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Speaker 1: So it's, uh, it's me, it's Little Sees, and it's

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Speaker 1: Kevin Meaney and we're all on this slack chat.

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Speaker 2: Group and and uh and Little kept keep sending me

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Speaker 2: in Kevin's photos one of those square chem ex filters

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Speaker 2: and how you're supposed to fold the thing.

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Speaker 3: And Kevin, you know, he's using all caps because he's

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Speaker 3: sort of a loud guy. Yeah, and he keeps saying,

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Speaker 3: you gotta squeeze the corners. I'm saying, no, You've got

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Speaker 3: to work out from the middle.

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Speaker 4: And yeah, and this is like, is this to make

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Speaker 4: This is for homemade soda?

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Speaker 3: Right, yeah, this is for homemade shrubberry soda.

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Speaker 4: Okay.

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Speaker 3: And he sent us a photo of the berries and

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Speaker 3: the sugar and the water and a photo of just

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Speaker 3: a bottle of bubbles. He said, so he's getting ready

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Speaker 3: to pour them all into. Obviously you have to filter

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Speaker 3: them out or else you get too much seed.

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Speaker 2: Yeah, yeah, yeah, And so anyway he winds up hurting

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Speaker 2: himself pretty bad.

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Speaker 4: Hey, welcome to Hollywood Handbook and Insider's Guide to kicking

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Speaker 4: button dropping names in the red carpet lineback hallways of

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Speaker 4: this in the story, we call show this, and that's

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Speaker 4: a little delay. I'm in New York still, and I

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Speaker 4: have never really explained why have I talked about why

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Speaker 4: I've been here? Have I said that yet?

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Speaker 3: Sehn Oh, I don't think you did explain it.

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Speaker 4: It's for what we're doing today, because what we do

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Speaker 4: on the show is a lot. We We started the

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Speaker 4: show to help people, especially with their careers, but not

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Speaker 4: just their careers, but like their personal lives as well.

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Speaker 4: People who are most in need can sort of like

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Speaker 4: listen to us and maybe use our example and the

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Speaker 4: examples of our friends who have been so successful in

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Speaker 4: their own lives to fix themselves. I came here to

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Speaker 4: help somebody who is probably the most in need of

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Speaker 4: any of our listeners. He has fallen on very hard times.

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Speaker 4: He has tried to destroy the show multiple times. But

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Speaker 4: that's behind it. It's those efforts have been so unsuccessful

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Speaker 4: that they're very easy to forgive. And so what I've

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Speaker 4: been doing here, yeah is no go ahead Sean No.

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Speaker 3: I mean yeah, it is very easy to forgive. First

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Speaker 3: of all, I love my haters. I wake up every

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Speaker 3: day so motivated by the haters out there inspire me.

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Speaker 3: And this guy's it's like kind of a really fun

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Speaker 3: version of one of our haters where you're able to

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Speaker 3: put a face in the name. And also his efforts

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Speaker 3: are so weak to destroy it that you almost wonder

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Speaker 3: if he loves the show so much that he's kind

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Speaker 3: of just having a goose.

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Speaker 4: He wants to make the show stronger.

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Speaker 3: You can't seriously be trying, you know.

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Speaker 4: And so so obviously, I mean, you know who it is.

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Speaker 4: It's Tom Sharpling. Is Thom is here in the New

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Speaker 4: York studios.

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Speaker 5: How's it going, Sean.

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Speaker 4: I got a call from a listener a few weeks ago,

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Speaker 4: shortly after we did the episode where you and Julie

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Speaker 4: came on and saying that you were gonna you had

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Speaker 4: sold the movie rights to our podcast and you were

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Speaker 4: stealing for yourself. I got a call that somebody had

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Speaker 4: seen Tom floating on his back in the Hudson River,

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Speaker 4: clearly alive, fully fully clothed. Yeah, and but like having

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Speaker 4: a conversation, wearing it like a piece of seaweed is

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Speaker 4: like a bluetooth sure headset.

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Speaker 5: Yeah, No, I can explain that. Okay, I was working,

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Speaker 5: because look, I if you're going to be in this business,

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Speaker 5: you just do it for the work. That's what I

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Speaker 5: do it for the work. The money find You've chase excellence,

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Speaker 5: and money find chases you, is what I say. With

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Speaker 5: this this field, I find myself blessed enough to be in.

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Speaker 5: And I had been a part of optioning and developing

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Speaker 5: the Hollywood Handbook movie and it actually, I honestly can't

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Speaker 5: think of a way it could have gone better. The

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Speaker 5: movie is great, and everybody would it was great. It

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Speaker 5: doesn't it doesn't currently exist anymore, I guess anymore. It

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Speaker 5: doesn't exist. It just doesn't exist. It did exist, and

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Speaker 5: it was really good. And we're just really trying to

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Speaker 5: get these these drives if you form it at them incorrectly,

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Speaker 5: it's really tricky with these things like there's like Doss

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Speaker 5: fat when you like partition a new hard drive and.

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Speaker 4: You had it in the Yeah, in the can.

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Speaker 5: Basically to be very careful with that. I'm finding out

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Speaker 5: what was on it. The movie was shot, the whole

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Speaker 5: finished movie.

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Speaker 4: Yeah, And then did they get like, can I ask

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Speaker 4: did they get wet?

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Speaker 5: They they did get wet. That's not what the problem was.

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Speaker 5: Initially they were. I was wet when I was wet.

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Speaker 5: When I tried to fix them, go ahead.

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Speaker 3: Try to draw off the wet and that's with some

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Speaker 3: form of fire I was trying.

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Speaker 5: I was cold also because I was so wet. The

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Speaker 5: first of all. Let me let me back up on

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Speaker 5: the wet thing. I'd look at work is work, you

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Speaker 5: know what I mean, Like the way a guy like

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Speaker 5: Michael Caine, he'll do a blockbuster one week and next

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Speaker 5: thing you know, he's doing a thing just for the money.

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Speaker 5: And I I was doing one of the Seinfeld tours, right,

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Speaker 5: I was kind of running one of those. And you

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Speaker 5: remember the episode when Kramer hit the gold.

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Speaker 4: This is a this is a tour of New York

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Speaker 4: City where people can go see shots like but like

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Speaker 4: locations where things were filmed, where seinfo was filmed. And that,

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Speaker 4: to you is the equivalent of Michael Kain doing the

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Speaker 4: Batman movies.

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Speaker 5: Work is work, brother, So I was, it is thank

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Speaker 5: you Sean. Sean gets it. So I was remember the

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Speaker 5: episode when Kramer hit the golf ball in the ran

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Speaker 5: the whales blowhole and then the whale they had to.

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Speaker 3: I was angry. Was angry that day.

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Speaker 5: Yeah, So I went out there. From George, what's that said?

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Speaker 4: From George? From George, that's what he says? A quote

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Speaker 4: he says, he says.

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Speaker 5: From whoever, Yes, So I was showing everybody because it's

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Speaker 5: a dual thing. It's where Sully Sullenberger landed the plane

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Speaker 5: and where Kramer hit the golf ball into the whales blowhole,

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Speaker 5: and then the what's that now?

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Speaker 4: Costanza, that's the last name of the person who said.

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Speaker 5: But I think Sean at this point, with all due respective,

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Speaker 5: if we're talking about Seinfeld, then you say, George, we

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Speaker 5: know you mean.

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Speaker 4: Well, you're a tour guy. You're a Seinfeld tour guy.

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Speaker 2: Okay.

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Speaker 4: You can't assume that everyone else knows all this is

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Speaker 4: your job.

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Speaker 5: So I have to assume that this is like a

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Speaker 5: guy who is maybe watching his first Seinfeld on the tour.

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Speaker 4: Well, Sean's not You're not giving the tour right now.

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Speaker 5: I get it's very hard to tell the difference. Sometimes

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Speaker 5: I did so many of those tours and.

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Speaker 3: The pop.

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Speaker 5: Mm hmmm, yeah that was yes, that's right, and if

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Speaker 5: Bob second, yep, Okay.

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Speaker 4: So what happened with the drive.

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Speaker 5: Basically, it was a very surly group on the tour,

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Speaker 5: and they pushed me into the Hudson and part of

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Speaker 5: me just decided to I was gonna go back and

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Speaker 5: fight them, and then another part of me just decided

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Speaker 5: to just like just float there, and I guess that's

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Speaker 5: when somebody must have seen me. But then I went

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Speaker 5: home wet, and I was gonna Elaine, Yes, that's another

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Speaker 5: character on seinfeldt and.

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Speaker 4: Uh, I think last name is pronounced Benus. If he

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Speaker 4: says that, I'll just I'll.

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Speaker 5: Let that go. I was going to watch the movie

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Speaker 5: to cheer myself up and kind of remind me why

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Speaker 5: I'm in this business in the first place. And then

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Speaker 5: uh huh, yeah, being Eleen Elaine benis. See by this

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Speaker 5: point I would have given you a sticker on the

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Speaker 5: tour because you've you've kind of gone so far above

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Speaker 5: and beyond everyone else knowing knowing your seinfeld trivia.

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Speaker 4: Okay, but we have a gat, you know, we want

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Speaker 4: to get to so.

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Speaker 5: You get I'm sorry, So I get home, put the movie.

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Speaker 5: You try to fire the movie up on the drive,

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Speaker 5: and then the disc the hard drive is just doing

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Speaker 5: that yeah, where you can just hear it's going. It's

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Speaker 5: not because you're soaking well, no, it's I didn't. So

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Speaker 5: at that point, I'm just like, what is up with

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Speaker 5: this thing?

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Speaker 4: Yeah?

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Speaker 5: I get my my little screwdriver out and the drip

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Speaker 5: onto the thing. Admittedly I should probably should have dried

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Speaker 5: off before I tried to.

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Speaker 4: Can I say when you say home, when you say

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Speaker 4: you get home? It was the it's the train, it's

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Speaker 4: the train yard, the train yard. So you did manage

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Speaker 4: to get a new abandoned train car to live in.

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Speaker 5: It's pretty good, guy, it's the yeah, the soup guy.

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Speaker 5: So it's pretty good. Would you like another sticker?

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Speaker 4: Sir? You're not you're not on the tour. We're in

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Speaker 4: the studio where so okay, So let's suffice it to

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Speaker 4: say this movie is not happening.

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Speaker 5: If anybody listening to this knows how to repartition of

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Speaker 5: disc drive.

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Speaker 4: That's not.

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Speaker 5: That's okay, that's not because that's what part of why

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Speaker 5: I came here.

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Speaker 4: We're not doing this looking.

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Speaker 5: For a tech.

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Speaker 4: What we've what's part of what I came here to do.

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Speaker 4: Tom has been submitting jokes for the show. We have

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Speaker 4: a submission program for the show where people can fax

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Speaker 4: in jokes because we have we write the scripts ahead

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Speaker 4: of time, and a lot of it is ours when

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Speaker 4: we have like a small staff, but it's also supplemented

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Speaker 4: by jokes that contributor send in, and it can be

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Speaker 4: sort of a training program for somebody to eventually become

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Speaker 4: a staff member on the show if it goes really well.

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Speaker 4: And so Tom has been submitting jokes.

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Speaker 5: Yeah. Look, I mean some people would say at one

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Speaker 5: point I was a lock for third chair, maybe even

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Speaker 5: second chair on this show. And but there is no

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Speaker 5: ladder at it, you know what I mean? Could I

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Speaker 5: have replaced Sean? I think so?

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Speaker 4: And is not the attitude that we're approaching, There's no differ,

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Speaker 4: it's no. It's one of humility and understanding the place

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Speaker 4: where we're at now, in the location where we are

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Speaker 4: and what we're doing.

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Speaker 5: Hearing a few of them, what's that? Yeah, that's Jerry's

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Speaker 5: rival Newman? Who is his Newman's job? Is anybody.

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Speaker 3: Jake Peterman?

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Speaker 5: No? Newman is not Jay Peterman. Anybody know what Newman

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Speaker 5: does for a living? Anyone?

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Speaker 3: George George?

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Speaker 5: No, George is not Newman or j Peter. Oh, it's already.

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Speaker 4: So so let's let's get into what we actually want

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Speaker 4: to do here today for Tom, because we uh like

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Speaker 4: we have get transparency on the show. By helping Tom,

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Speaker 4: we hope he can help other people as well, and

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Speaker 4: especially when it comes to the Joke Contributor program. This

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Speaker 4: can help everybody because.

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Speaker 5: I could use some help because we're going to play.

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Speaker 4: Clips that of jokes that we have done on the

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Speaker 4: last few shows that were submissions by Tom, and we're

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Speaker 4: going to do a live critique. And it's not just

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Speaker 4: us doing this. We like combining our desperate friends who

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Speaker 4: need the people out there who need help with people

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Speaker 4: out there that are doing exceedingly well and are in

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Speaker 4: a position to help them. So we've brought Sharon Horgan

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Speaker 4: here today, who's a comedian. She famous for catastrophe. It's

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Speaker 4: on your computer? How do they find how do they

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Speaker 4: find catastrophe on the computer?

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Speaker 6: What time does this finish?

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Speaker 4: Because you said we are getting a slow start. We

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Speaker 4: are getting a slow start because and I you know,

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Speaker 4: Tom had this story that he wanted to tell I tried.

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Speaker 4: I don't know how much longer it would have been

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Speaker 4: if I hadn't stopped it.

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Speaker 6: But he told me that story on the way over,

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Speaker 6: so I knew all that.

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Speaker 4: Right. Uh, this this shows you, I think, what we're

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Speaker 4: dealing with in terms of like the kind of help,

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Speaker 4: because you say, you know, this.

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Speaker 6: Is like I can't get that filmmate though.

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Speaker 4: No, and that's not the charity work that we're asking

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Speaker 4: you to do.

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Speaker 7: And I don't make sense.

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Speaker 3: Does it make sense that Sharon knows the whole story

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Speaker 3: and I don't. It is not got to confuse the listeners.

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Speaker 4: Well, it was just on the way over here that

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Speaker 4: Tom was that Tom was was talking about it. Tom

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Speaker 4: was riding, Uh, Tom sort of was. We didn't have

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Speaker 4: much room in the car and Tom was riding in

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Speaker 4: the trunk. But it was one of those cars where

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Speaker 4: you can poke your head through the through the back.

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Speaker 3: Seat, through the.

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Speaker 1: Middle.

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Speaker 4: Yeah.

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Speaker 5: Because it was because of me actually legally that they

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Speaker 5: have to have that lead that switch you pulled down

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Speaker 5: that the get you out of a trunk. I was

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Speaker 5: the reason that that's a legal requirement in a new car.

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Speaker 4: That's how you That's was your career at what Boyt.

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Speaker 4: There's a guy who gets locked in cars, in the

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Speaker 4: trunks of cars and Susan I found myself. Yeah.

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Speaker 5: It was kind of like the uh the woman burning

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Speaker 5: herself at the McDonald's on the hot coffee, but for cars. Yeah.

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Speaker 4: Yeah, to reform uh so share Sharon, You're here to

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Speaker 4: do community service essentially, I mean, well, you you said

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Speaker 4: that you need to do some community service and this

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Speaker 4: like sort of counts against that for you.

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Speaker 6: Yeah, I mean I like to help people.

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Speaker 5: Well, I appreciate it first of all because I look

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Speaker 5: up to you because you are like a joke machine

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Speaker 5: and I just want to get these jokes right. And

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Speaker 5: any help I can get Ms Horgan to help me

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Speaker 5: with these jokes, I'm gonna take it.

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Speaker 6: Well, I'll have a listen. Where are they?

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Speaker 4: Do you have any just like blanket advice about jokes

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Speaker 4: that that you like to tell when people ask you

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Speaker 4: like how do I do the best joke?

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Speaker 6: Well, you know, I mean words, words are good, but

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Speaker 6: that doesn't always have to be words. That's when people

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Speaker 6: got confused. It can be visual.

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Speaker 5: Or not.

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Speaker 6: It could be neither visual nor ourrol. It could just

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Speaker 6: be it could just.

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Speaker 4: Yeah, what is the alternative.

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Speaker 6: Mime?

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Speaker 4: Oh okay, like a mime without any visual component.

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Speaker 5: Just a talking mime, right.

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Speaker 7: Yes, yes, yes, clarity Because Tom did say like that

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Speaker 7: she was a joke machine, and I have been called

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Speaker 7: that before, But what.

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Speaker 3: I realized was they meant that I was like a

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Speaker 3: machine that is in a joke. I guess there's a

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Speaker 3: famous joke about a milking machine that like tugs on

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Speaker 3: a guy the laying venis and and I didn't realize that.

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Speaker 1: So when you say joke machine, do you mean a.

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Speaker 3: Machine that makes jokes or a machine that lives inside

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Speaker 3: a joke?

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Speaker 5: I was probably talking about more of a machine that

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Speaker 5: generates jokes more than a machine that yank's off people

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Speaker 5: at farmhouses.

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Speaker 4: It was Yeah, it was a guy visiting the farmhouse

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Speaker 4: his car broke down. Yeah, I mean we could, right,

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Speaker 4: we could. I don't know if it would help to

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Speaker 4: tell the joke machine.

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Speaker 3: I'm not that kind of joke machine.

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Speaker 4: Where I know the whole joke, you only know your

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Speaker 4: part of it.

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Speaker 3: I don't want like the machine in the joke.

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Speaker 5: Yeah, okay, I didn't mean that kind of joke. I

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Speaker 5: just meant the kind of machine that would generate jokes.

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Speaker 4: So let's let's let's get into let's play some of

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Speaker 4: these clips. Let's play like some and Sharon can listen

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Speaker 4: to them, and we can talk about the jokes and

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Speaker 4: maybe ways we can improve them, and maybe you know

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Speaker 4: next steps for you and and all that. So John, engineer, John,

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Speaker 4: do you have Do you have the first clip? And

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Speaker 4: the thumbs up like it. It seems very dismissive when

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Speaker 4: you do it like that, when you just do the

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Speaker 4: thumbs up. Yeah, do two thumbs and say I'd love to.

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Speaker 4: If I say, like, can you play the clip, you

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Speaker 4: say I love to, I'd love to.

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Speaker 8: Okay, what a triumph for John Fevreaux. Good on you, John.

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Speaker 4: Yes. Uh Also here did you also hear that Brett

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Speaker 4: was in the Jungle Book and he was playing one

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Speaker 4: of the apes and he had to shave for the part.

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Speaker 7: You had a shame.

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Speaker 4: He's naturally more should So that was my yeah. So so,

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Speaker 4: so that was a conversation we were having abaud the

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Speaker 4: Jungle Book, and we had we had put out a

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Speaker 4: call for Jungle Book jokes specifically.

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Speaker 5: And I sent in about eighty of them.

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Speaker 4: You sent it eighty jokes, uh and and this one.

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Speaker 4: Uh so the idea of the joke, like, maybe you

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Speaker 4: can explain the concept behind this, this jungle Book joke

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Speaker 4: at the cost of our engineer, engineer Brett. Go ahead, Sean,

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Speaker 4: I'd love to get it. Yeah.

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Speaker 3: Yeah, just I'd want to hear the concept because I

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Speaker 3: had never really wrapped my head around this one.

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Speaker 5: I thought I had. I thought I had you on

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Speaker 5: that one, because both of you guys were crack cracking

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Speaker 5: up so much at the joke, so you got that.

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Speaker 4: Was written in that you wrote that into the laft.

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Speaker 5: I did, right, I wrote, Sean laughs. Hayes laughs. Sean says,

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Speaker 5: ooh whoo, who oh. I can't And look, I don't

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Speaker 5: want to get two inside baseball when I'm coming up

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Speaker 5: with jokes. But I was like, if I'm gonna make

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Speaker 5: a Jungle Book joke, I was like, Brett the guy,

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Speaker 5: Engineer Brett is a he's like a clown, like a

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Speaker 5: yeah right, yeah, And I was like, let's turn this

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Speaker 5: Jungle Book joke not just about the Jungle Book. Let's

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Speaker 5: let's it's like, how can what's a good joke to

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Speaker 5: make fun of Engineer Brett in the in the courses?

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Speaker 5: So it's like, he looks like a dumb ape. So

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Speaker 5: let's say he's so ape like that for him to

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Speaker 5: make the cut for a movie basically about I didn't

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Speaker 5: see the movie. I just want to say, also, I

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Speaker 5: didn't see it. I saw the poster.

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Speaker 4: Right, so you're disassuming that it has the apes and whatnot. Okay,

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Speaker 4: well that okay, well that's something I'm gonna have to

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Speaker 4: know because I haven't seen it either, And that's something

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Speaker 4: that could be very embarrassing for us if I'm making

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Speaker 4: a joke. That's like engineer Brett had to shave to

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Speaker 4: play an ape in the Jungle Book. If there are

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Speaker 4: no apes, then I'm the one that has to hear

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Speaker 4: about that.

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Speaker 5: Sure, that's a fair, fair point.

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Speaker 4: I was.

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Speaker 5: I would have bet the farm that there were apes

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Speaker 5: in the Jungle Book, and I would have won that bet.

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Speaker 5: So it's like, what if Brett was so ape like

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Speaker 5: that to be to qualify as an ape in this movie,

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Speaker 5: he had to remove some of his ape like human

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Speaker 5: hair to look like and you get it.

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Speaker 4: So so let's let's so let's throw this to Sharon,

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Speaker 4: this this Jungle Book Joe. Do you have any like

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Speaker 4: notes on the Joe, like what if this were submitted

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Speaker 4: to you for for catastrophe?

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Speaker 6: Well, I think first of all, it just I didn't

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Speaker 6: find it funny.

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Speaker 5: Oh okay, okay.

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Speaker 6: But secondly it's but that's okay. I mean, jokes can

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Speaker 6: be not funny, we know that, yeah, But Brett the engineer,

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Speaker 6: who else knows he's Harry.

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Speaker 4: I mean it feels very well, he's not that hairy, So.

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Speaker 6: It doesn't even work on that level. It's not observational,

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Speaker 6: it's surreal. And also just the main thing is I

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Speaker 6: didn't find it funny. But what were the other seventy nine.

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Speaker 5: A lot of them had to do more with like

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Speaker 5: other jungle animals, right, I.

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Speaker 6: Know there are people who work on this show.

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Speaker 5: Yeah, kind of like saying that, like Engineer Cody looks

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Speaker 5: like a and to be honest, I'll say this, I

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Speaker 5: was getting animals wrong that are not in the jungle, right.

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Speaker 4: And also can I also say also describing some of

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Speaker 4: the animals confusingly as if you didn't necessarily know what

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Speaker 4: the animal looked like, that you were trying to make

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Speaker 4: a joke about it.

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Speaker 5: The second one, the one I thought you guys were

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Speaker 5: gonna go with, was when I said Engineer Cody stinks

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Speaker 5: like a jungle skunk. And then I guess subsequent there

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Speaker 5: are no skunks in the jungle. But and well, I mean.

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Speaker 6: If I could just jump in there, I think, Tom,

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Speaker 6: you have to write about what you know, okay, and

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Speaker 6: if you haven't seen the movie, don't make jokes about it, okay.

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Speaker 5: Okay, So that's strike one, as I should have seen the.

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Speaker 6: Movie, because there might have been a jungle skunk not

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Speaker 6: like your every day There could be a type of

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Speaker 6: animal that has a similar you.

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Speaker 4: Know, sure yeah swings.

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Speaker 6: It could be there could be an animal in there

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Speaker 6: that stinks, and you could have compared who's.

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Speaker 5: The guy, sure, engineer Cody.

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Speaker 6: Engineer Cody to that animal. I think he's just about

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Speaker 6: doing the research do in your home work.

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Speaker 4: That's good. Just a google smelly jungle animal.

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Speaker 5: Yeah, I should have.

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Speaker 3: Can I jump in just with a note about a

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Speaker 3: lot of the jokes that Tom did submit that are

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Speaker 3: not in this realm.

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Speaker 4: Oh yeah, yeah, yeah, yes, I know what you're going

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Speaker 4: to say. I'm glad you're saying this go ahead.

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Speaker 3: There was a fair number of jokes about animals, but

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Speaker 3: a lot of it was also just information about the

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Speaker 3: Project for the New American Century of p NAC, which

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Speaker 3: was like a right wing government think tank that shortly

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Speaker 3: before nine to eleven said that, you know, America would

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Speaker 3: need a new Pearl Harbor in order to engage in

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Speaker 3: the sort of wars abroad for these oil fields. And

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Speaker 3: he wanted me to google Georgia guidestones. He wanted me

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Speaker 3: to google USS Liberty and a lot of those I

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Speaker 3: wasn't really finding humorous, and I wonder if I just

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Speaker 3: don't get it, or Thom if there's an angle that

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Speaker 3: I'm missing.

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Speaker 5: Well, Sean, I think there's different types of jokes, and

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Speaker 5: some of them are dark jokes and some are fun jokes.

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Speaker 5: And I was just saying, like, what if I kind

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Speaker 5: of put a twist because Hollywood Handbook is generally like

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Speaker 5: a celebratory show, and the jokes are about movies and

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Speaker 5: TV shows. This stuff from the toy if if if

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Speaker 5: Life is a department store, guys were in the toy aisle. Yeah, right,

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Speaker 5: That's how I like to think of it. So I

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Speaker 5: was like, what if what if I took us over

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Speaker 5: to like the automotive aisle or boys clothes or something whatever.

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Speaker 4: Is to you it because a lot of these were

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Speaker 4: yes nine to eleven conspiracy theories, and I just said

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Speaker 4: to you, as the boys clothes aisle, that's.

443
00:24:37,000 --> 00:24:40,720
Speaker 3: With another joke that you had, and that was that

444
00:24:40,840 --> 00:24:43,520
Speaker 3: was really upsetting, that would.

445
00:24:43,320 --> 00:24:46,120
Speaker 5: Look to be fair. That was when you guys said

446
00:24:46,160 --> 00:24:49,680
Speaker 5: there was a good chance you were going to have uh,

447
00:24:49,880 --> 00:24:53,760
Speaker 5: Michael Jackson's manager on uh that would have been.

448
00:24:53,680 --> 00:24:55,479
Speaker 4: The worst person to do it.

449
00:24:55,520 --> 00:24:58,560
Speaker 5: For but that's gotcha humor, and I was looking to

450
00:24:58,560 --> 00:25:00,760
Speaker 5: get some guys. That's one thing. I I was also

451
00:25:00,760 --> 00:25:03,159
Speaker 5: trying to figure what what voids are there in the

452
00:25:03,200 --> 00:25:05,080
Speaker 5: Hollywood hamboock thing. And you guys don't do a whole

453
00:25:05,080 --> 00:25:07,920
Speaker 5: lot of gotcha humor, right, you know? You know what

454
00:25:07,960 --> 00:25:10,679
Speaker 5: I mean? A gotcha kind of joke, Sharon, where it's

455
00:25:10,760 --> 00:25:12,160
Speaker 5: just like it hurts something.

456
00:25:12,440 --> 00:25:14,320
Speaker 4: I said that I didn't know, but I actually don't.

457
00:25:14,160 --> 00:25:17,359
Speaker 5: Where you go. Like like if say, you're Michael Jackson's

458
00:25:17,400 --> 00:25:19,680
Speaker 5: manager and I'll be Sean.

459
00:25:19,400 --> 00:25:20,680
Speaker 3: And Michael Jacksons manager.

460
00:25:20,880 --> 00:25:25,520
Speaker 4: Okay, wait, who is Sean thinks you were asking him

461
00:25:25,520 --> 00:25:26,640
Speaker 4: to be Michael Jackson's manager.

462
00:25:26,680 --> 00:25:28,600
Speaker 5: Okay, Sewan, you're Michael Jackson's manager.

463
00:25:28,680 --> 00:25:29,359
Speaker 4: Well who's Sharon?

464
00:25:29,440 --> 00:25:31,479
Speaker 5: Okay, Sharon is is?

465
00:25:31,680 --> 00:25:32,440
Speaker 6: I'll just observe.

466
00:25:33,840 --> 00:25:35,200
Speaker 4: She's gotta be somebody.

467
00:25:35,240 --> 00:25:38,520
Speaker 5: You're a reporter covering this because it's pretty newsworthy that

468
00:25:38,600 --> 00:25:40,440
Speaker 5: Michael Jackson's manager is in studio.

469
00:25:42,240 --> 00:25:44,480
Speaker 3: Do you want to be Michael Jackson's marriage None?

470
00:25:45,160 --> 00:25:48,480
Speaker 6: No, no, no, you you you be Michael Jackson's manager.

471
00:25:49,240 --> 00:25:49,840
Speaker 5: So I'll be.

472
00:25:50,400 --> 00:25:53,560
Speaker 3: Angle on it, but I'm open to whatever.

473
00:25:53,840 --> 00:25:54,480
Speaker 6: Yeah, good for it.

474
00:25:55,119 --> 00:25:58,520
Speaker 5: Hey, everybody, it's me. It's me, Sean Clements. We're so

475
00:25:58,600 --> 00:26:04,840
Speaker 5: excited to have Mychael Jackson's trap.

476
00:26:06,160 --> 00:26:09,040
Speaker 4: So his angle that he's playing is that Michael Jackson's

477
00:26:09,080 --> 00:26:11,800
Speaker 4: manager's arm has been kind of bear trap. And now

478
00:26:11,840 --> 00:26:15,200
Speaker 4: I guess it's over to you. How do you? How

479
00:26:15,200 --> 00:26:15,920
Speaker 4: do you react?

480
00:26:17,480 --> 00:26:19,840
Speaker 5: Hayes? Can you get that? Get you tough of him?

481
00:26:19,880 --> 00:26:21,720
Speaker 4: I guess you could tell the boys clothes half off?

482
00:26:22,680 --> 00:26:27,880
Speaker 5: Well, I'd be like, hey, uh, we're all well, we're

483
00:26:27,880 --> 00:26:30,760
Speaker 5: all so sad about the passing of your number one client.

484
00:26:31,040 --> 00:26:32,000
Speaker 1: And uh, I.

485
00:26:37,240 --> 00:26:41,720
Speaker 5: Was wondering, did you ever hear if he went to uh,

486
00:26:41,720 --> 00:26:44,600
Speaker 5: the Michael Jackson special at at a kmart.

487
00:26:48,800 --> 00:26:51,040
Speaker 3: I'm gonna have to one hundred and twenty seven hours

488
00:26:51,080 --> 00:26:53,359
Speaker 3: this so.

489
00:26:53,359 --> 00:26:56,280
Speaker 5: Boy boys pants half off?

490
00:26:58,640 --> 00:27:06,720
Speaker 4: Okay, that seems like that actually would have gone over.

491
00:27:07,560 --> 00:27:09,480
Speaker 4: I'm why we play that out because it seemed like

492
00:27:09,520 --> 00:27:12,840
Speaker 4: you did really enjoy it. Can we play Let's move?

493
00:27:12,920 --> 00:27:16,240
Speaker 4: Let's play the next clip which I think this is

494
00:27:16,240 --> 00:27:19,320
Speaker 4: from an ad read we did in the Matt Besser

495
00:27:20,200 --> 00:27:24,880
Speaker 4: episode and John, I don't know, Okay, did you would

496
00:27:24,920 --> 00:27:26,360
Speaker 4: you love to do this or do you not want

497
00:27:26,359 --> 00:27:28,040
Speaker 4: to do it at all? I'd love to I love

498
00:27:28,119 --> 00:27:32,680
Speaker 4: to great, thank you. I think the whole family, you.

499
00:27:32,640 --> 00:27:36,159
Speaker 8: Think it built strong bonds when the family cooks together, well,

500
00:27:36,560 --> 00:27:38,480
Speaker 8: like the kids get involved, they can chop up with

501
00:27:38,600 --> 00:27:39,600
Speaker 8: I'll tell you what build.

502
00:27:39,400 --> 00:27:41,880
Speaker 4: Strong bonds steroids.

503
00:27:44,640 --> 00:27:48,080
Speaker 8: Hey now heyes, Matt hates this what you're doing.

504
00:27:49,320 --> 00:27:54,760
Speaker 4: So again, so this is a joke that you submitted. Again,

505
00:27:56,040 --> 00:27:58,440
Speaker 4: you had really starred this one. You put a lot

506
00:27:58,480 --> 00:28:03,040
Speaker 4: of like stars and like drew a lot of arrows

507
00:28:03,040 --> 00:28:05,359
Speaker 4: around it like and said and wrote like do it

508
00:28:05,440 --> 00:28:06,040
Speaker 4: do this one?

509
00:28:06,520 --> 00:28:07,919
Speaker 5: Yeah? Must do Yes.

510
00:28:09,320 --> 00:28:11,159
Speaker 4: My one big note I have of this is for

511
00:28:11,200 --> 00:28:16,000
Speaker 4: you to write into the script that it fails. Is

512
00:28:16,040 --> 00:28:20,800
Speaker 4: such a strange strategy that like that the guest booze

513
00:28:20,880 --> 00:28:24,880
Speaker 4: the joke essentially, and then then you have me set

514
00:28:24,960 --> 00:28:26,199
Speaker 4: up to make a joke, and then you put in

515
00:28:26,240 --> 00:28:30,119
Speaker 4: Sean's script that that that the guest hates what I'm doing.

516
00:28:32,800 --> 00:28:36,680
Speaker 5: In my defense, that was more a bit of uh.

517
00:28:36,800 --> 00:28:40,160
Speaker 5: I like to try these different comedy styles on now, Sharon,

518
00:28:40,240 --> 00:28:42,880
Speaker 5: you do what what would you say is your comedy style?

519
00:28:43,400 --> 00:28:46,960
Speaker 5: Just so I could get some perspective when I'm learning from.

520
00:28:46,800 --> 00:28:52,880
Speaker 9: You about jokes sharp sharp, yeah, so just sharp like drill, shrill,

521
00:28:53,080 --> 00:28:58,360
Speaker 9: shrill and sharp because I was going for anti comedy

522
00:28:58,360 --> 00:29:02,400
Speaker 9: on that one, which is kind of like.

523
00:29:01,080 --> 00:29:05,400
Speaker 6: Like, anti comedy is a tricky one to pull off

524
00:29:06,840 --> 00:29:10,320
Speaker 6: because it often is just not comedy.

525
00:29:11,040 --> 00:29:12,880
Speaker 5: Yeah, it's anti comedy.

526
00:29:12,480 --> 00:29:16,160
Speaker 6: But so what kind of a response do you expect

527
00:29:16,720 --> 00:29:20,640
Speaker 6: from anti comedy? Like all that or but not?

528
00:29:22,720 --> 00:29:24,960
Speaker 4: I guess I meant would be great. I mean even

529
00:29:25,000 --> 00:29:25,800
Speaker 4: an ah.

530
00:29:25,920 --> 00:29:28,400
Speaker 5: Would be good, better than booing.

531
00:29:28,600 --> 00:29:30,280
Speaker 6: But do you want people to get angry?

532
00:29:31,120 --> 00:29:34,440
Speaker 5: I want people to think with that one ultimately.

533
00:29:34,240 --> 00:29:36,400
Speaker 4: And we should explain this to joke to sharing bright

534
00:29:36,480 --> 00:29:39,240
Speaker 4: because it's a baseball joke. You would have to essentially

535
00:29:39,240 --> 00:29:42,880
Speaker 4: translate to cricket terms for sharing, yes, exactly, So Barry Bonds,

536
00:29:43,480 --> 00:29:46,240
Speaker 4: I guess for you you would have to picture like

537
00:29:46,320 --> 00:29:51,959
Speaker 4: a really strong Indian guy who is like in like

538
00:29:52,320 --> 00:29:55,760
Speaker 4: long white pants, uh huh. And but he's like done

539
00:29:55,840 --> 00:29:57,480
Speaker 4: steroids to get really strong.

540
00:29:57,640 --> 00:29:58,760
Speaker 6: And where's the joke there?

541
00:29:59,720 --> 00:30:00,840
Speaker 4: How you got like?

542
00:30:01,480 --> 00:30:03,040
Speaker 6: Is it just a statement?

543
00:30:04,040 --> 00:30:06,360
Speaker 5: Can you give me the name of a top cricket player?

544
00:30:06,760 --> 00:30:12,800
Speaker 6: Sharon Ian Botham back in the day.

545
00:30:12,800 --> 00:30:15,520
Speaker 4: Ian Botham okay, Sean said jimminy.

546
00:30:15,520 --> 00:30:18,960
Speaker 6: Jimminy, Freddie flint Off.

547
00:30:18,840 --> 00:30:27,440
Speaker 5: Okay, Freddy flint Off perfect. So you know, uh, Freddie

548
00:30:27,480 --> 00:30:33,320
Speaker 5: flint Off is a top cricketer and do you know

549
00:30:33,360 --> 00:30:36,400
Speaker 5: what helps him build big muscles so that he can

550
00:30:36,440 --> 00:30:43,440
Speaker 5: swing that cricket bat. Steroids? And then you go and

551
00:30:43,520 --> 00:30:46,600
Speaker 5: see that didn't even get a But then you go

552
00:30:47,080 --> 00:30:51,800
Speaker 5: and this is this is the part that I probably

553
00:30:51,800 --> 00:30:53,920
Speaker 5: should have written out. I was hoping this would get

554
00:30:53,960 --> 00:30:57,480
Speaker 5: you to just go, like steroids, I mean, what is this?

555
00:30:57,920 --> 00:31:02,120
Speaker 6: Oh right, you wanted them to riff off that. Maybe

556
00:31:02,120 --> 00:31:04,880
Speaker 6: if you'd written with the Stars in the ears just.

557
00:31:04,840 --> 00:31:09,920
Speaker 5: Written anti comedy because people are shocked by the fact

558
00:31:09,960 --> 00:31:14,840
Speaker 5: that he's laying out a joke that sucks ship basically

559
00:31:15,120 --> 00:31:19,160
Speaker 5: to be fair to all of us. But then it

560
00:31:19,280 --> 00:31:22,600
Speaker 5: teased him off to just go I mean, what is this?

561
00:31:22,720 --> 00:31:24,920
Speaker 5: It's people trying to get bigger and bigger for what

562
00:31:25,040 --> 00:31:27,720
Speaker 5: so they can hit a little ball into the stands

563
00:31:27,760 --> 00:31:32,200
Speaker 5: And meanwhile billionaires are paying for the stadiums and little

564
00:31:32,280 --> 00:31:38,200
Speaker 5: kids are watching right see well yeah, politics, yeah, like

565
00:31:38,240 --> 00:31:38,920
Speaker 5: a bill more.

566
00:31:40,160 --> 00:31:41,200
Speaker 4: This is interesting stuff.

567
00:31:41,240 --> 00:31:43,080
Speaker 6: Corruption in sport.

568
00:31:43,240 --> 00:31:44,600
Speaker 4: Yeah, and it makes me worry.

569
00:31:44,920 --> 00:31:48,120
Speaker 3: Yeah, go ahead, Can I just jump in for a second,

570
00:31:48,240 --> 00:31:50,080
Speaker 3: just and I don't want to get too far away

571
00:31:50,080 --> 00:31:52,320
Speaker 3: from it. But I am sort of stuck on. We

572
00:31:52,400 --> 00:31:56,280
Speaker 3: talked a little bit about comedy style and the one

573
00:31:56,320 --> 00:31:59,200
Speaker 3: I heard, the style I heard was sharp and shrill.

574
00:31:59,280 --> 00:32:02,840
Speaker 3: But the only stunts I'm familiar with our casual forward

575
00:32:02,920 --> 00:32:03,400
Speaker 3: and mix.

576
00:32:04,720 --> 00:32:07,880
Speaker 4: Yeah, these are our for when we do adds for

577
00:32:07,960 --> 00:32:11,960
Speaker 4: five four clothing. You choose a style profile, uh, and

578
00:32:12,000 --> 00:32:14,800
Speaker 4: the words you choose from our casual forward and mix.

579
00:32:16,800 --> 00:32:21,600
Speaker 4: And Sean is confusing those style profiles with with the

580
00:32:21,640 --> 00:32:26,480
Speaker 4: comedy side with sharp shrill, and I guess anti comedy and.

581
00:32:26,480 --> 00:32:28,840
Speaker 3: I where we're going. I just want to make sure

582
00:32:28,840 --> 00:32:30,880
Speaker 3: I can wrap my head around it so like it's

583
00:32:31,360 --> 00:32:35,000
Speaker 3: it is shrill, Uh, just sort of the British analog

584
00:32:35,200 --> 00:32:37,120
Speaker 3: for let's say, forward or mix.

585
00:32:37,360 --> 00:32:38,960
Speaker 4: You would need to for Sean to understand that you

586
00:32:38,960 --> 00:32:41,640
Speaker 4: need to translate your comedy style into something that Sean

587
00:32:41,760 --> 00:32:42,680
Speaker 4: could wear.

588
00:32:45,800 --> 00:32:47,000
Speaker 6: Just a tight sweater.

589
00:32:49,240 --> 00:32:50,400
Speaker 5: Now do you feel.

590
00:32:52,400 --> 00:32:55,920
Speaker 4: M h, well should we Actually this is a good

591
00:32:55,960 --> 00:32:58,560
Speaker 4: segue into the next aye, which I believe is from

592
00:32:59,080 --> 00:33:01,360
Speaker 4: the next clip is from the same episode. The next

593
00:33:01,360 --> 00:33:03,240
Speaker 4: ad read that we did because we tried to kind

594
00:33:03,280 --> 00:33:05,640
Speaker 4: of once some other stuff wasn't working. We just put

595
00:33:05,680 --> 00:33:06,719
Speaker 4: your jokes in the ads.

596
00:33:07,200 --> 00:33:09,520
Speaker 5: Yeah, you slid me over to the ads, which usually

597
00:33:09,520 --> 00:33:12,160
Speaker 5: it goes the other way that usually you go from

598
00:33:12,200 --> 00:33:16,560
Speaker 5: the ads to the show. Yeah, and I went, I'm

599
00:33:16,560 --> 00:33:19,200
Speaker 5: going from the show to the ads.

600
00:33:19,360 --> 00:33:22,280
Speaker 4: Yeah. I think this is a clip from that ad.

601
00:33:22,320 --> 00:33:24,560
Speaker 4: But if it's not that, it'll be the next one.

602
00:33:24,720 --> 00:33:27,480
Speaker 4: And so, John, what do we say? I'd love to Okay,

603
00:33:27,880 --> 00:33:29,440
Speaker 4: just come in here. Will you come in here and

604
00:33:29,440 --> 00:33:31,720
Speaker 4: say it? Can do that? Can I? I can't hear

605
00:33:31,760 --> 00:33:32,280
Speaker 4: it when you do.

606
00:33:32,200 --> 00:33:34,040
Speaker 5: It with the engineers. And I don't mean this to

607
00:33:34,080 --> 00:33:38,200
Speaker 5: be a slight on John or anybody. This just defines

608
00:33:38,240 --> 00:33:42,000
Speaker 5: the difference between New York and Los Angeles. I just

609
00:33:42,040 --> 00:33:44,760
Speaker 5: want to say, this is a perfect example of the

610
00:33:44,760 --> 00:33:48,120
Speaker 5: difference between New York and Los Angeles. Show is there's

611
00:33:48,160 --> 00:33:51,000
Speaker 5: just such a difference between New York and Los Angeles.

612
00:33:52,120 --> 00:33:54,800
Speaker 4: You know, i'd love to Oh, it's so scary when

613
00:33:54,800 --> 00:33:57,640
Speaker 4: you disappear on the show, when you're in a different room.

614
00:33:57,720 --> 00:34:01,960
Speaker 4: It's really really really scared me, really really bad job.

615
00:34:02,240 --> 00:34:05,360
Speaker 5: It's just such a difference between New York and Los Angeles.

616
00:34:05,960 --> 00:34:09,200
Speaker 5: Take d D sleep with that, guys.

617
00:34:09,320 --> 00:34:11,920
Speaker 3: I'm gonna have to bounce in a second, just so

618
00:34:12,080 --> 00:34:15,839
Speaker 3: you know, I don't want to scare anyone. When I disappeared, John,

619
00:34:15,920 --> 00:34:17,360
Speaker 3: I tell people I'm going.

620
00:34:17,120 --> 00:34:19,759
Speaker 4: To Okay, well, let's play let's play this clip because

621
00:34:19,760 --> 00:34:21,319
Speaker 4: this is I think this is relevant to you.

622
00:34:21,400 --> 00:34:25,280
Speaker 8: Sean, Okay, I'll like to hear that there's a profile

623
00:34:25,360 --> 00:34:27,520
Speaker 8: for every guy. This is the part Hayes was getting

624
00:34:27,560 --> 00:34:30,920
Speaker 8: excited for. Is this just for guys only?

625
00:34:31,040 --> 00:34:31,480
Speaker 4: Dudes?

626
00:34:31,719 --> 00:34:34,759
Speaker 8: Why chicks can wear the same old thing every day,

627
00:34:34,800 --> 00:34:37,640
Speaker 8: but guys in this modern environment, they really got a

628
00:34:37,680 --> 00:34:39,320
Speaker 8: peacock to get the ladies.

629
00:34:39,880 --> 00:34:41,200
Speaker 4: And there's no better way.

630
00:34:41,080 --> 00:34:43,959
Speaker 8: To peacock than to get five to four.

631
00:34:44,880 --> 00:34:47,840
Speaker 4: If you're a dude who peas out your cock, I

632
00:34:47,880 --> 00:34:52,480
Speaker 4: don't know, that's terrible. So this was a joke that

633
00:34:52,600 --> 00:34:55,480
Speaker 4: Tom submitted for the ad. There's no better way to

634
00:34:55,520 --> 00:34:59,600
Speaker 4: peacock for a guy who peas out his cock. And

635
00:34:59,719 --> 00:35:02,480
Speaker 4: now you started to deliver this joke, and then you

636
00:35:03,080 --> 00:35:05,839
Speaker 4: and then you abandoned it. Can you sort of describe

637
00:35:06,400 --> 00:35:07,480
Speaker 4: what you were going through?

638
00:35:07,640 --> 00:35:09,680
Speaker 5: Was you sure?

639
00:35:09,760 --> 00:35:15,600
Speaker 3: Yeah? My experience was Tom ad giving me an envelope

640
00:35:15,880 --> 00:35:21,480
Speaker 3: mark classified. It said do not open until you're ready. Uh,

641
00:35:21,520 --> 00:35:24,040
Speaker 3: And then there's another envelope inside and it said this

642
00:35:24,080 --> 00:35:29,720
Speaker 3: one's a real hum Dinger. So everywhere anyway there fifteen

643
00:35:29,760 --> 00:35:32,960
Speaker 3: sixteen envelope, Uh, you know, to get to the joke,

644
00:35:33,600 --> 00:35:37,120
Speaker 3: and each one keeps promising something really good. So hear

645
00:35:37,200 --> 00:35:39,960
Speaker 3: me vamping a little bit in the ad, just trying

646
00:35:39,960 --> 00:35:42,880
Speaker 3: to get all the paper off, and then when I

647
00:35:43,000 --> 00:35:47,719
Speaker 3: do actually get there and go to read it, I

648
00:35:47,719 --> 00:35:50,239
Speaker 3: mean maybe it's in the delivery that I did sell

649
00:35:50,320 --> 00:35:52,239
Speaker 3: out to joke a little bit by saying this is

650
00:35:52,320 --> 00:35:53,879
Speaker 3: terrible and kind of mumbling it.

651
00:35:55,000 --> 00:35:59,120
Speaker 5: Yeah, I got it. I was not happy with that, Tom.

652
00:35:58,960 --> 00:36:03,040
Speaker 3: Yeah, and I and I understand that, but I guess

653
00:36:04,000 --> 00:36:08,120
Speaker 3: to me, the joke over promised and under delivered the

654
00:36:08,280 --> 00:36:14,160
Speaker 3: area of p and talks, Uh, that's not really our show.

655
00:36:15,480 --> 00:36:20,759
Speaker 3: Our humor is more mixed and a little casual. M

656
00:36:22,040 --> 00:36:26,520
Speaker 3: that humor is probably two forwards. And so I just

657
00:36:26,600 --> 00:36:30,520
Speaker 3: think that if you're going to say like this one

658
00:36:30,560 --> 00:36:33,120
Speaker 3: to ham Dinger, I would rather have it be in

659
00:36:33,160 --> 00:36:38,120
Speaker 3: the area of Sean being an a. I don't. We

660
00:36:38,160 --> 00:36:41,000
Speaker 3: don't love that, but Brett beat an a or anything

661
00:36:41,080 --> 00:36:41,279
Speaker 3: like that.

662
00:36:41,440 --> 00:36:43,840
Speaker 5: Go ahead, Yeah, Sean, I'm gonna just say this, and

663
00:36:43,920 --> 00:36:46,440
Speaker 5: don't take this as a criticism. You're very hard to

664
00:36:46,480 --> 00:36:49,439
Speaker 5: write for. You're very hard to write for these jokes.

665
00:36:49,440 --> 00:36:52,120
Speaker 5: When I write a joke for Hayes, like when I

666
00:36:52,200 --> 00:36:59,200
Speaker 5: wrote in a recent episode, uh say that U Bart

667
00:36:59,239 --> 00:37:03,480
Speaker 5: Simpson is related to Jessica and Ashley Simpson. Six times

668
00:37:03,920 --> 00:37:07,200
Speaker 5: he did it all six times, even if nobody was,

669
00:37:07,760 --> 00:37:10,640
Speaker 5: even if nobody was acknowledging it in the room, he

670
00:37:10,840 --> 00:37:15,400
Speaker 5: all six times he did it. And even though the

671
00:37:15,440 --> 00:37:19,719
Speaker 5: returns were diminishing at best, he kept selling it. He

672
00:37:19,840 --> 00:37:21,280
Speaker 5: did what was on the page.

673
00:37:21,400 --> 00:37:25,080
Speaker 4: I just well, you were there, like brought you there

674
00:37:25,120 --> 00:37:28,920
Speaker 4: to kind of watch, and he said, were there? Keep going?

675
00:37:29,400 --> 00:37:32,960
Speaker 5: Go go one more, one more, one more times.

676
00:37:35,000 --> 00:37:38,279
Speaker 3: The last you're looking for, you know you're looking for

677
00:37:38,280 --> 00:37:39,720
Speaker 3: is in the castle Mario.

678
00:37:40,000 --> 00:37:42,840
Speaker 5: And cause I said to him, it's like the story

679
00:37:42,880 --> 00:37:46,040
Speaker 5: of Everest. It's like the story of Everest. If you

680
00:37:46,120 --> 00:37:48,520
Speaker 5: go it's not funny, it's not funny now, But the

681
00:37:48,560 --> 00:37:52,800
Speaker 5: next time, the fourth time you say what about Bart Simpson,

682
00:37:52,880 --> 00:37:56,520
Speaker 5: it's not funny. The sixth time, they're going to lose it.

683
00:37:56,520 --> 00:37:59,520
Speaker 5: It's repetition, another thing in commony, you know, repetition.

684
00:38:00,200 --> 00:38:02,880
Speaker 6: Yeah, I use repetition. I use repetition.

685
00:38:03,600 --> 00:38:07,879
Speaker 5: I just did right there, said see that was funny.

686
00:38:07,680 --> 00:38:10,120
Speaker 6: Thank you. Maybe if you.

687
00:38:09,840 --> 00:38:10,719
Speaker 5: Can I use that?

688
00:38:11,440 --> 00:38:11,760
Speaker 6: Sure?

689
00:38:11,920 --> 00:38:17,400
Speaker 5: Can I use that way? I just did use it?

690
00:38:18,080 --> 00:38:20,240
Speaker 4: Can I just say? This makes me want to cry,

691
00:38:20,880 --> 00:38:24,440
Speaker 4: like tears of joy just watching you grow like this

692
00:38:24,520 --> 00:38:28,320
Speaker 4: before our eyes and to learn from anyway, go ahead,

693
00:38:28,680 --> 00:38:29,080
Speaker 4: you know.

694
00:38:29,040 --> 00:38:30,760
Speaker 6: I was just going to say, if it is San's

695
00:38:30,840 --> 00:38:34,480
Speaker 6: delivery that's the issue, then it would be good if

696
00:38:34,600 --> 00:38:38,919
Speaker 6: maybe you could you could deliver the piececock cock peing

697
00:38:38,960 --> 00:38:41,120
Speaker 6: out with the you know the joke I'm talking about.

698
00:38:41,440 --> 00:38:42,440
Speaker 4: How was it intended?

699
00:38:42,800 --> 00:38:42,960
Speaker 6: It?

700
00:38:43,239 --> 00:38:43,479
Speaker 3: Yeah?

701
00:38:43,800 --> 00:38:43,880
Speaker 4: Was?

702
00:38:44,000 --> 00:38:45,200
Speaker 6: Did you want him to repeat it?

703
00:38:48,800 --> 00:38:51,200
Speaker 5: Okay, well this is what the line read would have

704
00:38:51,239 --> 00:38:53,359
Speaker 5: been on that. It was like, you know, because out

705
00:38:53,360 --> 00:38:57,359
Speaker 5: here you got a peacock. Brother, you know, you're trying

706
00:38:57,400 --> 00:39:00,680
Speaker 5: to make your mark, your peacock being out at your cock.

707
00:39:02,680 --> 00:39:10,240
Speaker 6: Se if you ordered, I get it now because I didn't.

708
00:39:10,640 --> 00:39:13,799
Speaker 4: Yeah, there's almost a racial component to the character that

709
00:39:13,880 --> 00:39:16,360
Speaker 4: I didn't. It doesn't show up on the on the page.

710
00:39:16,480 --> 00:39:22,360
Speaker 5: Well I was, Sean, I was no. I was hoping

711
00:39:22,400 --> 00:39:27,319
Speaker 5: you'd tap into a character like street Man not and

712
00:39:27,400 --> 00:39:30,000
Speaker 5: it's your look. It's still you. It's not. It has

713
00:39:30,040 --> 00:39:32,160
Speaker 5: nothing to do with race or anything like that. But

714
00:39:32,200 --> 00:39:34,959
Speaker 5: you're just like because you are fancy in real life

715
00:39:35,000 --> 00:39:37,720
Speaker 5: and this would just be you like almost like prints

716
00:39:37,760 --> 00:39:41,400
Speaker 5: in the pauper style like the other Sean, Well.

717
00:39:41,360 --> 00:39:45,720
Speaker 6: If I could suggest if you sort of panhatically say

718
00:39:46,040 --> 00:39:49,399
Speaker 6: street man or jive talk, well.

719
00:39:49,280 --> 00:39:50,719
Speaker 5: I wouldn't say that, Okay.

720
00:39:51,040 --> 00:39:53,719
Speaker 6: One of those things. When you write a joke like that,

721
00:39:53,920 --> 00:39:57,360
Speaker 6: you know how you want it to be delivered. Sure, Sean,

722
00:39:57,760 --> 00:39:59,960
Speaker 6: you know he came up short on that. But maybe

723
00:40:00,080 --> 00:40:01,120
Speaker 6: you didn't give them the guidance.

724
00:40:01,760 --> 00:40:05,000
Speaker 5: You know how many more envelopes as to give them,

725
00:40:07,120 --> 00:40:07,400
Speaker 5: did you?

726
00:40:08,160 --> 00:40:09,800
Speaker 3: I do? I do have to run?

727
00:40:09,920 --> 00:40:10,799
Speaker 4: Where do you have to go?

728
00:40:11,920 --> 00:40:15,919
Speaker 3: I got to get into the filibuster right now. We're

729
00:40:16,040 --> 00:40:19,560
Speaker 3: sort of holding the floor because do you remember the

730
00:40:19,560 --> 00:40:21,520
Speaker 3: movie Turbo about the racing snail.

731
00:40:22,880 --> 00:40:24,840
Speaker 4: Yeah, yeah, yeah.

732
00:40:24,880 --> 00:40:26,920
Speaker 3: So I guess there's a bunch of people that want

733
00:40:26,960 --> 00:40:30,040
Speaker 3: to turn that movie use that footage to make sort

734
00:40:30,040 --> 00:40:34,359
Speaker 3: of a snail poor now and uh, and then there's

735
00:40:34,400 --> 00:40:36,719
Speaker 3: other people who don't want to let that happen. And

736
00:40:36,960 --> 00:40:39,279
Speaker 3: so I'm supposed to get in there as kind of

737
00:40:39,280 --> 00:40:42,520
Speaker 3: a guy who's worked in movies and who wants to

738
00:40:42,560 --> 00:40:43,560
Speaker 3: stand up for freedom?

739
00:40:43,760 --> 00:40:44,319
Speaker 5: Can I ask?

740
00:40:44,440 --> 00:40:44,520
Speaker 3: So?

741
00:40:44,760 --> 00:40:47,040
Speaker 4: Can I ask? You don't have to say what what

742
00:40:47,280 --> 00:40:50,160
Speaker 4: side of this? That you are you are coming out

743
00:40:50,200 --> 00:40:52,560
Speaker 4: on But can do you have like a sample of

744
00:40:52,600 --> 00:40:53,480
Speaker 4: your testimony.

745
00:40:56,719 --> 00:40:59,880
Speaker 3: Well, I will say that the free snail trail is

746
00:41:01,239 --> 00:41:04,440
Speaker 3: used several times in the sort of speech I have prepared,

747
00:41:06,920 --> 00:41:10,000
Speaker 3: so you know, I won't necessarily say whether it's positive

748
00:41:10,040 --> 00:41:14,200
Speaker 3: or negative, but what I would say is who's getting hurt?

749
00:41:17,000 --> 00:41:21,359
Speaker 4: Okay? Welly, all right, good luck Okay.

750
00:41:21,160 --> 00:41:24,440
Speaker 3: So hopefully hopefully yeah, turbot will.

751
00:41:24,280 --> 00:41:26,480
Speaker 4: Be Yeah, well that's a share. It does have a

752
00:41:26,480 --> 00:41:28,440
Speaker 4: good point. I mean it seems like snails aren't probably

753
00:41:28,480 --> 00:41:29,080
Speaker 4: getting hurt.

754
00:41:31,200 --> 00:41:35,680
Speaker 3: Oh, I think it seems like they're enjoying what they're

755
00:41:35,680 --> 00:41:37,480
Speaker 3: doing in the version that I picture it.

756
00:41:40,600 --> 00:41:43,320
Speaker 4: Okay, if they're.

757
00:41:43,120 --> 00:41:45,360
Speaker 3: Getting hurt, then it's like that's sort of part of

758
00:41:45,360 --> 00:41:48,160
Speaker 3: it for them, I guess. But anyway, I have to

759
00:41:48,160 --> 00:41:51,120
Speaker 3: get to the film about go through the other jokes sharing.

760
00:41:51,200 --> 00:41:52,839
Speaker 3: It was so great to meet. It was thanks again

761
00:41:52,920 --> 00:41:57,840
Speaker 3: for sharing some of your time with us, and.

762
00:41:58,200 --> 00:42:01,600
Speaker 5: It was fact See that's how you sell my jokes.

763
00:42:02,920 --> 00:42:03,720
Speaker 5: Thank you, Sean.

764
00:42:05,040 --> 00:42:10,120
Speaker 3: I mean, results they're clear, so yeah, I love you.

765
00:42:10,480 --> 00:42:13,799
Speaker 5: Bye, Sean. I just want to say goodbye to you,

766
00:42:14,320 --> 00:42:16,560
Speaker 5: and I appreciate when he's gone.

767
00:42:16,800 --> 00:42:18,719
Speaker 4: Yeah, I think he is going, Is he gone? Do

768
00:42:18,760 --> 00:42:28,960
Speaker 4: we have Sean John? Okay, so that'll happen. Wow, this

769
00:42:29,120 --> 00:42:31,560
Speaker 4: was not the time. I guess that I expected to

770
00:42:31,640 --> 00:42:37,839
Speaker 4: do this. Yeah, but yeah, I yeah, I love I

771
00:42:37,840 --> 00:42:40,440
Speaker 4: love Sean. I don't want to say like I I

772
00:42:40,480 --> 00:42:44,479
Speaker 4: don't want to say directly to him, but yeah, yeah,

773
00:42:44,600 --> 00:42:47,120
Speaker 4: I I love my friend Sean.

774
00:42:48,360 --> 00:42:52,520
Speaker 6: That's nice. I didn't get it there. He seems like

775
00:42:52,560 --> 00:42:52,759
Speaker 6: a no.

776
00:42:55,280 --> 00:42:56,000
Speaker 4: Is that good?

777
00:42:59,280 --> 00:43:01,920
Speaker 5: What's the different between a knob and a bell end?

778
00:43:02,480 --> 00:43:04,560
Speaker 5: I can never figure that out, and every time I

779
00:43:04,600 --> 00:43:08,600
Speaker 5: search it, I only go down weird roads and then then, uh,

780
00:43:09,200 --> 00:43:11,759
Speaker 5: the computer shuts itself for a joke.

781
00:43:11,840 --> 00:43:13,399
Speaker 6: You want it for a joke.

782
00:43:13,680 --> 00:43:15,600
Speaker 5: I think anything is game to be material.

783
00:43:15,760 --> 00:43:19,560
Speaker 6: But a bell end is just the bell end. It's

784
00:43:19,600 --> 00:43:21,839
Speaker 6: the it's the it's the.

785
00:43:21,600 --> 00:43:24,320
Speaker 4: You know, why is it all door stuff with you guys.

786
00:43:25,800 --> 00:43:28,040
Speaker 6: And the knob is? I think it's a bit further

787
00:43:28,239 --> 00:43:31,120
Speaker 6: up the shaft. You can it's it takes in more

788
00:43:31,160 --> 00:43:32,799
Speaker 6: of the appendage.

789
00:43:32,920 --> 00:43:36,759
Speaker 4: Hold on, like if you're with a fella, something you

790
00:43:37,880 --> 00:43:40,400
Speaker 4: could do like ding dog or a bell, then the

791
00:43:40,440 --> 00:43:44,280
Speaker 4: guys that's come in, then you use the knob.

792
00:43:49,400 --> 00:43:54,160
Speaker 5: I love British comedy and I've taken so much from

793
00:43:54,160 --> 00:43:56,960
Speaker 5: it with these things. I hope if you've picked up

794
00:43:56,960 --> 00:44:00,160
Speaker 5: on me trying to incorporate some of the elements of

795
00:44:00,200 --> 00:44:02,360
Speaker 5: it into what these guys are doing.

796
00:44:02,239 --> 00:44:06,319
Speaker 6: Smell the influence a little in what you do.

797
00:44:06,520 --> 00:44:08,960
Speaker 4: Time likes to call his stuff very dry, which I

798
00:44:09,000 --> 00:44:11,359
Speaker 4: have not seen a lot of. I don't know what

799
00:44:11,400 --> 00:44:16,279
Speaker 4: you think that means. But your stuff is soaking as

800
00:44:16,320 --> 00:44:19,359
Speaker 4: soaking wet as you yourself frequently are.

801
00:44:19,600 --> 00:44:21,400
Speaker 5: You don't think any of my stuff is dry.

802
00:44:22,160 --> 00:44:25,080
Speaker 4: I don't know. Like dryness to me is like not

803
00:44:25,360 --> 00:44:28,120
Speaker 4: trying very hard, you know, just like dead Pan and

804
00:44:28,160 --> 00:44:34,040
Speaker 4: all that. But you the the effort, dead pan, dead pan,

805
00:44:34,239 --> 00:44:38,600
Speaker 4: Oh no, please don't, please, don't summon Deadpool.

806
00:44:41,360 --> 00:44:43,480
Speaker 5: That would be a pretty like if if if that

807
00:44:43,520 --> 00:44:45,479
Speaker 5: movie got a bad review, would be dead pan.

808
00:44:46,560 --> 00:44:50,320
Speaker 4: Yeah, yeah, dead Pan. Okay, that's pretty good, right, Yeah,

809
00:44:50,360 --> 00:44:53,160
Speaker 4: And that was a pretty dry delivery, was it.

810
00:44:53,680 --> 00:44:59,000
Speaker 5: Yeah, here's my dead Pan of Deadpool. Who dead who.

811
00:44:59,400 --> 00:45:01,719
Speaker 6: If you didn't like the maybe you could just say dead.

812
00:45:01,480 --> 00:45:04,960
Speaker 5: Dead pooh, dead poo dead pooh, yeah.

813
00:45:04,440 --> 00:45:06,600
Speaker 6: Which is kind of you know, it's like sham, which

814
00:45:06,680 --> 00:45:07,160
Speaker 6: is the same.

815
00:45:07,480 --> 00:45:13,680
Speaker 4: Yeah, sure, dead pooh, John, can we play the next

816
00:45:13,719 --> 00:45:16,799
Speaker 4: clip please. This is from the John Daily episode. I

817
00:45:16,840 --> 00:45:20,200
Speaker 4: think I'd love to first just a little horse it

818
00:45:20,239 --> 00:45:21,839
Speaker 4: Pete to go to sleep. Mm hmm.

819
00:45:22,320 --> 00:45:24,520
Speaker 8: Yeah, so your tolerance builds up and you need even

820
00:45:24,560 --> 00:45:27,680
Speaker 8: more Horace and Pete just to just to feel normal.

821
00:45:28,000 --> 00:45:31,279
Speaker 5: Yeah, porous and heat. That's how I felt about my

822
00:45:31,320 --> 00:45:33,000
Speaker 5: skin after this float tank this morning.

823
00:45:33,160 --> 00:45:36,400
Speaker 4: Oh brother, So that was the episode we did with

824
00:45:36,480 --> 00:45:39,680
Speaker 4: John Daily. We put out a call for Horace and

825
00:45:39,719 --> 00:45:41,520
Speaker 4: Pete jokes because we knew we were going to be

826
00:45:41,520 --> 00:45:46,000
Speaker 4: talking about Horace and Pete on the show. You had

827
00:45:46,000 --> 00:45:49,200
Speaker 4: this joke for John specifically to set up that he

828
00:45:49,280 --> 00:45:53,359
Speaker 4: had been floating in a sensory century deprivation tank, which

829
00:45:53,400 --> 00:45:56,560
Speaker 4: is what I probably sixty percent of your jokes are

830
00:45:56,640 --> 00:45:58,760
Speaker 4: about these sensory deprivation tanks.

831
00:45:58,880 --> 00:46:03,120
Speaker 5: Yeah, I just I feel like it's the kind of

832
00:46:03,160 --> 00:46:06,680
Speaker 5: thing that people really just it's gonna be like the

833
00:46:06,760 --> 00:46:10,040
Speaker 5: next like Panini, you know, like the way every joke

834
00:46:10,120 --> 00:46:12,680
Speaker 5: is a panine you're throw up in your mouth. It's

835
00:46:12,719 --> 00:46:14,200
Speaker 5: gonna be sensory deprivation.

836
00:46:14,960 --> 00:46:16,399
Speaker 6: Yeah, it's a funny word.

837
00:46:16,440 --> 00:46:20,240
Speaker 5: It's a funny reference. I missed this, but panini makers

838
00:46:20,280 --> 00:46:25,040
Speaker 5: and vaping and then sensory deprivation tanks are next in

839
00:46:25,120 --> 00:46:26,600
Speaker 5: terms of just like we.

840
00:46:26,600 --> 00:46:31,239
Speaker 6: Did sensory deprivation tanks in England, like that's ten years back.

841
00:46:32,480 --> 00:46:33,960
Speaker 5: Well we're just getting it here now.

842
00:46:34,080 --> 00:46:36,000
Speaker 4: Who was Was that like a Fryan Laurie thing?

843
00:46:37,680 --> 00:46:40,680
Speaker 6: Yeah, it's sort of Les Dawson. They're just there's just

844
00:46:40,719 --> 00:46:41,640
Speaker 6: been a Ryan for a while.

845
00:46:42,800 --> 00:46:45,440
Speaker 5: So Wogan would be in a sensor would.

846
00:46:45,200 --> 00:46:47,280
Speaker 6: Have been a lot of his fifty of his material

847
00:46:47,280 --> 00:46:50,400
Speaker 6: would have been sensory deprivation tank based.

848
00:46:50,600 --> 00:46:53,560
Speaker 5: Jimmy Saville in a sensory deprivation tank.

849
00:46:54,480 --> 00:46:55,200
Speaker 6: I can't comment.

850
00:46:56,400 --> 00:47:00,560
Speaker 4: Yeah, that would be right, is pretty close tied to

851
00:47:00,600 --> 00:47:04,640
Speaker 4: that case. I think that's what maybe this community service

852
00:47:04,640 --> 00:47:06,680
Speaker 4: that you had to do is that is sort of

853
00:47:06,680 --> 00:47:07,399
Speaker 4: connected to.

854
00:47:08,080 --> 00:47:10,360
Speaker 5: Because well, look we're not for them. The porous and

855
00:47:10,440 --> 00:47:15,760
Speaker 5: heat joke. John Delly's a dancer when it comes to words,

856
00:47:15,840 --> 00:47:19,000
Speaker 5: and I'm just like he just plays with the rhythms

857
00:47:19,000 --> 00:47:21,759
Speaker 5: of it the way like Fred Astaire dances, and I'm

858
00:47:21,880 --> 00:47:26,319
Speaker 5: just like johns Horace and Pete porus and heat, like

859
00:47:26,360 --> 00:47:28,479
Speaker 5: I just figured the rhythms he's going to get into.

860
00:47:28,480 --> 00:47:30,879
Speaker 5: And it's like if a guy's a dancer, you gotta

861
00:47:30,960 --> 00:47:33,120
Speaker 5: let him dance. Yeah, so that's what I was trying

862
00:47:33,160 --> 00:47:33,399
Speaker 5: to do.

863
00:47:33,560 --> 00:47:35,759
Speaker 4: Well, here's this is my main issue. What's that That

864
00:47:35,840 --> 00:47:38,920
Speaker 4: was a rejected joke. That was an out rejected joke.

865
00:47:39,000 --> 00:47:41,799
Speaker 5: And then I kind of made a and you went around, yes,

866
00:47:41,840 --> 00:47:46,040
Speaker 5: and then run around. I walked it into him literally, Yeah,

867
00:47:46,280 --> 00:47:47,759
Speaker 5: as he was in the thing, I have a dry

868
00:47:47,760 --> 00:47:52,120
Speaker 5: erase board that I held in front of him horace

869
00:47:52,160 --> 00:47:55,560
Speaker 5: and pete, porous and heat, just like that sensory deprivation

870
00:47:55,760 --> 00:47:56,840
Speaker 5: tank you were in today.

871
00:47:58,880 --> 00:48:03,040
Speaker 6: And then he did worth the effort the joke, get

872
00:48:03,040 --> 00:48:06,000
Speaker 6: on the board and pushing it.

873
00:48:06,040 --> 00:48:09,200
Speaker 5: I didn't pay for the board, so I pay for

874
00:48:09,280 --> 00:48:13,000
Speaker 5: the markers those I can't find the board I got

875
00:48:13,000 --> 00:48:15,279
Speaker 5: for free. Well, I didn't get it.

876
00:48:16,040 --> 00:48:18,200
Speaker 4: And there's a cut. You can sort of hear a cut,

877
00:48:18,560 --> 00:48:21,120
Speaker 4: and the editing is good. But so what Tom does

878
00:48:21,200 --> 00:48:23,200
Speaker 4: is he takes this dry erase board with a joke

879
00:48:23,239 --> 00:48:25,360
Speaker 4: on it, and he's so he's in outside the window

880
00:48:25,400 --> 00:48:28,600
Speaker 4: to our studio. He's so excited that he puts the

881
00:48:28,640 --> 00:48:35,040
Speaker 4: dry erase board through the window, smashes the window, cuts

882
00:48:35,120 --> 00:48:41,160
Speaker 4: up the back of his heads so badly, which is

883
00:48:41,200 --> 00:48:43,719
Speaker 4: I think why like part of the reason John did

884
00:48:43,840 --> 00:48:46,600
Speaker 4: end up delivering the joke because I think we all

885
00:48:46,640 --> 00:48:48,200
Speaker 4: thought you were going to die.

886
00:48:48,560 --> 00:48:50,040
Speaker 5: You thought it would be my last joke.

887
00:48:50,440 --> 00:48:51,320
Speaker 4: Yes, so he was.

888
00:48:51,400 --> 00:48:54,120
Speaker 5: I didn't well that that takes a little bit of

889
00:48:53,840 --> 00:48:57,760
Speaker 5: the kind of the pride for me out of landing

890
00:48:57,800 --> 00:49:03,560
Speaker 5: that one and then on yeah poor it. Can I

891
00:49:03,719 --> 00:49:06,439
Speaker 5: let me I'm gonna write a joke, right, I'm gonna

892
00:49:06,480 --> 00:49:09,160
Speaker 5: show that I can do this. Let me just write

893
00:49:09,160 --> 00:49:10,359
Speaker 5: for you guys right now.

894
00:49:10,560 --> 00:49:13,440
Speaker 4: Okay, okay, is this a sensory deprivation take joke.

895
00:49:14,400 --> 00:49:18,239
Speaker 5: You'll see. I'll just whisper the jokes. If you guys talk,

896
00:49:18,280 --> 00:49:21,080
Speaker 5: I'll whisper jokes for the two of you. Okay, can

897
00:49:21,120 --> 00:49:21,600
Speaker 5: we try that?

898
00:49:22,000 --> 00:49:26,520
Speaker 4: Okay? So this is like I'm what am I interviewing? Sharing?

899
00:49:26,600 --> 00:49:28,560
Speaker 4: Like just sort of what we would normally do on

900
00:49:28,600 --> 00:49:35,000
Speaker 4: the show. Okay, So like, what do you what's America interesting?

901
00:49:35,200 --> 00:49:35,399
Speaker 8: Yeah?

902
00:49:35,400 --> 00:49:38,200
Speaker 6: It's all right, yeah, I mean it's just what do.

903
00:49:38,120 --> 00:49:39,920
Speaker 4: You think of McDonald's food.

904
00:49:42,360 --> 00:49:49,520
Speaker 6: I I'm not I'm not a really cough, I'm not

905
00:49:49,560 --> 00:49:54,160
Speaker 6: a huge fan of McDonald's because of it's shite smell.

906
00:49:54,880 --> 00:49:58,200
Speaker 5: Say it's it's a bit, it's a bit shit. Now

907
00:49:58,480 --> 00:49:59,359
Speaker 5: what's that mean?

908
00:50:00,000 --> 00:50:00,960
Speaker 4: What's that? What's that mean?

909
00:50:02,200 --> 00:50:05,800
Speaker 6: It's just a variation of of ship, but sort of friendlier.

910
00:50:05,960 --> 00:50:08,840
Speaker 4: Yeah, okay, I knew that. It makes me living an idiot,

911
00:50:08,920 --> 00:50:09,920
Speaker 4: but they're jokes.

912
00:50:10,680 --> 00:50:11,799
Speaker 6: But what do you enjoy?

913
00:50:11,880 --> 00:50:13,279
Speaker 5: What's the extra east? Stand for?

914
00:50:14,480 --> 00:50:17,399
Speaker 4: What's the extra Eastand sorry to not respond to your

915
00:50:17,880 --> 00:50:20,759
Speaker 4: asked me a question, but what's the extra eastand for?

916
00:50:20,840 --> 00:50:23,440
Speaker 5: In shape?

917
00:50:22,480 --> 00:50:29,240
Speaker 4: It's well, that's something that you might get eating against McDonald's.

918
00:50:30,320 --> 00:50:30,880
Speaker 6: That's true.

919
00:50:31,040 --> 00:50:32,880
Speaker 4: Well that was a great opportune Why you give me

920
00:50:32,960 --> 00:50:33,439
Speaker 4: that joke?

921
00:50:36,000 --> 00:50:37,760
Speaker 6: I think he I think he did.

922
00:50:38,600 --> 00:50:39,359
Speaker 5: God damn it.

923
00:50:39,360 --> 00:50:41,080
Speaker 6: He set you up for that joke. I think that's

924
00:50:41,120 --> 00:50:41,759
Speaker 6: the I.

925
00:50:41,680 --> 00:50:45,440
Speaker 5: Cleared all the brush and then I leave the all

926
00:50:45,480 --> 00:50:54,880
Speaker 5: the fun. Okay, ask about the parliament?

927
00:50:56,160 --> 00:50:59,640
Speaker 4: Okay, that's good. So the parliament?

928
00:50:59,719 --> 00:51:01,719
Speaker 5: Yeah, is it?

929
00:51:01,120 --> 00:51:04,440
Speaker 4: Is it? What up with that?

930
00:51:06,640 --> 00:51:10,640
Speaker 6: Well? I mean, in what way you can you? I mean,

931
00:51:10,640 --> 00:51:14,279
Speaker 6: that's quite vague question. I like the way you asked it,

932
00:51:14,400 --> 00:51:16,120
Speaker 6: But what do you mean?

933
00:51:18,120 --> 00:51:18,680
Speaker 5: Parliament?

934
00:51:19,560 --> 00:51:20,080
Speaker 6: Parliament?

935
00:51:20,280 --> 00:51:23,759
Speaker 5: I prefer is that a cigarette? Is there a cigarette? Parliament?

936
00:51:24,040 --> 00:51:29,960
Speaker 6: Yeah? Okay, Parliament? I prefer camels? Camels?

937
00:51:31,000 --> 00:51:34,280
Speaker 4: Okay, I'm trying to laugh, but that is yes, that's.

938
00:51:34,239 --> 00:51:37,760
Speaker 5: That you say? You say vote them all out.

939
00:51:38,400 --> 00:51:41,080
Speaker 4: Vote them all out.

940
00:51:41,200 --> 00:51:41,719
Speaker 6: Baltimore.

941
00:51:42,680 --> 00:51:47,120
Speaker 5: Yeah, Voldemort, how do you get that? How do you

942
00:51:47,160 --> 00:51:54,959
Speaker 5: get that scratch on his face? Anyway?

943
00:51:55,040 --> 00:51:58,520
Speaker 4: Right, that's the opposite of Voltimore. Harry Potter is the

944
00:51:58,520 --> 00:51:59,640
Speaker 4: opposite of Voltimore's.

945
00:52:00,040 --> 00:52:03,600
Speaker 6: I didn't Harry Potter get that scratch on his face anyway?

946
00:52:03,880 --> 00:52:10,920
Speaker 5: Yeah. Now you say, Harry Potter, more like, let me think,

947
00:52:10,960 --> 00:52:13,560
Speaker 5: give me, give me tim on this one, Harry Potter,

948
00:52:13,640 --> 00:52:14,160
Speaker 5: more like.

949
00:52:16,920 --> 00:52:18,960
Speaker 4: I agree with you that the time is right.

950
00:52:18,880 --> 00:52:21,200
Speaker 5: For a more like Harry Potter, more like.

951
00:52:23,120 --> 00:52:26,839
Speaker 4: Scary, I don't do you want help?

952
00:52:26,920 --> 00:52:30,879
Speaker 5: Okay? This is here we go. Okay, Harry Potter. You

953
00:52:30,920 --> 00:52:35,319
Speaker 5: know I do fencing. I do like erotic fencing, so

954
00:52:35,440 --> 00:52:39,520
Speaker 5: I Parry Hotter. You you Sharon?

955
00:52:39,680 --> 00:52:43,160
Speaker 6: Okay, Harry Potter, No, this is this.

956
00:52:43,120 --> 00:52:45,920
Speaker 5: Is Sean Hayes his line. Okay, Sorry, I got you

957
00:52:45,960 --> 00:52:46,319
Speaker 5: mixed up.

958
00:52:46,719 --> 00:52:47,080
Speaker 4: Not here.

959
00:52:47,360 --> 00:52:48,279
Speaker 6: What's my lead in?

960
00:52:49,000 --> 00:52:54,000
Speaker 5: You said, Baltimore. You go, ah from Harry Potter, Baltimore, Ah.

961
00:52:53,920 --> 00:52:56,880
Speaker 4: From Harry Potter. You know I like to do erotic fencing,

962
00:52:57,480 --> 00:53:02,360
Speaker 4: so I Parry Hotter. Okay. So I am gonna be

963
00:53:03,040 --> 00:53:06,600
Speaker 4: just taking that one. Okay, So we're Solana. This is

964
00:53:06,640 --> 00:53:10,720
Speaker 4: so this is actually what the episode is going to be. Now, congratulations,

965
00:53:11,360 --> 00:53:15,560
Speaker 4: we're not gonna be using you for this episode anymore.

966
00:53:16,040 --> 00:53:17,920
Speaker 4: So the whole thing about like us helping you, so

967
00:53:18,040 --> 00:53:22,200
Speaker 4: like this worked out great because now I have a

968
00:53:22,239 --> 00:53:25,600
Speaker 4: great interview episode with Sharon and we're just gonna be

969
00:53:25,640 --> 00:53:28,440
Speaker 4: cutting your stuff out, and the whole thing about you

970
00:53:28,520 --> 00:53:30,919
Speaker 4: trying to be a contributor or whatever, that's all gonna

971
00:53:30,960 --> 00:53:34,600
Speaker 4: be gone and it's just gonna be the interview because

972
00:53:34,640 --> 00:53:38,440
Speaker 4: I think we really I'm interesting, we really have something.

973
00:53:38,200 --> 00:53:39,640
Speaker 5: I'm interested in the finished product.

974
00:53:40,120 --> 00:53:43,279
Speaker 4: Okay, you know that you have no claim to this.

975
00:53:43,880 --> 00:53:46,520
Speaker 5: Yeah, you know, I'm comfortable with that at this point.

976
00:53:47,080 --> 00:53:49,600
Speaker 5: What does it this point mean at this point in

977
00:53:49,640 --> 00:53:50,240
Speaker 5: my life.

978
00:53:50,560 --> 00:53:53,120
Speaker 4: Yeah, but but it's got to be at any point

979
00:53:53,320 --> 00:53:55,239
Speaker 4: you can't. I don't want you coming back later at

980
00:53:55,239 --> 00:53:58,200
Speaker 4: being like, hey, like I noticed you used all my

981
00:53:58,200 --> 00:54:00,520
Speaker 4: stuff for that interview with Sharon, Like like, am I

982
00:54:00,560 --> 00:54:03,640
Speaker 4: going to see any any points on that?

983
00:54:04,719 --> 00:54:09,640
Speaker 5: Or can I can I do it myself too, like

984
00:54:09,719 --> 00:54:12,279
Speaker 5: on the Seinfeld tour if I'm just like, by the way,

985
00:54:12,320 --> 00:54:16,520
Speaker 5: everybody we're coming up on, you can do it with

986
00:54:16,840 --> 00:54:20,239
Speaker 5: This is where Mickey and Kramer went to the hospital

987
00:54:20,880 --> 00:54:26,560
Speaker 5: and we're patients with acting like they had different illnesses.

988
00:54:27,360 --> 00:54:28,759
Speaker 4: What about I.

989
00:54:28,680 --> 00:54:30,960
Speaker 6: Think I think if you're if say you're writing a

990
00:54:31,040 --> 00:54:35,719
Speaker 6: new script because you write films, sure yes, if you're

991
00:54:35,719 --> 00:54:38,480
Speaker 6: writing a new script and it's a film about fencing

992
00:54:38,920 --> 00:54:41,240
Speaker 6: and you get to the sex scene, then he should

993
00:54:41,239 --> 00:54:46,520
Speaker 6: be able to use because you know, I kind of

994
00:54:46,560 --> 00:54:53,040
Speaker 6: think maybe that's your problem. Don't try and shoehorn, you know,

995
00:54:53,719 --> 00:54:58,680
Speaker 6: don't shoehorn your jokes into shapes that don't fit the joke.

996
00:54:58,800 --> 00:55:01,279
Speaker 5: So I take the joke, the joke, build the whole

997
00:55:01,320 --> 00:55:02,479
Speaker 5: thing around one joke.

998
00:55:03,360 --> 00:55:06,080
Speaker 6: Well yeah, I mean that's one way. But also you

999
00:55:06,080 --> 00:55:09,480
Speaker 6: could just have a little envelope or a box and

1000
00:55:09,520 --> 00:55:13,719
Speaker 6: you could just put those and put future projects, put that,

1001
00:55:13,880 --> 00:55:16,120
Speaker 6: you know, with masking tape on the front, just right

1002
00:55:16,360 --> 00:55:19,520
Speaker 6: with a sharpie, and then future project, future projects. And

1003
00:55:19,560 --> 00:55:24,160
Speaker 6: then then you know, over time, all those terrible jokes

1004
00:55:24,200 --> 00:55:27,560
Speaker 6: that you're trying to, you know, shoehorn into things will

1005
00:55:27,600 --> 00:55:30,280
Speaker 6: have a home and and it won't be so awful

1006
00:55:30,320 --> 00:55:30,880
Speaker 6: for everyone.

1007
00:55:31,800 --> 00:55:36,680
Speaker 4: These materials you're asking a lot done, These things might

1008
00:55:36,719 --> 00:55:41,319
Speaker 4: be a little box. I have to come back, sharpie,

1009
00:55:42,880 --> 00:55:44,759
Speaker 4: and I could see him. I guess there has to

1010
00:55:44,800 --> 00:55:46,719
Speaker 4: be paper looking at looking at it. If you say

1011
00:55:46,760 --> 00:55:48,359
Speaker 4: he gets his hand, let's say he gets his hands

1012
00:55:48,360 --> 00:55:51,600
Speaker 4: on a box envelopes. He we know he has those

1013
00:55:52,280 --> 00:55:54,120
Speaker 4: he's putting, don't left.

1014
00:55:54,719 --> 00:55:58,239
Speaker 5: It was last sixteen I did for Sean's uh paying

1015
00:55:58,320 --> 00:55:59,080
Speaker 5: my cock joke.

1016
00:56:00,040 --> 00:56:02,520
Speaker 4: He puts all his future projects in the box and

1017
00:56:02,520 --> 00:56:04,920
Speaker 4: then he starts thinking like, wait, why do these future

1018
00:56:04,920 --> 00:56:09,040
Speaker 4: projects get this nice place to live? And I'm out here,

1019
00:56:12,120 --> 00:56:14,840
Speaker 4: and so you know, I could see Tom turning himself

1020
00:56:14,880 --> 00:56:17,400
Speaker 4: into a future project so he can live in the

1021
00:56:17,440 --> 00:56:20,120
Speaker 4: bix Am. I does this seem like something that how

1022
00:56:20,160 --> 00:56:20,799
Speaker 4: this might play out?

1023
00:56:20,800 --> 00:56:20,920
Speaker 9: Well?

1024
00:56:20,920 --> 00:56:22,799
Speaker 5: I like, it's a way I can justify it is

1025
00:56:22,800 --> 00:56:26,160
Speaker 5: if I write a joke on my face and then

1026
00:56:26,200 --> 00:56:31,160
Speaker 5: I'm with the other jokes or projects in the box,

1027
00:56:31,280 --> 00:56:31,920
Speaker 5: I can climb in.

1028
00:56:32,000 --> 00:56:32,440
Speaker 4: Then I'm not.

1029
00:56:33,320 --> 00:56:37,600
Speaker 5: It's there's nothing shameful about that. Okay, I'm just another project.

1030
00:56:40,560 --> 00:56:43,560
Speaker 4: So what I guess what we got is a great

1031
00:56:43,600 --> 00:56:47,280
Speaker 4: episode of the show, like a real I think news

1032
00:56:47,360 --> 00:56:54,200
Speaker 4: making interview with Sharon Sure, and a place for you

1033
00:56:54,320 --> 00:56:58,400
Speaker 4: to be warm.

1034
00:56:58,440 --> 00:57:00,960
Speaker 5: Okay, I'll take it. This is a win. There's a

1035
00:57:01,000 --> 00:57:03,600
Speaker 5: win for me, at least I'm not in the Hudson anymore.

1036
00:57:05,440 --> 00:57:07,000
Speaker 4: That Seinfeld to her is so hard.

1037
00:57:07,080 --> 00:57:09,759
Speaker 5: I'm telling you, I don't even think these people know

1038
00:57:09,800 --> 00:57:11,799
Speaker 5: what Half of these people don't even know what it is.

1039
00:57:12,040 --> 00:57:14,439
Speaker 4: What what are these ones that you're I hear about

1040
00:57:14,440 --> 00:57:15,680
Speaker 4: you doing this sometimes at night?

1041
00:57:15,880 --> 00:57:18,000
Speaker 5: And the bass is so unwieldy?

1042
00:57:19,640 --> 00:57:20,480
Speaker 4: The bass?

1043
00:57:20,800 --> 00:57:26,320
Speaker 5: Yeah, I have to play that dumb thing at every stop.

1044
00:57:27,800 --> 00:57:30,920
Speaker 6: Why don't you just record it onto some sort of

1045
00:57:31,040 --> 00:57:31,440
Speaker 6: it's r.

1046
00:57:31,440 --> 00:57:35,960
Speaker 5: I A a recording industry tie ups and then you know,

1047
00:57:35,960 --> 00:57:37,160
Speaker 5: I don't want to castle rock.

1048
00:57:38,120 --> 00:57:41,800
Speaker 6: Yeah, you can't get an assistant.

1049
00:57:42,640 --> 00:57:44,640
Speaker 5: Well, I just don't want to pay the clearances for

1050
00:57:44,800 --> 00:57:46,800
Speaker 5: it the original sample.

1051
00:57:47,680 --> 00:57:49,440
Speaker 6: No, get an assistant to carry the bass.

1052
00:57:50,040 --> 00:57:55,640
Speaker 5: Oh, I can't afford that. She's driving the van, the

1053
00:57:55,680 --> 00:58:01,160
Speaker 5: Seinfeld van and the little amp. Those aren't cheap. Mm

1054
00:58:01,240 --> 00:58:05,480
Speaker 5: hmm boom.

1055
00:58:05,880 --> 00:58:07,160
Speaker 4: But you have to do you do? You have to

1056
00:58:07,160 --> 00:58:08,840
Speaker 4: do kind of a sound. You can't even that is

1057
00:58:08,880 --> 00:58:10,600
Speaker 4: a little too close. You have to do kind of

1058
00:58:10,600 --> 00:58:11,520
Speaker 4: a sound alike of it.

1059
00:58:11,680 --> 00:58:13,200
Speaker 5: Yeah, I can do that here because this is not

1060
00:58:13,320 --> 00:58:13,600
Speaker 5: the tour.

1061
00:58:13,640 --> 00:58:15,240
Speaker 4: Okay, but what's the one you do on the tour?

1062
00:58:15,840 --> 00:58:23,600
Speaker 5: Boom boom, boom.

1063
00:58:22,240 --> 00:58:22,560
Speaker 7: Bye.

1064
00:58:24,160 --> 00:58:25,320
Speaker 4: I'm running Beverly.

1065
00:58:25,400 --> 00:58:28,200
Speaker 8: We love to ask guests difficult questions.

1066
00:58:28,400 --> 00:58:29,880
Speaker 6: Can I ask you a question about the N word?

1067
00:58:30,080 --> 00:58:30,880
Speaker 5: Sure? Offensive?

1068
00:58:31,080 --> 00:58:33,280
Speaker 6: Were you the cutest baby that's ever been born?

1069
00:58:33,400 --> 00:58:34,000
Speaker 3: I know you were?

1070
00:58:34,200 --> 00:58:34,760
Speaker 6: Patris?

1071
00:58:35,240 --> 00:58:37,160
Speaker 4: Yeah, are you? I am not not at all. Have

1072
00:58:37,240 --> 00:58:39,160
Speaker 4: you done your DNA with ancestry Joab?

1073
00:58:40,760 --> 00:58:43,040
Speaker 6: You've done that? Is it derogatory to call you a cue?

1074
00:58:43,200 --> 00:58:44,520
Speaker 4: Your face is like a baby fit.

1075
00:58:44,960 --> 00:58:47,240
Speaker 6: If Kid and Play had a baby together, then it

1076
00:58:47,280 --> 00:58:48,919
Speaker 6: would be do you mind if I make a quick

1077
00:58:49,000 --> 00:58:53,760
Speaker 6: phone call? Okay, that's what about your great grandparents? Would

1078
00:58:53,720 --> 00:58:57,280
Speaker 6: they slave owners? They must have been. Oh, your poor mother.

1079
00:58:58,160 --> 00:58:59,320
Speaker 7: Listen to Runner and.

1080
00:58:59,480 --> 00:59:03,520
Speaker 6: Beverley today on you Wolf dot com, Howell or your

1081
00:59:03,520 --> 00:59:04,680
Speaker 6: favorite podcast job.

1082
00:59:10,840 --> 00:59:14,920
Speaker 8: Hollywood Handbook is brought to you by Wolf Cool Productions,

1083
00:59:14,920 --> 00:59:24,480
Speaker 8: a subsidiary of Calvin wondibs Ow Baby