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Speaker 1: It's the Best Bits of the Week with Morgan number two.

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Speaker 1: What is up? Y'all? Welcome to the Best Bits. This

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Speaker 1: is just the Bits, and I'm so excited for y'all

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Speaker 1: to hear the segments this week because it was a

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Speaker 1: fun one. Coming in hot. At number seven, Lunchbox read

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Speaker 1: Bobby's new children's book, Stanley the Dog The First Day

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Speaker 1: of School to his kids, and it was hilariously chaotic

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Speaker 1: and just so Lunchbox and a lot of you parents

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Speaker 1: out there that are going to hear this, we'll probably

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Speaker 1: relate to what it's like to read a book to

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Speaker 1: your kids. Number seven. See you like they have focus groups,

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Speaker 1: maybe in a TV commercial where they have amy there's

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Speaker 1: a big table and there's all these people sitting around

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Speaker 1: table and they're like, what do you think about this

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Speaker 1: color or this name? We kind of have that here.

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Speaker 1: Lunchbox read my kid's book, Stanley the Dog The First

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Speaker 1: Day of School to his kids, right, yeah, my two

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Speaker 1: year old, my three year old. Okay, so you have

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Speaker 1: audio of you doing this? Are you just gonna tell me? Now?

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Speaker 1: I got audio. I sat them down in the room

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Speaker 1: right before bedtime, and I pulled it out of my backpack.

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Speaker 1: Because you gave it to me. And I read the

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Speaker 1: title of the book, and my three year old had

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Speaker 1: a problem with the concept of the book. It's called

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Speaker 1: Stanley the Dog the first day of school. What do

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Speaker 1: you think? What do you mean? Good point? Yeah, man,

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Speaker 1: he's right, I mean right on the bat. He was

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Speaker 1: just like he saw the dog and the school bus window,

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Speaker 1: and he was just like, this dog don't go to school.

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Speaker 1: That's silly. And he just was he was like, I

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Speaker 1: don't get it. When I told my the publisher of

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Speaker 1: the book, I said, here's my dad, They said, dogs

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Speaker 1: don't go to school, exact thing. So I get it. Okay,

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Speaker 1: So here's the clip on lunchbox reading my book to

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Speaker 1: his boys. Today was the first day of school, and

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Speaker 1: Stanley really didn't want to go. He bittered over which

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Speaker 1: color to wear. He didn't even touch his birth Yeah.

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Speaker 1: School bus yep, beep, went the bus on, said Bobby,

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Speaker 1: and with a stumb one a bumble, Stanley trotted off

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Speaker 1: to catch Drew the school. The more Stanley, I like

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Speaker 1: the show show that's what I feel like. That's the same.

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Speaker 1: I'm like, I'm like I felt that, you know what

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Speaker 1: it feels like. No lunch bugs. I mean over and over.

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Speaker 1: My two year old was obsessed with the school bus.

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Speaker 1: That's every time we turned the page and like, dead out,

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Speaker 1: where's the school bus? And he made me go back

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Speaker 1: to the school bus. He just wanted to look at

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Speaker 1: the school bus the whole time. All right, so focus

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Speaker 1: good loves to school bus. All right, what did you

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Speaker 1: get to into the book? Oh, we got to end

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Speaker 1: the big book. And they loved it and they enjoyed it.

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Speaker 1: They thought it was funny and they liked the dogs,

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Speaker 1: but they were My three year old got set. He

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Speaker 1: was like, why does the other dog tom me us

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Speaker 1: to go to the back of the wine? That's mean,

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Speaker 1: that's the points. Yes, not everybody's schools. Super nice to Stanley,

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Speaker 1: but hey, you know he finds where he fits in,

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Speaker 1: which is just with himself. Yes, yes, And so it

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Speaker 1: was a success. And we read it two nights in

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Speaker 1: a row and we'll see about tonight. If nights three

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Speaker 1: nights in a row? Is that all the whole vibe

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Speaker 1: every time you're reading, just all the any book you're reading, well,

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Speaker 1: not well, not all the time. I mean, if they

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Speaker 1: like it, they ask questions about it, but they want

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Speaker 1: to see certain things but yes, you go back to

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Speaker 1: that page the school bus, Dad school bus loves the

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Speaker 1: school bus. Yeah. Yeah, it's not gonna show a lottery story, Bobby,

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Speaker 1: a lottery story. There's another lottery story. Okay, well, thank you.

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Speaker 1: If you guys want to get the book, you can.

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Speaker 1: It's like fifteen bucks, it is. I'm very proud of

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Speaker 1: it not keeping any of the money that would make

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Speaker 1: from the first year. People go why the first year

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Speaker 1: because usually doesn't make any money after the first year.

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Speaker 1: So I just don't want to have to keep up

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Speaker 1: with it when I'm seventy three years old and be like,

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Speaker 1: well I didn't give him six bucks this year, and

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Speaker 1: then I never going to jail or something, you know,

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Speaker 1: and then you get called out yees. So it's like

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Speaker 1: year a year. Anybody who make the book in a year,

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Speaker 1: we're gonna donate. Well, reread it and Stevenson was enjoyed it.

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Speaker 1: He's totally different age than he's eleven, but he still

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Speaker 1: enjoyed it as an eleven year old and his favorite,

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Speaker 1: I think was the surprise from a cat makes an appearance.

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Speaker 1: So there's not just stalks. So a three year old

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Speaker 1: eleven year old and rumor is Ray loved it too,

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Speaker 1: right yet different message for everybody. It's the Best Bits

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Speaker 1: of the week with Morgan. Number two, we got an

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Speaker 1: update on the whole Gavin DeGraw text message situation last weekend.

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Speaker 1: I had Scooba Steve on the Best Bits. If you

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Speaker 1: missed that, you can go check that out, and he

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Speaker 1: talked to us about the text message that him and

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Speaker 1: Eddie sent Gavin DeGraw of somebody covering his song when

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Speaker 1: they were down in Memphis, and while the show gave

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Speaker 1: them a pretty hard time about using a phone number

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Speaker 1: from professional reasons to personal reasons. And when Eddie was

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Speaker 1: out at Bobby's show this past weekend, he asked Gavin

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Speaker 1: DeGraw live in person how he felt about that text message,

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Speaker 1: and Eddie told us what all transpired. But you know,

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Speaker 1: Mike came in this weekend. He was also at Bobby's

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Speaker 1: show and shared some more behind the scenes. You know,

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Speaker 1: there's just this story is like an onion, It just

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Speaker 1: keeps unfolding. But here's one of the parts. Number six.

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Speaker 1: So as a reminder, we had a segment last week

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Speaker 1: and Eddie and Scuba Steve were in Memphis. They went

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Speaker 1: to watch the Elvis movie and while they were there.

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Speaker 1: They go to a bar and they see a guy

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Speaker 1: playing Gavin DeGraw. I don't want to be this song

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Speaker 1: right here from Gavin Degarral. There's a guy just covering

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Speaker 1: this song in a bar, and they think, since Gavin's

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Speaker 1: been on the show once and they happened to have

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Speaker 1: his number for professional reasons, they needed to text him

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Speaker 1: a video at one in the morning. It was a

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Speaker 1: good version, though. This guy was really good, right, I

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Speaker 1: hear you sure? And so we talked about how that's

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Speaker 1: kind of awkward. You're not friends with him, No, we

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Speaker 1: don't really know him. It's like getting his number off

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Speaker 1: a medical form and then being like, oh, I have

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Speaker 1: his number, let me. It was Scuba's idea, he said,

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Speaker 1: should I text him? I said yes, absolutely. I say,

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Speaker 1: Gavin's a nice guy, is probably not gonna be mad.

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Speaker 1: But that's inappropriate. You can't do that. You can't go

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Speaker 1: down to Broadway here in Nashville and be like, hey, Garth,

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Speaker 1: there's friends in low places here. This is Sally doing it. Man.

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Speaker 1: You guys railed us for doing that, railed mildly reem.

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Speaker 1: So Gavin came out at my show. I brought him

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Speaker 1: out on Saturday night as a surprise. And so he's

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Speaker 1: backstage where he surprised the crowd inside of my comedy

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Speaker 1: and inspirational show, and you asked him about this, Yeah,

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Speaker 1: he was backstage. So I said, hey, dam can I

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Speaker 1: ask you a question? You know how we texted you

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Speaker 1: with of that version of that guy singing your song,

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Speaker 1: like what's that? Inappropriate? Teams like what are you talking about? No,

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Speaker 1: he was He didn't say what are you talking about?

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Speaker 1: He said, quote, I will tell you what he said.

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Speaker 1: He goes, dude, I really enjoyed that, Like I like

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Speaker 1: the reminder of like, that's cool. People are still playing

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Speaker 1: my music to me. It's very flattering. And then he

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Speaker 1: ended with this nice to you. Go ahead. Hey. He

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Speaker 1: ended with next time you see someone else playing that, dude,

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Speaker 1: text away. Yeah, all right, Scuba, we're good. Dude, all right, cool?

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Speaker 1: You do realize more. He's a nice guy. And he

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Speaker 1: was just being what do you think he's gonna say, dude,

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Speaker 1: don't do that? Yeah, yeah, I would expect him to

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Speaker 1: be like, ah, man, yeah I was a little weird

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Speaker 1: or whatever, but he didn't say that. He said, dude,

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Speaker 1: it was I was very flattered by that. But he

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Speaker 1: also could have just stopped it. I was flattered and

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Speaker 1: it was cool. He didn't have to add on send

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Speaker 1: it to me next time. That's why I think that

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Speaker 1: he's just being super nice and it's like, yeah, man,

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Speaker 1: who wants to see Yeah. I think it would be

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Speaker 1: a different answer if Bobby asked him as opposed to

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Speaker 1: the person that sent the text. Okay, Bobby, Let's say

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Speaker 1: that we're somewhere and I see someone covering raging idiots

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Speaker 1: or someone else that has happened before, and I wanted

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Speaker 1: it because but I'm not. I'm not famous, but I

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Speaker 1: don't have that Gavina Grossong is so massive. Ten thousand

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Speaker 1: people are covering it every night, and you're friends with

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Speaker 1: Bobby Amy. Okay, not me, bad example, but anybody like

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Speaker 1: that paple all the way around, Yeah, all the way around.

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Speaker 1: The rule is if you're not if you haven't texted

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Speaker 1: with them on a personal basis before in a friendly way,

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Speaker 1: don't text them. If it period, if you get their

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Speaker 1: number from the show, okay, you should be like who

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Speaker 1: punishment one day should be like if you do you

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Speaker 1: mess up or do something, you have to text someone

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Speaker 1: from your phone. No, they do that anyway. That's not

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Speaker 1: that's fun. Hey, you know what else so embarrassing? He said,

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Speaker 1: did you send that to me? I said, no, Scuba

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Speaker 1: days like, well, let me give you my number so

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Speaker 1: you can text me next time. Okay, that's what I'm saying,

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Speaker 1: stories being exact. And then he said, hey, come over

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Speaker 1: tonight and when at dinner he never said that. Gavin

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Speaker 1: a girl so good? This song Ford, you know, he

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Speaker 1: did this whole album about his you know, and the

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Speaker 1: story is his parents died in a lot of death

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Speaker 1: and he wanted to finish this album before his dad died.

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Speaker 1: His dad was diagnosed with cancer and he got to

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Speaker 1: play it for his dad right before he died. He'd

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Speaker 1: been working on it. His dad listened to it, and

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Speaker 1: his dad died very soon after that. And the first

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Speaker 1: track on it's called you know the River, and it's

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Speaker 1: about his dad finally going to meet his mom because

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Speaker 1: his mom passed away earlier. Super emotional. He has a

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Speaker 1: song called Ford. It's like what you should appreciate in life.

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Speaker 1: I mean, there is not a more country song the meaning,

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Speaker 1: the message than this song right here. It played the

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Speaker 1: hook of that song for me right count lessons and

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Speaker 1: praise the Lord that he work card and you get

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Speaker 1: it's such a good song, you know, for us in

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Speaker 1: this room, for us to listen to the show, this

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Speaker 1: is it's a great message for our kind of people.

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Speaker 1: It's the best bits of the week with Morgan. Number two.

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Speaker 1: I love it so much when Jimmy Allen stops by

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Speaker 1: the show. He's so human, so real and just is

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Speaker 1: totally raw in his interviews. He shares all his feelings

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Speaker 1: and everything right off the chest and no filter, which

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Speaker 1: is my favorite thing about him. He came in that

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Speaker 1: interview was so much fun. But not only that, he

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Speaker 1: is becoming a professional bowler, or at least that's his

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Speaker 1: goal in the next year. So definitely listen to this.

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Speaker 1: Number five. Jimmy, he's got a new album out today.

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Speaker 1: It's crazy it's only your third album. I feel like

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Speaker 1: you put out so much good stuff, but I guess

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Speaker 1: a lot of that stuff's just not an album. It's

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Speaker 1: like this is for third full project. Yeah, third full project.

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Speaker 1: It's like I'll hear that there. Sometimes I hear like, wow,

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Speaker 1: you got three albums out already on your fifth single

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Speaker 1: because you figured as some artists that just now put

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Speaker 1: out an EP on like their third single. Yeah, but

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Speaker 1: then he also got to play covers their whole show.

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Speaker 1: So it's kind of like you're always have a lot

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Speaker 1: of really cool people because you have great songs yourself,

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Speaker 1: but you have the ability to get really cool people

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Speaker 1: to do songs with you and to also share the

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Speaker 1: message that you want shared, and all of your collaborations.

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Speaker 1: It's like you don't bring someone on and they just

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Speaker 1: are out of nowhere and it doesn't make sense. It's

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Speaker 1: like you bring on great communicators of what the song

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Speaker 1: actually means, and it's it's it's a really cool thing

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Speaker 1: that you do. And so I'll talk about that for

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Speaker 1: a second because on this record, and I do want

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Speaker 1: talk about the Jennifer Lopes thing because I saw that

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Speaker 1: I was like, holy crap, how did you get j

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Speaker 1: Loo to be on a song? So she it's a

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Speaker 1: remake of her song on My Way from her movie

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Speaker 1: Marrying Me, and like, I know somebody that works with her,

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Speaker 1: and he reached out and was like, Hey, we want

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Speaker 1: to do a remake of this JLO song? Would you

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Speaker 1: be down to do it? I would say that's a

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Speaker 1: dumb question, of course, Like I don't care what the

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Speaker 1: song is about. I didn't even know what song is

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Speaker 1: going to be? I said yes, So he just sent

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Speaker 1: it over. She'd already done her vocals on so I

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Speaker 1: just did mind and like and I just sent it back.

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Speaker 1: That's cool. So it kind of came to you. But

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Speaker 1: then you got to also go this is is still

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Speaker 1: a me thing. Yeah. So then after we did it,

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Speaker 1: it was like, hey the record can we put on

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Speaker 1: the record? Now? The Celo t Pain thing was different,

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Speaker 1: like I was in Miami ges himself with pit Bull,

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Speaker 1: and then I went to studio and my boy Vinny

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Speaker 1: that produces some Celo stuff, said hey, Jimmy, Celo got

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Speaker 1: this verse. He got a chorus, but he wants to

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Speaker 1: like change it. What do you want to do? See

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Speaker 1: if you can ride a course to it? So I said,

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Speaker 1: all right, play the track. So I just hopped in

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Speaker 1: the booth free stopped this chorus, then went back and

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Speaker 1: recorded it and I called te Pain a couple days

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Speaker 1: later that bro, I got this song on Celo, you

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Speaker 1: want to do it? You just called him? Yeah, It's

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Speaker 1: like hello, yeah, he was like, can I buy your drink?

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Speaker 1: I'm good? So then he said yeah, so he did it.

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Speaker 1: Now I was gonna there's a hip hop artist I

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Speaker 1: was texting to do the third verse, so I was like,

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Speaker 1: oh wait, no, I want a verse. I don't want

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Speaker 1: to just sing the chorus on a song on my

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Speaker 1: record and then Katio the other features. So every album

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Speaker 1: I want to have an artist that doesn't have a

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Speaker 1: record with the song. So it started with Betty James

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Speaker 1: Gold Edition with Neon Union, who me and my buddy

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Speaker 1: Aaron ben would just signed, just got them their first

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Speaker 1: record deal. Now Katio she's an artist in town that

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Speaker 1: used to demo sing a lot of songs that they

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Speaker 1: would pitch to, like artists like Carrie Mary and Carl whoever.

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Speaker 1: But the problem is Nashville sometimes if you become a

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Speaker 1: demo singer, you get pitch and hold is that. So

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Speaker 1: she's a great artist and we had her come in

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Speaker 1: because the song we did, broken Heart, is gonna be

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Speaker 1: to do it anyway. My boy was like, hey, let's

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Speaker 1: have this girl Katio come demo. I was like cool,

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Speaker 1: So she came in. I was like, wait, wait, no,

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Speaker 1: let's just keep her on the song that way, you know.

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Speaker 1: One It's I feel like I've been given a platform

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Speaker 1: and people have given me opportunities. I feel like it's

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Speaker 1: my job to do that for other people. So I'm

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Speaker 1: excited for the world to hit katiel. What's interesting about that.

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Speaker 1: What I hear when you tell that story is Reba,

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Speaker 1: you know, does he love you? Linda Davis? Does he

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Speaker 1: love you? When? So they do this and she was

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Speaker 1: just singing the demo for the song because she was

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Speaker 1: with Reba's touring group, and they were like, well, who

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Speaker 1: do you want to get on it? And they had

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Speaker 1: gone through according to urban legend. I think reve actually

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Speaker 1: told me this, it's not that urban of a legend.

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Speaker 1: They had gone through people to do it. She was like, no,

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Speaker 1: let's just have Linda do it. She sounds great, and

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Speaker 1: she's already on tour with us as a background singer,

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Speaker 1: and so she was like, and she's a great artist

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Speaker 1: that no one has actually let beat and so that

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Speaker 1: song does he think me? And so that's that similar

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Speaker 1: to what you just told her. Because Katie's a nurse,

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Speaker 1: so she'll go work her nurse shifts and still write.

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Speaker 1: So like you know, nurses work twelve hours, so she'll

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Speaker 1: go work twelve hours still then still go write songs

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Speaker 1: and still go recording music. So I just you know,

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Speaker 1: I had so much respect for her in the hustle.

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Speaker 1: You know, we really appreciate people to guy hustle bro

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Speaker 1: because we try to appreciate It's like a time machine

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Speaker 1: and I'll speak and you can agree or disagree. But

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Speaker 1: you say that and it resonates with me because I go, man,

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Speaker 1: somebody's just killing themselves. I think that's why I was

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Speaker 1: drawn to you early because I would see you just

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Speaker 1: going so hard for what you wanted and I admired

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Speaker 1: that because nothing was given to you. And I'm like,

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Speaker 1: I like it. I want to help them, but in reality,

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Speaker 1: I just wanted to help me. That's what I did,

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Speaker 1: and I wanted somebody to help me. So when you

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Speaker 1: that's how I feel because you talk about her and

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Speaker 1: I'm like, yes, I should help her. Yeah, man, but

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Speaker 1: I think we're actually trying to help ourselves in the past.

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Speaker 1: Oh yeah. And it's kind of like it's that's what

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Speaker 1: could next us Because me the one my biggest pet

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Speaker 1: peeve lazy people. People say I want this, I want that,

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Speaker 1: but have it. They've never taken one step in the

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Speaker 1: direction to achieve said career they want, you know, But

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Speaker 1: when I see someone like exhausting every option to make

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Speaker 1: it happen. I'm like, that's when you step in, because

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Speaker 1: that's what someone did for us. We got to a

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Speaker 1: point where we worked our butt off, when we got

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Speaker 1: good at what we were doing a little bit enough

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Speaker 1: to get someone's attention. And people say, you know what,

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Speaker 1: they're investing in themselves, so I'm gonna invest in them. Yeah.

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Speaker 1: They just kicked the door and cracked it a little bit.

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Speaker 1: Kick crack a little bit and let us have a

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Speaker 1: shot to get enter the room. Hold the door, give

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Speaker 1: us some more time to get through it. Just hold

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Speaker 1: it for him for a second. Jimmy Allen us here

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Speaker 1: records out today called Tulip Drive. What I want to

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Speaker 1: mention too, And we were talking about this before you

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Speaker 1: came on. But Jimmy took a red eye to get

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Speaker 1: here to do the show today. Hey, what's the red

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Speaker 1: eye to you? A red eye a picture or yourself

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Speaker 1: like in La trying to get to New York and

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Speaker 1: you do it overnight or something, and you maybe catch

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Speaker 1: the flight at midnight and La La, you wake up

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Speaker 1: in New York. So a red eye because I'm assuming

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Speaker 1: you you're tired in your eyes are red, but it's

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Speaker 1: an overnight flight. They're they're difficult because it throws you off.

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Speaker 1: And yeah, you're obviously, like you said, you hustle and

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Speaker 1: you got here, and I appreciate that. But why you

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Speaker 1: were confused as a red eye to you is the

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Speaker 1: same thing. Yeah, so this wasn't that I had a stop.

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Speaker 1: I went from one ratches city to another one. I

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Speaker 1: went from Oakland to Troit. Like at midoy, my credit

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Speaker 1: score dropped one hundred points. Okay, you can't if you're

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Speaker 1: gonna take me from Oakle to Detroit, can we at

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Speaker 1: least stop and Scottsdale in between? Even Utah? You know,

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Speaker 1: maybe Salt Lake City, you know, they could pray for

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Speaker 1: me out there to get my credit score back up.

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Speaker 1: And then I came to Nashville. But uh, that's what

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Speaker 1: I didn't realize it had a stop until I got

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Speaker 1: on the plane. I was like, wait, what, Yeah, that's

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Speaker 1: just two connectors at night. That's not a red eye.

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Speaker 1: He hung out for like two hours in an airport.

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Speaker 1: Let's fly you here. Yeah, you know, ten fifty your time.

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Speaker 1: You know, we'll take you to Detroit at six am

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Speaker 1: and you'll stay there for two hours. And you gotta

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Speaker 1: stay away because you want to fall asleep mission flight

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Speaker 1: and then you get on another flight and come in here.

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Speaker 1: Oh yeah, so here it is. Well, you look good,

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Speaker 1: you know. I try to put a little piece together

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Speaker 1: what you have? Quite that? But you have five or

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Speaker 1: six brothers, sisters? I have you got his fingers out

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Speaker 1: by the way for them. I don't four sisters, two,

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Speaker 1: three brothers. And what is that dynamic like with you

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Speaker 1: doing what you do? Because this is a weird job.

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Speaker 1: You're really good at it. This is a weird job

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Speaker 1: that you're a performer and you do. What do they think?

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Speaker 1: And what's like generally, what's the family do? They don't

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Speaker 1: really care. They still just treat me like Jimmy, so

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Speaker 1: like it's an inside joke, and my friends and families

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Speaker 1: know me forever. They still treat me like Jimmy with

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Speaker 1: a why. So I switched Jimmy to an I E.

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Speaker 1: A year before I got my record deal out of

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Speaker 1: honor my grandma because she spelled Betty I E. So

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Speaker 1: everybody knew me with a why and I was like

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Speaker 1: the Delaware day. So my family still treat me like

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Speaker 1: me in a while. My brother is a construction he's

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Speaker 1: one of the top governors at the Mooselage. You know

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Speaker 1: that we all hang out in delibacy takes that very

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Speaker 1: shious shout out to the Mooselage, by the way. Uh

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Speaker 1: My one sister used to work at the Constorium. I

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Speaker 1: like a lot of special these people. Um My one brother,

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Speaker 1: I don't know what he does. All I know is

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Speaker 1: he always has money, but I never see him working.

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Speaker 1: So I leave that. I won't even say that. He

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Speaker 1: don't like to say that at all. He doesn't like

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Speaker 1: that at all. It is what it is, Okay. I

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Speaker 1: don't know what he does. He says he's always working.

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Speaker 1: I never see him work, but he has money. Now

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Speaker 1: my issue. Uh My one sister works from home. Uh

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Speaker 1: she's a Nashville Uh she works with some insurance company

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Speaker 1: I don't remember. And my other sister, Dan Yelle, is

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Speaker 1: in Texas. I don't know what she does either, but

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Speaker 1: she works, so I know she goes to work. Sounds

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Speaker 1: like I need a little more connection. Yeah, but it's

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Speaker 1: like we don't really talk. Like we don't ever talk

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Speaker 1: about my job either. So you know, we just talk.

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Speaker 1: We hang out, We do family stuff, We play games.

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Speaker 1: The last thing that's the one thing I love about

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Speaker 1: my siblings. We keep work on the outside. Like my

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Speaker 1: sister didn't even know I was having an album out

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Speaker 1: until like a couple of days ago. She's like, you

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Speaker 1: gotta wrecke coming up. You didn't tell me. It's like,

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Speaker 1: oh yeah, she's, oh, garrets whatever out here eventually. So

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Speaker 1: it's like we kind of don't. That's the one thing

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Speaker 1: we do on purpose. We don't talk about work. The

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Speaker 1: album is out today. It's called Tulip Drive. I'm gonna

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Speaker 1: play down Home. So it came out a few months ago,

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Speaker 1: but really starting to gain some steam here. So I'm

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Speaker 1: gonna play this, but give me like twenty seconds a

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Speaker 1: set up of the song so people can have an

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Speaker 1: understanding what they' about to hear. Down Home. It's a

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Speaker 1: song I wrote with my bass player to tell you

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Speaker 1: how Ryan Ball Camberdell. It's a letter to my father,

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Speaker 1: kind of like a check in. I didn't want to

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Speaker 1: make it a sad song, just you know, checking in

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Speaker 1: saying hopefully everything's good up there, because everything you taught us,

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Speaker 1: we're still using it today and everything's good. Down Home

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Speaker 1: album's out today. This is down Home. We're gonna come

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Speaker 1: back with Jimmy Allen we're gonna talk about how Kane

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Speaker 1: Brown thought I was you Have you heard the story? Yeah? Exactly?

424
00:19:00,240 --> 00:19:03,359
Speaker 1: All right, Jimmy's here. The album's out. It's called Tulip Drive.

425
00:19:03,400 --> 00:19:05,720
Speaker 1: I hope you guys check it out. I want to

426
00:19:05,720 --> 00:19:08,160
Speaker 1: talk about Kane Brown reachie because Kane and I talk.

427
00:19:08,560 --> 00:19:13,000
Speaker 1: I love Kane, yeah and so, and Kane's always extremely

428
00:19:13,040 --> 00:19:15,199
Speaker 1: real and I can appreciate that from him, and so

429
00:19:15,200 --> 00:19:17,959
Speaker 1: I get a message from him. And I had posted

430
00:19:18,000 --> 00:19:20,720
Speaker 1: a video back at I Heart Country Festival. I guess

431
00:19:20,800 --> 00:19:25,680
Speaker 1: that was what month was that? What month? Are we now? May? Okay? Yeah,

432
00:19:25,720 --> 00:19:27,800
Speaker 1: I say so. There's a picture of all of us

433
00:19:27,800 --> 00:19:31,400
Speaker 1: standing together, and it's everybody who performed and myself since

434
00:19:31,440 --> 00:19:33,360
Speaker 1: I hosted. And just so you have an idea here

435
00:19:33,480 --> 00:19:35,480
Speaker 1: like this, it's video. It's like scrolling. That's the one

436
00:19:35,520 --> 00:19:37,119
Speaker 1: where I didn't get the memo that everybody's gonna have

437
00:19:37,200 --> 00:19:39,399
Speaker 1: this show clothes on. I'm sitting there with basketball shorts on.

438
00:19:39,640 --> 00:19:41,560
Speaker 1: That's it. And so that's where this comes from. So

439
00:19:41,640 --> 00:19:44,960
Speaker 1: this video is all of us, and Kane reaches out

440
00:19:45,000 --> 00:19:47,440
Speaker 1: and goes to me, Hey, he said, how come you're

441
00:19:47,480 --> 00:19:49,679
Speaker 1: like me? All these mfs always dressed up in their

442
00:19:49,680 --> 00:19:51,200
Speaker 1: show gear and I look like I'm ready to hoop,

443
00:19:51,680 --> 00:19:53,280
Speaker 1: and so he says this to me, and I'm offended

444
00:19:53,280 --> 00:19:54,679
Speaker 1: because I thought I was like a pretty good I

445
00:19:54,720 --> 00:19:57,199
Speaker 1: had a like I had a mine's outfit on, and

446
00:19:57,240 --> 00:19:59,200
Speaker 1: I don't know what to say because I gotta respond,

447
00:20:00,440 --> 00:20:04,840
Speaker 1: and I go and it's weird. So I go, uh

448
00:20:04,960 --> 00:20:08,760
Speaker 1: hah um, Yeah, it looks like Jimmy and I ready

449
00:20:08,760 --> 00:20:10,720
Speaker 1: to chill on the couch and watch a game. Meaning

450
00:20:10,760 --> 00:20:12,199
Speaker 1: I'm just trying to bring you into this because you

451
00:20:12,240 --> 00:20:14,120
Speaker 1: look like you're in show. But I don't know why

452
00:20:14,119 --> 00:20:15,639
Speaker 1: it's saying that to me because I was like proud

453
00:20:15,640 --> 00:20:18,119
Speaker 1: of my clothes. Oh god, And so I told the

454
00:20:18,200 --> 00:20:20,880
Speaker 1: show I was like, Kane just said I'd dressed fire.

455
00:20:21,600 --> 00:20:24,720
Speaker 1: So then he sends me a laughing emoji, goes, I'm

456
00:20:24,720 --> 00:20:26,200
Speaker 1: meant to send that to Jimmy. I thought I was

457
00:20:26,200 --> 00:20:31,080
Speaker 1: watching his account. He said, I tried to hit the

458
00:20:31,160 --> 00:20:33,480
Speaker 1: unsend button, but I guess that doesn't worry hahaha, you

459
00:20:33,560 --> 00:20:36,800
Speaker 1: gotta hold it. So he was talking about you. He said,

460
00:20:36,840 --> 00:20:40,160
Speaker 1: how come you're like everybody dressed up? But yeah, because

461
00:20:40,160 --> 00:20:43,040
Speaker 1: I chill in my sweats are shorts to the last

462
00:20:43,280 --> 00:20:45,760
Speaker 1: minute because I know what I'm about to put on stage.

463
00:20:45,760 --> 00:20:48,600
Speaker 1: It is about to be small, tight and sweaty, you

464
00:20:48,640 --> 00:20:50,000
Speaker 1: know what I mean. So I'm in this leather kick

465
00:20:50,119 --> 00:20:53,080
Speaker 1: right now. Well, I was offended. Was my feelings were hurt?

466
00:20:53,080 --> 00:20:54,320
Speaker 1: I was like, who is that? Da kan n thinks

467
00:20:54,320 --> 00:20:56,760
Speaker 1: I'm ugly and I dressed upid. I was like, I'm

468
00:20:56,840 --> 00:20:58,840
Speaker 1: trying my basketball, trying to go host a show here.

469
00:20:59,640 --> 00:21:01,560
Speaker 1: You have a bowling I know you bowling, You're a

470
00:21:01,560 --> 00:21:03,879
Speaker 1: really good bowler. But you have a team. Yeah, I

471
00:21:03,960 --> 00:21:05,760
Speaker 1: know there was a team. Yeah. So I'm in a

472
00:21:06,640 --> 00:21:09,240
Speaker 1: three leagues here and then I'm in this traveling team

473
00:21:09,320 --> 00:21:11,760
Speaker 1: and then actually in Vegas, will be in Vegas next week.

474
00:21:11,840 --> 00:21:17,400
Speaker 1: Three leagues, traveling, traveling. Yeah, we traveled d tournaments, um,

475
00:21:17,600 --> 00:21:21,600
Speaker 1: and then uh I got USBC tournament in Vegas next week,

476
00:21:21,680 --> 00:21:25,240
Speaker 1: then a TAT tournament and then some PBA stuff coming

477
00:21:25,280 --> 00:21:29,600
Speaker 1: because I am pretty much almost an official PBA tour.

478
00:21:29,680 --> 00:21:31,600
Speaker 1: So you got to have a hold of two hundred

479
00:21:31,600 --> 00:21:35,400
Speaker 1: average for an entire season, could you be a pro bowler? Yeah,

480
00:21:35,440 --> 00:21:37,760
Speaker 1: I'm actually taking off to a month in January to

481
00:21:37,800 --> 00:21:39,760
Speaker 1: do that. Next year, you're taking off what do you

482
00:21:39,760 --> 00:21:42,840
Speaker 1: mean to do that? Like traveling bowl player do PBA tournaments.

483
00:21:42,880 --> 00:21:45,480
Speaker 1: That's so cool. I mean, it's it's weird because I

484
00:21:45,480 --> 00:21:47,320
Speaker 1: don't know, but it does that. Yeah, that's so cool.

485
00:21:47,480 --> 00:21:49,040
Speaker 1: I think the only other person that does it a

486
00:21:49,080 --> 00:21:52,359
Speaker 1: lot is me that I know is me, Chuck Wicks

487
00:21:52,359 --> 00:21:55,960
Speaker 1: and Mookie Batts. Like when Mookie Bets is off from baseball,

488
00:21:56,119 --> 00:21:59,400
Speaker 1: he traveled just just bowling tournaments and they pay too. Yeah, okay,

489
00:21:59,440 --> 00:22:03,479
Speaker 1: can you make Yeah for those who don't know, he's

490
00:22:03,520 --> 00:22:09,880
Speaker 1: got very violent aggressive Okay, oh yeah, you can get paid.

491
00:22:09,920 --> 00:22:11,960
Speaker 1: I tell people bowls like, it's to the point where

492
00:22:11,960 --> 00:22:14,159
Speaker 1: I've become a snob. Now with bowling, I'll ask for

493
00:22:14,280 --> 00:22:17,320
Speaker 1: like their house pattern was still shot? Was the oil length?

494
00:22:17,480 --> 00:22:18,960
Speaker 1: And then when I go to the bowling now and

495
00:22:18,960 --> 00:22:20,760
Speaker 1: I see people next to me bowling with house shoes

496
00:22:20,760 --> 00:22:24,159
Speaker 1: on in the house ball, I'm like, he's like, what

497
00:22:24,200 --> 00:22:29,280
Speaker 1: are you doing? Having fun? No, that's better? Oh sad

498
00:22:29,880 --> 00:22:32,040
Speaker 1: at Jimmy Allen. If you're to follow him again, I

499
00:22:32,119 --> 00:22:34,600
Speaker 1: e which is a great story. Was well on your

500
00:22:34,600 --> 00:22:38,000
Speaker 1: birthdayip begets Jimmy with the why James James is my

501
00:22:38,080 --> 00:22:40,320
Speaker 1: legal name? You got the point when I'm saying Jimmy, Yeah, yeah,

502
00:22:40,440 --> 00:22:42,800
Speaker 1: but you was Jimmy. People call you Jimmy. Be changed

503
00:22:42,800 --> 00:22:44,200
Speaker 1: it for your grandma. Yeah, I changed for my ground.

504
00:22:44,200 --> 00:22:46,080
Speaker 1: That's why I started wearing these bandana's, Like that's my

505
00:22:46,119 --> 00:22:48,439
Speaker 1: look now because my Grandma'm always wore bandana. I'm like

506
00:22:48,480 --> 00:22:51,080
Speaker 1: super sentimental. So everything I do, no matter how weird

507
00:22:51,119 --> 00:22:54,720
Speaker 1: it might see him, there's a reason. So Tulip drivers

508
00:22:54,720 --> 00:22:57,080
Speaker 1: out and speaking of weird, let's just this is the

509
00:22:57,119 --> 00:22:58,840
Speaker 1: last thing I'll talk about because if it is weird

510
00:22:58,880 --> 00:23:01,040
Speaker 1: and week into a fistfight, the segment INDs here, right,

511
00:23:01,240 --> 00:23:04,240
Speaker 1: we have nothing else to do. We've already talked about everything. Really, Yeah, okay,

512
00:23:04,520 --> 00:23:07,800
Speaker 1: you guys prepare yourself bringing the referees. So, um, what

513
00:23:07,840 --> 00:23:10,399
Speaker 1: I like about Jimmy is he will go to people

514
00:23:10,400 --> 00:23:12,399
Speaker 1: that he admires and respects and says, hey, hop on

515
00:23:12,400 --> 00:23:14,640
Speaker 1: this song with me. And so I had this whole song.

516
00:23:14,680 --> 00:23:16,679
Speaker 1: I reached out Jimmy. I said, hey, Jimmy, get on

517
00:23:16,680 --> 00:23:21,840
Speaker 1: the song with me. All right, already laughing, laughing and

518
00:23:22,480 --> 00:23:29,600
Speaker 1: leaning away from so like I love Jimmy, like not

519
00:23:29,720 --> 00:23:32,359
Speaker 1: just in here we do this, but as it like

520
00:23:32,400 --> 00:23:35,000
Speaker 1: a dude, And so I never want to ask anybody

521
00:23:35,040 --> 00:23:38,439
Speaker 1: to do anything with me or us unless I'm like

522
00:23:38,520 --> 00:23:41,120
Speaker 1: close and you know, Party John Party did a song,

523
00:23:41,280 --> 00:23:42,920
Speaker 1: a comedy song we wrote last time, and I said,

524
00:23:42,920 --> 00:23:45,240
Speaker 1: you know would be good on this, it'd be Jimmy.

525
00:23:45,440 --> 00:23:46,520
Speaker 1: And so I don't want to say the name of

526
00:23:46,560 --> 00:23:48,000
Speaker 1: the song because somebody else is going to do it.

527
00:23:48,000 --> 00:23:50,840
Speaker 1: Once Jimmy rejected us. But anyway, so I sent the

528
00:23:50,880 --> 00:23:52,760
Speaker 1: song to Jimmy and I feel awkward. I'm like, oh,

529
00:23:52,760 --> 00:23:54,080
Speaker 1: I don't want to ask somebody to do this song.

530
00:23:54,240 --> 00:23:56,560
Speaker 1: So I send the track with the empty verse. I say, hey, Jimmy,

531
00:23:56,560 --> 00:23:59,240
Speaker 1: we're doing this song. Is this something you want to do? Like?

532
00:23:59,280 --> 00:24:01,360
Speaker 1: Hop on it? You can? They know, just just let

533
00:24:01,400 --> 00:24:04,760
Speaker 1: me know. It's an awkward thing to ask somebody. And

534
00:24:04,840 --> 00:24:06,840
Speaker 1: I didn't hear anything. Day went by, not even a

535
00:24:06,880 --> 00:24:10,679
Speaker 1: text back. Two days went by, nothing, and I'm like,

536
00:24:11,520 --> 00:24:14,160
Speaker 1: that's weird. He must be scared to say no. And

537
00:24:14,240 --> 00:24:17,240
Speaker 1: so I get somebody that works with me, talk to

538
00:24:17,280 --> 00:24:19,560
Speaker 1: your person and they're like, oh, yeah, Jimmy doesn't have

539
00:24:19,600 --> 00:24:22,440
Speaker 1: a phone, and I'm like, that's bullcrap. That's what people say.

540
00:24:22,520 --> 00:24:25,399
Speaker 1: I'm dead serious. So what is So? Here's what. So

541
00:24:25,480 --> 00:24:28,960
Speaker 1: I don't update my iPhones ever because it freaks me up,

542
00:24:29,280 --> 00:24:31,880
Speaker 1: Like I just think they just want me to keep updating, updating,

543
00:24:31,920 --> 00:24:34,720
Speaker 1: So stuff are going to phone. So I remember forgot

544
00:24:34,760 --> 00:24:36,800
Speaker 1: where we had I was right before show. I plugged

545
00:24:36,800 --> 00:24:39,760
Speaker 1: it in on my phone and I came back out,

546
00:24:40,040 --> 00:24:42,560
Speaker 1: and then my phone is just doing the circle thing

547
00:24:42,640 --> 00:24:45,680
Speaker 1: like it's loading right, and then the apple thing comes on.

548
00:24:46,160 --> 00:24:48,760
Speaker 1: I'll go to hit it my screen say pops up

549
00:24:48,800 --> 00:24:50,760
Speaker 1: with with my daughter's face on that. Every time I

550
00:24:50,800 --> 00:24:53,359
Speaker 1: put my pascot there, poom, phone shuts off. I didn't

551
00:24:53,400 --> 00:24:56,359
Speaker 1: have a phone for like two days, and it happened

552
00:24:56,359 --> 00:24:58,119
Speaker 1: to be the only time I sent us off. He

553
00:24:58,400 --> 00:25:02,240
Speaker 1: and then I I was freaking out anyway, right, so

554
00:25:02,400 --> 00:25:05,359
Speaker 1: excuse me. So we we fly to Philly that next day.

555
00:25:05,800 --> 00:25:07,360
Speaker 1: Go to Philly. You know, I hit to hit the casino,

556
00:25:07,520 --> 00:25:10,280
Speaker 1: you know, Uh, go to Philly. I get a new phone, right,

557
00:25:10,560 --> 00:25:13,120
Speaker 1: and then when I back it up, I have too

558
00:25:13,119 --> 00:25:16,120
Speaker 1: many pictures and stuff, so the phone's not loading again,

559
00:25:16,160 --> 00:25:18,080
Speaker 1: so it freaks out again. So then I got to

560
00:25:18,119 --> 00:25:20,360
Speaker 1: get another phone. Two days later in Nashville. I didn't

561
00:25:20,359 --> 00:25:22,360
Speaker 1: have a phone almost for like four days. So then

562
00:25:22,560 --> 00:25:24,600
Speaker 1: when I finally get my phone back up and running,

563
00:25:24,960 --> 00:25:27,840
Speaker 1: the last time I updated my phone was March, so

564
00:25:27,880 --> 00:25:31,320
Speaker 1: I got text messages from March, right, So my manager asked.

565
00:25:31,320 --> 00:25:33,760
Speaker 1: Text was said, hey, did you did you not want

566
00:25:33,800 --> 00:25:35,520
Speaker 1: to do the song with Bobby? You know you could

567
00:25:35,520 --> 00:25:37,440
Speaker 1: have just told her. I said, I ain't getting no song.

568
00:25:37,800 --> 00:25:40,320
Speaker 1: He said yeah, He said, well they sent the song over.

569
00:25:40,680 --> 00:25:42,320
Speaker 1: He said yeah. He said, I figured it was weird,

570
00:25:42,359 --> 00:25:43,879
Speaker 1: but he said, I just told him you didn't have

571
00:25:43,880 --> 00:25:45,399
Speaker 1: a You didn't have a phone because I didn't have

572
00:25:45,440 --> 00:25:47,240
Speaker 1: a phone, because you know, I'd to respond to here

573
00:25:47,280 --> 00:25:48,879
Speaker 1: and i'd have done this song. So let's can we

574
00:25:48,920 --> 00:25:51,760
Speaker 1: do another one? Sounds sue. That's all I'm saying. I'm

575
00:25:51,760 --> 00:25:53,600
Speaker 1: not letting you commit to it. Here. This is a

576
00:25:53,600 --> 00:25:58,040
Speaker 1: new phone. I'm not today like I know it's gonna

577
00:25:58,040 --> 00:25:59,680
Speaker 1: bring them up. So give me got two new phones

578
00:25:59,720 --> 00:26:01,919
Speaker 1: because this phone is mirrored to this phone. So if

579
00:26:01,960 --> 00:26:05,000
Speaker 1: this phone ever goes away, have another one. All I

580
00:26:05,080 --> 00:26:08,760
Speaker 1: know is I send them this heartfelt matter, got no response,

581
00:26:09,680 --> 00:26:12,119
Speaker 1: and here we are now not doing a song. It

582
00:26:12,200 --> 00:26:13,840
Speaker 1: pretty funny song. I tell you, it's pretty good one.

583
00:26:13,880 --> 00:26:15,239
Speaker 1: They probably could be the thing that really breaks your

584
00:26:15,240 --> 00:26:17,000
Speaker 1: career and get your first man. You know, I say,

585
00:26:17,080 --> 00:26:19,320
Speaker 1: how about we do this. I don't like it. Whatever

586
00:26:19,320 --> 00:26:21,760
Speaker 1: it is, the person that's on it, let me join.

587
00:26:22,440 --> 00:26:24,920
Speaker 1: We're already done. It's does It's easy. I go to

588
00:26:25,000 --> 00:26:27,800
Speaker 1: studio and just do it. It's technology, man, Let's do

589
00:26:27,840 --> 00:26:30,520
Speaker 1: another one. Yeah, I know. We'll see how your career

590
00:26:30,600 --> 00:26:34,840
Speaker 1: is going a couple of years and readdresses. Yeah, I'll

591
00:26:34,880 --> 00:26:37,679
Speaker 1: probably be a movie star, but tired from music. No,

592
00:26:37,720 --> 00:26:39,480
Speaker 1: I probably want to be doing What kind of movie

593
00:26:39,520 --> 00:26:42,639
Speaker 1: do you want to do? Oh? A bunch? Like I'm

594
00:26:42,680 --> 00:26:46,520
Speaker 1: seriously taking the transition into television and film. Like I'm

595
00:26:46,520 --> 00:26:48,560
Speaker 1: not leaving music. Like I always put out singles, I

596
00:26:48,600 --> 00:26:52,359
Speaker 1: always do records. But the whole idea of touring one

597
00:26:52,440 --> 00:26:56,000
Speaker 1: hundred plus shows a year, no, I think I want

598
00:26:56,000 --> 00:26:57,760
Speaker 1: to get to a point where I'm doing maybe ten

599
00:26:57,840 --> 00:27:01,159
Speaker 1: shows a year in the US, twenty outside of a a year,

600
00:27:01,240 --> 00:27:04,720
Speaker 1: maybe thirty shows a year, and then just doing TV movies,

601
00:27:04,800 --> 00:27:09,200
Speaker 1: you know, spending time with my kids, developing muh music

602
00:27:09,359 --> 00:27:13,520
Speaker 1: education courses in different schools. But not just music, but

603
00:27:13,640 --> 00:27:15,439
Speaker 1: the business side of it, you know what I mean,

604
00:27:15,480 --> 00:27:18,200
Speaker 1: Because so many people don't understand the business as an artists,

605
00:27:18,200 --> 00:27:20,359
Speaker 1: and then it shows other people that love music that

606
00:27:20,480 --> 00:27:22,439
Speaker 1: might not be at the level of talent to be

607
00:27:22,480 --> 00:27:24,840
Speaker 1: a musician, they could still be involved in a career

608
00:27:24,920 --> 00:27:28,320
Speaker 1: to management, publishing pro So that's really what I really

609
00:27:28,320 --> 00:27:31,160
Speaker 1: want to what I really want to do after this

610
00:27:31,240 --> 00:27:33,320
Speaker 1: little debac all this song, You'll never work in this

611
00:27:33,359 --> 00:27:38,280
Speaker 1: town again. We heard it here first. Jimmy is an album,

612
00:27:38,400 --> 00:27:43,560
Speaker 1: my Tulip Drive. It's out today. It's it's so it's

613
00:27:43,800 --> 00:27:46,280
Speaker 1: it's so great and it's so different. You got a

614
00:27:46,320 --> 00:27:48,159
Speaker 1: lot of great voices, but the most important voice is

615
00:27:48,160 --> 00:27:51,160
Speaker 1: his own, and it's just a wonderful story. The voice

616
00:27:51,160 --> 00:27:53,600
Speaker 1: you don't want to put on. A voice that didn't

617
00:27:53,600 --> 00:27:56,200
Speaker 1: respond and that's so crazy. The time I do not

618
00:27:56,280 --> 00:27:58,240
Speaker 1: have exactly it is so crazy. That is jim you

619
00:27:58,320 --> 00:28:01,440
Speaker 1: said it. It's so crazy. It's a little too so crazy,

620
00:28:01,560 --> 00:28:04,960
Speaker 1: isn't it. Yeah, huh, all right, that's enough for this interview. Ray,

621
00:28:05,160 --> 00:28:07,520
Speaker 1: I think we're done. You gotta check out Tulip Drive.

622
00:28:07,600 --> 00:28:10,280
Speaker 1: Check out Jimmy Jimmy Allen at Jimmy Allen, follow him

623
00:28:10,280 --> 00:28:12,879
Speaker 1: on all the socials and that is it. Thanks my

624
00:28:12,880 --> 00:28:14,360
Speaker 1: friend for coming about oh man, thanks all right, there

625
00:28:14,400 --> 00:28:18,639
Speaker 1: is Jimmy Allen. Everybody. Hey, it's the best bits of

626
00:28:18,640 --> 00:28:25,719
Speaker 1: the week. With Morgan. Number two, Lunchbox is really just

627
00:28:25,800 --> 00:28:30,399
Speaker 1: being tested lately. He had some tree branches fall into

628
00:28:30,440 --> 00:28:33,680
Speaker 1: his house and create some pretty bad holes, all from

629
00:28:33,680 --> 00:28:36,480
Speaker 1: a storm, and we feel for him, especially after you'll

630
00:28:36,520 --> 00:28:38,760
Speaker 1: see all the photos at Bobby Bones dot com. I mean,

631
00:28:38,760 --> 00:28:42,560
Speaker 1: these trees like puncture different areas in his house. So

632
00:28:42,640 --> 00:28:45,560
Speaker 1: currently their house is a little bit under construction, so

633
00:28:45,600 --> 00:28:47,920
Speaker 1: we feel for him. But this is Lunchbox telling the

634
00:28:47,920 --> 00:28:50,280
Speaker 1: story of how it all happened and how his wife

635
00:28:50,360 --> 00:28:53,200
Speaker 1: told them it was going down. Number four, let's do

636
00:28:53,280 --> 00:28:58,840
Speaker 1: WhatsApps for Lunchbox? Hey, what's that? Man? The world hates me,

637
00:28:59,480 --> 00:29:02,440
Speaker 1: absolutely hates me, out to get me, trying to kill me.

638
00:29:02,560 --> 00:29:04,880
Speaker 1: We had a storm roll in the other day and

639
00:29:05,640 --> 00:29:09,520
Speaker 1: wind starts blowing. All of a sudden, boom, a big

640
00:29:09,560 --> 00:29:13,240
Speaker 1: old tree branch landed on the roof, not one hole.

641
00:29:13,640 --> 00:29:15,600
Speaker 1: Did you hear it? No? No, I wasn't even home.

642
00:29:15,680 --> 00:29:18,640
Speaker 1: My wife and she calls me, She's like, I need

643
00:29:18,720 --> 00:29:21,240
Speaker 1: you to come home. I think a tree branch fell

644
00:29:21,320 --> 00:29:25,240
Speaker 1: on the roof. And I'm like, oh my gosh, dramatically No, No,

645
00:29:25,320 --> 00:29:28,280
Speaker 1: she was crying hysterical, and I was like, dramatic much

646
00:29:28,280 --> 00:29:30,000
Speaker 1: So I'm all right all heading home and I started

647
00:29:30,040 --> 00:29:32,680
Speaker 1: driving home. She's like, it came through the ceiling. I

648
00:29:32,760 --> 00:29:34,680
Speaker 1: need you to hurry up and get there. I'm like, okay,

649
00:29:34,720 --> 00:29:37,400
Speaker 1: now that we're talking serious, and I get there. Oh

650
00:29:37,440 --> 00:29:38,760
Speaker 1: my god, I'm looking at a picture of your whole

651
00:29:38,800 --> 00:29:42,200
Speaker 1: roofs caved in. Yeah, there are there's a hole in

652
00:29:42,240 --> 00:29:45,880
Speaker 1: the ceiling. In the kid's room, you can see outside. Yeah,

653
00:29:45,880 --> 00:29:49,200
Speaker 1: you can see. We have a new skylight. And then

654
00:29:48,920 --> 00:29:52,680
Speaker 1: in the dining room there's another hole. And above the

655
00:29:52,720 --> 00:29:55,080
Speaker 1: stove in the kitchen there's a hole. We have three

656
00:29:55,480 --> 00:29:57,920
Speaker 1: holes in our ceiling. I thought you were gonna have

657
00:29:58,000 --> 00:30:00,640
Speaker 1: like small holes that created leaks. You can in Lunchbox's

658
00:30:00,680 --> 00:30:02,560
Speaker 1: house and look up and see the sky not because

659
00:30:02,600 --> 00:30:05,080
Speaker 1: of a skylight, but because the tree holes. Yes, so

660
00:30:05,120 --> 00:30:08,400
Speaker 1: what's what happened? What do you what do you do now?

661
00:30:08,520 --> 00:30:11,920
Speaker 1: A tree branch fell off a tree and boom, and

662
00:30:12,040 --> 00:30:14,520
Speaker 1: my wife, it shook the whole house, she said, And

663
00:30:14,560 --> 00:30:18,800
Speaker 1: so we called insurance, and the restoration company comes out

664
00:30:18,840 --> 00:30:21,080
Speaker 1: where they're supposed to put some fans in to dry

665
00:30:21,160 --> 00:30:23,440
Speaker 1: the floor, and they were like, oh yeah, we'll just

666
00:30:23,440 --> 00:30:24,920
Speaker 1: remove the tree branch. And they get up there and

667
00:30:25,000 --> 00:30:27,000
Speaker 1: like We're gonna have to call a tree company to

668
00:30:27,000 --> 00:30:29,760
Speaker 1: remove this. A tree company comes with tractors and they

669
00:30:29,760 --> 00:30:31,840
Speaker 1: cut it all up, and now I have tarps on

670
00:30:31,840 --> 00:30:34,520
Speaker 1: my roof. So it's gonna ask, is it like super hot? Now?

671
00:30:34,600 --> 00:30:37,440
Speaker 1: Can you not keep the house cool? Exactly? Really? Yep?

672
00:30:37,840 --> 00:30:41,000
Speaker 1: These are big holes. I mean it is massively. They

673
00:30:41,000 --> 00:30:45,000
Speaker 1: think it'll be done well. The insurance adjuster comes tomorrow

674
00:30:45,120 --> 00:30:47,000
Speaker 1: to give me an estimate, and I got to find

675
00:30:47,040 --> 00:30:50,200
Speaker 1: a contractor and to do the work, so I mean probably,

676
00:30:50,240 --> 00:30:52,360
Speaker 1: I mean at least a month. I bet that stinks.

677
00:30:52,880 --> 00:30:55,719
Speaker 1: I mean, massive holes. We have insulation hanging down. I mean,

678
00:30:55,760 --> 00:30:58,760
Speaker 1: it's just just a disaster at my house. We'll post

679
00:30:58,800 --> 00:31:01,520
Speaker 1: some of these pictures, like you, Yeah, it's much bigger

680
00:31:01,520 --> 00:31:03,320
Speaker 1: than I thought. So you go to the Facebook page

681
00:31:03,400 --> 00:31:05,160
Speaker 1: Bobby Bone Show and check him out. All right, that's

682
00:31:05,200 --> 00:31:11,120
Speaker 1: what's the apps? Hey, what's that? It's the best Bits

683
00:31:11,160 --> 00:31:15,960
Speaker 1: of the week with Morgan. Number two exciting stuff for

684
00:31:16,120 --> 00:31:19,640
Speaker 1: two members of our show, Raymundo, Eric Dodd and our

685
00:31:19,680 --> 00:31:23,400
Speaker 1: phone screen Or Abbey released Vacation Part two. In case

686
00:31:23,440 --> 00:31:26,960
Speaker 1: you forgot a couple of years back, Raymundo and Eric

687
00:31:27,000 --> 00:31:31,640
Speaker 1: Dodd released Vacation which was inspired by Ray's then girlfriend

688
00:31:31,680 --> 00:31:34,760
Speaker 1: who is now a wife. So Vacation Part two is

689
00:31:35,200 --> 00:31:41,400
Speaker 1: basically as Raymundo put it Season Hubby edition. I don't

690
00:31:41,440 --> 00:31:44,120
Speaker 1: know anymore, but this is Vacation part two. This is

691
00:31:44,200 --> 00:31:47,760
Speaker 1: him basically debuting it on the show number two. So

692
00:31:47,920 --> 00:31:51,000
Speaker 1: Ray has this song called Vacation. It's Eric dodd with

693
00:31:51,120 --> 00:31:54,400
Speaker 1: Raymundo his wife. We call her Bay and so it's

694
00:31:54,400 --> 00:31:59,840
Speaker 1: called Vacation. And here's a clip. Are you downfall of Kay?

695
00:32:00,120 --> 00:32:02,800
Speaker 1: And so that's Eric Dodds singing and then rayed as

696
00:32:02,840 --> 00:32:05,800
Speaker 1: a rat part is that coming up? Probably not? Maybe

697
00:32:05,880 --> 00:32:15,840
Speaker 1: right here in a couple of days. Ray, Hey ba bacation, Yeah,

698
00:32:16,240 --> 00:32:21,200
Speaker 1: don't bow from Instagram. Imagine these noodles are a catam

699
00:32:21,240 --> 00:32:24,120
Speaker 1: a ramy just clo, go wat to flow. They caught

700
00:32:24,160 --> 00:32:32,080
Speaker 1: me by boy ba hey hey hey, okay, good, that's

701
00:32:32,120 --> 00:32:33,280
Speaker 1: a good one. We should put that back in the

702
00:32:33,360 --> 00:32:37,040
Speaker 1: dance party at something. So you guys did Vacation Part

703
00:32:37,080 --> 00:32:40,000
Speaker 1: two correct. The wild success of this song, people were

704
00:32:40,040 --> 00:32:43,160
Speaker 1: demanding a follow up obviously, how long he has been

705
00:32:43,160 --> 00:32:45,440
Speaker 1: working on this. We did it like three months ago,

706
00:32:45,480 --> 00:32:47,320
Speaker 1: and I mean it was one day and then it

707
00:32:47,320 --> 00:32:49,760
Speaker 1: took a lot of times going to the studio one time.

708
00:32:49,800 --> 00:32:52,160
Speaker 1: My voice was messed up. So I did do retakes

709
00:32:52,160 --> 00:32:55,560
Speaker 1: and stuff because I have a rat part that I do. Yeah,

710
00:32:55,600 --> 00:32:58,240
Speaker 1: so it took me. They didn't retakes because of your voice. Yeah,

711
00:32:58,280 --> 00:33:00,520
Speaker 1: I wasted three months on a song. No, it takes

712
00:33:00,560 --> 00:33:02,600
Speaker 1: like you to ride it. But get you getting a studio.

713
00:33:02,760 --> 00:33:05,160
Speaker 1: His voice messed up, gotcha? Yeah, I felt bad. I

714
00:33:05,240 --> 00:33:07,560
Speaker 1: kept having to do real redos. I don't think it

715
00:33:07,640 --> 00:33:09,760
Speaker 1: was your voice. I think they just said they were like,

716
00:33:09,800 --> 00:33:11,760
Speaker 1: you're they're not feeling it. It really wasn't a good

717
00:33:11,760 --> 00:33:15,440
Speaker 1: part of the song. Voice, but but but he made

718
00:33:15,520 --> 00:33:18,400
Speaker 1: it perfect. Okay, So this is it's just called Vacation

719
00:33:18,440 --> 00:33:21,280
Speaker 1: Part two. Yeah. Wow, And so who who's this featuring?

720
00:33:21,400 --> 00:33:24,080
Speaker 1: So this is me Dodd And then we got Abby

721
00:33:24,480 --> 00:33:33,640
Speaker 1: phone screener as Okay, Abby Anderson is Abbe Lee Anderson. Kay,

722
00:33:33,640 --> 00:33:38,160
Speaker 1: Abby Lee Anderson's stage. So Vacation Part two Eric Dodd

723
00:33:38,280 --> 00:33:44,480
Speaker 1: featuring Sisson, Raymondo, Raymundo. It is featuring Raymundo and Abby

724
00:33:44,560 --> 00:33:47,120
Speaker 1: Lee Anderson. Okay, we're gonna can we play at some

725
00:33:47,120 --> 00:33:52,360
Speaker 1: the beginning? Yeah, we just played verse chorus and then

726
00:33:52,560 --> 00:33:54,200
Speaker 1: your rap part of it in this part. Yeah, it's

727
00:33:54,200 --> 00:33:57,000
Speaker 1: sprinkled in there. Oh no, it's sprinkled rap. No, no, no no,

728
00:33:57,120 --> 00:33:58,840
Speaker 1: it's just one. It's one rap. And then that's it.

729
00:33:58,960 --> 00:34:01,920
Speaker 1: Here is Vacation Part to Eric Dodd, Raimundo and Abbe

730
00:34:02,000 --> 00:34:15,920
Speaker 1: Lee Anderson. It's Vacation Part two. Baby, you screams cool.

731
00:34:17,880 --> 00:34:20,600
Speaker 1: We can to get us on fight up pot quite

732
00:34:20,760 --> 00:34:26,240
Speaker 1: night June. Now finally drink, get your lips right about?

733
00:34:28,280 --> 00:34:35,000
Speaker 1: Throw that compertone? How you put it on? They Vacation

734
00:34:35,200 --> 00:34:59,200
Speaker 1: part two? Jesus, that crazy. That's how we sung some song.

735
00:35:08,840 --> 00:35:13,520
Speaker 1: You'll be sizing here. You're so goucie. You sif like

736
00:35:13,800 --> 00:35:19,400
Speaker 1: fireworks shooting ride out of Charlotte Daniels, O my sunny

737
00:35:19,440 --> 00:35:24,239
Speaker 1: son bank. You know mind me great great grittel You're

738
00:35:24,320 --> 00:35:27,839
Speaker 1: so far. That's such a time. Make a wrong way boy,

739
00:35:27,960 --> 00:35:31,759
Speaker 1: want to whisper? Dang. I didn't even know if it

740
00:35:31,800 --> 00:35:33,600
Speaker 1: was gonna make the air or not. That's pretty good,

741
00:35:33,760 --> 00:35:37,000
Speaker 1: pretty good? Is it vacation part two or some some summer?

742
00:35:37,120 --> 00:35:40,960
Speaker 1: I don't even heard the word. I can't wait for.

743
00:35:41,040 --> 00:35:46,280
Speaker 1: It's vacation part two right in the beginning. Yeah whatever,

744
00:35:46,320 --> 00:35:48,640
Speaker 1: who cares? A good song? Thank you? But you say

745
00:35:48,680 --> 00:35:50,200
Speaker 1: it at the beginning right, You're like, it's a big

746
00:35:50,239 --> 00:35:52,719
Speaker 1: gooci part two, just so people know if they're part

747
00:35:52,719 --> 00:35:55,640
Speaker 1: of the trilogy out of this song at all? Is

748
00:35:55,680 --> 00:35:57,520
Speaker 1: there a third? I mean it can go on forever.

749
00:35:57,640 --> 00:35:59,680
Speaker 1: This is me now married because I was just boyfriend

750
00:35:59,719 --> 00:36:02,400
Speaker 1: girl in part one. Part two is me. It's Hubby Sisson,

751
00:36:02,520 --> 00:36:06,839
Speaker 1: So never know the third one. Maybe Daddy Sisson. Oh

752
00:36:06,920 --> 00:36:09,279
Speaker 1: that'd be cool. Fast fast forward to rap part Let

753
00:36:09,280 --> 00:36:10,200
Speaker 1: me know when you get that up. I want to

754
00:36:10,200 --> 00:36:11,680
Speaker 1: hear the again because I was listening to Ray and

755
00:36:11,760 --> 00:36:13,080
Speaker 1: I was like, you know what I mean, listen, he's

756
00:36:13,080 --> 00:36:17,240
Speaker 1: not gonna go sign with def jam, but for him

757
00:36:17,239 --> 00:36:19,680
Speaker 1: pretty good. Yeah, it's pretty good. It's very hickory dickery doc,

758
00:36:20,320 --> 00:36:22,920
Speaker 1: but that's good. So it's a good little song. You

759
00:36:22,920 --> 00:36:25,319
Speaker 1: got ready. Yeah, here's Ray's hip hop part rap part again.

760
00:36:25,320 --> 00:36:31,120
Speaker 1: Ahead Y Sisson here you're so Gooccie you sit black

761
00:36:31,239 --> 00:36:36,399
Speaker 1: Fireworks shooting ride out of Charlotte Daniels, Old fidd Black

762
00:36:36,440 --> 00:36:41,640
Speaker 1: sunny Side Bank. You know, my great great griddle, you're

763
00:36:41,760 --> 00:36:45,560
Speaker 1: so far such dime, I make a Broadway boy want

764
00:36:45,560 --> 00:36:50,439
Speaker 1: to whisper like I'm proud of you. That's good. Didn't

765
00:36:50,440 --> 00:36:53,319
Speaker 1: you write that one. Yeah, I think I did the

766
00:36:53,320 --> 00:36:56,880
Speaker 1: grit grit grit griddle, Eric did the Charlie Daniels old fiddle.

767
00:36:56,880 --> 00:36:58,920
Speaker 1: Maybe it was a tribute to old time players, but

768
00:36:59,200 --> 00:37:01,359
Speaker 1: or Charlie Ding. Yeah, you ever went out of George

769
00:37:01,400 --> 00:37:08,680
Speaker 1: Abbey by the way, nice show. That's how we sum

770
00:37:09,600 --> 00:37:14,960
Speaker 1: sum su some you know, Come on, how do you

771
00:37:15,000 --> 00:37:17,239
Speaker 1: feel about Abbey? I love it. It sounds so good.

772
00:37:17,719 --> 00:37:20,200
Speaker 1: I love his party. It's my favorite. He loves yours.

773
00:37:21,360 --> 00:37:23,879
Speaker 1: That was so good, job guys. Vacation Part two it's

774
00:37:23,880 --> 00:37:25,759
Speaker 1: out there, Ray you can stream it now. Yeah, how

775
00:37:25,800 --> 00:37:27,400
Speaker 1: much money did you make off Vacation Part one? Do

776
00:37:27,400 --> 00:37:29,480
Speaker 1: you think? Honestly? I think it was around I said

777
00:37:29,520 --> 00:37:31,719
Speaker 1: that bit we said five hundred, and then I mean

778
00:37:31,800 --> 00:37:34,080
Speaker 1: they keep trickling in, so maybe I made like seven

779
00:37:34,160 --> 00:37:40,000
Speaker 1: eight hundred. Really, mailbox money, lunch keeps coming in, yeah, lunchbox.

780
00:37:39,960 --> 00:37:42,200
Speaker 1: Would you takeet the song you should have stopped on

781
00:37:42,239 --> 00:37:44,520
Speaker 1: Vacation one? This one one's it's not as catchy. It

782
00:37:44,600 --> 00:37:47,480
Speaker 1: was just like, okay, like slower. It's slower. It doesn't

783
00:37:47,480 --> 00:37:49,160
Speaker 1: feel like a summary song that it was just like

784
00:37:49,239 --> 00:37:52,200
Speaker 1: taking forever. It was a long song, like how long

785
00:37:52,280 --> 00:37:55,200
Speaker 1: was it? Ray two thirty two very short, No no

786
00:37:55,280 --> 00:37:58,359
Speaker 1: if no, no, vacation doesn't feel long. That felt long,

787
00:37:59,080 --> 00:38:02,160
Speaker 1: And I mean there's so much auto tune on that

788
00:38:02,200 --> 00:38:05,120
Speaker 1: song that it's just like, oh my gosh, guys, like

789
00:38:05,640 --> 00:38:07,880
Speaker 1: really like you can't you can't even concentrate on the

790
00:38:07,880 --> 00:38:09,799
Speaker 1: words and the fun. You don't feel the vibe. All

791
00:38:09,800 --> 00:38:11,880
Speaker 1: you hear is the auto tune. You're telling me you

792
00:38:11,920 --> 00:38:15,080
Speaker 1: can't find or vibe because it's so autotun That was

793
00:38:15,160 --> 00:38:18,120
Speaker 1: selling autotune every song, even if you don't need autotune people,

794
00:38:18,680 --> 00:38:21,080
Speaker 1: but not as much as that. You could put anybody out.

795
00:38:21,080 --> 00:38:22,960
Speaker 1: You're just hater. You've gone into full hater mode. No,

796
00:38:23,360 --> 00:38:24,920
Speaker 1: just don't even give him the mic to hate on.

797
00:38:25,040 --> 00:38:27,440
Speaker 1: Like you could have said it's any I didn't. I

798
00:38:27,440 --> 00:38:29,319
Speaker 1: didn't say anything about it. Happy, would you like you

799
00:38:29,360 --> 00:38:34,560
Speaker 1: brought it up? Yes, thank you? You're a you're gonna

800
00:38:35,080 --> 00:38:37,359
Speaker 1: Abby is so a autotuned you wouldn't even know it's

801
00:38:37,360 --> 00:38:39,799
Speaker 1: her if you just played the song, go ahead, say

802
00:38:39,800 --> 00:38:41,080
Speaker 1: what you want to say. That's what I'm saying. He

803
00:38:41,080 --> 00:38:43,879
Speaker 1: said it. She was so auto tuned. If you didn't

804
00:38:43,880 --> 00:38:45,640
Speaker 1: tell me that was her, you would just be like, oh,

805
00:38:45,680 --> 00:38:48,239
Speaker 1: that's just anybody. You can't. You want someone to know

806
00:38:48,320 --> 00:38:50,799
Speaker 1: your voice. You don't know that's Happy's voice. That's a

807
00:38:50,880 --> 00:38:55,239
Speaker 1: fake voice. No, it's not. No, you didn't hear the

808
00:38:55,360 --> 00:38:59,720
Speaker 1: nasally because they took it out. All right, anyway, right, Abby,

809
00:38:59,760 --> 00:39:04,040
Speaker 1: great job. He hit Vacation one again. Hater, um No, don't. Yeah,

810
00:39:04,080 --> 00:39:06,480
Speaker 1: that's a lot better again. All right. I remember when

811
00:39:06,520 --> 00:39:08,399
Speaker 1: Vacation one came out. Let's I hated it too. Yeah,

812
00:39:08,400 --> 00:39:10,960
Speaker 1: now he's found it as his savior. No, I said,

813
00:39:10,960 --> 00:39:13,560
Speaker 1: it's a lot better than that one. Like, don't have

814
00:39:13,600 --> 00:39:15,680
Speaker 1: a trilogy because if it's just going worse and worst,

815
00:39:15,920 --> 00:39:17,200
Speaker 1: sort of like it's sort of like The Fast and

816
00:39:17,239 --> 00:39:19,799
Speaker 1: the Furious. It started out strong and it just kept going.

817
00:39:19,880 --> 00:39:21,560
Speaker 1: It was like, good God, this is ever gonna end.

818
00:39:21,600 --> 00:39:26,040
Speaker 1: But people love a lot of money. It's the best

819
00:39:26,160 --> 00:39:30,759
Speaker 1: bits of the week with Morgan number two. We all

820
00:39:30,800 --> 00:39:33,000
Speaker 1: love the nineties. It's like we're all trying to get

821
00:39:33,080 --> 00:39:35,719
Speaker 1: back there. Slowly but surely. If everything could just come

822
00:39:35,760 --> 00:39:38,279
Speaker 1: back from the nineties, I think I'd be okay with it.

823
00:39:38,360 --> 00:39:40,560
Speaker 1: I mean, honestly, at this point, I'm just accepting it

824
00:39:40,600 --> 00:39:44,000
Speaker 1: all because the nineties were perfect. And Bobby this week

825
00:39:44,080 --> 00:39:48,800
Speaker 1: shared his top five country music videos from the nineties.

826
00:39:49,040 --> 00:39:51,799
Speaker 1: Here's all of them. Number two, Final Day, We're the

827
00:39:51,880 --> 00:39:53,960
Speaker 1: number one may My List, I'm a Top five and

828
00:39:54,080 --> 00:39:57,280
Speaker 1: nineties country music videos. The artist had to be elite,

829
00:39:57,520 --> 00:39:59,759
Speaker 1: the song had to be elite, the music video had

830
00:39:59,760 --> 00:40:02,720
Speaker 1: to be memorable. At number five, it was Alan Jackson

831
00:40:02,800 --> 00:40:08,759
Speaker 1: Chattahoochee Ye rom the Chat nineteen ninety two. Right there

832
00:40:08,760 --> 00:40:12,920
Speaker 1: at number four. From ninety one was boot Scooting Boogie

833
00:40:14,920 --> 00:40:17,239
Speaker 1: Brooks and Done for You from nineteen ninety three at

834
00:40:17,320 --> 00:40:19,879
Speaker 1: number three Propped Me Up Beside the Jew Box Joe

835
00:40:19,960 --> 00:40:28,120
Speaker 1: Diffy Beside the jew Box by number two Shania Twain. Man,

836
00:40:28,160 --> 00:40:31,880
Speaker 1: I feel like a woman, Man, A feel like a woman.

837
00:40:33,880 --> 00:40:36,719
Speaker 1: We are now to the number one song. When I

838
00:40:36,760 --> 00:40:39,320
Speaker 1: think back about great songs and great artists and music videos,

839
00:40:39,320 --> 00:40:43,160
Speaker 1: and I'm like, dang, that was a one the song

840
00:40:43,320 --> 00:40:46,840
Speaker 1: from nineteen ninety the very beginning of it all, nineteen

841
00:40:47,000 --> 00:40:51,040
Speaker 1: ninety We're in the nineties. In nineteen nineties, Seinfeld premiere

842
00:40:51,080 --> 00:40:55,040
Speaker 1: on the NBC, The Simpsons debut on Fox. Home Alone

843
00:40:55,080 --> 00:40:58,000
Speaker 1: was the most popular movie, Jurassic Park was the best

844
00:40:58,000 --> 00:41:03,280
Speaker 1: selling book, and Cheers was the top TV show. Morgan

845
00:41:03,320 --> 00:41:05,840
Speaker 1: hadn't been born yet. Mike hadn't been born yet. It

846
00:41:06,000 --> 00:41:11,040
Speaker 1: was weird. The average household income was twenty eight thousand dollars.

847
00:41:11,440 --> 00:41:13,000
Speaker 1: The average price of a new house was one hundred

848
00:41:13,000 --> 00:41:17,360
Speaker 1: and twenty three thousand dollars. Some of the examples of

849
00:41:17,440 --> 00:41:22,400
Speaker 1: nineteen nineties lingo included bling, bling, Yeah, kunt nice jewelry.

850
00:41:23,000 --> 00:41:25,040
Speaker 1: It's not just bling, and even that's a little dated

851
00:41:25,080 --> 00:41:28,520
Speaker 1: at this point. To call someone a blood, you need

852
00:41:28,560 --> 00:41:32,640
Speaker 1: to call him a friend. Hey, blood, that's cool. Chill

853
00:41:32,640 --> 00:41:39,160
Speaker 1: out obviously for sure, get over it. Whacked like out

854
00:41:39,160 --> 00:41:41,880
Speaker 1: of their mind. And YadA YadA YadA, which is from

855
00:41:41,880 --> 00:41:45,640
Speaker 1: Seinfeld's that's from nineteen ninety. Okay, you keep stalling, No,

856
00:41:45,760 --> 00:41:49,239
Speaker 1: I'm giving contexts the year nineteen ninety. So here's a

857
00:41:49,280 --> 00:41:52,640
Speaker 1: little fact about this song. This person was a struggling songwriter,

858
00:41:54,320 --> 00:41:57,160
Speaker 1: and so he got together with a writer that he

859
00:41:57,160 --> 00:41:59,080
Speaker 1: admired wrote this song, and then got the song and

860
00:41:59,200 --> 00:42:02,480
Speaker 1: pitched it to an another artist and she she Tanya Tucker,

861
00:42:02,520 --> 00:42:06,919
Speaker 1: recorded at first, so she recorded it, but she didn't

862
00:42:06,920 --> 00:42:08,880
Speaker 1: put on her album. And so this guy, who was

863
00:42:08,920 --> 00:42:10,800
Speaker 1: established himself as an artist, he said, hey, since she

864
00:42:10,880 --> 00:42:13,160
Speaker 1: recorded it, can I have it back? He didn't recorded it,

865
00:42:13,480 --> 00:42:17,120
Speaker 1: and he put it on his second album in nineteen ninety.

866
00:42:17,680 --> 00:42:21,520
Speaker 1: The album was called No Fences. Yeah, the artist is

867
00:42:21,560 --> 00:42:25,640
Speaker 1: Garth Brooks and this song is the thunder roll Let's

868
00:42:25,640 --> 00:42:29,200
Speaker 1: Go on October two, nineteen ninety one, it was the

869
00:42:29,239 --> 00:42:33,799
Speaker 1: CMA video of the Year. It was taken off the era,

870
00:42:33,800 --> 00:42:35,000
Speaker 1: though it was pulled for a long time because it

871
00:42:35,040 --> 00:42:37,600
Speaker 1: was a controversial for an hour yep, it says in

872
00:42:37,719 --> 00:42:41,040
Speaker 1: the music video alludes to the third verse by including

873
00:42:41,120 --> 00:42:44,040
Speaker 1: theme of domestic violence. Both TNN and CMT banned the video,

874
00:42:44,440 --> 00:42:46,840
Speaker 1: with a CMT representative commenting that the network was quote

875
00:42:46,840 --> 00:42:49,880
Speaker 1: in business to entertain, not to promote or condone gratuitous

876
00:42:49,960 --> 00:42:52,719
Speaker 1: violence or social issues. Because they banned it was it

877
00:42:52,800 --> 00:42:57,759
Speaker 1: made even bigger. Banned me. That's right, your number one

878
00:42:57,880 --> 00:42:59,719
Speaker 1: nineties music video and song. I'm gonna play it for

879
00:42:59,760 --> 00:43:02,040
Speaker 1: you now. I'm glad this got could be recognized. He

880
00:43:02,040 --> 00:43:04,200
Speaker 1: needs it, Yeah, he needs this award. Yeah, it is

881
00:43:04,280 --> 00:43:08,960
Speaker 1: Garth Brooks from nineteen ninety thunder Rolls. It's the best

882
00:43:09,080 --> 00:43:14,800
Speaker 1: bits of the week with Morgan number two. This definitely

883
00:43:14,840 --> 00:43:17,480
Speaker 1: had to be the number one this week. Lady A.

884
00:43:18,080 --> 00:43:20,840
Speaker 1: They came into the show, they performed so many of

885
00:43:20,880 --> 00:43:22,719
Speaker 1: their hit songs. They came in because it's the first

886
00:43:22,800 --> 00:43:25,040
Speaker 1: day of summer that happened this week. They brought a

887
00:43:25,040 --> 00:43:29,600
Speaker 1: snow cone whole like food truck situation because they released

888
00:43:29,719 --> 00:43:32,359
Speaker 1: their new song, Summer State of Mind. But they came

889
00:43:32,400 --> 00:43:34,839
Speaker 1: on the show talks about their sixteen year career, how

890
00:43:34,880 --> 00:43:38,080
Speaker 1: they stayed together as a band, and they performed Bobby's

891
00:43:38,160 --> 00:43:40,560
Speaker 1: like three favorite songs of his, which let me just

892
00:43:40,600 --> 00:43:43,040
Speaker 1: tell you, two of them are need You Now in

893
00:43:43,160 --> 00:43:47,080
Speaker 1: American Honey, and they were epic performances. I love these

894
00:43:47,080 --> 00:43:52,120
Speaker 1: guys so much. Number one, Hey guys, gonna see you guys. Hey,

895
00:43:52,320 --> 00:43:55,080
Speaker 1: let me ask Charles Kelly. You're you're just going to

896
00:43:55,080 --> 00:43:57,279
Speaker 1: town on a cof drop over there before Like it's

897
00:43:57,320 --> 00:43:59,600
Speaker 1: like a horse eaton corn man. I've never seen anything

898
00:43:59,680 --> 00:44:03,000
Speaker 1: like this. For it's it's it helps your voice, so

899
00:44:03,040 --> 00:44:05,880
Speaker 1: like it's early morning singing. I got a whole bucket

900
00:44:05,920 --> 00:44:07,200
Speaker 1: for you. Want to win. But is this a thing

901
00:44:07,520 --> 00:44:09,160
Speaker 1: like you're not sick, you just have a lot of

902
00:44:09,200 --> 00:44:12,120
Speaker 1: college Yeah, no, I do a cough drop. I mean literally,

903
00:44:12,320 --> 00:44:15,080
Speaker 1: are our assistant that comes out. I mean she's got

904
00:44:15,120 --> 00:44:19,080
Speaker 1: a thing full of cough drops. Hot teas and different

905
00:44:19,080 --> 00:44:21,879
Speaker 1: things like that kind of help you, you know, your voice.

906
00:44:22,440 --> 00:44:24,279
Speaker 1: Every person we travel with out in that room has

907
00:44:24,280 --> 00:44:26,480
Speaker 1: a cough drop in their pocket ready to go. When

908
00:44:26,520 --> 00:44:29,200
Speaker 1: Charles asked Hilary, Hillary's gotten on the cough drop train too,

909
00:44:29,239 --> 00:44:35,239
Speaker 1: though she does weird strains, some trains. That's a weird one.

910
00:44:35,280 --> 00:44:36,719
Speaker 1: We'll think about it. I mean, if you've got like

911
00:44:36,719 --> 00:44:39,000
Speaker 1: a little crud in your voice or just anything that

912
00:44:39,080 --> 00:44:44,680
Speaker 1: opens it up. It's effervescent. So it's just a singing thing. Yeah,

913
00:44:44,680 --> 00:44:47,279
Speaker 1: you know it constantly's No, there's no COVID over here

914
00:44:47,320 --> 00:44:48,840
Speaker 1: in my friend, because I would have moved you to

915
00:44:48,920 --> 00:44:51,520
Speaker 1: that room satellite you and these two will stand here.

916
00:44:52,680 --> 00:44:55,560
Speaker 1: It's just it's just a thing, man. It's it's honestly too.

917
00:44:55,600 --> 00:44:59,120
Speaker 1: It's like it's now just become like a ritual, ritual

918
00:44:59,640 --> 00:45:02,960
Speaker 1: so speak. It's interesting with you three because individually I

919
00:45:03,440 --> 00:45:05,520
Speaker 1: really love all three of you, you know, and I

920
00:45:05,560 --> 00:45:07,200
Speaker 1: feel like I have a different relationship with all three

921
00:45:07,200 --> 00:45:08,600
Speaker 1: of you individually, And then you come in and I

922
00:45:08,600 --> 00:45:10,560
Speaker 1: don't know who I really want to talk to. So

923
00:45:10,600 --> 00:45:12,440
Speaker 1: I'm just gonna kind of go down the line here

924
00:45:12,440 --> 00:45:14,560
Speaker 1: and talk to each of you a bit differently, Charles,

925
00:45:14,560 --> 00:45:16,359
Speaker 1: one more question for you, and that's a really question.

926
00:45:16,360 --> 00:45:19,520
Speaker 1: It's just a statement. We were backstage and I'm telling

927
00:45:19,560 --> 00:45:21,759
Speaker 1: the show this. You already know this. We're backstage with

928
00:45:21,840 --> 00:45:24,680
Speaker 1: the opera and Charles was performing and I was performing,

929
00:45:24,760 --> 00:45:26,480
Speaker 1: and my wife was with me, and I believe this

930
00:45:26,560 --> 00:45:28,840
Speaker 1: is Charles the first time to meet my wife. And Charles,

931
00:45:28,880 --> 00:45:30,560
Speaker 1: you know, he'd just say whatever he thinks whenever he's saying.

932
00:45:30,560 --> 00:45:32,000
Speaker 1: He goes up to her and she's not pregnant. He

933
00:45:32,000 --> 00:45:34,520
Speaker 1: goes when you're having a baby. Yeah, And she was like,

934
00:45:35,160 --> 00:45:39,120
Speaker 1: the tall guy just asked me a really weird question. Well,

935
00:45:39,160 --> 00:45:42,200
Speaker 1: I just figure y'all got here. I said, when is

936
00:45:42,239 --> 00:45:46,279
Speaker 1: this baby train starting? Hillary? Could I see you? You know,

937
00:45:46,320 --> 00:45:49,719
Speaker 1: I was thinking about you. And mostly it's kind of

938
00:45:49,760 --> 00:45:54,760
Speaker 1: your relationship with fame because it is such famous, weird

939
00:45:55,400 --> 00:45:58,360
Speaker 1: and I've only been able to like reach out and

940
00:45:58,440 --> 00:46:00,719
Speaker 1: kind of touch it a case like I've had a

941
00:46:00,719 --> 00:46:03,319
Speaker 1: weird career where occasionally I'm cool and then kind of

942
00:46:03,320 --> 00:46:06,120
Speaker 1: you go back to just being normal. But for you guys,

943
00:46:06,120 --> 00:46:09,960
Speaker 1: and you, especially with growing up with a mom who

944
00:46:10,120 --> 00:46:13,480
Speaker 1: is in the business and had her her fame and

945
00:46:13,800 --> 00:46:17,680
Speaker 1: her talent, you you guys blowing up, taking a break,

946
00:46:17,719 --> 00:46:19,920
Speaker 1: coming back, and even again. You and I at a

947
00:46:19,920 --> 00:46:21,640
Speaker 1: different time, we're talking at the opera about you just

948
00:46:21,719 --> 00:46:24,080
Speaker 1: walking out a target and somebody being so surprised they

949
00:46:24,120 --> 00:46:26,279
Speaker 1: saw you just walk out a target. What is it?

950
00:46:26,680 --> 00:46:29,080
Speaker 1: What is fame to you in your relationship with it? Now?

951
00:46:29,080 --> 00:46:31,440
Speaker 1: What have you learned about what it means to actually

952
00:46:31,480 --> 00:46:35,360
Speaker 1: be famous? First off, the top of my head would

953
00:46:35,400 --> 00:46:39,520
Speaker 1: be my relationship with it has changed over the years.

954
00:46:39,560 --> 00:46:42,600
Speaker 1: I think then that's natural. I mean we're fifteen years

955
00:46:42,640 --> 00:46:46,279
Speaker 1: sixteen this summer and to being a band. It's a

956
00:46:46,280 --> 00:46:49,279
Speaker 1: little bit different now with kids. But I think as

957
00:46:49,320 --> 00:46:53,640
Speaker 1: I've gotten older, I consider it, you know, a privilege

958
00:46:53,640 --> 00:46:56,839
Speaker 1: and an honor, and I kind of take the platform

959
00:46:56,880 --> 00:47:00,160
Speaker 1: pretty seriously and really because I just want to be

960
00:47:00,160 --> 00:47:03,440
Speaker 1: a good example for my girls. But ultimately, what I'm

961
00:47:03,520 --> 00:47:05,719
Speaker 1: learning is the older I get, the more work than

962
00:47:05,760 --> 00:47:09,360
Speaker 1: I do, the more normal my life is, the happier

963
00:47:09,400 --> 00:47:11,799
Speaker 1: I am. So I'm gonna go to Target, I'm gonna

964
00:47:11,840 --> 00:47:13,799
Speaker 1: go to the grocery store. I'm gonna do those things

965
00:47:13,880 --> 00:47:17,680
Speaker 1: because they're fun for me, and I love being able

966
00:47:17,760 --> 00:47:21,759
Speaker 1: to engage with people who either just hey, that your

967
00:47:21,840 --> 00:47:23,520
Speaker 1: daughter has on a really cute dress, or hey, I

968
00:47:23,520 --> 00:47:27,000
Speaker 1: really love that song that you're saying. Like, however, conversation

969
00:47:27,160 --> 00:47:30,919
Speaker 1: starts in public spaces, I welcome it because it's fun,

970
00:47:31,160 --> 00:47:35,160
Speaker 1: do you. And again, I have now an understanding that

971
00:47:35,239 --> 00:47:39,360
Speaker 1: may change that, especially fame or it's just not that

972
00:47:39,440 --> 00:47:43,600
Speaker 1: it's just not real. It's awesome, it's awful, but in

973
00:47:43,680 --> 00:47:46,239
Speaker 1: the end of the day, you can't touch it. It's

974
00:47:46,280 --> 00:47:50,680
Speaker 1: not real. It goes away. It just isn't something you

975
00:47:50,680 --> 00:47:55,560
Speaker 1: can depend on right, right, And that that's gotta be tough,

976
00:47:55,680 --> 00:47:58,239
Speaker 1: especially when you're young. Because you guys got famous young

977
00:47:58,719 --> 00:48:02,880
Speaker 1: quick boom, your Acts of Stars, International Stars. Was that

978
00:48:02,920 --> 00:48:05,760
Speaker 1: ever a struggle for you as a very young artist?

979
00:48:06,640 --> 00:48:08,560
Speaker 1: You know, I feel like we were talking about this

980
00:48:08,640 --> 00:48:10,920
Speaker 1: in the just a couple of minutes ago. There's a

981
00:48:10,920 --> 00:48:15,239
Speaker 1: bit of being in a band together. Um, when we

982
00:48:15,280 --> 00:48:19,239
Speaker 1: travel together, we get recognized a lot more. And I

983
00:48:19,239 --> 00:48:21,240
Speaker 1: would say Charles gets the brunt of it, just because

984
00:48:21,239 --> 00:48:23,800
Speaker 1: he's six six and you know, he walks into a

985
00:48:23,880 --> 00:48:25,839
Speaker 1: room or walks through the airport and you're you know,

986
00:48:26,000 --> 00:48:29,239
Speaker 1: he's tall. Um, so there, but there is some anonimity

987
00:48:29,280 --> 00:48:32,280
Speaker 1: that comes with being in a band. When we're separate

988
00:48:32,320 --> 00:48:35,239
Speaker 1: from each other in places. Um, but it is, I

989
00:48:35,239 --> 00:48:38,640
Speaker 1: mean it's you. It's really You're bringing up really great point.

990
00:48:38,719 --> 00:48:42,560
Speaker 1: It's it's a strange thing that is ever changing because

991
00:48:42,880 --> 00:48:45,000
Speaker 1: you know, in the prime of like when Needs You

992
00:48:45,080 --> 00:48:48,160
Speaker 1: Now came out and when we did our first arena tour,

993
00:48:48,280 --> 00:48:50,759
Speaker 1: I mean, it was happening a lot more often, um,

994
00:48:50,800 --> 00:48:53,759
Speaker 1: getting recognized out in public and all that. But um,

995
00:48:53,880 --> 00:48:57,120
Speaker 1: that's why we live in Nashville. Everybody's pretty pretty cool here.

996
00:48:58,760 --> 00:49:00,759
Speaker 1: You know. It's like the until they kind of know,

997
00:49:00,800 --> 00:49:02,799
Speaker 1: but they don't really know. They're like you might be

998
00:49:02,840 --> 00:49:04,600
Speaker 1: a little big town, you might be. They just kind

999
00:49:04,600 --> 00:49:07,879
Speaker 1: of like, you know, I know you. And it's very

1000
00:49:07,920 --> 00:49:10,040
Speaker 1: different than like, you know, when I'm hanging out with

1001
00:49:10,080 --> 00:49:12,600
Speaker 1: like Thomas, Rhett or Luke and you're out somewhere and

1002
00:49:12,640 --> 00:49:15,279
Speaker 1: it's just constant. You know. We kind of get this

1003
00:49:15,400 --> 00:49:17,319
Speaker 1: perfect little spot where we get to feel like rock

1004
00:49:17,400 --> 00:49:20,000
Speaker 1: stars and then get off stage and like you know,

1005
00:49:20,160 --> 00:49:23,279
Speaker 1: like together you get to be really freaking famous and

1006
00:49:23,320 --> 00:49:26,320
Speaker 1: then apart, sometimes you are, sometimes you're yeah, depending on

1007
00:49:26,400 --> 00:49:28,080
Speaker 1: that's that's pretty cool. I like us in the show,

1008
00:49:28,080 --> 00:49:30,480
Speaker 1: when we only go dinner together, we don't need all

1009
00:49:30,520 --> 00:49:32,640
Speaker 1: of us at once, or we just don't. Dave, I'm

1010
00:49:32,640 --> 00:49:33,920
Speaker 1: gonna come to you in a second, because I didn't

1011
00:49:33,920 --> 00:49:36,040
Speaker 1: even deep question about the existence of time and earth.

1012
00:49:36,200 --> 00:49:39,920
Speaker 1: So we're gonna come, yes. But I do want to

1013
00:49:39,960 --> 00:49:41,759
Speaker 1: talk about the brand new song that came out here,

1014
00:49:41,800 --> 00:49:44,319
Speaker 1: because you know it's special whenever they bring a snow

1015
00:49:44,360 --> 00:49:47,200
Speaker 1: trunk snow cone truck to the studio at the butt

1016
00:49:47,239 --> 00:49:49,399
Speaker 1: cracking dawn and they were like, there's a snow cone

1017
00:49:49,400 --> 00:49:51,360
Speaker 1: truck outside and I was like, they're a bomb in

1018
00:49:51,400 --> 00:49:53,600
Speaker 1: it and they were like, no, Lady sent it up.

1019
00:49:53,960 --> 00:49:56,600
Speaker 1: So we had snow cones this morning. And this song

1020
00:49:56,760 --> 00:49:59,879
Speaker 1: is called Summer State of Mind, and I'm assuming that

1021
00:50:00,120 --> 00:50:01,919
Speaker 1: there's the tie in there. It just wasn't a random

1022
00:50:01,960 --> 00:50:04,920
Speaker 1: stuck one drug. Yeah, the first official day of summer,

1023
00:50:05,120 --> 00:50:08,720
Speaker 1: softest snow cone ice I've ever had in my life.

1024
00:50:09,360 --> 00:50:11,640
Speaker 1: So this song, and if I'm right here, Dave, you

1025
00:50:11,719 --> 00:50:14,080
Speaker 1: and Hillary wrote this one with a couple of other folks.

1026
00:50:14,400 --> 00:50:17,320
Speaker 1: So when you go into a room because they're writing

1027
00:50:17,360 --> 00:50:19,600
Speaker 1: sessions where you're like, somebody's sad, somebody has something that

1028
00:50:19,600 --> 00:50:21,120
Speaker 1: they really want to get off their chests. Maybe when

1029
00:50:21,040 --> 00:50:22,960
Speaker 1: we write a song about this. But when summer state

1030
00:50:23,000 --> 00:50:25,000
Speaker 1: of Mind comes up? Do you go into the room going?

1031
00:50:25,120 --> 00:50:27,719
Speaker 1: Because we need like a fun summer song that lets

1032
00:50:27,719 --> 00:50:32,000
Speaker 1: people just go like like, what is this vibe? I mean, honestly,

1033
00:50:32,400 --> 00:50:34,960
Speaker 1: I was down at the beach earlier this year and

1034
00:50:35,000 --> 00:50:37,200
Speaker 1: I had sent a guitar idea to Sam Ellis and

1035
00:50:37,280 --> 00:50:40,080
Speaker 1: to Charles and Hillary too, and I was just like,

1036
00:50:40,200 --> 00:50:41,400
Speaker 1: I don't know when I was I was at the

1037
00:50:41,440 --> 00:50:44,520
Speaker 1: beach playing guitar, literally just had on by the beach,

1038
00:50:45,440 --> 00:50:47,239
Speaker 1: and I sent it to Sam and then he we

1039
00:50:47,280 --> 00:50:48,480
Speaker 1: got to the room and he was like, man, what

1040
00:50:48,520 --> 00:50:51,680
Speaker 1: about with that guitar idea something like Summer State of Mine?

1041
00:50:52,239 --> 00:50:53,839
Speaker 1: And we were like, oh my gosh, it'd be so fun.

1042
00:50:53,920 --> 00:50:56,360
Speaker 1: Charles actually his son got sick and he was unable

1043
00:50:56,360 --> 00:50:57,600
Speaker 1: to make it that day. This song's gonna make so

1044
00:50:57,680 --> 00:51:03,560
Speaker 1: much money. Sorry, buddy. Time it's the golf course. And

1045
00:51:03,640 --> 00:51:07,360
Speaker 1: I just decided because I write a ton and of course,

1046
00:51:07,480 --> 00:51:09,880
Speaker 1: like there's been a couple other occasions where it's like

1047
00:51:09,880 --> 00:51:12,239
Speaker 1: the one time it's like, oh, I'm going to play golf.

1048
00:51:12,280 --> 00:51:14,879
Speaker 1: In this this case, my son was a little sick.

1049
00:51:14,880 --> 00:51:16,840
Speaker 1: He was sick and I didn't come in and he

1050
00:51:16,960 --> 00:51:18,680
Speaker 1: was a good dad. He was a very next day

1051
00:51:18,800 --> 00:51:21,320
Speaker 1: and they said, check out this song that we just wrote,

1052
00:51:21,320 --> 00:51:22,960
Speaker 1: and I was like, you did it to me again.

1053
00:51:23,920 --> 00:51:26,480
Speaker 1: But it's fun to write fun songs. I mean, we have, like,

1054
00:51:26,600 --> 00:51:28,200
Speaker 1: you know, we're starting to kind of just put out

1055
00:51:28,320 --> 00:51:30,080
Speaker 1: music just one song at a time for a while

1056
00:51:30,080 --> 00:51:31,759
Speaker 1: because we feel like we're in a different you know,

1057
00:51:31,760 --> 00:51:34,000
Speaker 1: people consume differently now, you know. The next song we're

1058
00:51:34,040 --> 00:51:36,520
Speaker 1: putting out is totally different feel wise. It's more like

1059
00:51:36,520 --> 00:51:39,839
Speaker 1: a kind of sad, introspective, kind of lady a kind

1060
00:51:39,840 --> 00:51:42,200
Speaker 1: of ballad thing. But I don't know, I just it's

1061
00:51:42,239 --> 00:51:44,200
Speaker 1: fun to write these fun songs. We're all out touring

1062
00:51:44,239 --> 00:51:46,880
Speaker 1: again and kind of doing the deal at festivals and fairs,

1063
00:51:46,880 --> 00:51:49,920
Speaker 1: and this song feels great in those rooms too. When

1064
00:51:49,920 --> 00:51:51,880
Speaker 1: you traveled back from the beach, like you were just

1065
00:51:51,920 --> 00:51:55,920
Speaker 1: saying into a dreary, stormy Nashville day, and so a

1066
00:51:55,920 --> 00:51:57,760
Speaker 1: lot of times, I think when we're in the writing

1067
00:51:57,800 --> 00:52:01,360
Speaker 1: room sometimes you want to even just to escape from

1068
00:52:01,360 --> 00:52:03,560
Speaker 1: from the weather where you are, I mean, and that

1069
00:52:03,680 --> 00:52:06,640
Speaker 1: song just really emoted like the track that you and

1070
00:52:06,680 --> 00:52:09,520
Speaker 1: Sam built, it was like, oh, we're gonna go somewhere

1071
00:52:09,719 --> 00:52:12,919
Speaker 1: warm today, whether it is here and when we've we've

1072
00:52:12,920 --> 00:52:15,840
Speaker 1: done our Christmas album in summer, like you have to

1073
00:52:15,920 --> 00:52:18,200
Speaker 1: make your still have to bring in the back head space.

1074
00:52:18,239 --> 00:52:19,959
Speaker 1: I have a couple other things I want to talk

1075
00:52:20,080 --> 00:52:22,440
Speaker 1: to you guys about. Number one is in the last segment,

1076
00:52:22,680 --> 00:52:24,680
Speaker 1: I think Hillary had mentioned that Charles and he walks

1077
00:52:24,680 --> 00:52:27,800
Speaker 1: to an airport, gets recognized. You child, You would you

1078
00:52:27,760 --> 00:52:29,840
Speaker 1: you're going to airport. It's not normal person airports at

1079
00:52:29,840 --> 00:52:33,319
Speaker 1: this point. Yeah, oh yeah, oh yeah, you fly. We

1080
00:52:33,360 --> 00:52:37,720
Speaker 1: are a list on Southwest. Okay, we I mean listen.

1081
00:52:37,719 --> 00:52:39,960
Speaker 1: I think the quickest way to go broke and our

1082
00:52:40,120 --> 00:52:42,440
Speaker 1: line of business is I think it's going to last forever,

1083
00:52:42,640 --> 00:52:45,080
Speaker 1: and you never know how long, and you know the

1084
00:52:45,120 --> 00:52:46,759
Speaker 1: thing's gonna last, and it's like I want to be

1085
00:52:46,880 --> 00:52:49,160
Speaker 1: I want to take care and have something to leave

1086
00:52:49,200 --> 00:52:52,400
Speaker 1: my kids and stuff. And anytime you start to figure

1087
00:52:52,400 --> 00:52:55,160
Speaker 1: out how much you could spend on private planes, it's

1088
00:52:55,200 --> 00:52:58,000
Speaker 1: just too much. Another thing a minute ago, we're talking

1089
00:52:58,040 --> 00:53:00,399
Speaker 1: about the new song summer State of Mind Tray. Would

1090
00:53:00,400 --> 00:53:01,719
Speaker 1: you play me a clip of that again for our

1091
00:53:01,760 --> 00:53:16,919
Speaker 1: audience that you're turning in my final summer question, because

1092
00:53:16,920 --> 00:53:18,000
Speaker 1: then I got some stuff for day If you here

1093
00:53:18,000 --> 00:53:19,799
Speaker 1: about Charles, I'm gonna come to you on one last

1094
00:53:19,840 --> 00:53:22,800
Speaker 1: time once, one last time, Yeah, one last time. I

1095
00:53:22,840 --> 00:53:24,719
Speaker 1: was at a charity auction and I bid to go

1096
00:53:24,880 --> 00:53:27,120
Speaker 1: stay in like your beach house, and I lost by

1097
00:53:27,200 --> 00:53:30,320
Speaker 1: like ten dollars, and I know sad. Then I was like,

1098
00:53:30,320 --> 00:53:31,640
Speaker 1: how weird would that have been if I wouldn't have

1099
00:53:31,680 --> 00:53:33,160
Speaker 1: told him? And then I would just texted him from

1100
00:53:33,200 --> 00:53:35,920
Speaker 1: the house being like, bro, is this your play? I

1101
00:53:35,960 --> 00:53:38,080
Speaker 1: thought of that had been hilarious, but I didn't win.

1102
00:53:38,480 --> 00:53:41,359
Speaker 1: And then your wife kindly at one point reached out

1103
00:53:41,360 --> 00:53:42,080
Speaker 1: to me. I was like, hey, do you want to

1104
00:53:42,120 --> 00:53:43,160
Speaker 1: just stay in the house for free? I was like,

1105
00:53:43,160 --> 00:53:45,719
Speaker 1: I could have gone for free. But at my point

1106
00:53:45,719 --> 00:53:47,800
Speaker 1: with those two stories, as you as big as celebrities

1107
00:53:47,800 --> 00:53:50,200
Speaker 1: as you guys are, I would like people to know

1108
00:53:50,280 --> 00:53:53,160
Speaker 1: that you are You're as normal and nice of folks

1109
00:53:53,680 --> 00:53:56,560
Speaker 1: as you can be still being big stars. And that's

1110
00:53:56,600 --> 00:53:58,600
Speaker 1: my point with that little intro. There is it you?

1111
00:53:58,680 --> 00:54:00,759
Speaker 1: It's odd that you guys can be normal and nice

1112
00:54:00,760 --> 00:54:04,279
Speaker 1: and lovely individually as successful as you are. Thank you,

1113
00:54:04,480 --> 00:54:07,000
Speaker 1: that doesn't happen. Thank you, I mean thank you my wife.

1114
00:54:07,120 --> 00:54:09,839
Speaker 1: We actually just hoasted up. Saint Jude dinner in our

1115
00:54:09,880 --> 00:54:14,040
Speaker 1: house last night and get that invite. Yeah, funny, I

1116
00:54:14,080 --> 00:54:18,799
Speaker 1: hear about it now, but no, it's I think we

1117
00:54:18,920 --> 00:54:21,640
Speaker 1: learned early on too about just giving back and charity.

1118
00:54:21,680 --> 00:54:24,520
Speaker 1: We started, you know, all our all our heroes did that,

1119
00:54:24,640 --> 00:54:27,160
Speaker 1: and I don't know, it's amazing how it's just kind

1120
00:54:27,200 --> 00:54:30,440
Speaker 1: of as two as we've had with our families and kids.

1121
00:54:31,000 --> 00:54:33,920
Speaker 1: It's just something we're passionate about. But thank you. I

1122
00:54:33,960 --> 00:54:36,759
Speaker 1: appreciate that. Hey, Dave, you have a group dynamic here

1123
00:54:36,760 --> 00:54:38,839
Speaker 1: with you three. You guys have been together a long time,

1124
00:54:38,880 --> 00:54:40,600
Speaker 1: and I can tell from experience myself we've had a

1125
00:54:40,640 --> 00:54:43,680
Speaker 1: group dynamic where me Amy, lunchbox. We've been together a

1126
00:54:43,719 --> 00:54:47,759
Speaker 1: long time. For you guys, what has been the key?

1127
00:54:47,920 --> 00:54:50,200
Speaker 1: And I would not like an answer like communication, because

1128
00:54:50,200 --> 00:54:52,560
Speaker 1: that's always a what's the key to marriage? Communication? All right?

1129
00:54:52,560 --> 00:54:54,320
Speaker 1: I don't Yeah, I'm good, I know what it means.

1130
00:54:55,320 --> 00:55:00,839
Speaker 1: What's been the key to staying together? Even though sometimes

1131
00:55:00,920 --> 00:55:03,239
Speaker 1: you don't always want to stay together? And I mean

1132
00:55:03,280 --> 00:55:04,560
Speaker 1: that you love each other. We love each other, but

1133
00:55:04,560 --> 00:55:05,920
Speaker 1: it's not like we're not real humans and don't fight,

1134
00:55:05,960 --> 00:55:08,120
Speaker 1: and at times we have to because we're so close.

1135
00:55:08,360 --> 00:55:11,560
Speaker 1: What's the key to staying together over a long period

1136
00:55:11,600 --> 00:55:13,960
Speaker 1: of time. I'm not going to use communication and get

1137
00:55:13,960 --> 00:55:17,360
Speaker 1: on that train, But I mean, honestly, I think we

1138
00:55:17,400 --> 00:55:19,080
Speaker 1: have such a respect for what the three of us

1139
00:55:19,120 --> 00:55:21,160
Speaker 1: have when we get in a room together. I mean,

1140
00:55:21,600 --> 00:55:23,520
Speaker 1: are we were touring a lot right now, and we

1141
00:55:23,520 --> 00:55:25,879
Speaker 1: always talk about we've been a band for fifteen sixteen years.

1142
00:55:26,160 --> 00:55:28,239
Speaker 1: We often play like the first song we wrote, and

1143
00:55:28,280 --> 00:55:29,839
Speaker 1: it just takes me back to that room, like when

1144
00:55:29,880 --> 00:55:33,719
Speaker 1: we walked in, something was different and special there. I

1145
00:55:33,800 --> 00:55:35,319
Speaker 1: just feel like no one can take that away from us.

1146
00:55:35,360 --> 00:55:36,680
Speaker 1: When the three of us step into a room to

1147
00:55:37,000 --> 00:55:40,440
Speaker 1: create something, I know we can. That's just where we're great.

1148
00:55:40,480 --> 00:55:42,040
Speaker 1: That's what we do, that's what we love. We feel

1149
00:55:42,080 --> 00:55:44,080
Speaker 1: called to do that. So I think it's a respect

1150
00:55:44,160 --> 00:55:47,560
Speaker 1: and a remembrance of that which gives us the fuel

1151
00:55:47,600 --> 00:55:50,120
Speaker 1: to kind of like power through the times when it's tough.

1152
00:55:50,160 --> 00:55:52,480
Speaker 1: Somebody's in a tough season, you know some of the

1153
00:55:52,520 --> 00:55:54,279
Speaker 1: other ones kind of we pull each other along. I

1154
00:55:54,280 --> 00:55:57,440
Speaker 1: mean honestly, we literally have like seasons where one of

1155
00:55:57,520 --> 00:55:59,560
Speaker 1: us may be really struggling in the other two or

1156
00:55:59,640 --> 00:56:02,600
Speaker 1: kind of there and supportive and we're listening or present

1157
00:56:02,600 --> 00:56:04,120
Speaker 1: with each other and trying to lift each other up.

1158
00:56:04,160 --> 00:56:06,120
Speaker 1: So I don't know, but it all comes back to

1159
00:56:06,160 --> 00:56:09,040
Speaker 1: me to just the respect of each other's talents, what

1160
00:56:09,160 --> 00:56:11,759
Speaker 1: they bring to the table, what we all have when

1161
00:56:11,800 --> 00:56:13,600
Speaker 1: the three of us kind of step into a room together.

1162
00:56:13,840 --> 00:56:16,880
Speaker 1: Is there a and with us? You know, I communicate

1163
00:56:16,880 --> 00:56:18,840
Speaker 1: with Eddie different than I do Amy Amy. If I

1164
00:56:18,880 --> 00:56:20,319
Speaker 1: send to Amy a one line email, I'm like, Okay,

1165
00:56:20,400 --> 00:56:22,360
Speaker 1: let's good, do this and that's all I'm thinking. But

1166
00:56:22,440 --> 00:56:25,840
Speaker 1: she needs to be talked to with some extra sentences

1167
00:56:25,880 --> 00:56:29,600
Speaker 1: and showing a little extra attention. That's our communication style. Eddie,

1168
00:56:29,640 --> 00:56:32,479
Speaker 1: I can do the same thing. And we just talk

1169
00:56:32,560 --> 00:56:35,359
Speaker 1: to each other different, although we're different close and different ways.

1170
00:56:35,600 --> 00:56:38,480
Speaker 1: Are there different communications that you guys have individually? And

1171
00:56:38,520 --> 00:56:40,799
Speaker 1: you know this is how I communicate with Hilary down

1172
00:56:40,960 --> 00:56:44,319
Speaker 1: I mean, we know it so well now what we got.

1173
00:56:44,520 --> 00:56:47,439
Speaker 1: I'm the fastest. I literally just say what I think

1174
00:56:47,480 --> 00:56:50,239
Speaker 1: immediately always, and I doing emails and have to come

1175
00:56:50,280 --> 00:56:53,560
Speaker 1: back and one thing, you know, and like Hillary sheets

1176
00:56:53,600 --> 00:56:56,360
Speaker 1: somewhere in the middle and Dave is it is really

1177
00:56:56,400 --> 00:56:58,480
Speaker 1: like sits back, I mean, and sometimes to where it's

1178
00:56:58,480 --> 00:57:00,560
Speaker 1: like he won't answer an email. I'm like he doesn't

1179
00:57:00,600 --> 00:57:06,800
Speaker 1: like the ideas and starts racing and going I knew it.

1180
00:57:06,800 --> 00:57:08,279
Speaker 1: I knew Dave went in and finally it's like, oh,

1181
00:57:08,280 --> 00:57:10,200
Speaker 1: I'm sorry. I was taking my kids tea ball in here,

1182
00:57:11,360 --> 00:57:14,320
Speaker 1: you know, and I'm like eight paces down the road thinking,

1183
00:57:14,520 --> 00:57:16,959
Speaker 1: you know, yeah, I feel like we've learned it so well.

1184
00:57:16,960 --> 00:57:18,480
Speaker 1: It does feel like a marriage. I mean, we know

1185
00:57:18,520 --> 00:57:20,760
Speaker 1: it like the back of our hands. Now we've got

1186
00:57:20,800 --> 00:57:22,920
Speaker 1: it all figured out. Has there been a time when

1187
00:57:22,960 --> 00:57:24,280
Speaker 1: you guys have and I want to ask you two

1188
00:57:24,280 --> 00:57:25,360
Speaker 1: of these and I'm gonna have you play a few

1189
00:57:25,360 --> 00:57:26,840
Speaker 1: songs if you don't mind, But has there been a

1190
00:57:26,840 --> 00:57:29,440
Speaker 1: time where you you've written a song together two of

1191
00:57:29,440 --> 00:57:32,160
Speaker 1: you or three of you and you go, that's fine.

1192
00:57:32,200 --> 00:57:33,600
Speaker 1: I mean it was just okay, it's an okay song,

1193
00:57:33,640 --> 00:57:35,600
Speaker 1: but it had been a really massive song for you guys.

1194
00:57:35,600 --> 00:57:37,200
Speaker 1: Like you left the room and you're like, I don't

1195
00:57:37,200 --> 00:57:38,600
Speaker 1: think it was I good, but we at least we

1196
00:57:38,640 --> 00:57:42,200
Speaker 1: did something you're never going to know. I say, need

1197
00:57:42,280 --> 00:57:44,680
Speaker 1: you know we didn't feel special. Right after you wrote it,

1198
00:57:44,720 --> 00:57:46,760
Speaker 1: I would say, run you too. Like we walked off.

1199
00:57:46,760 --> 00:57:48,480
Speaker 1: I was like, I was like, man, that's a really

1200
00:57:48,680 --> 00:57:51,760
Speaker 1: really poetic song, but I was like, it's too heavy.

1201
00:57:51,800 --> 00:57:53,640
Speaker 1: It's not the hookiest thing I've ever heard in the world.

1202
00:57:54,200 --> 00:57:56,040
Speaker 1: I mean, those two songs, they're like two of our

1203
00:57:56,040 --> 00:57:59,560
Speaker 1: biggest Yeah, so uh that was not hooky. I just

1204
00:58:00,040 --> 00:58:01,560
Speaker 1: I don't know. None of us walked out of that

1205
00:58:01,640 --> 00:58:04,480
Speaker 1: room though, thinking we had written a hit song. Yeah. Well,

1206
00:58:04,480 --> 00:58:06,720
Speaker 1: and especially with need You Now, it was just a

1207
00:58:06,840 --> 00:58:10,320
Speaker 1: very stripped basic work tape. And it was the second

1208
00:58:10,320 --> 00:58:13,040
Speaker 1: song we wrote that day, and so I think, you know,

1209
00:58:13,320 --> 00:58:15,960
Speaker 1: we were just it had been a bit of a

1210
00:58:15,960 --> 00:58:18,880
Speaker 1: long day. Were the first one I do that was

1211
00:58:18,960 --> 00:58:21,720
Speaker 1: what's called like young love, What's called young love? And

1212
00:58:21,760 --> 00:58:23,520
Speaker 1: we were just it was like so forced, you know,

1213
00:58:23,560 --> 00:58:25,000
Speaker 1: it was like trying to write a hit song. With

1214
00:58:25,240 --> 00:58:26,920
Speaker 1: needs You Now, it was like it just came out.

1215
00:58:26,960 --> 00:58:28,440
Speaker 1: It came out in like an hour and a half.

1216
00:58:28,520 --> 00:58:32,680
Speaker 1: And then we go into our label meeting, and thankfully

1217
00:58:32,800 --> 00:58:35,440
Speaker 1: Charles leaves no stone unturned when it comes to like

1218
00:58:35,480 --> 00:58:37,800
Speaker 1: we've written all these songs. It was the last song

1219
00:58:37,840 --> 00:58:41,280
Speaker 1: we played in the label meeting, and they said you've

1220
00:58:41,280 --> 00:58:43,560
Speaker 1: got to go in and try this, and we're like, really,

1221
00:58:43,840 --> 00:58:45,800
Speaker 1: in the rest is history, I mean, and then that

1222
00:58:45,880 --> 00:58:48,200
Speaker 1: was the only song that when we brought the label

1223
00:58:48,240 --> 00:58:50,080
Speaker 1: ind to play them, like the first six or seven

1224
00:58:50,680 --> 00:58:52,640
Speaker 1: off that record when we cut them, that was the

1225
00:58:52,680 --> 00:58:55,400
Speaker 1: only one they asked for us to play over. And

1226
00:58:55,440 --> 00:58:57,840
Speaker 1: so we were like, oh, okay, maybe we're on Maybe

1227
00:58:58,080 --> 00:59:02,680
Speaker 1: maybe we hit something that teach you that after you create,

1228
00:59:02,720 --> 00:59:05,440
Speaker 1: you're maybe now in the best place to actually evaluate

1229
00:59:05,440 --> 00:59:08,200
Speaker 1: what you created. Were always lean on our team. I mean,

1230
00:59:08,440 --> 00:59:11,120
Speaker 1: I think that's the biggest example. It says another thing too,

1231
00:59:11,160 --> 00:59:16,840
Speaker 1: while we say like put your you know, your pride

1232
00:59:16,880 --> 00:59:19,240
Speaker 1: and your self worth in the process, not the outcome,

1233
00:59:19,240 --> 00:59:21,360
Speaker 1: because some certain songs don't work that we thought were

1234
00:59:21,360 --> 00:59:23,120
Speaker 1: going to be big hits, and other ones do and

1235
00:59:23,160 --> 00:59:26,160
Speaker 1: you're just like, you can't control that, and it's just

1236
00:59:26,320 --> 00:59:28,520
Speaker 1: enjoy the process of writing songs and put it out

1237
00:59:28,560 --> 00:59:31,760
Speaker 1: there and may all serve a purpose, like a real

1238
00:59:31,800 --> 00:59:34,400
Speaker 1: profound purpose. It either breaks you through to the next

1239
00:59:34,440 --> 00:59:37,360
Speaker 1: one that was really meant for that time, or it

1240
00:59:37,480 --> 00:59:39,400
Speaker 1: is the one you know it just it really never know.

1241
00:59:39,640 --> 00:59:42,960
Speaker 1: They all have a journey. Well listed my top three

1242
00:59:43,080 --> 00:59:45,200
Speaker 1: Lady A songs of all time, and that's actually number three.

1243
00:59:45,320 --> 00:59:47,520
Speaker 1: Need you now coming to a number three? Don't play

1244
00:59:47,560 --> 00:59:49,920
Speaker 1: a live here on the countdown and you guys have

1245
00:59:49,960 --> 00:59:52,040
Speaker 1: a guitar, and you're so gracious to sing this early

1246
00:59:52,080 --> 00:59:54,560
Speaker 1: in the morning. Here is my number three favorite lady

1247
00:59:54,600 --> 00:59:57,080
Speaker 1: a song. It does need you now. Oh, I love it.

1248
00:59:57,120 --> 01:00:01,120
Speaker 1: You're requesting because that's the name of our tours request line,

1249
01:00:01,280 --> 01:00:05,160
Speaker 1: so we're getting requests from you. Interesting. Yeah, I love it.

1250
01:00:05,160 --> 01:00:08,240
Speaker 1: I have requested machine on Kelly next. Be ready, here

1251
01:00:08,240 --> 01:00:14,080
Speaker 1: we go, fix your perfect memory. Scattered all around the floor,

1252
01:00:18,520 --> 01:00:23,160
Speaker 1: reaching for the phone because I can't fight it anymore.

1253
01:00:26,560 --> 01:00:35,800
Speaker 1: And I wonder if I ever cross your mind for me.

1254
01:00:36,000 --> 01:00:43,080
Speaker 1: It happens all the time. It's a quarter after one.

1255
01:00:43,680 --> 01:00:51,360
Speaker 1: I'm all alone and I need you now. Said I

1256
01:00:51,400 --> 01:00:56,680
Speaker 1: wouldn't cover it. I'm lost controlling. I need you now,

1257
01:00:59,320 --> 01:01:04,720
Speaker 1: and I don't know how I can do with I

1258
01:01:05,120 --> 01:01:14,200
Speaker 1: just needs you come on a number three. You guys

1259
01:01:14,200 --> 01:01:16,720
Speaker 1: have eleven number ones that I have here on the list,

1260
01:01:16,720 --> 01:01:18,560
Speaker 1: which is so that's just so many songs, and it's

1261
01:01:18,560 --> 01:01:20,080
Speaker 1: got to be difficult to put a set together at

1262
01:01:20,080 --> 01:01:21,720
Speaker 1: times because you want to get them all in. And

1263
01:01:22,040 --> 01:01:24,320
Speaker 1: but I was I didn't look at the list when

1264
01:01:24,360 --> 01:01:26,600
Speaker 1: I was picking my favorite songs, and what I picked

1265
01:01:26,600 --> 01:01:28,439
Speaker 1: here at number two was not a number one which

1266
01:01:28,440 --> 01:01:30,840
Speaker 1: again reminds me of it's not always about what's number

1267
01:01:30,880 --> 01:01:33,280
Speaker 1: one that ends up lasting in people's hearts. In mind,

1268
01:01:33,760 --> 01:01:35,440
Speaker 1: it's so true. I mean, love ton't live here was

1269
01:01:35,560 --> 01:01:38,760
Speaker 1: number three. I think you look good, went to three,

1270
01:01:39,120 --> 01:01:41,040
Speaker 1: like dancing Away. We've had a few that are like

1271
01:01:41,080 --> 01:01:44,640
Speaker 1: two or three. At number two, you look good from

1272
01:01:44,680 --> 01:01:51,400
Speaker 1: twenty seventeen, you want to boot on the beach, back

1273
01:01:53,840 --> 01:01:57,320
Speaker 1: breaking odds, breaking this me rolling down the street, heads

1274
01:01:57,360 --> 01:02:02,480
Speaker 1: turning all day in the seeling me. I'm thinking ever

1275
01:02:02,880 --> 01:02:08,960
Speaker 1: reboding better standard line because they need to know that's

1276
01:02:09,040 --> 01:02:13,960
Speaker 1: your bodest coming with me tonight. The like hey woo

1277
01:02:14,080 --> 01:02:17,760
Speaker 1: that them with the shine's like boo, will you move

1278
01:02:18,040 --> 01:02:23,280
Speaker 1: to the big vot up from the second that you

1279
01:02:23,600 --> 01:02:29,840
Speaker 1: walk in and you look good. You look good, so fresh,

1280
01:02:29,880 --> 01:02:35,440
Speaker 1: so fine, you look good. God everybody watching you charriss

1281
01:02:35,560 --> 01:02:40,040
Speaker 1: in Hollywood, but you look good. Come all, all right,

1282
01:02:40,080 --> 01:02:42,960
Speaker 1: that's number two. That's so good. We're gonna come back right.

1283
01:02:43,000 --> 01:02:45,960
Speaker 1: It was so good? Yeah, oh, I just like, I mean,

1284
01:02:46,040 --> 01:02:47,800
Speaker 1: I don't know if I've seen him do it live

1285
01:02:47,840 --> 01:02:50,600
Speaker 1: and herefore maybe they did a lot before that song,

1286
01:02:50,840 --> 01:02:53,640
Speaker 1: particular song because they wrote It's interesting how they go

1287
01:02:53,720 --> 01:03:02,360
Speaker 1: in and out. Yeah, okay, what we're gonna come back

1288
01:03:02,400 --> 01:03:04,880
Speaker 1: one more segment with Lady A and I'm gonna we're

1289
01:03:04,880 --> 01:03:06,480
Speaker 1: gonna do the number one song. But what's funny is

1290
01:03:06,480 --> 01:03:10,160
Speaker 1: I'm gonna sing it. They're gonna watches. That was the bit.

1291
01:03:10,280 --> 01:03:13,160
Speaker 1: We are celebrating this song, Summer State of Mind from

1292
01:03:13,240 --> 01:03:29,160
Speaker 1: Lady A. So that song is out and I want

1293
01:03:29,200 --> 01:03:30,760
Speaker 1: you guys to listen to it all summer long and

1294
01:03:30,800 --> 01:03:33,400
Speaker 1: only that song. That's the only song that they can

1295
01:03:33,440 --> 01:03:35,840
Speaker 1: listen to as of today. So you guys are here

1296
01:03:35,880 --> 01:03:38,240
Speaker 1: and we're gonna do our number my number one song

1297
01:03:38,280 --> 01:03:40,280
Speaker 1: from you guys in a second. But I wonder when

1298
01:03:40,280 --> 01:03:43,760
Speaker 1: you guys, you're all, I mean, such wonderful singers. Charles,

1299
01:03:43,800 --> 01:03:46,040
Speaker 1: how do you warm up before a show? What do

1300
01:03:46,080 --> 01:03:48,880
Speaker 1: you do? Specifically? We'll run to you specifically. It's one

1301
01:03:48,920 --> 01:03:51,560
Speaker 1: of those It used to be loved to live here before,

1302
01:03:51,720 --> 01:03:53,960
Speaker 1: like running You was a single. But I always know

1303
01:03:54,000 --> 01:03:56,720
Speaker 1: if I can go full voice into that falsetto, then

1304
01:03:56,800 --> 01:03:58,920
Speaker 1: my voice is in good shape. And then if it

1305
01:03:59,000 --> 01:04:02,760
Speaker 1: isn't about a thirty minute panic attack and I'm drinking

1306
01:04:02,800 --> 01:04:06,440
Speaker 1: hot tea, I'm doing the Nettie pot and falsetto that's

1307
01:04:06,440 --> 01:04:12,440
Speaker 1: the hot so and then I do like and I

1308
01:04:12,560 --> 01:04:15,720
Speaker 1: was like love not only fear anymore. And then that's

1309
01:04:15,760 --> 01:04:20,240
Speaker 1: it and I'll literally do It's not even this is

1310
01:04:20,280 --> 01:04:22,600
Speaker 1: like everyone on our team can attest. This is about

1311
01:04:22,600 --> 01:04:25,800
Speaker 1: thirty times a day, probably all haven't. I've been in

1312
01:04:25,880 --> 01:04:27,840
Speaker 1: the hotel room multiple times. I can hear through the

1313
01:04:27,880 --> 01:04:32,360
Speaker 1: pipes from another room. Oh yeah, true story. Yeah, so

1314
01:04:32,520 --> 01:04:35,120
Speaker 1: it's there's I've got a lot of quirks. I mean,

1315
01:04:35,120 --> 01:04:37,120
Speaker 1: over the years too, they develop in this kind of

1316
01:04:37,160 --> 01:04:39,760
Speaker 1: thing where it's like these little routines kind of just happened.

1317
01:04:40,160 --> 01:04:44,040
Speaker 1: I mean, cough drops, hot tea, warm ups, warm ups,

1318
01:04:44,600 --> 01:04:46,520
Speaker 1: push ups to get your voice kind of which is

1319
01:04:46,560 --> 01:04:49,040
Speaker 1: weird that push ups, but get your blood flowing. I

1320
01:04:49,080 --> 01:04:51,480
Speaker 1: don't know, it's it's it's just but at this point

1321
01:04:51,520 --> 01:04:54,240
Speaker 1: in your career, you know what works for you exactly. Yeah.

1322
01:04:54,680 --> 01:04:56,480
Speaker 1: And I can tell too, Like right when like I'm

1323
01:04:56,480 --> 01:04:58,560
Speaker 1: about to have like a science affection or something, I'll

1324
01:04:58,560 --> 01:04:59,640
Speaker 1: go and I get like a little one of those

1325
01:04:59,640 --> 01:05:01,800
Speaker 1: little stair what shots. You know, if you have a

1326
01:05:01,840 --> 01:05:04,400
Speaker 1: show on the show doesn't go as well as you

1327
01:05:04,400 --> 01:05:06,400
Speaker 1: had hoped, which one of you is the most upset

1328
01:05:08,360 --> 01:05:10,520
Speaker 1: pretty much. Guess is he you okay? Oh yeah, what

1329
01:05:10,600 --> 01:05:12,080
Speaker 1: if you have a great are you able to celebrate

1330
01:05:12,080 --> 01:05:14,560
Speaker 1: a great show too? So you are the vote? You're

1331
01:05:14,640 --> 01:05:18,440
Speaker 1: up and down the most you're I mean, this is

1332
01:05:18,480 --> 01:05:21,479
Speaker 1: the guy. This isn't they chose who is the most

1333
01:05:21,480 --> 01:05:23,400
Speaker 1: even killed though? Who's the one who's like? All right, guys,

1334
01:05:23,520 --> 01:05:26,000
Speaker 1: David to you, I can be even kil but I

1335
01:05:26,080 --> 01:05:28,560
Speaker 1: get upset when there's technical things that happen in the

1336
01:05:28,600 --> 01:05:31,520
Speaker 1: show and something goes wrong. I mean that upsets me.

1337
01:05:31,880 --> 01:05:34,520
Speaker 1: But I can still be like, you know, see the

1338
01:05:34,520 --> 01:05:36,680
Speaker 1: bright side and everything, like I'm so grateful to be here.

1339
01:05:36,720 --> 01:05:38,439
Speaker 1: Are you never too high? Never too low? Because it'll

1340
01:05:38,440 --> 01:05:42,040
Speaker 1: affect a performance? I mean, are you that Lenny you're thinking? Where? Okay,

1341
01:05:42,040 --> 01:05:43,680
Speaker 1: I'm gonna focus and make sure we get the best

1342
01:05:43,680 --> 01:05:45,520
Speaker 1: out of us and not get so emotional and affects

1343
01:05:45,560 --> 01:05:47,960
Speaker 1: us either way. I try to let go of that

1344
01:05:48,200 --> 01:05:49,760
Speaker 1: a lot of these shows, Like we're doing this request

1345
01:05:49,800 --> 01:05:51,320
Speaker 1: line tour in the fall. We're just gonna take requests

1346
01:05:51,320 --> 01:05:53,560
Speaker 1: and it's gonna be different every night, and who cares

1347
01:05:53,560 --> 01:05:55,080
Speaker 1: what happens. I mean when we just like what we're

1348
01:05:55,080 --> 01:05:57,800
Speaker 1: doing today, just play songs, make tell stories. I mean,

1349
01:05:57,840 --> 01:05:59,600
Speaker 1: this is what I love, and that's what we're actually

1350
01:05:59,680 --> 01:06:01,240
Speaker 1: getting to do. I'm not trying to segue, but that's

1351
01:06:01,240 --> 01:06:02,880
Speaker 1: what we're doing this fall. Well. I had no idea

1352
01:06:02,920 --> 01:06:04,680
Speaker 1: that because I saw request line was the name of

1353
01:06:04,680 --> 01:06:06,480
Speaker 1: the tour, I had no idea you were actually doing that. Yeah,

1354
01:06:06,600 --> 01:06:08,160
Speaker 1: but I was doing this. I don't know if you

1355
01:06:08,160 --> 01:06:10,320
Speaker 1: guys thought that was on purpose. No. I literally was like,

1356
01:06:10,360 --> 01:06:12,080
Speaker 1: you know, I've spent so much time with these guys,

1357
01:06:12,080 --> 01:06:13,440
Speaker 1: like what can I do? And then I was like, well,

1358
01:06:13,480 --> 01:06:15,560
Speaker 1: I'll just be selfish and haven't play my favorite So

1359
01:06:15,640 --> 01:06:17,440
Speaker 1: that's what is happening at the tour. Yeah, and that's

1360
01:06:17,480 --> 01:06:18,720
Speaker 1: what we're gonna do on the tour, and we're gonna

1361
01:06:18,720 --> 01:06:20,640
Speaker 1: take We have a hotline people can call, leave a voicemail.

1362
01:06:20,680 --> 01:06:23,360
Speaker 1: We're gonna build the setlist around the requests. But then

1363
01:06:23,400 --> 01:06:25,520
Speaker 1: also like we've done a couple of shows already where

1364
01:06:25,920 --> 01:06:27,440
Speaker 1: we just open it up to the audience. I mean,

1365
01:06:27,440 --> 01:06:29,000
Speaker 1: you don't get a chance to do that in a

1366
01:06:29,040 --> 01:06:31,640
Speaker 1: big amphitheater arena. I mean, but just to literally say,

1367
01:06:31,680 --> 01:06:34,600
Speaker 1: does anybody having your requests? People are yelling things out,

1368
01:06:34,640 --> 01:06:36,640
Speaker 1: you pick somebody out maybe bring them up and just

1369
01:06:36,680 --> 01:06:39,080
Speaker 1: do a song and somebody from the audience to sing

1370
01:06:39,120 --> 01:06:42,960
Speaker 1: a song just initially yeah, potentially that or that's you know.

1371
01:06:43,000 --> 01:06:44,240
Speaker 1: I let gonna tell you a story real quick. Bring

1372
01:06:44,360 --> 01:06:45,840
Speaker 1: them a number one good. I went to a Green

1373
01:06:45,880 --> 01:06:49,240
Speaker 1: Day concert once and so they who knows who knows

1374
01:06:49,280 --> 01:06:52,880
Speaker 1: our songs? And everybody's like, I know the songs I'm

1375
01:06:52,920 --> 01:06:54,640
Speaker 1: in and I'm I love Green Dad grew up on

1376
01:06:54,680 --> 01:06:57,160
Speaker 1: early Green Days, still like Green Day, and so they're like,

1377
01:06:57,200 --> 01:07:02,480
Speaker 1: all right, we're gonna play well, h I'm having dude,

1378
01:07:02,560 --> 01:07:08,880
Speaker 1: you have the time to lit brain stew Is that

1379
01:07:09,080 --> 01:07:15,240
Speaker 1: is that? What? What is it? Keep going basket case? Yeah?

1380
01:07:15,640 --> 01:07:18,120
Speaker 1: So like who knows basket case and everybody's like, I

1381
01:07:18,200 --> 01:07:20,840
Speaker 1: know it, I know it, and so uh he's like

1382
01:07:20,840 --> 01:07:22,520
Speaker 1: you know, yeah, you know you gotta played a guitar.

1383
01:07:22,680 --> 01:07:25,480
Speaker 1: He's like yeah, And so the takes the bass and

1384
01:07:25,520 --> 01:07:27,760
Speaker 1: goes takes playing the bass guitar. He takes it the

1385
01:07:27,880 --> 01:07:29,960
Speaker 1: guys bass, and he's like wow. The crowd's going yeah

1386
01:07:30,000 --> 01:07:32,840
Speaker 1: basic uitar knows the song. Cool. And the next guy

1387
01:07:32,840 --> 01:07:34,680
Speaker 1: comes up because who knows how I played on drums?

1388
01:07:34,680 --> 01:07:36,320
Speaker 1: The crowd some guys like, I do you know I

1389
01:07:36,320 --> 01:07:41,040
Speaker 1: played cool guy in the basse. Boom, They've got it.

1390
01:07:41,040 --> 01:07:43,320
Speaker 1: They got two down in the crowd. It's like, this

1391
01:07:43,440 --> 01:07:45,480
Speaker 1: is amazing. We're watching people come out of the crowd

1392
01:07:45,480 --> 01:07:47,360
Speaker 1: of the Green Day show and they're gonna play basket

1393
01:07:47,440 --> 01:07:51,080
Speaker 1: kay boom boom the whole the crowd. It's awesome and

1394
01:07:51,160 --> 01:07:53,000
Speaker 1: I'm into it and I'm I paid to watch Green Day,

1395
01:07:53,000 --> 01:07:55,479
Speaker 1: but this is gonna be a cool moment. And so uh,

1396
01:07:55,520 --> 01:07:57,360
Speaker 1: Billy Joe the lead singers, like all right, all right,

1397
01:07:57,560 --> 01:07:59,040
Speaker 1: and the guys on the bass and he's just keeping

1398
01:07:59,080 --> 01:08:01,000
Speaker 1: the basseline going up this song and don't forget boom

1399
01:08:01,360 --> 01:08:04,080
Speaker 1: the drums going. They're like, all right, who wants to play?

1400
01:08:04,600 --> 01:08:07,240
Speaker 1: Uh lead and sing? And some guys like I do.

1401
01:08:07,600 --> 01:08:09,760
Speaker 1: And the crowd's like oh and the guy looks like

1402
01:08:09,840 --> 01:08:13,840
Speaker 1: Billy jorm strong And so I'm like, is this a setup? Yeah,

1403
01:08:13,880 --> 01:08:16,639
Speaker 1: because I wouldn't be that gets cool whatever, it's entertainment.

1404
01:08:16,680 --> 01:08:19,320
Speaker 1: I don't care. And I'm like, wow, so it wasn't.

1405
01:08:19,320 --> 01:08:20,840
Speaker 1: So the guy gets up and the guy's freaking out

1406
01:08:20,880 --> 01:08:22,080
Speaker 1: and you can tell he's so pumped to be on

1407
01:08:22,080 --> 01:08:24,120
Speaker 1: stage a Green Day and Billy Joe's like, you have played.

1408
01:08:24,160 --> 01:08:28,640
Speaker 1: He goes, yeah, and so again the base drums they

1409
01:08:28,640 --> 01:08:30,559
Speaker 1: got it. They don't only stop, they're playing the whole time.

1410
01:08:30,720 --> 01:08:32,559
Speaker 1: And so the guy takes the guitar and he gets

1411
01:08:32,560 --> 01:08:34,040
Speaker 1: on the baca. You guys riding and the guys they're

1412
01:08:34,040 --> 01:08:36,120
Speaker 1: still playing to doing it, and he goes, has no

1413
01:08:36,160 --> 01:08:38,439
Speaker 1: idea to play it. It's awful, it's awesome, it's a

1414
01:08:38,520 --> 01:08:40,280
Speaker 1: great and then they he took the guitar from him

1415
01:08:40,280 --> 01:08:42,280
Speaker 1: and he said get off stage. And then he played

1416
01:08:42,320 --> 01:08:46,080
Speaker 1: that part and it was amazing. So don't do that bit.

1417
01:08:46,520 --> 01:08:49,360
Speaker 1: Yeah it didn't. So that's so, but that would be

1418
01:08:49,360 --> 01:08:52,200
Speaker 1: cool if you probably people up. You never know, I mean,

1419
01:08:52,200 --> 01:08:54,680
Speaker 1: you gotta especially too, like we take a request in

1420
01:08:54,760 --> 01:08:56,439
Speaker 1: the audience. I mean, you can only do that maybe

1421
01:08:56,439 --> 01:08:58,320
Speaker 1: a couple of times, because it's you know, you get

1422
01:08:58,479 --> 01:09:00,800
Speaker 1: like and then they won't stop yelling and that kind

1423
01:09:00,800 --> 01:09:03,320
Speaker 1: of gets disrupted. But of course everybody has to. Somebody's

1424
01:09:03,320 --> 01:09:06,040
Speaker 1: gotta say free bird. Just it just happens every time. Well,

1425
01:09:06,280 --> 01:09:10,600
Speaker 1: my number one song, free bird all right here is uh,

1426
01:09:10,920 --> 01:09:13,160
Speaker 1: this is my favorite lady a song. It is from

1427
01:09:13,200 --> 01:09:21,920
Speaker 1: two thousand and ten. It is American Honey. She grew

1428
01:09:22,200 --> 01:09:27,280
Speaker 1: up on the side of the road with the church

1429
01:09:27,360 --> 01:09:34,080
Speaker 1: bells free and strong, glove grows. She grew up good,

1430
01:09:35,280 --> 01:09:41,360
Speaker 1: she grew up so black American Honey. Let's go to

1431
01:09:41,400 --> 01:09:48,000
Speaker 1: the chorus through there's a wild bound Andrew blowing in

1432
01:09:48,080 --> 01:09:54,200
Speaker 1: the wind, coming out my name like a long lost

1433
01:09:54,240 --> 01:10:02,519
Speaker 1: friend who Miss Slow says as he's go oh nothing,

1434
01:10:02,720 --> 01:10:11,639
Speaker 1: sweet Summer's night an American Honey. That's awesome, lady and studio.

1435
01:10:12,640 --> 01:10:16,160
Speaker 1: The Request Line tour with just a lovely guy Dave

1436
01:10:16,200 --> 01:10:18,720
Speaker 1: Barnes opening up was so good and it's funny, and

1437
01:10:19,240 --> 01:10:21,400
Speaker 1: so the tour is gonna be awesome. And today we

1438
01:10:21,400 --> 01:10:23,240
Speaker 1: are here celebrating the new song. Are you guys doing

1439
01:10:23,280 --> 01:10:25,320
Speaker 1: a video for Summer State of Money? You've already done

1440
01:10:25,320 --> 01:10:27,479
Speaker 1: it and it's not out. Is it comes out Friday?

1441
01:10:27,560 --> 01:10:30,800
Speaker 1: Oh thank goodness, because if it had been out and

1442
01:10:30,840 --> 01:10:33,920
Speaker 1: awkward for everybody. Okay, so tomorrow it's going to be out.

1443
01:10:34,240 --> 01:10:36,960
Speaker 1: Summer State of Mind the video this song is out now,

1444
01:10:37,000 --> 01:10:39,280
Speaker 1: Summer State of Mind, And listen I say it again,

1445
01:10:39,360 --> 01:10:41,040
Speaker 1: and you know I don't ever want it to get

1446
01:10:41,040 --> 01:10:42,679
Speaker 1: lost that I just you guys are just really cool,

1447
01:10:42,800 --> 01:10:44,760
Speaker 1: like I like I like you people. You're also very

1448
01:10:44,760 --> 01:10:47,439
Speaker 1: talented as a group. But you're just you're just cool folks,

1449
01:10:47,479 --> 01:10:50,240
Speaker 1: and I can appreciate that. And I would never ask

1450
01:10:50,280 --> 01:10:51,960
Speaker 1: you guys just to come in and perform because it's early.

1451
01:10:51,960 --> 01:10:52,960
Speaker 1: But they were like, do you want to perform? And

1452
01:10:53,000 --> 01:10:54,439
Speaker 1: I was like, I don't know if they want to perform.

1453
01:10:54,520 --> 01:10:57,240
Speaker 1: They're big stars. They're like, no, don't perform. One time

1454
01:10:57,280 --> 01:10:58,680
Speaker 1: I said no one, Charles like you don't want us

1455
01:10:58,680 --> 01:11:01,559
Speaker 1: to perform, and I remember that and I was like,

1456
01:11:01,600 --> 01:11:05,200
Speaker 1: I'm never gonna finch Arles again. So it's a great opportunity.

1457
01:11:05,439 --> 01:11:07,280
Speaker 1: I'm like, show people what we you know, what we

1458
01:11:07,400 --> 01:11:09,880
Speaker 1: love to do. So yeah, thank you everyone. If they

1459
01:11:09,920 --> 01:11:12,360
Speaker 1: come to your town, you should go watch this. There's

1460
01:11:12,360 --> 01:11:14,400
Speaker 1: a number. You can go to their website and see

1461
01:11:14,439 --> 01:11:16,439
Speaker 1: the number to call and leave him a voice amail

1462
01:11:16,520 --> 01:11:19,120
Speaker 1: and go watch the request line tour, stream the song

1463
01:11:19,479 --> 01:11:21,479
Speaker 1: and can't wait. Whenever you guys get the full body,

1464
01:11:21,520 --> 01:11:23,439
Speaker 1: you do a whole record. If you're gonna do that, great,

1465
01:11:23,439 --> 01:11:25,559
Speaker 1: If not, whatever, you got a key to the place,

1466
01:11:25,600 --> 01:11:29,920
Speaker 1: so come by anytime. Thank you. All right there they are, lady, everybody.

1467
01:11:31,479 --> 01:11:35,240
Speaker 1: It's the best bits of the week with Morgan number two.

1468
01:11:36,960 --> 01:11:39,639
Speaker 1: That's it. Y'all for the best bits, just the bits.

1469
01:11:39,720 --> 01:11:41,519
Speaker 1: Make sure again if you haven't checked it out yet,

1470
01:11:41,560 --> 01:11:44,919
Speaker 1: Part one, which is an interview with Mighty this weekend,

1471
01:11:45,000 --> 01:11:47,320
Speaker 1: and he is the birthday boy, so you better listen

1472
01:11:47,400 --> 01:11:50,479
Speaker 1: and then give him a really awesome birthday shout out

1473
01:11:50,520 --> 01:11:53,320
Speaker 1: on social media. I love y'all. Thank you for hanging out,

1474
01:11:53,360 --> 01:11:57,599
Speaker 1: thank you for always listening and sharing your feedback with

1475
01:11:57,600 --> 01:11:59,599
Speaker 1: me online. You guys are so fun when you message

1476
01:11:59,640 --> 01:12:02,000
Speaker 1: me things, when you hear something, you're like, oh my gosh,

1477
01:12:02,040 --> 01:12:04,519
Speaker 1: I remember that too, or here's my story. It makes

1478
01:12:04,520 --> 01:12:07,599
Speaker 1: me so happy and seriously brings me joy, So keep

1479
01:12:07,680 --> 01:12:10,639
Speaker 1: them coming. Make sure you can find me at web girl,

1480
01:12:10,720 --> 01:12:13,920
Speaker 1: Morgan TikTok, Instagram, Facebook, Twitter, all the things I'm on

1481
01:12:13,960 --> 01:12:16,599
Speaker 1: all the social media, and of course the Bobby Bone

1482
01:12:16,600 --> 01:12:20,120
Speaker 1: Show at Bobby Bones Show. Y'all have a fabulous weekend. Bye,

1483
01:12:20,840 --> 01:12:22,240
Speaker 1: Just Bobby bo