talking Barbie

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<v Speaker 1>because Barbie said things like I hate math, and so

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<v Speaker 1>there were people who were like swap them, would say that.

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<v Speaker 1>Barbie would be like, let's go Joe, Let's go to war.

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<v Speaker 1>This doll feels like it a sentient yeah, I mean,

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<v Speaker 1>and the moving of the doll like so when you

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<v Speaker 1>look at the doll too, it's not a particularly animated doll. Like,

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<v Speaker 1>it's not a it's not a high tech doll. It's

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<v Speaker 1>got a big head, it's got it's one of the

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<v Speaker 1>huge it's like has a kind of brats vibe to it.

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<v Speaker 1>So it it's not a walking doll. I mean, we've

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<v Speaker 1>all seen the dolls where it's feet. It's conceivable they

0:12:21.640 --> 0:12:25.800
<v Speaker 1>might walk. I guess this doll was definitely like flew

0:12:25.880 --> 0:12:29.640
<v Speaker 1>through the air powered by spirits. There's no question she

0:12:29.679 --> 0:12:34.719
<v Speaker 1>did not move by any physical means that we can understand. Right,

0:12:34.840 --> 0:12:44.720
<v Speaker 1>hang on, oh that's her speaking in Spanish. Test your

0:12:44.800 --> 0:12:48.439
<v Speaker 1>kids have any talking dolls that scare you. Yes, okay, well,

0:12:48.559 --> 0:12:51.360
<v Speaker 1>so yes, we have Louvera Vella, who is a very

0:12:51.400 --> 0:12:56.079
<v Speaker 1>i wouldn't say very realistic, but definitely like approaching Uncanny Valley. Um.

0:12:56.160 --> 0:13:00.199
<v Speaker 1>She is a newborn baby that kind of like she's

0:13:00.240 --> 0:13:03.040
<v Speaker 1>always kind of sleepy, but she does cry and giggle

0:13:03.640 --> 0:13:05.880
<v Speaker 1>and my daughter really enjoys her. But then also my

0:13:05.960 --> 0:13:08.559
<v Speaker 1>daughter wanted a baby live. Oh I'm so scared of

0:13:08.600 --> 0:13:12.280
<v Speaker 1>baby alive. Well, this baby Alive is the world's most

0:13:12.480 --> 0:13:15.280
<v Speaker 1>basic and archaic baby. That's the scary one where it

0:13:15.360 --> 0:13:18.560
<v Speaker 1>slurps the cherries up. This is the one that's even

0:13:18.600 --> 0:13:21.480
<v Speaker 1>more basic than that, where it's a doll, hollow doll

0:13:21.840 --> 0:13:25.280
<v Speaker 1>with a tube that goes from mouth to butt, and

0:13:25.320 --> 0:13:27.760
<v Speaker 1>it doesn't it's not animated at all. It has no

0:13:27.840 --> 0:13:31.079
<v Speaker 1>batteries or anything that's like the original, like the of

0:13:31.559 --> 0:13:35.920
<v Speaker 1>a baby doll. Okay, I had the baby alive that

0:13:36.280 --> 0:13:39.400
<v Speaker 1>chewed the cherries and and it seemed to take a

0:13:39.440 --> 0:13:42.160
<v Speaker 1>long time for her to digest, which is very exciting.

0:13:42.200 --> 0:13:44.480
<v Speaker 1>Like a lot of suspense. This one, it's just like

0:13:44.559 --> 0:13:46.679
<v Speaker 1>my daughter had. You know, she comes with a little

0:13:46.679 --> 0:13:49.080
<v Speaker 1>toilet and she would just sit her on the toilet

0:13:49.360 --> 0:13:52.720
<v Speaker 1>and forced feed her. All this pair just come right out.

0:13:56.320 --> 0:13:59.440
<v Speaker 1>She'd be like, look, she's being again, She's being again,

0:13:59.520 --> 0:14:03.800
<v Speaker 1>she's through see again. This has to stop. But we

0:14:03.880 --> 0:14:07.760
<v Speaker 1>had some battery operated things, uh, and in particular like

0:14:08.160 --> 0:14:11.240
<v Speaker 1>this puzzle that had light sensors and little animals on

0:14:11.280 --> 0:14:13.079
<v Speaker 1>it where when you remove the animal, it made the

0:14:13.120 --> 0:14:17.280
<v Speaker 1>animal noise. But for some reason, the pieces weren't flush,

0:14:17.360 --> 0:14:18.839
<v Speaker 1>like I guess it had been used too much, so

0:14:18.880 --> 0:14:20.920
<v Speaker 1>they were kind of loose. So we stored it in

0:14:20.960 --> 0:14:23.920
<v Speaker 1>the basement and for a long time, like I couldn't

0:14:23.960 --> 0:14:26.680
<v Speaker 1>figure out what was happening because every so often the

0:14:26.760 --> 0:14:28.640
<v Speaker 1>light would shift in there, I guess, and you'd hear

0:14:28.680 --> 0:14:33.480
<v Speaker 1>like I was like, what is down there? And it

0:14:33.560 --> 0:14:37.040
<v Speaker 1>was the cursed puzzle. But they get glitchy when their

0:14:37.080 --> 0:14:41.240
<v Speaker 1>batteries go, the battery operated ones. So we also had

0:14:41.760 --> 0:14:44.800
<v Speaker 1>a horrible walker type of thing where it would be

0:14:44.880 --> 0:14:48.720
<v Speaker 1>like ring alang, the animals sang, and she would just

0:14:48.760 --> 0:14:53.880
<v Speaker 1>go anytime a day turned off, for sure, Wow, let's

0:14:53.880 --> 0:14:56.600
<v Speaker 1>talk about something else really scary, I was gonna say,

0:14:56.600 --> 0:15:01.720
<v Speaker 1>speaking of things becoming more and more sentient, Yeah, by degrees,

0:15:02.440 --> 0:15:06.840
<v Speaker 1>we watched the lawnmower Man for our unnerving c g

0:15:07.000 --> 0:15:11.440
<v Speaker 1>I January series following Cats and the Abyss. I unfortunately

0:15:11.560 --> 0:15:13.160
<v Speaker 1>was not able to watch it. So I'm just going

0:15:13.200 --> 0:15:16.120
<v Speaker 1>to ask you, guys questions about lawnmower Man. I've been

0:15:16.160 --> 0:15:18.480
<v Speaker 1>wanting to see this movie forever. It's a great movie

0:15:18.520 --> 0:15:22.760
<v Speaker 1>to ask questions about. So I Well, the one thing

0:15:22.800 --> 0:15:25.120
<v Speaker 1>I know about lawnmower Man is is it as one

0:15:25.120 --> 0:15:29.240
<v Speaker 1>of the like, um, one of the great examples of

0:15:29.480 --> 0:15:33.480
<v Speaker 1>eighties and nineties adaptations of things that have nothing to

0:15:33.560 --> 0:15:36.680
<v Speaker 1>do with the source material. Yes, have you guys read

0:15:36.720 --> 0:15:38.800
<v Speaker 1>the story. I haven't read it, but we both read

0:15:38.800 --> 0:15:40.480
<v Speaker 1>the synopsis. Have you read it? Mom, I know what

0:15:40.560 --> 0:15:43.240
<v Speaker 1>the story is about, which is incredible. Well, let's just

0:15:43.280 --> 0:15:48.120
<v Speaker 1>say so lawnmower Man came out in this was originally

0:15:48.200 --> 0:15:50.440
<v Speaker 1>they were going to market it as Stephen King's The

0:15:50.520 --> 0:15:53.080
<v Speaker 1>lawnmower Man, but King was like, I will sue you

0:15:53.120 --> 0:15:57.160
<v Speaker 1>into oblivion. Um. The plot of Stephen King's seventy five

0:15:57.200 --> 0:16:01.120
<v Speaker 1>short story The lawnmower Man is about out this guy

0:16:01.200 --> 0:16:04.600
<v Speaker 1>who runs like a gardening center and he or I

0:16:04.600 --> 0:16:09.960
<v Speaker 1>guess like, he hires a serviceman who the reading. It's

0:16:10.000 --> 0:16:14.320
<v Speaker 1>just like, okay, he arrives with a lawnmower that mows

0:16:14.360 --> 0:16:17.680
<v Speaker 1>the lawn by itself, and then the gardener guy crawls

0:16:17.720 --> 0:16:22.000
<v Speaker 1>around naked behind the mower eating grass. Oh, I thought

0:16:22.040 --> 0:16:23.720
<v Speaker 1>it was that he ate the grass and that's how

0:16:23.720 --> 0:16:26.400
<v Speaker 1>he mowed like he was the lawnmower. I think it's

0:16:26.480 --> 0:16:30.440
<v Speaker 1>kind of both. It's both somehow, I think he's eating

0:16:30.480 --> 0:16:34.120
<v Speaker 1>the moon. I have to read like the stuff that's

0:16:34.200 --> 0:16:37.400
<v Speaker 1>left behind, like they don't bag it. Maybe it's going

0:16:37.440 --> 0:16:40.480
<v Speaker 1>really fast because machine and human are working as one.

0:16:40.880 --> 0:16:45.480
<v Speaker 1>Um the serviceman himself is actually a sadder. Is that

0:16:45.520 --> 0:16:49.640
<v Speaker 1>how you pronounce it? Like a sad sader? Is a

0:16:49.680 --> 0:16:53.240
<v Speaker 1>sader or a sadder? Okay, yeah, I think it's a

0:16:53.280 --> 0:16:56.240
<v Speaker 1>sad pan Pan the goat god pan Ya one half

0:16:56.600 --> 0:17:00.240
<v Speaker 1>goat and the other half man Um when part get

0:17:00.480 --> 0:17:02.840
<v Speaker 1>so when like the Parkcats the guy who owns the

0:17:02.960 --> 0:17:05.880
<v Speaker 1>landscaping service, when Parkat tries to call the police, the

0:17:05.920 --> 0:17:09.280
<v Speaker 1>mower and its owner ritually kill him as a sacrifice

0:17:09.320 --> 0:17:13.880
<v Speaker 1>to Pan. Then you have the lawnmower movie, so which

0:17:13.880 --> 0:17:16.440
<v Speaker 1>has none of this. Studio that made the lamb arm

0:17:16.480 --> 0:17:19.480
<v Speaker 1>and the movie owned the rights to the title The

0:17:19.560 --> 0:17:23.040
<v Speaker 1>lawnmower Man and rather than adapt the story. I assume

0:17:23.080 --> 0:17:25.840
<v Speaker 1>they also owned the rights to the story. But it's

0:17:25.840 --> 0:17:28.840
<v Speaker 1>not maybe enough to fill out a whole movie. Well,

0:17:28.840 --> 0:17:32.480
<v Speaker 1>it sounds like it's just a what if a lawnmower

0:17:32.680 --> 0:17:36.560
<v Speaker 1>was a man? That's not an exactly a three, I

0:17:36.560 --> 0:17:41.040
<v Speaker 1>mean a little bit what the lawnmower Man is also about.

0:17:41.920 --> 0:17:45.880
<v Speaker 1>The Lammer Man is based on the script originally called

0:17:45.960 --> 0:17:50.520
<v Speaker 1>Cyber God, and it uses a lot of Stephen King tropes. Basically,

0:17:50.520 --> 0:17:59.800
<v Speaker 1>it's about a scientist played by Pierce Brosnan wearing hoop earrings. Earrings, yeah,

0:18:00.080 --> 0:18:04.280
<v Speaker 1>he um is doing experiments, cutting edge experiments that are

0:18:04.400 --> 0:18:08.280
<v Speaker 1>about cyberspace and about like hooking a human brain up

0:18:08.320 --> 0:18:11.160
<v Speaker 1>to well, first a monkey brain. He's Dr Laurence Angelo.

0:18:11.480 --> 0:18:13.720
<v Speaker 1>I have to say this is this is an amazing

0:18:13.840 --> 0:18:17.000
<v Speaker 1>performance by Pierce Brosn and in that I cannot decide

0:18:17.040 --> 0:18:20.639
<v Speaker 1>if it's good or bad, or if he's laughing at

0:18:20.720 --> 0:18:23.600
<v Speaker 1>himself or taking himself completely serious. But he's good because

0:18:23.600 --> 0:18:26.440
<v Speaker 1>everyone's taking it seriously. Like it is a little campy,

0:18:26.560 --> 0:18:28.600
<v Speaker 1>because it's like it's a lot camp it's a fake

0:18:28.640 --> 0:18:31.680
<v Speaker 1>Stephen King, but it's also like legitimately kind of scary

0:18:31.720 --> 0:18:35.680
<v Speaker 1>in parts. No, you didn't think so. I mean it's disturbing,

0:18:35.920 --> 0:18:41.080
<v Speaker 1>it's a very problematic, it's and dated, it's unving. So

0:18:41.400 --> 0:18:44.440
<v Speaker 1>have you guys ever read Flowers for Algernon? Yes, okay,

0:18:44.520 --> 0:18:48.760
<v Speaker 1>it's Flowers for Algernon, but with the Internet. So it's

0:18:48.800 --> 0:18:52.680
<v Speaker 1>like a guy who is developed mentally disabled, who people

0:18:52.800 --> 0:18:57.119
<v Speaker 1>hire to mow lawns, who is kept by an evil

0:18:57.240 --> 0:19:01.720
<v Speaker 1>priest in a little shed. Sure, and the priest trigger warning,

0:19:01.800 --> 0:19:05.159
<v Speaker 1>the priest has molested this man from the time that

0:19:05.240 --> 0:19:07.400
<v Speaker 1>he received him when he was five years old, which

0:19:07.400 --> 0:19:09.040
<v Speaker 1>we only learned later in the movie. So that's a

0:19:09.080 --> 0:19:12.639
<v Speaker 1>trigger warning and a spoiler alert all rolled into one. Um.

0:19:12.680 --> 0:19:14.440
<v Speaker 1>But yeah, a lot of the people in the community

0:19:14.480 --> 0:19:17.840
<v Speaker 1>are very nice to this man. Um played by Jeff

0:19:17.920 --> 0:19:22.919
<v Speaker 1>Ay and his character's name is Job Smith, which seems unsubtle,

0:19:23.240 --> 0:19:28.960
<v Speaker 1>to say the least. Subt It has some carry vibes

0:19:29.080 --> 0:19:33.320
<v Speaker 1>at times. UM in terms of the evil priest kind

0:19:33.359 --> 0:19:38.560
<v Speaker 1>of trying to keep Job in a childlike and submissive state.

0:19:38.680 --> 0:19:41.680
<v Speaker 1>It's a lot of like Stephen King Greatest Hits tropes

0:19:42.280 --> 0:19:45.800
<v Speaker 1>um blended together. What did the priest have to do

0:19:45.880 --> 0:19:49.960
<v Speaker 1>with anything? It's just that he's this He's like a

0:19:50.000 --> 0:19:53.600
<v Speaker 1>guy in a terrible situation who nobody cares about, even

0:19:53.720 --> 0:19:56.040
<v Speaker 1>the person who's supposed to care about him, which is

0:19:56.080 --> 0:20:00.240
<v Speaker 1>why he's the perfect human subject for Pierce Brosnan, who's

0:20:00.240 --> 0:20:04.560
<v Speaker 1>been looking for a human to jack into the proto matrix.

0:20:05.080 --> 0:20:07.439
<v Speaker 1>And the way that they originally cross paths is that

0:20:07.480 --> 0:20:11.160
<v Speaker 1>the monkey cyborg is that his name again, cry Oborg

0:20:11.359 --> 0:20:14.959
<v Speaker 1>something like that he has somehow gone into escaped and

0:20:14.960 --> 0:20:18.639
<v Speaker 1>he's entered into Job's shack. So Pierce Brosen and the

0:20:18.800 --> 0:20:21.679
<v Speaker 1>other scientists show up to get the monkey back, and

0:20:21.720 --> 0:20:24.280
<v Speaker 1>then they end up like shooting the monkey because the

0:20:24.280 --> 0:20:27.159
<v Speaker 1>monkey becomes super violent. It's wearing a helmet. Also, the

0:20:27.240 --> 0:20:32.520
<v Speaker 1>monkey becomes smarter and smarter and becomes like more smarter

0:20:32.600 --> 0:20:36.199
<v Speaker 1>than any human and then becomes like unstoppably violent, like

0:20:36.320 --> 0:20:40.440
<v Speaker 1>tearing people's heads off. Well, because what we discover later

0:20:40.880 --> 0:20:43.320
<v Speaker 1>is that Pierce Brosen is kind of under the impression

0:20:43.480 --> 0:20:47.000
<v Speaker 1>that they are trying to find ways to like cure

0:20:47.040 --> 0:20:51.080
<v Speaker 1>Alzheimer's patients or help intellectually disabled people become like, you know,

0:20:51.359 --> 0:20:55.040
<v Speaker 1>really really super smart. And then the people above Pierce

0:20:55.040 --> 0:20:57.560
<v Speaker 1>Brosnan who are funding his research is the breaking bad

0:20:57.600 --> 0:21:01.399
<v Speaker 1>guys one of them. Yeah, play the brother. They're like, no,

0:21:01.720 --> 0:21:05.639
<v Speaker 1>the best use of this technology is to get people

0:21:05.720 --> 0:21:08.600
<v Speaker 1>to become killing machines so we can send them to war.

0:21:08.720 --> 0:21:10.920
<v Speaker 1>And that's what happened to the monkey. Very Stephen King.

0:21:11.160 --> 0:21:13.680
<v Speaker 1>We're making super soldiers. That's what we really Stephen King

0:21:13.680 --> 0:21:16.879
<v Speaker 1>would have done it so much better, needless to say, So,

0:21:17.000 --> 0:21:19.679
<v Speaker 1>what's being jacked into what? At this point, the monkey

0:21:19.760 --> 0:21:21.960
<v Speaker 1>is being jacked into the human brain or no, No,

0:21:22.119 --> 0:21:24.840
<v Speaker 1>there's never a monkey human crossover. The monkey was the

0:21:24.880 --> 0:21:28.480
<v Speaker 1>first test subject. When they kill the monkey, Pierce bros

0:21:28.520 --> 0:21:31.080
<v Speaker 1>And is like, I've worked so hard on that monkey.

0:21:31.480 --> 0:21:35.080
<v Speaker 1>And then he's kind of like, huh, what's your deal job, Oh,

0:21:35.119 --> 0:21:38.280
<v Speaker 1>you're in a bad situation. Sure, hooked up to a computer.

0:21:38.680 --> 0:21:41.840
<v Speaker 1>It's just like he's jacked into the web. Yeah, okay.

0:21:42.160 --> 0:21:45.880
<v Speaker 1>But when they're jacked into the web, you see representations

0:21:45.920 --> 0:21:49.120
<v Speaker 1>of what that looks and feels like. And they're in

0:21:49.160 --> 0:21:53.399
<v Speaker 1>those things, those like spinning around things that are in

0:21:53.400 --> 0:21:57.080
<v Speaker 1>a lot of sid Have you ever been in one

0:21:57.119 --> 0:22:00.680
<v Speaker 1>of those? I have? I have in Seattle? Did you adult? Yes?

0:22:01.119 --> 0:22:03.200
<v Speaker 1>It was like a lifelong goal of mine to go

0:22:03.240 --> 0:22:05.320
<v Speaker 1>into that, like my entire childhood, and then when I

0:22:05.359 --> 0:22:07.280
<v Speaker 1>finally did, I was like, what else can I do

0:22:07.440 --> 0:22:10.400
<v Speaker 1>in life? Is the best thing? I was very nauseous.

0:22:10.600 --> 0:22:15.800
<v Speaker 1>Yeah that's super Yeah. Um yeah. Not only does this

0:22:15.880 --> 0:22:20.120
<v Speaker 1>make you dizzy, it also plunges you into late eighties

0:22:20.200 --> 0:22:23.560
<v Speaker 1>early nineties c g I landscape. It looks like Miami

0:22:23.680 --> 0:22:25.879
<v Speaker 1>Vice kind of. I mean it just has the like

0:22:26.119 --> 0:22:30.800
<v Speaker 1>Pasteli kind of neon over the grid that's dark and

0:22:30.840 --> 0:22:34.679
<v Speaker 1>you're like flying through. Yeah. It's great because it is

0:22:34.720 --> 0:22:37.960
<v Speaker 1>sort of like those early computer animation things where it's

0:22:38.119 --> 0:22:40.840
<v Speaker 1>just truly trying to be a psychedelic as humanly possible,

0:22:41.560 --> 0:22:46.119
<v Speaker 1>not trying to portray anything realistically, just like yeah, what

0:22:46.200 --> 0:22:48.560
<v Speaker 1>if you could put a computer on drugs? What would

0:22:48.600 --> 0:22:51.480
<v Speaker 1>it see? Yeah? Yeah, Well it's like really taking advantage

0:22:51.480 --> 0:22:53.440
<v Speaker 1>of this new texture that it was like the way

0:22:53.440 --> 0:22:56.960
<v Speaker 1>that computer animation looks, and just making that its own thing,

0:22:57.000 --> 0:23:00.800
<v Speaker 1>as opposed to trying to make it imitate reality, which

0:23:00.840 --> 0:23:02.840
<v Speaker 1>is now all the game is is like just make

0:23:02.880 --> 0:23:05.440
<v Speaker 1>everything as realistic as possible through c g I, instead

0:23:05.480 --> 0:23:07.240
<v Speaker 1>of like, look at this new aesthetic we have, isn't

0:23:07.240 --> 0:23:11.000
<v Speaker 1>that way all I've seen? It's weird. It's really weird.

0:23:11.280 --> 0:23:16.080
<v Speaker 1>It's very like Alex Gray, like a X ray of

0:23:16.119 --> 0:23:18.720
<v Speaker 1>a person, the kind of art that people are like.

0:23:19.000 --> 0:23:20.520
<v Speaker 1>This is what it feels like to be on d

0:23:20.640 --> 0:23:25.439
<v Speaker 1>M T. Right. Speaking of that, the most intense scene

0:23:25.600 --> 0:23:28.439
<v Speaker 1>in this movie, I think, and I'm wondering if you agree,

0:23:28.600 --> 0:23:32.320
<v Speaker 1>is the virtual reality sex scene. Yeah, the virtual reality

0:23:32.359 --> 0:23:37.679
<v Speaker 1>sex scene is. Um. So fast forward to Job getting

0:23:37.720 --> 0:23:41.000
<v Speaker 1>super smart by watching videos at hyper speed, so he's

0:23:41.040 --> 0:23:45.159
<v Speaker 1>all caught up on smarts. He's also taking like potions

0:23:45.240 --> 0:23:49.360
<v Speaker 1>to give him telekinetic tropics. They call it new tropis. Yeah, yeah,

0:23:49.640 --> 0:23:51.960
<v Speaker 1>which is great. Um, but also you don't know what

0:23:52.000 --> 0:23:54.520
<v Speaker 1>these new tropics do. They might make you smarter than

0:23:54.560 --> 0:23:57.520
<v Speaker 1>anyone's ever been. Well, he starts getting headaches because he

0:23:57.520 --> 0:23:59.920
<v Speaker 1>can read people's minds and he's telling he has to

0:24:00.080 --> 0:24:02.640
<v Speaker 1>like kinesis. So that's when the lawn mower starts mowing

0:24:02.680 --> 0:24:05.160
<v Speaker 1>the lawn by itself. But he's also just like he's brooding.

0:24:05.200 --> 0:24:08.560
<v Speaker 1>Now he's a cyber god. He surpasses humans. Yeah, but

0:24:08.680 --> 0:24:13.720
<v Speaker 1>then so he gets also hot during this. He gets

0:24:13.720 --> 0:24:17.280
<v Speaker 1>super hot, but he still kind of looks like confused,

0:24:17.520 --> 0:24:19.920
<v Speaker 1>like Jeff Daniels and dumb and dumber. Yeah, but like,

0:24:20.800 --> 0:24:23.040
<v Speaker 1>you know, I wouldn't. He looks like he's supposed to

0:24:23.119 --> 0:24:26.600
<v Speaker 1>be amish and whatever. He's hot. Let's let's be real.

0:24:26.880 --> 0:24:30.080
<v Speaker 1>He gets hot, gets hot positive a second, because I

0:24:30.400 --> 0:24:32.600
<v Speaker 1>was like, wow, new tropic, Like I don't feel like

0:24:32.640 --> 0:24:34.199
<v Speaker 1>that was a word that was like that feels like

0:24:34.200 --> 0:24:36.520
<v Speaker 1>a very early use of that word. And I'm wondering

0:24:36.520 --> 0:24:39.560
<v Speaker 1>now because I'm looking at the history of new tropics.

0:24:40.240 --> 0:24:42.679
<v Speaker 1>It was coined in nineteen seventy two, okay, but like

0:24:42.720 --> 0:24:45.960
<v Speaker 1>it didn't start being like until the two thousands, didn't

0:24:45.960 --> 0:24:47.959
<v Speaker 1>really start being used in products and stuff. I think

0:24:48.000 --> 0:24:50.159
<v Speaker 1>it was more theoretical at that point. Probably at that

0:24:50.160 --> 0:24:53.560
<v Speaker 1>point they were like, there's this scary, horrible thing. Don't

0:24:53.600 --> 0:24:55.800
<v Speaker 1>do it. I'm not going to use the tropics. Don't

0:24:55.840 --> 0:24:57.919
<v Speaker 1>do it. And then forty years later it was like,

0:24:58.000 --> 0:25:00.800
<v Speaker 1>let's market this to people. Well the movies about like

0:25:00.840 --> 0:25:02.880
<v Speaker 1>here's why it would be bad to be a cyber god,

0:25:02.920 --> 0:25:04.960
<v Speaker 1>and then people were like, okay, but I still want them.

0:25:05.359 --> 0:25:07.879
<v Speaker 1>But wait. The scariest scene is when he has this

0:25:08.080 --> 0:25:11.359
<v Speaker 1>he has sex, virtual reality sex with this woman because

0:25:11.359 --> 0:25:15.160
<v Speaker 1>he's now hot and he becomes a He's like, I've

0:25:15.160 --> 0:25:18.560
<v Speaker 1>seen your fantasy and She's like, oh how, and he's like,

0:25:18.600 --> 0:25:21.560
<v Speaker 1>I read your mind, and then he turns into this

0:25:21.720 --> 0:25:28.520
<v Speaker 1>super grotesque like beast, looking like half machine half beast,

0:25:28.640 --> 0:25:32.240
<v Speaker 1>with like a weird tunnel mouth, and he basically eats

0:25:32.280 --> 0:25:36.400
<v Speaker 1>her in the virtual this I'm looking at like Dr

0:25:36.440 --> 0:25:42.000
<v Speaker 1>Manhattan like sex, but then it evolves. They're all covered

0:25:42.040 --> 0:25:45.399
<v Speaker 1>in like web mucas type. It's so Crazy've seen the

0:25:45.960 --> 0:25:49.840
<v Speaker 1>Aerosmith video for Amazing, Yeah, it's exactly that. It's like

0:25:50.000 --> 0:25:54.280
<v Speaker 1>two Dr Manhattan's flying towards each other in space, and

0:25:54.320 --> 0:25:59.840
<v Speaker 1>then they combine into that too, and they fly with tentacles.

0:26:00.080 --> 0:26:02.960
<v Speaker 1>Then they once they combine, it's like again they surpass

0:26:03.160 --> 0:26:06.880
<v Speaker 1>like human sex and turn into a dragonfly. And then

0:26:06.960 --> 0:26:09.400
<v Speaker 1>she starts getting freaked out and she's like I don't

0:26:09.400 --> 0:26:11.360
<v Speaker 1>know what the fund is happening, Like let me out

0:26:11.359 --> 0:26:13.920
<v Speaker 1>of this thing, and he's like no, he know. Well

0:26:13.920 --> 0:26:16.000
<v Speaker 1>he was like, he was like I know what you want,

0:26:16.080 --> 0:26:18.160
<v Speaker 1>and he turns himself into this horrible thing and she's

0:26:18.200 --> 0:26:20.440
<v Speaker 1>like no, no, no, and then he can't stop it.

0:26:20.800 --> 0:26:24.240
<v Speaker 1>Whether he's really scary, it's super scary. And then he

0:26:24.440 --> 0:26:27.880
<v Speaker 1>like when he eats her, she it breaks her brain. Yeah,

0:26:27.880 --> 0:26:31.720
<v Speaker 1>she she can't function afterwards, She's just she just laughs.

0:26:31.760 --> 0:26:33.760
<v Speaker 1>She lies on a bed, laughing all the time. So

0:26:33.840 --> 0:26:37.160
<v Speaker 1>she So they were both in like a virtual space together.

0:26:37.400 --> 0:26:39.480
<v Speaker 1>They were both jacked into the same virtual space. Yeah,

0:26:39.520 --> 0:26:41.959
<v Speaker 1>but it was like her, her puny human brain couldn't

0:26:42.040 --> 0:26:46.520
<v Speaker 1>handle it and it broke her. And then he starts

0:26:46.520 --> 0:26:49.160
<v Speaker 1>becoming violent and going out and seeking revenge on all

0:26:49.160 --> 0:26:55.560
<v Speaker 1>the people who were assholes to him when insults. Okay, no, no, no.

0:26:55.600 --> 0:26:58.159
<v Speaker 1>I have the same thought, because I was like, oh,

0:26:58.240 --> 0:27:01.960
<v Speaker 1>it's in real life he has this persona then in

0:27:02.000 --> 0:27:04.720
<v Speaker 1>the virtual because he has It's true that in the original,

0:27:04.880 --> 0:27:07.240
<v Speaker 1>like in the in the beginning of his virtual journey,

0:27:07.440 --> 0:27:10.760
<v Speaker 1>he's like, I have all this power, I'm super powerful,

0:27:10.760 --> 0:27:14.120
<v Speaker 1>but in real life he's still pretty tame. And then

0:27:14.200 --> 0:27:17.760
<v Speaker 1>gradually the too kind of converge and he's taking revenge

0:27:17.760 --> 0:27:20.399
<v Speaker 1>on all of these people as this like hyper powerful

0:27:21.000 --> 0:27:26.840
<v Speaker 1>thing that was basically fabricated from his experiences online. Um,

0:27:27.000 --> 0:27:32.000
<v Speaker 1>I want to say it a movie you really can't forget.

0:27:32.200 --> 0:27:35.439
<v Speaker 1>I just remember being scared of the poster for this movie,

0:27:36.320 --> 0:27:38.960
<v Speaker 1>and I didn't see it till now because that poster

0:27:39.119 --> 0:27:43.520
<v Speaker 1>made such an impression on me. This is pretty early Internet,

0:27:43.720 --> 0:27:47.560
<v Speaker 1>at least for like the lay person, Like I feel like,

0:27:47.640 --> 0:27:50.160
<v Speaker 1>you know, email and maybe just started to become a thing.

0:27:50.520 --> 0:27:54.600
<v Speaker 1>Does it feel like handering and cautionary about the Internet

0:27:54.600 --> 0:27:56.320
<v Speaker 1>in the way that like say, the net does or

0:27:56.359 --> 0:27:58.120
<v Speaker 1>does it not even there yet? Is it not even

0:27:58.160 --> 0:28:03.639
<v Speaker 1>thinking about? It feels handering about being able to shoot

0:28:03.640 --> 0:28:06.000
<v Speaker 1>things out of your brain? It's like carry It is

0:28:06.040 --> 0:28:08.320
<v Speaker 1>just like Carrie, It's like Harry because it's I think

0:28:08.359 --> 0:28:12.359
<v Speaker 1>it's the idea of and and like with flowers for Algernon,

0:28:12.840 --> 0:28:16.240
<v Speaker 1>that you can have this man made improvement to your

0:28:16.320 --> 0:28:20.080
<v Speaker 1>life and it's scientific, but there's gonna be a downside.

0:28:20.440 --> 0:28:23.000
<v Speaker 1>What will the downside be? And and not knowing that,

0:28:23.040 --> 0:28:25.840
<v Speaker 1>are you willing to take the risk? And in this case,

0:28:25.880 --> 0:28:27.760
<v Speaker 1>he couldn't really make the decision on his own, it

0:28:27.800 --> 0:28:30.080
<v Speaker 1>was made for him. You end up feeling like the

0:28:30.160 --> 0:28:34.040
<v Speaker 1>doctor is also sort of sympathetic character because he didn't

0:28:34.119 --> 0:28:36.600
<v Speaker 1>know that this was it was going to be given

0:28:36.640 --> 0:28:38.600
<v Speaker 1>the things that make him vine. It starts out you're

0:28:38.640 --> 0:28:41.360
<v Speaker 1>just like he's evil because he's like using these people

0:28:41.560 --> 0:28:44.000
<v Speaker 1>just because he has to see what happens with the experiments,

0:28:44.000 --> 0:28:45.400
<v Speaker 1>and then by the end they're like, you know, he's

0:28:45.480 --> 0:28:50.960
<v Speaker 1>upon for the military industrial complex who are using his curiosity.

0:28:51.200 --> 0:28:54.600
<v Speaker 1>He feels really bad about what he's done too. It's

0:28:54.600 --> 0:28:56.920
<v Speaker 1>like what I'm saying, like everybody just started using the

0:28:57.000 --> 0:29:00.240
<v Speaker 1>Internet out of curiosity and and uh, jen you in

0:29:00.320 --> 0:29:04.320
<v Speaker 1>the good natured human instinct. Yeah, I mean this does that?

0:29:04.360 --> 0:29:06.640
<v Speaker 1>Does it captures that feeling. Test made a really good

0:29:06.680 --> 0:29:08.880
<v Speaker 1>meme where it was like me on Twitter or it's

0:29:08.880 --> 0:29:11.640
<v Speaker 1>just like I love to get out here, and it

0:29:11.760 --> 0:29:14.600
<v Speaker 1>does capture that kind of like sticky feeling of like

0:29:14.760 --> 0:29:17.640
<v Speaker 1>time makes no sense in this space. Well, I actually

0:29:17.640 --> 0:29:19.480
<v Speaker 1>thought that the thing that was most analogous to the

0:29:19.480 --> 0:29:22.800
<v Speaker 1>Internet was when he was learning, like when he had

0:29:22.840 --> 0:29:26.120
<v Speaker 1>been given he had been trained with a virtual reality

0:29:26.200 --> 0:29:28.720
<v Speaker 1>game that was basically like a like fighter jet kind

0:29:28.760 --> 0:29:31.520
<v Speaker 1>of game, and he did it with this neighborhood kid

0:29:32.040 --> 0:29:34.400
<v Speaker 1>and nothing nefarious there, even though the way I said

0:29:34.440 --> 0:29:36.360
<v Speaker 1>it makes it sound that way. But they were both

0:29:36.360 --> 0:29:39.200
<v Speaker 1>like kind of lying on these platforms and like battling

0:29:39.240 --> 0:29:42.520
<v Speaker 1>each other. And then eventually Job got better than the kid,

0:29:42.560 --> 0:29:44.880
<v Speaker 1>which was meant to show us that he was ready

0:29:44.920 --> 0:29:47.560
<v Speaker 1>to move on to the next stage. So the next

0:29:47.600 --> 0:29:51.440
<v Speaker 1>stage was him watching things at a super fast speed,

0:29:51.480 --> 0:29:53.240
<v Speaker 1>and he was able to retain all of it. And

0:29:53.280 --> 0:29:54.960
<v Speaker 1>then eventually it got to the point where he's in

0:29:55.000 --> 0:29:58.320
<v Speaker 1>the car driving around with the kid and they're listening

0:29:58.320 --> 0:30:00.680
<v Speaker 1>to music and he'll pop a CD in in and

0:30:00.760 --> 0:30:02.560
<v Speaker 1>it'll play for like ten seconds, then he pops it

0:30:02.600 --> 0:30:04.560
<v Speaker 1>out and the kids like, don't you want to just

0:30:04.680 --> 0:30:06.280
<v Speaker 1>listen to the whole track? And he was like, no,

0:30:06.360 --> 0:30:09.160
<v Speaker 1>I don't. And I was like, Oh, it's about how

0:30:09.440 --> 0:30:13.520
<v Speaker 1>when you're getting so much information, almost like you're training yourself,

0:30:13.560 --> 0:30:17.560
<v Speaker 1>like be smarter, no more, and then everything loses its meaning,

0:30:17.640 --> 0:30:21.560
<v Speaker 1>everything loses the ability to drive pleasure from it. Everything

0:30:21.600 --> 0:30:25.440
<v Speaker 1>just tastes like information ruin your your attention span forever.

0:30:26.280 --> 0:30:29.440
<v Speaker 1>You do have to be mindful about how much you

0:30:29.520 --> 0:30:31.800
<v Speaker 1>use the Internet, because it's easy to use it all

0:30:31.840 --> 0:30:34.760
<v Speaker 1>of the time mindlessly and to be like but there

0:30:34.800 --> 0:30:38.240
<v Speaker 1>are downsides to that, especially for your mental health. I

0:30:38.280 --> 0:30:40.800
<v Speaker 1>feel like I just give the clerk speech about cigarettes

0:30:40.800 --> 0:30:44.600
<v Speaker 1>all the time, but about like Twitter, just like you're paying.

0:30:44.920 --> 0:30:48.520
<v Speaker 1>I mean you're not paying, but you are paying. You're paying.

0:30:50.360 --> 0:30:54.480
<v Speaker 1>You're doing something that's harming your mental health because it's

0:30:54.480 --> 0:30:59.200
<v Speaker 1>so addictive. Just a decade into it to acknowledge that

0:30:59.240 --> 0:31:02.240
<v Speaker 1>it's addictive and bad and has a downside, and it's

0:31:02.280 --> 0:31:05.840
<v Speaker 1>not just fun and like talking to friends in another plane.

0:31:06.080 --> 0:31:09.560
<v Speaker 1>It also also not like a necessary utility the way

0:31:09.560 --> 0:31:10.920
<v Speaker 1>that I think a lot of people take it for

0:31:10.960 --> 0:31:13.840
<v Speaker 1>granted that it must be like I can't do without

0:31:13.880 --> 0:31:15.720
<v Speaker 1>this because it's just like a part of my life.

0:31:15.720 --> 0:31:17.640
<v Speaker 1>I can't not have a prime account because I have

0:31:17.720 --> 0:31:21.760
<v Speaker 1>to buy toilet papers and flowers for Algernon. It's really

0:31:21.800 --> 0:31:24.600
<v Speaker 1>sad um. I just read a lot about Flowers for Algernon,

0:31:24.680 --> 0:31:26.920
<v Speaker 1>which I didn't realize had been published originally as like

0:31:26.960 --> 0:31:30.600
<v Speaker 1>sci fi, even though it is sci fi. And the

0:31:30.720 --> 0:31:33.600
<v Speaker 1>Charlie did you ever see Charlie? Yeah, just this idea

0:31:33.680 --> 0:31:36.479
<v Speaker 1>that like when you you know, when you mess with

0:31:36.560 --> 0:31:40.280
<v Speaker 1>nature in a way that it doesn't ask for, you're

0:31:40.280 --> 0:31:43.160
<v Speaker 1>going to get the horns, but he finds a way.

0:31:43.400 --> 0:31:46.040
<v Speaker 1>But also the end of Charlie and Followers for Algernon,

0:31:46.080 --> 0:31:48.200
<v Speaker 1>where you go back to normal, feels like actually like

0:31:48.200 --> 0:31:51.840
<v Speaker 1>wish fulfillment compared to now, well this felt well, But

0:31:51.920 --> 0:31:54.360
<v Speaker 1>in flowers are alternon too. It's like the mouse dive,

0:31:54.440 --> 0:31:56.240
<v Speaker 1>so you don't know if he's going to die too.

0:31:56.760 --> 0:31:59.640
<v Speaker 1>It's like you fly too high. But really this is

0:31:59.640 --> 0:32:03.120
<v Speaker 1>a warning against the dangers of telekinesis. It is telegenesis

0:32:03.200 --> 0:32:06.479
<v Speaker 1>is no good. Also, we promised when we get telekinetic powers,

0:32:06.480 --> 0:32:08.640
<v Speaker 1>we're all going to use them responsible. Oh for sure,

0:32:09.200 --> 0:32:14.560
<v Speaker 1>telekinetic tellings. There's no verb for it. Really, Yeah, tele

0:32:14.560 --> 0:32:16.239
<v Speaker 1>like a night call. Um. We did, by the way,

0:32:16.320 --> 0:32:19.040
<v Speaker 1>get a tip about The lawnmower Man. I forget who

0:32:19.040 --> 0:32:22.800
<v Speaker 1>sent this in. Let me look, um, this is Walrus

0:32:22.840 --> 0:32:25.440
<v Speaker 1>Master on Twitter. Please tell me. There was a discussion

0:32:25.520 --> 0:32:28.960
<v Speaker 1>about how The lawnmower Man was considered almost a religious

0:32:29.000 --> 0:32:32.880
<v Speaker 1>text by David Koresh, which it was The Washington Post

0:32:33.040 --> 0:32:37.520
<v Speaker 1>Archives has something from and I quote David Koresh liked

0:32:37.560 --> 0:32:40.480
<v Speaker 1>The lawnmower Man so much that he showed the film

0:32:40.560 --> 0:32:43.120
<v Speaker 1>to his branch Davidian followers as an analogy to his

0:32:43.200 --> 0:32:47.200
<v Speaker 1>own spiritual ascendency. That makes a lot of sense. You

0:32:47.240 --> 0:32:51.960
<v Speaker 1>can see how this movie would make a strong positive

0:32:51.960 --> 0:32:55.320
<v Speaker 1>impact on someone who was very disturbed. I mean that's

0:32:55.320 --> 0:32:57.880
<v Speaker 1>part of the scary I I now admit, after talking

0:32:57.880 --> 0:33:00.600
<v Speaker 1>about the scary virtual reality set scene, that there are

0:33:00.760 --> 0:33:03.440
<v Speaker 1>very terrifying moments. Yeah, and I think what we were

0:33:03.480 --> 0:33:05.440
<v Speaker 1>saying about using c g I for sort of an

0:33:05.520 --> 0:33:09.680
<v Speaker 1>artistic purpose in the context of an otherwise live action

0:33:09.760 --> 0:33:12.960
<v Speaker 1>movie is really effective and people should do it more,

0:33:14.400 --> 0:33:16.400
<v Speaker 1>using it as a tool instead of just sort of

0:33:16.440 --> 0:33:20.480
<v Speaker 1>like to create sound stages. More ugly c g I more.

0:33:20.680 --> 0:33:22.720
<v Speaker 1>I mean it's not even ugly. That was the thing.

0:33:22.760 --> 0:33:24.200
<v Speaker 1>I was like, I think I used to think this

0:33:24.240 --> 0:33:26.280
<v Speaker 1>kind of stuff was ugly because it scared me, But

0:33:26.400 --> 0:33:29.280
<v Speaker 1>now I was like, it's actually really cool. Well, it's

0:33:29.320 --> 0:33:32.800
<v Speaker 1>like more, I guess unoptimized c g I. Like all

0:33:32.840 --> 0:33:35.920
<v Speaker 1>c g I is used as like a technology. Yeah,

0:33:35.920 --> 0:33:38.720
<v Speaker 1>it's just a technology instead of a medium. Like that's

0:33:38.840 --> 0:33:41.959
<v Speaker 1>solely how it's being used Now. I feel like, excepting cats,

0:33:43.400 --> 0:33:47.040
<v Speaker 1>always want to see cats. Also, we're back do this podcast.

0:33:47.040 --> 0:33:50.600
<v Speaker 1>Emily will have a take on cats. Everybody else in

0:33:50.640 --> 0:33:52.560
<v Speaker 1>the universe who's going to see cats will have seen

0:33:52.640 --> 0:34:12.720
<v Speaker 1>cats at that point. So welcome back tonight called podcast

0:34:12.719 --> 0:34:15.040
<v Speaker 1>for you Strange Days, Lonely Nights. We have a very

0:34:15.040 --> 0:34:20.520
<v Speaker 1>special guest today, Emma Cunningham. Welcome Emma. Emma is a

0:34:20.600 --> 0:34:24.160
<v Speaker 1>human who does stuff with magic and computers and fermentation,

0:34:24.440 --> 0:34:28.279
<v Speaker 1>and she's also an expert in cybersecurity. If you've been

0:34:28.320 --> 0:34:31.000
<v Speaker 1>in any of our live shows here in Los Angeles,

0:34:31.000 --> 0:34:35.480
<v Speaker 1>you would have been treated to some of her magical talents. Yeah, Emma.

0:34:35.640 --> 0:34:39.920
<v Speaker 1>Emma is a great magician and also has a lot

0:34:39.960 --> 0:34:44.279
<v Speaker 1>of really interesting thoughts about tunefoil hats and why we

0:34:44.280 --> 0:34:47.120
<v Speaker 1>should all be wearing them. That's that's it. That's the thought.

0:34:47.160 --> 0:34:50.439
<v Speaker 1>We should all be living in one big tinfoil hat.

0:34:50.600 --> 0:34:53.600
<v Speaker 1>Please tell me more. You mean, like, like, you know,

0:34:53.640 --> 0:34:55.520
<v Speaker 1>there are like those places where you can go to

0:34:55.800 --> 0:34:57.960
<v Speaker 1>be uh what's it called. It's like it's like the

0:34:58.000 --> 0:35:03.799
<v Speaker 1>detox for technology. It was right, It's like safe. It's

0:35:03.840 --> 0:35:08.400
<v Speaker 1>like the Todd Haynes movie. Um. Yeah, but that's like

0:35:08.680 --> 0:35:11.399
<v Speaker 1>a concerts too, and like live shows sometimes where it's

0:35:11.400 --> 0:35:14.200
<v Speaker 1>like you have to like put your phone in a

0:35:14.280 --> 0:35:17.000
<v Speaker 1>bag so it won't transmit signal because it's like you

0:35:17.040 --> 0:35:21.920
<v Speaker 1>have to be present. That's concerts though. That's I've heard

0:35:22.239 --> 0:35:24.520
<v Speaker 1>done for some concerts, Like I can't remember which ones,

0:35:24.600 --> 0:35:28.320
<v Speaker 1>but yeah, I've heard it's more like fancy things, you know,

0:35:28.560 --> 0:35:31.400
<v Speaker 1>high end. I've heard of this also, like high end

0:35:31.400 --> 0:35:36.200
<v Speaker 1>sex parties put your phone in the tinfoil bag. So

0:35:37.000 --> 0:35:38.759
<v Speaker 1>you were just telling us that putting your phone in

0:35:38.800 --> 0:35:42.600
<v Speaker 1>a tinfoil bag would perhaps actually stop the signals. Is

0:35:42.640 --> 0:35:45.840
<v Speaker 1>that perhaps true or no? Perhaps I'm more familiar with

0:35:45.920 --> 0:35:48.160
<v Speaker 1>they're called fair day cages or fair day bags. I'm

0:35:48.200 --> 0:35:50.440
<v Speaker 1>actually not sure about the tinfoil thing. That's news to me.

0:35:50.520 --> 0:35:53.560
<v Speaker 1>And if that works, we should all do it. And

0:35:53.600 --> 0:35:56.360
<v Speaker 1>I was telling him that I put my key fob

0:35:56.440 --> 0:35:58.919
<v Speaker 1>for my car in this little bag, but I heard

0:35:58.960 --> 0:36:00.680
<v Speaker 1>that he could put it in your freezer or in

0:36:00.719 --> 0:36:03.440
<v Speaker 1>a metal box or even just surrounded with tinfoil and

0:36:03.480 --> 0:36:07.440
<v Speaker 1>it basically renders your key like only it only works

0:36:07.480 --> 0:36:09.960
<v Speaker 1>inside the enclosure. So if for a while people were

0:36:10.000 --> 0:36:12.480
<v Speaker 1>able to hack key fobs, so they could they have

0:36:12.600 --> 0:36:14.879
<v Speaker 1>like a universal key fob and they could unlock your car.

0:36:15.320 --> 0:36:18.040
<v Speaker 1>And someone unlocked my car and I was like, this sucks.

0:36:18.040 --> 0:36:19.880
<v Speaker 1>What am I going to do? And my dad was like, well,

0:36:20.280 --> 0:36:23.319
<v Speaker 1>there's like a fifty cent bag that you can buy,

0:36:23.400 --> 0:36:25.040
<v Speaker 1>and then I got it and I don't use it,

0:36:25.239 --> 0:36:27.680
<v Speaker 1>but I could. So they would hack it, but they

0:36:27.680 --> 0:36:29.680
<v Speaker 1>would have to be in proximity to your key fop

0:36:29.719 --> 0:36:31.960
<v Speaker 1>and then they could cop Is that how it would happen. Yeah,

0:36:32.200 --> 0:36:36.320
<v Speaker 1>they basically steal the signal. I have no idea technologically

0:36:36.400 --> 0:36:39.000
<v Speaker 1>how it works. But it is a way of you

0:36:39.120 --> 0:36:41.920
<v Speaker 1>go like, yeah, if you're in close proximity, you use

0:36:42.040 --> 0:36:45.200
<v Speaker 1>this thing and it can hack your key fop and

0:36:45.280 --> 0:36:47.760
<v Speaker 1>somebody can just be passing by you on the street

0:36:47.760 --> 0:36:51.719
<v Speaker 1>and get your car virtually steal your car keys. So

0:36:52.000 --> 0:36:56.120
<v Speaker 1>the net as technology becomes the net um becomes a

0:36:56.160 --> 0:37:00.319
<v Speaker 1>scary net that takes over everyone's lives. If is like,

0:37:00.360 --> 0:37:03.040
<v Speaker 1>there have to be some ways to fight back, such

0:37:03.040 --> 0:37:07.840
<v Speaker 1>as Faraday bags. Um, we were going to talk about

0:37:08.400 --> 0:37:13.480
<v Speaker 1>the creepy mind reading tools SCAN used by police across

0:37:13.719 --> 0:37:18.080
<v Speaker 1>the country. Okay, I'm obsessed with this. Um. It was

0:37:18.120 --> 0:37:22.480
<v Speaker 1>a very very dense report, So the summary is basically

0:37:22.480 --> 0:37:25.640
<v Speaker 1>so last month in December, pro public A published or

0:37:25.680 --> 0:37:28.799
<v Speaker 1>report titled why are cops around the world using this

0:37:28.880 --> 0:37:31.960
<v Speaker 1>outlandish mind reading tool? And I was like, I will

0:37:32.000 --> 0:37:34.640
<v Speaker 1>read this. It will take a long time, but I

0:37:34.680 --> 0:37:37.760
<v Speaker 1>will do it. It's extremely scary. There's a tool called SCAN,

0:37:38.200 --> 0:37:42.280
<v Speaker 1>which stands for Scientific Content Analysis that claims without proved

0:37:42.280 --> 0:37:44.600
<v Speaker 1>to be able to detect wise and written accounts from

0:37:44.640 --> 0:37:49.520
<v Speaker 1>criminal suspects. So basically it was invented by this guy

0:37:49.960 --> 0:37:53.080
<v Speaker 1>sapp here. He's the creator of SCAN, and he says

0:37:53.400 --> 0:37:55.920
<v Speaker 1>I am pleased to say scan has helped solve thousands

0:37:55.960 --> 0:37:59.480
<v Speaker 1>of cases over the years. It has no scientific basis.

0:37:59.719 --> 0:38:02.319
<v Speaker 1>You too, Tiga suspect. You sit them down, you give

0:38:02.360 --> 0:38:04.640
<v Speaker 1>them a you know, pizza paper, a pen, and you

0:38:04.719 --> 0:38:07.520
<v Speaker 1>just say, write a first person account of the night

0:38:07.560 --> 0:38:10.359
<v Speaker 1>in question. So they'll start writing. And then there are

0:38:10.400 --> 0:38:14.920
<v Speaker 1>these color coded ways that you kind of categorize the

0:38:14.920 --> 0:38:18.359
<v Speaker 1>information that they use. So, for instance, it can be

0:38:18.680 --> 0:38:21.080
<v Speaker 1>if you use the word um, if you say I

0:38:21.120 --> 0:38:24.279
<v Speaker 1>was with my children and I went out and I

0:38:24.360 --> 0:38:27.040
<v Speaker 1>left the kids, They're like, hold on, you said children,

0:38:27.320 --> 0:38:32.480
<v Speaker 1>then you said kids, lying, You're lying. Yeah, So um.

0:38:32.520 --> 0:38:38.120
<v Speaker 1>It's a really cheap, obviously way of analyzing quote unquote

0:38:38.360 --> 0:38:40.560
<v Speaker 1>what someone is saying and trying to kind of get

0:38:40.560 --> 0:38:44.000
<v Speaker 1>into their brain. It completely doesn't work, and it's used

0:38:44.040 --> 0:38:47.920
<v Speaker 1>by the FBI, CIA, and I think the US Armed Forces.

0:38:48.320 --> 0:38:51.520
<v Speaker 1>It's just kind of like a really cheap, like minority

0:38:51.640 --> 0:38:58.080
<v Speaker 1>report want to be type predictive law enforcement technology. What

0:38:58.200 --> 0:39:01.040
<v Speaker 1>have you seen about sort of people's selling tech that

0:39:01.120 --> 0:39:05.360
<v Speaker 1>claims to do things it can't do well? The proof

0:39:05.680 --> 0:39:08.400
<v Speaker 1>I love claims with that process is great and just

0:39:08.480 --> 0:39:10.399
<v Speaker 1>gonna like burst under rooms and be like, well, I

0:39:10.440 --> 0:39:14.960
<v Speaker 1>claim without proof. Well, I mean it's interesting because like

0:39:14.960 --> 0:39:17.799
<v Speaker 1>a lot of the language analysis stuff is based very

0:39:17.880 --> 0:39:21.880
<v Speaker 1>much on like claims without proof. But even even things

0:39:22.080 --> 0:39:24.640
<v Speaker 1>like DNA testing, right that, like we put so much

0:39:24.680 --> 0:39:28.040
<v Speaker 1>stock and there's still it's not this like you know

0:39:29.080 --> 0:39:31.680
<v Speaker 1>thing where you're like, oh, yeah, if we got a match,

0:39:31.760 --> 0:39:33.840
<v Speaker 1>then we know what a ercent certainty. There are actually

0:39:33.880 --> 0:39:37.000
<v Speaker 1>all these cases where actually DNA testing is in fact,

0:39:37.280 --> 0:39:40.440
<v Speaker 1>you know, led to the wrong person being apprehended and

0:39:40.520 --> 0:39:44.600
<v Speaker 1>things like that. Um, yeah, it's interesting that this is

0:39:44.640 --> 0:39:48.279
<v Speaker 1>like this low fide, not even quite techy way of

0:39:48.760 --> 0:39:53.360
<v Speaker 1>sort of promoting a solution that's not really verified based

0:39:53.400 --> 0:39:57.600
<v Speaker 1>on anything. It also says indications of truthfulness include use

0:39:57.640 --> 0:40:00.520
<v Speaker 1>of the past tense, first person singular quote I went

0:40:00.560 --> 0:40:03.800
<v Speaker 1>to the store, pronouns such as my, which signal commitment,

0:40:04.000 --> 0:40:06.719
<v Speaker 1>and direct denials the best being I did not do it.

0:40:07.000 --> 0:40:10.600
<v Speaker 1>Signs of deception include lack of memory, spontaneous corrections, and

0:40:10.680 --> 0:40:13.200
<v Speaker 1>swapping one word for another like the kids and children

0:40:13.680 --> 0:40:16.400
<v Speaker 1>um Sapierre has used this tool to analyze testimonies from

0:40:16.480 --> 0:40:19.839
<v Speaker 1>Komy and Muller. Comy's testimony includes a lot of him

0:40:19.880 --> 0:40:22.719
<v Speaker 1>describing opening and closing doors, like I came home, I

0:40:22.800 --> 0:40:26.200
<v Speaker 1>opened the door, I opened my garage door, and Sapierre says, oh,

0:40:26.239 --> 0:40:29.440
<v Speaker 1>he was the victim of childhood trauma. So they contacted

0:40:29.520 --> 0:40:32.439
<v Speaker 1>Comy for this article and he was like, Wow, that

0:40:32.640 --> 0:40:34.759
<v Speaker 1>is such a load of bullshit. I wish that you

0:40:34.760 --> 0:40:38.000
<v Speaker 1>could get your money back from ordering this book about this. Yeah,

0:40:38.200 --> 0:40:40.680
<v Speaker 1>this one is scary because it's so dumb. But the

0:40:41.560 --> 0:40:46.160
<v Speaker 1>ones that are really scary are the facial database recognition ones.

0:40:46.480 --> 0:40:50.200
<v Speaker 1>And you tweet a lot about what is so bad

0:40:50.200 --> 0:40:53.759
<v Speaker 1>about those, uh, specifically that they're very racist. Yeah, they're

0:40:53.760 --> 0:40:58.799
<v Speaker 1>incredibly racist. Shocking, Um, I mean the application of these

0:40:58.840 --> 0:41:02.280
<v Speaker 1>algorithms as racist, and then also the actual algorithms themselves

0:41:02.280 --> 0:41:05.839
<v Speaker 1>are racists and so on. Faces for people of color,

0:41:05.920 --> 0:41:10.600
<v Speaker 1>they're wildly inaccurate. But again, similar to the scan stuff,

0:41:10.640 --> 0:41:13.640
<v Speaker 1>it's like, oh, but we used science, and science said

0:41:13.680 --> 0:41:15.719
<v Speaker 1>that this was the person, so we're going to go

0:41:15.760 --> 0:41:19.279
<v Speaker 1>after this person. Yeah, and it's crazy. We've seen so

0:41:19.360 --> 0:41:22.800
<v Speaker 1>much junk science from like the turn of the last century.

0:41:22.960 --> 0:41:25.960
<v Speaker 1>Return the fact that people are talking about phrenology like

0:41:26.000 --> 0:41:29.920
<v Speaker 1>it is a real discipline and not junk science. It

0:41:29.960 --> 0:41:32.200
<v Speaker 1>seems like with some of the tech stuff too. It's

0:41:32.239 --> 0:41:36.759
<v Speaker 1>like if people don't know what is possible, like Sarah knows,

0:41:36.880 --> 0:41:39.000
<v Speaker 1>they're just like, well, that sounds like you should be

0:41:39.040 --> 0:41:41.920
<v Speaker 1>able to do it, So sure, I bet that program

0:41:41.960 --> 0:41:44.840
<v Speaker 1>does what you're telling me. It does the stuff with

0:41:44.920 --> 0:41:48.200
<v Speaker 1>the scan, the whole scan thing. It feels like, yeah,

0:41:48.360 --> 0:41:52.520
<v Speaker 1>it's possible to just analyze a statement or analyze some

0:41:52.640 --> 0:41:55.319
<v Speaker 1>text that a person says, and like, you know, you

0:41:55.320 --> 0:41:57.400
<v Speaker 1>can make a lot of observations about that and that

0:41:57.440 --> 0:42:00.120
<v Speaker 1>can be really interesting, like just how people tend to

0:42:00.200 --> 0:42:04.239
<v Speaker 1>construct thoughts like but then to attempt to draw any

0:42:04.280 --> 0:42:07.960
<v Speaker 1>conclusions about that aside from just what's on the page

0:42:08.520 --> 0:42:11.080
<v Speaker 1>feels like Yeah, it's like something like we we were

0:42:11.120 --> 0:42:16.239
<v Speaker 1>able to, like at least from a programming standpoint or something, uh,

0:42:16.719 --> 0:42:19.359
<v Speaker 1>be able to analyze this information in a way that's

0:42:19.400 --> 0:42:21.640
<v Speaker 1>sort of interesting, but then like to take it to

0:42:21.680 --> 0:42:24.640
<v Speaker 1>the like magic realm after that and there are hidden

0:42:24.640 --> 0:42:27.720
<v Speaker 1>truths that you can unlock through. This feels like something

0:42:27.760 --> 0:42:30.120
<v Speaker 1>that is easily like I don't know, like people who

0:42:30.160 --> 0:42:32.960
<v Speaker 1>are stupid and or cops are probably easily taken in

0:42:33.000 --> 0:42:36.520
<v Speaker 1>by this kind That's interesting because the last thing I

0:42:36.640 --> 0:42:39.359
<v Speaker 1>pulled from the pro public thing is Um, they got

0:42:39.400 --> 0:42:41.800
<v Speaker 1>a quote from this guy named Stephen Drizzen who's in

0:42:41.880 --> 0:42:46.000
<v Speaker 1>Northwestern University law professor who specializes in wrongful convictions, and

0:42:46.080 --> 0:42:50.120
<v Speaker 1>he's just said big claims me without scientific grounding are

0:42:50.960 --> 0:42:54.200
<v Speaker 1>suffering from overclaim syndrome, which is, you know, when they

0:42:54.200 --> 0:42:56.600
<v Speaker 1>asked him why police would trust these kind of things,

0:42:56.760 --> 0:42:58.719
<v Speaker 1>he said, A lot has to do with hubris, a

0:42:58.760 --> 0:43:00.880
<v Speaker 1>belief on the part of police officers that they can

0:43:00.920 --> 0:43:02.959
<v Speaker 1>tell when someone is lying to them with a high

0:43:02.960 --> 0:43:05.839
<v Speaker 1>degree of accuracy. These tools play into that belief and

0:43:05.840 --> 0:43:08.080
<v Speaker 1>confirm that belief. I wonder how many cops would I

0:43:08.400 --> 0:43:14.200
<v Speaker 1>self identify as like kind of a mentalist. Right. There

0:43:14.280 --> 0:43:16.440
<v Speaker 1>was a group in l A called Stop l A

0:43:16.520 --> 0:43:19.400
<v Speaker 1>p D Spying that specifically works to kind of combat

0:43:19.440 --> 0:43:21.920
<v Speaker 1>these programs in l A and got some of them

0:43:21.960 --> 0:43:25.320
<v Speaker 1>to not be implemented or to be stopp being implemented

0:43:25.360 --> 0:43:29.120
<v Speaker 1>because they were like identifying literally children as like potential

0:43:29.160 --> 0:43:33.040
<v Speaker 1>gang members and stuff like that. So it's all pretty

0:43:33.160 --> 0:43:35.640
<v Speaker 1>goddamn creepy. Wait, but I have more questions for Emma

0:43:36.120 --> 0:43:42.279
<v Speaker 1>regarding what is the scariest tech to you? Yeah, the scariest, Oh,

0:43:42.400 --> 0:43:46.360
<v Speaker 1>I think the deep fake stuff is pretty fucking terrifying. Um.

0:43:46.640 --> 0:43:50.239
<v Speaker 1>The it's so I saw a demo video of it

0:43:50.320 --> 0:43:53.319
<v Speaker 1>recently of someone who's like, I posted one picture of

0:43:53.360 --> 0:43:57.560
<v Speaker 1>myself that wasn't even great. Lighting wasn't great. Um, and

0:43:57.600 --> 0:43:59.759
<v Speaker 1>then I was able to generate a deep fake of

0:43:59.800 --> 0:44:03.759
<v Speaker 1>like me as Leo's character in Titanic, and it does

0:44:03.840 --> 0:44:06.560
<v Speaker 1>not look computer gener like. If I hadn't seen the

0:44:06.600 --> 0:44:08.520
<v Speaker 1>movie Titanic, I would be like, wow, you were on

0:44:08.560 --> 0:44:14.359
<v Speaker 1>a But and I think, like that stuff is also

0:44:14.480 --> 0:44:16.759
<v Speaker 1>just so terrifying, not not only because you know you

0:44:16.760 --> 0:44:18.600
<v Speaker 1>could use it to make it look like someone did think,

0:44:18.600 --> 0:44:21.279
<v Speaker 1>but it also just like, along with fake news, is

0:44:21.320 --> 0:44:24.759
<v Speaker 1>degrading our like trust in reality. Do you think that

0:44:24.800 --> 0:44:27.680
<v Speaker 1>there's something about the increasing, like at least the films

0:44:27.719 --> 0:44:31.239
<v Speaker 1>that the majority of people see, like Marvel movies and

0:44:31.320 --> 0:44:33.640
<v Speaker 1>things where it's mostly all C G I and composites

0:44:33.680 --> 0:44:35.880
<v Speaker 1>and stuff like that and everything stitched together. Do you

0:44:35.880 --> 0:44:38.440
<v Speaker 1>think that that's like a nerd our eyes to just

0:44:38.480 --> 0:44:41.279
<v Speaker 1>like ignore this sort of thing, like it all looks real,

0:44:41.320 --> 0:44:44.760
<v Speaker 1>attracts and becausen't track is real in a Marvel movie.

0:44:44.960 --> 0:44:47.040
<v Speaker 1>In a Marvel movie, you're like, that's c G I

0:44:47.239 --> 0:44:49.880
<v Speaker 1>in a deep fake. You're like, that's a real photograph

0:44:49.880 --> 0:44:52.440
<v Speaker 1>and that's what's scary. But I hear what Emily is

0:44:52.440 --> 0:44:54.640
<v Speaker 1>saying is that it's not it's not supposed to be

0:44:54.680 --> 0:44:57.719
<v Speaker 1>completely realistic, but it kind of opens the door to

0:44:57.880 --> 0:45:01.279
<v Speaker 1>accepting things that are not perfosing. Cream is at your

0:45:01.320 --> 0:45:04.440
<v Speaker 1>eyeballs is like, that's fake, like because you just see it,

0:45:04.520 --> 0:45:07.040
<v Speaker 1>Like even if your brain is like this is a movie,

0:45:07.920 --> 0:45:10.480
<v Speaker 1>you're still like used to it in a way, and

0:45:10.520 --> 0:45:13.360
<v Speaker 1>it doesn't it doesn't it doesn't set off alarm bells

0:45:13.400 --> 0:45:15.919
<v Speaker 1>in your brain. Right. I guess most movies just don't

0:45:16.000 --> 0:45:18.440
<v Speaker 1>use c g I to try and like replicate something

0:45:18.480 --> 0:45:23.560
<v Speaker 1>really boring, right, but I should well, I mean or

0:45:23.640 --> 0:45:26.200
<v Speaker 1>mundane like Zodiac does a really good job of like

0:45:26.320 --> 0:45:27.879
<v Speaker 1>using c g I in a way where you never

0:45:27.920 --> 0:45:30.319
<v Speaker 1>notice there's c g I. So you got to see

0:45:30.320 --> 0:45:34.480
<v Speaker 1>The Irishman most mundane c g I maybe of the years.

0:45:34.560 --> 0:45:38.120
<v Speaker 1>The Irishman like a movie a long deep fake basically,

0:45:38.239 --> 0:45:39.919
<v Speaker 1>I mean now that they can do all of this

0:45:40.719 --> 0:45:44.439
<v Speaker 1>um not only like the aging technology that they use there,

0:45:44.440 --> 0:45:47.440
<v Speaker 1>but then actually like you know, they've scanned full body,

0:45:47.480 --> 0:45:49.719
<v Speaker 1>scanned so many people now, like anybody who's gone through

0:45:49.760 --> 0:45:51.880
<v Speaker 1>the Marvel or Disney world has been full body scanned

0:45:51.880 --> 0:45:58.440
<v Speaker 1>and basically given their likeness over to me, Emma, what

0:45:58.480 --> 0:46:02.640
<v Speaker 1>can we do to combat the reep of tech and surveillance? Uh? Well,

0:46:02.680 --> 0:46:04.960
<v Speaker 1>I think one thing is that we can just I mean,

0:46:05.400 --> 0:46:08.360
<v Speaker 1>it takes a lot of work to do it in

0:46:08.400 --> 0:46:11.920
<v Speaker 1>some ways, but just think about what we're opting into,

0:46:12.080 --> 0:46:14.480
<v Speaker 1>right And because I think the other thing that I

0:46:14.480 --> 0:46:17.000
<v Speaker 1>think is scary along with deep fix is what helped

0:46:17.120 --> 0:46:20.200
<v Speaker 1>enabled deep fix to begin with, which is like all

0:46:20.280 --> 0:46:22.359
<v Speaker 1>of that data that it took to be able to

0:46:22.440 --> 0:46:25.400
<v Speaker 1>be able to create the models that allows allows you

0:46:25.440 --> 0:46:28.840
<v Speaker 1>to generate a video, right, and that comes from you know,

0:46:29.719 --> 0:46:31.680
<v Speaker 1>every time we send a selfie and post it on

0:46:31.760 --> 0:46:36.239
<v Speaker 1>Instagram or um ring. I think is also really problematic.

0:46:36.239 --> 0:46:39.520
<v Speaker 1>I think the thing that's scary is we've also started

0:46:39.760 --> 0:46:43.680
<v Speaker 1>to be sold all of these consumer products and experiences

0:46:43.719 --> 0:46:47.839
<v Speaker 1>that are the underlying like intention is to harvest as

0:46:47.880 --> 0:46:50.479
<v Speaker 1>much data as possible, but like we've been tricked into

0:46:50.520 --> 0:46:53.560
<v Speaker 1>not seeing that part. I have a question to you,

0:46:53.880 --> 0:46:57.399
<v Speaker 1>what related to this? Am I crazy when I um

0:46:57.680 --> 0:47:00.040
<v Speaker 1>yell at my friend because she is going to in

0:47:00.160 --> 0:47:03.239
<v Speaker 1>up for Google Fi? No, You're not crazy? At all

0:47:04.040 --> 0:47:07.120
<v Speaker 1>that that seems like a really bad ideas. I don't

0:47:07.120 --> 0:47:10.440
<v Speaker 1>know what this is either. Oh, it's it's it's Google's

0:47:10.760 --> 0:47:16.279
<v Speaker 1>uh cell service and internet service. So do you think

0:47:16.320 --> 0:47:21.080
<v Speaker 1>we can get off of technology completely before it ruins

0:47:21.600 --> 0:47:25.240
<v Speaker 1>there was left of the world. Yeah. I mean it's

0:47:25.280 --> 0:47:27.000
<v Speaker 1>interesting because in the past year I've been trying to

0:47:27.000 --> 0:47:28.640
<v Speaker 1>do that in as many ways as I could. I

0:47:28.680 --> 0:47:31.799
<v Speaker 1>was just telling tests before this that I, as a

0:47:31.840 --> 0:47:34.760
<v Speaker 1>person that loves consuming pop culture and all kinds of media,

0:47:34.800 --> 0:47:37.440
<v Speaker 1>in the past years, like tried to opt out of

0:47:37.480 --> 0:47:40.279
<v Speaker 1>as much streaming as possible, as much social media, just

0:47:40.320 --> 0:47:42.839
<v Speaker 1>as an exercise to do it, and it I think

0:47:42.920 --> 0:47:44.600
<v Speaker 1>one of the things that was so terrifying to me

0:47:44.680 --> 0:47:47.080
<v Speaker 1>is I was like, what will I do with all

0:47:47.120 --> 0:47:49.759
<v Speaker 1>of my time in the silence? How will I listen

0:47:49.800 --> 0:47:52.880
<v Speaker 1>to music? And the other day I was like, I

0:47:52.920 --> 0:47:56.360
<v Speaker 1>was listening to an analog radio set pumping through analog

0:47:56.400 --> 0:47:58.840
<v Speaker 1>speakers of my room. Bate was like, where is the

0:47:59.000 --> 0:48:05.200
<v Speaker 1>sound coming from? I was like, and FM frequency? It

0:48:05.280 --> 0:48:07.480
<v Speaker 1>was kind it is. It was like nice to you know,

0:48:07.600 --> 0:48:09.520
<v Speaker 1>have someone else like here in an experience and hear

0:48:09.560 --> 0:48:11.920
<v Speaker 1>the news. So I think like part of it is

0:48:11.960 --> 0:48:15.200
<v Speaker 1>just like also taking stuff and being like, well, do

0:48:15.239 --> 0:48:17.560
<v Speaker 1>we need all of these things at the rates that

0:48:17.600 --> 0:48:21.000
<v Speaker 1>they're coming at us? And I think one thing that

0:48:22.000 --> 0:48:24.640
<v Speaker 1>like if it if something feels like it's really cheap

0:48:24.719 --> 0:48:27.880
<v Speaker 1>or free for the service that's providing you, likely what's

0:48:27.880 --> 0:48:30.680
<v Speaker 1>happening is that it's they're not making money off of

0:48:30.680 --> 0:48:32.839
<v Speaker 1>what you're paying them. They're making money off of your data.

0:48:33.000 --> 0:48:35.600
<v Speaker 1>Who you are, You're the product. Yeah, I have an

0:48:35.600 --> 0:48:38.400
<v Speaker 1>inverse question for you, m as somebody who knows a

0:48:38.400 --> 0:48:40.879
<v Speaker 1>lot more about this stuff than we do. I think

0:48:41.680 --> 0:48:45.799
<v Speaker 1>I assume, uh, I think it's like very like I

0:48:45.800 --> 0:48:48.000
<v Speaker 1>think the instinct a lots just to be like cut

0:48:48.040 --> 0:48:49.960
<v Speaker 1>out all the tech, rip it out of your body,

0:48:50.040 --> 0:48:54.200
<v Speaker 1>like put on your fair day hat and completely opt

0:48:54.200 --> 0:48:57.080
<v Speaker 1>out of all things. But like for you, and I

0:48:57.120 --> 0:48:59.479
<v Speaker 1>know it's like different for everybody, So I wouldn't ask

0:48:59.520 --> 0:49:02.359
<v Speaker 1>you to say something prescriptive for anybody else, but for you, Like,

0:49:02.400 --> 0:49:05.080
<v Speaker 1>what do you think is like good positive things that

0:49:05.120 --> 0:49:06.879
<v Speaker 1>you have about like that we are able to take

0:49:06.880 --> 0:49:10.920
<v Speaker 1>advantage of and technology with technology, and like, yeah, I

0:49:10.920 --> 0:49:13.560
<v Speaker 1>mean I think that's the thing that's hard about opting

0:49:13.560 --> 0:49:16.759
<v Speaker 1>out also, right, because technology has enabled a lot of

0:49:16.800 --> 0:49:19.839
<v Speaker 1>stuff that has been great, and you know, I had

0:49:19.960 --> 0:49:22.680
<v Speaker 1>knopped out of everything. I'm still on Twitter, and I

0:49:22.840 --> 0:49:25.240
<v Speaker 1>sometimes I'm like, maybe I shouldn't be. But then sometimes

0:49:25.280 --> 0:49:27.280
<v Speaker 1>I'm like, oh, I learned a thing from a person

0:49:27.680 --> 0:49:30.040
<v Speaker 1>like halfway across the world that I don't know how

0:49:30.080 --> 0:49:32.080
<v Speaker 1>I would have come across. Also, you where I find

0:49:32.080 --> 0:49:35.160
<v Speaker 1>out all this news about the dvances and surveillance tech

0:49:35.400 --> 0:49:38.640
<v Speaker 1>and the people fighting back against it. Um, So yeah,

0:49:38.719 --> 0:49:42.160
<v Speaker 1>I think you know. The thing that I've sort of

0:49:42.200 --> 0:49:45.000
<v Speaker 1>come back to is that sort of a lot of

0:49:45.080 --> 0:49:47.799
<v Speaker 1>these technologies, I see why we gave up all our

0:49:47.880 --> 0:49:50.560
<v Speaker 1>data because we were like, oh, the promise of connection,

0:49:50.600 --> 0:49:53.359
<v Speaker 1>the promise of communication, the promise of sharing art and

0:49:53.480 --> 0:49:56.359
<v Speaker 1>ideas was like so alluring that we just were like,

0:49:56.560 --> 0:49:59.040
<v Speaker 1>whatever it takes, well, we we want to get in.

0:49:59.440 --> 0:50:03.239
<v Speaker 1>And I think to your point, I do think it's like, yeah,

0:50:03.680 --> 0:50:05.560
<v Speaker 1>I don't think we should be like those goals were bad.

0:50:05.600 --> 0:50:07.719
<v Speaker 1>Those goals were good, and we can still strive towards them.

0:50:07.719 --> 0:50:09.760
<v Speaker 1>It's just there's a way to do it without giving

0:50:09.800 --> 0:50:12.799
<v Speaker 1>all our data to like the YouTube people or whatever. Right,

0:50:12.880 --> 0:50:18.040
<v Speaker 1>And I am increasingly interested in sort of uh, this

0:50:18.120 --> 0:50:22.840
<v Speaker 1>idea of like platform cooperative ism, where UM the idea

0:50:22.880 --> 0:50:26.200
<v Speaker 1>is that rather than having you know, a platform, a

0:50:26.320 --> 0:50:30.520
<v Speaker 1>social or software platform be engineered by a bunch of

0:50:30.560 --> 0:50:34.200
<v Speaker 1>people who understand tech but making decisions for people who don't,

0:50:34.719 --> 0:50:38.719
<v Speaker 1>that there's more cooperation between the users, the people who

0:50:38.760 --> 0:50:41.879
<v Speaker 1>are performing the core labor that is generating value for

0:50:42.000 --> 0:50:46.120
<v Speaker 1>the platform UM, and that it's like less about extracting

0:50:46.200 --> 0:50:48.880
<v Speaker 1>value and more about building something that's sustainable and that

0:50:48.960 --> 0:50:51.800
<v Speaker 1>actually like serves the goals that it states. It's trying

0:50:51.840 --> 0:50:54.319
<v Speaker 1>to co op inter yet whichause I think like how

0:50:54.360 --> 0:50:56.719
<v Speaker 1>it felt when, you know, at least for people of

0:50:56.760 --> 0:50:58.880
<v Speaker 1>our generation when we started using the internet, was that

0:50:58.960 --> 0:51:02.759
<v Speaker 1>it was like kind of all exactly, it's like like

0:51:02.840 --> 0:51:05.959
<v Speaker 1>a directional like everybody was just instead of like having

0:51:06.120 --> 0:51:09.160
<v Speaker 1>one tube everybody every reason that kind of what the

0:51:09.200 --> 0:51:13.759
<v Speaker 1>Wikipedia Social Network is attempting. It feels it feels like that. Yeah,

0:51:13.800 --> 0:51:16.200
<v Speaker 1>it always feels like such a ghost town though when

0:51:16.239 --> 0:51:20.480
<v Speaker 1>it is beginning, because you already have these huge established

0:51:20.520 --> 0:51:22.799
<v Speaker 1>networks and then you want to leave, but then you're

0:51:22.840 --> 0:51:26.080
<v Speaker 1>all by yourself. We should all leave, though I do

0:51:26.320 --> 0:51:28.840
<v Speaker 1>know I would also like there to be new social

0:51:28.840 --> 0:51:32.279
<v Speaker 1>media platforms made by people that aren't bad. You know,

0:51:33.080 --> 0:51:35.719
<v Speaker 1>like I would like to post photos in a place

0:51:35.760 --> 0:51:38.080
<v Speaker 1>where it doesn't remind me that it's owned by Facebook

0:51:38.080 --> 0:51:39.880
<v Speaker 1>every time I open it. Now, that's going to make

0:51:39.920 --> 0:51:41.960
<v Speaker 1>it a lot easier to quit Instagram. I think that

0:51:42.000 --> 0:51:48.320
<v Speaker 1>they added Instagram by Facebook and they did you open it? Yeah? Updated? Um,

0:51:48.360 --> 0:51:51.399
<v Speaker 1>speaking of Instagram, do you think those Instagram filters where

0:51:51.440 --> 0:51:53.400
<v Speaker 1>it puts a thing above your head and tells you

0:51:53.440 --> 0:51:57.040
<v Speaker 1>which one you are are a psi op? Oh? Yeah, absolutely?

0:51:58.640 --> 0:52:02.200
<v Speaker 1>Those are just to map your face like a reaction space. Right,

0:52:02.920 --> 0:52:07.080
<v Speaker 1>It's not really what they're doing. I mean so I

0:52:07.160 --> 0:52:10.200
<v Speaker 1>think with a lot of this stuff, it's like whether

0:52:10.280 --> 0:52:13.040
<v Speaker 1>or not they intend to do it today, like it

0:52:13.239 --> 0:52:16.040
<v Speaker 1>actually maybe doesn't matter because if they're not trying to

0:52:16.080 --> 0:52:17.719
<v Speaker 1>do it now, they still have the data so that

0:52:17.760 --> 0:52:20.920
<v Speaker 1>they could use it for those reasons, right. Um. And

0:52:20.920 --> 0:52:24.200
<v Speaker 1>in some cases there it's not intentional and in other

0:52:24.239 --> 0:52:28.239
<v Speaker 1>cases it's Cambridge Analytica. So and I don't know, it's

0:52:28.239 --> 0:52:29.640
<v Speaker 1>like one of those places where I'm like, I don't

0:52:29.680 --> 0:52:32.960
<v Speaker 1>know how much intent madters. I think there's it? Do

0:52:33.080 --> 0:52:35.160
<v Speaker 1>think they're I mean, there's a lot of tech that

0:52:35.360 --> 0:52:38.680
<v Speaker 1>like it's just made by people who aren't thinking about it.

0:52:38.719 --> 0:52:42.200
<v Speaker 1>That I mean because working is hard in general, and

0:52:42.400 --> 0:52:44.840
<v Speaker 1>like when you're doing a thing and you can't and

0:52:44.920 --> 0:52:48.680
<v Speaker 1>like you're no one is telling you think about the

0:52:48.719 --> 0:52:51.480
<v Speaker 1>implications and like how this might hunt people but rather

0:52:51.600 --> 0:52:54.959
<v Speaker 1>like break stuff fast and like all the money, then

0:52:55.480 --> 0:52:57.400
<v Speaker 1>you're just not thinking about these things, and then you

0:52:57.480 --> 0:53:01.320
<v Speaker 1>end up in situations where like the there's a story

0:53:01.360 --> 0:53:06.600
<v Speaker 1>recently about how Amazon ring like surveillance cameras like previously

0:53:06.840 --> 0:53:10.399
<v Speaker 1>allowed UM employees to be able to like scan through

0:53:10.400 --> 0:53:12.879
<v Speaker 1>that footage, right, And I think it was probably not

0:53:13.000 --> 0:53:17.360
<v Speaker 1>intended to do that, but um, someone wasn't thinking about

0:53:17.360 --> 0:53:20.839
<v Speaker 1>privacy as like a you know, a huge important thing

0:53:20.880 --> 0:53:22.920
<v Speaker 1>when they were developing it, and so then it just

0:53:23.120 --> 0:53:28.839
<v Speaker 1>created this mechanism that other people could exploit or manipulate. Yeah, well,

0:53:29.040 --> 0:53:33.279
<v Speaker 1>thank you so much for coming on, Emma. Yeah, it's

0:53:33.320 --> 0:53:37.560
<v Speaker 1>good to have a professional expert voice about I'm just

0:53:37.880 --> 0:53:39.719
<v Speaker 1>I'm not I don't know if I'm a professional expert voice.

0:53:39.800 --> 0:53:45.480
<v Speaker 1>Well it's a professional paranoid voice. We need that. Um Yeah,

0:53:45.600 --> 0:53:47.880
<v Speaker 1>thanks so much. Where can people find you on Twitter?

0:53:47.960 --> 0:53:49.440
<v Speaker 1>For as long as you decided to stay on Twitter?

0:53:49.520 --> 0:53:53.359
<v Speaker 1>I'm on the internet on Twitter, sometimes uh, and my

0:53:53.480 --> 0:53:57.480
<v Speaker 1>handle is Emma Chew, but it's TCU instead of so

0:53:57.560 --> 0:54:01.240
<v Speaker 1>E M M A TCU, And I mostly tweet about

0:54:01.239 --> 0:54:07.839
<v Speaker 1>scary surveillance shoot, which is right up are Alton cool. Thanks, Thanks, y'all.

0:54:08.320 --> 0:54:11.680
<v Speaker 1>If you've got some thoughts about the lawnmower man, weird

0:54:11.760 --> 0:54:14.800
<v Speaker 1>c g I that gave you nightmares, or anything else,

0:54:15.160 --> 0:54:17.279
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0:54:17.440 --> 0:54:20.320
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0:54:20.400 --> 0:54:23.640
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0:54:23.719 --> 0:54:26.239
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0:54:26.320 --> 0:54:29.120
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0:54:38.760 --> 0:54:41.360
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0:54:51.880 --> 0:54:54.680
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