WEBVTT - A Phantom Glamour

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<v Speaker 1>Family Secrets is a production of iHeartRadio.

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<v Speaker 2>I've mentioned already the unsurprising information that I've spent a

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<v Speaker 2>considerable amount of time in therapy. Whilst there, I was

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<v Speaker 2>always saying to my therapist that it was difficult to

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<v Speaker 2>find a template from my type of child on trauma.

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<v Speaker 2>Or to put in another way, the writing of a

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<v Speaker 2>story about a boundaryless mother who flaunted her infidelity in

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<v Speaker 2>front of all and sundry, including her children, might suggest

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<v Speaker 2>an intense and difficult drama. But frankly, the gravitat of

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<v Speaker 2>that tone is scuppered the moment you have to include

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<v Speaker 2>the phrase engulfing memorabilia. I think one must accept that

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<v Speaker 2>whatever damage was caused by all this, it is, in

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<v Speaker 2>the end a comedy.

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<v Speaker 3>That's David Biddil, London based comedian, TV presenter, screenwriter, author

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<v Speaker 3>and singer. Davis is a story of a secret that

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<v Speaker 3>lived out in the open, one that shaped his family life.

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<v Speaker 3>It's also a story about speaking one's own truth out

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<v Speaker 3>loud with courage and gusto and plenty of humor. I'm

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<v Speaker 3>Danny Shapiro and this is Family Secrets. The secrets that

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<v Speaker 3>are kept from us, the secrets we keep from others

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<v Speaker 3>and the secrets we keep from ourselves.

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<v Speaker 2>I was born in Upstate New York and Troy, near Albany.

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<v Speaker 2>I have no memory of that time, but I think

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<v Speaker 2>it is still quite important because my dad very much

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<v Speaker 2>what wanted to be a scientist. He was a scientist

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<v Speaker 2>and he'd got out of working class semi polity in

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<v Speaker 2>Wales because of that.

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<v Speaker 1>And then during the sixties had.

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<v Speaker 2>We married my mother, who was a refugee from Nazism,

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<v Speaker 2>and a baby which she came feeling that they went

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<v Speaker 2>off to America, which was part of something at the

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<v Speaker 2>time called the brain drain from Britain, where essentially clever people,

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<v Speaker 2>mainly scientists, thought there was more work and more money

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<v Speaker 2>to be had in America. And so my dad was

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<v Speaker 2>teaching at a place called Renselare Polytechnic Institute, and two

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<v Speaker 2>children were born, one of which was me and the

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<v Speaker 2>other which was my older brother in quite a small

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<v Speaker 2>amount of time, which suggests that they were having quite

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<v Speaker 2>a lot of sex at that point in time. And

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<v Speaker 2>then they came back to Britain and we lived in

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<v Speaker 2>a tiny flat in a place called Made of Veil,

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<v Speaker 2>which I also have no memory of, but my life

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<v Speaker 2>sort of begins my memory life begins about nineteen sixty

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<v Speaker 2>nine nineteen.

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<v Speaker 1>Seventy when we moved a place in.

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<v Speaker 2>London called Dollis Hill, which is not to be clear

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<v Speaker 2>for anyone who might know London a bit like Piccadilly

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<v Speaker 2>or Hampstead or Kensington. It's not a place redolent with

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<v Speaker 2>poetry that you see in Richard Curtis films.

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<v Speaker 1>It's a very very mundane part of London. It's rock solid.

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<v Speaker 2>Not suburbia in terms of leafy and nice suburbia, sort

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<v Speaker 2>of inner city suburbia, kind of rough suburbia. And we

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<v Speaker 2>had a semi detached house there and I lived there

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<v Speaker 2>with my mom and dad and my two brothers, my

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<v Speaker 2>then and a kat who was quite an important finger.

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<v Speaker 2>One key thing in there was a kind of mixed Jewishness,

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<v Speaker 2>by which I mean my mother was a refugee from Nazism.

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<v Speaker 2>As I said, her father, my grandfather, had been in

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<v Speaker 2>a concentration camp Dachau before the war. When they came

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<v Speaker 2>to London, they were committed reform Jews. They weren't Orthodox,

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<v Speaker 2>but they were very committed to still doing all the festivals,

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<v Speaker 2>providing a Jewish life for their daughter and for her children.

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<v Speaker 2>I meanwhile, I went to the nearest school to my

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<v Speaker 2>house where a Jew wouldn't get bullied in nineteen seventy London,

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<v Speaker 2>which was, as it happened, a very very orthodox Jewish

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<v Speaker 2>primary school. And so I and my brothers when we

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<v Speaker 2>went to school, we wore at yarmockers. I wore something

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<v Speaker 2>called sitsit, which are an internal like a Mormon style vest,

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<v Speaker 2>which has sort of tassels that you have to show.

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<v Speaker 2>If you don't show the tassels at the school, you

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<v Speaker 2>get into trouble. That Hebrew, I did blessings, I only

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<v Speaker 2>kosher food at the school, and yet my dad, who

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<v Speaker 2>was a stone cold atheist, would basically be making me

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<v Speaker 2>bacon sandwiches for breakfast before I went off to this

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<v Speaker 2>school every day. So there was just a mass of

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<v Speaker 2>incoherent Jewishness that define my early life.

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<v Speaker 3>I relate to this more than I can say. Where

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<v Speaker 3>did that sit with you? I mean having bacon, eggs

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<v Speaker 3>and shees for breakfast and then going to essentially the ashiva,

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<v Speaker 3>Like where did that reside for you? Who did you

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<v Speaker 3>think you were when you were that age?

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<v Speaker 2>That's a really really good question, because I guess I've

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<v Speaker 2>always been massively interested in authenticity and authentically being who

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<v Speaker 2>I am. It's the thing I've chased in my life

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<v Speaker 2>and to some extent monetized in my career because as

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<v Speaker 2>a stand up comedian, the work I do is all

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<v Speaker 2>extremely personal. It is all very much based on my

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<v Speaker 2>family history, and a lot of it is about having

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<v Speaker 2>had this sort of mixed up childhood and also involved,

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<v Speaker 2>particularly in the case of my mother, there's this very

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<v Speaker 2>strange self dramatizing shadow play which may or may not have.

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<v Speaker 1>Had anything to do with who she really was. I

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<v Speaker 1>think it became very.

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<v Speaker 2>Important to me because of this as I grew older,

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<v Speaker 2>even from adolescence, to live authentically, to think who am I?

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<v Speaker 2>I must be all the time, exactly me. I cannot

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<v Speaker 2>bear to be not.

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<v Speaker 1>Me in any way.

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<v Speaker 2>But when I was a kid, it was all pretty

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<v Speaker 2>mixed up. One thing I am incredibly militantly unashamed about

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<v Speaker 2>is being Jewish, because even though these were many different

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<v Speaker 2>types of Jewish as all batting up against each other,

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<v Speaker 2>my family life was still really fucking Jewish. A lot

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<v Speaker 2>of Jews have this mixed up child that I think,

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<v Speaker 2>and I got inculcated very early on into a mistake

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<v Speaker 2>about the world, which is I think I thought thought

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<v Speaker 2>that the whole world was Jewish, or my parents' friends,

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<v Speaker 2>for example, were Jewish. I went to a Jewish school,

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<v Speaker 2>my grandparents were Jewish, went to Jewish youth group. And

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<v Speaker 2>then I guess the shock of realizing when I went

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<v Speaker 2>to secondary school to high school, oh, it's not there's

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<v Speaker 2>Jews who are tiny minority, and there are anti ze

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<v Speaker 2>Mites in Britain. It was too late for my internal self,

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<v Speaker 2>it was too late for my soul, I think, and

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<v Speaker 2>I guess I continue at some level even though it's

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<v Speaker 2>not true about the world. The world is very much

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<v Speaker 2>presenting it to us as not true at the moment.

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<v Speaker 2>But I think I believe that Jews are the default

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<v Speaker 2>in the world. The Jews are the norm, and everyone

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<v Speaker 2>else is not the norm. They used to be a

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<v Speaker 2>Broadway show actually be called When You're in Love The

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<v Speaker 2>Whole World is Jewish in nineteen sixty seven. I used

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<v Speaker 2>to have an LP of that show for some reason.

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<v Speaker 2>And the whole world is never Jewish, but I thought

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<v Speaker 2>it was until early age, and I still do in

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<v Speaker 2>a way and in a way to comfort to me.

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<v Speaker 3>David describes as mother as a fantasist possessed of a

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<v Speaker 3>rich strangeness. These qualities are present in his mom for

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<v Speaker 3>as long as he can remember, though the layers of

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<v Speaker 3>meaning of that rich strangeness come into fuller view as

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<v Speaker 3>he grows up.

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<v Speaker 2>When I was young, my grandparents would occasionally fill in

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<v Speaker 2>the gaps of their history, this terribly, terribly, unbelievably traumatic

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<v Speaker 2>history they had in the thirties in Germany, but my

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<v Speaker 2>mother later on would fantasize about it. So she would

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<v Speaker 2>tell me, for example, that she could speak German when

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<v Speaker 2>she couldn't. Later in life, she told me that she

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<v Speaker 2>didn't believe her parents were her real parents. She believed

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<v Speaker 2>that her dad was in fact her mother's brother who

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<v Speaker 2>had died in the Warsaw Ghetto. And I now understand

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<v Speaker 2>why she's doing that, because for my mother, that was glamorous.

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<v Speaker 2>My mother was always chasing a kind of lost glamor,

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<v Speaker 2>and it, even though it's a terrible tragic thing that

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<v Speaker 2>she's fantas sizing about, at some levels, she would have

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<v Speaker 2>preferred to having a live parents, the glamour of her

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<v Speaker 2>parents or her dad being someone who had died in

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<v Speaker 2>the Warsaw Ghetto. And this is as I say, this

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<v Speaker 2>is what I understand, is that my mother was always chasing,

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<v Speaker 2>I think, but couldn't find it and found it very

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<v Speaker 2>difficult to find in dollars hill a phantom glamour. And

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<v Speaker 2>I think this is because she was born into a

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<v Speaker 2>family that, if Hitler had not existed in a parallel universe,

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<v Speaker 2>would have been very, very wealthy. They were industrialists, they

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<v Speaker 2>were sent me aristocratic in a place called Kernigsburg in

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<v Speaker 2>East Prussia. They were the sort of mainstays of their

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<v Speaker 2>Jewish social class. They had servants. My cousin Michael tells

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<v Speaker 2>me they had a RUBINTI I don't know if that's true,

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<v Speaker 2>but I wish it was true so that.

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<v Speaker 1>I could look for it.

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<v Speaker 2>And I think my mother knew this even though she

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<v Speaker 2>hadn't experienced it, I mean only as a really young child,

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<v Speaker 2>because she was born in ninetly thirty nine and only

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<v Speaker 2>just got out.

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<v Speaker 1>So that's an important thing as well.

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<v Speaker 2>My mother, I think, even though it wasn't at the

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<v Speaker 2>front of her mind, unconscious, must have.

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<v Speaker 1>Been aware of the nearness to death, of.

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<v Speaker 2>The fact that she was only here at all by

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<v Speaker 2>the skin of her teeth. And I think this was

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<v Speaker 2>partly what created in her this need to live life

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<v Speaker 2>as best she could had a very intense pitch, but

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<v Speaker 2>this pitch was not offered to her because she was

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<v Speaker 2>actually living in a very dull place with this very

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<v Speaker 2>working class man with three children.

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<v Speaker 3>I mean, your mother was a baby when she came

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<v Speaker 3>here with her parents. And when you say skin of

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<v Speaker 3>their teeth, it really was the skin of their teeth.

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<v Speaker 3>It was a miracle when anybody got out when a

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<v Speaker 3>tue got out of Germany in nineteen thirty nine, but

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<v Speaker 3>they came in what was it August, and by September

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<v Speaker 3>the borders were completely closed, and everyone who stayed was Yeah.

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<v Speaker 2>I actually actually didn't know until I started doing some

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<v Speaker 2>research on it quite recently, just just what a close

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<v Speaker 2>shave it was. I was always aware of it because

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<v Speaker 2>I always knew that my mum would been born in

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<v Speaker 2>March nineteen thirty nine. You know, it was always going

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<v Speaker 2>to be close. But what I didn't realize was after

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<v Speaker 2>Crystal that my grandfather had been sent to a concentration camp.

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<v Speaker 2>Three hundred thousand Jewish men were sent to concentration camps

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<v Speaker 2>after Crystal Act, which there is a much away innss

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<v Speaker 2>of I think I think people think concentration camps are

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<v Speaker 2>something that happened in ninety forty one when the Final

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<v Speaker 2>Solution properly started.

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<v Speaker 1>In fact, many Jews were sent to concentration camps.

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<v Speaker 2>Before that, and he got out again something that people

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<v Speaker 2>don't realize happened. He got out I think with bribery

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<v Speaker 2>and under the premise that he would leave. It was

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<v Speaker 2>basically the dues were allowed out of concentration camps for

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<v Speaker 2>a short time as long as they were leaving the country,

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<v Speaker 2>as long as they pledged to leave the country. And

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<v Speaker 2>the problem with that, of course, is that they would

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<v Speaker 2>have no entry point to another country. They were writing.

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<v Speaker 2>These are just letters that I've seen recently to Jewish

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<v Speaker 2>Asignum organizations in London pleading to be allowed into the UK.

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<v Speaker 2>And they had no money at that time, and they

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<v Speaker 2>had to show as part of this process a thousand

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<v Speaker 2>pounds It show was.

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<v Speaker 1>A huge amount of money obviously.

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<v Speaker 2>Then in a British bank account before they would be

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<v Speaker 2>allowed in it.

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<v Speaker 1>They had to have avid davits from.

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<v Speaker 2>British systems and all sorts of other paperwork, and then

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<v Speaker 2>they had a child and the most extordinary letter, which

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<v Speaker 2>I hadn't really thought about aunt I saw it is

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<v Speaker 2>a letter from one of these Jewish organizations in London

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<v Speaker 2>that are trying to help them to my grandparents saying, okay,

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<v Speaker 2>we will have to redo your visa now to include

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<v Speaker 2>your child. You know I it seems weird because they

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<v Speaker 2>must have known that was happening anyway. The letter says,

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<v Speaker 2>if you wait another ten days and this is July

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<v Speaker 2>nineteen thirty nine, by now, we will get you another

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<v Speaker 2>entry guard. But then you need to go to Berlin

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<v Speaker 2>to get it stamped, and all of this bureaucracy. It's

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<v Speaker 2>just infuse, which is it's infused with such.

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<v Speaker 1>A high level of anxiety.

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<v Speaker 2>You know, when I'm reading it in twenty twenty four

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<v Speaker 2>now and then when you're reading it in ninety thirty nine,

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<v Speaker 2>you and your child, it's so extraordinary.

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<v Speaker 3>Do you think your mother knew these facts of her history?

0:11:56.040 --> 0:11:58.040
<v Speaker 3>Did her parents talk to her about it? Or do

0:11:58.080 --> 0:12:01.800
<v Speaker 3>you think that this was real analyzed intergenerational trauma the

0:12:01.920 --> 0:12:04.680
<v Speaker 3>kind of ineffable, you know, the things that we sort

0:12:04.720 --> 0:12:08.079
<v Speaker 3>of pick up and that we maybe can't attach an

0:12:08.080 --> 0:12:11.400
<v Speaker 3>actual memory to or a language two, but that becomes

0:12:11.640 --> 0:12:13.800
<v Speaker 3>part of what forms usays the way it clearly did

0:12:13.800 --> 0:12:14.160
<v Speaker 3>with her.

0:12:15.760 --> 0:12:18.800
<v Speaker 2>Well, some of it is fact, I mean the fact

0:12:18.800 --> 0:12:23.120
<v Speaker 2>that she knew. But my mother's real name I'm using

0:12:23.440 --> 0:12:26.439
<v Speaker 2>really in a very ironic sense. There her first name

0:12:26.480 --> 0:12:28.880
<v Speaker 2>was not Sarah. That was the name that you know

0:12:28.960 --> 0:12:31.199
<v Speaker 2>she used. I thought of her as Sarah, but her

0:12:31.240 --> 0:12:35.040
<v Speaker 2>first given name was a name given to her, as

0:12:35.080 --> 0:12:37.400
<v Speaker 2>it were, by the Nazis, forced on her by the

0:12:37.480 --> 0:12:40.440
<v Speaker 2>Nazis because in ninety thirty nine Jewishly.

0:12:40.240 --> 0:12:41.480
<v Speaker 1>Was had to be named from a list.

0:12:42.360 --> 0:12:45.320
<v Speaker 2>You had to choose their name from a not very

0:12:45.360 --> 0:12:48.400
<v Speaker 2>pleasant list and names. A lot of horrible names were

0:12:48.440 --> 0:12:50.880
<v Speaker 2>on it, and as far as I can remember from

0:12:50.920 --> 0:12:53.680
<v Speaker 2>it was the best of a bad bunch. And the

0:12:53.720 --> 0:12:58.040
<v Speaker 2>interesting thing is that although my mother designated herself in

0:12:58.120 --> 0:13:00.880
<v Speaker 2>later life as Sarah, which is by the way, still

0:13:00.920 --> 0:13:04.040
<v Speaker 2>a Nazi name, because Jewish children also had to be

0:13:04.120 --> 0:13:06.560
<v Speaker 2>Sarah or Rachel as their middle names, and I think

0:13:07.080 --> 0:13:09.280
<v Speaker 2>Moisture or Isaac there were boys had to be their

0:13:09.320 --> 0:13:12.200
<v Speaker 2>middle names. But one thing I didn't realize is that

0:13:12.240 --> 0:13:14.920
<v Speaker 2>my mother was still called from it by her parents

0:13:14.920 --> 0:13:17.440
<v Speaker 2>when she was living in Cambridge as a child, which

0:13:17.440 --> 0:13:18.719
<v Speaker 2>is where they lived in Britain.

0:13:18.480 --> 0:13:20.960
<v Speaker 1>After the war. I actually did a show.

0:13:21.040 --> 0:13:24.160
<v Speaker 2>I did a stand up show based on my parents,

0:13:24.280 --> 0:13:26.640
<v Speaker 2>and I used to come out afterwards and Q and

0:13:26.679 --> 0:13:29.640
<v Speaker 2>a and ad lib with the audience. And one time

0:13:29.679 --> 0:13:31.760
<v Speaker 2>a man stood out, Who's I found this really movie?

0:13:31.880 --> 0:13:35.000
<v Speaker 2>And said, I actually knew your grandparents, and I've got

0:13:35.000 --> 0:13:38.160
<v Speaker 2>a letter here from one of them. And he wrote

0:13:38.200 --> 0:13:40.959
<v Speaker 2>a letter from my grandma to him, written in about

0:13:40.960 --> 0:13:45.360
<v Speaker 2>I don't know, nineteen fifty two or something, in which

0:13:45.400 --> 0:13:47.640
<v Speaker 2>she says, I have to go now because it's time

0:13:48.200 --> 0:13:49.160
<v Speaker 2>for little from.

0:13:49.040 --> 0:13:50.680
<v Speaker 1>Its prayers, or because I can.

0:13:50.640 --> 0:13:54.600
<v Speaker 2>Hear a little from it crying. I never heard my

0:13:54.640 --> 0:13:57.120
<v Speaker 2>mother called that, you know, in the wild, as it were,

0:13:58.120 --> 0:14:01.840
<v Speaker 2>and I found it very extraordinary that then, you know,

0:14:01.880 --> 0:14:04.040
<v Speaker 2>as a child, she would have been called from it.

0:14:04.280 --> 0:14:06.160
<v Speaker 2>She would have been called this name that was handed

0:14:06.200 --> 0:14:08.360
<v Speaker 2>down to them, forced on them by the Nazis.

0:14:09.520 --> 0:14:09.800
<v Speaker 1>I don't know.

0:14:09.880 --> 0:14:11.360
<v Speaker 2>I don't know how much detail of this that my

0:14:11.400 --> 0:14:13.920
<v Speaker 2>mother really knew, but that in itself seems to be

0:14:13.920 --> 0:14:18.480
<v Speaker 2>an unbelievable bobbld of complexity to live with.

0:14:18.440 --> 0:14:19.520
<v Speaker 1>On her shoulders.

0:14:20.840 --> 0:14:24.480
<v Speaker 2>My father is called was called Colin Badiel is also

0:14:24.600 --> 0:14:29.040
<v Speaker 2>Jewish in a slightly different lineage that also involved fleeing

0:14:29.760 --> 0:14:33.840
<v Speaker 2>his grandfather my great grandfather was fleeing from Russian pogroms

0:14:33.920 --> 0:14:38.560
<v Speaker 2>from Cossacks. I think they were in Latvia, and the

0:14:38.600 --> 0:14:40.520
<v Speaker 2>story goes I think this might be an urban myth

0:14:40.760 --> 0:14:43.280
<v Speaker 2>that applies to a number of Jews in the nineteenth century,

0:14:43.400 --> 0:14:46.280
<v Speaker 2>was that my great grandfather smuggled himself onto a boat

0:14:46.320 --> 0:14:47.960
<v Speaker 2>and the boat was meant to be going to New York,

0:14:47.960 --> 0:14:49.080
<v Speaker 2>but was go to New York.

0:14:49.880 --> 0:14:51.240
<v Speaker 1>But he didn't speak in English.

0:14:51.280 --> 0:14:56.160
<v Speaker 2>When they stopped at Swansea to refuel. Swansea in Wales,

0:14:57.440 --> 0:14:59.880
<v Speaker 2>he didn't speak an English and he just thought it

0:14:59.920 --> 0:15:01.240
<v Speaker 2>was the end of the line. So he got off

0:15:01.360 --> 0:15:04.400
<v Speaker 2>and presumably ten years later, said to someone, excuse me,

0:15:04.400 --> 0:15:06.960
<v Speaker 2>where is the Statue of Liberty? And they said, no, no,

0:15:06.960 --> 0:15:09.360
<v Speaker 2>you're in Swansea. And that's why that part of my

0:15:09.400 --> 0:15:14.000
<v Speaker 2>family is from Wales. My dad was very Welsh, I

0:15:14.080 --> 0:15:17.000
<v Speaker 2>sort of, you know, come extremely Welsh at some level.

0:15:17.040 --> 0:15:20.240
<v Speaker 2>When you tell people in Britain that my dad was Welsh,

0:15:20.600 --> 0:15:22.920
<v Speaker 2>they will say often, oh, I thought he was Jewish,

0:15:23.440 --> 0:15:25.320
<v Speaker 2>and I said, yeah, it was Welsh and Jewish. But

0:15:25.360 --> 0:15:28.720
<v Speaker 2>for some people people find that In Congress it's very interesting, well,

0:15:28.760 --> 0:15:34.080
<v Speaker 2>people assume where people assumed Jews can come from basically Germany,

0:15:34.720 --> 0:15:39.480
<v Speaker 2>Russia and New York. He was very working class. His

0:15:39.600 --> 0:15:43.680
<v Speaker 2>dad used to sell cloth material from door to door.

0:15:43.720 --> 0:15:46.600
<v Speaker 2>He was essentially a tinker. And my dad was born

0:15:46.600 --> 0:15:49.720
<v Speaker 2>in nineteen thirty four. They lived at a terraced house

0:15:49.800 --> 0:15:53.440
<v Speaker 2>in Swansea that I stayed in on holiday many times

0:15:53.440 --> 0:15:55.040
<v Speaker 2>when I was growing up. We never used to have

0:15:55.320 --> 0:15:58.120
<v Speaker 2>nice holidays abroad in the South of France or anything

0:15:58.120 --> 0:15:58.320
<v Speaker 2>like that.

0:15:58.360 --> 0:15:59.600
<v Speaker 1>My dad just used to take us.

0:15:59.480 --> 0:16:02.320
<v Speaker 2>Back to Swa and we lived and we stayed in

0:16:02.400 --> 0:16:06.640
<v Speaker 2>his parents' house. He's not untypical my dad, I guess

0:16:06.680 --> 0:16:09.080
<v Speaker 2>of that generation, a very very intelligent man, but with

0:16:09.120 --> 0:16:13.480
<v Speaker 2>always no emotional intelligence. You know. My father was very clever,

0:16:13.760 --> 0:16:17.800
<v Speaker 2>very funny, incredibly and forward about science. I think in

0:16:17.880 --> 0:16:20.000
<v Speaker 2>his heart he would have liked to have been an

0:16:20.040 --> 0:16:23.680
<v Speaker 2>important man of science, a researcher who made great discoveries,

0:16:24.280 --> 0:16:25.920
<v Speaker 2>and that eluded him because of life.

0:16:25.960 --> 0:16:28.320
<v Speaker 1>Because he had three kids, he had to feed.

0:16:28.040 --> 0:16:32.120
<v Speaker 2>Them, and so he got a job with a corporation.

0:16:32.240 --> 0:16:36.160
<v Speaker 2>He became essentially a middle manager for Unilever. But I

0:16:36.200 --> 0:16:38.000
<v Speaker 2>think that a sign. I think that in all my

0:16:38.160 --> 0:16:41.400
<v Speaker 2>dad's quickness of mind and funny as there was a.

0:16:41.400 --> 0:16:42.400
<v Speaker 1>Lot of rage.

0:16:43.280 --> 0:16:46.120
<v Speaker 2>And it's weird because I think of intelligence now as

0:16:46.280 --> 0:16:50.760
<v Speaker 2>involving emotional intelligence. I think you can't just be well

0:16:50.920 --> 0:16:54.440
<v Speaker 2>read or good at science and be an intelligent person.

0:16:54.480 --> 0:16:57.520
<v Speaker 2>You have to have some awareness of what's steaming your

0:16:57.560 --> 0:17:01.160
<v Speaker 2>way and your inner cauldron. I'm not sure my dad did.

0:17:02.560 --> 0:17:05.480
<v Speaker 2>I think that is the source of the dysfunctional fit

0:17:06.160 --> 0:17:09.679
<v Speaker 2>that happened with my mother. Someone recently asked me how

0:17:09.760 --> 0:17:12.560
<v Speaker 2>it happens a lot with this story is people said,

0:17:12.560 --> 0:17:16.920
<v Speaker 2>your daddy must have known about this affair, and I said, well,

0:17:16.920 --> 0:17:20.399
<v Speaker 2>it's hard to tell, because my father would not express

0:17:21.240 --> 0:17:24.359
<v Speaker 2>an emotional vocabulary. He didn't have the emotional vocamputery. It

0:17:24.359 --> 0:17:26.040
<v Speaker 2>seems to me that you have to have an emotional

0:17:26.119 --> 0:17:28.879
<v Speaker 2>vocamplary to talk me about the fact that your partner

0:17:28.920 --> 0:17:32.600
<v Speaker 2>is having an affair. My mum had a very romantic,

0:17:32.680 --> 0:17:37.399
<v Speaker 2>slightly grand delinquent sense of life, but she was normally

0:17:37.480 --> 0:17:41.879
<v Speaker 2>enough in my sense of her until about ninety seventy

0:17:41.880 --> 0:17:45.000
<v Speaker 2>three or seventy four, when I'm about ten, at which

0:17:45.040 --> 0:17:49.560
<v Speaker 2>point she becomes obsessed with golf and everything to do

0:17:49.640 --> 0:17:53.800
<v Speaker 2>with golf and golf memorabilia. I one think about golf

0:17:53.960 --> 0:17:56.640
<v Speaker 2>is in America, I think people take it more seriously

0:17:56.680 --> 0:18:00.920
<v Speaker 2>as a sport, but here golf is really thought of her as,

0:18:01.080 --> 0:18:04.200
<v Speaker 2>if I can use the word, a naff sport played

0:18:04.200 --> 0:18:07.280
<v Speaker 2>by cilly men with mustaches and silly clothes.

0:18:08.160 --> 0:18:08.600
<v Speaker 1>But she did.

0:18:08.640 --> 0:18:11.640
<v Speaker 2>She became obsessed overnight in this very extreme way.

0:18:12.160 --> 0:18:12.840
<v Speaker 1>She went on to.

0:18:12.760 --> 0:18:16.440
<v Speaker 2>Write five books about golf, and the whole house suddenly

0:18:16.520 --> 0:18:23.280
<v Speaker 2>became covered in golfing memorabilia. She wore golfing brooches, golfing earring,

0:18:23.480 --> 0:18:26.840
<v Speaker 2>golfing necklace, Every card, every calendar was about golf.

0:18:28.320 --> 0:18:28.920
<v Speaker 1>It was amazing.

0:18:28.960 --> 0:18:31.400
<v Speaker 2>She just covered herself in golf and golfing. Member really,

0:18:31.400 --> 0:18:34.680
<v Speaker 2>but I don't think she was actually interested in the sport.

0:18:35.880 --> 0:18:38.520
<v Speaker 2>She liked children's books. Before that, she had worked as

0:18:38.560 --> 0:18:42.399
<v Speaker 2>a dental receptionist, but never anything to do with sport.

0:18:42.480 --> 0:18:46.040
<v Speaker 2>We were interested in football. She wasn't interested in that anyway.

0:18:46.119 --> 0:18:48.040
<v Speaker 2>A key element of all of this is that this guy,

0:18:48.560 --> 0:18:51.359
<v Speaker 2>David White appeared in our life at the same time,

0:18:51.680 --> 0:18:55.600
<v Speaker 2>and he was a golfing memorabilia collector, loved golf and

0:18:55.640 --> 0:18:57.760
<v Speaker 2>played all the time, played golf all the time, and

0:18:57.840 --> 0:19:00.800
<v Speaker 2>talked about golf all the time. So it's not a

0:19:00.840 --> 0:19:06.160
<v Speaker 2>complex equation to work out that those things might be connected.

0:19:06.880 --> 0:19:10.359
<v Speaker 2>That this man was around her house a lot, always

0:19:10.480 --> 0:19:13.520
<v Speaker 2>talking about golf, and she had fallen kind of absurdly

0:19:13.560 --> 0:19:17.159
<v Speaker 2>in love with it. Eroto manically. Eroto Mania is an

0:19:17.160 --> 0:19:19.320
<v Speaker 2>actual word, isn't it for when people fall in love

0:19:19.320 --> 0:19:20.680
<v Speaker 2>in an over obsessive way.

0:19:21.240 --> 0:19:23.560
<v Speaker 1>And you know, we all knew when the golf was

0:19:23.600 --> 0:19:23.960
<v Speaker 1>a clue.

0:19:23.960 --> 0:19:25.880
<v Speaker 2>But my mother was also very very key to tell

0:19:25.920 --> 0:19:27.560
<v Speaker 2>everybody about this affair.

0:19:27.640 --> 0:19:31.000
<v Speaker 1>She would mention it, you know, like just in passing as.

0:19:30.840 --> 0:19:32.439
<v Speaker 2>A story, I'd tell about how my brother took one

0:19:32.480 --> 0:19:37.080
<v Speaker 2>of his first girlfriends to see my mom at her shop, Golfiana.

0:19:37.440 --> 0:19:39.720
<v Speaker 2>She had a store in an antique market opposite my

0:19:39.800 --> 0:19:41.280
<v Speaker 2>dad's store. My dad, by this time it was done

0:19:41.320 --> 0:19:45.639
<v Speaker 2>agra scientist. He lost that jobsly dinky toys cars at

0:19:45.680 --> 0:19:48.119
<v Speaker 2>an antique store in opposite it was my mom's golfing

0:19:48.160 --> 0:19:49.440
<v Speaker 2>memorabilia store.

0:19:49.480 --> 0:19:50.960
<v Speaker 1>So that's something of a red flag.

0:19:51.000 --> 0:19:53.919
<v Speaker 2>Anyway, my brother took this new girlfriend to see my mom,

0:19:54.119 --> 0:19:58.040
<v Speaker 2>and my mom just mentioned within seconds David White and

0:19:58.080 --> 0:20:00.840
<v Speaker 2>then turned to this girlfriend, this new new ivors and

0:20:00.880 --> 0:20:03.639
<v Speaker 2>said my lover of twenty years, and then carried on

0:20:03.720 --> 0:20:06.200
<v Speaker 2>talking to my brother as if nothing had happened, because

0:20:06.240 --> 0:20:08.800
<v Speaker 2>you know, she really thought the affair was a plus.

0:20:08.800 --> 0:20:11.080
<v Speaker 1>She thought it was glamorous, and he was kind of glamorous.

0:20:11.080 --> 0:20:15.280
<v Speaker 2>He was a smooth looking, polo necked, pipe smoking, bearded man,

0:20:15.359 --> 0:20:19.640
<v Speaker 2>handsome in a kind of nineteen seventies way. I think

0:20:19.680 --> 0:20:21.919
<v Speaker 2>he used off to shave things like that that my

0:20:22.000 --> 0:20:27.760
<v Speaker 2>dad didn't. He was more middle class, more you know, clubbable,

0:20:28.040 --> 0:20:31.640
<v Speaker 2>less Jewish, not Jewish at all. Basically, this was the time,

0:20:31.680 --> 0:20:33.720
<v Speaker 2>by the way, when in Britain Jews were still not

0:20:33.800 --> 0:20:37.040
<v Speaker 2>allowed in a lot of golf clubs. Golf clubs were restricted,

0:20:37.840 --> 0:20:41.960
<v Speaker 2>not always formerly, but Jews just couldn't get in. I offered,

0:20:41.960 --> 0:20:44.280
<v Speaker 2>wonder if, subconsciously as well, that to do with my

0:20:44.320 --> 0:20:47.960
<v Speaker 2>mother trying to overcome this internal jewishness that had caused

0:20:48.000 --> 0:20:49.919
<v Speaker 2>us so much trouble when she was a child.

0:20:51.760 --> 0:20:55.000
<v Speaker 3>You know, I'm just thinking about the way that no,

0:20:55.200 --> 0:20:58.480
<v Speaker 3>this wasn't a secret. And at the same time, the

0:20:58.560 --> 0:21:01.080
<v Speaker 3>tagline for this show is the secrets that are kept

0:21:01.080 --> 0:21:02.720
<v Speaker 3>from us, the secrets we keep from others, and the

0:21:02.760 --> 0:21:06.600
<v Speaker 3>secrets we keep from ourselves, and to me, the secrets

0:21:06.640 --> 0:21:10.879
<v Speaker 3>we keep from ourselves are often the most interesting or

0:21:10.960 --> 0:21:15.640
<v Speaker 3>poignant the way in which this affair sort of lived

0:21:15.880 --> 0:21:18.639
<v Speaker 3>in your family and was out in the open because

0:21:18.640 --> 0:21:20.840
<v Speaker 3>your mother was out in the open about it. But

0:21:20.880 --> 0:21:22.960
<v Speaker 3>at the same time, and one of the things that

0:21:23.080 --> 0:21:25.040
<v Speaker 3>comes up and I find really moving, is that you

0:21:25.040 --> 0:21:28.800
<v Speaker 3>have all these documents, right, so you have this artwork

0:21:29.400 --> 0:21:32.000
<v Speaker 3>that your older brother made. You know that it's supposed

0:21:32.040 --> 0:21:34.240
<v Speaker 3>to be I guess about family or who his dad

0:21:34.280 --> 0:21:37.160
<v Speaker 3>is or whatever. And in every single one of these

0:21:37.600 --> 0:21:41.480
<v Speaker 3>child's drawings, somebody smoking a pipe. Yeah, you just think

0:21:41.600 --> 0:21:45.800
<v Speaker 3>like wow, you know, like I mean, just what would

0:21:45.800 --> 0:21:48.719
<v Speaker 3>a child therapist do with that? Like pipes are smoking pipes?

0:21:48.800 --> 0:21:49.679
<v Speaker 3>I mean, it's it's.

0:21:49.880 --> 0:21:52.679
<v Speaker 2>Yeah, I know, I love that it was. I think

0:21:52.720 --> 0:21:55.199
<v Speaker 2>one of the key things for pout David White that

0:21:55.240 --> 0:21:57.840
<v Speaker 2>he smoked a pipe. I think you could take that

0:21:58.000 --> 0:22:00.480
<v Speaker 2>in many ways, one in the Freudian way that there's

0:22:00.520 --> 0:22:03.240
<v Speaker 2>something a bit you know, sexual about a pipe, bit

0:22:03.320 --> 0:22:06.800
<v Speaker 2>panic about a pipe. But also there's something that is

0:22:06.840 --> 0:22:10.680
<v Speaker 2>sophisticated about a pipe, or there was in nineteen seventy three,

0:22:10.720 --> 0:22:13.920
<v Speaker 2>there's something absurd about a pipe. But there's also something

0:22:14.040 --> 0:22:19.159
<v Speaker 2>fatherly about a pipe. My mother would archive everything she

0:22:19.280 --> 0:22:22.120
<v Speaker 2>was a kind of archive ast the hoarder of her

0:22:22.119 --> 0:22:25.280
<v Speaker 2>own life. So she's left and I have them and

0:22:25.520 --> 0:22:29.680
<v Speaker 2>use of the book, every love letter, every poem she wrote,

0:22:29.720 --> 0:22:32.440
<v Speaker 2>any poems, many erotic poems to David White.

0:22:33.280 --> 0:22:34.240
<v Speaker 1>She copied all of these.

0:22:34.280 --> 0:22:36.280
<v Speaker 2>She would send them to him, but she always keep

0:22:36.280 --> 0:22:40.439
<v Speaker 2>copying and captable. And she also got a magazine called Pipeline,

0:22:40.680 --> 0:22:43.960
<v Speaker 2>which is a pipe smoker's magazine, and she always just

0:22:44.000 --> 0:22:45.880
<v Speaker 2>brought that because she was thinking, Oh, how else can

0:22:45.920 --> 0:22:49.359
<v Speaker 2>I service a service my lover's interest not just golf,

0:22:49.400 --> 0:22:52.960
<v Speaker 2>I must become interested in pipes as well. It's poignant,

0:22:53.280 --> 0:22:57.159
<v Speaker 2>but it's also funny because the specifics of this relationship

0:22:57.200 --> 0:23:01.000
<v Speaker 2>are comic. And there might have in other ways in

0:23:01.080 --> 0:23:03.400
<v Speaker 2>which I could have told this story, or I could

0:23:03.440 --> 0:23:06.719
<v Speaker 2>think about this story as completely somber and tragic and

0:23:06.800 --> 0:23:09.560
<v Speaker 2>moving and damaging. But in my heart, Danny, I find

0:23:09.600 --> 0:23:12.320
<v Speaker 2>it more moving because it's funny. I think that what

0:23:12.440 --> 0:23:14.920
<v Speaker 2>lifts it from the damage is the comedy and gives

0:23:14.920 --> 0:23:18.359
<v Speaker 2>it joy. And the secret that I've discovered as I've

0:23:18.400 --> 0:23:20.639
<v Speaker 2>decided to research this and find out about it in

0:23:20.680 --> 0:23:22.800
<v Speaker 2>order to write about it and talk about it, is

0:23:22.800 --> 0:23:27.360
<v Speaker 2>how deep my mother went. You know how many artifacts

0:23:27.440 --> 0:23:30.840
<v Speaker 2>golfing pipe and how many letters there were. Things keep

0:23:30.880 --> 0:23:33.159
<v Speaker 2>cropping up, and I just think that's another level of

0:23:33.320 --> 0:23:39.560
<v Speaker 2>extraordinary obsession and extraordinary flagrancy about this love. When she died,

0:23:39.600 --> 0:23:41.800
<v Speaker 2>me and my brothers were sorted through stuff in my parents'

0:23:41.840 --> 0:23:45.280
<v Speaker 2>house and we were depressed, you know, because our muma died.

0:23:45.400 --> 0:23:48.040
<v Speaker 2>It was bleak, and she had died very suddenly and

0:23:48.119 --> 0:23:51.720
<v Speaker 2>rather horribly, and it's not nice sorting through your dead

0:23:51.760 --> 0:23:55.080
<v Speaker 2>mother's stuff. But then my younger brother, Dan, who is

0:23:55.119 --> 0:23:58.399
<v Speaker 2>sort of angrier than me about the whole infidelity David

0:23:58.400 --> 0:24:01.520
<v Speaker 2>White thing, and I think feels more damage by it,

0:24:01.520 --> 0:24:03.720
<v Speaker 2>suddenly came up to me and said, oh, I found

0:24:03.800 --> 0:24:07.639
<v Speaker 2>this at the back of the cupboard. You might want it.

0:24:07.840 --> 0:24:09.680
<v Speaker 2>I was going to smash it, but you might want it.

0:24:10.560 --> 0:24:14.240
<v Speaker 2>And he handed me a mug, a coffee mug with

0:24:14.359 --> 0:24:17.359
<v Speaker 2>a picture of David White on it on both sides

0:24:17.400 --> 0:24:20.160
<v Speaker 2>of the mug. And I didn't tell my older brother

0:24:20.320 --> 0:24:22.600
<v Speaker 2>that we found that. But next time there was a

0:24:22.600 --> 0:24:25.040
<v Speaker 2>break in the sorting through stuff and a call for

0:24:25.119 --> 0:24:28.239
<v Speaker 2>a cup of tea, I secretly did it, and then

0:24:28.240 --> 0:24:31.080
<v Speaker 2>I just handed my brother his tea in that mug.

0:24:31.160 --> 0:24:35.159
<v Speaker 2>And he laughed and laughed, And that's my point. You know,

0:24:35.440 --> 0:24:38.960
<v Speaker 2>for a moment, there was laughter in that house of death,

0:24:39.640 --> 0:24:42.160
<v Speaker 2>and that's very important for me, because comedy is very

0:24:42.880 --> 0:24:45.359
<v Speaker 2>salvational for me, for want of a better word, it's

0:24:45.440 --> 0:24:48.800
<v Speaker 2>what lifts these moments from being too sad and too grim.

0:24:50.280 --> 0:24:53.800
<v Speaker 3>What is there to do with that other than to

0:24:53.920 --> 0:24:57.359
<v Speaker 3>make comedy out of it? And do you think you

0:24:57.359 --> 0:25:00.920
<v Speaker 3>would have become a comedian? It's pass to pull this apart,

0:25:00.960 --> 0:25:04.200
<v Speaker 3>but do you think that this is what made you

0:25:04.240 --> 0:25:07.080
<v Speaker 3>a comedian or do you think that being a comedian

0:25:07.080 --> 0:25:10.359
<v Speaker 3>and having that innate talent is part of what saved

0:25:10.359 --> 0:25:12.840
<v Speaker 3>you and allowed you to kind of work through things

0:25:12.880 --> 0:25:15.000
<v Speaker 3>that otherwise might have ended up feeling like anger.

0:25:17.280 --> 0:25:20.320
<v Speaker 2>It's a really hard question, I think for me to answer.

0:25:20.359 --> 0:25:23.639
<v Speaker 2>I know that I think of comedy as an enormously

0:25:23.760 --> 0:25:27.960
<v Speaker 2>useful buffer or reworking of things that are too grim

0:25:27.960 --> 0:25:31.359
<v Speaker 2>to deal with. And I don't think of my mother's

0:25:31.400 --> 0:25:33.879
<v Speaker 2>affair as too grim to deal with. I do think

0:25:33.920 --> 0:25:36.760
<v Speaker 2>of her death as appalling the way it was. And

0:25:36.800 --> 0:25:38.760
<v Speaker 2>immediately after my mother's death, we had to go and

0:25:38.800 --> 0:25:42.639
<v Speaker 2>tell my father, who was already deep into dementia, that

0:25:42.680 --> 0:25:45.040
<v Speaker 2>my mother was dead, and despite their very, very rocky

0:25:45.160 --> 0:25:47.760
<v Speaker 2>and flawed marriage. I think I say in the book

0:25:47.760 --> 0:25:50.840
<v Speaker 2>that theirs was a very ragged form of love. He

0:25:50.880 --> 0:25:54.080
<v Speaker 2>was incredibly upset and vulnerable, and me and my older

0:25:54.119 --> 0:25:56.120
<v Speaker 2>brother we had to try and comfort him.

0:25:56.440 --> 0:25:57.000
<v Speaker 1>We did that.

0:25:57.160 --> 0:26:00.360
<v Speaker 2>We hugged him, told him everything would be okay, that means,

0:26:00.359 --> 0:26:02.800
<v Speaker 2>and then forty five minutes later we had to do

0:26:02.840 --> 0:26:05.359
<v Speaker 2>it again, and then again and then again.

0:26:05.160 --> 0:26:05.760
<v Speaker 1>For a year.

0:26:06.440 --> 0:26:08.240
<v Speaker 2>At the end of that, my dad started doing this thing,

0:26:08.720 --> 0:26:11.479
<v Speaker 2>you know. He would just do this dimastic and say,

0:26:11.520 --> 0:26:14.240
<v Speaker 2>where is she? Where's the mother? That's what he called

0:26:14.280 --> 0:26:16.040
<v Speaker 2>my mother. He would always call it the mother. I

0:26:16.040 --> 0:26:19.760
<v Speaker 2>would have to tell him that she was dead later on,

0:26:20.560 --> 0:26:23.840
<v Speaker 2>you know, about a year later. He wouldn't react quite

0:26:23.840 --> 0:26:26.280
<v Speaker 2>in the same kind of fall and crumbling way. He

0:26:26.320 --> 0:26:28.399
<v Speaker 2>would sort of go, yes, yes, yes, I knew that,

0:26:29.520 --> 0:26:32.120
<v Speaker 2>and then start saying, so, I'm a single man.

0:26:32.200 --> 0:26:35.119
<v Speaker 1>Now, perhaps I should get out on the pull, which for.

0:26:35.160 --> 0:26:38.639
<v Speaker 2>Any if you know that expression, basically maybe I should

0:26:38.680 --> 0:26:41.959
<v Speaker 2>go out and try my luck were in the singles market.

0:26:43.080 --> 0:26:45.679
<v Speaker 2>And it's awful, it's terrible, And it was so in

0:26:45.760 --> 0:26:49.240
<v Speaker 2>character for my dad and funny, you know, and Basically,

0:26:49.240 --> 0:26:51.440
<v Speaker 2>if anyone point to me towards comedy, it was my dad.

0:26:51.480 --> 0:26:55.760
<v Speaker 2>My dad used comedy as a form of denial. He

0:26:55.800 --> 0:26:59.600
<v Speaker 2>would definitely prefer, you know, rather than dealing with a

0:26:59.600 --> 0:27:03.240
<v Speaker 2>difficult situation. He could make an aggressive joke about it

0:27:03.280 --> 0:27:04.520
<v Speaker 2>at someone else's expense.

0:27:05.119 --> 0:27:06.640
<v Speaker 1>But you know, I am.

0:27:06.480 --> 0:27:08.680
<v Speaker 2>Not a person who believes in God. I don't believe

0:27:08.720 --> 0:27:11.400
<v Speaker 2>in any kind of great pattern to life. I think

0:27:11.440 --> 0:27:14.800
<v Speaker 2>that essentially we are just dust here for a little

0:27:14.800 --> 0:27:18.680
<v Speaker 2>while in what John Updyke called brilliantly this complex interval

0:27:18.720 --> 0:27:22.119
<v Speaker 2>of light. And I think the only thing, really, the

0:27:22.119 --> 0:27:24.600
<v Speaker 2>only thing that for me, takes all this somewhere else,

0:27:24.720 --> 0:27:27.800
<v Speaker 2>is laughter. Really, if I was to believe in God,

0:27:27.840 --> 0:27:30.359
<v Speaker 2>I would say his greatest gift to us is laughter,

0:27:30.680 --> 0:27:34.000
<v Speaker 2>because it allows us to process and deal with things

0:27:34.000 --> 0:27:35.720
<v Speaker 2>that otherwise would be intolerable.

0:27:40.840 --> 0:27:56.280
<v Speaker 3>We'll be right back. It was Dad may have tried

0:27:56.320 --> 0:27:59.480
<v Speaker 3>to turn towards humor. There's a moment when David's breaking

0:27:59.520 --> 0:28:02.800
<v Speaker 3>the news to his dad about his mother's death, and

0:28:02.840 --> 0:28:07.040
<v Speaker 3>his dad just crumbles, he falls apart, and it would

0:28:07.040 --> 0:28:09.600
<v Speaker 3>be the most natural thing in the world to wrap

0:28:09.640 --> 0:28:13.080
<v Speaker 3>his arms around his father in a hug. But David writes,

0:28:14.080 --> 0:28:17.439
<v Speaker 3>we are not a huggy family. I hug my kids

0:28:17.480 --> 0:28:19.960
<v Speaker 3>a lot more than they want. But that does not

0:28:20.119 --> 0:28:24.600
<v Speaker 3>come from a forty three Kendall road inheritance. But in

0:28:24.640 --> 0:28:27.480
<v Speaker 3>a way, doesn't it. One thing we can do with

0:28:27.520 --> 0:28:29.159
<v Speaker 3>the things that are not the way we would have

0:28:29.200 --> 0:28:31.880
<v Speaker 3>wanted them to be growing up is that we can

0:28:31.920 --> 0:28:36.720
<v Speaker 3>grow in counteridentification to those things. We can decide, well,

0:28:36.880 --> 0:28:39.480
<v Speaker 3>I'm going to be a different kind of parent or

0:28:39.560 --> 0:28:42.120
<v Speaker 3>partner or human being in the world.

0:28:44.040 --> 0:28:49.240
<v Speaker 2>My obsession with authenticity, whatever that means, is I think

0:28:49.280 --> 0:28:52.800
<v Speaker 2>in reaction to my mother creating, as it were, these

0:28:52.840 --> 0:28:56.160
<v Speaker 2>personas for herself. These different personas are different boys in

0:28:56.160 --> 0:28:58.480
<v Speaker 2>their life. But the biggest and long mister, which was

0:28:58.880 --> 0:29:02.480
<v Speaker 2>golf memorabilia queat golf of them a brilliant nut. But

0:29:02.560 --> 0:29:04.880
<v Speaker 2>I always thought watching and doing that, even when I

0:29:04.920 --> 0:29:06.200
<v Speaker 2>was young, I thought, who is this?

0:29:06.200 --> 0:29:07.120
<v Speaker 1>This isn't you.

0:29:08.000 --> 0:29:10.960
<v Speaker 2>So the authenticity thing is kind of in reaction to that.

0:29:11.720 --> 0:29:14.720
<v Speaker 2>And I think absolutely the way that I've parented my

0:29:14.920 --> 0:29:18.880
<v Speaker 2>kids is in reaction to that. I think generationally we

0:29:19.040 --> 0:29:21.560
<v Speaker 2>come from parents who, on the whole were not brilliant

0:29:21.720 --> 0:29:25.360
<v Speaker 2>at showing affection. My generation, you know, we had parents,

0:29:25.440 --> 0:29:28.040
<v Speaker 2>especially fathers who were not brilliant at that. And there's

0:29:28.040 --> 0:29:31.840
<v Speaker 2>a notion or else simplistic notion of cycles of abuse

0:29:31.920 --> 0:29:35.280
<v Speaker 2>being repeated. But there's another idea, which is I think

0:29:35.320 --> 0:29:38.480
<v Speaker 2>you can grow in counter reaction to the way you

0:29:38.520 --> 0:29:42.040
<v Speaker 2>were brought up if you were aware enough. It's not easy,

0:29:42.840 --> 0:29:44.640
<v Speaker 2>you know, awareness, it's not always easy to know where

0:29:44.640 --> 0:29:47.160
<v Speaker 2>the damage was that happened to you that you don't

0:29:47.200 --> 0:29:48.680
<v Speaker 2>want to pass on to your kids, or it might

0:29:48.680 --> 0:29:51.840
<v Speaker 2>be their subconsciously. One thing I talk about a lot

0:29:53.080 --> 0:29:55.880
<v Speaker 2>is cats. I'm very obsessed with cats. And there was

0:29:55.920 --> 0:29:58.280
<v Speaker 2>a cat in our house when I was young, and

0:29:58.360 --> 0:30:00.640
<v Speaker 2>that cat got all the affection from my dad, got

0:30:00.680 --> 0:30:03.280
<v Speaker 2>an awful lot of affection, And that's clearly one reason

0:30:03.320 --> 0:30:06.800
<v Speaker 2>why I'm obsessed with cats. You know, I think people

0:30:06.840 --> 0:30:09.320
<v Speaker 2>want affection, but sometimes there are blockages, and there were

0:30:09.360 --> 0:30:12.920
<v Speaker 2>a lot of blockages at forty three Kindle Road where

0:30:12.960 --> 0:30:16.000
<v Speaker 2>I grew up. So now I see how that cat

0:30:16.120 --> 0:30:19.440
<v Speaker 2>ended up as the repository of simple affection because my

0:30:19.520 --> 0:30:22.160
<v Speaker 2>dad was able to show simple affection to an animal,

0:30:22.560 --> 0:30:24.880
<v Speaker 2>but he couldn't show it to his wife and not.

0:30:24.760 --> 0:30:26.720
<v Speaker 1>Really to his children, And so.

0:30:26.680 --> 0:30:30.280
<v Speaker 2>I think that implies that my dad wanted to show affection,

0:30:30.560 --> 0:30:32.640
<v Speaker 2>that he wanted to receive affection, but he couldn't do

0:30:32.680 --> 0:30:37.720
<v Speaker 2>it in a straightforward way to his family because it

0:30:37.720 --> 0:30:41.160
<v Speaker 2>would mean showing vulnerability. But I saw vulnerability on his

0:30:41.320 --> 0:30:43.440
<v Speaker 2>face when I told him, when me and my brother

0:30:43.480 --> 0:30:44.920
<v Speaker 2>told him that my mom was dead, and it was

0:30:44.960 --> 0:30:47.120
<v Speaker 2>so intense, you know, it spoke.

0:30:47.160 --> 0:30:50.640
<v Speaker 1>I guess of this huge need, perhaps his.

0:30:50.640 --> 0:30:54.800
<v Speaker 2>Whole life, a huge need wanting to be hugged, wanting affection.

0:30:54.880 --> 0:30:55.479
<v Speaker 1>Who knows.

0:30:55.720 --> 0:30:58.520
<v Speaker 2>It's hard to tell with someone as male and as

0:30:58.560 --> 0:31:00.800
<v Speaker 2>rejecting of emotion as my father.

0:31:01.640 --> 0:31:04.880
<v Speaker 3>Do you think that your parents ever had a conversation

0:31:05.560 --> 0:31:07.800
<v Speaker 3>about David White or do you think that they ever

0:31:07.920 --> 0:31:08.880
<v Speaker 3>ever talked about it?

0:31:09.800 --> 0:31:10.520
<v Speaker 1>I don't really know.

0:31:11.200 --> 0:31:13.240
<v Speaker 2>It's a strange thing how much I know that I

0:31:13.320 --> 0:31:15.480
<v Speaker 2>don't know that, and how much everyone seems to know

0:31:15.640 --> 0:31:18.000
<v Speaker 2>around my family that my mother was so flagrant with

0:31:18.000 --> 0:31:21.280
<v Speaker 2>all this information. They argued all the time, ceratinly. My

0:31:21.360 --> 0:31:23.160
<v Speaker 2>dad shouted at my mum all the time. My mum

0:31:23.280 --> 0:31:25.160
<v Speaker 2>didn't tend to respond that much, but my dad was

0:31:25.240 --> 0:31:27.640
<v Speaker 2>very shouty out. He wasn't a violent man, but he

0:31:27.760 --> 0:31:32.080
<v Speaker 2>was very loud and very angry. Irritated all the time, aggravating.

0:31:32.160 --> 0:31:32.800
<v Speaker 1>I could hear.

0:31:32.680 --> 0:31:35.880
<v Speaker 2>Them sometimes arguing through my bedroom wall. I had many

0:31:35.920 --> 0:31:39.400
<v Speaker 2>things through my bedroom wall, but shouting at her. Once

0:31:39.440 --> 0:31:43.000
<v Speaker 2>I heard him shout we're supposed to be in love sarcastically,

0:31:43.360 --> 0:31:46.280
<v Speaker 2>which is a very grim thing to hear your parents

0:31:46.280 --> 0:31:48.840
<v Speaker 2>shout angrily at each other. But I did never hear

0:31:48.920 --> 0:31:52.520
<v Speaker 2>him shout your fuckings someone else. Actually, there's an amazing

0:31:52.600 --> 0:31:56.000
<v Speaker 2>letter that I have seen where David White writes to

0:31:56.040 --> 0:31:59.760
<v Speaker 2>my mom. It's about some big golfing memorabili snaff who

0:32:00.320 --> 0:32:04.280
<v Speaker 2>that they've had. They've basically got into trouble because David

0:32:04.320 --> 0:32:07.920
<v Speaker 2>White got my mum to sell some dodgy golfing memorabilia

0:32:07.960 --> 0:32:10.920
<v Speaker 2>on his behalf. It was fake in various ways, and

0:32:10.960 --> 0:32:13.680
<v Speaker 2>then they were thrown out of the golfing memorabilia society.

0:32:13.720 --> 0:32:15.720
<v Speaker 2>I mean, it's a long story, a terrible scandal.

0:32:15.920 --> 0:32:19.160
<v Speaker 1>But then David White writes my mum a letter saying, come.

0:32:19.000 --> 0:32:21.680
<v Speaker 2>On, we need to talk about this because they were

0:32:21.760 --> 0:32:25.600
<v Speaker 2>loggerheads about it, and my mom suggests that my dad

0:32:25.640 --> 0:32:28.760
<v Speaker 2>could be the referee, the umpire between them, and then

0:32:28.840 --> 0:32:31.080
<v Speaker 2>David White writes a letter back to my mum saying,

0:32:32.000 --> 0:32:34.960
<v Speaker 2>I don't think the good doctor, that's what he calls him.

0:32:35.360 --> 0:32:36.400
<v Speaker 1>He says, I.

0:32:36.400 --> 0:32:40.080
<v Speaker 2>Don't think he'd be right for this, because I've always

0:32:40.120 --> 0:32:43.840
<v Speaker 2>found it rather rude and boorish towards me, David White says,

0:32:43.840 --> 0:32:44.960
<v Speaker 2>in this imperious way.

0:32:45.200 --> 0:32:48.160
<v Speaker 1>And what's brittant about that is my dad.

0:32:48.080 --> 0:32:50.880
<v Speaker 2>Was rude and borish to everyone, you know, but David

0:32:50.920 --> 0:32:53.280
<v Speaker 2>White would be the one person who he actually had

0:32:53.320 --> 0:32:58.120
<v Speaker 2>every reason to be rude and borish to. So that

0:32:58.240 --> 0:33:01.040
<v Speaker 2>letter implies this weird I don't know, I know what

0:33:01.040 --> 0:33:04.800
<v Speaker 2>the word is a touch of drama, a shadow play

0:33:05.040 --> 0:33:07.520
<v Speaker 2>where everyone was going to have a meeting David White,

0:33:07.640 --> 0:33:08.920
<v Speaker 2>my mom, my dad.

0:33:08.920 --> 0:33:10.440
<v Speaker 1>It's the climactic scene.

0:33:10.560 --> 0:33:13.080
<v Speaker 2>My dad was going to be the umpire where anyone

0:33:13.120 --> 0:33:15.560
<v Speaker 2>admitting that what was actually going on was an affair

0:33:15.840 --> 0:33:19.680
<v Speaker 2>between two of these people and the other two were married, and.

0:33:19.600 --> 0:33:21.280
<v Speaker 3>It was your mother's idea. She said that was a

0:33:21.320 --> 0:33:22.000
<v Speaker 3>good idea.

0:33:22.120 --> 0:33:23.360
<v Speaker 1>Yeah, it was my mother's idea.

0:33:24.440 --> 0:33:26.280
<v Speaker 2>But it's interesting that David White said I don't want

0:33:26.280 --> 0:33:27.960
<v Speaker 2>to do it because he's rude and bor it. She

0:33:28.080 --> 0:33:29.920
<v Speaker 2>doesn't say, obviously, I don't want to do that because

0:33:29.920 --> 0:33:32.120
<v Speaker 2>we're having an affair and he's your husband. He doesn't

0:33:32.160 --> 0:33:34.840
<v Speaker 2>say that. He says no. Colin is too rude. Well,

0:33:34.880 --> 0:33:37.920
<v Speaker 2>the lack of transparency in all the parties is so

0:33:38.040 --> 0:33:41.040
<v Speaker 2>strange because my mum is talking about the affair all

0:33:41.080 --> 0:33:43.240
<v Speaker 2>the time and yet not if you see.

0:33:43.080 --> 0:33:43.520
<v Speaker 1>What I mean.

0:33:44.400 --> 0:33:47.120
<v Speaker 3>That's where it makes it a really interesting family secret, right,

0:33:47.200 --> 0:33:49.959
<v Speaker 3>because what you just said is the lack of transparency,

0:33:50.040 --> 0:33:53.880
<v Speaker 3>and yet on the surface of things completely transparent, but

0:33:54.080 --> 0:33:57.479
<v Speaker 3>not in the way that the people around it are

0:33:57.560 --> 0:34:01.280
<v Speaker 3>metabolizing it. And also it's to me, at some point

0:34:01.440 --> 0:34:08.480
<v Speaker 3>this affair kind of loses steam or stops altogether in reality,

0:34:09.040 --> 0:34:11.839
<v Speaker 3>but does not stop for your mother.

0:34:12.320 --> 0:34:15.000
<v Speaker 1>That's true. It's hard to know what the true truth is.

0:34:15.560 --> 0:34:17.520
<v Speaker 2>The height of the affair was in the late seventies

0:34:17.560 --> 0:34:19.640
<v Speaker 2>early to mid eighties, when my mum is in her.

0:34:19.480 --> 0:34:21.360
<v Speaker 1>Mid thirties to mid forties.

0:34:21.440 --> 0:34:24.200
<v Speaker 2>Is definitely happening then a lot, because I have all

0:34:24.200 --> 0:34:27.000
<v Speaker 2>the erotic poetry. It's all written then, and the erotic

0:34:27.040 --> 0:34:30.400
<v Speaker 2>poetry has mundane elements. It tends to detail things like

0:34:30.719 --> 0:34:33.560
<v Speaker 2>where they've met up. I also have answer phone messages

0:34:34.200 --> 0:34:36.680
<v Speaker 2>on Casseka. She recorded all of them, and she kept

0:34:36.719 --> 0:34:38.800
<v Speaker 2>the two of them talking, which often includes her saying,

0:34:39.239 --> 0:34:41.800
<v Speaker 2>where shall we meet? I booked a hotel, let's go here.

0:34:42.600 --> 0:34:44.880
<v Speaker 2>By the way, he David White is often quite demuring

0:34:44.920 --> 0:34:46.720
<v Speaker 2>about that. He doesn't really seem to want to agree

0:34:47.120 --> 0:34:49.799
<v Speaker 2>to anything, but he obviously did agree to some of it.

0:34:50.520 --> 0:34:54.160
<v Speaker 2>And the Erotic Poetry includes some very very graphic references

0:34:54.480 --> 0:34:55.120
<v Speaker 2>to things that.

0:34:55.120 --> 0:34:55.920
<v Speaker 1>Happened between them.

0:34:55.960 --> 0:34:58.759
<v Speaker 2>I mean, it's properly erotic, but not in the sense

0:34:58.800 --> 0:35:01.759
<v Speaker 2>that one would read it and feel aroused, while I

0:35:01.760 --> 0:35:04.200
<v Speaker 2>certainly would. Maybe I think one would think, oh my god,

0:35:04.239 --> 0:35:07.160
<v Speaker 2>I can't believe she's put that in a poem. But

0:35:07.320 --> 0:35:11.040
<v Speaker 2>you know, it's very graphic and atomically. I mean, I'll

0:35:11.040 --> 0:35:12.920
<v Speaker 2>be honest with you, Danny, it was weird when I

0:35:12.960 --> 0:35:18.360
<v Speaker 2>found the Book of Erotic Poetry, because you know, it's

0:35:18.480 --> 0:35:21.560
<v Speaker 2>very very graphic, and most people would shut it immediately

0:35:21.560 --> 0:35:25.400
<v Speaker 2>because it's very mind their mum. But for me, seconds

0:35:25.440 --> 0:35:28.960
<v Speaker 2>after I found it, the Nora Efron Everything is copy

0:35:29.080 --> 0:35:33.040
<v Speaker 2>gene kicked in because at that point, which was soon

0:35:33.080 --> 0:35:35.480
<v Speaker 2>after my mom's death, you know, and I found this

0:35:35.800 --> 0:35:39.440
<v Speaker 2>the school book. I mean, these poems, she'd written copyright

0:35:39.480 --> 0:35:41.560
<v Speaker 2>on them, and I think she'd written copyright on them

0:35:41.560 --> 0:35:43.800
<v Speaker 2>because she would really like them to have been.

0:35:43.680 --> 0:35:45.120
<v Speaker 1>Published, you know.

0:35:45.560 --> 0:35:48.000
<v Speaker 2>And I didn't have a problem very quickly with how

0:35:48.040 --> 0:35:51.719
<v Speaker 2>graphic they were, and I thought it's brilliant as well.

0:35:51.880 --> 0:35:54.840
<v Speaker 2>I thought this is material, which is great, but I

0:35:54.880 --> 0:35:57.520
<v Speaker 2>also thought there's something beautiful about them.

0:35:57.440 --> 0:35:59.360
<v Speaker 1>Even though they're terrible. They are terrible.

0:35:59.440 --> 0:36:02.680
<v Speaker 2>Formerly does a poetry, But what's brilliant about them is

0:36:02.719 --> 0:36:06.040
<v Speaker 2>how much my mother doesn't know what poetry is, which

0:36:06.040 --> 0:36:09.239
<v Speaker 2>is why she's included these very very extraordinary details of

0:36:09.280 --> 0:36:12.360
<v Speaker 2>their love making in a way that isn't really poetic

0:36:12.480 --> 0:36:13.640
<v Speaker 2>and hilarious for that.

0:36:13.680 --> 0:36:18.759
<v Speaker 3>Reason, including decidedly unpoetic descriptions of anatomy.

0:36:19.320 --> 0:36:22.000
<v Speaker 2>Yeah, there is some incredible lines about the detail exactly

0:36:22.040 --> 0:36:23.560
<v Speaker 2>what they did together, as well as a lot of

0:36:23.640 --> 0:36:27.080
<v Speaker 2>this mundane stuff like there's literally one poem which is

0:36:27.120 --> 0:36:29.000
<v Speaker 2>just about trying to go and meet David White to

0:36:29.040 --> 0:36:31.880
<v Speaker 2>talk about a golfing fair together, and in the poem

0:36:32.160 --> 0:36:36.080
<v Speaker 2>it says things like I'm going to meet you in Willesden,

0:36:36.320 --> 0:36:39.719
<v Speaker 2>which is near Dolly's Hill, and the BBC man, I

0:36:39.719 --> 0:36:41.799
<v Speaker 2>don't know who he is, a BBC man will be there.

0:36:41.840 --> 0:36:43.319
<v Speaker 1>I will wait for you there, And you.

0:36:43.360 --> 0:36:45.719
<v Speaker 2>Realize that this is just my mother's diary, but she's

0:36:45.719 --> 0:36:49.320
<v Speaker 2>put it in Stanzas because she wanted to poeticize her life.

0:36:49.480 --> 0:36:51.640
<v Speaker 2>She wanted her life to be poetic, even if she

0:36:51.680 --> 0:36:53.680
<v Speaker 2>was not a poet. I think that if I was

0:36:53.719 --> 0:36:55.920
<v Speaker 2>someone else, if I was not a writer, not a comedian,

0:36:56.280 --> 0:36:58.080
<v Speaker 2>I might have been horrified. I might have thought this

0:36:58.200 --> 0:37:00.640
<v Speaker 2>must never see the light of day. I don't know,

0:37:01.160 --> 0:37:03.240
<v Speaker 2>but now I thought, this is brilliant, this is material.

0:37:03.920 --> 0:37:06.080
<v Speaker 2>But it wasn't just that. It wasn't quite as cold

0:37:06.160 --> 0:37:08.160
<v Speaker 2>as that. I think there is a coldness to it,

0:37:08.800 --> 0:37:12.680
<v Speaker 2>whoever it is, even in war. I think there's a

0:37:12.719 --> 0:37:15.360
<v Speaker 2>sliver of ice in the heart of the writer. Poetry

0:37:15.400 --> 0:37:18.080
<v Speaker 2>means anything that happens in their life they will seize

0:37:18.160 --> 0:37:19.240
<v Speaker 2>and turn into story.

0:37:20.120 --> 0:37:22.360
<v Speaker 1>Yeah, but also it's true.

0:37:22.680 --> 0:37:26.960
<v Speaker 2>I thought my mother's funeral, you know, this idea that

0:37:27.040 --> 0:37:30.520
<v Speaker 2>she was wonderful and it was lovely and everything else.

0:37:30.560 --> 0:37:35.000
<v Speaker 2>I thought I was being told. I thought, that's not

0:37:35.040 --> 0:37:37.239
<v Speaker 2>saying anything about it. Where's she gone? Where is the

0:37:37.239 --> 0:37:42.200
<v Speaker 2>woman gone who writes very very erotic poetry that somehow

0:37:42.239 --> 0:37:44.840
<v Speaker 2>isn't erotic and isn't poetry, but it is still somehow amazing.

0:37:44.880 --> 0:37:48.920
<v Speaker 2>Where's that wonder everything about my mother is there. There

0:37:48.920 --> 0:37:50.440
<v Speaker 2>are many many people coming out to me at my

0:37:50.480 --> 0:37:53.080
<v Speaker 2>mother's funeral telling me that my mother was wonderful, just

0:37:53.080 --> 0:37:55.920
<v Speaker 2>say over there again, she was so wonderful, so wonderful,

0:37:56.120 --> 0:37:58.720
<v Speaker 2>such a wonderful woman. Often while I found that disorientating,

0:37:58.760 --> 0:37:59.920
<v Speaker 2>you know, I wanted to say to them, did you

0:38:00.000 --> 0:38:04.279
<v Speaker 2>I actually know her? Not because she wasn't wonderful, but

0:38:04.800 --> 0:38:06.919
<v Speaker 2>because there was no detail in what they were saying,

0:38:06.920 --> 0:38:08.880
<v Speaker 2>And it felt to me like a second death, like

0:38:08.960 --> 0:38:14.240
<v Speaker 2>a second more profound erasure of this incredibly idiosyncratic woman.

0:38:14.800 --> 0:38:17.440
<v Speaker 2>If you just idealize someone as we tend to do

0:38:17.600 --> 0:38:21.000
<v Speaker 2>after they died, and actually their memory fades again, is

0:38:21.000 --> 0:38:23.719
<v Speaker 2>crushed again, because you can only call them up and

0:38:23.760 --> 0:38:27.640
<v Speaker 2>make them live by detailing their strangeness, I think, and

0:38:27.680 --> 0:38:33.839
<v Speaker 2>their idiosyncrasies, and that in humans that's often very flawed specifics,

0:38:34.440 --> 0:38:36.200
<v Speaker 2>and my mother had a lot of specifics.

0:38:37.800 --> 0:38:38.720
<v Speaker 1>When I first did.

0:38:38.600 --> 0:38:41.520
<v Speaker 2>A stand up show about my parents, both my brothers

0:38:41.520 --> 0:38:42.880
<v Speaker 2>were uncertain, unhappy.

0:38:43.320 --> 0:38:45.719
<v Speaker 1>Both of them said, in different ways, don't do this.

0:38:45.840 --> 0:38:48.320
<v Speaker 2>My younger brother, who, as I say, is angrier about

0:38:48.320 --> 0:38:50.920
<v Speaker 2>the whole thing, and you're not fucking doing it. And

0:38:50.960 --> 0:38:53.279
<v Speaker 2>my older brother said, look, I know you, and we

0:38:53.280 --> 0:38:55.440
<v Speaker 2>could talk about this for hours, but you know you're

0:38:55.480 --> 0:38:57.160
<v Speaker 2>going to do it, aren't you? And I said yes,

0:38:57.640 --> 0:38:59.520
<v Speaker 2>And I said, you're gonna have to believe me. It

0:38:59.560 --> 0:39:02.000
<v Speaker 2>comes from a place of love. And then when I

0:39:02.000 --> 0:39:05.360
<v Speaker 2>did the show, I came back on stage offers for

0:39:05.360 --> 0:39:07.000
<v Speaker 2>an encore. It was a Q and A, just an

0:39:07.040 --> 0:39:10.799
<v Speaker 2>ad lib Q and A with the audience, and all

0:39:10.880 --> 0:39:12.600
<v Speaker 2>these people have their hands up and I say that

0:39:12.640 --> 0:39:15.120
<v Speaker 2>you just have to wait a minute, just everyone. I

0:39:15.120 --> 0:39:16.680
<v Speaker 2>had to find out, first of all, what my older

0:39:16.719 --> 0:39:19.040
<v Speaker 2>brother thought. And I look at the room and I

0:39:19.040 --> 0:39:22.040
<v Speaker 2>can't see him, and I said, Iva, what do you think?

0:39:22.719 --> 0:39:24.640
<v Speaker 2>And he said, I loved it. And then he said

0:39:24.840 --> 0:39:27.200
<v Speaker 2>I loved it because it felt like she was in

0:39:27.239 --> 0:39:30.799
<v Speaker 2>the room, which I found incredibly moving and still do,

0:39:30.920 --> 0:39:33.839
<v Speaker 2>because that's job done. That's what I was trying to do.

0:39:34.160 --> 0:39:37.080
<v Speaker 2>I was trying to make genuinely live again in the

0:39:37.080 --> 0:39:39.279
<v Speaker 2>way that platitudes at a funeral do not.

0:39:40.520 --> 0:39:44.120
<v Speaker 3>That's beautiful. It reminds me of something that William Stafford,

0:39:44.200 --> 0:39:46.840
<v Speaker 3>great American novelist, was once asked at like at the

0:39:46.920 --> 0:39:48.919
<v Speaker 3>end of his life, what he would say to his mother,

0:39:48.960 --> 0:39:51.759
<v Speaker 3>who had died when he was very young, and he said,

0:39:51.840 --> 0:39:53.719
<v Speaker 3>I would say, look, I wrote all these books for you.

0:39:54.239 --> 0:39:59.160
<v Speaker 3>There's something in that. It goes really back to what

0:39:59.200 --> 0:40:02.280
<v Speaker 3>you said about us anticity, which I found very moving

0:40:02.800 --> 0:40:09.319
<v Speaker 3>given your childhood and the impossibly mixed messages or you know,

0:40:09.440 --> 0:40:13.320
<v Speaker 3>just mixed realities that you were, you know, getting between

0:40:13.680 --> 0:40:16.040
<v Speaker 3>you know, home and the Yeshiva and who are you?

0:40:16.400 --> 0:40:19.720
<v Speaker 3>And what that blossoms into could have blossomed into something

0:40:19.760 --> 0:40:22.799
<v Speaker 3>else for someone else, but what it blossoms into for

0:40:22.920 --> 0:40:28.759
<v Speaker 3>you is an absolute like just inner mandate to be authentic,

0:40:28.880 --> 0:40:32.120
<v Speaker 3>to not lie, to not omit. I mean even the

0:40:32.200 --> 0:40:37.320
<v Speaker 3>idea that like to be fully fully there without editing

0:40:37.360 --> 0:40:39.480
<v Speaker 3>yourself in a way. And I don't mean on the page,

0:40:39.480 --> 0:40:41.200
<v Speaker 3>but I mean, you know, when you do your comedy,

0:40:41.239 --> 0:40:44.279
<v Speaker 3>when you do your shows, which it would seem to

0:40:44.320 --> 0:40:49.200
<v Speaker 3>me is the huge saving grace for you here, is

0:40:49.239 --> 0:40:52.600
<v Speaker 3>that you could make meaning out of all of this,

0:40:53.280 --> 0:40:57.560
<v Speaker 3>including some really really hard intergenerational stuff.

0:41:00.080 --> 0:41:00.279
<v Speaker 1>Yeah.

0:41:00.280 --> 0:41:04.000
<v Speaker 2>I think that's true even now, Danny, in this moment,

0:41:04.000 --> 0:41:06.600
<v Speaker 2>when you ask me a question, my response is just

0:41:06.640 --> 0:41:08.920
<v Speaker 2>to come back with the truth as much as possible,

0:41:09.000 --> 0:41:10.040
<v Speaker 2>don't filter it.

0:41:10.040 --> 0:41:11.000
<v Speaker 1>It never occurs to me.

0:41:11.760 --> 0:41:13.800
<v Speaker 2>I don't have time to think, how can I frame

0:41:13.880 --> 0:41:16.040
<v Speaker 2>this in a way that will, you know, look good

0:41:16.080 --> 0:41:17.759
<v Speaker 2>for me, look good for my mom, look good for

0:41:17.800 --> 0:41:19.880
<v Speaker 2>my family. I can't do it. And I know that

0:41:19.960 --> 0:41:22.560
<v Speaker 2>might sound a bit self aggrandizing. It's not meant to be,

0:41:22.560 --> 0:41:24.480
<v Speaker 2>because you know, I see it at times as sort

0:41:24.480 --> 0:41:27.440
<v Speaker 2>of almost incontinent, like I'm sort of continent with the

0:41:27.520 --> 0:41:30.840
<v Speaker 2>truth at some level. Luckily I have enough skill to

0:41:31.000 --> 0:41:35.640
<v Speaker 2>shape that being continent into stories. But my instinct when

0:41:35.680 --> 0:41:37.520
<v Speaker 2>I'm talking, when someone asks me a question, when you

0:41:37.560 --> 0:41:40.920
<v Speaker 2>ask me, you know, incredibly brilliantly perceptive questions about my childhood,

0:41:41.360 --> 0:41:43.359
<v Speaker 2>it just triggers in me. I need to tell you

0:41:43.400 --> 0:41:46.480
<v Speaker 2>the absolute truth as near as I can articulate it.

0:41:47.160 --> 0:41:50.960
<v Speaker 3>And that is, at least in part, a response to

0:41:51.239 --> 0:41:54.600
<v Speaker 3>being raised by a woman who literally couldn't do it.

0:41:55.320 --> 0:41:58.080
<v Speaker 3>One other thing I'm curious about is, you know you

0:41:58.120 --> 0:42:00.720
<v Speaker 3>can't know the answer to this. You can you can't

0:42:00.760 --> 0:42:03.719
<v Speaker 3>know for sure whether your parents ever talked about David White,

0:42:04.160 --> 0:42:06.279
<v Speaker 3>and you probably can't know for sure the answer to

0:42:06.360 --> 0:42:10.680
<v Speaker 3>what I'm about to ask you. But do you think

0:42:10.840 --> 0:42:14.520
<v Speaker 3>that by the end of her life and she died

0:42:14.560 --> 0:42:18.360
<v Speaker 3>fairly young seventy four do you think that she ever

0:42:18.640 --> 0:42:26.279
<v Speaker 3>had that moment of embodying herself? You know, did the

0:42:26.360 --> 0:42:29.799
<v Speaker 3>fantasist ever rest Was there ever a point where she

0:42:30.680 --> 0:42:34.680
<v Speaker 3>was truly authentically herself in a way that she would

0:42:34.719 --> 0:42:36.239
<v Speaker 3>have felt or understood.

0:42:37.200 --> 0:42:40.600
<v Speaker 2>I think my mother was someone operated in terms of persona.

0:42:41.280 --> 0:42:42.960
<v Speaker 2>The way they're about to say that she's someone who

0:42:42.960 --> 0:42:45.640
<v Speaker 2>couldn't tell the truth is that she's someone who is

0:42:45.719 --> 0:42:49.600
<v Speaker 2>constantly telling her truth in some way, but it is

0:42:49.640 --> 0:42:53.760
<v Speaker 2>not quite the truth, because she's fitting herself into personas

0:42:53.800 --> 0:42:57.880
<v Speaker 2>that are absurd, that are not her, like golf memorabilia,

0:42:58.040 --> 0:43:01.239
<v Speaker 2>nat or other ones that seem closer to who she is,

0:43:01.280 --> 0:43:03.520
<v Speaker 2>but still don't feel quite real. So towards the end

0:43:03.560 --> 0:43:06.680
<v Speaker 2>of her life, she became her persona was more Jewish.

0:43:06.760 --> 0:43:09.160
<v Speaker 2>She became like being macha and did a lot of

0:43:09.200 --> 0:43:12.360
<v Speaker 2>stuff around the local synagogue and was constantly having kiddershes

0:43:12.440 --> 0:43:15.320
<v Speaker 2>in honor of her dead parents, and that felt closer

0:43:15.400 --> 0:43:17.160
<v Speaker 2>to who she was, but still to some extent a

0:43:17.280 --> 0:43:20.480
<v Speaker 2>role that she was occupying. To be fair to my mom,

0:43:20.520 --> 0:43:23.840
<v Speaker 2>we all maybe occupy roles, although that is partly what

0:43:23.880 --> 0:43:26.960
<v Speaker 2>I've set my stall out against. I think, how can

0:43:27.000 --> 0:43:29.040
<v Speaker 2>I try not to play any kind of role, but

0:43:29.160 --> 0:43:32.120
<v Speaker 2>just be as entirely in myself as possible. But that

0:43:32.560 --> 0:43:37.040
<v Speaker 2>might be a role, right. There was one moment actually

0:43:37.840 --> 0:43:41.040
<v Speaker 2>where I helped my mum manage to come out of character,

0:43:41.120 --> 0:43:43.640
<v Speaker 2>as it were. I find it weird though, when I

0:43:43.680 --> 0:43:46.600
<v Speaker 2>think about it. I went round to see them and

0:43:46.680 --> 0:43:48.880
<v Speaker 2>I wasn't living at home. I was about twenty but

0:43:49.040 --> 0:43:50.719
<v Speaker 2>already moved out home, and they were having, as they

0:43:50.719 --> 0:43:53.920
<v Speaker 2>often were, an argument in our front guard, very public argument.

0:43:54.760 --> 0:43:56.160
<v Speaker 2>We just got out of the car and we're having

0:43:56.200 --> 0:43:59.000
<v Speaker 2>a route. But I've watched them have this route. And

0:43:59.040 --> 0:44:01.120
<v Speaker 2>my dad went into the house and slammed the door,

0:44:01.480 --> 0:44:03.200
<v Speaker 2>and my mother turned to me and she said, it's

0:44:03.239 --> 0:44:08.400
<v Speaker 2>so tiring living without an emotional life, so tiring living

0:44:08.440 --> 0:44:11.799
<v Speaker 2>without an emotional life. And I was really shocked, not

0:44:11.840 --> 0:44:13.960
<v Speaker 2>because that wasn't true, not because I thought, how dare

0:44:14.040 --> 0:44:16.839
<v Speaker 2>she say that about my dad? I thought, oh, that's

0:44:16.880 --> 0:44:20.759
<v Speaker 2>absolutely right. And that was surprising to me because I thought,

0:44:20.800 --> 0:44:25.280
<v Speaker 2>how is my mother, of all people, said something so unvarnished,

0:44:25.360 --> 0:44:28.319
<v Speaker 2>so un self conscious and true. And it shocked me

0:44:28.320 --> 0:44:30.920
<v Speaker 2>because I thought, maybe somewhat underneath all the layers of

0:44:30.960 --> 0:44:34.239
<v Speaker 2>self consciousness and persona playing there's a real person with

0:44:34.400 --> 0:44:37.000
<v Speaker 2>emotional intelligence and self awareness. But it sort of just

0:44:37.040 --> 0:44:39.120
<v Speaker 2>flashed in front of me, and then she would have

0:44:39.160 --> 0:44:42.560
<v Speaker 2>gone back to talking about golf or later Jewishness or

0:44:42.600 --> 0:44:45.440
<v Speaker 2>the synagogue or whatever else she felt she needed to

0:44:45.480 --> 0:44:48.799
<v Speaker 2>put in front of her to talk about. My mom

0:44:49.520 --> 0:44:51.640
<v Speaker 2>didn't really relate to people as people. She tended to

0:44:51.640 --> 0:44:54.239
<v Speaker 2>relate to them in terms of what she had decided

0:44:54.360 --> 0:44:58.480
<v Speaker 2>they liked some very small thing that she decided X

0:44:58.680 --> 0:45:01.400
<v Speaker 2>likes this, so al focus on that. Like my wife,

0:45:01.600 --> 0:45:05.080
<v Speaker 2>who is per former writer herself, you know, she pointed

0:45:05.080 --> 0:45:06.440
<v Speaker 2>out to me that my mom was always.

0:45:06.160 --> 0:45:08.919
<v Speaker 1>Getting her champagne because once.

0:45:08.840 --> 0:45:13.120
<v Speaker 2>Once my wife said, oh, it was having a last

0:45:13.160 --> 0:45:16.359
<v Speaker 2>champagne that my mother was there and saw her doing

0:45:16.360 --> 0:45:18.160
<v Speaker 2>that like it. So my mom was always trying to

0:45:18.200 --> 0:45:20.920
<v Speaker 2>get her champagne, always very cheap champagne.

0:45:21.760 --> 0:45:24.240
<v Speaker 1>But she was sort of a people pleaser in a way.

0:45:24.640 --> 0:45:26.400
<v Speaker 2>But the way she would do it would be just

0:45:26.480 --> 0:45:29.359
<v Speaker 2>to decide, this is what that person likes and then

0:45:29.440 --> 0:45:32.600
<v Speaker 2>get them that stuff, and no amount of saying, actually,

0:45:32.600 --> 0:45:35.439
<v Speaker 2>I'm not this person, I don't like it that much

0:45:35.480 --> 0:45:39.120
<v Speaker 2>would make any difference. Like with me, she gas lipped

0:45:39.200 --> 0:45:40.640
<v Speaker 2>me when I was a kid in the thinking that

0:45:40.640 --> 0:45:42.880
<v Speaker 2>I was a fan of these books called Billy Bunter

0:45:42.960 --> 0:45:46.520
<v Speaker 2>books when I was young. Billy Bunter was written in

0:45:46.560 --> 0:45:50.880
<v Speaker 2>the nineteen twenties and nineteen thirties, and he's basically Harry Potter,

0:45:50.920 --> 0:45:54.040
<v Speaker 2>but with more fat shaming. And I believed that I

0:45:54.360 --> 0:45:56.640
<v Speaker 2>was a fan of Billy Bunter. And it ended up

0:45:56.680 --> 0:45:58.319
<v Speaker 2>with her taking me to a thing called the Old

0:45:58.360 --> 0:46:01.680
<v Speaker 2>Boys Book Club, a societ where they talked about Billy Bunter,

0:46:02.160 --> 0:46:05.840
<v Speaker 2>where I was eleven and everyone else was seventy. She

0:46:05.880 --> 0:46:08.279
<v Speaker 2>would leave me there and come back three hours later

0:46:08.360 --> 0:46:11.280
<v Speaker 2>with all these very old people. And that was because

0:46:11.280 --> 0:46:16.240
<v Speaker 2>my mother had decided, this is what David likes me, David,

0:46:16.320 --> 0:46:18.560
<v Speaker 2>this is what David's and I must service what he likes.

0:46:18.920 --> 0:46:20.880
<v Speaker 2>And at some level that's what she was doing with

0:46:20.960 --> 0:46:24.680
<v Speaker 2>David White. David White likes golf, so I must become

0:46:24.800 --> 0:46:28.120
<v Speaker 2>obsessed with golf. And it was of a weirdly mechanical

0:46:28.760 --> 0:46:32.040
<v Speaker 2>decision at some level. And the fact that I didn't

0:46:32.080 --> 0:46:34.560
<v Speaker 2>really like Billy Bunter, I'm just didn't know at the time,

0:46:34.600 --> 0:46:36.840
<v Speaker 2>but so or that David White might have thought, you know,

0:46:37.320 --> 0:46:38.799
<v Speaker 2>you know, I want to have sex with you, I

0:46:38.800 --> 0:46:42.560
<v Speaker 2>don't really want you to intrude on my whole golf world.

0:46:43.239 --> 0:46:47.040
<v Speaker 2>That would never occur to her because whatever you liked,

0:46:47.120 --> 0:46:50.839
<v Speaker 2>she had to provide it in spades, in many, many

0:46:50.880 --> 0:46:52.080
<v Speaker 2>different ways that were mad.

0:46:53.000 --> 0:46:56.759
<v Speaker 3>It seems almost like, you know, you're describing someone who

0:46:57.480 --> 0:47:00.440
<v Speaker 3>didn't have a center, or didn't have at access to

0:47:00.480 --> 0:47:01.240
<v Speaker 3>her own center.

0:47:01.880 --> 0:47:02.880
<v Speaker 1>That's very true.

0:47:03.080 --> 0:47:04.799
<v Speaker 2>One of the extorted things she does is I did

0:47:04.840 --> 0:47:07.440
<v Speaker 2>a documentary called who Do You Think You Are?

0:47:07.440 --> 0:47:08.600
<v Speaker 1>I think in America as well.

0:47:08.640 --> 0:47:12.120
<v Speaker 2>It's a genealogy documentary, and my mother's in it, obviously,

0:47:12.120 --> 0:47:14.799
<v Speaker 2>and there's a bit that was cut because she just

0:47:14.800 --> 0:47:18.160
<v Speaker 2>starts talking in a very very flirty way, sort of

0:47:18.160 --> 0:47:21.080
<v Speaker 2>with the camera about her dad, my grandfather who was

0:47:21.120 --> 0:47:24.279
<v Speaker 2>in Dachau and you know, escaped to Britain and then

0:47:24.440 --> 0:47:27.320
<v Speaker 2>was interned in Britain because he was in an enemy alien,

0:47:27.440 --> 0:47:29.520
<v Speaker 2>had this terrible life. She talked him out how I

0:47:29.560 --> 0:47:31.319
<v Speaker 2>used to go to Soho in London, to the Red

0:47:31.360 --> 0:47:34.680
<v Speaker 2>Light area, to Berrick Street to have sex with prostitutes.

0:47:34.719 --> 0:47:36.640
<v Speaker 2>She doesn't actually say that out loud, but that's what

0:47:36.760 --> 0:47:39.160
<v Speaker 2>she meets. It's clear and clear that this sort of

0:47:39.200 --> 0:47:41.120
<v Speaker 2>went on, and she was aware of it when she

0:47:41.160 --> 0:47:43.000
<v Speaker 2>was a teenager. And what she says, you know, we

0:47:43.040 --> 0:47:45.120
<v Speaker 2>all knew what he was doing, but we pretended we

0:47:45.160 --> 0:47:47.920
<v Speaker 2>didn't in this kind of twinkly flirty way. And I'm

0:47:47.960 --> 0:47:50.200
<v Speaker 2>looking at camera like, what the fuck, what are you doing?

0:47:50.280 --> 0:47:53.239
<v Speaker 2>Why are you saying this about your dad, my grandfather?

0:47:53.760 --> 0:47:55.720
<v Speaker 2>But it's your point about her not having a center.

0:47:55.719 --> 0:47:59.359
<v Speaker 2>There's some currency in her doing that, immediate currency for her,

0:47:59.360 --> 0:48:01.600
<v Speaker 2>but it's so wrong. And that's like the golf. At

0:48:01.600 --> 0:48:03.960
<v Speaker 2>some level, there's currency for her in being obsessed with

0:48:04.000 --> 0:48:07.720
<v Speaker 2>golf and memorabilia. But it was entirely wrong. My mother

0:48:08.000 --> 0:48:11.080
<v Speaker 2>was a great empress of wrong at some level.

0:48:11.800 --> 0:48:19.560
<v Speaker 3>The great Empress of wrong. Yeah, we'll be back in

0:48:19.600 --> 0:48:38.120
<v Speaker 3>a moment with more family secrets. In the UK, where

0:48:38.200 --> 0:48:40.960
<v Speaker 3>David lives with his wife Morwenna and there are two

0:48:41.080 --> 0:48:45.400
<v Speaker 3>grown kids, it must be said that he's pretty well.

0:48:45.640 --> 0:48:49.080
<v Speaker 3>He's pretty famous, like recognized when he walks down the

0:48:49.080 --> 0:48:55.680
<v Speaker 3>street kind of famous. He's a comedian, presenter, scriptwriter, author, singer,

0:48:56.360 --> 0:49:00.480
<v Speaker 3>a multi hyphenate. As they say, fame can be erupting.

0:49:00.520 --> 0:49:03.719
<v Speaker 3>Of course we all know that, but David's commitment to

0:49:03.760 --> 0:49:09.480
<v Speaker 3>authenticity is his own personal shield against all that humor.

0:49:09.920 --> 0:49:13.799
<v Speaker 3>Fierce intelligence, and the desire to do it differently are

0:49:13.880 --> 0:49:20.359
<v Speaker 3>his superpowers. Laughter is the best medicine. But one less

0:49:20.360 --> 0:49:24.200
<v Speaker 3>than funny note is that David White passed away just

0:49:24.239 --> 0:49:26.320
<v Speaker 3>a few days before this conversation.

0:49:28.040 --> 0:49:30.239
<v Speaker 2>David White actually died quite recently, just like a week

0:49:30.239 --> 0:49:33.680
<v Speaker 2>ago or so. I got told. People are who read

0:49:33.680 --> 0:49:36.399
<v Speaker 2>the book are always asking me, what did David White think?

0:49:36.440 --> 0:49:39.080
<v Speaker 2>What does David White think about you doing all this?

0:49:39.920 --> 0:49:41.680
<v Speaker 2>But I've had very little contact with him. I did

0:49:41.719 --> 0:49:44.120
<v Speaker 2>write to him when my mom died and said, I

0:49:44.120 --> 0:49:46.000
<v Speaker 2>thought you should know this that she's died. She was

0:49:46.040 --> 0:49:48.000
<v Speaker 2>always in love with you. He sent me a letter

0:49:48.000 --> 0:49:50.480
<v Speaker 2>about but he didn't real respond to it because you know.

0:49:51.040 --> 0:49:52.080
<v Speaker 1>I see you in his own way.

0:49:52.080 --> 0:49:54.880
<v Speaker 2>He's a man like my father, even though he was

0:49:54.920 --> 0:49:56.680
<v Speaker 2>a man quite happy to have an affair, which my

0:49:56.719 --> 0:50:01.440
<v Speaker 2>father was not, but a man, you know, without interest

0:50:01.520 --> 0:50:05.879
<v Speaker 2>in dealing with emotional complexity. He lived in Slovenia and

0:50:06.160 --> 0:50:08.520
<v Speaker 2>never really engaged with anything. When I was unearthing my

0:50:08.600 --> 0:50:11.040
<v Speaker 2>family secrets of the world, and then his half sister,

0:50:11.120 --> 0:50:13.280
<v Speaker 2>who came and saw the stage show that I did,

0:50:13.840 --> 0:50:15.120
<v Speaker 2>wrote to me and said, I think you should know

0:50:15.200 --> 0:50:17.160
<v Speaker 2>he died the other day, which I felt kind of

0:50:17.200 --> 0:50:19.880
<v Speaker 2>sad about, because as I think about all this, one

0:50:19.880 --> 0:50:21.720
<v Speaker 2>thing I should make clear is, you know, I celebrate

0:50:21.760 --> 0:50:22.000
<v Speaker 2>all this.

0:50:22.239 --> 0:50:24.640
<v Speaker 1>I think of all of this as rich.

0:50:24.480 --> 0:50:28.280
<v Speaker 2>And strange and funny and weird. And yet there's damaging

0:50:28.320 --> 0:50:33.320
<v Speaker 2>stuff going on in transgression and narcissism and fairly psychotic

0:50:33.360 --> 0:50:35.440
<v Speaker 2>behavior in some ways, and it did cause problem and

0:50:35.480 --> 0:50:38.160
<v Speaker 2>my dad having to live in denying of it in

0:50:38.160 --> 0:50:40.040
<v Speaker 2>the way that he did was obviously damaging for him,

0:50:40.080 --> 0:50:44.239
<v Speaker 2>and my mum crossed all sorts of boundaries. But I

0:50:44.280 --> 0:50:46.440
<v Speaker 2>have lived to find it funny and I'm very glad

0:50:46.440 --> 0:50:48.600
<v Speaker 2>of it. I know both my brothers find it troubling,

0:50:49.200 --> 0:50:51.680
<v Speaker 2>but at the end of the day, often the damage

0:50:51.800 --> 0:50:55.080
<v Speaker 2>that we work through when we're young is what makes

0:50:55.160 --> 0:50:58.160
<v Speaker 2>us who we are. And I am happy with who

0:50:58.280 --> 0:51:01.719
<v Speaker 2>I am, so therefore I do not judge my mother negatively.

0:51:02.160 --> 0:51:04.360
<v Speaker 2>You know, I think that I don't call it damage

0:51:04.360 --> 0:51:08.160
<v Speaker 2>in the book, I call it accidental sculpture. So anyway,

0:51:08.239 --> 0:51:10.200
<v Speaker 2>the point being, for all the trouble and whatever it

0:51:10.239 --> 0:51:12.840
<v Speaker 2>may have brought, I think my life would be duller

0:51:13.440 --> 0:51:15.480
<v Speaker 2>without it. I may not even be a comedian. So therefore,

0:51:15.480 --> 0:51:17.279
<v Speaker 2>when I found out that David White had died, I

0:51:17.320 --> 0:51:18.080
<v Speaker 2>was quite sad.

0:51:19.000 --> 0:51:21.440
<v Speaker 3>Well, it's also in a way it's the end of

0:51:21.480 --> 0:51:25.640
<v Speaker 3>that story, right, yes, exactly, Yeah, yeah, I mean all

0:51:25.680 --> 0:51:27.360
<v Speaker 3>three legs of that stool are gone.

0:51:27.680 --> 0:51:30.240
<v Speaker 2>Yeah, the main players have exited the stage.

0:51:30.280 --> 0:51:31.240
<v Speaker 1>And that feels sad.

0:51:33.320 --> 0:51:36.479
<v Speaker 2>Fame place a strange angular role in all this, because

0:51:36.520 --> 0:51:39.480
<v Speaker 2>I think fame is a type of mistaken identity. Erica

0:51:39.560 --> 0:51:41.759
<v Speaker 2>Jong said, the more famous you are, the more people

0:51:41.760 --> 0:51:44.840
<v Speaker 2>will get you wrong. And that's definitely been my experience

0:51:44.880 --> 0:51:48.040
<v Speaker 2>that people refract a version of you that they want

0:51:48.080 --> 0:51:50.680
<v Speaker 2>to see, which won't be who you are, and that's

0:51:50.680 --> 0:51:54.160
<v Speaker 2>troubling if you're someone who's obsessed with authenticity. I don't

0:51:54.160 --> 0:51:56.799
<v Speaker 2>really do characters. I just talk about myself in my

0:51:56.880 --> 0:51:59.560
<v Speaker 2>children's books. I can create character. The way that I

0:51:59.560 --> 0:52:02.040
<v Speaker 2>talk as a stand up about my own life and

0:52:02.080 --> 0:52:03.719
<v Speaker 2>shape my own life for my own voice is a

0:52:03.719 --> 0:52:07.200
<v Speaker 2>way of combating that mistaken identity. And I think that

0:52:07.480 --> 0:52:09.759
<v Speaker 2>what I feel from my own family experience is that

0:52:10.480 --> 0:52:12.239
<v Speaker 2>now I want to be a situation is where there

0:52:12.280 --> 0:52:14.960
<v Speaker 2>aren't secrets and everyone is being as true and authentic

0:52:15.000 --> 0:52:17.440
<v Speaker 2>as possible, but there are some things which I've also

0:52:18.080 --> 0:52:19.040
<v Speaker 2>taken and absorbed.

0:52:19.120 --> 0:52:21.000
<v Speaker 1>It's not all counter reaction, you know.

0:52:21.560 --> 0:52:23.400
<v Speaker 2>Like within the family that I grew up in, my

0:52:23.440 --> 0:52:26.640
<v Speaker 2>older brother is incredibly important and he definitely first started

0:52:26.640 --> 0:52:30.280
<v Speaker 2>turning me onto comedy. He played me LPs and tapes

0:52:30.320 --> 0:52:33.080
<v Speaker 2>of really funny early British comedy. My dad used to

0:52:33.080 --> 0:52:35.840
<v Speaker 2>play me Peter Seller's records. Peter Sells used to do

0:52:35.920 --> 0:52:39.040
<v Speaker 2>these sketch records, and comedy was a saving grace in

0:52:39.120 --> 0:52:42.160
<v Speaker 2>my house in forty three Kendor Road. And that's one

0:52:42.160 --> 0:52:44.080
<v Speaker 2>thing about comedy. You know that when you laugh, you're

0:52:44.080 --> 0:52:48.120
<v Speaker 2>not pretending. It's sort of impossible to be pretending when

0:52:48.120 --> 0:52:50.200
<v Speaker 2>you laugh. When you laugh properly, I mean, obviously, people

0:52:50.239 --> 0:52:54.000
<v Speaker 2>who sit and pretend that Shakespeare is funny are pretending,

0:52:54.160 --> 0:52:57.239
<v Speaker 2>you know, in the theater they are pretending because they

0:52:57.239 --> 0:52:58.880
<v Speaker 2>want to hear that they want people to.

0:52:58.880 --> 0:52:59.719
<v Speaker 1>Hear they're very clever.

0:52:59.800 --> 0:53:03.160
<v Speaker 2>But proper laughing is a version of no pretense, I think,

0:53:03.440 --> 0:53:07.720
<v Speaker 2>because it's such an instinctive thing, particularly when you lose control,

0:53:08.120 --> 0:53:11.080
<v Speaker 2>as something that's really funny. And so I think that

0:53:11.120 --> 0:53:12.880
<v Speaker 2>it would have been for me even back then if

0:53:12.880 --> 0:53:14.760
<v Speaker 2>I didn't realize it then the fact there was funny

0:53:14.880 --> 0:53:17.400
<v Speaker 2>in the house. That would be a way of finding

0:53:17.520 --> 0:53:20.759
<v Speaker 2>authenticity that might have been missing elsewhere. And maybe I've

0:53:20.760 --> 0:53:22.719
<v Speaker 2>built on that. I mean not just me, me and

0:53:22.760 --> 0:53:24.960
<v Speaker 2>WI Whener and our kids have built on it, as

0:53:25.000 --> 0:53:27.200
<v Speaker 2>it's so key to the way we communicate.

0:53:27.719 --> 0:53:29.360
<v Speaker 1>We just communicate through funny.

0:53:29.360 --> 0:53:31.040
<v Speaker 2>You would be absurd to match that we spend all

0:53:31.080 --> 0:53:33.719
<v Speaker 2>our time laughing at each other, but we do spend

0:53:33.719 --> 0:53:35.279
<v Speaker 2>a lot of time laughing. And I love it that

0:53:35.360 --> 0:53:36.840
<v Speaker 2>both my kids are really funny.

0:53:37.120 --> 0:53:37.319
<v Speaker 1>You know.

0:53:37.360 --> 0:53:39.840
<v Speaker 2>That is so important to me because it feels like

0:53:39.880 --> 0:53:42.720
<v Speaker 2>I've managed to find a way of creating the truth

0:53:42.719 --> 0:53:45.640
<v Speaker 2>that is most important to me in this current space,

0:53:45.719 --> 0:53:48.440
<v Speaker 2>in my family space now. And I had some of

0:53:48.480 --> 0:53:50.480
<v Speaker 2>that when I was young. But I also had this

0:53:50.520 --> 0:53:54.239
<v Speaker 2>other thing, a wide and crazy untruth that I guess

0:53:54.360 --> 0:53:55.960
<v Speaker 2>is where I would try and place the way I've

0:53:56.040 --> 0:54:04.080
<v Speaker 2>gone forward from where I came from.

0:54:04.280 --> 0:54:09.240
<v Speaker 3>Here's David reading one last passage from My Family the Memoir.

0:54:14.719 --> 0:54:18.040
<v Speaker 2>I knew before I had written or performed the show

0:54:18.239 --> 0:54:20.799
<v Speaker 2>about my parents that it would, in its own way

0:54:21.480 --> 0:54:24.640
<v Speaker 2>be an act of love, a show that celebrated the

0:54:24.680 --> 0:54:29.000
<v Speaker 2>what or more specifically, but I think this is of necessity,

0:54:29.200 --> 0:54:33.520
<v Speaker 2>born out of love, an act of reclamation, because, as

0:54:33.560 --> 0:54:36.080
<v Speaker 2>I've said, my mother died abruptly, and so the lack

0:54:36.120 --> 0:54:39.640
<v Speaker 2>of time, the lack of dying time, meant there had

0:54:39.640 --> 0:54:43.120
<v Speaker 2>been no longer bye, no mobilization of memory.

0:54:44.000 --> 0:54:45.479
<v Speaker 1>What I was trying to do with.

0:54:45.480 --> 0:54:48.319
<v Speaker 2>The stage show and my family, not the sitcom, and

0:54:48.400 --> 0:54:51.239
<v Speaker 2>already had an instinct about before I even started it

0:54:51.440 --> 0:54:57.160
<v Speaker 2>was this sounds creepy, but hey reincarnate to describe it

0:54:57.160 --> 0:55:00.080
<v Speaker 2>in such detail and to leave nothing out that you

0:55:00.160 --> 0:55:04.759
<v Speaker 2>would truly come alive again on stage, not truly at all,

0:55:04.800 --> 0:55:06.960
<v Speaker 2>of course, but in the sense that people use that

0:55:07.080 --> 0:55:09.879
<v Speaker 2>phrase to push it as far as it could go.

0:55:10.600 --> 0:55:14.120
<v Speaker 2>And then obviously I didn't know this in advance, performing

0:55:14.239 --> 0:55:17.520
<v Speaker 2>across the world for two years, thus giving me, with

0:55:17.680 --> 0:55:20.520
<v Speaker 2>a whole load of people who never met her, the

0:55:20.640 --> 0:55:35.720
<v Speaker 2>chance to properly say goodbye.

0:55:35.880 --> 0:55:39.720
<v Speaker 3>Family Secret is a production of iHeartRadio. Molly z Accur

0:55:39.840 --> 0:55:43.120
<v Speaker 3>is the story editor and Dylan Fagan is the executive producer.

0:55:44.360 --> 0:55:46.359
<v Speaker 3>If you have a family Secret you'd like to share,

0:55:46.760 --> 0:55:49.200
<v Speaker 3>please leave us a voicemail and your story could appear

0:55:49.200 --> 0:55:52.640
<v Speaker 3>on an upcoming episode. Our number is one eight eight

0:55:52.640 --> 0:55:56.839
<v Speaker 3>eight Secret zero. That's the number zero. You can also

0:55:56.960 --> 0:56:01.719
<v Speaker 3>find me on Instagram at Danny Rye, and if you'd

0:56:01.760 --> 0:56:04.200
<v Speaker 3>like to know more about the story that inspired this podcast,

0:56:04.600 --> 0:56:06.480
<v Speaker 3>check out my memoir Inheritance.

0:56:31.200 --> 0:56:35.480
<v Speaker 2>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:56:35.520 --> 0:56:37.560
<v Speaker 2>or wherever you listen to your favorite shows.