WEBVTT - Breaking into the Business with Girl Group, Musas

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<v Speaker 1>Hey, guys, welcome to this show, my show I Am,

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<v Speaker 1>and you're listening to Exactly Amada, a production of iHeart.

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<v Speaker 1>Thank you so so much for tuning in every week,

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<v Speaker 1>and as usual, don't forget to give us those five stars.

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<v Speaker 1>Subscribe to the podcast and our YouTube channel where you

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<v Speaker 1>could just basically see or hear all the past episodes.

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<v Speaker 1>Just go to the search bar and write exactly Amada.

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<v Speaker 1>By the way, if you can tell, I am under

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<v Speaker 1>the other I don't feel the best, but I am

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<v Speaker 1>a profession now and no matter what this is, this

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<v Speaker 1>is basically what we're gonna be talking about today. This

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<v Speaker 1>is what it takes, no matter how you feel, no

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<v Speaker 1>matter what you're going through in your personal life. Part

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<v Speaker 1>of being an artist, a celebrity, or not just that,

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<v Speaker 1>but actually making it in the industry is being able

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<v Speaker 1>to put your big girl panties on no matter how

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<v Speaker 1>you feel, and push through and come through every single time.

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<v Speaker 1>But because I am, you know, a little bit horse

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<v Speaker 1>and I'm going through it, I wanted to have my friend,

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<v Speaker 1>my partner, my producer, Alex come in today and you know,

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<v Speaker 1>be that other half, that other half of me, that

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<v Speaker 1>other part of my voice is God I'm exhausted because

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<v Speaker 1>my girls barely let me sleep. I've been traveling so

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<v Speaker 1>much between my real estate and being here doing music videos.

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<v Speaker 1>I did this amazing red carpet in the Dominican Republic

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<v Speaker 1>that took so much from me, just doing so much stuff,

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<v Speaker 1>and my voice just said, you know what, I think.

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<v Speaker 1>It's not just my voice. I think it's like your

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<v Speaker 1>body saying you need to rest, you need to stop.

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<v Speaker 1>It's kind of hard when you have so much responsibility,

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<v Speaker 1>but that's part of making it in the industry. You know,

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<v Speaker 1>people look at it and it's such a beautiful thing

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<v Speaker 1>from the outside, and it looks so much better on Instagram.

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<v Speaker 1>But the truth of the matter is that not all,

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<v Speaker 1>not all survived, not all can take it, not all

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<v Speaker 1>can deal with the pressure of what it is to

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<v Speaker 1>be in the spotlight, whether you feel good or not.

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<v Speaker 1>So let's get right into it, because we have touched

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<v Speaker 1>on this topic before, and today we should, I feel like,

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<v Speaker 1>dive a little bit deeper in it. Let's talk about

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<v Speaker 1>might come up in the industry as an artist, and

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<v Speaker 1>not just the musical side, but also on TV, radio,

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<v Speaker 1>in movies and everything else that I've done. I think

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<v Speaker 1>it's important to you know, not just see the ameronada

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<v Speaker 1>is on the podcast right now or Amonada on TV,

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<v Speaker 1>but just see the overhead of you know, the zig Zac.

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<v Speaker 1>So you have to go through to actually make it,

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<v Speaker 1>the struggles to become a recognized artist, and the hoops

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<v Speaker 1>that you basically have to jump through in certain places

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<v Speaker 1>and in the industry, especially as a Latina, an Afro Latina,

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<v Speaker 1>and then on top of that being a woman alone,

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<v Speaker 1>it's even more pressure. I also want to share and

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<v Speaker 1>just talk a little bit about these three amazing talented women.

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<v Speaker 1>They're sisters, I mean, Alice, you know all about them. Yeah,

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<v Speaker 1>let's do this. I'd like to share the story of

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<v Speaker 1>three amazing talented women, sisters Keisha, Fiona and fyodor La Sanchez.

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<v Speaker 1>But I don't know as the Mussas who discovered their

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<v Speaker 1>love for performing as young girls. We had a chance

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<v Speaker 1>to talk to them and get their come up story,

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<v Speaker 1>just as the one you're going to share with us

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<v Speaker 1>today I did. I started as a child star. I

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<v Speaker 1>started when I was four years old in a very

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<v Speaker 1>well known TV show called Salahie with Don Francisco. I

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<v Speaker 1>was there every Saturday for six years of my life.

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<v Speaker 1>Then I became a background dancer for the network, dancing

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<v Speaker 1>for Graham, He's all all those things. It was such

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<v Speaker 1>a beautiful experience. Um, now I understand the importance of

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<v Speaker 1>value of the stages I got to perform at such

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<v Speaker 1>a young age. It's, you know, such an honor. I

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<v Speaker 1>was able to perform one of the biggest icons and

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<v Speaker 1>legends of my life, which is Selia cruz Oca. I mean,

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<v Speaker 1>the list goes on and on, and yeah, I started

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<v Speaker 1>very young, which, by the way, I haven't criticized a

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<v Speaker 1>lot too because people are like, um, you're trying to

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<v Speaker 1>take your daughters into the same path. You know, you're

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<v Speaker 1>kind of like copy pasting your life onto them. What

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<v Speaker 1>about they don't want to be you know, celebrity babies.

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<v Speaker 1>What You're screwed because I'm your mother, So this is

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<v Speaker 1>a you know, and later on they're like, oh, Mom,

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<v Speaker 1>I want to be a scientist, I want to be whatever.

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<v Speaker 1>It's fine. I just feel like I am creating a

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<v Speaker 1>path for you that a lot of people wish. I

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<v Speaker 1>am creating a brand for you. I am creating a

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<v Speaker 1>financial financial stability for you at such a young age,

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<v Speaker 1>and you could do whatever you want with it because Obviously,

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<v Speaker 1>being in the spotlight gives you many opportunities, but it

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<v Speaker 1>also comes with high responsibility. So at a young age,

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<v Speaker 1>I remember the one thing that I do sometimes feel

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<v Speaker 1>guilty about or miss is that I miss a lot

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<v Speaker 1>of my childhood. You know, I don't know how to

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<v Speaker 1>ride a bike, I don't how to skate. I don't

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<v Speaker 1>know how to swim, I don't I don't recall too

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<v Speaker 1>much playing with dolls and stuff because it was from

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<v Speaker 1>school to dance classes, acting classes, modeling classes, this audition

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<v Speaker 1>that I remember, this rehearse that it was just so

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<v Speaker 1>much pressure. It did definitely give me work ethic, you know,

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<v Speaker 1>on the professionalism side, but as a kid, you want

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<v Speaker 1>to be able to be a kid. And I definitely

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<v Speaker 1>want my girls to enjoy their childhood. I still want

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<v Speaker 1>you to work and make your own money, but I

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<v Speaker 1>want you to enjoy your childhood. So there's a lot

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<v Speaker 1>of great things that people see. There's a lot of

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<v Speaker 1>things that people don't see that happen behind scenes. And

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<v Speaker 1>I think that that's what we also see the Britney Spears.

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<v Speaker 1>It's justin biebers and Mighty Sires. We see so many

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<v Speaker 1>childhood stars, celebrity babies that later on just can't take

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<v Speaker 1>the pressure. It's a lot breaking into the industry. You

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<v Speaker 1>can break in when you're four, you can break in

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<v Speaker 1>when you're fifty, whether it's as an actress. Some people

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<v Speaker 1>work in a supermarket and all of a sudden there's

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<v Speaker 1>this director that comes in. It's like, your face looks

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<v Speaker 1>perfect for my movie. Have you ever acted? No Boom

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<v Speaker 1>and you became you know, a well known artist or

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<v Speaker 1>you know actress at fifty five. Like breaking into the

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<v Speaker 1>industry can happen at any point in your life, so

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<v Speaker 1>never give up or feel like it's too late. However,

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<v Speaker 1>you know, obviously breaking in was very hard because there's

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<v Speaker 1>a lot of competition. Everybody wants to be famous, everybody

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<v Speaker 1>wants to be rich, everybody wants to be known. Everybody

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<v Speaker 1>wants but there's just so much responsibility and hard work

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<v Speaker 1>that comes with it, and not so much in this

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<v Speaker 1>era per se. I'm talking about like more in my time,

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<v Speaker 1>but in this era you have social media. I have

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<v Speaker 1>to do is be funny, do a couple of skits

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<v Speaker 1>or videos or maybe rap, sing a song or do

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<v Speaker 1>with TikTok dance, and you have followers and you have

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<v Speaker 1>become popular. Right, They've cut out the mentalman. Social media

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<v Speaker 1>has cut out the metal man. I wanted to ask

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<v Speaker 1>you about that. For you coming up and your mom

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<v Speaker 1>putting you on television like this on SAWA and becoming

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<v Speaker 1>your performer, what was your thought process? Did you want

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<v Speaker 1>to continue? Was something that your mom pushed on you?

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<v Speaker 1>Because eventually, you know, you went on to writing music

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<v Speaker 1>and becoming a musician on your own. So how was

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<v Speaker 1>that transition for you? You know what, I am always

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<v Speaker 1>grateful to my mother that she believed in me, she

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<v Speaker 1>saw the vision as she supported me, because if it

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<v Speaker 1>wasn't because of her, I wouldn't be here today. I'm

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<v Speaker 1>grateful that you pushed me. You know, you can't have

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<v Speaker 1>your cake and eat it too. Sometimes you're gonna miss

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<v Speaker 1>out on things I missed out on my childhood. I

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<v Speaker 1>now someone I'm trying to relive it through my children,

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<v Speaker 1>and that's it. You know. I don't think you can

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<v Speaker 1>have everything in life. I know we all say that,

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<v Speaker 1>but I don't necessarily think it's true. And you got

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<v Speaker 1>a family now, like that's something you know you look

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<v Speaker 1>forward to later in life, right to teach and and

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<v Speaker 1>help your kids, and you know, you're doing almost what

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<v Speaker 1>your mom did. You've learned so much because you've been

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<v Speaker 1>in the industry right that you can actually help your

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<v Speaker 1>kids and educate them later on. Were there any problems

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<v Speaker 1>along the way in the journey with managers, producers, anyone,

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<v Speaker 1>or anything that you can talk about and share with

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<v Speaker 1>the world that would basically help anyone who's listening right

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<v Speaker 1>now and getting up and going into the world of entertainment.

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<v Speaker 1>Make sure you have a good attorney, make sure you

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<v Speaker 1>know in the process you learn about the industry. One

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<v Speaker 1>of my biggest mistakes has always been not being that

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<v Speaker 1>person who is very business you know, savvy. Till this day,

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<v Speaker 1>I'm honest to say, that's not my forte. I'm good

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<v Speaker 1>at being an artist and entertainer. I work on, you know,

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<v Speaker 1>perfecting my craft. That's fine, but the technical part of

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<v Speaker 1>it has never been my forte, and that is the

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<v Speaker 1>most important part. You have to be on top of

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<v Speaker 1>your own business, be on top of everything that's happening

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<v Speaker 1>in your life and your career, in your business, so

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<v Speaker 1>I think that's important. You know, never trust someone too much,

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<v Speaker 1>and all money is not good money just because they

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<v Speaker 1>come and they bring you let's say you've never seen

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<v Speaker 1>twenty and fifty thousand dollars put together at the same time.

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<v Speaker 1>Just because they give you that, it doesn't mean that

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<v Speaker 1>it's a good idea, because you have to see you

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<v Speaker 1>have to believe in yourself. You have to believe in yourself.

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<v Speaker 1>You have to believe in what you're capable of doing.

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<v Speaker 1>And even if nobody else can see it, if you

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<v Speaker 1>can see it for yourself, within yourself, that's the most

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<v Speaker 1>important part, because just because you're here today doesn't mean

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<v Speaker 1>that tomorrow you'll be there if you take If you

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<v Speaker 1>take these twenty right now, you don't know if tomorrow

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<v Speaker 1>you're worth two million. But you accepted the twenty at

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<v Speaker 1>an early point because you yourself didn't believe you were

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<v Speaker 1>capable of becoming bigger. So never settle, never think you know,

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<v Speaker 1>don't don't low ball yourself. That's the one thing I

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<v Speaker 1>definitely learned. All money is not good money. As disgust

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<v Speaker 1>at the beginning of the show, it is now time

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<v Speaker 1>for a segment we like to call shining Stars. Now.

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<v Speaker 1>Both are Lean and I, as producers of the show,

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<v Speaker 1>recently had the pleasure of sitting down with a talented

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<v Speaker 1>girl group Musas without further ado, here's a conversation with them.

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<v Speaker 1>All right, ladies were so excited to talk to you.

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<v Speaker 1>Please introduce yourselves. My name is Fiela and I'm nineteen

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<v Speaker 1>and I am the bass player and the rapper of

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<v Speaker 1>the group. My name is Fiarella. I am seventeen, and

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<v Speaker 1>I am the chanist. I am I'm Kasia, I am

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<v Speaker 1>twenty one, and I'm the vocalist slash producer engineer of

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<v Speaker 1>the group. Yes, I know y'all came together during the pandemic,

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<v Speaker 1>but was there always a love for music before you

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<v Speaker 1>started creating it. We started singing, dancing, acting since we

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<v Speaker 1>were super young. I was trained in musical theater for

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<v Speaker 1>a really long time, and I mean we've been in

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<v Speaker 1>the arts since forever since we can remember. So the

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<v Speaker 1>pandemic came and we were like at home, We're like

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<v Speaker 1>what should we do? We're kind of bored, and then

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<v Speaker 1>we we came together with the group. Tell us more

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<v Speaker 1>about the name of your group. How did y'all decide

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<v Speaker 1>on the name Musas? So our name is Musas, and

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<v Speaker 1>in Greek mythology, Musas is like the muses of Hercules.

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<v Speaker 1>I don't know if you guys have heard about it

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<v Speaker 1>or watch the movie. So we thought because they were

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<v Speaker 1>always singing and they have this really positive energy, we

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<v Speaker 1>thought that was like a great idea for us. But

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<v Speaker 1>we kind of went back and forth with a couple

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<v Speaker 1>of names m because we weren't sure we should use

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<v Speaker 1>musas And then everyone kind of just came together and

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<v Speaker 1>was like, let's just do with us. Do you find

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<v Speaker 1>it harder to try to keep being original? Right because

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<v Speaker 1>you're in you know, you're listening and um, you know

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<v Speaker 1>you're in the world of tittok now right, everything is

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<v Speaker 1>like all these songs and everything are are back older songs,

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<v Speaker 1>like ninety songs for their old you know. So, like,

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<v Speaker 1>do you feel like a little bit harder to, um,

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<v Speaker 1>stay original to yourself or are you kind of taking

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<v Speaker 1>bits and pieces of what you've you're hearing to write

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<v Speaker 1>your music and play your music. I think it's a

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<v Speaker 1>maxture of both. I definitely think that our music, you know,

0:12:04.920 --> 0:12:08.320
<v Speaker 1>since we like, I started writing music at a very

0:12:08.320 --> 0:12:13.920
<v Speaker 1>young age, so my style was already very original in itself,

0:12:14.960 --> 0:12:17.040
<v Speaker 1>and I kind of grew on it and I like

0:12:17.840 --> 0:12:20.679
<v Speaker 1>matured and you know, the sounds stayed the same, but

0:12:20.720 --> 0:12:26.280
<v Speaker 1>the lyrics matured. And the chords. Yeah, so I think,

0:12:26.600 --> 0:12:31.280
<v Speaker 1>you know, we do stick to some of the music

0:12:31.360 --> 0:12:34.960
<v Speaker 1>that we listen to now, some of the music that

0:12:35.000 --> 0:12:39.360
<v Speaker 1>we listened to from back then by growing up. Yeah,

0:12:39.400 --> 0:12:43.440
<v Speaker 1>and then we, like Kasha has said, we put our

0:12:43.480 --> 0:12:47.040
<v Speaker 1>own twist to it. I also think that sometimes it

0:12:47.160 --> 0:12:49.000
<v Speaker 1>is good to appeal to the audience. It is good

0:12:49.000 --> 0:12:52.440
<v Speaker 1>to do stuff that is mainstream, you know, but just

0:12:52.480 --> 0:12:54.360
<v Speaker 1>putting it. We always like to put our own twist

0:12:54.400 --> 0:12:57.680
<v Speaker 1>in it. You just released a new single last month

0:12:57.720 --> 0:13:01.200
<v Speaker 1>called Fantasy. What is the writing process like for you all?

0:13:01.760 --> 0:13:07.360
<v Speaker 1>A lot of the music is composed by Firella, and

0:13:08.280 --> 0:13:11.920
<v Speaker 1>you know, she'll have the cores and everything ready, and

0:13:12.200 --> 0:13:13.880
<v Speaker 1>she's like, I have this idea and da da da

0:13:13.920 --> 0:13:16.320
<v Speaker 1>da da, y'all sing this, y'all sing this other thing,

0:13:16.800 --> 0:13:19.400
<v Speaker 1>and she has it all here in her head. And

0:13:19.480 --> 0:13:23.240
<v Speaker 1>sometimes it's the other way around, where we write something

0:13:23.240 --> 0:13:25.120
<v Speaker 1>and then we put it on a on a beat.

0:13:33.440 --> 0:13:36.920
<v Speaker 1>How do your parents feel about you know you? I mean,

0:13:36.960 --> 0:13:38.800
<v Speaker 1>you said you start at a very young age, So

0:13:39.640 --> 0:13:42.600
<v Speaker 1>did they encourage you to write? Like? How did that

0:13:42.640 --> 0:13:46.320
<v Speaker 1>process begin where you guys started as such a you know,

0:13:46.880 --> 0:13:51.240
<v Speaker 1>twenty one, nineteen and seventeen, like that's that's like dedication.

0:13:51.760 --> 0:13:55.040
<v Speaker 1>You're giving up a lot of your your time. You're

0:13:55.080 --> 0:13:58.800
<v Speaker 1>not doing the normal things that kids your age are doing,

0:13:58.960 --> 0:14:02.800
<v Speaker 1>you know, and the Skeisha twenty one. You know, you guys,

0:14:02.880 --> 0:14:06.760
<v Speaker 1>you guys are are doing like you guys are taking

0:14:06.840 --> 0:14:09.120
<v Speaker 1>a lot of time and putting it into your future. Right.

0:14:09.440 --> 0:14:13.800
<v Speaker 1>So for me, my question is your parents, how did

0:14:13.840 --> 0:14:17.920
<v Speaker 1>they feel? Are they how encouraging are they? What's what's

0:14:17.920 --> 0:14:25.320
<v Speaker 1>happening there? Um? I think as the oldest sister, I think,

0:14:25.440 --> 0:14:31.240
<v Speaker 1>I mean, I've seen my parents process since I was born, um,

0:14:31.280 --> 0:14:33.840
<v Speaker 1>and the way they raised us and with you know,

0:14:34.040 --> 0:14:39.000
<v Speaker 1>values and everything in dreams. I mean my mom she

0:14:40.200 --> 0:14:44.200
<v Speaker 1>through her parents, Um, she's she was actually in a

0:14:44.200 --> 0:14:48.520
<v Speaker 1>band when she was younger, like my age or actually younger,

0:14:48.560 --> 0:14:52.000
<v Speaker 1>she was like sixteen I think, yeah, And and she

0:14:52.080 --> 0:14:55.960
<v Speaker 1>used to play the keys, just like Farrella, and you know,

0:14:56.120 --> 0:14:57.920
<v Speaker 1>those dreams kind of come to an end when you

0:14:58.160 --> 0:15:01.080
<v Speaker 1>start having kids. And then she at us and I

0:15:01.160 --> 0:15:08.520
<v Speaker 1>think that she I don't know that word in English,

0:15:09.440 --> 0:15:12.200
<v Speaker 1>kind of passed that on. Yeah, she passed that on

0:15:12.320 --> 0:15:14.640
<v Speaker 1>to us. Like if you guys want to you know,

0:15:14.720 --> 0:15:17.080
<v Speaker 1>make our If you guys want to sing y'all can

0:15:17.080 --> 0:15:20.600
<v Speaker 1>do anything y'all want, and the same with my dad.

0:15:20.600 --> 0:15:24.000
<v Speaker 1>Through his family, we also have a lot of musicians,

0:15:24.120 --> 0:15:26.520
<v Speaker 1>So it was kind of like we kind of were

0:15:26.560 --> 0:15:29.760
<v Speaker 1>bound to make music because both of our both sides

0:15:29.760 --> 0:15:34.479
<v Speaker 1>of the family our musicians, and they were always very supportive.

0:15:34.840 --> 0:15:36.760
<v Speaker 1>They were like, if you want to dance ballet, you

0:15:36.880 --> 0:15:38.960
<v Speaker 1>dance ballet. If you want to be an engineer, you

0:15:39.040 --> 0:15:42.280
<v Speaker 1>be an engineer. They did tell us, they were like,

0:15:42.400 --> 0:15:43.920
<v Speaker 1>if you want to do this, you could do it,

0:15:43.960 --> 0:15:45.960
<v Speaker 1>but take it seriously, like we will support it, but

0:15:46.000 --> 0:15:49.040
<v Speaker 1>we're putting you in classes. We're pretty inquired. We went

0:15:49.240 --> 0:15:52.560
<v Speaker 1>we were in a gospel enquire Yeah, like take it there.

0:15:53.080 --> 0:15:55.560
<v Speaker 1>Please tell us all about this album you're working on

0:15:56.080 --> 0:15:59.640
<v Speaker 1>our EP, we're working on it. We have a couple

0:15:59.640 --> 0:16:04.120
<v Speaker 1>of songs. They're really amazing. I think that Fione also

0:16:04.200 --> 0:16:07.480
<v Speaker 1>talked about how each of us put our own experience

0:16:07.560 --> 0:16:10.200
<v Speaker 1>into our music and our lyrics, and I think it's

0:16:10.200 --> 0:16:13.480
<v Speaker 1>going to resonate with a lot of people. We also

0:16:13.960 --> 0:16:20.080
<v Speaker 1>released a couple of months ago our single Patients, and

0:16:20.160 --> 0:16:23.440
<v Speaker 1>that's also about experiences. You know, we're kind of aiming

0:16:23.880 --> 0:16:27.200
<v Speaker 1>to that audience where you know, sometimes you don't know

0:16:27.240 --> 0:16:31.120
<v Speaker 1>what to do, you're looking for something, and then you

0:16:31.160 --> 0:16:34.960
<v Speaker 1>can stumble across our music because we are like young,

0:16:35.120 --> 0:16:38.000
<v Speaker 1>I feel like we're trying to make it very relatable

0:16:38.040 --> 0:16:41.080
<v Speaker 1>to other people, but still making it true to ourselves.

0:16:41.320 --> 0:16:44.080
<v Speaker 1>So I think that's something that you're going well, all

0:16:44.080 --> 0:16:45.440
<v Speaker 1>of you guys are going to be able to see

0:16:45.440 --> 0:16:48.360
<v Speaker 1>when you listen to our EP. Where can people find

0:16:48.400 --> 0:16:51.080
<v Speaker 1>you and listen to your music? Our music is on

0:16:51.160 --> 0:16:56.080
<v Speaker 1>all streaming platforms, whichever one you prefer, and you can

0:16:56.080 --> 0:17:02.280
<v Speaker 1>find us on Instagram, Twitter, TikTok at, Mosa, Underscore Official,

0:17:02.720 --> 0:17:05.600
<v Speaker 1>Underscore Well, thank you all so much for being here.

0:17:05.600 --> 0:17:12.640
<v Speaker 1>We really appreciated. That was so amazing. Oh my god,

0:17:12.720 --> 0:17:15.200
<v Speaker 1>it's so good to know that the industry is growing

0:17:15.240 --> 0:17:18.280
<v Speaker 1>and gaining some really incredible young talent. I hope that

0:17:18.320 --> 0:17:20.440
<v Speaker 1>we can get them back on the show and see

0:17:20.440 --> 0:17:23.880
<v Speaker 1>where they're at, because they definitely can count with my support.

0:17:23.920 --> 0:17:26.320
<v Speaker 1>I am here for them one hundred percent. I feel

0:17:26.359 --> 0:17:29.480
<v Speaker 1>we could continue to bring in amazing talent and showcase

0:17:29.640 --> 0:17:32.320
<v Speaker 1>here obviously on the show, which, by the way, if

0:17:32.320 --> 0:17:34.040
<v Speaker 1>you are an artist, or if you have a cousin,

0:17:34.080 --> 0:17:36.479
<v Speaker 1>a sister, or somebody who's talented. Feel free to hit

0:17:36.520 --> 0:17:41.040
<v Speaker 1>me up on my Instagram or exactly I'm out of

0:17:41.160 --> 0:17:43.080
<v Speaker 1>or go to the YouTube channel. It's fine to matter

0:17:43.280 --> 0:17:44.720
<v Speaker 1>and just be like listen, I would love to be

0:17:44.720 --> 0:17:46.760
<v Speaker 1>on the show. I want to showcase my music, my art.

0:17:46.960 --> 0:17:49.520
<v Speaker 1>I want to give people opportunities. I've been blessed to

0:17:49.560 --> 0:17:51.720
<v Speaker 1>be here and I want to bless somebody else, So

0:17:51.840 --> 0:17:53.800
<v Speaker 1>I would definitely want to showcase here on the show.

0:17:54.600 --> 0:17:58.200
<v Speaker 1>More of the Latina women, Latina Latino men out there

0:17:58.400 --> 0:18:01.080
<v Speaker 1>that are really doing something the industry, that are really

0:18:01.119 --> 0:18:03.359
<v Speaker 1>making it happen in the scene. So here's where you

0:18:03.359 --> 0:18:06.119
<v Speaker 1>can take home. Just being true to yourself, you know,

0:18:06.160 --> 0:18:08.240
<v Speaker 1>don't let society make you feel as if you're not

0:18:08.280 --> 0:18:09.960
<v Speaker 1>good enough that you have to change who you are.

0:18:10.480 --> 0:18:13.280
<v Speaker 1>Don't try to fit into society standards of beauty either.

0:18:13.880 --> 0:18:17.840
<v Speaker 1>Be you being you really can make a difference. Use

0:18:17.840 --> 0:18:20.680
<v Speaker 1>your voice, use your platform. Never feel that your voice

0:18:20.720 --> 0:18:22.840
<v Speaker 1>is not strong enough to make a difference, because it is.

0:18:23.200 --> 0:18:24.879
<v Speaker 1>Don't give up with your dreams. If you want to

0:18:24.920 --> 0:18:27.200
<v Speaker 1>do something and you have a vision, that's because God

0:18:27.240 --> 0:18:29.959
<v Speaker 1>gave you that vision for you, so it's possible when

0:18:30.000 --> 0:18:31.680
<v Speaker 1>you can make it happen. I would I get your

0:18:31.720 --> 0:18:35.120
<v Speaker 1>butt up and take your ass to work because it's

0:18:35.119 --> 0:18:38.639
<v Speaker 1>the only way you can make it happen. Give up

0:18:38.640 --> 0:18:40.639
<v Speaker 1>and never feel like you're too old. Never feel like

0:18:40.640 --> 0:18:42.600
<v Speaker 1>it's too late. It's never too late. While you're still alive,

0:18:43.000 --> 0:18:45.720
<v Speaker 1>you can still make it happen. Don't overthink it. Just

0:18:45.880 --> 0:18:49.480
<v Speaker 1>get up and do it. Get up and make it happen.

0:18:49.920 --> 0:18:53.320
<v Speaker 1>With that being said, once again, thank you, thank you

0:18:53.400 --> 0:18:57.159
<v Speaker 1>so much for always checking out exactly I'm outa for subscribing,

0:18:57.200 --> 0:18:59.520
<v Speaker 1>for giving me those five stars, for being my supporters,

0:18:59.520 --> 0:19:02.479
<v Speaker 1>for being friends, my family. I'm so grateful for all

0:19:02.520 --> 0:19:05.439
<v Speaker 1>of you. I am more than thankful to Alex for

0:19:05.600 --> 0:19:07.600
<v Speaker 1>joining me. Thank you guys so much for listening to

0:19:07.640 --> 0:19:11.600
<v Speaker 1>exactly Amata. I'll see you guys next time. Don't forget

0:19:11.640 --> 0:19:14.000
<v Speaker 1>to find us at all our social media platform at

0:19:14.040 --> 0:19:17.720
<v Speaker 1>exactly amata, and to our YouTube channel, where you will

0:19:17.760 --> 0:19:21.600
<v Speaker 1>be able to watch us every week by searching exactly Amada.

0:19:21.960 --> 0:19:24.760
<v Speaker 1>This has been a production of I Heearts Michael through

0:19:25.040 --> 0:19:29.560
<v Speaker 1>podcast Network. For more podcasts from iHeart, visit the iHeartRadio app,

0:19:29.760 --> 0:19:33.480
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.