WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan number two.

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<v Speaker 1>What is up? Y'all? Welcome to the Best Bits. This

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<v Speaker 1>is just the Bits, and I'm so excited for y'all

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<v Speaker 1>to hear the segments this week because it was a

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<v Speaker 1>fun one. Coming in hot. At number seven, Lunchbox read

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<v Speaker 1>Bobby's new children's book, Stanley the Dog The First Day

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<v Speaker 1>of School to his kids, and it was hilariously chaotic

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<v Speaker 1>and just so Lunchbox and a lot of you parents

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<v Speaker 1>out there that are going to hear this, we'll probably

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<v Speaker 1>relate to what it's like to read a book to

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<v Speaker 1>your kids. Number seven. See you like they have focus groups,

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<v Speaker 1>maybe in a TV commercial where they have amy there's

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<v Speaker 1>a big table and there's all these people sitting around

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<v Speaker 1>table and they're like, what do you think about this

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<v Speaker 1>color or this name? We kind of have that here.

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<v Speaker 1>Lunchbox read my kid's book, Stanley the Dog The First

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<v Speaker 1>Day of School to his kids, right, yeah, my two

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<v Speaker 1>year old, my three year old. Okay, so you have

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<v Speaker 1>audio of you doing this? Are you just gonna tell me? Now?

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<v Speaker 1>I got audio. I sat them down in the room

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<v Speaker 1>right before bedtime, and I pulled it out of my backpack.

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<v Speaker 1>Because you gave it to me. And I read the

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<v Speaker 1>title of the book, and my three year old had

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<v Speaker 1>a problem with the concept of the book. It's called

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<v Speaker 1>Stanley the Dog the first day of school. What do

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<v Speaker 1>you think? What do you mean? Good point? Yeah, man,

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<v Speaker 1>he's right, I mean right on the bat. He was

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<v Speaker 1>just like he saw the dog and the school bus window,

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<v Speaker 1>and he was just like, this dog don't go to school.

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<v Speaker 1>That's silly. And he just was he was like, I

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<v Speaker 1>don't get it. When I told my the publisher of

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<v Speaker 1>the book, I said, here's my dad, They said, dogs

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<v Speaker 1>don't go to school, exact thing. So I get it. Okay,

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<v Speaker 1>So here's the clip on lunchbox reading my book to

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<v Speaker 1>his boys. Today was the first day of school, and

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<v Speaker 1>Stanley really didn't want to go. He bittered over which

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<v Speaker 1>color to wear. He didn't even touch his birth Yeah.

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<v Speaker 1>School bus yep, beep, went the bus on, said Bobby,

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<v Speaker 1>and with a stumb one a bumble, Stanley trotted off

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<v Speaker 1>to catch Drew the school. The more Stanley, I like

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<v Speaker 1>the show show that's what I feel like. That's the same.

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<v Speaker 1>I'm like, I'm like I felt that, you know what

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<v Speaker 1>it feels like. No lunch bugs. I mean over and over.

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<v Speaker 1>My two year old was obsessed with the school bus.

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<v Speaker 1>That's every time we turned the page and like, dead out,

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<v Speaker 1>where's the school bus? And he made me go back

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<v Speaker 1>to the school bus. He just wanted to look at

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<v Speaker 1>the school bus the whole time. All right, so focus

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<v Speaker 1>good loves to school bus. All right, what did you

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<v Speaker 1>get to into the book? Oh, we got to end

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<v Speaker 1>the big book. And they loved it and they enjoyed it.

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<v Speaker 1>They thought it was funny and they liked the dogs,

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<v Speaker 1>but they were My three year old got set. He

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<v Speaker 1>was like, why does the other dog tom me us

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<v Speaker 1>to go to the back of the wine? That's mean,

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<v Speaker 1>that's the points. Yes, not everybody's schools. Super nice to Stanley,

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<v Speaker 1>but hey, you know he finds where he fits in,

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<v Speaker 1>which is just with himself. Yes, yes, And so it

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<v Speaker 1>was a success. And we read it two nights in

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<v Speaker 1>a row and we'll see about tonight. If nights three

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<v Speaker 1>nights in a row? Is that all the whole vibe

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<v Speaker 1>every time you're reading, just all the any book you're reading, well,

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<v Speaker 1>not well, not all the time. I mean, if they

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<v Speaker 1>like it, they ask questions about it, but they want

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<v Speaker 1>to see certain things but yes, you go back to

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<v Speaker 1>that page the school bus, Dad school bus loves the

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<v Speaker 1>school bus. Yeah. Yeah, it's not gonna show a lottery story, Bobby,

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<v Speaker 1>a lottery story. There's another lottery story. Okay, well, thank you.

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<v Speaker 1>If you guys want to get the book, you can.

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<v Speaker 1>It's like fifteen bucks, it is. I'm very proud of

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<v Speaker 1>it not keeping any of the money that would make

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<v Speaker 1>from the first year. People go why the first year

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<v Speaker 1>because usually doesn't make any money after the first year.

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<v Speaker 1>So I just don't want to have to keep up

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<v Speaker 1>with it when I'm seventy three years old and be like,

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<v Speaker 1>well I didn't give him six bucks this year, and

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<v Speaker 1>then I never going to jail or something, you know,

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<v Speaker 1>and then you get called out yees. So it's like

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<v Speaker 1>year a year. Anybody who make the book in a year,

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<v Speaker 1>we're gonna donate. Well, reread it and Stevenson was enjoyed it.

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<v Speaker 1>He's totally different age than he's eleven, but he still

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<v Speaker 1>enjoyed it as an eleven year old and his favorite,

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<v Speaker 1>I think was the surprise from a cat makes an appearance.

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<v Speaker 1>So there's not just stalks. So a three year old

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<v Speaker 1>eleven year old and rumor is Ray loved it too,

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<v Speaker 1>right yet different message for everybody. It's the Best Bits

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<v Speaker 1>of the week with Morgan. Number two, we got an

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<v Speaker 1>update on the whole Gavin DeGraw text message situation last weekend.

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<v Speaker 1>I had Scooba Steve on the Best Bits. If you

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<v Speaker 1>missed that, you can go check that out, and he

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<v Speaker 1>talked to us about the text message that him and

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<v Speaker 1>Eddie sent Gavin DeGraw of somebody covering his song when

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<v Speaker 1>they were down in Memphis, and while the show gave

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<v Speaker 1>them a pretty hard time about using a phone number

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<v Speaker 1>from professional reasons to personal reasons. And when Eddie was

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<v Speaker 1>out at Bobby's show this past weekend, he asked Gavin

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<v Speaker 1>DeGraw live in person how he felt about that text message,

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<v Speaker 1>and Eddie told us what all transpired. But you know,

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<v Speaker 1>Mike came in this weekend. He was also at Bobby's

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<v Speaker 1>show and shared some more behind the scenes. You know,

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<v Speaker 1>there's just this story is like an onion, It just

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<v Speaker 1>keeps unfolding. But here's one of the parts. Number six.

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<v Speaker 1>So as a reminder, we had a segment last week

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<v Speaker 1>and Eddie and Scuba Steve were in Memphis. They went

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<v Speaker 1>to watch the Elvis movie and while they were there.

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<v Speaker 1>They go to a bar and they see a guy

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<v Speaker 1>playing Gavin DeGraw. I don't want to be this song

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<v Speaker 1>right here from Gavin Degarral. There's a guy just covering

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<v Speaker 1>this song in a bar, and they think, since Gavin's

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<v Speaker 1>been on the show once and they happened to have

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<v Speaker 1>his number for professional reasons, they needed to text him

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<v Speaker 1>a video at one in the morning. It was a

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<v Speaker 1>good version, though. This guy was really good, right, I

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<v Speaker 1>hear you sure? And so we talked about how that's

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<v Speaker 1>kind of awkward. You're not friends with him, No, we

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<v Speaker 1>don't really know him. It's like getting his number off

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<v Speaker 1>a medical form and then being like, oh, I have

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<v Speaker 1>his number, let me. It was Scuba's idea, he said,

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<v Speaker 1>should I text him? I said yes, absolutely. I say,

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<v Speaker 1>Gavin's a nice guy, is probably not gonna be mad.

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<v Speaker 1>But that's inappropriate. You can't do that. You can't go

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<v Speaker 1>down to Broadway here in Nashville and be like, hey, Garth,

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<v Speaker 1>there's friends in low places here. This is Sally doing it. Man.

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<v Speaker 1>You guys railed us for doing that, railed mildly reem.

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<v Speaker 1>So Gavin came out at my show. I brought him

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<v Speaker 1>out on Saturday night as a surprise. And so he's

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<v Speaker 1>backstage where he surprised the crowd inside of my comedy

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<v Speaker 1>and inspirational show, and you asked him about this, Yeah,

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<v Speaker 1>he was backstage. So I said, hey, dam can I

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<v Speaker 1>ask you a question? You know how we texted you

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<v Speaker 1>with of that version of that guy singing your song,

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<v Speaker 1>like what's that? Inappropriate? Teams like what are you talking about? No,

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<v Speaker 1>he was He didn't say what are you talking about?

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<v Speaker 1>He said, quote, I will tell you what he said.

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<v Speaker 1>He goes, dude, I really enjoyed that, Like I like

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<v Speaker 1>the reminder of like, that's cool. People are still playing

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<v Speaker 1>my music to me. It's very flattering. And then he

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<v Speaker 1>ended with this nice to you. Go ahead. Hey. He

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<v Speaker 1>ended with next time you see someone else playing that, dude,

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<v Speaker 1>text away. Yeah, all right, Scuba, we're good. Dude, all right, cool?

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<v Speaker 1>You do realize more. He's a nice guy. And he

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<v Speaker 1>was just being what do you think he's gonna say, dude,

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<v Speaker 1>don't do that? Yeah, yeah, I would expect him to

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<v Speaker 1>be like, ah, man, yeah I was a little weird

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<v Speaker 1>or whatever, but he didn't say that. He said, dude,

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<v Speaker 1>it was I was very flattered by that. But he

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<v Speaker 1>also could have just stopped it. I was flattered and

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<v Speaker 1>it was cool. He didn't have to add on send

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<v Speaker 1>it to me next time. That's why I think that

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<v Speaker 1>he's just being super nice and it's like, yeah, man,

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<v Speaker 1>who wants to see Yeah. I think it would be

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<v Speaker 1>a different answer if Bobby asked him as opposed to

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<v Speaker 1>the person that sent the text. Okay, Bobby, Let's say

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<v Speaker 1>that we're somewhere and I see someone covering raging idiots

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<v Speaker 1>or someone else that has happened before, and I wanted

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<v Speaker 1>it because but I'm not. I'm not famous, but I

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<v Speaker 1>don't have that Gavina Grossong is so massive. Ten thousand

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<v Speaker 1>people are covering it every night, and you're friends with

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<v Speaker 1>Bobby Amy. Okay, not me, bad example, but anybody like

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<v Speaker 1>that paple all the way around, Yeah, all the way around.

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<v Speaker 1>The rule is if you're not if you haven't texted

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<v Speaker 1>with them on a personal basis before in a friendly way,

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<v Speaker 1>don't text them. If it period, if you get their

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<v Speaker 1>number from the show, okay, you should be like who

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<v Speaker 1>punishment one day should be like if you do you

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<v Speaker 1>mess up or do something, you have to text someone

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<v Speaker 1>from your phone. No, they do that anyway. That's not

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<v Speaker 1>that's fun. Hey, you know what else so embarrassing? He said,

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<v Speaker 1>did you send that to me? I said, no, Scuba

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<v Speaker 1>days like, well, let me give you my number so

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<v Speaker 1>you can text me next time. Okay, that's what I'm saying,

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<v Speaker 1>stories being exact. And then he said, hey, come over

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<v Speaker 1>tonight and when at dinner he never said that. Gavin

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<v Speaker 1>a girl so good? This song Ford, you know, he

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<v Speaker 1>did this whole album about his you know, and the

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<v Speaker 1>story is his parents died in a lot of death

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<v Speaker 1>and he wanted to finish this album before his dad died.

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<v Speaker 1>His dad was diagnosed with cancer and he got to

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<v Speaker 1>play it for his dad right before he died. He'd

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<v Speaker 1>been working on it. His dad listened to it, and

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<v Speaker 1>his dad died very soon after that. And the first

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<v Speaker 1>track on it's called you know the River, and it's

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<v Speaker 1>about his dad finally going to meet his mom because

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<v Speaker 1>his mom passed away earlier. Super emotional. He has a

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<v Speaker 1>song called Ford. It's like what you should appreciate in life.

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<v Speaker 1>I mean, there is not a more country song the meaning,

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<v Speaker 1>the message than this song right here. It played the

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<v Speaker 1>hook of that song for me right count lessons and

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<v Speaker 1>praise the Lord that he work card and you get

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<v Speaker 1>it's such a good song, you know, for us in

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<v Speaker 1>this room, for us to listen to the show, this

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<v Speaker 1>is it's a great message for our kind of people.

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<v Speaker 1>It's the best bits of the week with Morgan. Number two.

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<v Speaker 1>I love it so much when Jimmy Allen stops by

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<v Speaker 1>the show. He's so human, so real and just is

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<v Speaker 1>totally raw in his interviews. He shares all his feelings

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<v Speaker 1>and everything right off the chest and no filter, which

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<v Speaker 1>is my favorite thing about him. He came in that

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<v Speaker 1>interview was so much fun. But not only that, he

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<v Speaker 1>is becoming a professional bowler, or at least that's his

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<v Speaker 1>goal in the next year. So definitely listen to this.

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<v Speaker 1>Number five. Jimmy, he's got a new album out today.

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<v Speaker 1>It's crazy it's only your third album. I feel like

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<v Speaker 1>you put out so much good stuff, but I guess

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<v Speaker 1>a lot of that stuff's just not an album. It's

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<v Speaker 1>like this is for third full project. Yeah, third full project.

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<v Speaker 1>It's like I'll hear that there. Sometimes I hear like, wow,

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<v Speaker 1>you got three albums out already on your fifth single

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<v Speaker 1>because you figured as some artists that just now put

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<v Speaker 1>out an EP on like their third single. Yeah, but

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<v Speaker 1>then he also got to play covers their whole show.

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<v Speaker 1>So it's kind of like you're always have a lot

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<v Speaker 1>of really cool people because you have great songs yourself,

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<v Speaker 1>but you have the ability to get really cool people

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<v Speaker 1>to do songs with you and to also share the

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<v Speaker 1>message that you want shared, and all of your collaborations.

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<v Speaker 1>It's like you don't bring someone on and they just

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<v Speaker 1>are out of nowhere and it doesn't make sense. It's

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<v Speaker 1>like you bring on great communicators of what the song

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<v Speaker 1>actually means, and it's it's it's a really cool thing

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<v Speaker 1>that you do. And so I'll talk about that for

0:10:24.040 --> 0:10:25.640
<v Speaker 1>a second because on this record, and I do want

0:10:25.679 --> 0:10:27.360
<v Speaker 1>talk about the Jennifer Lopes thing because I saw that

0:10:27.440 --> 0:10:29.599
<v Speaker 1>I was like, holy crap, how did you get j

0:10:29.720 --> 0:10:32.160
<v Speaker 1>Loo to be on a song? So she it's a

0:10:32.240 --> 0:10:34.840
<v Speaker 1>remake of her song on My Way from her movie

0:10:35.040 --> 0:10:37.959
<v Speaker 1>Marrying Me, and like, I know somebody that works with her,

0:10:38.000 --> 0:10:40.240
<v Speaker 1>and he reached out and was like, Hey, we want

0:10:40.240 --> 0:10:42.440
<v Speaker 1>to do a remake of this JLO song? Would you

0:10:42.480 --> 0:10:44.200
<v Speaker 1>be down to do it? I would say that's a

0:10:44.320 --> 0:10:47.000
<v Speaker 1>dumb question, of course, Like I don't care what the

0:10:47.040 --> 0:10:48.880
<v Speaker 1>song is about. I didn't even know what song is

0:10:48.920 --> 0:10:51.280
<v Speaker 1>going to be? I said yes, So he just sent

0:10:51.360 --> 0:10:53.680
<v Speaker 1>it over. She'd already done her vocals on so I

0:10:53.720 --> 0:10:55.840
<v Speaker 1>just did mind and like and I just sent it back.

0:10:55.920 --> 0:10:58.280
<v Speaker 1>That's cool. So it kind of came to you. But

0:10:58.320 --> 0:11:00.839
<v Speaker 1>then you got to also go this is is still

0:11:00.880 --> 0:11:03.360
<v Speaker 1>a me thing. Yeah. So then after we did it,

0:11:03.360 --> 0:11:05.360
<v Speaker 1>it was like, hey the record can we put on

0:11:05.400 --> 0:11:08.360
<v Speaker 1>the record? Now? The Celo t Pain thing was different,

0:11:08.400 --> 0:11:11.400
<v Speaker 1>like I was in Miami ges himself with pit Bull,

0:11:11.440 --> 0:11:14.240
<v Speaker 1>and then I went to studio and my boy Vinny

0:11:14.360 --> 0:11:17.840
<v Speaker 1>that produces some Celo stuff, said hey, Jimmy, Celo got

0:11:17.840 --> 0:11:19.920
<v Speaker 1>this verse. He got a chorus, but he wants to

0:11:19.960 --> 0:11:22.240
<v Speaker 1>like change it. What do you want to do? See

0:11:22.240 --> 0:11:23.679
<v Speaker 1>if you can ride a course to it? So I said,

0:11:23.679 --> 0:11:25.959
<v Speaker 1>all right, play the track. So I just hopped in

0:11:26.040 --> 0:11:28.440
<v Speaker 1>the booth free stopped this chorus, then went back and

0:11:28.480 --> 0:11:31.120
<v Speaker 1>recorded it and I called te Pain a couple days

0:11:31.200 --> 0:11:33.160
<v Speaker 1>later that bro, I got this song on Celo, you

0:11:33.160 --> 0:11:34.800
<v Speaker 1>want to do it? You just called him? Yeah, It's

0:11:34.920 --> 0:11:41.760
<v Speaker 1>like hello, yeah, he was like, can I buy your drink?

0:11:41.800 --> 0:11:45.560
<v Speaker 1>I'm good? So then he said yeah, so he did it.

0:11:45.720 --> 0:11:47.560
<v Speaker 1>Now I was gonna there's a hip hop artist I

0:11:47.600 --> 0:11:49.480
<v Speaker 1>was texting to do the third verse, so I was like,

0:11:49.480 --> 0:11:51.959
<v Speaker 1>oh wait, no, I want a verse. I don't want

0:11:51.960 --> 0:11:53.720
<v Speaker 1>to just sing the chorus on a song on my

0:11:53.840 --> 0:11:57.719
<v Speaker 1>record and then Katio the other features. So every album

0:11:57.760 --> 0:11:59.600
<v Speaker 1>I want to have an artist that doesn't have a

0:11:59.640 --> 0:12:02.560
<v Speaker 1>record with the song. So it started with Betty James

0:12:02.640 --> 0:12:05.520
<v Speaker 1>Gold Edition with Neon Union, who me and my buddy

0:12:05.520 --> 0:12:07.360
<v Speaker 1>Aaron ben would just signed, just got them their first

0:12:07.360 --> 0:12:11.559
<v Speaker 1>record deal. Now Katio she's an artist in town that

0:12:12.000 --> 0:12:13.840
<v Speaker 1>used to demo sing a lot of songs that they

0:12:13.840 --> 0:12:17.360
<v Speaker 1>would pitch to, like artists like Carrie Mary and Carl whoever.

0:12:17.720 --> 0:12:19.800
<v Speaker 1>But the problem is Nashville sometimes if you become a

0:12:19.840 --> 0:12:22.200
<v Speaker 1>demo singer, you get pitch and hold is that. So

0:12:22.240 --> 0:12:24.520
<v Speaker 1>she's a great artist and we had her come in

0:12:24.559 --> 0:12:26.360
<v Speaker 1>because the song we did, broken Heart, is gonna be

0:12:26.360 --> 0:12:28.840
<v Speaker 1>to do it anyway. My boy was like, hey, let's

0:12:28.840 --> 0:12:31.640
<v Speaker 1>have this girl Katio come demo. I was like cool,

0:12:31.800 --> 0:12:33.760
<v Speaker 1>So she came in. I was like, wait, wait, no,

0:12:34.320 --> 0:12:36.640
<v Speaker 1>let's just keep her on the song that way, you know.

0:12:36.760 --> 0:12:39.880
<v Speaker 1>One It's I feel like I've been given a platform

0:12:39.880 --> 0:12:42.600
<v Speaker 1>and people have given me opportunities. I feel like it's

0:12:42.679 --> 0:12:45.560
<v Speaker 1>my job to do that for other people. So I'm

0:12:45.559 --> 0:12:48.440
<v Speaker 1>excited for the world to hit katiel. What's interesting about that.

0:12:48.440 --> 0:12:50.680
<v Speaker 1>What I hear when you tell that story is Reba,

0:12:51.160 --> 0:12:53.800
<v Speaker 1>you know, does he love you? Linda Davis? Does he

0:12:53.920 --> 0:12:56.560
<v Speaker 1>love you? When? So they do this and she was

0:12:56.600 --> 0:12:59.040
<v Speaker 1>just singing the demo for the song because she was

0:12:59.080 --> 0:13:02.360
<v Speaker 1>with Reba's touring group, and they were like, well, who

0:13:02.360 --> 0:13:03.360
<v Speaker 1>do you want to get on it? And they had

0:13:03.400 --> 0:13:06.079
<v Speaker 1>gone through according to urban legend. I think reve actually

0:13:06.120 --> 0:13:07.560
<v Speaker 1>told me this, it's not that urban of a legend.

0:13:08.000 --> 0:13:09.600
<v Speaker 1>They had gone through people to do it. She was like, no,

0:13:09.720 --> 0:13:11.840
<v Speaker 1>let's just have Linda do it. She sounds great, and

0:13:11.880 --> 0:13:14.000
<v Speaker 1>she's already on tour with us as a background singer,

0:13:14.200 --> 0:13:16.200
<v Speaker 1>and so she was like, and she's a great artist

0:13:16.280 --> 0:13:18.840
<v Speaker 1>that no one has actually let beat and so that

0:13:18.920 --> 0:13:22.240
<v Speaker 1>song does he think me? And so that's that similar

0:13:22.360 --> 0:13:24.720
<v Speaker 1>to what you just told her. Because Katie's a nurse,

0:13:24.760 --> 0:13:27.040
<v Speaker 1>so she'll go work her nurse shifts and still write.

0:13:27.040 --> 0:13:29.520
<v Speaker 1>So like you know, nurses work twelve hours, so she'll

0:13:29.559 --> 0:13:32.120
<v Speaker 1>go work twelve hours still then still go write songs

0:13:32.160 --> 0:13:34.480
<v Speaker 1>and still go recording music. So I just you know,

0:13:34.520 --> 0:13:36.800
<v Speaker 1>I had so much respect for her in the hustle.

0:13:36.880 --> 0:13:39.679
<v Speaker 1>You know, we really appreciate people to guy hustle bro

0:13:39.800 --> 0:13:42.040
<v Speaker 1>because we try to appreciate It's like a time machine

0:13:42.720 --> 0:13:44.760
<v Speaker 1>and I'll speak and you can agree or disagree. But

0:13:44.800 --> 0:13:47.320
<v Speaker 1>you say that and it resonates with me because I go, man,

0:13:47.360 --> 0:13:49.480
<v Speaker 1>somebody's just killing themselves. I think that's why I was

0:13:49.520 --> 0:13:51.440
<v Speaker 1>drawn to you early because I would see you just

0:13:51.960 --> 0:13:53.960
<v Speaker 1>going so hard for what you wanted and I admired

0:13:54.000 --> 0:13:55.720
<v Speaker 1>that because nothing was given to you. And I'm like,

0:13:55.760 --> 0:13:57.240
<v Speaker 1>I like it. I want to help them, but in reality,

0:13:57.240 --> 0:13:58.679
<v Speaker 1>I just wanted to help me. That's what I did,

0:13:58.720 --> 0:14:00.839
<v Speaker 1>and I wanted somebody to help me. So when you

0:14:01.080 --> 0:14:02.839
<v Speaker 1>that's how I feel because you talk about her and

0:14:02.840 --> 0:14:04.559
<v Speaker 1>I'm like, yes, I should help her. Yeah, man, but

0:14:04.600 --> 0:14:06.480
<v Speaker 1>I think we're actually trying to help ourselves in the past.

0:14:06.520 --> 0:14:08.600
<v Speaker 1>Oh yeah. And it's kind of like it's that's what

0:14:08.760 --> 0:14:11.560
<v Speaker 1>could next us Because me the one my biggest pet

0:14:11.559 --> 0:14:14.480
<v Speaker 1>peeve lazy people. People say I want this, I want that,

0:14:14.520 --> 0:14:16.880
<v Speaker 1>but have it. They've never taken one step in the

0:14:16.880 --> 0:14:20.760
<v Speaker 1>direction to achieve said career they want, you know, But

0:14:20.800 --> 0:14:23.640
<v Speaker 1>when I see someone like exhausting every option to make

0:14:23.680 --> 0:14:26.520
<v Speaker 1>it happen. I'm like, that's when you step in, because

0:14:26.520 --> 0:14:28.280
<v Speaker 1>that's what someone did for us. We got to a

0:14:28.280 --> 0:14:31.280
<v Speaker 1>point where we worked our butt off, when we got

0:14:31.320 --> 0:14:33.240
<v Speaker 1>good at what we were doing a little bit enough

0:14:33.280 --> 0:14:35.080
<v Speaker 1>to get someone's attention. And people say, you know what,

0:14:35.240 --> 0:14:38.480
<v Speaker 1>they're investing in themselves, so I'm gonna invest in them. Yeah.

0:14:38.720 --> 0:14:40.720
<v Speaker 1>They just kicked the door and cracked it a little bit.

0:14:40.840 --> 0:14:42.760
<v Speaker 1>Kick crack a little bit and let us have a

0:14:42.800 --> 0:14:44.440
<v Speaker 1>shot to get enter the room. Hold the door, give

0:14:44.520 --> 0:14:46.680
<v Speaker 1>us some more time to get through it. Just hold

0:14:46.720 --> 0:14:48.960
<v Speaker 1>it for him for a second. Jimmy Allen us here

0:14:49.000 --> 0:14:51.880
<v Speaker 1>records out today called Tulip Drive. What I want to

0:14:51.880 --> 0:14:54.120
<v Speaker 1>mention too, And we were talking about this before you

0:14:54.160 --> 0:14:55.920
<v Speaker 1>came on. But Jimmy took a red eye to get

0:14:55.920 --> 0:14:58.200
<v Speaker 1>here to do the show today. Hey, what's the red

0:14:58.240 --> 0:15:00.560
<v Speaker 1>eye to you? A red eye a picture or yourself

0:15:00.600 --> 0:15:02.520
<v Speaker 1>like in La trying to get to New York and

0:15:02.640 --> 0:15:06.000
<v Speaker 1>you do it overnight or something, and you maybe catch

0:15:06.040 --> 0:15:07.760
<v Speaker 1>the flight at midnight and La La, you wake up

0:15:07.760 --> 0:15:09.920
<v Speaker 1>in New York. So a red eye because I'm assuming

0:15:09.960 --> 0:15:11.640
<v Speaker 1>you you're tired in your eyes are red, but it's

0:15:11.640 --> 0:15:14.040
<v Speaker 1>an overnight flight. They're they're difficult because it throws you off.

0:15:14.080 --> 0:15:16.600
<v Speaker 1>And yeah, you're obviously, like you said, you hustle and

0:15:16.640 --> 0:15:18.640
<v Speaker 1>you got here, and I appreciate that. But why you

0:15:18.680 --> 0:15:21.080
<v Speaker 1>were confused as a red eye to you is the

0:15:21.120 --> 0:15:24.600
<v Speaker 1>same thing. Yeah, so this wasn't that I had a stop.

0:15:24.640 --> 0:15:27.920
<v Speaker 1>I went from one ratches city to another one. I

0:15:27.960 --> 0:15:32.240
<v Speaker 1>went from Oakland to Troit. Like at midoy, my credit

0:15:32.280 --> 0:15:36.320
<v Speaker 1>score dropped one hundred points. Okay, you can't if you're

0:15:36.320 --> 0:15:38.040
<v Speaker 1>gonna take me from Oakle to Detroit, can we at

0:15:38.120 --> 0:15:42.520
<v Speaker 1>least stop and Scottsdale in between? Even Utah? You know,

0:15:42.640 --> 0:15:45.000
<v Speaker 1>maybe Salt Lake City, you know, they could pray for

0:15:45.040 --> 0:15:46.840
<v Speaker 1>me out there to get my credit score back up.

0:15:46.920 --> 0:15:49.240
<v Speaker 1>And then I came to Nashville. But uh, that's what

0:15:49.520 --> 0:15:51.080
<v Speaker 1>I didn't realize it had a stop until I got

0:15:51.080 --> 0:15:53.360
<v Speaker 1>on the plane. I was like, wait, what, Yeah, that's

0:15:53.360 --> 0:15:55.200
<v Speaker 1>just two connectors at night. That's not a red eye.

0:15:55.280 --> 0:15:56.880
<v Speaker 1>He hung out for like two hours in an airport.

0:15:56.960 --> 0:16:00.560
<v Speaker 1>Let's fly you here. Yeah, you know, ten fifty your time.

0:16:00.920 --> 0:16:03.120
<v Speaker 1>You know, we'll take you to Detroit at six am

0:16:03.200 --> 0:16:05.120
<v Speaker 1>and you'll stay there for two hours. And you gotta

0:16:05.120 --> 0:16:07.240
<v Speaker 1>stay away because you want to fall asleep mission flight

0:16:07.680 --> 0:16:09.520
<v Speaker 1>and then you get on another flight and come in here.

0:16:09.720 --> 0:16:12.240
<v Speaker 1>Oh yeah, so here it is. Well, you look good,

0:16:12.560 --> 0:16:14.160
<v Speaker 1>you know. I try to put a little piece together

0:16:16.040 --> 0:16:19.160
<v Speaker 1>what you have? Quite that? But you have five or

0:16:19.200 --> 0:16:23.240
<v Speaker 1>six brothers, sisters? I have you got his fingers out

0:16:23.240 --> 0:16:25.200
<v Speaker 1>by the way for them. I don't four sisters, two,

0:16:25.560 --> 0:16:28.480
<v Speaker 1>three brothers. And what is that dynamic like with you

0:16:28.600 --> 0:16:30.760
<v Speaker 1>doing what you do? Because this is a weird job.

0:16:31.080 --> 0:16:32.480
<v Speaker 1>You're really good at it. This is a weird job

0:16:32.520 --> 0:16:35.160
<v Speaker 1>that you're a performer and you do. What do they think?

0:16:35.160 --> 0:16:38.680
<v Speaker 1>And what's like generally, what's the family do? They don't

0:16:38.720 --> 0:16:41.560
<v Speaker 1>really care. They still just treat me like Jimmy, so

0:16:41.640 --> 0:16:44.400
<v Speaker 1>like it's an inside joke, and my friends and families

0:16:44.480 --> 0:16:46.240
<v Speaker 1>know me forever. They still treat me like Jimmy with

0:16:46.280 --> 0:16:49.520
<v Speaker 1>a why. So I switched Jimmy to an I E.

0:16:49.960 --> 0:16:51.880
<v Speaker 1>A year before I got my record deal out of

0:16:52.200 --> 0:16:55.600
<v Speaker 1>honor my grandma because she spelled Betty I E. So

0:16:56.080 --> 0:16:57.920
<v Speaker 1>everybody knew me with a why and I was like

0:16:57.960 --> 0:16:59.840
<v Speaker 1>the Delaware day. So my family still treat me like

0:17:00.040 --> 0:17:03.040
<v Speaker 1>me in a while. My brother is a construction he's

0:17:03.080 --> 0:17:06.239
<v Speaker 1>one of the top governors at the Mooselage. You know

0:17:06.359 --> 0:17:08.360
<v Speaker 1>that we all hang out in delibacy takes that very

0:17:08.359 --> 0:17:11.320
<v Speaker 1>shious shout out to the Mooselage, by the way. Uh

0:17:11.400 --> 0:17:15.000
<v Speaker 1>My one sister used to work at the Constorium. I

0:17:15.200 --> 0:17:18.960
<v Speaker 1>like a lot of special these people. Um My one brother,

0:17:20.200 --> 0:17:21.919
<v Speaker 1>I don't know what he does. All I know is

0:17:21.920 --> 0:17:24.119
<v Speaker 1>he always has money, but I never see him working.

0:17:24.280 --> 0:17:28.000
<v Speaker 1>So I leave that. I won't even say that. He

0:17:28.080 --> 0:17:30.000
<v Speaker 1>don't like to say that at all. He doesn't like

0:17:30.080 --> 0:17:32.080
<v Speaker 1>that at all. It is what it is, Okay. I

0:17:32.080 --> 0:17:34.639
<v Speaker 1>don't know what he does. He says he's always working.

0:17:34.800 --> 0:17:37.080
<v Speaker 1>I never see him work, but he has money. Now

0:17:37.200 --> 0:17:42.959
<v Speaker 1>my issue. Uh My one sister works from home. Uh

0:17:43.119 --> 0:17:46.240
<v Speaker 1>she's a Nashville Uh she works with some insurance company

0:17:46.280 --> 0:17:50.040
<v Speaker 1>I don't remember. And my other sister, Dan Yelle, is

0:17:50.080 --> 0:17:52.600
<v Speaker 1>in Texas. I don't know what she does either, but

0:17:52.720 --> 0:17:54.879
<v Speaker 1>she works, so I know she goes to work. Sounds

0:17:54.880 --> 0:17:58.879
<v Speaker 1>like I need a little more connection. Yeah, but it's

0:17:58.920 --> 0:18:00.479
<v Speaker 1>like we don't really talk. Like we don't ever talk

0:18:00.520 --> 0:18:02.680
<v Speaker 1>about my job either. So you know, we just talk.

0:18:02.840 --> 0:18:05.480
<v Speaker 1>We hang out, We do family stuff, We play games.

0:18:05.480 --> 0:18:07.400
<v Speaker 1>The last thing that's the one thing I love about

0:18:07.400 --> 0:18:10.719
<v Speaker 1>my siblings. We keep work on the outside. Like my

0:18:10.800 --> 0:18:12.840
<v Speaker 1>sister didn't even know I was having an album out

0:18:13.119 --> 0:18:15.159
<v Speaker 1>until like a couple of days ago. She's like, you

0:18:15.200 --> 0:18:16.720
<v Speaker 1>gotta wrecke coming up. You didn't tell me. It's like,

0:18:16.760 --> 0:18:19.959
<v Speaker 1>oh yeah, she's, oh, garrets whatever out here eventually. So

0:18:20.000 --> 0:18:22.000
<v Speaker 1>it's like we kind of don't. That's the one thing

0:18:22.040 --> 0:18:24.439
<v Speaker 1>we do on purpose. We don't talk about work. The

0:18:24.480 --> 0:18:26.920
<v Speaker 1>album is out today. It's called Tulip Drive. I'm gonna

0:18:26.960 --> 0:18:31.240
<v Speaker 1>play down Home. So it came out a few months ago,

0:18:31.400 --> 0:18:33.440
<v Speaker 1>but really starting to gain some steam here. So I'm

0:18:33.440 --> 0:18:35.440
<v Speaker 1>gonna play this, but give me like twenty seconds a

0:18:35.480 --> 0:18:36.840
<v Speaker 1>set up of the song so people can have an

0:18:36.880 --> 0:18:39.520
<v Speaker 1>understanding what they' about to hear. Down Home. It's a

0:18:39.600 --> 0:18:41.000
<v Speaker 1>song I wrote with my bass player to tell you

0:18:41.040 --> 0:18:44.080
<v Speaker 1>how Ryan Ball Camberdell. It's a letter to my father,

0:18:44.280 --> 0:18:45.680
<v Speaker 1>kind of like a check in. I didn't want to

0:18:45.680 --> 0:18:47.159
<v Speaker 1>make it a sad song, just you know, checking in

0:18:47.280 --> 0:18:50.359
<v Speaker 1>saying hopefully everything's good up there, because everything you taught us,

0:18:50.480 --> 0:18:52.760
<v Speaker 1>we're still using it today and everything's good. Down Home

0:18:52.960 --> 0:18:54.919
<v Speaker 1>album's out today. This is down Home. We're gonna come

0:18:54.920 --> 0:18:57.080
<v Speaker 1>back with Jimmy Allen we're gonna talk about how Kane

0:18:57.119 --> 0:19:00.000
<v Speaker 1>Brown thought I was you Have you heard the story? Yeah? Exactly?

0:19:00.240 --> 0:19:03.359
<v Speaker 1>All right, Jimmy's here. The album's out. It's called Tulip Drive.

0:19:03.400 --> 0:19:05.720
<v Speaker 1>I hope you guys check it out. I want to

0:19:05.720 --> 0:19:08.160
<v Speaker 1>talk about Kane Brown reachie because Kane and I talk.

0:19:08.560 --> 0:19:13.000
<v Speaker 1>I love Kane, yeah and so, and Kane's always extremely

0:19:13.040 --> 0:19:15.199
<v Speaker 1>real and I can appreciate that from him, and so

0:19:15.200 --> 0:19:17.959
<v Speaker 1>I get a message from him. And I had posted

0:19:18.000 --> 0:19:20.720
<v Speaker 1>a video back at I Heart Country Festival. I guess

0:19:20.800 --> 0:19:25.680
<v Speaker 1>that was what month was that? What month? Are we now? May? Okay? Yeah,

0:19:25.720 --> 0:19:27.800
<v Speaker 1>I say so. There's a picture of all of us

0:19:27.800 --> 0:19:31.400
<v Speaker 1>standing together, and it's everybody who performed and myself since

0:19:31.440 --> 0:19:33.360
<v Speaker 1>I hosted. And just so you have an idea here

0:19:33.480 --> 0:19:35.480
<v Speaker 1>like this, it's video. It's like scrolling. That's the one

0:19:35.520 --> 0:19:37.119
<v Speaker 1>where I didn't get the memo that everybody's gonna have

0:19:37.200 --> 0:19:39.399
<v Speaker 1>this show clothes on. I'm sitting there with basketball shorts on.

0:19:39.640 --> 0:19:41.560
<v Speaker 1>That's it. And so that's where this comes from. So

0:19:41.640 --> 0:19:44.960
<v Speaker 1>this video is all of us, and Kane reaches out

0:19:45.000 --> 0:19:47.440
<v Speaker 1>and goes to me, Hey, he said, how come you're

0:19:47.480 --> 0:19:49.679
<v Speaker 1>like me? All these mfs always dressed up in their

0:19:49.680 --> 0:19:51.200
<v Speaker 1>show gear and I look like I'm ready to hoop,

0:19:51.680 --> 0:19:53.280
<v Speaker 1>and so he says this to me, and I'm offended

0:19:53.280 --> 0:19:54.679
<v Speaker 1>because I thought I was like a pretty good I

0:19:54.720 --> 0:19:57.199
<v Speaker 1>had a like I had a mine's outfit on, and

0:19:57.240 --> 0:19:59.200
<v Speaker 1>I don't know what to say because I gotta respond,

0:20:00.440 --> 0:20:04.840
<v Speaker 1>and I go and it's weird. So I go, uh

0:20:04.960 --> 0:20:08.760
<v Speaker 1>hah um, Yeah, it looks like Jimmy and I ready

0:20:08.760 --> 0:20:10.720
<v Speaker 1>to chill on the couch and watch a game. Meaning

0:20:10.760 --> 0:20:12.199
<v Speaker 1>I'm just trying to bring you into this because you

0:20:12.240 --> 0:20:14.120
<v Speaker 1>look like you're in show. But I don't know why

0:20:14.119 --> 0:20:15.639
<v Speaker 1>it's saying that to me because I was like proud

0:20:15.640 --> 0:20:18.119
<v Speaker 1>of my clothes. Oh god, And so I told the

0:20:18.200 --> 0:20:20.880
<v Speaker 1>show I was like, Kane just said I'd dressed fire.

0:20:21.600 --> 0:20:24.720
<v Speaker 1>So then he sends me a laughing emoji, goes, I'm

0:20:24.720 --> 0:20:26.200
<v Speaker 1>meant to send that to Jimmy. I thought I was

0:20:26.200 --> 0:20:31.080
<v Speaker 1>watching his account. He said, I tried to hit the

0:20:31.160 --> 0:20:33.480
<v Speaker 1>unsend button, but I guess that doesn't worry hahaha, you

0:20:33.560 --> 0:20:36.800
<v Speaker 1>gotta hold it. So he was talking about you. He said,

0:20:36.840 --> 0:20:40.160
<v Speaker 1>how come you're like everybody dressed up? But yeah, because

0:20:40.160 --> 0:20:43.040
<v Speaker 1>I chill in my sweats are shorts to the last

0:20:43.280 --> 0:20:45.760
<v Speaker 1>minute because I know what I'm about to put on stage.

0:20:45.760 --> 0:20:48.600
<v Speaker 1>It is about to be small, tight and sweaty, you

0:20:48.640 --> 0:20:50.000
<v Speaker 1>know what I mean. So I'm in this leather kick

0:20:50.119 --> 0:20:53.080
<v Speaker 1>right now. Well, I was offended. Was my feelings were hurt?

0:20:53.080 --> 0:20:54.320
<v Speaker 1>I was like, who is that? Da kan n thinks

0:20:54.320 --> 0:20:56.760
<v Speaker 1>I'm ugly and I dressed upid. I was like, I'm

0:20:56.840 --> 0:20:58.840
<v Speaker 1>trying my basketball, trying to go host a show here.

0:20:59.640 --> 0:21:01.560
<v Speaker 1>You have a bowling I know you bowling, You're a

0:21:01.560 --> 0:21:03.879
<v Speaker 1>really good bowler. But you have a team. Yeah, I

0:21:03.960 --> 0:21:05.760
<v Speaker 1>know there was a team. Yeah. So I'm in a

0:21:06.640 --> 0:21:09.240
<v Speaker 1>three leagues here and then I'm in this traveling team

0:21:09.320 --> 0:21:11.760
<v Speaker 1>and then actually in Vegas, will be in Vegas next week.

0:21:11.840 --> 0:21:17.400
<v Speaker 1>Three leagues, traveling, traveling. Yeah, we traveled d tournaments, um,

0:21:17.600 --> 0:21:21.600
<v Speaker 1>and then uh I got USBC tournament in Vegas next week,

0:21:21.680 --> 0:21:25.240
<v Speaker 1>then a TAT tournament and then some PBA stuff coming

0:21:25.280 --> 0:21:29.600
<v Speaker 1>because I am pretty much almost an official PBA tour.

0:21:29.680 --> 0:21:31.600
<v Speaker 1>So you got to have a hold of two hundred

0:21:31.600 --> 0:21:35.400
<v Speaker 1>average for an entire season, could you be a pro bowler? Yeah,

0:21:35.440 --> 0:21:37.760
<v Speaker 1>I'm actually taking off to a month in January to

0:21:37.800 --> 0:21:39.760
<v Speaker 1>do that. Next year, you're taking off what do you

0:21:39.760 --> 0:21:42.840
<v Speaker 1>mean to do that? Like traveling bowl player do PBA tournaments.

0:21:42.880 --> 0:21:45.480
<v Speaker 1>That's so cool. I mean, it's it's weird because I

0:21:45.480 --> 0:21:47.320
<v Speaker 1>don't know, but it does that. Yeah, that's so cool.

0:21:47.480 --> 0:21:49.040
<v Speaker 1>I think the only other person that does it a

0:21:49.080 --> 0:21:52.359
<v Speaker 1>lot is me that I know is me, Chuck Wicks

0:21:52.359 --> 0:21:55.960
<v Speaker 1>and Mookie Batts. Like when Mookie Bets is off from baseball,

0:21:56.119 --> 0:21:59.400
<v Speaker 1>he traveled just just bowling tournaments and they pay too. Yeah, okay,

0:21:59.440 --> 0:22:03.479
<v Speaker 1>can you make Yeah for those who don't know, he's

0:22:03.520 --> 0:22:09.880
<v Speaker 1>got very violent aggressive Okay, oh yeah, you can get paid.

0:22:09.920 --> 0:22:11.960
<v Speaker 1>I tell people bowls like, it's to the point where

0:22:11.960 --> 0:22:14.159
<v Speaker 1>I've become a snob. Now with bowling, I'll ask for

0:22:14.280 --> 0:22:17.320
<v Speaker 1>like their house pattern was still shot? Was the oil length?

0:22:17.480 --> 0:22:18.960
<v Speaker 1>And then when I go to the bowling now and

0:22:18.960 --> 0:22:20.760
<v Speaker 1>I see people next to me bowling with house shoes

0:22:20.760 --> 0:22:24.159
<v Speaker 1>on in the house ball, I'm like, he's like, what

0:22:24.200 --> 0:22:29.280
<v Speaker 1>are you doing? Having fun? No, that's better? Oh sad

0:22:29.880 --> 0:22:32.040
<v Speaker 1>at Jimmy Allen. If you're to follow him again, I

0:22:32.119 --> 0:22:34.600
<v Speaker 1>e which is a great story. Was well on your

0:22:34.600 --> 0:22:38.000
<v Speaker 1>birthdayip begets Jimmy with the why James James is my

0:22:38.080 --> 0:22:40.320
<v Speaker 1>legal name? You got the point when I'm saying Jimmy, Yeah, yeah,

0:22:40.440 --> 0:22:42.800
<v Speaker 1>but you was Jimmy. People call you Jimmy. Be changed

0:22:42.800 --> 0:22:44.200
<v Speaker 1>it for your grandma. Yeah, I changed for my ground.

0:22:44.200 --> 0:22:46.080
<v Speaker 1>That's why I started wearing these bandana's, Like that's my

0:22:46.119 --> 0:22:48.439
<v Speaker 1>look now because my Grandma'm always wore bandana. I'm like

0:22:48.480 --> 0:22:51.080
<v Speaker 1>super sentimental. So everything I do, no matter how weird

0:22:51.119 --> 0:22:54.720
<v Speaker 1>it might see him, there's a reason. So Tulip drivers

0:22:54.720 --> 0:22:57.080
<v Speaker 1>out and speaking of weird, let's just this is the

0:22:57.119 --> 0:22:58.840
<v Speaker 1>last thing I'll talk about because if it is weird

0:22:58.880 --> 0:23:01.040
<v Speaker 1>and week into a fistfight, the segment INDs here, right,

0:23:01.240 --> 0:23:04.240
<v Speaker 1>we have nothing else to do. We've already talked about everything. Really, Yeah, okay,

0:23:04.520 --> 0:23:07.800
<v Speaker 1>you guys prepare yourself bringing the referees. So, um, what

0:23:07.840 --> 0:23:10.399
<v Speaker 1>I like about Jimmy is he will go to people

0:23:10.400 --> 0:23:12.399
<v Speaker 1>that he admires and respects and says, hey, hop on

0:23:12.400 --> 0:23:14.640
<v Speaker 1>this song with me. And so I had this whole song.

0:23:14.680 --> 0:23:16.679
<v Speaker 1>I reached out Jimmy. I said, hey, Jimmy, get on

0:23:16.680 --> 0:23:21.840
<v Speaker 1>the song with me. All right, already laughing, laughing and

0:23:22.480 --> 0:23:29.600
<v Speaker 1>leaning away from so like I love Jimmy, like not

0:23:29.720 --> 0:23:32.359
<v Speaker 1>just in here we do this, but as it like

0:23:32.400 --> 0:23:35.000
<v Speaker 1>a dude, And so I never want to ask anybody

0:23:35.040 --> 0:23:38.439
<v Speaker 1>to do anything with me or us unless I'm like

0:23:38.520 --> 0:23:41.120
<v Speaker 1>close and you know, Party John Party did a song,

0:23:41.280 --> 0:23:42.920
<v Speaker 1>a comedy song we wrote last time, and I said,

0:23:42.920 --> 0:23:45.240
<v Speaker 1>you know would be good on this, it'd be Jimmy.

0:23:45.440 --> 0:23:46.520
<v Speaker 1>And so I don't want to say the name of

0:23:46.560 --> 0:23:48.000
<v Speaker 1>the song because somebody else is going to do it.

0:23:48.000 --> 0:23:50.840
<v Speaker 1>Once Jimmy rejected us. But anyway, so I sent the

0:23:50.880 --> 0:23:52.760
<v Speaker 1>song to Jimmy and I feel awkward. I'm like, oh,

0:23:52.760 --> 0:23:54.080
<v Speaker 1>I don't want to ask somebody to do this song.

0:23:54.240 --> 0:23:56.560
<v Speaker 1>So I send the track with the empty verse. I say, hey, Jimmy,

0:23:56.560 --> 0:23:59.240
<v Speaker 1>we're doing this song. Is this something you want to do? Like?

0:23:59.280 --> 0:24:01.360
<v Speaker 1>Hop on it? You can? They know, just just let

0:24:01.400 --> 0:24:04.760
<v Speaker 1>me know. It's an awkward thing to ask somebody. And

0:24:04.840 --> 0:24:06.840
<v Speaker 1>I didn't hear anything. Day went by, not even a

0:24:06.880 --> 0:24:10.679
<v Speaker 1>text back. Two days went by, nothing, and I'm like,

0:24:11.520 --> 0:24:14.160
<v Speaker 1>that's weird. He must be scared to say no. And

0:24:14.240 --> 0:24:17.240
<v Speaker 1>so I get somebody that works with me, talk to

0:24:17.280 --> 0:24:19.560
<v Speaker 1>your person and they're like, oh, yeah, Jimmy doesn't have

0:24:19.600 --> 0:24:22.440
<v Speaker 1>a phone, and I'm like, that's bullcrap. That's what people say.

0:24:22.520 --> 0:24:25.399
<v Speaker 1>I'm dead serious. So what is So? Here's what. So

0:24:25.480 --> 0:24:28.960
<v Speaker 1>I don't update my iPhones ever because it freaks me up,

0:24:29.280 --> 0:24:31.880
<v Speaker 1>Like I just think they just want me to keep updating, updating,

0:24:31.920 --> 0:24:34.720
<v Speaker 1>So stuff are going to phone. So I remember forgot

0:24:34.760 --> 0:24:36.800
<v Speaker 1>where we had I was right before show. I plugged

0:24:36.800 --> 0:24:39.760
<v Speaker 1>it in on my phone and I came back out,

0:24:40.040 --> 0:24:42.560
<v Speaker 1>and then my phone is just doing the circle thing

0:24:42.640 --> 0:24:45.680
<v Speaker 1>like it's loading right, and then the apple thing comes on.

0:24:46.160 --> 0:24:48.760
<v Speaker 1>I'll go to hit it my screen say pops up

0:24:48.800 --> 0:24:50.760
<v Speaker 1>with with my daughter's face on that. Every time I

0:24:50.800 --> 0:24:53.359
<v Speaker 1>put my pascot there, poom, phone shuts off. I didn't

0:24:53.400 --> 0:24:56.359
<v Speaker 1>have a phone for like two days, and it happened

0:24:56.359 --> 0:24:58.119
<v Speaker 1>to be the only time I sent us off. He

0:24:58.400 --> 0:25:02.240
<v Speaker 1>and then I I was freaking out anyway, right, so

0:25:02.400 --> 0:25:05.359
<v Speaker 1>excuse me. So we we fly to Philly that next day.

0:25:05.800 --> 0:25:07.360
<v Speaker 1>Go to Philly. You know, I hit to hit the casino,

0:25:07.520 --> 0:25:10.280
<v Speaker 1>you know, Uh, go to Philly. I get a new phone, right,

0:25:10.560 --> 0:25:13.120
<v Speaker 1>and then when I back it up, I have too

0:25:13.119 --> 0:25:16.120
<v Speaker 1>many pictures and stuff, so the phone's not loading again,

0:25:16.160 --> 0:25:18.080
<v Speaker 1>so it freaks out again. So then I got to

0:25:18.119 --> 0:25:20.360
<v Speaker 1>get another phone. Two days later in Nashville. I didn't

0:25:20.359 --> 0:25:22.360
<v Speaker 1>have a phone almost for like four days. So then

0:25:22.560 --> 0:25:24.600
<v Speaker 1>when I finally get my phone back up and running,

0:25:24.960 --> 0:25:27.840
<v Speaker 1>the last time I updated my phone was March, so

0:25:27.880 --> 0:25:31.320
<v Speaker 1>I got text messages from March, right, So my manager asked.

0:25:31.320 --> 0:25:33.760
<v Speaker 1>Text was said, hey, did you did you not want

0:25:33.800 --> 0:25:35.520
<v Speaker 1>to do the song with Bobby? You know you could

0:25:35.520 --> 0:25:37.440
<v Speaker 1>have just told her. I said, I ain't getting no song.

0:25:37.800 --> 0:25:40.320
<v Speaker 1>He said yeah, He said, well they sent the song over.

0:25:40.680 --> 0:25:42.320
<v Speaker 1>He said yeah. He said, I figured it was weird,

0:25:42.359 --> 0:25:43.879
<v Speaker 1>but he said, I just told him you didn't have

0:25:43.880 --> 0:25:45.399
<v Speaker 1>a You didn't have a phone because I didn't have

0:25:45.440 --> 0:25:47.240
<v Speaker 1>a phone, because you know, I'd to respond to here

0:25:47.280 --> 0:25:48.879
<v Speaker 1>and i'd have done this song. So let's can we

0:25:48.920 --> 0:25:51.760
<v Speaker 1>do another one? Sounds sue. That's all I'm saying. I'm

0:25:51.760 --> 0:25:53.600
<v Speaker 1>not letting you commit to it. Here. This is a

0:25:53.600 --> 0:25:58.040
<v Speaker 1>new phone. I'm not today like I know it's gonna

0:25:58.040 --> 0:25:59.680
<v Speaker 1>bring them up. So give me got two new phones

0:25:59.720 --> 0:26:01.919
<v Speaker 1>because this phone is mirrored to this phone. So if

0:26:01.960 --> 0:26:05.000
<v Speaker 1>this phone ever goes away, have another one. All I

0:26:05.080 --> 0:26:08.760
<v Speaker 1>know is I send them this heartfelt matter, got no response,

0:26:09.680 --> 0:26:12.119
<v Speaker 1>and here we are now not doing a song. It

0:26:12.200 --> 0:26:13.840
<v Speaker 1>pretty funny song. I tell you, it's pretty good one.

0:26:13.880 --> 0:26:15.239
<v Speaker 1>They probably could be the thing that really breaks your

0:26:15.240 --> 0:26:17.000
<v Speaker 1>career and get your first man. You know, I say,

0:26:17.080 --> 0:26:19.320
<v Speaker 1>how about we do this. I don't like it. Whatever

0:26:19.320 --> 0:26:21.760
<v Speaker 1>it is, the person that's on it, let me join.

0:26:22.440 --> 0:26:24.920
<v Speaker 1>We're already done. It's does It's easy. I go to

0:26:25.000 --> 0:26:27.800
<v Speaker 1>studio and just do it. It's technology, man, Let's do

0:26:27.840 --> 0:26:30.520
<v Speaker 1>another one. Yeah, I know. We'll see how your career

0:26:30.600 --> 0:26:34.840
<v Speaker 1>is going a couple of years and readdresses. Yeah, I'll

0:26:34.880 --> 0:26:37.679
<v Speaker 1>probably be a movie star, but tired from music. No,

0:26:37.720 --> 0:26:39.480
<v Speaker 1>I probably want to be doing What kind of movie

0:26:39.520 --> 0:26:42.639
<v Speaker 1>do you want to do? Oh? A bunch? Like I'm

0:26:42.680 --> 0:26:46.520
<v Speaker 1>seriously taking the transition into television and film. Like I'm

0:26:46.520 --> 0:26:48.560
<v Speaker 1>not leaving music. Like I always put out singles, I

0:26:48.600 --> 0:26:52.359
<v Speaker 1>always do records. But the whole idea of touring one

0:26:52.440 --> 0:26:56.000
<v Speaker 1>hundred plus shows a year, no, I think I want

0:26:56.000 --> 0:26:57.760
<v Speaker 1>to get to a point where I'm doing maybe ten

0:26:57.840 --> 0:27:01.159
<v Speaker 1>shows a year in the US, twenty outside of a a year,

0:27:01.240 --> 0:27:04.720
<v Speaker 1>maybe thirty shows a year, and then just doing TV movies,

0:27:04.800 --> 0:27:09.200
<v Speaker 1>you know, spending time with my kids, developing muh music

0:27:09.359 --> 0:27:13.520
<v Speaker 1>education courses in different schools. But not just music, but

0:27:13.640 --> 0:27:15.439
<v Speaker 1>the business side of it, you know what I mean,

0:27:15.480 --> 0:27:18.200
<v Speaker 1>Because so many people don't understand the business as an artists,

0:27:18.200 --> 0:27:20.359
<v Speaker 1>and then it shows other people that love music that

0:27:20.480 --> 0:27:22.439
<v Speaker 1>might not be at the level of talent to be

0:27:22.480 --> 0:27:24.840
<v Speaker 1>a musician, they could still be involved in a career

0:27:24.920 --> 0:27:28.320
<v Speaker 1>to management, publishing pro So that's really what I really

0:27:28.320 --> 0:27:31.160
<v Speaker 1>want to what I really want to do after this

0:27:31.240 --> 0:27:33.320
<v Speaker 1>little debac all this song, You'll never work in this

0:27:33.359 --> 0:27:38.280
<v Speaker 1>town again. We heard it here first. Jimmy is an album,

0:27:38.400 --> 0:27:43.560
<v Speaker 1>my Tulip Drive. It's out today. It's it's so it's

0:27:43.800 --> 0:27:46.280
<v Speaker 1>it's so great and it's so different. You got a

0:27:46.320 --> 0:27:48.159
<v Speaker 1>lot of great voices, but the most important voice is

0:27:48.160 --> 0:27:51.160
<v Speaker 1>his own, and it's just a wonderful story. The voice

0:27:51.160 --> 0:27:53.600
<v Speaker 1>you don't want to put on. A voice that didn't

0:27:53.600 --> 0:27:56.200
<v Speaker 1>respond and that's so crazy. The time I do not

0:27:56.280 --> 0:27:58.240
<v Speaker 1>have exactly it is so crazy. That is jim you

0:27:58.320 --> 0:28:01.440
<v Speaker 1>said it. It's so crazy. It's a little too so crazy,

0:28:01.560 --> 0:28:04.960
<v Speaker 1>isn't it. Yeah, huh, all right, that's enough for this interview. Ray,

0:28:05.160 --> 0:28:07.520
<v Speaker 1>I think we're done. You gotta check out Tulip Drive.

0:28:07.600 --> 0:28:10.280
<v Speaker 1>Check out Jimmy Jimmy Allen at Jimmy Allen, follow him

0:28:10.280 --> 0:28:12.879
<v Speaker 1>on all the socials and that is it. Thanks my

0:28:12.880 --> 0:28:14.360
<v Speaker 1>friend for coming about oh man, thanks all right, there

0:28:14.400 --> 0:28:18.639
<v Speaker 1>is Jimmy Allen. Everybody. Hey, it's the best bits of

0:28:18.640 --> 0:28:25.719
<v Speaker 1>the week. With Morgan. Number two, Lunchbox is really just

0:28:25.800 --> 0:28:30.399
<v Speaker 1>being tested lately. He had some tree branches fall into

0:28:30.440 --> 0:28:33.680
<v Speaker 1>his house and create some pretty bad holes, all from

0:28:33.680 --> 0:28:36.480
<v Speaker 1>a storm, and we feel for him, especially after you'll

0:28:36.520 --> 0:28:38.760
<v Speaker 1>see all the photos at Bobby Bones dot com. I mean,

0:28:38.760 --> 0:28:42.560
<v Speaker 1>these trees like puncture different areas in his house. So

0:28:42.640 --> 0:28:45.560
<v Speaker 1>currently their house is a little bit under construction, so

0:28:45.600 --> 0:28:47.920
<v Speaker 1>we feel for him. But this is Lunchbox telling the

0:28:47.920 --> 0:28:50.280
<v Speaker 1>story of how it all happened and how his wife

0:28:50.360 --> 0:28:53.200
<v Speaker 1>told them it was going down. Number four, let's do

0:28:53.280 --> 0:28:58.840
<v Speaker 1>WhatsApps for Lunchbox? Hey, what's that? Man? The world hates me,

0:28:59.480 --> 0:29:02.440
<v Speaker 1>absolutely hates me, out to get me, trying to kill me.

0:29:02.560 --> 0:29:04.880
<v Speaker 1>We had a storm roll in the other day and

0:29:05.640 --> 0:29:09.520
<v Speaker 1>wind starts blowing. All of a sudden, boom, a big

0:29:09.560 --> 0:29:13.240
<v Speaker 1>old tree branch landed on the roof, not one hole.

0:29:13.640 --> 0:29:15.600
<v Speaker 1>Did you hear it? No? No, I wasn't even home.

0:29:15.680 --> 0:29:18.640
<v Speaker 1>My wife and she calls me, She's like, I need

0:29:18.720 --> 0:29:21.240
<v Speaker 1>you to come home. I think a tree branch fell

0:29:21.320 --> 0:29:25.240
<v Speaker 1>on the roof. And I'm like, oh my gosh, dramatically No, No,

0:29:25.320 --> 0:29:28.280
<v Speaker 1>she was crying hysterical, and I was like, dramatic much

0:29:28.280 --> 0:29:30.000
<v Speaker 1>So I'm all right all heading home and I started

0:29:30.040 --> 0:29:32.680
<v Speaker 1>driving home. She's like, it came through the ceiling. I

0:29:32.760 --> 0:29:34.680
<v Speaker 1>need you to hurry up and get there. I'm like, okay,

0:29:34.720 --> 0:29:37.400
<v Speaker 1>now that we're talking serious, and I get there. Oh

0:29:37.440 --> 0:29:38.760
<v Speaker 1>my god, I'm looking at a picture of your whole

0:29:38.800 --> 0:29:42.200
<v Speaker 1>roofs caved in. Yeah, there are there's a hole in

0:29:42.240 --> 0:29:45.880
<v Speaker 1>the ceiling. In the kid's room, you can see outside. Yeah,

0:29:45.880 --> 0:29:49.200
<v Speaker 1>you can see. We have a new skylight. And then

0:29:48.920 --> 0:29:52.680
<v Speaker 1>in the dining room there's another hole. And above the

0:29:52.720 --> 0:29:55.080
<v Speaker 1>stove in the kitchen there's a hole. We have three

0:29:55.480 --> 0:29:57.920
<v Speaker 1>holes in our ceiling. I thought you were gonna have

0:29:58.000 --> 0:30:00.640
<v Speaker 1>like small holes that created leaks. You can in Lunchbox's

0:30:00.680 --> 0:30:02.560
<v Speaker 1>house and look up and see the sky not because

0:30:02.600 --> 0:30:05.080
<v Speaker 1>of a skylight, but because the tree holes. Yes, so

0:30:05.120 --> 0:30:08.400
<v Speaker 1>what's what happened? What do you what do you do now?

0:30:08.520 --> 0:30:11.920
<v Speaker 1>A tree branch fell off a tree and boom, and

0:30:12.040 --> 0:30:14.520
<v Speaker 1>my wife, it shook the whole house, she said, And

0:30:14.560 --> 0:30:18.800
<v Speaker 1>so we called insurance, and the restoration company comes out

0:30:18.840 --> 0:30:21.080
<v Speaker 1>where they're supposed to put some fans in to dry

0:30:21.160 --> 0:30:23.440
<v Speaker 1>the floor, and they were like, oh yeah, we'll just

0:30:23.440 --> 0:30:24.920
<v Speaker 1>remove the tree branch. And they get up there and

0:30:25.000 --> 0:30:27.000
<v Speaker 1>like We're gonna have to call a tree company to

0:30:27.000 --> 0:30:29.760
<v Speaker 1>remove this. A tree company comes with tractors and they

0:30:29.760 --> 0:30:31.840
<v Speaker 1>cut it all up, and now I have tarps on

0:30:31.840 --> 0:30:34.520
<v Speaker 1>my roof. So it's gonna ask, is it like super hot? Now?

0:30:34.600 --> 0:30:37.440
<v Speaker 1>Can you not keep the house cool? Exactly? Really? Yep?

0:30:37.840 --> 0:30:41.000
<v Speaker 1>These are big holes. I mean it is massively. They

0:30:41.000 --> 0:30:45.000
<v Speaker 1>think it'll be done well. The insurance adjuster comes tomorrow

0:30:45.120 --> 0:30:47.000
<v Speaker 1>to give me an estimate, and I got to find

0:30:47.040 --> 0:30:50.200
<v Speaker 1>a contractor and to do the work, so I mean probably,

0:30:50.240 --> 0:30:52.360
<v Speaker 1>I mean at least a month. I bet that stinks.

0:30:52.880 --> 0:30:55.719
<v Speaker 1>I mean, massive holes. We have insulation hanging down. I mean,

0:30:55.760 --> 0:30:58.760
<v Speaker 1>it's just just a disaster at my house. We'll post

0:30:58.800 --> 0:31:01.520
<v Speaker 1>some of these pictures, like you, Yeah, it's much bigger

0:31:01.520 --> 0:31:03.320
<v Speaker 1>than I thought. So you go to the Facebook page

0:31:03.400 --> 0:31:05.160
<v Speaker 1>Bobby Bone Show and check him out. All right, that's

0:31:05.200 --> 0:31:11.120
<v Speaker 1>what's the apps? Hey, what's that? It's the best Bits

0:31:11.160 --> 0:31:15.960
<v Speaker 1>of the week with Morgan. Number two exciting stuff for

0:31:16.120 --> 0:31:19.640
<v Speaker 1>two members of our show, Raymundo, Eric Dodd and our

0:31:19.680 --> 0:31:23.400
<v Speaker 1>phone screen Or Abbey released Vacation Part two. In case

0:31:23.440 --> 0:31:26.960
<v Speaker 1>you forgot a couple of years back, Raymundo and Eric

0:31:27.000 --> 0:31:31.640
<v Speaker 1>Dodd released Vacation which was inspired by Ray's then girlfriend

0:31:31.680 --> 0:31:34.760
<v Speaker 1>who is now a wife. So Vacation Part two is

0:31:35.200 --> 0:31:41.400
<v Speaker 1>basically as Raymundo put it Season Hubby edition. I don't

0:31:41.440 --> 0:31:44.120
<v Speaker 1>know anymore, but this is Vacation part two. This is

0:31:44.200 --> 0:31:47.760
<v Speaker 1>him basically debuting it on the show number two. So

0:31:47.920 --> 0:31:51.000
<v Speaker 1>Ray has this song called Vacation. It's Eric dodd with

0:31:51.120 --> 0:31:54.400
<v Speaker 1>Raymundo his wife. We call her Bay and so it's

0:31:54.400 --> 0:31:59.840
<v Speaker 1>called Vacation. And here's a clip. Are you downfall of Kay?

0:32:00.120 --> 0:32:02.800
<v Speaker 1>And so that's Eric Dodds singing and then rayed as

0:32:02.840 --> 0:32:05.800
<v Speaker 1>a rat part is that coming up? Probably not? Maybe

0:32:05.880 --> 0:32:15.840
<v Speaker 1>right here in a couple of days. Ray, Hey ba bacation, Yeah,

0:32:16.240 --> 0:32:21.200
<v Speaker 1>don't bow from Instagram. Imagine these noodles are a catam

0:32:21.240 --> 0:32:24.120
<v Speaker 1>a ramy just clo, go wat to flow. They caught

0:32:24.160 --> 0:32:32.080
<v Speaker 1>me by boy ba hey hey hey, okay, good, that's

0:32:32.120 --> 0:32:33.280
<v Speaker 1>a good one. We should put that back in the

0:32:33.360 --> 0:32:37.040
<v Speaker 1>dance party at something. So you guys did Vacation Part

0:32:37.080 --> 0:32:40.000
<v Speaker 1>two correct. The wild success of this song, people were

0:32:40.040 --> 0:32:43.160
<v Speaker 1>demanding a follow up obviously, how long he has been

0:32:43.160 --> 0:32:45.440
<v Speaker 1>working on this. We did it like three months ago,

0:32:45.480 --> 0:32:47.320
<v Speaker 1>and I mean it was one day and then it

0:32:47.320 --> 0:32:49.760
<v Speaker 1>took a lot of times going to the studio one time.

0:32:49.800 --> 0:32:52.160
<v Speaker 1>My voice was messed up. So I did do retakes

0:32:52.160 --> 0:32:55.560
<v Speaker 1>and stuff because I have a rat part that I do. Yeah,

0:32:55.600 --> 0:32:58.240
<v Speaker 1>so it took me. They didn't retakes because of your voice. Yeah,

0:32:58.280 --> 0:33:00.520
<v Speaker 1>I wasted three months on a song. No, it takes

0:33:00.560 --> 0:33:02.600
<v Speaker 1>like you to ride it. But get you getting a studio.

0:33:02.760 --> 0:33:05.160
<v Speaker 1>His voice messed up, gotcha? Yeah, I felt bad. I

0:33:05.240 --> 0:33:07.560
<v Speaker 1>kept having to do real redos. I don't think it

0:33:07.640 --> 0:33:09.760
<v Speaker 1>was your voice. I think they just said they were like,

0:33:09.800 --> 0:33:11.760
<v Speaker 1>you're they're not feeling it. It really wasn't a good

0:33:11.760 --> 0:33:15.440
<v Speaker 1>part of the song. Voice, but but but he made

0:33:15.520 --> 0:33:18.400
<v Speaker 1>it perfect. Okay, So this is it's just called Vacation

0:33:18.440 --> 0:33:21.280
<v Speaker 1>Part two. Yeah. Wow, And so who who's this featuring?

0:33:21.400 --> 0:33:24.080
<v Speaker 1>So this is me Dodd And then we got Abby

0:33:24.480 --> 0:33:33.640
<v Speaker 1>phone screener as Okay, Abby Anderson is Abbe Lee Anderson. Kay,

0:33:33.640 --> 0:33:38.160
<v Speaker 1>Abby Lee Anderson's stage. So Vacation Part two Eric Dodd

0:33:38.280 --> 0:33:44.480
<v Speaker 1>featuring Sisson, Raymondo, Raymundo. It is featuring Raymundo and Abby

0:33:44.560 --> 0:33:47.120
<v Speaker 1>Lee Anderson. Okay, we're gonna can we play at some

0:33:47.120 --> 0:33:52.360
<v Speaker 1>the beginning? Yeah, we just played verse chorus and then

0:33:52.560 --> 0:33:54.200
<v Speaker 1>your rap part of it in this part. Yeah, it's

0:33:54.200 --> 0:33:57.000
<v Speaker 1>sprinkled in there. Oh no, it's sprinkled rap. No, no, no no,

0:33:57.120 --> 0:33:58.840
<v Speaker 1>it's just one. It's one rap. And then that's it.

0:33:58.960 --> 0:34:01.920
<v Speaker 1>Here is Vacation Part to Eric Dodd, Raimundo and Abbe

0:34:02.000 --> 0:34:15.920
<v Speaker 1>Lee Anderson. It's Vacation Part two. Baby, you screams cool.

0:34:17.880 --> 0:34:20.600
<v Speaker 1>We can to get us on fight up pot quite

0:34:20.760 --> 0:34:26.240
<v Speaker 1>night June. Now finally drink, get your lips right about?

0:34:28.280 --> 0:34:35.000
<v Speaker 1>Throw that compertone? How you put it on? They Vacation

0:34:35.200 --> 0:34:59.200
<v Speaker 1>part two? Jesus, that crazy. That's how we sung some song.

0:35:08.840 --> 0:35:13.520
<v Speaker 1>You'll be sizing here. You're so goucie. You sif like

0:35:13.800 --> 0:35:19.400
<v Speaker 1>fireworks shooting ride out of Charlotte Daniels, O my sunny

0:35:19.440 --> 0:35:24.239
<v Speaker 1>son bank. You know mind me great great grittel You're

0:35:24.320 --> 0:35:27.839
<v Speaker 1>so far. That's such a time. Make a wrong way boy,

0:35:27.960 --> 0:35:31.759
<v Speaker 1>want to whisper? Dang. I didn't even know if it

0:35:31.800 --> 0:35:33.600
<v Speaker 1>was gonna make the air or not. That's pretty good,

0:35:33.760 --> 0:35:37.000
<v Speaker 1>pretty good? Is it vacation part two or some some summer?

0:35:37.120 --> 0:35:40.960
<v Speaker 1>I don't even heard the word. I can't wait for.

0:35:41.040 --> 0:35:46.280
<v Speaker 1>It's vacation part two right in the beginning. Yeah whatever,

0:35:46.320 --> 0:35:48.640
<v Speaker 1>who cares? A good song? Thank you? But you say

0:35:48.680 --> 0:35:50.200
<v Speaker 1>it at the beginning right, You're like, it's a big

0:35:50.239 --> 0:35:52.719
<v Speaker 1>gooci part two, just so people know if they're part

0:35:52.719 --> 0:35:55.640
<v Speaker 1>of the trilogy out of this song at all? Is

0:35:55.680 --> 0:35:57.520
<v Speaker 1>there a third? I mean it can go on forever.

0:35:57.640 --> 0:35:59.680
<v Speaker 1>This is me now married because I was just boyfriend

0:35:59.719 --> 0:36:02.400
<v Speaker 1>girl in part one. Part two is me. It's Hubby Sisson,

0:36:02.520 --> 0:36:06.839
<v Speaker 1>So never know the third one. Maybe Daddy Sisson. Oh

0:36:06.920 --> 0:36:09.279
<v Speaker 1>that'd be cool. Fast fast forward to rap part Let

0:36:09.280 --> 0:36:10.200
<v Speaker 1>me know when you get that up. I want to

0:36:10.200 --> 0:36:11.680
<v Speaker 1>hear the again because I was listening to Ray and

0:36:11.760 --> 0:36:13.080
<v Speaker 1>I was like, you know what I mean, listen, he's

0:36:13.080 --> 0:36:17.240
<v Speaker 1>not gonna go sign with def jam, but for him

0:36:17.239 --> 0:36:19.680
<v Speaker 1>pretty good. Yeah, it's pretty good. It's very hickory dickery doc,

0:36:20.320 --> 0:36:22.920
<v Speaker 1>but that's good. So it's a good little song. You

0:36:22.920 --> 0:36:25.319
<v Speaker 1>got ready. Yeah, here's Ray's hip hop part rap part again.

0:36:25.320 --> 0:36:31.120
<v Speaker 1>Ahead Y Sisson here you're so Gooccie you sit black

0:36:31.239 --> 0:36:36.399
<v Speaker 1>Fireworks shooting ride out of Charlotte Daniels, Old fidd Black

0:36:36.440 --> 0:36:41.640
<v Speaker 1>sunny Side Bank. You know, my great great griddle, you're

0:36:41.760 --> 0:36:45.560
<v Speaker 1>so far such dime, I make a Broadway boy want

0:36:45.560 --> 0:36:50.439
<v Speaker 1>to whisper like I'm proud of you. That's good. Didn't

0:36:50.440 --> 0:36:53.319
<v Speaker 1>you write that one. Yeah, I think I did the

0:36:53.320 --> 0:36:56.880
<v Speaker 1>grit grit grit griddle, Eric did the Charlie Daniels old fiddle.

0:36:56.880 --> 0:36:58.920
<v Speaker 1>Maybe it was a tribute to old time players, but

0:36:59.200 --> 0:37:01.359
<v Speaker 1>or Charlie Ding. Yeah, you ever went out of George

0:37:01.400 --> 0:37:08.680
<v Speaker 1>Abbey by the way, nice show. That's how we sum

0:37:09.600 --> 0:37:14.960
<v Speaker 1>sum su some you know, Come on, how do you

0:37:15.000 --> 0:37:17.239
<v Speaker 1>feel about Abbey? I love it. It sounds so good.

0:37:17.719 --> 0:37:20.200
<v Speaker 1>I love his party. It's my favorite. He loves yours.

0:37:21.360 --> 0:37:23.879
<v Speaker 1>That was so good, job guys. Vacation Part two it's

0:37:23.880 --> 0:37:25.759
<v Speaker 1>out there, Ray you can stream it now. Yeah, how

0:37:25.800 --> 0:37:27.400
<v Speaker 1>much money did you make off Vacation Part one? Do

0:37:27.400 --> 0:37:29.480
<v Speaker 1>you think? Honestly? I think it was around I said

0:37:29.520 --> 0:37:31.719
<v Speaker 1>that bit we said five hundred, and then I mean

0:37:31.800 --> 0:37:34.080
<v Speaker 1>they keep trickling in, so maybe I made like seven

0:37:34.160 --> 0:37:40.000
<v Speaker 1>eight hundred. Really, mailbox money, lunch keeps coming in, yeah, lunchbox.

0:37:39.960 --> 0:37:42.200
<v Speaker 1>Would you takeet the song you should have stopped on

0:37:42.239 --> 0:37:44.520
<v Speaker 1>Vacation one? This one one's it's not as catchy. It

0:37:44.600 --> 0:37:47.480
<v Speaker 1>was just like, okay, like slower. It's slower. It doesn't

0:37:47.480 --> 0:37:49.160
<v Speaker 1>feel like a summary song that it was just like

0:37:49.239 --> 0:37:52.200
<v Speaker 1>taking forever. It was a long song, like how long

0:37:52.280 --> 0:37:55.200
<v Speaker 1>was it? Ray two thirty two very short, No no

0:37:55.280 --> 0:37:58.359
<v Speaker 1>if no, no, vacation doesn't feel long. That felt long,

0:37:59.080 --> 0:38:02.160
<v Speaker 1>And I mean there's so much auto tune on that

0:38:02.200 --> 0:38:05.120
<v Speaker 1>song that it's just like, oh my gosh, guys, like

0:38:05.640 --> 0:38:07.880
<v Speaker 1>really like you can't you can't even concentrate on the

0:38:07.880 --> 0:38:09.799
<v Speaker 1>words and the fun. You don't feel the vibe. All

0:38:09.800 --> 0:38:11.880
<v Speaker 1>you hear is the auto tune. You're telling me you

0:38:11.920 --> 0:38:15.080
<v Speaker 1>can't find or vibe because it's so autotun That was

0:38:15.160 --> 0:38:18.120
<v Speaker 1>selling autotune every song, even if you don't need autotune people,

0:38:18.680 --> 0:38:21.080
<v Speaker 1>but not as much as that. You could put anybody out.

0:38:21.080 --> 0:38:22.960
<v Speaker 1>You're just hater. You've gone into full hater mode. No,

0:38:23.360 --> 0:38:24.920
<v Speaker 1>just don't even give him the mic to hate on.

0:38:25.040 --> 0:38:27.440
<v Speaker 1>Like you could have said it's any I didn't. I

0:38:27.440 --> 0:38:29.319
<v Speaker 1>didn't say anything about it. Happy, would you like you

0:38:29.360 --> 0:38:34.560
<v Speaker 1>brought it up? Yes, thank you? You're a you're gonna

0:38:35.080 --> 0:38:37.359
<v Speaker 1>Abby is so a autotuned you wouldn't even know it's

0:38:37.360 --> 0:38:39.799
<v Speaker 1>her if you just played the song, go ahead, say

0:38:39.800 --> 0:38:41.080
<v Speaker 1>what you want to say. That's what I'm saying. He

0:38:41.080 --> 0:38:43.879
<v Speaker 1>said it. She was so auto tuned. If you didn't

0:38:43.880 --> 0:38:45.640
<v Speaker 1>tell me that was her, you would just be like, oh,

0:38:45.680 --> 0:38:48.239
<v Speaker 1>that's just anybody. You can't. You want someone to know

0:38:48.320 --> 0:38:50.799
<v Speaker 1>your voice. You don't know that's Happy's voice. That's a

0:38:50.880 --> 0:38:55.239
<v Speaker 1>fake voice. No, it's not. No, you didn't hear the

0:38:55.360 --> 0:38:59.720
<v Speaker 1>nasally because they took it out. All right, anyway, right, Abby,

0:38:59.760 --> 0:39:04.040
<v Speaker 1>great job. He hit Vacation one again. Hater, um No, don't. Yeah,

0:39:04.080 --> 0:39:06.480
<v Speaker 1>that's a lot better again. All right. I remember when

0:39:06.520 --> 0:39:08.399
<v Speaker 1>Vacation one came out. Let's I hated it too. Yeah,

0:39:08.400 --> 0:39:10.960
<v Speaker 1>now he's found it as his savior. No, I said,

0:39:10.960 --> 0:39:13.560
<v Speaker 1>it's a lot better than that one. Like, don't have

0:39:13.600 --> 0:39:15.680
<v Speaker 1>a trilogy because if it's just going worse and worst,

0:39:15.920 --> 0:39:17.200
<v Speaker 1>sort of like it's sort of like The Fast and

0:39:17.239 --> 0:39:19.799
<v Speaker 1>the Furious. It started out strong and it just kept going.

0:39:19.880 --> 0:39:21.560
<v Speaker 1>It was like, good God, this is ever gonna end.

0:39:21.600 --> 0:39:26.040
<v Speaker 1>But people love a lot of money. It's the best

0:39:26.160 --> 0:39:30.759
<v Speaker 1>bits of the week with Morgan number two. We all

0:39:30.800 --> 0:39:33.000
<v Speaker 1>love the nineties. It's like we're all trying to get

0:39:33.080 --> 0:39:35.719
<v Speaker 1>back there. Slowly but surely. If everything could just come

0:39:35.760 --> 0:39:38.279
<v Speaker 1>back from the nineties, I think I'd be okay with it.

0:39:38.360 --> 0:39:40.560
<v Speaker 1>I mean, honestly, at this point, I'm just accepting it

0:39:40.600 --> 0:39:44.000
<v Speaker 1>all because the nineties were perfect. And Bobby this week

0:39:44.080 --> 0:39:48.800
<v Speaker 1>shared his top five country music videos from the nineties.

0:39:49.040 --> 0:39:51.799
<v Speaker 1>Here's all of them. Number two, Final Day, We're the

0:39:51.880 --> 0:39:53.960
<v Speaker 1>number one may My List, I'm a Top five and

0:39:54.080 --> 0:39:57.280
<v Speaker 1>nineties country music videos. The artist had to be elite,

0:39:57.520 --> 0:39:59.759
<v Speaker 1>the song had to be elite, the music video had

0:39:59.760 --> 0:40:02.720
<v Speaker 1>to be memorable. At number five, it was Alan Jackson

0:40:02.800 --> 0:40:08.759
<v Speaker 1>Chattahoochee Ye rom the Chat nineteen ninety two. Right there

0:40:08.760 --> 0:40:12.920
<v Speaker 1>at number four. From ninety one was boot Scooting Boogie

0:40:14.920 --> 0:40:17.239
<v Speaker 1>Brooks and Done for You from nineteen ninety three at

0:40:17.320 --> 0:40:19.879
<v Speaker 1>number three Propped Me Up Beside the Jew Box Joe

0:40:19.960 --> 0:40:28.120
<v Speaker 1>Diffy Beside the jew Box by number two Shania Twain. Man,

0:40:28.160 --> 0:40:31.880
<v Speaker 1>I feel like a woman, Man, A feel like a woman.

0:40:33.880 --> 0:40:36.719
<v Speaker 1>We are now to the number one song. When I

0:40:36.760 --> 0:40:39.320
<v Speaker 1>think back about great songs and great artists and music videos,

0:40:39.320 --> 0:40:43.160
<v Speaker 1>and I'm like, dang, that was a one the song

0:40:43.320 --> 0:40:46.840
<v Speaker 1>from nineteen ninety the very beginning of it all, nineteen

0:40:47.000 --> 0:40:51.040
<v Speaker 1>ninety We're in the nineties. In nineteen nineties, Seinfeld premiere

0:40:51.080 --> 0:40:55.040
<v Speaker 1>on the NBC, The Simpsons debut on Fox. Home Alone

0:40:55.080 --> 0:40:58.000
<v Speaker 1>was the most popular movie, Jurassic Park was the best

0:40:58.000 --> 0:41:03.280
<v Speaker 1>selling book, and Cheers was the top TV show. Morgan

0:41:03.320 --> 0:41:05.840
<v Speaker 1>hadn't been born yet. Mike hadn't been born yet. It

0:41:06.000 --> 0:41:11.040
<v Speaker 1>was weird. The average household income was twenty eight thousand dollars.

0:41:11.440 --> 0:41:13.000
<v Speaker 1>The average price of a new house was one hundred

0:41:13.000 --> 0:41:17.360
<v Speaker 1>and twenty three thousand dollars. Some of the examples of

0:41:17.440 --> 0:41:22.400
<v Speaker 1>nineteen nineties lingo included bling, bling, Yeah, kunt nice jewelry.

0:41:23.000 --> 0:41:25.040
<v Speaker 1>It's not just bling, and even that's a little dated

0:41:25.080 --> 0:41:28.520
<v Speaker 1>at this point. To call someone a blood, you need

0:41:28.560 --> 0:41:32.640
<v Speaker 1>to call him a friend. Hey, blood, that's cool. Chill

0:41:32.640 --> 0:41:39.160
<v Speaker 1>out obviously for sure, get over it. Whacked like out

0:41:39.160 --> 0:41:41.880
<v Speaker 1>of their mind. And YadA YadA YadA, which is from

0:41:41.880 --> 0:41:45.640
<v Speaker 1>Seinfeld's that's from nineteen ninety. Okay, you keep stalling, No,

0:41:45.760 --> 0:41:49.239
<v Speaker 1>I'm giving contexts the year nineteen ninety. So here's a

0:41:49.280 --> 0:41:52.640
<v Speaker 1>little fact about this song. This person was a struggling songwriter,

0:41:54.320 --> 0:41:57.160
<v Speaker 1>and so he got together with a writer that he

0:41:57.160 --> 0:41:59.080
<v Speaker 1>admired wrote this song, and then got the song and

0:41:59.200 --> 0:42:02.480
<v Speaker 1>pitched it to an another artist and she she Tanya Tucker,

0:42:02.520 --> 0:42:06.919
<v Speaker 1>recorded at first, so she recorded it, but she didn't

0:42:06.920 --> 0:42:08.880
<v Speaker 1>put on her album. And so this guy, who was

0:42:08.920 --> 0:42:10.800
<v Speaker 1>established himself as an artist, he said, hey, since she

0:42:10.880 --> 0:42:13.160
<v Speaker 1>recorded it, can I have it back? He didn't recorded it,

0:42:13.480 --> 0:42:17.120
<v Speaker 1>and he put it on his second album in nineteen ninety.

0:42:17.680 --> 0:42:21.520
<v Speaker 1>The album was called No Fences. Yeah, the artist is

0:42:21.560 --> 0:42:25.640
<v Speaker 1>Garth Brooks and this song is the thunder roll Let's

0:42:25.640 --> 0:42:29.200
<v Speaker 1>Go on October two, nineteen ninety one, it was the

0:42:29.239 --> 0:42:33.799
<v Speaker 1>CMA video of the Year. It was taken off the era,

0:42:33.800 --> 0:42:35.000
<v Speaker 1>though it was pulled for a long time because it

0:42:35.040 --> 0:42:37.600
<v Speaker 1>was a controversial for an hour yep, it says in

0:42:37.719 --> 0:42:41.040
<v Speaker 1>the music video alludes to the third verse by including

0:42:41.120 --> 0:42:44.040
<v Speaker 1>theme of domestic violence. Both TNN and CMT banned the video,

0:42:44.440 --> 0:42:46.840
<v Speaker 1>with a CMT representative commenting that the network was quote

0:42:46.840 --> 0:42:49.880
<v Speaker 1>in business to entertain, not to promote or condone gratuitous

0:42:49.960 --> 0:42:52.719
<v Speaker 1>violence or social issues. Because they banned it was it

0:42:52.800 --> 0:42:57.759
<v Speaker 1>made even bigger. Banned me. That's right, your number one

0:42:57.880 --> 0:42:59.719
<v Speaker 1>nineties music video and song. I'm gonna play it for

0:42:59.760 --> 0:43:02.040
<v Speaker 1>you now. I'm glad this got could be recognized. He

0:43:02.040 --> 0:43:04.200
<v Speaker 1>needs it, Yeah, he needs this award. Yeah, it is

0:43:04.280 --> 0:43:08.960
<v Speaker 1>Garth Brooks from nineteen ninety thunder Rolls. It's the best

0:43:09.080 --> 0:43:14.800
<v Speaker 1>bits of the week with Morgan number two. This definitely

0:43:14.840 --> 0:43:17.480
<v Speaker 1>had to be the number one this week. Lady A.

0:43:18.080 --> 0:43:20.840
<v Speaker 1>They came into the show, they performed so many of

0:43:20.880 --> 0:43:22.719
<v Speaker 1>their hit songs. They came in because it's the first

0:43:22.800 --> 0:43:25.040
<v Speaker 1>day of summer that happened this week. They brought a

0:43:25.040 --> 0:43:29.600
<v Speaker 1>snow cone whole like food truck situation because they released

0:43:29.719 --> 0:43:32.359
<v Speaker 1>their new song, Summer State of Mind. But they came

0:43:32.400 --> 0:43:34.839
<v Speaker 1>on the show talks about their sixteen year career, how

0:43:34.880 --> 0:43:38.080
<v Speaker 1>they stayed together as a band, and they performed Bobby's

0:43:38.160 --> 0:43:40.560
<v Speaker 1>like three favorite songs of his, which let me just

0:43:40.600 --> 0:43:43.040
<v Speaker 1>tell you, two of them are need You Now in

0:43:43.160 --> 0:43:47.080
<v Speaker 1>American Honey, and they were epic performances. I love these

0:43:47.080 --> 0:43:52.120
<v Speaker 1>guys so much. Number one, Hey guys, gonna see you guys. Hey,

0:43:52.320 --> 0:43:55.080
<v Speaker 1>let me ask Charles Kelly. You're you're just going to

0:43:55.080 --> 0:43:57.279
<v Speaker 1>town on a cof drop over there before Like it's

0:43:57.320 --> 0:43:59.600
<v Speaker 1>like a horse eaton corn man. I've never seen anything

0:43:59.680 --> 0:44:03.000
<v Speaker 1>like this. For it's it's it helps your voice, so

0:44:03.040 --> 0:44:05.880
<v Speaker 1>like it's early morning singing. I got a whole bucket

0:44:05.920 --> 0:44:07.200
<v Speaker 1>for you. Want to win. But is this a thing

0:44:07.520 --> 0:44:09.160
<v Speaker 1>like you're not sick, you just have a lot of

0:44:09.200 --> 0:44:12.120
<v Speaker 1>college Yeah, no, I do a cough drop. I mean literally,

0:44:12.320 --> 0:44:15.080
<v Speaker 1>are our assistant that comes out. I mean she's got

0:44:15.120 --> 0:44:19.080
<v Speaker 1>a thing full of cough drops. Hot teas and different

0:44:19.080 --> 0:44:21.879
<v Speaker 1>things like that kind of help you, you know, your voice.

0:44:22.440 --> 0:44:24.279
<v Speaker 1>Every person we travel with out in that room has

0:44:24.280 --> 0:44:26.480
<v Speaker 1>a cough drop in their pocket ready to go. When

0:44:26.520 --> 0:44:29.200
<v Speaker 1>Charles asked Hilary, Hillary's gotten on the cough drop train too,

0:44:29.239 --> 0:44:35.239
<v Speaker 1>though she does weird strains, some trains. That's a weird one.

0:44:35.280 --> 0:44:36.719
<v Speaker 1>We'll think about it. I mean, if you've got like

0:44:36.719 --> 0:44:39.000
<v Speaker 1>a little crud in your voice or just anything that

0:44:39.080 --> 0:44:44.680
<v Speaker 1>opens it up. It's effervescent. So it's just a singing thing. Yeah,

0:44:44.680 --> 0:44:47.279
<v Speaker 1>you know it constantly's No, there's no COVID over here

0:44:47.320 --> 0:44:48.840
<v Speaker 1>in my friend, because I would have moved you to

0:44:48.920 --> 0:44:51.520
<v Speaker 1>that room satellite you and these two will stand here.

0:44:52.680 --> 0:44:55.560
<v Speaker 1>It's just it's just a thing, man. It's it's honestly too.

0:44:55.600 --> 0:44:59.120
<v Speaker 1>It's like it's now just become like a ritual, ritual

0:44:59.640 --> 0:45:02.960
<v Speaker 1>so speak. It's interesting with you three because individually I

0:45:03.440 --> 0:45:05.520
<v Speaker 1>really love all three of you, you know, and I

0:45:05.560 --> 0:45:07.200
<v Speaker 1>feel like I have a different relationship with all three

0:45:07.200 --> 0:45:08.600
<v Speaker 1>of you individually, And then you come in and I

0:45:08.600 --> 0:45:10.560
<v Speaker 1>don't know who I really want to talk to. So

0:45:10.600 --> 0:45:12.440
<v Speaker 1>I'm just gonna kind of go down the line here

0:45:12.440 --> 0:45:14.560
<v Speaker 1>and talk to each of you a bit differently, Charles,

0:45:14.560 --> 0:45:16.359
<v Speaker 1>one more question for you, and that's a really question.

0:45:16.360 --> 0:45:19.520
<v Speaker 1>It's just a statement. We were backstage and I'm telling

0:45:19.560 --> 0:45:21.759
<v Speaker 1>the show this. You already know this. We're backstage with

0:45:21.840 --> 0:45:24.680
<v Speaker 1>the opera and Charles was performing and I was performing,

0:45:24.760 --> 0:45:26.480
<v Speaker 1>and my wife was with me, and I believe this

0:45:26.560 --> 0:45:28.840
<v Speaker 1>is Charles the first time to meet my wife. And Charles,

0:45:28.880 --> 0:45:30.560
<v Speaker 1>you know, he'd just say whatever he thinks whenever he's saying.

0:45:30.560 --> 0:45:32.000
<v Speaker 1>He goes up to her and she's not pregnant. He

0:45:32.000 --> 0:45:34.520
<v Speaker 1>goes when you're having a baby. Yeah, And she was like,

0:45:35.160 --> 0:45:39.120
<v Speaker 1>the tall guy just asked me a really weird question. Well,

0:45:39.160 --> 0:45:42.200
<v Speaker 1>I just figure y'all got here. I said, when is

0:45:42.239 --> 0:45:46.279
<v Speaker 1>this baby train starting? Hillary? Could I see you? You know,

0:45:46.320 --> 0:45:49.719
<v Speaker 1>I was thinking about you. And mostly it's kind of

0:45:49.760 --> 0:45:54.760
<v Speaker 1>your relationship with fame because it is such famous, weird

0:45:55.400 --> 0:45:58.360
<v Speaker 1>and I've only been able to like reach out and

0:45:58.440 --> 0:46:00.719
<v Speaker 1>kind of touch it a case like I've had a

0:46:00.719 --> 0:46:03.319
<v Speaker 1>weird career where occasionally I'm cool and then kind of

0:46:03.320 --> 0:46:06.120
<v Speaker 1>you go back to just being normal. But for you guys,

0:46:06.120 --> 0:46:09.960
<v Speaker 1>and you, especially with growing up with a mom who

0:46:10.120 --> 0:46:13.480
<v Speaker 1>is in the business and had her her fame and

0:46:13.800 --> 0:46:17.680
<v Speaker 1>her talent, you you guys blowing up, taking a break,

0:46:17.719 --> 0:46:19.920
<v Speaker 1>coming back, and even again. You and I at a

0:46:19.920 --> 0:46:21.640
<v Speaker 1>different time, we're talking at the opera about you just

0:46:21.719 --> 0:46:24.080
<v Speaker 1>walking out a target and somebody being so surprised they

0:46:24.120 --> 0:46:26.279
<v Speaker 1>saw you just walk out a target. What is it?

0:46:26.680 --> 0:46:29.080
<v Speaker 1>What is fame to you in your relationship with it? Now?

0:46:29.080 --> 0:46:31.440
<v Speaker 1>What have you learned about what it means to actually

0:46:31.480 --> 0:46:35.360
<v Speaker 1>be famous? First off, the top of my head would

0:46:35.400 --> 0:46:39.520
<v Speaker 1>be my relationship with it has changed over the years.

0:46:39.560 --> 0:46:42.600
<v Speaker 1>I think then that's natural. I mean we're fifteen years

0:46:42.640 --> 0:46:46.279
<v Speaker 1>sixteen this summer and to being a band. It's a

0:46:46.280 --> 0:46:49.279
<v Speaker 1>little bit different now with kids. But I think as

0:46:49.320 --> 0:46:53.640
<v Speaker 1>I've gotten older, I consider it, you know, a privilege

0:46:53.640 --> 0:46:56.839
<v Speaker 1>and an honor, and I kind of take the platform

0:46:56.880 --> 0:47:00.160
<v Speaker 1>pretty seriously and really because I just want to be

0:47:00.160 --> 0:47:03.440
<v Speaker 1>a good example for my girls. But ultimately, what I'm

0:47:03.520 --> 0:47:05.719
<v Speaker 1>learning is the older I get, the more work than

0:47:05.760 --> 0:47:09.360
<v Speaker 1>I do, the more normal my life is, the happier

0:47:09.400 --> 0:47:11.799
<v Speaker 1>I am. So I'm gonna go to Target, I'm gonna

0:47:11.840 --> 0:47:13.799
<v Speaker 1>go to the grocery store. I'm gonna do those things

0:47:13.880 --> 0:47:17.680
<v Speaker 1>because they're fun for me, and I love being able

0:47:17.760 --> 0:47:21.759
<v Speaker 1>to engage with people who either just hey, that your

0:47:21.840 --> 0:47:23.520
<v Speaker 1>daughter has on a really cute dress, or hey, I

0:47:23.520 --> 0:47:27.000
<v Speaker 1>really love that song that you're saying. Like, however, conversation

0:47:27.160 --> 0:47:30.919
<v Speaker 1>starts in public spaces, I welcome it because it's fun,

0:47:31.160 --> 0:47:35.160
<v Speaker 1>do you. And again, I have now an understanding that

0:47:35.239 --> 0:47:39.360
<v Speaker 1>may change that, especially fame or it's just not that

0:47:39.440 --> 0:47:43.600
<v Speaker 1>it's just not real. It's awesome, it's awful, but in

0:47:43.680 --> 0:47:46.239
<v Speaker 1>the end of the day, you can't touch it. It's

0:47:46.280 --> 0:47:50.680
<v Speaker 1>not real. It goes away. It just isn't something you

0:47:50.680 --> 0:47:55.560
<v Speaker 1>can depend on right, right, And that that's gotta be tough,

0:47:55.680 --> 0:47:58.239
<v Speaker 1>especially when you're young. Because you guys got famous young

0:47:58.719 --> 0:48:02.880
<v Speaker 1>quick boom, your Acts of Stars, International Stars. Was that

0:48:02.920 --> 0:48:05.760
<v Speaker 1>ever a struggle for you as a very young artist?

0:48:06.640 --> 0:48:08.560
<v Speaker 1>You know, I feel like we were talking about this

0:48:08.640 --> 0:48:10.920
<v Speaker 1>in the just a couple of minutes ago. There's a

0:48:10.920 --> 0:48:15.239
<v Speaker 1>bit of being in a band together. Um, when we

0:48:15.280 --> 0:48:19.239
<v Speaker 1>travel together, we get recognized a lot more. And I

0:48:19.239 --> 0:48:21.240
<v Speaker 1>would say Charles gets the brunt of it, just because

0:48:21.239 --> 0:48:23.800
<v Speaker 1>he's six six and you know, he walks into a

0:48:23.880 --> 0:48:25.839
<v Speaker 1>room or walks through the airport and you're you know,

0:48:26.000 --> 0:48:29.239
<v Speaker 1>he's tall. Um, so there, but there is some anonimity

0:48:29.280 --> 0:48:32.280
<v Speaker 1>that comes with being in a band. When we're separate

0:48:32.320 --> 0:48:35.239
<v Speaker 1>from each other in places. Um, but it is, I

0:48:35.239 --> 0:48:38.640
<v Speaker 1>mean it's you. It's really You're bringing up really great point.

0:48:38.719 --> 0:48:42.560
<v Speaker 1>It's it's a strange thing that is ever changing because

0:48:42.880 --> 0:48:45.000
<v Speaker 1>you know, in the prime of like when Needs You

0:48:45.080 --> 0:48:48.160
<v Speaker 1>Now came out and when we did our first arena tour,

0:48:48.280 --> 0:48:50.759
<v Speaker 1>I mean, it was happening a lot more often, um,

0:48:50.800 --> 0:48:53.759
<v Speaker 1>getting recognized out in public and all that. But um,

0:48:53.880 --> 0:48:57.120
<v Speaker 1>that's why we live in Nashville. Everybody's pretty pretty cool here.

0:48:58.760 --> 0:49:00.759
<v Speaker 1>You know. It's like the until they kind of know,

0:49:00.800 --> 0:49:02.799
<v Speaker 1>but they don't really know. They're like you might be

0:49:02.840 --> 0:49:04.600
<v Speaker 1>a little big town, you might be. They just kind

0:49:04.600 --> 0:49:07.879
<v Speaker 1>of like, you know, I know you. And it's very

0:49:07.920 --> 0:49:10.040
<v Speaker 1>different than like, you know, when I'm hanging out with

0:49:10.080 --> 0:49:12.600
<v Speaker 1>like Thomas, Rhett or Luke and you're out somewhere and

0:49:12.640 --> 0:49:15.279
<v Speaker 1>it's just constant. You know. We kind of get this

0:49:15.400 --> 0:49:17.319
<v Speaker 1>perfect little spot where we get to feel like rock

0:49:17.400 --> 0:49:20.000
<v Speaker 1>stars and then get off stage and like you know,

0:49:20.160 --> 0:49:23.279
<v Speaker 1>like together you get to be really freaking famous and

0:49:23.320 --> 0:49:26.320
<v Speaker 1>then apart, sometimes you are, sometimes you're yeah, depending on

0:49:26.400 --> 0:49:28.080
<v Speaker 1>that's that's pretty cool. I like us in the show,

0:49:28.080 --> 0:49:30.480
<v Speaker 1>when we only go dinner together, we don't need all

0:49:30.520 --> 0:49:32.640
<v Speaker 1>of us at once, or we just don't. Dave, I'm

0:49:32.640 --> 0:49:33.920
<v Speaker 1>gonna come to you in a second, because I didn't

0:49:33.920 --> 0:49:36.040
<v Speaker 1>even deep question about the existence of time and earth.

0:49:36.200 --> 0:49:39.920
<v Speaker 1>So we're gonna come, yes. But I do want to

0:49:39.960 --> 0:49:41.759
<v Speaker 1>talk about the brand new song that came out here,

0:49:41.800 --> 0:49:44.319
<v Speaker 1>because you know it's special whenever they bring a snow

0:49:44.360 --> 0:49:47.200
<v Speaker 1>trunk snow cone truck to the studio at the butt

0:49:47.239 --> 0:49:49.399
<v Speaker 1>cracking dawn and they were like, there's a snow cone

0:49:49.400 --> 0:49:51.360
<v Speaker 1>truck outside and I was like, they're a bomb in

0:49:51.400 --> 0:49:53.600
<v Speaker 1>it and they were like, no, Lady sent it up.

0:49:53.960 --> 0:49:56.600
<v Speaker 1>So we had snow cones this morning. And this song

0:49:56.760 --> 0:49:59.879
<v Speaker 1>is called Summer State of Mind, and I'm assuming that

0:50:00.120 --> 0:50:01.919
<v Speaker 1>there's the tie in there. It just wasn't a random

0:50:01.960 --> 0:50:04.920
<v Speaker 1>stuck one drug. Yeah, the first official day of summer,

0:50:05.120 --> 0:50:08.720
<v Speaker 1>softest snow cone ice I've ever had in my life.

0:50:09.360 --> 0:50:11.640
<v Speaker 1>So this song, and if I'm right here, Dave, you

0:50:11.719 --> 0:50:14.080
<v Speaker 1>and Hillary wrote this one with a couple of other folks.

0:50:14.400 --> 0:50:17.320
<v Speaker 1>So when you go into a room because they're writing

0:50:17.360 --> 0:50:19.600
<v Speaker 1>sessions where you're like, somebody's sad, somebody has something that

0:50:19.600 --> 0:50:21.120
<v Speaker 1>they really want to get off their chests. Maybe when

0:50:21.040 --> 0:50:22.960
<v Speaker 1>we write a song about this. But when summer state

0:50:23.000 --> 0:50:25.000
<v Speaker 1>of Mind comes up? Do you go into the room going?

0:50:25.120 --> 0:50:27.719
<v Speaker 1>Because we need like a fun summer song that lets

0:50:27.719 --> 0:50:32.000
<v Speaker 1>people just go like like, what is this vibe? I mean, honestly,

0:50:32.400 --> 0:50:34.960
<v Speaker 1>I was down at the beach earlier this year and

0:50:35.000 --> 0:50:37.200
<v Speaker 1>I had sent a guitar idea to Sam Ellis and

0:50:37.280 --> 0:50:40.080
<v Speaker 1>to Charles and Hillary too, and I was just like,

0:50:40.200 --> 0:50:41.400
<v Speaker 1>I don't know when I was I was at the

0:50:41.440 --> 0:50:44.520
<v Speaker 1>beach playing guitar, literally just had on by the beach,

0:50:45.440 --> 0:50:47.239
<v Speaker 1>and I sent it to Sam and then he we

0:50:47.280 --> 0:50:48.480
<v Speaker 1>got to the room and he was like, man, what

0:50:48.520 --> 0:50:51.680
<v Speaker 1>about with that guitar idea something like Summer State of Mine?

0:50:52.239 --> 0:50:53.839
<v Speaker 1>And we were like, oh my gosh, it'd be so fun.

0:50:53.920 --> 0:50:56.360
<v Speaker 1>Charles actually his son got sick and he was unable

0:50:56.360 --> 0:50:57.600
<v Speaker 1>to make it that day. This song's gonna make so

0:50:57.680 --> 0:51:03.560
<v Speaker 1>much money. Sorry, buddy. Time it's the golf course. And

0:51:03.640 --> 0:51:07.360
<v Speaker 1>I just decided because I write a ton and of course,

0:51:07.480 --> 0:51:09.880
<v Speaker 1>like there's been a couple other occasions where it's like

0:51:09.880 --> 0:51:12.239
<v Speaker 1>the one time it's like, oh, I'm going to play golf.

0:51:12.280 --> 0:51:14.879
<v Speaker 1>In this this case, my son was a little sick.

0:51:14.880 --> 0:51:16.840
<v Speaker 1>He was sick and I didn't come in and he

0:51:16.960 --> 0:51:18.680
<v Speaker 1>was a good dad. He was a very next day

0:51:18.800 --> 0:51:21.320
<v Speaker 1>and they said, check out this song that we just wrote,

0:51:21.320 --> 0:51:22.960
<v Speaker 1>and I was like, you did it to me again.

0:51:23.920 --> 0:51:26.480
<v Speaker 1>But it's fun to write fun songs. I mean, we have, like,

0:51:26.600 --> 0:51:28.200
<v Speaker 1>you know, we're starting to kind of just put out

0:51:28.320 --> 0:51:30.080
<v Speaker 1>music just one song at a time for a while

0:51:30.080 --> 0:51:31.759
<v Speaker 1>because we feel like we're in a different you know,

0:51:31.760 --> 0:51:34.000
<v Speaker 1>people consume differently now, you know. The next song we're

0:51:34.040 --> 0:51:36.520
<v Speaker 1>putting out is totally different feel wise. It's more like

0:51:36.520 --> 0:51:39.839
<v Speaker 1>a kind of sad, introspective, kind of lady a kind

0:51:39.840 --> 0:51:42.200
<v Speaker 1>of ballad thing. But I don't know, I just it's

0:51:42.239 --> 0:51:44.200
<v Speaker 1>fun to write these fun songs. We're all out touring

0:51:44.239 --> 0:51:46.880
<v Speaker 1>again and kind of doing the deal at festivals and fairs,

0:51:46.880 --> 0:51:49.920
<v Speaker 1>and this song feels great in those rooms too. When

0:51:49.920 --> 0:51:51.880
<v Speaker 1>you traveled back from the beach, like you were just

0:51:51.920 --> 0:51:55.920
<v Speaker 1>saying into a dreary, stormy Nashville day, and so a

0:51:55.920 --> 0:51:57.760
<v Speaker 1>lot of times, I think when we're in the writing

0:51:57.800 --> 0:52:01.360
<v Speaker 1>room sometimes you want to even just to escape from

0:52:01.360 --> 0:52:03.560
<v Speaker 1>from the weather where you are, I mean, and that

0:52:03.680 --> 0:52:06.640
<v Speaker 1>song just really emoted like the track that you and

0:52:06.680 --> 0:52:09.520
<v Speaker 1>Sam built, it was like, oh, we're gonna go somewhere

0:52:09.719 --> 0:52:12.919
<v Speaker 1>warm today, whether it is here and when we've we've

0:52:12.920 --> 0:52:15.840
<v Speaker 1>done our Christmas album in summer, like you have to

0:52:15.920 --> 0:52:18.200
<v Speaker 1>make your still have to bring in the back head space.

0:52:18.239 --> 0:52:19.959
<v Speaker 1>I have a couple other things I want to talk

0:52:20.080 --> 0:52:22.440
<v Speaker 1>to you guys about. Number one is in the last segment,

0:52:22.680 --> 0:52:24.680
<v Speaker 1>I think Hillary had mentioned that Charles and he walks

0:52:24.680 --> 0:52:27.800
<v Speaker 1>to an airport, gets recognized. You child, You would you

0:52:27.760 --> 0:52:29.840
<v Speaker 1>you're going to airport. It's not normal person airports at

0:52:29.840 --> 0:52:33.319
<v Speaker 1>this point. Yeah, oh yeah, oh yeah, you fly. We

0:52:33.360 --> 0:52:37.720
<v Speaker 1>are a list on Southwest. Okay, we I mean listen.

0:52:37.719 --> 0:52:39.960
<v Speaker 1>I think the quickest way to go broke and our

0:52:40.120 --> 0:52:42.440
<v Speaker 1>line of business is I think it's going to last forever,

0:52:42.640 --> 0:52:45.080
<v Speaker 1>and you never know how long, and you know the

0:52:45.120 --> 0:52:46.759
<v Speaker 1>thing's gonna last, and it's like I want to be

0:52:46.880 --> 0:52:49.160
<v Speaker 1>I want to take care and have something to leave

0:52:49.200 --> 0:52:52.400
<v Speaker 1>my kids and stuff. And anytime you start to figure

0:52:52.400 --> 0:52:55.160
<v Speaker 1>out how much you could spend on private planes, it's

0:52:55.200 --> 0:52:58.000
<v Speaker 1>just too much. Another thing a minute ago, we're talking

0:52:58.040 --> 0:53:00.399
<v Speaker 1>about the new song summer State of Mind Tray. Would

0:53:00.400 --> 0:53:01.719
<v Speaker 1>you play me a clip of that again for our

0:53:01.760 --> 0:53:16.919
<v Speaker 1>audience that you're turning in my final summer question, because

0:53:16.920 --> 0:53:18.000
<v Speaker 1>then I got some stuff for day If you here

0:53:18.000 --> 0:53:19.799
<v Speaker 1>about Charles, I'm gonna come to you on one last

0:53:19.840 --> 0:53:22.800
<v Speaker 1>time once, one last time, Yeah, one last time. I

0:53:22.840 --> 0:53:24.719
<v Speaker 1>was at a charity auction and I bid to go

0:53:24.880 --> 0:53:27.120
<v Speaker 1>stay in like your beach house, and I lost by

0:53:27.200 --> 0:53:30.320
<v Speaker 1>like ten dollars, and I know sad. Then I was like,

0:53:30.320 --> 0:53:31.640
<v Speaker 1>how weird would that have been if I wouldn't have

0:53:31.680 --> 0:53:33.160
<v Speaker 1>told him? And then I would just texted him from

0:53:33.200 --> 0:53:35.920
<v Speaker 1>the house being like, bro, is this your play? I

0:53:35.960 --> 0:53:38.080
<v Speaker 1>thought of that had been hilarious, but I didn't win.

0:53:38.480 --> 0:53:41.359
<v Speaker 1>And then your wife kindly at one point reached out

0:53:41.360 --> 0:53:42.080
<v Speaker 1>to me. I was like, hey, do you want to

0:53:42.120 --> 0:53:43.160
<v Speaker 1>just stay in the house for free? I was like,

0:53:43.160 --> 0:53:45.719
<v Speaker 1>I could have gone for free. But at my point

0:53:45.719 --> 0:53:47.800
<v Speaker 1>with those two stories, as you as big as celebrities

0:53:47.800 --> 0:53:50.200
<v Speaker 1>as you guys are, I would like people to know

0:53:50.280 --> 0:53:53.160
<v Speaker 1>that you are You're as normal and nice of folks

0:53:53.680 --> 0:53:56.560
<v Speaker 1>as you can be still being big stars. And that's

0:53:56.600 --> 0:53:58.600
<v Speaker 1>my point with that little intro. There is it you?

0:53:58.680 --> 0:54:00.759
<v Speaker 1>It's odd that you guys can be normal and nice

0:54:00.760 --> 0:54:04.279
<v Speaker 1>and lovely individually as successful as you are. Thank you,

0:54:04.480 --> 0:54:07.000
<v Speaker 1>that doesn't happen. Thank you, I mean thank you my wife.

0:54:07.120 --> 0:54:09.839
<v Speaker 1>We actually just hoasted up. Saint Jude dinner in our

0:54:09.880 --> 0:54:14.040
<v Speaker 1>house last night and get that invite. Yeah, funny, I

0:54:14.080 --> 0:54:18.799
<v Speaker 1>hear about it now, but no, it's I think we

0:54:18.920 --> 0:54:21.640
<v Speaker 1>learned early on too about just giving back and charity.

0:54:21.680 --> 0:54:24.520
<v Speaker 1>We started, you know, all our all our heroes did that,

0:54:24.640 --> 0:54:27.160
<v Speaker 1>and I don't know, it's amazing how it's just kind

0:54:27.200 --> 0:54:30.440
<v Speaker 1>of as two as we've had with our families and kids.

0:54:31.000 --> 0:54:33.920
<v Speaker 1>It's just something we're passionate about. But thank you. I

0:54:33.960 --> 0:54:36.759
<v Speaker 1>appreciate that. Hey, Dave, you have a group dynamic here

0:54:36.760 --> 0:54:38.839
<v Speaker 1>with you three. You guys have been together a long time,

0:54:38.880 --> 0:54:40.600
<v Speaker 1>and I can tell from experience myself we've had a

0:54:40.640 --> 0:54:43.680
<v Speaker 1>group dynamic where me Amy, lunchbox. We've been together a

0:54:43.719 --> 0:54:47.759
<v Speaker 1>long time. For you guys, what has been the key?

0:54:47.920 --> 0:54:50.200
<v Speaker 1>And I would not like an answer like communication, because

0:54:50.200 --> 0:54:52.560
<v Speaker 1>that's always a what's the key to marriage? Communication? All right?

0:54:52.560 --> 0:54:54.320
<v Speaker 1>I don't Yeah, I'm good, I know what it means.

0:54:55.320 --> 0:55:00.839
<v Speaker 1>What's been the key to staying together? Even though sometimes

0:55:00.920 --> 0:55:03.239
<v Speaker 1>you don't always want to stay together? And I mean

0:55:03.280 --> 0:55:04.560
<v Speaker 1>that you love each other. We love each other, but

0:55:04.560 --> 0:55:05.920
<v Speaker 1>it's not like we're not real humans and don't fight,

0:55:05.960 --> 0:55:08.120
<v Speaker 1>and at times we have to because we're so close.

0:55:08.360 --> 0:55:11.560
<v Speaker 1>What's the key to staying together over a long period

0:55:11.600 --> 0:55:13.960
<v Speaker 1>of time. I'm not going to use communication and get

0:55:13.960 --> 0:55:17.360
<v Speaker 1>on that train, But I mean, honestly, I think we

0:55:17.400 --> 0:55:19.080
<v Speaker 1>have such a respect for what the three of us

0:55:19.120 --> 0:55:21.160
<v Speaker 1>have when we get in a room together. I mean,

0:55:21.600 --> 0:55:23.520
<v Speaker 1>are we were touring a lot right now, and we

0:55:23.520 --> 0:55:25.879
<v Speaker 1>always talk about we've been a band for fifteen sixteen years.

0:55:26.160 --> 0:55:28.239
<v Speaker 1>We often play like the first song we wrote, and

0:55:28.280 --> 0:55:29.839
<v Speaker 1>it just takes me back to that room, like when

0:55:29.880 --> 0:55:33.719
<v Speaker 1>we walked in, something was different and special there. I

0:55:33.800 --> 0:55:35.319
<v Speaker 1>just feel like no one can take that away from us.

0:55:35.360 --> 0:55:36.680
<v Speaker 1>When the three of us step into a room to

0:55:37.000 --> 0:55:40.440
<v Speaker 1>create something, I know we can. That's just where we're great.

0:55:40.480 --> 0:55:42.040
<v Speaker 1>That's what we do, that's what we love. We feel

0:55:42.080 --> 0:55:44.080
<v Speaker 1>called to do that. So I think it's a respect

0:55:44.160 --> 0:55:47.560
<v Speaker 1>and a remembrance of that which gives us the fuel

0:55:47.600 --> 0:55:50.120
<v Speaker 1>to kind of like power through the times when it's tough.

0:55:50.160 --> 0:55:52.480
<v Speaker 1>Somebody's in a tough season, you know some of the

0:55:52.520 --> 0:55:54.279
<v Speaker 1>other ones kind of we pull each other along. I

0:55:54.280 --> 0:55:57.440
<v Speaker 1>mean honestly, we literally have like seasons where one of

0:55:57.520 --> 0:55:59.560
<v Speaker 1>us may be really struggling in the other two or

0:55:59.640 --> 0:56:02.600
<v Speaker 1>kind of there and supportive and we're listening or present

0:56:02.600 --> 0:56:04.120
<v Speaker 1>with each other and trying to lift each other up.

0:56:04.160 --> 0:56:06.120
<v Speaker 1>So I don't know, but it all comes back to

0:56:06.160 --> 0:56:09.040
<v Speaker 1>me to just the respect of each other's talents, what

0:56:09.160 --> 0:56:11.759
<v Speaker 1>they bring to the table, what we all have when

0:56:11.800 --> 0:56:13.600
<v Speaker 1>the three of us kind of step into a room together.

0:56:13.840 --> 0:56:16.880
<v Speaker 1>Is there a and with us? You know, I communicate

0:56:16.880 --> 0:56:18.840
<v Speaker 1>with Eddie different than I do Amy Amy. If I

0:56:18.880 --> 0:56:20.319
<v Speaker 1>send to Amy a one line email, I'm like, Okay,

0:56:20.400 --> 0:56:22.360
<v Speaker 1>let's good, do this and that's all I'm thinking. But

0:56:22.440 --> 0:56:25.840
<v Speaker 1>she needs to be talked to with some extra sentences

0:56:25.880 --> 0:56:29.600
<v Speaker 1>and showing a little extra attention. That's our communication style. Eddie,

0:56:29.640 --> 0:56:32.479
<v Speaker 1>I can do the same thing. And we just talk

0:56:32.560 --> 0:56:35.359
<v Speaker 1>to each other different, although we're different close and different ways.

0:56:35.600 --> 0:56:38.480
<v Speaker 1>Are there different communications that you guys have individually? And

0:56:38.520 --> 0:56:40.799
<v Speaker 1>you know this is how I communicate with Hilary down

0:56:40.960 --> 0:56:44.319
<v Speaker 1>I mean, we know it so well now what we got.

0:56:44.520 --> 0:56:47.439
<v Speaker 1>I'm the fastest. I literally just say what I think

0:56:47.480 --> 0:56:50.239
<v Speaker 1>immediately always, and I doing emails and have to come

0:56:50.280 --> 0:56:53.560
<v Speaker 1>back and one thing, you know, and like Hillary sheets

0:56:53.600 --> 0:56:56.360
<v Speaker 1>somewhere in the middle and Dave is it is really

0:56:56.400 --> 0:56:58.480
<v Speaker 1>like sits back, I mean, and sometimes to where it's

0:56:58.480 --> 0:57:00.560
<v Speaker 1>like he won't answer an email. I'm like he doesn't

0:57:00.600 --> 0:57:06.800
<v Speaker 1>like the ideas and starts racing and going I knew it.

0:57:06.800 --> 0:57:08.279
<v Speaker 1>I knew Dave went in and finally it's like, oh,

0:57:08.280 --> 0:57:10.200
<v Speaker 1>I'm sorry. I was taking my kids tea ball in here,

0:57:11.360 --> 0:57:14.320
<v Speaker 1>you know, and I'm like eight paces down the road thinking,

0:57:14.520 --> 0:57:16.959
<v Speaker 1>you know, yeah, I feel like we've learned it so well.

0:57:16.960 --> 0:57:18.480
<v Speaker 1>It does feel like a marriage. I mean, we know

0:57:18.520 --> 0:57:20.760
<v Speaker 1>it like the back of our hands. Now we've got

0:57:20.800 --> 0:57:22.920
<v Speaker 1>it all figured out. Has there been a time when

0:57:22.960 --> 0:57:24.280
<v Speaker 1>you guys have and I want to ask you two

0:57:24.280 --> 0:57:25.360
<v Speaker 1>of these and I'm gonna have you play a few

0:57:25.360 --> 0:57:26.840
<v Speaker 1>songs if you don't mind, But has there been a

0:57:26.840 --> 0:57:29.440
<v Speaker 1>time where you you've written a song together two of

0:57:29.440 --> 0:57:32.160
<v Speaker 1>you or three of you and you go, that's fine.

0:57:32.200 --> 0:57:33.600
<v Speaker 1>I mean it was just okay, it's an okay song,

0:57:33.640 --> 0:57:35.600
<v Speaker 1>but it had been a really massive song for you guys.

0:57:35.600 --> 0:57:37.200
<v Speaker 1>Like you left the room and you're like, I don't

0:57:37.200 --> 0:57:38.600
<v Speaker 1>think it was I good, but we at least we

0:57:38.640 --> 0:57:42.200
<v Speaker 1>did something you're never going to know. I say, need

0:57:42.280 --> 0:57:44.680
<v Speaker 1>you know we didn't feel special. Right after you wrote it,

0:57:44.720 --> 0:57:46.760
<v Speaker 1>I would say, run you too. Like we walked off.

0:57:46.760 --> 0:57:48.480
<v Speaker 1>I was like, I was like, man, that's a really

0:57:48.680 --> 0:57:51.760
<v Speaker 1>really poetic song, but I was like, it's too heavy.

0:57:51.800 --> 0:57:53.640
<v Speaker 1>It's not the hookiest thing I've ever heard in the world.

0:57:54.200 --> 0:57:56.040
<v Speaker 1>I mean, those two songs, they're like two of our

0:57:56.040 --> 0:57:59.560
<v Speaker 1>biggest Yeah, so uh that was not hooky. I just

0:58:00.040 --> 0:58:01.560
<v Speaker 1>I don't know. None of us walked out of that

0:58:01.640 --> 0:58:04.480
<v Speaker 1>room though, thinking we had written a hit song. Yeah. Well,

0:58:04.480 --> 0:58:06.720
<v Speaker 1>and especially with need You Now, it was just a

0:58:06.840 --> 0:58:10.320
<v Speaker 1>very stripped basic work tape. And it was the second

0:58:10.320 --> 0:58:13.040
<v Speaker 1>song we wrote that day, and so I think, you know,

0:58:13.320 --> 0:58:15.960
<v Speaker 1>we were just it had been a bit of a

0:58:15.960 --> 0:58:18.880
<v Speaker 1>long day. Were the first one I do that was

0:58:18.960 --> 0:58:21.720
<v Speaker 1>what's called like young love, What's called young love? And

0:58:21.760 --> 0:58:23.520
<v Speaker 1>we were just it was like so forced, you know,

0:58:23.560 --> 0:58:25.000
<v Speaker 1>it was like trying to write a hit song. With

0:58:25.240 --> 0:58:26.920
<v Speaker 1>needs You Now, it was like it just came out.

0:58:26.960 --> 0:58:28.440
<v Speaker 1>It came out in like an hour and a half.

0:58:28.520 --> 0:58:32.680
<v Speaker 1>And then we go into our label meeting, and thankfully

0:58:32.800 --> 0:58:35.440
<v Speaker 1>Charles leaves no stone unturned when it comes to like

0:58:35.480 --> 0:58:37.800
<v Speaker 1>we've written all these songs. It was the last song

0:58:37.840 --> 0:58:41.280
<v Speaker 1>we played in the label meeting, and they said you've

0:58:41.280 --> 0:58:43.560
<v Speaker 1>got to go in and try this, and we're like, really,

0:58:43.840 --> 0:58:45.800
<v Speaker 1>in the rest is history, I mean, and then that

0:58:45.880 --> 0:58:48.200
<v Speaker 1>was the only song that when we brought the label

0:58:48.240 --> 0:58:50.080
<v Speaker 1>ind to play them, like the first six or seven

0:58:50.680 --> 0:58:52.640
<v Speaker 1>off that record when we cut them, that was the

0:58:52.680 --> 0:58:55.400
<v Speaker 1>only one they asked for us to play over. And

0:58:55.440 --> 0:58:57.840
<v Speaker 1>so we were like, oh, okay, maybe we're on Maybe

0:58:58.080 --> 0:59:02.680
<v Speaker 1>maybe we hit something that teach you that after you create,

0:59:02.720 --> 0:59:05.440
<v Speaker 1>you're maybe now in the best place to actually evaluate

0:59:05.440 --> 0:59:08.200
<v Speaker 1>what you created. Were always lean on our team. I mean,

0:59:08.440 --> 0:59:11.120
<v Speaker 1>I think that's the biggest example. It says another thing too,

0:59:11.160 --> 0:59:16.840
<v Speaker 1>while we say like put your you know, your pride

0:59:16.880 --> 0:59:19.240
<v Speaker 1>and your self worth in the process, not the outcome,

0:59:19.240 --> 0:59:21.360
<v Speaker 1>because some certain songs don't work that we thought were

0:59:21.360 --> 0:59:23.120
<v Speaker 1>going to be big hits, and other ones do and

0:59:23.160 --> 0:59:26.160
<v Speaker 1>you're just like, you can't control that, and it's just

0:59:26.320 --> 0:59:28.520
<v Speaker 1>enjoy the process of writing songs and put it out

0:59:28.560 --> 0:59:31.760
<v Speaker 1>there and may all serve a purpose, like a real

0:59:31.800 --> 0:59:34.400
<v Speaker 1>profound purpose. It either breaks you through to the next

0:59:34.440 --> 0:59:37.360
<v Speaker 1>one that was really meant for that time, or it

0:59:37.480 --> 0:59:39.400
<v Speaker 1>is the one you know it just it really never know.

0:59:39.640 --> 0:59:42.960
<v Speaker 1>They all have a journey. Well listed my top three

0:59:43.080 --> 0:59:45.200
<v Speaker 1>Lady A songs of all time, and that's actually number three.

0:59:45.320 --> 0:59:47.520
<v Speaker 1>Need you now coming to a number three? Don't play

0:59:47.560 --> 0:59:49.920
<v Speaker 1>a live here on the countdown and you guys have

0:59:49.960 --> 0:59:52.040
<v Speaker 1>a guitar, and you're so gracious to sing this early

0:59:52.080 --> 0:59:54.560
<v Speaker 1>in the morning. Here is my number three favorite lady

0:59:54.600 --> 0:59:57.080
<v Speaker 1>a song. It does need you now. Oh, I love it.

0:59:57.120 --> 1:00:01.120
<v Speaker 1>You're requesting because that's the name of our tours request line,

1:00:01.280 --> 1:00:05.160
<v Speaker 1>so we're getting requests from you. Interesting. Yeah, I love it.

1:00:05.160 --> 1:00:08.240
<v Speaker 1>I have requested machine on Kelly next. Be ready, here

1:00:08.240 --> 1:00:14.080
<v Speaker 1>we go, fix your perfect memory. Scattered all around the floor,

1:00:18.520 --> 1:00:23.160
<v Speaker 1>reaching for the phone because I can't fight it anymore.

1:00:26.560 --> 1:00:35.800
<v Speaker 1>And I wonder if I ever cross your mind for me.

1:00:36.000 --> 1:00:43.080
<v Speaker 1>It happens all the time. It's a quarter after one.

1:00:43.680 --> 1:00:51.360
<v Speaker 1>I'm all alone and I need you now. Said I

1:00:51.400 --> 1:00:56.680
<v Speaker 1>wouldn't cover it. I'm lost controlling. I need you now,

1:00:59.320 --> 1:01:04.720
<v Speaker 1>and I don't know how I can do with I

1:01:05.120 --> 1:01:14.200
<v Speaker 1>just needs you come on a number three. You guys

1:01:14.200 --> 1:01:16.720
<v Speaker 1>have eleven number ones that I have here on the list,

1:01:16.720 --> 1:01:18.560
<v Speaker 1>which is so that's just so many songs, and it's

1:01:18.560 --> 1:01:20.080
<v Speaker 1>got to be difficult to put a set together at

1:01:20.080 --> 1:01:21.720
<v Speaker 1>times because you want to get them all in. And

1:01:22.040 --> 1:01:24.320
<v Speaker 1>but I was I didn't look at the list when

1:01:24.360 --> 1:01:26.600
<v Speaker 1>I was picking my favorite songs, and what I picked

1:01:26.600 --> 1:01:28.439
<v Speaker 1>here at number two was not a number one which

1:01:28.440 --> 1:01:30.840
<v Speaker 1>again reminds me of it's not always about what's number

1:01:30.880 --> 1:01:33.280
<v Speaker 1>one that ends up lasting in people's hearts. In mind,

1:01:33.760 --> 1:01:35.440
<v Speaker 1>it's so true. I mean, love ton't live here was

1:01:35.560 --> 1:01:38.760
<v Speaker 1>number three. I think you look good, went to three,

1:01:39.120 --> 1:01:41.040
<v Speaker 1>like dancing Away. We've had a few that are like

1:01:41.080 --> 1:01:44.640
<v Speaker 1>two or three. At number two, you look good from

1:01:44.680 --> 1:01:51.400
<v Speaker 1>twenty seventeen, you want to boot on the beach, back

1:01:53.840 --> 1:01:57.320
<v Speaker 1>breaking odds, breaking this me rolling down the street, heads

1:01:57.360 --> 1:02:02.480
<v Speaker 1>turning all day in the seeling me. I'm thinking ever

1:02:02.880 --> 1:02:08.960
<v Speaker 1>reboding better standard line because they need to know that's

1:02:09.040 --> 1:02:13.960
<v Speaker 1>your bodest coming with me tonight. The like hey woo

1:02:14.080 --> 1:02:17.760
<v Speaker 1>that them with the shine's like boo, will you move

1:02:18.040 --> 1:02:23.280
<v Speaker 1>to the big vot up from the second that you

1:02:23.600 --> 1:02:29.840
<v Speaker 1>walk in and you look good. You look good, so fresh,

1:02:29.880 --> 1:02:35.440
<v Speaker 1>so fine, you look good. God everybody watching you charriss

1:02:35.560 --> 1:02:40.040
<v Speaker 1>in Hollywood, but you look good. Come all, all right,

1:02:40.080 --> 1:02:42.960
<v Speaker 1>that's number two. That's so good. We're gonna come back right.

1:02:43.000 --> 1:02:45.960
<v Speaker 1>It was so good? Yeah, oh, I just like, I mean,

1:02:46.040 --> 1:02:47.800
<v Speaker 1>I don't know if I've seen him do it live

1:02:47.840 --> 1:02:50.600
<v Speaker 1>and herefore maybe they did a lot before that song,

1:02:50.840 --> 1:02:53.640
<v Speaker 1>particular song because they wrote It's interesting how they go

1:02:53.720 --> 1:03:02.360
<v Speaker 1>in and out. Yeah, okay, what we're gonna come back

1:03:02.400 --> 1:03:04.880
<v Speaker 1>one more segment with Lady A and I'm gonna we're

1:03:04.880 --> 1:03:06.480
<v Speaker 1>gonna do the number one song. But what's funny is

1:03:06.480 --> 1:03:10.160
<v Speaker 1>I'm gonna sing it. They're gonna watches. That was the bit.

1:03:10.280 --> 1:03:13.160
<v Speaker 1>We are celebrating this song, Summer State of Mind from

1:03:13.240 --> 1:03:29.160
<v Speaker 1>Lady A. So that song is out and I want

1:03:29.200 --> 1:03:30.760
<v Speaker 1>you guys to listen to it all summer long and

1:03:30.800 --> 1:03:33.400
<v Speaker 1>only that song. That's the only song that they can

1:03:33.440 --> 1:03:35.840
<v Speaker 1>listen to as of today. So you guys are here

1:03:35.880 --> 1:03:38.240
<v Speaker 1>and we're gonna do our number my number one song

1:03:38.280 --> 1:03:40.280
<v Speaker 1>from you guys in a second. But I wonder when

1:03:40.280 --> 1:03:43.760
<v Speaker 1>you guys, you're all, I mean, such wonderful singers. Charles,

1:03:43.800 --> 1:03:46.040
<v Speaker 1>how do you warm up before a show? What do

1:03:46.080 --> 1:03:48.880
<v Speaker 1>you do? Specifically? We'll run to you specifically. It's one

1:03:48.920 --> 1:03:51.560
<v Speaker 1>of those It used to be loved to live here before,

1:03:51.720 --> 1:03:53.960
<v Speaker 1>like running You was a single. But I always know

1:03:54.000 --> 1:03:56.720
<v Speaker 1>if I can go full voice into that falsetto, then

1:03:56.800 --> 1:03:58.920
<v Speaker 1>my voice is in good shape. And then if it

1:03:59.000 --> 1:04:02.760
<v Speaker 1>isn't about a thirty minute panic attack and I'm drinking

1:04:02.800 --> 1:04:06.440
<v Speaker 1>hot tea, I'm doing the Nettie pot and falsetto that's

1:04:06.440 --> 1:04:12.440
<v Speaker 1>the hot so and then I do like and I

1:04:12.560 --> 1:04:15.720
<v Speaker 1>was like love not only fear anymore. And then that's

1:04:15.760 --> 1:04:20.240
<v Speaker 1>it and I'll literally do It's not even this is

1:04:20.280 --> 1:04:22.600
<v Speaker 1>like everyone on our team can attest. This is about

1:04:22.600 --> 1:04:25.800
<v Speaker 1>thirty times a day, probably all haven't. I've been in

1:04:25.880 --> 1:04:27.840
<v Speaker 1>the hotel room multiple times. I can hear through the

1:04:27.880 --> 1:04:32.360
<v Speaker 1>pipes from another room. Oh yeah, true story. Yeah, so

1:04:32.520 --> 1:04:35.120
<v Speaker 1>it's there's I've got a lot of quirks. I mean,

1:04:35.120 --> 1:04:37.120
<v Speaker 1>over the years too, they develop in this kind of

1:04:37.160 --> 1:04:39.760
<v Speaker 1>thing where it's like these little routines kind of just happened.

1:04:40.160 --> 1:04:44.040
<v Speaker 1>I mean, cough drops, hot tea, warm ups, warm ups,

1:04:44.600 --> 1:04:46.520
<v Speaker 1>push ups to get your voice kind of which is

1:04:46.560 --> 1:04:49.040
<v Speaker 1>weird that push ups, but get your blood flowing. I

1:04:49.080 --> 1:04:51.480
<v Speaker 1>don't know, it's it's it's just but at this point

1:04:51.520 --> 1:04:54.240
<v Speaker 1>in your career, you know what works for you exactly. Yeah.

1:04:54.680 --> 1:04:56.480
<v Speaker 1>And I can tell too, Like right when like I'm

1:04:56.480 --> 1:04:58.560
<v Speaker 1>about to have like a science affection or something, I'll

1:04:58.560 --> 1:04:59.640
<v Speaker 1>go and I get like a little one of those

1:04:59.640 --> 1:05:01.800
<v Speaker 1>little stair what shots. You know, if you have a

1:05:01.840 --> 1:05:04.400
<v Speaker 1>show on the show doesn't go as well as you

1:05:04.400 --> 1:05:06.400
<v Speaker 1>had hoped, which one of you is the most upset

1:05:08.360 --> 1:05:10.520
<v Speaker 1>pretty much. Guess is he you okay? Oh yeah, what

1:05:10.600 --> 1:05:12.080
<v Speaker 1>if you have a great are you able to celebrate

1:05:12.080 --> 1:05:14.560
<v Speaker 1>a great show too? So you are the vote? You're

1:05:14.640 --> 1:05:18.440
<v Speaker 1>up and down the most you're I mean, this is

1:05:18.480 --> 1:05:21.479
<v Speaker 1>the guy. This isn't they chose who is the most

1:05:21.480 --> 1:05:23.400
<v Speaker 1>even killed though? Who's the one who's like? All right, guys,

1:05:23.520 --> 1:05:26.000
<v Speaker 1>David to you, I can be even kil but I

1:05:26.080 --> 1:05:28.560
<v Speaker 1>get upset when there's technical things that happen in the

1:05:28.600 --> 1:05:31.520
<v Speaker 1>show and something goes wrong. I mean that upsets me.

1:05:31.880 --> 1:05:34.520
<v Speaker 1>But I can still be like, you know, see the

1:05:34.520 --> 1:05:36.680
<v Speaker 1>bright side and everything, like I'm so grateful to be here.

1:05:36.720 --> 1:05:38.439
<v Speaker 1>Are you never too high? Never too low? Because it'll

1:05:38.440 --> 1:05:42.040
<v Speaker 1>affect a performance? I mean, are you that Lenny you're thinking? Where? Okay,

1:05:42.040 --> 1:05:43.680
<v Speaker 1>I'm gonna focus and make sure we get the best

1:05:43.680 --> 1:05:45.520
<v Speaker 1>out of us and not get so emotional and affects

1:05:45.560 --> 1:05:47.960
<v Speaker 1>us either way. I try to let go of that

1:05:48.200 --> 1:05:49.760
<v Speaker 1>a lot of these shows, Like we're doing this request

1:05:49.800 --> 1:05:51.320
<v Speaker 1>line tour in the fall. We're just gonna take requests

1:05:51.320 --> 1:05:53.560
<v Speaker 1>and it's gonna be different every night, and who cares

1:05:53.560 --> 1:05:55.080
<v Speaker 1>what happens. I mean when we just like what we're

1:05:55.080 --> 1:05:57.800
<v Speaker 1>doing today, just play songs, make tell stories. I mean,

1:05:57.840 --> 1:05:59.600
<v Speaker 1>this is what I love, and that's what we're actually

1:05:59.680 --> 1:06:01.240
<v Speaker 1>getting to do. I'm not trying to segue, but that's

1:06:01.240 --> 1:06:02.880
<v Speaker 1>what we're doing this fall. Well. I had no idea

1:06:02.920 --> 1:06:04.680
<v Speaker 1>that because I saw request line was the name of

1:06:04.680 --> 1:06:06.480
<v Speaker 1>the tour, I had no idea you were actually doing that. Yeah,

1:06:06.600 --> 1:06:08.160
<v Speaker 1>but I was doing this. I don't know if you

1:06:08.160 --> 1:06:10.320
<v Speaker 1>guys thought that was on purpose. No. I literally was like,

1:06:10.360 --> 1:06:12.080
<v Speaker 1>you know, I've spent so much time with these guys,

1:06:12.080 --> 1:06:13.440
<v Speaker 1>like what can I do? And then I was like, well,

1:06:13.480 --> 1:06:15.560
<v Speaker 1>I'll just be selfish and haven't play my favorite So

1:06:15.640 --> 1:06:17.440
<v Speaker 1>that's what is happening at the tour. Yeah, and that's

1:06:17.480 --> 1:06:18.720
<v Speaker 1>what we're gonna do on the tour, and we're gonna

1:06:18.720 --> 1:06:20.640
<v Speaker 1>take We have a hotline people can call, leave a voicemail.

1:06:20.680 --> 1:06:23.360
<v Speaker 1>We're gonna build the setlist around the requests. But then

1:06:23.400 --> 1:06:25.520
<v Speaker 1>also like we've done a couple of shows already where

1:06:25.920 --> 1:06:27.440
<v Speaker 1>we just open it up to the audience. I mean,

1:06:27.440 --> 1:06:29.000
<v Speaker 1>you don't get a chance to do that in a

1:06:29.040 --> 1:06:31.640
<v Speaker 1>big amphitheater arena. I mean, but just to literally say,

1:06:31.680 --> 1:06:34.600
<v Speaker 1>does anybody having your requests? People are yelling things out,

1:06:34.640 --> 1:06:36.640
<v Speaker 1>you pick somebody out maybe bring them up and just

1:06:36.680 --> 1:06:39.080
<v Speaker 1>do a song and somebody from the audience to sing

1:06:39.120 --> 1:06:42.960
<v Speaker 1>a song just initially yeah, potentially that or that's you know.

1:06:43.000 --> 1:06:44.240
<v Speaker 1>I let gonna tell you a story real quick. Bring

1:06:44.360 --> 1:06:45.840
<v Speaker 1>them a number one good. I went to a Green

1:06:45.880 --> 1:06:49.240
<v Speaker 1>Day concert once and so they who knows who knows

1:06:49.280 --> 1:06:52.880
<v Speaker 1>our songs? And everybody's like, I know the songs I'm

1:06:52.920 --> 1:06:54.640
<v Speaker 1>in and I'm I love Green Dad grew up on

1:06:54.680 --> 1:06:57.160
<v Speaker 1>early Green Days, still like Green Day, and so they're like,

1:06:57.200 --> 1:07:02.480
<v Speaker 1>all right, we're gonna play well, h I'm having dude,

1:07:02.560 --> 1:07:08.880
<v Speaker 1>you have the time to lit brain stew Is that

1:07:09.080 --> 1:07:15.240
<v Speaker 1>is that? What? What is it? Keep going basket case? Yeah?

1:07:15.640 --> 1:07:18.120
<v Speaker 1>So like who knows basket case and everybody's like, I

1:07:18.200 --> 1:07:20.840
<v Speaker 1>know it, I know it, and so uh he's like

1:07:20.840 --> 1:07:22.520
<v Speaker 1>you know, yeah, you know you gotta played a guitar.

1:07:22.680 --> 1:07:25.480
<v Speaker 1>He's like yeah, And so the takes the bass and

1:07:25.520 --> 1:07:27.760
<v Speaker 1>goes takes playing the bass guitar. He takes it the

1:07:27.880 --> 1:07:29.960
<v Speaker 1>guys bass, and he's like wow. The crowd's going yeah

1:07:30.000 --> 1:07:32.840
<v Speaker 1>basic uitar knows the song. Cool. And the next guy

1:07:32.840 --> 1:07:34.680
<v Speaker 1>comes up because who knows how I played on drums?

1:07:34.680 --> 1:07:36.320
<v Speaker 1>The crowd some guys like, I do you know I

1:07:36.320 --> 1:07:41.040
<v Speaker 1>played cool guy in the basse. Boom, They've got it.

1:07:41.040 --> 1:07:43.320
<v Speaker 1>They got two down in the crowd. It's like, this

1:07:43.440 --> 1:07:45.480
<v Speaker 1>is amazing. We're watching people come out of the crowd

1:07:45.480 --> 1:07:47.360
<v Speaker 1>of the Green Day show and they're gonna play basket

1:07:47.440 --> 1:07:51.080
<v Speaker 1>kay boom boom the whole the crowd. It's awesome and

1:07:51.160 --> 1:07:53.000
<v Speaker 1>I'm into it and I'm I paid to watch Green Day,

1:07:53.000 --> 1:07:55.479
<v Speaker 1>but this is gonna be a cool moment. And so uh,

1:07:55.520 --> 1:07:57.360
<v Speaker 1>Billy Joe the lead singers, like all right, all right,

1:07:57.560 --> 1:07:59.040
<v Speaker 1>and the guys on the bass and he's just keeping

1:07:59.080 --> 1:08:01.000
<v Speaker 1>the basseline going up this song and don't forget boom

1:08:01.360 --> 1:08:04.080
<v Speaker 1>the drums going. They're like, all right, who wants to play?

1:08:04.600 --> 1:08:07.240
<v Speaker 1>Uh lead and sing? And some guys like I do.

1:08:07.600 --> 1:08:09.760
<v Speaker 1>And the crowd's like oh and the guy looks like

1:08:09.840 --> 1:08:13.840
<v Speaker 1>Billy jorm strong And so I'm like, is this a setup? Yeah,

1:08:13.880 --> 1:08:16.639
<v Speaker 1>because I wouldn't be that gets cool whatever, it's entertainment.

1:08:16.680 --> 1:08:19.320
<v Speaker 1>I don't care. And I'm like, wow, so it wasn't.

1:08:19.320 --> 1:08:20.840
<v Speaker 1>So the guy gets up and the guy's freaking out

1:08:20.880 --> 1:08:22.080
<v Speaker 1>and you can tell he's so pumped to be on

1:08:22.080 --> 1:08:24.120
<v Speaker 1>stage a Green Day and Billy Joe's like, you have played.

1:08:24.160 --> 1:08:28.640
<v Speaker 1>He goes, yeah, and so again the base drums they

1:08:28.640 --> 1:08:30.559
<v Speaker 1>got it. They don't only stop, they're playing the whole time.

1:08:30.720 --> 1:08:32.559
<v Speaker 1>And so the guy takes the guitar and he gets

1:08:32.560 --> 1:08:34.040
<v Speaker 1>on the baca. You guys riding and the guys they're

1:08:34.040 --> 1:08:36.120
<v Speaker 1>still playing to doing it, and he goes, has no

1:08:36.160 --> 1:08:38.439
<v Speaker 1>idea to play it. It's awful, it's awesome, it's a

1:08:38.520 --> 1:08:40.280
<v Speaker 1>great and then they he took the guitar from him

1:08:40.280 --> 1:08:42.280
<v Speaker 1>and he said get off stage. And then he played

1:08:42.320 --> 1:08:46.080
<v Speaker 1>that part and it was amazing. So don't do that bit.

1:08:46.520 --> 1:08:49.360
<v Speaker 1>Yeah it didn't. So that's so, but that would be

1:08:49.360 --> 1:08:52.200
<v Speaker 1>cool if you probably people up. You never know, I mean,

1:08:52.200 --> 1:08:54.680
<v Speaker 1>you gotta especially too, like we take a request in

1:08:54.760 --> 1:08:56.439
<v Speaker 1>the audience. I mean, you can only do that maybe

1:08:56.439 --> 1:08:58.320
<v Speaker 1>a couple of times, because it's you know, you get

1:08:58.479 --> 1:09:00.800
<v Speaker 1>like and then they won't stop yelling and that kind

1:09:00.800 --> 1:09:03.320
<v Speaker 1>of gets disrupted. But of course everybody has to. Somebody's

1:09:03.320 --> 1:09:06.040
<v Speaker 1>gotta say free bird. Just it just happens every time. Well,

1:09:06.280 --> 1:09:10.600
<v Speaker 1>my number one song, free bird all right here is uh,

1:09:10.920 --> 1:09:13.160
<v Speaker 1>this is my favorite lady a song. It is from

1:09:13.200 --> 1:09:21.920
<v Speaker 1>two thousand and ten. It is American Honey. She grew

1:09:22.200 --> 1:09:27.280
<v Speaker 1>up on the side of the road with the church

1:09:27.360 --> 1:09:34.080
<v Speaker 1>bells free and strong, glove grows. She grew up good,

1:09:35.280 --> 1:09:41.360
<v Speaker 1>she grew up so black American Honey. Let's go to

1:09:41.400 --> 1:09:48.000
<v Speaker 1>the chorus through there's a wild bound Andrew blowing in

1:09:48.080 --> 1:09:54.200
<v Speaker 1>the wind, coming out my name like a long lost

1:09:54.240 --> 1:10:02.519
<v Speaker 1>friend who Miss Slow says as he's go oh nothing,

1:10:02.720 --> 1:10:11.639
<v Speaker 1>sweet Summer's night an American Honey. That's awesome, lady and studio.

1:10:12.640 --> 1:10:16.160
<v Speaker 1>The Request Line tour with just a lovely guy Dave

1:10:16.200 --> 1:10:18.720
<v Speaker 1>Barnes opening up was so good and it's funny, and

1:10:19.240 --> 1:10:21.400
<v Speaker 1>so the tour is gonna be awesome. And today we

1:10:21.400 --> 1:10:23.240
<v Speaker 1>are here celebrating the new song. Are you guys doing

1:10:23.280 --> 1:10:25.320
<v Speaker 1>a video for Summer State of Money? You've already done

1:10:25.320 --> 1:10:27.479
<v Speaker 1>it and it's not out. Is it comes out Friday?

1:10:27.560 --> 1:10:30.800
<v Speaker 1>Oh thank goodness, because if it had been out and

1:10:30.840 --> 1:10:33.920
<v Speaker 1>awkward for everybody. Okay, so tomorrow it's going to be out.

1:10:34.240 --> 1:10:36.960
<v Speaker 1>Summer State of Mind the video this song is out now,

1:10:37.000 --> 1:10:39.280
<v Speaker 1>Summer State of Mind, And listen I say it again,

1:10:39.360 --> 1:10:41.040
<v Speaker 1>and you know I don't ever want it to get

1:10:41.040 --> 1:10:42.679
<v Speaker 1>lost that I just you guys are just really cool,

1:10:42.800 --> 1:10:44.760
<v Speaker 1>like I like I like you people. You're also very

1:10:44.760 --> 1:10:47.439
<v Speaker 1>talented as a group. But you're just you're just cool folks,

1:10:47.479 --> 1:10:50.240
<v Speaker 1>and I can appreciate that. And I would never ask

1:10:50.280 --> 1:10:51.960
<v Speaker 1>you guys just to come in and perform because it's early.

1:10:51.960 --> 1:10:52.960
<v Speaker 1>But they were like, do you want to perform? And

1:10:53.000 --> 1:10:54.439
<v Speaker 1>I was like, I don't know if they want to perform.

1:10:54.520 --> 1:10:57.240
<v Speaker 1>They're big stars. They're like, no, don't perform. One time

1:10:57.280 --> 1:10:58.680
<v Speaker 1>I said no one, Charles like you don't want us

1:10:58.680 --> 1:11:01.559
<v Speaker 1>to perform, and I remember that and I was like,

1:11:01.600 --> 1:11:05.200
<v Speaker 1>I'm never gonna finch Arles again. So it's a great opportunity.

1:11:05.439 --> 1:11:07.280
<v Speaker 1>I'm like, show people what we you know, what we

1:11:07.400 --> 1:11:09.880
<v Speaker 1>love to do. So yeah, thank you everyone. If they

1:11:09.920 --> 1:11:12.360
<v Speaker 1>come to your town, you should go watch this. There's

1:11:12.360 --> 1:11:14.400
<v Speaker 1>a number. You can go to their website and see

1:11:14.439 --> 1:11:16.439
<v Speaker 1>the number to call and leave him a voice amail

1:11:16.520 --> 1:11:19.120
<v Speaker 1>and go watch the request line tour, stream the song

1:11:19.479 --> 1:11:21.479
<v Speaker 1>and can't wait. Whenever you guys get the full body,

1:11:21.520 --> 1:11:23.439
<v Speaker 1>you do a whole record. If you're gonna do that, great,

1:11:23.439 --> 1:11:25.559
<v Speaker 1>If not, whatever, you got a key to the place,

1:11:25.600 --> 1:11:29.920
<v Speaker 1>so come by anytime. Thank you. All right there they are, lady, everybody.

1:11:31.479 --> 1:11:35.240
<v Speaker 1>It's the best bits of the week with Morgan number two.

1:11:36.960 --> 1:11:39.639
<v Speaker 1>That's it. Y'all for the best bits, just the bits.

1:11:39.720 --> 1:11:41.519
<v Speaker 1>Make sure again if you haven't checked it out yet,

1:11:41.560 --> 1:11:44.919
<v Speaker 1>Part one, which is an interview with Mighty this weekend,

1:11:45.000 --> 1:11:47.320
<v Speaker 1>and he is the birthday boy, so you better listen

1:11:47.400 --> 1:11:50.479
<v Speaker 1>and then give him a really awesome birthday shout out

1:11:50.520 --> 1:11:53.320
<v Speaker 1>on social media. I love y'all. Thank you for hanging out,

1:11:53.360 --> 1:11:57.599
<v Speaker 1>thank you for always listening and sharing your feedback with

1:11:57.600 --> 1:11:59.599
<v Speaker 1>me online. You guys are so fun when you message

1:11:59.640 --> 1:12:02.000
<v Speaker 1>me things, when you hear something, you're like, oh my gosh,

1:12:02.040 --> 1:12:04.519
<v Speaker 1>I remember that too, or here's my story. It makes

1:12:04.520 --> 1:12:07.599
<v Speaker 1>me so happy and seriously brings me joy, So keep

1:12:07.680 --> 1:12:10.639
<v Speaker 1>them coming. Make sure you can find me at web girl,

1:12:10.720 --> 1:12:13.920
<v Speaker 1>Morgan TikTok, Instagram, Facebook, Twitter, all the things I'm on

1:12:13.960 --> 1:12:16.599
<v Speaker 1>all the social media, and of course the Bobby Bone

1:12:16.600 --> 1:12:20.120
<v Speaker 1>Show at Bobby Bones Show. Y'all have a fabulous weekend. Bye,

1:12:20.840 --> 1:12:22.240
<v Speaker 1>Just Bobby bo