1 00:00:00,080 --> 00:00:02,480 Speaker 1: My next guest beginning his career as long known, this 2 00:00:02,640 --> 00:00:06,800 Speaker 1: brother alone time on daytime soap opera, this type of 3 00:00:06,800 --> 00:00:09,520 Speaker 1: soap opera stars as the World Turns and All My 4 00:00:09,640 --> 00:00:14,520 Speaker 1: Children before his roles and many many Tyler Perry productions 5 00:00:14,560 --> 00:00:16,760 Speaker 1: such as Uh, why did I get married? Why did 6 00:00:16,760 --> 00:00:19,200 Speaker 1: they get married? Too? And Meet the Browns. He was 7 00:00:19,200 --> 00:00:22,799 Speaker 1: doing comedy, funny dude, dramatic dude. He can do it 8 00:00:22,840 --> 00:00:25,800 Speaker 1: all right. Now he's doing a drama or dramatic role. 9 00:00:26,040 --> 00:00:29,319 Speaker 1: He now portrays Jacob Greenleaf some of the powerful green 10 00:00:29,400 --> 00:00:32,639 Speaker 1: Leaf family on own exciting new drama series Green Lead. 11 00:00:32,880 --> 00:00:35,840 Speaker 1: I know because I catch it. Please welcome to Money 12 00:00:35,840 --> 00:00:41,720 Speaker 1: Making Conversation, Lamon Rucker. What's going on? What's up? What's up? 13 00:00:42,600 --> 00:00:45,839 Speaker 1: I am very good, my friend, I have very good 14 00:00:46,080 --> 00:00:48,360 Speaker 1: I'm so excited to have you on my show Money 15 00:00:48,360 --> 00:00:54,360 Speaker 1: Main conversation, Mr Ruco rf its good. You're the thing 16 00:00:54,360 --> 00:00:55,960 Speaker 1: about it. I had lived with it on the show 17 00:00:56,240 --> 00:00:59,000 Speaker 1: and and we were talking about her career. We also 18 00:00:59,200 --> 00:01:01,640 Speaker 1: spent a lot of time on this exciting show green Leaf. 19 00:01:02,040 --> 00:01:04,160 Speaker 1: Before we get into detail, let me just tell anybody 20 00:01:04,160 --> 00:01:06,240 Speaker 1: who are not who is not familiar with the series, 21 00:01:06,319 --> 00:01:08,120 Speaker 1: let me just give it groups analysis of green Lea. 22 00:01:08,440 --> 00:01:11,120 Speaker 1: The green Lee family is a powerful power struggle with 23 00:01:11,160 --> 00:01:13,560 Speaker 1: the control of the church because right now in the 24 00:01:13,640 --> 00:01:18,240 Speaker 1: series of I once just said a white company church 25 00:01:18,280 --> 00:01:23,680 Speaker 1: company had bought this black church, Okay, and now he's 26 00:01:23,840 --> 00:01:26,680 Speaker 1: he didn't having issues because there's a power struggle because 27 00:01:26,880 --> 00:01:29,640 Speaker 1: he has a lot of undermined actions that he want 28 00:01:29,680 --> 00:01:32,080 Speaker 1: to do with the church. But also you have all 29 00:01:32,120 --> 00:01:35,600 Speaker 1: these political fashions or these emotional people tied to the church, 30 00:01:35,640 --> 00:01:38,600 Speaker 1: to the dean, the deacons, that all these people in 31 00:01:38,720 --> 00:01:43,039 Speaker 1: the church. It is very very soap operas what's going on. 32 00:01:43,480 --> 00:01:47,680 Speaker 1: And then now a man Jacob, his character is played 33 00:01:47,680 --> 00:01:50,720 Speaker 1: by Mr. Rucker. He's one of the He's the son 34 00:01:51,640 --> 00:01:54,400 Speaker 1: of the father who's no longer preaching because now the 35 00:01:54,480 --> 00:01:57,680 Speaker 1: daughters the preacher and Jacob he actually wants to be 36 00:01:57,720 --> 00:02:00,320 Speaker 1: the preacher, but he he he han't done a look, 37 00:02:00,400 --> 00:02:02,480 Speaker 1: everything is on the side because he has a crazy wife. 38 00:02:02,520 --> 00:02:05,840 Speaker 1: I'm gonna say the word crazy because because she does 39 00:02:05,880 --> 00:02:07,800 Speaker 1: things on the show that that makes me like when 40 00:02:07,800 --> 00:02:10,480 Speaker 1: I just reached through the screen and strangle her, like 41 00:02:10,680 --> 00:02:15,280 Speaker 1: when she knew when she knew that that that that 42 00:02:15,360 --> 00:02:18,400 Speaker 1: they were buying the property that y'all were selling and 43 00:02:18,480 --> 00:02:23,680 Speaker 1: she signed that deed. Anyway, Oh my god, Dake, how 44 00:02:23,800 --> 00:02:26,200 Speaker 1: you marriage to this How you married to this woman? 45 00:02:26,280 --> 00:02:31,800 Speaker 1: Do you no? No? Like most people like most people 46 00:02:31,840 --> 00:02:34,160 Speaker 1: try to do, but there's there's actually relevant and what 47 00:02:34,240 --> 00:02:37,360 Speaker 1: I'm fair, I'm a branded on my mama, you know 48 00:02:37,760 --> 00:02:42,720 Speaker 1: so um, but no, I mean, in all in all seriousness, 49 00:02:42,760 --> 00:02:44,760 Speaker 1: I think one of the things about our family and 50 00:02:44,800 --> 00:02:48,640 Speaker 1: about um, I think many family is really kind of 51 00:02:49,240 --> 00:02:53,840 Speaker 1: it's tracking the patterns right right. I think one of 52 00:02:53,880 --> 00:02:57,000 Speaker 1: the things our show deals with is is how the 53 00:02:57,080 --> 00:02:58,800 Speaker 1: good a bad things? I mean, you see how much 54 00:02:58,840 --> 00:03:05,560 Speaker 1: beauty and brilliant since um and and boldness and creativity 55 00:03:05,720 --> 00:03:09,079 Speaker 1: and leadership and you know, majesty, there's all these wonderful 56 00:03:09,120 --> 00:03:12,440 Speaker 1: things about our families. Again that has also come down 57 00:03:12,480 --> 00:03:16,640 Speaker 1: through the ages that my parents are exemplary examples of 58 00:03:16,840 --> 00:03:20,000 Speaker 1: there just the same. They're human as flogs. They've got issues, 59 00:03:20,120 --> 00:03:24,200 Speaker 1: they have, you know, their own challenges in their own 60 00:03:24,240 --> 00:03:28,600 Speaker 1: issues within themselves and within their within their marriage. Right. 61 00:03:28,639 --> 00:03:31,080 Speaker 1: So stuff, We've got a lot of mess that's been 62 00:03:31,160 --> 00:03:33,600 Speaker 1: handled down. And one of the ways that I constructed 63 00:03:34,120 --> 00:03:38,320 Speaker 1: my character, you know, Jacob Greenley, is that my mother 64 00:03:38,360 --> 00:03:41,680 Speaker 1: and father have so much control over me. Got a 65 00:03:41,720 --> 00:03:45,720 Speaker 1: lot of what you see Jacob's um going through as 66 00:03:45,760 --> 00:03:51,200 Speaker 1: a result of his inability to do things for himself. UM. 67 00:03:51,240 --> 00:03:53,960 Speaker 1: At the same time, it's not about is he doesn't 68 00:03:54,000 --> 00:03:57,120 Speaker 1: like the desire to one of do things forward himself. 69 00:03:57,360 --> 00:04:00,880 Speaker 1: But he doesn't have often the confidence. He doesn't the skills, 70 00:04:01,160 --> 00:04:04,440 Speaker 1: nor is he often given the space, the authority, and 71 00:04:04,440 --> 00:04:08,080 Speaker 1: the opportunity to show what he's made of. So as 72 00:04:08,120 --> 00:04:10,800 Speaker 1: long as he's been a mama's boy, his mama's been 73 00:04:10,840 --> 00:04:13,040 Speaker 1: telling him what to do, has been taking him by 74 00:04:13,080 --> 00:04:16,880 Speaker 1: the hand, has been holding him back even from growing 75 00:04:16,960 --> 00:04:21,000 Speaker 1: and flying and becoming this you know, incredibly strong, self 76 00:04:21,000 --> 00:04:24,760 Speaker 1: sufficient man. And I believe that one of the decisions 77 00:04:24,800 --> 00:04:28,479 Speaker 1: that she also made for him was choosing his wife, 78 00:04:28,920 --> 00:04:31,320 Speaker 1: so he didn't get a chance to be you know, 79 00:04:31,760 --> 00:04:36,120 Speaker 1: like uh Timkin and coming to America. You know, Hey, 80 00:04:36,560 --> 00:04:38,200 Speaker 1: this is what I'm gonna do. I'm gonna go out 81 00:04:38,240 --> 00:04:40,240 Speaker 1: here being the world. I'm gonna sold my old I'm 82 00:04:40,240 --> 00:04:42,520 Speaker 1: gonna just have a good time whatever it is. She 83 00:04:42,560 --> 00:04:45,279 Speaker 1: wouldn't let him do that. Instead, she held him back, 84 00:04:45,800 --> 00:04:47,640 Speaker 1: and she's like, no, you ain't gonna be out there 85 00:04:47,680 --> 00:04:50,359 Speaker 1: running around. It's funny because in a recent episode she 86 00:04:50,680 --> 00:04:56,440 Speaker 1: literally shad, I want my son in my housefically said 87 00:04:56,480 --> 00:04:59,720 Speaker 1: those she specifically said those words. That's right. So that 88 00:05:00,040 --> 00:05:03,560 Speaker 1: how my mother is. That's her relationship with her son, 89 00:05:04,040 --> 00:05:08,080 Speaker 1: which has its issues, you know, connected to her relationship 90 00:05:08,160 --> 00:05:10,880 Speaker 1: with the men in her life, that her husband, my father, 91 00:05:11,360 --> 00:05:13,799 Speaker 1: with her father. So a lot of what she's clinging 92 00:05:13,839 --> 00:05:17,120 Speaker 1: to is what she didn't have. She's protective over them. 93 00:05:17,480 --> 00:05:19,200 Speaker 1: But also you got to think about the fact that 94 00:05:19,440 --> 00:05:23,279 Speaker 1: was Glace Leaves. You know, while she's starting to covet 95 00:05:23,320 --> 00:05:25,160 Speaker 1: her children in a different kind of way because she 96 00:05:25,200 --> 00:05:27,920 Speaker 1: didn't already lost one, she didn't want to lose her 97 00:05:27,920 --> 00:05:30,000 Speaker 1: baby boy out in the world either. Hey, and you 98 00:05:30,040 --> 00:05:32,960 Speaker 1: know how mothers are, especially church mothers, right, She's like, 99 00:05:33,480 --> 00:05:36,080 Speaker 1: you ain't from reality of being a little freak running 100 00:05:36,120 --> 00:05:38,800 Speaker 1: the round that's with all these little girls, and they'll 101 00:05:38,800 --> 00:05:41,000 Speaker 1: be bringing her baby back in here. So you know, 102 00:05:41,080 --> 00:05:44,960 Speaker 1: it's all that what people sometimes think is prevented from 103 00:05:45,120 --> 00:05:49,320 Speaker 1: you've fallen in the hole or fallen into any traps, unfortunately, 104 00:05:49,440 --> 00:05:52,480 Speaker 1: into creating holes and tracks of their own. And here 105 00:05:52,520 --> 00:05:55,920 Speaker 1: he is tracked stuck in this marriage. They really ain't 106 00:05:55,960 --> 00:05:59,200 Speaker 1: got no business being in He loved his children, but 107 00:05:59,480 --> 00:06:01,720 Speaker 1: that is not a healthy marriage. And if it was 108 00:06:01,800 --> 00:06:05,120 Speaker 1: up to him entirely, I believe he would have never 109 00:06:05,160 --> 00:06:08,839 Speaker 1: been married or to her, and he wouldn't be married yet. 110 00:06:09,160 --> 00:06:11,800 Speaker 1: But maybe he might be married somewhere, you know, within 111 00:06:11,920 --> 00:06:16,360 Speaker 1: this last you know, twenty years almost right, right, you've 112 00:06:16,360 --> 00:06:18,680 Speaker 1: been married to this woman, but would probably be married 113 00:06:18,720 --> 00:06:21,599 Speaker 1: to somebody else. And I deally more happily married, and 114 00:06:21,720 --> 00:06:24,840 Speaker 1: more clear about his relationship with God, and more willing 115 00:06:25,360 --> 00:06:28,760 Speaker 1: to accept authority in the church and to be a 116 00:06:28,800 --> 00:06:34,520 Speaker 1: more responsible discipline you know, husband. You know, in particularly Suggles, 117 00:06:34,800 --> 00:06:36,680 Speaker 1: we got we got a lot of stuff with us. Man, 118 00:06:36,800 --> 00:06:39,320 Speaker 1: It's it's crazy, but you know that's how royal family 119 00:06:39,400 --> 00:06:41,320 Speaker 1: de Man, it's almost like an arranged marriage, you know 120 00:06:41,360 --> 00:06:43,880 Speaker 1: what I'm saying, right, But Carissa has really struggled with 121 00:06:43,920 --> 00:06:45,880 Speaker 1: that because she's always what you guys did move out 122 00:06:45,880 --> 00:06:47,840 Speaker 1: one time and now she's trying to move you guys 123 00:06:47,880 --> 00:06:51,599 Speaker 1: out again, because she's always lived under the leadership of 124 00:06:51,680 --> 00:06:54,640 Speaker 1: your mom. She's not she's and your mom. The characters 125 00:06:54,960 --> 00:06:58,080 Speaker 1: Lady May played by Lynn Winfel. She is truly a 126 00:06:58,120 --> 00:07:01,120 Speaker 1: powerful person because in the last couple of episodes. Last 127 00:07:01,120 --> 00:07:04,800 Speaker 1: three episodes. James, her husband, the bishop, who no longer 128 00:07:05,080 --> 00:07:07,599 Speaker 1: preachers at his own church because it's been sold to 129 00:07:08,080 --> 00:07:13,480 Speaker 1: Hoping Harmony, Harmony and hope or hoping harmony with and 130 00:07:13,520 --> 00:07:16,240 Speaker 1: so and so, and because now he wants to go 131 00:07:16,480 --> 00:07:19,280 Speaker 1: and because the story is based in Memphis, My mistakes 132 00:07:19,280 --> 00:07:21,320 Speaker 1: based in Memphis, and he wants to go preaching in 133 00:07:21,360 --> 00:07:23,160 Speaker 1: the latter. And this is what he was talking about, 134 00:07:23,280 --> 00:07:26,680 Speaker 1: is that she is such such so controlling. She wants 135 00:07:26,760 --> 00:07:29,080 Speaker 1: decisions made, she wants to have a hand in the 136 00:07:29,160 --> 00:07:32,960 Speaker 1: decisions and things like that. And she literally tells James, 137 00:07:33,240 --> 00:07:35,360 Speaker 1: I don't want him to leave this house. I want 138 00:07:35,400 --> 00:07:37,000 Speaker 1: him to stay in there. How you gonna tell you 139 00:07:37,240 --> 00:07:41,520 Speaker 1: a grown man? You want your grown man who got kids? 140 00:07:42,160 --> 00:07:44,240 Speaker 1: Because because one of his dollars, she got tired living 141 00:07:44,280 --> 00:07:45,960 Speaker 1: the house. She wouldn't moved out the little in the 142 00:07:45,960 --> 00:07:48,480 Speaker 1: house out there, wanted to look little guest house. She was. 143 00:07:48,600 --> 00:07:51,200 Speaker 1: She living out that because she tied I got to 144 00:07:51,280 --> 00:07:53,880 Speaker 1: get out. I can't live under mom. But but Mom 145 00:07:53,960 --> 00:07:57,120 Speaker 1: doesn't see any of the flaws. All she does all 146 00:07:57,160 --> 00:07:59,320 Speaker 1: she feels that she's just giving love. She feels this 147 00:07:59,400 --> 00:08:03,760 Speaker 1: is love, and sh stuff, righteous about everything that she does. 148 00:08:04,040 --> 00:08:06,320 Speaker 1: You know, she can't do no wrong. Everybody else is 149 00:08:06,360 --> 00:08:09,680 Speaker 1: wrong though, but her wrong. There's never anywhere near anybody 150 00:08:09,680 --> 00:08:12,480 Speaker 1: else is wrong like her Pane is always greater than 151 00:08:12,480 --> 00:08:15,520 Speaker 1: everybody else's saying. You come to her with her our 152 00:08:15,720 --> 00:08:19,559 Speaker 1: you know, um, just you know, grieving truth, and she's like, oh, 153 00:08:19,960 --> 00:08:22,360 Speaker 1: get over if you know you're loving, I'm sure your 154 00:08:22,440 --> 00:08:25,480 Speaker 1: little problems, you know, you know, don't really compare to 155 00:08:25,560 --> 00:08:27,880 Speaker 1: the weight of my you know, of my life and 156 00:08:27,960 --> 00:08:31,160 Speaker 1: my world and so forth, which then again everybody fairly 157 00:08:31,240 --> 00:08:34,840 Speaker 1: has their perspective and come unfortunately, this is this is 158 00:08:34,880 --> 00:08:37,599 Speaker 1: like human behavior like this is there's very much the 159 00:08:37,679 --> 00:08:41,880 Speaker 1: human condition that you know, everybody feels like what they're 160 00:08:41,920 --> 00:08:46,160 Speaker 1: going through, Um, nobody understands, and they're you know, the 161 00:08:46,240 --> 00:08:50,160 Speaker 1: weights that they carry are always harrier, happier than the 162 00:08:50,240 --> 00:08:54,520 Speaker 1: way that's some you know of others, and my mother 163 00:08:54,600 --> 00:08:57,040 Speaker 1: is guilty of that just like anybody else. Absolutely talking 164 00:08:57,040 --> 00:08:59,000 Speaker 1: about Man and Lament record. He's one of the stars 165 00:08:59,000 --> 00:09:02,400 Speaker 1: of the hit series on on network that's Oprah's Network. 166 00:09:02,480 --> 00:09:04,600 Speaker 1: He plays the role of Jacob. We're gonna come back 167 00:09:04,600 --> 00:09:07,320 Speaker 1: and talk more detail about that character because it's some 168 00:09:07,400 --> 00:09:11,800 Speaker 1: things he's doing with you know, his Carice, Carissa, his children, 169 00:09:12,360 --> 00:09:15,160 Speaker 1: his role of what he's trying to the roles he 170 00:09:15,200 --> 00:09:16,920 Speaker 1: wants to build into the inside of the church. I 171 00:09:17,000 --> 00:09:19,400 Speaker 1: got to talk about my man feel who's the lackey 172 00:09:19,440 --> 00:09:22,280 Speaker 1: to my man Bob. Bob He's writing feel righting all 173 00:09:22,360 --> 00:09:24,520 Speaker 1: the ball sermons, his books. We're gonna be right back 174 00:09:24,520 --> 00:09:31,000 Speaker 1: with more Green Leaf. Hi, just ra Sean McDonald, Oh 175 00:09:31,080 --> 00:09:34,000 Speaker 1: my goodness. Uh, I love getting caught up in good 176 00:09:34,040 --> 00:09:38,480 Speaker 1: TV shows. Every Tuesday, you can catch Green Leaf airs 177 00:09:38,520 --> 00:09:42,040 Speaker 1: on the own network, that's Oprah's network, temp M Eastern, 178 00:09:42,400 --> 00:09:44,720 Speaker 1: NAPM Central. I got one of the stars on the 179 00:09:44,920 --> 00:09:48,080 Speaker 1: on the phone right now talking about his character, Jacob. Now, 180 00:09:48,400 --> 00:09:50,440 Speaker 1: let's talk about that. We talked a little bit about 181 00:09:50,480 --> 00:09:55,120 Speaker 1: Jacob being um being dominated by his mom. Okay, but 182 00:09:55,240 --> 00:09:57,200 Speaker 1: would I would I be wrong to say that he's 183 00:09:57,200 --> 00:10:04,319 Speaker 1: being manipulated by his wife Carissa? Absolutely, they think about it. Unfortunately. Actually, 184 00:10:04,440 --> 00:10:08,320 Speaker 1: the custom to you know UM, I think people often, 185 00:10:08,360 --> 00:10:13,000 Speaker 1: I think Um maybe may identify somebody that she thought 186 00:10:13,080 --> 00:10:15,240 Speaker 1: was good for him, that would lead him, that would 187 00:10:15,280 --> 00:10:17,880 Speaker 1: give him straight, that would challenge him, that would force him. 188 00:10:17,880 --> 00:10:21,160 Speaker 1: The turner stepped up to be bigger, bolder, and stronger, 189 00:10:21,480 --> 00:10:25,640 Speaker 1: but unfortunately that woman similar assets of what his mother 190 00:10:25,840 --> 00:10:27,880 Speaker 1: has done to him even throughout his life. And you'll 191 00:10:27,920 --> 00:10:31,400 Speaker 1: see some evidence of that in some coming episodes. Is 192 00:10:31,800 --> 00:10:36,640 Speaker 1: sometimes that strength don't create balance, it creates more thin balance. 193 00:10:36,720 --> 00:10:39,680 Speaker 1: So let's see, is not really that Jacob did leak 194 00:10:40,440 --> 00:10:43,040 Speaker 1: but you've got again, like you said, women that that 195 00:10:43,120 --> 00:10:47,240 Speaker 1: women are too strong, but that se manipulatation to control 196 00:10:47,280 --> 00:10:49,280 Speaker 1: and they don't know whom to let goats that fact 197 00:10:49,400 --> 00:10:53,120 Speaker 1: share that authorities share that power and even you know, 198 00:10:53,240 --> 00:10:56,440 Speaker 1: honorably deferred people from like words like sitting it and 199 00:10:56,480 --> 00:10:59,200 Speaker 1: all these other things that everybody has to learn how 200 00:10:59,240 --> 00:11:02,000 Speaker 1: to submit served one another. So you don't see these 201 00:11:02,040 --> 00:11:06,200 Speaker 1: two people serving each other's about you they can. Instead, 202 00:11:06,320 --> 00:11:09,839 Speaker 1: you often see them, you know, dictating what they want 203 00:11:10,080 --> 00:11:13,440 Speaker 1: or passively you know, doing a passive aggressive stuff just 204 00:11:13,559 --> 00:11:16,080 Speaker 1: to do whatever they want to be regardless of what 205 00:11:16,120 --> 00:11:18,959 Speaker 1: the other person said or once you know or might 206 00:11:19,000 --> 00:11:21,880 Speaker 1: have a problem with. So you don't really see cooperation. 207 00:11:21,960 --> 00:11:26,640 Speaker 1: You don't see collaboration and synergy. And you know they're compassionate, 208 00:11:26,840 --> 00:11:29,960 Speaker 1: you know they're smart, but they still have their ways 209 00:11:29,960 --> 00:11:33,800 Speaker 1: of being disrespectful and selfish and self centered about how 210 00:11:33,840 --> 00:11:36,480 Speaker 1: they conduct themselves. They're not they're not really a team. 211 00:11:36,640 --> 00:11:41,160 Speaker 1: They're not aligned, they're not equally yoke. They're not UM. 212 00:11:41,200 --> 00:11:43,480 Speaker 1: You know, they don't do a good job of working together, 213 00:11:44,040 --> 00:11:48,199 Speaker 1: you know in UM again at the United Front and 214 00:11:48,280 --> 00:11:50,880 Speaker 1: their time, even when they try, and when they do, 215 00:11:51,040 --> 00:11:54,040 Speaker 1: when you really see them flow at the best their ability, 216 00:11:54,160 --> 00:11:57,360 Speaker 1: they're incredible together. Actually it's they're about brilliant and beautiful 217 00:11:57,400 --> 00:12:02,080 Speaker 1: their children on. But similarly it's just much imbalanced because 218 00:12:02,600 --> 00:12:04,640 Speaker 1: other things that are thrown in and crazy. And this 219 00:12:04,720 --> 00:12:06,120 Speaker 1: is a big part of what I believe the show 220 00:12:06,200 --> 00:12:10,959 Speaker 1: is really about. All those could be worked in harmony, 221 00:12:11,240 --> 00:12:16,480 Speaker 1: unintended right, but it doesn't because of this desire and 222 00:12:16,600 --> 00:12:20,920 Speaker 1: ambition for money and power, And that I believe the 223 00:12:20,960 --> 00:12:24,599 Speaker 1: show is primarily about is in the extract to be 224 00:12:25,600 --> 00:12:30,400 Speaker 1: UM in in you know, and the emulate the righteousness 225 00:12:30,480 --> 00:12:34,200 Speaker 1: and purity of spirit of right of Jesus. You know. 226 00:12:34,280 --> 00:12:39,679 Speaker 1: What throws people off course from UM living a truly 227 00:12:39,840 --> 00:12:44,920 Speaker 1: faceable you know, purity driven life is the desire for 228 00:12:44,920 --> 00:12:47,720 Speaker 1: for riches. And if you go to Proverbs leven twenty eight, 229 00:12:47,840 --> 00:12:51,080 Speaker 1: that's actually what where green where the green Leaf name 230 00:12:51,240 --> 00:12:55,640 Speaker 1: actually comes from. So you know, so that's that's part 231 00:12:55,640 --> 00:12:58,760 Speaker 1: of what the entire show is really about thematically, in 232 00:12:58,960 --> 00:13:02,480 Speaker 1: this business of faith, how can you do that? How 233 00:13:02,480 --> 00:13:05,559 Speaker 1: can you truly serve God and be without the spirit 234 00:13:06,080 --> 00:13:08,959 Speaker 1: when you also got to run it at a business 235 00:13:09,080 --> 00:13:12,120 Speaker 1: and you have to keep this show, you know, going, 236 00:13:12,280 --> 00:13:15,720 Speaker 1: and you have to you know, play the politics and 237 00:13:15,880 --> 00:13:19,720 Speaker 1: power struggle games and and everybody's trying to manipulate everybody, 238 00:13:19,720 --> 00:13:21,760 Speaker 1: and you got all these different agendas and all these 239 00:13:21,760 --> 00:13:25,959 Speaker 1: loyalties and all this deception going on um and then 240 00:13:26,000 --> 00:13:29,480 Speaker 1: at the same time, this stuff happens uh in your 241 00:13:29,480 --> 00:13:32,719 Speaker 1: personal life, just to say, you also have deceptions and 242 00:13:33,080 --> 00:13:37,920 Speaker 1: compromise literalties and poor communication. And you know, that's why 243 00:13:37,960 --> 00:13:41,040 Speaker 1: it's important that when you say and conquer stuff that's happening. 244 00:13:41,160 --> 00:13:43,280 Speaker 1: You know what I'm saying rights really important when I 245 00:13:43,280 --> 00:13:46,600 Speaker 1: hear you talk about your your character. You know, Grace 246 00:13:46,720 --> 00:13:49,360 Speaker 1: is the lead character, that's the oldest daughter who has 247 00:13:49,400 --> 00:13:52,319 Speaker 1: a son that you know she's keeping in hiding and 248 00:13:52,840 --> 00:13:54,480 Speaker 1: and and don't want anybody to know about this song 249 00:13:54,600 --> 00:13:57,800 Speaker 1: because that song comes out can destroy the whole relationship 250 00:13:57,880 --> 00:14:00,800 Speaker 1: that she's built. Her brand because it's about her brand now, 251 00:14:00,960 --> 00:14:06,280 Speaker 1: you know, not about the sun of everybody too. Funny 252 00:14:06,320 --> 00:14:08,960 Speaker 1: thing about it. She was put to be willing to 253 00:14:09,000 --> 00:14:11,679 Speaker 1: expose the secrets of others, but now that she got 254 00:14:11,679 --> 00:14:15,480 Speaker 1: her own, she's like whoa, whoa, whoa Hey, um hold on, like, uh, 255 00:14:15,720 --> 00:14:18,720 Speaker 1: let's slow down a little for a second right here. 256 00:14:18,720 --> 00:14:21,960 Speaker 1: And that's what Sophie said. That's the Sophie tells. Yeah, 257 00:14:21,960 --> 00:14:24,040 Speaker 1: that's our daughter. Sophie tells her, you know, when you really, 258 00:14:24,280 --> 00:14:27,960 Speaker 1: when you really really ready to reveal the truth about him, 259 00:14:28,280 --> 00:14:30,400 Speaker 1: then you and I can talk and I'll be back 260 00:14:30,440 --> 00:14:33,400 Speaker 1: in town. But the thing I love about it then, 261 00:14:33,480 --> 00:14:36,600 Speaker 1: I love about the show is that everything, every everything's 262 00:14:36,600 --> 00:14:39,480 Speaker 1: starting to come down. You know, Nor's coming in from Denver. 263 00:14:39,760 --> 00:14:42,520 Speaker 1: He's coming down there. And then and then I believe 264 00:14:42,640 --> 00:14:45,400 Speaker 1: a j her her we just say bastard son or 265 00:14:45,520 --> 00:14:50,000 Speaker 1: illegitimate sona just the son that he has a father, 266 00:14:50,160 --> 00:14:53,880 Speaker 1: so he's not a bastard. Definitely legitimate, right and so 267 00:14:54,120 --> 00:14:58,240 Speaker 1: he crazy that Noah didn't even know whoa whoa, And 268 00:14:58,320 --> 00:15:00,400 Speaker 1: so he's gonna come down there and then you have 269 00:15:00,560 --> 00:15:03,600 Speaker 1: you have. But it's it's the beauty of good writing. 270 00:15:04,000 --> 00:15:07,400 Speaker 1: Good acting is that it gives you an emotional wave, 271 00:15:07,440 --> 00:15:09,800 Speaker 1: and I'm just everybody. We're talking to Lamara Rocket, one 272 00:15:09,840 --> 00:15:12,720 Speaker 1: of the stars of The Green Leaf, his characters, Jacob, 273 00:15:13,160 --> 00:15:15,680 Speaker 1: if you you can get you can go to own network, 274 00:15:15,760 --> 00:15:18,960 Speaker 1: the website and you get caught up on past episode, 275 00:15:19,400 --> 00:15:21,000 Speaker 1: so you won't well, so you can get caught up 276 00:15:21,040 --> 00:15:23,800 Speaker 1: where I'm at. You know, this show should be watched 277 00:15:23,800 --> 00:15:26,040 Speaker 1: on a weekly basically, if you bend yourself to get 278 00:15:26,080 --> 00:15:28,800 Speaker 1: caught up. That's how much I enjoy this show. I 279 00:15:28,920 --> 00:15:32,600 Speaker 1: enjoyed the show because because I enjoyed the show because 280 00:15:32,840 --> 00:15:36,520 Speaker 1: I look at the character like Phil who makes me mad, Charity, 281 00:15:36,560 --> 00:15:39,360 Speaker 1: who is his sister. She annoys me, you know, because 282 00:15:39,640 --> 00:15:43,080 Speaker 1: you know she she's the least talided of the family members, 283 00:15:43,120 --> 00:15:46,720 Speaker 1: but she wants the most, okay. But so she's manipulative 284 00:15:46,760 --> 00:15:50,520 Speaker 1: and sneaky, okay. And then you have Jacob's character, who 285 00:15:50,880 --> 00:15:52,840 Speaker 1: I don't I don't feel you have an agenda. I 286 00:15:52,880 --> 00:15:55,080 Speaker 1: just feel that you just get caught up with everybody 287 00:15:55,080 --> 00:15:59,080 Speaker 1: else's mess. You know, Dante's mess, you know, you know 288 00:15:59,280 --> 00:16:01,200 Speaker 1: his he you know, just trying to get this young 289 00:16:01,240 --> 00:16:03,240 Speaker 1: basketball player to get his life right. Then all of 290 00:16:03,280 --> 00:16:05,800 Speaker 1: a sudden, you can't get you can't get a food straight, 291 00:16:05,840 --> 00:16:07,920 Speaker 1: you know what I'm saying. But you took that because, 292 00:16:07,960 --> 00:16:10,840 Speaker 1: guess what, you needed it, because your wife was putting 293 00:16:10,840 --> 00:16:13,280 Speaker 1: pressure on you and wouldn't allow you to make decisions 294 00:16:13,320 --> 00:16:15,680 Speaker 1: at your pace. And I think that's your life, that's 295 00:16:15,680 --> 00:16:19,160 Speaker 1: your character. You've never been allowed to live your life 296 00:16:19,520 --> 00:16:23,160 Speaker 1: at your pace. You love You nailed it, man, You 297 00:16:23,320 --> 00:16:25,880 Speaker 1: nailed it. Brother. I'm telling you that's and I and 298 00:16:25,920 --> 00:16:29,160 Speaker 1: I love that. I love that you understand that, because 299 00:16:29,200 --> 00:16:32,040 Speaker 1: that's really a big part of what I've been trying 300 00:16:32,080 --> 00:16:34,160 Speaker 1: to do with Jacob. It's just making a man that 301 00:16:34,320 --> 00:16:39,120 Speaker 1: real men understand and allow his journey and his issues 302 00:16:39,160 --> 00:16:42,680 Speaker 1: and his triumphs as well as his trials and tribulations 303 00:16:42,800 --> 00:16:45,440 Speaker 1: to do real real life, because what these people are 304 00:16:45,440 --> 00:16:47,680 Speaker 1: are just a real key tosition is a real family. 305 00:16:47,720 --> 00:16:50,720 Speaker 1: Just because they're wealthy and powerful and all this kind 306 00:16:50,720 --> 00:16:53,840 Speaker 1: of stuff and and popular doesn't mean, I think, not 307 00:16:53,960 --> 00:16:55,840 Speaker 1: just real people. So I wanted to show the real 308 00:16:55,920 --> 00:16:58,240 Speaker 1: man who used to be a little boy looks like 309 00:16:58,320 --> 00:17:01,440 Speaker 1: the rest of us, you know, trying to find not 310 00:17:01,560 --> 00:17:04,520 Speaker 1: only find his way, let's find himself. And in the 311 00:17:04,560 --> 00:17:07,359 Speaker 1: process of doing that, not only does he slipped and 312 00:17:07,400 --> 00:17:10,920 Speaker 1: trip and fall, but things happened to him that aren't 313 00:17:10,920 --> 00:17:14,840 Speaker 1: always his fault, but again because of his an ability 314 00:17:15,000 --> 00:17:19,119 Speaker 1: to have land to be self sufficient, you know, in 315 00:17:19,200 --> 00:17:23,280 Speaker 1: a more significant way at his age, he's still not 316 00:17:23,600 --> 00:17:27,520 Speaker 1: able really to problem solved and adapt and come out 317 00:17:27,560 --> 00:17:31,280 Speaker 1: on top as much as he as he should or 318 00:17:31,359 --> 00:17:34,000 Speaker 1: has as well as frequently as he should. You know. 319 00:17:34,080 --> 00:17:36,879 Speaker 1: In my opinions, absolutely on um and it's tough not 320 00:17:36,960 --> 00:17:39,040 Speaker 1: to judge. So what I want to do is always 321 00:17:39,040 --> 00:17:42,080 Speaker 1: show us like um Stamer's like, That's why I came 322 00:17:42,160 --> 00:17:44,280 Speaker 1: up with the hashtag tray for Jaka, because it's not 323 00:17:44,359 --> 00:17:47,800 Speaker 1: about pitty that it is about let's stand behind him, 324 00:17:47,840 --> 00:17:50,840 Speaker 1: let's pray to him, Let's let's like encourage him to 325 00:17:50,960 --> 00:17:54,119 Speaker 1: grow and evolve and move forward, and let's also accepted 326 00:17:54,320 --> 00:17:56,200 Speaker 1: as he is. Because there's a whole lot of men 327 00:17:56,240 --> 00:17:58,680 Speaker 1: you and I know well trying to act like it 328 00:17:58,800 --> 00:18:01,000 Speaker 1: got it going on a way more than they actually 329 00:18:01,000 --> 00:18:03,080 Speaker 1: had to go on on. And now we get the 330 00:18:03,080 --> 00:18:06,280 Speaker 1: opportunity to look behind the veil and see what's really 331 00:18:06,359 --> 00:18:08,880 Speaker 1: going on. Absolutely, that's why I love the character. That's 332 00:18:08,880 --> 00:18:11,120 Speaker 1: why I love the character. Would have all together, Yeah, 333 00:18:11,200 --> 00:18:15,080 Speaker 1: I love the characters all together, and now it plays 334 00:18:15,080 --> 00:18:16,879 Speaker 1: out itself in a in a big way and so 335 00:18:16,960 --> 00:18:20,440 Speaker 1: many layers, And like I said earlier about the show, 336 00:18:21,040 --> 00:18:24,280 Speaker 1: it's it's, it's it's it's just a dynamic cast of 337 00:18:25,160 --> 00:18:28,040 Speaker 1: people that you're familiar with. Uh that that that that 338 00:18:28,560 --> 00:18:31,520 Speaker 1: great writing allow you guys to to and I think 339 00:18:31,560 --> 00:18:33,440 Speaker 1: any great show, and I'm gonna put the word great 340 00:18:33,480 --> 00:18:36,640 Speaker 1: on this because I enjoy I remember the character they're 341 00:18:36,680 --> 00:18:41,399 Speaker 1: so uh fleshed out, so so detailed, so so personable. 342 00:18:41,720 --> 00:18:44,000 Speaker 1: So when when you look at the show in the 343 00:18:44,040 --> 00:18:45,680 Speaker 1: in the life of the show, and then like I said, 344 00:18:46,400 --> 00:18:48,840 Speaker 1: this last episode ended when she said, when you know, 345 00:18:48,840 --> 00:18:51,080 Speaker 1: when Grace was talking to Lady May. Lady May's played 346 00:18:51,080 --> 00:18:54,359 Speaker 1: by Lynn Winfield, who is the lead dominant force. There 347 00:18:54,400 --> 00:18:57,199 Speaker 1: is a female dreamer show. By the way, because everything 348 00:18:57,320 --> 00:19:00,159 Speaker 1: arcs through right now currently arcs through these the man 349 00:19:00,240 --> 00:19:03,600 Speaker 1: of the show and how they are very manipulative, controlling, 350 00:19:03,960 --> 00:19:08,080 Speaker 1: how they really I remember like Crissa and uh and 351 00:19:08,160 --> 00:19:10,119 Speaker 1: Lady May actually got in a little fight almost like 352 00:19:10,160 --> 00:19:13,000 Speaker 1: a little fight going on, everybody about to go to 353 00:19:13,040 --> 00:19:16,720 Speaker 1: blows and then uh, then and then the Bishop walked 354 00:19:16,760 --> 00:19:19,199 Speaker 1: in the room. And then later me and go shut up, 355 00:19:19,200 --> 00:19:21,880 Speaker 1: don't you act left? Nothing went down wrong? And then 356 00:19:22,000 --> 00:19:24,120 Speaker 1: he goes, oh, y'all having a good time. And then 357 00:19:24,160 --> 00:19:27,600 Speaker 1: Carriso had to bow down to the Lady May and 358 00:19:27,640 --> 00:19:29,840 Speaker 1: then Cristo because Christa thinks she's about to move out. 359 00:19:30,280 --> 00:19:32,359 Speaker 1: But that one of the last lines in the series 360 00:19:32,400 --> 00:19:35,040 Speaker 1: because Chrissa came there really to talk lit Hey, I'm out, 361 00:19:35,119 --> 00:19:36,879 Speaker 1: don't need you no more, Lady May, I got me 362 00:19:36,920 --> 00:19:39,320 Speaker 1: and my man we go, I'm tired of you. And 363 00:19:39,359 --> 00:19:44,760 Speaker 1: then and then oh my god, that went back to 364 00:19:44,840 --> 00:19:48,720 Speaker 1: the job, you know, and showed up behind everybody, only 365 00:19:48,760 --> 00:19:51,040 Speaker 1: to find out she got one of the numbers wrong, 366 00:19:51,440 --> 00:19:53,760 Speaker 1: scratched off. Yeah, that's a good way. That's a good 367 00:19:53,760 --> 00:19:55,280 Speaker 1: way not to tell because I want people to watch 368 00:19:55,320 --> 00:19:57,080 Speaker 1: the show. I don't want to give away great part 369 00:19:57,119 --> 00:19:59,920 Speaker 1: of the show because it's very good. I'm talking about 370 00:20:00,040 --> 00:20:02,240 Speaker 1: and Mr Rutger, he's my boy. I've been doing it 371 00:20:02,359 --> 00:20:04,399 Speaker 1: for many years. Lamart. I gotta get you back on 372 00:20:04,400 --> 00:20:06,119 Speaker 1: the show to talk about your ten year anniversary. But 373 00:20:06,400 --> 00:20:08,400 Speaker 1: we spent all our time talking about this great show. 374 00:20:08,880 --> 00:20:11,680 Speaker 1: Please please come back on the show ten years coming up. 375 00:20:11,960 --> 00:20:14,040 Speaker 1: You know what you mean to me, you know what 376 00:20:14,080 --> 00:20:16,400 Speaker 1: you're staying for. Let's keep telling the world how great 377 00:20:16,440 --> 00:20:21,240 Speaker 1: you are. Many appreciate it, and I canctually continue blessings. 378 00:20:21,280 --> 00:20:24,840 Speaker 1: And you know macniflons to YouTube. Man, you know love 379 00:20:24,880 --> 00:20:28,080 Speaker 1: what you're doing and you know can't went to uh 380 00:20:28,359 --> 00:20:30,520 Speaker 1: see you do even more and watch what you're doing 381 00:20:30,600 --> 00:20:33,320 Speaker 1: continue to grow and evolved. Man. You know, tell Lady 382 00:20:33,359 --> 00:20:38,080 Speaker 1: may I say Hi. Tell Phil he's a lackey.