1 00:00:00,040 --> 00:00:02,320 Speaker 1: The Mercedes Benz interview lounge. 2 00:00:02,320 --> 00:00:07,160 Speaker 2: So this text says, I'm literally and seriously JoJo's biggest fan. 3 00:00:07,720 --> 00:00:10,639 Speaker 2: I'm in Portland, Oregon right now. I said an alarm 4 00:00:10,680 --> 00:00:12,920 Speaker 2: clock early to hear this interview with her. I'm calling 5 00:00:13,000 --> 00:00:15,040 Speaker 2: the radio station to maybe talk to her for just 6 00:00:15,080 --> 00:00:16,640 Speaker 2: a few seconds. I love her. 7 00:00:17,160 --> 00:00:18,960 Speaker 1: That's so sweet, Jojo. 8 00:00:19,040 --> 00:00:19,640 Speaker 2: They love you. 9 00:00:19,720 --> 00:00:21,680 Speaker 1: Oh my god, I feel so loved right now? 10 00:00:22,079 --> 00:00:22,599 Speaker 2: No love? 11 00:00:23,600 --> 00:00:24,640 Speaker 1: What am I to start the day? 12 00:00:24,760 --> 00:00:26,960 Speaker 2: Do you feel more love now than you did fifteen 13 00:00:27,000 --> 00:00:31,840 Speaker 2: seconds ago? Yes? Okay, more more love? By the Oregon 14 00:00:32,640 --> 00:00:33,120 Speaker 2: Organs in. 15 00:00:33,120 --> 00:00:34,400 Speaker 1: The house is in the house? 16 00:00:34,440 --> 00:00:36,960 Speaker 2: Can we hate the Diamond? Can we call her? I'm 17 00:00:36,960 --> 00:00:39,559 Speaker 2: assuming it's her that was not good? Hey, Diamond, can 18 00:00:39,560 --> 00:00:40,120 Speaker 2: we call. 19 00:00:40,159 --> 00:00:42,640 Speaker 1: I don't see diamond over there? I see Nate Diamond. 20 00:00:43,680 --> 00:00:45,160 Speaker 1: Nay nay, nay. 21 00:00:45,880 --> 00:00:48,760 Speaker 2: Hey, this woman's never sound proof till now. 22 00:00:50,880 --> 00:00:51,040 Speaker 3: Nay. 23 00:00:51,280 --> 00:00:53,080 Speaker 1: Here he comes bay back. 24 00:00:53,080 --> 00:00:55,240 Speaker 2: Sorry, Jojo. We'll get to that interview in just a second. 25 00:00:57,000 --> 00:01:00,800 Speaker 2: Can you call this wonderful listener from Oregon? Oh my god? 26 00:01:00,840 --> 00:01:02,080 Speaker 2: The whole place is falling to head. 27 00:01:02,280 --> 00:01:05,120 Speaker 1: Where's diamond? Isn't us? She's the one that's supposed to 28 00:01:05,120 --> 00:01:05,760 Speaker 1: be there's. 29 00:01:05,560 --> 00:01:08,880 Speaker 2: Diamonds ladies and gentlemen, welcome Joe Joys. 30 00:01:09,319 --> 00:01:09,880 Speaker 1: She's here. 31 00:01:10,120 --> 00:01:12,319 Speaker 2: Sorry, this is the whole day's been just a cluster 32 00:01:12,600 --> 00:01:14,720 Speaker 2: f What time did. 33 00:01:14,640 --> 00:01:17,280 Speaker 1: You guys wake up? It's so early, you're so amped. 34 00:01:17,560 --> 00:01:19,640 Speaker 2: Oh my god, we've been doing We've been doing blow 35 00:01:19,680 --> 00:01:20,199 Speaker 2: all morning. 36 00:01:21,360 --> 00:01:21,679 Speaker 3: Morning. 37 00:01:24,160 --> 00:01:27,040 Speaker 2: So Jojo, you're wearing your murlow. 38 00:01:27,520 --> 00:01:29,199 Speaker 1: You told me this is the color of the season. 39 00:01:29,200 --> 00:01:31,200 Speaker 1: I didn't even it is. Look howrend I am? 40 00:01:31,319 --> 00:01:34,679 Speaker 2: And by the way, JoJo's about to have a costume reveal. 41 00:01:34,880 --> 00:01:39,920 Speaker 2: So if you're watching live on Instagram and TikTok TikTok, 42 00:01:40,000 --> 00:01:43,600 Speaker 2: welcome back. It's at Elvis Durant Show. Is that how 43 00:01:43,640 --> 00:01:46,119 Speaker 2: they find us? And if you don't see it now, 44 00:01:46,160 --> 00:01:48,200 Speaker 2: we're going to record it if you don't mind, Jojo 45 00:01:48,560 --> 00:01:52,120 Speaker 2: and your entire wardrobe reveal will be laid out to 46 00:01:52,120 --> 00:01:56,240 Speaker 2: the world. Excited lady jolemen, she's now this beautiful, beautiful 47 00:01:56,400 --> 00:02:02,880 Speaker 2: uh murlow leather trench right, don't oh my god, do 48 00:02:02,880 --> 00:02:03,880 Speaker 2: you do have a top on. 49 00:02:03,920 --> 00:02:12,480 Speaker 1: That beautiful beautiful? 50 00:02:13,120 --> 00:02:17,200 Speaker 2: That is stunning. Leave it to Jojo to get dressed 51 00:02:17,200 --> 00:02:17,680 Speaker 2: for radio. 52 00:02:18,200 --> 00:02:19,200 Speaker 1: You guys, it's a long day. 53 00:02:19,240 --> 00:02:21,520 Speaker 4: I'm just getting start. 54 00:02:21,960 --> 00:02:25,000 Speaker 2: What you're cheating on us with other outlets today. That 55 00:02:25,080 --> 00:02:29,160 Speaker 2: is beautiful. First of all, that that Merlow leather trench 56 00:02:29,360 --> 00:02:30,040 Speaker 2: is stunning. 57 00:02:30,280 --> 00:02:33,480 Speaker 1: Thank you, Vegan Leather. It's yeah, it's a little moment. 58 00:02:33,480 --> 00:02:36,280 Speaker 4: It's cold, man, so it is freezing, but. 59 00:02:36,200 --> 00:02:37,880 Speaker 2: You know that is the that is the shade of 60 00:02:37,880 --> 00:02:40,840 Speaker 2: the year, of the season is merlou and Caberne whatever 61 00:02:41,000 --> 00:02:45,720 Speaker 2: that maroonish wine wine. Hey, so you live in New 62 00:02:45,800 --> 00:02:46,280 Speaker 2: York City. 63 00:02:46,440 --> 00:02:46,800 Speaker 1: I do. 64 00:02:47,200 --> 00:02:48,639 Speaker 2: How are you loving it? Are you? 65 00:02:49,680 --> 00:02:50,800 Speaker 1: I'm loving it. 66 00:02:50,800 --> 00:02:52,359 Speaker 2: It's work, yeah. 67 00:02:52,160 --> 00:02:55,000 Speaker 1: It is work, but it's worth it. I think, I 68 00:02:55,040 --> 00:02:59,560 Speaker 1: think that I understand that like it can be. I 69 00:02:59,560 --> 00:03:02,600 Speaker 1: don't know. I I'm really fortunate to be comfortable in 70 00:03:02,639 --> 00:03:04,680 Speaker 1: New York. Like you know what I mean. It's not 71 00:03:04,680 --> 00:03:05,640 Speaker 1: comfortable for everybody. 72 00:03:05,800 --> 00:03:08,440 Speaker 2: No one's comfortable in New York. Billionaires are un comfortable. 73 00:03:08,639 --> 00:03:13,880 Speaker 1: I'm freezing, yes, yeah, and I it's it's cool. I 74 00:03:14,000 --> 00:03:16,680 Speaker 1: like taking the train. I like, I don't like paying 75 00:03:17,600 --> 00:03:21,160 Speaker 1: so much for ubers this nine dollar like congestion or whatever. 76 00:03:21,200 --> 00:03:24,720 Speaker 1: That's that feels like it should not be legal. But 77 00:03:25,800 --> 00:03:29,639 Speaker 1: I don't know, I'm really into it. It feels good 78 00:03:29,680 --> 00:03:31,680 Speaker 1: to be back on the East Coast. I'm from Massachusetts, 79 00:03:31,800 --> 00:03:34,960 Speaker 1: so my family is nearby and I can just hop 80 00:03:35,000 --> 00:03:38,240 Speaker 1: on a train and be with them, and it's it's great. 81 00:03:38,360 --> 00:03:40,560 Speaker 2: Well, so you live uptown, I live downtown Uptown. Yeah, 82 00:03:40,560 --> 00:03:42,160 Speaker 2: you know, we can always meet halfway and I'll take 83 00:03:42,160 --> 00:03:44,080 Speaker 2: you to dinner. Are you serious or the money keeps 84 00:03:44,160 --> 00:03:48,440 Speaker 2: rolling in? I need to spend it on someone a 85 00:03:48,440 --> 00:03:51,200 Speaker 2: good time. That was a joke. By the way, we 86 00:03:51,280 --> 00:03:54,920 Speaker 2: found your uh, your fan from Oregon. Okay, I'm okay, 87 00:03:55,120 --> 00:03:58,080 Speaker 2: I'm gonna read. Can I read out loud what you wrote? Nate? Nate? 88 00:03:58,640 --> 00:04:01,360 Speaker 2: May I read out loud with your wrote? Okay? Hold on? 89 00:04:01,840 --> 00:04:03,040 Speaker 2: Where is he? He's online? 90 00:04:03,360 --> 00:04:05,640 Speaker 4: Can we ask one question before we take this call? 91 00:04:05,720 --> 00:04:05,920 Speaker 2: Yes? 92 00:04:05,960 --> 00:04:08,320 Speaker 5: Go Is there anyone that you're concerned about being a 93 00:04:08,360 --> 00:04:10,280 Speaker 5: super fan before we talk to them? 94 00:04:10,680 --> 00:04:10,840 Speaker 3: No? 95 00:04:10,960 --> 00:04:11,840 Speaker 1: Okay, I. 96 00:04:14,880 --> 00:04:19,599 Speaker 2: Guess what We're going to change all that right now? Okay, So, hi, Chris, 97 00:04:19,720 --> 00:04:20,599 Speaker 2: welcome to the show. 98 00:04:22,400 --> 00:04:23,320 Speaker 3: Hey guys, good morning. 99 00:04:23,360 --> 00:04:26,440 Speaker 2: Are you We're doing great? So your text said, I'm 100 00:04:26,480 --> 00:04:29,480 Speaker 2: literally and seriously JoJo's biggest fan in Portland, Oregon. Right now, 101 00:04:29,520 --> 00:04:32,080 Speaker 2: said a little alarm clock to hear this interview. I'm 102 00:04:32,080 --> 00:04:35,160 Speaker 2: calling the station. I want to talk to her. So, okay, Chris, 103 00:04:35,200 --> 00:04:37,159 Speaker 2: don't get mad. This is what Nate wrote. Are you 104 00:04:37,200 --> 00:04:40,479 Speaker 2: ready for this? Chris Lin nineteen A is a guy, 105 00:04:40,520 --> 00:04:46,479 Speaker 2: a super fan? Sounds a little stalkery, Chris, don't let 106 00:04:46,600 --> 00:04:49,320 Speaker 2: him talk about you like that. You're not You're a 107 00:04:49,320 --> 00:04:50,080 Speaker 2: fan of Jojo. 108 00:04:52,160 --> 00:04:56,960 Speaker 3: I'm obsessed with Jojo Jojo actually met me a few times. 109 00:04:57,800 --> 00:05:00,520 Speaker 3: I'm actually the guy who drives it towar buses for 110 00:05:00,720 --> 00:05:01,479 Speaker 3: the celebrities. 111 00:05:01,720 --> 00:05:10,200 Speaker 1: Oh my god, I do know you order No, No, wait, 112 00:05:10,279 --> 00:05:12,080 Speaker 1: did I meet you in Massachusetts as well? 113 00:05:13,200 --> 00:05:14,960 Speaker 3: You met me in mass You met me in l A. 114 00:05:15,040 --> 00:05:17,000 Speaker 3: You met me in New York with your mom. I 115 00:05:17,000 --> 00:05:18,679 Speaker 3: will stayed at the same hotel with masks. 116 00:05:18,920 --> 00:05:22,279 Speaker 2: Yeah, so you're not downstairs right now. 117 00:05:23,480 --> 00:05:25,080 Speaker 3: No, No, I'm in Portland right now. IM about to 118 00:05:25,080 --> 00:05:25,520 Speaker 3: start a tour. 119 00:05:26,120 --> 00:05:27,599 Speaker 1: Okay, who are you driving for? 120 00:05:29,960 --> 00:05:30,599 Speaker 3: It's a new. 121 00:05:32,000 --> 00:05:32,400 Speaker 1: Okay? 122 00:05:32,440 --> 00:05:33,160 Speaker 2: Cool? 123 00:05:33,360 --> 00:05:33,720 Speaker 3: All right? 124 00:05:33,960 --> 00:05:34,679 Speaker 1: Booked and busy. 125 00:05:35,160 --> 00:05:39,240 Speaker 3: Well yeah, so I'm actually I actually just I'm on 126 00:05:39,279 --> 00:05:41,200 Speaker 3: tour right now as you see, as you can know. 127 00:05:41,320 --> 00:05:43,919 Speaker 3: But actually bought your tickets to go see you in 128 00:05:43,960 --> 00:05:48,359 Speaker 3: San Diego. It cost me a lot of money, go 129 00:05:48,480 --> 00:05:49,920 Speaker 3: do it, but I'm definitely gonna do it. 130 00:05:50,000 --> 00:05:52,520 Speaker 2: How much how much your tickets for? I'm kind of curious. 131 00:05:52,520 --> 00:05:53,599 Speaker 1: They're not that crazy. 132 00:05:53,800 --> 00:05:55,279 Speaker 2: Was this was this resale? 133 00:05:55,400 --> 00:05:59,400 Speaker 3: I mean it was the VIP package to meet the 134 00:05:59,640 --> 00:06:00,599 Speaker 3: to meet there meeting. 135 00:06:00,760 --> 00:06:01,039 Speaker 1: That's right. 136 00:06:02,080 --> 00:06:04,320 Speaker 3: But then I got to fly over to San Diego. 137 00:06:04,839 --> 00:06:07,360 Speaker 3: I gotta flash somebody into fill in for my shift 138 00:06:07,400 --> 00:06:07,840 Speaker 3: while I. 139 00:06:07,800 --> 00:06:12,080 Speaker 1: Go, oh my god, Chris, Well, I appreciate that dedication. 140 00:06:12,440 --> 00:06:15,200 Speaker 1: That is really Chris. 141 00:06:15,320 --> 00:06:16,240 Speaker 2: Let's be honest. She's right. 142 00:06:16,279 --> 00:06:20,799 Speaker 3: I do it every time. Thank you, guys, Thank you Chris. 143 00:06:20,800 --> 00:06:21,800 Speaker 1: We'll see you in San Diego. 144 00:06:21,960 --> 00:06:23,359 Speaker 2: You're the only call we're putting on. 145 00:06:23,520 --> 00:06:24,360 Speaker 1: But thank you. 146 00:06:24,480 --> 00:06:27,200 Speaker 2: Gandhi has a safe Gandhi has an appropriate question. 147 00:06:27,640 --> 00:06:28,240 Speaker 1: Inappropriate. 148 00:06:28,279 --> 00:06:29,080 Speaker 4: I really just want to know. 149 00:06:29,360 --> 00:06:31,680 Speaker 5: You said you drive a bus for celebrities, so you 150 00:06:31,680 --> 00:06:33,559 Speaker 5: meet celebrities all the time. What is it about Jojo 151 00:06:33,640 --> 00:06:34,520 Speaker 5: that you love so much? 152 00:06:35,839 --> 00:06:39,160 Speaker 3: Oh god, everything I've been I've been in fancys for 153 00:06:39,960 --> 00:06:42,560 Speaker 3: you know, she came out with the swag like I mean, 154 00:06:42,600 --> 00:06:46,680 Speaker 3: she started a lot of trends. I think she's beautiful. 155 00:06:48,160 --> 00:06:50,720 Speaker 3: Everything about her just I love her. 156 00:06:51,720 --> 00:06:55,920 Speaker 2: And sometimes she hits that note sometimes I do you 157 00:06:56,080 --> 00:06:59,760 Speaker 2: never fail? You never felt well, Chris. That's so cool. 158 00:06:59,839 --> 00:07:01,640 Speaker 2: She see you in San Diego and she's wrapping up 159 00:07:01,640 --> 00:07:03,800 Speaker 2: her tour here in New York. I believe we. 160 00:07:03,800 --> 00:07:08,480 Speaker 1: Extended We're going to Miami. Actually we're going to seven days. 161 00:07:08,560 --> 00:07:09,760 Speaker 1: It was going to be New York. We said we 162 00:07:09,800 --> 00:07:10,280 Speaker 1: can't stop. 163 00:07:10,320 --> 00:07:12,200 Speaker 2: Now, Well, I don't know. I'm to spend the wheel. 164 00:07:12,200 --> 00:07:13,800 Speaker 2: I may see you in both anyway, Chris, thank you 165 00:07:13,840 --> 00:07:15,640 Speaker 2: so much for listening to us. And you have the 166 00:07:15,680 --> 00:07:16,240 Speaker 2: best day ever. 167 00:07:16,280 --> 00:07:18,360 Speaker 3: Okay, thank you, guys, appreciate it. 168 00:07:18,560 --> 00:07:22,960 Speaker 2: There you see he wasn't a stalker. Nice Okay, Okay, 169 00:07:23,200 --> 00:07:26,040 Speaker 2: it's so mean what Nate said. Hey, so, jo Jo, 170 00:07:26,080 --> 00:07:28,080 Speaker 2: the last time you were here, you were in Mulam Route. 171 00:07:28,120 --> 00:07:28,600 Speaker 1: That's right. 172 00:07:29,160 --> 00:07:31,080 Speaker 2: How was your Broadway experience? 173 00:07:31,120 --> 00:07:31,280 Speaker 5: Oh? 174 00:07:31,320 --> 00:07:35,000 Speaker 1: I loved it. I think I thrive in like high 175 00:07:35,040 --> 00:07:38,840 Speaker 1: Cortissoult environments. Actually right, yeah, And there's nothing like that 176 00:07:38,880 --> 00:07:43,600 Speaker 1: Broadway schedule. It's I was doing seven shows a week, 177 00:07:43,680 --> 00:07:47,520 Speaker 1: a lot, and it is typically I think, I mean, 178 00:07:48,400 --> 00:07:50,520 Speaker 1: some people do eight shows a week. It's unbelievable. It 179 00:07:50,560 --> 00:07:53,000 Speaker 1: is a lot. But I love the community. I loved 180 00:07:53,040 --> 00:07:54,920 Speaker 1: doing the same thing every night. I loved getting to 181 00:07:55,280 --> 00:07:57,360 Speaker 1: place a teen and it was so much fun. I 182 00:07:57,440 --> 00:08:00,280 Speaker 1: liked it so much that I am developing a digital 183 00:08:00,360 --> 00:08:02,880 Speaker 1: musical and I'm working on another one that's been in 184 00:08:02,920 --> 00:08:04,680 Speaker 1: development for a long. 185 00:08:04,480 --> 00:08:05,280 Speaker 2: Time based for you. 186 00:08:05,560 --> 00:08:09,840 Speaker 1: Yeah, I'm really really excited, so that's gonna continue, and 187 00:08:10,080 --> 00:08:12,920 Speaker 1: I'm just like overjoyed. I feel like a little kid. 188 00:08:13,160 --> 00:08:18,560 Speaker 1: What's harder is touring harder? No? I think Broadways the hardest. Personally, Yeah, 189 00:08:18,600 --> 00:08:21,400 Speaker 1: I have. I've always had the most respect for people 190 00:08:21,440 --> 00:08:24,400 Speaker 1: that do musical theater, but I never knew how many 191 00:08:24,440 --> 00:08:26,800 Speaker 1: times a week they actually do it. The two show 192 00:08:26,880 --> 00:08:30,360 Speaker 1: days are really something else, like two shows on Wednesdays, 193 00:08:30,400 --> 00:08:33,640 Speaker 1: two shows on Saturdays, sometimes two shows Sunday, depending on 194 00:08:33,679 --> 00:08:37,199 Speaker 1: what the schedule is. And that's especially with a if 195 00:08:37,200 --> 00:08:40,120 Speaker 1: it's a show that has a big sing, like Wicked 196 00:08:40,400 --> 00:08:44,280 Speaker 1: or you know, the color purple or even uh, you know, 197 00:08:44,360 --> 00:08:46,760 Speaker 1: it's just like unbelievable how vocally taxing it. 198 00:08:46,679 --> 00:08:51,839 Speaker 2: Can the big sing because those like those money notes. 199 00:08:52,160 --> 00:08:52,720 Speaker 1: Yeah, And I. 200 00:08:53,080 --> 00:08:55,080 Speaker 6: Sometimes will watch a show and I will say, oh 201 00:08:55,120 --> 00:08:57,000 Speaker 6: my gosh, how are they going to do this again 202 00:08:57,040 --> 00:08:59,280 Speaker 6: in a couple of hours and put that much emotion 203 00:08:59,400 --> 00:08:59,760 Speaker 6: into it. 204 00:09:00,080 --> 00:09:02,840 Speaker 1: I'm thinking about my friend Nicole Scherzinger and like how 205 00:09:02,880 --> 00:09:09,960 Speaker 1: she is doing Sunset Boulevard and like leaving everything on 206 00:09:10,360 --> 00:09:15,720 Speaker 1: stage and sounding like an angel bird and like just 207 00:09:15,800 --> 00:09:19,520 Speaker 1: ascending to the highest heights of vocal perfection. And I'm 208 00:09:19,559 --> 00:09:21,280 Speaker 1: just like, how are you human? 209 00:09:21,480 --> 00:09:25,240 Speaker 2: Yeah, it's amazing. You know, if you're going to leave 210 00:09:25,240 --> 00:09:27,920 Speaker 2: everything on the stage, this may get gross. Leave everything 211 00:09:27,960 --> 00:09:30,720 Speaker 2: on the you know what I'm saying, Just just lose 212 00:09:30,760 --> 00:09:34,120 Speaker 2: control of your bowels. 213 00:09:34,240 --> 00:09:36,280 Speaker 1: Nobody wants to see that. Do you know what? 214 00:09:36,320 --> 00:09:37,839 Speaker 2: I feel like I'm getting my money's words. 215 00:09:37,880 --> 00:09:39,920 Speaker 4: If you give me that much, it would be an experience. 216 00:09:39,920 --> 00:09:42,880 Speaker 1: Have you went to a place called the Box. I've 217 00:09:42,880 --> 00:09:45,720 Speaker 1: seen some very strange things, someone leaving everything on stage 218 00:09:45,760 --> 00:09:48,120 Speaker 1: at the Box. If y'all know what I'm talking about, 219 00:09:48,200 --> 00:09:50,360 Speaker 1: you know what I'm talking about. And something I can't 220 00:09:50,440 --> 00:09:53,760 Speaker 1: unsee it I had to share with someone Google. We 221 00:09:53,800 --> 00:09:55,240 Speaker 1: went to the Vault once, but. 222 00:09:55,280 --> 00:09:57,560 Speaker 2: Not the boy. They were licking Daniel's toes. 223 00:09:58,760 --> 00:10:01,680 Speaker 5: I saw you in rouge and it was incredible and 224 00:10:01,760 --> 00:10:04,280 Speaker 5: I was astounded because I wanted to hear you sing, 225 00:10:04,320 --> 00:10:06,040 Speaker 5: and all I could hear was the people around me 226 00:10:06,120 --> 00:10:09,320 Speaker 5: singing so loudly because they had all seen it five 227 00:10:09,400 --> 00:10:10,160 Speaker 5: to ten times. 228 00:10:10,200 --> 00:10:12,520 Speaker 2: What do you think about that? Because they were the show, 229 00:10:12,720 --> 00:10:13,960 Speaker 2: the sing along show. 230 00:10:14,240 --> 00:10:14,960 Speaker 1: No I was not. 231 00:10:15,800 --> 00:10:17,680 Speaker 2: It turned show. 232 00:10:18,160 --> 00:10:19,959 Speaker 1: I'm like, oh no, you went to the sing along 233 00:10:20,000 --> 00:10:20,840 Speaker 1: that was something else. 234 00:10:20,960 --> 00:10:23,760 Speaker 2: How do you feel about that if it's not technically 235 00:10:23,760 --> 00:10:25,960 Speaker 2: the sing along show and they're all belting it out 236 00:10:26,360 --> 00:10:29,120 Speaker 2: to me, I mean they're into it exactly. 237 00:10:29,400 --> 00:10:29,839 Speaker 1: She hated. 238 00:10:31,000 --> 00:10:33,040 Speaker 5: But I was like, this is my first time piped 239 00:10:33,080 --> 00:10:35,520 Speaker 5: down people. But it was it was like Deanna who 240 00:10:35,559 --> 00:10:37,840 Speaker 5: has seen it five times, a couple of other people 241 00:10:37,880 --> 00:10:39,600 Speaker 5: from here who have seen it so many times, and 242 00:10:39,640 --> 00:10:43,040 Speaker 5: there's an obsession with that show that I absolutely understand. 243 00:10:43,040 --> 00:10:44,640 Speaker 5: And then I went home. I thought, I'm going to 244 00:10:44,720 --> 00:10:48,160 Speaker 5: watch this movie unavailable to stream anywhere. Rude. Yeah. 245 00:10:48,240 --> 00:10:50,640 Speaker 1: I love Baz Luhrman. Yeah, I love that movie. 246 00:10:50,440 --> 00:10:52,040 Speaker 2: As what an interesting guy. We've had him on the 247 00:10:52,040 --> 00:10:52,800 Speaker 2: show several times. 248 00:10:53,000 --> 00:10:56,120 Speaker 1: Yeah. Interesting. I got to meet him. He came came 249 00:10:56,120 --> 00:10:58,760 Speaker 1: into my dressing room and I'm like, are you Baz Luhrman. 250 00:11:00,000 --> 00:11:02,959 Speaker 2: Crazy? And his mind is wired in such a very 251 00:11:03,000 --> 00:11:05,480 Speaker 2: fun way. Remember that's you know that song that we 252 00:11:05,520 --> 00:11:09,600 Speaker 2: played by him? Song screen? We played that all the time. 253 00:11:09,920 --> 00:11:12,320 Speaker 2: I'll play it for you can play your music. Let's 254 00:11:12,320 --> 00:11:13,920 Speaker 2: talk about your music. Jojoe is here, by the way, 255 00:11:13,920 --> 00:11:17,560 Speaker 2: if you're just turning us on. Her EP is out tomorrow. 256 00:11:17,600 --> 00:11:21,040 Speaker 2: I believe it's called me ng L, which stands for 257 00:11:21,240 --> 00:11:24,160 Speaker 2: not Gonna lie, not Gonna lie. Yeah, okay, let's talk 258 00:11:24,160 --> 00:11:27,520 Speaker 2: about EP versus album. Sure, okay, there's an album has this, 259 00:11:27,760 --> 00:11:31,040 Speaker 2: I guess typically an average number of cuts on it. 260 00:11:31,040 --> 00:11:33,600 Speaker 1: It's nine or above nine or above. Yeah, I think 261 00:11:33,640 --> 00:11:37,240 Speaker 1: this is eight or seven. But like an interlude, Jojo, 262 00:11:37,280 --> 00:11:38,600 Speaker 1: can't you just commut? Like squeeze up? 263 00:11:38,600 --> 00:11:39,559 Speaker 3: Can commit? 264 00:11:39,840 --> 00:11:40,040 Speaker 1: No? 265 00:11:40,280 --> 00:11:41,520 Speaker 2: Squeeze out? Two more songs? 266 00:11:41,520 --> 00:11:43,520 Speaker 1: I have so many songs. But the thing is, I 267 00:11:43,679 --> 00:11:48,680 Speaker 1: just I have been uh in the music industry since 268 00:11:48,720 --> 00:11:51,040 Speaker 1: I was a fetus and a lot and I am 269 00:11:51,160 --> 00:11:55,040 Speaker 1: like currently unsubscribing from old ways of thinking and like 270 00:11:55,120 --> 00:11:57,280 Speaker 1: old you know things that I put on myself or 271 00:11:57,280 --> 00:12:00,319 Speaker 1: haven't been put on me, so EPs and mixtapes. I 272 00:12:00,320 --> 00:12:01,120 Speaker 1: feel more free. 273 00:12:00,960 --> 00:12:04,559 Speaker 2: Doing okay your way, don't you help me? I do 274 00:12:04,679 --> 00:12:08,160 Speaker 2: my thigh Jojo. I'm just thinking what would sound like? 275 00:12:10,040 --> 00:12:12,160 Speaker 1: You can hear me as a fetus on Leave Get Out? 276 00:12:12,200 --> 00:12:20,000 Speaker 1: I was wow, like, yeah, you know, I ever think 277 00:12:20,000 --> 00:12:20,839 Speaker 1: of redoing that? 278 00:12:20,920 --> 00:12:23,360 Speaker 6: Like I was telling him before, like Justin Bieber made 279 00:12:23,360 --> 00:12:25,440 Speaker 6: one of my favorite Christmas albums ever, but he did 280 00:12:25,480 --> 00:12:27,840 Speaker 6: it when he was very young. I'd love for him 281 00:12:27,880 --> 00:12:31,160 Speaker 6: to redo that now, to hear what he would sound like, Now, 282 00:12:31,160 --> 00:12:32,280 Speaker 6: would you ever think do that? 283 00:12:32,360 --> 00:12:35,760 Speaker 1: So in twenty eighteen, I re recorded my first two albums. 284 00:12:35,840 --> 00:12:38,280 Speaker 1: So that's what I did, said like a Taylor Swift 285 00:12:38,360 --> 00:12:41,720 Speaker 1: lawsuit thing. No, I did it before. Actually, yeah it was. 286 00:12:41,800 --> 00:12:44,040 Speaker 1: It was before My first two albums weren't available on 287 00:12:44,040 --> 00:12:47,360 Speaker 1: streaming services because my label didn't do a deal with 288 00:12:47,400 --> 00:12:50,920 Speaker 1: the DSPs, so it was anyway boring stuff. But I 289 00:12:50,960 --> 00:12:53,680 Speaker 1: was like, I'm tired of feeling like I'm you know, 290 00:12:53,720 --> 00:12:55,640 Speaker 1: a victim of circumstance. Is like, what can I do? 291 00:12:55,800 --> 00:12:55,959 Speaker 3: Oh? 292 00:12:56,080 --> 00:12:58,680 Speaker 1: I can cover my songs? So anyway, you hear my 293 00:12:58,679 --> 00:13:00,679 Speaker 1: twenty seven year old voice, and you know my first 294 00:13:00,720 --> 00:13:03,040 Speaker 1: two its, and my fans have supported it in a 295 00:13:03,080 --> 00:13:05,760 Speaker 1: phenomenal way. And you know, there were number one on 296 00:13:06,000 --> 00:13:08,680 Speaker 1: iTunes and you know they were they streamed super well, 297 00:13:08,760 --> 00:13:10,240 Speaker 1: so they have really kept me aflow. 298 00:13:10,760 --> 00:13:14,280 Speaker 2: Find those get them. We walked in this morning Jojo 299 00:13:14,600 --> 00:13:17,480 Speaker 2: and I said, we're gonna play a song today. He said, well, 300 00:13:17,480 --> 00:13:19,960 Speaker 2: I got a couple of songs, so we have, and 301 00:13:20,040 --> 00:13:22,160 Speaker 2: so we The first one I hit this morning was 302 00:13:22,760 --> 00:13:25,160 Speaker 2: ready to Love, Oh nice, and. 303 00:13:25,360 --> 00:13:27,840 Speaker 1: It's gonna drop at midnight, along with the EP it. 304 00:13:27,840 --> 00:13:29,400 Speaker 2: Hasn't dropped yet? Is this legal? 305 00:13:30,040 --> 00:13:35,440 Speaker 1: Yeah? Probably ready to love and too much to say? 306 00:13:35,480 --> 00:13:36,240 Speaker 1: Were those the ones? 307 00:13:36,880 --> 00:13:42,760 Speaker 2: It kicks in? It kicks in in a second, and 308 00:13:42,800 --> 00:13:45,800 Speaker 2: it feels good right here, right here? Can the phone anymore? 309 00:13:47,200 --> 00:13:49,560 Speaker 1: It's like waiting stating. 310 00:13:49,320 --> 00:13:51,360 Speaker 2: Just sounds good. I'm gonna play the whole thing. Really, 311 00:13:52,120 --> 00:13:55,360 Speaker 2: I'm sorry, sorry about that. I like to hear so 312 00:13:55,440 --> 00:13:58,480 Speaker 2: I can see you in a studio with the big speakers, 313 00:13:58,480 --> 00:14:03,120 Speaker 2: all the buttons and knobs things, yeah, with producers and writers, 314 00:14:03,200 --> 00:14:07,240 Speaker 2: and you turn it really loud and you're like, well, hey, guys, 315 00:14:07,240 --> 00:14:10,640 Speaker 2: this turned out really great, right undred percent? Is that 316 00:14:10,640 --> 00:14:12,320 Speaker 2: what it's like being in the cockpit when when you 317 00:14:12,440 --> 00:14:16,839 Speaker 2: hear almost like a final mix, and you're like yeah, yeah. 318 00:14:16,880 --> 00:14:19,280 Speaker 1: I mean, you know, when you write a song and 319 00:14:19,320 --> 00:14:22,720 Speaker 1: then you step away from it, sometimes there's the chorus 320 00:14:22,720 --> 00:14:25,240 Speaker 1: A I mean, sometimes you're like, wow, this is really good, 321 00:14:25,240 --> 00:14:26,760 Speaker 1: and then you're like do I suck? And then you're 322 00:14:26,760 --> 00:14:29,080 Speaker 1: like nothing I do is good, and then you're like, no, 323 00:14:29,240 --> 00:14:32,600 Speaker 1: this is really good. It's such a rollercoaster. But I 324 00:14:32,680 --> 00:14:34,640 Speaker 1: like to like write a song, take some space away 325 00:14:34,640 --> 00:14:37,160 Speaker 1: from it, and then see how I feel, and so 326 00:14:37,240 --> 00:14:39,120 Speaker 1: I wrote this at the end of twenty twenty three 327 00:14:39,520 --> 00:14:41,520 Speaker 1: and then lived with it and decided that I did 328 00:14:41,560 --> 00:14:43,400 Speaker 1: want to put out a project. And then to hear 329 00:14:43,400 --> 00:14:46,160 Speaker 1: the evolution of these songs has been really, really cool, 330 00:14:46,200 --> 00:14:49,240 Speaker 1: and like fine tune the production and say, you know, 331 00:14:49,280 --> 00:14:52,040 Speaker 1: can we turn this up? Can we do this? I 332 00:14:52,040 --> 00:14:52,920 Speaker 1: love that whole process. 333 00:14:53,000 --> 00:14:57,480 Speaker 2: It just sounds so lush. I love that word the background. 334 00:14:58,120 --> 00:15:00,920 Speaker 1: You know, I am from an era where I love 335 00:15:01,000 --> 00:15:04,040 Speaker 1: a lot of a rich, thick, lush background treatment. 336 00:15:04,200 --> 00:15:06,720 Speaker 2: Things have changed a lot since you started. They have today. 337 00:15:06,880 --> 00:15:08,920 Speaker 2: I mean, you can throw something out there and right 338 00:15:09,000 --> 00:15:10,680 Speaker 2: right now, for instance, we're gonna play your music in 339 00:15:10,720 --> 00:15:13,840 Speaker 2: a few minutes and you're gonna get immediate feedback. Yeah, 340 00:15:13,960 --> 00:15:18,200 Speaker 2: good and bad, evil, right evil, It's all yeah. Do 341 00:15:18,240 --> 00:15:22,280 Speaker 2: you like this version of the music industry a lot 342 00:15:22,280 --> 00:15:24,080 Speaker 2: more than the original that you started it? 343 00:15:25,080 --> 00:15:27,960 Speaker 1: I like it because, well, not only is the music 344 00:15:28,000 --> 00:15:32,280 Speaker 1: industry different, I'm different and I'm more adaptable, and I'm 345 00:15:32,400 --> 00:15:35,880 Speaker 1: just like I roll with the punches, and I think 346 00:15:35,920 --> 00:15:41,920 Speaker 1: that there's a lot more opportunity for artists to connect 347 00:15:41,920 --> 00:15:45,360 Speaker 1: directly with their fans. It's not easy. I'm very fortunate 348 00:15:45,360 --> 00:15:49,840 Speaker 1: that I have a really loyal, amazing, enthusiastic fan base 349 00:15:50,360 --> 00:15:53,160 Speaker 1: that you know, I'm really have a great relationship with. 350 00:15:53,280 --> 00:15:57,080 Speaker 1: But I imagine it's challenging to like start and try to 351 00:15:58,560 --> 00:16:01,280 Speaker 1: get some traction on tick talk and Instagram and stuff. 352 00:16:01,280 --> 00:16:03,800 Speaker 1: When you I mean, there's so much. Ten thousand songs 353 00:16:03,840 --> 00:16:08,760 Speaker 1: are uploaded on DSPs every day. That's insane. So it's 354 00:16:08,800 --> 00:16:12,280 Speaker 1: it's a crazy time, But I think it's there's less. 355 00:16:12,600 --> 00:16:15,640 Speaker 1: It doesn't genres don't matter as much. You know, artists 356 00:16:15,680 --> 00:16:20,400 Speaker 1: are just making a unique synthesis of all their influences, 357 00:16:20,440 --> 00:16:22,840 Speaker 1: and I think that's it's a fire time to be 358 00:16:22,920 --> 00:16:23,680 Speaker 1: a creative person. 359 00:16:24,040 --> 00:16:29,200 Speaker 2: Looking back, Jojoe, from your roots, your beginning in the industry, 360 00:16:29,280 --> 00:16:33,160 Speaker 2: is there something that happened I'll go here. Is there 361 00:16:33,200 --> 00:16:35,880 Speaker 2: something that happened then that kind of broke your heart 362 00:16:35,880 --> 00:16:38,400 Speaker 2: and you're still heartbroken over it? Something that kind of 363 00:16:38,400 --> 00:16:42,040 Speaker 2: shattered your heart over when you started. 364 00:16:42,480 --> 00:16:45,080 Speaker 1: I don't know that I'm still shattered by it. But 365 00:16:45,200 --> 00:16:47,480 Speaker 1: like I've been in therapy for ten years, so that's 366 00:16:47,520 --> 00:16:51,280 Speaker 1: a lot of money. You know, that's a long time. 367 00:16:51,400 --> 00:16:54,560 Speaker 1: Well spent money, well spent money. But I think what 368 00:16:54,680 --> 00:16:56,880 Speaker 1: was really heartbreaking for me is I'm an only child. 369 00:16:56,960 --> 00:16:59,040 Speaker 1: I come from a you know, quote unquote broken home. 370 00:16:59,160 --> 00:17:01,680 Speaker 1: Like I already had that foundation, and I was like 371 00:17:01,720 --> 00:17:03,320 Speaker 1: bullied in school and all that stuff. And then to 372 00:17:03,360 --> 00:17:05,840 Speaker 1: have people tell me from a young age that they're 373 00:17:05,880 --> 00:17:08,199 Speaker 1: like my you know, be my uncle figures and my 374 00:17:08,320 --> 00:17:10,440 Speaker 1: brothers and my father figures and all this stuff, and 375 00:17:10,480 --> 00:17:13,120 Speaker 1: then tell them, you know, them telling me they love 376 00:17:13,200 --> 00:17:15,879 Speaker 1: me at like twelve thirteen, fourteen and really believing that 377 00:17:15,880 --> 00:17:18,159 Speaker 1: we're a family, and then for them to just like 378 00:17:18,680 --> 00:17:22,879 Speaker 1: jump ship and be like, oh, this doesn't make I 379 00:17:22,880 --> 00:17:24,840 Speaker 1: can make more money over here or do that. That 380 00:17:25,000 --> 00:17:27,159 Speaker 1: is a heartbreaking thing to learn very young, and that 381 00:17:27,240 --> 00:17:30,600 Speaker 1: definitely skews the way that you look at life and 382 00:17:30,720 --> 00:17:34,840 Speaker 1: people and relationships. And that's something that I'm still dealing 383 00:17:34,840 --> 00:17:36,040 Speaker 1: with now, but not. 384 00:17:36,200 --> 00:17:41,200 Speaker 2: Forevermore probably and forever mon, we're all we're still we're 385 00:17:41,240 --> 00:17:43,040 Speaker 2: still kind of trying to figure it out. 386 00:17:43,640 --> 00:17:45,960 Speaker 1: Yeah. So trust is a challenging thing for me because 387 00:17:46,320 --> 00:17:48,200 Speaker 1: I put my trust in people from a young age 388 00:17:48,200 --> 00:17:50,800 Speaker 1: and then I had to learn really quickly that business 389 00:17:50,880 --> 00:17:53,919 Speaker 1: is not personal. And I think that made me a 390 00:17:54,040 --> 00:17:57,080 Speaker 1: cold blooded person for a long time, and I applied 391 00:17:57,080 --> 00:18:00,879 Speaker 1: it too much, like too liberally and I was, but 392 00:18:01,040 --> 00:18:02,240 Speaker 1: sometimes things are personal. 393 00:18:02,359 --> 00:18:04,800 Speaker 4: Yeah, it feels personal when someone screws you over it does? 394 00:18:05,400 --> 00:18:05,720 Speaker 1: It does? 395 00:18:05,800 --> 00:18:07,080 Speaker 2: But how you write a song about it? 396 00:18:07,160 --> 00:18:07,400 Speaker 3: Yeah? 397 00:18:07,440 --> 00:18:09,399 Speaker 1: You do. I felt super disconnected from it. I was, 398 00:18:09,520 --> 00:18:11,840 Speaker 1: I was numb. But you know, now now I have 399 00:18:11,880 --> 00:18:13,919 Speaker 1: outlets that I that make more sense for me. 400 00:18:13,960 --> 00:18:17,160 Speaker 6: What about social media? Like when you started social media, 401 00:18:17,240 --> 00:18:17,840 Speaker 6: wasn't you know? 402 00:18:17,880 --> 00:18:21,240 Speaker 1: Really I launched on MySpace, so social media was like 403 00:18:21,440 --> 00:18:24,720 Speaker 1: just at the precipice, right, So what it is now 404 00:18:24,840 --> 00:18:25,920 Speaker 1: as to what it was then? 405 00:18:26,119 --> 00:18:28,600 Speaker 6: Like, you know, you know how people can be cruel 406 00:18:28,640 --> 00:18:31,080 Speaker 6: to everybody, and how do you like weed out that 407 00:18:31,200 --> 00:18:34,320 Speaker 6: or or ignore the negativity which you know everybody gets. 408 00:18:34,520 --> 00:18:37,480 Speaker 1: Well, I'm a grown up, like so it's I mean, 409 00:18:37,600 --> 00:18:40,440 Speaker 1: that doesn't mean that I'm don't have feelings. I do, 410 00:18:40,560 --> 00:18:43,800 Speaker 1: Like it impacts me when people are like say mean things, 411 00:18:44,280 --> 00:18:48,680 Speaker 1: but I feel really bad, Like I couldn't imagine being thirteen, 412 00:18:48,760 --> 00:18:50,400 Speaker 1: which is the age that I put out my first 413 00:18:50,400 --> 00:18:54,400 Speaker 1: single at like now. But I think that kids deal 414 00:18:54,440 --> 00:18:56,800 Speaker 1: with it across the board. I think everybody probably feels 415 00:18:57,480 --> 00:19:00,520 Speaker 1: the pressure that I felt as a kid because social 416 00:19:00,560 --> 00:19:04,760 Speaker 1: media gives you that feedback loop and like someone will 417 00:19:04,760 --> 00:19:07,040 Speaker 1: post a picture and immediately they're like, oh, should I 418 00:19:07,040 --> 00:19:09,399 Speaker 1: take it down because it only got twenty likes? Like say, 419 00:19:09,480 --> 00:19:11,479 Speaker 1: you know, it's just a kid in school, you know, 420 00:19:11,640 --> 00:19:16,440 Speaker 1: and they're like, oh, maybe that's not good scary guilty No, 421 00:19:16,520 --> 00:19:20,359 Speaker 1: but like lunacy, what is that doing to the developing 422 00:19:20,440 --> 00:19:22,600 Speaker 1: mind that's squishy and impressionable and stuff. 423 00:19:22,600 --> 00:19:24,720 Speaker 2: You're an adult now, yeah, we got to take her 424 00:19:24,760 --> 00:19:26,399 Speaker 2: out of the kid boxy, you know. 425 00:19:26,560 --> 00:19:29,720 Speaker 1: No, I'm just saying I like, I'm grateful that I 426 00:19:29,720 --> 00:19:31,400 Speaker 1: I don't know, I'm seasoned. 427 00:19:31,600 --> 00:19:34,160 Speaker 2: You're doing fine, fine, Yeah, living in your own place 428 00:19:34,160 --> 00:19:37,160 Speaker 2: in New York City. Yeah. 429 00:19:37,320 --> 00:19:39,560 Speaker 5: On a scale of one to ten, how devastated were 430 00:19:39,600 --> 00:19:41,959 Speaker 5: you with the disappearance of TikTok for like twelve hours? 431 00:19:42,080 --> 00:19:44,840 Speaker 1: I was fine with it. I'm so glad. I'm sorry 432 00:19:45,240 --> 00:19:49,080 Speaker 1: that I was sorry with it, like I was, you know, 433 00:19:49,320 --> 00:19:50,720 Speaker 1: I'll be honest, though I was. I was sad for 434 00:19:50,760 --> 00:19:54,480 Speaker 1: the people friends of mine, who you know, like built 435 00:19:54,480 --> 00:19:57,199 Speaker 1: their their careers on TikTok, And I'm like, dang, I 436 00:19:57,240 --> 00:19:59,240 Speaker 1: know it does It's not just it doesn't just transfer 437 00:19:59,280 --> 00:20:01,280 Speaker 1: over to another app. So I'm like, what are they 438 00:20:01,280 --> 00:20:03,240 Speaker 1: going to do? But I'm like, I don't know, you know, 439 00:20:03,359 --> 00:20:05,159 Speaker 1: as far as for me, that's okay, but it's not 440 00:20:05,200 --> 00:20:07,639 Speaker 1: just about me. So I was definitely thinking about the 441 00:20:07,680 --> 00:20:10,560 Speaker 1: people that have built amazing lives and careers on TikTok 442 00:20:10,920 --> 00:20:11,400 Speaker 1: living back. 443 00:20:11,480 --> 00:20:15,000 Speaker 2: So it's back. Yeah, Jojo is here. We're going to 444 00:20:15,040 --> 00:20:17,360 Speaker 2: play some music from m g L. Not Gonna Lie 445 00:20:17,520 --> 00:20:20,200 Speaker 2: her EP, which is released tomorrow. But why wait, let's 446 00:20:20,240 --> 00:20:22,440 Speaker 2: play it all now? So okay, the checklist of things 447 00:20:22,480 --> 00:20:24,800 Speaker 2: you have to understand living in New York City? 448 00:20:24,840 --> 00:20:26,479 Speaker 1: Oh, please tell me because I'm brand new. 449 00:20:26,600 --> 00:20:30,400 Speaker 2: No, you know you know some more than me, probably, Okay, Well, 450 00:20:30,600 --> 00:20:35,920 Speaker 2: you know, when you're walking down the sidewalk, don't look 451 00:20:36,040 --> 00:20:38,160 Speaker 2: up at buildings because you're going to run into someone. 452 00:20:38,400 --> 00:20:41,720 Speaker 1: Yeah, that's tourist behavior. You gotta. Yeah, go and watch 453 00:20:41,760 --> 00:20:44,160 Speaker 1: the bikes because they do not care. They will run 454 00:20:44,240 --> 00:20:44,960 Speaker 1: right over. 455 00:20:44,760 --> 00:20:46,520 Speaker 4: You and they go a multiple directions. 456 00:20:46,600 --> 00:20:48,800 Speaker 1: Yeah, the bikes, I've learned that the hard way. 457 00:20:48,880 --> 00:20:51,119 Speaker 2: Yeah, sure, right in the subway? Yeah, what have you 458 00:20:51,200 --> 00:20:52,320 Speaker 2: learned on the subway? Right? 459 00:20:52,840 --> 00:20:54,800 Speaker 1: You know there's a lot of smells, there's a lot 460 00:20:54,800 --> 00:20:55,280 Speaker 1: of sights. 461 00:20:55,440 --> 00:20:57,600 Speaker 2: Yeah, there's a lot of mystery liquid. 462 00:20:57,400 --> 00:21:00,280 Speaker 1: And mystery liquid. I always I always think it's when 463 00:21:00,280 --> 00:21:02,879 Speaker 1: people bring their own soundtrack and want to share it 464 00:21:02,920 --> 00:21:05,520 Speaker 1: with you, you know what I mean. Like I've been put 465 00:21:05,520 --> 00:21:08,440 Speaker 1: onto a lot of new music that way. Like I'm 466 00:21:08,480 --> 00:21:11,800 Speaker 1: like people, it's like with a boombox, you know, I'm like, 467 00:21:12,119 --> 00:21:13,520 Speaker 1: you have a boombox for real? 468 00:21:15,200 --> 00:21:15,719 Speaker 2: They still made. 469 00:21:15,840 --> 00:21:16,720 Speaker 1: I didn't know they still made. 470 00:21:16,760 --> 00:21:18,960 Speaker 2: They live with light shows on them all stuff. 471 00:21:19,040 --> 00:21:22,080 Speaker 5: You can never stop outside a revolving door. You keep 472 00:21:22,160 --> 00:21:24,440 Speaker 5: going and then you stop, and obviously at the bottom 473 00:21:24,520 --> 00:21:26,880 Speaker 5: or top of any escalator. But that's just common sense 474 00:21:26,880 --> 00:21:27,359 Speaker 5: for anywhere. 475 00:21:27,400 --> 00:21:28,680 Speaker 1: I agree, that's everywhere. 476 00:21:29,560 --> 00:21:31,960 Speaker 2: Well, think you have any issue with New York City, 477 00:21:31,960 --> 00:21:33,639 Speaker 2: I think you've owned it. You own it already, And 478 00:21:33,640 --> 00:21:36,520 Speaker 2: I've always said ever since I moved here, everyone should 479 00:21:36,520 --> 00:21:38,159 Speaker 2: spend at least a year of their lives living in 480 00:21:38,200 --> 00:21:40,479 Speaker 2: the city. And sometimes we're trapped. We can't get out 481 00:21:40,520 --> 00:21:45,000 Speaker 2: of it, all right. So the tour, Yeah, you've added 482 00:21:45,040 --> 00:21:47,520 Speaker 2: more days of course in our Miami, which I'm so 483 00:21:47,560 --> 00:21:50,320 Speaker 2: excited about. So tell me where you are kicking on 484 00:21:50,359 --> 00:21:51,160 Speaker 2: February twenty second. 485 00:21:51,200 --> 00:21:55,160 Speaker 1: Okay, so twenty second in Nashville. So super excited, And 486 00:21:55,320 --> 00:22:00,600 Speaker 1: I'll be out till mid April. Come see me. I 487 00:22:00,600 --> 00:22:01,720 Speaker 1: I just think this is going to be the best 488 00:22:01,760 --> 00:22:05,760 Speaker 1: tour I've ever done because I'm having so much fun 489 00:22:05,800 --> 00:22:09,280 Speaker 1: in my life and everything translates, like the way you 490 00:22:09,320 --> 00:22:12,760 Speaker 1: feel translates to the way you perform, and so I'm 491 00:22:12,760 --> 00:22:16,600 Speaker 1: looking forward to it. Like moving here and having the 492 00:22:16,640 --> 00:22:18,960 Speaker 1: experience of being on Broadway, it sharpened me. It made 493 00:22:19,000 --> 00:22:20,320 Speaker 1: me be like, ooh, I want to go do my 494 00:22:20,359 --> 00:22:22,760 Speaker 1: own music now. So it's been a minute. It's been 495 00:22:22,760 --> 00:22:27,160 Speaker 1: four years since I released my last project, and this 496 00:22:27,160 --> 00:22:30,159 Speaker 1: this I'm like, what is it called? This tour is 497 00:22:31,160 --> 00:22:34,200 Speaker 1: going to be yes the new music, but also taking 498 00:22:34,200 --> 00:22:38,800 Speaker 1: it back nostalgic, and every single time we put together 499 00:22:38,800 --> 00:22:40,960 Speaker 1: a completely new set list, like it's not just we're like, 500 00:22:41,640 --> 00:22:43,199 Speaker 1: we're calling it a new tour and we're doing the 501 00:22:43,200 --> 00:22:44,320 Speaker 1: same thing. It's never that. 502 00:22:44,560 --> 00:22:46,560 Speaker 2: So I'm going to ask you something I've never asked 503 00:22:46,640 --> 00:22:49,359 Speaker 2: anyone because I don't ever go down this road because 504 00:22:49,359 --> 00:22:51,160 Speaker 2: I don't like it when interviewers do it. So I'm 505 00:22:51,160 --> 00:22:53,159 Speaker 2: gonna go ahead and throw it out there. Are you 506 00:22:53,640 --> 00:22:54,320 Speaker 2: dating anyone? 507 00:22:54,600 --> 00:22:55,000 Speaker 1: I am? 508 00:22:55,119 --> 00:23:04,200 Speaker 2: Okay, Okay, next question, Well, because I've never died, I've 509 00:23:04,280 --> 00:23:08,200 Speaker 2: never ever got you go down that road with me. Okay. 510 00:23:08,280 --> 00:23:10,399 Speaker 2: The thought process was on the road, you want to 511 00:23:10,400 --> 00:23:14,480 Speaker 2: take me out, I'm trying to. I'm sure you're dating 512 00:23:14,560 --> 00:23:15,920 Speaker 2: lots of old gay guys before. 513 00:23:17,800 --> 00:23:20,360 Speaker 1: But he's married to. 514 00:23:20,000 --> 00:23:23,160 Speaker 2: You can date him too. I don't give Okay, here's 515 00:23:23,160 --> 00:23:25,359 Speaker 2: the more my thought process was. And as an interviewer, 516 00:23:25,400 --> 00:23:28,000 Speaker 2: I guess I when thinking hitting the road going out, 517 00:23:28,000 --> 00:23:30,160 Speaker 2: I'm looking at all these dates. You're starting in February, 518 00:23:30,200 --> 00:23:32,280 Speaker 2: and you're rolling around l A. And you're going home 519 00:23:32,320 --> 00:23:35,760 Speaker 2: to Boston, and you're doing Chicago and everywhere New York 520 00:23:35,760 --> 00:23:41,080 Speaker 2: and then Miami. Is that good for a relationship. 521 00:23:43,160 --> 00:23:47,040 Speaker 1: TVD I'll let you know no, I actually think I 522 00:23:47,040 --> 00:23:50,000 Speaker 1: don't know. If somebody understands like what that is like, 523 00:23:50,400 --> 00:23:52,000 Speaker 1: then it's probably helpful. 524 00:23:52,040 --> 00:23:56,119 Speaker 2: Okay, okay, good, Yeah again, next question, So is my 525 00:23:56,160 --> 00:24:00,359 Speaker 2: Mike so long? I never do that. It's weird. 526 00:24:00,440 --> 00:24:01,960 Speaker 4: You really don't get. 527 00:24:01,960 --> 00:24:02,640 Speaker 2: I get you just. 528 00:24:02,560 --> 00:24:05,000 Speaker 1: Felt comfortable with me. Well we're old friends. 529 00:24:05,040 --> 00:24:06,280 Speaker 2: Sure, okay, I'll take that. 530 00:24:07,200 --> 00:24:11,280 Speaker 5: So any more personal questions about what is his name? 531 00:24:10,440 --> 00:24:12,800 Speaker 4: What's the social security? 532 00:24:13,680 --> 00:24:16,520 Speaker 2: Don't don't let them ask any questions because they're the 533 00:24:16,520 --> 00:24:20,720 Speaker 2: worst and the best. Hey, I want to play some music. Yeah, 534 00:24:20,760 --> 00:24:23,920 Speaker 2: we just heard like a little hair of ready to Love, 535 00:24:23,960 --> 00:24:26,480 Speaker 2: but we didn't hear start over, and I've heard start 536 00:24:26,520 --> 00:24:30,960 Speaker 2: over is well, the difference between the two is. 537 00:24:31,200 --> 00:24:35,879 Speaker 1: Oh, between ready to Love and start Over. Yes, start 538 00:24:35,920 --> 00:24:38,040 Speaker 1: Over was when I was like in this on again, 539 00:24:38,119 --> 00:24:42,119 Speaker 1: off again thing for like ten years, which is not 540 00:24:42,200 --> 00:24:45,280 Speaker 1: a good idea. But I don't always, you know, make 541 00:24:45,359 --> 00:24:48,320 Speaker 1: the best choices always, and so that's that's what this 542 00:24:48,480 --> 00:24:50,760 Speaker 1: is about. I was like, you know, what if, just hypothetically, 543 00:24:50,800 --> 00:24:52,719 Speaker 1: what if we could go back in time and you know, 544 00:24:52,840 --> 00:24:54,840 Speaker 1: see the mistakes before we made them. And then Ready 545 00:24:54,880 --> 00:24:57,640 Speaker 1: to Love is being like, you know what, I actually 546 00:24:57,680 --> 00:25:00,400 Speaker 1: see that you are no longer not emotionally available, and 547 00:25:00,480 --> 00:25:02,840 Speaker 1: that's not attractive to me. I actually want to like 548 00:25:02,880 --> 00:25:07,800 Speaker 1: set myself up for success. I'm too grown for like 549 00:25:08,800 --> 00:25:12,520 Speaker 1: doing the same thing expecting different results. So I'm actually 550 00:25:12,960 --> 00:25:16,040 Speaker 1: going to make room for somebody. That's where I'm at. 551 00:25:16,240 --> 00:25:19,359 Speaker 1: So it's like a progression within that journey. 552 00:25:19,440 --> 00:25:22,080 Speaker 2: Jojo, I'm kind of wondering who's driving to work right now, going, 553 00:25:22,119 --> 00:25:27,640 Speaker 2: oh my god, that's me. I'm in the same seat 554 00:25:27,680 --> 00:25:28,760 Speaker 2: that JoJo's. 555 00:25:28,920 --> 00:25:31,199 Speaker 1: Haven't we all? I mean, I'm like so many of us. 556 00:25:31,400 --> 00:25:33,879 Speaker 2: Yeah, I'm I'm tired of begging someone to fall in 557 00:25:33,920 --> 00:25:35,720 Speaker 2: love with me, yeah, or be with me. 558 00:25:35,840 --> 00:25:38,679 Speaker 1: Or begging for forgiveness or like you know, just to 559 00:25:38,720 --> 00:25:40,880 Speaker 1: see me in a different light, or enough of that. Yeah, 560 00:25:40,920 --> 00:25:41,360 Speaker 1: enough of that. 561 00:25:41,400 --> 00:25:43,160 Speaker 2: I'm growing up now. This is the second time you've 562 00:25:43,160 --> 00:25:44,280 Speaker 2: said that, since you said. 563 00:25:44,160 --> 00:25:46,639 Speaker 1: I need to stop driving that home like it's obvious. Actually, 564 00:25:46,640 --> 00:25:47,920 Speaker 1: why am I What do I have to No? 565 00:25:47,760 --> 00:25:49,720 Speaker 2: No, no, no, I think no. It's great because there 566 00:25:49,720 --> 00:25:52,600 Speaker 2: are people listening right now. They're going, oh my god, 567 00:25:52,920 --> 00:25:56,119 Speaker 2: I so appreciate where she is. Dang it, I'm in 568 00:25:56,119 --> 00:25:58,639 Speaker 2: the same place too. This is great, This is awesome, 569 00:25:58,680 --> 00:25:59,359 Speaker 2: very relatable. 570 00:25:59,760 --> 00:26:02,000 Speaker 1: Yeah, I mean, why do you what do you. 571 00:26:01,960 --> 00:26:07,240 Speaker 2: Want to write something down? Just tell me what? Okay? Yeah, 572 00:26:08,200 --> 00:26:10,240 Speaker 2: apparently you've got things to do. You're you're cheating on 573 00:26:10,240 --> 00:26:15,119 Speaker 2: this with other outlets today. Never makes me mad. I'm 574 00:26:15,119 --> 00:26:16,400 Speaker 2: not gonna play your stupid music. 575 00:26:20,320 --> 00:26:20,560 Speaker 5: Music. 576 00:26:20,880 --> 00:26:24,760 Speaker 2: I'm having abandoned issues. You should understand this. I want 577 00:26:24,760 --> 00:26:27,720 Speaker 2: to play start over Yeah, all right, scary. Why are 578 00:26:27,720 --> 00:26:29,439 Speaker 2: you gonna put it over there? It works over here, 579 00:26:29,440 --> 00:26:30,200 Speaker 2: it works both places. 580 00:26:30,200 --> 00:26:30,479 Speaker 3: All right. 581 00:26:35,119 --> 00:26:36,680 Speaker 2: There's a problem with the sound. It's garbled. 582 00:26:37,720 --> 00:26:39,320 Speaker 1: I like to start off my songs garbled. 583 00:26:39,359 --> 00:26:41,879 Speaker 2: Okay, yeah, it's like, what did she say underwater? I 584 00:26:41,880 --> 00:26:43,840 Speaker 2: didn't know it was a zero intro? As we say, so, 585 00:26:44,080 --> 00:26:45,480 Speaker 2: uh is this? It is this goodbye? 586 00:26:45,680 --> 00:26:47,560 Speaker 1: This is start over. Oh we're not doing it. 587 00:26:47,560 --> 00:26:51,359 Speaker 2: Okay, a song called goodbye. The song is start over. 588 00:26:51,480 --> 00:26:54,480 Speaker 2: But this is time to say, Okay, well I'm gonna 589 00:26:54,480 --> 00:26:56,879 Speaker 2: play it again. We're gonna play the garbled part and 590 00:26:56,920 --> 00:26:59,800 Speaker 2: then hopefully it'll kick in. Yeah, maybe the sound in 591 00:27:00,040 --> 00:27:02,240 Speaker 2: you had a little problem that day. I'm kidding. 592 00:27:03,400 --> 00:27:05,320 Speaker 1: We'll make where choices Elvis. I don't want to tell 593 00:27:05,359 --> 00:27:06,480 Speaker 1: you I like my garbled sound. 594 00:27:06,520 --> 00:27:08,760 Speaker 2: You have a busy day. Apparently, when's your next when's 595 00:27:08,760 --> 00:27:12,400 Speaker 2: your next schedule or whatever? Like in ten minutes? One minute? 596 00:27:13,000 --> 00:27:14,960 Speaker 1: Oh my god, so we should just sit here for 597 00:27:15,040 --> 00:27:19,600 Speaker 1: a minute. It's just one minute meditation over there. 598 00:27:19,680 --> 00:27:23,160 Speaker 2: Let me give you the details. NGL not gonna lie. 599 00:27:24,119 --> 00:27:28,720 Speaker 2: The new EP from Jojo released midnight tonight, and we're Kenna. 600 00:27:28,960 --> 00:27:32,000 Speaker 2: We're only giving you two of the seven cuts. 601 00:27:32,119 --> 00:27:33,160 Speaker 1: Yeah all right. 602 00:27:33,440 --> 00:27:34,880 Speaker 2: She could have put two more on there and made 603 00:27:34,880 --> 00:27:40,360 Speaker 2: it an album. Everyone's doing that. You want a quick 604 00:27:40,359 --> 00:27:42,160 Speaker 2: final thought for Jojo before we play the song? 605 00:27:43,040 --> 00:27:43,960 Speaker 4: Good luck with everything? 606 00:27:43,960 --> 00:27:44,359 Speaker 1: Thank you? 607 00:27:44,440 --> 00:27:45,480 Speaker 4: I think it's gonna be awesome. 608 00:27:45,600 --> 00:27:49,000 Speaker 1: Thank you, keep being fabulous. Oh you guys, don't forget us, 609 00:27:49,720 --> 00:27:51,560 Speaker 1: don't forget don't forget it, Never forget you. 610 00:27:51,600 --> 00:27:53,359 Speaker 2: When you get that Broadway show. Oh you already did that. 611 00:27:54,840 --> 00:27:57,640 Speaker 2: Are you gonna be doing Broadway anytime soon? You talked 612 00:27:57,680 --> 00:28:00,000 Speaker 2: about developing next year? Next year? 613 00:28:00,240 --> 00:28:02,640 Speaker 1: Oh so New York is a show already out. 614 00:28:06,240 --> 00:28:07,400 Speaker 2: I could see you in Oklahoma. 615 00:28:09,840 --> 00:28:12,000 Speaker 1: Okay, I never say no, sorry with the fringe on 616 00:28:12,040 --> 00:28:13,160 Speaker 1: top Oklahoma? 617 00:28:13,200 --> 00:28:18,119 Speaker 2: All right, Jojo. This is from the new EP called 618 00:28:18,280 --> 00:28:20,120 Speaker 2: m g L. This is start Over