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Speaker 1: Alright, alright, everyone, gather around, gather around. I got some

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Speaker 1: stuff to play you. Welcome to the Friday Show. We

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Speaker 1: have so much going on today. We've got five seconds

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Speaker 1: of summer coming by. They're dropping by, some new music.

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Speaker 1: We've got Backstreet Boys coming in. They're gonna teach me

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Speaker 1: how to do that chair dance. We're gonna teach Frog

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Speaker 1: you had to do the wheelchair dance. We have a

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Speaker 1: very special guest joining us today, Honey German from Power

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Speaker 1: one five. I got Samantha getting ready for horoscopes over here.

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Speaker 1: Straight Nat is out, so the cat will play. All right,

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Speaker 1: Before we get the show officially started, I want to

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Speaker 1: give you some brand new music from Alessia Carra. I've

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Speaker 1: been waiting to play this for you, and finally here

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Speaker 1: he comes. This is called Growing Pains, brand new Alesia car.

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Speaker 1: Listen to their keep them Up and now, Oh let's

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Speaker 1: see a car. It's brand new. It's called Growing Pains.

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Speaker 1: And you know what she's going to be on with

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Speaker 1: us Tuesday morning? She performing Live? Hey straight is she

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Speaker 1: performing Lives? That's right? He's away. Are you guys ready

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Speaker 1: to pot it? For millions of morning radio fans, his

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Speaker 1: voice is instantly recognizable. That's the power of Satan. It's

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Speaker 1: very funny. It makes me feel better just to turn

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Speaker 1: on and listen. Just freaking losing. Everything's so random, funny,

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Speaker 1: Bring up, great, stand up? Are you stuck to the grill?

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Speaker 1: I'm going to work. It makes my day better and

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Speaker 1: at least rain in the morning. Showy, Good morning, Angelina.

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Speaker 1: Where are you calling from? Hi? I means when I'm

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Speaker 1: calling from Anchors, Alaska. Shut up. Yeah, And it's next week,

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Speaker 1: two o'clock in the morning right now. And actually I

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Speaker 1: try to stay up the night so I can catch

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Speaker 1: you guys lives. I love how typical New Yorker that

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Speaker 1: you're you're from Alaska? Shut up. You know what's our ship,

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Speaker 1: Norwegian Bliss. It's cruising up to Alaska in a couple

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Speaker 1: of weeks, and Danielle and Frog, you're going to be

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Speaker 1: on board. The weather like in Alaska right now. It's

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Speaker 1: in the high seventies right now. And actually I was

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Speaker 1: agreeing with Elvis you should wear a layer because it

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Speaker 1: can get really hot or really cold here in Alaska.

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Speaker 1: So I'm just yeah, I'm just trying to um, You're

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Speaker 1: gonna take as much clothing as you can I dressed

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Speaker 1: in layers, but not because I'm in Alaska. I dress

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Speaker 1: in layers because when I play trip trip poker, it

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Speaker 1: takes me longer, like exactly get to the center of

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Speaker 1: my soucker. So Angelina listening to us for every day

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Speaker 1: for the last five years, up late every night just

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Speaker 1: to hear us in Alaska. You are our first called

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Speaker 1: with the day may I sends you at Elvis Duran shure, Yeah,

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Speaker 1: And can you guys ruin it for me for you?

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Speaker 1: Can I just say something really quick? I don't poke

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Speaker 1: your microphone, but I just wanted to say to say

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Speaker 1: that she guts actually helped me learn English because I'm

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Speaker 1: moved from ubekas and each thousand seven and listening to

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Speaker 1: the radio actually helping it. We're in English. I just

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Speaker 1: I'm honey, if you're learning English from us, you've got

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Speaker 1: a problem. Thank you, versaying Angelina. Our guests later this morning,

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Speaker 1: five seconds of summer waking up? Do you hold me? Sent?

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Speaker 1: My god? Has this been a long week? Er? What?

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Speaker 1: We welcome our friend from Power one oh five one

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Speaker 1: here in New York, Honey German. She's guest hosting with

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Speaker 1: us today. Good morning, Honey, good morning. I'm I'm you

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Speaker 1: know what. You come from a station that plays a

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Speaker 1: lot of different music that we play. Okay, some of

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Speaker 1: your biggest artists are Drake, Mnage, Cardi B. We played them,

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Speaker 1: of course you do. Do you play Backstreet Boys in

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Speaker 1: five seconds of summer that we don't? Okay, Welcome to

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Speaker 1: the day. It's time to broad your horizons. We're going

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Speaker 1: to you're a fan, are like Everybody's gonna be a

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Speaker 1: big day today. I'm glad you're here. Plus, we're doing karaoke.

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Speaker 1: We're doing gay Pride karaoke today. Interesting, I've always wanted

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Speaker 1: to sing maybe you will today to day Today? Yeah, yeah,

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Speaker 1: I love that song. Anyway, Welcome to a Pride week.

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Speaker 1: We're doing something really special. As I was telling Honey

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Speaker 1: German and everyone that we're doing Pride karaoke. So, did

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Speaker 1: you choose a song today that has something to do

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Speaker 1: with Pride? No, Danielle, alright, mine is a Badway show.

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Speaker 1: So in my head, Broadway it's Broadway show. It was

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Speaker 1: a relationship. You know what about you, Samantha? Are you

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Speaker 1: singing a song today? Yes? Mine, I'm singing with Athleene

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Speaker 1: and it's kind of known to be a drag queen anthem. Okay,

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Speaker 1: drake queen anthem. Okay, So, honey, do you see like

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Speaker 1: there's a cohesiveness. I see what's happening here. I could

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Speaker 1: definitely go with Gloria Gaynor. You can't go wrong with

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Speaker 1: Gloria Gaynor. She has anthems for everyone. What about you, Froggy?

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Speaker 1: Are you doing a pride song today? I do not

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Speaker 1: have a pride song, but I do have a song

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Speaker 1: that is very representative of what's going on today. Okay, alright, alright,

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Speaker 1: that's interesting. Are doing a pride song? Well, I'm doing

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Speaker 1: sexy and I know it from L M F A oh,

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Speaker 1: because I googled a pride anthems and there it was.

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Speaker 1: All right, Well, I'm doing a little. I have two

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Speaker 1: pride songs I'm thinking of doing. I gotta choose one

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Speaker 1: of the other. They both involved the Muppets. We'll get

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Speaker 1: into that anyway. As you listen today hashtag Elvis Duran

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Speaker 1: Pride week. Uh send us you doing something pride like

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Speaker 1: wearing rainbows like I'm wearing my rainbow paramecium short. Oh

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Speaker 1: my god, those are extra I love those around the room.

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Speaker 1: This is you do, honey, every morning? It comes to

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Speaker 1: you if you have something on your mind. Earlier you

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Speaker 1: were talking about flip flops. Maybe that could be your thing.

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Speaker 1: We'll start with Danielle, what's on your mind today? So

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Speaker 1: this weekend, we have Father's Day coming on coming up,

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Speaker 1: and I feel like it's just NonStop. I feel like

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Speaker 1: it's great that it's Father's Day, and I'm excited to celebrate.

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Speaker 1: But don't you feel like it's just one thing after

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Speaker 1: another after another, like you cannot get a grip on everything.

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Speaker 1: I got too much going on that I can. Because

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Speaker 1: my dad's always get screwed on Father's Day. Because Mother's

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Speaker 1: Day just passed, and now they wanted to This is

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Speaker 1: my brother Cale. We're gonna have a barbecue and I

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Speaker 1: gotta go get the hamburgers, and I just feel like

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Speaker 1: I'm overwhelmed. It's crazy. But I love my dad, and

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Speaker 1: I love my husband, and I love my brother, so

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Speaker 1: I wouldn't do it anyway. Good for you, give dad

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Speaker 1: just to day, just to day. He gave you a

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Speaker 1: few when you're growing up, being a little still. It's

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Speaker 1: speaking of you know a lot of people's fathers are

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Speaker 1: serving either in the military or they're out there truckers.

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Speaker 1: You know dad's are doubt there doing things. Don't forget you.

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Speaker 1: You could have a friend whose dad is not the

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Speaker 1: here today call up and say, Yo, what's up? Hey,

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Speaker 1: what's up with you today? Samantha. So you know you're

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Speaker 1: a dog person when you are willing to lay down

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Speaker 1: in the streets of New York City just to give

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Speaker 1: one a proper petting. I was walking home the other

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Speaker 1: day and the dog and I we had that eye

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Speaker 1: contact moment where both of us were like, Oh, it's on.

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Speaker 1: And he starts wagging his tail and walk into hear

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Speaker 1: me and I still quickle run toward him. And I

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Speaker 1: made a best friend. And his name was Bruce, and

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Speaker 1: we laid down the sidewalk while his owner looked for

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Speaker 1: like fourteen seconds. Lay down on the sidewalk. Don't forget

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Speaker 1: all the people who pete on that side. Bruce is

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Speaker 1: probably one of them. Scary. What's up with you today? Well?

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Speaker 1: I got beer pressured last night. We've all heard of

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Speaker 1: peer pressure, but beer pressure is when you're forced by

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Speaker 1: someone you hadn't seen in a while to like go

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Speaker 1: out and party and drink on a school night. Because

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Speaker 1: every time I go to Miami always hanging without Guy

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Speaker 1: Mac from Why one hundred, well turn about his fair

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Speaker 1: play because he came to visit here yesterday. He's like, dude,

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Speaker 1: return the favor, let's go beer. Pressured home after one,

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Speaker 1: I am, are you wet there? Are you all right? Oh? Good?

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Speaker 1: Your state man sinks he always smells. I went to

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Speaker 1: bed at eight o'clock class. Are you jealous? I know

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Speaker 1: it was weird. It's weird when you wake a bit too,

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Speaker 1: You're like, hey, so what's up, Froggy. You know. I

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Speaker 1: know it's not life nice and good to wish your

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Speaker 1: life away, but I just wanted to be eight thirty already.

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Speaker 1: I cannot wait for the boys from Backstreet to roll

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Speaker 1: in here. I on the way into work to Danielle

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Speaker 1: stop laughing. Has Honey, ever heard you sing Backstreet Boys songs?

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Speaker 1: I'll singing Backstreet and in sync on the way to

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Speaker 1: work today. I'm telling you, I had my own Backstreet

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Speaker 1: Boys concert in my car and it was damn f

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Speaker 1: and fabulous. I swear to God. Before the day's over, honey,

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Speaker 1: you'll see you'll hear him singing Backstreet. I am honestly

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Speaker 1: surprised you did not fly here today because I'm coming

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Speaker 1: there tomorrow to see their concert. Thank you very much.

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Speaker 1: What You're flying all the way to New York City

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Speaker 1: just to see a Backstreet Boys concert? Yeah? Wow. Look

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Speaker 1: at tomorrow they're performing for our sister station tomorrow. They're

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Speaker 1: in New York and I'm gonna go to the show

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Speaker 1: and I'm coming home tomorrow night. Thank you very much,

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Speaker 1: One New York Chip Hop and R and B the

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Speaker 1: million Home of the Million Dollar Mix. If we give

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Speaker 1: you Honey German, welcome to our show today. Thanks for

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Speaker 1: hanging out, Thanks for having me. I'm excited, all right.

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Speaker 1: So what do you have on your mind? Before we

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Speaker 1: started the show, they were talking about National flip Flop Day.

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Speaker 1: I can't stand a flip flop. And I know it's

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Speaker 1: getting warm and it's getting nice here in New York,

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Speaker 1: but it's disgusting out here in New York subway trains, busses.

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Speaker 1: By the time you get home, you like you would

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Speaker 1: just straight up bare foot all around the city. So

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Speaker 1: I'll pat you know, they tell you that you should

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Speaker 1: throw your flip flops away every year, Yes, that you

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Speaker 1: should kick your flip flops because the germs are that bad.

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Speaker 1: Plus they're bad for your toes, your big toes, gripping

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Speaker 1: on for dear life. And honey, you know what you

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Speaker 1: could do like old navy flip flops and they're like

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Speaker 1: a dollar. You throw those away every day. What I

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Speaker 1: do is actually I wear socks with slides like the nikees.

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Speaker 1: There you go. You're like a frat boy. I'm a

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Speaker 1: whole guy. Welcome to the show. It's gonna be a weird, unusual,

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Speaker 1: bizarre show today. I welcome. All right, and you can

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Speaker 1: hear Froggy sing some backst your boys and few minutes right,

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Speaker 1: all right, we've got pride karaoke. We've got lots to do.

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Speaker 1: Let's get into your horoscopes. And by the way, do

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Speaker 1: you know the history about horoscopes. They've been doing them

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Speaker 1: on this show since before I got here, twenty years ago.

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Speaker 1: And when I got here, I stopped them because I

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Speaker 1: thought they were just kind of stupid. They started picketing

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Speaker 1: the radio station whatever, because people go by what we

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Speaker 1: say to kind of plan and plan their day if

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Speaker 1: they're going to have a nine or seven or six

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Speaker 1: whatever they're And these are the stars, this is real life.

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Speaker 1: We're just the messengers up. No, it's not it's true.

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Speaker 1: All right, Well, here we go. What's your sign, Capricorn?

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Speaker 1: See what happens? Okay, so Capricorn, No, not yet, yeah,

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Speaker 1: Capricorn in your first But it's Neil Patrick Harris's birthday today. Capricorn.

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Speaker 1: You've been working hard recently. Take time to do whatever

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Speaker 1: your heart desires. And your days and nine O nine

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Speaker 1: I'll take it. What does that mean though? Nine out

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Speaker 1: of ten? So if you get a lower number, it

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Speaker 1: just means you have to work a little harder to

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Speaker 1: make today work, or maybe just stay home. If you

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Speaker 1: got them five or lower, I stay in bed. Hold

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Speaker 1: your nine. Okay, here we go. Aquarius. You might confront

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Speaker 1: a few unexpected situations. Your humor will help you through them.

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Speaker 1: Your Days of seven Pisces, You're used to making decisions

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Speaker 1: for yourself, but soon you're gonna have to make it

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Speaker 1: for others. Change your behavior to avoid drastic measures. Your

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Speaker 1: Days of six, Harris, It's okay to make compromises. It's

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Speaker 1: easier to meet that special someone in the middle. As

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Speaker 1: our hit songs tell us, Your Days of seven alright

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Speaker 1: toare us. The key to your success is generosity, even

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Speaker 1: when things get hard, Be generous your days of nine Gemini,

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Speaker 1: you're tired of hiding your feelings, but not everyone will

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Speaker 1: be receptive to them. Stick to your opinion and you'll

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Speaker 1: be respected for it. Your days of ten Cancy, you

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Speaker 1: feel like a new person. Don't be afraid of society.

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Speaker 1: Open yourself up to new experience and people. Your days

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Speaker 1: of nine Leo, try not to impose your points of

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Speaker 1: view to friends. You'll have to be the diplomatic one

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Speaker 1: in order to smooth over problems. Your days and eighty

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Speaker 1: there you might not be able to enjoy your relaxation time.

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Speaker 1: Try adjusting first, and then you're gonna balance yourself out.

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Speaker 1: Your days of seven Libra expects some big changes in

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Speaker 1: your relationships. Handle these situations head first and it'll be

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Speaker 1: over before you know it. Your days and eight a Scorpio,

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Speaker 1: your energy is flowing. Don't let it go to ways

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Speaker 1: to express it anyway you can. Your and Sagittarius, you

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Speaker 1: feel that your friends are trying to influence your life.

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Speaker 1: Open your heart to them. You'll be surprised at the

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Speaker 1: freedom it brings. Your days of nine and those are

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Speaker 1: your Friday morning horoscopes. Horoscopes. Yes, all right, let me

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Speaker 1: let me map it up for you. We do have

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Speaker 1: Pride karaokeay, coming on. We gotta figure out when we're

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Speaker 1: doing that and how are we setting it up? Do

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Speaker 1: we have a go? We'll figure that out. But when

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Speaker 1: when do you want to do it? I don't know

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Speaker 1: your show? Okay, well no, don't blame me. Five seconds

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Speaker 1: of Summer. They're here in an hour and a half

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Speaker 1: and then right after they're done, backtreet Boys slams in.

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Speaker 1: So we gotta do karaoke early today anyway, So we

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Speaker 1: do interview both of them and in the Mercedes Been

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Speaker 1: Summer Event Interview Lounge. Good now, thank you Mercedes Vince. Anyway,

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Speaker 1: you guys ready for your Friday? Yeah. Hey, it's Dan Mason,

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Speaker 1: official life coach at the Elvis Durrand Morning Show. The

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Speaker 1: only difference between the people who woke up this morning

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Speaker 1: feeling unfulfilled and those who are out there crushing in

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Speaker 1: their life is one word purpose, And I'll teach you

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Speaker 1: how to find yours each week on my new podcast,

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Speaker 1: Life Amplified. You can listen for free on the I

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Speaker 1: Heart Radio appur in the morning show. Hey, it's Elvis

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Speaker 1: duran you've heard how wells Fargo is holding themselves accountable

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Speaker 1: for recent issues. They're working hard to rebuild trust, re

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Speaker 1: established core values, and stay vigilant. So check out where

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Speaker 1: they're headed at Wells Fargo dot com slash renew. You

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Speaker 1: just might be surprised. Elvis Duran in the Morning Show.

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Speaker 1: I don't know if you follow our friend Honey German

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Speaker 1: on end stock, but I do. Of course you do,

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Speaker 1: and you know what and you know stuff we don't know.

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Speaker 1: I do make this stuff up. No, I really don't.

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Speaker 1: I have a lot of tipsters, so I guess some

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Speaker 1: stuff I can't even put up. It's so tell us

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Speaker 1: what you can't put up. You can't tell you. A

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Speaker 1: lot of the news I know it before. A lot

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Speaker 1: of the celebrities post about it, whether it be pregnancies,

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Speaker 1: break ups, and some people like just chill, let them

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Speaker 1: do it themselves. Who's pregnant? Question is Daniel and I

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Speaker 1: want to know is there someone that we know who's pregnant?

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Speaker 1: She's not, she's not listen to babies are just one

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Speaker 1: year old yesterday. You already want to have another button.

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Speaker 1: You remember what happened with Brittney. I remember that nobody

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Speaker 1: told Brittaney that you could get you know, knocked up

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Speaker 1: knocked up again right after you're very fertile right after. Well,

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Speaker 1: that's good. She had them together. She was like twins. Hey,

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Speaker 1: So this is an interesting question. When you post stuff,

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Speaker 1: by the way, Honey German, it's pretty easy to follow

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Speaker 1: hunter add Honey German on Instagram. When you post stuff,

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Speaker 1: which type of story gets the most activity? Like? Are

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Speaker 1: you surprised sometimes that some don't get as much as others? Um? Yes,

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Speaker 1: Straight pictures like paparazzi pictures don't really get a lot

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Speaker 1: of activities. Anything that has to do with children and

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Speaker 1: moms maybe making questionable decisions about either what their children

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Speaker 1: were or where they're at, gets tons of interactions. See.

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Speaker 1: I noticed that too online. If I posed a picture

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Speaker 1: of us hanging out with say Ed Sharon, you'll get,

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Speaker 1: you know, whatever you get. If I pose a picture

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Speaker 1: of my family doing something with my family, it gets.

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Speaker 1: It's crazy how many people like that stuff. I think

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Speaker 1: it's because it's actually giving you insight into their exactly

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Speaker 1: and any type of transformation. Also, Teresa Dudt from Jersey Housewife,

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Speaker 1: I put that before and after now she's like a

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Speaker 1: professional bodybuilder. That got like six hundred comments. People can

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Speaker 1: believe that this is her. Now that it is, she

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Speaker 1: looks good. So, so who is like in your power

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Speaker 1: rotation right now? Who is getting more attention? I know,

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Speaker 1: I see a lot of Cardi B. Still a lot

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Speaker 1: of Cardi B. A lot of Jennifer Lopez. She just

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Speaker 1: had her daughter's dance recital and she took a picture

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Speaker 1: with like a Rod and Mark Anthony and everybody's like,

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Speaker 1: she is goals, man, she's a real g for that one.

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Speaker 1: If she could pull Diddy in that you want the

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Speaker 1: first to pull up to. Yeah, well, didn't she date

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Speaker 1: the actor? And what if she did like a family

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Speaker 1: portrait with everybody, all the exces? Where are we hanging

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Speaker 1: this up? That's a new man. No, No, you're gonna

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Speaker 1: get a lot of comments on the I'm looking up

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Speaker 1: for the German. I'm gonna photostop that. I'm gonna put

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Speaker 1: it together. Anybody that can do that, though, hang out

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Speaker 1: with their ex husband, you know, with the kids and

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Speaker 1: your new boyfriend and he's okay with it, and she's

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Speaker 1: that's that's pretty damn cool. You do it for the kids.

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Speaker 1: How many of your exes could you hang out with? Actually?

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Speaker 1: I probably could hang out with a couple of them.

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Speaker 1: Are they out of jail yet? No? Two of them

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Speaker 1: still in jail. Hey, Greg Tea, Yeah, what's up Elvis. Well,

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Speaker 1: you've got a lot of energy for someone who didn't

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Speaker 1: sleep last night. I've been drinking coffee and Sam just

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Speaker 1: gave me some kind of an energy drink here. So it's, uh,

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Speaker 1: that's what I'm trying to do to stay away. So

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Speaker 1: what happened. What happened was, well, you know what, I

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Speaker 1: start my day every day, and I know you guys

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Speaker 1: think it's crazy, but I wake up a two fifteen

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Speaker 1: in the morning, So I'm coming off of a two

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Speaker 1: fifteen the night before today. Where we are today? Right,

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Speaker 1: So yesterday run two o'clock in the afternoon, I get

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Speaker 1: a phone call from Trish, my wife. Her parents are

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Speaker 1: headed to um a cruise. They want to go on

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Speaker 1: a cruise. Their car broke down on one of our

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Speaker 1: main highways over here and they left the car on

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Speaker 1: the side of the road called an uber so they

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Speaker 1: can make the cruise because, as we all know, the

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Speaker 1: cruise leaves you know, on point Yeah, we learn we

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Speaker 1: learned that about hours. Yeah. So so so she calls

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Speaker 1: me and she says, hey, can you help me out.

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Speaker 1: Do you know how do I handle this? I had

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Speaker 1: to get the car off the road on a toad

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Speaker 1: trunk blah blah blah. So one thing leads to another.

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Speaker 1: Uh one toe truck company lost track. One guy was

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Speaker 1: getting off the shift as another guy's getting on the shift.

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Speaker 1: So nobody catches the car. So the car is sitting there.

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Speaker 1: That it took to like eight o'clock last night. So

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Speaker 1: you were on the side of the belt parkway for

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Speaker 1: how long? Yeah, till eight o'clock last night, for how

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Speaker 1: many hours? Hours? Six hours? At seven hours? That was you, right,

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Speaker 1: So nobody's coming at the car, didn't But but you're

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Speaker 1: a famous radio personality. No one stopped and helped you out.

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Speaker 1: Not one person, nobody al You're sitting off the side

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Speaker 1: of the road, the highway for six hours, right, So

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Speaker 1: the car is finally by eight o'clock, we call this

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Speaker 1: to this um assistance, like a tow truck assistant. Come

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Speaker 1: get the car, you know. So they get the car.

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Speaker 1: They take the car, and they put it in a

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Speaker 1: chop shop somewhere in Brooklyn. They chopped up your parents

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Speaker 1: not yet shop. Not what the owner of the chop

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Speaker 1: shop realizes that the car is not going to stay there.

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Speaker 1: That has to go to a dealer. Alright, So total

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Speaker 1: time invested in your your your parents in law's car

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Speaker 1: was finally get the bed. One third in the morning,

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Speaker 1: maybe one third in the morning. I wake up at

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Speaker 1: two fifteen. That's only forty five minutes so and I'm

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Speaker 1: coming off of a night of two two fifteen in

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Speaker 1: the morning, so you're you're on fumes right now. Minutes

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Speaker 1: of sleep and I have to host an event tonight.

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Speaker 1: Oh not today, I'm sorry, not tonight today. Actually it's

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Speaker 1: a dunkin donut. So here's playing of coffee. I'm trying

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Speaker 1: to think of, how do I get out of this? No,

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Speaker 1: no, no no, no, no, you don't get out of it.

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Speaker 1: They're a major, major partner, so I can't get out

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Speaker 1: of it. Okay, at the end of the day, here's

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Speaker 1: what I do on days where I only get five

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Speaker 1: seconds of sleep. By the way, there here later of

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Speaker 1: summer on Dave's I only get five seconds of sleep.

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Speaker 1: You just gotta tell yourself self you've done it before.

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Speaker 1: You're gonna survive. You're gonna be okay. Just like you

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Speaker 1: know who staying out, we party all night, we come in.

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Speaker 1: We know we're dog tired, but we know we're gonna

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Speaker 1: be fine. Stop stop thinking about how bad it is,

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Speaker 1: and just know you're gonna be in bed in about

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Speaker 1: seven hours. I feel like you ever get the point

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Speaker 1: where like your chest is like like shaking and everything. Yeah, yeah,

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Speaker 1: that's when Froggy's motor boating. Okay, this is what we do.

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Speaker 1: The Wheel of Games. See that big wheel over there, Honey,

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Speaker 1: we spend that. Yeah, you know, I didn't imagine it

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Speaker 1: be this big. They all say that the first time

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Speaker 1: he's heard that. So let me get a went on

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Speaker 1: the line. Who is that Mike, Mike? Here's Mike, Hi, Mike,

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Speaker 1: how are you? Oh my god? Hi? Hello, ladies, Look

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Speaker 1: at that. Mike's here. Mike gets the Wheel of Games.

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Speaker 1: We're gonna spin it and it's gonna land on one

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Speaker 1: of these games. You're gonna play with the very tired

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Speaker 1: Greg to the front point. Yes, how many hours? How

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Speaker 1: many hours sleep did you get last night? Maybe about

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Speaker 1: four hours? All right? On the game we are on

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Speaker 1: the game wheel. We have tell Elvis, what what's that game?

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Speaker 1: It's like telephone. We're gonna start with Scary and we'll

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Speaker 1: go around the room He'll start a sentence, go to

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Speaker 1: Brody Brody, to Honey German, Honey, Germany, to me, meet Danielle,

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Speaker 1: and Danielle to you, Elvis, and if you get it right,

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Speaker 1: then Mike will win a prize. Well, I'll get it

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Speaker 1: right because I started it. No, no, no no scary starts it.

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Speaker 1: It goes around, all right. Let's let's hope it doesn't

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Speaker 1: land on that it could land on. I loves me

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Speaker 1: some Fridays. So everybody in the room has to give

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Speaker 1: their own rendition, alright, and Mike likes the best wins

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Speaker 1: another thing that could land on his twenty bucks? Or

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Speaker 1: what's in the rob Vices Bob? You know, I love

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Speaker 1: me some rob Vice box, you know, but we have

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Speaker 1: an extra one laying around, So I'm either going to

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Speaker 1: give my twenty box. He could choose twenty dollars, or

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Speaker 1: you can go for what's inside the rob Vice's box. Honey.

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Speaker 1: Do you know have you seen rob Vices with boxes

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Speaker 1: before yet? But I'm not opening like it's unbelievable way

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Speaker 1: to get that one out of curious it's been it's

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Speaker 1: been left over for a couple of months. Nobody took

419
00:21:20,960 --> 00:21:25,720
Speaker 1: it home. It's not my office. Yeah, either I got

420
00:21:25,720 --> 00:21:30,240
Speaker 1: a turntable in one one time. It's a real turntable. Yeah, okay,

421
00:21:30,240 --> 00:21:33,080
Speaker 1: we could play toilet tunes. What is mouse trap? So?

422
00:21:33,119 --> 00:21:34,919
Speaker 1: I have three little mouse traps in front of me.

423
00:21:35,280 --> 00:21:38,760
Speaker 1: One is I'm sorry too, are engaged? One is not

424
00:21:39,160 --> 00:21:41,000
Speaker 1: so that he picks which one I put my hand

425
00:21:41,040 --> 00:21:43,720
Speaker 1: on and it snaps? He wins. Let's change it to

426
00:21:43,760 --> 00:21:46,119
Speaker 1: your penis. He has to put his penis on a

427
00:21:46,160 --> 00:21:53,240
Speaker 1: mouse trap? Alright, alright, it end on? Or what's in

428
00:21:53,240 --> 00:21:57,159
Speaker 1: the rob Vices box? Alright, Mike, it's your decision. Do

429
00:21:57,200 --> 00:21:59,439
Speaker 1: you want ten dollars and walk away or do you

430
00:21:59,440 --> 00:22:05,280
Speaker 1: want to go for what's in the rob Vices box? Yeah,

431
00:22:05,400 --> 00:22:09,360
Speaker 1: let's take a chance. Let's go for the box. All right.

432
00:22:09,520 --> 00:22:11,720
Speaker 1: So this one was lett go over from a while

433
00:22:11,760 --> 00:22:15,480
Speaker 1: ago inside the robs you yet, you know we're on

434
00:22:15,520 --> 00:22:19,159
Speaker 1: the microphone. That don't give him that one? Right? All right?

435
00:22:19,200 --> 00:22:22,160
Speaker 1: What did you get? You get a bottle of wine

436
00:22:22,200 --> 00:22:26,320
Speaker 1: that's nice, not bad. Oh, you get a candle? Candle,

437
00:22:26,560 --> 00:22:30,280
Speaker 1: You get some chocolates. All those chocolates are so good.

438
00:22:30,280 --> 00:22:31,840
Speaker 1: We were eating scary and I was in the mouth

439
00:22:31,880 --> 00:22:36,439
Speaker 1: of the bed. What is that? You're fun it's a

440
00:22:36,480 --> 00:22:40,120
Speaker 1: fund set and it comes with forks and everything. Well

441
00:22:40,119 --> 00:22:43,320
Speaker 1: that's nice too. Nice. You have a fun set and

442
00:22:43,400 --> 00:22:47,720
Speaker 1: a bottle of wine. It looks like a romantic night coming.

443
00:22:48,960 --> 00:22:56,000
Speaker 1: Very freaky, absolutely very freaky. Enjoy your set. Tell me,

444
00:22:56,480 --> 00:22:58,520
Speaker 1: is anyone in your fun dude lately? Now? I haven't

445
00:22:58,520 --> 00:23:01,680
Speaker 1: in a while, don't. Yeah. I went to a fondue restaurant.

446
00:23:01,920 --> 00:23:03,680
Speaker 1: I was thrown off. They gave you everything, the dipping

447
00:23:03,760 --> 00:23:08,119
Speaker 1: chocolate you have, like live animals and stuff. They were animals.

448
00:23:08,320 --> 00:23:10,720
Speaker 1: Did you have cheese? I did have tons and bread

449
00:23:10,800 --> 00:23:12,400
Speaker 1: of fruit. But then I was just kind of discussed

450
00:23:12,400 --> 00:23:16,159
Speaker 1: it at the end of I need a detox. You know.

451
00:23:16,240 --> 00:23:19,560
Speaker 1: I bought Scary Jones a fondue set for Christmas one year,

452
00:23:19,800 --> 00:23:21,320
Speaker 1: and you know what he did. He re gifted it

453
00:23:21,320 --> 00:23:25,160
Speaker 1: to somebody else. That's really messed up, man, because I don't.

454
00:23:25,200 --> 00:23:29,560
Speaker 1: I don't fun don't. All right, Well, congratulations you got

455
00:23:29,560 --> 00:23:32,119
Speaker 1: the rob Rob Vice's box. It's pretty cool. Thanks for

456
00:23:32,160 --> 00:23:34,000
Speaker 1: listening to having. What are you doing this weekend? Mike?

457
00:23:34,040 --> 00:23:37,000
Speaker 1: Anything good? Um? Actually, father was there going to have

458
00:23:37,000 --> 00:23:40,120
Speaker 1: a cook out for my father in law. You should

459
00:23:40,160 --> 00:23:43,680
Speaker 1: have a fondue for your father, all right? Well, thanks

460
00:23:43,680 --> 00:23:46,200
Speaker 1: for listening. All right, great team, aren't you glad you

461
00:23:46,200 --> 00:23:47,800
Speaker 1: didn't have to put your penis in a mouse trap?

462
00:23:48,119 --> 00:23:50,720
Speaker 1: Thank God, thank God, thank God. Maybe Monday. Now I

463
00:23:50,720 --> 00:23:53,440
Speaker 1: gotta get ready to sing. I'm doing this pride karaoke.

464
00:23:53,720 --> 00:23:55,960
Speaker 1: What song are you doing today? Oh? I want to

465
00:23:56,000 --> 00:24:01,040
Speaker 1: break free by Queen. I'm doing my rendition of Freddie Mercury.

466
00:23:59,800 --> 00:24:04,399
Speaker 1: All right, I'm going with you, all right if you

467
00:24:04,400 --> 00:24:07,920
Speaker 1: want to win five thousand dollars for a trip to Hollywood. Uh,

468
00:24:07,920 --> 00:24:09,760
Speaker 1: it's it's simple. As you know. We hung we hang

469
00:24:09,760 --> 00:24:11,800
Speaker 1: out with our friends at Eminem's all the time. They

470
00:24:11,840 --> 00:24:15,840
Speaker 1: have these Eminem's caramels. Have you seen that. You've seen them, right,

471
00:24:15,920 --> 00:24:21,480
Speaker 1: seen them. I've eaten plenty of them. They're so good.

472
00:24:21,520 --> 00:24:26,119
Speaker 1: You had these? Usually they send them where's the stuff?

473
00:24:26,160 --> 00:24:29,360
Speaker 1: Where are they? Straight? Nate not unlocked the Eminem's caramels.

474
00:24:29,359 --> 00:24:31,040
Speaker 1: That's what happens when Nate's not here. He locks up

475
00:24:31,040 --> 00:24:33,480
Speaker 1: all the candy and the chocolate and the cookies and everything. Anyway,

476
00:24:33,480 --> 00:24:36,240
Speaker 1: they're different than regular Eminem's. They're cut up in squares.

477
00:24:36,400 --> 00:24:39,080
Speaker 1: Yeah they're good. Yeah, they're great. They're not like those

478
00:24:39,119 --> 00:24:41,639
Speaker 1: old fashioned caramels. Your grandmother used to have in her

479
00:24:41,760 --> 00:24:46,320
Speaker 1: nightcoat with that crumpled up clean xCAT crumbled up clean X.

480
00:24:46,480 --> 00:24:50,840
Speaker 1: It was the like five years until it's just disintegrated. Anyway,

481
00:24:50,920 --> 00:24:54,760
Speaker 1: Eminem's candy and there are caramels. There's unbelievable because of them.

482
00:24:54,840 --> 00:24:57,480
Speaker 1: You could win this trip to Hollywood and five thousand

483
00:24:57,520 --> 00:24:59,640
Speaker 1: dollars to get you there. For all the entry rules

484
00:24:59,720 --> 00:25:01,840
Speaker 1: and sign up to win, go to Elvis Durand dot

485
00:25:01,880 --> 00:25:05,520
Speaker 1: com keyword contest busy Day. We're gonna start with five

486
00:25:05,560 --> 00:25:09,080
Speaker 1: seconds of summer and exactly one out the official Twitter

487
00:25:09,080 --> 00:25:12,520
Speaker 1: account of the Morning Show at Elvie Stray Show at

488
00:25:12,520 --> 00:25:16,560
Speaker 1: the official Twitter account of Elvis at Elvie Strand follow

489
00:25:16,680 --> 00:25:20,600
Speaker 1: us now Elvie Strand in the Morning Show. M hmmm,

490
00:25:21,320 --> 00:25:25,560
Speaker 1: where did my tates go? There's Nate locked them up.

491
00:25:26,320 --> 00:25:30,560
Speaker 1: He left and he locked every our Eminem's caramel Tates horder,

492
00:25:32,359 --> 00:25:34,560
Speaker 1: But he's not stupid because he knows if he leaves it,

493
00:25:34,920 --> 00:25:37,639
Speaker 1: you know when he gets back. Honey. If you had

494
00:25:37,680 --> 00:25:40,760
Speaker 1: tates Big Shop cookies before, Yes, I came here and

495
00:25:40,800 --> 00:25:42,640
Speaker 1: you guys introduced me to it and I loved it.

496
00:25:42,680 --> 00:25:44,040
Speaker 1: Was there a problem? Did you dip them in? Your

497
00:25:44,080 --> 00:25:45,919
Speaker 1: phone to I didn't have the phone do at the

498
00:25:45,920 --> 00:25:48,280
Speaker 1: time that would work. I'm trying to be honest. I've

499
00:25:48,320 --> 00:25:51,280
Speaker 1: hoarded Taps cookies. I've put the Taps cookies before a

500
00:25:51,359 --> 00:25:54,240
Speaker 1: green bag in a cabinet where I know nobody would

501
00:25:54,280 --> 00:25:55,719
Speaker 1: ever look, because I want them to be there when

502
00:25:55,760 --> 00:25:59,199
Speaker 1: I get home. So I'm guilty. You know, we've had

503
00:25:59,240 --> 00:26:00,760
Speaker 1: a lot of partners on our show. We've never had

504
00:26:00,800 --> 00:26:03,680
Speaker 1: cookies before. There's something about our show and Tates Bake

505
00:26:03,720 --> 00:26:07,560
Speaker 1: Shop cookies. I mean they were married. They can't get

506
00:26:07,640 --> 00:26:09,359
Speaker 1: rid of us. I've been eating Tates Cookies since I

507
00:26:09,440 --> 00:26:12,119
Speaker 1: was a kid. I've been seeing them online forever with

508
00:26:12,240 --> 00:26:16,440
Speaker 1: their first invented cookies. Anyway, Tates Bake Shop out in Southampton.

509
00:26:16,720 --> 00:26:18,560
Speaker 1: You can send them to your dad maybe late, but

510
00:26:18,600 --> 00:26:20,000
Speaker 1: you can go to the store and buy them. They're

511
00:26:20,040 --> 00:26:22,680
Speaker 1: in that green bag. Buy him a big old buttload

512
00:26:22,680 --> 00:26:24,760
Speaker 1: of them. They have a lot of different kinds. Now,

513
00:26:24,880 --> 00:26:26,879
Speaker 1: if you want to order cookies or they got pies

514
00:26:26,920 --> 00:26:28,960
Speaker 1: and brownies, you can just order them maybe for next week.

515
00:26:28,960 --> 00:26:31,040
Speaker 1: Go to Tates bake Shop dot com, enter the code

516
00:26:31,119 --> 00:26:34,440
Speaker 1: Elvis and uh check out off your order. That's Tates

517
00:26:34,440 --> 00:26:42,840
Speaker 1: Bake Shop dot Com in the morning show. All right, so, uh,

518
00:26:42,960 --> 00:26:45,640
Speaker 1: where's my stack? We've got five seconds of summer coming

519
00:26:45,680 --> 00:26:47,760
Speaker 1: up and up in less than an hour. They have

520
00:26:47,800 --> 00:26:50,040
Speaker 1: new music out well played for you. Then after that

521
00:26:50,080 --> 00:26:53,040
Speaker 1: Backstreet Boys can give me some Backstreet Boys in music.

522
00:26:53,080 --> 00:26:56,040
Speaker 1: I want Honey German to hear Froggy sing Backstreet Boys.

523
00:26:56,200 --> 00:27:00,920
Speaker 1: Here we go. So I need to prepare myself off.

524
00:27:02,400 --> 00:27:05,560
Speaker 1: She she has my stack? She has Hello. The problem

525
00:27:05,560 --> 00:27:07,560
Speaker 1: is I'm always a beat off the problem and I

526
00:27:07,640 --> 00:27:11,440
Speaker 1: have my stack problem? Can you grab my stack? Here comes?

527
00:27:11,560 --> 00:27:13,920
Speaker 1: I have a stack. I just printed up this weird

528
00:27:13,960 --> 00:27:18,600
Speaker 1: story and uh, it's about Father's Day cards at Target.

529
00:27:18,640 --> 00:27:21,280
Speaker 1: Did you hear the story? I did? All right, you

530
00:27:21,640 --> 00:27:26,720
Speaker 1: heard the story. They had baby Daddy Father's Day cards,

531
00:27:27,080 --> 00:27:29,600
Speaker 1: which I don't see a problem. I'm not offended by.

532
00:27:29,680 --> 00:27:32,000
Speaker 1: Well I'm not a man, but I find it hilarious.

533
00:27:32,119 --> 00:27:33,919
Speaker 1: But what was I'm gonna get to the story. I

534
00:27:33,920 --> 00:27:36,560
Speaker 1: gotta rummage through here. Do you know what the story was?

535
00:27:36,680 --> 00:27:37,600
Speaker 1: Or do you mean to give it? Just give it

536
00:27:37,640 --> 00:27:42,119
Speaker 1: to you from my sources? What are your sources saying? Well, no,

537
00:27:42,240 --> 00:27:44,200
Speaker 1: I had someone send me the story. I mean, I

538
00:27:44,240 --> 00:27:47,879
Speaker 1: would think if if you're not married and you're not dating,

539
00:27:48,240 --> 00:27:52,119
Speaker 1: but it is your what is your baby mama? I

540
00:27:52,119 --> 00:27:55,560
Speaker 1: saw the cards and they do say baby dad. Things

541
00:27:55,560 --> 00:27:59,159
Speaker 1: have changed, man. Here is The Internet has been in

542
00:27:59,200 --> 00:28:02,320
Speaker 1: an uproar over a Father's Day card that featured uh

543
00:28:02,440 --> 00:28:04,600
Speaker 1: an African American couple on the cover of this is

544
00:28:04,640 --> 00:28:07,359
Speaker 1: Why and the words baby dad. Okay, so it's just

545
00:28:07,440 --> 00:28:10,119
Speaker 1: laid out wrong. Inside the card it refers to the

546
00:28:10,119 --> 00:28:14,320
Speaker 1: man as the husband and father, but many felt it

547
00:28:14,359 --> 00:28:18,280
Speaker 1: was insulting. So it's it's it's confusing this card. Target

548
00:28:18,320 --> 00:28:20,159
Speaker 1: has apologized that pulled the card off the shelves. You know,

549
00:28:20,200 --> 00:28:23,679
Speaker 1: car Target has that special mahogany section and there's a

550
00:28:23,680 --> 00:28:26,760
Speaker 1: lot of great cards in there. And here's my problem

551
00:28:26,760 --> 00:28:29,439
Speaker 1: with a mahogany section at Target. There's great cards in

552
00:28:29,480 --> 00:28:33,959
Speaker 1: there that I want to use. But yeah, but you know,

553
00:28:34,280 --> 00:28:36,960
Speaker 1: I send it anyway. I'm gonna send it anyway because look,

554
00:28:37,000 --> 00:28:39,560
Speaker 1: you know we've been letting Hallmark ride all these deep

555
00:28:39,680 --> 00:28:44,040
Speaker 1: things for us all these years. Well, if you give

556
00:28:44,040 --> 00:28:47,200
Speaker 1: me a really touching card, I know you didn't write it.

557
00:28:47,920 --> 00:28:50,480
Speaker 1: You didn't write that. You know. I always what I'm saying,

558
00:28:50,560 --> 00:28:52,480
Speaker 1: there's got to be a section of things that you

559
00:28:52,560 --> 00:28:55,400
Speaker 1: really want to say, but can't like you know, like

560
00:28:55,920 --> 00:28:58,600
Speaker 1: you are the father of my child. You suck as

561
00:28:58,600 --> 00:29:00,200
Speaker 1: a dad. But I had to get you this card

562
00:29:00,240 --> 00:29:02,800
Speaker 1: anyway because it's Father's Day and it's just the right

563
00:29:02,800 --> 00:29:05,080
Speaker 1: thing to do. You can do a text for now,

564
00:29:07,400 --> 00:29:11,280
Speaker 1: just drop drop them into the Yeah. Now, why does

565
00:29:11,320 --> 00:29:14,280
Speaker 1: great tea cutting pizza with scissors? Why did we get

566
00:29:14,680 --> 00:29:18,000
Speaker 1: why is eating pizza without us? Use rusty scissors. We're

567
00:29:18,000 --> 00:29:20,720
Speaker 1: gonna get it, sick, rusty scissors. He used to do

568
00:29:20,760 --> 00:29:23,640
Speaker 1: the traffic yea, let's get let's check traffic with rusty scissors.

569
00:29:23,680 --> 00:29:25,560
Speaker 1: Why are you cutting? First of all, where did the

570
00:29:25,560 --> 00:29:27,880
Speaker 1: pizza come from? One of our interns pulled some kind

571
00:29:27,880 --> 00:29:29,360
Speaker 1: of all night or study for finals, and you had

572
00:29:29,400 --> 00:29:31,440
Speaker 1: to order pizzas. That's left over. I love that. I

573
00:29:31,520 --> 00:29:35,760
Speaker 1: love leftover piz exactly. It's cold. Don't eat that with

574
00:29:35,800 --> 00:29:38,200
Speaker 1: the with the scissors you're cutting it with. Do you

575
00:29:38,240 --> 00:29:40,440
Speaker 1: know how dirty your mouths are? You know? So many germs?

576
00:29:40,440 --> 00:29:41,840
Speaker 1: What is the big deal. We're in a radio station.

577
00:29:41,920 --> 00:29:45,480
Speaker 1: We don't have like pizza stuff. We don't shears shears

578
00:29:45,720 --> 00:29:47,840
Speaker 1: pizza shears. I mean I did bring a pizza cutter,

579
00:29:47,880 --> 00:29:49,959
Speaker 1: by the way there. You know, she's a pizza cut

580
00:29:50,200 --> 00:29:52,160
Speaker 1: at the time, and why wouldn't they cut the pizza

581
00:29:52,200 --> 00:29:54,080
Speaker 1: before they delivered? That was a good question. I want

582
00:29:54,080 --> 00:29:56,160
Speaker 1: to ask the same thing. Okay, So, intern Amy, how

583
00:29:56,160 --> 00:30:00,360
Speaker 1: long you've been up all night studying for finals or something? Yeah,

584
00:30:00,520 --> 00:30:02,200
Speaker 1: but I really wanted to come in today, but my

585
00:30:02,280 --> 00:30:03,760
Speaker 1: deal was a brody. If I can come in, I

586
00:30:03,800 --> 00:30:06,280
Speaker 1: gotta bring pizza. So here I am with pizza. Well,

587
00:30:06,320 --> 00:30:09,480
Speaker 1: I love it, well, thank you for bringing it. But

588
00:30:09,520 --> 00:30:12,320
Speaker 1: you're cutting it with like a rusty scalpel. Okay, because

589
00:30:12,320 --> 00:30:14,320
Speaker 1: if you cut it the night before, the sauce is

590
00:30:14,360 --> 00:30:15,960
Speaker 1: gonna leak and then it's gonna be gross. So I

591
00:30:16,000 --> 00:30:19,680
Speaker 1: care about you. Guys. So I brought they don't let

592
00:30:19,760 --> 00:30:24,480
Speaker 1: him near the pizza. Do you work at Brooklyn Boys Pizzas?

593
00:30:24,480 --> 00:30:28,720
Speaker 1: And where this came from? Yeah? Yes, I fight for

594
00:30:28,720 --> 00:30:32,280
Speaker 1: the microphone. She's a radio person. Get out of here,

595
00:30:32,280 --> 00:30:34,880
Speaker 1: Get out here. Okay. Back to the baby Baby Daddy cards.

596
00:30:35,000 --> 00:30:38,200
Speaker 1: Yeah all right, so okay, but no, here's my problem

597
00:30:38,200 --> 00:30:41,840
Speaker 1: with cards. I'll get this beautiful, beautifully written card written

598
00:30:41,840 --> 00:30:44,960
Speaker 1: by some woman in Canada probably, but it's from my

599
00:30:45,080 --> 00:30:47,880
Speaker 1: boyfriend to me, and he's like here's the card, and

600
00:30:47,920 --> 00:30:49,400
Speaker 1: I read it and I start to get terry because

601
00:30:49,400 --> 00:30:52,400
Speaker 1: he's so sweet. And then I remember he didn't write it.

602
00:30:52,480 --> 00:30:55,360
Speaker 1: But did he bite an amazing message on the left. Yeah,

603
00:30:55,400 --> 00:30:58,120
Speaker 1: but it's not as fiery and flowery as the message

604
00:30:58,120 --> 00:31:01,880
Speaker 1: that some stranger. You hope he didn't just grab the

605
00:31:01,880 --> 00:31:03,800
Speaker 1: first card. You would hope he looked through a bunch

606
00:31:03,800 --> 00:31:06,400
Speaker 1: of cards be where he found the exact sentiment. Right.

607
00:31:06,480 --> 00:31:07,960
Speaker 1: I go through and read the cards, and when I

608
00:31:08,000 --> 00:31:10,640
Speaker 1: find one that says, oh man, this is exactly how

609
00:31:10,680 --> 00:31:13,080
Speaker 1: I feel. But it's said just the perfect way. That's

610
00:31:13,080 --> 00:31:14,800
Speaker 1: the card I get. And that's how I feel about

611
00:31:14,800 --> 00:31:16,920
Speaker 1: you if I give you that card. So you're using

612
00:31:16,920 --> 00:31:19,280
Speaker 1: a writer, Yeah, but then I always write something to

613
00:31:19,320 --> 00:31:21,240
Speaker 1: the left, like I read a book. I always write

614
00:31:21,240 --> 00:31:25,880
Speaker 1: a book too, whole Bible, all right. So when I

615
00:31:25,920 --> 00:31:27,880
Speaker 1: give you a card, those words I read them. I

616
00:31:27,920 --> 00:31:30,160
Speaker 1: read seventeen other cards and they didn't say what that

617
00:31:30,200 --> 00:31:32,160
Speaker 1: one said. And that's how I feel about you. That's right.

618
00:31:32,320 --> 00:31:34,400
Speaker 1: What's up? Am I the only one who just buys

619
00:31:34,440 --> 00:31:37,200
Speaker 1: cards because of the pictures, and and it doesn't matter

620
00:31:37,200 --> 00:31:41,040
Speaker 1: about the center. You don't read what it says inside.

621
00:31:41,120 --> 00:31:43,760
Speaker 1: What if it says like heavy bar mitzvah or something

622
00:31:43,840 --> 00:31:47,040
Speaker 1: like for my father, there was like this Papyrus card

623
00:31:47,080 --> 00:31:49,040
Speaker 1: with a leather jacket on it. I'm like, oh my god,

624
00:31:49,080 --> 00:31:51,720
Speaker 1: my father exudes leather jackets and like greasers. From what

625
00:31:51,760 --> 00:31:55,040
Speaker 1: if it was like someone else, What if it was

626
00:31:55,080 --> 00:31:57,160
Speaker 1: like a happy birthday card but you gave it to

627
00:31:57,240 --> 00:31:59,560
Speaker 1: him for Christmas? You should read the card. But that's

628
00:31:59,560 --> 00:32:01,400
Speaker 1: what Joe me in first, and then I read the

629
00:32:01,440 --> 00:32:04,440
Speaker 1: sentiment second. I'm just saying I don't know, maybe it

630
00:32:04,440 --> 00:32:07,400
Speaker 1: should be the other way around, but yeah, I always

631
00:32:07,400 --> 00:32:09,360
Speaker 1: crush it out of my own. If the card makes

632
00:32:09,400 --> 00:32:11,680
Speaker 1: me laugh or like makes me tear up, then I'm like,

633
00:32:11,720 --> 00:32:14,280
Speaker 1: there's a good card. If anything pops out when I

634
00:32:14,280 --> 00:32:16,760
Speaker 1: opened the card, that's a good card. You know. That's

635
00:32:16,760 --> 00:32:20,920
Speaker 1: a different section or something pops up those those cards.

636
00:32:20,960 --> 00:32:23,200
Speaker 1: There's some cards out now, the pop up cards. Yeah,

637
00:32:23,360 --> 00:32:26,360
Speaker 1: I mean their works of arts don't have like a

638
00:32:26,360 --> 00:32:28,840
Speaker 1: little kiosks in the mall. With those pop up cards.

639
00:32:28,960 --> 00:32:33,120
Speaker 1: They are amazing. Or people mad at me because I'm

640
00:32:33,320 --> 00:32:36,880
Speaker 1: I'm jealous because of the mahogany section, because I know,

641
00:32:37,120 --> 00:32:40,760
Speaker 1: I just there's great cards over there, but it's almost like, oh,

642
00:32:40,800 --> 00:32:43,160
Speaker 1: you can't shop there. That's the Mahoganys. There's great cards

643
00:32:43,160 --> 00:32:45,240
Speaker 1: in every section. Like I also think that there is

644
00:32:45,280 --> 00:32:48,720
Speaker 1: a gay Pride section where it's about the guy to guy,

645
00:32:48,800 --> 00:32:51,200
Speaker 1: girl to girl. I would like to give somebody that

646
00:32:51,240 --> 00:32:53,840
Speaker 1: card as well, but I can't because I'm not dating

647
00:32:53,840 --> 00:32:58,400
Speaker 1: a girl, at least not yet time. You know, all right,

648
00:32:58,480 --> 00:32:59,960
Speaker 1: I don't. I don't mean to offend anyone. I'm just

649
00:33:00,000 --> 00:33:02,040
Speaker 1: saying there's some great cards over there, but I feel

650
00:33:02,040 --> 00:33:04,720
Speaker 1: like I'm locked out because I'm a white guy. My card.

651
00:33:04,840 --> 00:33:07,800
Speaker 1: I'm gonna buy my white cards, right, and I would

652
00:33:07,800 --> 00:33:10,040
Speaker 1: buy my If I had a daughter, I'd buy her

653
00:33:10,160 --> 00:33:12,720
Speaker 1: black Barbie doll. Wouldn't matter that I'm not black. If

654
00:33:12,720 --> 00:33:14,800
Speaker 1: she liked the Barbie doll, I'd buy for wouldn't make

655
00:33:14,800 --> 00:33:16,800
Speaker 1: a difference, you know. And let's talk about gender. I

656
00:33:16,880 --> 00:33:19,920
Speaker 1: used to use the bright pink and yellow easy bake

657
00:33:19,960 --> 00:33:22,800
Speaker 1: oven when I was a kid, so they said, well,

658
00:33:22,840 --> 00:33:26,640
Speaker 1: that's for girls. No, it's not a light bulb. I

659
00:33:26,720 --> 00:33:28,560
Speaker 1: was baking with a light bulb long before any of

660
00:33:28,560 --> 00:33:31,800
Speaker 1: you were alive. All right, let's get into the Daniel Report.

661
00:33:31,800 --> 00:33:33,800
Speaker 1: Honey German is here, our buddy from Power one O

662
00:33:33,960 --> 00:33:36,160
Speaker 1: five one. If you hear a story that Daniel is doing,

663
00:33:36,280 --> 00:33:38,080
Speaker 1: let's all pop in and help her up. She we

664
00:33:38,160 --> 00:33:40,280
Speaker 1: love perspective. I'm here for it, all right, what do

665
00:33:40,280 --> 00:33:42,239
Speaker 1: you got going? All right? So Maxim just released It's

666
00:33:42,240 --> 00:33:44,560
Speaker 1: Hot one hundred yesterday. In addition to Kate Upton, we've

667
00:33:44,560 --> 00:33:47,440
Speaker 1: got j Low on there, Demmi Lavado, Selena Gomez, Cardi Be,

668
00:33:47,720 --> 00:33:52,440
Speaker 1: Kate McKinnon, Galgadotte, Margot Robbie, I'm all Clooney, Megan Marco

669
00:33:52,680 --> 00:33:56,280
Speaker 1: and now this I think sucks all the Kardashian Jenner

670
00:33:56,320 --> 00:34:00,160
Speaker 1: girls except Courtney. Now she's the hottest one. And here's

671
00:34:00,160 --> 00:34:03,120
Speaker 1: the thing, how does Courtney feel this morning? Like all

672
00:34:03,440 --> 00:34:07,000
Speaker 1: my sisters are hot? And I'm not like that sucks

673
00:34:07,040 --> 00:34:09,359
Speaker 1: too many sisters, I know, but you can't leave one out.

674
00:34:09,360 --> 00:34:11,319
Speaker 1: I mean, at least throw her a bone. Come on,

675
00:34:11,520 --> 00:34:13,640
Speaker 1: and she's the natural one. She really is. She is,

676
00:34:14,640 --> 00:34:21,319
Speaker 1: she isn't she didn't have button plants or anything. Right,

677
00:34:21,360 --> 00:34:23,240
Speaker 1: I feel bad for all right. It sounds like Jerry

678
00:34:23,280 --> 00:34:26,560
Speaker 1: Springer is going away after twenty six seasons almost four

679
00:34:26,719 --> 00:34:29,319
Speaker 1: thousand episodes. It isn't official yet, but it has lost

680
00:34:29,320 --> 00:34:31,960
Speaker 1: its distribution deal. There are no plans to produce any

681
00:34:31,960 --> 00:34:34,640
Speaker 1: new episodes, So you know, my guess is Jerry will

682
00:34:34,640 --> 00:34:37,439
Speaker 1: be okay. You know, Post Malone is hosting his own

683
00:34:37,719 --> 00:34:41,360
Speaker 1: Post Defest this summer. It's gonna be happening October and Dallas.

684
00:34:41,560 --> 00:34:43,680
Speaker 1: No more on who's playing other than him, but he's

685
00:34:43,680 --> 00:34:47,400
Speaker 1: promising a blockbuster line up in many surprises. And Oprah

686
00:34:47,520 --> 00:34:50,480
Speaker 1: and her longtime bff Gail King, they announced their plans

687
00:34:50,480 --> 00:34:53,680
Speaker 1: for the Ultimate Adventure, a three days girls getaway to

688
00:34:54,280 --> 00:34:56,480
Speaker 1: board Holland America's I don't know how to say the

689
00:34:56,560 --> 00:35:00,359
Speaker 1: name of the ship, but it's complicated. Yeah, but last

690
00:35:00,400 --> 00:35:02,239
Speaker 1: year she did this as well, and it's sold out,

691
00:35:02,239 --> 00:35:04,880
Speaker 1: and I think this year it's selling out. But they

692
00:35:05,040 --> 00:35:07,840
Speaker 1: they have officially made Oprah the godmother of that ship,

693
00:35:08,560 --> 00:35:10,960
Speaker 1: but she just shows up for a private ceremony and

694
00:35:11,000 --> 00:35:13,160
Speaker 1: they take a private little three day cruise where they

695
00:35:13,239 --> 00:35:15,960
Speaker 1: keep them from the people. I'm not doing that by

696
00:35:16,000 --> 00:35:18,840
Speaker 1: my side. Well, the thing is, honey, when we became

697
00:35:19,280 --> 00:35:22,000
Speaker 1: the godparents of our ship, Rwegian Bliss, they had us

698
00:35:22,040 --> 00:35:25,759
Speaker 1: like washing champagne glasses, actually wet. We worked. I was

699
00:35:25,880 --> 00:35:30,560
Speaker 1: making bands and stuff. He was making towel animals and everything.

700
00:35:30,600 --> 00:35:33,080
Speaker 1: You're serving at the Yeah, I had to put on

701
00:35:33,080 --> 00:35:36,600
Speaker 1: a hairnet. There is a preview of the put on

702
00:35:36,600 --> 00:35:38,759
Speaker 1: a hairnet. Oh my gosh. There's a preview of the

703
00:35:38,800 --> 00:35:41,879
Speaker 1: next episode of Total Bella's where John Cena wins Nicky

704
00:35:41,960 --> 00:35:44,040
Speaker 1: Bella back by agreeing to have a kid with her.

705
00:35:44,320 --> 00:35:47,040
Speaker 1: So I think maybe things are headed in the right direction.

706
00:35:47,320 --> 00:35:49,440
Speaker 1: What did I read yesterday that she says she has

707
00:35:49,480 --> 00:35:51,840
Speaker 1: trust issues? Is that I got to look it up.

708
00:35:51,880 --> 00:35:53,759
Speaker 1: I don't know. I didn't read that, but she might.

709
00:35:55,440 --> 00:35:57,760
Speaker 1: Let's see over the weekend. What do we have on television?

710
00:35:57,760 --> 00:36:00,320
Speaker 1: A lot of stuff, Queer Eye, celebrity family, few. Of course,

711
00:36:00,480 --> 00:36:03,880
Speaker 1: we are following the World Cup. Uh Snoop Dogg presents

712
00:36:03,920 --> 00:36:06,640
Speaker 1: the Jokers, Wild that's on. Uh, don't forget if you're

713
00:36:06,640 --> 00:36:08,160
Speaker 1: going to the movies. You've got a lot of things

714
00:36:08,160 --> 00:36:10,960
Speaker 1: to choose from this weekend. You've got tag. Yeah, so

715
00:36:11,080 --> 00:36:13,040
Speaker 1: this is based on a true story. Every year, a

716
00:36:13,080 --> 00:36:16,600
Speaker 1: group of five adults reunite for a competitive game of tag.

717
00:36:17,160 --> 00:36:19,759
Speaker 1: They become the target for a whole month and this

718
00:36:19,840 --> 00:36:21,640
Speaker 1: is the only way they can find time to be

719
00:36:21,760 --> 00:36:23,799
Speaker 1: together and hang out. And this is based on a

720
00:36:23,800 --> 00:36:25,959
Speaker 1: true story. These guys really do this. So it looks

721
00:36:25,960 --> 00:36:28,160
Speaker 1: like a really cool movie that's out today. Make sure

722
00:36:28,160 --> 00:36:30,800
Speaker 1: you check that out. Incredible twos out today and limited release.

723
00:36:30,840 --> 00:36:34,359
Speaker 1: You've got Gatti with John Travolta. That's w Yeah, me too,

724
00:36:34,560 --> 00:36:36,439
Speaker 1: you know, I know, just watched the John Gotti Junior

725
00:36:36,480 --> 00:36:39,040
Speaker 1: special on any It's a great intro to see the

726
00:36:39,040 --> 00:36:41,320
Speaker 1: movie with John Travolta. Who's in town by the way. Yeah,

727
00:36:41,520 --> 00:36:43,319
Speaker 1: you didn't come to see us though? Where's the end?

728
00:36:44,000 --> 00:36:46,480
Speaker 1: I don't know? Go find John John Travolta, let me know.

729
00:36:46,640 --> 00:36:49,759
Speaker 1: We gotta take a break. We're running late fifties seconds

730
00:36:49,920 --> 00:36:52,440
Speaker 1: fifty seconds. We've moved them up to fifty seconds of summer.

731
00:36:52,719 --> 00:36:56,080
Speaker 1: They're longer than ever before. Almost a minute five seconds

732
00:36:56,080 --> 00:36:59,680
Speaker 1: of summer coming up in less than forty minutes. Is

733
00:36:59,760 --> 00:37:02,920
Speaker 1: first little Twitter account. Follow him now at Elvis Duran.

734
00:37:03,320 --> 00:37:06,920
Speaker 1: This is Elvis stor In in the morning show. Blue

735
00:37:06,920 --> 00:37:10,279
Speaker 1: Apron delivers farm fresh, perfectly portioned ingredients and step by

736
00:37:10,280 --> 00:37:12,719
Speaker 1: step recipes so you can make incredible meals at home.

737
00:37:12,840 --> 00:37:15,800
Speaker 1: Rediscover how fun cooking can be while reducing food waste

738
00:37:15,800 --> 00:37:19,520
Speaker 1: and supporting sustainable farms and fisheries. Visit blue Apron dot com.

739
00:37:19,600 --> 00:37:22,400
Speaker 1: Slash Elvis get your first three meals for free, a

740
00:37:22,480 --> 00:37:29,920
Speaker 1: thirty dollar value coming up in the Mercedes Been Summer

741
00:37:29,920 --> 00:37:33,560
Speaker 1: Event Interview Lounge five Seconds of Summer and later on

742
00:37:33,640 --> 00:37:37,640
Speaker 1: Backstreet Boys come on. Okay, Honey, German from Power one

743
00:37:37,880 --> 00:37:39,600
Speaker 1: five one is our guest host today. You want to

744
00:37:39,600 --> 00:37:41,920
Speaker 1: hear frog you do some Backstreet Boys? Of course, you

745
00:37:41,960 --> 00:37:46,000
Speaker 1: guys a big teeth here. You listen to this. Rock

746
00:37:46,080 --> 00:37:56,840
Speaker 1: your body he gets nasily body, rock your body right

747
00:37:57,520 --> 00:38:02,040
Speaker 1: backstreets back, all right, all right, he gets better. You

748
00:38:02,120 --> 00:38:08,279
Speaker 1: got to think I'm throwing? Is it not good? Well,

749
00:38:08,640 --> 00:38:11,480
Speaker 1: here's the problem. There's no and then disadvantage. I'm always

750
00:38:11,480 --> 00:38:13,960
Speaker 1: a beat off, and that's the problem. We know that. Yeah,

751
00:38:14,000 --> 00:38:16,919
Speaker 1: you have to call you that when you're a kid. Yeah,

752
00:38:17,160 --> 00:38:22,840
Speaker 1: beat off. Um, when are we gonna start our pride karaoke?

753
00:38:23,120 --> 00:38:25,400
Speaker 1: I'm ready to go. Man. We have a little problem today.

754
00:38:26,000 --> 00:38:28,440
Speaker 1: The problem poor Kathleen came to work because we have

755
00:38:28,480 --> 00:38:31,520
Speaker 1: a big day and she has it horrible micraine where

756
00:38:31,960 --> 00:38:34,120
Speaker 1: she doesn't she can't sing, there's no way she can sin.

757
00:38:34,239 --> 00:38:37,279
Speaker 1: So Sam doesn't have her partner. Ronnie, my partner is

758
00:38:37,320 --> 00:38:39,200
Speaker 1: not in yet. He thought we were doing it later,

759
00:38:39,560 --> 00:38:42,040
Speaker 1: so we kind of we're well, we're a little bit scattered.

760
00:38:42,120 --> 00:38:43,960
Speaker 1: What are we to do? Kathleen and I rehearsed for

761
00:38:44,000 --> 00:38:46,759
Speaker 1: like an hour. I rehearsed in bed this morning for

762
00:38:46,760 --> 00:38:50,000
Speaker 1: like ten minutes, so you know the feeling. Yeah, you

763
00:38:50,080 --> 00:38:52,360
Speaker 1: do yours. You have to pull it up. We're not prepared.

764
00:38:52,360 --> 00:38:54,040
Speaker 1: You gotta pull it up on YouTube. We have to

765
00:38:54,040 --> 00:38:56,440
Speaker 1: pull up the karaoke versions of our songs. Oh, I

766
00:38:56,520 --> 00:39:00,440
Speaker 1: need to see this. I'm going last if I must go. Okay,

767
00:39:00,640 --> 00:39:03,040
Speaker 1: the show ends at ten, Honey, much to go at

768
00:39:03,040 --> 00:39:06,759
Speaker 1: ten oh five. All right, we'll get that done. We

769
00:39:06,800 --> 00:39:10,319
Speaker 1: do have your gravity blanket free money phone tap coming up.

770
00:39:10,320 --> 00:39:12,960
Speaker 1: I actually introduced Honey to the gravity blanket. Yes, we

771
00:39:12,960 --> 00:39:17,719
Speaker 1: were just doing lifts with it. Because listen, this is

772
00:39:17,760 --> 00:39:19,520
Speaker 1: perfect for the moms that can't keep the kid in

773
00:39:19,560 --> 00:39:22,040
Speaker 1: their own bed. You put the gravity blanket on the kid,

774
00:39:22,080 --> 00:39:24,560
Speaker 1: he can't get out. Oh my gosh, I just don't

775
00:39:24,560 --> 00:39:26,839
Speaker 1: put it over the kid's head. You'll leave the mouth out.

776
00:39:27,000 --> 00:39:29,440
Speaker 1: I'm sure there's some there's some something in the warning

777
00:39:29,480 --> 00:39:34,439
Speaker 1: and instructions. Do not children. They are they're heavy, they're great,

778
00:39:34,520 --> 00:39:36,680
Speaker 1: and thanks to them, we have a one dollar gravity

779
00:39:36,680 --> 00:39:39,719
Speaker 1: blanket free money phone tap on the way. So with

780
00:39:39,840 --> 00:39:42,120
Speaker 1: five seconds of summer breezing through in a few minutes,

781
00:39:42,160 --> 00:39:44,120
Speaker 1: they're going to talk about their new music, will play it.

782
00:39:44,440 --> 00:39:47,640
Speaker 1: They're actually on their getting off their plane from Europe

783
00:39:47,719 --> 00:39:50,080
Speaker 1: as we speak, and we're rushing them into the city

784
00:39:50,080 --> 00:39:54,000
Speaker 1: with the police escort. Police escort, we have that, uh,

785
00:39:54,000 --> 00:39:56,560
Speaker 1: and then Backstreet Boys following them. I was kind of

786
00:39:56,680 --> 00:40:01,200
Speaker 1: hoping that five seconds of summer would do back Backstreet

787
00:40:01,200 --> 00:40:03,280
Speaker 1: Boys song, and Backstreet Boys would do a five seconds

788
00:40:03,280 --> 00:40:05,319
Speaker 1: of summer song. That would be amazing. Why don't we

789
00:40:05,320 --> 00:40:07,520
Speaker 1: We told him that in both camps are like, I

790
00:40:07,520 --> 00:40:17,120
Speaker 1: don't think so. Yeah, And he's got so many ideas.

791
00:40:17,440 --> 00:40:19,759
Speaker 1: I've got great ideas of My original idea was only

792
00:40:19,840 --> 00:40:23,200
Speaker 1: to do a five second five seconds of summer interviews.

793
00:40:23,239 --> 00:40:24,799
Speaker 1: So they're going to come in all the way here

794
00:40:25,120 --> 00:40:27,200
Speaker 1: so that they can say good morning and walk out

795
00:40:27,239 --> 00:40:30,960
Speaker 1: with a police escort. Remember the Wanted, They would do

796
00:40:30,960 --> 00:40:34,640
Speaker 1: anything that was guys stopping. Remember when I went on

797
00:40:34,719 --> 00:40:37,480
Speaker 1: stage and said the wrong name, who are you introducing

798
00:40:38,239 --> 00:40:40,440
Speaker 1: the show? One of our shows jingle Ball? Right, I

799
00:40:40,440 --> 00:40:43,240
Speaker 1: get up on stage, I'm like closing the show today.

800
00:40:43,440 --> 00:40:45,799
Speaker 1: The Wanted and the Ones that had broken up. It

801
00:40:45,880 --> 00:40:52,360
Speaker 1: was the weekend. The weekends and look what did weekend?

802
00:40:52,520 --> 00:40:58,440
Speaker 1: It sounds the same. Commonn't able to look at you.

803
00:40:58,560 --> 00:41:01,880
Speaker 1: They just were like Daniel, that's the wrong band. Okay,

804
00:41:02,200 --> 00:41:05,040
Speaker 1: the Weekend isn't a band. By the way, anyway, there's

805
00:41:05,040 --> 00:41:07,920
Speaker 1: the problem, the wrong group. Whatever. Ladies and gentlemen carry underwood,

806
00:41:08,040 --> 00:41:13,000
Speaker 1: I mean cold play the same, totally different. By the way,

807
00:41:13,239 --> 00:41:16,400
Speaker 1: did you hear about American Horror Story. It will be

808
00:41:16,480 --> 00:41:22,400
Speaker 1: a Murder House Coven crossover season that my two favorite

809
00:41:22,440 --> 00:41:25,080
Speaker 1: seasons are coming to Okay, can I tell you my

810
00:41:25,200 --> 00:41:28,200
Speaker 1: idea for were you? Are you a fan? I've watched

811
00:41:28,239 --> 00:41:31,359
Speaker 1: every single season American Horror Story. Okay, So I used

812
00:41:31,400 --> 00:41:33,560
Speaker 1: to have a house and it was in an uh

813
00:41:34,760 --> 00:41:39,239
Speaker 1: gated community of old old houses, and rumored in this

814
00:41:39,280 --> 00:41:43,000
Speaker 1: community were many old haunted houses. I thought they should do.

815
00:41:43,520 --> 00:41:47,040
Speaker 1: Get this an American horror story about a neighborhood of

816
00:41:47,040 --> 00:41:49,720
Speaker 1: haunted houses where you have ghosts that like have dinner

817
00:41:49,719 --> 00:41:54,439
Speaker 1: parties next door. That's a good Yeah, that's a good idea.

818
00:41:54,560 --> 00:41:57,440
Speaker 1: Come on, rip me off. He's got he's got so

819
00:41:57,480 --> 00:42:00,680
Speaker 1: many ideas. Ghost are gonna be killing each other again?

820
00:42:01,640 --> 00:42:04,120
Speaker 1: Uh So I was reading this yesterday. A new poll

821
00:42:04,200 --> 00:42:07,440
Speaker 1: says that four of us say that we've had sex

822
00:42:07,719 --> 00:42:13,080
Speaker 1: at work during work hours. I'm guessing what a co worker,

823
00:42:13,920 --> 00:42:19,319
Speaker 1: yes Scary did several years ago. Oh yeah, he used

824
00:42:19,360 --> 00:42:20,960
Speaker 1: to tell us about what went on in the bathroom.

825
00:42:21,200 --> 00:42:23,239
Speaker 1: Let me tell you, no, that was after hours though

826
00:42:24,960 --> 00:42:28,520
Speaker 1: it in our studio. Honey, Nate did it right here

827
00:42:28,560 --> 00:42:33,960
Speaker 1: on my board and he still works here exactly and no, no,

828
00:42:35,280 --> 00:42:39,160
Speaker 1: on my board. Someone saw him, who wasn't They saw him.

829
00:42:39,680 --> 00:42:41,799
Speaker 1: Someone from the AM station down the hall from w

830
00:42:42,320 --> 00:42:45,279
Speaker 1: R saw him and they reported it, and everyone saw

831
00:42:45,360 --> 00:42:48,359
Speaker 1: him in here. Look it's nothing but windows. How can

832
00:42:48,360 --> 00:42:50,359
Speaker 1: you do it in here? So the shades were drawn,

833
00:42:50,480 --> 00:42:53,279
Speaker 1: but there was a tiny crack that you could see through.

834
00:42:53,440 --> 00:42:58,439
Speaker 1: There's a tiny crack on my board, and they thought

835
00:42:58,440 --> 00:43:01,880
Speaker 1: of looking through that little crack. Did they clean the

836
00:43:01,960 --> 00:43:05,440
Speaker 1: area that kind of you know? I eat breakfast here

837
00:43:07,080 --> 00:43:11,640
Speaker 1: that I know anyway, So that of us have admitted

838
00:43:11,800 --> 00:43:15,840
Speaker 1: to doing. But this is during work hours. And even

839
00:43:15,880 --> 00:43:19,719
Speaker 1: though getting into a relationship with someone at work is risky,

840
00:43:20,760 --> 00:43:25,000
Speaker 1: just a little casual, how you're doing is saying it's fine.

841
00:43:25,040 --> 00:43:28,520
Speaker 1: How many times have you done it at work during work? Hours.

842
00:43:28,560 --> 00:43:32,600
Speaker 1: Never after work here. No, not so much. Not what

843
00:43:32,840 --> 00:43:35,279
Speaker 1: do you mean not? I mean not at all? No, No,

844
00:43:35,960 --> 00:43:38,160
Speaker 1: in our original studios in Cea Caucus, New Jersey, I

845
00:43:38,160 --> 00:43:40,759
Speaker 1: did it there. Jersey City did I never did it

846
00:43:40,760 --> 00:43:45,600
Speaker 1: in Jersey City. Justice Caucus. Just something about the marshlands

847
00:43:45,600 --> 00:43:50,000
Speaker 1: of There's just something about that name ce Caucus. I

848
00:43:50,080 --> 00:43:52,319
Speaker 1: was doing what they told me to do. Was in

849
00:43:52,360 --> 00:43:54,200
Speaker 1: the jaw Clowns. We had this old couch and you

850
00:43:54,280 --> 00:43:56,200
Speaker 1: just looked at it and you just know it was

851
00:43:56,280 --> 00:43:59,160
Speaker 1: just full of all sorts of evidence. And I wasn't

852
00:43:59,200 --> 00:44:01,560
Speaker 1: going to do it there. Yeah, bring a black light

853
00:44:01,600 --> 00:44:03,560
Speaker 1: in and it's I don't know, rap we do need that.

854
00:44:03,600 --> 00:44:05,480
Speaker 1: We had one of those couches at the radio station

855
00:44:05,520 --> 00:44:08,279
Speaker 1: in college and it was like that was don't go

856
00:44:08,360 --> 00:44:12,000
Speaker 1: near that couch. Who's discussing the y one hundry couch

857
00:44:12,000 --> 00:44:14,839
Speaker 1: in South Florida. Dude, that thing had children. It walked

858
00:44:14,840 --> 00:44:17,359
Speaker 1: away from here. They actually went out and got like

859
00:44:17,360 --> 00:44:20,319
Speaker 1: like a pleather couch so it wouldn't absorb anything, right.

860
00:44:21,600 --> 00:44:23,440
Speaker 1: I think the couch was pregnant. When we get rid

861
00:44:23,440 --> 00:44:28,320
Speaker 1: of it, said I'm out. It was having other couches

862
00:44:28,360 --> 00:44:32,560
Speaker 1: like weekly, so it's not only co workers getting it on.

863
00:44:32,800 --> 00:44:35,040
Speaker 1: The survey also says that one antent Americans have had

864
00:44:35,040 --> 00:44:39,200
Speaker 1: sex with the boss outside and inside the office. That's

865
00:44:39,200 --> 00:44:42,960
Speaker 1: how they keep their jobs. That's not good. And if

866
00:44:43,000 --> 00:44:46,120
Speaker 1: you're not good, then well in this day and age,

867
00:44:46,120 --> 00:44:48,720
Speaker 1: with all all the reality that's coming out in the news,

868
00:44:48,800 --> 00:44:51,319
Speaker 1: I mean, people know better. Don't have sex with you, ball,

869
00:44:51,800 --> 00:44:53,600
Speaker 1: don't have sex with anyone, don't. I don't even don't

870
00:44:53,600 --> 00:44:56,839
Speaker 1: even have sex even people you're married to. You can

871
00:44:56,920 --> 00:45:01,200
Speaker 1: get sued, okay, hopefully with them all. Now we have

872
00:45:01,280 --> 00:45:03,440
Speaker 1: to take a break because we have We've got a

873
00:45:03,440 --> 00:45:06,240
Speaker 1: one thousand dollar gravity blanket phone tap on the way.

874
00:45:06,280 --> 00:45:08,919
Speaker 1: But I do want to get my uh. I want

875
00:45:08,920 --> 00:45:11,319
Speaker 1: to get my karaoke song ready to go? Yeah, I

876
00:45:11,320 --> 00:45:12,840
Speaker 1: want to go after you. I'm ready to go to

877
00:45:13,000 --> 00:45:15,920
Speaker 1: oh we I thought we already had your karaoke. Didn't

878
00:45:15,920 --> 00:45:22,560
Speaker 1: you just think back streets back? We've got we gotta

879
00:45:22,560 --> 00:45:25,840
Speaker 1: get it done fast. I hate you. Hold on, hello, Jimmy,

880
00:45:25,920 --> 00:45:28,280
Speaker 1: how are you party in Germany? I'm sorry, hold one second, Hello,

881
00:45:29,640 --> 00:45:32,759
Speaker 1: what's going on? Yes? What's going on? H Yes? Um,

882
00:45:32,800 --> 00:45:35,279
Speaker 1: I heard you guys were talking about people having sex

883
00:45:35,400 --> 00:45:38,200
Speaker 1: during the work hour. Yes, during work hours. Have you

884
00:45:38,200 --> 00:45:42,319
Speaker 1: been recently having sex during work hours? Actually twice this week?

885
00:45:43,280 --> 00:45:48,920
Speaker 1: Are you a pilot? Are you a surgeon? No? I

886
00:45:48,960 --> 00:45:51,719
Speaker 1: work on the road a lot so, and I have

887
00:45:51,800 --> 00:45:55,239
Speaker 1: a friend that usually hit me up what she's not

888
00:45:55,280 --> 00:45:58,960
Speaker 1: doing anything? And usually I have enough free time to

889
00:45:59,000 --> 00:46:02,040
Speaker 1: where I could stop. Are okay? Why not? Why not?

890
00:46:02,320 --> 00:46:04,120
Speaker 1: So your office hours are on the road. We're talking

891
00:46:04,160 --> 00:46:07,440
Speaker 1: about people doing it like on the desk. What's that

892
00:46:07,520 --> 00:46:09,000
Speaker 1: noise in the background. What are you doing right now?

893
00:46:09,480 --> 00:46:13,799
Speaker 1: Let's listen. Listen, you know it won't hold on. Mabeh,

894
00:46:13,840 --> 00:46:15,400
Speaker 1: we'll be quiet. Let me hear you hear what it

895
00:46:15,400 --> 00:46:19,440
Speaker 1: sounds like in the background. Here we go. What are

896
00:46:19,440 --> 00:46:27,920
Speaker 1: you doing exactly? You're doing it right now? You're fast?

897
00:46:28,400 --> 00:46:31,719
Speaker 1: Look at jack camera, Jack rabbit. All right, well look,

898
00:46:31,800 --> 00:46:34,040
Speaker 1: so you know if you're yo yo, if you're doing

899
00:46:34,080 --> 00:46:35,920
Speaker 1: it on the road, I get it. But you wouldn't

900
00:46:35,920 --> 00:46:42,719
Speaker 1: do it in the office, would you. So you do

901
00:46:42,760 --> 00:46:48,840
Speaker 1: it in the car because that's technically your office out Okay,

902
00:46:49,520 --> 00:46:51,000
Speaker 1: you know what one time I was doing in the

903
00:46:51,040 --> 00:46:54,360
Speaker 1: car and we got everything confused with the gear shift.

904
00:46:57,040 --> 00:46:59,959
Speaker 1: It's a long story, all right. I gotta take her break.

905
00:47:00,080 --> 00:47:02,759
Speaker 1: Thank you for listening and thanks for sharing. All right,

906
00:47:02,800 --> 00:47:14,000
Speaker 1: thank you quick. It's consistent too. Okay, we gotta we

907
00:47:14,040 --> 00:47:15,880
Speaker 1: gotta take a break. We gotta try to get this

908
00:47:15,920 --> 00:47:18,120
Speaker 1: train back on schedule. Coming up next to your phone

909
00:47:18,120 --> 00:47:20,000
Speaker 1: tap and then five seconds of summer less than thirties

910
00:47:20,000 --> 00:47:25,040
Speaker 1: from right now. Twitter. Follow Elvis on Twitter at Elvis

911
00:47:25,080 --> 00:47:30,480
Speaker 1: Durand Elvis Durand. In the Morning Show, Tates Bake Shops

912
00:47:30,520 --> 00:47:33,880
Speaker 1: signature thin buttery chocolate chip cokies so uniquely crispy and

913
00:47:33,920 --> 00:47:40,440
Speaker 1: deeply delicious. And for Father's Day perfect send Tates delectable brownies, Blondies, macaroons, everything.

914
00:47:40,800 --> 00:47:44,080
Speaker 1: Visit Tates bake Shop dot com. Enter the promo code

915
00:47:44,080 --> 00:47:47,920
Speaker 1: Elvis off your next order. Elvis Durand in the Morning

916
00:47:47,920 --> 00:47:51,960
Speaker 1: Shows Free Money. As you know, our buddy bald freak Rannie,

917
00:47:52,280 --> 00:47:54,600
Speaker 1: he's leaving. He's moving to Washington, d C. To work

918
00:47:54,640 --> 00:48:00,880
Speaker 1: for NPR. Yes I know, I mean very very high brow. Anyway,

919
00:48:01,040 --> 00:48:04,200
Speaker 1: let's donate and donate money to NPR so he can

920
00:48:04,400 --> 00:48:06,440
Speaker 1: keep his job. Anyway. We had a big party for

921
00:48:06,520 --> 00:48:09,560
Speaker 1: Ronnie yesterday across the street at Peppolino. It was fantastic.

922
00:48:11,120 --> 00:48:13,879
Speaker 1: Drunk some we drunk, some wine. We drank some wine

923
00:48:13,880 --> 00:48:16,160
Speaker 1: and had a great day anyway. So one of the

924
00:48:16,160 --> 00:48:18,360
Speaker 1: many contributions that Ronnie has made over the years is

925
00:48:18,400 --> 00:48:20,759
Speaker 1: he helps us with the phone taps and he has

926
00:48:20,800 --> 00:48:26,400
Speaker 1: this crazy character he does is he? Which one is he? Is? He?

927
00:48:26,400 --> 00:48:29,680
Speaker 1: He's Gerald Fitzpatrick And there's okay, this is a tag

928
00:48:29,719 --> 00:48:32,560
Speaker 1: team with scary and baldfrek. One is Gerald Fitzpatrick and

929
00:48:32,600 --> 00:48:38,400
Speaker 1: the other guy is Patrick Fitzgerald. It was just perfect

930
00:48:38,400 --> 00:48:42,160
Speaker 1: for Pride months anyway. So so this is the original,

931
00:48:42,160 --> 00:48:44,359
Speaker 1: This is the very first one. First all right, Now,

932
00:48:44,400 --> 00:48:46,680
Speaker 1: after it's over, I'll give you the number to call.

933
00:48:46,719 --> 00:48:48,840
Speaker 1: You'll be calling one hundred. You'll win a thousand dollars

934
00:48:48,840 --> 00:48:53,160
Speaker 1: thanks to Grave Gravity Blankets gravity blankets dot com. If

935
00:48:53,160 --> 00:48:55,680
Speaker 1: you go now use the code Z one hundred SAM

936
00:48:55,760 --> 00:48:59,440
Speaker 1: for fift off your purchase. I enshrouded our honey, our friend,

937
00:48:59,520 --> 00:49:01,520
Speaker 1: honey jerm in a gravity blanket. Do you see what

938
00:49:01,560 --> 00:49:04,800
Speaker 1: it's all about? It's a good like I had somebody

939
00:49:04,800 --> 00:49:10,120
Speaker 1: on top of me, no commitment, there's no messy breakup

940
00:49:10,320 --> 00:49:14,160
Speaker 1: or pregnancy. They should they should include that in all

941
00:49:14,200 --> 00:49:17,759
Speaker 1: their marketing. Any gravity blanket. They recognize it. For years,

942
00:49:17,800 --> 00:49:21,760
Speaker 1: people living with anxiety. Have actually five seconds and Summer

943
00:49:21,800 --> 00:49:23,520
Speaker 1: just walked out. This is great. I can't look at

944
00:49:23,520 --> 00:49:29,239
Speaker 1: the bride. For years, people have used heavier weighted blankets

945
00:49:29,280 --> 00:49:33,839
Speaker 1: to help out, to help out with anxiety, and now

946
00:49:34,040 --> 00:49:36,960
Speaker 1: they're realizing that we all have anxiety issues. And so

947
00:49:37,040 --> 00:49:39,359
Speaker 1: you sleep under these weighted blankets and it calms you down,

948
00:49:39,400 --> 00:49:41,560
Speaker 1: It soothes you down, you go into a deeper sleep.

949
00:49:41,600 --> 00:49:44,240
Speaker 1: It's pretty cool. So once again, go to gravity Blankets

950
00:49:44,280 --> 00:49:47,200
Speaker 1: dot com and use the promo code Z one dot

951
00:49:47,239 --> 00:49:51,160
Speaker 1: com was one hundred sam. I'm so screwed up. Use

952
00:49:51,239 --> 00:49:54,360
Speaker 1: the promo code Z one hundred SAM off your purchase.

953
00:49:54,680 --> 00:49:57,719
Speaker 1: I'm melting down today. It's Friday, that's why. All right,

954
00:49:57,760 --> 00:49:59,400
Speaker 1: So wait till after the phone tap, then we'll give

955
00:49:59,440 --> 00:50:01,719
Speaker 1: you the number you call to win your money. All right,

956
00:50:01,880 --> 00:50:06,720
Speaker 1: here we go, Elvis, Elvis, Durant, Elvis durand phone tap.

957
00:50:06,800 --> 00:50:10,280
Speaker 1: All right, scary, what's your phone tap about? Today? Emily

958
00:50:10,520 --> 00:50:13,480
Speaker 1: wanted to phone tap her boyfriend Rafael. Rafael has been

959
00:50:13,480 --> 00:50:15,920
Speaker 1: waiting on a callback from the financial company for his

960
00:50:16,040 --> 00:50:19,319
Speaker 1: car because he moved and has been missing payments, and

961
00:50:19,440 --> 00:50:22,080
Speaker 1: recently got a letter saying his car was about to

962
00:50:22,080 --> 00:50:24,920
Speaker 1: be taken away. So I'm gonna call him and pretend

963
00:50:25,120 --> 00:50:29,000
Speaker 1: from the finance company with Ronnie the bald freak also

964
00:50:29,120 --> 00:50:32,799
Speaker 1: helping me on this. We love Ronnie. He's good. This

965
00:50:32,880 --> 00:50:36,440
Speaker 1: is a a tag team phone tap. Here we go.

966
00:50:37,320 --> 00:50:42,479
Speaker 1: Let's listen to Hi. I'm looking for Rafael Hernandez. Please

967
00:50:44,000 --> 00:50:48,120
Speaker 1: speaking Rafael. Hi, my name is Patrick Fitzgerald from Customer

968
00:50:48,200 --> 00:50:52,880
Speaker 1: Care here, not the financial services. How are you today? Hey,

969
00:50:52,920 --> 00:50:55,279
Speaker 1: I'm good. Finally you guys come back. I understand you're

970
00:50:55,280 --> 00:50:59,160
Speaker 1: having issues with the letter we sent about us impounding

971
00:50:59,160 --> 00:51:02,080
Speaker 1: your car. UM. So yeah, we didn't want it to

972
00:51:02,120 --> 00:51:04,200
Speaker 1: come to that, you know. No, no, no no, hold on,

973
00:51:04,239 --> 00:51:08,040
Speaker 1: hold on. You guys sent invoices to my old address. Okay,

974
00:51:08,200 --> 00:51:11,840
Speaker 1: and then finally somehow I get my inpound notice in

975
00:51:11,920 --> 00:51:14,439
Speaker 1: my new address. First things first, I have to send

976
00:51:14,440 --> 00:51:17,200
Speaker 1: you over to the Change of Address department. UM, if

977
00:51:17,200 --> 00:51:19,359
Speaker 1: you could please hold on one second, I've already changed

978
00:51:19,400 --> 00:51:23,400
Speaker 1: my address. You will be assisted, Jordan. Please continue to

979
00:51:23,480 --> 00:51:25,520
Speaker 1: hold and the member of our staff will be happy

980
00:51:25,560 --> 00:51:29,440
Speaker 1: to give your call the undivided attention it deserves. Yes,

981
00:51:29,440 --> 00:51:33,000
Speaker 1: this is Gerald Fitzpatrick speaking. How my healthy sir? Um.

982
00:51:33,160 --> 00:51:34,839
Speaker 1: Someone just sent me over here. Can you just send

983
00:51:34,840 --> 00:51:37,400
Speaker 1: me back to him, please, and what seems to be

984
00:51:37,400 --> 00:51:40,080
Speaker 1: the troubles are gonna help you with something? Yes, yes,

985
00:51:40,080 --> 00:51:41,759
Speaker 1: this guy he wants me to change my address, but

986
00:51:41,760 --> 00:51:44,120
Speaker 1: I already have the right address on file. Spell your

987
00:51:44,160 --> 00:51:48,480
Speaker 1: name for me, please R A F A E. L.

988
00:51:49,840 --> 00:51:53,759
Speaker 1: Hernandez just like every other Mexican person who lives in

989
00:51:53,760 --> 00:52:01,440
Speaker 1: the city. And your addresser, it's mill Ridge Drive. And sir,

990
00:52:01,520 --> 00:52:03,879
Speaker 1: do you have your account over handing? No, I don't

991
00:52:03,920 --> 00:52:07,040
Speaker 1: have my account number. Handy, that's unfortunate. I don't know

992
00:52:07,200 --> 00:52:09,680
Speaker 1: my account number. Okay, that's the problem. That's what I've

993
00:52:09,680 --> 00:52:11,360
Speaker 1: been trying to tell you guys this whole time. I

994
00:52:11,400 --> 00:52:13,680
Speaker 1: don't know because I don't have any invoices, because you

995
00:52:13,760 --> 00:52:16,440
Speaker 1: guys have been sending my invoices to my old address.

996
00:52:16,880 --> 00:52:19,919
Speaker 1: Does this make sense? I need to know why we

997
00:52:20,000 --> 00:52:23,760
Speaker 1: have not received payment for you within the last four months.

998
00:52:24,200 --> 00:52:27,560
Speaker 1: I just told you why you haven't received payment. All right, sir,

999
00:52:27,640 --> 00:52:28,719
Speaker 1: let me let me put you on hold for a second.

1000
00:52:28,760 --> 00:52:30,680
Speaker 1: We're gonna transfer our billing department. Hold on, wait, wait, wait,

1001
00:52:30,680 --> 00:52:34,759
Speaker 1: wait wait Gerald, Yes, Fitzgerald, Patrick Fitzgerald. What's your name?

1002
00:52:35,880 --> 00:52:40,399
Speaker 1: What the problem? You started yelling at me as if

1003
00:52:40,440 --> 00:52:43,719
Speaker 1: I took the information down. You didn't take the information down, right,

1004
00:52:43,760 --> 00:52:47,840
Speaker 1: are you? Are you not Patrick Generald Fitzpatrick. This is

1005
00:52:47,840 --> 00:52:53,080
Speaker 1: Patrick Fitzgerald. That's right. But in order to change your address,

1006
00:52:53,280 --> 00:52:55,759
Speaker 1: you need to I just spoke to you. You told

1007
00:52:55,760 --> 00:52:58,160
Speaker 1: me what I needed to know. Do you plan to

1008
00:52:58,160 --> 00:53:00,680
Speaker 1: pay automatically with easy pay? You can set that up

1009
00:53:00,719 --> 00:53:02,840
Speaker 1: for you. I started off paying online and then you

1010
00:53:02,880 --> 00:53:05,000
Speaker 1: guys started sending me invoices in the mail to the

1011
00:53:05,040 --> 00:53:08,800
Speaker 1: wrong address. But I'd like to talk to someone, Amnia.

1012
00:53:09,080 --> 00:53:11,000
Speaker 1: Let get this problem fixed and I can take my

1013
00:53:11,080 --> 00:53:17,680
Speaker 1: daughter to the right Hello, sir, Hello, you're not Yes, sir,

1014
00:53:18,200 --> 00:53:20,960
Speaker 1: we were talking about payment online. Sir, I apologize, but

1015
00:53:21,080 --> 00:53:24,360
Speaker 1: I don't recall talking to you about this. Um. What

1016
00:53:24,480 --> 00:53:31,520
Speaker 1: is your name? What holy? My name is Raphael Hernandez. Oh? Yes,

1017
00:53:31,640 --> 00:53:35,040
Speaker 1: Mr Hernandez need Old Mile World correct. No, I don't

1018
00:53:35,040 --> 00:53:38,600
Speaker 1: believe it's this old mill Road anymore. My new addresses

1019
00:53:39,080 --> 00:53:42,480
Speaker 1: you know mill Ridge Drive. No. Actually, we type it

1020
00:53:42,480 --> 00:53:44,440
Speaker 1: into our computer system right here, and there seems to

1021
00:53:44,440 --> 00:53:47,520
Speaker 1: be an update in process and it looks like we're

1022
00:53:47,520 --> 00:53:49,799
Speaker 1: all set, then, sir, Is that correct? No? We're not

1023
00:53:49,840 --> 00:53:51,600
Speaker 1: all set then, because my car is going to get

1024
00:53:51,640 --> 00:53:57,680
Speaker 1: impounded later today before this whole men, you guys, just yeah,

1025
00:53:57,760 --> 00:54:00,239
Speaker 1: hold on, would you just wait up? Things? I'm done talking.

1026
00:54:00,320 --> 00:54:03,680
Speaker 1: I don't know what you're speaking about. Okay, what do you?

1027
00:54:03,760 --> 00:54:07,320
Speaker 1: What's your name? Patrick Fitzgerald to not Financial Services, Gerald

1028
00:54:07,320 --> 00:54:11,520
Speaker 1: Fitzpatrick speaking, How am I help you? Hello? HELLI Hello,

1029
00:54:11,560 --> 00:54:17,280
Speaker 1: This is Patrick. This is Patrick Fitzgerald. Hello, Hi, Gerald

1030
00:54:17,320 --> 00:54:21,640
Speaker 1: Fitzpatrick speaking. Man. He yes, Hi. How are you two

1031
00:54:21,680 --> 00:54:24,120
Speaker 1: people on the phone right now? We are sending out

1032
00:54:24,120 --> 00:54:29,840
Speaker 1: at O truck to impound? What talk for? Apology? You

1033
00:54:30,000 --> 00:54:32,840
Speaker 1: sent me bills for a wrong address. The system is

1034
00:54:32,840 --> 00:54:35,799
Speaker 1: not updated yet with that change of address. So did

1035
00:54:35,880 --> 00:54:38,839
Speaker 1: you just confirmed that it is on? Sating with me? Hello? Okay, sir?

1036
00:54:38,880 --> 00:54:40,680
Speaker 1: Would you like to pay by money? Graham? I can't

1037
00:54:40,719 --> 00:54:44,080
Speaker 1: pay four months just out of pocket. My cab will start.

1038
00:54:44,400 --> 00:54:46,520
Speaker 1: You want a child to starve? Is that what you want? Well,

1039
00:54:46,520 --> 00:54:48,160
Speaker 1: I'm sorry. I don't have any children, sir, so I

1040
00:54:48,200 --> 00:54:50,239
Speaker 1: wouldn't know what that's like. I'm married with you children, Sarah.

1041
00:54:50,280 --> 00:55:00,960
Speaker 1: Understand you. You will be assistant shortly speaking Hello? Hello?

1042
00:55:01,040 --> 00:55:03,239
Speaker 1: Do you hear the other? Is your reverb on this

1043
00:55:03,320 --> 00:55:06,960
Speaker 1: phone line? Can you not hear me? I hear you, sir,

1044
00:55:07,640 --> 00:55:13,120
Speaker 1: you hear you. Great person going crazy? Sor. I'm sorry

1045
00:55:13,160 --> 00:55:14,640
Speaker 1: we're gonna have to impound your car, Sorr. I have

1046
00:55:14,719 --> 00:55:16,200
Speaker 1: good news for you. We will not have to impound

1047
00:55:16,239 --> 00:55:18,960
Speaker 1: your vehicle. Why the could you double teeming me like this? Okay,

1048
00:55:19,000 --> 00:55:21,719
Speaker 1: it's just super unprofessional. What I need to know is

1049
00:55:21,719 --> 00:55:23,880
Speaker 1: whether my car is going to get impounded. Well, I

1050
00:55:23,880 --> 00:55:26,920
Speaker 1: should drive to Canada right now. What you should know

1051
00:55:27,160 --> 00:55:29,720
Speaker 1: is that you've been phone tapped. Sir, You've been phone tapped?

1052
00:55:30,600 --> 00:55:33,400
Speaker 1: Are you talking about? This is Patrick Fitzgerald. This is

1053
00:55:33,440 --> 00:55:36,399
Speaker 1: Gerald Fitzpatrick. Actually, I'm Scary Jones and I'm Ronnie and

1054
00:55:36,440 --> 00:55:43,480
Speaker 1: Emily wanted to mess with you, Rafael. Hi. The whole time,

1055
00:55:43,520 --> 00:55:50,720
Speaker 1: I was thinking that that that I'm going crazy or something.

1056
00:55:51,920 --> 00:55:57,040
Speaker 1: The free There you go, Gerald Fitzpatrick, Patrick Fitzgerald classic

1057
00:55:57,239 --> 00:56:00,279
Speaker 1: A classic from bald Freak Ronnie. I'm gonna miss him. Yes,

1058
00:56:00,520 --> 00:56:03,479
Speaker 1: I'm scary Scary. You should leave and let him stay, Okay,

1059
00:56:03,520 --> 00:56:07,279
Speaker 1: we want That is not nice, Elvis. I'm kidding. He

1060
00:56:07,600 --> 00:56:12,799
Speaker 1: goes home at night and drinks heavily cries twenties two

1061
00:56:12,840 --> 00:56:14,560
Speaker 1: years But anyway, thank you. I love you. Scary you

1062
00:56:14,600 --> 00:56:17,200
Speaker 1: know I'm kidding. All right, there's your free money phone tap.

1063
00:56:17,239 --> 00:56:20,919
Speaker 1: Thanks to Gravity Blanket and Gravity gravity Blankets dot Com,

1064
00:56:21,000 --> 00:56:22,680
Speaker 1: you can win a thousand dollars right now if your

1065
00:56:22,680 --> 00:56:27,440
Speaker 1: call one hundred zero in the morning shows free money

1066
00:56:27,440 --> 00:56:30,200
Speaker 1: phone tap, Entry and Foe and Rules. Visit Elvis Durand

1067
00:56:30,280 --> 00:56:33,920
Speaker 1: dot com. Sword Contests Elvis Durand in the Morning shows

1068
00:56:34,040 --> 00:56:36,960
Speaker 1: free money phone tap. Alright, we're just ahead of five

1069
00:56:36,960 --> 00:56:38,960
Speaker 1: seconds of summer. They're coming in. We gotta play some

1070
00:56:39,000 --> 00:56:41,120
Speaker 1: new music. Talk about the new album. By the way,

1071
00:56:41,120 --> 00:56:44,360
Speaker 1: their number one and twenty two countries already in the

1072
00:56:44,920 --> 00:56:47,719
Speaker 1: album albums came out. We're gonna make it number one

1073
00:56:47,760 --> 00:56:52,520
Speaker 1: all around the world. Watch the Hello Lynn? Is that you? Yes, Lynn,

1074
00:56:52,520 --> 00:56:55,879
Speaker 1: your caller one hundred You want a thousand dollars? Oh

1075
00:56:55,920 --> 00:57:00,080
Speaker 1: my god, I can't believe you got it. We're are

1076
00:57:00,080 --> 00:57:05,120
Speaker 1: you calling from Lynn, Florida? Oh excellent? Any rocket to

1077
00:57:05,160 --> 00:57:11,040
Speaker 1: take off lately? Pardon? So? Look, you want a one

1078
00:57:11,080 --> 00:57:13,800
Speaker 1: thousand dollar cash gift card. You spend it anywhere in

1079
00:57:13,840 --> 00:57:15,480
Speaker 1: any way you want. It's all from our friends at

1080
00:57:15,480 --> 00:57:18,880
Speaker 1: Gravity Blanket and Gravity Blankets dot Com. If you use

1081
00:57:19,000 --> 00:57:21,720
Speaker 1: Z one hundred sam as your promo code, you get

1082
00:57:21,720 --> 00:57:25,000
Speaker 1: fifteen percent off, do it? Do you have the money

1083
00:57:25,000 --> 00:57:29,000
Speaker 1: though on the gravity blanket? Yeah? Go buy a Gravity monkey. Yeah,

1084
00:57:29,000 --> 00:57:30,360
Speaker 1: that's the deal for you. Give you a thousand dollars.

1085
00:57:30,400 --> 00:57:32,800
Speaker 1: You gotta go buy a Gravity Thank you for listening

1086
00:57:32,840 --> 00:57:36,680
Speaker 1: to us. Have a great weekend. Okay, thank you. I

1087
00:57:36,720 --> 00:57:39,560
Speaker 1: got that thing going on. You know, we've got an

1088
00:57:39,600 --> 00:57:43,120
Speaker 1: interview coming up, and I'm losing my voice. Honey, I

1089
00:57:43,160 --> 00:57:47,560
Speaker 1: need some tea with honey. I'm going through puberty. Where

1090
00:57:47,600 --> 00:57:51,080
Speaker 1: are these funny little hairs coming from? Anyway? What are

1091
00:57:51,080 --> 00:57:56,520
Speaker 1: you doing? Scary for them? A little intro. Their album

1092
00:57:56,560 --> 00:58:04,360
Speaker 1: has dropped. They're taller than ever. We welcome back friends.

1093
00:58:04,400 --> 00:58:07,640
Speaker 1: Five seconds of summer you guys, get in here, but

1094
00:58:07,840 --> 00:58:13,120
Speaker 1: we gotta music at the guys. Welcome back. We're on

1095
00:58:13,200 --> 00:58:14,920
Speaker 1: it all right now you're on the air. Use all

1096
00:58:14,960 --> 00:58:20,880
Speaker 1: the foul language you can. Holy hey, we have introduced

1097
00:58:20,880 --> 00:58:26,440
Speaker 1: you to a different honey German. Welcome. I'm scooping all

1098
00:58:26,480 --> 00:58:30,040
Speaker 1: of them out right now. Okay, so let's just get

1099
00:58:30,040 --> 00:58:32,280
Speaker 1: the dirty work out of the way first. You guys

1100
00:58:32,280 --> 00:58:33,840
Speaker 1: know you you've been coming to see us since you

1101
00:58:33,880 --> 00:58:37,000
Speaker 1: were a good seventeen years old, spent four or five

1102
00:58:37,320 --> 00:58:40,320
Speaker 1: whatever years now. I mean, how tall are you? Guys?

1103
00:58:41,240 --> 00:58:43,320
Speaker 1: It's the number one question about five seconds of some

1104
00:58:43,400 --> 00:58:46,640
Speaker 1: of these days. I have a really good reason. No, no, no,

1105
00:58:46,680 --> 00:58:50,200
Speaker 1: I appreciate it. Uh it's six six foot. We're all

1106
00:58:50,200 --> 00:58:52,240
Speaker 1: at the six foot. I'd say you are right six

1107
00:58:52,360 --> 00:58:55,640
Speaker 1: to a good day, Luke six eight Okay, okay, here's

1108
00:58:55,680 --> 00:58:57,480
Speaker 1: my question. We have a member of our show. Her

1109
00:58:57,520 --> 00:59:01,680
Speaker 1: name is Samantha. Where is Samantha? She in the interest

1110
00:59:01,760 --> 00:59:05,800
Speaker 1: of procreating, and she'll give you something to sign. She

1111
00:59:05,880 --> 00:59:08,000
Speaker 1: wants one of you to father a child, and it

1112
00:59:08,040 --> 00:59:11,400
Speaker 1: could be through a turkey baster because of the yeah

1113
00:59:11,520 --> 00:59:16,200
Speaker 1: she wants. She wants guarantee hype for her kids. I

1114
00:59:16,240 --> 00:59:18,280
Speaker 1: can't lie, and I have to say that that is

1115
00:59:18,280 --> 00:59:23,400
Speaker 1: the weirdest thing. Well, that's the goal, isn't it? All right?

1116
00:59:23,520 --> 00:59:25,600
Speaker 1: You know I'm just answer now. But there there will

1117
00:59:25,640 --> 00:59:28,800
Speaker 1: be paperwork that releases you from any responsibility for raising

1118
00:59:28,800 --> 00:59:32,520
Speaker 1: a child. Is it guarantee that? Well? Yeah, of course,

1119
00:59:32,520 --> 00:59:36,080
Speaker 1: Look at tall. Okay. I mean it's a nice it's

1120
00:59:36,080 --> 00:59:39,120
Speaker 1: a nice you know, sentiment, But let's talk about it.

1121
00:59:39,120 --> 00:59:43,280
Speaker 1: It's not the way I imagine raising a child. Maybe

1122
00:59:43,320 --> 00:59:46,040
Speaker 1: Cow's up for that. I think no, but that's the

1123
00:59:47,640 --> 00:59:49,680
Speaker 1: that's the beauty. You don't have to raise a child.

1124
00:59:50,080 --> 00:59:52,800
Speaker 1: You'd just be a part of the mechanics and you

1125
00:59:52,880 --> 00:59:54,480
Speaker 1: just make make a tall baby and just go do

1126
00:59:54,520 --> 01:00:00,240
Speaker 1: your go to your show, a heartless told. All right,

1127
01:00:00,280 --> 01:00:02,640
Speaker 1: Well you get your years away from doing that. As

1128
01:00:02,680 --> 01:00:05,959
Speaker 1: of last count young Blood is number one in over

1129
01:00:06,040 --> 01:00:08,280
Speaker 1: twenty two countries. Is this true. Do you guys keep

1130
01:00:08,280 --> 01:00:11,400
Speaker 1: a tab on that kind of thing? Well, well, uh no,

1131
01:00:11,520 --> 01:00:15,000
Speaker 1: we didn't keep a tab. But if everyone's smiling that's

1132
01:00:15,040 --> 01:00:17,120
Speaker 1: working with us these days, that that's a good sign.

1133
01:00:17,160 --> 01:00:18,960
Speaker 1: Because we've seen them frowned a lot as well, so

1134
01:00:19,000 --> 01:00:22,000
Speaker 1: it's like we get gauged the room. But it's incredible.

1135
01:00:22,040 --> 01:00:24,200
Speaker 1: I mean we just spoke to some fans outside the

1136
01:00:24,240 --> 01:00:27,360
Speaker 1: station here, right they seem stoked. Well, we're all stoked,

1137
01:00:27,400 --> 01:00:29,840
Speaker 1: which is crazy. I mean we've been working on this

1138
01:00:29,880 --> 01:00:32,760
Speaker 1: for a long time, so this is absolutely amazing. I'm

1139
01:00:32,760 --> 01:00:35,720
Speaker 1: watching the numbers right now. Number one in twenty three countries.

1140
01:00:35,760 --> 01:00:38,200
Speaker 1: Now you're in the top five and sixty four countries

1141
01:00:38,320 --> 01:00:41,320
Speaker 1: around the world. But what's kind of cool about let's

1142
01:00:41,320 --> 01:00:44,560
Speaker 1: talk about young Blood. It actually the single made number

1143
01:00:44,600 --> 01:00:49,200
Speaker 1: one in Australia. Yeah, your home country, which is unusual

1144
01:00:49,280 --> 01:00:51,560
Speaker 1: for in Australian to hit number one in Australia. Why

1145
01:00:51,640 --> 01:00:53,600
Speaker 1: is that? I like, I like that you notice that

1146
01:00:53,680 --> 01:00:55,560
Speaker 1: I'm on I'm on shore about that. I feel like

1147
01:00:55,720 --> 01:00:58,920
Speaker 1: some signs of Australian Australian music scene can I don't know,

1148
01:00:59,040 --> 01:01:01,120
Speaker 1: favor america An artists or something, and I feel like

1149
01:01:01,160 --> 01:01:04,240
Speaker 1: they try and you know, support Australia. Sometimes it doesn't

1150
01:01:04,280 --> 01:01:07,040
Speaker 1: work for them. Yeah, I think naturally because Australia is

1151
01:01:07,080 --> 01:01:09,320
Speaker 1: so separate from the rest of the world. You know,

1152
01:01:09,480 --> 01:01:13,320
Speaker 1: we tend to gravitate towards international artists, and you know

1153
01:01:13,320 --> 01:01:17,600
Speaker 1: it's hard for for an actual and like Australian artists

1154
01:01:17,600 --> 01:01:20,880
Speaker 1: to break out there. And you know, it's it's like,

1155
01:01:21,120 --> 01:01:23,080
Speaker 1: you know, it's something that we've dreamed of of having,

1156
01:01:23,120 --> 01:01:27,640
Speaker 1: like a really like solidified hit in in our home country,

1157
01:01:27,800 --> 01:01:32,560
Speaker 1: you know, which has three weeks one weeks. Really it's crazy. Oh,

1158
01:01:32,640 --> 01:01:33,960
Speaker 1: so you do keep an eye on the note We

1159
01:01:34,040 --> 01:01:39,680
Speaker 1: keep an eye on I guess I just keep tabs

1160
01:01:39,720 --> 01:01:41,440
Speaker 1: on Hawaii. I want to be I want to know

1161
01:01:41,480 --> 01:01:43,200
Speaker 1: what's up. I want to play some gigs over there.

1162
01:01:43,280 --> 01:01:46,120
Speaker 1: I want to stop playing gigs in places where it's study.

1163
01:01:48,080 --> 01:01:49,520
Speaker 1: I think, you know what. I think you're at a

1164
01:01:49,560 --> 01:01:51,440
Speaker 1: point now. You're at a point where you can do

1165
01:01:51,480 --> 01:01:54,760
Speaker 1: several things. Number One, you can record albums that you

1166
01:01:54,760 --> 01:01:57,040
Speaker 1: want to record. You can write the music that no

1167
01:01:57,080 --> 01:01:59,520
Speaker 1: one else will influence, just you. You're at that point

1168
01:01:59,560 --> 01:02:02,080
Speaker 1: in your career. And secondly, you only have to do

1169
01:02:02,160 --> 01:02:05,600
Speaker 1: shows in sunny places. Oh that's not true, like the

1170
01:02:05,640 --> 01:02:11,640
Speaker 1: Caribbean months. But no, we're loving it at the moment,

1171
01:02:11,920 --> 01:02:13,520
Speaker 1: like it's so good. I mean, young Blood is like,

1172
01:02:13,520 --> 01:02:15,400
Speaker 1: we worked on it for two years, so it's a

1173
01:02:15,440 --> 01:02:17,600
Speaker 1: big deal for us. I can see, you know. And

1174
01:02:17,720 --> 01:02:20,240
Speaker 1: I was talking to a crazy Joe Rainey from the

1175
01:02:20,240 --> 01:02:24,640
Speaker 1: reczy Go. He said, he said to you, guys are

1176
01:02:24,680 --> 01:02:27,200
Speaker 1: probably a lot more excited that you'll than you'll show,

1177
01:02:27,360 --> 01:02:30,400
Speaker 1: because I mean, yeah, well we haven't slept an awful

1178
01:02:30,480 --> 01:02:32,560
Speaker 1: lot in the last five months, so you're looking at

1179
01:02:32,520 --> 01:02:35,400
Speaker 1: it's been mostly a plain, plain sleeves. But yeah, I

1180
01:02:35,400 --> 01:02:37,120
Speaker 1: mean it's it's exciting, man. I'm excited to take it

1181
01:02:37,160 --> 01:02:38,640
Speaker 1: on the road as well. We'll go on We're doing

1182
01:02:38,640 --> 01:02:42,320
Speaker 1: North America in September. September. Yeah, I mean, it's gonna

1183
01:02:42,320 --> 01:02:44,520
Speaker 1: be great to play this album. I feel so silly listening.

1184
01:02:44,520 --> 01:02:46,280
Speaker 1: I was listening to the album on the way, and

1185
01:02:46,360 --> 01:02:48,760
Speaker 1: it feels like I'm doing a dirty thing. For some reason,

1186
01:02:49,600 --> 01:02:52,520
Speaker 1: listening to your own music is like, don't know, it's

1187
01:02:52,520 --> 01:02:57,840
Speaker 1: a little weird. It's not as cool listening to it NonStop.

1188
01:02:59,120 --> 01:03:01,560
Speaker 1: I love it. See that's what you're supposed to be

1189
01:03:01,560 --> 01:03:03,680
Speaker 1: a fan of your music. Yeah, I guess it does

1190
01:03:03,720 --> 01:03:05,680
Speaker 1: feel weird, like you don't want to see pictures of you,

1191
01:03:05,880 --> 01:03:08,440
Speaker 1: like doing it with someone else. It's like a picture

1192
01:03:08,440 --> 01:03:12,360
Speaker 1: of your listening to you don't like, you know, you

1193
01:03:12,360 --> 01:03:13,920
Speaker 1: don't want to listen to your own music when you're

1194
01:03:14,040 --> 01:03:21,200
Speaker 1: getting it on with somebody. That's a little conceited. Should

1195
01:03:21,800 --> 01:03:24,200
Speaker 1: you should feel fine about that? It was by accident.

1196
01:03:24,240 --> 01:03:29,520
Speaker 1: But anyway about the album. You know what this is

1197
01:03:29,560 --> 01:03:33,000
Speaker 1: all about. The album of so Okay, so Okay, so

1198
01:03:33,080 --> 01:03:35,240
Speaker 1: on the Road beginning in September. Now, the last time

1199
01:03:35,240 --> 01:03:37,600
Speaker 1: I caught up with you, it was downstairs at our

1200
01:03:37,720 --> 01:03:40,160
Speaker 1: I Heeart Theater, and you guys had been on the road,

1201
01:03:40,200 --> 01:03:42,880
Speaker 1: and I could I could see how you were like,

1202
01:03:43,120 --> 01:03:45,280
Speaker 1: we're ready to get off the road. I mean it is,

1203
01:03:45,760 --> 01:03:48,480
Speaker 1: it's a taxing thing. I mean, so, what have you

1204
01:03:48,600 --> 01:03:50,280
Speaker 1: learned during your days on the road that you will

1205
01:03:50,320 --> 01:03:52,200
Speaker 1: do differently this tour so you can like take care

1206
01:03:52,240 --> 01:03:53,720
Speaker 1: of yourself a little better. I mean, are there are

1207
01:03:53,720 --> 01:03:56,240
Speaker 1: little things you can do? I mean you learn. You

1208
01:03:56,400 --> 01:03:58,480
Speaker 1: learn so much about yourself when you go onto our

1209
01:03:58,600 --> 01:04:01,280
Speaker 1: you know, and it's very different from when you have

1210
01:04:01,440 --> 01:04:04,680
Speaker 1: like a regular home life. Like you learn, you learn

1211
01:04:04,720 --> 01:04:06,680
Speaker 1: all of the things about you that make you tick

1212
01:04:06,800 --> 01:04:10,760
Speaker 1: and like what you need in order to be happy. Um. Yeah,

1213
01:04:10,920 --> 01:04:12,760
Speaker 1: you know, so I think you know, there's a bunch

1214
01:04:12,800 --> 01:04:14,680
Speaker 1: of there's a bunch of different things. But like I mean,

1215
01:04:14,880 --> 01:04:19,040
Speaker 1: especially for this tour, there was something that was really

1216
01:04:19,120 --> 01:04:23,280
Speaker 1: just like reinvigorating for us about playing these smaller shows

1217
01:04:23,320 --> 01:04:25,840
Speaker 1: that felt like, you know, we were kind of going

1218
01:04:25,880 --> 01:04:30,760
Speaker 1: back to the roots and like starting the whole thing again, um,

1219
01:04:30,800 --> 01:04:33,280
Speaker 1: which you know that for us was kind of like

1220
01:04:34,160 --> 01:04:36,600
Speaker 1: the good part, um, you know, and like it was

1221
01:04:36,640 --> 01:04:38,640
Speaker 1: tiring because we had to do like you know, we're

1222
01:04:38,640 --> 01:04:42,160
Speaker 1: obviously out here promoting a record, but playing those those

1223
01:04:42,160 --> 01:04:45,680
Speaker 1: shows were just like unbelievable, So it takes you back

1224
01:04:45,720 --> 01:04:48,200
Speaker 1: to the beginning. Yeah, we wanted to do that for

1225
01:04:48,240 --> 01:04:49,840
Speaker 1: our fans, and that's the way we kind of shared

1226
01:04:49,840 --> 01:04:51,800
Speaker 1: our music from day one, like we would play a

1227
01:04:51,840 --> 01:04:54,320
Speaker 1: bunch of songs that no one knew and hopefully you

1228
01:04:54,360 --> 01:04:56,680
Speaker 1: know that would find it online and then you know,

1229
01:04:56,800 --> 01:04:58,840
Speaker 1: coming come and you know when the when the record

1230
01:04:58,920 --> 01:05:00,880
Speaker 1: comes out, they already have favor and stuff, which is

1231
01:05:01,400 --> 01:05:03,880
Speaker 1: the way it works for our band. And I like

1232
01:05:04,040 --> 01:05:05,640
Speaker 1: how we do it that way and now and now

1233
01:05:05,640 --> 01:05:09,680
Speaker 1: that we've done those those like songs in a smaller space,

1234
01:05:09,720 --> 01:05:12,000
Speaker 1: like we're ready to take them to the to the

1235
01:05:12,000 --> 01:05:14,040
Speaker 1: biggest tour at the end of the year, you know,

1236
01:05:14,160 --> 01:05:17,240
Speaker 1: like those songs have already been shaped live and you

1237
01:05:17,280 --> 01:05:19,320
Speaker 1: know it sounds crazy. The cool thing is you can

1238
01:05:19,320 --> 01:05:21,200
Speaker 1: go back to smaller venues and go back to your roots,

1239
01:05:21,240 --> 01:05:23,480
Speaker 1: but at the same time you're staying in much better hotels.

1240
01:05:24,640 --> 01:05:30,160
Speaker 1: You'd be surprised. Yeah, what what would just say is

1241
01:05:30,200 --> 01:05:31,960
Speaker 1: like the one thing you guys fight about because you

1242
01:05:32,000 --> 01:05:36,400
Speaker 1: have to have arguments. I would say, what do we

1243
01:05:36,440 --> 01:05:39,840
Speaker 1: actually fight about? I don't know, there's there's no real

1244
01:05:40,040 --> 01:05:43,720
Speaker 1: fighting within the band if if it's it's more a

1245
01:05:43,800 --> 01:05:47,360
Speaker 1: controlled argument, if we're like very passionate about something. I

1246
01:05:47,360 --> 01:05:49,200
Speaker 1: can't even think of something that we've had like a

1247
01:05:49,200 --> 01:05:52,440
Speaker 1: controlled argument about, Like there's no like it's usually about

1248
01:05:52,480 --> 01:05:54,360
Speaker 1: bettering the band. They're like, if something is not right

1249
01:05:54,360 --> 01:05:56,040
Speaker 1: and on one of our social pages, are like, the

1250
01:05:56,080 --> 01:05:58,360
Speaker 1: band's not being portrayed, it's it's more. But it's never

1251
01:05:58,440 --> 01:06:00,520
Speaker 1: with each other. It's never with each other there because

1252
01:06:00,560 --> 01:06:06,800
Speaker 1: if anything that's wrong, it's everybody else's Speaking of social media, honey,

1253
01:06:06,840 --> 01:06:11,000
Speaker 1: German is like such an expert when it comes to celebrities.

1254
01:06:11,320 --> 01:06:15,720
Speaker 1: Now in your experiences, honey, what is your advice ever

1255
01:06:15,840 --> 01:06:18,600
Speaker 1: to anyone who is out there doing social media for

1256
01:06:18,640 --> 01:06:20,680
Speaker 1: their band for the music, Like, like, what is like

1257
01:06:20,720 --> 01:06:22,800
Speaker 1: a trick that they can use to get more and more,

1258
01:06:22,840 --> 01:06:24,960
Speaker 1: more and more attentions. I always say, you just have

1259
01:06:25,000 --> 01:06:27,120
Speaker 1: to be interactive with all the fans. You know, if

1260
01:06:27,120 --> 01:06:30,200
Speaker 1: you can get someone who's designated to just answer every

1261
01:06:30,240 --> 01:06:33,920
Speaker 1: single comment or message, as long as people feel important,

1262
01:06:33,960 --> 01:06:36,400
Speaker 1: they feel appreciated, and they feel like they're getting the

1263
01:06:36,440 --> 01:06:39,640
Speaker 1: love back, they're gonna love you forever. I know. There's million,

1264
01:06:39,720 --> 01:06:43,240
Speaker 1: tens of millions of them. I know, not every here

1265
01:06:43,280 --> 01:06:44,800
Speaker 1: and there, every here and there. If you can throw

1266
01:06:44,800 --> 01:06:46,720
Speaker 1: in a comment and people see it and they're like wow,

1267
01:06:46,800 --> 01:06:49,560
Speaker 1: you know, they really mess with their fans, Like someone answered,

1268
01:06:49,680 --> 01:06:51,840
Speaker 1: even if you guys go on live like some comments,

1269
01:06:51,880 --> 01:06:54,160
Speaker 1: just being interactive with the people that are showing you

1270
01:06:54,200 --> 01:06:57,600
Speaker 1: oldest love and coming out for you and supporting. Yeah,

1271
01:06:57,760 --> 01:07:01,480
Speaker 1: you're not sold on it. There's only so many hours

1272
01:07:01,520 --> 01:07:03,240
Speaker 1: in a day. But I think, uh, yeah, we've been

1273
01:07:03,280 --> 01:07:05,360
Speaker 1: doing that on ah for That's how we kind of

1274
01:07:05,360 --> 01:07:07,640
Speaker 1: started our band, you know, doing that stuff every day

1275
01:07:07,640 --> 01:07:10,800
Speaker 1: and doing like you know, the little like the videos

1276
01:07:10,840 --> 01:07:13,520
Speaker 1: all the time. That was kind of before we even

1277
01:07:13,520 --> 01:07:15,960
Speaker 1: had music out. Yeah. I see other artists do that

1278
01:07:15,960 --> 01:07:17,400
Speaker 1: a lot as well. I I we try to do

1279
01:07:17,440 --> 01:07:19,440
Speaker 1: it for the right reasons, Like if we're gonna, you know,

1280
01:07:19,800 --> 01:07:22,080
Speaker 1: talk to people, we want to remember we're talking to

1281
01:07:22,440 --> 01:07:24,480
Speaker 1: like actual people and what what do they want to

1282
01:07:24,520 --> 01:07:27,600
Speaker 1: speak about with us? So I actually keep my communication

1283
01:07:27,640 --> 01:07:29,200
Speaker 1: kind of at a minimum so I can actually have

1284
01:07:29,440 --> 01:07:32,520
Speaker 1: real conversations with people when I meet them, because that's

1285
01:07:32,560 --> 01:07:34,520
Speaker 1: how I wanted to live my life. You know. I

1286
01:07:34,520 --> 01:07:38,440
Speaker 1: think it's important to to you know, find the genuine

1287
01:07:38,480 --> 01:07:41,200
Speaker 1: line of what you're really talking about. Are you just

1288
01:07:41,240 --> 01:07:44,919
Speaker 1: talking to people because they're fans? You know? In quotation marks? Um?

1289
01:07:44,960 --> 01:07:48,320
Speaker 1: So yeah, I'm keeping it real over here. As I

1290
01:07:48,360 --> 01:07:51,439
Speaker 1: was taking honey, what about look you can show these

1291
01:07:51,480 --> 01:07:53,520
Speaker 1: great pictures of you on a stage with a billion

1292
01:07:53,520 --> 01:07:56,160
Speaker 1: people behind you, I can google and get those. But

1293
01:07:56,200 --> 01:07:58,800
Speaker 1: if I can see pictures of them just doing like

1294
01:07:58,920 --> 01:08:01,560
Speaker 1: putting peanut butter on a piece of broad you know

1295
01:08:01,560 --> 01:08:05,439
Speaker 1: what I'm saying, that's good. Or if when you guys

1296
01:08:05,480 --> 01:08:08,240
Speaker 1: sit down to write music, I know you're in the zone,

1297
01:08:08,280 --> 01:08:11,800
Speaker 1: but I bet that's intense to see you guys all

1298
01:08:11,840 --> 01:08:14,320
Speaker 1: together like writing a song with each other. It's gotta

1299
01:08:14,320 --> 01:08:16,800
Speaker 1: be a crazy, like behind the scenes moment. Yeah, we've

1300
01:08:16,880 --> 01:08:20,639
Speaker 1: we've definitely been talking about the next record, maybe involving

1301
01:08:20,680 --> 01:08:24,760
Speaker 1: some sort of documentary around writing the next album. Yeah,

1302
01:08:25,040 --> 01:08:28,400
Speaker 1: so we're definitely, you know, always being proactive and thinking

1303
01:08:28,439 --> 01:08:30,360
Speaker 1: about what we're about to do next. Even though we

1304
01:08:30,439 --> 01:08:33,559
Speaker 1: just released the album today, we're already thinking about the

1305
01:08:33,600 --> 01:08:35,519
Speaker 1: next one. Yeah. Wait, hold on, this just in your

1306
01:08:35,560 --> 01:08:38,240
Speaker 1: number one in another country. I just want to let

1307
01:08:38,280 --> 01:08:41,240
Speaker 1: you know. Have you have you seen Logics documentary? His

1308
01:08:41,320 --> 01:08:44,599
Speaker 1: documentary is amazing. It's one of the best I've ever seen.

1309
01:08:44,640 --> 01:08:51,439
Speaker 1: So maybe the one on Netflix actually saw it on

1310
01:08:51,560 --> 01:08:53,160
Speaker 1: it was like it was one of the it's an

1311
01:08:53,200 --> 01:08:55,479
Speaker 1: iTunes I did see. It's very good. I liked them

1312
01:08:55,479 --> 01:08:57,280
Speaker 1: there was a moment that he actually realized, because I

1313
01:08:57,320 --> 01:08:59,320
Speaker 1: know that feeling of being in something and being like

1314
01:08:59,400 --> 01:09:03,040
Speaker 1: everyday work work, work, work code every day and then

1315
01:09:03,080 --> 01:09:06,479
Speaker 1: like he actually realizes everything is accomplition starts like trying,

1316
01:09:06,520 --> 01:09:08,600
Speaker 1: and yeah, I thought it was. It was like, that

1317
01:09:08,680 --> 01:09:11,639
Speaker 1: was the best. It gets emotional and you and let's

1318
01:09:11,640 --> 01:09:13,320
Speaker 1: get back to the writing and let let's get back

1319
01:09:13,320 --> 01:09:14,960
Speaker 1: to the album. Let's get back to young Blood. Now.

1320
01:09:15,720 --> 01:09:18,120
Speaker 1: Uh this album, by the way, who one of our

1321
01:09:18,120 --> 01:09:26,200
Speaker 1: interns has already heard the whole album, got kid issue here? What? Now?

1322
01:09:26,320 --> 01:09:30,040
Speaker 1: What what I got from from her is that this

1323
01:09:30,040 --> 01:09:33,360
Speaker 1: this every track, every song has a like a from

1324
01:09:33,360 --> 01:09:36,400
Speaker 1: a different universe. There's not a lot of similarities between

1325
01:09:36,400 --> 01:09:38,920
Speaker 1: the tracks, which is great. It shows Yeah, I think

1326
01:09:38,960 --> 01:09:41,240
Speaker 1: that's the way. I think that's the way modern music

1327
01:09:41,360 --> 01:09:43,320
Speaker 1: is working. And that's what I was excited about for

1328
01:09:43,360 --> 01:09:46,760
Speaker 1: Young Blood because it has so many different elements. You

1329
01:09:46,800 --> 01:09:49,000
Speaker 1: know that people can be a fan of. Um it's

1330
01:09:49,040 --> 01:09:51,799
Speaker 1: not just a straight down the line, one genre album,

1331
01:09:51,880 --> 01:09:53,559
Speaker 1: and I think I think that's awesome. I think that's

1332
01:09:53,560 --> 01:09:56,320
Speaker 1: where music is at these days. So um, yeah, I'm

1333
01:09:56,320 --> 01:09:59,519
Speaker 1: excited to see actually where the fans gravitate towards like

1334
01:09:59,760 --> 01:10:02,160
Speaker 1: you and what songs they like and how do we

1335
01:10:02,560 --> 01:10:06,600
Speaker 1: kind of replica tell them? What's your favorite song is?

1336
01:10:07,479 --> 01:10:08,920
Speaker 1: What do you like? You? Are you ready? Are you

1337
01:10:08,960 --> 01:10:17,640
Speaker 1: ready for some criticism? Because I made a list. Ok

1338
01:10:18,520 --> 01:10:20,240
Speaker 1: this is the most important moment of your day right here?

1339
01:10:20,280 --> 01:10:22,240
Speaker 1: All right? What do you have for five seconds? Okay?

1340
01:10:22,280 --> 01:10:25,720
Speaker 1: I did a top three. I love talk Fast. It

1341
01:10:25,800 --> 01:10:29,040
Speaker 1: is like a super eighties fibe. I love Lie to

1342
01:10:29,120 --> 01:10:33,920
Speaker 1: Me and Lie to Me. It was just so like

1343
01:10:34,040 --> 01:10:35,160
Speaker 1: you thought it was. I thought it was going to

1344
01:10:35,200 --> 01:10:36,400
Speaker 1: sound different. I thought it was going to be like

1345
01:10:36,439 --> 01:10:38,240
Speaker 1: the super upbeat thing, but it was really just like

1346
01:10:38,320 --> 01:10:40,720
Speaker 1: if you like, if you love me, like lie to me,

1347
01:10:40,800 --> 01:10:43,200
Speaker 1: don't tell me that And that was just so I

1348
01:10:43,240 --> 01:10:48,160
Speaker 1: love that. I didn't expect that. And the last one,

1349
01:10:48,320 --> 01:10:50,840
Speaker 1: Ghost of You, that one just kind of surprised you

1350
01:10:50,880 --> 01:10:53,439
Speaker 1: like it? You like it an eighties jam and a

1351
01:10:53,439 --> 01:10:55,599
Speaker 1: good time but also a bit of like a sad

1352
01:10:55,920 --> 01:10:57,880
Speaker 1: like you know, yeah, I like the kind of like

1353
01:10:58,080 --> 01:11:01,759
Speaker 1: sad boy five Sauce Bend, but also like that super

1354
01:11:01,800 --> 01:11:04,599
Speaker 1: I wasn't expecting talk Fast. I wasn't expecting that one

1355
01:11:04,600 --> 01:11:07,200
Speaker 1: when that came on, and it was really fantastic yeah,

1356
01:11:07,560 --> 01:11:12,400
Speaker 1: roller Coaster of Emotions. You're listening to No No, I

1357
01:11:12,439 --> 01:11:15,840
Speaker 1: didn't get it. I bought it like everyone else. They

1358
01:11:16,320 --> 01:11:18,880
Speaker 1: offer us early early listens. I don't do it. I

1359
01:11:18,920 --> 01:11:21,080
Speaker 1: want to be I was listening to it in the

1360
01:11:21,080 --> 01:11:23,479
Speaker 1: taxi this morning. I was on my way here in

1361
01:11:23,520 --> 01:11:25,360
Speaker 1: the taxi. What did the driver say? Or was it

1362
01:11:25,400 --> 01:11:27,640
Speaker 1: in your headphone? Was in my headphone. I'm not going

1363
01:11:27,720 --> 01:11:31,560
Speaker 1: to share that with someone else. I'm not going to

1364
01:11:31,680 --> 01:11:35,120
Speaker 1: share that likest to it. How long have you been

1365
01:11:35,160 --> 01:11:37,320
Speaker 1: a fan of that been? We haven't. I've been here

1366
01:11:37,320 --> 01:11:46,639
Speaker 1: since Heartbreak Girl, Lucky you. Honestly I checked out after

1367
01:11:48,240 --> 01:11:51,240
Speaker 1: Michael joined, Like you know, it sounds like, sounds good,

1368
01:11:51,280 --> 01:11:58,640
Speaker 1: feels good. Yeah, I just joined yesterday. That's awesome. What's

1369
01:11:58,760 --> 01:12:00,960
Speaker 1: awesome about tracking you Eyes as we've known you since

1370
01:12:01,000 --> 01:12:03,519
Speaker 1: the very first album, and and as you have have

1371
01:12:03,600 --> 01:12:07,640
Speaker 1: well as well. So to watch your your your songwriting

1372
01:12:07,680 --> 01:12:11,960
Speaker 1: evolve and your performance level of performance evolve, it's it's

1373
01:12:12,439 --> 01:12:14,439
Speaker 1: it's gonna be different every album, and and now now

1374
01:12:14,479 --> 01:12:16,280
Speaker 1: that you're on this album, you know, God, every album

1375
01:12:16,360 --> 01:12:18,719
Speaker 1: gives us a new chance to reset, do something new,

1376
01:12:19,400 --> 01:12:21,960
Speaker 1: explore each other's minds a little more, you know, it's

1377
01:12:21,960 --> 01:12:24,360
Speaker 1: gonna be it's gonna be a wonderful journey for you. Yeah,

1378
01:12:24,439 --> 01:12:26,960
Speaker 1: you know, And I think now you know, we're in

1379
01:12:26,960 --> 01:12:30,240
Speaker 1: this position where we're set up for you know, so

1380
01:12:30,280 --> 01:12:33,240
Speaker 1: many years to come from this record, and you know,

1381
01:12:33,360 --> 01:12:36,360
Speaker 1: the like what we've tried to accomplish with this album,

1382
01:12:36,479 --> 01:12:40,000
Speaker 1: we've finally managed to to accomplish, which is kind of

1383
01:12:40,040 --> 01:12:42,679
Speaker 1: like this is the album that we've always wanted to make,

1384
01:12:42,880 --> 01:12:44,559
Speaker 1: you know, and it's going to open up so many

1385
01:12:44,600 --> 01:12:47,680
Speaker 1: possibilities for us. In speaking of years and years. We

1386
01:12:47,720 --> 01:12:50,000
Speaker 1: do understand because you've had us in here for so

1387
01:12:50,040 --> 01:12:52,840
Speaker 1: long already. We do understand if you don't want us

1388
01:12:52,840 --> 01:12:55,360
Speaker 1: to come back anymore eventually, are we going to see

1389
01:12:55,720 --> 01:12:57,519
Speaker 1: how you guys have been going there for ten years?

1390
01:12:58,439 --> 01:13:00,560
Speaker 1: Is that your your way of you don't want to

1391
01:13:00,560 --> 01:13:02,479
Speaker 1: come back? We want to come back, but we will.

1392
01:13:02,520 --> 01:13:08,000
Speaker 1: We allowed to stay. We just want I'll tell you

1393
01:13:08,360 --> 01:13:10,560
Speaker 1: we didn't do the idea today because I thought it

1394
01:13:10,600 --> 01:13:12,439
Speaker 1: was brilliant and they all told me I was stupid.

1395
01:13:13,200 --> 01:13:15,479
Speaker 1: I said, look, these guys are getting off a plane

1396
01:13:15,520 --> 01:13:18,120
Speaker 1: from Europe. They're gonna have that plane smell. They just

1397
01:13:18,160 --> 01:13:19,719
Speaker 1: want to go. They want to go to the hotel.

1398
01:13:19,960 --> 01:13:21,679
Speaker 1: We have a plane smell, You have a plane smell.

1399
01:13:22,400 --> 01:13:24,680
Speaker 1: They want to go to the hotels and sleep. I

1400
01:13:24,680 --> 01:13:28,080
Speaker 1: would be honored if they would just drop by and say, hey,

1401
01:13:28,120 --> 01:13:30,879
Speaker 1: how you do it and do a five second interview

1402
01:13:31,479 --> 01:13:34,000
Speaker 1: with five seconds of summery. But he was insistent we

1403
01:13:34,000 --> 01:13:36,719
Speaker 1: were doing five seconds with five it's the best idea

1404
01:13:36,760 --> 01:13:44,360
Speaker 1: because I don't mean the marketing is there in five seconds.

1405
01:13:45,439 --> 01:13:52,960
Speaker 1: Blood out. Now, Okay, how is your flight great? You know,

1406
01:13:53,000 --> 01:13:54,640
Speaker 1: because I don't want to encroach on your day. I

1407
01:13:54,640 --> 01:13:57,439
Speaker 1: know I know what it's like to sleep on a plane.

1408
01:13:57,479 --> 01:14:00,479
Speaker 1: Isn't there's no sleep, There isn't no you know what

1409
01:14:01,960 --> 01:14:04,960
Speaker 1: we're doing it. Before you go, I just want to

1410
01:14:05,000 --> 01:14:08,040
Speaker 1: first of all, thank you again for showing up. The

1411
01:14:08,080 --> 01:14:10,680
Speaker 1: number one, the number one ruled and entertainment is show up.

1412
01:14:11,280 --> 01:14:15,479
Speaker 1: It really is everything. Yeah, thanks for having us. It's

1413
01:14:15,520 --> 01:14:17,280
Speaker 1: not you know, it's a favor from you, guys, not

1414
01:14:17,720 --> 01:14:19,760
Speaker 1: thank you for I mean, we've known you a long

1415
01:14:19,800 --> 01:14:21,760
Speaker 1: time and you're still very nice guys. So that's a

1416
01:14:21,760 --> 01:14:29,720
Speaker 1: good thing to a lovely interview. Hold, go back to

1417
01:14:29,760 --> 01:14:33,800
Speaker 1: the very first question and renswer that question. Um, but

1418
01:14:34,160 --> 01:14:36,559
Speaker 1: before you leave, I want you all to think about

1419
01:14:36,560 --> 01:14:38,800
Speaker 1: this for a second. Okay, go back to Let's say

1420
01:14:38,800 --> 01:14:41,479
Speaker 1: you listen to your very first album, then you listen

1421
01:14:41,520 --> 01:14:43,920
Speaker 1: to your album today. How does it make you feel

1422
01:14:44,000 --> 01:14:46,000
Speaker 1: about where you were and where you are now? Is

1423
01:14:46,040 --> 01:14:50,120
Speaker 1: it an uncomfortable feeling? I'm feeling of accomplishment? What's the feeling, Mike?

1424
01:14:50,280 --> 01:14:53,759
Speaker 1: What do you think? I mean? You know, we've grown

1425
01:14:54,280 --> 01:14:58,080
Speaker 1: so much as people and also like so much as musicians,

1426
01:14:58,280 --> 01:15:01,280
Speaker 1: and you know, I'm just proud, you know, even crazy

1427
01:15:01,360 --> 01:15:03,840
Speaker 1: Joe was saying to me in the in the elevator,

1428
01:15:03,880 --> 01:15:05,800
Speaker 1: He's like, there are bands in the Rock and Roll

1429
01:15:05,840 --> 01:15:08,080
Speaker 1: Hall of Fame who don't even have three records. You know,

1430
01:15:08,560 --> 01:15:11,120
Speaker 1: like a third record is hard. It's hard for a

1431
01:15:11,160 --> 01:15:14,000
Speaker 1: band to make because you know you've done you've done

1432
01:15:14,040 --> 01:15:16,200
Speaker 1: the groundwork, and it gets to a point where you

1433
01:15:16,240 --> 01:15:19,040
Speaker 1: know you have to you have to consider the possibilities

1434
01:15:19,080 --> 01:15:21,679
Speaker 1: of do you keep pushing through and do you keep

1435
01:15:21,960 --> 01:15:25,920
Speaker 1: you know, making music. And you know it was it

1436
01:15:26,040 --> 01:15:28,679
Speaker 1: was obvious for us, but you know for some artists

1437
01:15:28,680 --> 01:15:31,920
Speaker 1: it's really hard. And you know, for us, this record

1438
01:15:32,040 --> 01:15:33,840
Speaker 1: and you know, kind of what I said before, I

1439
01:15:33,920 --> 01:15:36,880
Speaker 1: think it's the most important record for us, And you know,

1440
01:15:36,920 --> 01:15:39,519
Speaker 1: I think that our first two records have really set

1441
01:15:39,920 --> 01:15:43,240
Speaker 1: the ground for five seconds of summer and then you

1442
01:15:43,240 --> 01:15:45,799
Speaker 1: know Young Blood is on its way to the ceiling. Callum,

1443
01:15:45,800 --> 01:15:47,639
Speaker 1: do you still enjoy listening to the very first album

1444
01:15:47,840 --> 01:15:51,680
Speaker 1: as compared to that this album last night when it

1445
01:15:51,720 --> 01:15:54,559
Speaker 1: was twelve it was midnight and he goes, oh, new

1446
01:15:54,560 --> 01:15:57,720
Speaker 1: albums out and he places, she looks so perfect the

1447
01:15:57,720 --> 01:16:00,280
Speaker 1: whole car. Yeah still, I mean, I love the spand

1448
01:16:00,320 --> 01:16:03,320
Speaker 1: with my whole heart. But as Michael was saying, is

1449
01:16:03,360 --> 01:16:06,120
Speaker 1: a big sense of pride that we were able to

1450
01:16:06,200 --> 01:16:09,519
Speaker 1: stay on the same page creatively and and as people

1451
01:16:09,720 --> 01:16:11,960
Speaker 1: and as as brothers because we've been through a lot,

1452
01:16:12,400 --> 01:16:14,799
Speaker 1: and there could have been a lot of outcomes, um

1453
01:16:14,880 --> 01:16:18,080
Speaker 1: of this album, and I think we came out with

1454
01:16:18,120 --> 01:16:21,439
Speaker 1: the with the best things. So yeah, we're out of

1455
01:16:21,479 --> 01:16:24,360
Speaker 1: these guys. There were some alternative outcomes, trust me, it was.

1456
01:16:24,760 --> 01:16:27,760
Speaker 1: It wasn't great. They weren't great now, but we we

1457
01:16:27,880 --> 01:16:31,160
Speaker 1: we we've we've pushed through and I love this band

1458
01:16:31,160 --> 01:16:35,439
Speaker 1: still and it's my favorite bands. So let's go. What

1459
01:16:35,479 --> 01:16:38,800
Speaker 1: do you think? I agree? I mean, your band, your

1460
01:16:38,840 --> 01:16:40,479
Speaker 1: band is gonna be your favorite band, and it is

1461
01:16:40,560 --> 01:16:41,960
Speaker 1: and it's kind of you know, I don't want it

1462
01:16:42,000 --> 01:16:43,479
Speaker 1: to be a guilty pleasure that I have to hide.

1463
01:16:43,520 --> 01:16:45,599
Speaker 1: I listened to my own band, especially the new album.

1464
01:16:45,760 --> 01:16:53,040
Speaker 1: They all they all want a little bit weird rusty. Yeah, well, congratulations,

1465
01:16:52,560 --> 01:16:55,479
Speaker 1: thank you. By the way, as you we're gonna get

1466
01:16:55,479 --> 01:16:57,000
Speaker 1: out of here, we're gonna take some pictures. You're gonna

1467
01:16:57,000 --> 01:16:59,560
Speaker 1: go do your next thing. And then Backstreet Boys is

1468
01:16:59,600 --> 01:17:05,120
Speaker 1: here in twin minutes. Can you tell them something for us? Yeah, whenever,

1469
01:17:05,280 --> 01:17:07,000
Speaker 1: like there's a lot of fans in a place for

1470
01:17:07,080 --> 01:17:10,120
Speaker 1: like something we're doing. We're going, we are we Backstreet right,

1471
01:17:10,320 --> 01:17:11,960
Speaker 1: hang on it. It's like a it's like a verb

1472
01:17:12,080 --> 01:17:16,040
Speaker 1: we have, Like if something's Backstreet, it's crazy. It's like amonium. Yeah,

1473
01:17:17,080 --> 01:17:20,879
Speaker 1: that's the ultimate compliment. They would love that they're crazy there.

1474
01:17:21,000 --> 01:17:23,679
Speaker 1: I appreciate that. I appreciate that band for many reasons

1475
01:17:23,680 --> 01:17:26,640
Speaker 1: as well, that they're stuck together for so long. I

1476
01:17:26,680 --> 01:17:29,439
Speaker 1: had another idea. It's incredible, like if you if people

1477
01:17:29,479 --> 01:17:32,280
Speaker 1: were performing today, I wanted five five seconds of Summer

1478
01:17:32,320 --> 01:17:34,160
Speaker 1: to do a Backstreet Boys song, and Backstreet Boys to

1479
01:17:34,160 --> 01:17:36,080
Speaker 1: do a five seconds of Summer. So but no one

1480
01:17:36,120 --> 01:17:39,840
Speaker 1: likes my ideas. My ideas The better end of that. Yeah,

1481
01:17:42,200 --> 01:17:51,400
Speaker 1: I like your ideas. Thank you your nice all right,

1482
01:17:51,680 --> 01:17:56,160
Speaker 1: they're kissing of course, young blood. Let's let's let's keep

1483
01:17:56,160 --> 01:17:58,000
Speaker 1: it at number one. Make sure you you download it

1484
01:17:58,080 --> 01:17:59,960
Speaker 1: two day five seconds of Summer. They're back and they're

1485
01:18:00,120 --> 01:18:01,800
Speaker 1: hitting the road in September. We'll see if the I

1486
01:18:01,920 --> 01:18:04,240
Speaker 1: Heart Radio Music Festival. That's gonna be amazing Las Vegas.

1487
01:18:04,479 --> 01:18:07,280
Speaker 1: Bring some dollar bills not for strippers, but for gambling,

1488
01:18:12,680 --> 01:18:17,120
Speaker 1: but for charity. So here we are in the Mercedes

1489
01:18:17,160 --> 01:18:19,719
Speaker 1: Been Summer Event Interview Lounge. Thank you. Five seconds of Summer.

1490
01:18:31,960 --> 01:18:34,599
Speaker 1: Miss part of today's show. Stuff gets awkward real quick.

1491
01:18:34,720 --> 01:18:37,080
Speaker 1: Open the I Heart Radio app and here everything you

1492
01:18:37,160 --> 01:18:40,400
Speaker 1: missed with Elvis Durant on demand. It grows like six

1493
01:18:40,479 --> 01:18:44,280
Speaker 1: inches in three hours. Full versions of every show posted

1494
01:18:44,479 --> 01:18:48,320
Speaker 1: every day. Just search Kelvis Durant on demand only on

1495
01:18:48,400 --> 01:18:51,519
Speaker 1: the I Heart Radio app Elvis Duran in the Morning show.

1496
01:18:52,400 --> 01:18:54,880
Speaker 1: Hey it's Elvis Duran. You've heard how Well's far Ago

1497
01:18:55,040 --> 01:18:58,160
Speaker 1: is holding themselves accountable for recent issues. They're working hard

1498
01:18:58,240 --> 01:19:01,679
Speaker 1: to rebuild trust, re established core values, and stay vigilant.

1499
01:19:01,880 --> 01:19:05,160
Speaker 1: So check out where they're headed at Wells Fargo dot com.

1500
01:19:05,400 --> 01:19:12,439
Speaker 1: Slash renew You just might be surprised. Hi, Oh my god,

1501
01:19:12,479 --> 01:19:15,040
Speaker 1: I love you so much. You guys are awesome every

1502
01:19:15,080 --> 01:19:19,639
Speaker 1: single morning, lady, love all of you. Wow, this is amazing.

1503
01:19:19,640 --> 01:19:24,840
Speaker 1: I'm talking Elvis Duran in the Morning Show. This is

1504
01:19:24,880 --> 01:19:28,560
Speaker 1: the weirdest day, the greatest day. So honey, German, you

1505
01:19:28,640 --> 01:19:31,160
Speaker 1: picked a weird day to show up. Listen, this day

1506
01:19:31,240 --> 01:19:35,000
Speaker 1: is perfect. Aunt, fine men, I have seen before. Am

1507
01:19:35,560 --> 01:19:37,880
Speaker 1: She's so funny. She's going through them all again. That one,

1508
01:19:38,320 --> 01:19:40,680
Speaker 1: take that one. Hold on. Let me set it up.

1509
01:19:40,720 --> 01:19:43,240
Speaker 1: So we had five seconds of summer here and they

1510
01:19:43,360 --> 01:19:46,760
Speaker 1: had at least fifteen people with them, okay, and then

1511
01:19:47,080 --> 01:19:50,599
Speaker 1: in walks Backstreet Boys and they're fifteen people. I'm thinking

1512
01:19:50,640 --> 01:19:56,280
Speaker 1: we're over capacity and that the fire Marshal's coming. And

1513
01:19:56,360 --> 01:19:58,920
Speaker 1: I did a FaceTime picture with Froggy in South Florida,

1514
01:19:58,920 --> 01:20:00,120
Speaker 1: so you can see the room. What are do you

1515
01:20:00,160 --> 01:20:02,559
Speaker 1: see him? It was crazy, right, It was so cool

1516
01:20:02,640 --> 01:20:06,240
Speaker 1: to watch the two bands together talking, both excited to

1517
01:20:06,320 --> 01:20:08,599
Speaker 1: meet each other, and it really just the whole dynamic

1518
01:20:08,680 --> 01:20:11,080
Speaker 1: is pretty awesome. Yeah, it was crazy. Anyway, we'll have

1519
01:20:11,160 --> 01:20:12,960
Speaker 1: those pictures up on social in just a few minutes.

1520
01:20:13,640 --> 01:20:17,519
Speaker 1: Right now, as we are about to bring Backstreet Boys in. So, honey,

1521
01:20:18,080 --> 01:20:20,439
Speaker 1: you seem to be very stirred with the boys from

1522
01:20:20,479 --> 01:20:22,760
Speaker 1: five seconds of Summer. But now Backstreet Boys is coming in?

1523
01:20:22,800 --> 01:20:25,599
Speaker 1: Are you conflicted? How are you feeling here? I am

1524
01:20:25,640 --> 01:20:29,000
Speaker 1: a little conflicted, but I'm Backstreet Boys for me? Okay,

1525
01:20:29,040 --> 01:20:31,600
Speaker 1: all the way a girl. All right, we're about to

1526
01:20:31,680 --> 01:20:37,120
Speaker 1: come in. Let's go talk to Mandy. Mandy, Hi, o God,

1527
01:20:37,200 --> 01:20:41,200
Speaker 1: what are you doing to me? Okay? So Mandy? Uh you?

1528
01:20:42,280 --> 01:20:45,400
Speaker 1: First of all, have you ever been to Las Vegas? No?

1529
01:20:45,880 --> 01:20:48,720
Speaker 1: I have not. Let us give you a reason. You

1530
01:20:48,960 --> 01:20:51,640
Speaker 1: entered this and now you're winning it? Uh. The I

1531
01:20:51,800 --> 01:20:57,719
Speaker 1: Heart Radio The h The I Heart Radio Music Festival

1532
01:20:57,840 --> 01:21:01,280
Speaker 1: is returning to T Mobile Arena in sept Timber Justin,

1533
01:21:01,360 --> 01:21:05,799
Speaker 1: Timber Fleetwood, Mac Jack White, carry Underwood, Mariah Carey, Imagine Dragons,

1534
01:21:05,880 --> 01:21:09,040
Speaker 1: Jason al Dean, Shawn Mendez, Luke, Brian Leonard, Skinnered, Panic

1535
01:21:09,120 --> 01:21:12,759
Speaker 1: at the Disco, Kelly Clarkson, Sam Smith, Kigo, Rai, Shrimmered

1536
01:21:12,840 --> 01:21:16,680
Speaker 1: and Logic and more sixteen artists. Two nights, you have

1537
01:21:16,800 --> 01:21:18,439
Speaker 1: won a trip to join us at the I Heart

1538
01:21:18,479 --> 01:21:23,800
Speaker 1: Radio Music Festival. Good, ok Okay, I don't know why

1539
01:21:23,880 --> 01:21:29,320
Speaker 1: you are doing this to me? In the morning. We're evil. Hey,

1540
01:21:29,920 --> 01:21:33,519
Speaker 1: you're evil. We're gonna fly you there, but it's I

1541
01:21:33,640 --> 01:21:40,960
Speaker 1: Heart Radio, so you're probably being coach. We only fly

1542
01:21:41,120 --> 01:21:45,720
Speaker 1: you there. You have to take maybe I won't come back.

1543
01:21:46,800 --> 01:21:48,360
Speaker 1: We'll get you to the hotel. You may have to

1544
01:21:48,400 --> 01:21:52,840
Speaker 1: sleep in the lobby, but ground transportation is included as

1545
01:21:52,840 --> 01:21:54,479
Speaker 1: long as you bring cash for a cab. Other than that,

1546
01:21:57,120 --> 01:21:59,160
Speaker 1: we got you covered. So, Mandy, where are you gonna

1547
01:21:59,160 --> 01:22:01,840
Speaker 1: be flying in? From where you from? Um? I am

1548
01:22:02,000 --> 01:22:05,200
Speaker 1: from right outside of Roanoak, virg Well guess what. You're

1549
01:22:05,240 --> 01:22:07,320
Speaker 1: flying from Roanoke to Las Vegas for the I Heart

1550
01:22:07,400 --> 01:22:14,320
Speaker 1: Radio Music Festival. Congratulations, Oh my god, thank you many Mandy.

1551
01:22:14,360 --> 01:22:17,240
Speaker 1: All right, so many experiences to give away. Just keep track.

1552
01:22:17,560 --> 01:22:19,560
Speaker 1: Go to iHeart radio dot com for updates on the

1553
01:22:19,600 --> 01:22:23,320
Speaker 1: I Heart Radio Music Festival. Please welcome to the room.

1554
01:22:23,400 --> 01:22:25,680
Speaker 1: Let's see if we can get this together. The Backstreet

1555
01:22:25,720 --> 01:22:32,760
Speaker 1: boy o god, let me tell you getting them to

1556
01:22:32,800 --> 01:22:36,880
Speaker 1: sit down, it's gonna take an hour. Yeah, thanks for

1557
01:22:37,000 --> 01:22:43,679
Speaker 1: coming in. Carter just walked in. Oh my god, what up? Nick?

1558
01:22:44,240 --> 01:22:48,920
Speaker 1: It smells like Superstar in the Alright, here's you guys.

1559
01:22:48,960 --> 01:22:50,639
Speaker 1: Just sit up, Just sit where you want to sit

1560
01:22:50,680 --> 01:22:55,200
Speaker 1: pretty lady down in? What is going on? Y'all? Okay?

1561
01:22:55,200 --> 01:22:59,400
Speaker 1: Do you have another state? Here? You sit here? It's okay, okay, okay?

1562
01:22:59,439 --> 01:23:02,840
Speaker 1: Is everyone I had to say? Who was stirred over

1563
01:23:02,960 --> 01:23:07,840
Speaker 1: five seconds of summer? I just love that word. It

1564
01:23:08,000 --> 01:23:11,600
Speaker 1: was me. But I'm now I'm super stoked. Okay. So

1565
01:23:11,800 --> 01:23:13,080
Speaker 1: this is the first time in a long time we've

1566
01:23:13,120 --> 01:23:16,839
Speaker 1: had every microphone open, and then we have Froggy's microphone

1567
01:23:16,880 --> 01:23:18,800
Speaker 1: on the screen in South Florida. He's on right now.

1568
01:23:18,880 --> 01:23:23,960
Speaker 1: We got every lucky how's that nice humidity down there? Brother?

1569
01:23:24,680 --> 01:23:26,599
Speaker 1: It feels like the inside of a dog's mouth out

1570
01:23:28,640 --> 01:23:30,120
Speaker 1: I don't I don't miss it. I'll tell you that

1571
01:23:30,600 --> 01:23:34,320
Speaker 1: is your microphone. Or there's only five of us and

1572
01:23:34,360 --> 01:23:36,000
Speaker 1: there's not six member would be one of us would

1573
01:23:36,000 --> 01:23:38,639
Speaker 1: have be short of microphones. I was kind of hoping

1574
01:23:38,840 --> 01:23:40,000
Speaker 1: that one of you would have dropped out of the

1575
01:23:40,040 --> 01:23:48,880
Speaker 1: bench we had more microphones. Yeah, it could happen. So

1576
01:23:49,680 --> 01:23:52,120
Speaker 1: I'm trying to describe what happened a few minutes ago

1577
01:23:52,120 --> 01:23:54,160
Speaker 1: in our lobby because we had five seconds of summer

1578
01:23:54,240 --> 01:23:56,160
Speaker 1: and they're fifteen people that we had Backstreet Boys and

1579
01:23:56,160 --> 01:23:59,640
Speaker 1: they're twenty people all converging. At the same time, I

1580
01:23:59,720 --> 01:24:01,960
Speaker 1: really thought that they fire people were gonna come shut

1581
01:24:02,040 --> 01:24:05,560
Speaker 1: us down. We were there for the donuts, so we

1582
01:24:05,640 --> 01:24:09,320
Speaker 1: just saw that. First of all, welcome, Welcome to the show.

1583
01:24:09,400 --> 01:24:11,000
Speaker 1: It's such a pleasure to have you guys here. I

1584
01:24:11,040 --> 01:24:14,920
Speaker 1: know you've got worked at kat Euphoria tomorrow on Long Island,

1585
01:24:15,000 --> 01:24:17,680
Speaker 1: but being here with us today is it's such a

1586
01:24:17,840 --> 01:24:20,320
Speaker 1: such a pleasure to have you here. Congratulations and everything

1587
01:24:20,360 --> 01:24:23,439
Speaker 1: you're going through, Thank you, Thank you. So who wants

1588
01:24:23,479 --> 01:24:26,880
Speaker 1: to go first? How's life? That was good? Life is good,

1589
01:24:27,160 --> 01:24:32,240
Speaker 1: Life is grand, twenty years going strong, Damn lemon, every

1590
01:24:32,280 --> 01:24:33,560
Speaker 1: moment of it. You know, it's it's great to be

1591
01:24:33,640 --> 01:24:36,360
Speaker 1: back played on radio. Radio has given us so much

1592
01:24:36,400 --> 01:24:38,640
Speaker 1: love with this new single, and we have a lot

1593
01:24:38,720 --> 01:24:40,840
Speaker 1: of great things going on. We've got an amazing Vegas

1594
01:24:40,920 --> 01:24:43,120
Speaker 1: residency right now. We're actually getting ready to go back

1595
01:24:43,120 --> 01:24:45,400
Speaker 1: out there in the summertime here in July and October.

1596
01:24:45,800 --> 01:24:50,719
Speaker 1: July and Las Vegas feels great right now. It's hot,

1597
01:24:51,400 --> 01:24:54,679
Speaker 1: our thirty degrees in your car. It a new album

1598
01:24:54,760 --> 01:24:56,439
Speaker 1: coming out, and a new tour next year. So we've

1599
01:24:56,439 --> 01:24:58,160
Speaker 1: got a lot of amazing things happening for us. Good

1600
01:24:58,200 --> 01:25:00,599
Speaker 1: for you guys, and good for us, good for good

1601
01:25:00,640 --> 01:25:03,800
Speaker 1: for honey. She's like, I'm glad I picked her day

1602
01:25:03,800 --> 01:25:06,080
Speaker 1: to be here. What I listened to you guys in

1603
01:25:06,160 --> 01:25:09,439
Speaker 1: the morning too, were you living I'm in Atlanta, okay,

1604
01:25:10,560 --> 01:25:12,640
Speaker 1: but I listen to you guys religiously in them we

1605
01:25:12,720 --> 01:25:15,280
Speaker 1: have someone listening. I hear you guys in in uh,

1606
01:25:15,439 --> 01:25:23,439
Speaker 1: Florida as well. Excellent, good enough for the back Street Boys.

1607
01:25:24,960 --> 01:25:26,719
Speaker 1: I will tell you we were talking to five Seconds

1608
01:25:26,760 --> 01:25:28,720
Speaker 1: of Summer earlier and we told them that you guys

1609
01:25:28,760 --> 01:25:30,599
Speaker 1: were coming in later, and they said, that's so funny.

1610
01:25:30,680 --> 01:25:33,639
Speaker 1: Did they tell you about when they say back Whenever

1611
01:25:33,720 --> 01:25:36,960
Speaker 1: they're in a situation where they're mobbed by tons of fans,

1612
01:25:37,080 --> 01:25:38,800
Speaker 1: they're like, oh my god, we're back Street Boys the

1613
01:25:41,280 --> 01:25:45,920
Speaker 1: streets because we are one of our producers actually works

1614
01:25:45,960 --> 01:25:48,360
Speaker 1: with them and on their new record romy some of

1615
01:25:48,400 --> 01:25:52,439
Speaker 1: our old hits around that you guys do are the best,

1616
01:25:52,720 --> 01:25:57,040
Speaker 1: the pranks that you are the best. Constantly turned my

1617
01:25:57,120 --> 01:25:58,960
Speaker 1: radio down to Bevisit's right around the time I'm taking

1618
01:25:58,960 --> 01:26:03,880
Speaker 1: my kids to school. Yeah, back Street Boys, they have kids,

1619
01:26:04,760 --> 01:26:07,240
Speaker 1: but we've known, we knew them when before. I have

1620
01:26:07,320 --> 01:26:09,280
Speaker 1: two kids now too, and we've known you for twenty

1621
01:26:09,320 --> 01:26:11,400
Speaker 1: seven years and none of us had kids. That it's

1622
01:26:11,439 --> 01:26:16,240
Speaker 1: so it's awesome, awesome. I know, I know that. When

1623
01:26:16,320 --> 01:26:18,800
Speaker 1: we first pushed the play button on don't go breaking

1624
01:26:18,840 --> 01:26:21,880
Speaker 1: my heart, I was watching the text messages and people

1625
01:26:21,960 --> 01:26:24,680
Speaker 1: like who is that? Some back Street boys? And the

1626
01:26:24,920 --> 01:26:30,560
Speaker 1: next thing you would see would pause and go shut up. So,

1627
01:26:30,720 --> 01:26:33,639
Speaker 1: I mean, so maybe it's a general question. Maybe even

1628
01:26:33,640 --> 01:26:37,040
Speaker 1: asked this before, but how is it this round versus

1629
01:26:37,320 --> 01:26:40,519
Speaker 1: last time? You guys were all out there like really

1630
01:26:41,400 --> 01:26:48,800
Speaker 1: balls deep doing doing it. I know you, I know

1631
01:26:48,840 --> 01:26:53,880
Speaker 1: how this interview is gonna go. I know it's you're

1632
01:26:53,920 --> 01:26:55,800
Speaker 1: only different stages in your lives. I know we all

1633
01:26:55,840 --> 01:26:59,000
Speaker 1: are as well, but there's gonna be similarities. Things that

1634
01:26:59,080 --> 01:27:00,519
Speaker 1: don't change in the music it kind of try no

1635
01:27:00,600 --> 01:27:01,960
Speaker 1: matter how long you've been in it, but things that

1636
01:27:02,080 --> 01:27:04,400
Speaker 1: have changed, like who wants to tackle that? It's got

1637
01:27:04,439 --> 01:27:06,840
Speaker 1: what's the difference now versus let's say, back when you

1638
01:27:06,920 --> 01:27:09,360
Speaker 1: got started. I think it just takes a little more planning.

1639
01:27:09,640 --> 01:27:11,760
Speaker 1: You know, we all, like like you were saying, we

1640
01:27:11,840 --> 01:27:14,240
Speaker 1: have kids now, so it takes a little more planning,

1641
01:27:14,280 --> 01:27:18,760
Speaker 1: a little strategic uh foresight and then but What never

1642
01:27:18,840 --> 01:27:21,599
Speaker 1: gets old is hearing your music on the radio. Um,

1643
01:27:21,680 --> 01:27:23,680
Speaker 1: that still feels so good. I don't know if you

1644
01:27:23,760 --> 01:27:25,800
Speaker 1: guys saw it, but the first time they played it

1645
01:27:25,840 --> 01:27:27,960
Speaker 1: out in Los Angeles and we all heard it together,

1646
01:27:28,040 --> 01:27:30,960
Speaker 1: we were making the Rounds radio promo that day and

1647
01:27:33,200 --> 01:27:38,120
Speaker 1: girls screaming. It takes you back. I mean, there's gotta

1648
01:27:38,160 --> 01:27:40,439
Speaker 1: be some memories that you have that maybe are a

1649
01:27:40,560 --> 01:27:43,320
Speaker 1: little buried from way back in the day. But now

1650
01:27:43,360 --> 01:27:45,760
Speaker 1: when you hear your song it's a hit, people, it

1651
01:27:45,880 --> 01:27:48,439
Speaker 1: brings up some sort of feeling that you haven't had

1652
01:27:48,479 --> 01:27:50,960
Speaker 1: in a while since then that only you know about

1653
01:27:51,439 --> 01:27:55,479
Speaker 1: it when you're creating. I mean people say backstreets back,

1654
01:27:55,520 --> 01:27:58,479
Speaker 1: but we've been creating, we've been putting music together, we've

1655
01:27:58,520 --> 01:28:01,920
Speaker 1: been touring. But when you have something that resonates with

1656
01:28:02,160 --> 01:28:05,800
Speaker 1: the public on a scale like that is happening with

1657
01:28:05,920 --> 01:28:08,080
Speaker 1: this song right now, and it's been a while, it's

1658
01:28:08,120 --> 01:28:10,280
Speaker 1: been a while, we realize that and we appreciate it,

1659
01:28:10,400 --> 01:28:13,800
Speaker 1: and it's sacred and it's special and we know it.

1660
01:28:13,960 --> 01:28:16,800
Speaker 1: And now that we're older, we look back on our

1661
01:28:17,000 --> 01:28:20,120
Speaker 1: entire career and when we get this moment again. Not

1662
01:28:20,240 --> 01:28:23,120
Speaker 1: a lot of artists get this moment that we're having

1663
01:28:23,280 --> 01:28:25,240
Speaker 1: right now, and we realize that and we're thankful and

1664
01:28:25,320 --> 01:28:31,560
Speaker 1: we're grateful for it. But too when you when you

1665
01:28:31,640 --> 01:28:34,639
Speaker 1: think back to the nineties and like the big boy

1666
01:28:34,760 --> 01:28:38,080
Speaker 1: band movement that happened, I mean there we created a

1667
01:28:38,160 --> 01:28:40,839
Speaker 1: lot of memories, like you're talking about, those those memories

1668
01:28:40,880 --> 01:28:43,479
Speaker 1: that are just staples in our brains forever. You know,

1669
01:28:43,560 --> 01:28:46,680
Speaker 1: they become they become who you are today, you know,

1670
01:28:46,760 --> 01:28:49,240
Speaker 1: as adults, and when we all have kids, we you know,

1671
01:28:49,360 --> 01:28:52,080
Speaker 1: those are priorities that that set your life on a

1672
01:28:52,320 --> 01:28:54,439
Speaker 1: on a perfect course. You know, you can do whatever

1673
01:28:54,479 --> 01:28:56,680
Speaker 1: you want. But at the same time, we have a

1674
01:28:57,160 --> 01:28:59,519
Speaker 1: we have a sense of value of like working hard

1675
01:28:59,600 --> 01:29:02,719
Speaker 1: and teaching our kids to you know, provide for your families.

1676
01:29:02,800 --> 01:29:05,720
Speaker 1: But like Kevin was saying, all those memories that we

1677
01:29:05,840 --> 01:29:08,280
Speaker 1: had in the nineties, now it's a new time and

1678
01:29:08,400 --> 01:29:11,679
Speaker 1: it's like bat Street Boys eighteen. And when you hear

1679
01:29:12,240 --> 01:29:15,080
Speaker 1: that signature sound on the radio, like and people are saying,

1680
01:29:15,160 --> 01:29:19,720
Speaker 1: shut up, stop it, stop it. You know, it's I mean,

1681
01:29:19,800 --> 01:29:23,080
Speaker 1: it's it's memorable to us. You get those like butterflies again,

1682
01:29:23,160 --> 01:29:25,400
Speaker 1: like that oh my gosh, it's happening again, you know,

1683
01:29:26,000 --> 01:29:28,120
Speaker 1: you had something. No. I just think it's super cool

1684
01:29:28,160 --> 01:29:30,800
Speaker 1: because even the even the run with Florida Georgia line

1685
01:29:30,840 --> 01:29:33,480
Speaker 1: with God, your Mom and Me, it really is amazing

1686
01:29:34,120 --> 01:29:36,600
Speaker 1: the run that you've had this second and now this

1687
01:29:36,840 --> 01:29:39,320
Speaker 1: can even be considered a third go round. To be

1688
01:29:39,400 --> 01:29:41,640
Speaker 1: able to get into the country world and show up

1689
01:29:41,640 --> 01:29:43,560
Speaker 1: at the country shows and be so well accepted in

1690
01:29:43,600 --> 01:29:46,599
Speaker 1: the country genre, you had to never see that coming

1691
01:29:46,640 --> 01:29:50,080
Speaker 1: back when this all started. Correct, we didn't expect it,

1692
01:29:50,280 --> 01:29:53,080
Speaker 1: you know, And I'll tell you it's it's been incredible

1693
01:29:53,120 --> 01:29:56,080
Speaker 1: how all these different types of music and people who

1694
01:29:56,120 --> 01:29:58,880
Speaker 1: are fans of different types of music have embraced us

1695
01:29:59,040 --> 01:30:00,800
Speaker 1: and you know, being able to perform on the c

1696
01:30:01,000 --> 01:30:03,320
Speaker 1: MT s or we did the c m as just

1697
01:30:03,439 --> 01:30:05,920
Speaker 1: recently in Nashville. We took you know, three days when

1698
01:30:05,960 --> 01:30:08,320
Speaker 1: we're out there recording new music for our new album.

1699
01:30:08,479 --> 01:30:10,479
Speaker 1: Got three new songs that we're you know, we're coming

1700
01:30:10,520 --> 01:30:13,080
Speaker 1: out with a new record. And it's just amazing when

1701
01:30:13,120 --> 01:30:15,240
Speaker 1: you walk backstage at those events and then and then

1702
01:30:15,280 --> 01:30:17,000
Speaker 1: you see like a Carrie Underwood or you see like

1703
01:30:17,040 --> 01:30:19,080
Speaker 1: a little big town and then they stop you and

1704
01:30:19,080 --> 01:30:21,000
Speaker 1: they're like, hey, you know, we really love your music.

1705
01:30:21,160 --> 01:30:23,200
Speaker 1: And they're like no, you're joking, like no, no, can

1706
01:30:23,240 --> 01:30:25,960
Speaker 1: we have a picture, And like I'm just like, are

1707
01:30:26,000 --> 01:30:28,120
Speaker 1: you kidding me? Right now? So it's it's surreal in

1708
01:30:28,160 --> 01:30:30,640
Speaker 1: a lot of ways, but it's definitely incredible. You know

1709
01:30:33,080 --> 01:30:36,080
Speaker 1: when did was a good answer? I'm staring at it

1710
01:30:36,200 --> 01:30:39,000
Speaker 1: for like three minutes. Hold on, that bell is going

1711
01:30:39,040 --> 01:30:41,599
Speaker 1: to come in handy in a second. Hold on, listen,

1712
01:30:41,880 --> 01:30:46,240
Speaker 1: let's not forget the no no, So honey, so honey, Um,

1713
01:30:46,800 --> 01:30:49,439
Speaker 1: you definitely were when you're a little girl. Yes, you're

1714
01:30:49,439 --> 01:30:52,840
Speaker 1: a huge fan back Street boards still but look at them.

1715
01:30:52,880 --> 01:30:55,160
Speaker 1: They're surrounding you in a room right now. Can I

1716
01:30:55,240 --> 01:30:59,680
Speaker 1: say something? Absolutely? They still will look so good. It's

1717
01:30:59,680 --> 01:31:09,599
Speaker 1: like shop like everybody gets face to ladies whole entire

1718
01:31:09,720 --> 01:31:15,320
Speaker 1: life right now. Thank you. You know, uh, when you

1719
01:31:15,400 --> 01:31:17,960
Speaker 1: think about about all the crazy stories, I'm sure you

1720
01:31:18,000 --> 01:31:20,479
Speaker 1: could write a book about the crazy stories you have

1721
01:31:20,680 --> 01:31:22,680
Speaker 1: from from way back in the day. Do you ever

1722
01:31:22,800 --> 01:31:25,719
Speaker 1: ever actually like in a self like just you moment,

1723
01:31:25,840 --> 01:31:28,400
Speaker 1: go God, we were punks. We really got away with

1724
01:31:28,479 --> 01:31:32,160
Speaker 1: a lot back then. I mean we were teenagers in

1725
01:31:32,200 --> 01:31:33,880
Speaker 1: a lot of ways we were supposed to be. You know,

1726
01:31:34,040 --> 01:31:36,559
Speaker 1: Thank god, there wasn't any social media back in those day. Yeah,

1727
01:31:39,080 --> 01:31:43,439
Speaker 1: you didn't catch up peeing in a garbage came. I mean,

1728
01:31:43,520 --> 01:31:46,240
Speaker 1: I think that's probably when we look back, that's what

1729
01:31:46,479 --> 01:31:49,880
Speaker 1: we social media. When we look back on things like,

1730
01:31:50,360 --> 01:31:54,519
Speaker 1: we're thankful there was no because I don't think I'd

1731
01:31:54,560 --> 01:31:58,120
Speaker 1: still be mistakes. We're making mistakes, you know. And uh,

1732
01:31:58,800 --> 01:32:02,280
Speaker 1: let's go back for before social media. I mean camera phones.

1733
01:32:02,680 --> 01:32:05,840
Speaker 1: Camera phones really changed everything. That's when it was like,

1734
01:32:06,320 --> 01:32:09,200
Speaker 1: because you know, you couldn't really text the world and

1735
01:32:09,720 --> 01:32:11,479
Speaker 1: give your thoughts and go, oh, this is what I

1736
01:32:11,600 --> 01:32:14,880
Speaker 1: think the fans had to pull out those disposable cameras

1737
01:32:14,920 --> 01:32:25,200
Speaker 1: and don't okay, next pictureiddlaroid? What year is this? Think

1738
01:32:25,200 --> 01:32:28,560
Speaker 1: we're really not that old? You think you're old? You

1739
01:32:28,560 --> 01:32:30,920
Speaker 1: should see how old I have it, because I was

1740
01:32:31,000 --> 01:32:33,840
Speaker 1: old when you were out this. I'm pissed off everyone

1741
01:32:33,880 --> 01:32:37,080
Speaker 1: out all right? So one call then we got we

1742
01:32:37,160 --> 01:32:39,479
Speaker 1: have to we have to use the bell Courtney say

1743
01:32:39,640 --> 01:32:48,680
Speaker 1: good morning to Backstreet boys? What are you doing? What

1744
01:32:48,760 --> 01:32:51,400
Speaker 1: are you doing? I'm actually a suser right now and

1745
01:32:51,439 --> 01:32:56,599
Speaker 1: I'm in my class. Oh my gosh, students, the students,

1746
01:32:56,960 --> 01:33:01,280
Speaker 1: kids stay in school. I have sixteen students what great?

1747
01:33:01,520 --> 01:33:04,639
Speaker 1: What great are there? What great? Hell? Ol do they freak?

1748
01:33:06,200 --> 01:33:07,920
Speaker 1: Do not even do not even old enough to have

1749
01:33:08,040 --> 01:33:12,120
Speaker 1: that smell yet? Fifth grade? When you get the smell,

1750
01:33:13,880 --> 01:33:18,760
Speaker 1: just turn on the song. It's it's Courtney's birthday, so

1751
01:33:19,040 --> 01:33:21,600
Speaker 1: they she wanted to spend her birthday just on the

1752
01:33:21,640 --> 01:33:25,000
Speaker 1: phone saying how much she loves you. So there you go, Courtney. Yes, yes,

1753
01:33:25,360 --> 01:33:28,360
Speaker 1: it is my birthday and I've always dreamed at the

1754
01:33:28,479 --> 01:33:33,400
Speaker 1: child that you son. Happy birthday, Happy birthday to you,

1755
01:33:34,800 --> 01:33:52,519
Speaker 1: Happy birthday and be birdayar Coney, Happy birthday. No you didn't,

1756
01:33:54,640 --> 01:33:58,560
Speaker 1: Happy birthday. Thank you. Now we're gonna go sing on

1757
01:33:58,600 --> 01:34:03,000
Speaker 1: the street real quick with the happy Yeah, the guitar.

1758
01:34:03,120 --> 01:34:10,120
Speaker 1: You can always get a job at Applebee's, you know. Okay, Okay,

1759
01:34:10,160 --> 01:34:15,120
Speaker 1: we're gonna play a game. But it's called how how

1760
01:34:15,200 --> 01:34:17,840
Speaker 1: well do you know? Backstreet Boys? I just made that up,

1761
01:34:18,479 --> 01:34:23,519
Speaker 1: all right, all right? So you think you know your music,

1762
01:34:23,720 --> 01:34:34,000
Speaker 1: and you probably do, but Froggy thinks he knows it better. Gentleman,

1763
01:34:34,120 --> 01:34:37,240
Speaker 1: too hot, gentlemen, there are rules. If you want to

1764
01:34:37,439 --> 01:34:39,759
Speaker 1: answer the question, you have to ring the bell. Don't

1765
01:34:39,840 --> 01:34:43,160
Speaker 1: scream your answer out. You can't answer unless your bell

1766
01:34:43,320 --> 01:34:45,719
Speaker 1: is first. So who's going to ring the bell? Okay,

1767
01:34:45,880 --> 01:34:47,439
Speaker 1: you want me to ring it, just go for it.

1768
01:34:48,040 --> 01:34:50,120
Speaker 1: I'll think it for you. So you have to look

1769
01:34:50,240 --> 01:34:51,760
Speaker 1: us in the eye. And if we know that, we

1770
01:34:51,840 --> 01:34:55,240
Speaker 1: have to give it a signal. So if Backstreet Boys,

1771
01:34:55,360 --> 01:34:57,200
Speaker 1: if they were going to answer first, that you will

1772
01:34:57,240 --> 01:35:01,479
Speaker 1: hear this. Alright, thank you. We don't have a bell

1773
01:35:01,600 --> 01:35:04,200
Speaker 1: in the Florida studio. So what will your ringer be?

1774
01:35:04,439 --> 01:35:17,360
Speaker 1: Froggy if you think right? If if Froggy, if he

1775
01:35:17,640 --> 01:35:20,200
Speaker 1: enters first, you got to allow him to do his

1776
01:35:20,320 --> 01:35:23,280
Speaker 1: thing a fast. You're gonna hear small pieces of this song. Zone, okay,

1777
01:35:23,520 --> 01:35:33,680
Speaker 1: think okay, and here we go Backstreet, back streets back,

1778
01:35:36,040 --> 01:35:43,479
Speaker 1: Thank you everybody, Okay, okay, so one, okay, I'll give

1779
01:35:43,560 --> 01:35:45,479
Speaker 1: him one. Okay, so you got one, you cut one,

1780
01:35:45,520 --> 01:35:47,679
Speaker 1: but they got they got one. Here we go. Here's

1781
01:35:47,680 --> 01:35:49,760
Speaker 1: the next one in hands on buzzers. Here we go,

1782
01:35:50,000 --> 01:36:00,479
Speaker 1: and first frog, what was it? It is? Go break

1783
01:36:00,479 --> 01:36:07,280
Speaker 1: in my heart? Yeah that was really quick too. I'm

1784
01:36:07,320 --> 01:36:10,320
Speaker 1: telling you, I'm on top. I got it. It's called

1785
01:36:10,400 --> 01:36:15,080
Speaker 1: rehearsal one till one. Let's focus. Let's focus this is

1786
01:36:15,520 --> 01:36:18,080
Speaker 1: we're tied because it could be anyone's gay. Does he

1787
01:36:18,160 --> 01:36:22,160
Speaker 1: have the list? No he does. Do you have the list? Froggy? No, No,

1788
01:36:22,240 --> 01:36:25,080
Speaker 1: there's no list. I just know every bats boys and

1789
01:36:25,200 --> 01:36:35,639
Speaker 1: stop it. Okay, sorry, this is so much fun. Answer?

1790
01:36:35,760 --> 01:36:38,000
Speaker 1: Is I want it that way? I wanted that way?

1791
01:36:43,680 --> 01:36:47,040
Speaker 1: I was known as the tell Me why E, which

1792
01:36:47,120 --> 01:36:51,320
Speaker 1: is one of our states. All right, okay, here we go.

1793
01:36:51,640 --> 01:36:58,639
Speaker 1: So on the bell, ready to go, and that's no tie.

1794
01:36:58,640 --> 01:37:04,000
Speaker 1: I got that one play again, go go. That's the call.

1795
01:37:04,439 --> 01:37:14,400
Speaker 1: Someone's buzzn't the call. It's the callow, I would say, Froggy,

1796
01:37:14,439 --> 01:37:16,439
Speaker 1: you're scaring me. This makes me feel as if you

1797
01:37:16,560 --> 01:37:22,599
Speaker 1: listen to our music on your alone time, happy guys.

1798
01:37:24,040 --> 01:37:28,080
Speaker 1: Froggy stopped. I think Froggy might be a borderline stalker. Baby,

1799
01:37:29,080 --> 01:37:31,800
Speaker 1: I must take control of the board. Okay, okay, here

1800
01:37:31,840 --> 01:37:34,040
Speaker 1: we go. Listen, okay, okay, on the bell, get ready

1801
01:37:34,080 --> 01:37:42,400
Speaker 1: to go? Man, go God, seriously, that was us. Yes,

1802
01:37:42,880 --> 01:37:52,400
Speaker 1: got your mama, yeah, be God, your mama? All right,

1803
01:37:52,479 --> 01:37:56,120
Speaker 1: so your fans I hear mama. Okay, right now, it's

1804
01:37:56,120 --> 01:37:59,000
Speaker 1: Backstreet Boys three, Froggy two, and we had a lost

1805
01:37:59,080 --> 01:38:07,640
Speaker 1: one in there somewhere here. We get but what is it?

1806
01:38:07,960 --> 01:38:14,760
Speaker 1: It's larger than life? You got that. I heard a

1807
01:38:14,880 --> 01:38:20,200
Speaker 1: j screen in that, But did you hear that some

1808
01:38:20,320 --> 01:38:23,880
Speaker 1: of them didn't know their own song? Thank God you're here, Nick?

1809
01:38:25,479 --> 01:38:31,679
Speaker 1: Right Backstreet Boys for Froggy too. You wait, Froggy Way

1810
01:38:31,720 --> 01:38:35,519
Speaker 1: to go broad A great job next time. There's always

1811
01:38:35,520 --> 01:38:37,600
Speaker 1: another super Bowl. I love the Benny Hill music that

1812
01:38:37,640 --> 01:38:43,120
Speaker 1: you play. I love Hill. It's definitely from that era

1813
01:38:43,240 --> 01:38:51,400
Speaker 1: for sure. Love me Benny Hill before? Yeah, yeah, same.

1814
01:38:51,560 --> 01:38:53,760
Speaker 1: When are you? When are you back in Las Vegas?

1815
01:38:53,800 --> 01:38:56,080
Speaker 1: You said? Is it June? July? End of July through

1816
01:38:56,080 --> 01:38:59,800
Speaker 1: August and then October, November and then February and then

1817
01:39:00,200 --> 01:39:03,320
Speaker 1: right to think possibly April as well? And are you

1818
01:39:03,800 --> 01:39:07,680
Speaker 1: not April? Not yet? Not yet? The fun thing is

1819
01:39:07,720 --> 01:39:11,240
Speaker 1: if one can't make it, the others can go. Have

1820
01:39:11,400 --> 01:39:13,479
Speaker 1: you do you ever have performances were one we'll have

1821
01:39:13,560 --> 01:39:16,240
Speaker 1: to sit out because of a sore throat or something. Yeah?

1822
01:39:16,280 --> 01:39:20,519
Speaker 1: How he does that a lot? Actually in uh in Mexico,

1823
01:39:20,560 --> 01:39:23,559
Speaker 1: I had to actually sit out one show was Mexico.

1824
01:39:24,000 --> 01:39:26,759
Speaker 1: But you didn't sit out. You can't come back again.

1825
01:39:27,600 --> 01:39:31,479
Speaker 1: What happened if you were sitting out the Zoom in Mexico?

1826
01:39:32,160 --> 01:39:49,120
Speaker 1: But water but another that's hot water that could be

1827
01:39:49,160 --> 01:39:54,240
Speaker 1: the water out. That's a song lyrics. Well, look, congratulations

1828
01:39:54,280 --> 01:39:57,160
Speaker 1: on everything, and congratulations to us for landing the banks.

1829
01:39:57,200 --> 01:40:01,720
Speaker 1: Revoice for ha all the years, and of course a

1830
01:40:01,840 --> 01:40:06,040
Speaker 1: KTI euphoria tomorrow. Jones speech with Enrique and Duelipo, Charlie,

1831
01:40:06,080 --> 01:40:08,639
Speaker 1: it's what a show, Charlie, Pooth Neo and pit Bull

1832
01:40:08,720 --> 01:40:11,920
Speaker 1: and Backstreet Boys and I'll be there, and I will

1833
01:40:11,960 --> 01:40:13,840
Speaker 1: be I'll be at the show for sure. And our

1834
01:40:13,840 --> 01:40:16,439
Speaker 1: buddies staying in Shaggy you'll be there too. It's really cool.

1835
01:40:16,640 --> 01:40:20,719
Speaker 1: It's the best in the froggies, Um the froggies. Anyway,

1836
01:40:20,800 --> 01:40:23,400
Speaker 1: Welcome to the Mercedes Been Summer Event Interview Lounge. If

1837
01:40:23,400 --> 01:40:26,040
Speaker 1: you're wondering what this is, thank you, thank you for

1838
01:40:26,120 --> 01:40:27,720
Speaker 1: coming up. I'm gonna play your song whether you like

1839
01:40:27,800 --> 01:40:31,200
Speaker 1: it or not. We like that. It's good to see

1840
01:40:31,200 --> 01:40:34,240
Speaker 1: you guys. Backstreet Boys, thank you, thank you, thank you.

1841
01:40:51,280 --> 01:40:54,720
Speaker 1: They're still spontaneous, all the topics, freaking hilarious. One of

1842
01:40:54,800 --> 01:40:57,639
Speaker 1: the best radio shows I've ever heard of. Mister Ran

1843
01:40:57,760 --> 01:41:00,960
Speaker 1: in the morning show. Hey, it's Alvis Duran. You've heard

1844
01:41:00,960 --> 01:41:04,320
Speaker 1: how wells Fargo is holding themselves accountable for recent issues

1845
01:41:04,439 --> 01:41:07,799
Speaker 1: they're working hard to rebuild trust, re established core values,

1846
01:41:07,920 --> 01:41:10,720
Speaker 1: and stay vigilant. So check out where they're headed at

1847
01:41:10,800 --> 01:41:14,879
Speaker 1: Wells Fargo dot com slash renew. You just might be surprised.

1848
01:41:17,840 --> 01:41:22,519
Speaker 1: Elvis Duran in the Morning show all this talk about Tates.

1849
01:41:22,640 --> 01:41:26,280
Speaker 1: Let me tell you I noticed something while five Seconds

1850
01:41:26,320 --> 01:41:30,439
Speaker 1: of Summer was here, Honey, Honey German five seconds Summer

1851
01:41:30,479 --> 01:41:33,640
Speaker 1: and then Backstreet Boys, they all were hand jamming in

1852
01:41:33,760 --> 01:41:36,800
Speaker 1: the Tates bags. They were And you know, I have

1853
01:41:36,920 --> 01:41:39,880
Speaker 1: this thing about hand jammers in my Tate's bag. I

1854
01:41:39,880 --> 01:41:42,320
Speaker 1: don't like anyone's hand on the Tates. I'm a hand

1855
01:41:42,400 --> 01:41:43,880
Speaker 1: jam or I'm not even gonna hold you off. So

1856
01:41:43,920 --> 01:41:45,680
Speaker 1: your hand was in there too. I haven't put it in,

1857
01:41:45,800 --> 01:41:48,559
Speaker 1: but I definitely will. Daniell get in here quick. Were

1858
01:41:48,640 --> 01:41:50,680
Speaker 1: you were you hand jam and the Tates cookies? Just

1859
01:41:50,800 --> 01:41:53,439
Speaker 1: like the five seconds of Summer guys in back Street

1860
01:41:53,479 --> 01:41:57,160
Speaker 1: Boys and Honey German was hand hand jam and the Tates. Coquestions, Damon,

1861
01:41:57,240 --> 01:41:58,560
Speaker 1: you want people to pour it out? Is that what

1862
01:41:58,680 --> 01:42:01,200
Speaker 1: it is? Yeah? Co, take the little thing out in

1863
01:42:01,320 --> 01:42:06,759
Speaker 1: your family. Don't worry. What scared? Okay, we've seen your toes?

1864
01:42:06,920 --> 01:42:09,479
Speaker 1: All right? No, look, he was not. There's just something

1865
01:42:09,520 --> 01:42:13,519
Speaker 1: about taste cookies and seriesistable time. I mean you can't

1866
01:42:13,520 --> 01:42:16,479
Speaker 1: eat just one. Yeah, but with Backstreet Boys in five

1867
01:42:16,520 --> 01:42:19,040
Speaker 1: seconds the summer here, boom, they just disappeared. Thank god,

1868
01:42:19,040 --> 01:42:21,840
Speaker 1: we hauld create something back there. You can give these

1869
01:42:21,880 --> 01:42:27,160
Speaker 1: gift baskets and towers of delicious Kathleen King desserts from

1870
01:42:27,160 --> 01:42:30,160
Speaker 1: Tate's Bake Shop going to their website Tate's bake Shop

1871
01:42:30,280 --> 01:42:32,640
Speaker 1: dot com. If you use the promo code Elvis at

1872
01:42:32,680 --> 01:42:35,560
Speaker 1: check out, you get off your order. That means you

1873
01:42:35,600 --> 01:42:40,000
Speaker 1: can eat more to Tate's Bakeshop dot com. Use Elvis

1874
01:42:40,080 --> 01:42:44,880
Speaker 1: as your promo code for Elvis Duran. In the morning show,

1875
01:42:45,080 --> 01:42:50,040
Speaker 1: WHOA What a crazy day? So so insane. Honey German

1876
01:42:50,080 --> 01:42:53,200
Speaker 1: from Power one five one has joined us all morning long. Listen,

1877
01:42:53,320 --> 01:42:55,840
Speaker 1: this has been an amazing day. I thought I was

1878
01:42:55,840 --> 01:42:57,600
Speaker 1: just gonna come, I was gonna hang out, but no,

1879
01:42:57,880 --> 01:43:00,080
Speaker 1: it's been It's been pretty dope. But you got to

1880
01:43:00,120 --> 01:43:03,759
Speaker 1: hang out with the Backstreet Boys. Yeah, that was crazy.

1881
01:43:04,240 --> 01:43:06,639
Speaker 1: It was really funny because Honey is she's she's definitely

1882
01:43:06,680 --> 01:43:09,479
Speaker 1: got it together. But when Backstreet Boys walked in the room,

1883
01:43:09,479 --> 01:43:10,920
Speaker 1: I could see your eyes, I could roll them back

1884
01:43:10,920 --> 01:43:13,759
Speaker 1: a little bit. I've seen so many celebrities every festival,

1885
01:43:13,880 --> 01:43:16,920
Speaker 1: every interview, but it's something magical about them. I don't

1886
01:43:16,920 --> 01:43:19,280
Speaker 1: know what it is that they the nicest guys. They

1887
01:43:19,320 --> 01:43:22,679
Speaker 1: really are. Hey, let's get into sound with Garrett. Garrett,

1888
01:43:22,680 --> 01:43:24,280
Speaker 1: You've got some great stuff today. What do you all right,

1889
01:43:24,320 --> 01:43:26,240
Speaker 1: let's start with this tonight show. Last night, so Christina

1890
01:43:26,240 --> 01:43:29,799
Speaker 1: Aguilera went undercover as a subway singer in the subways

1891
01:43:29,840 --> 01:43:32,920
Speaker 1: of New York City with Jimmy Fallon. Problem is, once

1892
01:43:33,040 --> 01:43:35,479
Speaker 1: Christina Aguilera started singing, it was kind of obvious who

1893
01:43:35,520 --> 01:43:44,720
Speaker 1: it was. How funny in the subway but during rush

1894
01:43:44,760 --> 01:43:47,320
Speaker 1: hour and she also did fight her too, So you

1895
01:43:47,360 --> 01:43:49,600
Speaker 1: can see it on Jimmy Fallon's YouTube page. Listen to

1896
01:43:49,680 --> 01:43:55,160
Speaker 1: her how I would never leave the subway station. Yeah

1897
01:43:55,960 --> 01:43:58,400
Speaker 1: all right. Zach Alfanakis, he has that show between two

1898
01:43:58,479 --> 01:44:02,040
Speaker 1: Ferns on online and had Jerry Seinfeld Cardi b stopped by,

1899
01:44:02,080 --> 01:44:04,680
Speaker 1: but Jerry Seinfeld and dec Alfanakis kind of roasted each

1900
01:44:04,680 --> 01:44:07,599
Speaker 1: other about their career. You have comedians and cars getting coffee.

1901
01:44:07,720 --> 01:44:12,280
Speaker 1: James Gordon has a carpool karaoke what's next in lazy

1902
01:44:12,680 --> 01:44:15,800
Speaker 1: car based non comedy. You know that movie made a

1903
01:44:15,920 --> 01:44:18,040
Speaker 1: B movie? Don't you think you should have been called

1904
01:44:18,120 --> 01:44:21,599
Speaker 1: D minus movie? It's called B movie because it's about bees,

1905
01:44:22,320 --> 01:44:24,599
Speaker 1: but it was the number one movie when it came out.

1906
01:44:25,240 --> 01:44:28,080
Speaker 1: So I had that feeling which you had in the

1907
01:44:28,160 --> 01:44:31,720
Speaker 1: first hangover and then wow, so it was all that

1908
01:44:32,080 --> 01:44:34,160
Speaker 1: and he goes, you made two and three, so you

1909
01:44:34,280 --> 01:44:36,559
Speaker 1: kind of ruined that for you. All right. Our friends

1910
01:44:36,640 --> 01:44:38,639
Speaker 1: Dan and Jay teamed up with Kelly clarkson this song.

1911
01:44:38,680 --> 01:44:46,599
Speaker 1: Came out at midnight. This is called keeping score. Did

1912
01:44:46,600 --> 01:44:56,680
Speaker 1: you play Kelly's part? Here? Here we go? If somebody

1913
01:44:59,040 --> 01:45:01,720
Speaker 1: somebody you know, we love Dan and Sae, we love

1914
01:45:01,800 --> 01:45:05,240
Speaker 1: Kelly Clark said, very comba alright, perfect out now, all right, now,

1915
01:45:05,320 --> 01:45:07,880
Speaker 1: this is an awesome story. So Seth Scott. He's a

1916
01:45:07,920 --> 01:45:10,840
Speaker 1: senior Plano senior. He's a senior at Plano High School

1917
01:45:10,880 --> 01:45:13,360
Speaker 1: in Texas. He's living with autism. He gave the commencement

1918
01:45:13,439 --> 01:45:15,880
Speaker 1: speech at graduation. Now here's the cool story about it.

1919
01:45:15,920 --> 01:45:19,599
Speaker 1: The whole speech was doing stuff unexpectedly. So he gave

1920
01:45:19,680 --> 01:45:22,120
Speaker 1: the speech and most of the seniors in his class

1921
01:45:22,320 --> 01:45:26,240
Speaker 1: never heard him speak before. Wow, what a gift to

1922
01:45:26,320 --> 01:45:28,719
Speaker 1: the entire school. All right. So this is Seth Scott

1923
01:45:28,880 --> 01:45:32,200
Speaker 1: in Plano, Texas. It is your life that you are living,

1924
01:45:32,560 --> 01:45:37,280
Speaker 1: not anyone else's. So do what bold bills. You don't

1925
01:45:37,360 --> 01:45:43,200
Speaker 1: fear the future, don't fear the unknown. Will it be unexpected, Yes,

1926
01:45:43,800 --> 01:45:48,720
Speaker 1: yes it will, but that does not make it wrong. Remember,

1927
01:45:49,120 --> 01:45:52,360
Speaker 1: if you are following in someone else's footsteps, you will

1928
01:45:52,479 --> 01:45:59,280
Speaker 1: only get where they want to go. Wow, very nice.

1929
01:45:59,360 --> 01:46:03,479
Speaker 1: All right, let's switched gears right here. So yesterday we're

1930
01:46:03,520 --> 01:46:06,240
Speaker 1: all signing shirts that that we're sending out to listeners.

1931
01:46:06,360 --> 01:46:09,400
Speaker 1: Right and Elvis, you signed the shirt and apparently you

1932
01:46:09,520 --> 01:46:12,840
Speaker 1: signed where Great T always signs his name. There's there's

1933
01:46:12,880 --> 01:46:15,360
Speaker 1: a spot, honey, there's a spot on our Elvis Tran

1934
01:46:15,560 --> 01:46:18,240
Speaker 1: shirts that has this little squiggly lines here right here.

1935
01:46:18,360 --> 01:46:20,400
Speaker 1: It's the heartbeat of the show, according to Greg T.

1936
01:46:20,680 --> 01:46:25,240
Speaker 1: So he insists on signing right above that. Well, I

1937
01:46:25,360 --> 01:46:27,720
Speaker 1: saw some he hadn't signed it, so I signed there

1938
01:46:28,000 --> 01:46:30,280
Speaker 1: on purpose, and you got upset that I signed. And

1939
01:46:30,320 --> 01:46:32,720
Speaker 1: you don't own a spot on the shirt, man, But

1940
01:46:32,880 --> 01:46:34,960
Speaker 1: if you look at the shirt, that is the only

1941
01:46:35,040 --> 01:46:37,920
Speaker 1: spot where I would sign on that little heartbeat thing.

1942
01:46:38,040 --> 01:46:40,560
Speaker 1: There's twenty places you can sign and this man that

1943
01:46:40,640 --> 01:46:43,040
Speaker 1: you did it so mad? So how mad was he?

1944
01:46:43,240 --> 01:46:45,160
Speaker 1: This is the audio. This is about five minutes worth

1945
01:46:45,200 --> 01:46:48,120
Speaker 1: of audio down to sixteen seconds of the sixteenth shirt

1946
01:46:48,240 --> 01:46:51,599
Speaker 1: He noticed your name was in his spot. Let me listen,

1947
01:46:51,720 --> 01:46:54,719
Speaker 1: let me see what you're saying behind my back. North

1948
01:46:55,160 --> 01:47:09,920
Speaker 1: told this regard like sixteen times, I have respects shirt spot.

1949
01:47:10,680 --> 01:47:12,800
Speaker 1: Why are you getting all upset? I mean you don't

1950
01:47:12,960 --> 01:47:14,960
Speaker 1: you honestly, you don't even need to sign Your name

1951
01:47:15,080 --> 01:47:17,040
Speaker 1: is on the show. Why don't you try something different

1952
01:47:17,080 --> 01:47:20,280
Speaker 1: in life? Sign it elsewhere? There's there's tons of space open.

1953
01:47:20,360 --> 01:47:22,599
Speaker 1: I had to find another spot. It was very difficult

1954
01:47:22,640 --> 01:47:26,840
Speaker 1: for me, Like it was so mad. Thank you. You're

1955
01:47:26,840 --> 01:47:32,240
Speaker 1: a good American, Garrett. You're such a mass. Why did

1956
01:47:32,280 --> 01:47:35,760
Speaker 1: he get so mad? Because that's his fun. He's the

1957
01:47:35,840 --> 01:47:40,479
Speaker 1: heartbeat of the show, to heartbeat. He's like one of

1958
01:47:40,520 --> 01:47:42,080
Speaker 1: those people that wakes up in the morning and he's

1959
01:47:42,120 --> 01:47:44,080
Speaker 1: got to find something to get mad about. And that

1960
01:47:44,280 --> 01:47:46,519
Speaker 1: was it today. He's the guy that likes the drama,

1961
01:47:46,560 --> 01:47:48,880
Speaker 1: and if there's no dramas boring for him, he creates

1962
01:47:49,479 --> 01:47:51,400
Speaker 1: He'll create it. Honey, do you have in your life?

1963
01:47:51,680 --> 01:47:54,439
Speaker 1: Oh yeah, you have the heart beat of the show, though,

1964
01:47:55,000 --> 01:47:57,240
Speaker 1: don't forget that how much time we have? We got

1965
01:47:57,320 --> 01:47:59,439
Speaker 1: to go so I can't sing. It's it's not easy

1966
01:47:59,479 --> 01:48:08,559
Speaker 1: being green. I guess you lose out from Elvis Duran

1967
01:48:08,680 --> 01:48:11,280
Speaker 1: in the Morning Show. Hey, it's Elvis Duran. You've heard

1968
01:48:11,320 --> 01:48:14,639
Speaker 1: how Wells Fargo is holding themselves accountable for recent issues.

1969
01:48:14,800 --> 01:48:18,120
Speaker 1: They're working hard to rebuild trust, re established core values,

1970
01:48:18,280 --> 01:48:21,040
Speaker 1: and stay vigilant. So check out where they're headed at

1971
01:48:21,120 --> 01:48:28,320
Speaker 1: Wells Fargo dot com slash renew. You just might be surprised. Elvis,

1972
01:48:28,320 --> 01:48:32,880
Speaker 1: Elvis Duranty, Elvis Durant. Phone tap alright, scary, what's your

1973
01:48:32,880 --> 01:48:35,640
Speaker 1: phone tap about? Today? Emily wanted to phone tap her

1974
01:48:35,640 --> 01:48:38,720
Speaker 1: boyfriend Raphael. Raphael has been waiting on a callback from

1975
01:48:38,760 --> 01:48:42,080
Speaker 1: the financial company for his car because he moved and

1976
01:48:42,160 --> 01:48:45,160
Speaker 1: he's been missing payments and recently got a letter saying

1977
01:48:45,240 --> 01:48:47,880
Speaker 1: his car was about to be taken away. So I'm

1978
01:48:47,920 --> 01:48:50,439
Speaker 1: gonna call him and pretend I'm from the finance company

1979
01:48:51,120 --> 01:48:53,840
Speaker 1: with Ronnie the bald freak also helping me on this.

1980
01:48:54,160 --> 01:48:58,479
Speaker 1: We love Ronnie, He's good. This is a a tag

1981
01:48:58,600 --> 01:49:04,479
Speaker 1: team phone tapes. Here we go, let's listen to Hi,

1982
01:49:04,600 --> 01:49:10,320
Speaker 1: I'm looking for Rafael. Hernandez please speaking Rafael. Hi, my

1983
01:49:10,439 --> 01:49:13,280
Speaker 1: name is Patrick Fitzgerald from customer Care here at not

1984
01:49:13,479 --> 01:49:17,439
Speaker 1: the Financial Services. How are you today? Hey? I'm good.

1985
01:49:17,520 --> 01:49:20,200
Speaker 1: Finally you guys calling back. I understand you're having issues

1986
01:49:20,680 --> 01:49:24,760
Speaker 1: with the letter we sent about us impounding your car. UM.

1987
01:49:25,120 --> 01:49:26,640
Speaker 1: So yeah, we didn't want it to come to that,

1988
01:49:26,800 --> 01:49:28,880
Speaker 1: you know. No, no, no, hold on, hold on. You

1989
01:49:29,040 --> 01:49:32,680
Speaker 1: guys sent invoices to my old address. Okay, and then

1990
01:49:32,880 --> 01:49:36,799
Speaker 1: finally somehow I get my inpound notice in my new address.

1991
01:49:37,240 --> 01:49:39,080
Speaker 1: First things first, I have to send you over to

1992
01:49:39,240 --> 01:49:41,800
Speaker 1: the change of address department. UM, if you could please

1993
01:49:41,840 --> 01:49:45,600
Speaker 1: hold on one second, I've already changed. You will be

1994
01:49:45,680 --> 01:49:48,560
Speaker 1: assisted shortly. Please continue to hold and the member of

1995
01:49:48,600 --> 01:49:50,479
Speaker 1: our staff will be happy to give your call the

1996
01:49:50,600 --> 01:49:54,759
Speaker 1: undivided attention it deserves. Yes, this is Gerald Fitzpatrick speaking.

1997
01:49:54,760 --> 01:49:58,400
Speaker 1: How a healthy sir. Um. Someone just sent me over here.

1998
01:49:58,439 --> 01:50:00,439
Speaker 1: Can you just send me back to him? Please? And

1999
01:50:01,040 --> 01:50:02,320
Speaker 1: what seems to be the troubles sir, can to help

2000
01:50:02,320 --> 01:50:04,920
Speaker 1: you with something? Yes, yes, this guy he wants me

2001
01:50:04,960 --> 01:50:06,599
Speaker 1: to change my address, but I already have the right

2002
01:50:06,640 --> 01:50:10,320
Speaker 1: address on file. Spell your name for me, please, R

2003
01:50:10,479 --> 01:50:16,760
Speaker 1: A F A E. L. Hernandez just like every other

2004
01:50:16,880 --> 01:50:19,719
Speaker 1: Mexican person who lives in the city. And your addresser,

2005
01:50:20,479 --> 01:50:25,920
Speaker 1: it's mill Ridge Drive. And so do you have your

2006
01:50:25,920 --> 01:50:29,040
Speaker 1: account over handing? No, I don't have my account number, handy,

2007
01:50:29,600 --> 01:50:32,599
Speaker 1: that's unfortunate. I don't know my account number. Okay, that's

2008
01:50:32,640 --> 01:50:34,439
Speaker 1: the problem. That's what I've been trying to tell you

2009
01:50:34,520 --> 01:50:36,479
Speaker 1: guys this whole time. I don't know because I don't

2010
01:50:36,479 --> 01:50:38,640
Speaker 1: have any invoices, because you guys have been sending my

2011
01:50:38,960 --> 01:50:42,120
Speaker 1: invoices to my old address. Does this make sense? I

2012
01:50:42,240 --> 01:50:45,960
Speaker 1: need to know why we have not received payment for

2013
01:50:46,000 --> 01:50:49,080
Speaker 1: you within the last four months. I just told you

2014
01:50:49,200 --> 01:50:51,920
Speaker 1: why you haven't received payment. All right, sir, let me

2015
01:50:52,000 --> 01:50:53,040
Speaker 1: let me put you on hol for a second. We're

2016
01:50:53,040 --> 01:50:54,920
Speaker 1: gonna transfer our billing department. Hold wait wait wait wait

2017
01:50:54,960 --> 01:51:00,120
Speaker 1: wait Gerald, yes, Fitzgerald, Patrick Fitzgerald. What's your name? What

2018
01:51:00,280 --> 01:51:04,479
Speaker 1: the your problem? You started yelling at me as if

2019
01:51:04,560 --> 01:51:07,599
Speaker 1: I took the information down. You didn't take the information down?

2020
01:51:07,600 --> 01:51:11,040
Speaker 1: All right? Are you? Are you not? Patrick Gerald? Fitzpatrick?

2021
01:51:11,760 --> 01:51:15,479
Speaker 1: This is Patrick Fitzgerald. That's what I'm saying. The right

2022
01:51:15,560 --> 01:51:18,040
Speaker 1: But in order to change your address, you need to stop.

2023
01:51:18,520 --> 01:51:20,720
Speaker 1: I just spoke to you. You told me what I

2024
01:51:20,800 --> 01:51:23,240
Speaker 1: needed to know. Do you plan to pay automatically with

2025
01:51:23,360 --> 01:51:25,240
Speaker 1: easy pay? We can set that up for you. I

2026
01:51:25,320 --> 01:51:27,719
Speaker 1: started off paying online and then you guys started sending

2027
01:51:27,720 --> 01:51:30,680
Speaker 1: me invoices in the mail to the wrong address. But

2028
01:51:30,720 --> 01:51:33,680
Speaker 1: I'd like to talk to someone an let me get

2029
01:51:33,720 --> 01:51:35,519
Speaker 1: this problem fixed and I can take my daughter to

2030
01:51:35,600 --> 01:51:42,559
Speaker 1: the place right Hello, sir? Whoat? Yes, sir, we were

2031
01:51:42,600 --> 01:51:45,880
Speaker 1: talking about payment online, Sir. I apologize, but I don't

2032
01:51:45,920 --> 01:51:49,000
Speaker 1: recall talking to you about this. Um. What is your name?

2033
01:51:50,080 --> 01:51:56,400
Speaker 1: What holy? My name is Raphael Hernandez. Oh? Yes, Mr Hernandez,

2034
01:51:56,720 --> 01:51:59,639
Speaker 1: need in the world. Correct. No, I don't believe it's

2035
01:52:00,120 --> 01:52:06,040
Speaker 1: this old mill road anymore. My new address mill Ridge Drive. No. Actually,

2036
01:52:06,200 --> 01:52:07,840
Speaker 1: we type it into our computer system right here, and

2037
01:52:07,880 --> 01:52:10,519
Speaker 1: there seems to be an update in process, and it

2038
01:52:10,560 --> 01:52:13,519
Speaker 1: looks like we're all set, then, sir. Is that correct? No,

2039
01:52:13,640 --> 01:52:15,400
Speaker 1: we're not all set then, because my car is going

2040
01:52:15,479 --> 01:52:21,800
Speaker 1: to get impounded later today before this whole medi Justgerald, Yeah,

2041
01:52:21,880 --> 01:52:24,320
Speaker 1: hold on? Would you just wait up in film? Done talking?

2042
01:52:24,400 --> 01:52:27,680
Speaker 1: I don't know what you're speaking about. Okay, what do

2043
01:52:27,720 --> 01:52:31,160
Speaker 1: you what's your name? Patrick Fitzgerald and not financial services?

2044
01:52:31,200 --> 01:52:35,559
Speaker 1: Gerald Fitzpatrick speaking? How am I help you. Hello. Hi, Hello,

2045
01:52:35,680 --> 01:52:40,720
Speaker 1: this is Patrick's Hello. This is Patrick Fitzgerald. Hello, Hi,

2046
01:52:41,120 --> 01:52:45,080
Speaker 1: gerrold Fitzbroldrick speaking man. Hello, yes Hi? How are you?

2047
01:52:45,560 --> 01:52:48,080
Speaker 1: Two people on the phone right now? We are sending

2048
01:52:48,080 --> 01:52:52,519
Speaker 1: out at O truck to impound work for should be

2049
01:52:52,560 --> 01:52:56,200
Speaker 1: sending out apology. You sent me bills for a wrong address.

2050
01:52:56,400 --> 01:52:58,799
Speaker 1: The system is not updated yet with that change of address.

2051
01:52:58,920 --> 01:53:02,960
Speaker 1: So you just confront that is sating with me. Hello, Okay, sir?

2052
01:53:03,000 --> 01:53:04,840
Speaker 1: Would you like to pay by money? Graham? I can't

2053
01:53:04,840 --> 01:53:08,200
Speaker 1: pay four months just out of pocket. My cab will starve.

2054
01:53:08,520 --> 01:53:10,599
Speaker 1: You want a child to starve? Is that what you want? Well,

2055
01:53:10,640 --> 01:53:12,280
Speaker 1: I'm sorry. I don't have any children, sir, so I

2056
01:53:12,320 --> 01:53:14,360
Speaker 1: wouldn't know what that's like. I'm married with your children, Sarah.

2057
01:53:14,439 --> 01:53:25,000
Speaker 1: Understand you. You will be assisted shortly define Hello. Hello?

2058
01:53:25,160 --> 01:53:28,000
Speaker 1: Do you hear the other reverb on this phone line?

2059
01:53:28,840 --> 01:53:31,800
Speaker 1: Can you not hear me? I hear you, sir? You

2060
01:53:31,920 --> 01:53:35,280
Speaker 1: do here, You're great, we can Mr. There's another person's

2061
01:53:35,320 --> 01:53:37,720
Speaker 1: line and going crazy, sor. I'm sorry we're gonna have

2062
01:53:37,760 --> 01:53:39,160
Speaker 1: to impound your car. Sir. I have a good news

2063
01:53:39,200 --> 01:53:40,759
Speaker 1: for you. We will not have to impound your vehicle.

2064
01:53:40,880 --> 01:53:43,280
Speaker 1: Why could you double teeming me like this? Okay, it's

2065
01:53:43,320 --> 01:53:46,080
Speaker 1: just super unprofessional. What I need to know is whether

2066
01:53:46,200 --> 01:53:48,280
Speaker 1: my car is going to get impounded. Well, I should

2067
01:53:48,320 --> 01:53:51,320
Speaker 1: drive to Canada right now. What you should know is

2068
01:53:51,400 --> 01:53:53,800
Speaker 1: that you've been phone tapped. Sorry, you've been phone tapped.

2069
01:53:54,760 --> 01:53:57,519
Speaker 1: Are you talking about? This is Patrick Fitzgerald. This is

2070
01:53:57,520 --> 01:54:00,439
Speaker 1: Gerald Fitzpatrick. Actually, I'm Scary Jones and I'm Ny and

2071
01:54:00,600 --> 01:54:07,599
Speaker 1: Emily wanted to mess with you, Robael Hi the whole time,

2072
01:54:07,600 --> 01:54:10,719
Speaker 1: I would think that that that I'm going crazy or something.

2073
01:54:12,560 --> 01:54:16,160
Speaker 1: Elvis Durant Phone Tap. Have an idea for a phone tab.

2074
01:54:16,240 --> 01:54:18,360
Speaker 1: Go to Elvis duran dot com. Click on the phone

2075
01:54:18,400 --> 01:54:20,560
Speaker 1: tap tab tell us what you want to do. This

2076
01:54:20,680 --> 01:54:23,280
Speaker 1: phone tab was prerecorded with permission granted by all of

2077
01:54:23,320 --> 01:54:26,920
Speaker 1: our two suits. The Elvis Durant phone tab we're only

2078
01:54:27,240 --> 01:54:31,559
Speaker 1: on Elvis Durant in the Morning Show the official Twitter

2079
01:54:31,640 --> 01:54:34,880
Speaker 1: account of Elvis at Elvis Durant. Hit up Twitter and

2080
01:54:35,000 --> 01:54:38,560
Speaker 1: follow him now. This is Elvis Durant in the Morning Show.