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Speaker 1: The Volume.

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Speaker 2: be twenty one and over and present in select states only.

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Speaker 2: Gambling problem called one eight hundred, next step or texts

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Speaker 2: next step to five.

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Speaker 1: Three three, four to two.

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Speaker 2: Welcome to Jenkins and Jones on the Volume podcast Network.

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Speaker 1: It is Monday, May ninth.

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Speaker 2: We hope you had a great Mother's Day with your

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Speaker 2: Mommy's shout out to all the mommies out there, Mommy's Day.

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Speaker 1: You know what I'm saying. You in New York right now.

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Speaker 1: We miss you over here. You feel me. You got

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Speaker 1: to give me crying right now. On the first my

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Speaker 1: gift made her cry. All I'm not gonna say what

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Speaker 1: it was. In the air, Fish in the air. We'll

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Speaker 1: talk about it for sure.

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Speaker 2: As always, Jenkins and Jones hosted a bout my good

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Speaker 2: friends the Jet Throw Jenkins aka John.

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Speaker 1: Wasn't Bubba's Dragonfly?

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Speaker 2: Jones aka Tyler.

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Speaker 1: Hey, everybody has a good.

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Speaker 3: I'm guard to b a ka Mike shout out. We

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Speaker 3: put enough stink on that, Tyler, there was enough stike

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Speaker 3: on there. We've been you forgot ragged his tongue across

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Speaker 3: the mic.

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Speaker 1: Yes.

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Speaker 2: Scheduling note, sorry, we did not have the MIDWEK episode

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Speaker 2: Life h Life found a Way this week.

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Speaker 1: The podcast did not find a way.

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Speaker 4: Our regular lives finally got us man finally.

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Speaker 2: But uh And for this week, we're doing a live

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Speaker 2: show with the Buckets guys Wednesday night after the game,

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Speaker 2: So that'll be the Thursday Pod Thursday Morning Pod.

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Speaker 1: But if you want to tune in.

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Speaker 2: Live we'll have Josiah and Zach Wednesday night after. I'm

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Speaker 2: glad it's Wednesday because those are the those are the

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Speaker 2: games I really give a fuck about the Buck Celtics,

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Speaker 2: and and uh, that Warrior Grizzly series is getting spicy.

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Speaker 1: I wouldn't have scheduled it any other time. Bro, it

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Speaker 1: was only those options. Bro, are you the one who

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Speaker 1: scheduled it? I mean it was like, Hey, what games

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Speaker 1: do you think we should do it here? These are

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Speaker 1: good games Wednesday? Yeah, all right, well let's uh, let's

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Speaker 1: let's get into it.

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Speaker 2: A lot of basketball has happened since last time we recorded,

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Speaker 2: but I think the first we have to talk about

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Speaker 2: the MAVs one to day to tie that series up

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Speaker 2: at two to two. Shout out to Dorian Phinney Smith.

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Speaker 2: Incredible game. But obviously, what I think the three of

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Speaker 2: us were talking to the group chat about afterwards is

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Speaker 2: Chris Paul going up into the stands to make sure

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Speaker 2: a fan was removed after apparently a fan looked like

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Speaker 2: a teenager put his hands on Chris Paul's wife and

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Speaker 2: mom in front of his kids. I mean, Tyler, what

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Speaker 2: was your first reaction when you just saw that tweet?

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Speaker 2: That like that's what Chris Paul was upset about, because

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Speaker 2: Chris Paul was tweeting about it too, like this is

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Speaker 2: some fucking bullshit. We can't talk about the fans, but

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Speaker 2: you know this is going on in the stands.

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Speaker 4: My first reaction was the wife and the mama, like

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Speaker 4: he was just out there assault on the whole family.

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Speaker 4: Like and you want to give you want us to

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Speaker 4: give this kid, this teenager grace because he's not a minor. No, no,

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Speaker 4: look man, he's old enough to know better. And he's

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Speaker 4: for sure old enough to where if you put the

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Speaker 4: hands on the wrong person's mom, you're gonna get your

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Speaker 4: ass beat, you know what I'm saying, Like that's how I

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Speaker 4: see it, bro, Like like I'm gonna tell you something.

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Speaker 4: My homegirl been my like best you know uh woman

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Speaker 4: friends is like fucking we were in middle school and shit,

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Speaker 4: and she told me years ago, like she was at

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Speaker 4: the hospital with her mama and they were like waiting

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Speaker 4: on the elevator and so shit, and some old ass

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Speaker 4: and they rolled up some old like ninety year old

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Speaker 4: who with like dementia or Alzheims or something, and that

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Speaker 4: person just started kicking her mama and she said she

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Speaker 4: went over to him and mushed the fuck out of them,

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Speaker 4: And I was like, I understand. I completely understand because

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Speaker 4: the rules of engagement when it comes to like like

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Speaker 4: like people assaulting your mama, bro that she goes out

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Speaker 4: the window. It's like, you could tell me you beat

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Speaker 4: up like a twelve year old and touch your mom,

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Speaker 4: I'd probably understand. Are you telling me you beat up

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Speaker 4: a ninety year old for like assault in your mom?

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Speaker 4: I would probably understand. It's different with mama's bro, you

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Speaker 4: got to keep your antsy, yourself and everyone who Everyone

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Speaker 4: in the world knows this too. The rules of engagement

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Speaker 4: are for short, different with your mama, mom and wife.

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Speaker 1: There is literally nothing that could have happened after that

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Speaker 1: that I would have said he shouldn't have done that.

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Speaker 1: All rules go out the window when you involve people

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Speaker 1: like that. I don't. I didn't see the kid that

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Speaker 1: did it out. I was like, you know, my first

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Speaker 1: reaction on Twitter was like, you know, you know, I

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Speaker 1: tweeted y'all, I'm like, murder, that's what That's what I

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Speaker 1: texted y'all, murder like. And I'm not saying I would

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Speaker 1: have done that, but anything that happens involving somebody pushing

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Speaker 1: your your your your mom or your wife, like I mean,

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Speaker 1: and and the NBA has to do something about this,

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Speaker 1: like immediately. Okay, what they're doing isn't enough kicking fans out.

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Speaker 1: Something has to be done. It's on the commissioners, not

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Speaker 1: on the players, because expecting players to contain themselves when

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Speaker 1: their family is in danger, They're worrying about their family

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Speaker 1: while on court. That that's that. That's a lot to ask.

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Speaker 1: And if somebody would have jumped in that stand and

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Speaker 1: knocked that motherfuck out, it would have made all the

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Speaker 1: sins in the world. Anybody with some real sins or

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Speaker 1: some fucking nuts or has ever loved anybody, you know

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Speaker 1: what I'm saying that heard that and question that I

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Speaker 1: question they ask that shit is sickening, bro, And NBA

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Speaker 1: needs to do NBA needs to do somethingbout that. Right now.

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Speaker 1: You should not be worried about your mom or your

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Speaker 1: fucking wife getting pushed in the stands while doing your

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Speaker 1: fucking job. That's ridiculous.

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Speaker 2: If I'm playing basketball and I find out someone said

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Speaker 2: something to my mom or my wife, that's difficult for

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Speaker 2: me to remain on the court. In that situation, if

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Speaker 2: someone put their hands on my wife and my mom,

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Speaker 2: I don't care if it's the president, if it's the

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Speaker 2: fucking pope, I don't care if it's Jesus Christ, Like,

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Speaker 2: whatever the consequences are, Whatever the consequences are, there's I

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Speaker 2: don't have another option, Like there's no.

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Speaker 1: Out in that situation.

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Speaker 2: There's a line in uh, this is the all time

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Speaker 2: I'm ready to fight line. And Moby Dick Captain A said,

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Speaker 2: if the sun offended me, I'm pulling that motherfucker down

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Speaker 2: here right now.

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Speaker 4: Yeah, keviny, how was the world. It's like literaly's greatest hater.

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Speaker 4: The animosity deep in that man's soul is fucking a

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Speaker 4: work of literature art.

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Speaker 1: Bro. But yes, I feel him on that for sure.

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Speaker 1: I just the real shit there. Uh so? I yeah,

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Speaker 1: I don't know.

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Speaker 2: I mean, I I just And then you see he's

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Speaker 2: in the press conference afterwards checking with the media assistant, like,

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Speaker 2: can I fucking leave now? I'm trying to go check

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Speaker 2: on my family and make sure that everything's good.

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Speaker 1: Was this kid who he looks like a teenager.

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Speaker 2: I have no idea he might be a stupid looking

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Speaker 2: twenty two year old or he might have been a

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Speaker 2: big fifteen year old.

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Speaker 1: I have no idea, but he was. It certainly looked

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Speaker 1: like Tyler that he was with his mom.

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Speaker 2: Would you not say, yeah, so you know he's there

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Speaker 2: with his mom, he's doing this stuff. First of all,

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Speaker 2: that's on my mom would have fucking look so step one, mom,

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Speaker 2: if you're the adult in this situation, you need to

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Speaker 2: fucking figure that out.

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Speaker 1: Your son. You bought him these nice ass seats.

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Speaker 2: He's there in a replica Luka doncic jersey that probably

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Speaker 2: costs three hundred dollars, and he's talking to because he

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Speaker 2: thinks it's a video game, or he's on Twitch or

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Speaker 2: some ship. Just in the comments, he's talking to human beings.

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Speaker 2: And you know you, as a mother, you gotta fuck

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Speaker 2: that ship. First of all, it wasn't talking. It was pushed, right.

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Speaker 2: I thought it was a grown man. That's why I

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Speaker 2: was like that sounded like grounds for murder.

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Speaker 1: You know what I'm saying, like.

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Speaker 2: You're not checking your I D first, No, no, no, no, no.

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Speaker 1: No murder for no.

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Speaker 4: It goes some murder for adults when as before a teenager,

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Speaker 4: Like that's why I would have beat.

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Speaker 1: That little motherfucker's ass. Okay, Now, like you said, all

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Speaker 1: the guys, you go out the window when it's your

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Speaker 1: fucking mom, you put your inn as my mom. That's

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Speaker 1: all in front of your kids. Bro. You god damn

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Speaker 1: you're talking about d n A at this point. You're

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Speaker 1: not talking to me as a person. You're talking about

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Speaker 1: I wouldn't have thought. And that's that's what's wold.

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Speaker 5: Like.

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Speaker 1: You're asking these basket ball players to do what these

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Speaker 1: fans aren't doing, you know what I'm saying. And this

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Speaker 1: is and we're not talking about like the job and

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Speaker 1: they get paid. We're talking about natural human instincts when

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Speaker 1: you see somebody you love to that extent, you know

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Speaker 1: what I'm saying, the woman that's raised your kids and

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Speaker 1: the woman that raised you getting hands put on them.

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Speaker 1: What the fuck do you want a person to do

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Speaker 1: in that situation?

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Speaker 2: Then we have to do something about that asund so,

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Speaker 2: and here's my response to you on that. I totally

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Speaker 2: agree that the league is not taking this stuff seriously enough.

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Speaker 2: You know, And first of all, this has been an issue.

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Speaker 2: Someone brought up that this was an issue with Vernon.

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Speaker 2: This has been an issue forever, Like this happened with

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Speaker 2: Vernon Maxwell. You know it's been forever that players have

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Speaker 2: had to deal with these stupid fans. We just have

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Speaker 2: more access to what's happening in the stands now, right

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Speaker 2: to me. Look, basketball is a fucking privilege. Is a

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Speaker 2: privilege for us as a society, is a privilege for

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Speaker 2: fucking fans to be there. This is not a human right.

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Speaker 2: And if you, as a host team, cannot provide a

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Speaker 2: safe atmosphere for players to play where they're not gonna

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Speaker 2: to hear racial slurs hurled at them, as everyone has

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Speaker 2: told us happens constantly in Utah or where your family

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Speaker 2: cannot come and watch you play basketball, then you forfeit

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Speaker 2: the fucking game. I mean it's that easy to me.

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Speaker 2: And you watch out how fuck it You watch out

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Speaker 2: how fucking fast the behavior changes if it goes Oh,

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Speaker 2: this isn't some You know, I'm gonna get famous for

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Speaker 2: going back and forth with Chris Paul. This is the

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Speaker 2: guy who's jersey I'm wearing is gonna be mad at

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Speaker 2: me for acting like a dipshit and costing him a

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Speaker 2: fucking playoff game.

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Speaker 1: But this needs to be.

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Speaker 2: Root level, reach in, grab the shit and pull it

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Speaker 2: out and throw it away because this cannot happen. This

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Speaker 2: can't be a theme. It's not fucking funny. Because if

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Speaker 2: Chris Paul had jumped in there and pushed that kid's

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Speaker 2: nose through the back of his head, none of us

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Speaker 2: would have disagreed with it, and it would have been

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Speaker 2: a disaster for the NBA. But you would have been

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Speaker 2: right to do it. So they need to get on

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Speaker 2: top of this shit, and not in a fines legislative

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Speaker 2: type of way. It has to be a serious fucking thing.

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Speaker 2: I think I would take it all the way to

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Speaker 2: a forfeit. You can't if if someone's wife and mom

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Speaker 2: can't watch him play basketball, then you can't.

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Speaker 1: I played basketball, period, all right, ship and hang the gay.

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Speaker 2: Welcome the other game tonight he Sixers, Sixers win to

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Speaker 2: tie that series up at two two. These are the

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Speaker 2: two series I think we and most people I know

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Speaker 2: have been a little bit less interested in. And so

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Speaker 2: I'm glad to see him get to a game five

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Speaker 2: at two to two, and both of them because now

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Speaker 2: I'm I'm you clock in a lot more at tow

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Speaker 2: two for Game five, so I'm excited about that. I

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Speaker 2: want to know Tyler where are we with Jimithy Hardens

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Speaker 2: is the name.

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Speaker 1: Has he has? He has? He got his name.

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Speaker 4: Back for tonight, he was James Tonight. I feel like

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Speaker 4: this is this is the Cordy ending of a movie

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Speaker 4: where where like a dude is.

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Speaker 1: Just walking up in and you're like, that was James tonight.

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Speaker 4: Yeah, but but for sure it was like he was

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Speaker 4: jim the first two games. Bro Yeah, four points Jimothy, Yeah,

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Speaker 4: four points of the second half of game one fourth

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Speaker 4: to the second half the game too, Like he stuck

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Speaker 4: it up, but he showed up tonight. He showed up tonight.

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Speaker 4: Can't take it from me. He was James tonight.

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Speaker 1: I think for the rest of his career we'll see

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Speaker 1: more Jimothy than James. I think this iteration of James

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Speaker 1: is the James will see more of. I feel like,

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Speaker 1: you know who have these moments like this that are good.

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Speaker 1: But I feel like the way he approaches the game

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Speaker 1: is totally different than who he was when like you know,

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Speaker 1: Mary first had him, you know what I mean, where

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Speaker 1: he's aggressive, pushing, you know, pushing to get his points

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Speaker 1: and stuff like that. He's more of a facilitator. He'll

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Speaker 1: sit back and let MAXI do do the thing. You

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Speaker 1: do the thing, you know what I'm saying, more than

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Speaker 1: he presses himself. So I think that's interesting. I'm wondering,

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Speaker 1: like how you know this will be in uh, you know,

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Speaker 1: in his career further along down the line. But I

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Speaker 1: don't care about this series at all. I give zero

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Speaker 1: fucks about what happens either these teams. Anybody can win,

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Speaker 1: it doesn't matter. Bro.

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Speaker 4: So you think you think whoever comes out of here

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Speaker 4: is not going to the finals?

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Speaker 5: Oh?

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Speaker 1: No, I know, I feel like, no, I mean this

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Speaker 1: this series. No, I mean his Bucks are Celtics still,

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Speaker 1: and Celtics are struggling a little bit. You know, I'll

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Speaker 1: like jaseon Tatum got to figure it out. You know.

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Speaker 1: If he don't figure it out, they can't do shit,

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Speaker 1: you know what I'm saying. But uh, I think I

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Speaker 1: think I think it's probably the Bucks, but it's coming

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Speaker 1: that that's the series. It matters. I think that series

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Speaker 1: really decides who wins a chip. Honestly, I can get

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Speaker 1: on board with that.

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Speaker 2: There was a guy at the game who you would

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Speaker 2: identify with John, which is the camera's caught a guy.

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Speaker 2: I think he was court side, but he was like

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Speaker 2: second row at furthest back who was just dead knocked

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Speaker 2: out asleep in the second.

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Speaker 1: Half of this.

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Speaker 2: I've fallen asleep during some of the greatest movies of

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Speaker 2: all time in the movie theater.

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Speaker 1: There's no better nap in the world to me than

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Speaker 1: a movie theater nap. Do we think an NBA game?

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Speaker 1: It's court sighted an NBA game?

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Speaker 2: Is that like the is that the final thing to

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Speaker 2: check off on the lids?

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Speaker 1: He is, he is the elite knapfer.

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Speaker 4: But hoping about about how naps get you is though.

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Speaker 4: It's like, bro, all the Texas, like two or three

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Speaker 4: minutes of day on time, You're like, all right, let

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Speaker 4: me you your body starts lying to you.

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Speaker 1: You're like, yeah, I can.

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Speaker 4: I can just probably, you know, close my eyes for

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Speaker 4: like two minutes through this commercial breaking, you know, wake

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Speaker 4: back up. No the fuck you can't. You know what

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Speaker 4: I'm saying, You go wake up. It's gonna be goddamn

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Speaker 4: two hours later. So yeah, I can. You know, even

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Speaker 4: though it is ridiculous to fall asleep by the courtside game,

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Speaker 4: at the stage of life that I've been now, I

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Speaker 4: could see that being, you know, something that could possibly

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Speaker 4: happen to be too.

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Speaker 1: Tyler witnessed this. I fell asleep standing up in a club.

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Speaker 1: In the club, I can go to standing in DC

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Speaker 1: with a fucking pea coat on, Nigga, I can go

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Speaker 1: to sleep any fucking wear. Bro. Fall asleep with your

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Speaker 1: feet on the hardwood, peanuts, Okay, try fall asleep with

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Speaker 1: drinks flowing and booty juice around you. Okay, underground club, Bro,

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Speaker 1: that's where I fell asleep standing up. All right, So yes,

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Speaker 1: you know that. But I mean, but good for him,

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Speaker 1: You know what I mean. I might have you. I

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Speaker 1: might have you beat.

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Speaker 2: Let me see in college I mentioned we got into

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Speaker 2: some different things as a newspaper.

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Speaker 1: The newspaper I was at in college. Right, We were

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Speaker 1: in an.

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Speaker 2: Academic court hearing with the with the school senate to

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Speaker 2: decide whether we were going to get kicked out of

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Speaker 2: college or not.

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Speaker 1: And I fell asleep in the third row. You were

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Speaker 1: a minute. Every story you told about you in that

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Speaker 1: damn newspaper you were it was some animal house ship

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Speaker 1: going on there, Bro. Yeah, it might it might have been.

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Speaker 1: It might have been more. It might have been more

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Speaker 1: PCU than animal.

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Speaker 2: Yeah, it was a lot of high jinks. But fall

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Speaker 2: asleep standing up anywhere. That's super impressive. I credit you

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Speaker 2: for that.

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Speaker 1: I posted myself between a wall and a banister so

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Speaker 1: that he was eating a little bit. But I was like, yeah,

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Speaker 1: I don't I don't give a fuck about nothing that's

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Speaker 1: going on right now. Before I knew it, I would sleep.

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Speaker 2: So let's talk about that Buck Celtics series. We just mentioned.

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Speaker 2: The Bucks are up to one. Tyler had I thought anywhere.

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Speaker 1: On the internet or television.

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Speaker 2: The best comment on this, which is Celtics fans in

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Speaker 2: the span of three games, have gone from.

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Speaker 5: Yeah, we're gonna make KD work for every inch. We're

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Speaker 5: running three guys against him every time he's on the court,

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Speaker 5: every play, we're gonna beat his ass up. They're soft,

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Speaker 5: they can't play real basketball. This is post basketball, this

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Speaker 5: is Boston, this is real basketball.

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Speaker 1: Shopping too easy against the Celtics.

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Speaker 2: Dude walking into the arena with nine to one and

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Speaker 2: dialed on their phone to call the police on Ghannis.

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Speaker 1: First drop of the cup, Yes it is, it's ay.

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Speaker 4: It ain't no fun when the rabbit got the gun

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Speaker 4: right like like you know, they they were all up

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Speaker 4: in fucking Kd's jersey last year. It's like they were

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Speaker 4: knocking him off the square. They were physical, you know

360
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Speaker 4: what I'm saying, But that mother you know, no shots KD.

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Speaker 4: But that motherfucker weighs one hundred and eighteen pounds. It's

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Speaker 4: a whole different ball game with Gianni's right, this is

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Speaker 4: the strongest motherfucking the league, perhaps.

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Speaker 1: And maybe came to the league. Nigga, Yeah, this is

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Speaker 1: the strongest motherfucker.

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Speaker 4: You try to get a yeah, you try to get

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Speaker 4: open Gianna's jersey, your ass gonna be rolling into the

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Speaker 4: goddamn stance of like d bucking shit, you know what

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Speaker 4: I'm saying.

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Speaker 1: So see, it's a whole different ball game.

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Speaker 4: And I just love to see the hypocrisy from fucking

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Speaker 4: Celtics fans who are doing a one eighty on how

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Speaker 4: you know basket You know, the most physical team wins.

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Speaker 4: Now it's oh please, no, please help. You can't do that.

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Speaker 4: That's not legal.

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Speaker 1: You're too strong. And I love it though. This is

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Speaker 1: just brutality. This is brutality.

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Speaker 4: The fuckers are crying about someone being stronger than them

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Speaker 4: and they don't know how dorky they look.

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Speaker 1: I'll be honest, like, I think it's funny what you're saying,

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Speaker 1: but I get it. It is brutality. He's bullying the

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Speaker 1: fuck out the motherfuckers. I'll be yelling for help too

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Speaker 1: if I had to try to stop that motherfucker right there,

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Speaker 1: he dropping his shoulder and getting everybody out the way. Dog,

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Speaker 1: I'll be, I'll be, I'll be. I'd called nine to

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Speaker 1: one one as well. But yeah, it's definitely funny. But

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Speaker 1: I understand both sides, you know what I mean, there's

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Speaker 1: good people on both sides, I think.

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Speaker 2: I mean, it's first of all, it's just so funny,

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00:18:17,480 --> 00:18:20,760
Speaker 2: and we uh we we obviously talked about the more

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Speaker 2: important stuff with the Sun's mav series, but it's kind

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Speaker 2: of the same thing there. Like you just we've all

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Speaker 2: been fans of basketball for a long time, right, and

394
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Speaker 2: I'm telling my son this at eight years old, Like,

395
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Speaker 2: you can't be complaining about the officials like this NonStop,

396
00:18:38,440 --> 00:18:40,600
Speaker 2: But well, what's the fun of it? Like, can you

397
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Speaker 2: not acknowledge in your head that you want your team

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Speaker 2: to be officiated differently than the other team, and that

399
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Speaker 2: that color is the way that you see the game.

400
00:18:49,200 --> 00:18:52,879
Speaker 2: It's just I don't even consider that a particularly mature thought.

401
00:18:53,000 --> 00:18:55,400
Speaker 2: It's just and I you know, getting getting madd yelling

402
00:18:55,440 --> 00:18:56,560
Speaker 2: at the reps and shit, that's fun.

403
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Speaker 1: Whatever.

404
00:18:57,480 --> 00:19:00,520
Speaker 2: But to get on Twitter and like formulate hypothesis around

405
00:19:00,560 --> 00:19:02,840
Speaker 2: it and like, well, these guys are allowed to play

406
00:19:02,880 --> 00:19:04,560
Speaker 2: like this, We're allowed to play this. It's just like,

407
00:19:05,720 --> 00:19:07,240
Speaker 2: I don't see the point in it. It's it's a

408
00:19:07,240 --> 00:19:09,040
Speaker 2: boring way to watch basketball. It's a boring way to

409
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Speaker 2: talk about basketball for sure. Like there's just no there's

410
00:19:13,400 --> 00:19:15,560
Speaker 2: nothing there to me on that. And I don't understand

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00:19:15,640 --> 00:19:18,160
Speaker 2: Celtics fans like you're being hypocritical. Of course you're being hypocritical.

412
00:19:18,200 --> 00:19:21,080
Speaker 2: All basketball fans are hypocritical. But we're gonna laugh at

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Speaker 2: you if you come literally from a series where you

414
00:19:23,880 --> 00:19:26,359
Speaker 2: were bragging about beating up an all time great and

415
00:19:26,400 --> 00:19:28,400
Speaker 2: now you have an all time great beating you up

416
00:19:28,520 --> 00:19:30,159
Speaker 2: and you're saying you want more whistles on it, of

417
00:19:30,200 --> 00:19:32,560
Speaker 2: course you're gonna get laughed at for that. It's just

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Speaker 2: hypocritical at the hypocritical, at the basis possible level.

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Speaker 1: And I don't know Tyler said it, you said it

420
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Speaker 1: on Twitter earlier.

421
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Speaker 2: Have you ever watched a basketball game that your team

422
00:19:41,520 --> 00:19:43,960
Speaker 2: was not in and said could he use more fouls

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Speaker 2: in this one, could he use more whistles in this

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Speaker 2: basketball game?

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Speaker 1: No one wants that. No one wants that, yes, no one,

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Speaker 1: No one has ever.

427
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Speaker 4: I have never in my life watched a basketball game

428
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Speaker 4: and it been like, they need to call more offensive

429
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Speaker 4: fouls here. I have never in my life done all

430
00:20:01,720 --> 00:20:06,119
Speaker 4: innosive too, in particular offensive fouls too right like, and

431
00:20:06,480 --> 00:20:08,720
Speaker 4: no one else, no one else was a basketball fan,

432
00:20:08,720 --> 00:20:11,360
Speaker 4: has ever watched the game and wanted more offensive fouls

433
00:20:11,800 --> 00:20:13,960
Speaker 4: if if their team's not playing like if the only

434
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Speaker 4: time people want that shit is when their team's playing right,

435
00:20:16,920 --> 00:20:19,520
Speaker 4: everyone's awesome. Let them boys bangshit until it's your team

436
00:20:19,520 --> 00:20:21,439
Speaker 4: that's getting bullied. Then you want that have motherfucking whistle

437
00:20:21,520 --> 00:20:25,440
Speaker 4: going off. And it's just I don't, like I said,

438
00:20:25,440 --> 00:20:28,040
Speaker 4: I don't not get how Celtics fans don't realize how

439
00:20:28,080 --> 00:20:30,600
Speaker 4: dorky they look complaining about this shit, bro.

440
00:20:31,280 --> 00:20:35,200
Speaker 1: Particularly when you're watching somebody as amazing as Joanna's due

441
00:20:35,240 --> 00:20:38,640
Speaker 1: Yannis things, and what you talk about is whistles. We're

442
00:20:38,640 --> 00:20:42,280
Speaker 1: seeing somebody we have never seen before in this entire game,

443
00:20:42,720 --> 00:20:46,240
Speaker 1: and you want to, you know, you ignore how good

444
00:20:46,280 --> 00:20:51,120
Speaker 1: he is, and you want more referees involved. You want

445
00:20:51,119 --> 00:20:54,800
Speaker 1: the five eight, one hundred and sixty three pound guy

446
00:20:55,160 --> 00:20:58,760
Speaker 1: to get more involved in a playoff basketball game. It

447
00:20:58,800 --> 00:21:00,800
Speaker 1: doesn't quite make sense when you can look at the

448
00:21:00,800 --> 00:21:03,880
Speaker 1: seven footer, you know what I mean, who's doing anything

449
00:21:03,880 --> 00:21:05,480
Speaker 1: and everything that can be done on the court.

450
00:21:05,760 --> 00:21:08,080
Speaker 2: And I and John says, this is someone who you're

451
00:21:08,160 --> 00:21:11,240
Speaker 2: rooting for, Jason Tatum, I assume harder than anyone else.

452
00:21:11,359 --> 00:21:13,680
Speaker 1: Yes, I love, I want Tatum to win. I'm always

453
00:21:13,720 --> 00:21:15,960
Speaker 1: rooting for Saint Louis. You feel I'm always rooting for Tatum.

454
00:21:16,000 --> 00:21:17,840
Speaker 1: But the thing but like, yeah, I say that, like,

455
00:21:17,920 --> 00:21:21,080
Speaker 1: but I also am a fan of basketball, particularly the

456
00:21:21,119 --> 00:21:24,840
Speaker 1: beauty of it, and seeing Yannis play basketball is beautiful,

457
00:21:25,040 --> 00:21:28,000
Speaker 1: much more beautiful than the ball head ass motherfucker built

458
00:21:28,040 --> 00:21:30,720
Speaker 1: like a fist with a fucking zebra suit on. Okay,

459
00:21:30,840 --> 00:21:32,840
Speaker 1: I give a fuck about him and what he got

460
00:21:32,880 --> 00:21:35,200
Speaker 1: to say about what Yannis is doing on the court. Okay,

461
00:21:36,640 --> 00:21:37,080
Speaker 1: the other.

462
00:21:36,960 --> 00:21:39,199
Speaker 4: Game where there's been US, Oh, go ahead, Tyler, I

463
00:21:39,200 --> 00:21:41,800
Speaker 4: was gonna say Celtics had thirty four free throws that game,

464
00:21:42,000 --> 00:21:46,520
Speaker 4: Bucks had seventeen. The Celtics had seventeen free those in

465
00:21:46,560 --> 00:21:51,159
Speaker 4: the last sixteen minutes and thirty seconds. The Bucks had zero, Like,

466
00:21:51,200 --> 00:21:53,400
Speaker 4: what the fuck are y'all even crying about, bro.

467
00:21:55,440 --> 00:21:59,919
Speaker 1: They wantsive files. They're the motherfucker's calling charges in the

468
00:22:00,480 --> 00:22:03,720
Speaker 1: and getting the ass kicked off the court. You play

469
00:22:03,800 --> 00:22:08,200
Speaker 1: five h five in college stage, you got to go, broh.

470
00:22:09,840 --> 00:22:12,120
Speaker 2: The playoffs are heating up, and you can make every

471
00:22:12,119 --> 00:22:15,400
Speaker 2: game feel like Game seven. On FanDuel Sportsbook, an official

472
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Speaker 2: faster than a fast break same game parlay for tonight's games. Obviously,

478
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Speaker 2: you've heard us talking about how high we are on

479
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Speaker 2: the Bucks and Giannis, so I would build the same

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Speaker 2: game parlay around them winning and overs on all of

481
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Speaker 2: his player props because I just think he's going to

482
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Speaker 2: continue to look like a different kind of animal in

483
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490
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Speaker 2: and official partner of the NBA Disclaimer must be twenty

491
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492
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Speaker 2: one eight hundred gambler or visit FanDuel dot com slash

496
00:23:28,240 --> 00:23:31,119
Speaker 2: RG to the other series where there's been some been

497
00:23:31,160 --> 00:23:34,960
Speaker 2: some conversation. Actually, I'm interested for I'm interested to talk

498
00:23:35,000 --> 00:23:37,160
Speaker 2: about this the Warriors Grizzly series.

499
00:23:37,280 --> 00:23:38,520
Speaker 1: The Warriors are up to one.

500
00:23:39,520 --> 00:23:42,440
Speaker 2: Yeah, Jah looks like is going to be out game four.

501
00:23:43,480 --> 00:23:46,639
Speaker 2: There was a play in the last game. There's been

502
00:23:46,680 --> 00:23:50,280
Speaker 2: a lot of legs of Kimbo in this series. That

503
00:23:50,640 --> 00:23:54,440
Speaker 2: happens with some of the principal players involved. There's obviously

504
00:23:54,520 --> 00:24:00,000
Speaker 2: the very hard foul that that Dylan Brooks had accidentally.

505
00:24:00,359 --> 00:24:01,760
Speaker 2: I don't think he was trying to slap him in

506
00:24:01,800 --> 00:24:02,159
Speaker 2: the hand, but.

507
00:24:02,160 --> 00:24:03,520
Speaker 1: It was still dirty. I get it.

508
00:24:03,520 --> 00:24:05,520
Speaker 2: It was dirtyy Peyton.

509
00:24:06,400 --> 00:24:09,600
Speaker 1: But dirty, I get it. Yeah, And uh, you know.

510
00:24:10,240 --> 00:24:12,800
Speaker 2: The results there were there were the results of players

511
00:24:12,840 --> 00:24:14,080
Speaker 2: like that always dictate how.

512
00:24:14,000 --> 00:24:14,760
Speaker 1: We feel about him.

513
00:24:14,880 --> 00:24:17,679
Speaker 2: You know, there's an elbow fracture ended his season, so

514
00:24:17,760 --> 00:24:20,000
Speaker 2: you feel like it's more dirty than if he you know,

515
00:24:20,160 --> 00:24:21,919
Speaker 2: it's a hard foul and he gets up and plays on.

516
00:24:23,119 --> 00:24:25,840
Speaker 2: But this play, you know, Jordan Poole grabbing at the ball,

517
00:24:26,000 --> 00:24:29,440
Speaker 2: grabs jaw on the knee, on the inside of the

518
00:24:29,520 --> 00:24:32,840
Speaker 2: knee and pulls, and that's the injury and injury to

519
00:24:32,920 --> 00:24:35,960
Speaker 2: his knee, and you know they they've cut The Grizzlies

520
00:24:35,960 --> 00:24:37,920
Speaker 2: have said like that's that's when he hurt his knee.

521
00:24:38,080 --> 00:24:39,680
Speaker 1: Probably going to keep him out of a game four.

522
00:24:41,040 --> 00:24:43,960
Speaker 2: I don't personally watch that clip and see malicious intent.

523
00:24:44,080 --> 00:24:46,080
Speaker 2: It looks to me like it's a scramble. The ball

524
00:24:46,160 --> 00:24:48,919
Speaker 2: is loose between him. I think he knows he's not

525
00:24:48,960 --> 00:24:52,000
Speaker 2: grabbing at the basketball. But it's just sometimes you're sometimes

526
00:24:52,000 --> 00:24:54,600
Speaker 2: when you're playing, even if you're a slow, fucking kind

527
00:24:54,600 --> 00:24:56,880
Speaker 2: of fat white guy like me, you're just your hands

528
00:24:56,880 --> 00:24:58,439
Speaker 2: are in there, you're pulling whatever. I don't think he

529
00:24:58,520 --> 00:25:00,680
Speaker 2: was like trying to reach in and his knee and

530
00:25:00,720 --> 00:25:03,720
Speaker 2: indram But obviously if I was a huge Grizzlies fan,

531
00:25:03,760 --> 00:25:06,840
Speaker 2: I would I would be fucking furious beyond belief in it.

532
00:25:06,960 --> 00:25:08,919
Speaker 2: So what did you think of that play, Tyler? You

533
00:25:08,920 --> 00:25:10,560
Speaker 2: thought that was dirty or you thought it was just

534
00:25:10,760 --> 00:25:11,720
Speaker 2: one of those plays.

535
00:25:12,119 --> 00:25:14,359
Speaker 4: It looked like a basketball move. Jordan Poole has no

536
00:25:14,440 --> 00:25:16,360
Speaker 4: history of being dirty, so we got to I feel

537
00:25:16,400 --> 00:25:17,560
Speaker 4: like we got to give him the benefit of the

538
00:25:17,560 --> 00:25:18,240
Speaker 4: doubt on this one.

539
00:25:19,400 --> 00:25:20,800
Speaker 1: Yeah, Jordan Pool, I'm looking at him. He's not a

540
00:25:20,800 --> 00:25:22,359
Speaker 1: dirty player. He said, I'm not that type of player,

541
00:25:22,560 --> 00:25:23,639
Speaker 1: you know what I mean. And when I looked at

542
00:25:23,640 --> 00:25:26,480
Speaker 1: that play, I didn't truly I like you said, it

543
00:25:26,480 --> 00:25:28,639
Speaker 1: didn't seem like it came from a It wasn't you know,

544
00:25:28,680 --> 00:25:31,600
Speaker 1: you didn't have a malicious intent when he did it. Like,

545
00:25:31,640 --> 00:25:34,159
Speaker 1: it's just a basketball player. It's a context sport. It happens,

546
00:25:34,200 --> 00:25:37,040
Speaker 1: you know. I think they're more mad because Joss hurt.

547
00:25:37,440 --> 00:25:40,640
Speaker 1: You know, you're trying you're making a bigger deal. Yes,

548
00:25:40,720 --> 00:25:42,760
Speaker 1: John not being a game is a big deal, obviously.

549
00:25:42,800 --> 00:25:44,840
Speaker 1: I mean he's to I mean, but also, y'all have

550
00:25:44,880 --> 00:25:47,399
Speaker 1: won games. You want a lot of games with all Josh,

551
00:25:47,440 --> 00:25:51,800
Speaker 1: so you know, I think it gonn happen this time.

552
00:25:51,840 --> 00:25:56,840
Speaker 1: But yeah, but you know, I get why they're frustrated.

553
00:25:57,119 --> 00:25:59,159
Speaker 2: I think the I think the thing about it is

554
00:25:59,200 --> 00:26:01,880
Speaker 2: and I agree with you on you know, you give

555
00:26:01,880 --> 00:26:04,040
Speaker 2: players that don't have a bad track record, you give

556
00:26:04,080 --> 00:26:05,800
Speaker 2: them the benefit of doubt. I think the reason that

557
00:26:05,840 --> 00:26:08,240
Speaker 2: they're upset not just because it's job, but because if

558
00:26:08,240 --> 00:26:11,840
Speaker 2: there was malicious intent, he wouldn't have done anything differently.

559
00:26:11,440 --> 00:26:12,000
Speaker 1: Than what he did.

560
00:26:12,200 --> 00:26:14,439
Speaker 2: Like, you know, he put his hand right on the

561
00:26:14,440 --> 00:26:16,840
Speaker 2: inside of his knee joint and he pulled. That's gonna what,

562
00:26:16,920 --> 00:26:19,160
Speaker 2: you know, regardless of where your legs playing it, regardless

563
00:26:19,200 --> 00:26:19,840
Speaker 2: of what age you are.

564
00:26:19,840 --> 00:26:21,439
Speaker 1: If I go do that to my kids, that's not

565
00:26:21,480 --> 00:26:23,320
Speaker 1: going to feel good to them.

566
00:26:23,359 --> 00:26:25,959
Speaker 2: So I get that, But I just it's just one

567
00:26:26,000 --> 00:26:27,840
Speaker 2: of those moments if you if you don't slow it down,

568
00:26:28,040 --> 00:26:30,200
Speaker 2: if you watch it in real time, I don't think

569
00:26:30,200 --> 00:26:32,399
Speaker 2: you can come away from it feeling like, oh.

570
00:26:32,240 --> 00:26:33,919
Speaker 4: He's trying to take him out of the game. I

571
00:26:33,960 --> 00:26:38,760
Speaker 4: think you have to be a certified psycho to serial

572
00:26:38,960 --> 00:26:42,280
Speaker 4: killer type to hand number one to want to manually

573
00:26:43,280 --> 00:26:46,320
Speaker 4: injure someone's kneecap with your bare hands, right, I think

574
00:26:46,320 --> 00:26:48,520
Speaker 4: I think that's something where you're overlooking here. You gotta

575
00:26:48,600 --> 00:26:51,160
Speaker 4: be a sick motherfucker if you want to pull someone's

576
00:26:51,200 --> 00:26:54,040
Speaker 4: kneecap off their ligaments by your bare fucking hands.

577
00:26:54,080 --> 00:26:54,240
Speaker 1: Right.

578
00:26:54,400 --> 00:26:56,879
Speaker 4: Do we think Jordan Poole is is that guy? I mean,

579
00:26:56,920 --> 00:26:58,760
Speaker 4: we don't really know the kid. He's only he's like

580
00:26:58,800 --> 00:27:01,280
Speaker 4: twenty four or three years deep or whatever. I don't

581
00:27:01,320 --> 00:27:03,159
Speaker 4: think so, though, Like I said, I'm giving him the

582
00:27:03,200 --> 00:27:04,959
Speaker 4: benefit of doubt. He doesn't have a dirty history. He

583
00:27:04,960 --> 00:27:07,199
Speaker 4: said he didn't do it, So that's good enough for

584
00:27:07,240 --> 00:27:08,120
Speaker 4: me at that at this point.

585
00:27:08,640 --> 00:27:12,280
Speaker 1: Alto also to have that level of precision in that

586
00:27:12,520 --> 00:27:15,400
Speaker 1: bang bang of a play, to think that, bro go

587
00:27:15,520 --> 00:27:20,680
Speaker 1: check his basement, Go check the fridge downstairs. Bro Gee,

588
00:27:20,880 --> 00:27:22,720
Speaker 1: my man feeding brains the faults.

589
00:27:22,880 --> 00:27:23,080
Speaker 2: Right.

590
00:27:23,160 --> 00:27:26,240
Speaker 4: If he was that evil and that precise, you don't

591
00:27:26,280 --> 00:27:27,200
Speaker 4: be on a watch list.

592
00:27:27,240 --> 00:27:32,199
Speaker 1: You know what I'm saying. He playing some classical music,

593
00:27:32,480 --> 00:27:35,639
Speaker 1: cutting people's brains and feeding it to them. Okay, you

594
00:27:35,680 --> 00:27:47,120
Speaker 1: don't got the anible some other brains watching film ship, right,

595
00:27:47,359 --> 00:27:48,040
Speaker 1: he's eating.

596
00:27:48,520 --> 00:27:51,600
Speaker 2: With some fava beans and a nice kid.

597
00:27:55,040 --> 00:27:57,720
Speaker 1: I'm telling you.

598
00:27:56,800 --> 00:27:59,440
Speaker 2: All right, well, very excited for the games on Monday night,

599
00:28:00,119 --> 00:28:03,399
Speaker 2: tapped in with those for sure, let's talk about some

600
00:28:03,560 --> 00:28:07,640
Speaker 2: non basketball stuff. I appreciate, first of all, everyone who

601
00:28:07,680 --> 00:28:11,160
Speaker 2: listens to the show, because we cover a fair amount

602
00:28:11,200 --> 00:28:13,320
Speaker 2: of ground on the show, and I liked it. During

603
00:28:13,359 --> 00:28:15,280
Speaker 2: the playoffs, I hear from people who are like, love

604
00:28:15,280 --> 00:28:17,159
Speaker 2: that you guys are talking more basketball, and then we

605
00:28:17,200 --> 00:28:19,400
Speaker 2: hear from people who are like, boy, I wish you'd

606
00:28:19,400 --> 00:28:21,480
Speaker 2: stop talking about so much basketball.

607
00:28:22,480 --> 00:28:26,440
Speaker 1: The well Dicks story following Oh girl, they hit me

608
00:28:26,520 --> 00:28:28,440
Speaker 1: up about that, and I put it to the group chat.

609
00:28:28,840 --> 00:28:31,520
Speaker 1: She was like, she listens every day with her boyfriend still,

610
00:28:31,680 --> 00:28:34,200
Speaker 1: but she's like, I want to be able to interact

611
00:28:34,280 --> 00:28:35,920
Speaker 1: about some of this shit. I don't giving a funk

612
00:28:36,000 --> 00:28:40,520
Speaker 1: about this basketball stuff, and I respect it, y'all.

613
00:28:40,760 --> 00:28:42,880
Speaker 2: I was listening to the show before I was on

614
00:28:42,920 --> 00:28:45,280
Speaker 2: the show. I was listening to your Game of Thrones recaps,

615
00:28:45,320 --> 00:28:48,600
Speaker 2: having not watched any episodes of Game of Thrones, but

616
00:28:48,640 --> 00:28:49,440
Speaker 2: I was just like, Oh.

617
00:28:49,280 --> 00:28:53,640
Speaker 1: Here goes Tyler about the fucking Nightwalkers. This motherfucker's so funny.

618
00:28:54,240 --> 00:28:57,000
Speaker 1: Some people some people say like they you know, they

619
00:28:57,360 --> 00:29:00,960
Speaker 1: don't watch basketball, but they'll tap in the tea because

620
00:29:01,440 --> 00:29:05,000
Speaker 1: your gossip with a little messy bitches. You know what

621
00:29:07,960 --> 00:29:11,440
Speaker 1: they're talking about. If they said some ship to our moms,

622
00:29:11,440 --> 00:29:16,880
Speaker 1: for sure, fifteen year old put the nose at the

623
00:29:16,880 --> 00:29:20,240
Speaker 1: back of his head. No, but but yeah, so I'll

624
00:29:20,240 --> 00:29:22,680
Speaker 1: funk with it though, Yeah, for on both sides.

625
00:29:22,960 --> 00:29:29,120
Speaker 2: New h New Kendrick video out today Shades of Michael

626
00:29:29,200 --> 00:29:32,640
Speaker 2: Jackson black and white video using deep fake technology to

627
00:29:32,640 --> 00:29:35,040
Speaker 2: to to change his face during the song. What did

628
00:29:35,040 --> 00:29:36,200
Speaker 2: you guys think of the song? What'd you think of

629
00:29:36,200 --> 00:29:36,560
Speaker 2: the video?

630
00:29:38,000 --> 00:29:40,360
Speaker 4: Before I forget you talking about the black and white video,

631
00:29:41,200 --> 00:29:42,920
Speaker 4: please go back and look at that part with the

632
00:29:42,920 --> 00:29:46,360
Speaker 4: whole face morph ship because Tyra Banks like totally broke protocol,

633
00:29:46,400 --> 00:29:47,920
Speaker 4: Like she wasn't supposed to show to Shamy or be

634
00:29:48,040 --> 00:29:50,200
Speaker 4: all like be like oh like she was just like

635
00:29:50,200 --> 00:29:51,680
Speaker 4: if you look at her and look at everyone else,

636
00:29:51,680 --> 00:29:52,800
Speaker 4: you can tell everyone else followed.

637
00:29:53,440 --> 00:29:56,040
Speaker 1: She did not follow direction. And she said that that herself.

638
00:29:56,360 --> 00:29:58,840
Speaker 4: For she sees the spotlight and she became Dee Chick

639
00:29:58,880 --> 00:30:02,480
Speaker 4: of the nineties, right, but yeah, it's you.

640
00:30:02,480 --> 00:30:06,360
Speaker 1: You're a goddamn right to Yeah, I watched my wall.

641
00:30:07,680 --> 00:30:07,840
Speaker 5: Dog.

642
00:30:08,040 --> 00:30:09,320
Speaker 1: She was that big, but.

643
00:30:10,120 --> 00:30:13,640
Speaker 2: I declined to tell the story that I got yet

644
00:30:13,960 --> 00:30:19,680
Speaker 2: absolutely the listen, listen. The three grew up, the three

645
00:30:19,720 --> 00:30:21,960
Speaker 2: of us in a different era. The three of us

646
00:30:21,960 --> 00:30:23,640
Speaker 2: grew up in a different era in terms of the

647
00:30:23,680 --> 00:30:27,680
Speaker 2: availability and the Tyra Banks swimsuit edition of Sports Illustrated,

648
00:30:27,720 --> 00:30:30,280
Speaker 2: which arrived because I was a fan of Sports Illustrated.

649
00:30:31,400 --> 00:30:41,480
Speaker 1: It was a treasured artifact in the cat from from

650
00:30:41,560 --> 00:30:43,600
Speaker 1: thirty bro.

651
00:30:43,720 --> 00:30:46,440
Speaker 4: We have to print up pictures in the computer back

652
00:30:46,440 --> 00:30:48,760
Speaker 4: in the day, like we were some fourteen year old

653
00:30:48,760 --> 00:30:52,000
Speaker 4: perverts written up swimsuit pictures and ship like it was

654
00:30:52,040 --> 00:30:53,640
Speaker 4: a whole different ball game bag.

655
00:30:53,840 --> 00:30:57,400
Speaker 2: My friend brought a folded up piece of paper to

656
00:30:57,720 --> 00:31:01,880
Speaker 2: school with a dot made tricks print out of Pamela

657
00:31:01,840 --> 00:31:06,560
Speaker 2: Anderson topless, and it was like you could see the pixels.

658
00:31:08,960 --> 00:31:11,680
Speaker 1: I bet I did numbers though, I bet you put

659
00:31:11,760 --> 00:31:17,600
Speaker 1: up you honest numbers for twelve. He was a celebrity.

660
00:31:17,760 --> 00:31:19,600
Speaker 2: And it was a black and white picture too, because

661
00:31:19,600 --> 00:31:20,800
Speaker 2: we didn't have color prints.

662
00:31:21,440 --> 00:31:24,959
Speaker 1: Well, we owed as fun. God damn. We grew up

663
00:31:24,960 --> 00:31:27,360
Speaker 1: in the stone age. Man. Hell yeah, I'm gonna tell

664
00:31:27,400 --> 00:31:31,120
Speaker 1: you what country ash. We have some mags and we

665
00:31:31,200 --> 00:31:34,959
Speaker 1: hit him in the woods. We were gonna look at

666
00:31:34,960 --> 00:31:37,000
Speaker 1: the mags while he was waiting on the bus, and

667
00:31:37,040 --> 00:31:39,680
Speaker 1: then we run from behind these little trees to the

668
00:31:39,720 --> 00:31:43,200
Speaker 1: bus stop. That sounded like some delivery ship.

669
00:31:43,280 --> 00:31:48,360
Speaker 4: Yeah, trying to explain the Brothers movie scene in the

670
00:31:48,360 --> 00:31:48,960
Speaker 4: woods and.

671
00:31:49,080 --> 00:31:53,040
Speaker 1: Tell you country ship, Bro, I'll look at a titty anywhere,

672
00:31:53,920 --> 00:31:57,240
Speaker 1: I'll look at.

673
00:32:01,600 --> 00:32:06,240
Speaker 4: Were even talking about man.

674
00:32:04,760 --> 00:32:10,720
Speaker 1: Kendrick Kendrick video. Yeah in the moon, look at on

675
00:32:10,800 --> 00:32:11,160
Speaker 1: the moon.

676
00:32:11,640 --> 00:32:13,560
Speaker 2: Ask your homegirl if this is what she was looking

677
00:32:13,560 --> 00:32:14,400
Speaker 2: for from the popcast.

678
00:32:14,400 --> 00:32:19,120
Speaker 1: Okay, yeah I hear, I hear. I don't know her

679
00:32:19,200 --> 00:32:21,000
Speaker 1: nor like that, but yeah she She just hit me

680
00:32:21,080 --> 00:32:26,240
Speaker 1: up to say, hey, can y'all talk about Kendrick video?

681
00:32:26,560 --> 00:32:29,440
Speaker 1: So Tyler your thoughts on the Kendrick listen? Bro?

682
00:32:30,520 --> 00:32:33,800
Speaker 4: Like I said, Kendrick is be on some other ship

683
00:32:33,960 --> 00:32:37,360
Speaker 4: so much that even in this video where he was

684
00:32:37,400 --> 00:32:41,640
Speaker 4: doing fucking, you know, deep fakes of O Jay and

685
00:32:41,640 --> 00:32:44,880
Speaker 4: and Jesse Smolette and Wilson, I was like, Oh, thank god,

686
00:32:44,920 --> 00:32:46,840
Speaker 4: he's not going off the deep end for this album.

687
00:32:47,120 --> 00:32:49,160
Speaker 1: Like that's how weird Kitchen can get, you know what

688
00:32:49,200 --> 00:32:49,680
Speaker 1: I'm saying?

689
00:32:49,760 --> 00:32:52,560
Speaker 4: Like this video was weird enough, and it gave me

690
00:32:52,600 --> 00:32:54,720
Speaker 4: a sigh of relief because I don't think the album

691
00:32:54,760 --> 00:32:55,760
Speaker 4: is gonna be too weird.

692
00:32:55,800 --> 00:32:58,600
Speaker 1: It's gonna be Kendrick weird. You feel me? Was I

693
00:32:58,640 --> 00:33:00,600
Speaker 1: the only one who came away from from this that

694
00:33:01,240 --> 00:33:07,200
Speaker 1: I didn't? I live in weird being a very artsas snigger.

695
00:33:07,360 --> 00:33:10,720
Speaker 1: I think he is brilliant. I think he's a creative genius.

696
00:33:10,760 --> 00:33:13,720
Speaker 1: I love how innovative it is using new technology. I

697
00:33:13,720 --> 00:33:15,720
Speaker 1: don't know if you remember his other videos. He had

698
00:33:15,720 --> 00:33:18,400
Speaker 1: that one scene he shot one with Jay Rock and

699
00:33:18,400 --> 00:33:20,960
Speaker 1: they had that scene where one person was moving in

700
00:33:21,040 --> 00:33:23,120
Speaker 1: slow mode, the other one in the normal space, and

701
00:33:23,160 --> 00:33:26,800
Speaker 1: then when they switched it, the person like it was

702
00:33:26,880 --> 00:33:29,560
Speaker 1: like no cut or anything. It was beautiful anyway. He

703
00:33:29,600 --> 00:33:32,840
Speaker 1: always finds an innovative way to in order to shoot

704
00:33:32,880 --> 00:33:35,920
Speaker 1: his music his videos, so the art was beautiful to me.

705
00:33:36,280 --> 00:33:39,080
Speaker 1: I think it's gonna be to pimple butterfly type joints.

706
00:33:39,160 --> 00:33:42,520
Speaker 1: I don't know if the album will be for me.

707
00:33:43,040 --> 00:33:45,560
Speaker 1: I don't think he's quite jumped off the deep end

708
00:33:45,600 --> 00:33:48,760
Speaker 1: like we thought initially after hearing this. But I don't

709
00:33:48,760 --> 00:33:51,200
Speaker 1: know if it's a Kendrick album I want him to make.

710
00:33:51,240 --> 00:33:53,520
Speaker 1: I think it'll be a good Kendrick album though, But

711
00:33:53,560 --> 00:33:57,000
Speaker 1: if I'm being honest, Butterflies my least favorite Kindred album.

712
00:33:57,000 --> 00:33:59,160
Speaker 1: Like I think it's probably most important, maybe it's most

713
00:33:59,160 --> 00:34:01,960
Speaker 1: impactful album, but it's the album I listened to the

714
00:34:02,000 --> 00:34:03,520
Speaker 1: least because you have to listen to the whole album.

715
00:34:03,560 --> 00:34:05,920
Speaker 1: You can't. I'm not going to like song seven and

716
00:34:06,000 --> 00:34:08,160
Speaker 1: just playing that. You know, it's you gotta watch it

717
00:34:08,200 --> 00:34:10,120
Speaker 1: like you gotta listen to it like you watch a movie,

718
00:34:10,200 --> 00:34:10,400
Speaker 1: you know.

719
00:34:11,440 --> 00:34:16,520
Speaker 2: I think it's the line between appreciation and enjoyment. I

720
00:34:16,560 --> 00:34:21,000
Speaker 2: appreciate the pimple Butterfly, It's incredible. I cried flied when

721
00:34:21,000 --> 00:34:22,560
Speaker 2: I was listening to it the first time, so my

722
00:34:22,600 --> 00:34:27,239
Speaker 2: head hurt. Yeah, but it's just not something that for

723
00:34:27,320 --> 00:34:30,160
Speaker 2: that reason I listened to very often. Like you said,

724
00:34:30,160 --> 00:34:32,120
Speaker 2: you never if one song from it comes up on

725
00:34:32,160 --> 00:34:34,319
Speaker 2: a shuffle, I'm gonna write through it.

726
00:34:34,400 --> 00:34:42,919
Speaker 1: You know, what are you gonna do? You like that? Well?

727
00:34:43,040 --> 00:34:44,799
Speaker 2: But I also think, you know, I mean, I I've

728
00:34:44,840 --> 00:34:46,960
Speaker 2: I've mentioned this on Twitter a couple of times, like

729
00:34:47,400 --> 00:34:50,719
Speaker 2: good Kid, Mad City at this point, and it's far

730
00:34:50,840 --> 00:34:52,600
Speaker 2: enough away from it, I would probably say it's my

731
00:34:52,640 --> 00:34:54,359
Speaker 2: favorite album ever.

732
00:34:55,120 --> 00:34:58,560
Speaker 4: Like, oh yeah, I've been at the point for a

733
00:34:58,560 --> 00:35:00,480
Speaker 4: while where if you said that's the best West Coast

734
00:35:00,520 --> 00:35:02,400
Speaker 4: album ever, I would not put up an argument.

735
00:35:02,640 --> 00:35:03,879
Speaker 1: I think it's that fucking good.

736
00:35:03,920 --> 00:35:06,200
Speaker 2: Yeah, I think it's a perfect album. I think he

737
00:35:06,280 --> 00:35:08,200
Speaker 2: did every single thing he was trying to do on it.

738
00:35:08,239 --> 00:35:10,040
Speaker 2: And as we discussed on a previous show, and I

739
00:35:10,040 --> 00:35:12,680
Speaker 2: did get one person who responded and said they appreciated

740
00:35:12,719 --> 00:35:16,680
Speaker 2: the James Joyce Kendrick Lamart analogy. I think he did

741
00:35:16,680 --> 00:35:18,480
Speaker 2: it like he made a perfect album. And he has

742
00:35:18,520 --> 00:35:20,920
Speaker 2: another fifteen or twenty years of recording in front of him,

743
00:35:20,960 --> 00:35:23,480
Speaker 2: so it makes sense that he's trying to do things

744
00:35:23,520 --> 00:35:25,800
Speaker 2: like like John said, there's more artsy that's just different

745
00:35:25,800 --> 00:35:29,520
Speaker 2: from what a normal person would try and do, like and.

746
00:35:28,880 --> 00:35:32,960
Speaker 1: And I always done artsy shit. Though for sure, there's that.

747
00:35:33,239 --> 00:35:35,480
Speaker 2: Line, right, there's a line that you can call it

748
00:35:35,480 --> 00:35:38,200
Speaker 2: commercial versus art. You can call it appreciation versus joyman,

749
00:35:38,239 --> 00:35:40,600
Speaker 2: whatever you want to call it. The difference between It's

750
00:35:40,600 --> 00:35:42,960
Speaker 2: what Martin Score says he's talking about when he says

751
00:35:43,120 --> 00:35:45,359
Speaker 2: they're not making real movies anymore, you know what I mean.

752
00:35:45,400 --> 00:35:48,280
Speaker 2: It's just there's that line in everything that we enjoy

753
00:35:48,760 --> 00:35:52,440
Speaker 2: between the art house stuff and the blockbuster stuff, and

754
00:35:52,680 --> 00:35:55,680
Speaker 2: Kendrick is one of the few artists that has done

755
00:35:55,760 --> 00:35:57,440
Speaker 2: both sides of it to perfection.

756
00:35:58,080 --> 00:36:01,319
Speaker 1: So you know, I think he's in a unique.

757
00:36:01,000 --> 00:36:04,360
Speaker 2: Space because of that, especially because it's only been in

758
00:36:04,400 --> 00:36:07,959
Speaker 2: the last couple of years that the country's mainstream quote

759
00:36:08,000 --> 00:36:11,400
Speaker 2: unquote is accepting rap as real high art, right like

760
00:36:11,480 --> 00:36:13,479
Speaker 2: all the jay Z I'm in the moment type shit.

761
00:36:13,960 --> 00:36:17,320
Speaker 2: So I don't know, I don't have the highest hopes.

762
00:36:17,440 --> 00:36:19,919
Speaker 2: You know, I will always listen to everything he puts out,

763
00:36:20,000 --> 00:36:24,360
Speaker 2: but to me, it's it's more appreciation than enjoyment recently,

764
00:36:24,640 --> 00:36:28,040
Speaker 2: and I appreciated what Tyler was talking about on just

765
00:36:28,120 --> 00:36:29,840
Speaker 2: let Me know that, like put a sticker on the

766
00:36:29,920 --> 00:36:31,920
Speaker 2: album of what the hotel level is, like.

767
00:36:34,960 --> 00:36:37,480
Speaker 1: How hot is it gonna be? Baby? You know what

768
00:36:37,560 --> 00:36:44,080
Speaker 1: I'm saying. I mean, I wonder what y'all thought about

769
00:36:44,080 --> 00:36:46,680
Speaker 1: this too, Like I watched. I watched because I love

770
00:36:46,719 --> 00:36:49,880
Speaker 1: the visuals. I'm a big fan of especially Kendrick's art,

771
00:36:49,920 --> 00:36:53,839
Speaker 1: and I mean PG laying like I've watched there they

772
00:36:53,880 --> 00:36:56,160
Speaker 1: had I think was it a Levi's or Calvin Klein

773
00:36:56,360 --> 00:36:59,080
Speaker 1: like they were doing. They were doing like advertisements at

774
00:36:59,080 --> 00:37:01,480
Speaker 1: their creative agency, so they were doing advertisment. I was

775
00:37:01,520 --> 00:37:03,480
Speaker 1: watching all those I like, you know, but they do

776
00:37:03,560 --> 00:37:06,359
Speaker 1: a lot of like extremely creative art house ship even

777
00:37:06,360 --> 00:37:10,120
Speaker 1: how they shot Baby King's video with Kendrick that was

778
00:37:10,239 --> 00:37:13,439
Speaker 1: brilliant to me, you feel me? But what did y'all

779
00:37:13,440 --> 00:37:17,880
Speaker 1: think about the like when he put those faces with it?

780
00:37:18,120 --> 00:37:20,640
Speaker 1: Do you think there was you think that that verse

781
00:37:20,719 --> 00:37:22,880
Speaker 1: was about people that he felt like were bad for

782
00:37:22,960 --> 00:37:27,600
Speaker 1: the culture. When he had like you know Will Smith, uh,

783
00:37:27,719 --> 00:37:30,040
Speaker 1: who else you have on their obviously oj you know

784
00:37:30,040 --> 00:37:34,480
Speaker 1: what I'm saying, Kanye Jesse, And then he had is

785
00:37:34,480 --> 00:37:38,960
Speaker 1: it Jesse or Jesse? Jesse? Jesse made me call that

786
00:37:38,960 --> 00:37:47,239
Speaker 1: motherfucker you say forever? And then he had you know,

787
00:37:47,600 --> 00:37:50,800
Speaker 1: obviously in a different verse he had you know, uh

788
00:37:51,000 --> 00:37:53,759
Speaker 1: Kobe and you know Nip. So did you think there

789
00:37:53,840 --> 00:37:54,920
Speaker 1: was like some significance to that?

790
00:37:57,239 --> 00:37:59,960
Speaker 4: Yeah, I can't necessarily draw the dots on that culture.

791
00:38:00,160 --> 00:38:02,920
Speaker 4: It kind of felt like maybe I need to examine

792
00:38:02,920 --> 00:38:06,000
Speaker 4: it more. But you know, the whole Kobe Nip first

793
00:38:06,040 --> 00:38:10,000
Speaker 4: was about you know, dying before your time. You know,

794
00:38:10,920 --> 00:38:13,920
Speaker 4: that's the parallels there too, So so yeah, for sure.

795
00:38:14,560 --> 00:38:17,799
Speaker 1: You gotta be bold to say those words, you know,

796
00:38:17,960 --> 00:38:20,759
Speaker 1: with the with with with the nip You know what

797
00:38:20,760 --> 00:38:24,000
Speaker 1: I'm saying, Uh deep fake? You know what I'm saying.

798
00:38:24,120 --> 00:38:27,160
Speaker 1: You know Ken? I mean who else stamps? Yeah?

799
00:38:27,239 --> 00:38:29,200
Speaker 4: Yeah, I mean he was. He was Nipsey's homie. He's

800
00:38:29,200 --> 00:38:30,640
Speaker 4: from Compton. He knows how it is.

801
00:38:31,160 --> 00:38:33,839
Speaker 1: You know what I'm saying. Like, if anyone could do it,

802
00:38:33,840 --> 00:38:37,319
Speaker 1: it's Kendrick. Yeah. Still, that's a tall order. I mean

803
00:38:37,400 --> 00:38:40,600
Speaker 1: it was, and it was, and I don't feel like

804
00:38:40,600 --> 00:38:44,040
Speaker 1: he fumbled it. I don't like you did a good job.

805
00:38:45,360 --> 00:38:47,080
Speaker 1: Kendrick's brilliant, Kendrick Brily. I don't know if it will

806
00:38:47,080 --> 00:38:48,359
Speaker 1: be the album, like I said, the album I want,

807
00:38:48,400 --> 00:38:50,520
Speaker 1: But I mean I just you just regardless of what

808
00:38:50,560 --> 00:38:53,840
Speaker 1: he does, like, you can't ignore the brilliance. The brilliance

809
00:38:53,960 --> 00:38:56,440
Speaker 1: is always there, and I think that'll be here in

810
00:38:56,480 --> 00:38:58,839
Speaker 1: this album. I don't know how much I run it back.

811
00:38:58,920 --> 00:39:01,839
Speaker 1: I thought Damn was great. Eight. My favorite Kendrick album

812
00:39:01,880 --> 00:39:04,319
Speaker 1: is Section eighty. I've listened to that. I mean, like

813
00:39:04,760 --> 00:39:07,239
Speaker 1: I understand good kidacity and when it came, and I

814
00:39:07,239 --> 00:39:09,480
Speaker 1: remember listening to that ship and I remember the verse

815
00:39:09,560 --> 00:39:11,680
Speaker 1: she had with about what's all boy to be lying

816
00:39:11,719 --> 00:39:14,760
Speaker 1: on Twitter about his son and ship and on Instagram.

817
00:39:15,040 --> 00:39:18,319
Speaker 1: Blood you know what I'm saying. He slapped the shit

818
00:39:18,320 --> 00:39:23,319
Speaker 1: out on his teammates at the drew the game anyway, Yeah,

819
00:39:23,360 --> 00:39:26,719
Speaker 1: that's a wild boy. When I broke that down everything

820
00:39:26,760 --> 00:39:29,840
Speaker 1: like the games wild boy. We talked about seeing the

821
00:39:29,880 --> 00:39:31,880
Speaker 1: game and all that. I remember, like the emotions and

822
00:39:31,960 --> 00:39:34,560
Speaker 1: being a dude that was struggling, struggling at that point.

823
00:39:34,600 --> 00:39:37,319
Speaker 1: You feel me like in life and financially and all

824
00:39:37,320 --> 00:39:39,759
Speaker 1: that shit. So I remember how much that meant. But

825
00:39:39,840 --> 00:39:42,680
Speaker 1: like section eighty as far as like that shit hit

826
00:39:42,760 --> 00:39:45,000
Speaker 1: me in a particular way. Bro, you know what I mean.

827
00:39:45,160 --> 00:39:47,640
Speaker 1: I don't decide that, but I do understand what y'all

828
00:39:47,640 --> 00:39:49,439
Speaker 1: saying is probably make it could be the best West

829
00:39:49,440 --> 00:39:51,600
Speaker 1: Coast album. You know, it was a monumental album.

830
00:39:51,640 --> 00:39:56,680
Speaker 4: But yeah, yeah it's section eighty was I felt like

831
00:39:56,719 --> 00:39:59,480
Speaker 4: that was Kendrick Yo, I'm really fucking nice and I'm here.

832
00:39:59,520 --> 00:40:01,319
Speaker 1: He did not Now he was a Michael Jordan mole

833
00:40:01,400 --> 00:40:02,719
Speaker 1: before that, right? Was that the album he had? But

834
00:40:02,719 --> 00:40:05,480
Speaker 1: Michael Jordan was on What's the Ship with Your Name?

835
00:40:06,560 --> 00:40:10,040
Speaker 1: Overly Dedicated? Ok? Yeah, Michael Jordan was on Overly Dedicated.

836
00:40:10,440 --> 00:40:11,080
Speaker 1: That was on O D.

837
00:40:11,480 --> 00:40:15,359
Speaker 4: But I feel like, like where A Good Kid Mad

838
00:40:15,400 --> 00:40:18,279
Speaker 4: City gets. The separation is it's a coming of age tail,

839
00:40:18,800 --> 00:40:20,879
Speaker 4: you know what I mean. It's it's a tale of

840
00:40:20,760 --> 00:40:23,120
Speaker 4: a of a of a kid, you know, coming of

841
00:40:23,120 --> 00:40:25,920
Speaker 4: age and Compton going from you know, a teenager to

842
00:40:25,960 --> 00:40:27,799
Speaker 4: a young man. Like I feel like that kind of

843
00:40:27,800 --> 00:40:29,920
Speaker 4: gives it an edge of the concept album. It was,

844
00:40:30,360 --> 00:40:32,719
Speaker 4: you know, an album with a strong theme, and Section

845
00:40:32,800 --> 00:40:36,359
Speaker 4: eighty was phenomenal, Like not taking anything away from it. Yeah,

846
00:40:36,480 --> 00:40:38,600
Speaker 4: I heard Mortis and and that was when I was like,

847
00:40:38,640 --> 00:40:40,359
Speaker 4: this is the best motherfuckerlive right now.

848
00:40:40,400 --> 00:40:43,080
Speaker 1: He didn't breathe. He didn't breathe for an entire fucking song.

849
00:40:43,320 --> 00:40:45,680
Speaker 4: Yeah, no, right, I heard Riga Mortis, id was like,

850
00:40:45,719 --> 00:40:48,240
Speaker 4: this motherfucker is the best rapper alive right now. Like

851
00:40:48,239 --> 00:40:50,279
Speaker 4: like like I said, I feel like a Section one

852
00:40:50,320 --> 00:40:53,640
Speaker 4: eighty stamped and certified him, like like he's one of

853
00:40:53,680 --> 00:40:55,799
Speaker 4: the top guys. But I feel like Good Kid Mad

854
00:40:55,920 --> 00:40:58,319
Speaker 4: City was was the arrival the you know, the coming

855
00:40:58,360 --> 00:41:00,320
Speaker 4: of age story that just kind of it's going to

856
00:41:00,360 --> 00:41:01,560
Speaker 4: be Thomas for generations.

857
00:41:01,800 --> 00:41:04,120
Speaker 2: Good Good Kid Mad City might be the last album

858
00:41:04,200 --> 00:41:07,400
Speaker 2: I remember buying in CD format and then sitting in

859
00:41:07,400 --> 00:41:10,880
Speaker 2: my car listening to it all the way through, like

860
00:41:11,239 --> 00:41:15,160
Speaker 2: I don't know the last that might have been the

861
00:41:15,239 --> 00:41:17,000
Speaker 2: last time that it happened like.

862
00:41:17,040 --> 00:41:19,040
Speaker 1: That, the way that it did when we were kids

863
00:41:19,160 --> 00:41:21,120
Speaker 1: or whatever. And I always remember.

864
00:41:23,080 --> 00:41:25,560
Speaker 2: There's the what I think is just one of the

865
00:41:26,760 --> 00:41:29,880
Speaker 2: sing about me I'm dying at thirst. I forget the

866
00:41:29,920 --> 00:41:32,600
Speaker 2: exact names, but I think that might be the best song.

867
00:41:33,000 --> 00:41:35,200
Speaker 2: I mean, just like a song that does there's nothing

868
00:41:35,239 --> 00:41:37,359
Speaker 2: you could seek to do as a musician that isn't

869
00:41:37,360 --> 00:41:41,560
Speaker 2: done in that song, in my opinion. I remember talking

870
00:41:41,640 --> 00:41:44,680
Speaker 2: to like when that album came out. I was at

871
00:41:44,680 --> 00:41:49,799
Speaker 2: a poly basketball practice like the day after, and I

872
00:41:49,880 --> 00:41:52,280
Speaker 2: was sitting there with the kids on the team talking

873
00:41:52,320 --> 00:41:54,520
Speaker 2: about it, like it was like something had happened to

874
00:41:54,560 --> 00:41:56,520
Speaker 2: all of us, and they were all talking about that

875
00:41:56,640 --> 00:41:59,200
Speaker 2: song and the moment when he stops talking and the

876
00:41:59,239 --> 00:42:02,759
Speaker 2: gunshots happen. And I was talking to kJ Fagan, who

877
00:42:02,880 --> 00:42:04,319
Speaker 2: is the point guard on that team they want a

878
00:42:04,320 --> 00:42:05,359
Speaker 2: CIF championship.

879
00:42:05,719 --> 00:42:07,799
Speaker 1: He played at San Diego State. They were like number

880
00:42:07,800 --> 00:42:09,640
Speaker 1: four in the country the pandemic year or whatever.

881
00:42:10,719 --> 00:42:13,800
Speaker 2: He was like, he, I mean, we're like really having

882
00:42:13,840 --> 00:42:17,600
Speaker 2: heart to heart conversations around that song in particular, and

883
00:42:17,760 --> 00:42:19,400
Speaker 2: I'll just never forget. It was just one of it

884
00:42:19,440 --> 00:42:21,560
Speaker 2: was like one of those moments when even though I

885
00:42:21,640 --> 00:42:24,080
Speaker 2: was old, you still felt like there was this connection

886
00:42:24,200 --> 00:42:27,320
Speaker 2: across generations and everything else because he just said everything

887
00:42:27,400 --> 00:42:30,680
Speaker 2: that so many West Coast rappers had been saying.

888
00:42:30,800 --> 00:42:33,520
Speaker 1: Parts of what he said in totality of that.

889
00:42:33,480 --> 00:42:36,439
Speaker 4: Album, right, you know, like I said, it's a coming

890
00:42:36,480 --> 00:42:40,440
Speaker 4: up age OLB, and that that's something that every generation way.

891
00:42:40,520 --> 00:42:43,359
Speaker 4: So it's a reason why, damn near thirty fucking years later,

892
00:42:43,480 --> 00:42:45,680
Speaker 4: so many people think Illmatic is the best rap album

893
00:42:45,719 --> 00:42:48,040
Speaker 4: ever because that was a queens Bridge, New York City

894
00:42:48,040 --> 00:42:48,960
Speaker 4: coming up age album.

895
00:42:49,160 --> 00:42:52,040
Speaker 1: That that theme is timeless, and it's the reason because

896
00:42:52,040 --> 00:42:54,200
Speaker 1: they're still being in the odyssey two thousand years later.

897
00:42:54,239 --> 00:42:55,080
Speaker 1: I mean, you know what I mean.

898
00:42:55,360 --> 00:42:57,840
Speaker 2: It's like that is a story that we relate to

899
00:42:58,000 --> 00:42:59,000
Speaker 2: on a genetic level.

900
00:42:59,040 --> 00:43:02,319
Speaker 1: I feel like absolutely, I think Section eighty helped us

901
00:43:02,360 --> 00:43:05,440
Speaker 1: to know what Kendrick was. Like I knew Kendrick was

902
00:43:05,480 --> 00:43:07,560
Speaker 1: going to be one of the best rappers I've ever

903
00:43:07,560 --> 00:43:10,520
Speaker 1: heard in my life after Section eighty, right, I think

904
00:43:10,719 --> 00:43:13,640
Speaker 1: Good Kid, Mad City showed us who Kendrick was and

905
00:43:13,680 --> 00:43:15,880
Speaker 1: how he got there, you know, And I felt like

906
00:43:16,000 --> 00:43:18,640
Speaker 1: after Good Kid, Mad City, I was like, where does

907
00:43:18,680 --> 00:43:21,360
Speaker 1: he come up with new material? Because he just wrote

908
00:43:21,640 --> 00:43:25,359
Speaker 1: material based on his entire life, you know what I mean?

909
00:43:25,560 --> 00:43:27,360
Speaker 2: And now in a year he's got to write He

910
00:43:27,400 --> 00:43:29,720
Speaker 2: spent twenty something years leading up to this one.

911
00:43:29,640 --> 00:43:31,680
Speaker 1: To make that. You know, now in a year, what

912
00:43:31,719 --> 00:43:33,600
Speaker 1: are you write? One hundred percent? And so, But I mean,

913
00:43:33,640 --> 00:43:36,480
Speaker 1: you know, he's he's a you know, brilliant artist, brilliant creator.

914
00:43:36,640 --> 00:43:38,960
Speaker 1: He figured it out obviously. But yeah, I feel like

915
00:43:39,000 --> 00:43:41,319
Speaker 1: that's where I got to know like who Kendrick was

916
00:43:42,360 --> 00:43:45,080
Speaker 1: and how he became him. But I remember watching like

917
00:43:45,239 --> 00:43:48,440
Speaker 1: Kindrick's always been creative, even before section eighty. These these

918
00:43:48,520 --> 00:43:50,400
Speaker 1: videos are not available on YouTube anymore, but there were

919
00:43:50,440 --> 00:43:53,040
Speaker 1: like videos of him rapping. This was like when there

920
00:43:53,040 --> 00:43:54,960
Speaker 1: were rumors of him. Who was that one guy that

921
00:43:55,000 --> 00:43:56,600
Speaker 1: was supposed to be popping but he had like mental

922
00:43:56,640 --> 00:44:02,160
Speaker 1: issues that Kendrick battled. Do you remember him? Yeah, Grape

923
00:44:02,160 --> 00:44:05,720
Speaker 1: Street Crip Home Daylight. No, it wasn't daylight. It wasn't daylight.

924
00:44:05,800 --> 00:44:07,600
Speaker 1: It was another dude that was popping. That was a

925
00:44:07,680 --> 00:44:10,400
Speaker 1: I think it was a he can't he was. He

926
00:44:10,520 --> 00:44:12,759
Speaker 1: was blowing up around the time Kid cutt. He was

927
00:44:12,760 --> 00:44:15,080
Speaker 1: blown up before he actually dropped the first Man in

928
00:44:15,120 --> 00:44:17,040
Speaker 1: the moon is. It was like his It was like

929
00:44:17,280 --> 00:44:21,080
Speaker 1: right before the Day and Night Joint. I forget his name,

930
00:44:21,680 --> 00:44:24,160
Speaker 1: huh not he w wasn't from Cleveland, but he I

931
00:44:24,160 --> 00:44:25,719
Speaker 1: think he was from He was the East Coast Rapper,

932
00:44:25,760 --> 00:44:27,319
Speaker 1: but he wasn't from Cleveland. But it was around that

933
00:44:27,360 --> 00:44:31,040
Speaker 1: time period Charles Hamilton. Was it Charles Hamilton? I think

934
00:44:31,040 --> 00:44:33,160
Speaker 1: it was Charles Hamilton where he battled him and he

935
00:44:33,200 --> 00:44:36,120
Speaker 1: didn't nobody knew wo Kitindrick was and he battled Charles Hamilton.

936
00:44:36,440 --> 00:44:38,399
Speaker 1: And so around that's when I first heard of Kendrick.

937
00:44:38,440 --> 00:44:41,840
Speaker 1: This was before it dropped the the joint he was

938
00:44:41,880 --> 00:44:43,480
Speaker 1: doing with when he when he was telling people that

939
00:44:43,640 --> 00:44:46,280
Speaker 1: uh that uh.

940
00:44:45,400 --> 00:44:48,480
Speaker 4: Doctor Dre was gonna drop something, and King ran up

941
00:44:48,480 --> 00:44:50,200
Speaker 4: on him because he was that guy like like I

942
00:44:50,239 --> 00:44:54,000
Speaker 4: remember that right right, He was like yeah, exactly like yo,

943
00:44:54,400 --> 00:44:55,480
Speaker 4: I wanted battle.

944
00:44:55,520 --> 00:44:56,920
Speaker 1: He was just trying to get some reps in you

945
00:44:56,920 --> 00:44:58,320
Speaker 1: know what I'm saying, Get some get some light, you

946
00:44:58,360 --> 00:45:01,320
Speaker 1: know what I'm saying. But he was doing dropping videos

947
00:45:01,320 --> 00:45:03,200
Speaker 1: with like I remember there was a video where it

948
00:45:03,239 --> 00:45:05,680
Speaker 1: was just like capturing on the on the on the

949
00:45:05,719 --> 00:45:07,440
Speaker 1: on it and he was like driving through l A

950
00:45:08,000 --> 00:45:10,760
Speaker 1: and it was just showing the like what was showing

951
00:45:10,760 --> 00:45:12,960
Speaker 1: what they were seeing, the scene, the scenic, the scenic

952
00:45:12,960 --> 00:45:15,160
Speaker 1: stuff that was around them through the windows of the car.

953
00:45:15,480 --> 00:45:17,319
Speaker 1: It was like a super like at the time, a

954
00:45:17,400 --> 00:45:20,279
Speaker 1: very artsy ass you know, video to be making for

955
00:45:20,400 --> 00:45:22,759
Speaker 1: somebody from Compton. So, I mean, he's always been there,

956
00:45:22,840 --> 00:45:25,560
Speaker 1: had this creative, creative mind. But I think I think

957
00:45:25,600 --> 00:45:28,160
Speaker 1: we're gonna see some truly truly beautiful art, you know

958
00:45:28,200 --> 00:45:31,080
Speaker 1: what I'm saying with with the videos, I'm excited about that.

959
00:45:31,280 --> 00:45:33,120
Speaker 1: I don't as I said before, I don't need to

960
00:45:33,120 --> 00:45:35,080
Speaker 1: say it again, but I don't you know, the music

961
00:45:35,080 --> 00:45:37,120
Speaker 1: we'll see about the music. We'll see about the music.

962
00:45:36,920 --> 00:45:38,879
Speaker 4: That I will say you one thing I took from

963
00:45:38,880 --> 00:45:42,520
Speaker 4: that video that pen is still sharp as hell. Regardless

964
00:45:42,560 --> 00:45:44,600
Speaker 4: of how I feel about the way he's taking his music.

965
00:45:44,640 --> 00:45:46,760
Speaker 4: That motherfucker wrapped his ass off on that ship.

966
00:45:47,120 --> 00:45:49,480
Speaker 1: He went in questioned Kendrick's rapping though, I just I

967
00:45:49,480 --> 00:45:51,239
Speaker 1: think Kenjar is gonna rap. I just wonder how the

968
00:45:51,280 --> 00:45:54,719
Speaker 1: music gonna sound, because I mean, like Ken Kendrick not rap.

969
00:45:54,800 --> 00:45:56,279
Speaker 1: I think he's to the point now where you know,

970
00:45:56,360 --> 00:45:59,439
Speaker 1: it's just too easy for him. I don't I don't

971
00:45:59,440 --> 00:46:03,160
Speaker 1: see Kendrick getting on any song and not you know,

972
00:46:03,840 --> 00:46:06,160
Speaker 1: barring us to death on that motherfucker. You know.

973
00:46:07,160 --> 00:46:11,000
Speaker 2: So you guys want to talk about dinosaurs always.

974
00:46:11,320 --> 00:46:14,799
Speaker 1: All right, I'm horny. I'm horny. You just horn You

975
00:46:14,840 --> 00:46:16,840
Speaker 1: said dino. You are half with the word in my

976
00:46:16,880 --> 00:46:20,000
Speaker 1: dig jump you know what I mean. Let's go, I

977
00:46:20,040 --> 00:46:22,160
Speaker 1: got your snickers man going over there, all right.

978
00:46:27,520 --> 00:46:34,320
Speaker 2: Shout out to Argentinian paleontologists Mauro Aronchiaga, who is living

979
00:46:34,360 --> 00:46:37,600
Speaker 2: the dream of every kid who ever watched Jurassic Part

980
00:46:37,920 --> 00:46:40,400
Speaker 2: and said I'm gonna grow up to be a paleontologist.

981
00:46:40,600 --> 00:46:47,240
Speaker 2: He has discovered a new apex predator in Argentina. The

982
00:46:47,360 --> 00:46:52,040
Speaker 2: Latin name for it is maip macro thorax, but it's

983
00:46:52,200 --> 00:47:01,320
Speaker 2: nickname in Argentina based on some of the indigenous.

984
00:46:57,600 --> 00:47:02,479
Speaker 1: Based on the mas.

985
00:47:04,239 --> 00:47:10,760
Speaker 2: Your thor ax is the torso yeah, yeah, yeah, larynx.

986
00:47:12,120 --> 00:47:15,600
Speaker 4: Okay, yeah yeah, thorx. That's the the goddamn head thorax.

987
00:47:15,719 --> 00:47:18,000
Speaker 4: Abdomen dox is the middle part of the ND right

988
00:47:18,000 --> 00:47:23,080
Speaker 4: before the exactly exactly the ass bomb whatever. The abdomen.

989
00:47:25,320 --> 00:47:27,279
Speaker 1: The thorax is the middle part, what's the what's the

990
00:47:27,400 --> 00:47:28,200
Speaker 1: what's the part?

991
00:47:28,480 --> 00:47:31,320
Speaker 2: Give us control of Latin, give us control of the

992
00:47:31,400 --> 00:47:32,160
Speaker 2: Latin language.

993
00:47:33,440 --> 00:47:38,680
Speaker 1: I don't. I don't think, bro, it's head. I thought

994
00:47:38,680 --> 00:47:43,359
Speaker 1: it was action instead of abdomen on an insect. Yes, no,

995
00:47:43,360 --> 00:47:46,799
Speaker 1: I don't think the place of the admin on that. Yeah,

996
00:47:46,920 --> 00:47:48,640
Speaker 1: I think that's what I thought it was. And then

997
00:47:48,920 --> 00:47:52,400
Speaker 1: head abdomen. Then what because it's three parts, it was

998
00:47:52,520 --> 00:47:56,880
Speaker 1: just okay, let's up. No, that's what we're just talking insect,

999
00:47:57,000 --> 00:48:05,320
Speaker 1: body diagram, nerves and help Tyler's right, head, thorax, abdomen.

1000
00:48:05,440 --> 00:48:08,480
Speaker 1: So the head is the head is the part that

1001
00:48:08,520 --> 00:48:11,160
Speaker 1: the but this is what's weird. The thor is the

1002
00:48:11,160 --> 00:48:13,480
Speaker 1: part the limbs, and the abdomen is the ass on it.

1003
00:48:13,719 --> 00:48:18,239
Speaker 1: Yeah yeah, yeah, hm hmm. Interesting. Abdomen is the squishy part.

1004
00:48:18,960 --> 00:48:22,880
Speaker 4: Yeah that's what I bug you said. Remember green and

1005
00:48:22,920 --> 00:48:26,080
Speaker 4: blue and purple squirrels? You know you bequesse right, motherfucker.

1006
00:48:26,440 --> 00:48:30,799
Speaker 1: I remember when when Nicki Minaj first you know, came out.

1007
00:48:30,840 --> 00:48:34,320
Speaker 1: I was like, she looked like shadow thorax because I

1008
00:48:34,440 --> 00:48:39,480
Speaker 1: remember thinking that, so I thought the thorax I was

1009
00:48:39,520 --> 00:48:41,799
Speaker 1: miss misplacing them, all right, so.

1010
00:48:41,800 --> 00:48:46,120
Speaker 2: The parts of macro thorax. The nickname according that that's

1011
00:48:46,160 --> 00:48:51,040
Speaker 2: coming out of Argentinean indigenous uh mythology. They're calling this

1012
00:48:51,120 --> 00:48:53,799
Speaker 2: dinosaur the death shadow man.

1013
00:48:53,880 --> 00:48:55,879
Speaker 1: Send me the image, send me that ship. I didn't

1014
00:48:55,880 --> 00:48:56,120
Speaker 1: see that.

1015
00:48:57,600 --> 00:49:00,520
Speaker 2: It is a macro raptor, which means as a raptor.

1016
00:49:00,600 --> 00:49:06,560
Speaker 2: That is enormous. It was six tons and three stories

1017
00:49:06,600 --> 00:49:12,000
Speaker 2: from nose to tail. And I'll just send you the place.

1018
00:49:12,120 --> 00:49:14,320
Speaker 1: So, okay, okay, So it was built.

1019
00:49:15,160 --> 00:49:17,799
Speaker 4: So it ran up and like jumped on pray and

1020
00:49:17,800 --> 00:49:20,759
Speaker 4: cut them open and shit like, isn't that what it was?

1021
00:49:20,840 --> 00:49:21,080
Speaker 1: Yeah?

1022
00:49:21,120 --> 00:49:25,040
Speaker 2: It had three stories high doing that three story Animals

1023
00:49:25,120 --> 00:49:30,080
Speaker 2: was doing it too, Ronosaurs and ship smaller dinosaurs, smaller dinosaurs.

1024
00:49:30,280 --> 00:49:33,239
Speaker 2: It was the clause that they found for it are

1025
00:49:33,320 --> 00:49:39,160
Speaker 2: seventeen inches long. Seventeen what the clause seventeen inches long?

1026
00:49:39,239 --> 00:49:43,359
Speaker 2: The claws on it were seventeen inches long. No, I'm

1027
00:49:43,480 --> 00:49:46,760
Speaker 2: scared as fuck. Bro, Jurassic Park did raptors bad?

1028
00:49:47,640 --> 00:49:50,440
Speaker 1: This was they might you know, we just said they

1029
00:49:50,520 --> 00:49:53,160
Speaker 1: you know, they had us thinking that they bro this this,

1030
00:49:53,160 --> 00:49:54,680
Speaker 1: this this changes some things.

1031
00:49:56,040 --> 00:49:58,279
Speaker 2: We need a new Jurassic We need a new Jurassic Park.

1032
00:49:58,320 --> 00:50:01,320
Speaker 2: Franchise to put the death Shadow in there. But hey,

1033
00:50:01,440 --> 00:50:04,000
Speaker 2: the death Shadow is the best nickname I've ever heard

1034
00:50:04,000 --> 00:50:05,880
Speaker 2: for a living creature, the death Shadow.

1035
00:50:06,360 --> 00:50:07,919
Speaker 1: Like you saw the Shadow and that's it.

1036
00:50:08,560 --> 00:50:13,560
Speaker 2: I said, Oh lord, all right, we're gonna go look

1037
00:50:13,600 --> 00:50:14,719
Speaker 2: at pictures of this dinosaur.

1038
00:50:14,719 --> 00:50:17,799
Speaker 1: That's all the time we got. I need all it is, bro,

1039
00:50:19,800 --> 00:50:20,520
Speaker 1: Like I said.

1040
00:50:20,280 --> 00:50:22,719
Speaker 2: Wednesday night, we're recording live with the Buckets guys, so

1041
00:50:22,760 --> 00:50:26,200
Speaker 2: you can tap in live on their social channels or

1042
00:50:26,520 --> 00:50:29,200
Speaker 2: the podcast will be in your feed on Thursday. And

1043
00:50:29,280 --> 00:50:32,560
Speaker 2: before we get out of here, we have to shout

1044
00:50:32,600 --> 00:50:34,320
Speaker 2: out our man, Gregory.

1045
00:50:34,840 --> 00:50:40,120
Speaker 1: Motherfucking Gregor. We proud of you, my boy. Hell inspired

1046
00:50:40,160 --> 00:50:41,560
Speaker 1: the hell out of me. Like I said, Bro, I

1047
00:50:41,680 --> 00:50:44,080
Speaker 1: was soggy as hell by the face when I when

1048
00:50:44,360 --> 00:50:47,319
Speaker 1: you know, reading his his ladies, you know right up,

1049
00:50:47,360 --> 00:50:49,160
Speaker 1: you know I'm Gregory.

1050
00:50:49,880 --> 00:50:52,799
Speaker 2: Yeah, Gregory's a girlfriend. Ariel hit us up and let

1051
00:50:52,880 --> 00:50:56,000
Speaker 2: us know. He's a longtime listener of the show, been

1052
00:50:56,040 --> 00:50:58,439
Speaker 2: through some ship in his life, as have all three

1053
00:50:58,480 --> 00:51:00,440
Speaker 2: of us, as have I feel like probably everyone who

1054
00:51:00,440 --> 00:51:01,839
Speaker 2: fucks with the show for sure.

1055
00:51:02,560 --> 00:51:05,399
Speaker 1: And he is graduating with his degree in.

1056
00:51:05,600 --> 00:51:08,600
Speaker 2: U or his license in social work and going out

1057
00:51:08,600 --> 00:51:12,279
Speaker 2: to try and help make the world slightly less fucked up,

1058
00:51:12,320 --> 00:51:15,120
Speaker 2: which is the greatest goal any of us can seek.

1059
00:51:17,080 --> 00:51:18,839
Speaker 2: And she said, we you know that the pod kind

1060
00:51:18,840 --> 00:51:21,319
Speaker 2: of helped him through some of those those times, and uh,

1061
00:51:21,880 --> 00:51:23,480
Speaker 2: we were happy to be a part of his the

1062
00:51:23,520 --> 00:51:26,719
Speaker 2: surprise video she put together for him. So shout out

1063
00:51:26,719 --> 00:51:28,520
Speaker 2: to Gregory Man, thank you for fucking with the show.

1064
00:51:28,560 --> 00:51:31,799
Speaker 2: We fuck with you, Gregory. Grateful as fuck.

1065
00:51:31,840 --> 00:51:32,000
Speaker 1: Bro.

1066
00:51:32,080 --> 00:51:33,759
Speaker 4: Like, if you listen to the show and you fuck

1067
00:51:33,800 --> 00:51:35,640
Speaker 4: with us and we cousins, Bro, that's how I play it.

1068
00:51:35,719 --> 00:51:37,400
Speaker 1: We play cousins for real, for real, you know what

1069
00:51:37,440 --> 00:51:39,680
Speaker 1: I'm saying. So shouting at homie me when you see me.

1070
00:51:39,960 --> 00:51:42,279
Speaker 4: Yeah, DAPs and hugs bro, bringing up bringing that ship in,

1071
00:51:42,320 --> 00:51:43,440
Speaker 4: motherfucker you feel me?

1072
00:51:43,480 --> 00:51:45,560
Speaker 1: So yeah, shouting Gregory Man, proud as fucky.

1073
00:51:46,280 --> 00:51:49,120
Speaker 2: All Right, we'll be back midweek, Like I said, Wednesday night,

1074
00:51:49,120 --> 00:51:51,200
Speaker 2: you could listen live after the second game on the

1075
00:51:51,200 --> 00:51:52,279
Speaker 2: Bucket social.

1076
00:51:51,960 --> 00:51:55,080
Speaker 1: Feeds or Thursday, we'll have it up as an episode

1077
00:51:55,080 --> 00:51:57,920
Speaker 1: of Jenkins and Jones in this podcast feed. Uh, and

1078
00:51:57,960 --> 00:52:04,040
Speaker 1: we will see y'all then. By my mine