1 00:00:03,720 --> 00:00:10,200 Speaker 1: The I Am Rappaport Stereo Podcast Live. You're down with 2 00:00:10,360 --> 00:00:14,640 Speaker 1: rapp Report. Yes I am, I'm a Rapperport, Yes I 3 00:00:14,680 --> 00:00:19,440 Speaker 1: am I'm a Rapperport. Yes I am a Rapperport. Yes 4 00:00:19,560 --> 00:00:22,000 Speaker 1: i am at a tune in. I Am rapp Report 5 00:00:22,079 --> 00:00:24,960 Speaker 1: dot com is every single podcast you know we drops 6 00:00:24,960 --> 00:00:27,200 Speaker 1: froms I've seen him on set a season vet with 7 00:00:27,200 --> 00:00:29,159 Speaker 1: True Town. Catch him on his way to course. It 8 00:00:29,360 --> 00:00:31,280 Speaker 1: rocking the new balance here it's men to do the 9 00:00:31,360 --> 00:00:33,120 Speaker 1: drack because you know I round the leak. But I'm 10 00:00:33,159 --> 00:00:35,040 Speaker 1: just waiting for the Robert the Neural line of the 11 00:00:35,040 --> 00:00:37,920 Speaker 1: week reference the champions host the bagel, Cream, cheese and lock. 12 00:00:38,040 --> 00:00:40,760 Speaker 1: This is I Am Rappaport. The show never stopped Mike 13 00:00:40,800 --> 00:00:43,400 Speaker 1: catch the Mountain Public stretching his knee. But if you 14 00:00:43,440 --> 00:00:47,639 Speaker 1: don't listen to the show, yo, we're gonna pleading. We're 15 00:00:47,640 --> 00:00:53,360 Speaker 1: gonna sister Rapport podcast all right to see. I Am 16 00:00:53,440 --> 00:00:59,120 Speaker 1: Rapports Stereo Podcast. My name is Michael Rappaport. Some people 17 00:00:59,120 --> 00:01:02,279 Speaker 1: call me the green on Man. Dingo um. All right, 18 00:01:02,360 --> 00:01:08,600 Speaker 1: so this is a all Kanye West episode. Going through 19 00:01:08,640 --> 00:01:13,600 Speaker 1: the files, we realized we've had many discussions about the good, 20 00:01:13,640 --> 00:01:21,320 Speaker 1: the bad, the frustrating the ugly of Kanye West career. Um, 21 00:01:21,360 --> 00:01:24,400 Speaker 1: I'm a fan. I really liked this stuff when he 22 00:01:24,440 --> 00:01:26,720 Speaker 1: first came out. I feel like the music now is suffering. 23 00:01:27,000 --> 00:01:31,080 Speaker 1: I feel like the whole image and Easy God complex 24 00:01:31,120 --> 00:01:33,000 Speaker 1: to me is whack and the Taylor Swift of it 25 00:01:33,040 --> 00:01:36,759 Speaker 1: all is whack. Um. But we cover, we cover it, 26 00:01:36,920 --> 00:01:40,480 Speaker 1: and we cover it. Uh full core press like the 27 00:01:40,520 --> 00:01:45,160 Speaker 1: Georgetown Hoyas in the eighties. So the c Iron Wrappers 28 00:01:45,200 --> 00:01:50,320 Speaker 1: stereo podcast, Uh, the Kanye West Bash Extravaganza, the good, 29 00:01:50,360 --> 00:01:53,000 Speaker 1: the bad, and that just because you're an artist doesn't 30 00:01:53,040 --> 00:01:56,240 Speaker 1: mean you have to be an asshole. Best of episode. 31 00:01:58,760 --> 00:02:01,160 Speaker 1: Roan is a new Man and the actiware company that 32 00:02:01,280 --> 00:02:05,880 Speaker 1: uses the most innovative fabrics on the planet. Finally, men 33 00:02:06,000 --> 00:02:10,080 Speaker 1: have a premium activewear option. You no longer have to 34 00:02:10,120 --> 00:02:15,120 Speaker 1: wear grungy, dingy sweatpants to go work out, which A're 35 00:02:15,120 --> 00:02:18,160 Speaker 1: gonna look crazy. 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Listeners of the Iron 45 00:02:47,080 --> 00:02:52,240 Speaker 1: Report Stereo podcast give off using my link www dot 46 00:02:52,360 --> 00:02:57,519 Speaker 1: roan dot com forward slash wrapp Report. That's www. R 47 00:02:57,880 --> 00:03:01,000 Speaker 1: h O n e dot com for slash Rapp Report. 48 00:03:01,200 --> 00:03:04,520 Speaker 1: Groan Clothing a great company and a great product, grown clothing. 49 00:03:07,480 --> 00:03:12,440 Speaker 1: All these young producers, Kanye Kanye, Kanye Yo, Kanye is 50 00:03:12,480 --> 00:03:15,000 Speaker 1: on that fucking new wave ship and he's on his 51 00:03:15,080 --> 00:03:18,639 Speaker 1: fashion ship. But before all that, Kanye was a record 52 00:03:18,680 --> 00:03:22,680 Speaker 1: collecting motherfucker. You little dumb young motherfucker's you think you 53 00:03:22,680 --> 00:03:25,200 Speaker 1: want to be the next Kanye West. Kanye West comes 54 00:03:25,240 --> 00:03:29,360 Speaker 1: from that boom bapshit. Do not be fucking fooled by 55 00:03:29,360 --> 00:03:32,320 Speaker 1: all the Kardashian ship and the fashion ship that we've 56 00:03:32,320 --> 00:03:35,560 Speaker 1: given him a hard time on on this fucking show, Yo, 57 00:03:35,760 --> 00:03:39,240 Speaker 1: don't be fooled. Don't be fooled. That's why, that's why 58 00:03:39,320 --> 00:03:42,640 Speaker 1: he loves He bows down to que Tip. He bows 59 00:03:42,720 --> 00:03:46,240 Speaker 1: down to day La Farrell. They bowed down to this music. 60 00:03:46,600 --> 00:03:49,000 Speaker 1: They that's like if you ask for all the first 61 00:03:49,040 --> 00:03:51,200 Speaker 1: thing out of his mouth, he's gonna talk to you. Yo. 62 00:03:51,280 --> 00:03:53,080 Speaker 1: When I did the Tribe called Quest movie, when I 63 00:03:53,160 --> 00:03:55,440 Speaker 1: was talking to him when he talked about the native 64 00:03:55,480 --> 00:03:59,840 Speaker 1: tongues conglomerate, yo, literally he almost cried, Like I have 65 00:04:00,000 --> 00:04:02,240 Speaker 1: footage of him like he was almost he says in 66 00:04:02,280 --> 00:04:04,080 Speaker 1: the movie. He says, that ship makes me want to cry. 67 00:04:04,320 --> 00:04:08,960 Speaker 1: He's you know, he almost cried, like Tollive Quality, the Roots, 68 00:04:09,280 --> 00:04:12,440 Speaker 1: Black Thought, all them like they bowed down to that 69 00:04:12,520 --> 00:04:15,720 Speaker 1: old music. When I've been asked a couple of times, 70 00:04:15,760 --> 00:04:17,240 Speaker 1: why do you care so much, It's just because I'm 71 00:04:17,240 --> 00:04:22,080 Speaker 1: a fan and I want to see what happened two 72 00:04:22,839 --> 00:04:26,200 Speaker 1: rock and roll music, great classic American rock. Commune roll 73 00:04:26,279 --> 00:04:30,000 Speaker 1: music happened with in the eighties when it became hair 74 00:04:30,080 --> 00:04:35,039 Speaker 1: bands and jazz, when it became just some other ship. 75 00:04:36,000 --> 00:04:38,720 Speaker 1: It doesn't have to happen because we have enough valuable, 76 00:04:39,440 --> 00:04:45,480 Speaker 1: formidable leaders and creative people in hip hop. Kanye Jay, 77 00:04:45,560 --> 00:04:48,960 Speaker 1: z Eminem, all those dudes are still relevant. Snoop Dogg 78 00:04:49,520 --> 00:04:51,000 Speaker 1: and I think like at the end of the day. 79 00:04:51,040 --> 00:04:54,120 Speaker 1: It's up to them to keep that music alive and 80 00:04:54,200 --> 00:04:56,320 Speaker 1: keep that ship cool for as long as they can. 81 00:04:56,880 --> 00:04:59,160 Speaker 1: We need that, We need that for as long as 82 00:04:59,160 --> 00:05:02,440 Speaker 1: they can. Yo, you gotta come back to that boom bap. 83 00:05:02,520 --> 00:05:05,040 Speaker 1: That's that to me is your responsibility and ship. Jay Z, 84 00:05:05,160 --> 00:05:07,599 Speaker 1: You've gotta come back to that boom bab Eminem, you 85 00:05:07,640 --> 00:05:10,760 Speaker 1: gotta make a straight boom bap album. Just give us, 86 00:05:11,120 --> 00:05:16,960 Speaker 1: Give us one album, just one, one straight boom Bap album. Eminem, 87 00:05:17,080 --> 00:05:20,600 Speaker 1: Please yo, Eminem on a straight boom Bap album, Yo, 88 00:05:21,320 --> 00:05:26,120 Speaker 1: because Eminem's on some ship. What about Kanye producing an 89 00:05:26,160 --> 00:05:31,279 Speaker 1: Eminem Bombum? Kanye, Kanye and Q Tip producing a fucking 90 00:05:32,120 --> 00:05:35,680 Speaker 1: straight boom bap album. They do one beat, he does 91 00:05:35,720 --> 00:05:38,640 Speaker 1: one beat. They do beats together. They bring in fucking 92 00:05:38,680 --> 00:05:41,200 Speaker 1: Swiss beats to do some ship. They bring in fucking 93 00:05:41,480 --> 00:05:45,760 Speaker 1: q Tip beat with Premiere and fucking Rizon and be like, Yo, 94 00:05:45,800 --> 00:05:52,200 Speaker 1: he do it. Bring all those dudes and ship. Damn podcast. 95 00:05:54,360 --> 00:05:57,440 Speaker 1: Kanye West. I saw this interview that he did with 96 00:05:57,480 --> 00:06:01,000 Speaker 1: this guy on the BBC Zach Low or something like that, 97 00:06:01,200 --> 00:06:04,240 Speaker 1: and he's talking to Kanye West like he's speaking to 98 00:06:04,400 --> 00:06:08,840 Speaker 1: fucking Gandhi he's acting like he's speaking to a dignitary 99 00:06:08,880 --> 00:06:12,800 Speaker 1: of world peace and and and saving the world. This guy, 100 00:06:13,120 --> 00:06:17,279 Speaker 1: this guy named Zane Low, who I don't know who 101 00:06:17,320 --> 00:06:20,160 Speaker 1: the funk he is. He comes off like a dick 102 00:06:20,320 --> 00:06:29,200 Speaker 1: rider who's interviewing Mark Luther King or fucking Malcolm X 103 00:06:29,360 --> 00:06:35,599 Speaker 1: or fucking Thomas Edison. He thinks he's he's talking to somebody. Really, 104 00:06:35,640 --> 00:06:38,160 Speaker 1: He's like, he says, I'm sitting down here with Martin, 105 00:06:38,520 --> 00:06:42,240 Speaker 1: with Kanye West, I'm with Mark Twain and um we're 106 00:06:42,240 --> 00:06:47,200 Speaker 1: gonna discuss uh your new play Shakespeare, um and and 107 00:06:47,240 --> 00:06:49,600 Speaker 1: it's it's very important. And he's got a British and 108 00:06:49,720 --> 00:06:51,400 Speaker 1: I don't know who this guy is. I don't give 109 00:06:51,400 --> 00:06:54,480 Speaker 1: a fuck. I gotta be a I'm a little I'm 110 00:06:54,520 --> 00:06:58,159 Speaker 1: a little prejudice against British accents in general. It always 111 00:06:58,160 --> 00:07:02,440 Speaker 1: comes off a little hoity toy. And he's sitting he's 112 00:07:02,440 --> 00:07:04,440 Speaker 1: sitting there and he's talking and it's like very serious, 113 00:07:04,480 --> 00:07:06,839 Speaker 1: and he's like, I wanted to get into this today 114 00:07:06,880 --> 00:07:10,200 Speaker 1: about you, um and and and and they go into 115 00:07:10,200 --> 00:07:12,480 Speaker 1: the interview and he's he said, you've been having your 116 00:07:12,800 --> 00:07:16,960 Speaker 1: your feelings about passions about your fashion and Kanye just 117 00:07:17,040 --> 00:07:22,280 Speaker 1: released his fucking He's fucking three D and fifty yeasys 118 00:07:22,440 --> 00:07:28,400 Speaker 1: or Jesus is these Adidas boots boots Star Trek boots. Yeah, 119 00:07:28,400 --> 00:07:31,200 Speaker 1: it looks like spaceship. Let's say you spent three D 120 00:07:31,320 --> 00:07:34,720 Speaker 1: fifty on some Kanye boots. Let's just say it, and 121 00:07:34,800 --> 00:07:37,720 Speaker 1: you're in New York in the winter. Can you walk 122 00:07:37,800 --> 00:07:42,440 Speaker 1: around in them ships right now? Because you bust your 123 00:07:42,480 --> 00:07:44,840 Speaker 1: ass Number one, number two, you spent three D fifty 124 00:07:44,840 --> 00:07:46,640 Speaker 1: dollars on him. Why the fund are you gonna walk 125 00:07:46,680 --> 00:07:51,320 Speaker 1: around the sleet, the slush, the pits riddled snow in 126 00:07:51,360 --> 00:07:55,400 Speaker 1: a pair of fucking moon boots some two tho one 127 00:07:55,400 --> 00:08:00,360 Speaker 1: space honestly fucking moon boots. Yeah. The ships is wack, Yo, 128 00:08:00,640 --> 00:08:04,440 Speaker 1: fuck the dumb ship. Those fucking Kanye West. Them ships 129 00:08:04,640 --> 00:08:08,600 Speaker 1: are straight whack. They look whack. I don't give a 130 00:08:08,640 --> 00:08:13,160 Speaker 1: fuck if they're exclusive. I don't give a fuck if 131 00:08:13,160 --> 00:08:16,160 Speaker 1: there's only X amount made. And you know what, I'm 132 00:08:16,200 --> 00:08:19,440 Speaker 1: walking around New York City. I don't see one motherfucking 133 00:08:19,480 --> 00:08:22,920 Speaker 1: person wearing them because they're not functional. Kanye West is 134 00:08:22,960 --> 00:08:28,160 Speaker 1: from Chicago, the Windy City. The fucking winters are brutal 135 00:08:28,280 --> 00:08:32,040 Speaker 1: out there. They're fucking like their winter starts October and 136 00:08:32,080 --> 00:08:35,280 Speaker 1: it goes to the fucking end of April. No fucking 137 00:08:35,320 --> 00:08:39,240 Speaker 1: bodies wearing them bullshits out there? Who the funk wants 138 00:08:39,280 --> 00:08:42,520 Speaker 1: to spend three d fifty dollars on some ships. You 139 00:08:42,600 --> 00:08:46,680 Speaker 1: can't play balling, you can't climb a mountain in. You 140 00:08:46,760 --> 00:08:49,720 Speaker 1: can't stomp a mud hole in someone's assid they're not 141 00:08:49,800 --> 00:08:54,480 Speaker 1: timberland boots. You can't do construction in them. What the 142 00:08:54,559 --> 00:08:58,720 Speaker 1: fuck are they for? So you're exclusive from the rest 143 00:08:58,760 --> 00:09:02,080 Speaker 1: of the people. And he's sitting there and he goes 144 00:09:02,120 --> 00:09:05,200 Speaker 1: on to talk about he's name dropping people I've never 145 00:09:05,280 --> 00:09:08,600 Speaker 1: heard of in the fashion world. I always wanted the 146 00:09:08,640 --> 00:09:12,400 Speaker 1: resources of LVM Major carrying this one. Okay, So Louise Wilson, 147 00:09:12,559 --> 00:09:17,040 Speaker 1: this one, Phoebe, this one, Christopher Kane, this one, elbra Albaz. 148 00:09:17,520 --> 00:09:20,199 Speaker 1: I'm looking at A twelve. That's the designer, the designer Lomban. 149 00:09:20,880 --> 00:09:22,840 Speaker 1: You know, I don't know who these people are. You know, 150 00:09:22,960 --> 00:09:25,880 Speaker 1: these people are hell fucking Not only do I not 151 00:09:26,000 --> 00:09:28,520 Speaker 1: know who they are, I don't give a fuck about 152 00:09:28,520 --> 00:09:32,040 Speaker 1: any of this fashion ship. Who the funk are you 153 00:09:32,080 --> 00:09:37,640 Speaker 1: talking about? Yeah, who are you talking about? This motherfucker. Yo. 154 00:09:37,800 --> 00:09:39,280 Speaker 1: You know what you need to do, go to your 155 00:09:39,320 --> 00:09:42,760 Speaker 1: record collection and digging them fucking crates and make some 156 00:09:42,880 --> 00:09:46,640 Speaker 1: fucking beat and do that ship you. You know you're 157 00:09:46,640 --> 00:09:51,640 Speaker 1: talking about your twenty one Grammys. You have twenty one Grammys. Grays, 158 00:09:52,080 --> 00:09:55,000 Speaker 1: you know many Marvin Gaye has. I think he has two. 159 00:09:56,880 --> 00:10:02,560 Speaker 1: So you're more liffic than Marvin Gay. Your music is 160 00:10:02,600 --> 00:10:06,959 Speaker 1: more important. You're You're, You're you You're, You're better than 161 00:10:07,000 --> 00:10:12,360 Speaker 1: Marvin Gay. Taylor Swift has more fucking Grammys than Marvin Gay. 162 00:10:13,120 --> 00:10:17,720 Speaker 1: Fuck these Grammys. Fuck these Grammys. These Grammys don't mean shit. 163 00:10:18,600 --> 00:10:20,120 Speaker 1: I know you can say, well, Mike, you don't make 164 00:10:20,120 --> 00:10:22,880 Speaker 1: the fuck these Grammys. Man, who gives the funk about 165 00:10:22,880 --> 00:10:25,360 Speaker 1: a cut? Damn, I don't give a funk about the Grammys. 166 00:10:25,440 --> 00:10:27,760 Speaker 1: I don't give a funk about any of that fashion ship. 167 00:10:27,960 --> 00:10:31,200 Speaker 1: Kanye West is sport from hip hop, and I know, 168 00:10:31,360 --> 00:10:34,480 Speaker 1: motherfucker's in hip hop. They talk about Gucci, Gucci that. 169 00:10:35,000 --> 00:10:37,560 Speaker 1: But Joe, you're taking it. You're taking it to some 170 00:10:37,640 --> 00:10:41,520 Speaker 1: other ship. You you You're, you're conforming. He's like, the 171 00:10:41,559 --> 00:10:45,120 Speaker 1: most proudest moment I had was his Adita's fashion show. 172 00:10:45,679 --> 00:10:48,960 Speaker 1: And but but I saw Nike. Nike said, Yo, we're 173 00:10:49,000 --> 00:10:51,000 Speaker 1: not fucking with you. So first of all, let's just 174 00:10:51,080 --> 00:10:53,160 Speaker 1: keep it real. If you're gonna do something with a 175 00:10:53,240 --> 00:10:56,200 Speaker 1: sports where company, you want to funk with Nike. He 176 00:10:56,240 --> 00:10:58,720 Speaker 1: had some Nikes last year. They were all red, called 177 00:10:58,760 --> 00:11:04,800 Speaker 1: Red October's or Red Dawns or read something they saw 178 00:11:04,880 --> 00:11:06,640 Speaker 1: and it's like a big deal. He's like, so proud 179 00:11:06,679 --> 00:11:10,400 Speaker 1: that they sell for five thousand dollars online. Who can 180 00:11:10,760 --> 00:11:14,680 Speaker 1: Who gives a ship. It's a fucking winter. I'm not 181 00:11:14,720 --> 00:11:17,320 Speaker 1: wearing five thousand dollar pair of sneakers and people are like, 182 00:11:17,400 --> 00:11:19,480 Speaker 1: I want them, women to keep them, gonna sell them later. 183 00:11:19,840 --> 00:11:23,160 Speaker 1: This fashion ship and this these furs and you know 184 00:11:23,200 --> 00:11:26,360 Speaker 1: in this this jacket and that jacket, and yo, the 185 00:11:26,480 --> 00:11:29,320 Speaker 1: reality of motherfucker's are trying to fucking get to work 186 00:11:29,679 --> 00:11:33,040 Speaker 1: and get the funk back to work, safe and warm 187 00:11:33,080 --> 00:11:36,640 Speaker 1: and warm, safe and warm. That's why they wroted north Face, 188 00:11:36,800 --> 00:11:41,560 Speaker 1: north facing fucking American giant fucking hoodies. They don't like 189 00:11:41,600 --> 00:11:44,200 Speaker 1: the motherfucker's are thinking about that ship on the train, 190 00:11:44,320 --> 00:11:46,960 Speaker 1: on the bus, walking in the streets, and when it's 191 00:11:47,040 --> 00:11:49,360 Speaker 1: eleven o'clock at night and it's brick cold out. You're 192 00:11:49,360 --> 00:11:52,960 Speaker 1: not thinking about your fucking who. Who's this designer? And 193 00:11:53,000 --> 00:11:56,200 Speaker 1: he's the mold of this and the elements of the 194 00:11:56,880 --> 00:11:59,000 Speaker 1: all that bullshit? Man, how many feathers have got in 195 00:11:59,000 --> 00:12:01,840 Speaker 1: the motherfucking cold? How many feathers do this guy and 196 00:12:01,880 --> 00:12:04,559 Speaker 1: the motherfucking cold? What what's the goose count when it's 197 00:12:04,640 --> 00:12:08,480 Speaker 1: fucking nine below. I'm not thinking about all that fly ship. 198 00:12:10,280 --> 00:12:13,559 Speaker 1: I fell on the snow this week. I fucking slipped 199 00:12:13,559 --> 00:12:16,360 Speaker 1: and bust my ass. Now if I was wearing some 200 00:12:16,440 --> 00:12:20,360 Speaker 1: fucking ship, and and I'm laying down checking to make 201 00:12:20,400 --> 00:12:23,200 Speaker 1: sure I didn't break my fucking hip or break my 202 00:12:23,240 --> 00:12:26,320 Speaker 1: fucking wrist, and I'm laying in a puddle of shit, 203 00:12:27,360 --> 00:12:29,679 Speaker 1: I'm not thinking about all that fashion ship. So this 204 00:12:29,720 --> 00:12:32,280 Speaker 1: is what my my my point is to Kanye, I 205 00:12:32,400 --> 00:12:34,880 Speaker 1: funk with you. I funk with your music. I'm not 206 00:12:35,000 --> 00:12:38,320 Speaker 1: with all this fashion ship. The majority of the fucking 207 00:12:38,440 --> 00:12:40,600 Speaker 1: world is not with all this fashion ship. You know, 208 00:12:40,679 --> 00:12:44,720 Speaker 1: this guy said everything I said, what happened happened. He 209 00:12:44,840 --> 00:12:48,760 Speaker 1: thinks he's like on some other ship. Stop singing too, man, 210 00:12:48,880 --> 00:12:51,440 Speaker 1: Who told you you could sing? That's all I want 211 00:12:51,440 --> 00:12:53,920 Speaker 1: to know why? And who told this motherfucker he could sing. 212 00:12:54,240 --> 00:12:56,080 Speaker 1: I don't know who told him he could sing, because 213 00:12:56,080 --> 00:13:00,640 Speaker 1: that ship is terrible. Yo off no off key. Singing 214 00:13:00,760 --> 00:13:04,120 Speaker 1: is is stop. If you keep talking about the artistry 215 00:13:04,160 --> 00:13:08,880 Speaker 1: in the art form, you're just fucking disrespecting singing, and 216 00:13:08,920 --> 00:13:12,920 Speaker 1: you're disrespecting great singers. Have John Legend, that's your man. 217 00:13:13,000 --> 00:13:16,560 Speaker 1: Have him come sing. Get Stevie wondering there to stay. 218 00:13:16,640 --> 00:13:23,320 Speaker 1: It's like me singing sing sing Gerald, Well, ship man, 219 00:13:23,760 --> 00:13:26,400 Speaker 1: get the Sandman out here to fucking hook you off 220 00:13:26,400 --> 00:13:30,240 Speaker 1: the stage. But who's telling him. You can't tell him ship. 221 00:13:30,559 --> 00:13:33,319 Speaker 1: That's probably Bruce Jenna and motherfucker. Bruce Jenner is like, yeah, 222 00:13:33,360 --> 00:13:35,640 Speaker 1: I like that, Yeah, it's great. Chris Jenner's like, yeah, 223 00:13:35,640 --> 00:13:40,400 Speaker 1: it's great. It's about my granddaughter and Bruce. You see. 224 00:13:40,440 --> 00:13:42,480 Speaker 1: You see Paul McCarney that song that he did with 225 00:13:42,480 --> 00:13:45,439 Speaker 1: Paul McCartney, Paul McCartney didn't get on there. Paul McCartney 226 00:13:45,640 --> 00:13:47,440 Speaker 1: was probably like, what the fund is this guy doing? 227 00:13:48,200 --> 00:13:50,360 Speaker 1: He didn't get on, he didn't sing on there. He's 228 00:13:50,400 --> 00:13:53,720 Speaker 1: not singing. It's just him. It's an auto tuned And 229 00:13:53,760 --> 00:13:55,800 Speaker 1: then he performed it live once with auto tunes and 230 00:13:55,800 --> 00:13:58,080 Speaker 1: once without it sounded like a fucking ship show. That 231 00:13:58,160 --> 00:14:00,600 Speaker 1: must be the ship I heard on a radio. It's ship, 232 00:14:02,240 --> 00:14:05,200 Speaker 1: my daughter. We were laughing at it, your daughter, it's 233 00:14:05,440 --> 00:14:08,320 Speaker 1: it's ship, It's ship. Paul McCartney was like, I'm not 234 00:14:08,440 --> 00:14:11,800 Speaker 1: fucking what the fund is going on here? Paul should 235 00:14:11,800 --> 00:14:15,600 Speaker 1: have said, YO, nixed the deal. I'm not man, take 236 00:14:15,679 --> 00:14:26,400 Speaker 1: my name off that fucking track. Kanye West is no dummy. 237 00:14:26,920 --> 00:14:30,040 Speaker 1: He knew what song he was gonna sing, and he 238 00:14:30,080 --> 00:14:34,080 Speaker 1: knows the lyrics to the song. And I don't know 239 00:14:34,120 --> 00:14:38,240 Speaker 1: how many N words there are in that song, but 240 00:14:38,280 --> 00:14:41,760 Speaker 1: it's in the chorus. Oh, and he said it, and 241 00:14:41,840 --> 00:14:44,280 Speaker 1: he said it, and now he's saying he's over censored. 242 00:14:44,480 --> 00:14:49,800 Speaker 1: He was over censored, and and probably you know, during 243 00:14:49,800 --> 00:14:53,920 Speaker 1: the live performance, the censors like beep beep, beep, beep 244 00:14:53,920 --> 00:14:56,400 Speaker 1: beep beep, like what the fund is going on here? 245 00:14:57,360 --> 00:15:01,680 Speaker 1: So like parts of the song that probably didn't have curses, 246 00:15:02,000 --> 00:15:04,840 Speaker 1: and then word this it's all day and all day. 247 00:15:04,880 --> 00:15:09,040 Speaker 1: And then then they're saying he was over censored. Why 248 00:15:09,080 --> 00:15:12,400 Speaker 1: don't you just sing a song that is acceptable for 249 00:15:12,520 --> 00:15:17,320 Speaker 1: network TV. It's network TV, it's Channel seven. You know 250 00:15:17,640 --> 00:15:20,040 Speaker 1: what it is. If you don't want to do it. 251 00:15:20,640 --> 00:15:24,520 Speaker 1: Don't fucking do it. Don't do the show, but don't 252 00:15:24,600 --> 00:15:26,800 Speaker 1: do the show and not follow the rules of the 253 00:15:26,840 --> 00:15:30,920 Speaker 1: show that every single other person and every single other artist. 254 00:15:31,000 --> 00:15:34,240 Speaker 1: Since you pride yourself on this almine artist, i'mine artist 255 00:15:34,280 --> 00:15:36,720 Speaker 1: and and artists means like I could be an asshole, 256 00:15:36,720 --> 00:15:39,520 Speaker 1: and artist means I could. I shouldn't be censored. Well, 257 00:15:40,000 --> 00:15:42,440 Speaker 1: then you shouldn't have done the show. You should not 258 00:15:42,440 --> 00:15:45,240 Speaker 1: have done the show. And and aside from the the 259 00:15:44,720 --> 00:15:48,000 Speaker 1: the thing about your song and being beeped and censored, 260 00:15:48,480 --> 00:15:52,400 Speaker 1: you chose to do the lights and the camera and 261 00:15:52,440 --> 00:15:56,520 Speaker 1: the smoking, uh, the the firecrackers and all that Fourth 262 00:15:56,560 --> 00:15:59,280 Speaker 1: of July ship when no one can see you while 263 00:15:59,320 --> 00:16:01,800 Speaker 1: you're singing your song that no one can hear because 264 00:16:01,800 --> 00:16:04,400 Speaker 1: it's being beat out. You chose to do that hair 265 00:16:04,480 --> 00:16:07,360 Speaker 1: metal ship. I thought I was watching like a like 266 00:16:07,480 --> 00:16:10,840 Speaker 1: a like a Metallica concert, or I was watching like 267 00:16:10,840 --> 00:16:13,640 Speaker 1: a Ozzy Osbourne show. This is hip hop and you 268 00:16:13,720 --> 00:16:16,680 Speaker 1: got you know, he's like, you didn't catch on fire, 269 00:16:17,360 --> 00:16:22,320 Speaker 1: so you you you had yourself covered by smoke, smoking, 270 00:16:22,440 --> 00:16:25,640 Speaker 1: mirrors and fire. And then you do a song that 271 00:16:25,720 --> 00:16:27,920 Speaker 1: you know the lyrics are they can't play him on 272 00:16:27,920 --> 00:16:29,880 Speaker 1: the radio. Why don't you say I get senttioned on 273 00:16:29,880 --> 00:16:34,600 Speaker 1: the radio. This is television during prime time. Pick a 274 00:16:34,640 --> 00:16:38,400 Speaker 1: song that's singabowl, that's performable. And then when it's when you, 275 00:16:38,560 --> 00:16:41,000 Speaker 1: when you, she gets beat like it should like every 276 00:16:41,040 --> 00:16:44,360 Speaker 1: single other person up there, all the other artists, because 277 00:16:44,360 --> 00:16:47,960 Speaker 1: you're not better than all the other people. You're not exclusive. 278 00:16:48,000 --> 00:16:51,520 Speaker 1: It's not the Kanye West show. It's the fucking Billboard 279 00:16:51,600 --> 00:16:54,840 Speaker 1: whatever show. I'm sick and tired like and then he's 280 00:16:54,880 --> 00:16:57,360 Speaker 1: like like this and complaining and then people like, well, 281 00:16:57,920 --> 00:17:02,760 Speaker 1: people those executives that are getting paid, they're doing the sensoring. Yes, motherfucker, 282 00:17:02,960 --> 00:17:07,840 Speaker 1: they're doing the censoring because because there's there's there's standards. 283 00:17:07,840 --> 00:17:11,080 Speaker 1: There's but but there's there's practices and standards. You want 284 00:17:11,119 --> 00:17:13,280 Speaker 1: to curse and do all that ship, take that ship 285 00:17:13,359 --> 00:17:16,800 Speaker 1: to show time, do it on the internet, put it 286 00:17:16,840 --> 00:17:20,560 Speaker 1: out yourself. You don't want to do that, then fucking 287 00:17:20,640 --> 00:17:23,800 Speaker 1: don't say and word this and we're that seventy six 288 00:17:23,840 --> 00:17:25,920 Speaker 1: times in the song and expect it to be played. 289 00:17:26,640 --> 00:17:29,560 Speaker 1: How do you think people are gonna respect you? You're 290 00:17:29,560 --> 00:17:34,080 Speaker 1: on a world stage, nigga, This nigga that you're not 291 00:17:35,640 --> 00:17:38,120 Speaker 1: and you think that's real. You know, I wanna be me. 292 00:17:39,119 --> 00:17:44,040 Speaker 1: You're just embarrassing us. That's it. All day, this, all day, 293 00:17:44,040 --> 00:17:47,200 Speaker 1: that all day whack ass song, not even a good song, 294 00:17:47,480 --> 00:17:51,040 Speaker 1: more of that techno bullshit. The boom bap is gone. 295 00:17:51,119 --> 00:17:54,240 Speaker 1: It's evaporated. It's like been in boiling water. It's gone. 296 00:17:54,880 --> 00:17:59,359 Speaker 1: It's gone. Bad song, bad choice of song to perform live, 297 00:17:59,720 --> 00:18:03,960 Speaker 1: and bad choice of of of pyrotechnics to do your ship. 298 00:18:04,720 --> 00:18:06,440 Speaker 1: Bad all the way around. And you want to blame 299 00:18:06,480 --> 00:18:09,600 Speaker 1: other people. You made the decision to do it. Come 300 00:18:09,640 --> 00:18:11,520 Speaker 1: back to the hip hop, Come back to the straight 301 00:18:11,600 --> 00:18:14,679 Speaker 1: hip hop. Just like you're passionate, the fans are passion 302 00:18:15,160 --> 00:18:17,320 Speaker 1: Just like you have your strong points of view. The 303 00:18:17,359 --> 00:18:19,760 Speaker 1: fans have a point of view. We funk with you, 304 00:18:19,800 --> 00:18:23,120 Speaker 1: we we respect you, and on. But Yo, you keep 305 00:18:23,119 --> 00:18:27,200 Speaker 1: making that music that's not for anybody. You're gonna see yo. 306 00:18:27,520 --> 00:18:29,520 Speaker 1: And you with jay Z, you with one of the 307 00:18:29,560 --> 00:18:33,280 Speaker 1: world's greatest artists, and you see how he gets down, 308 00:18:33,400 --> 00:18:36,560 Speaker 1: He's still doing his ship. Why don't you follow in 309 00:18:36,640 --> 00:18:40,120 Speaker 1: that man's footsteps. You're trying to like reinvent the wheel. 310 00:18:40,160 --> 00:18:43,240 Speaker 1: You're not reinventing the wheel. It's hip hop before you 311 00:18:43,560 --> 00:18:45,920 Speaker 1: and after you. It's always gonna be hip hop. Right, 312 00:18:46,600 --> 00:18:49,600 Speaker 1: You're great and all that ship, but Yo, you're not 313 00:18:49,680 --> 00:18:53,879 Speaker 1: bigger than the music. The music. Yo, dudes put a 314 00:18:53,920 --> 00:18:57,280 Speaker 1: lot of work, didn't get paid and not up there. 315 00:18:57,680 --> 00:19:00,320 Speaker 1: You know what, you know what Mellie Mel do to 316 00:19:00,320 --> 00:19:03,240 Speaker 1: get a chance to perform live on the bb m's 317 00:19:03,320 --> 00:19:07,000 Speaker 1: or whatever the funk that is, or or like all 318 00:19:07,040 --> 00:19:09,280 Speaker 1: the other dudes. I mean, I mean have to name dude, 319 00:19:09,520 --> 00:19:12,600 Speaker 1: come on, man to get that venue and the like. 320 00:19:12,760 --> 00:19:17,880 Speaker 1: And then you're censoring yourself by saying that dumbass song 321 00:19:19,160 --> 00:19:21,680 Speaker 1: you chose to sing the song. I'm glad they beat 322 00:19:21,760 --> 00:19:26,000 Speaker 1: that ship out. Yeah, nobody, people watch this around the world. Man, 323 00:19:26,600 --> 00:19:29,000 Speaker 1: that ship is not dope. It's not cool. And then 324 00:19:29,040 --> 00:19:33,200 Speaker 1: you're like Chicago, this Chicago that Yo, I'm sorry, uh yo, 325 00:19:33,640 --> 00:19:35,440 Speaker 1: there's a lot of ship going on Chicago, but I 326 00:19:35,480 --> 00:19:38,960 Speaker 1: bet my bottom dollar that motherfucker's our the hood are 327 00:19:39,040 --> 00:19:42,240 Speaker 1: not listening to that song. So you're like, I'm from Chicago, 328 00:19:42,680 --> 00:19:46,680 Speaker 1: I'm from Chicago. Nobody. Fuck, that's a whack ass song. 329 00:19:48,240 --> 00:19:50,640 Speaker 1: You can do a thousand times better. We expect more 330 00:19:50,720 --> 00:19:53,400 Speaker 1: from yu Kanye West, and I'm tired of the complaint 331 00:19:53,440 --> 00:19:56,120 Speaker 1: and I'm a big fucking fan. You have an open 332 00:19:56,160 --> 00:19:58,159 Speaker 1: invitation to be on the Iron Rap por part. You 333 00:19:58,160 --> 00:20:00,480 Speaker 1: have best stuff out there to the world. Bring that 334 00:20:00,560 --> 00:20:02,760 Speaker 1: boom bapship and they'll be like, well I did that. 335 00:20:02,800 --> 00:20:05,840 Speaker 1: I want to change, yo. Come on, man, there's more 336 00:20:05,880 --> 00:20:14,960 Speaker 1: to explore. This is hip Hop Hip Hop Podcast. Kanye West. Now. 337 00:20:15,000 --> 00:20:17,240 Speaker 1: I put out a challenge when you were gone. I 338 00:20:17,240 --> 00:20:19,720 Speaker 1: put out a challenge to many people. I said I 339 00:20:19,720 --> 00:20:22,399 Speaker 1: would I just happened. I did not know that Kanye 340 00:20:22,480 --> 00:20:25,800 Speaker 1: west birthday was coming up when I made podcast where 341 00:20:25,800 --> 00:20:28,359 Speaker 1: I challenge everybody in one on one. I challenged jay Z, 342 00:20:28,760 --> 00:20:32,320 Speaker 1: I challenged b I challenged I. I I didn't even challenge Timberlake, 343 00:20:32,400 --> 00:20:34,640 Speaker 1: but I cracked that ass one on one. I get 344 00:20:34,720 --> 00:20:36,880 Speaker 1: him in the post. He would I have him, yo, 345 00:20:37,440 --> 00:20:40,359 Speaker 1: I mouse in the house. I'd have him like a 346 00:20:40,400 --> 00:20:42,439 Speaker 1: mouse in now. But the first person I wanted to 347 00:20:42,440 --> 00:20:44,480 Speaker 1: go after was Kanye because I saw a picture of 348 00:20:44,560 --> 00:20:47,080 Speaker 1: him playing ball and I was like, Kanye West, you 349 00:20:47,160 --> 00:20:49,080 Speaker 1: know he didn't ever play city. Will you know he 350 00:20:49,119 --> 00:20:53,080 Speaker 1: didn't play competitive basketball? Now, now, as an adult and 351 00:20:53,160 --> 00:20:55,360 Speaker 1: you're rich and you could afford least, He's like, I'm 352 00:20:55,359 --> 00:20:57,960 Speaker 1: gonna get people to play basketball. So after I posed 353 00:20:58,000 --> 00:21:01,040 Speaker 1: this challenge on on the on the Podcas cast. A 354 00:21:01,040 --> 00:21:03,879 Speaker 1: few days later, it was Kanye west birthday and and 355 00:21:03,920 --> 00:21:09,000 Speaker 1: allegedly his his wife, the beautiful and famous Kim Kardashian. 356 00:21:09,320 --> 00:21:12,960 Speaker 1: She rented out the entire Staples Center for allegedly a 357 00:21:13,040 --> 00:21:15,639 Speaker 1: hundred and ten thousand dollars and they had the Laker Girls, 358 00:21:15,760 --> 00:21:19,600 Speaker 1: who are whacked as funk. As far as cheerleaders go, 359 00:21:20,520 --> 00:21:23,480 Speaker 1: the Laker Girls are are probably at the bottom of 360 00:21:23,480 --> 00:21:26,880 Speaker 1: the barrel in terms of having any flavor or any 361 00:21:27,000 --> 00:21:30,080 Speaker 1: like style, like any swag or what's the word. They 362 00:21:30,080 --> 00:21:34,000 Speaker 1: have no ass. They're caked on with makeup and and 363 00:21:34,040 --> 00:21:36,000 Speaker 1: it's not them, it's the girls they picked there there 364 00:21:36,040 --> 00:21:39,000 Speaker 1: and they they insist on these girls being ultra skinny. 365 00:21:39,040 --> 00:21:42,359 Speaker 1: But for some reason, Kanye West, who we know likes 366 00:21:42,400 --> 00:21:46,240 Speaker 1: big asses, had the Laker Girls there because his wife 367 00:21:46,280 --> 00:21:48,320 Speaker 1: is the she has the biggest ass of all time. 368 00:21:48,800 --> 00:21:51,760 Speaker 1: Somehow or another, She's wound up with the biggest ass 369 00:21:51,800 --> 00:21:54,760 Speaker 1: of all time. She she's she's proud of it. She 370 00:21:54,880 --> 00:21:57,480 Speaker 1: she puts it on pictures and she wants to break 371 00:21:57,520 --> 00:21:59,600 Speaker 1: the fucking Internet. But anyway, let me stay, let me 372 00:21:59,600 --> 00:22:02,600 Speaker 1: stay for Chris for his birthday. She rented out the 373 00:22:02,600 --> 00:22:04,840 Speaker 1: Staple Center and it was like they had the scoreboard 374 00:22:04,840 --> 00:22:07,359 Speaker 1: and it was Happy Birthday Kanye for his birthday, and 375 00:22:07,640 --> 00:22:09,080 Speaker 1: he had a pickup game and it was I don't 376 00:22:09,119 --> 00:22:11,800 Speaker 1: know who was there playing, but in this game because 377 00:22:11,800 --> 00:22:16,680 Speaker 1: I saw a picture of it, apparently Justin Bieber one 378 00:22:17,280 --> 00:22:19,200 Speaker 1: m v P of the game. Now for a pickup game. 379 00:22:19,240 --> 00:22:21,879 Speaker 1: I've played many pickup games, and and let me just 380 00:22:21,920 --> 00:22:24,200 Speaker 1: ask throw this question to you first, when you've played 381 00:22:24,200 --> 00:22:26,960 Speaker 1: a pickup game, Gerald, was there ever an m v 382 00:22:27,040 --> 00:22:32,600 Speaker 1: P anointed at a game? No? No, no, that never happened. Okay, 383 00:22:32,600 --> 00:22:34,720 Speaker 1: so that that maybe this probably wasn't a pickup game. 384 00:22:34,760 --> 00:22:36,159 Speaker 1: But but they said it was a pickup game. It 385 00:22:36,280 --> 00:22:39,399 Speaker 1: hit Staple Center, and uh and and Justin Bieber scored 386 00:22:39,440 --> 00:22:41,119 Speaker 1: twenty two points and he won the m v P 387 00:22:41,320 --> 00:22:44,959 Speaker 1: of Kanye's pickup game for his birthday. So we know 388 00:22:45,119 --> 00:22:47,399 Speaker 1: for sure, Kanye, Look, we we we funk with you. 389 00:22:47,480 --> 00:22:49,280 Speaker 1: We've been hard on you, we fun with you. We 390 00:22:49,359 --> 00:22:53,720 Speaker 1: know I could tell you can't play ball if if 391 00:22:53,840 --> 00:22:56,480 Speaker 1: Justin Bieber won the m v P of your birthday 392 00:22:56,560 --> 00:22:59,280 Speaker 1: game at Staples who the funk was playing at this game? 393 00:22:59,520 --> 00:23:01,920 Speaker 1: Hockey of the fucking won m v P. Yo, who 394 00:23:02,119 --> 00:23:05,320 Speaker 1: was what was the fucking competition level at this game? 395 00:23:05,440 --> 00:23:09,040 Speaker 1: Who was there? How the fund did Justin Bieber when 396 00:23:09,080 --> 00:23:11,000 Speaker 1: the m v P of your birthday game and your 397 00:23:11,080 --> 00:23:13,920 Speaker 1: Kanye West and it's your birthday and the other guys 398 00:23:13,960 --> 00:23:16,320 Speaker 1: that were playing, you should all be ashamed to yourself. 399 00:23:16,400 --> 00:23:18,640 Speaker 1: I know who they were, and they all Chicago Cats, 400 00:23:18,680 --> 00:23:22,920 Speaker 1: So Marcaguire, Isaiah, They're probably like, Yo, he won m VP. 401 00:23:23,200 --> 00:23:25,920 Speaker 1: He won the fucking m v P. D Rose is 402 00:23:25,960 --> 00:23:30,600 Speaker 1: like he won the fucking MVP. The Chicago Rivers, Darryl Walker, 403 00:23:30,960 --> 00:23:34,680 Speaker 1: all the great Chicago basketball players are like, he you Letkan, 404 00:23:34,880 --> 00:23:37,119 Speaker 1: you let Justin Bieber win the m v P of 405 00:23:37,160 --> 00:23:41,960 Speaker 1: your birthday and you represent Chicago, You're you represent the Shy, 406 00:23:42,080 --> 00:23:44,600 Speaker 1: You're from the North Side, that you represent the Shy, 407 00:23:44,640 --> 00:23:47,600 Speaker 1: and Justin Bieber won the m v P of your 408 00:23:47,640 --> 00:23:51,520 Speaker 1: fucking game. Hockey, MOTHERFUCKERI he's not even a hockey motherfucker 409 00:23:51,640 --> 00:23:54,960 Speaker 1: from Canada. We call my I mean, but what about 410 00:23:55,000 --> 00:23:57,440 Speaker 1: the other dudes. Okay, let's just say Kanye was like, Okay, 411 00:23:57,480 --> 00:23:59,560 Speaker 1: he didn't win. What about the other guys playing in 412 00:23:59,600 --> 00:24:02,760 Speaker 1: this game. What about you let Justin Bieber when the 413 00:24:02,920 --> 00:24:05,040 Speaker 1: m v P of of of a game at Staples 414 00:24:05,040 --> 00:24:09,440 Speaker 1: Center with with bleach blonde hair looking like a fucking 415 00:24:09,560 --> 00:24:11,119 Speaker 1: like a like a like a like a like a 416 00:24:11,200 --> 00:24:14,280 Speaker 1: Caitlin Caitlin Cyrus, he looked like Miley, So it could 417 00:24:14,280 --> 00:24:17,119 Speaker 1: have been Justin Bieber. And maybe it wasn't fucking Justin Bieber. 418 00:24:17,119 --> 00:24:19,080 Speaker 1: It looked like it could have been Miley Cyrus. But 419 00:24:19,560 --> 00:24:24,680 Speaker 1: the fact that Justin Bieber one and your wife spent 420 00:24:24,720 --> 00:24:28,520 Speaker 1: a hundred and ten thousand dollars, you should at least 421 00:24:28,560 --> 00:24:32,560 Speaker 1: one the NV one of your people should come on, man, 422 00:24:33,280 --> 00:24:37,159 Speaker 1: come on, I would take it from that motherful. And 423 00:24:37,200 --> 00:24:39,760 Speaker 1: you can't let people announce that publicly. You know, you 424 00:24:39,800 --> 00:24:41,359 Speaker 1: gotta be like yo, I know he won the MVP, 425 00:24:41,480 --> 00:24:43,680 Speaker 1: but your you guys can't put that on the fucking internet. 426 00:24:43,960 --> 00:24:46,359 Speaker 1: Like what would you bet? Like would you bet like 427 00:24:46,400 --> 00:24:48,720 Speaker 1: an arm that you could be Kanye West in a 428 00:24:48,720 --> 00:24:50,240 Speaker 1: one on one? And what was the last time you 429 00:24:50,240 --> 00:24:53,960 Speaker 1: play basketball? Like straight up three years ago? Okay, g 430 00:24:54,160 --> 00:24:57,760 Speaker 1: Moody hasn't played ball in three years? And you bet 431 00:24:57,800 --> 00:25:00,480 Speaker 1: what what would everything you own? You? But everything you 432 00:25:00,560 --> 00:25:03,119 Speaker 1: own for sure that you could be Kanye West in 433 00:25:03,119 --> 00:25:04,880 Speaker 1: a one on one like no problem and you could 434 00:25:04,920 --> 00:25:07,240 Speaker 1: just tell right that I could, Like he never talked 435 00:25:07,359 --> 00:25:09,480 Speaker 1: like he talked about growing up in Chicago, but he 436 00:25:09,520 --> 00:25:12,320 Speaker 1: never said when I grew up in Chicago, I played ball. 437 00:25:12,480 --> 00:25:14,360 Speaker 1: You never said any of that. If you play ball, 438 00:25:14,480 --> 00:25:17,240 Speaker 1: you played since the age of four or five. You 439 00:25:17,280 --> 00:25:21,040 Speaker 1: don't just start playing ball when you're that's like almost 440 00:25:21,080 --> 00:25:23,200 Speaker 1: becoming famous and becoming like you know, it's not becoming 441 00:25:23,240 --> 00:25:25,959 Speaker 1: a famous rapper and becoming a gangster famous rapper. Like 442 00:25:26,000 --> 00:25:27,840 Speaker 1: you don't just pick up a basketball as an adult 443 00:25:27,880 --> 00:25:31,040 Speaker 1: and be like, yeah, I played as staple center. Come okay, 444 00:25:31,160 --> 00:25:33,119 Speaker 1: so I listened. That game feels like to me that 445 00:25:33,160 --> 00:25:40,720 Speaker 1: game win a RYE podcast. Welcome to play a new 446 00:25:40,800 --> 00:25:46,359 Speaker 1: podcast network featuring radio and TV personalities talking business, sports, tech, entertainment, 447 00:25:46,400 --> 00:26:01,840 Speaker 1: and more. Play it at play dot It. Kanye West, 448 00:26:02,200 --> 00:26:06,840 Speaker 1: who We've We've we've acknowledged some of the great hip 449 00:26:06,920 --> 00:26:10,320 Speaker 1: hop work you've done. We we've talked about it on 450 00:26:10,359 --> 00:26:13,000 Speaker 1: the Iron Wrap for a podcast many times. But we 451 00:26:13,040 --> 00:26:16,520 Speaker 1: don't need to keep repeating ourselves when you are up there, 452 00:26:16,840 --> 00:26:19,760 Speaker 1: Just yo, I don't did you want to start with 453 00:26:19,800 --> 00:26:25,040 Speaker 1: this this dude. Yeah, I think Money is getting a 454 00:26:25,040 --> 00:26:28,440 Speaker 1: little too big for his bridges man and and for me, 455 00:26:28,560 --> 00:26:32,600 Speaker 1: I think, yo, you're gonna be faded out. And also, 456 00:26:33,040 --> 00:26:37,080 Speaker 1: you know, Money talks a good game about the blacks, 457 00:26:37,160 --> 00:26:40,879 Speaker 1: the black That one question I've always wanted to ask, 458 00:26:41,000 --> 00:26:46,639 Speaker 1: what anyone has this guy ever been with a black woman? 459 00:26:47,600 --> 00:26:51,280 Speaker 1: I don't know, but that's a valid question. I don't know. 460 00:26:51,640 --> 00:26:54,280 Speaker 1: As far as I know, he's he's with his current wife, 461 00:26:55,119 --> 00:26:58,880 Speaker 1: the great, the great Kim Kim Kardashian. She looked fantastic. 462 00:26:59,080 --> 00:27:01,080 Speaker 1: Of course she can ever just let him be out. 463 00:27:01,520 --> 00:27:03,960 Speaker 1: It's always gotta be you come out, even though you're 464 00:27:04,000 --> 00:27:07,199 Speaker 1: five months pregnant, looking like, you know, like a barrel 465 00:27:07,240 --> 00:27:11,840 Speaker 1: of fucking you know, basketball's uh and uh. And then 466 00:27:11,880 --> 00:27:15,919 Speaker 1: before that, he dated Amber Rose, who who is as 467 00:27:15,960 --> 00:27:18,719 Speaker 1: a fan of the Iron rapp Or podcast and an 468 00:27:18,760 --> 00:27:21,760 Speaker 1: old buddy of mine. And we're gonna we're gonna hopefully 469 00:27:21,760 --> 00:27:24,359 Speaker 1: have her on here very soon, Amber Rose, because she 470 00:27:24,359 --> 00:27:26,240 Speaker 1: she's gonna have a lot of insight into all us. 471 00:27:26,280 --> 00:27:29,120 Speaker 1: So as far as your question of him ever dating 472 00:27:29,280 --> 00:27:32,600 Speaker 1: publicly a black woman, I cannot answer that, but that 473 00:27:32,720 --> 00:27:35,320 Speaker 1: is a valid that is a valid question. That is 474 00:27:35,359 --> 00:27:38,600 Speaker 1: a valid question. I know that her her, his wife 475 00:27:39,040 --> 00:27:45,880 Speaker 1: has dated uh a lot of black gentlemen. Uh, yes, yes, yes, 476 00:27:45,920 --> 00:27:49,320 Speaker 1: but that's a good question. Has maybe can somebody fact 477 00:27:49,440 --> 00:27:51,360 Speaker 1: check that for us, because we don't fact check. Has 478 00:27:51,480 --> 00:27:56,080 Speaker 1: Kanye West uh ever publicly dated a black woman? But 479 00:27:56,080 --> 00:28:00,879 Speaker 1: but the speech he's up there as if he's the 480 00:28:00,960 --> 00:28:04,560 Speaker 1: cure for cancer, like he's discovered and he's struggling and 481 00:28:04,640 --> 00:28:07,560 Speaker 1: fighting for the cure for cancer, not just cancer and 482 00:28:07,800 --> 00:28:11,679 Speaker 1: aids and like maybe leukemia, Like like his struggle is 483 00:28:11,720 --> 00:28:15,080 Speaker 1: that and what he does and what he puts into 484 00:28:15,440 --> 00:28:19,240 Speaker 1: his songs, which are not all dope, is the cure 485 00:28:19,560 --> 00:28:24,320 Speaker 1: for cancer and or aids. It's not. It's not. You're 486 00:28:24,359 --> 00:28:28,040 Speaker 1: you're right now, you're not making a consistent amount of 487 00:28:28,119 --> 00:28:31,160 Speaker 1: hip hop. You're making world music. I've said it once, 488 00:28:31,320 --> 00:28:32,760 Speaker 1: and I say I'll say it to the to the 489 00:28:32,840 --> 00:28:35,960 Speaker 1: day I stop, uh stop being able to hear. Just 490 00:28:36,040 --> 00:28:40,360 Speaker 1: because someone is rapping doesn't make it rap music. Just 491 00:28:40,400 --> 00:28:44,080 Speaker 1: because it rhymes doesn't make it hip hop. Okay, I 492 00:28:44,120 --> 00:28:47,520 Speaker 1: don't give a shit. Okay, And obviously Kanye can do that, 493 00:28:47,960 --> 00:28:52,000 Speaker 1: or maybe he can't anymore, maybe because he's not in Chicago. Uh, 494 00:28:52,040 --> 00:28:53,840 Speaker 1: maybe he can't do it. Maybe because he's out there, 495 00:28:53,880 --> 00:28:56,640 Speaker 1: we can do it. Yo, he can't. He can't do it. 496 00:28:56,840 --> 00:29:00,640 Speaker 1: When you like, say, when you forget that great groceries, 497 00:29:00,680 --> 00:29:04,200 Speaker 1: you lose your thing. When you're around he motherfucker's you 498 00:29:04,360 --> 00:29:09,200 Speaker 1: lose the very thing that made you popular. Say it again, 499 00:29:10,480 --> 00:29:14,080 Speaker 1: when you're around, when you get away from your surrounding, 500 00:29:14,880 --> 00:29:17,560 Speaker 1: like for a long period of time and you start 501 00:29:17,720 --> 00:29:23,720 Speaker 1: getting into another world, you lose that gritty soil, that 502 00:29:23,960 --> 00:29:28,800 Speaker 1: dirty ship, you lose that because you're not in that ship. 503 00:29:28,880 --> 00:29:31,120 Speaker 1: You up there on the boat, You up there on 504 00:29:31,160 --> 00:29:35,000 Speaker 1: the boats with Scott Disick, Caitlin and and and and 505 00:29:35,000 --> 00:29:37,320 Speaker 1: and and and and the mother in law's man, he's 506 00:29:37,360 --> 00:29:40,800 Speaker 1: whacked too. Yeah, you know, yeah, he was supposed to 507 00:29:40,800 --> 00:29:42,840 Speaker 1: go up there to perform, and he's up to he's 508 00:29:43,120 --> 00:29:46,240 Speaker 1: he's he's the ankst that he shows like he's really 509 00:29:46,280 --> 00:29:48,720 Speaker 1: like if he was up there, Like they're scientists that 510 00:29:48,760 --> 00:29:52,720 Speaker 1: are struggling to save you know, the planet destroy scientists 511 00:29:52,760 --> 00:29:55,960 Speaker 1: and doctors that are struggling to save people's lives. And 512 00:29:56,000 --> 00:30:00,280 Speaker 1: they didn't have less angst and a thousand times times 513 00:30:00,360 --> 00:30:02,440 Speaker 1: more humility than this dude. And he's up there like 514 00:30:02,520 --> 00:30:07,120 Speaker 1: his music is Yo, my man, you're not Stevie Wonder, 515 00:30:08,560 --> 00:30:11,800 Speaker 1: You're not Michael Jack. You man, you're not You're not 516 00:30:12,120 --> 00:30:14,720 Speaker 1: these guys like you're not even jay Z. You're not 517 00:30:14,760 --> 00:30:18,360 Speaker 1: even the best at what you do. You're not jay Z. 518 00:30:19,240 --> 00:30:21,120 Speaker 1: Like you're great. You've done a lot of great ship, 519 00:30:21,200 --> 00:30:23,960 Speaker 1: but you're you're not finding that, you know, You're not 520 00:30:24,040 --> 00:30:26,480 Speaker 1: like discovering like you know, you see. And then he 521 00:30:26,480 --> 00:30:30,800 Speaker 1: said he's gonna run for fucking president and he sincerely 522 00:30:30,840 --> 00:30:33,000 Speaker 1: believes that ship, like he's like, yo, I could be 523 00:30:33,040 --> 00:30:36,880 Speaker 1: president of the United States. The man, that's it. He 524 00:30:37,000 --> 00:30:42,120 Speaker 1: knows that audience, man, it ain't us, No, it ain't us. 525 00:30:42,520 --> 00:30:44,640 Speaker 1: If he had done that around some some real people 526 00:30:44,680 --> 00:30:46,640 Speaker 1: to boot his ass at one point, I think they 527 00:30:46,640 --> 00:30:50,080 Speaker 1: were gonna boom, and I was gonna be like yeah, yeah, yeah, yeah, 528 00:30:50,080 --> 00:30:52,320 Speaker 1: because you know what you came to see the guy performed. 529 00:30:52,480 --> 00:30:55,080 Speaker 1: He's up there for ten minutes, talking, talking, crazy and 530 00:30:55,120 --> 00:30:58,560 Speaker 1: Taylor Swift she's just like shell shock. She doesn't know 531 00:30:58,600 --> 00:31:01,200 Speaker 1: whether to laugh to cry to run? Is this gonna 532 00:31:01,320 --> 00:31:05,400 Speaker 1: turn on me? She's towering over pregnant Kim Kardashian. The 533 00:31:05,440 --> 00:31:09,600 Speaker 1: whole thing looked crazy. Yeah, man, that lady Taylor Swift 534 00:31:09,640 --> 00:31:13,440 Speaker 1: was over that guy. How tall is that motherfucker? I 535 00:31:13,480 --> 00:31:15,720 Speaker 1: don't know, five eight or something like that, But but 536 00:31:15,800 --> 00:31:18,920 Speaker 1: that's it, man. We we don't listen until you make 537 00:31:18,960 --> 00:31:21,440 Speaker 1: that boom bap. Yo. I'm out with the ship and 538 00:31:21,440 --> 00:31:25,560 Speaker 1: the Jesus Sneakers ships is whacked. Duke ships is wacky, 539 00:31:26,320 --> 00:31:29,680 Speaker 1: my man. Yo, them you just bait the Nike, Rosch's 540 00:31:29,920 --> 00:31:32,440 Speaker 1: and and them ships a straight whack. I'm not buying him. 541 00:31:32,600 --> 00:31:37,600 Speaker 1: I wouldn't take him for free. Them ships are straight whack. Podcast. 542 00:31:40,080 --> 00:31:43,240 Speaker 1: You know, we've talked about him. Probably he's one of 543 00:31:43,240 --> 00:31:47,160 Speaker 1: the most talked about people on the Iron Wrap Corps podcast. Uh. 544 00:31:47,560 --> 00:31:50,040 Speaker 1: And I'm sure he loves that. I'm sure he's probably 545 00:31:50,120 --> 00:31:52,560 Speaker 1: not be aware that the Iron Wrap Corp podcast exists. 546 00:31:52,600 --> 00:31:54,640 Speaker 1: But I funk with Connie. I've said it before. I 547 00:31:54,680 --> 00:31:57,440 Speaker 1: like Honnie, but this guy is like obsessed with this 548 00:31:57,600 --> 00:32:01,520 Speaker 1: fashion industry and being accepted with the fashion industry. And 549 00:32:01,560 --> 00:32:08,040 Speaker 1: he said that, um fashion, I'm saying it is if 550 00:32:08,080 --> 00:32:11,360 Speaker 1: like you know, it's a fashion, fashion is the highest 551 00:32:11,400 --> 00:32:15,760 Speaker 1: form of art. I I couldn't agree. I couldn't disagree more. 552 00:32:16,240 --> 00:32:20,760 Speaker 1: I I don't give a fuck about fashion. The only 553 00:32:20,800 --> 00:32:24,840 Speaker 1: time you will see me, you know, carefully dressed is 554 00:32:24,880 --> 00:32:27,040 Speaker 1: if if I have some sort of work thing, meaning 555 00:32:27,080 --> 00:32:30,320 Speaker 1: there's a TV involved or a camera and I'm being 556 00:32:30,360 --> 00:32:35,120 Speaker 1: filmed um or or you know, it's to get a job, 557 00:32:35,200 --> 00:32:38,080 Speaker 1: to be filmed or pressed. And I'm not saying you 558 00:32:38,080 --> 00:32:40,400 Speaker 1: should walk around like a fucking you know, you just 559 00:32:40,440 --> 00:32:43,720 Speaker 1: came out of a methodol clinic. But this whole aesthetic 560 00:32:43,800 --> 00:32:45,560 Speaker 1: like I've never been Like when I was younger, you 561 00:32:45,600 --> 00:32:47,760 Speaker 1: wanted to keep a piece of this or clothes and 562 00:32:47,840 --> 00:32:50,280 Speaker 1: this jacket and all that ship. I understand that, and 563 00:32:50,360 --> 00:32:53,640 Speaker 1: sneakers and staying fresh, but this this sort of in 564 00:32:53,680 --> 00:32:58,560 Speaker 1: this day and age for for the this fashion ship 565 00:32:58,680 --> 00:33:03,200 Speaker 1: and what you're wearing, it's truly the most superficial bullshit 566 00:33:03,320 --> 00:33:05,880 Speaker 1: to me. Like I have some friends and people that 567 00:33:05,920 --> 00:33:08,280 Speaker 1: I I love and respect that they're down with that ship, 568 00:33:08,640 --> 00:33:11,479 Speaker 1: but but I'm just not with that ship. I don't 569 00:33:11,520 --> 00:33:15,280 Speaker 1: care when you talk about superficial to put on clothes, 570 00:33:15,640 --> 00:33:20,080 Speaker 1: that's the most like, that's the most like low ship, 571 00:33:20,200 --> 00:33:22,760 Speaker 1: Like you think that that's the highest form of art fashion, 572 00:33:22,840 --> 00:33:26,960 Speaker 1: what you're wearing. That's what Kanye West said, and and 573 00:33:26,960 --> 00:33:28,840 Speaker 1: and and. The thing that bothers me about this is 574 00:33:28,840 --> 00:33:31,880 Speaker 1: that I think he feels like, well fun hip hop 575 00:33:31,920 --> 00:33:34,320 Speaker 1: I've done all like. Hip hop is in a fucking 576 00:33:34,360 --> 00:33:37,560 Speaker 1: state of disarray. I don't know why I'm not. I'm 577 00:33:37,600 --> 00:33:40,120 Speaker 1: the only one who seems to be saying this consistently. 578 00:33:40,320 --> 00:33:44,680 Speaker 1: Hip hop is in a fucking state of disarray. The 579 00:33:44,840 --> 00:33:50,320 Speaker 1: music is going to ship, The culture itself is going 580 00:33:50,360 --> 00:33:52,640 Speaker 1: to ship. You're old, Mike, you don't know what you're 581 00:33:52,680 --> 00:33:56,760 Speaker 1: talking about. No, the music itself is going to ship. 582 00:33:58,000 --> 00:34:01,360 Speaker 1: And and one of the most prominent people in hip 583 00:34:01,360 --> 00:34:06,200 Speaker 1: hop right now is trying to say that fashion is 584 00:34:06,200 --> 00:34:11,399 Speaker 1: the highest form of art. Yo, Kanye, you you you 585 00:34:11,520 --> 00:34:14,520 Speaker 1: gotta get your fucking head out of the clouds. You 586 00:34:14,600 --> 00:34:18,120 Speaker 1: gotta get out of your fucking car. You got to 587 00:34:18,160 --> 00:34:20,480 Speaker 1: get out of your fucking You're, you're, you're, you're, this 588 00:34:20,520 --> 00:34:23,319 Speaker 1: little bubble you're living in. You have to get out 589 00:34:23,360 --> 00:34:25,640 Speaker 1: of this little bubble you're living. If you think that 590 00:34:25,719 --> 00:34:29,880 Speaker 1: fashion is that fucking important, I have to say I 591 00:34:29,960 --> 00:34:34,560 Speaker 1: lose respect for that ship. I I just anybody that's 592 00:34:34,560 --> 00:34:37,279 Speaker 1: gonna put like it's something you put on if you 593 00:34:37,360 --> 00:34:39,800 Speaker 1: spill a piece of coffee on on your on your 594 00:34:39,840 --> 00:34:42,520 Speaker 1: with the your piece of fashion, your garment, that's what 595 00:34:42,520 --> 00:34:45,480 Speaker 1: they call them, their garments. If you then what is 596 00:34:45,520 --> 00:34:49,360 Speaker 1: it it's devalued or does that become part of the fashion? 597 00:34:49,760 --> 00:34:52,480 Speaker 1: Like you know, like like when I was everybody likes 598 00:34:52,480 --> 00:34:54,160 Speaker 1: a fresh pair of kicks and all that ship when 599 00:34:54,160 --> 00:34:56,080 Speaker 1: I was younger, like I love the fresh pair of kicks, 600 00:34:56,080 --> 00:34:57,960 Speaker 1: and you want to keep your fresh pair of kicks clean. 601 00:34:58,200 --> 00:35:00,279 Speaker 1: But if you step in dogship, what happen? And see 602 00:35:00,320 --> 00:35:02,279 Speaker 1: your fresh pair of click kicks? You step in a 603 00:35:02,280 --> 00:35:04,720 Speaker 1: piece of gum when you're on the subway, your fresh 604 00:35:04,719 --> 00:35:09,120 Speaker 1: pair of kicks. I'm not with all this ship. Fifteen 605 00:35:09,200 --> 00:35:13,960 Speaker 1: hundred dollar pair of jeans, tight, uncomfortable, thick denim. That's 606 00:35:14,000 --> 00:35:17,399 Speaker 1: not what it's about. You're supposed to be comfortable. It's 607 00:35:17,440 --> 00:35:20,080 Speaker 1: not about like you know, these garment. This isn't the 608 00:35:20,120 --> 00:35:23,759 Speaker 1: fucking This isn't a painting um where you know you're 609 00:35:23,760 --> 00:35:25,719 Speaker 1: you're like you're you're you have a paint like you're 610 00:35:25,719 --> 00:35:29,000 Speaker 1: being painted by some great painter in the seventeen hundreds. See, 611 00:35:29,160 --> 00:35:32,440 Speaker 1: he thinks, he seems to think. I can't say what 612 00:35:32,520 --> 00:35:34,759 Speaker 1: he thinks. He seems to think him and calm, Kim 613 00:35:34,840 --> 00:35:38,359 Speaker 1: Kardashian like they dress like their color coortinity, they walk out, 614 00:35:38,360 --> 00:35:40,719 Speaker 1: they get their pictures taken. This is not life, This 615 00:35:40,800 --> 00:35:43,959 Speaker 1: is not reality. The two of them are not living 616 00:35:44,000 --> 00:35:47,480 Speaker 1: in reality. And and like every single yo, when I 617 00:35:47,480 --> 00:35:50,640 Speaker 1: have to go to like a fucking an event or 618 00:35:50,760 --> 00:35:53,440 Speaker 1: a wedding or somewhere where I have to funk, it's 619 00:35:53,480 --> 00:35:57,440 Speaker 1: like a it's painful for me. Like the clothes are 620 00:35:57,560 --> 00:36:00,880 Speaker 1: never as comfortable as like regular clothes. Like now I 621 00:36:00,920 --> 00:36:03,680 Speaker 1: am doing the iron wrap, poor pocket. I am driving 622 00:36:03,760 --> 00:36:07,360 Speaker 1: my car in a sweatshirt, a pair of fucking basketball shorts, 623 00:36:07,400 --> 00:36:10,440 Speaker 1: I have one ft up on on my dashboard or 624 00:36:10,480 --> 00:36:12,840 Speaker 1: whatever the funk it is. And once you on and 625 00:36:13,160 --> 00:36:17,319 Speaker 1: once you off, that's real. You'd rather be in some 626 00:36:17,440 --> 00:36:23,520 Speaker 1: uncomfortable ship that that has name brands, that costs all 627 00:36:23,560 --> 00:36:25,560 Speaker 1: this money that if you, if you, if you, if 628 00:36:25,600 --> 00:36:28,799 Speaker 1: you snort like that or you sneeze and you get 629 00:36:28,800 --> 00:36:34,280 Speaker 1: a little booger on it, it's devalue funk all that ship, funk, 630 00:36:34,360 --> 00:36:36,719 Speaker 1: all that ship. Man. I'm not with any of that 631 00:36:36,760 --> 00:36:39,560 Speaker 1: fashion ship. I've never been with it that hard. And 632 00:36:39,560 --> 00:36:43,120 Speaker 1: and now this guy is trying to pump this fashion ship. 633 00:36:43,360 --> 00:36:47,000 Speaker 1: Down everybody's throat, and he's saying how he is not 634 00:36:47,120 --> 00:36:50,080 Speaker 1: accepted in the fact, he cares more about being accepted 635 00:36:50,080 --> 00:36:54,920 Speaker 1: in the fashion world creatively than anything else. They're not 636 00:36:55,080 --> 00:36:58,120 Speaker 1: going to accept you. And and maybe it's because you're 637 00:36:58,160 --> 00:37:01,040 Speaker 1: a fucking asshole at times. Maybe they just don't don't 638 00:37:01,040 --> 00:37:03,760 Speaker 1: want you, and maybe they're threatened by your talent. Who knows, 639 00:37:04,239 --> 00:37:07,120 Speaker 1: But well, why do you give a funk so much? Well, like, 640 00:37:07,200 --> 00:37:09,799 Speaker 1: I just don't get it. I don't get it. I 641 00:37:09,880 --> 00:37:11,600 Speaker 1: just I just don't get that as a thing. I 642 00:37:11,640 --> 00:37:13,359 Speaker 1: don't get that as a thing. To me, that's not 643 00:37:13,400 --> 00:37:15,600 Speaker 1: creating anything like. And then he had that fucking fashion 644 00:37:15,640 --> 00:37:20,399 Speaker 1: show where he has these these Auschwitz survivors. It looked 645 00:37:20,440 --> 00:37:23,360 Speaker 1: like the Auschwitzer survivors are like walking dead or the 646 00:37:23,480 --> 00:37:27,000 Speaker 1: end of the world. You know, models walking around and 647 00:37:27,040 --> 00:37:29,920 Speaker 1: in these clothes with rips, and you know they are 648 00:37:29,920 --> 00:37:32,280 Speaker 1: all brown and green and it looks like the fucking 649 00:37:32,360 --> 00:37:39,120 Speaker 1: Dawn of the Dead outfits. Damn podcast, how you guys doing, 650 00:37:39,160 --> 00:37:42,759 Speaker 1: thanks for all coming and uh, this is uh. This 651 00:37:42,880 --> 00:37:46,640 Speaker 1: gentleman right here is named Mike d from the BC Boys, 652 00:37:50,760 --> 00:37:53,680 Speaker 1: So everybody could relax. So what are you what is 653 00:37:53,719 --> 00:37:57,160 Speaker 1: your opinion of hip hop specifically right now? Like do 654 00:37:57,200 --> 00:38:00,279 Speaker 1: you listen to anything? Are you excited by anything? Well, 655 00:38:00,520 --> 00:38:03,840 Speaker 1: where's your head at with it? Are you demoralized? No? 656 00:38:03,920 --> 00:38:05,799 Speaker 1: Am I the only one that like thinks that the 657 00:38:05,840 --> 00:38:08,080 Speaker 1: fucking the day les sols and like does that? Am 658 00:38:08,120 --> 00:38:09,759 Speaker 1: I the only one with that? Bothers like I Just 659 00:38:09,880 --> 00:38:12,399 Speaker 1: so there's moments that to me happened in hip hop 660 00:38:12,640 --> 00:38:15,840 Speaker 1: like that, like that, you know what, I'm a genuine 661 00:38:15,920 --> 00:38:18,200 Speaker 1: fan of, you know. I mean there's this stuff like 662 00:38:18,320 --> 00:38:22,200 Speaker 1: I'd love to see, Like Kanye finally decided to release 663 00:38:22,239 --> 00:38:24,200 Speaker 1: a new record, and I hope it's great because I 664 00:38:24,239 --> 00:38:25,759 Speaker 1: feel like, you know, he's one of the only ones 665 00:38:25,800 --> 00:38:28,480 Speaker 1: who's like he's thrown away whatever, an album a half 666 00:38:29,520 --> 00:38:32,600 Speaker 1: of material already because he's one of the only people 667 00:38:33,160 --> 00:38:35,960 Speaker 1: out there actually not alone in hip hop. It could 668 00:38:35,960 --> 00:38:39,120 Speaker 1: be I think, just in music period, who's willing to 669 00:38:39,160 --> 00:38:42,239 Speaker 1: be like, you know what, I'm gonna have a high 670 00:38:42,320 --> 00:38:44,520 Speaker 1: enough standard that I don't care. I'm just gonna throw 671 00:38:44,560 --> 00:38:47,480 Speaker 1: this away. I don't care that I'm missing out on 672 00:38:48,239 --> 00:38:51,239 Speaker 1: whatever the money is. I'm just going to throw it, 673 00:38:51,680 --> 00:38:54,000 Speaker 1: throw it away because it's not doesn't feel right to me, 674 00:38:54,080 --> 00:38:57,600 Speaker 1: And it's not that many people in music period that 675 00:38:57,640 --> 00:39:04,799 Speaker 1: are committed to the art they're willing to do that. Yeah, 676 00:39:04,840 --> 00:39:07,200 Speaker 1: this conversation I was having with this this actor friend 677 00:39:07,239 --> 00:39:10,640 Speaker 1: of mine about Kanye West being more important and influential 678 00:39:10,880 --> 00:39:17,120 Speaker 1: than Stevie wonder it I in one fell swoop, in 679 00:39:17,400 --> 00:39:21,560 Speaker 1: ninety seconds of knowing somebody probably twenty years, I realized 680 00:39:21,600 --> 00:39:25,480 Speaker 1: that I lost all respect for him. And one of 681 00:39:25,520 --> 00:39:28,359 Speaker 1: the one of the criterias was that, look, how many 682 00:39:28,760 --> 00:39:32,400 Speaker 1: Grammys Kanye one? And I was like, who gives a 683 00:39:32,480 --> 00:39:38,600 Speaker 1: funk about a goddamn Grammy? To quote Chuck d who 684 00:39:38,640 --> 00:39:42,479 Speaker 1: gives a funk about a goddamn Grammy? Like that? That's 685 00:39:42,680 --> 00:39:46,560 Speaker 1: that's your selling point, Marvin Gay, I believe only one 686 00:39:46,640 --> 00:39:51,399 Speaker 1: one fucking Grammy? The funk are you talking about? Kanye West? 687 00:39:51,480 --> 00:39:54,000 Speaker 1: Has guy He's like, Kanye look twenty something. I don't 688 00:39:54,000 --> 00:39:56,479 Speaker 1: give a funk about the Grammys. And again I funk 689 00:39:56,520 --> 00:40:00,160 Speaker 1: with Kanye West. But to compare the two is insane. 690 00:40:00,760 --> 00:40:08,160 Speaker 1: It's insane. Uh and Kanye West shoe the Easy won 691 00:40:08,280 --> 00:40:13,160 Speaker 1: some award called the Sneaker of the Year Award, which 692 00:40:14,120 --> 00:40:16,280 Speaker 1: I didn't know that they had that award. It feels 693 00:40:16,320 --> 00:40:18,280 Speaker 1: like the kind of award that they would have invented, 694 00:40:19,160 --> 00:40:21,600 Speaker 1: invented just to get Kanye West to show up and 695 00:40:21,600 --> 00:40:24,200 Speaker 1: give it to him so you can have like, you know, 696 00:40:25,000 --> 00:40:27,560 Speaker 1: kick start your awards ceremony and then well, who are 697 00:40:27,600 --> 00:40:31,000 Speaker 1: you gonna give it to next year? Because you know 698 00:40:31,040 --> 00:40:33,319 Speaker 1: it was a big blowout to give him the Easy 699 00:40:33,440 --> 00:40:36,400 Speaker 1: which is I don't know how Nike is ensuing Adidas 700 00:40:36,520 --> 00:40:40,480 Speaker 1: and Kanye West because that fucking sneaker is a is 701 00:40:40,520 --> 00:40:46,279 Speaker 1: a straight up bootleg of the Nike shoe. I don't 702 00:40:46,280 --> 00:40:48,359 Speaker 1: know which one it's called, but I have a pair 703 00:40:48,400 --> 00:40:51,640 Speaker 1: of those Nikes and they're not Easy and they don't 704 00:40:51,680 --> 00:40:57,240 Speaker 1: cost sevent Then the fucking Easy boot and these postal 705 00:40:57,360 --> 00:41:02,400 Speaker 1: apocalyptic sneakers that look like shit that are non functional 706 00:41:03,440 --> 00:41:06,399 Speaker 1: that Chris Jenner wears on the Keeping Up with the Kardashians. 707 00:41:07,080 --> 00:41:09,760 Speaker 1: You really want to wear sneakers that Chris Jenner wears? 708 00:41:11,120 --> 00:41:13,920 Speaker 1: You think that's dope that you're wearing the same sneakers 709 00:41:13,960 --> 00:41:20,239 Speaker 1: that the Kardashians wear. That's your selling point. There's those 710 00:41:20,280 --> 00:41:23,680 Speaker 1: little chicken heads top to bottom, all of them that 711 00:41:23,800 --> 00:41:29,040 Speaker 1: they wear them. Who gives a fuck? Who gives a 712 00:41:29,120 --> 00:41:35,600 Speaker 1: fuck them? Ships ain't dope. They're not dope, they're not fresh. 713 00:41:35,760 --> 00:41:38,560 Speaker 1: And I don't know who sponsored this Sneaker of the 714 00:41:38,600 --> 00:41:47,200 Speaker 1: Year award, but shut that fucking ship down past Kanye's album. Um, 715 00:41:47,280 --> 00:41:50,920 Speaker 1: Chloe and uh, I think Caitlin said they're helping him 716 00:41:51,600 --> 00:41:57,160 Speaker 1: create his album, like they're giving input, So what what 717 00:41:57,280 --> 00:42:00,520 Speaker 1: what do they know about shit? They they're they're they're 718 00:42:00,560 --> 00:42:04,120 Speaker 1: helping Kanye West make a hip hop album. Did he 719 00:42:04,239 --> 00:42:06,759 Speaker 1: say that? No, it was in the fucking news, Like 720 00:42:07,000 --> 00:42:11,959 Speaker 1: Chloe's like, yeah, I'm doing it, Like yeah, I'm gonna 721 00:42:12,000 --> 00:42:15,440 Speaker 1: give suggestion. So you you beat, you're making your beat shopping, 722 00:42:15,840 --> 00:42:20,480 Speaker 1: You're you're digging in the crates. Kendall, Is that what's happening. 723 00:42:20,520 --> 00:42:22,319 Speaker 1: He's the one getting the records. You you're the one 724 00:42:22,360 --> 00:42:24,480 Speaker 1: who's going to digging the crates and like listen to 725 00:42:24,520 --> 00:42:26,560 Speaker 1: the to the soul and the jazz for the samples. 726 00:42:27,000 --> 00:42:33,239 Speaker 1: You're listening to that Lou Donaldson. Huh right, You're you're 727 00:42:33,280 --> 00:42:36,600 Speaker 1: listening to that little beaver to get the samples, right, Chloe, 728 00:42:37,160 --> 00:42:38,759 Speaker 1: you don't know who the funk little beaver is that 729 00:42:38,880 --> 00:42:41,759 Speaker 1: you came up and smacked your fucking face. You're just 730 00:42:42,040 --> 00:42:47,000 Speaker 1: making it beats. You're in there, listen to that new birth, right, Chris, 731 00:42:47,640 --> 00:42:49,799 Speaker 1: you know you don't know about that new birth. You're 732 00:42:49,800 --> 00:42:54,080 Speaker 1: not listening to that. Addrees Mohammed, you know you don't 733 00:42:54,120 --> 00:42:56,560 Speaker 1: know anything about that. And if Connie lets you in 734 00:42:56,600 --> 00:43:00,480 Speaker 1: the studio and he makes a brick, that's his four. Yeah, 735 00:43:01,360 --> 00:43:04,000 Speaker 1: you can't make go keep Caitlyn out the studio there, 736 00:43:04,160 --> 00:43:10,520 Speaker 1: she's not listening to any of that. Stacks sold YO. 737 00:43:10,640 --> 00:43:14,279 Speaker 1: The I m Rapp Report podcast is sponsored by Casper Mattresses. 738 00:43:14,680 --> 00:43:17,799 Speaker 1: Casper Mattresses is an award winning company that makes the 739 00:43:17,840 --> 00:43:22,600 Speaker 1: most ridiculously relaxing, supportive mattresses sold directly to the consumers. 740 00:43:22,680 --> 00:43:26,520 Speaker 1: Sleep new design beds delivered directly to your doorstop in 741 00:43:26,520 --> 00:43:30,320 Speaker 1: a small box cast mattress is available in six sizes 742 00:43:30,320 --> 00:43:33,719 Speaker 1: and a ten year full warranty. It's made and stitched 743 00:43:33,920 --> 00:43:36,839 Speaker 1: right here in the United States of America three two 744 00:43:36,880 --> 00:43:39,520 Speaker 1: to five days shipping in the United States and Canada. 745 00:43:39,600 --> 00:43:42,880 Speaker 1: Casper is so confident in the mattress that will give 746 00:43:42,920 --> 00:43:45,520 Speaker 1: you a hundred night free trial with the mattress, and 747 00:43:45,560 --> 00:43:48,800 Speaker 1: if you're not happy, Casper will pick up the mattress 748 00:43:48,840 --> 00:43:53,080 Speaker 1: for free with a full refunds. Okay, it'll donate or 749 00:43:53,160 --> 00:43:56,479 Speaker 1: recycle the mattress to somebody who really appreciates great nights, 750 00:43:56,480 --> 00:43:59,160 Speaker 1: sleep a great nap on a lazy afternoon. Go to 751 00:43:59,239 --> 00:44:01,840 Speaker 1: Casper doctor time and say fifty bucks using the promo 752 00:44:01,920 --> 00:44:04,640 Speaker 1: code rapp report r A p A p O r T. 753 00:44:05,080 --> 00:44:08,440 Speaker 1: That's cast for mattresses c A s P R castper 754 00:44:08,480 --> 00:44:10,880 Speaker 1: dot Com. Check it out. I sleep on one every 755 00:44:10,960 --> 00:44:19,239 Speaker 1: single night and love it. So Taylor Swift one Song 756 00:44:19,320 --> 00:44:21,480 Speaker 1: of the Year, Record of Year, album in the album 757 00:44:21,480 --> 00:44:23,920 Speaker 1: of the Year, And she went up there and and 758 00:44:23,960 --> 00:44:27,440 Speaker 1: shooted on Kanye and I don't blame her. And she 759 00:44:27,480 --> 00:44:30,360 Speaker 1: brought her her homeboy up there with the glasses some 760 00:44:30,520 --> 00:44:32,920 Speaker 1: four i'd fuck. And I think Money was ready to 761 00:44:32,960 --> 00:44:35,920 Speaker 1: set it off. I don't know who Money was, but 762 00:44:36,000 --> 00:44:37,640 Speaker 1: he had something to do with the album. Is probably 763 00:44:37,640 --> 00:44:41,239 Speaker 1: her producer or her saxophonist. I don't know. She came 764 00:44:41,280 --> 00:44:43,879 Speaker 1: up there we we we we dude, and he looked 765 00:44:43,920 --> 00:44:46,759 Speaker 1: like he was ready to get hyped. The white dude 766 00:44:46,760 --> 00:44:50,480 Speaker 1: with the glasses and and and and the curly hair. 767 00:44:51,040 --> 00:44:52,879 Speaker 1: He looked like he was ready to get it, get 768 00:44:52,880 --> 00:44:56,640 Speaker 1: it popping on. If anything jumped on the stage and 769 00:44:56,719 --> 00:45:02,320 Speaker 1: she she said, you know, her speech or acceptance. She she, uh, 770 00:45:02,400 --> 00:45:05,120 Speaker 1: you know, you know, without without being specific, she was like, 771 00:45:05,200 --> 00:45:08,000 Speaker 1: you know, don't let anybody take credit for your fame 772 00:45:08,520 --> 00:45:13,160 Speaker 1: to Kanye West because he said in his record, Well, 773 00:45:13,200 --> 00:45:17,040 Speaker 1: whatever he said about it, I could have fucked I 774 00:45:17,120 --> 00:45:21,240 Speaker 1: made that bitch famous talking. I think Taylor Swifts richer 775 00:45:21,280 --> 00:45:23,759 Speaker 1: than him, more successful than Kanye West. I don't know 776 00:45:23,800 --> 00:45:26,120 Speaker 1: all the stats. I don't fact check. I'm in here 777 00:45:26,120 --> 00:45:29,480 Speaker 1: in a pair of boxer shorts uh and and socks 778 00:45:29,719 --> 00:45:33,400 Speaker 1: doing a podcast. Okay, there's no technology around me. I 779 00:45:33,400 --> 00:45:35,080 Speaker 1: don't know what the fuss going on, but I'm pretty 780 00:45:35,120 --> 00:45:39,879 Speaker 1: sure Taylor Swift is bigger musically than him, and and 781 00:45:40,040 --> 00:45:43,640 Speaker 1: he's still talking about her. Why are you still talking 782 00:45:43,640 --> 00:45:46,440 Speaker 1: about this girl? You did this. You want to go forward, 783 00:45:46,480 --> 00:45:48,640 Speaker 1: and you want to push the move the music forward. 784 00:45:48,680 --> 00:45:53,040 Speaker 1: And that's your excuse for making the Life of Pablo, 785 00:45:53,080 --> 00:45:56,200 Speaker 1: which I listened to three times. My my my son, 786 00:45:56,760 --> 00:45:59,680 Speaker 1: uh downloaded it, bought it. I listened to it three 787 00:45:59,719 --> 00:46:03,160 Speaker 1: times with the open ears and open heart and hoping 788 00:46:03,200 --> 00:46:07,360 Speaker 1: it would surprise me that ship is whack. It is 789 00:46:07,440 --> 00:46:11,080 Speaker 1: not a hip hop album. I don't know what the 790 00:46:11,160 --> 00:46:14,680 Speaker 1: category that it is, but it's not hip hop. It's 791 00:46:14,719 --> 00:46:21,160 Speaker 1: not boom bab yo, it just isn't. And if you're 792 00:46:21,200 --> 00:46:24,160 Speaker 1: on that record talking about Taylor Swift and I could 793 00:46:24,160 --> 00:46:25,680 Speaker 1: have fucked I don't know what the lyrics I could 794 00:46:25,680 --> 00:46:28,880 Speaker 1: have fucked Taylor. First of all, how does your wife 795 00:46:29,320 --> 00:46:34,480 Speaker 1: let you say these things like that's some white girls ship? 796 00:46:34,719 --> 00:46:39,640 Speaker 1: Because only some dingy white chick no disrespect uh would 797 00:46:39,719 --> 00:46:41,319 Speaker 1: let you say that, because I know if I said 798 00:46:41,360 --> 00:46:43,640 Speaker 1: some ship like that out of my mouth, my lady 799 00:46:43,640 --> 00:46:45,560 Speaker 1: would be like, yo, yeah, yeo yeah ya. First of all, 800 00:46:45,560 --> 00:46:48,759 Speaker 1: why are you still talking about this girl? Number one? 801 00:46:49,239 --> 00:46:51,959 Speaker 1: Number two? Why are you still talking about a girl? 802 00:46:52,000 --> 00:46:55,480 Speaker 1: Why are you disrespecting a girl? Number two? Why are 803 00:46:55,480 --> 00:46:58,920 Speaker 1: you talking about fucking other chicks? We're married, you have 804 00:46:58,960 --> 00:47:06,520 Speaker 1: a daughter. You're disrespecting me, you know what I'm saying? 805 00:47:06,560 --> 00:47:08,960 Speaker 1: Like you you you shouldn't be saying that stuff anyway. 806 00:47:09,000 --> 00:47:10,800 Speaker 1: You're you're almost forty years old. You're talking about the 807 00:47:10,840 --> 00:47:14,160 Speaker 1: twenty five year old girl who has the didn't do 808 00:47:14,280 --> 00:47:17,040 Speaker 1: nothing to you, and you're you're still talking about this 809 00:47:17,120 --> 00:47:20,279 Speaker 1: incident six years ago. Yet you want to make an 810 00:47:20,280 --> 00:47:22,839 Speaker 1: excuse for pushing the music forward. That's why you make 811 00:47:22,920 --> 00:47:25,799 Speaker 1: an auto tuned records? I thought jay Z shut that 812 00:47:25,920 --> 00:47:30,600 Speaker 1: down with that song. Uh. I don't know how many 813 00:47:30,680 --> 00:47:33,239 Speaker 1: years ago the auto tune shut down record. I thought. 814 00:47:33,320 --> 00:47:35,360 Speaker 1: I thought that was dead and buried. I hadn'tven have 815 00:47:35,480 --> 00:47:37,560 Speaker 1: evnt heard any of it, and now we're back to 816 00:47:37,600 --> 00:47:41,880 Speaker 1: auto tunes on Saturday Night Live within Kanye and his tweets, 817 00:47:41,880 --> 00:47:43,640 Speaker 1: it is like, I want that DMX sound. If you 818 00:47:43,680 --> 00:47:47,279 Speaker 1: want that DMX sound, that DMX field, get d m X, 819 00:47:48,360 --> 00:47:51,280 Speaker 1: get DMX, if you want that, that grit, that grime, 820 00:47:51,800 --> 00:47:54,200 Speaker 1: do what yourself? Why are you doing all that? Because 821 00:47:54,200 --> 00:47:56,560 Speaker 1: the ship you got out that's not that DMX field. 822 00:47:56,560 --> 00:48:00,480 Speaker 1: That's not that auto tune ship. That's not I was 823 00:48:00,560 --> 00:48:04,560 Speaker 1: waiting for care Us one to to to enter the 824 00:48:04,640 --> 00:48:07,640 Speaker 1: stage on Saturday Live and knock him off the stage 825 00:48:07,680 --> 00:48:09,440 Speaker 1: like the way he did PM doing. They're up there 826 00:48:09,480 --> 00:48:12,400 Speaker 1: wearing this crazy eld Barge was performing on Saturday and 827 00:48:12,440 --> 00:48:15,040 Speaker 1: Live with Kanye West. I thought it was former Saturday 828 00:48:15,080 --> 00:48:19,600 Speaker 1: Night Live cast. Remember Fred Armison. I don't know what 829 00:48:19,640 --> 00:48:21,359 Speaker 1: the funk happened to El de Bars. He looked like 830 00:48:21,360 --> 00:48:23,920 Speaker 1: he had a stiff neck and and like, you know, 831 00:48:24,040 --> 00:48:26,480 Speaker 1: something wrong with his hips. He looked all funked up 832 00:48:26,520 --> 00:48:30,880 Speaker 1: in the game, and and that performance was whack period. 833 00:48:31,040 --> 00:48:34,239 Speaker 1: And I am a fan. I am a fan of 834 00:48:34,320 --> 00:48:37,239 Speaker 1: Kanye West. I funk with his albums, but I'm done now. 835 00:48:37,320 --> 00:48:39,279 Speaker 1: I didn't I'm not buying this ship. I listened to 836 00:48:39,280 --> 00:48:40,840 Speaker 1: it three times with an open heart, open in the 837 00:48:40,920 --> 00:48:43,440 Speaker 1: room to him, drove around Los Angeles with my son 838 00:48:43,480 --> 00:48:45,440 Speaker 1: in the room to we were we were bumping it, 839 00:48:46,480 --> 00:48:50,160 Speaker 1: listen to it all the way through, hoping to be surprised, 840 00:48:50,239 --> 00:48:54,000 Speaker 1: hoping to hear some dusty, funky ship. There's nothing funky 841 00:48:54,760 --> 00:48:59,040 Speaker 1: on this new record. Me and Jumo, me and Gimo 842 00:48:59,160 --> 00:49:02,440 Speaker 1: Eddie were we're gonna do a full a full review. 843 00:49:04,120 --> 00:49:06,120 Speaker 1: Uh and and and we're gonna we're gonna break down 844 00:49:06,120 --> 00:49:10,000 Speaker 1: that record, and and and and and you know, it's 845 00:49:10,040 --> 00:49:13,200 Speaker 1: just the whole thing. Like he's like he thought, like 846 00:49:13,200 --> 00:49:15,680 Speaker 1: he put that record out, and like he's like the 847 00:49:15,760 --> 00:49:19,080 Speaker 1: world would stop, people would stop eating donuts, No one's 848 00:49:19,120 --> 00:49:21,360 Speaker 1: gonna serve coffee. Where all the whole world is gonna 849 00:49:21,440 --> 00:49:25,200 Speaker 1: stop in amazement at the life is the Life of 850 00:49:25,239 --> 00:49:29,160 Speaker 1: Pablo record. My man, it didn't happen. It ain't gonna happen. 851 00:49:29,440 --> 00:49:31,359 Speaker 1: The ship is weak. You said you made the best 852 00:49:31,360 --> 00:49:33,520 Speaker 1: record ever. You didn't even make your best record ever, 853 00:49:35,320 --> 00:49:40,319 Speaker 1: past Gimo Nettie. How many times have you listened to 854 00:49:40,320 --> 00:49:44,960 Speaker 1: the Kanye West record? Uh? I listened to one time. 855 00:49:45,160 --> 00:49:48,640 Speaker 1: I have to. I have to listen so I can critique. Okay, 856 00:49:48,719 --> 00:49:52,000 Speaker 1: and and and and after all the smoke is cleared, 857 00:49:52,200 --> 00:49:55,720 Speaker 1: all the Twitter rants it's the best album ever. All 858 00:49:55,760 --> 00:49:59,720 Speaker 1: of this, all that, the world didn't stop a week later. 859 00:50:00,360 --> 00:50:02,919 Speaker 1: No one gives a ship about that album. I got 860 00:50:02,960 --> 00:50:05,399 Speaker 1: one thing to say about it. It's not a hip 861 00:50:05,480 --> 00:50:07,640 Speaker 1: hop album. It's not a hip hop album. It's not 862 00:50:07,680 --> 00:50:09,920 Speaker 1: even Kanye West best album. He said it was the 863 00:50:09,920 --> 00:50:13,239 Speaker 1: best album ever. It's not a hip hop album. You 864 00:50:13,320 --> 00:50:16,720 Speaker 1: cannot call that a hip hop music. Why not listen? 865 00:50:16,760 --> 00:50:20,960 Speaker 1: Man um, it has to be funky, man gotta be funky. 866 00:50:21,160 --> 00:50:24,680 Speaker 1: It's it's like hip hop comes from Uh, It's like 867 00:50:25,000 --> 00:50:31,160 Speaker 1: James Brown's baby. It has to be funky. That's why, 868 00:50:31,920 --> 00:50:35,919 Speaker 1: like James Brown and his music, the funk inspired them 869 00:50:35,960 --> 00:50:40,120 Speaker 1: brothers right to cut the brakes right and have that 870 00:50:40,160 --> 00:50:44,320 Speaker 1: ship popping like it is, the drums popping, drums accentuated. 871 00:50:44,400 --> 00:50:46,680 Speaker 1: And then and and Mr Mooney doesn't mean it has 872 00:50:46,719 --> 00:50:48,920 Speaker 1: to be all James Brown samples. He doesn't mean that. 873 00:50:49,000 --> 00:50:52,319 Speaker 1: I'm saying the funk. It has to have that funky funk. 874 00:50:52,440 --> 00:50:55,520 Speaker 1: The drums are out front, knows what it is. He's 875 00:50:55,560 --> 00:50:57,759 Speaker 1: done it. He's done it. He's done it. So this 876 00:50:58,120 --> 00:51:02,880 Speaker 1: isn't and hip hop album. It's another category. And I 877 00:51:03,000 --> 00:51:08,120 Speaker 1: named it. What is it? Type jene music? Interesting? What 878 00:51:08,280 --> 00:51:11,520 Speaker 1: is it called type gene music? Okay? And and and 879 00:51:11,520 --> 00:51:13,440 Speaker 1: and and what does that mean? What? What? What is that? 880 00:51:13,480 --> 00:51:19,400 Speaker 1: A genre of music? It describes the maker and the listener. 881 00:51:19,800 --> 00:51:26,160 Speaker 1: Keep going. If if tight jeans doesn't offend you, then 882 00:51:26,200 --> 00:51:29,319 Speaker 1: this is your music. And we're not talking about oh 883 00:51:29,360 --> 00:51:32,600 Speaker 1: we don't wear tight jeans. We wear baggy jeans. Uh, 884 00:51:32,680 --> 00:51:34,879 Speaker 1: we're not talking about that because me and Monetti we're 885 00:51:34,880 --> 00:51:37,600 Speaker 1: not wear it's not ninety three. We're not wearing baggae 886 00:51:37,920 --> 00:51:41,120 Speaker 1: grown man, but we're not wearing jeans that are that 887 00:51:41,200 --> 00:51:44,759 Speaker 1: are specifically tight. Right. And And I want to just 888 00:51:45,080 --> 00:51:48,919 Speaker 1: clarify one thing. I was on Twitter and Instagram and 889 00:51:49,080 --> 00:51:52,160 Speaker 1: playing golf and and people said, oh you're you she 890 00:51:52,280 --> 00:51:54,680 Speaker 1: looks kind of tight. Excuse me? Number one? I had 891 00:51:54,719 --> 00:51:57,480 Speaker 1: on pants. Number two, What you didn't see in the 892 00:51:57,600 --> 00:52:01,440 Speaker 1: videos because I need to defend myself. Before I swing 893 00:52:01,480 --> 00:52:04,000 Speaker 1: my golf club, you have to pull your pants up 894 00:52:04,000 --> 00:52:06,560 Speaker 1: so you ship doesn't fall down. Of course, so they 895 00:52:06,560 --> 00:52:08,560 Speaker 1: appeared a little tighter than it. But if you look, 896 00:52:08,640 --> 00:52:11,279 Speaker 1: you see my socks because I pulled them up to everything. Look, 897 00:52:11,360 --> 00:52:14,000 Speaker 1: I don't wear tight ship you on a golf course, 898 00:52:14,080 --> 00:52:17,560 Speaker 1: it's not like you on on oscars and ship. But 899 00:52:17,560 --> 00:52:19,719 Speaker 1: I had to defend myself because people came after me 900 00:52:19,719 --> 00:52:21,960 Speaker 1: because they because because you know, we talk a lot 901 00:52:22,000 --> 00:52:23,719 Speaker 1: of ship, I had to defend myself. I'm saying that 902 00:52:23,800 --> 00:52:26,279 Speaker 1: right now. Okay, keep going on. So you're introducing a 903 00:52:26,280 --> 00:52:29,239 Speaker 1: new genre of music. It's called tight Jean music. Okay, 904 00:52:29,239 --> 00:52:31,920 Speaker 1: and and and so the music itself sounds and and 905 00:52:31,920 --> 00:52:35,560 Speaker 1: and it's like what, it's not funky? Here here's the 906 00:52:35,600 --> 00:52:39,960 Speaker 1: fucking example. Okay, Okay, we're gonna try to not to 907 00:52:40,480 --> 00:52:46,960 Speaker 1: play a gang star record for instance. Take it personal. 908 00:52:47,280 --> 00:52:50,200 Speaker 1: Do you see how that comes on? Do you see 909 00:52:50,200 --> 00:52:55,200 Speaker 1: how that drum that skull snaps is popping? Right? You 910 00:52:55,239 --> 00:52:57,440 Speaker 1: see how it makes it makes you feel like it 911 00:52:57,520 --> 00:53:00,360 Speaker 1: makes your head? Na right, Mike what it was in 912 00:53:00,400 --> 00:53:03,160 Speaker 1: the car and put that on immediately her head start 913 00:53:03,239 --> 00:53:07,719 Speaker 1: to bob to that rhythm. That's the funk about it. Man, 914 00:53:07,800 --> 00:53:13,000 Speaker 1: it's like making it extra funky because there's no musicians, okay, 915 00:53:13,000 --> 00:53:15,239 Speaker 1: and so so this album when when we give it 916 00:53:15,239 --> 00:53:17,279 Speaker 1: an honest critique, because I've listened to it a lot, 917 00:53:17,680 --> 00:53:20,200 Speaker 1: because because my son likes the record, and I tell 918 00:53:20,239 --> 00:53:21,920 Speaker 1: him love what you want to love. I don't try 919 00:53:21,960 --> 00:53:24,719 Speaker 1: to he knows the difference between great stuff because I 920 00:53:24,719 --> 00:53:26,319 Speaker 1: don't care what he loves. I want him to love 921 00:53:26,360 --> 00:53:30,520 Speaker 1: what he loves. I don't try to impose my ship. 922 00:53:31,239 --> 00:53:33,800 Speaker 1: And I know we ride around, we're listening to the song. 923 00:53:33,880 --> 00:53:36,279 Speaker 1: His name is Masil, he he knows. You know, if 924 00:53:36,280 --> 00:53:38,359 Speaker 1: your your name is ma Sel, you know you have 925 00:53:38,520 --> 00:53:41,359 Speaker 1: to know what the funk is. I learned my listen. 926 00:53:41,400 --> 00:53:44,200 Speaker 1: I'm not a perfect dad, but my kids they know 927 00:53:44,280 --> 00:53:47,360 Speaker 1: the difference between bullshit and that good ship. And you 928 00:53:47,400 --> 00:53:50,960 Speaker 1: have a Jewish son named Maceeo, so of course he 929 00:53:51,000 --> 00:53:55,040 Speaker 1: knows what it is. That's true. If you don't know 930 00:53:55,040 --> 00:53:58,440 Speaker 1: where the name came from, ma Sel Parker, it's fired 931 00:53:58,800 --> 00:54:02,719 Speaker 1: you the name your own son. So he knows what 932 00:54:03,320 --> 00:54:05,520 Speaker 1: that was. My That was not my one goal. I 933 00:54:05,560 --> 00:54:07,200 Speaker 1: was one of my goals. My kids are gonna know 934 00:54:07,239 --> 00:54:10,640 Speaker 1: the difference between good movies, bad movies, good TV, bad TV, 935 00:54:10,760 --> 00:54:13,799 Speaker 1: good music, and good music and bad music. Watch what 936 00:54:13,880 --> 00:54:15,520 Speaker 1: you want, listen to what you want, but you're gonna 937 00:54:15,520 --> 00:54:17,400 Speaker 1: know the different Let me present this too. So I've 938 00:54:17,440 --> 00:54:20,719 Speaker 1: listened to the album a bunch of times, and and 939 00:54:20,719 --> 00:54:23,000 Speaker 1: and and I've said this before. I'm I'm a fan. 940 00:54:23,080 --> 00:54:28,080 Speaker 1: I funk with Kanye, but of recent it's totally lost 941 00:54:28,080 --> 00:54:30,920 Speaker 1: his way. But more than that, for him to go 942 00:54:30,960 --> 00:54:34,000 Speaker 1: on and say this is the best record ever, better 943 00:54:34,040 --> 00:54:38,680 Speaker 1: than everybody else. But but that's not the point. The point. 944 00:54:38,719 --> 00:54:41,160 Speaker 1: The point is is that the point is is that 945 00:54:41,800 --> 00:54:44,399 Speaker 1: it's just been a ship show and there's no way 946 00:54:44,440 --> 00:54:46,560 Speaker 1: it could like the album couldn't live up to what 947 00:54:46,640 --> 00:54:48,799 Speaker 1: he built it up to me and and and when 948 00:54:48,880 --> 00:54:51,600 Speaker 1: you you know, if you're so not like Michael Jordan's 949 00:54:51,840 --> 00:54:54,839 Speaker 1: he didn't ever say, like he said some crazy ship 950 00:54:54,920 --> 00:54:57,080 Speaker 1: but like he never even said ship. Kanye said he's 951 00:54:57,120 --> 00:55:02,120 Speaker 1: the best basketball player ever. At the public determine that. 952 00:55:02,560 --> 00:55:05,120 Speaker 1: Let the public decide if it's the greatest record ever. 953 00:55:05,560 --> 00:55:09,480 Speaker 1: You don't have to impose what you think. Maybe got 954 00:55:09,480 --> 00:55:12,480 Speaker 1: a mental illness. And and and then and then he showed 955 00:55:12,520 --> 00:55:16,200 Speaker 1: up and then this footage of him. Did you hear 956 00:55:16,239 --> 00:55:20,719 Speaker 1: the footage of him when he was that Saturday Night Live? Yeah, 957 00:55:20,760 --> 00:55:22,960 Speaker 1: I heard the audio where he was in the hallway 958 00:55:23,760 --> 00:55:26,480 Speaker 1: trying to trying to ice Grill cast. So the guys 959 00:55:26,520 --> 00:55:28,440 Speaker 1: have put up the set, you know, the guys that 960 00:55:28,480 --> 00:55:30,720 Speaker 1: put up the sets a New York guys like set 961 00:55:30,800 --> 00:55:33,960 Speaker 1: builders and and the guys that like moved the the 962 00:55:34,120 --> 00:55:36,600 Speaker 1: gaffers and all that. I don't know how he was 963 00:55:36,640 --> 00:55:39,319 Speaker 1: talking like you talk greasy? Those are those are hard 964 00:55:39,320 --> 00:55:41,840 Speaker 1: working New York guys. Did those guys will flip on 965 00:55:41,880 --> 00:55:46,160 Speaker 1: you fucking move to set yourself, you cox sucker. Those 966 00:55:46,160 --> 00:55:52,480 Speaker 1: are rough dudes, Mason, every fucking big big Italian. Uh, 967 00:55:52,560 --> 00:55:56,200 Speaker 1: Danny Iella Mo, Danny Aello. Motherfucker's and also uh staying 968 00:55:56,239 --> 00:56:00,040 Speaker 1: to Grace Irish Fox. And they're saying with the with 969 00:56:00,160 --> 00:56:04,920 Speaker 1: this was a hip hop show where the turntables. Of course, 970 00:56:04,960 --> 00:56:09,839 Speaker 1: we took your fucking set down. Where the turntables. We're 971 00:56:09,880 --> 00:56:13,200 Speaker 1: looking for the technique twelve hunt it's where they right, 972 00:56:13,600 --> 00:56:17,480 Speaker 1: it's a hip hop show. We will see. I heard 973 00:56:17,520 --> 00:56:20,239 Speaker 1: a fucking rapper was coming up here. I was here 974 00:56:20,280 --> 00:56:24,200 Speaker 1: with Jim Mr J came. I said his fucking turntables 975 00:56:24,320 --> 00:56:27,960 Speaker 1: up myself. They tell me, I gotta fucking rapper. I'm 976 00:56:28,040 --> 00:56:31,880 Speaker 1: walking around, I'm bumping into ship. I'm looking for a 977 00:56:32,080 --> 00:56:35,480 Speaker 1: fucking center turn tables, and this little cock sucker wants 978 00:56:35,560 --> 00:56:41,000 Speaker 1: to come out and scream, screaming at me. Kanye, get 979 00:56:41,120 --> 00:56:45,760 Speaker 1: the funk outta here. Set your fucking rainbow lights up yourself, 980 00:56:45,880 --> 00:56:49,320 Speaker 1: you cock sucker. You want to break my fucking balls. 981 00:56:49,840 --> 00:56:53,160 Speaker 1: I was on this fucking stage when the Funky four 982 00:56:53,680 --> 00:56:56,920 Speaker 1: plus one more came out of here. You're gonna bust 983 00:56:57,040 --> 00:57:01,719 Speaker 1: my fucking balls. Where's your get dirty tables? You cop 984 00:57:01,840 --> 00:57:07,640 Speaker 1: sucker talking about don't funk with me, don't work with me. 985 00:57:09,040 --> 00:57:12,520 Speaker 1: I'm more influential than Pablo pack, house O and Stanley Cook. 986 00:57:12,680 --> 00:57:15,640 Speaker 1: Don't funk with me. That's that black ship he's he's 987 00:57:15,680 --> 00:57:20,000 Speaker 1: doing that auditioning he's doing. He's auditioning the black ship 988 00:57:20,520 --> 00:57:24,360 Speaker 1: around the white folks. The white folks never been around 989 00:57:25,680 --> 00:57:29,919 Speaker 1: black people like this. So he's up there being more 990 00:57:30,080 --> 00:57:34,080 Speaker 1: belligerent don't funk with me to do talking to the hipsters. 991 00:57:34,800 --> 00:57:37,400 Speaker 1: So the hipsters are like looking at him, like, oh 992 00:57:37,480 --> 00:57:42,280 Speaker 1: he wow, CON's upset. He's upset. Oh see, but Lauren Michaels. 993 00:57:43,040 --> 00:57:45,520 Speaker 1: If if I'm if I'm Lauren Michael's wrap and I'm 994 00:57:45,560 --> 00:57:47,480 Speaker 1: in my office and I hear that ship out in 995 00:57:47,560 --> 00:57:50,320 Speaker 1: the hallway, that's when the white motherfucking get on his 996 00:57:50,480 --> 00:57:55,120 Speaker 1: black You got one black card for the year where 997 00:57:55,160 --> 00:57:58,680 Speaker 1: you could get out there and say, Yo money, what 998 00:57:58,840 --> 00:58:01,080 Speaker 1: the fund do you want to do? Lauren would have 999 00:58:01,120 --> 00:58:03,080 Speaker 1: sa Lord like, YO money, what the funk you wanna do? 1000 00:58:03,800 --> 00:58:09,640 Speaker 1: Guarantee that guy would be shocked. He would ship right, 1001 00:58:09,880 --> 00:58:12,000 Speaker 1: you know what the fun he Lord's taking off his 1002 00:58:12,160 --> 00:58:15,080 Speaker 1: fucking blazer, What do the fund you wanna do? You 1003 00:58:15,120 --> 00:58:17,760 Speaker 1: know what the funk you wanna do? He taking his 1004 00:58:17,800 --> 00:58:19,560 Speaker 1: ship up like you went into the live taping and 1005 00:58:19,680 --> 00:58:22,160 Speaker 1: sting like funk you want to do? It's a lot 1006 00:58:22,160 --> 00:58:24,200 Speaker 1: of skit. And how about this, this is the first 1007 00:58:24,280 --> 00:58:26,880 Speaker 1: episode we're not having a musical act. Packing should get 1008 00:58:26,880 --> 00:58:29,440 Speaker 1: the funk out of here, Lordon Michaels should have been 1009 00:58:29,520 --> 00:58:31,840 Speaker 1: like that, right, get the funk up out of here. 1010 00:58:31,880 --> 00:58:35,680 Speaker 1: Man channeling his inner sugar night like a quantum leap. 1011 00:58:36,120 --> 00:58:38,440 Speaker 1: Lord Michaels comes out of the office. He sees a 1012 00:58:39,000 --> 00:58:42,680 Speaker 1: midget talking ship nor Lauren Michaels is the creator and 1013 00:58:42,800 --> 00:58:45,800 Speaker 1: he's been with he's like seventy. He's a little little 1014 00:58:45,840 --> 00:58:48,560 Speaker 1: guy with gray hair, white guy. He should have took 1015 00:58:48,600 --> 00:58:49,960 Speaker 1: his ship up and get what the funk you want 1016 00:58:50,000 --> 00:58:51,720 Speaker 1: to do? What you want to do? Guarantee he went 1017 00:58:52,280 --> 00:58:55,000 Speaker 1: Money would have went back in the fucking dressing room 1018 00:58:55,440 --> 00:58:59,320 Speaker 1: riffing with his wife, right and he could get away 1019 00:58:59,400 --> 00:59:01,400 Speaker 1: with like don't let me get out of my Chicago 1020 00:59:01,520 --> 00:59:05,720 Speaker 1: ship And she's like, uh, yeah, well what does that mean? 1021 00:59:06,120 --> 00:59:09,720 Speaker 1: I know what it means for them? Uh, the disciples, 1022 00:59:10,720 --> 00:59:13,760 Speaker 1: the people in the streets, not not the motherfucker's on 1023 00:59:13,800 --> 00:59:17,360 Speaker 1: the red carpet. No, so you mean to tell me 1024 00:59:17,560 --> 00:59:21,440 Speaker 1: you're gonna get on that? And again, oh he's getting upset. 1025 00:59:21,520 --> 00:59:24,520 Speaker 1: We got but Lord Michaels comes out there, he starts 1026 00:59:24,600 --> 00:59:26,440 Speaker 1: greasing his face, like what the funk you want to do? 1027 00:59:26,520 --> 00:59:30,000 Speaker 1: He starts shadow box like what what what you wanna do? Money? 1028 00:59:30,160 --> 00:59:32,200 Speaker 1: It's like when Eddie Murphy, remember that Eddie Murphy skip 1029 00:59:32,400 --> 00:59:34,760 Speaker 1: not in raw and in delirious, when he said he 1030 00:59:34,800 --> 00:59:37,160 Speaker 1: got into a fight in the disco. What the Italian 1031 00:59:37,200 --> 00:59:39,000 Speaker 1: dude he said, I tried on my black sheets. May 1032 00:59:39,040 --> 00:59:42,040 Speaker 1: mane funk all that ship. What you want to do with, motherfucker? 1033 00:59:42,360 --> 00:59:45,320 Speaker 1: And then the Italian dudes like, come on, motherfucker. Yeah 1034 00:59:45,840 --> 00:59:48,680 Speaker 1: he's buying it. Yeah, that's what he's doing. Now. That 1035 00:59:48,800 --> 00:59:51,360 Speaker 1: might not work with everybody. A lot of times you're 1036 00:59:51,360 --> 00:59:53,920 Speaker 1: gonna get sucked up, But with this guy, I have 1037 00:59:54,000 --> 00:59:56,440 Speaker 1: a feeling. If Laura Michaels or one of those gaffers 1038 00:59:56,760 --> 00:59:59,000 Speaker 1: or the set decorator said, yo, man, shut the funk 1039 00:59:59,160 --> 01:00:01,560 Speaker 1: up and get the walk out here, he's like, don't 1040 01:00:01,600 --> 01:00:05,480 Speaker 1: funk with me. One of them teamster motherfucker teams, she said, 1041 01:00:05,600 --> 01:00:09,400 Speaker 1: what the featherstones? We we We took your your fucking 1042 01:00:09,520 --> 01:00:11,920 Speaker 1: set down. Now what now? Go out there with no 1043 01:00:12,080 --> 01:00:16,960 Speaker 1: fucking rainbow lights. I had sucking DMC and j up here. 1044 01:00:17,000 --> 01:00:19,600 Speaker 1: They were in fucking talking his bullshit in the eighties 1045 01:00:20,400 --> 01:00:22,920 Speaker 1: turntables and Mike's that's all we set up. Yeah, I 1046 01:00:23,000 --> 01:00:26,480 Speaker 1: set up fucking jam message. He came here twice, two 1047 01:00:26,640 --> 01:00:33,520 Speaker 1: fucking times. Set your own fucking rainbow lights up, you 1048 01:00:33,680 --> 01:00:39,200 Speaker 1: Cox sucker and Aldubars. What the fuck is your ald bars? 1049 01:00:39,240 --> 01:00:42,000 Speaker 1: Look crazy? On Saturday Live. He looked like he on 1050 01:00:42,080 --> 01:00:46,560 Speaker 1: that K too. See allot motherfucker's on that K too. 1051 01:00:47,760 --> 01:00:54,560 Speaker 1: They think it's regular weed that have you in the intersection, nked, Yeah, 1052 01:00:55,960 --> 01:01:00,080 Speaker 1: that'll have you, have you in the intersection and a 1053 01:01:00,200 --> 01:01:06,480 Speaker 1: city nick pods. If I could rhyme, I would be 1054 01:01:06,560 --> 01:01:08,920 Speaker 1: going after rappers. I would go after Kanye. And I 1055 01:01:09,000 --> 01:01:12,000 Speaker 1: say this with respect. I wouldn't. I wouldn't. I would 1056 01:01:12,000 --> 01:01:15,680 Speaker 1: go at him the way NAS without jay Z. And 1057 01:01:15,720 --> 01:01:19,560 Speaker 1: then when jay Z went at Nas with that that ferocity, 1058 01:01:19,800 --> 01:01:21,680 Speaker 1: with that ferocity, and they went at it, and then 1059 01:01:21,720 --> 01:01:24,439 Speaker 1: it was over and it was said and done. Why 1060 01:01:24,560 --> 01:01:27,040 Speaker 1: nobody's going at Kanye. I don't care and he just 1061 01:01:27,160 --> 01:01:29,200 Speaker 1: in hip hop and that's I'm gonna beef and biggie 1062 01:01:29,200 --> 01:01:32,680 Speaker 1: ship killing. Let's just rip this. Let's just let's see 1063 01:01:32,680 --> 01:01:36,280 Speaker 1: what they don't do it. Somebody should be going at 1064 01:01:36,360 --> 01:01:38,800 Speaker 1: this dude, like see what his chops, Let's see what 1065 01:01:38,880 --> 01:01:41,280 Speaker 1: you got you. It's like it's like yo, every now 1066 01:01:41,320 --> 01:01:43,320 Speaker 1: and then, you gotta you gotta defend the belt. You're 1067 01:01:43,360 --> 01:01:47,680 Speaker 1: the top king, right, You're that guy. So they should 1068 01:01:47,720 --> 01:01:50,760 Speaker 1: all be going I think about this daily recently since 1069 01:01:50,800 --> 01:01:54,520 Speaker 1: he put out his record that came and I don't 1070 01:01:54,560 --> 01:01:56,720 Speaker 1: hear it on the radio. Yeah, I don't hear that. 1071 01:01:57,440 --> 01:02:00,320 Speaker 1: I haven't heard on the radio. Maybe maybe maybe, I 1072 01:02:00,400 --> 01:02:02,840 Speaker 1: don't know. Like James Brown said, when you think grits 1073 01:02:02,920 --> 01:02:06,520 Speaker 1: his groceries, you lose your thing. Say that again, when 1074 01:02:06,520 --> 01:02:10,440 Speaker 1: you think grits his groceries, you lose your things. See 1075 01:02:10,520 --> 01:02:13,560 Speaker 1: that's that old Southern ship. And I haven't heard any 1076 01:02:13,600 --> 01:02:15,280 Speaker 1: of those songs on the radio. There was a lot 1077 01:02:15,280 --> 01:02:18,080 Speaker 1: of hooplah. But I'm saying if I could wrap, if 1078 01:02:18,120 --> 01:02:19,920 Speaker 1: I would, if I had the skill set of a 1079 01:02:20,000 --> 01:02:23,160 Speaker 1: nas or and eminem work, I don't know what would 1080 01:02:23,200 --> 01:02:26,520 Speaker 1: be realistic like for me, like even like like a 1081 01:02:26,600 --> 01:02:29,640 Speaker 1: lord for nass or big L. Like if I had 1082 01:02:29,720 --> 01:02:33,480 Speaker 1: that kind of like that kind of punchline ship, I 1083 01:02:33,480 --> 01:02:36,120 Speaker 1: would just got him to shreds and then he'd come 1084 01:02:36,160 --> 01:02:39,160 Speaker 1: back and he'd be like you hook knows you what 1085 01:02:39,320 --> 01:02:43,520 Speaker 1: the funk you wanna do? And I'll be like, oh oh, 1086 01:02:44,440 --> 01:02:47,160 Speaker 1: and then I'd come back at him. We need that. 1087 01:02:48,320 --> 01:02:52,280 Speaker 1: That makes it entertaining. I don't know why no one's 1088 01:02:52,320 --> 01:02:55,360 Speaker 1: doing it. I don't know why. Think of the battles 1089 01:02:55,440 --> 01:02:58,240 Speaker 1: we've had. L L went at a hammer, went in 1090 01:02:58,480 --> 01:03:02,640 Speaker 1: iced tea, think of him all that. It's part of 1091 01:03:02,680 --> 01:03:05,720 Speaker 1: the culture of hip hop, so so is having a DJ. 1092 01:03:06,040 --> 01:03:09,920 Speaker 1: We know that happened Cannabis. I don't get it. I 1093 01:03:09,960 --> 01:03:12,200 Speaker 1: don't know why no one is like going at him. 1094 01:03:12,200 --> 01:03:14,280 Speaker 1: Even Drake and Meek Mill they went at each other. 1095 01:03:15,560 --> 01:03:18,040 Speaker 1: He's the only one. Why is nobody not get going 1096 01:03:18,080 --> 01:03:22,360 Speaker 1: at him? Yeah, it's different. They don't mind them type 1097 01:03:22,400 --> 01:03:26,000 Speaker 1: jeans and all that stone wash bullshit. And he said 1098 01:03:26,040 --> 01:03:28,959 Speaker 1: he's the best. Somebody else has to think they're the best. 1099 01:03:29,600 --> 01:03:33,680 Speaker 1: Jay Z should get him. It's on his label. Start 1100 01:03:33,760 --> 01:03:36,680 Speaker 1: up some ship right now with all his ship right 1101 01:03:38,000 --> 01:03:39,920 Speaker 1: If I had that skill set, I'd be like, Yo, 1102 01:03:40,040 --> 01:03:43,680 Speaker 1: I'm going at money on the rag. I would go 1103 01:03:43,720 --> 01:03:48,600 Speaker 1: out him hard, over breakbeats, other people's beats, Tato beats. 1104 01:03:48,640 --> 01:03:50,800 Speaker 1: I'd be checking for beats. I'll be going over all 1105 01:03:50,960 --> 01:03:54,840 Speaker 1: kind of ship Zeppelin beats. But I'll be going fucking 1106 01:03:54,920 --> 01:03:58,720 Speaker 1: a fucking rolling stone beats, just trying to kill him. 1107 01:03:58,840 --> 01:04:02,200 Speaker 1: Just yo, what you're gonna do. And we get into it, 1108 01:04:02,960 --> 01:04:04,520 Speaker 1: and then when it's over, like, yeah, we make a 1109 01:04:04,600 --> 01:04:06,720 Speaker 1: song together, we make money. I don't get it. I 1110 01:04:06,760 --> 01:04:13,400 Speaker 1: don't understand what's going on. Podcast. We're live at south 1111 01:04:13,480 --> 01:04:16,360 Speaker 1: By Southwest. If you don't know who I am, you 1112 01:04:16,480 --> 01:04:19,040 Speaker 1: might not know me as Michael Rapper. You might only 1113 01:04:19,160 --> 01:04:22,800 Speaker 1: know me as White Mike, White Mike or the gringo 1114 01:04:22,920 --> 01:04:27,440 Speaker 1: man Dingo. I'm with my partner Gimo, Nettie g Moody 1115 01:04:28,400 --> 01:04:33,520 Speaker 1: and m C E Champion m C. At this point, 1116 01:04:33,520 --> 01:04:35,240 Speaker 1: you're a champion m C. And not saying you're the 1117 01:04:35,400 --> 01:04:37,080 Speaker 1: champion m C. I don't want to put that on you, 1118 01:04:37,360 --> 01:04:43,560 Speaker 1: but you are a champion MC Upchelan todlip quality when 1119 01:04:43,600 --> 01:04:47,640 Speaker 1: you did get by with Kanye before he was a 1120 01:04:47,760 --> 01:04:50,840 Speaker 1: beast beast beast, huge star as he is now, he's 1121 01:04:50,840 --> 01:04:55,320 Speaker 1: a monster start. Would you ever ever suspected, I mean 1122 01:04:55,400 --> 01:04:59,840 Speaker 1: somebody in hip hop to get so big so fa 1123 01:05:00,000 --> 01:05:04,320 Speaker 1: ems and like like it's like, you know, like that biggielyric. 1124 01:05:04,480 --> 01:05:05,960 Speaker 1: You know it's not just him. I never thought that 1125 01:05:06,040 --> 01:05:08,200 Speaker 1: hip hop would take to this, Like I always think 1126 01:05:08,200 --> 01:05:10,680 Speaker 1: about when I see jay Z like these places, I'm like, 1127 01:05:11,480 --> 01:05:13,600 Speaker 1: this is not this is not a this is a 1128 01:05:13,760 --> 01:05:17,280 Speaker 1: first his first generation, Like he came up behind Kane. 1129 01:05:17,920 --> 01:05:20,200 Speaker 1: He's my like he's been there from the inception of show. 1130 01:05:20,320 --> 01:05:23,920 Speaker 1: I chirped out when I like his success. I'm not 1131 01:05:24,000 --> 01:05:26,280 Speaker 1: surprised by it, but I'm just like the enormity of 1132 01:05:26,320 --> 01:05:28,880 Speaker 1: a hip hop star from where it came from, like 1133 01:05:28,960 --> 01:05:32,200 Speaker 1: from like Bismarck or like you know guys like Sean Price, 1134 01:05:32,360 --> 01:05:34,720 Speaker 1: or like guys like black Moon, right, and you can 1135 01:05:34,800 --> 01:05:37,200 Speaker 1: name somebody. Then like jay Z's like surpassed all of it, 1136 01:05:37,440 --> 01:05:39,479 Speaker 1: and Kanye is sort of in the same world. Would 1137 01:05:39,520 --> 01:05:43,680 Speaker 1: you ever have imagined he become this sort of this figure, 1138 01:05:43,880 --> 01:05:46,120 Speaker 1: he's like beyond hip hop now, it's like this figure. 1139 01:05:46,320 --> 01:05:49,760 Speaker 1: You want the honest answer, yes, yes, I did. You 1140 01:05:49,880 --> 01:05:54,400 Speaker 1: did you? And you know why? Why? Because and this 1141 01:05:54,560 --> 01:05:57,000 Speaker 1: is is all everything I'm saying is true, true talk, 1142 01:05:57,720 --> 01:06:01,320 Speaker 1: real talk. He said he was everything that you see 1143 01:06:01,400 --> 01:06:04,800 Speaker 1: Kanye West doing back then. He said it, He's I'm 1144 01:06:04,800 --> 01:06:09,880 Speaker 1: gonna be the biggest rapper ever in the world. I'm 1145 01:06:09,960 --> 01:06:12,040 Speaker 1: going to change the game. I'm gonna I'm gonna do fashion. 1146 01:06:12,600 --> 01:06:15,600 Speaker 1: I'm gonna design sneakers. I got the song called Jesus Walks. 1147 01:06:15,680 --> 01:06:18,280 Speaker 1: It's gonna be on my second album called College Dropout. 1148 01:06:18,440 --> 01:06:20,760 Speaker 1: This is before I'd even i mean called late Registration. 1149 01:06:21,120 --> 01:06:23,280 Speaker 1: This before he this, before he even had a deal 1150 01:06:23,640 --> 01:06:28,920 Speaker 1: for College Dropout. He was telling me the singles, He 1151 01:06:29,000 --> 01:06:31,440 Speaker 1: told me everything that was everything that Kanye did from 1152 01:06:31,440 --> 01:06:33,960 Speaker 1: the time he was touring me to you know, eight 1153 01:06:34,000 --> 01:06:37,600 Speaker 1: o waights, Like everything I was, I was manifest destiny, 1154 01:06:37,960 --> 01:06:40,640 Speaker 1: he said. He said, every single thing. The only thing 1155 01:06:40,680 --> 01:06:42,600 Speaker 1: I think that he didn't have mapped out was the 1156 01:06:42,680 --> 01:06:45,240 Speaker 1: accident of course, but when that he went that car 1157 01:06:45,320 --> 01:06:48,720 Speaker 1: accident happened, That's what set his career off, because when 1158 01:06:48,720 --> 01:06:50,720 Speaker 1: the car accident happened, he didn't do the wire. Do 1159 01:06:50,840 --> 01:06:52,240 Speaker 1: the wire. He took it to Dame Dash and then 1160 01:06:52,520 --> 01:06:55,120 Speaker 1: they was like, that's cool, mixture record, took it to 1161 01:06:55,160 --> 01:06:57,160 Speaker 1: Deaf Jam. That's cool was a mixed store record. Kanye 1162 01:06:57,200 --> 01:06:59,600 Speaker 1: West went and paid for video, you know, because he's 1163 01:06:59,640 --> 01:07:02,440 Speaker 1: making rap money at that point, when to pay for 1164 01:07:02,480 --> 01:07:04,040 Speaker 1: the video, and then went when to pay for video 1165 01:07:04,080 --> 01:07:06,600 Speaker 1: promotion and went paid for single promotions all on his 1166 01:07:06,680 --> 01:07:09,640 Speaker 1: own own. Kanye pay for that on his own. So 1167 01:07:09,920 --> 01:07:13,800 Speaker 1: his first single, through the Wire, he he self promoted 1168 01:07:13,840 --> 01:07:15,160 Speaker 1: it like no, this is a hit, I don't care 1169 01:07:15,160 --> 01:07:17,960 Speaker 1: what else. And from that point and then and then 1170 01:07:18,000 --> 01:07:21,200 Speaker 1: six months later he performed it on the Grammys with Shakaka. Wow. 1171 01:07:21,840 --> 01:07:24,920 Speaker 1: That's a big time all right, Okay, yeah, you know 1172 01:07:25,040 --> 01:07:28,080 Speaker 1: you forget about that because because I think, like for me, 1173 01:07:28,760 --> 01:07:33,640 Speaker 1: I find his persona and and and the music. It's 1174 01:07:33,680 --> 01:07:36,840 Speaker 1: like Church and State. It's like, first of all, like 1175 01:07:36,920 --> 01:07:39,600 Speaker 1: I think the music in general, I think all across 1176 01:07:39,640 --> 01:07:43,600 Speaker 1: the board, the music, the hip hop music. I mean's 1177 01:07:43,640 --> 01:07:48,440 Speaker 1: so concerned about the actual music. I have no agenda. 1178 01:07:50,280 --> 01:07:52,320 Speaker 1: I don't rap. I'm not in the music business. I 1179 01:07:52,360 --> 01:07:54,919 Speaker 1: don't know any any stake in any music business. I'm 1180 01:07:55,000 --> 01:07:57,600 Speaker 1: just a fan. It means so much to me on 1181 01:07:57,760 --> 01:08:00,919 Speaker 1: a in my blood cell level. When I see where 1182 01:08:01,000 --> 01:08:07,440 Speaker 1: it's going, it concerns me. It bothers me, and and 1183 01:08:07,640 --> 01:08:12,200 Speaker 1: and I feel like guys like you, most Staff, jay Z, Kanye, 1184 01:08:12,480 --> 01:08:15,200 Speaker 1: Q Tip, the guys that are still relevant, that are 1185 01:08:15,280 --> 01:08:19,519 Speaker 1: still talented in this stuff, have a responsibility to sort 1186 01:08:19,560 --> 01:08:23,880 Speaker 1: of balance it. Because what's going on now where it's 1187 01:08:23,880 --> 01:08:26,360 Speaker 1: gonna turn into it? I think we're already at hair metal. 1188 01:08:27,240 --> 01:08:30,439 Speaker 1: Were at hair metal years ago. Twenty years ago. Rap 1189 01:08:30,560 --> 01:08:34,360 Speaker 1: was like heavy. Rap was like WWF twenty years ago. 1190 01:08:34,479 --> 01:08:35,960 Speaker 1: I said in a lyric that what do we now, 1191 01:08:37,000 --> 01:08:38,760 Speaker 1: same thing, just a little bit more refined for the 1192 01:08:38,840 --> 01:08:47,200 Speaker 1: Internet generation. Podcast Welcome to play a new podcast network 1193 01:08:47,240 --> 01:08:51,759 Speaker 1: featuring radio and TV personalities talking business, sports, tech, entertainment, 1194 01:08:51,880 --> 01:09:00,599 Speaker 1: and more. Play it at play dot It I can't 1195 01:09:00,640 --> 01:09:03,559 Speaker 1: go to the met gallip Bull. It's my fucking mute 1196 01:09:03,600 --> 01:09:08,360 Speaker 1: to you. I can't go to your fucking gallip Ball. 1197 01:09:10,320 --> 01:09:15,960 Speaker 1: I fucking built this fucking place with these fucking hands. 1198 01:09:17,080 --> 01:09:23,599 Speaker 1: Fuck you and your fucking bulls elite pretty people ship. 1199 01:09:23,760 --> 01:09:26,479 Speaker 1: I'm going next year and I might even try to 1200 01:09:26,560 --> 01:09:29,760 Speaker 1: fucking bring my man Moody in there. Want some plus 1201 01:09:29,880 --> 01:09:35,840 Speaker 1: one ship, No Bruno fucking met gallip Ball. We didn't 1202 01:09:35,880 --> 01:09:37,720 Speaker 1: got to wear a while ship to get up in there. 1203 01:09:38,520 --> 01:09:41,680 Speaker 1: Suits won't do it, no, no, no, no, no no 1204 01:09:41,760 --> 01:09:44,240 Speaker 1: no no suit A suit won't do it no more. 1205 01:09:44,760 --> 01:09:47,840 Speaker 1: Because after last night with what with what these lady 1206 01:09:47,920 --> 01:09:52,320 Speaker 1: the girls are wearing, and Kanye West came out dressed 1207 01:09:52,560 --> 01:09:58,000 Speaker 1: uh like one of the nineteen bedazzled R and B singers. 1208 01:09:58,520 --> 01:10:00,400 Speaker 1: He tried to come out on some Albi your ship 1209 01:10:00,560 --> 01:10:03,120 Speaker 1: like this. No, no, I'll be sure, never died. I 1210 01:10:03,200 --> 01:10:07,559 Speaker 1: mean he had contacts, so he crossed the line, Yo, 1211 01:10:08,120 --> 01:10:12,559 Speaker 1: some Cisco type ship. He came out looking like one 1212 01:10:12,600 --> 01:10:16,640 Speaker 1: of them. Gentle last, if you're gonna come out like that, 1213 01:10:16,840 --> 01:10:19,040 Speaker 1: you're gonna critique that. Yeah. If you're gonna come you 1214 01:10:19,200 --> 01:10:22,559 Speaker 1: want to you want the attention? Yeah for me it didn't. 1215 01:10:22,800 --> 01:10:25,280 Speaker 1: I didn't like it. I got an opinion. My opinion 1216 01:10:25,400 --> 01:10:26,600 Speaker 1: is I didn't like it. I didn't like to be 1217 01:10:26,720 --> 01:10:30,920 Speaker 1: dazzled Jeane Jacket. I don't like the like I like, 1218 01:10:31,160 --> 01:10:33,960 Speaker 1: you know, like the Vampire Night. I don't know what 1219 01:10:34,120 --> 01:10:36,280 Speaker 1: the funs what you're going for. I don't and and 1220 01:10:36,400 --> 01:10:39,000 Speaker 1: I don't like the fact that you are the face 1221 01:10:39,080 --> 01:10:41,519 Speaker 1: of hip hop and you're representing hip hop with all 1222 01:10:41,600 --> 01:10:44,880 Speaker 1: that crazy ship. I think that I think that hip 1223 01:10:44,920 --> 01:10:50,320 Speaker 1: hop should be represented um in that place, in that place, 1224 01:10:50,360 --> 01:10:52,799 Speaker 1: because there's not you don't see Pete rocking that motherfucker. 1225 01:10:52,840 --> 01:10:54,800 Speaker 1: You don't see k RS one, you don't see all 1226 01:10:54,960 --> 01:10:59,439 Speaker 1: of tiny recitals. You don't see rizard A inspect the 1227 01:10:59,520 --> 01:11:01,679 Speaker 1: deck and go was faced there. So you're the only 1228 01:11:01,760 --> 01:11:03,920 Speaker 1: guy and this is what we see. This is what 1229 01:11:04,040 --> 01:11:08,160 Speaker 1: we see. So that's what bothers me about. Yeah, like you, 1230 01:11:08,320 --> 01:11:10,080 Speaker 1: you know, you could do all your other ship and like, 1231 01:11:10,520 --> 01:11:13,120 Speaker 1: but you're at the met Galli boy and you're conforming 1232 01:11:13,280 --> 01:11:17,880 Speaker 1: to that. Yeah. Like I said, a suit doesn't do 1233 01:11:17,960 --> 01:11:22,400 Speaker 1: it no more No, A suit doesn't do it no more. So. 1234 01:11:22,720 --> 01:11:25,840 Speaker 1: So I didn't like the outfit that he war. Not 1235 01:11:26,000 --> 01:11:30,880 Speaker 1: many motherfuckers do no. But next year, mark my words, 1236 01:11:31,040 --> 01:11:33,360 Speaker 1: I'm gonna make it my business to walk up there 1237 01:11:33,439 --> 01:11:37,720 Speaker 1: because it's it's right in my neighborhood. And I'm gonna 1238 01:11:37,760 --> 01:11:40,559 Speaker 1: have a suit on the New York's Finance is gonna 1239 01:11:40,560 --> 01:11:43,080 Speaker 1: be like, hey, Mike, Hey, doing you see me good? Yeah, 1240 01:11:43,240 --> 01:11:49,719 Speaker 1: I've seen that, and then we're going damn Podas. Kanye 1241 01:11:49,840 --> 01:11:52,080 Speaker 1: West released this video last week, he had a whole 1242 01:11:52,200 --> 01:11:56,519 Speaker 1: big to do, a big get together at the Forum 1243 01:11:56,560 --> 01:12:02,160 Speaker 1: in California. Fabulous forum. Um, and you know it was 1244 01:12:02,360 --> 01:12:04,640 Speaker 1: it was a big live thing and it was it 1245 01:12:04,760 --> 01:12:07,080 Speaker 1: was it was cool, cool, a cool event apparent that 1246 01:12:07,160 --> 01:12:08,800 Speaker 1: wasn't there. I was sleeping. I slept at the whole 1247 01:12:08,800 --> 01:12:13,000 Speaker 1: fucking thing. Um. It's been all over the news and 1248 01:12:13,200 --> 01:12:16,960 Speaker 1: and and and and one part of the video has 1249 01:12:17,120 --> 01:12:22,360 Speaker 1: Kanye his his wife and then it has like, uh, 1250 01:12:23,160 --> 01:12:25,360 Speaker 1: they don't know if it's if it was wax figures 1251 01:12:25,520 --> 01:12:29,640 Speaker 1: or c g I CGF. They don't know how it was. 1252 01:12:29,720 --> 01:12:32,040 Speaker 1: But they had like figurines in the bed, like like 1253 01:12:32,080 --> 01:12:34,040 Speaker 1: they were all sleeping in a gigantic bed. They had 1254 01:12:34,120 --> 01:12:38,320 Speaker 1: Donald Trump laying next to Amber Rose, laying next to 1255 01:12:38,400 --> 01:12:42,320 Speaker 1: Taylor Swift laying next to Chris Brown laying next to 1256 01:12:42,439 --> 01:12:44,439 Speaker 1: this one, that one and the other one. There was 1257 01:12:44,479 --> 01:12:48,320 Speaker 1: a few other George W. Bush uh and and you know, 1258 01:12:48,439 --> 01:12:50,240 Speaker 1: and it was you know, it's it's you know, one 1259 01:12:50,280 --> 01:12:53,000 Speaker 1: of his artistic statements. You know. We've talked about Kanye 1260 01:12:54,320 --> 01:12:57,400 Speaker 1: at length on the Iron Rap Ports Stereo podcast. I 1261 01:12:57,680 --> 01:13:00,360 Speaker 1: I listened to his album over and over and over. 1262 01:13:00,560 --> 01:13:03,839 Speaker 1: I find it disappointing because I think he's enormously talented. 1263 01:13:04,600 --> 01:13:07,600 Speaker 1: He has the ears of so many people, especially the 1264 01:13:07,680 --> 01:13:10,120 Speaker 1: young people who don't know, uh, good from bad when 1265 01:13:10,160 --> 01:13:12,599 Speaker 1: it comes to music. And I feel like he's choosing 1266 01:13:12,640 --> 01:13:16,680 Speaker 1: to sway away from traditional hip hop and uh, I 1267 01:13:16,760 --> 01:13:19,360 Speaker 1: think it's detrimental to the culture that's neither here nor their. 1268 01:13:19,880 --> 01:13:21,920 Speaker 1: I so I sort of the piece of the video 1269 01:13:22,600 --> 01:13:26,960 Speaker 1: and I could care less. I think the song is okay. Again, 1270 01:13:27,080 --> 01:13:28,800 Speaker 1: I don't think it's I think it's it's catchy. I 1271 01:13:28,880 --> 01:13:32,360 Speaker 1: heard it, I catch it in my head sometimes, what's that? 1272 01:13:33,160 --> 01:13:37,040 Speaker 1: Is it funky? No, it ain't funky, it's catchy. But 1273 01:13:37,520 --> 01:13:44,479 Speaker 1: Lena Dunham, the creator of Girls, the show on HBO. 1274 01:13:45,439 --> 01:13:48,680 Speaker 1: It's called Girls on HBO. It takes place in Brooklyn, Um. 1275 01:13:49,560 --> 01:13:51,240 Speaker 1: The name of the show should actually be called white 1276 01:13:51,320 --> 01:13:56,280 Speaker 1: Girls because it's it's a show in Brooklyn about four 1277 01:13:56,400 --> 01:14:00,320 Speaker 1: or five friends who are girls that are all white. Um. 1278 01:14:01,600 --> 01:14:04,040 Speaker 1: I actually enjoy the show. Um, I don't love it. 1279 01:14:04,120 --> 01:14:07,280 Speaker 1: I think it's good. I think it's sort of speaking 1280 01:14:07,360 --> 01:14:11,560 Speaker 1: for a certain generation. Not necessarily uh uh the generation 1281 01:14:11,920 --> 01:14:15,920 Speaker 1: that I want to leave things in their hands. Nonetheless. Uh. 1282 01:14:16,040 --> 01:14:20,000 Speaker 1: We we call this generation the hipster fox. Um. But 1283 01:14:20,200 --> 01:14:22,599 Speaker 1: the show, uh, you know, the first season it got 1284 01:14:22,640 --> 01:14:26,200 Speaker 1: backlash because again it takes place in Brooklyn, and there 1285 01:14:26,280 --> 01:14:28,320 Speaker 1: was no black character. So what do you do the 1286 01:14:28,360 --> 01:14:30,840 Speaker 1: second season her character, I can't remember the name of 1287 01:14:30,840 --> 01:14:33,600 Speaker 1: the character. She starts dating a black guy and and 1288 01:14:33,880 --> 01:14:36,920 Speaker 1: and gets piped out by a black guy. Because how 1289 01:14:36,960 --> 01:14:39,080 Speaker 1: other way to justify the fact that the first season 1290 01:14:39,120 --> 01:14:41,080 Speaker 1: had no other black people in it? Right? And you 1291 01:14:41,200 --> 01:14:43,680 Speaker 1: know black and you didn't. They didn't They didn't exist, right, 1292 01:14:43,760 --> 01:14:45,880 Speaker 1: You didn't. You didn't see him at all in Brooklyn? No, 1293 01:14:46,040 --> 01:14:49,160 Speaker 1: not at all. They didn't exist. And they barely exist 1294 01:14:49,280 --> 01:14:52,360 Speaker 1: the third, fourth, and fifth season, of course, And and 1295 01:14:52,400 --> 01:14:56,280 Speaker 1: there's no Puerto Ricans, uh know anything? But these are 1296 01:14:56,320 --> 01:15:00,000 Speaker 1: the hipsters anyway. I like lead have done him. I'm 1297 01:15:00,120 --> 01:15:04,280 Speaker 1: fan of hers. I think she's very, very talented. Nonetheless, Um, 1298 01:15:04,680 --> 01:15:07,519 Speaker 1: she talks shit and and and I'm actually a ship 1299 01:15:07,600 --> 01:15:12,439 Speaker 1: talker too. So after Kanye's video came out, she and 1300 01:15:12,520 --> 01:15:14,600 Speaker 1: I guess and and and and people said she was 1301 01:15:14,680 --> 01:15:16,880 Speaker 1: coming to the defense because Taylor Swift was one of 1302 01:15:16,960 --> 01:15:20,439 Speaker 1: the people that was in the bed with Kannie, like 1303 01:15:20,600 --> 01:15:23,120 Speaker 1: fake Taylor Swift. You know, it's not really Taylor Swift. 1304 01:15:23,160 --> 01:15:27,519 Speaker 1: But but they said Lena Dunnam was coming to her defense. 1305 01:15:27,560 --> 01:15:30,040 Speaker 1: I didn't hear. And then Lena Dunna made a post 1306 01:15:30,160 --> 01:15:34,599 Speaker 1: or an interview comment. Um, but Leada, the Taylor Swift's 1307 01:15:34,680 --> 01:15:36,080 Speaker 1: name wasn't in it. So I don't see how she 1308 01:15:36,160 --> 01:15:38,360 Speaker 1: was coming to the defense of Taylor Swift. But she said, 1309 01:15:38,439 --> 01:15:42,720 Speaker 1: you know, there's waxy bodies of famous women twisted like 1310 01:15:42,840 --> 01:15:46,200 Speaker 1: they've been drugged and chucked aside at a rager. And 1311 01:15:46,280 --> 01:15:49,560 Speaker 1: it gives me a sickening sense of disease. I know 1312 01:15:49,800 --> 01:15:52,200 Speaker 1: that it's art. She she knows about art, she understands art. 1313 01:15:52,640 --> 01:15:57,120 Speaker 1: But uh, you know this video, uh, and these people 1314 01:15:57,320 --> 01:16:00,160 Speaker 1: in the video, uh were reduced to a pair of 1315 01:16:00,200 --> 01:16:03,560 Speaker 1: waxy breasts. And then the thing that really ticked me 1316 01:16:03,640 --> 01:16:06,640 Speaker 1: off is she said it makes me feel sad and 1317 01:16:06,960 --> 01:16:11,120 Speaker 1: unsafe and worried for teenage girls who watched this and 1318 01:16:11,280 --> 01:16:15,680 Speaker 1: may not understand the grainy roving camera the stuff of 1319 01:16:15,760 --> 01:16:19,280 Speaker 1: snuff films. And I want to say this about what 1320 01:16:19,400 --> 01:16:23,639 Speaker 1: Lena Dunham said. If you ever watch her show, at 1321 01:16:23,640 --> 01:16:28,880 Speaker 1: any given moment, you might see somebody, particularly her, with 1322 01:16:29,080 --> 01:16:31,559 Speaker 1: their snapper hanging out at the top of a scene, 1323 01:16:32,000 --> 01:16:36,599 Speaker 1: not getting naked. There's no warning sign. It's like talk 1324 01:16:36,640 --> 01:16:40,479 Speaker 1: about shock value, talk about not making me feel safe, 1325 01:16:40,520 --> 01:16:43,479 Speaker 1: talk about not making little kids feel safe. Little kids 1326 01:16:43,520 --> 01:16:47,720 Speaker 1: have access to to cable all and HBO. You could 1327 01:16:47,760 --> 01:16:51,479 Speaker 1: turn on HBO and any time and catch an old 1328 01:16:51,520 --> 01:16:54,800 Speaker 1: episode of Girls and see Lena Dune him doing day 1329 01:16:54,840 --> 01:16:58,120 Speaker 1: in the life things but ass naked. That doesn't make 1330 01:16:58,240 --> 01:17:02,240 Speaker 1: me feel safe because because when it's a, when it's a. 1331 01:17:02,560 --> 01:17:04,400 Speaker 1: And I'm saying this with all due respect because I 1332 01:17:04,439 --> 01:17:06,880 Speaker 1: I never red criticize of woman's looks. I think Lynda 1333 01:17:06,920 --> 01:17:09,600 Speaker 1: Dunham is cute, but essentially, you know, it's like what 1334 01:17:09,760 --> 01:17:12,240 Speaker 1: Chris Farley did or John Belushi did. It's a it's 1335 01:17:12,240 --> 01:17:13,920 Speaker 1: a it's a chubby white girl. And I say that 1336 01:17:14,000 --> 01:17:18,200 Speaker 1: with no no disrespect. You know, doing day huh, that's 1337 01:17:18,240 --> 01:17:21,400 Speaker 1: the reality, right, It's it's it's a yeah, it's no disrespect. 1338 01:17:21,520 --> 01:17:23,720 Speaker 1: I listen, you don't see me walking around, not Brad 1339 01:17:23,800 --> 01:17:26,680 Speaker 1: Pitt over here. It's a chubby white girl doing day 1340 01:17:26,720 --> 01:17:29,200 Speaker 1: in the life ship but ass naked. And just because 1341 01:17:29,680 --> 01:17:31,960 Speaker 1: it's it's a chubby day in the day in the 1342 01:17:32,040 --> 01:17:34,920 Speaker 1: life of of some white girl but ass naked, doesn't 1343 01:17:34,960 --> 01:17:38,960 Speaker 1: mean that it's safe. Okay. I never know when I 1344 01:17:39,040 --> 01:17:42,240 Speaker 1: watched the show, when I'm gonna see somebody sucking somebody off, 1345 01:17:42,400 --> 01:17:45,400 Speaker 1: fucking somebody. And because it has a little irony and 1346 01:17:45,520 --> 01:17:50,679 Speaker 1: it's you know, comedy, that doesn't mean that it's okay, 1347 01:17:51,200 --> 01:17:54,800 Speaker 1: especially if you're gonna criticize someone else, you know. And 1348 01:17:55,080 --> 01:17:59,960 Speaker 1: I totally support women. I don't have to be a 1349 01:18:00,400 --> 01:18:03,160 Speaker 1: proud feminist, like it's become hip and trendy for men 1350 01:18:03,240 --> 01:18:06,080 Speaker 1: to say I'm a proud feminist. I think that's bullshit. 1351 01:18:06,240 --> 01:18:08,840 Speaker 1: I could support women, I could support strong women, I 1352 01:18:08,920 --> 01:18:12,680 Speaker 1: could support creative women and not go around having to 1353 01:18:12,760 --> 01:18:15,639 Speaker 1: fucking put on my my Twitter and Instagram handle I'm 1354 01:18:15,680 --> 01:18:18,519 Speaker 1: a proud feminist. The funk out of here with that bullshit. 1355 01:18:18,560 --> 01:18:20,760 Speaker 1: And that's like a way for straight dudes to try 1356 01:18:20,800 --> 01:18:23,040 Speaker 1: to get asked to go in like to show how 1357 01:18:23,120 --> 01:18:26,439 Speaker 1: much they identify with women. I could love and respect women, 1358 01:18:27,439 --> 01:18:31,320 Speaker 1: and I'd have to go around saying I'm a feminist. Okay. 1359 01:18:31,479 --> 01:18:33,840 Speaker 1: And and just because you know, she didn't mention like 1360 01:18:33,960 --> 01:18:36,719 Speaker 1: I can understand that she said I felt unsafe because 1361 01:18:36,960 --> 01:18:39,559 Speaker 1: you know, your your image can be used and portrayed 1362 01:18:39,600 --> 01:18:41,720 Speaker 1: in the video and your naked that could make that 1363 01:18:41,920 --> 01:18:45,080 Speaker 1: would make me feel unsafe. God forbid, Kanye put me 1364 01:18:45,120 --> 01:18:47,040 Speaker 1: in the bed butt ass naked. That would make me 1365 01:18:47,120 --> 01:18:50,160 Speaker 1: feel unsafe. But she wasn't talking about that. She said 1366 01:18:50,200 --> 01:18:53,919 Speaker 1: the the context of the video made her feel unsafe. 1367 01:18:54,240 --> 01:18:57,200 Speaker 1: And what context is that? It's just they're laying in 1368 01:18:57,240 --> 01:18:58,880 Speaker 1: the in in in bed like it's like, you know, 1369 01:18:59,000 --> 01:19:01,639 Speaker 1: like a like a sleep over. Who know, it doesn't 1370 01:19:01,640 --> 01:19:03,840 Speaker 1: imply that they had sex or they didn't have sex. 1371 01:19:03,920 --> 01:19:05,840 Speaker 1: I I think it's just like you know, all these 1372 01:19:06,720 --> 01:19:09,360 Speaker 1: ray J's in the bed, Kim kardash you know, it's 1373 01:19:09,400 --> 01:19:11,880 Speaker 1: like Irony, Donald Trump's in the bed. You don't see 1374 01:19:11,920 --> 01:19:15,800 Speaker 1: if this woman is getting neked on her show? What 1375 01:19:16,000 --> 01:19:19,080 Speaker 1: is that? What's what's the problem you're doing? And Gerald, 1376 01:19:19,120 --> 01:19:20,960 Speaker 1: I know you haven't seen the show. You know, she'll 1377 01:19:21,000 --> 01:19:23,880 Speaker 1: be she'll be playing ping pong but ass naked. She'll 1378 01:19:23,960 --> 01:19:25,960 Speaker 1: lay there and in the middle of a scene, she'll 1379 01:19:26,080 --> 01:19:30,400 Speaker 1: she'll flash her snapper like it's not insecurity, y'all. I 1380 01:19:30,720 --> 01:19:32,960 Speaker 1: don't know if it's insecurity or not. And I'm not 1381 01:19:33,200 --> 01:19:35,919 Speaker 1: body shaming. You could kiss my ass with all that bullshit, 1382 01:19:36,439 --> 01:19:39,000 Speaker 1: all that hipster ship, like you can't you know you're 1383 01:19:39,040 --> 01:19:40,840 Speaker 1: but I don't give a funk. I Like I said, 1384 01:19:40,840 --> 01:19:42,599 Speaker 1: I think she's cute. I think she's funny and all 1385 01:19:42,680 --> 01:19:45,880 Speaker 1: that ship. But for her, of all people to say 1386 01:19:45,960 --> 01:19:50,559 Speaker 1: that Kanye West video makes her feel unsafe and said, Wiga, please, 1387 01:19:50,640 --> 01:19:53,479 Speaker 1: you got to be crazy with that bullshit and it comes. 1388 01:19:53,760 --> 01:19:55,960 Speaker 1: It'll just it'll a scene will start and she'll just 1389 01:19:56,040 --> 01:19:58,680 Speaker 1: be walking around ass out all of that stuff. And 1390 01:19:58,760 --> 01:20:01,040 Speaker 1: just because it's a girl who's heavy, said, it's like, 1391 01:20:01,080 --> 01:20:03,519 Speaker 1: I understand, oh, some women are feel empowered. And I 1392 01:20:03,600 --> 01:20:05,720 Speaker 1: get all that. I get all the positivity of all that. 1393 01:20:05,960 --> 01:20:07,960 Speaker 1: But that's what I'm saying, Why are is it okay 1394 01:20:08,040 --> 01:20:10,360 Speaker 1: for you to do that? I mean, she literally will 1395 01:20:10,400 --> 01:20:15,519 Speaker 1: show beaver You're like, yo, this is how is this 1396 01:20:15,640 --> 01:20:18,280 Speaker 1: on HBO? Like you know, kids could be just flipping 1397 01:20:18,280 --> 01:20:22,320 Speaker 1: the channels trying to find SpongeBob or Dora the Explorer 1398 01:20:22,560 --> 01:20:27,160 Speaker 1: and then boom, this comes on. Anyway, cast me as 1399 01:20:27,200 --> 01:20:28,920 Speaker 1: a Brooklyn guy to come in there. I'll get in 1400 01:20:28,920 --> 01:20:32,880 Speaker 1: there naked. I wouldn't have no problem getting naked. Okay, well, 1401 01:20:32,960 --> 01:20:34,600 Speaker 1: well we're gonna put that out there. The show is 1402 01:20:34,600 --> 01:20:36,800 Speaker 1: actually off the air. But but you're saying you'd be 1403 01:20:36,880 --> 01:20:40,800 Speaker 1: happy to get naked, uh in in girls, that's right. Okay, 1404 01:20:40,920 --> 01:20:45,840 Speaker 1: I'm from Brooklyn, Brownsville, right, I represent Brownsville. You want 1405 01:20:45,840 --> 01:20:49,920 Speaker 1: to get naked, I'll get neked. Let's see what happens podcast. 1406 01:20:54,200 --> 01:20:59,200 Speaker 1: What do I God? I got a lot. I got 1407 01:20:59,240 --> 01:21:03,000 Speaker 1: a lot. I gotta I got a lot. Kanye West 1408 01:21:03,240 --> 01:21:07,960 Speaker 1: Taylor Swift have once again proven that hip hop is 1409 01:21:09,080 --> 01:21:12,920 Speaker 1: nah said it. Hipop is dead. This morning it died 1410 01:21:13,520 --> 01:21:18,920 Speaker 1: hippop It dad this and I went it done. I 1411 01:21:19,040 --> 01:21:23,040 Speaker 1: didn't say this is Taylor Swift and Kanye West beef yo. 1412 01:21:23,800 --> 01:21:26,000 Speaker 1: It's like a fucking It's like a like a like 1413 01:21:26,200 --> 01:21:29,080 Speaker 1: a bunch of little kids throwing watercolor paint at each other. 1414 01:21:29,560 --> 01:21:32,280 Speaker 1: But look who he's beef him with. You started with 1415 01:21:32,439 --> 01:21:36,439 Speaker 1: this girl, you're still going she know she shouldn't. She 1416 01:21:36,439 --> 01:21:38,920 Speaker 1: should have told you from beginning, your money, get the 1417 01:21:39,000 --> 01:21:42,120 Speaker 1: funk away from you. Her man should have said yo, 1418 01:21:42,400 --> 01:21:45,280 Speaker 1: her brother, somebody should have been like, yo, do she 1419 01:21:45,360 --> 01:21:46,960 Speaker 1: don't have no one of them white dudes who those 1420 01:21:47,040 --> 01:21:49,680 Speaker 1: karate kick him in his fucking head. And then and 1421 01:21:49,680 --> 01:21:54,600 Speaker 1: then Kim Kardashian leaked the video of Who Cares, And 1422 01:21:54,720 --> 01:21:58,040 Speaker 1: Kim kardash Is like, I'm tired of people. Every time 1423 01:21:58,200 --> 01:22:01,320 Speaker 1: Kim Kardashian puts a video out, every time she leaks 1424 01:22:01,360 --> 01:22:05,880 Speaker 1: a video out, somebody's getting fucked. Somebody's getting long dick. 1425 01:22:07,640 --> 01:22:11,559 Speaker 1: She's two for two with videos. Somebody's getting log somebody 1426 01:22:11,680 --> 01:22:15,960 Speaker 1: is getting long dicked every single time Kim Kardashian put 1427 01:22:16,000 --> 01:22:18,839 Speaker 1: the video. And she tried to get Taylor Swift sugar 1428 01:22:18,960 --> 01:22:25,160 Speaker 1: dicked on this one podcast. Yet and still I watched 1429 01:22:25,200 --> 01:22:28,400 Speaker 1: these awards and I'm like, this is a ship show. 1430 01:22:28,760 --> 01:22:31,120 Speaker 1: I feel bad for the people that this is all 1431 01:22:31,160 --> 01:22:37,599 Speaker 1: they could reference. Um, the music is is busted. It's broken, 1432 01:22:38,720 --> 01:22:43,920 Speaker 1: and and I don't think it's fixable. Um, Kanye West 1433 01:22:44,080 --> 01:22:48,040 Speaker 1: was up there talking that bullshit again, still talking about 1434 01:22:48,080 --> 01:22:54,080 Speaker 1: Taylor Swift. Uh, still just being the first one to 1435 01:22:54,200 --> 01:22:58,080 Speaker 1: give himself these broad stroke compliments about he's like Disney, 1436 01:22:58,160 --> 01:23:02,000 Speaker 1: and he's like Ford, and he's like Steve Jobs. And 1437 01:23:02,120 --> 01:23:05,800 Speaker 1: then he brought up the fact that somebody, oh rich 1438 01:23:05,880 --> 01:23:08,400 Speaker 1: older white people said don't compare yourself to them. He 1439 01:23:08,520 --> 01:23:11,719 Speaker 1: said that, he said, you know older people or some people, 1440 01:23:11,760 --> 01:23:15,200 Speaker 1: and then he said a k white people, um, and 1441 01:23:15,280 --> 01:23:17,760 Speaker 1: they were saying, don't compare. I'm I'm telling you you 1442 01:23:18,760 --> 01:23:23,000 Speaker 1: ain't Steve Jobs. Okay you are. You ain't Walt Disney. 1443 01:23:23,800 --> 01:23:28,240 Speaker 1: You're a good rapper and a good producer who's not perfect, 1444 01:23:28,720 --> 01:23:31,960 Speaker 1: year not the greatest. You're not the best producer. You're 1445 01:23:31,960 --> 01:23:34,000 Speaker 1: not the best rapper. I don't know what the fuck 1446 01:23:35,240 --> 01:23:37,720 Speaker 1: you really think it is, but you're you're totally out 1447 01:23:37,760 --> 01:23:40,000 Speaker 1: of touch and and and and and this is a 1448 01:23:40,080 --> 01:23:44,360 Speaker 1: perfect time if hip hop wanted to be controlled and 1449 01:23:45,360 --> 01:23:48,640 Speaker 1: Uh sort of brought back down to a sort of 1450 01:23:48,680 --> 01:23:50,760 Speaker 1: a level playing field, this would be a perfect time. 1451 01:23:51,360 --> 01:23:55,080 Speaker 1: Just the same way when when when the great nas 1452 01:23:55,479 --> 01:23:58,840 Speaker 1: nas Escobar, Uh, he felt like jay Z was getting 1453 01:23:58,880 --> 01:24:01,840 Speaker 1: bigger than the music and talking like he was this 1454 01:24:02,000 --> 01:24:03,400 Speaker 1: is between that, this is what he said. He felt 1455 01:24:03,400 --> 01:24:05,280 Speaker 1: like he was getting bigger than music, so he went 1456 01:24:05,400 --> 01:24:08,719 Speaker 1: at him and they battled. It was fantastic. Why nobody 1457 01:24:08,760 --> 01:24:12,439 Speaker 1: goes to Kanye West. I don't understand it. It doesn't 1458 01:24:12,479 --> 01:24:15,320 Speaker 1: have to turn into some craziness. Just hip hop battles. 1459 01:24:16,120 --> 01:24:18,360 Speaker 1: This this dude is breaking one of the one of 1460 01:24:18,439 --> 01:24:22,160 Speaker 1: the primary codes of hip hop, which is you ain't 1461 01:24:22,200 --> 01:24:25,200 Speaker 1: bigger than than than than the culture. You're not bigger 1462 01:24:25,240 --> 01:24:29,880 Speaker 1: than hip hop as a whole. Nobody wants to hear 1463 01:24:29,920 --> 01:24:33,120 Speaker 1: you talking that ship, your long speeches. You sound nuts 1464 01:24:34,439 --> 01:24:36,040 Speaker 1: and and and to be honest with you, I feel 1465 01:24:36,080 --> 01:24:39,479 Speaker 1: bad for I feel bad for this dude. He's out 1466 01:24:39,520 --> 01:24:41,920 Speaker 1: of touch. This is what happens when that super duper 1467 01:24:42,080 --> 01:24:44,360 Speaker 1: super put put a mask on your face, go back 1468 01:24:44,400 --> 01:24:46,960 Speaker 1: into reality for a few months. Hide. I know it's 1469 01:24:47,000 --> 01:24:49,880 Speaker 1: hard being famous. It's hard for me to be as 1470 01:24:49,920 --> 01:24:52,840 Speaker 1: famous as I am. Fucking rough out there. I can't 1471 01:24:52,880 --> 01:24:54,960 Speaker 1: imagine how hard it is to be Kanye West. That 1472 01:24:55,040 --> 01:24:59,280 Speaker 1: being said, hold your head, get your mind right, refocus. 1473 01:25:00,000 --> 01:25:02,599 Speaker 1: You ain't all that duke. Your new record is whack. 1474 01:25:02,880 --> 01:25:09,200 Speaker 1: It's not even hip hop podcast. I want to jump 1475 01:25:09,280 --> 01:25:12,880 Speaker 1: in to something that I'm really annoyed by. I'm really 1476 01:25:12,920 --> 01:25:18,880 Speaker 1: annoyed by this fucking guy. Um, Kanye West. Again again, 1477 01:25:19,240 --> 01:25:23,000 Speaker 1: the little midget bully who lives in a glass uh 1478 01:25:23,280 --> 01:25:28,719 Speaker 1: like a glass bubble, still fucking with Taylor Swift, still 1479 01:25:28,800 --> 01:25:32,280 Speaker 1: doing it now. He was performing in her hometown. You 1480 01:25:32,360 --> 01:25:35,559 Speaker 1: know she's from Nashville. Kanye West is uh, I think 1481 01:25:35,600 --> 01:25:38,840 Speaker 1: he's thirty nine or forty. Taylor Swift I think is 1482 01:25:38,880 --> 01:25:44,120 Speaker 1: twenty four. Um. And obviously Taylor Swift is a woman, 1483 01:25:44,439 --> 01:25:47,479 Speaker 1: Kanye West as a man, um and you know the 1484 01:25:47,600 --> 01:25:50,280 Speaker 1: controversy about the line, and then she recorded it. And 1485 01:25:51,280 --> 01:25:53,800 Speaker 1: if I was Taylor Swift, I'd sue this fuck for 1486 01:25:53,880 --> 01:25:59,280 Speaker 1: recording our conversation number one, uh number two instead of 1487 01:25:59,400 --> 01:26:03,080 Speaker 1: sucking with Jared Leto and Tom Hittleston and these dudes 1488 01:26:03,920 --> 01:26:08,160 Speaker 1: start working with the dude solely based on on a 1489 01:26:08,240 --> 01:26:11,000 Speaker 1: guy that like funk with ghost Face, funk with ghost 1490 01:26:11,040 --> 01:26:13,720 Speaker 1: Face Killer. Stop stop going with these these herbs, Jake 1491 01:26:13,840 --> 01:26:18,880 Speaker 1: Chillenhall and all these these cornballs and let ghost Face 1492 01:26:19,439 --> 01:26:21,880 Speaker 1: uh let go says, trying to wipe you up. So 1493 01:26:22,040 --> 01:26:26,280 Speaker 1: so somebody could regulate this, because Kanye West needs to 1494 01:26:26,320 --> 01:26:29,519 Speaker 1: be regulated. He was performing in Nashville the other day 1495 01:26:30,120 --> 01:26:32,720 Speaker 1: and his his line, you know, funck Taylor Swift, I 1496 01:26:32,800 --> 01:26:35,479 Speaker 1: made that bitch famous. He did it a few times. 1497 01:26:35,600 --> 01:26:37,080 Speaker 1: He didn't just do it once. He did it a 1498 01:26:37,160 --> 01:26:41,240 Speaker 1: few times in her hometown. Damn. Like how Meek Mill 1499 01:26:41,400 --> 01:26:43,560 Speaker 1: and Drake I don't care about that beef, but like 1500 01:26:44,720 --> 01:26:46,720 Speaker 1: that's like a challenge. That's like a threat, except for 1501 01:26:46,960 --> 01:26:53,360 Speaker 1: Kanye West's challenge and threat is to Taylor Swift. I 1502 01:26:53,520 --> 01:26:56,680 Speaker 1: really I don't understand that. I mean, I thought that 1503 01:26:56,800 --> 01:27:01,360 Speaker 1: beef was over and I don't to be over. I'm sorry, Moody, 1504 01:27:01,400 --> 01:27:03,479 Speaker 1: It's not gonna be over because no one's ever gonna 1505 01:27:03,520 --> 01:27:05,360 Speaker 1: tell him to stop. Because if he wouldn't do this, 1506 01:27:05,840 --> 01:27:08,880 Speaker 1: he wouldn't do this to any rapper. We're talking about 1507 01:27:08,920 --> 01:27:15,479 Speaker 1: a guy who the game, the rapper the Game called him. 1508 01:27:15,760 --> 01:27:18,720 Speaker 1: This is what allegedly allegedly called him, or text him 1509 01:27:18,800 --> 01:27:21,439 Speaker 1: or asked him in some way, shape or form. Could 1510 01:27:21,479 --> 01:27:24,439 Speaker 1: I He said, do you mind if I put a 1511 01:27:24,520 --> 01:27:27,120 Speaker 1: lyric out saying that I fun three Kardashians, your wife 1512 01:27:27,200 --> 01:27:31,040 Speaker 1: being one of them. And he said, yes, So you 1513 01:27:31,200 --> 01:27:33,320 Speaker 1: know what kind of dude this is? I would say, 1514 01:27:33,520 --> 01:27:37,439 Speaker 1: you could say to the game respectively, respectfully, I would 1515 01:27:37,479 --> 01:27:40,720 Speaker 1: appreciate if he didn't use that line. Game um and 1516 01:27:40,840 --> 01:27:42,360 Speaker 1: and I bet your game would be the type of 1517 01:27:42,439 --> 01:27:46,200 Speaker 1: due respect. I understand that. But Kanye West said yes, 1518 01:27:46,640 --> 01:27:49,639 Speaker 1: and he'll say, oh, I'm not gonna stifle somebody else's creative, 1519 01:27:49,720 --> 01:27:52,800 Speaker 1: uh creativity or the artist. You know, you just didn't 1520 01:27:52,840 --> 01:27:55,439 Speaker 1: want it with the game. But Taylor Swift, you want 1521 01:27:55,479 --> 01:27:58,080 Speaker 1: to have a whole arena of people saying fuck Taylor Swift, 1522 01:27:58,120 --> 01:27:59,880 Speaker 1: and you want to do the line over and over again. 1523 01:28:00,160 --> 01:28:03,880 Speaker 1: And he does his shows now uh on a stage 1524 01:28:03,960 --> 01:28:06,040 Speaker 1: that sort of hovers over the crowd, and I guess 1525 01:28:06,080 --> 01:28:08,240 Speaker 1: it's it's nice and it's cool, or why doesn't he 1526 01:28:08,360 --> 01:28:11,920 Speaker 1: get uh like a guy up there and talk to 1527 01:28:12,000 --> 01:28:14,479 Speaker 1: him and then the last man standing gets to perform 1528 01:28:14,560 --> 01:28:17,320 Speaker 1: on the stage. Instead of doing this to Taylor Swift, 1529 01:28:17,720 --> 01:28:21,280 Speaker 1: the Game called you. He said, can I can I 1530 01:28:21,400 --> 01:28:23,760 Speaker 1: do this lyric about fucking your wife and fucking your 1531 01:28:23,800 --> 01:28:27,559 Speaker 1: wife's sister that fucking your sister in law black China, 1532 01:28:27,840 --> 01:28:29,720 Speaker 1: And he said, yeah, I have no problem with that. 1533 01:28:30,439 --> 01:28:32,280 Speaker 1: You you you you, And then you're still going at 1534 01:28:32,320 --> 01:28:36,479 Speaker 1: this school soft duke whack And you told me this 1535 01:28:36,600 --> 01:28:38,800 Speaker 1: is art and he'll veil it in art. You see, 1536 01:28:38,840 --> 01:28:41,800 Speaker 1: I'll tell you something about artists. They'll veil oh it's 1537 01:28:41,840 --> 01:28:44,760 Speaker 1: my art or I'm an artist. I've said this before. 1538 01:28:44,840 --> 01:28:46,280 Speaker 1: Just because you're an artist doesn't mean you have to 1539 01:28:46,280 --> 01:28:49,479 Speaker 1: be an asshole, you know, Like I'm an artist, I'm 1540 01:28:49,479 --> 01:28:52,519 Speaker 1: a sensitive artist. So what duke? You still a dude, 1541 01:28:52,560 --> 01:28:55,040 Speaker 1: You're still a fucking guy, Like I'm a artist, this 1542 01:28:55,160 --> 01:28:57,360 Speaker 1: is my art, my man, I don't give funk what 1543 01:28:57,520 --> 01:29:00,720 Speaker 1: it is. You're not stay, You're not You're not You're 1544 01:29:00,800 --> 01:29:03,840 Speaker 1: not who you think you are. You're not degl you're 1545 01:29:03,880 --> 01:29:07,920 Speaker 1: not uh Cartier Brasson the photographer, you're not Vincent van Go. 1546 01:29:08,280 --> 01:29:11,679 Speaker 1: You're not fucking Pablo Picasso. You're not even the best rapper. 1547 01:29:12,000 --> 01:29:16,000 Speaker 1: You're just not and you and and you're you're you're 1548 01:29:16,040 --> 01:29:19,200 Speaker 1: still going with this twenty four year old girl, and karma. 1549 01:29:20,320 --> 01:29:23,280 Speaker 1: It gets everybody. It gets everybody for him to go 1550 01:29:23,360 --> 01:29:25,120 Speaker 1: out of his way to be cursing this girl in 1551 01:29:25,200 --> 01:29:28,599 Speaker 1: and try to defence she's she's more, she's sold more 1552 01:29:28,680 --> 01:29:31,439 Speaker 1: records than him. He's saying, I made her famous. You 1553 01:29:31,479 --> 01:29:34,479 Speaker 1: didn't make her famous. You're not even like yo, she's 1554 01:29:34,520 --> 01:29:36,600 Speaker 1: bigger than him as far as like record sales and 1555 01:29:36,680 --> 01:29:41,000 Speaker 1: all that. Right, right, but but but just think a 1556 01:29:41,120 --> 01:29:46,640 Speaker 1: grown man is going after a woman. Think I mean 1557 01:29:46,880 --> 01:29:50,040 Speaker 1: four year old woman. Then think a grown man is 1558 01:29:50,400 --> 01:29:54,640 Speaker 1: got got his concert, the fans going after some some 1559 01:29:55,320 --> 01:29:58,360 Speaker 1: some lady, some young woman. I mean, I would think 1560 01:29:58,880 --> 01:30:00,439 Speaker 1: you would do would you would be a above that? 1561 01:30:00,680 --> 01:30:02,560 Speaker 1: You know what I'm saying? Like, Yo, I'm above that. 1562 01:30:02,680 --> 01:30:06,200 Speaker 1: You know whatever, It's over he said in the thing 1563 01:30:06,360 --> 01:30:09,599 Speaker 1: he said in this recent video. Somebody said to remove 1564 01:30:09,720 --> 01:30:12,439 Speaker 1: that line. But I ain't gonna let know. This is 1565 01:30:12,520 --> 01:30:15,040 Speaker 1: hip hop and and I ain't gonna let anybody step 1566 01:30:15,160 --> 01:30:17,720 Speaker 1: in the way of my art. Fuck you money, Why 1567 01:30:17,760 --> 01:30:20,320 Speaker 1: don't you make any of these lines and say any 1568 01:30:20,320 --> 01:30:23,320 Speaker 1: of this stuff about just a guy with a dick, 1569 01:30:23,560 --> 01:30:27,599 Speaker 1: just a person with a dick. Any any other rapper 1570 01:30:27,680 --> 01:30:30,240 Speaker 1: you wouldn't go at like this nobody. You wouldn't go 1571 01:30:30,320 --> 01:30:35,560 Speaker 1: out that he got these people channing Taylor Swift and 1572 01:30:35,600 --> 01:30:37,840 Speaker 1: all that. This guy is a clown man. This guy 1573 01:30:38,040 --> 01:30:44,320 Speaker 1: is a clown alright. Se Iron rapports stereo podcast. We're 1574 01:30:44,320 --> 01:30:48,599 Speaker 1: signing off with Moody Beats. Listen to that funk. It's 1575 01:30:48,640 --> 01:30:54,920 Speaker 1: a Kanye West extravaganza, good bad, everything in between. My 1576 01:30:55,000 --> 01:31:01,760 Speaker 1: name is Michael Rapport and we're done. Two