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Speaker 1: Ninety two percent of households that start the year with

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Speaker 1: Peloton are still active a year later, ninety two because

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Speaker 1: of a bike. Not just spikes, we also make treadmills

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Speaker 1: and roars. Oh, let me guess for a lead athlete

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Speaker 1: zoning right, Nope, it doesn't matter if you're an avid

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Speaker 1: exerciser or new to working out. Peloton can help you

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Speaker 1: achieve your fitness goals. Stick with it, so can you

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Speaker 1: try Peloton bikes, tread or row risk free with the

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Speaker 1: thirty day home trial. New members only, not available in

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Speaker 1: remote locations. See additional terms at one peloton dot com

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Speaker 1: slash home that's trial. Yo yo yo, Welcome to us

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Speaker 1: up their podcast. I am your active and attractive hole.

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Speaker 1: Surround of applause for my mother. Support us best people

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Speaker 1: in the country, best people in the world. Right now

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Speaker 1: as the people rocking with us up there podcasts, I

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Speaker 1: want to say thank you. You know exactly the where

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Speaker 1: you at if you are in the build and listening

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Speaker 1: to the audio adventure right now, need you to head

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Speaker 1: to Patreon dot com where you can get the video

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Speaker 1: and support us in that way, you know. And also

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Speaker 1: let me be clear what's happening over on Patrearch or

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Speaker 1: what's about to happen some of these things topics, people,

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Speaker 1: places and events. Some takeover on patron and it's gonna

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Speaker 1: be straight heead shots. We ain't letting up. It's gonna

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Speaker 1: be a situation where I really dive deep into some

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Speaker 1: of the things that we see happening in the game.

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Speaker 1: Unfortunate for us. Man, we gotta operate in a way

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Speaker 1: that's effective for the culture. Right. We can't just set

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Speaker 1: ourselves everywhere and just involve ourself in anything. But it's

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Speaker 1: allowed to get to today, man, I want to start

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Speaker 1: off by talking about academics speaking to ll cool j Okay.

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Speaker 1: So for those of you who are unaware what's happening, DJ,

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Speaker 1: academics said a few words about the elder statesmen that's

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Speaker 1: in Hippop, the pioneers. You know, sometimes I speak on

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Speaker 1: these things from a different perspective. You know, I respect

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Speaker 1: the game. So I never was given nothing. So you

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Speaker 1: can tell a guy who ain't never probably had to

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Speaker 1: go into potting get there else. Now, I had to

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Speaker 1: go outside and get man. I had to get man

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Speaker 1: from up under the concrete. I had to bust the

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Speaker 1: concrete open to get mad. So I got a different

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Speaker 1: level of understanding. But in the way DJ Academics spoke

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Speaker 1: on some of these forefathers, and it is a disappointment

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Speaker 1: that he said such things. But let's take a look

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Speaker 1: at and listen to what he said. I'm old rappers, man,

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Speaker 1: ro have you seen any of these old rappers? Would

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Speaker 1: be like, yo, they're the foundation of hip hop? Really

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Speaker 1: living good? That kes me looking really dusty, I kid

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Speaker 1: you not. And then none of y'all trying to cover

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Speaker 1: me because I'll tell you this, so I'm gonna tell

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Speaker 1: you the truth. I'll be looking like every time they'd

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Speaker 1: be like an old old talking about hip hop, you'd

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Speaker 1: be like, yo, bro, you show you had better this

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Speaker 1: because everybody else living better than you. So that's what

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Speaker 1: I'm trying to tell you them old rappers, man, wha

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Speaker 1: have you seen any of these old rappers would be like, y'a,

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Speaker 1: they're the foundation. And so after that, some of the

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Speaker 1: pioneers came out of it. And we're gonna address kind

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Speaker 1: of what Academics is doing in this format. We're gonna

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Speaker 1: speak to his business acumen, but right then we want

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Speaker 1: to just kind of lay out what the ingredients saw.

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Speaker 1: It caused the issue, ll cool J russell sentiments, amongst

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Speaker 1: other Zebro and others, came out in response to academics.

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Speaker 1: Here's some of the responses. They created an industry that

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Speaker 1: you eat off of when you go out there and

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Speaker 1: you go monetize your brand, and just for the record,

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Speaker 1: this is ll cool Jan. You go monetize your brand.

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Speaker 1: When you go monetize your brand, when you go get

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Speaker 1: yours whatever, and do what you gotta do to build

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Speaker 1: your career. When you go out there and negotiate your deals,

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Speaker 1: then negotiate your texts and talk tough. Guess what, that money,

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Speaker 1: that bread, that food that you're eating was created by

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Speaker 1: those same people that you disrespect him. That industry was

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Speaker 1: created by them sameing people that you call in you know,

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Speaker 1: foul words, foul language, to think the people that you're

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Speaker 1: referred to. So my thing is this, It's always good,

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Speaker 1: it's always good to get money. It's always important. It's important,

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Speaker 1: it's important to get money. I agree, I'm all about

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Speaker 1: getting paper. I've been talking about my whole career. But

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Speaker 1: don't ever, ever, ever confuse being rich with making a

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Speaker 1: contribution to our culture. Freely rich. I mean, I remember

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Speaker 1: working with artists who were the biggest of the big

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Speaker 1: and some of them are not so wealthy today. I

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Speaker 1: remember signing the paperwork for Jay Z and Kanye West,

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Speaker 1: and they're pretty rich. So I've seen it all and

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Speaker 1: I was there before rap record. As I said, and

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Speaker 1: I look at hip hop as a way to empower others.

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Speaker 1: And you get older. Maybe if you get older, mister DJ,

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Speaker 1: you will also look at hip hop that way, because

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Speaker 1: in the end, life only gives you a comfortable seat

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Speaker 1: and memories, and my memories of people like Great Grant,

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Speaker 1: the Great grand Master Flash and his rapper Mellie Melon.

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Speaker 1: Let me see people in place to base in their face.

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Speaker 1: He's about to see first place in the rap face

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Speaker 1: to sound. You here so good to ear, have no fear.

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Speaker 1: The Great grand Master Flash is here introducing the disco

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Speaker 1: dream on the Mean Machine, the golf fade on the slide.

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Speaker 1: Beata no one because made their family successful. What have

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Speaker 1: you done for the culture? Most importantly, I know Kanye

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Speaker 1: songs that I know. I know Drake's songs. I don't

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Speaker 1: know you. I know I sound like Stacy Dash. I

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Speaker 1: don't know you knew at all. I don't know what

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Speaker 1: you made. But I wish you well. God bless you,

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Speaker 1: and hip Hop fifty is coming, so God bless hip

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Speaker 1: hop and this is a Yankee hat. Put it onto you.

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Speaker 1: God bless you. So there's a some of the responses

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Speaker 1: from some of the pioneers in the rap game. First,

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Speaker 1: let's deal with what acts said and why that isn't right.

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Speaker 1: Foundation is so important, but some of these guys don't

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Speaker 1: really come from anything that really had any foundation or

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Speaker 1: any structure attached to it. Right. So, even coming from

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Speaker 1: game culture, coming from the street, all of the bad

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Speaker 1: things that come along with that, you learn quickly to

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Speaker 1: respect position. I think DJA Academics doesn't see himself. It's

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Speaker 1: eating off the same plate that they've made, and that's

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Speaker 1: a mistake. This whole thing is extensions of each other.

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Speaker 1: Even if you're on a label with somebody and y'all

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Speaker 1: don't talk, but they've helped build that label. That label

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Speaker 1: now is running in a way that can sustain someone

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Speaker 1: being a star with a certain magnitude. Some people can't

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Speaker 1: even handle stars. But I think DJA Academics is sadly

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Speaker 1: mistaken because he's not understanding that these guys pay the

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Speaker 1: role that he drives on. So you get arrogant when

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Speaker 1: you win the car and all you know is roles

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Speaker 1: being on page. You ain't never had to lay the

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Speaker 1: concrete down, lay the street down. You ain't never had

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Speaker 1: to be instrumental in the process of making that role

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Speaker 1: what it is. So it's hard to respect that. Another

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Speaker 1: thing I think DJ Kodimis doesn't understand is is that

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Speaker 1: hip hop music, this whole coach is ours right, and

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Speaker 1: they're not gonna teach us how to monetize our shat.

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Speaker 1: They'll take it from us and monetize it themselves. But

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Speaker 1: with hip hop, it was one of the first instances

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Speaker 1: where we had taught ourselves how to kind of participate

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Speaker 1: in the monetization of us because if you know, we

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Speaker 1: know they didn't set it all up on Christmas. They

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Speaker 1: got where they sell us everything on Easter. We participate

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Speaker 1: just from a buyer's perspective. Now here's what they fuck

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Speaker 1: up at. They let us in with deals right because

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Speaker 1: we wanted some participation. It's like, hey, man, what y'all doing? Man?

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Speaker 1: Can we hey, We'll give you pennies y'all four people,

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Speaker 1: salt and pepper, y'all, three people, TLC, y'all split this

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Speaker 1: eight cents, and so we get to look at that

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Speaker 1: and what a better is They let us see that

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Speaker 1: we can monetize this, and now it's all about information

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Speaker 1: because they got a structure. You run our stuff through

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Speaker 1: that structure. Because Friday isn't cool into they say it's cool.

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Speaker 1: The movie Friday, it's blackballed until they accepted in some

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Speaker 1: big company buys it and says, hey, it can't run

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Speaker 1: on daytime television at ten am on regular cable. But

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Speaker 1: picture me shooting Friday, picture boost is shooting Friday. Picture

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Speaker 1: QC shooting Friday, and trying to put that in a

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Speaker 1: situation where it goes straight to daytime television. Imagine the

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Speaker 1: fight of that act may be disrespecting to the extensions

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Speaker 1: of Hippop. I think in some weird way, he doesn't

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Speaker 1: see media as being part of the culture. And I

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Speaker 1: also think that he's disconnected from the coach. It's just

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Speaker 1: hard to tell because he's black and he got a

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Speaker 1: big platform. But Ac ain't Nick. Ac didn't come out

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Speaker 1: of the street. AC didn't come from humble beginnings over

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Speaker 1: hill where you know, we had to have grillouts, mothers

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Speaker 1: played kickball and swung on monkey balls. And you understand

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Speaker 1: AC didn't come up like that. AC came up at

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Speaker 1: the country respectfully. But I just think that needs to

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Speaker 1: be noted when we talk about his experience or his

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Speaker 1: outlook on some of these things. Right, I meet personally.

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Speaker 1: I played football up the hill in the apartments. I

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Speaker 1: slid down on car board boxes down the hill, you

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Speaker 1: know when when it was snowing. Right, I come from

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Speaker 1: this coach, I'm I'm I've been overexposed in this coachure.

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Speaker 1: So when you deal with people who has been invited

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Speaker 1: and accepted by the coach and also influential in the

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Speaker 1: coach in his own right, I don't you know. We're

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Speaker 1: gonna have a conversation about that. But right now we

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Speaker 1: just kind of want to deal with what he's said

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Speaker 1: and why he even feels that way. But they up

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Speaker 1: showing us that we can monetize off of it. And

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Speaker 1: now when somebody showed you you got something, then you

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Speaker 1: just said, oh oh, they just showed me as working.

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Speaker 1: Now I just gotta figure out how to make money

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Speaker 1: off of it. So now it's just information now we

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Speaker 1: want to hold up. See, at first, we think that

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Speaker 1: the splits of opinions is just the deal. That's just

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Speaker 1: the deal, and what happens is somewhat alone the lands,

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Speaker 1: we get some more information. At State Farm, we're committed

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Speaker 1: to uplifting black futures in collaboration with organizations like one

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Speaker 1: hundred black Men and National Urban League. State Farm provides

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Speaker 1: high school students with the opportunity to learn and apply

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Speaker 1: best practice strategies for saving and investing, all while offering

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Speaker 1: academic support, life skills, and exposure to college access programs

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Speaker 1: to prepare these students for life after high school. Check

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Speaker 1: out one hundred Blackman dot org and and ul dot

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Speaker 1: org to donate and learn more. Like a good neighbor,

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Speaker 1: State Farm is there someone started doing some math. Damn

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Speaker 1: he sold ten million records and they had to split

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Speaker 1: eight cents apiece. But this was generated off there and

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Speaker 1: this is what was paid out to them and the

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Speaker 1: rest was just lost in the translation and redlined it.

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Speaker 1: And it's like, that's what business is. In two and

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Speaker 1: twenty two, that same avenues that they run through with

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Speaker 1: Black Panther, that they run through with Batman, Dark Night,

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Speaker 1: any of these movies, they can take some of our

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Speaker 1: creations and some of our coach and I understand in

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Speaker 1: the stories and running through those same things and make

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Speaker 1: it commercialized. But they black it out and black ball

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Speaker 1: it until they wrapped their arms around it and say, hey,

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Speaker 1: our little twist made it commercial ready, you know we No,

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Speaker 1: y'all didn't do nothing for love and Hippo will put

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Speaker 1: it on TV. Yeah, most of our stuff, y'all don't

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Speaker 1: do nothing too it. Maybe change the cameras, upgrade the cameras,

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Speaker 1: better light thing. I ain't even doing much or nothing,

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Speaker 1: but then taking credit for what it turns out to being,

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Speaker 1: making it this polished commercial type thing. You know, it's

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Speaker 1: understanding in my approach, though, I also want to speak

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Speaker 1: about l KOJ and Russell Simmons and a couple of others,

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Speaker 1: the guy guy's approach right number one. These guys made

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Speaker 1: a lot of money, so it's always important for them

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Speaker 1: to step up like yo. Everybody ain't broke what they

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Speaker 1: tell about doing and how much they tell about yo.

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Speaker 1: I made something like so ll show up looking like

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Speaker 1: l looking like he can hunt, hoop, swim and do

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Speaker 1: purpose right so and looking like he still got plenty

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Speaker 1: of money, so they won't to show up. Gonna be

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Speaker 1: hair for the people that he's trying to speak on

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Speaker 1: and also lens understanding of what he doesn't understand. I

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Speaker 1: think again, he doesn't see it as the extension because

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Speaker 1: he's really not from the culture, and it's confused because

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Speaker 1: he's a black person. You know what I'm saying. Now,

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Speaker 1: He's been influential in the coach I know all these

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Speaker 1: guys are scared of him. I come in the game rich,

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Speaker 1: so I don't you know, DJ Academics don't scare me.

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Speaker 1: You know. I even hear him say shit about who

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Speaker 1: unfollowed them and all this weird shit about they're unblocked

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Speaker 1: me when they stop selling, and I'm like, this dude

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Speaker 1: is a delusional I'm not afraid of act bro, Like,

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Speaker 1: I want to have these rough, tough conversations because I

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Speaker 1: think it's necessary. What's happening is all these people ahead

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Speaker 1: of me are afraid of academics because they have a

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Speaker 1: pass that they don't want to be looked into. They

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Speaker 1: got some weird stuff they did the women or rape people. Like,

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Speaker 1: whatever's in my past is in my past. What's in

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Speaker 1: my past. I'm putting major game down and I'm trying

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Speaker 1: to help people. So what DJA Academics is doing is

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Speaker 1: shaming people with their pass and it will be OK

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Speaker 1: if we're at high school. But what's happening is is

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Speaker 1: that's interrupting people's income. So after Russell Simmon comes out,

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Speaker 1: you see him try to double bagging. Let me just apologize.

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Speaker 1: It ain't even worth having some little dude with a

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Speaker 1: platform going at me every day like on some weird

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Speaker 1: like me. Just so he apologized, and I hit the

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Speaker 1: way even Joe Buddon I don't speak about this even more,

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Speaker 1: but I heard the way Joe Budden handles act and

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Speaker 1: I'm like, sums off, and I want to talk to

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Speaker 1: Joe about it. Sums off. Here Ak is running around

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Speaker 1: helling these dudes like he's some big dog, and it's

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Speaker 1: so confusing to me. I think he's a good guy,

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Speaker 1: he's a good person, but he don't as far as podcasting.

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Speaker 1: Man that don't like I don't see what they see.

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Speaker 1: I guess I don't. I guess I'm not really understanding

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Speaker 1: what this is about. When people are saying he you know,

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Speaker 1: young people are like what who? No, I've never walked

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Speaker 1: in on somebody playing the Academics podcast. That's just me.

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Speaker 1: Why be at the spots? I be in right? They

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Speaker 1: do go to him for the news that ain't podcasting.

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Speaker 1: Let's not conflate the two, right, A lot of the

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Speaker 1: times when DJ Academics is in the news, it ain't

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Speaker 1: because of podcasting. Don't compare nobody to me. They can't

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Speaker 1: do what I do when it's time to do it.

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Speaker 1: A lot of what DJ Academics does is drunk ranting

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Speaker 1: on Twitch, and that's what kind of gets some traction.

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Speaker 1: Nothing from his podcast that he says ever has any traction, respectfully,

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Speaker 1: and that's not to say that it don't know. Clips

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Speaker 1: from his shows do good. But I'm telling you fast

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Speaker 1: his equity in the culture, his understanding of the culture.

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Speaker 1: We see Nli Chopper come out the other day, Yo,

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Speaker 1: ask stop telling my relationship. You don't really know what

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Speaker 1: you take it back. See, they don't want him to

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Speaker 1: go because he ain't got nothing else to do them.

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Speaker 1: But you gotta be more powerful than like that. Like

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Speaker 1: you can sit over and talk all day, but when

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Speaker 1: I talk, the world stop they listen. So you can

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Speaker 1: sit over and stream twenty two hours and they're not

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Speaker 1: doing that. I'm a boss, not twitching twenty hours and

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Speaker 1: all that old saint doing that. So a lot of

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Speaker 1: these people don't want to get and they don't have

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Speaker 1: that order to stand next to that and say, look

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Speaker 1: at the little dumb guy working. Look what are you doing?

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Speaker 1: Look at it a little dumb out that mood like

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Speaker 1: a dog chasing the tail. They don't know how to

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Speaker 1: give that or off. So they're jumping in and try

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Speaker 1: to do that with him. And he don't got nothing

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Speaker 1: else to do, So why you gotta go do shows

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Speaker 1: and go to the studio and allie, He'll keep putting stories.

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Speaker 1: I keep drilling the creep, keep keep with his platform,

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Speaker 1: and yo, bro, I don't see that. I think they're

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Speaker 1: doing that not because they're afraid of Act. It gotta

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Speaker 1: be because he got a platform and here dig that pass.

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Speaker 1: Up Ak has never said nothing. He's used some words

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Speaker 1: that I was like, oh that that was a good

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Speaker 1: way to use that word. But he's never saying nothing

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Speaker 1: to made me be like, oh he putting game down.

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Speaker 1: Now act one of them and I'm gonna gonna act

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Speaker 1: podcast and asks gonna come on my podet we're gonna talk, right.

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Speaker 1: I don't ain't disrespecting And I'm telling guys, what the

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Speaker 1: vibration there and if that's took a disrespect. Somebody gonna

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Speaker 1: have to hit me and my mouth when they see me.

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Speaker 1: You understand, I ain't want them little boys though, Let's

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Speaker 1: be clear. But at the end of the day, bro,

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Speaker 1: it just feels like to me, he has a misunderstanding

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Speaker 1: of how these layers help each other, how this colture right,

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Speaker 1: how we'd's um the hierarchy of coach and what falls

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Speaker 1: under that media and especially that he talks about in

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Speaker 1: the media platform that he builds definitely falls up under

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Speaker 1: what they've built, one hundred percent one Bro. You you

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Speaker 1: to dude that when somebody to dial get beat up,

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Speaker 1: you go do the news. Yo rapper got his jury

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Speaker 1: took or YO rapper got his that's your whole So yeah, Now,

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Speaker 1: now they built what you standing on, that rolled you

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Speaker 1: driving on. They paved that way. All right, So let's

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Speaker 1: let's continue the show man. Of course, let's address the setting.

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Speaker 1: I'm back at the FOJFO studios. I believe I left

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Speaker 1: off kind of speaking about academics. There's a lot happening

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Speaker 1: with that. I'll speak about that in just a second.

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Speaker 1: Let me update you guys on what's been happening with me.

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Speaker 1: I just left revote summit. I had a good time people,

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Speaker 1: a different experience than last year for me. Right, last

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Speaker 1: year at Revote Summit, I wasn't a sure about what

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Speaker 1: it is I do it in space, right, even though

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Speaker 1: I believe I didn't understand. And so success and even

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Speaker 1: getting integrated with successful people as a process, that's another thing.

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Speaker 1: A lot of people want to meet successful people and

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Speaker 1: their life changed that same day as soon as they

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Speaker 1: have a conversation with someone. A lot of times people

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Speaker 1: got to figure out how to work you into the

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Speaker 1: system and all kind of But my experience that Revote

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Speaker 1: some of this shit was a bit different. Man, it

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Speaker 1: was a great time. I think I'll speak more about

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Speaker 1: it next year, next week, because right now I want

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Speaker 1: to kind of keep zooming in on what it is

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Speaker 1: academics has done, what he said about rap, his approach,

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Speaker 1: his thinking, and kind of examine why why not he

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Speaker 1: may or may not be tapped in and what it

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Speaker 1: is we call culture. Right. Sometimes again, it gets confusing,

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Speaker 1: it gets confusing, and I'm not in no way shape

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Speaker 1: or for him trying to extract anything that he's contributed

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Speaker 1: to the culture. But I'm trying to highlight that there's

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Speaker 1: some sort of discoldn't they right, And at some point

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Speaker 1: we can have a conversation and try to iron that out.

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Speaker 1: Figure out, Yo, what's your disconnect with some of these things? Right?

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Speaker 1: And I know some of it is wholkamania, you know.

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Speaker 1: I know some of these niggas is wholk holding when

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Speaker 1: the camera corn on. So they got to kind of

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Speaker 1: give the theatrics surrounding it, which is cool, But at

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Speaker 1: the end of the day, it really be about, like, Bro,

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Speaker 1: nigga's affected by what you're saying, you know, And so

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Speaker 1: sometimes we gotta kind of pull together and get in

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Speaker 1: the hudder, like, hey, let's think about the plays we

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Speaker 1: run it because we represent the culture as a whole

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Speaker 1: when we out there doing and saying and moving and shaking,

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Speaker 1: you know, and we tend to ride with you all

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Speaker 1: the way down. That's why we want people at the

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Speaker 1: forefront that's gonna make sound decisions, because our people are

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Speaker 1: so loving and some of them are so stupid that

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Speaker 1: they're rad with you all the way to the depths

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Speaker 1: of hell, you understand. So we gotta start that knowing

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Speaker 1: that people out at naive in this new culture where

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Speaker 1: Internet has created facade for people to follow. We gotta

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Speaker 1: kind of make sure that the people that sit in

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Speaker 1: the forefront have sound information and it's just not regurgitating gibberish,

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Speaker 1: you understand me, or you know, doing some of the

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Speaker 1: things that could be considered dumb when you when you

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Speaker 1: categorize some of these conversations. But let's look at a

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Speaker 1: little bit more what I want to speak about. I'll

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Speaker 1: tell you what I find interesting, and I think there's

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Speaker 1: conversation to be had here too. There's a lot of people,

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Speaker 1: for some strange reason, I think I know the reason,

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Speaker 1: but I won't speculate. But for some strange reason, there's

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Speaker 1: a list of people that won't call a spade a spade.

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Speaker 1: In regards to what's happening with academics, academics does the

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Speaker 1: same things at him twenty two. Then people say, well, no,

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00:21:34,840 --> 00:21:37,440
Speaker 1: it's not that's not the same thing. And even academics

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Speaker 1: are saying, defend Adam twenty two side and say, yo,

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Speaker 1: it's the same thing. Then academics come out and say, yo,

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Speaker 1: these hip hop oldheads, dusty man, these ain't looking right.

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Speaker 1: And you know, if that's his opinion, that's his opinion.

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Speaker 1: But people aframed that, like, well we he that ain't him.

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Speaker 1: He really don't these hip hop done that now? He

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00:21:55,720 --> 00:21:59,359
Speaker 1: said that now hip hop now, he said that. I

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Speaker 1: don't understan and I think it's the past the weapon

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Speaker 1: to these that day, Like this is a real question

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Speaker 1: I want to know, like to the industry, like I

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Speaker 1: think that at this point they starting to use these

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Speaker 1: dudes passed, like when they get a platform. All right,

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Speaker 1: I'm gonna be tedious about some bullish you've done. But

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Speaker 1: I think that what happens also is that some people

396
00:22:17,560 --> 00:22:20,760
Speaker 1: treat this rap game and entertainment and all things culture

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Speaker 1: like a hustle. And although it is a hustle, anytime

398
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Speaker 1: you treat it like just a hustle, I take your

399
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Speaker 1: race out of that, and I categorize you a certain way.

400
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Speaker 1: When you look at some of the historical tricks that's

401
00:22:32,680 --> 00:22:37,239
Speaker 1: been played to dupe some of the blacks and creatives

402
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Speaker 1: out of some of the most influential events that's ever

403
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Speaker 1: been known to human race, you gotta understand the level

404
00:22:44,720 --> 00:22:47,640
Speaker 1: of game you're dealing with. What we must understand, though,

405
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Speaker 1: it's a delicate dance when you have to deal with this.

406
00:22:50,760 --> 00:22:54,160
Speaker 1: Everybody can't just coming this culture and hustle and get

407
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Speaker 1: some money because you understand the internet better than that

408
00:22:56,840 --> 00:23:00,320
Speaker 1: about it and then call they the way did not

409
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Speaker 1: understand that. We probably got to have a conversation about that.

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Speaker 1: I know it's a lack of information because again, you

411
00:23:07,080 --> 00:23:10,480
Speaker 1: didn't come up in our culture, right, respectfully, Right, you're

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Speaker 1: part of us. I give you that, and you got

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Speaker 1: a voice in this space. But you didn't grow up

414
00:23:16,320 --> 00:23:19,639
Speaker 1: where it was house parts, barbecs. You didn't grow up

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Speaker 1: playing football up the hill and juicy juices and walking

416
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Speaker 1: to the center and I all let with the homeboys.

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Speaker 1: You I don't think you come from that kind of environment.

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Speaker 1: So this culture really embedded within your understanding. But anytime

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Speaker 1: we look at anyone that deals with this culture, that

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Speaker 1: goes for That's why a lot of people try to

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00:23:41,800 --> 00:23:46,000
Speaker 1: get at Jake pay attention. They try to talk about Jake, Kanye, anybody.

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Speaker 1: If you get rich in this culture, they try to

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00:23:47,840 --> 00:23:51,240
Speaker 1: classify you as a certain way. Right, you will see

424
00:23:51,280 --> 00:23:53,520
Speaker 1: him say, well, damn, why pep playing the numbers man?

425
00:23:53,560 --> 00:23:55,639
Speaker 1: That what my hustle got to do with my habit?

426
00:23:56,400 --> 00:23:58,639
Speaker 1: This is my hustle and my habit. Really you should

427
00:23:58,760 --> 00:24:01,920
Speaker 1: be not evening attention to my habits when my hustle

428
00:24:02,040 --> 00:24:04,800
Speaker 1: going good. But we can't even put that to the side.

429
00:24:04,840 --> 00:24:07,080
Speaker 1: When you get money in this culture, they try to

430
00:24:07,119 --> 00:24:10,920
Speaker 1: frame it away. Everybody deals with it. We feel away

431
00:24:10,960 --> 00:24:14,560
Speaker 1: when you just take and hustle, hustle this culture because

432
00:24:14,560 --> 00:24:17,080
Speaker 1: the better question is what did you contribute to it?

433
00:24:17,840 --> 00:24:19,440
Speaker 1: And a lot of times it's when they got to

434
00:24:19,480 --> 00:24:22,000
Speaker 1: shut up when they're talking to somebody a guy. But

435
00:24:22,119 --> 00:24:25,280
Speaker 1: I don't never deal with conversation. I always deal with mindset.

436
00:24:26,200 --> 00:24:28,840
Speaker 1: I think framing is the most important thing. Even when

437
00:24:28,880 --> 00:24:32,720
Speaker 1: you deal with construction, houses, anything, I always remember the

438
00:24:32,800 --> 00:24:36,600
Speaker 1: framing of things is the very most important part of it.

439
00:24:37,200 --> 00:24:40,479
Speaker 1: That's why motherfucking sell you a bottle of bullshit water.

440
00:24:41,440 --> 00:24:44,840
Speaker 1: So the framing the right. And if you don't understand

441
00:24:44,840 --> 00:24:47,679
Speaker 1: what I mean framing, I'm talking about the aura around it,

442
00:24:47,760 --> 00:24:50,600
Speaker 1: the market and everything that makes you think that water

443
00:24:50,720 --> 00:24:54,040
Speaker 1: is better than turning your fossing on. Right, everything to

444
00:24:54,160 --> 00:24:57,560
Speaker 1: make you trust that soap instead of that soul. Right.

445
00:24:57,640 --> 00:25:00,440
Speaker 1: Some of that is embedded right. No matter people trying

446
00:25:00,480 --> 00:25:03,280
Speaker 1: to give you certain indications yo that ain't no good

447
00:25:03,320 --> 00:25:05,480
Speaker 1: for you, sometime they still roll with it because it's

448
00:25:05,520 --> 00:25:08,879
Speaker 1: embedded in them. It's about how was it, how was

449
00:25:08,920 --> 00:25:11,520
Speaker 1: introduced to them, who introduced it to him. See, this

450
00:25:11,560 --> 00:25:14,080
Speaker 1: is another thing. You better be careful about people that

451
00:25:14,160 --> 00:25:17,600
Speaker 1: you love introducing you in the things. It gets harder

452
00:25:17,600 --> 00:25:21,560
Speaker 1: to shake something that's been introduced to you by somebody

453
00:25:21,600 --> 00:25:26,120
Speaker 1: that you love. That's why I try to tell my children,

454
00:25:26,200 --> 00:25:28,800
Speaker 1: don't hang with people that are introduced you to things

455
00:25:28,800 --> 00:25:31,480
Speaker 1: that I gotta come and get you out of. Because

456
00:25:31,520 --> 00:25:33,240
Speaker 1: if I had to come get you out of it,

457
00:25:33,320 --> 00:25:35,760
Speaker 1: that don't tell me you got the resources or the

458
00:25:35,920 --> 00:25:39,120
Speaker 1: expertise to get yourself out of it. And just how

459
00:25:39,200 --> 00:25:42,040
Speaker 1: luck I have it, and how the universe works. When

460
00:25:42,040 --> 00:25:45,920
Speaker 1: you flirt, it'll unlock that dough for you, and you'll

461
00:25:46,000 --> 00:25:48,439
Speaker 1: end up in that situation without me being able to

462
00:25:48,480 --> 00:25:52,879
Speaker 1: help you. And then you'll turn yourself to a man

463
00:25:51,600 --> 00:25:56,120
Speaker 1: in a bathroom. No, you'll turn yourself to a man

464
00:25:56,200 --> 00:25:58,679
Speaker 1: in a cell. And that's that's one of my biggest fields.

465
00:25:59,440 --> 00:26:03,879
Speaker 1: But we don't like people that come in this in

466
00:26:03,960 --> 00:26:07,240
Speaker 1: this game and just hustle, hustle tape tape and listen

467
00:26:07,280 --> 00:26:10,520
Speaker 1: I talk about paper, I talk about hustling. Ownership all

468
00:26:10,640 --> 00:26:13,800
Speaker 1: less important to me. I'm standing firm on that because

469
00:26:13,840 --> 00:26:16,840
Speaker 1: I understand this business but at the end of the day,

470
00:26:16,840 --> 00:26:19,320
Speaker 1: I know that the people prior to me has contributed

471
00:26:19,359 --> 00:26:22,679
Speaker 1: things that I benefit from. And if I don't have

472
00:26:22,760 --> 00:26:26,680
Speaker 1: that understanding, it's because I probably don't come from that understanding.

473
00:26:28,760 --> 00:26:32,560
Speaker 1: But this conversation continued again, Russell Simmons chimed in and

474
00:26:32,720 --> 00:26:37,679
Speaker 1: act start being tedious on his business acumen. Again, he

475
00:26:37,720 --> 00:26:39,919
Speaker 1: came up at a time where the contract was probably

476
00:26:39,960 --> 00:26:44,240
Speaker 1: not that informative for the artist, so they probably wasn't

477
00:26:44,280 --> 00:26:46,800
Speaker 1: favorable at all. So he held that against him and

478
00:26:47,080 --> 00:26:50,240
Speaker 1: put him in a weird position, just a tedious thing

479
00:26:50,320 --> 00:26:53,840
Speaker 1: to wake up to see. They got to start hiring

480
00:26:53,880 --> 00:26:58,080
Speaker 1: them for them should they come for me, I go

481
00:26:58,280 --> 00:27:00,560
Speaker 1: hire one of them YouTube and got none. To dude,

482
00:27:00,600 --> 00:27:04,119
Speaker 1: get on this agg because I ain't wrestling with no

483
00:27:04,560 --> 00:27:07,480
Speaker 1: all day streaming. You know. Before I go in and further,

484
00:27:07,600 --> 00:27:09,600
Speaker 1: let me say this. When I speak about new media

485
00:27:09,600 --> 00:27:14,240
Speaker 1: and just new interpretations about what we're seeing, I want

486
00:27:14,240 --> 00:27:17,080
Speaker 1: to be clear man that I contribution to this space,

487
00:27:18,240 --> 00:27:23,600
Speaker 1: the impact, the death, the density of it. We're gonna

488
00:27:23,640 --> 00:27:27,160
Speaker 1: focus on making sure that it's very impactful. Right. That's

489
00:27:27,280 --> 00:27:29,159
Speaker 1: number one, But number two is just gonna be a

490
00:27:29,200 --> 00:27:34,600
Speaker 1: different explanation for the same occurrence. And I think sometimes

491
00:27:34,640 --> 00:27:37,040
Speaker 1: when we get lost in narration, you would think that's

492
00:27:37,080 --> 00:27:38,960
Speaker 1: the only way the story can be told. But I'm

493
00:27:39,000 --> 00:27:41,840
Speaker 1: here to tell you different. Right, something you know in

494
00:27:41,880 --> 00:27:44,119
Speaker 1: regards to rappers, I see the current media, and this

495
00:27:44,200 --> 00:27:46,399
Speaker 1: is just a little example will continue to go on

496
00:27:46,880 --> 00:27:49,639
Speaker 1: through the show, but I see current media criticizing and

497
00:27:49,760 --> 00:27:53,119
Speaker 1: critical of guys in their current position and rapp in

498
00:27:53,200 --> 00:27:56,600
Speaker 1: certain things. And this thought from these media, gays can

499
00:27:56,640 --> 00:28:00,919
Speaker 1: be absent of a lot of information, right, so they

500
00:28:00,960 --> 00:28:03,880
Speaker 1: append them to their current status when I never understood

501
00:28:03,920 --> 00:28:06,520
Speaker 1: that if I've made twenty million dollars in that this

502
00:28:06,680 --> 00:28:09,600
Speaker 1: current point, I'm not selling as good as I may

503
00:28:09,600 --> 00:28:12,399
Speaker 1: be used to. I think there's a conversation to be

504
00:28:12,520 --> 00:28:15,760
Speaker 1: had there, of course, because the market says we should

505
00:28:15,760 --> 00:28:20,200
Speaker 1: have a conversation about whatever reach has been lost a game,

506
00:28:20,480 --> 00:28:22,800
Speaker 1: right at all times, we have a right to do that.

507
00:28:22,880 --> 00:28:26,080
Speaker 1: But I think the interpretation of that could be spoke

508
00:28:26,160 --> 00:28:29,120
Speaker 1: on from a different perspective. Right, we can definitely say

509
00:28:29,160 --> 00:28:34,360
Speaker 1: that Yo Home made a lot of money like he'd

510
00:28:34,400 --> 00:28:37,520
Speaker 1: been in with right, See what these people they so

511
00:28:37,680 --> 00:28:40,800
Speaker 1: waiting on the guy to fall, and I'm black and

512
00:28:40,880 --> 00:28:43,960
Speaker 1: again I come from this I'm not speaking from see

513
00:28:44,000 --> 00:28:46,760
Speaker 1: a lot of this media just look around and this

514
00:28:46,840 --> 00:28:49,200
Speaker 1: is respectfully. That's why I got a lot of respect

515
00:28:49,280 --> 00:28:52,720
Speaker 1: for you know, people like certain guys in the game. Right,

516
00:28:52,800 --> 00:28:55,400
Speaker 1: that's relatable that we know I he want us, he

517
00:28:55,520 --> 00:28:58,280
Speaker 1: really speaking for us. But just look around the media

518
00:28:58,360 --> 00:29:01,120
Speaker 1: space and say, how many of those guys outside of

519
00:29:01,120 --> 00:29:04,840
Speaker 1: that interview could you hang with? How many of them

520
00:29:04,880 --> 00:29:07,880
Speaker 1: is you really kicking it with for real before the interview,

521
00:29:08,000 --> 00:29:10,240
Speaker 1: like or is it awkward? Because me, I try not

522
00:29:10,280 --> 00:29:12,320
Speaker 1: to do a lot of talking before the interview because

523
00:29:12,360 --> 00:29:16,200
Speaker 1: I get passionate a lot of times. Me That's why

524
00:29:16,600 --> 00:29:18,520
Speaker 1: I speak to a lot of times, me being new

525
00:29:18,560 --> 00:29:22,120
Speaker 1: in this space. When I meet some one of these

526
00:29:22,160 --> 00:29:26,160
Speaker 1: guys and their response to me and what I've given

527
00:29:26,200 --> 00:29:29,840
Speaker 1: to the game so far, it electrifies me, you know,

528
00:29:29,920 --> 00:29:33,560
Speaker 1: and so now I'm my minus. It's gone, right, So

529
00:29:33,600 --> 00:29:36,640
Speaker 1: sometimes so when I sit down, we're gone, you know.

530
00:29:38,480 --> 00:29:40,160
Speaker 1: But when you look around me, do you see the

531
00:29:40,240 --> 00:29:43,600
Speaker 1: representation isn't in a good place because again you will

532
00:29:43,600 --> 00:29:45,800
Speaker 1: see these guys be critical or some of these people

533
00:29:45,800 --> 00:29:48,080
Speaker 1: because they current position you or say, damn, bro, I

534
00:29:48,120 --> 00:29:51,320
Speaker 1: sold twenty million records now they're reporting because I sold

535
00:29:51,360 --> 00:29:54,320
Speaker 1: forty four thousand in the first week. They don't even

536
00:29:54,360 --> 00:29:56,920
Speaker 1: tell the fans. Yo, it doesn't change. The way they

537
00:29:56,960 --> 00:30:00,280
Speaker 1: count records doesn't change. Last year I was able to

538
00:30:00,280 --> 00:30:02,719
Speaker 1: to use T shirts and stuff. They switch that, so

539
00:30:02,960 --> 00:30:07,200
Speaker 1: naturally the number gonna change. But without that context around it,

540
00:30:07,240 --> 00:30:09,520
Speaker 1: they can paint that as a fall off. When the

541
00:30:09,680 --> 00:30:13,600
Speaker 1: indicators have changed, the ingredients have changed, so the number

542
00:30:13,600 --> 00:30:16,920
Speaker 1: has been affected by the standards and boundaries that's now

543
00:30:17,000 --> 00:30:20,960
Speaker 1: put in place, But they don't say that. What they say, Man,

544
00:30:21,160 --> 00:30:23,600
Speaker 1: last time he came out what he sailed to ninety

545
00:30:23,680 --> 00:30:27,720
Speaker 1: What he said this time one twenty? Man, I don't know, Well,

546
00:30:27,840 --> 00:30:30,600
Speaker 1: there's a reason for that if or it's the media

547
00:30:30,640 --> 00:30:33,360
Speaker 1: that's in the current position not interested in speaking about

548
00:30:33,400 --> 00:30:36,720
Speaker 1: the reasons behind some of these things. Because my job

549
00:30:36,880 --> 00:30:40,520
Speaker 1: is to bring reason into the game, right, I ain't

550
00:30:40,560 --> 00:30:42,920
Speaker 1: telling you to understand what I'm telling you. I'm telling

551
00:30:42,960 --> 00:30:46,280
Speaker 1: you to understand that there's a reason for what you're seeing.

552
00:30:47,320 --> 00:30:50,800
Speaker 1: You see what I mean. So I oftentimes think about

553
00:30:50,840 --> 00:30:52,840
Speaker 1: a lot of these guys. See, they come from colleges,

554
00:30:52,880 --> 00:30:54,760
Speaker 1: they pay for on their own, They mom and them

555
00:30:54,760 --> 00:30:57,840
Speaker 1: set aside money they had them kind of mamas. They

556
00:30:57,840 --> 00:31:00,680
Speaker 1: can prioritize a lot of these guys in this culture

557
00:31:00,680 --> 00:31:04,040
Speaker 1: of entertainment that's thriving really come from the ghetto. Mama

558
00:31:04,040 --> 00:31:09,160
Speaker 1: and them did not have nothing to prioritize with home necessities.

559
00:31:09,240 --> 00:31:12,640
Speaker 1: Wasn't even on the table every day, And if they was,

560
00:31:12,720 --> 00:31:15,920
Speaker 1: we felt blessed because somebody close to us had to

561
00:31:15,960 --> 00:31:19,520
Speaker 1: come over here twice a week to eat something. Anytime

562
00:31:19,560 --> 00:31:23,960
Speaker 1: they get a change, y'all. You know they man. And

563
00:31:24,080 --> 00:31:27,080
Speaker 1: so when I see these dudes talk to these guys about, yo,

564
00:31:27,120 --> 00:31:28,800
Speaker 1: you ain't sell it a lot no more. Yo, you

565
00:31:28,840 --> 00:31:31,320
Speaker 1: ain't doing this no more, and say, damn man, somebody

566
00:31:31,360 --> 00:31:33,880
Speaker 1: needs to step out. But a lot of people can't articulate.

567
00:31:33,920 --> 00:31:36,280
Speaker 1: So let me say it to the media guys. Man,

568
00:31:36,440 --> 00:31:39,200
Speaker 1: mother to record sale, they met out to get old.

569
00:31:39,920 --> 00:31:43,000
Speaker 1: This was able to stop hustling, selling dope, doing wrong

570
00:31:43,880 --> 00:31:47,600
Speaker 1: and over their mama emotionally. And you talking to it

571
00:31:47,800 --> 00:31:50,160
Speaker 1: about record sales. We're out to pay for every house

572
00:31:50,160 --> 00:31:55,200
Speaker 1: and everybody I love main't record sales. But that's how

573
00:31:55,560 --> 00:31:58,120
Speaker 1: gonna paint you in this media space. Because they really

574
00:31:58,120 --> 00:32:01,760
Speaker 1: come from where to do back hounds. They really ain't

575
00:32:01,760 --> 00:32:04,800
Speaker 1: got nothing but this little money. They don't even know

576
00:32:04,840 --> 00:32:07,360
Speaker 1: what it's like the man. We don't escape that man,

577
00:32:08,280 --> 00:32:11,280
Speaker 1: I'd be way in London checking the news in my city.

578
00:32:12,640 --> 00:32:16,480
Speaker 1: I feel like I didn't evacuated escapes. But you come

579
00:32:16,560 --> 00:32:18,880
Speaker 1: from where to do, so y'all don't feel it the same.

580
00:32:19,120 --> 00:32:23,080
Speaker 1: So you're critical. You're critical when the sales dropped, and

581
00:32:23,160 --> 00:32:25,960
Speaker 1: you don't celebrate because they got out of the situation

582
00:32:26,040 --> 00:32:29,960
Speaker 1: that they was boring in. Picture that picture me shaking

583
00:32:30,040 --> 00:32:32,960
Speaker 1: something I was boring in just for it. Who didn't

584
00:32:32,960 --> 00:32:35,280
Speaker 1: grow up that way to tell me my record sales

585
00:32:35,320 --> 00:32:40,280
Speaker 1: ain't doing good. I don't fell off. See, he can't

586
00:32:40,320 --> 00:32:43,120
Speaker 1: even picture where I had to climb from. He can't

587
00:32:43,120 --> 00:32:45,720
Speaker 1: even picture the circumstance I was in. It sound good

588
00:32:45,760 --> 00:32:48,640
Speaker 1: and wraps. But luckily, I hope I'm able to. I

589
00:32:48,680 --> 00:32:51,360
Speaker 1: hope you feel me when I explained together on the

590
00:32:51,400 --> 00:32:53,520
Speaker 1: circumstance that why I won't let it go. I'm smart

591
00:32:53,640 --> 00:32:56,840
Speaker 1: enough to go anywhere. You can catch me anywhere, brother,

592
00:32:57,360 --> 00:32:59,920
Speaker 1: I can talk to you about finances, or I could

593
00:33:00,080 --> 00:33:05,120
Speaker 1: talk to you about fitting all. See, it's only a

594
00:33:05,160 --> 00:33:08,400
Speaker 1: few years like me. And that's why the game react

595
00:33:08,440 --> 00:33:10,120
Speaker 1: the way it reacts. Because I can talk to you

596
00:33:10,160 --> 00:33:15,280
Speaker 1: about finances or talk to you about fitting all, but

597
00:33:15,320 --> 00:33:18,440
Speaker 1: these consider the d boards doesn't got out of burning

598
00:33:18,560 --> 00:33:21,640
Speaker 1: building all. They say it bought the record said that

599
00:33:21,840 --> 00:33:24,120
Speaker 1: he doesn't fell off man how much he doesn't make

600
00:33:24,240 --> 00:33:27,640
Speaker 1: this his family secure, he kids in private school, He

601
00:33:27,720 --> 00:33:30,760
Speaker 1: doesn't invest it in triple ten times his money. And

602
00:33:30,840 --> 00:33:33,560
Speaker 1: I gotta deal with a will to do weird though

603
00:33:33,880 --> 00:33:35,880
Speaker 1: telling me to say like, it's a weird place to

604
00:33:35,920 --> 00:33:39,120
Speaker 1: be in. And this ain't about one person, because there's

605
00:33:39,120 --> 00:33:41,600
Speaker 1: a culture of this going on. There's a culture of

606
00:33:42,520 --> 00:33:47,360
Speaker 1: disrespecting the current standards. And when I say disrespect the

607
00:33:47,360 --> 00:33:51,200
Speaker 1: current standards, what they're doing is they're taking the current

608
00:33:51,280 --> 00:33:55,760
Speaker 1: standards and comparing them to yesterday's standards and not telling

609
00:33:55,800 --> 00:34:01,040
Speaker 1: you that the standards have changed. Like I think Will

610
00:34:01,160 --> 00:34:03,280
Speaker 1: did a hell of a thing with a hundred points,

611
00:34:04,440 --> 00:34:08,360
Speaker 1: but it was at a different time. You see what

612
00:34:08,400 --> 00:34:10,560
Speaker 1: I'm saying. It weighed a little different. It was at

613
00:34:10,560 --> 00:34:13,520
Speaker 1: a different time. The game was different. But they make

614
00:34:13,600 --> 00:34:16,200
Speaker 1: sure when they speak about the game in that context,

615
00:34:16,360 --> 00:34:18,600
Speaker 1: they tell you that the rules was different. When Will

616
00:34:18,600 --> 00:34:22,120
Speaker 1: scold the hunter, and they got to do the same

617
00:34:22,200 --> 00:34:24,440
Speaker 1: in music, say dog, I scold a hunting when the

618
00:34:24,520 --> 00:34:26,759
Speaker 1: rule where they had a little short song, When will

619
00:34:26,920 --> 00:34:28,920
Speaker 1: them scold a hunting? When it was that kind of

620
00:34:29,080 --> 00:34:31,680
Speaker 1: you can hold the ball longer, and wasn't no three

621
00:34:31,719 --> 00:34:35,000
Speaker 1: point line and everybody was short and these things were

622
00:34:35,280 --> 00:34:39,880
Speaker 1: It was circumstantial. Everything is circumstantial in business, and so

623
00:34:39,960 --> 00:34:42,840
Speaker 1: when they don't explain that, it just makes me feel away.

624
00:34:42,880 --> 00:34:45,800
Speaker 1: So I thought that, yo, Loan, you got the biggest

625
00:34:45,800 --> 00:34:48,960
Speaker 1: platform in the world. If they really and they in

626
00:34:49,040 --> 00:34:51,759
Speaker 1: this culture, they're not disrespected by you saying that because

627
00:34:51,800 --> 00:34:54,759
Speaker 1: they understand where you stand. Right, I'm doing this for

628
00:34:54,840 --> 00:34:56,799
Speaker 1: us and that's at the end of the day. But

629
00:34:56,840 --> 00:34:58,960
Speaker 1: I should come out and speak on it because sometimes

630
00:34:59,000 --> 00:35:01,319
Speaker 1: I'm starting to know when you wait more than you think,

631
00:35:02,400 --> 00:35:04,759
Speaker 1: because I'll be sitting in the house or riding down

632
00:35:04,760 --> 00:35:07,560
Speaker 1: the interstate wander man, why ain't nobody explaining what he's saying?

633
00:35:07,560 --> 00:35:10,400
Speaker 1: That's wrong, man, And then like, oh they don't know.

634
00:35:11,960 --> 00:35:14,520
Speaker 1: Oh man, they didn't really come up. They don't know, Loan,

635
00:35:15,320 --> 00:35:18,680
Speaker 1: you gotta explain it. So that's my outlook on just

636
00:35:18,840 --> 00:35:24,400
Speaker 1: media being in a very sacrificial place right now. You know,

637
00:35:24,440 --> 00:35:26,160
Speaker 1: it's a lot of money to be made, but it's

638
00:35:26,160 --> 00:35:29,040
Speaker 1: a lot of game to comb through, so a lot

639
00:35:29,080 --> 00:35:31,359
Speaker 1: of things that, you know, a lot of ways people

640
00:35:31,360 --> 00:35:33,279
Speaker 1: are looking at things that I think this needs to

641
00:35:33,280 --> 00:35:37,359
Speaker 1: be updated, and unfortunate for them, the game ain't won't.

642
00:35:37,400 --> 00:35:40,120
Speaker 1: The game is sicker. That is talking, you know what

643
00:35:40,160 --> 00:35:42,840
Speaker 1: I'm saying. The game is kind of sicker, and I

644
00:35:43,160 --> 00:35:45,160
Speaker 1: feel it from the outside. I feel it when I

645
00:35:45,239 --> 00:35:48,520
Speaker 1: go to these cities. They're telling me, boy, you kicking

646
00:35:48,560 --> 00:35:50,440
Speaker 1: it and that and that could that could mean more

647
00:35:50,440 --> 00:35:53,120
Speaker 1: than the world to me. Let's talk about this. Kanye

648
00:35:53,200 --> 00:35:56,680
Speaker 1: West went over to Good Morning America on ABC and

649
00:35:56,760 --> 00:36:01,080
Speaker 1: had a conversation about leaving Gabble his life story. At

650
00:36:01,120 --> 00:36:03,879
Speaker 1: this moment, these are updates and this is what it's

651
00:36:03,960 --> 00:36:08,960
Speaker 1: up there podcast access for us. Right, I'm telling you

652
00:36:09,000 --> 00:36:11,239
Speaker 1: I'm changing the game. Before I get to Kanye, let

653
00:36:11,280 --> 00:36:13,719
Speaker 1: me tell you what I'm doing in the game to

654
00:36:13,880 --> 00:36:17,680
Speaker 1: change the game. Therefore, this access the blueprint and let

655
00:36:17,800 --> 00:36:20,760
Speaker 1: you know that if you see someone change what they're

656
00:36:20,800 --> 00:36:25,239
Speaker 1: doing at this point moving forward, then they may have

657
00:36:25,440 --> 00:36:29,839
Speaker 1: got that from Loan. It's up that podcast. The experience

658
00:36:30,000 --> 00:36:35,000
Speaker 1: are gonna act as updates currently kind of sort of

659
00:36:35,000 --> 00:36:37,239
Speaker 1: like the Breakfast Club. I'll give them that they kind

660
00:36:37,239 --> 00:36:39,040
Speaker 1: of did that as well. So let me give some

661
00:36:39,120 --> 00:36:42,400
Speaker 1: respect to the breakfast club. But that's what that's what

662
00:36:42,480 --> 00:36:44,440
Speaker 1: I want to do. Right outside of that, had the

663
00:36:44,520 --> 00:36:47,840
Speaker 1: real conversations, to authentic conversations to put that to the side.

664
00:36:48,320 --> 00:36:50,560
Speaker 1: So he went up here and spoke about a few things,

665
00:36:50,560 --> 00:36:52,680
Speaker 1: and he said something that really struck me right And

666
00:36:52,760 --> 00:36:56,680
Speaker 1: what he said was saying, I'm no longer the person

667
00:36:56,719 --> 00:37:00,239
Speaker 1: that's just at the top of the pogo horse. And

668
00:37:00,360 --> 00:37:02,359
Speaker 1: for me, he could have stopped there, but of course

669
00:37:02,400 --> 00:37:04,960
Speaker 1: he drilled it down even more, said, I'm no longer

670
00:37:05,000 --> 00:37:08,279
Speaker 1: the team mascot. Is telling everybody yo where it is.

671
00:37:08,360 --> 00:37:11,640
Speaker 1: Dude is grab this, this is what's cool, run back

672
00:37:11,640 --> 00:37:14,799
Speaker 1: in the huddle. And I ain't really owning nothing or

673
00:37:14,840 --> 00:37:19,120
Speaker 1: got no real influence. And so he said his new

674
00:37:19,200 --> 00:37:21,680
Speaker 1: year resolution was to only speak to people that want

675
00:37:21,719 --> 00:37:24,120
Speaker 1: to listen to him, and I that's been my point

676
00:37:24,120 --> 00:37:26,200
Speaker 1: of view. That's why I have a podcast. If you're

677
00:37:26,200 --> 00:37:29,279
Speaker 1: not interested, I just think you won't listen. I want

678
00:37:29,280 --> 00:37:33,800
Speaker 1: to spend some time speaking about being the mascot, because

679
00:37:33,840 --> 00:37:36,520
Speaker 1: you have to understand that a mascot is also an

680
00:37:36,600 --> 00:37:39,680
Speaker 1: important position to the team. But here's the trick. And

681
00:37:39,800 --> 00:37:46,440
Speaker 1: here's where these companies get it wrong. The mascot is

682
00:37:46,480 --> 00:37:54,120
Speaker 1: a waste of useful brilliance for a proven person. So

683
00:37:54,239 --> 00:37:57,640
Speaker 1: although the mascot is an important position, it's important who

684
00:37:57,680 --> 00:37:59,680
Speaker 1: you put in that position, because if you got a

685
00:37:59,760 --> 00:38:03,720
Speaker 1: key in a mascot position, you're gonna have some arrested

686
00:38:03,760 --> 00:38:08,000
Speaker 1: development and some pushback. It's gonna be a problem, let's

687
00:38:08,000 --> 00:38:10,920
Speaker 1: say that. But you gotta be careful because these companies

688
00:38:10,920 --> 00:38:12,840
Speaker 1: will place you in a position where they'll make you

689
00:38:12,880 --> 00:38:17,400
Speaker 1: the face of it and they're whisping your ill will. Man,

690
00:38:17,480 --> 00:38:23,080
Speaker 1: you're telling people your own so you know, we understand

691
00:38:23,080 --> 00:38:27,560
Speaker 1: how that makes you look better for you guys, they

692
00:38:27,640 --> 00:38:30,440
Speaker 1: agree to let you start in flaws to the people,

693
00:38:32,360 --> 00:38:34,799
Speaker 1: but it eats you up in the inside because when

694
00:38:34,840 --> 00:38:37,120
Speaker 1: you talk like that, here's the trick. When you talk

695
00:38:37,239 --> 00:38:41,920
Speaker 1: big game, big game come to you. So you're putting

696
00:38:41,960 --> 00:38:44,920
Speaker 1: that ownership talk down. Ask Joe Budden what that feel like.

697
00:38:45,640 --> 00:38:48,920
Speaker 1: You're teaching the game about ownership. You teaching the folks

698
00:38:48,960 --> 00:38:51,799
Speaker 1: about ip and all of that, and then you look

699
00:38:51,880 --> 00:38:53,799
Speaker 1: up and they turn everybody to turn their guns on

700
00:38:53,920 --> 00:38:58,000
Speaker 1: you with that information. You gave them. Same thing with

701
00:38:58,120 --> 00:39:01,520
Speaker 1: Kanye and Adidas. We put you in this position to

702
00:39:01,520 --> 00:39:07,000
Speaker 1: consume a face as if you're empowered with right and

703
00:39:07,520 --> 00:39:10,680
Speaker 1: the money isn't the empowerment that I'm speaking about. The

704
00:39:10,760 --> 00:39:14,759
Speaker 1: information is. The infrastructure is. So I'm talking hide in

705
00:39:14,840 --> 00:39:18,200
Speaker 1: the money. The money is a byproduct of that kind

706
00:39:18,239 --> 00:39:21,440
Speaker 1: of ship. But I'm talking infrastructure in the industry. Right.

707
00:39:21,719 --> 00:39:24,880
Speaker 1: So Kanye West trying to get in that position, and

708
00:39:24,960 --> 00:39:27,239
Speaker 1: they allowed him to come out and speak as if

709
00:39:27,600 --> 00:39:30,239
Speaker 1: yo and I'm not sure if he ever said it,

710
00:39:30,320 --> 00:39:33,480
Speaker 1: but the but the outlook from the culture was he

711
00:39:33,520 --> 00:39:37,399
Speaker 1: became a billionaire, so we own in something. Because other

712
00:39:37,600 --> 00:39:41,680
Speaker 1: people who were becoming billionaires Jay Puff, you know, a

713
00:39:42,080 --> 00:39:45,360
Speaker 1: birdman did a billion for Universal and things like that,

714
00:39:45,480 --> 00:39:49,240
Speaker 1: we understood that there was some kind of ownership involved

715
00:39:49,239 --> 00:39:52,319
Speaker 1: in him turning that corner. Even if you had two, three,

716
00:39:52,400 --> 00:39:55,920
Speaker 1: four hunting million, that's some ownership involved in turning East corner.

717
00:39:56,000 --> 00:39:58,640
Speaker 1: So when we're seeing him shoot up and he made

718
00:39:58,680 --> 00:40:01,000
Speaker 1: sure to try to im six big, you know, I'm

719
00:40:01,520 --> 00:40:04,280
Speaker 1: the richest black man. He made sure to try to write.

720
00:40:04,280 --> 00:40:06,920
Speaker 1: So for us, we thought ownership came with that, and

721
00:40:07,000 --> 00:40:10,839
Speaker 1: so they've allowed him to come out consumer facing in

722
00:40:10,840 --> 00:40:13,560
Speaker 1: that way. But the problem is you get certain information

723
00:40:13,960 --> 00:40:17,920
Speaker 1: when people think you in that position, and when you

724
00:40:17,960 --> 00:40:20,200
Speaker 1: get that information, then you run back and see that

725
00:40:20,280 --> 00:40:26,919
Speaker 1: you're powerless. You say, damn, how did this happen? Nad

726
00:40:27,040 --> 00:40:30,680
Speaker 1: eats you up because you're talking that big power information,

727
00:40:30,960 --> 00:40:33,960
Speaker 1: you're talking that big ownership, and then they got you

728
00:40:34,000 --> 00:40:36,080
Speaker 1: in a deal where you can't even use your own

729
00:40:36,200 --> 00:40:41,080
Speaker 1: name on your speaker. They want to try to eat

730
00:40:41,120 --> 00:40:44,680
Speaker 1: off of everything easy and that's on the Adida side.

731
00:40:44,719 --> 00:40:46,440
Speaker 1: But see what they gave you the money for. It

732
00:40:46,560 --> 00:40:52,440
Speaker 1: wasn't necessarily industry and information. It was for involvement. Be

733
00:40:52,560 --> 00:40:55,040
Speaker 1: careful with these I words, write them down and make

734
00:40:55,080 --> 00:40:58,960
Speaker 1: sure you study them. But see they paid Kanye West

735
00:40:59,000 --> 00:41:02,680
Speaker 1: for involvement. We may not tell you much about the industry,

736
00:41:02,680 --> 00:41:05,120
Speaker 1: but we'll consume the face and we're just we're a

737
00:41:05,160 --> 00:41:09,200
Speaker 1: middleman everything. And so he spent off of them and

738
00:41:09,239 --> 00:41:14,120
Speaker 1: go get involved with gabbing that Pista Dida zone. You

739
00:41:14,200 --> 00:41:16,680
Speaker 1: know what I'm saying. But now he's saying, if you

740
00:41:16,760 --> 00:41:18,960
Speaker 1: pay attention, I said a couple of weeks ago that

741
00:41:19,000 --> 00:41:22,120
Speaker 1: he was battling against families. I always know what I'm

742
00:41:22,120 --> 00:41:24,840
Speaker 1: talking about when it comes to these things. Bro that

743
00:41:25,040 --> 00:41:28,600
Speaker 1: real wealth is a family thing. That's why you gotta

744
00:41:28,680 --> 00:41:32,120
Speaker 1: get with some people. Ain't no one thing happening. Man,

745
00:41:32,200 --> 00:41:35,560
Speaker 1: get that get old plug, shot your brain. You was

746
00:41:35,640 --> 00:41:38,080
Speaker 1: the man in your neighborhood. It take ten us to

747
00:41:38,160 --> 00:41:43,279
Speaker 1: make a billion dollars. You was the man in your neighborhood. Man,

748
00:41:43,360 --> 00:41:46,399
Speaker 1: Throw that away. Man, We got to create companies together. Man,

749
00:41:48,280 --> 00:41:51,680
Speaker 1: you can sell that weed by yourself. This ain't selling weed.

750
00:41:52,239 --> 00:41:54,680
Speaker 1: But Kanye was speaking about that and I wanted to

751
00:41:54,680 --> 00:41:57,800
Speaker 1: touch on that. Under the statement to ABC News, saying,

752
00:41:57,800 --> 00:42:00,560
Speaker 1: in part, we are confident we have been in compliance

753
00:42:00,560 --> 00:42:03,160
Speaker 1: with the terms of our agreement since the outset and

754
00:42:03,280 --> 00:42:06,600
Speaker 1: we will continue to work amicably to unwind it. Above all,

755
00:42:06,800 --> 00:42:10,120
Speaker 1: we wish ye well. Yea remains in a legal battle

756
00:42:10,120 --> 00:42:13,560
Speaker 1: with Adidas to receive ownership of his brand. The next step,

757
00:42:13,600 --> 00:42:17,320
Speaker 1: he says, is to sell easy directly to consumers, something

758
00:42:17,360 --> 00:42:20,800
Speaker 1: he argued about with radio host sway back in twenty thirteen.

759
00:42:21,040 --> 00:42:23,640
Speaker 1: Why don't you empower yourself and don't need them and

760
00:42:23,760 --> 00:42:27,400
Speaker 1: do it yourself to take a few steps back to

761
00:42:27,520 --> 00:42:31,400
Speaker 1: got the answers? Man, you ain't got the answers. You

762
00:42:31,400 --> 00:42:33,960
Speaker 1: ain't got the aswes. If you ain't got the answers.

763
00:42:33,960 --> 00:42:37,879
Speaker 1: Sway so Sway almost ten years ago he said, man,

764
00:42:37,880 --> 00:42:39,920
Speaker 1: why don't you do it on your own? Was he right?

765
00:42:40,480 --> 00:42:44,440
Speaker 1: You know what? I will go ahead and say Sway

766
00:42:44,680 --> 00:42:48,399
Speaker 1: had the answer. I know people are gonna be like no.

767
00:42:50,080 --> 00:42:52,439
Speaker 1: So if you remember that time, mc kaye was life,

768
00:42:52,480 --> 00:42:54,680
Speaker 1: he was broken. He was saying that he needed help.

769
00:42:55,160 --> 00:42:57,239
Speaker 1: He understood that he had a bread. He knew he

770
00:42:57,280 --> 00:42:59,080
Speaker 1: wanted to do something with it. But this is what

771
00:42:59,120 --> 00:43:02,520
Speaker 1: I'm telling you, structure is so important. And I know

772
00:43:02,600 --> 00:43:04,440
Speaker 1: it sounds like why is he asking that when he

773
00:43:04,520 --> 00:43:06,319
Speaker 1: got money, Bro, all you gotta do is gonna hire

774
00:43:06,320 --> 00:43:12,200
Speaker 1: the people. And people say that with so much freedom, Yeah,

775
00:43:12,280 --> 00:43:14,440
Speaker 1: just go hire the people. Bro, you got the money,

776
00:43:14,960 --> 00:43:16,719
Speaker 1: you don't know the people that I need to hire

777
00:43:16,880 --> 00:43:19,040
Speaker 1: so unique that I may can't find him in a

778
00:43:19,120 --> 00:43:21,920
Speaker 1: way to see you think I'm just hiring forklift drivers,

779
00:43:22,960 --> 00:43:27,000
Speaker 1: but I'm looking for visionaries. I'm trying to plug you

780
00:43:27,080 --> 00:43:29,160
Speaker 1: to something that I care so much about. I don't

781
00:43:29,160 --> 00:43:32,799
Speaker 1: sleep long. I'm trying to plug you into something that

782
00:43:32,960 --> 00:43:35,560
Speaker 1: mean everything to me. So I can't just go get

783
00:43:35,600 --> 00:43:37,840
Speaker 1: the average Joe and say, come on everybody, I just

784
00:43:37,920 --> 00:43:43,799
Speaker 1: need helplifting now we need a specific lift. We need

785
00:43:43,840 --> 00:43:49,880
Speaker 1: powerlift us. We need professional lift us to deal with

786
00:43:49,920 --> 00:43:55,120
Speaker 1: this delicate foundation that we're trying to move because being black,

787
00:43:55,200 --> 00:43:58,319
Speaker 1: being part of this culture, being us, it's a foundation,

788
00:43:59,480 --> 00:44:03,160
Speaker 1: but some of it is rooted in bulls shit, right,

789
00:44:03,200 --> 00:44:06,480
Speaker 1: So we need power lifts to take that foundation and

790
00:44:06,600 --> 00:44:09,840
Speaker 1: just move it. Just a tad bit outfit bullshit and

791
00:44:09,960 --> 00:44:12,920
Speaker 1: move it over here to where we're talking financial, What

792
00:44:13,080 --> 00:44:19,640
Speaker 1: we're talking ownership, leadership, and elevation. Right. Game given to me.

793
00:44:19,840 --> 00:44:23,520
Speaker 1: Game is information that everybody can understand. That's my definition

794
00:44:23,560 --> 00:44:27,319
Speaker 1: the game. If you got game, you can take a

795
00:44:27,400 --> 00:44:30,560
Speaker 1: complex situation and break it down the way everybody can understand.

796
00:44:30,600 --> 00:44:33,160
Speaker 1: But in regards to our race, in regards to what

797
00:44:33,200 --> 00:44:36,520
Speaker 1: we gotta do, we gotta understand that we need help,

798
00:44:37,000 --> 00:44:40,200
Speaker 1: but we need a specific count of help. We need

799
00:44:40,239 --> 00:44:42,239
Speaker 1: people to help us. They got our best centrists, but

800
00:44:42,280 --> 00:44:45,000
Speaker 1: we need to be careful with that understanding because people

801
00:44:45,000 --> 00:44:47,960
Speaker 1: are know that we need help because of our best centriest.

802
00:44:48,120 --> 00:44:54,640
Speaker 1: In trying to appeal to our best sentest and not

803
00:44:54,760 --> 00:45:00,040
Speaker 1: be genuine. You genuinely gotta care about the content. You

804
00:45:00,160 --> 00:45:03,640
Speaker 1: genuinely gotta care about the product. You genuinely gotta care

805
00:45:03,680 --> 00:45:07,279
Speaker 1: about the half cut. You genuinely gotta care about the resource.

806
00:45:07,760 --> 00:45:11,040
Speaker 1: You genuinely gotta care about the cooking. You can't have

807
00:45:11,320 --> 00:45:13,360
Speaker 1: fast do it. You can't just do it when you

808
00:45:13,400 --> 00:45:16,640
Speaker 1: want to do it. You genuinely gotta enjoy this stuff

809
00:45:16,680 --> 00:45:20,680
Speaker 1: to contribute in a way that's really impactful. But they

810
00:45:20,719 --> 00:45:23,880
Speaker 1: asked him about that Sway question and if you go back,

811
00:45:24,600 --> 00:45:28,319
Speaker 1: Sway was telling them, man empower yourself. He was like, Bro,

812
00:45:28,440 --> 00:45:30,879
Speaker 1: the quality I want, I can't do it. They got

813
00:45:30,880 --> 00:45:33,520
Speaker 1: me locked out. I see the trick. The trick is

814
00:45:33,600 --> 00:45:37,080
Speaker 1: overcharge you and let until you go mass. And you

815
00:45:37,120 --> 00:45:40,240
Speaker 1: can't go mask for under this number. And if I ain't,

816
00:45:40,239 --> 00:45:43,239
Speaker 1: I ain't got that number to go mass, right, So,

817
00:45:43,320 --> 00:45:46,759
Speaker 1: and they purposely make it an unreachable number to go mad.

818
00:45:46,840 --> 00:45:49,319
Speaker 1: So it can only be these certain companies that really

819
00:45:49,360 --> 00:45:52,520
Speaker 1: can go mass. And it's like a pyramid thing. So

820
00:45:52,600 --> 00:45:55,279
Speaker 1: I need to go mad. This is his thing at

821
00:45:55,320 --> 00:45:59,239
Speaker 1: that time. But looking back at it now, because now

822
00:45:59,239 --> 00:46:01,960
Speaker 1: he has themation from that level, he can say, yo,

823
00:46:03,160 --> 00:46:06,480
Speaker 1: that's what I needed to do. But at that time

824
00:46:06,520 --> 00:46:08,560
Speaker 1: he couldn't do that because he didn't know that what's

825
00:46:08,680 --> 00:46:11,239
Speaker 1: needed to be done. And that's why I'm not sure

826
00:46:11,280 --> 00:46:14,040
Speaker 1: that I would be so hard on what he's saying.

827
00:46:15,160 --> 00:46:17,840
Speaker 1: But I think sway understood it because he broke it

828
00:46:17,880 --> 00:46:21,480
Speaker 1: down very simple. He saw it simple. See, sometimes we're

829
00:46:21,480 --> 00:46:24,319
Speaker 1: talking the same thing, we're viewing it different. I see

830
00:46:24,360 --> 00:46:28,240
Speaker 1: the dream is this big. You see it as this big,

831
00:46:29,440 --> 00:46:32,600
Speaker 1: and your approach could be effective for my big dream,

832
00:46:34,040 --> 00:46:37,520
Speaker 1: because sometimes I gotta have a simple approach for a

833
00:46:37,600 --> 00:46:41,880
Speaker 1: big dream. Do you know what I'm saying? Sometimes I

834
00:46:41,920 --> 00:46:45,400
Speaker 1: can overthink because it's so huge and big in my brain.

835
00:46:45,480 --> 00:46:48,120
Speaker 1: But sometimes we could never agree on the approach because

836
00:46:48,160 --> 00:46:50,719
Speaker 1: I'm gonna say, now, you think it's too big to

837
00:46:50,920 --> 00:46:55,040
Speaker 1: handed like that? And sometimes you're gonna say, Yo, you're overthinking, man,

838
00:46:55,160 --> 00:46:58,799
Speaker 1: just handle it like this, like how Swaye was just like, yo, bro,

839
00:46:59,080 --> 00:47:06,160
Speaker 1: just just back up and just empower yourself. Bro. It's like,

840
00:47:06,440 --> 00:47:08,560
Speaker 1: now I'm thinking about it, it's probably what I could

841
00:47:08,560 --> 00:47:11,080
Speaker 1: have done and did it a totally different way. But

842
00:47:11,200 --> 00:47:14,120
Speaker 1: what the impact had been the same, That's the question.

843
00:47:14,160 --> 00:47:17,440
Speaker 1: Then now you got a new question, would yeasy with Kanye?

844
00:47:17,480 --> 00:47:20,160
Speaker 1: Which impact been the same? Had he not went with Nike,

845
00:47:20,560 --> 00:47:22,880
Speaker 1: had he not went with a Dita, had he not

846
00:47:23,040 --> 00:47:25,480
Speaker 1: did some of these deals and brand deals with these

847
00:47:25,560 --> 00:47:27,719
Speaker 1: Virgil and Louis and all of these things, if he

848
00:47:27,880 --> 00:47:32,640
Speaker 1: had not went the industry route with his involvement in

849
00:47:32,760 --> 00:47:35,919
Speaker 1: culture be that huge as it is, because I think

850
00:47:35,960 --> 00:47:38,400
Speaker 1: part of what made him that guy's his fight with

851
00:47:38,560 --> 00:47:42,360
Speaker 1: that industry. Some of that, some of his cache in

852
00:47:42,440 --> 00:47:45,040
Speaker 1: that place is because of that. In my opinion, when

853
00:47:45,080 --> 00:47:47,399
Speaker 1: I finally go to Heaven, I get to talk to God,

854
00:47:47,440 --> 00:47:50,920
Speaker 1: I'm gonna say, why did you that all these people

855
00:47:51,040 --> 00:47:55,680
Speaker 1: think I was so crazy? And God is gonna say, well,

856
00:47:55,719 --> 00:48:00,719
Speaker 1: it was a camouflage. I was protecting you, protecting you

857
00:48:00,800 --> 00:48:06,480
Speaker 1: from what just you know, people right off the fact

858
00:48:06,520 --> 00:48:09,040
Speaker 1: that I'm going to change the world, they just think

859
00:48:09,080 --> 00:48:12,120
Speaker 1: it's crazy. How are you going to change the world more?

860
00:48:12,480 --> 00:48:14,040
Speaker 1: How are we going to change the world more? Not

861
00:48:14,160 --> 00:48:16,279
Speaker 1: just eating? You are, what you consume in any way,

862
00:48:16,360 --> 00:48:19,680
Speaker 1: from the people that you're around, sunlight, the type of

863
00:48:20,360 --> 00:48:25,759
Speaker 1: you know, music, the art you listen to. So, uh,

864
00:48:26,600 --> 00:48:35,160
Speaker 1: we're gonna change everything. Apple is the number one company

865
00:48:35,160 --> 00:48:38,960
Speaker 1: on the planet and Yeez, he's going to take the spot.

866
00:48:40,719 --> 00:48:44,600
Speaker 1: Jeez is gonna be bigger than Apple, and we're gonna

867
00:48:44,600 --> 00:48:51,720
Speaker 1: be bigger by supporting the planet. So I'm Steve Jobs

868
00:48:52,080 --> 00:48:57,359
Speaker 1: and the Earth is Monoga. Way you mean talking about

869
00:48:57,480 --> 00:48:59,520
Speaker 1: you're talking about in just clothing. When you're saying that

870
00:48:59,520 --> 00:49:00,880
Speaker 1: you're going to change the world and that you're going

871
00:49:00,920 --> 00:49:03,719
Speaker 1: to replace Apple as yeasy, I mean right now, we're

872
00:49:03,760 --> 00:49:05,520
Speaker 1: not gonna say we're going to replace Apple. We're still

873
00:49:05,520 --> 00:49:07,880
Speaker 1: gonna use Apple. Apple is just a it's a standard,

874
00:49:07,880 --> 00:49:10,200
Speaker 1: it's a base. Apple is part of the reason that

875
00:49:10,360 --> 00:49:12,680
Speaker 1: Yez is going to have the opportunity to be bigger.

876
00:49:13,160 --> 00:49:16,759
Speaker 1: We're going to stand on the shoulders of Apple. And

877
00:49:16,840 --> 00:49:19,480
Speaker 1: that's exactly what Steve would have wanted. He would have

878
00:49:19,520 --> 00:49:22,759
Speaker 1: wanted to inspire a kid like me, as jay Z

879
00:49:22,920 --> 00:49:29,080
Speaker 1: said and show in the show movie Eating Cereal, to

880
00:49:29,680 --> 00:49:32,759
Speaker 1: stand on the shoulders at Apple and take it to

881
00:49:32,880 --> 00:49:38,720
Speaker 1: the next frontier and to realize that the human being

882
00:49:39,760 --> 00:49:46,040
Speaker 1: is the iPhone and our earth is our office, and

883
00:49:46,360 --> 00:49:50,279
Speaker 1: we need to support both of those things and everything

884
00:49:50,680 --> 00:49:54,759
Speaker 1: that we do. And that's how not me, but we

885
00:49:55,719 --> 00:49:58,880
Speaker 1: as a collective, our species, we're going to change the world.

886
00:49:59,239 --> 00:50:03,200
Speaker 1: We're going to change the world through information, through knowledge,

887
00:50:03,760 --> 00:50:06,440
Speaker 1: through love, through respect. Oh no, let me try to

888
00:50:06,520 --> 00:50:10,720
Speaker 1: digest that was heavy. The human is the eye phone

889
00:50:11,239 --> 00:50:18,440
Speaker 1: and the world is our office. That's heavy. That's heavy.

890
00:50:19,360 --> 00:50:21,319
Speaker 1: I don't know if I want to dive into that. Yeah,

891
00:50:21,320 --> 00:50:24,239
Speaker 1: I haven't. That's literally I'm watching this right now live,

892
00:50:24,400 --> 00:50:27,120
Speaker 1: so I'm not sure I want to dive into that,

893
00:50:27,200 --> 00:50:29,160
Speaker 1: but I do want to just say that that is

894
00:50:29,239 --> 00:50:33,640
Speaker 1: extremely heavy. If you don't know, Yo, that's some heavy

895
00:50:33,680 --> 00:50:39,920
Speaker 1: talk right there. The idea that you can have you

896
00:50:39,960 --> 00:50:42,960
Speaker 1: can program the human the same way you do a phone,

897
00:50:43,080 --> 00:50:49,759
Speaker 1: or you can appeal to the humans natural instincts in

898
00:50:49,840 --> 00:50:52,279
Speaker 1: the way that the phone does, right That's what my

899
00:50:52,320 --> 00:50:58,080
Speaker 1: mind is going, like, Yo, that's heavy. That's heavy because

900
00:50:58,080 --> 00:51:01,399
Speaker 1: so picture like if somebody like Kanye Wist is looking

901
00:51:01,440 --> 00:51:05,600
Speaker 1: at these people like his characters, you know, like GTA,

902
00:51:05,719 --> 00:51:07,560
Speaker 1: you go on your closet, you put this on, you

903
00:51:07,640 --> 00:51:09,719
Speaker 1: put this on, you say this, you act like this,

904
00:51:09,880 --> 00:51:13,440
Speaker 1: you drive this car, he could be in a weird

905
00:51:13,480 --> 00:51:18,120
Speaker 1: way thinking that He's like, Yo, that's that's heavy talk

906
00:51:18,239 --> 00:51:19,880
Speaker 1: right there. I'm gonna think about that and get to

907
00:51:19,920 --> 00:51:22,880
Speaker 1: that in a couple of weeks, talk about this and

908
00:51:22,920 --> 00:51:24,920
Speaker 1: get out of here. Maybe a short part for this

909
00:51:25,000 --> 00:51:28,880
Speaker 1: week Academics. Academics again has just had an event for

910
00:51:28,880 --> 00:51:30,919
Speaker 1: a week He's been in the news a lot this week,

911
00:51:30,960 --> 00:51:33,520
Speaker 1: so he's come up on all these platforms. He was

912
00:51:33,560 --> 00:51:36,680
Speaker 1: invited to Breakfast Club. I think it's an interesting dynamic

913
00:51:36,719 --> 00:51:40,160
Speaker 1: that certain people have with Academics his place in the game.

914
00:51:40,200 --> 00:51:42,600
Speaker 1: It's solidified he has a place in the game. I

915
00:51:42,640 --> 00:51:46,000
Speaker 1: just think he's confused about his position in the game.

916
00:51:47,520 --> 00:51:52,799
Speaker 1: I don't view Academics as a podcaster, right. I view

917
00:51:52,920 --> 00:51:55,120
Speaker 1: him like I don't. I don't view him as a

918
00:51:55,120 --> 00:51:57,880
Speaker 1: podcast of personality kind of guy. I view him as

919
00:51:57,960 --> 00:52:06,319
Speaker 1: like a I don't view him as a podcast personality

920
00:52:06,400 --> 00:52:08,160
Speaker 1: kind of guy. I really don't know how I view it,

921
00:52:08,200 --> 00:52:10,000
Speaker 1: but I don't view it that way when it comes

922
00:52:10,000 --> 00:52:12,520
Speaker 1: to act. But that can't take from what he's done,

923
00:52:12,560 --> 00:52:14,719
Speaker 1: the money he's making. But I think it's a conversation

924
00:52:14,760 --> 00:52:18,840
Speaker 1: that needs to be had in regards to what is

925
00:52:18,920 --> 00:52:21,080
Speaker 1: that that he's doing. But set that to the side,

926
00:52:21,080 --> 00:52:26,040
Speaker 1: we're dealing with what he said to Little Wayne's daughter,

927
00:52:26,160 --> 00:52:29,920
Speaker 1: Regindate Carter. For those of you are unaware, Regindate used

928
00:52:29,960 --> 00:52:32,880
Speaker 1: to be in a relationship with wife and Lucci. I

929
00:52:32,920 --> 00:52:35,719
Speaker 1: guess that that relationship is over. Wife and Lucas in

930
00:52:35,840 --> 00:52:39,520
Speaker 1: jail fighting Rico trying to get out, um, you know,

931
00:52:40,000 --> 00:52:42,640
Speaker 1: mixed in all that down there. So academics came out

932
00:52:42,640 --> 00:52:48,399
Speaker 1: and said a few things about Regina. Let's listen to it, y'all.

933
00:52:48,440 --> 00:52:51,920
Speaker 1: Remember lu Wayne's daughter, loud Wayne's daughter. My bad, I

934
00:52:52,040 --> 00:52:57,439
Speaker 1: forgot her name, Reginate. Regina loved hood is, she loved

935
00:52:57,480 --> 00:53:01,279
Speaker 1: wife and Luci that was her, that was her bro.

936
00:53:01,480 --> 00:53:04,720
Speaker 1: She loved the hood. He had thug life tied across

937
00:53:04,719 --> 00:53:06,680
Speaker 1: the chest. I think even Wayne got thug life tied

938
00:53:06,680 --> 00:53:08,640
Speaker 1: across the chest. She loved that showing up to all

939
00:53:08,719 --> 00:53:13,120
Speaker 1: type of BT celebrity basketball game. She loved that man.

940
00:53:13,680 --> 00:53:16,080
Speaker 1: You know what he's like, let me not call you

941
00:53:16,080 --> 00:53:17,680
Speaker 1: know what. He seems to me like they love honing

942
00:53:17,920 --> 00:53:20,880
Speaker 1: of course, and I think of to twenty five the

943
00:53:21,000 --> 00:53:26,400
Speaker 1: life though. Everything was all good with him until she

944
00:53:26,520 --> 00:53:31,600
Speaker 1: realized that the reco she's seen that murder, that murder

945
00:53:31,719 --> 00:53:34,800
Speaker 1: charge on the show. I've never seen a chick quickly

946
00:53:34,920 --> 00:53:38,200
Speaker 1: reging nay, some arm on, I don't even know who

947
00:53:38,200 --> 00:53:42,040
Speaker 1: this name is, like even downgraded like and so academics

948
00:53:42,080 --> 00:53:45,240
Speaker 1: came out and said, you know that about the young lady,

949
00:53:45,239 --> 00:53:49,279
Speaker 1: and he received some backlash. You know, he's having conversations

950
00:53:49,320 --> 00:53:52,440
Speaker 1: on his Twitch and he's getting credit for podcasts, and

951
00:53:52,440 --> 00:53:55,640
Speaker 1: I want to be clear, respect due to academics, that's

952
00:53:55,680 --> 00:53:58,839
Speaker 1: not podcasting. What he's doing is just drunk talking. That's

953
00:53:58,880 --> 00:54:03,399
Speaker 1: just something drunk talking at his house. It's not podcasting, right.

954
00:54:04,120 --> 00:54:07,600
Speaker 1: So what I find interesting is and I'm not saying,

955
00:54:07,920 --> 00:54:10,560
Speaker 1: I'm not asking him to cater his commentary. Right, you

956
00:54:10,680 --> 00:54:14,080
Speaker 1: do it with your voice, what you feel. Just understand

957
00:54:14,080 --> 00:54:17,560
Speaker 1: that there's receipts on what you're purchasing, and so at

958
00:54:17,600 --> 00:54:19,600
Speaker 1: some point people gonna want to bring some of that

959
00:54:20,800 --> 00:54:23,319
Speaker 1: energy back to you that you that you put out there.

960
00:54:23,320 --> 00:54:25,000
Speaker 1: And I took a receipt on some of that. You

961
00:54:25,080 --> 00:54:27,239
Speaker 1: know what I'm saying. So with that in mind, I

962
00:54:27,360 --> 00:54:29,319
Speaker 1: view it. I said, all right, mom, let them, let them.

963
00:54:29,360 --> 00:54:31,959
Speaker 1: Let's see how how he handles this. Now. The first

964
00:54:32,000 --> 00:54:36,279
Speaker 1: trigger thing was the young girl's mother came out. He

965
00:54:36,400 --> 00:54:40,000
Speaker 1: said the word there, but he took it back immediately,

966
00:54:40,080 --> 00:54:42,920
Speaker 1: so I'll give him that. But when the mother came out,

967
00:54:43,080 --> 00:54:46,160
Speaker 1: I said, all right, this is a problem. She came

968
00:54:46,160 --> 00:54:48,400
Speaker 1: out and tweeted to him and said something about listening.

969
00:54:48,480 --> 00:54:51,240
Speaker 1: Let my young daughter live a life. Man, she's twenty something.

970
00:54:51,280 --> 00:54:54,000
Speaker 1: You speaking on her and you're calling a bitch. That's

971
00:54:54,040 --> 00:54:56,360
Speaker 1: not cool. So what that told me was that's the

972
00:54:56,440 --> 00:55:02,560
Speaker 1: message they got back to Wayne, not that she told Wayne.

973
00:55:02,600 --> 00:55:05,040
Speaker 1: But I know that he's not somewhere looking out at

974
00:55:05,040 --> 00:55:07,600
Speaker 1: the internet trying to see what's happening. But you must

975
00:55:07,680 --> 00:55:10,680
Speaker 1: understand that what you just did to my daughter is

976
00:55:10,719 --> 00:55:14,400
Speaker 1: a violation that just landed you in a real interesting

977
00:55:14,480 --> 00:55:17,920
Speaker 1: place in my opinion. Right now. You can stand on

978
00:55:18,040 --> 00:55:20,040
Speaker 1: it and say it's media and all that if you want,

979
00:55:20,080 --> 00:55:23,000
Speaker 1: and you got that right to do that. I don't

980
00:55:23,080 --> 00:55:25,280
Speaker 1: see Wayne looking at that and saying, all right, baby,

981
00:55:25,280 --> 00:55:28,239
Speaker 1: this is media. You know. He let slip out of

982
00:55:28,239 --> 00:55:31,520
Speaker 1: his mouth to my daughter, and you know, my daughter

983
00:55:31,560 --> 00:55:33,520
Speaker 1: and him look at me like the most powerful man

984
00:55:33,560 --> 00:55:36,960
Speaker 1: in history. I'm little Wayne. So I gotta let you

985
00:55:37,040 --> 00:55:40,399
Speaker 1: slip bitch out. I gotta let you slip that out.

986
00:55:40,480 --> 00:55:43,239
Speaker 1: And then retracted, real quicken and tell my daughter, babe,

987
00:55:43,239 --> 00:55:47,319
Speaker 1: he retracted, you know, and you still kind of slick

988
00:55:47,440 --> 00:55:49,680
Speaker 1: standing on It's a weird place, right And so I

989
00:55:49,680 --> 00:55:51,600
Speaker 1: look at him, I'm like, I see, I see what

990
00:55:51,680 --> 00:55:53,720
Speaker 1: he's doing. I think he's been in a place where

991
00:55:54,120 --> 00:55:59,520
Speaker 1: I'm sorry, feels weak to him. You know, I'm sorry

992
00:55:59,560 --> 00:56:02,560
Speaker 1: probably feels weak the academics, so he don't necessarily want

993
00:56:02,560 --> 00:56:05,640
Speaker 1: to tell he rapped sorry for nothing. You know, you

994
00:56:05,680 --> 00:56:08,440
Speaker 1: feel like I ain't bounding down. They've dumb me wrong.

995
00:56:08,520 --> 00:56:10,960
Speaker 1: So in my opinion, that's the kind of energy I

996
00:56:11,040 --> 00:56:13,480
Speaker 1: get because it's something like this, there's nothing to be

997
00:56:13,560 --> 00:56:20,120
Speaker 1: said outside of I'm sorry about that, in my opinion. Now,

998
00:56:20,200 --> 00:56:22,839
Speaker 1: we can't say that's always someone's daughter. But when you're

999
00:56:22,840 --> 00:56:27,839
Speaker 1: speaking down in age wise, when you're speaking down age wise, right,

1000
00:56:27,880 --> 00:56:30,520
Speaker 1: when you are old as man speaking to a young

1001
00:56:30,640 --> 00:56:34,319
Speaker 1: girl and calling, and that might be especially she ain't

1002
00:56:34,600 --> 00:56:38,880
Speaker 1: enforced or made any type of thread or indication of

1003
00:56:39,080 --> 00:56:41,279
Speaker 1: violence or anything to you. When you're speaking to it

1004
00:56:41,440 --> 00:56:44,000
Speaker 1: in that way, you don't know or you have no

1005
00:56:44,120 --> 00:56:47,759
Speaker 1: relationship with her. And then she's the daughter of one

1006
00:56:47,760 --> 00:56:50,799
Speaker 1: of the most famous rappers that ever has been seen

1007
00:56:50,920 --> 00:56:54,120
Speaker 1: in our coaching, and you happen to cover rap. That's

1008
00:56:54,120 --> 00:56:57,000
Speaker 1: a weird place to be in. Right. There's a lot

1009
00:56:57,000 --> 00:56:59,239
Speaker 1: of grown women or women your age are older than

1010
00:56:59,280 --> 00:57:01,160
Speaker 1: you you can talk about or that's a way you

1011
00:57:01,160 --> 00:57:04,680
Speaker 1: can talk about him, right, I know that's live streaming.

1012
00:57:05,160 --> 00:57:07,120
Speaker 1: That's why it could have came out and you posted

1013
00:57:07,200 --> 00:57:10,759
Speaker 1: just immediately said sorry, right, and then when somebody to

1014
00:57:10,800 --> 00:57:13,640
Speaker 1: reach out, Man, I'm sorry about that. I apologize about that.

1015
00:57:13,640 --> 00:57:16,200
Speaker 1: That wasn't cool. I'm too old for that, you know

1016
00:57:16,240 --> 00:57:18,000
Speaker 1: what I'm saying. But I think he don't know how

1017
00:57:18,040 --> 00:57:20,800
Speaker 1: to see. This is a thing about being cool. When

1018
00:57:20,800 --> 00:57:24,720
Speaker 1: you were cool, you can do anything cool. You know,

1019
00:57:24,840 --> 00:57:29,320
Speaker 1: you eat cool, you apologize cool, you dress cool. See

1020
00:57:29,320 --> 00:57:31,520
Speaker 1: when you when you just learn how to be cool,

1021
00:57:31,560 --> 00:57:33,960
Speaker 1: and this one thing, sometimes you might not want to

1022
00:57:34,240 --> 00:57:36,760
Speaker 1: shake out of that because I don't really know nothing else,

1023
00:57:37,240 --> 00:57:39,880
Speaker 1: you know what I'm saying. But when you just that, man,

1024
00:57:39,920 --> 00:57:41,520
Speaker 1: you can be like, oh my fault, big brother, I

1025
00:57:41,920 --> 00:57:44,520
Speaker 1: apologize about that. I stepped on your shoe. My fault

1026
00:57:44,560 --> 00:57:47,800
Speaker 1: home and keep it moving. But when you got to

1027
00:57:47,880 --> 00:57:50,600
Speaker 1: live in that super tough more, you step on shoe

1028
00:57:50,640 --> 00:57:52,320
Speaker 1: and speak him. Man, while you got your foot in

1029
00:57:52,360 --> 00:57:54,840
Speaker 1: the weight, you ready to die about something you ain't

1030
00:57:54,880 --> 00:57:57,960
Speaker 1: even right. You just on some mother ship. But academics

1031
00:57:58,040 --> 00:58:01,200
Speaker 1: was under fire. Now it did kind seem orchestrated a

1032
00:58:01,200 --> 00:58:05,160
Speaker 1: little bit because you had this came out with with

1033
00:58:05,760 --> 00:58:08,520
Speaker 1: Little Wayne's daughter. You had him under fire about the

1034
00:58:08,560 --> 00:58:12,720
Speaker 1: p and b Rock thing. Um and then about the rappers,

1035
00:58:12,840 --> 00:58:15,040
Speaker 1: the old rappers. This was all kind of at once,

1036
00:58:15,160 --> 00:58:17,640
Speaker 1: just coming down the turnpike. But here's an interesting thing.

1037
00:58:17,840 --> 00:58:19,720
Speaker 1: We're gonna listen to a little bit of what DJ

1038
00:58:19,840 --> 00:58:22,760
Speaker 1: Academic said on the Breakfast Club and we'll come back

1039
00:58:22,800 --> 00:58:27,120
Speaker 1: with some game even all right, I didn't hear the

1040
00:58:27,120 --> 00:58:29,360
Speaker 1: clip because it was it was so and what reppers?

1041
00:58:29,400 --> 00:58:32,680
Speaker 1: Did you call her daughter? If you ever? Okay, So

1042
00:58:33,480 --> 00:58:39,400
Speaker 1: I didn't necessarily refer to hers. I was speaking about, right, um,

1043
00:58:39,440 --> 00:58:41,960
Speaker 1: a public relationship that's been posting on Shade Room and

1044
00:58:42,000 --> 00:58:44,520
Speaker 1: everywhere else. And that's another thing everybody keeps saying, you'll

1045
00:58:44,520 --> 00:58:48,560
Speaker 1: act while you're coming on these things. We're in an

1046
00:58:48,560 --> 00:58:53,440
Speaker 1: age that people are monetizing relationship. You can't like I

1047
00:58:53,600 --> 00:58:55,640
Speaker 1: monetized my life. And if I share stuff I came out,

1048
00:58:55,680 --> 00:58:57,280
Speaker 1: you're show me. Why are you talked about that dog?

1049
00:58:57,840 --> 00:59:02,520
Speaker 1: That's facts. Now. Granted, there's sensitive areas there, and that's

1050
00:59:02,560 --> 00:59:04,280
Speaker 1: where I wanted to make sure when I addressed my

1051
00:59:04,280 --> 00:59:07,960
Speaker 1: tone was right. I'm cracking jokes, cracking jokes, okay, And

1052
00:59:08,000 --> 00:59:09,800
Speaker 1: I even said it on the I think she had

1053
00:59:10,120 --> 00:59:12,240
Speaker 1: Shade Room posted and I said, I said, listen, it

1054
00:59:12,320 --> 00:59:14,240
Speaker 1: was a joke. Um. And by the way I did

1055
00:59:14,320 --> 00:59:16,680
Speaker 1: say the B word, I attracted it. One second later

1056
00:59:16,680 --> 00:59:19,200
Speaker 1: I said I shouldn't say that because her name was

1057
00:59:19,240 --> 00:59:22,720
Speaker 1: slightly associated with it, right that he cleared himself, cleared

1058
00:59:22,720 --> 00:59:24,520
Speaker 1: it up. And by the way you say to hear it,

1059
00:59:25,400 --> 00:59:27,520
Speaker 1: I immediately like, as soon as it's as as I

1060
00:59:27,520 --> 00:59:29,880
Speaker 1: shouldn't say that. And then and I said, like women

1061
00:59:30,000 --> 00:59:33,320
Speaker 1: or something that was definitely much more appropriate. But here's

1062
00:59:33,320 --> 00:59:35,919
Speaker 1: the point, and go, she smooth just dipped on that dude.

1063
00:59:35,960 --> 00:59:39,040
Speaker 1: She got like the opposite of of like his archetype,

1064
00:59:39,040 --> 00:59:41,560
Speaker 1: which which I'm just saying, a gangster. Right, I'm like,

1065
00:59:42,520 --> 00:59:43,920
Speaker 1: I don't know a lot of And that's when I

1066
00:59:43,960 --> 00:59:46,200
Speaker 1: used the word. I know a lot of the B words,

1067
00:59:46,320 --> 00:59:48,800
Speaker 1: And I said, I shouldn't say that. A lot of

1068
00:59:48,840 --> 00:59:50,880
Speaker 1: women who do the same thing, do you know what

1069
00:59:50,960 --> 00:59:53,000
Speaker 1: I mean? Yeah, the B word is a conundrum, right,

1070
00:59:53,000 --> 00:59:55,040
Speaker 1: because it's it's like the N word. Um. You know,

1071
00:59:55,120 --> 00:59:57,520
Speaker 1: when you use it the way you used it, or

1072
00:59:57,520 --> 01:00:00,280
Speaker 1: when you hear it in music, it doesn't say you.

1073
01:00:00,280 --> 01:00:02,280
Speaker 1: But if somebody called your mama that a woman that

1074
01:00:02,320 --> 01:00:04,440
Speaker 1: you love, that now you're up in arm. So I

1075
01:00:04,520 --> 01:00:07,280
Speaker 1: even you know, even when you see the rappers getting upset.

1076
01:00:07,320 --> 01:00:10,080
Speaker 1: I'm like, well, y'all use that and another thing the time.

1077
01:00:10,840 --> 01:00:12,360
Speaker 1: That's another But I get it though, I get it

1078
01:00:12,360 --> 01:00:14,400
Speaker 1: from both. I get I understand both sides. I will

1079
01:00:14,440 --> 01:00:16,200
Speaker 1: say this, right told you, did you act like a

1080
01:00:19,000 --> 01:00:21,160
Speaker 1: and you know what I'm saying, because she was like,

1081
01:00:21,160 --> 01:00:23,200
Speaker 1: don't talk about don't talk about my child like that.

1082
01:00:23,200 --> 01:00:25,000
Speaker 1: I'm like that, but you're talking about my mama child

1083
01:00:25,000 --> 01:00:27,680
Speaker 1: like you told about me. Like, like, listen, first of all,

1084
01:00:27,680 --> 01:00:29,640
Speaker 1: I'm not commented on a kid here like she's twenty

1085
01:00:29,640 --> 01:00:32,160
Speaker 1: three years of age. She's she's having a public relationship.

1086
01:00:32,440 --> 01:00:34,919
Speaker 1: And by the way, I've commented on this a lot.

1087
01:00:35,200 --> 01:00:38,400
Speaker 1: And also granted because I don't know these people, I'm

1088
01:00:38,560 --> 01:00:41,040
Speaker 1: I'm not trying to be disrespectful, but I'm also not

1089
01:00:41,080 --> 01:00:43,480
Speaker 1: sugarcoat and like, oh no, this is you know you

1090
01:00:43,520 --> 01:00:45,880
Speaker 1: could I could comment on Aria moneybag yo, but this

1091
01:00:46,040 --> 01:00:47,920
Speaker 1: right here, Oh no, no, you can't talk about it.

1092
01:00:48,080 --> 01:00:51,000
Speaker 1: I talk about everything, just like when if you read

1093
01:00:51,040 --> 01:00:55,560
Speaker 1: a conversation on the shade room my my Instagram, sit

1094
01:00:55,680 --> 01:00:58,240
Speaker 1: there giving up, but they tell you what they really feel. Yeah,

1095
01:00:58,320 --> 01:01:00,440
Speaker 1: these guys are slipper, right, Let's try to put some

1096
01:01:00,560 --> 01:01:04,200
Speaker 1: game around what he's saying. Listen. I think he's right.

1097
01:01:04,240 --> 01:01:07,520
Speaker 1: I think you should be able to talk about everybody,

1098
01:01:07,600 --> 01:01:10,200
Speaker 1: since you do speak about some of these relationships, and

1099
01:01:10,440 --> 01:01:12,840
Speaker 1: I get it. These are public relationships, and that's not

1100
01:01:12,880 --> 01:01:16,440
Speaker 1: what the conversation was though. And I'm surprised that someone

1101
01:01:16,560 --> 01:01:19,880
Speaker 1: with the level of experience that Charlemagne and Envy has

1102
01:01:19,920 --> 01:01:22,400
Speaker 1: because everyone knows. I have respect for what they've did

1103
01:01:22,520 --> 01:01:26,840
Speaker 1: in this space. Charlemagne in particular, and Envious has done

1104
01:01:26,880 --> 01:01:30,840
Speaker 1: what he's done in DGM. But Charlemagne and Ye, I

1105
01:01:30,840 --> 01:01:34,240
Speaker 1: don't mean no disrespect by leaving out, but that whole

1106
01:01:34,280 --> 01:01:37,240
Speaker 1: breakfast club infrastructure over there. You know how I feel

1107
01:01:37,240 --> 01:01:39,280
Speaker 1: about what they've did in the space, and just the

1108
01:01:39,320 --> 01:01:42,960
Speaker 1: blueprint that they laid down and Charlemagne evolving into what

1109
01:01:42,960 --> 01:01:45,160
Speaker 1: he is today. But I do find it interesting that

1110
01:01:45,240 --> 01:01:48,840
Speaker 1: these guys find a way to help academics. I think

1111
01:01:48,840 --> 01:01:52,120
Speaker 1: it's clear, like when you watch these things, you see

1112
01:01:52,400 --> 01:01:57,360
Speaker 1: you see Charlemagne trying to strengthen act. You see it.

1113
01:01:57,360 --> 01:02:03,400
Speaker 1: It's like a visible thing. Because we're having two different conversations.

1114
01:02:03,640 --> 01:02:06,920
Speaker 1: And I know, if you're being rational and if you're

1115
01:02:06,960 --> 01:02:10,280
Speaker 1: being objective and you're listening, then you say, Okay, you're

1116
01:02:10,360 --> 01:02:12,840
Speaker 1: right about that. You should be able to speak about everyone,

1117
01:02:13,440 --> 01:02:16,480
Speaker 1: and that's not what we're speaking about here. Unfortunately, for

1118
01:02:16,560 --> 01:02:19,040
Speaker 1: your narrative, what we're speaking about here as you called

1119
01:02:19,120 --> 01:02:22,360
Speaker 1: up and I know it's slipped out, but unfortunately you're

1120
01:02:22,400 --> 01:02:26,920
Speaker 1: live streaming, so because you couldn't edit it, anything outside

1121
01:02:26,920 --> 01:02:30,280
Speaker 1: of i'm sorry needs to be viewed a certain way

1122
01:02:30,320 --> 01:02:33,600
Speaker 1: by the person that made the mistake. The people on

1123
01:02:33,640 --> 01:02:36,880
Speaker 1: the outside of the mistake have no obligation to understand

1124
01:02:36,880 --> 01:02:40,439
Speaker 1: that you're live streaming. And I know what you're gonna say, Well,

1125
01:02:40,440 --> 01:02:42,440
Speaker 1: we use in the coult yea all the time, and

1126
01:02:42,480 --> 01:02:44,400
Speaker 1: this and that and that. And if the mom comes

1127
01:02:44,400 --> 01:02:46,800
Speaker 1: out and says, hey, you're calling my daughter and you

1128
01:02:46,840 --> 01:02:49,440
Speaker 1: didn't mean to, you say you didn't mean to. I

1129
01:02:49,440 --> 01:02:52,800
Speaker 1: don't see why apologizing isn't on the table. I don't

1130
01:02:52,840 --> 01:02:57,640
Speaker 1: know why we stand on wrong. I just don't understand that. See,

1131
01:02:57,680 --> 01:02:59,680
Speaker 1: that's where y'all getting it wrong. And yeah, we use

1132
01:02:59,760 --> 01:03:02,880
Speaker 1: the but if we are approached and we're saying that, yo,

1133
01:03:02,920 --> 01:03:05,520
Speaker 1: we didn't mean to not mean it. I didn't mean

1134
01:03:05,640 --> 01:03:09,120
Speaker 1: that word I said, that's where we That's where you're

1135
01:03:09,160 --> 01:03:11,880
Speaker 1: losing me. When you say what y'all said, and I

1136
01:03:11,920 --> 01:03:14,720
Speaker 1: didn't mean it. But I'm not apologizing because I talk

1137
01:03:14,760 --> 01:03:19,360
Speaker 1: about everybody else. That's different. You ain't apologizing for talking

1138
01:03:19,400 --> 01:03:23,240
Speaker 1: about it. You're apologizing for saying, let's clarify the circumstances

1139
01:03:23,760 --> 01:03:30,560
Speaker 1: is anybody's it's a shot. At some point we gotta

1140
01:03:30,600 --> 01:03:33,040
Speaker 1: have a real conversation, because it's a difference. If you

1141
01:03:33,080 --> 01:03:37,120
Speaker 1: say y'all called you, you're acting like a respectfully and

1142
01:03:37,240 --> 01:03:40,680
Speaker 1: although that's disrespectful, then there will be no need for apology.

1143
01:03:40,720 --> 01:03:44,439
Speaker 1: And that's why nobody's confused because if you would have said, nah,

1144
01:03:44,560 --> 01:03:47,560
Speaker 1: stand on that, I said, be not minute. But you

1145
01:03:47,600 --> 01:03:51,040
Speaker 1: didn't say that. You said, nah, that's slipped down. Well,

1146
01:03:51,080 --> 01:03:53,200
Speaker 1: if that slipped out, make sure the apologists clear every

1147
01:03:53,200 --> 01:03:55,520
Speaker 1: time somebody bring that up. Ain't ridging that cart I no,

1148
01:03:55,560 --> 01:03:58,880
Speaker 1: I apologize for that. I let it slip out. That's

1149
01:03:58,960 --> 01:04:01,480
Speaker 1: if it's an accident, and that's where a contradicting come

1150
01:04:01,520 --> 01:04:04,080
Speaker 1: in there. But again, I think it's interesting to see

1151
01:04:04,160 --> 01:04:06,160
Speaker 1: because I even see it with Joe on the other side,

1152
01:04:06,200 --> 01:04:08,320
Speaker 1: and I can't wait to have a conversation with Charlemagne

1153
01:04:08,360 --> 01:04:12,040
Speaker 1: and Joe about this. It's visible for the savvy man

1154
01:04:12,160 --> 01:04:15,040
Speaker 1: that they try to strengthen academics because ac will have

1155
01:04:15,120 --> 01:04:17,960
Speaker 1: the same situation as Adam and they'll frame it different.

1156
01:04:18,000 --> 01:04:21,439
Speaker 1: Not Charlemagne, but Joe will frame it different. Now, Charlemagne

1157
01:04:21,880 --> 01:04:23,960
Speaker 1: steps in with Act on this and kind of it

1158
01:04:24,040 --> 01:04:27,080
Speaker 1: kind of feels like he's trying to hug him. He's

1159
01:04:27,120 --> 01:04:29,400
Speaker 1: trying to hug his narrative and strengthened it a little

1160
01:04:29,400 --> 01:04:33,000
Speaker 1: bit and help him with carrying over to the other side,

1161
01:04:33,280 --> 01:04:37,480
Speaker 1: you know, because I don't see him putting that together well.

1162
01:04:37,520 --> 01:04:40,880
Speaker 1: And for me again, I still don't see the parallel there.

1163
01:04:41,040 --> 01:04:42,680
Speaker 1: And when I do in mine and say, long, why

1164
01:04:42,720 --> 01:04:44,920
Speaker 1: do you think people are trying to strengthen Act because

1165
01:04:44,960 --> 01:04:46,960
Speaker 1: they don't make money off of him? Man? I think

1166
01:04:47,000 --> 01:04:49,920
Speaker 1: it's legacy. I think that Joe and Charlemagne has this

1167
01:04:50,040 --> 01:04:54,280
Speaker 1: thing about Act, about who legacy he's a part of.

1168
01:04:55,280 --> 01:04:57,520
Speaker 1: To me, I always think that Act looks at Joe

1169
01:04:57,600 --> 01:05:00,440
Speaker 1: more like competition than he does Charlomage. And I think

1170
01:05:00,440 --> 01:05:03,560
Speaker 1: he really looks at Charlottmagine like a big homie. And

1171
01:05:03,600 --> 01:05:06,600
Speaker 1: I think he looks at Joe like you, my boy.

1172
01:05:06,720 --> 01:05:09,520
Speaker 1: But but it ain't like that with you. That's my opinion.

1173
01:05:09,600 --> 01:05:11,360
Speaker 1: And I got the right to have my opinion. I

1174
01:05:11,480 --> 01:05:14,480
Speaker 1: view it from from my perspective, and then I asked myself,

1175
01:05:14,520 --> 01:05:16,640
Speaker 1: do I do you think it's genuine or is it?

1176
01:05:16,720 --> 01:05:20,640
Speaker 1: Because Academics been around long enough to know everybody's secrets.

1177
01:05:21,200 --> 01:05:23,680
Speaker 1: So Academics has a joke on a lot of these

1178
01:05:23,720 --> 01:05:25,840
Speaker 1: guys where he kind of knows certain things that he

1179
01:05:25,840 --> 01:05:29,880
Speaker 1: can be tedious with it. With his kind of big platform,

1180
01:05:30,000 --> 01:05:33,280
Speaker 1: especially in the social media space and YouTube space, right,

1181
01:05:33,320 --> 01:05:36,800
Speaker 1: he can definitely pound the narrative on some of these

1182
01:05:36,800 --> 01:05:40,320
Speaker 1: guys and make them disappear or make them be viewed

1183
01:05:40,320 --> 01:05:42,080
Speaker 1: in the light that they don't want to be viewed in.

1184
01:05:42,320 --> 01:05:45,200
Speaker 1: But if they're gonna call what Academics does on Twitch

1185
01:05:45,240 --> 01:05:47,920
Speaker 1: podcast and then they can't call this what I'm doing

1186
01:05:48,000 --> 01:05:50,880
Speaker 1: podcasting because this ain't what he's doing, and what he's

1187
01:05:50,920 --> 01:05:54,080
Speaker 1: doing ain't what I'm doing. So we got to identify

1188
01:05:54,240 --> 01:05:57,280
Speaker 1: what's what's happening. I know that when he's on Twitch,

1189
01:05:57,280 --> 01:06:00,800
Speaker 1: that's that's him drunk talking, right, that's just him getting

1190
01:06:00,840 --> 01:06:03,880
Speaker 1: drunk at home talking very comfortable. When he's at Spotify

1191
01:06:03,920 --> 01:06:07,480
Speaker 1: at that office or whatever, that's him podcasting. When he

1192
01:06:07,520 --> 01:06:10,560
Speaker 1: does his YouTube thing, that's him content creating, right, I

1193
01:06:10,640 --> 01:06:13,960
Speaker 1: compartmentalize these things and view him in a way kind

1194
01:06:13,960 --> 01:06:15,840
Speaker 1: of different than the rest of the market, I guess,

1195
01:06:16,320 --> 01:06:20,920
Speaker 1: but that's not podcasting. But again, anything outside of it,

1196
01:06:21,040 --> 01:06:23,720
Speaker 1: I'm sorry in that instance would have been considered wrong

1197
01:06:23,800 --> 01:06:26,240
Speaker 1: in my opinion, TI reached out say, Yo, we need

1198
01:06:26,280 --> 01:06:29,360
Speaker 1: to have a conversation. Really, it was a lightweight push

1199
01:06:29,520 --> 01:06:32,560
Speaker 1: up what TI done to him, and I think they

1200
01:06:32,640 --> 01:06:37,440
Speaker 1: came to a resolve. You know, I'm not sure, but

1201
01:06:37,520 --> 01:06:39,920
Speaker 1: that's what it felt like. Now, I want to point

1202
01:06:39,920 --> 01:06:45,120
Speaker 1: this out just to kind of strengthen my academics, Charlemagne

1203
01:06:45,160 --> 01:06:48,040
Speaker 1: and Joe thing right about the way that AC looks

1204
01:06:48,040 --> 01:06:50,919
Speaker 1: at Joe and the way AC looks at Charlemagne. Let's

1205
01:06:50,960 --> 01:06:53,240
Speaker 1: take a little brief look at this clip right here,

1206
01:06:53,560 --> 01:06:55,800
Speaker 1: like someone died and he put like a video with

1207
01:06:55,840 --> 01:06:57,600
Speaker 1: the guy who was like, yo, meet the guy who

1208
01:06:57,720 --> 01:07:01,600
Speaker 1: killed blah blah blah. Right. Joe Button also criticized you

1209
01:07:01,680 --> 01:07:05,520
Speaker 1: releasing the PMB interview Yeah a couple of days after

1210
01:07:05,560 --> 01:07:09,640
Speaker 1: his passing. Yeah, what were your thoughts on that? Joe's

1211
01:07:09,640 --> 01:07:12,560
Speaker 1: my man, and I think I think Joe primarily did

1212
01:07:12,560 --> 01:07:14,480
Speaker 1: that because he just got an Adam twenty two, I

1213
01:07:14,480 --> 01:07:18,000
Speaker 1: think Adam dropped like a video like someone died and

1214
01:07:18,040 --> 01:07:19,920
Speaker 1: he put like a video with the guy who like

1215
01:07:20,280 --> 01:07:23,000
Speaker 1: meet the guy who killed blah blah blah, right, and

1216
01:07:23,120 --> 01:07:25,440
Speaker 1: I thought, I think Joe was saying that was tasteless

1217
01:07:25,560 --> 01:07:29,080
Speaker 1: among other things when dealing with death. Um, I think

1218
01:07:29,080 --> 01:07:31,120
Speaker 1: this was completely different. So PM b Rock you know,

1219
01:07:31,440 --> 01:07:37,560
Speaker 1: tragically and unfortunately, you know, passed away in La murdered. Yeah,

1220
01:07:37,720 --> 01:07:41,920
Speaker 1: when somebody try to like, you know, rob him. The

1221
01:07:42,040 --> 01:07:46,800
Speaker 1: same week we do an interview where he's talking about

1222
01:07:46,800 --> 01:07:50,120
Speaker 1: a similar situation that almost happened. I remember asking, I said,

1223
01:07:50,960 --> 01:07:52,840
Speaker 1: so damn, why do you think that happened like that?

1224
01:07:52,920 --> 01:07:55,480
Speaker 1: He's like, man, I don't know the timing of it.

1225
01:07:56,320 --> 01:07:59,120
Speaker 1: I think number one, it was newsworthy, so so it's different.

1226
01:07:59,520 --> 01:08:01,280
Speaker 1: I don't like when people are just trying to monetize

1227
01:08:01,280 --> 01:08:04,120
Speaker 1: off death, but I think that's newsworthy. That's ads to

1228
01:08:04,200 --> 01:08:08,280
Speaker 1: what's going on, because maybe this just isn't random. Every

1229
01:08:08,360 --> 01:08:12,840
Speaker 1: media outlet does this. It doesn't matter if it's CNN, NBC, ABC.

1230
01:08:13,080 --> 01:08:17,200
Speaker 1: When somebody passes away, they got their montages and packages

1231
01:08:17,240 --> 01:08:21,120
Speaker 1: and old videos and pictures and old interviews. Everybody does it.

1232
01:08:21,520 --> 01:08:25,360
Speaker 1: I think I think in hip hop media, I like

1233
01:08:25,439 --> 01:08:27,920
Speaker 1: to say new and independent media is treat's differently because

1234
01:08:27,960 --> 01:08:31,080
Speaker 1: Revolt could run you know what I mean, the oldest

1235
01:08:31,120 --> 01:08:34,160
Speaker 1: interview or freestyle they have of pnb Rock and it's

1236
01:08:34,200 --> 01:08:36,280
Speaker 1: not like they're they're paying on Madge, you know what

1237
01:08:36,280 --> 01:08:38,320
Speaker 1: I mean, like they're showing love. So I do think

1238
01:08:38,360 --> 01:08:40,920
Speaker 1: there's a new TV networks where do you think advertising

1239
01:08:41,040 --> 01:08:43,920
Speaker 1: advertisings are agree They do these specials where they played

1240
01:08:43,960 --> 01:08:46,960
Speaker 1: the funeral back or they send for Queen Elizabeth. They

1241
01:08:46,960 --> 01:08:49,880
Speaker 1: sent all their journalists over it to the UK like

1242
01:08:50,000 --> 01:08:53,599
Speaker 1: it's the same thing what we do, or like what

1243
01:08:53,640 --> 01:08:55,599
Speaker 1: I'm successful they doing, and I like to call it

1244
01:08:55,640 --> 01:08:58,639
Speaker 1: I want to Draymond Graham myself on some new media shop.

1245
01:08:58,840 --> 01:09:01,400
Speaker 1: I do think these new plays are becoming so popular.

1246
01:09:01,720 --> 01:09:03,559
Speaker 1: You could be saying, lone where you're going with this?

1247
01:09:03,640 --> 01:09:06,040
Speaker 1: And I just want you to understand the different approach

1248
01:09:06,120 --> 01:09:09,320
Speaker 1: that ACC has with Charlomagne and Joe Button. I don't

1249
01:09:09,360 --> 01:09:10,840
Speaker 1: want to play it, I don't want to find it.

1250
01:09:10,880 --> 01:09:12,920
Speaker 1: But if you go back in the arc as when

1251
01:09:13,040 --> 01:09:17,479
Speaker 1: Joe was getting that act act basically say Joe Jokers

1252
01:09:17,520 --> 01:09:19,280
Speaker 1: say what he wanted. I'm gonna keep doing it, I'm

1253
01:09:19,280 --> 01:09:22,160
Speaker 1: gonna keep it. It's more competitive spirit. When he talked

1254
01:09:22,200 --> 01:09:27,559
Speaker 1: to Charlemagne, he says, hey, look, man, I don't think

1255
01:09:27,600 --> 01:09:30,160
Speaker 1: monetizing death is cool. Mine was a little different because

1256
01:09:30,160 --> 01:09:33,799
Speaker 1: it was before the end. He explained it totally different.

1257
01:09:34,520 --> 01:09:41,520
Speaker 1: He basically took Adam's side against Joe button just by proximity.

1258
01:09:41,560 --> 01:09:43,839
Speaker 1: Though he didn't come out and say I'm on Adam's side.

1259
01:09:43,960 --> 01:09:46,160
Speaker 1: It's just like I'm on hit side of the argument

1260
01:09:46,200 --> 01:09:49,679
Speaker 1: and I'm uploading something next week, so what I'm saying,

1261
01:09:49,880 --> 01:09:52,600
Speaker 1: and just that difference shows you that's something now. And

1262
01:09:52,680 --> 01:09:55,920
Speaker 1: it may just be competitive spirit. He may pour competitiveness

1263
01:09:56,000 --> 01:09:58,320
Speaker 1: from Joe and want to compete with him in that way,

1264
01:09:58,600 --> 01:10:01,200
Speaker 1: and he doesn't see Charlomage ain't in that same space,

1265
01:10:01,200 --> 01:10:03,120
Speaker 1: so he don't compete with him in that way. But

1266
01:10:03,439 --> 01:10:05,840
Speaker 1: it's definitely a reason why when he talks to Joe,

1267
01:10:05,920 --> 01:10:08,599
Speaker 1: it's more so like what Joe says, he can say

1268
01:10:08,600 --> 01:10:10,599
Speaker 1: what he wants to. I don't care about that. Well,

1269
01:10:10,640 --> 01:10:12,680
Speaker 1: he does the same thing. You talk about it. What's

1270
01:10:12,680 --> 01:10:16,400
Speaker 1: the difference between you talking about it and then sit

1271
01:10:16,479 --> 01:10:19,639
Speaker 1: down with Charlemagne and be like, yo, Adam Adam, them

1272
01:10:19,720 --> 01:10:21,760
Speaker 1: is different. They have an old interview and I don't

1273
01:10:21,800 --> 01:10:23,760
Speaker 1: like that. I ain't really owned that what I did

1274
01:10:23,920 --> 01:10:26,040
Speaker 1: wasn't that what I did was it was an interview

1275
01:10:26,120 --> 01:10:31,160
Speaker 1: prior to and he explained it very very detail, but

1276
01:10:31,240 --> 01:10:36,240
Speaker 1: he didn't give Joe Button that that same courtesy, and

1277
01:10:36,280 --> 01:10:39,439
Speaker 1: I just wanted to point that out. It's one more

1278
01:10:39,520 --> 01:10:41,519
Speaker 1: part that I want to pay attention to on this

1279
01:10:41,600 --> 01:10:44,880
Speaker 1: because it was an important question that was presented to academics,

1280
01:10:45,479 --> 01:10:48,400
Speaker 1: and that question was from Charlemagne and DJ Envy. I

1281
01:10:48,479 --> 01:10:50,960
Speaker 1: think Envy was the one that pointed this out. I

1282
01:10:51,040 --> 01:10:53,120
Speaker 1: want to really expend some time on this, just a

1283
01:10:53,120 --> 01:10:55,879
Speaker 1: little time on this so we can kind of see

1284
01:10:56,000 --> 01:10:58,920
Speaker 1: his reaction to this question. Let's take a look see, well,

1285
01:10:58,920 --> 01:11:00,800
Speaker 1: how do you give back to the code? Right? So

1286
01:11:01,080 --> 01:11:04,240
Speaker 1: how would you answer that? Well, I mean it's not

1287
01:11:04,320 --> 01:11:06,920
Speaker 1: it's not providing a platform for dudes who are trying

1288
01:11:06,920 --> 01:11:10,000
Speaker 1: to get out of certain situations and trying to further themselves,

1289
01:11:10,479 --> 01:11:13,040
Speaker 1: um in their career to help their family. Giving back,

1290
01:11:13,240 --> 01:11:15,800
Speaker 1: Like what sense of giving back is it is? It

1291
01:11:15,880 --> 01:11:20,200
Speaker 1: is just because but I didn't make a sizeable donation

1292
01:11:20,240 --> 01:11:23,160
Speaker 1: to anybody, like sizable donation. But like you said about

1293
01:11:23,200 --> 01:11:25,800
Speaker 1: you know, some of the as you put in dusty

1294
01:11:25,840 --> 01:11:29,000
Speaker 1: old old rappers. I remember sitting back and wondering, he's

1295
01:11:29,160 --> 01:11:31,080
Speaker 1: talking about the record contract, but how that look like

1296
01:11:32,080 --> 01:11:35,280
Speaker 1: I created a rap parody um thing called a little

1297
01:11:35,320 --> 01:11:37,600
Speaker 1: act that I could actually go get signed, that I

1298
01:11:37,600 --> 01:11:40,080
Speaker 1: could actually like, I got a JV to make sure

1299
01:11:40,680 --> 01:11:42,280
Speaker 1: because I don't want to be I remember back in

1300
01:11:42,320 --> 01:11:44,599
Speaker 1: the day when Ryan Clark looked at like Skip baylists

1301
01:11:44,680 --> 01:11:46,559
Speaker 1: or like it was Steven and a Smith and basically said,

1302
01:11:46,720 --> 01:11:51,280
Speaker 1: y'all never played no ball? Like how it was, yeah, yeah,

1303
01:11:51,680 --> 01:11:53,840
Speaker 1: play no ball? Like how are we gonna listen to

1304
01:11:53,840 --> 01:11:57,040
Speaker 1: the who's just the guy in the stands? So I

1305
01:11:57,160 --> 01:11:59,960
Speaker 1: tried my best to understand the game. And if you're

1306
01:12:00,000 --> 01:12:02,960
Speaker 1: that's a lot of these new artists, who was I

1307
01:12:03,080 --> 01:12:06,760
Speaker 1: just interview recently? Oh if it was Buster Richard or

1308
01:12:06,760 --> 01:12:09,559
Speaker 1: somebody else, But they were like, yo, you helped. You

1309
01:12:09,680 --> 01:12:12,800
Speaker 1: broke down the game for me. I just figured something

1310
01:12:12,800 --> 01:12:15,719
Speaker 1: out by listening to that. It's clear why you say

1311
01:12:15,720 --> 01:12:18,519
Speaker 1: that the old rappers are dusty and things like that,

1312
01:12:18,600 --> 01:12:22,360
Speaker 1: because you don't understand contribution. That's why when that question

1313
01:12:22,439 --> 01:12:25,439
Speaker 1: came up, he was kind of like lost a little bit,

1314
01:12:25,600 --> 01:12:28,880
Speaker 1: like Okay, so kind of what what do you mean contribution?

1315
01:12:29,000 --> 01:12:33,559
Speaker 1: Like providing a platform for guys? What what you mean

1316
01:12:33,640 --> 01:12:40,680
Speaker 1: a sizeable donation? Now, man, you gotta be resourceful, informative, available,

1317
01:12:41,720 --> 01:12:45,519
Speaker 1: Come speak at some of these events, pass out at

1318
01:12:45,600 --> 01:12:48,559
Speaker 1: some of these centers by lunch for some of these

1319
01:12:48,760 --> 01:12:52,559
Speaker 1: less fortunate individuals, just clicking on some of them videos, right,

1320
01:12:53,160 --> 01:12:55,920
Speaker 1: try to do some of those things. I definitely want

1321
01:12:55,920 --> 01:12:57,720
Speaker 1: to say this because I'm sure me to ask all

1322
01:12:57,760 --> 01:13:00,400
Speaker 1: these guys will have a conversation. They can't get around

1323
01:13:00,400 --> 01:13:03,599
Speaker 1: me for much longer. But act better have an answer

1324
01:13:03,600 --> 01:13:05,479
Speaker 1: to that question before he talked to me. You don't

1325
01:13:05,479 --> 01:13:07,240
Speaker 1: want to sit across from me and not have a

1326
01:13:07,240 --> 01:13:09,920
Speaker 1: clear answer as to what it is that you contribute

1327
01:13:09,960 --> 01:13:13,080
Speaker 1: to the culture. As you are critical of the founding

1328
01:13:13,160 --> 01:13:17,360
Speaker 1: fathers of the culture that held the contributions of this

1329
01:13:17,560 --> 01:13:20,240
Speaker 1: structure on their back. And so then we can even

1330
01:13:20,240 --> 01:13:22,599
Speaker 1: take it deeper than that when we have a conversation

1331
01:13:22,680 --> 01:13:25,080
Speaker 1: and say, all right, so you say you provide a platform.

1332
01:13:25,120 --> 01:13:27,600
Speaker 1: A lot of people, not me. I won't put my

1333
01:13:27,680 --> 01:13:30,000
Speaker 1: vote in as to where he stands, but a lot

1334
01:13:30,040 --> 01:13:34,000
Speaker 1: of people will say, Yo, your platform just speaks on

1335
01:13:34,120 --> 01:13:36,880
Speaker 1: beef and problems and things of that nature. And that's

1336
01:13:36,920 --> 01:13:40,320
Speaker 1: what kind of light that people get from your platform.

1337
01:13:40,479 --> 01:13:43,800
Speaker 1: Outside of that, it's bashing them, right, So it's if

1338
01:13:43,840 --> 01:13:46,680
Speaker 1: it's beef, put them up. And if it's something that

1339
01:13:46,760 --> 01:13:49,400
Speaker 1: makes them look like they're not the superstar they used

1340
01:13:49,400 --> 01:13:52,160
Speaker 1: to be, put them up. Right. If it's something great,

1341
01:13:52,160 --> 01:13:53,960
Speaker 1: they damn they gotta pay for you to put it

1342
01:13:54,080 --> 01:13:56,720
Speaker 1: up so he can go up. But the frequency, the

1343
01:13:56,840 --> 01:14:00,040
Speaker 1: volume is lower, you see what I'm saying. So the

1344
01:14:00,160 --> 01:14:03,080
Speaker 1: world you've created over there, a lot of people argue

1345
01:14:03,120 --> 01:14:06,320
Speaker 1: and say that it's a lot of it's beef heavy.

1346
01:14:06,800 --> 01:14:10,920
Speaker 1: So the platform you're saying you're providing in what way

1347
01:14:11,080 --> 01:14:14,320
Speaker 1: is anybody getting free posts? If people are doing good

1348
01:14:14,360 --> 01:14:16,599
Speaker 1: in the culture, do they get a post? Charleston White

1349
01:14:16,600 --> 01:14:18,519
Speaker 1: didn't get a post t you start coming on your

1350
01:14:18,560 --> 01:14:20,800
Speaker 1: platform or you was understood he was coming and he

1351
01:14:20,880 --> 01:14:23,880
Speaker 1: was on every pla shade room, everybody was posting him.

1352
01:14:24,560 --> 01:14:28,280
Speaker 1: You know. So I'm saying that contribution wise, we gotta

1353
01:14:28,320 --> 01:14:30,360
Speaker 1: start to lay that out. And if you don't got one,

1354
01:14:30,400 --> 01:14:33,839
Speaker 1: that ain't that ain't necessarily the biggest problem in the world.

1355
01:14:34,240 --> 01:14:36,400
Speaker 1: You just gotta get with some people in Lyne something

1356
01:14:36,479 --> 01:14:39,000
Speaker 1: up where you can start to be more, have more

1357
01:14:39,040 --> 01:14:42,280
Speaker 1: of a contribution and not be just taken from it,

1358
01:14:42,280 --> 01:14:45,000
Speaker 1: because that may be why you look at it that way.

1359
01:14:45,560 --> 01:14:47,880
Speaker 1: But I just wanted to speak on that. Man. Next

1360
01:14:47,920 --> 01:14:52,160
Speaker 1: week we'll ever conversation, you know, about another few things.

1361
01:14:52,439 --> 01:14:56,840
Speaker 1: I want to thank everybody that's always tuned. INN podcast

1362
01:14:57,000 --> 01:15:00,120
Speaker 1: is growing, man. I want to shout out there out

1363
01:15:00,120 --> 01:15:03,440
Speaker 1: of this posted me this week, and all the celebrities

1364
01:15:03,479 --> 01:15:08,040
Speaker 1: has been in communication with me. All the company's sponsorships,

1365
01:15:08,080 --> 01:15:10,559
Speaker 1: y'all hit me up, add people, y'all hit me up.

1366
01:15:11,520 --> 01:15:13,959
Speaker 1: Get in front these people and let's do some business.

1367
01:15:14,000 --> 01:15:19,320
Speaker 1: Have your bag together. But yeah, man, this podcast is growing,

1368
01:15:19,320 --> 01:15:22,840
Speaker 1: and I can't thank y'all enough. Man. I was coming

1369
01:15:22,920 --> 01:15:26,439
Speaker 1: home from the Revote summit. You know, I had been

1370
01:15:26,479 --> 01:15:29,639
Speaker 1: in eight I had been in three cities in eight days,

1371
01:15:30,920 --> 01:15:33,120
Speaker 1: you know, because I'm on the young role, running, hustling,

1372
01:15:33,200 --> 01:15:37,479
Speaker 1: trying to get the money, you know, and you know

1373
01:15:37,560 --> 01:15:39,519
Speaker 1: how women be, you know, they be on the phone.

1374
01:15:39,600 --> 01:15:41,720
Speaker 1: Yeah when you get home, you know, I'm yeah, I

1375
01:15:41,760 --> 01:15:43,880
Speaker 1: want some dick, you know, I want you to get

1376
01:15:43,960 --> 01:15:46,800
Speaker 1: me because she you know, ain't know I talk like that,

1377
01:15:46,920 --> 01:15:49,680
Speaker 1: so she know that's my vibration sometimes I get in

1378
01:15:49,720 --> 01:15:52,800
Speaker 1: that vibration where I'm motion. Yeah, you know eight man.

1379
01:15:52,880 --> 01:15:54,719
Speaker 1: You know when I come home, you know I'm gonna

1380
01:15:54,720 --> 01:15:57,400
Speaker 1: handle light. Yeah, So you know, I'm just one of

1381
01:15:57,439 --> 01:16:00,720
Speaker 1: them guys. So she trying to reciprocate that energy. But

1382
01:16:00,840 --> 01:16:03,479
Speaker 1: sometimes I think she'd be forgetting who she's talking to.

1383
01:16:03,680 --> 01:16:06,280
Speaker 1: So you know, I'm thinking, oh yeah, man, when I

1384
01:16:06,320 --> 01:16:08,840
Speaker 1: get there, yeah, I'm yeah, yeah, of course, yeah, we're

1385
01:16:08,840 --> 01:16:11,720
Speaker 1: gonna take care of that. So and I and I

1386
01:16:12,160 --> 01:16:14,120
Speaker 1: proceed to set the move. You know, I get the

1387
01:16:14,160 --> 01:16:16,559
Speaker 1: move cracking, you know, I get the thing wade pol

1388
01:16:16,600 --> 01:16:20,280
Speaker 1: to b. I'm an get down to it. I'm giving Dick.

1389
01:16:20,680 --> 01:16:23,880
Speaker 1: You know, I'm I'm giving Dick. I think it. You

1390
01:16:23,920 --> 01:16:27,080
Speaker 1: said you won't Dick. Huh you said you won't. I

1391
01:16:27,160 --> 01:16:30,680
Speaker 1: got Dick for you. You. I got Dick for you.

1392
01:16:30,800 --> 01:16:33,200
Speaker 1: That what you would tell my. So I'm giving Dick. Right,

1393
01:16:33,240 --> 01:16:36,599
Speaker 1: we get dumb man out unhurt her man, I said,

1394
01:16:36,680 --> 01:16:41,439
Speaker 1: oh man on her day slick over with. I said,

1395
01:16:41,439 --> 01:16:43,599
Speaker 1: you can't talk to me like like I'm putting like

1396
01:16:43,640 --> 01:16:46,360
Speaker 1: I ain't working with a monster. Now you got to

1397
01:16:46,360 --> 01:16:48,519
Speaker 1: talk to me. What's the lawyer? Your tone when you

1398
01:16:48,560 --> 01:16:51,439
Speaker 1: say you don't wan't no dick, You won't six. You

1399
01:16:51,479 --> 01:16:53,600
Speaker 1: said what you should have been telling me, babe, I

1400
01:16:53,680 --> 01:16:55,800
Speaker 1: want six when you get hunker, When you tell me

1401
01:16:55,840 --> 01:16:58,559
Speaker 1: you want some dick, that's a that's a challenge. You

1402
01:16:59,160 --> 01:17:02,400
Speaker 1: sound like you sound like you want to party. You

1403
01:17:02,439 --> 01:17:05,280
Speaker 1: know so, And it had been some time since I

1404
01:17:05,320 --> 01:17:07,920
Speaker 1: had put my hands on them, so you know this

1405
01:17:07,960 --> 01:17:10,200
Speaker 1: is a situation where I saw yet now you don't

1406
01:17:10,240 --> 01:17:12,720
Speaker 1: wan't know dick, you want six? And when y'all need

1407
01:17:12,720 --> 01:17:16,240
Speaker 1: to understand the difference, it's a difference. Now you don't

1408
01:17:16,240 --> 01:17:19,439
Speaker 1: want me to you know what I'm saying, because then

1409
01:17:19,479 --> 01:17:22,360
Speaker 1: you be somewhere with your stomach hurting. And for real,

1410
01:17:22,400 --> 01:17:24,439
Speaker 1: I'm gonna be honest. I don't want to really hurt

1411
01:17:24,520 --> 01:17:27,040
Speaker 1: no woman. Now, I don't really like it. Some of

1412
01:17:27,040 --> 01:17:30,160
Speaker 1: them like it. I don't like it. You know you

1413
01:17:30,280 --> 01:17:32,640
Speaker 1: hurt oh my god, it's hurting, or you hurt me

1414
01:17:32,840 --> 01:17:36,360
Speaker 1: or you know someone them nas, y'all let my stomach

1415
01:17:36,400 --> 01:17:38,479
Speaker 1: and y'all letting. I get it, you know what I'm saying.

1416
01:17:38,479 --> 01:17:40,600
Speaker 1: But I try now that it's a pleasure, it's a

1417
01:17:40,680 --> 01:17:44,840
Speaker 1: pleasure vibe, you know. But I got lost in that,

1418
01:17:45,000 --> 01:17:48,120
Speaker 1: don't you know? It was a challenge for me. So

1419
01:17:48,200 --> 01:17:50,880
Speaker 1: this is a PSA. I want all women to know. Man,

1420
01:17:52,080 --> 01:17:55,280
Speaker 1: when you did them with entrepreneur out and y'all on

1421
01:17:55,400 --> 01:17:58,479
Speaker 1: the you know grind and you some way excited for

1422
01:17:58,560 --> 01:18:00,600
Speaker 1: him because he paid, he about to come home, or

1423
01:18:00,640 --> 01:18:04,120
Speaker 1: he passing through or whatever the situation there. Man, don't

1424
01:18:04,160 --> 01:18:06,439
Speaker 1: be talking out like and he showed up giving you

1425
01:18:06,560 --> 01:18:09,280
Speaker 1: dick and you really just wanted six and now you

1426
01:18:09,960 --> 01:18:12,600
Speaker 1: and then you somewhere got to sleep the rest of

1427
01:18:12,640 --> 01:18:15,240
Speaker 1: the day. And she don't woll ye out, you know

1428
01:18:15,320 --> 01:18:18,479
Speaker 1: what I mean. So it's up there podcast. Man, I'll

1429
01:18:18,479 --> 01:18:21,040
Speaker 1: see y'all next week. Biggest in life. Just get it.