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Speaker 1: I am all in.

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Speaker 2: You. I am all in with Scott Patterson, an iHeartRadio podcast.

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Speaker 1: All right, break over, mugs confiscated. We're going to start

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Speaker 1: part two now about ten minutes in. Amy take us away.

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Speaker 2: Well, okay, so let's start with this scene that we

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Speaker 2: haven't gotten to.

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Speaker 3: Dissect lower life.

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Speaker 2: First of all, is sitting at the table with the

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Speaker 2: chocolate syrup and a bunch of marshmallows.

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Speaker 1: Oh my goodness, did you notice that.

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Speaker 2: I wanted it in foul? Although I'm not like I

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Speaker 2: only like milty marshmallows. But I digress.

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Speaker 1: How does that woman stay so thin? How a character

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Speaker 1: stay so thin?

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Speaker 3: Literally?

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Speaker 1: Truth, you fill up a bag with chocolate syrupf you

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Speaker 1: fill it up with marshmallows, and you just what?

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Speaker 3: So I love this scene.

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Speaker 1: That's twenty pounds for me in a bag right there,

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Speaker 1: that's twenty pounds.

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Speaker 2: She calls her parents, Richard answers, Emily gets on. Their

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Speaker 2: sort of back and forth was hilarious, and she says,

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Speaker 2: tells the news, you know what I mean, Like Christopher's

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Speaker 2: paying for Yale and they are. You feel everything from

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Speaker 2: them even though they don't say it, and only so pissed.

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Speaker 3: She eventually hangs up and Richard, you know, is just

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Speaker 3: he's so.

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Speaker 2: Disappointed and not in Loralai. He's just disappointed because he

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Speaker 2: wants to pay for school, which we talked about in

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Speaker 2: the last episode. You know, I did like that he

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Speaker 2: sort of gave her a little laugh at the end,

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Speaker 2: and there was at least it wasn't so it wasn't cold,

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Speaker 2: and he knows he's not mad at her.

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Speaker 1: Here's what should Here's what should have happened. Okay, in

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Speaker 1: the real world, what you want to have happened is

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Speaker 1: you want to have either loreal I or Rory, preferably

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Speaker 1: Rory ree Suzanne go to them and sit down and

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Speaker 1: talk about it before any decisions are made. They're angry

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Speaker 1: because the decision was made of such magnitude that could

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Speaker 1: affect Rory's future and it wasn't even a discussion. They

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Speaker 1: weren't even considered, so it is offensive they were erased,

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Speaker 1: and I doubt that is a big decision that needs

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Speaker 1: to be discussed out of respect and out of concern

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Speaker 1: for Rory's future and the future of that relationship between

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Speaker 1: those four is to pay them the respect to visit

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Speaker 1: and we have to can we need to discuss something

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Speaker 1: and then bring it up, then what do you think?

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Speaker 1: And then you know, and I took it upon ourselves

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Speaker 1: to make the decision. Well on consulting themselves.

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Speaker 2: Well, Rory did, really, I really think Rory, Yeah, that's great.

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Speaker 1: They owed them that much. If somebody's paying for your

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Speaker 1: college and then all of a sudden they say, well

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Speaker 1: we decided to go another way. That's offensive. I think

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Speaker 1: that's offensive.

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Speaker 2: Yes, I think you're right because I think they they

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Speaker 2: wanted to do it, almost negated how what they had done,

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Speaker 2: and Laura La later acknowledges it, like or even in

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Speaker 2: that phone call she says, like, she wouldn't have had

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Speaker 2: Chiltern without you, she wouldn't have gotten to Yale. She

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Speaker 2: wouldn't have had Yale, she could have been a community college.

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Speaker 4: Right, So I think that.

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Speaker 2: At first glance, you think, oh, it's money. Why do

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Speaker 2: they care, they're just saving their money. It's bigger than that,

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Speaker 2: and they wanted to do that for her so much.

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Speaker 1: Yeah, I'm changing my position on this. I said earlier

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Speaker 1: that it's her kid and it's grown right, But no,

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Speaker 1: they were owed a conversation before a decision was made

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Speaker 1: because they're they're all in on their daughter. I mean,

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Speaker 1: it's it's just just a total lack of respect.

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Speaker 4: Well that's why, that's why I made that comment about

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Speaker 4: like why wouldn't Rory just and ESCUSEI had made a

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Speaker 4: point of Rory doesn't never handle anything on her own.

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Speaker 4: But they deserve that out of respect, They deserved to know.

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Speaker 1: Yeah, they do. Anyway, all right, let's let's let's hit

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Speaker 1: the accelerator on this because uh.

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Speaker 2: So okay, so let's let's let's quickly talk about a

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Speaker 2: couple of things before we get to the iconic ending scene.

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Speaker 2: So so the you know, we've got the thing that

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Speaker 2: saves the day with the paper. I also think we

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Speaker 2: should talk just a little bit more. We've got the

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Speaker 2: big scene at the at the ice cream shop where

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Speaker 2: they're looking into the diner, those you know, all of

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Speaker 2: it's important, right, that's a very important scene. I think

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Speaker 2: we talked about it a lot in the In the

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Speaker 2: last episode, Suki comes over, so we haven't talked about

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Speaker 2: the scene. Let's talk about this really quick. Suki come

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Speaker 2: over to take paul Anka for the walk we talked about.

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Speaker 2: That's where we hear the Hey, April's gonna be here

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Speaker 2: from five to eight, So i'll see you after eight

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Speaker 2: and there's almost sort of softly snarky response.

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Speaker 3: From Lorlai, like, I guess that's what we decided, right.

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Speaker 4: Yeah, which I didn't really agree with.

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Speaker 3: Really tell me more.

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Speaker 4: Yeah, I just feel like, going back to the conversation

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Speaker 4: we had in the other episode, he deserves that time

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Speaker 4: with April, and I feel like she needs to respect

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Speaker 4: it in the same way that Luke respected she needed

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Speaker 4: her time to figure out how to get through her

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Speaker 4: relationship with Rory, and so like, I understand her being

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Speaker 4: bummed about it, but for her to be kind of snarky,

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Speaker 4: it's like, oh, like, that's what we decide, Like, you know,

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Speaker 4: that's what they decided. It felt like she felt left out,

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Speaker 4: but I don't think she should because she should understand

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Speaker 4: that he's just trying to make right in this little

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Speaker 4: girl's life.

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Speaker 3: Yep, yeah, yeah, all right.

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Speaker 2: So then we sort of on the heels of that,

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Speaker 2: have the scene this is the scene I was talking.

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Speaker 3: About in the bedroom.

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Speaker 2: So Luke is coming out of the bathroom and Laura

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Speaker 2: lies in the bed and they're talking and she's doing lotioning.

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Speaker 2: By the way, that's a whole acting thing. I see

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Speaker 2: actors just lotioning for days. It's like they need something

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Speaker 2: to do, so there and they're, no, there's no lotion.

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Speaker 1: It's it's the perfect thing to do because it doesn't

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Speaker 1: make any noise.

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Speaker 3: And there's no lotion. I'm convinced, like.

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Speaker 1: Sound apartments love the low hand lotion thing.

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Speaker 3: Yeah, they sure do.

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Speaker 2: So they talk about like she's a reader and she

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Speaker 2: knows the geometry and the whole thing. And I felt

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Speaker 2: bad for her because he's so excited and she's faking being.

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Speaker 3: Excited about it.

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Speaker 2: She's so he's so happy and she's just not a

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Speaker 2: part of it. So that was sort of what I

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Speaker 2: felt there. I wrote, Oh no, her face, Oh.

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Speaker 1: No, Well, it's called the Gilmore Girls, Luke and Laurli,

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Speaker 1: and it's not called Luke and April. It's called the.

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Speaker 2: Yeah, and they do acknowledge there, at least Luke does.

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Speaker 2: He was sort of disappointed in the town, right, And

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Speaker 2: I get that because even though I understood the gossip

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Speaker 2: and the fodder of it and the staring and is

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Speaker 2: that Luke's kid, she's a reader?

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Speaker 3: Is that Luke's kid? That's you know, all that that

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Speaker 3: happens in the ice cream shot.

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Speaker 2: If I were Luke, and I looked over and saw

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Speaker 2: the entire town looking at me through a window.

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Speaker 3: With my kid, I would be like, oh.

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Speaker 1: Man, you know that was just a death defying one

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Speaker 1: one shot, no coverage on that. It was just Kenny

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Speaker 1: set up the camera and said go. And that was

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Speaker 1: a fairly long scene. And Sally, you see how great

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Speaker 1: all those actors are, Sally, Liz, Torres, Lauren just playing

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Speaker 1: off each other and all those super fast cues and

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Speaker 1: all the comedy that was happening. You gotta you gotta

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Speaker 1: watch that a bunch of times, because one time you

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Speaker 1: key on Sally and how great and funny she is,

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Speaker 1: and then key on Liz, key on Lauren, and then

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Speaker 1: Sean comes in at the perfect time. And there are

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Speaker 1: also two guest actorsay Day players who came in and

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Speaker 1: delivered a couple of lines and they agree nerve racking

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Speaker 1: thing about it. For those actors, it's like, God, we're

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Speaker 1: gonna come in and we can't scrope. We only have

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Speaker 1: one line. That's hard to do. And they came in,

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Speaker 1: did a great job, and then Sean comes in and

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Speaker 1: delivers that fine line. There were no edits, there there

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Speaker 1: were no cuts. It was just like do it and

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Speaker 1: that's a Kenny or Tega thing that allowed the actor

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Speaker 1: to do their thing. It was fantastic.

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Speaker 2: It reminds me Great Great a dance number, so like,

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Speaker 2: it's so choreographed, it's high school musical, it's a you

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Speaker 2: know immediately it's a dance number.

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Speaker 3: Everybody knows their move and they it was good. There

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Speaker 3: was nothing not good about it.

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Speaker 2: And the fact that in my mind even right now

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Speaker 2: I watched this last night, I just see the window

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Speaker 2: and all those faces perfectly in the window, and you're like, yeah,

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Speaker 2: and you and you were really good with April in it,

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Speaker 2: and she's really good not even noticing it.

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Speaker 4: Yeah, she didn't look up and that was cool.

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Speaker 3: Just like a twelve year old would. They don't care.

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Speaker 1: But that's the kind of scene that defines Stars Hollow

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Speaker 1: and defines it for the fans and makes people just go, oh,

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Speaker 1: wish I lived there. Yeah, because they're involved and they

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Speaker 1: care every you can call them gossipy, you can call them,

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Speaker 1: you know, busy bodies, and you know, whatever you want,

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Speaker 1: but they care, and they care about Luke ultimately, and

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Speaker 1: they care about April now, they care about Lorelei. It's

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Speaker 1: it's it's a nice feeling.

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Speaker 2: Their gossip wasn't mean it was God have been talking

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Speaker 2: about it, and I would too.

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Speaker 3: I know that if that happened, I would be like,

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Speaker 3: oh my god. But it's not mean.

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Speaker 1: Caregistered, right, they care, they register it. This is a

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Speaker 1: guy we love, you know, he's you know, he's a

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Speaker 1: little cantankerous and.

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Speaker 3: First judgment, there's no judgment, it's just love. Like, oh

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Speaker 3: my gosh, this is so this is so exciting, like.

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Speaker 1: Something's happening, Something happens happening out of the ordinary energy.

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Speaker 1: There's a new energy in town.

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Speaker 2: Yeah, I chuckled. I mean even just so they're lining

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Speaker 2: up for the hot Coco. I was so like, what

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Speaker 2: are they lining up for? They get their hot coco?

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Speaker 2: And then but Bet comes in.

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Speaker 4: Like way line is like, oh here's two to god,

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Speaker 4: it's so good. Oh she's so funny, do you guys,

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Speaker 4: there's just one little thing. It's like I don't know

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Speaker 4: if you consider it a flag, but you know how

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Speaker 4: like Loreli didn't know who Anna was, and then I

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Speaker 4: blanking out her name, but what was Luke's ex girlfriend's name?

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Speaker 3: The jacket? Oh yeah, yeah, yeah, the one that everybody.

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Speaker 4: Chol, Rachel, Rachel, and everyone knew. It makes me think

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Speaker 4: like Larela has been there for a really long time,

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Speaker 4: but she doesn't know about these little things.

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Speaker 2: And Luke's I think so if you think about it,

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Speaker 2: Rory is nineteen twenty and this is at least twelve

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Speaker 2: thirteen years ago. Okay, And I don't think they moved

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Speaker 2: to Stars Hollow. I do think the math tracks. Somebody

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Speaker 2: will correct us.

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Speaker 3: Okay, they lived at the inn.

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Speaker 1: She was a Star's Hollow with a baby, with Rory

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Speaker 1: as a baby.

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Speaker 2: No, they were at the when they were at the

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Speaker 2: inn with you know, when the inn owner took them in.

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Speaker 3: They were living in that little It was a bit.

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Speaker 2: Of time before she got the house and stars Hollow.

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Speaker 1: But they're in stars But wait a minute, where was

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Speaker 1: the inn located.

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Speaker 2: Slightly on the outskirts, right, it's not quite in stars.

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Speaker 4: They were living in like the shack like they showed.

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Speaker 3: Yeah, it's not like where the dragonfly. The dragonfly is

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Speaker 3: in stars Hollow.

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Speaker 1: The other end that young Laurel I and baby Rory

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Speaker 1: were not in stars Hollow, and they didn't frequent Luke Steiner,

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Speaker 1: and they didn't.

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Speaker 4: Stars Hollow adjacent, right, Yeah, Luke hasn't known Rory since

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Speaker 4: she was a baby.

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Speaker 3: He met her leader.

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Speaker 4: Yeah, that's why I always just wonder the timeline of

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Speaker 4: like his exes that Laurel I like has no clue about.

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Speaker 3: Well, you think they would have talked about it, That's

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Speaker 3: what I mean.

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Speaker 4: Like they've been there for so long that.

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Speaker 3: You'd think that he would mention these people more, or

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Speaker 3: that she.

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Speaker 4: Was or that she would hear it from Bebet or

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Speaker 4: Patty or someone.

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Speaker 1: Right, true, true, true, true. Strange.

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Speaker 2: So now the moment that's for Colombo to figure out exactly.

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Speaker 2: So we see them at the door, and that's a

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Speaker 2: shot that we've seen it, but we don't see it

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Speaker 2: for so long. Right there at the door, it was

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Speaker 2: the first time I really noticed the gate and there's

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Speaker 2: some sort of bird looking thing on the gate or whatever,

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Speaker 2: and I thought to myself, it.

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Speaker 3: Really looks real.

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Speaker 2: That's in a studio, right, that's on a sound stage,

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Speaker 2: and lorelaire at the front door of the Gilmours and

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Speaker 2: it's actually, yeah, but.

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Speaker 3: It does look good. That was not one of those

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Speaker 3: times when I'm like this is so fake or whatever.

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Speaker 2: Now Rory is wearing she really has worn that scarf

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Speaker 2: quite a lot in this episode because she was wearing

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Speaker 2: that scarf with the big circles on it, and they're

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Speaker 2: at the door and they're sort of playing some sort

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Speaker 2: of game or some antics are going on as they're

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Speaker 2: sort of gathering themselves up to come in. They come

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Speaker 2: into the living room, Richard's on the couch reading and

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Speaker 2: Emily's painting at the yard at the pool the heat

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Speaker 2: lamps out there, and then.

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Speaker 3: We get to it.

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Speaker 2: I actually did not take notes during this because I

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Speaker 2: really wanted to enjoy the scene, so I just sat

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Speaker 2: back and watched.

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Speaker 3: It was so good, so good, the whole thing.

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Speaker 4: It was like how you said, it was like it

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Speaker 4: was choreographed. It was like a dance.

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Speaker 2: The camera, Scott, the camera, the way they shot it,

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Speaker 2: and it was so different. You immediately were like, oh,

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Speaker 2: I have to watch. So I just put my paper

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Speaker 2: down and just sat back and watched.

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Speaker 3: I laughed.

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Speaker 1: That was like watching you know, Broadway level theater. Yeah,

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Speaker 1: that was no longer television. That was a theater experience,

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Speaker 1: a live theater experience. The Kenny choreographed and it was

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Speaker 1: the results were Wow.

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Speaker 2: Yes they're fighting, then they're laughing, then they're loving.

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Speaker 3: Then they're drinking.

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Speaker 1: I mean, but it all started when you know, Emily

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Speaker 1: was heading back outside and Laurel I stood up and

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Speaker 1: forced the issue by the by the by the bar. Yeah,

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Speaker 1: And she told Richard to stop, told Emily to stop,

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Speaker 1: told Rory to stop, and they all stopped in this

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Speaker 1: formation and folded their arms with their her with their

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Speaker 1: to her, and we're gonna then we figure.

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Speaker 4: This out before that night.

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Speaker 2: And then it's just boom. It's like a big dance

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Speaker 2: words instead of music. And even the way some of

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Speaker 2: the fighting was off camera, like when we're seeing Loralai

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Speaker 2: and Richard on the couch and Emily and.

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Speaker 4: Yelling in the bag.

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Speaker 2: Yes, Emily and Rory are yelling, and then even like

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Speaker 2: Rory saying she doesn't want to quit the da ar.

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Speaker 2: I mean, even the content of the fighting was meaty content.

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Speaker 3: It was all the things that there was a lot.

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Speaker 4: In that little amount of time they kind of like

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Speaker 4: went through like a full episode of.

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Speaker 3: I Agree with You.

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Speaker 2: They addressed so many right, it wasn't sort of just fight, fight, bark, bark.

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Speaker 3: It was like actual meat. Yeah.

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Speaker 1: The thing that bothered me about it, here's the thing

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Speaker 1: that bothered me about if they went, you know, and

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Speaker 1: obviously this was discussed between Amy, Dan and Kenny. Okay, like,

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Speaker 1: we're going way off the reservation here, you know what

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Speaker 1: I mean, We're really departing from the style of this show.

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Speaker 1: Here's how I want to do it. Maybe it was

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Speaker 1: Amy's idea. I have no idea. I can't remember if

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Speaker 1: it was scripted, but something like this probably came from,

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Speaker 1: you know, maybe a collaboration between all of them, and

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Speaker 1: Kenny threw in some ideas and they had some ideas

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Speaker 1: because you know, yeah, I'll come back and directing up

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Speaker 1: another episode. But here's my vision, here's what I want

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Speaker 1: to do with this. Let me let's sit down and

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Speaker 1: talk about it, and then maybe they agreed to it.

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Speaker 1: So the only drawback in my view was the actual hostge.

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Speaker 1: It made me very uncomfortable when Emily was screaming at Rory,

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Speaker 1: when her anger was it's such a fever pitch that

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Speaker 1: she was screaming at her own granddaughter, and it just

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Speaker 1: hurt my heart a little bit. It made me very hard. Yeah, yeah,

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Speaker 1: I mean, she was getting attacked by her grandmother because

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Speaker 1: you know, they were no longer paying for their her tuition,

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Speaker 1: and I just thought, oh, man, I wish I hadn't

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Speaker 1: seen that. To me, that wasn't Gilmore Girls. It was

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Speaker 1: an interesting departure from what we know in love about

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Speaker 1: the show, and that's the risk you take for you know,

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Speaker 1: got a lot of great stuff out of it, got

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Speaker 1: a lot of great enjoyment. But I did not like

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Speaker 1: seeing her spoken to that way.

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Speaker 3: Well we've seen that before.

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Speaker 2: We saw that when they had their big fight a

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Speaker 2: few weeks ago.

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Speaker 1: Yeah, it made me sad because they said, look look

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Speaker 1: how look how low they are. Now look at this.

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Speaker 1: I mean, they love They're supposed to love their granddaughter

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Speaker 1: and support her. And the comedy all comes from all

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Speaker 1: the confusion and miscommunications and you know, family history and

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Speaker 1: all that, but it's all it's light fair. This turned

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Speaker 1: into like Who's afraid of Virginia Woolf?

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Speaker 3: Well, it's very heavy stuff.

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Speaker 1: Yeah, it's like heavy drama.

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Speaker 3: Yeah, I uh.

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Speaker 2: It had highs, it had lows, It had laughs, it

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Speaker 2: had tears and had anger.

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Speaker 3: It did ugly, but it was very real thing.

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Speaker 1: It got ugly with Paris too, and I'm like, boy this.

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Speaker 2: Yeah that I could have done without the Paris stuff

347
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Speaker 2: and just had this because the thing I took away

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Speaker 2: from it is, even when they come out at the

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Speaker 2: front door and their hair is all disheveled and it's

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Speaker 2: so probably so late at night. Right the family's back

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Speaker 2: because you can only fight like that with your family

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Speaker 2: and then be like see you next week.

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Speaker 3: And that's basically what they're saying.

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Speaker 2: They just had this huge twelve round fight ups, downs, laughs,

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Speaker 2: and the.

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Speaker 4: Next week everything, Yeah, like they were literally reinstated fright

357
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Speaker 4: night dinners, even though they're like disheveled with their hair.

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Speaker 4: I actually liked the scene with their hair and mass

359
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Speaker 4: at the end because.

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Speaker 3: It's like that's how I felt.

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Speaker 4: It was like whiplash watching that.

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Speaker 1: It was like an evening of mud wrestling.

363
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Speaker 3: Yes, but have you.

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Speaker 2: Ever had like a fight with your family and then

365
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Speaker 2: ten minutes later you're playing my god.

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Speaker 4: Yeah, like I'll I can't argument with my mom and

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Speaker 4: she'll be like, what are you all for dinner? Like

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Speaker 4: twenty minutes later, you know.

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Speaker 3: You know, like it's so it is like families.

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Speaker 2: I always think about, like, does anyone have that family

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Speaker 2: where that doesn't happen, where it's just like the Cleavers.

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Speaker 2: But for me, it's always I mean, there's always some drama,

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Speaker 2: but yet ten minutes later, everyone's like doing some wares

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Speaker 2: who's coming And You're just like, oh my god, how

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Speaker 2: do these people just ping pong like that?

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Speaker 1: But that I think there are families that don't argue,

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Speaker 1: but I think they're in Holland.

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Speaker 3: Yeah.

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00:19:43,320 --> 00:19:49,439
Speaker 1: I always imagine Scandinavians being much more better tempered. Reason.

380
00:19:49,640 --> 00:19:52,800
Speaker 2: Yeah, and even like I just even with kids, like

381
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Speaker 2: I think about my nieces, like they have just like

382
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Speaker 2: outbursts and then they say sorry and then everything's back

383
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Speaker 2: to normal. It's just like kids too. It's just the

384
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Speaker 2: nature of kids and parents. And I don't know, it

385
00:20:04,720 --> 00:20:16,440
Speaker 2: just seemed so real. But how about when they talk

386
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Speaker 2: about when they're all on the couch kind of drunky,

387
00:20:19,240 --> 00:20:25,560
Speaker 2: laughing and they rehash what Emily said to missus Huntsberger

388
00:20:26,080 --> 00:20:29,200
Speaker 2: and they redo that whole thing. Oh but then all yeah,

389
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Speaker 2: the best part of that final scene, Oh my god,

390
00:20:33,000 --> 00:20:36,399
Speaker 2: it reminded me of Frozen two. So not only was

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Speaker 2: that awesome when they recreate and talk about what Emily said,

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Speaker 2: but when Laura I recreates the scene when she came

393
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Speaker 2: over with the plan and she plays all the parts.

394
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Speaker 2: So she's sitting at the table and they and we've

395
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Speaker 2: got a plan, We're in it with you, you know, and

396
00:20:57,400 --> 00:21:00,040
Speaker 2: she reacts, redoes it and plays all the parts. It

397
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Speaker 2: totally reminds me of Frozen two when ole Off catches

398
00:21:05,080 --> 00:21:07,040
Speaker 2: you up on what happened in Frozen one. Do you

399
00:21:07,080 --> 00:21:07,920
Speaker 2: know what I'm talking about?

400
00:21:07,960 --> 00:21:09,879
Speaker 4: I know exactly what scene you're talking about where he

401
00:21:09,880 --> 00:21:12,320
Speaker 4: gives like forty five to second spiel.

402
00:21:13,400 --> 00:21:16,280
Speaker 2: So Olof goes through this whole thing where he literally

403
00:21:16,359 --> 00:21:19,399
Speaker 2: tells the whole plot of Frozen one in three minutes

404
00:21:19,400 --> 00:21:21,720
Speaker 2: and Frozen two, and that was literally what Loralai did

405
00:21:21,720 --> 00:21:23,800
Speaker 2: at the table. It's almost like we all have to

406
00:21:23,880 --> 00:21:28,280
Speaker 2: rewatch that scene as its own episode.

407
00:21:28,440 --> 00:21:32,080
Speaker 4: I did watch it twice. Just goes so much.

408
00:21:33,880 --> 00:21:36,359
Speaker 3: Anyway, ten out of ten on that scene.

409
00:21:37,320 --> 00:21:40,520
Speaker 1: No, I'm not giving out Oh you don't rip your

410
00:21:40,720 --> 00:21:43,120
Speaker 1: you don't rip up your granddaughter like that and getting

411
00:21:43,160 --> 00:21:44,199
Speaker 1: You're not getting a ten from me?

412
00:21:44,680 --> 00:21:48,720
Speaker 2: Really, so no, no, no, I'm giving the episode a

413
00:21:48,760 --> 00:21:51,200
Speaker 2: ten out of ten and that scene a ten out

414
00:21:51,240 --> 00:21:51,560
Speaker 2: of ten.

415
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Speaker 3: But now I have to think of.

416
00:21:53,560 --> 00:21:58,880
Speaker 2: What I oh, I know, ten hats with numbers on.

417
00:21:58,880 --> 00:22:03,360
Speaker 1: Him or ten numbered hats.

418
00:22:03,400 --> 00:22:05,960
Speaker 3: Ten suffered hats that I'll say ten.

419
00:22:06,080 --> 00:22:11,240
Speaker 1: With numbered designations and Tara, what is what do you?

420
00:22:11,760 --> 00:22:19,720
Speaker 4: I will give it ten Late Yale Daily Newspapers.

421
00:22:19,840 --> 00:22:24,520
Speaker 1: Okay, really two tens. I'm going to give it. I'm

422
00:22:24,600 --> 00:22:30,439
Speaker 1: going to deduct I think I'm going to deduct five tenths.

423
00:22:31,240 --> 00:22:32,840
Speaker 1: I'm going to give it a nine point five. I'm

424
00:22:32,840 --> 00:22:39,840
Speaker 1: going to deduct nine tenths for lunatic Paris and Emily

425
00:22:39,920 --> 00:22:44,800
Speaker 1: ripping her granddaughter in the the sequence, the ending sequence.

426
00:22:45,119 --> 00:22:48,280
Speaker 1: I'm going to give it nine point five straight jackets.

427
00:22:48,720 --> 00:22:52,199
Speaker 2: Oh I'm so oh, I'm so mad. Oh I know,

428
00:22:52,720 --> 00:22:55,120
Speaker 2: I say intentionally. I never write down my favorite line,

429
00:22:55,119 --> 00:22:57,160
Speaker 2: like I write down my favorite lines, but I never

430
00:22:57,280 --> 00:22:59,000
Speaker 2: call out this is my favorite line.

431
00:22:59,520 --> 00:23:03,920
Speaker 3: This was telling my favorite line. The hoots don't say

432
00:23:03,960 --> 00:23:05,560
Speaker 3: the hoots.

433
00:23:06,040 --> 00:23:08,280
Speaker 1: Don't use that word anymore. Please creepy.

434
00:23:09,680 --> 00:23:10,680
Speaker 3: Don't says.

435
00:23:12,080 --> 00:23:15,320
Speaker 4: I like when Laurel I did the little British accent

436
00:23:15,359 --> 00:23:18,800
Speaker 4: and she's like, spit spot let the corkyes.

437
00:23:20,080 --> 00:23:26,199
Speaker 1: Doing her Queen of England. Yeah, okay, so that's your

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Speaker 1: favorite line. Favorite line for me was it's between Babette's

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Speaker 1: Scotch tape line and and Laurele I calling it Hartford.

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Speaker 1: What did she call it? Hartford? Hertford Shireville. Oh here

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Speaker 1: where you standing where she was doing that whole speech.

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Speaker 1: Oh yeah, that Hartford, she called it Hartford Shireville. Anyway,

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Speaker 1: that is going to wrap it up. What is the

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Speaker 1: next episode? Please? Somebody tell me what the next episode

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Speaker 1: so we can wrap this up. For God's sake, you've

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Speaker 1: been gilmourd.

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Speaker 3: Oh, you've been Gilmore. This is you've been Gilmore.

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Speaker 2: By the way, if we hadn't already just talked about

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Speaker 2: this episode for hours on hours on hours, I would

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Speaker 2: have wanted us all to recreate this scene. So maybe

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Speaker 2: we'll do that as a special Christmas present, So stay tuned.

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Speaker 1: Maybe all right, everybody, next episode, Season six, episode fourteen,

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Speaker 1: You've been Gilmoured and I have a feeling this is

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Speaker 1: a big episode because it sounds like a famous episode

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Speaker 1: it's referred to anyway, best fans on the planet. Thank you, Tar,

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Speaker 1: Thank you Amy. Susanne had to leave us early, but

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Speaker 1: we will see her on the backside anyway. Hoping to

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Speaker 1: see you guys on the front side at our event

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Speaker 1: January seventeenth. Look on our socials for tickets, live and

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00:24:47,720 --> 00:24:53,359
Speaker 1: virtual streaming. And thanks for all the cards. Letters, Smoke

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00:24:53,440 --> 00:24:59,879
Speaker 1: signalss in the cloud flare guns, anything you're sending or seeing,

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Speaker 1: We're reading all the best. Stay safe, dot everybody off again.

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Speaker 1: Follow us on Instagram at i Am all In podcast,

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Speaker 1: and email us at Gilmore at iHeartRadio dot com.