1 00:00:01,720 --> 00:00:04,640 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,080 --> 00:00:08,000 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:11,960 --> 00:00:30,600 Speaker 1: to Disgraceland. The after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,640 --> 00:00:33,080 Speaker 1: a little thing we like to call the after party. 6 00:00:33,440 --> 00:00:35,920 Speaker 1: This is the show after the show, the party after 7 00:00:35,920 --> 00:00:37,480 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,520 --> 00:00:41,000 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:41,040 --> 00:00:44,559 Speaker 1: into the dirt. On this episode, we are talking about, 10 00:00:44,720 --> 00:00:49,159 Speaker 1: among other things, the Riza Ray Kwon method, Man Go 11 00:00:49,360 --> 00:00:53,400 Speaker 1: Space Killa, and the ongoing saga of Wu Tang Clan, 12 00:00:53,720 --> 00:00:56,800 Speaker 1: and of course your voicemails, text dms and more and 13 00:00:56,920 --> 00:01:00,400 Speaker 1: as always, a whole lot of rosy. All right, goes, 14 00:01:00,800 --> 00:01:14,600 Speaker 1: let's get into it. So we are just about halfway 15 00:01:14,640 --> 00:01:17,800 Speaker 1: through our serialized season on Wu Tang Clan, our first 16 00:01:17,920 --> 00:01:21,520 Speaker 1: ever serialized season of Disgraceland, and I'm dying to know 17 00:01:21,600 --> 00:01:23,440 Speaker 1: what you guys think of this. Are you into it? 18 00:01:23,720 --> 00:01:26,200 Speaker 1: Are you into the serialized storytelling? Do you like having 19 00:01:26,280 --> 00:01:28,679 Speaker 1: an episode on each member? Are you pumped? Are you 20 00:01:28,760 --> 00:01:31,000 Speaker 1: dying for the next one? Speaking of the next one, 21 00:01:31,000 --> 00:01:33,399 Speaker 1: before we get into that, let's recap where we've been 22 00:01:33,520 --> 00:01:36,280 Speaker 1: with the series so far. Okay, real quick here. In 23 00:01:36,360 --> 00:01:39,759 Speaker 1: just the last two weeks, we've dropped episodes on the Rizza, Raykwon, 24 00:01:40,000 --> 00:01:42,640 Speaker 1: Method Man, and Ghost Face Killer. And there's a lot 25 00:01:42,720 --> 00:01:45,679 Speaker 1: going on in these episodes. Shootouts, dice games, drug busts, 26 00:01:45,720 --> 00:01:49,160 Speaker 1: voodoo rituals, and of course great music, not just Wu 27 00:01:49,240 --> 00:01:52,080 Speaker 1: Tang's music, but the music that inspired Wu Tang Clan, 28 00:01:52,160 --> 00:01:56,200 Speaker 1: The Dell Phonics, the Temptations, Big Daddy Kane Run, DMC, Heavy, 29 00:01:56,280 --> 00:01:59,680 Speaker 1: d Stacks Records, Kung Fu soundtracks. The list goes on 30 00:02:00,040 --> 00:02:02,920 Speaker 1: and on. But at the heart of the narrative of 31 00:02:02,960 --> 00:02:06,480 Speaker 1: this Wu Tang Clan story, there is this ongoing investigation 32 00:02:06,720 --> 00:02:09,960 Speaker 1: into Wu as a front for gun running and crime, 33 00:02:10,320 --> 00:02:14,040 Speaker 1: a totally bonkers investigation started by cops in New York 34 00:02:14,320 --> 00:02:16,639 Speaker 1: and in Ohio actually that eventually bubbled up to the 35 00:02:16,720 --> 00:02:18,960 Speaker 1: ATF and then all the way to the FBI, the 36 00:02:19,040 --> 00:02:23,480 Speaker 1: FBI who for years labeled Wu Tang Clan internally with 37 00:02:23,560 --> 00:02:26,480 Speaker 1: the code twenty eight one F two eight one F, 38 00:02:26,560 --> 00:02:31,080 Speaker 1: which is bureau speak for major criminal organization as in 39 00:02:31,320 --> 00:02:35,600 Speaker 1: the Gambino crime family. This is insane. So in the 40 00:02:35,600 --> 00:02:38,919 Speaker 1: coming weeks, We've got even more crazy, whacked out stories 41 00:02:38,919 --> 00:02:41,880 Speaker 1: from Shaolin. Next week, we're dropping an episode on Inspected 42 00:02:41,880 --> 00:02:43,960 Speaker 1: Deck and I was tied behind bars as a kid, 43 00:02:44,000 --> 00:02:45,880 Speaker 1: helped him develop his hip hop persona. And also we 44 00:02:45,919 --> 00:02:48,760 Speaker 1: got an episode on Cappadonna, the honorary tenth member of 45 00:02:48,800 --> 00:02:52,880 Speaker 1: the group who unknowingly introduced a federal informant into the 46 00:02:52,919 --> 00:02:55,840 Speaker 1: clan's inner circle at the time that they were being investigated. 47 00:02:56,160 --> 00:02:59,280 Speaker 1: So there's that, And yes, ODB is coming, so be patient. 48 00:02:59,320 --> 00:03:02,360 Speaker 1: We're going to get there soon enough. As you've probably noticed, 49 00:03:02,560 --> 00:03:05,200 Speaker 1: we're pausing this week, however, to give you a breather 50 00:03:05,760 --> 00:03:08,360 Speaker 1: and let you catch up with this series. To tide 51 00:03:08,400 --> 00:03:12,399 Speaker 1: you over, we're releasing the previously exclusive episode on Ringo Star. 52 00:03:12,800 --> 00:03:16,239 Speaker 1: Why Ringo? You ask, how does Ringo connect with Wu 53 00:03:16,280 --> 00:03:19,079 Speaker 1: Tang Clan? Well check out the episode to find out. 54 00:03:19,200 --> 00:03:21,600 Speaker 1: It might not be what you think. Definitely not as 55 00:03:21,639 --> 00:03:24,560 Speaker 1: easy a connection as Wu Tang to Bruce Lee, the 56 00:03:24,639 --> 00:03:27,160 Speaker 1: legendary martial arts artist and movie star, are one of 57 00:03:27,160 --> 00:03:31,200 Speaker 1: the many inspirations from the world of Kung Fu Onto Wu. 58 00:03:31,680 --> 00:03:34,239 Speaker 1: To celebrate that connection tomorrow, in Your Disgrace and Feed, 59 00:03:34,240 --> 00:03:36,760 Speaker 1: You've got an archive episode all about Bruce Lee from 60 00:03:36,760 --> 00:03:38,760 Speaker 1: bad Lands. That's the other show that I host. If 61 00:03:38,800 --> 00:03:41,200 Speaker 1: you don't know about that, so look out for that one. 62 00:03:41,360 --> 00:03:43,600 Speaker 1: All right. I want to circle back to my question 63 00:03:43,640 --> 00:03:44,640 Speaker 1: here at the top of the show, what are you 64 00:03:44,640 --> 00:03:46,760 Speaker 1: guys thinking about the serial last season? Should we do 65 00:03:46,800 --> 00:03:49,480 Speaker 1: more of these? And if so, what band or artist 66 00:03:49,640 --> 00:03:53,200 Speaker 1: would be perfect for this long form storytelling? Are there 67 00:03:53,240 --> 00:03:55,800 Speaker 1: other groups out there with multiple members that could warrant 68 00:03:55,840 --> 00:03:58,640 Speaker 1: their own episodes? Who do you have? Grateful Dead? That's 69 00:03:58,640 --> 00:04:00,520 Speaker 1: what I'm thinking, right? Do we do a whole season 70 00:04:00,520 --> 00:04:03,640 Speaker 1: on the Dead? Don't say the Stones, don't say the Beatles, 71 00:04:03,640 --> 00:04:07,280 Speaker 1: because we've exhausted those that subject matter almost completely to 72 00:04:07,360 --> 00:04:09,240 Speaker 1: this point. We've done a ton of episodes on those guys. 73 00:04:09,760 --> 00:04:15,880 Speaker 1: What other group could we do over an entire ten 74 00:04:16,000 --> 00:04:20,560 Speaker 1: episode series. I think there's some artists, single artists like 75 00:04:20,640 --> 00:04:23,320 Speaker 1: Rick James enough crime in his background, we could get 76 00:04:23,320 --> 00:04:25,680 Speaker 1: ten episodes of that. Johnny Cash we could probably get 77 00:04:25,680 --> 00:04:27,919 Speaker 1: ten episodes on. But I want to keep a group 78 00:04:27,960 --> 00:04:29,560 Speaker 1: focused if we can, and I want to do these 79 00:04:29,600 --> 00:04:32,800 Speaker 1: pretty infrequently, maybe one a year. I obviously am not 80 00:04:32,880 --> 00:04:35,040 Speaker 1: going to mess too much with the format, if at all, 81 00:04:35,040 --> 00:04:38,000 Speaker 1: with Disgraceland I like the anthology series we got going on, 82 00:04:38,040 --> 00:04:40,479 Speaker 1: but this Wu Tang thing may end up being a 83 00:04:40,520 --> 00:04:42,599 Speaker 1: one time event. I don't know, we may do more. 84 00:04:42,640 --> 00:04:44,880 Speaker 1: I'm trying to get some feedback here. So far, the 85 00:04:44,960 --> 00:04:48,279 Speaker 1: response has been positive, but I'm hearing about it mostly 86 00:04:48,320 --> 00:04:50,839 Speaker 1: on social media, and to be honest with you, guys, 87 00:04:51,000 --> 00:04:52,760 Speaker 1: I feel like we have more of a direct connection 88 00:04:52,880 --> 00:04:56,360 Speaker 1: here in the podcast over the phone line six one 89 00:04:56,440 --> 00:04:59,200 Speaker 1: seven nine oh six six six three eight. So let 90 00:04:59,240 --> 00:05:01,680 Speaker 1: me know what you're thinking on this series. Do you 91 00:05:01,720 --> 00:05:06,080 Speaker 1: want more serialized seasons of Disgraceland. I'll leave me a voicemail, 92 00:05:06,520 --> 00:05:08,799 Speaker 1: just like this one from the three one seven. 93 00:05:09,640 --> 00:05:14,080 Speaker 2: Hey, it's from three one seven, and my name's you Gutt. 94 00:05:14,240 --> 00:05:18,400 Speaker 2: I wanted to call about your bon Jovie episode where 95 00:05:18,400 --> 00:05:21,320 Speaker 2: you were talking about, you know, not really digging it 96 00:05:21,400 --> 00:05:24,599 Speaker 2: when you were, you know, at that age and everything, 97 00:05:24,800 --> 00:05:27,000 Speaker 2: and I just thought it was great because I have 98 00:05:27,000 --> 00:05:29,719 Speaker 2: a funny little story about bon Jovie. So I feel 99 00:05:29,720 --> 00:05:32,800 Speaker 2: the same way as you. I was definitely more into 100 00:05:32,880 --> 00:05:36,280 Speaker 2: a lot of the different stuff at that time, more 101 00:05:36,320 --> 00:05:40,039 Speaker 2: of the punker type punk scene, but kind of hated 102 00:05:40,040 --> 00:05:43,640 Speaker 2: the whole hair band thing. And so now I am 103 00:05:43,680 --> 00:05:50,279 Speaker 2: actually married to a musician and he is in a 104 00:05:50,360 --> 00:05:54,360 Speaker 2: bon Jovi tribute band, so it's rather funny that it 105 00:05:54,520 --> 00:05:59,000 Speaker 2: circled back around. He is not the John bon Jovi person. 106 00:05:59,120 --> 00:06:04,159 Speaker 2: He's the actual keyboard player, David Bryan. So it's pretty 107 00:06:04,160 --> 00:06:07,120 Speaker 2: funny and we actually it's like a little inside joke 108 00:06:07,200 --> 00:06:10,239 Speaker 2: we have that. You know, I have to go listen 109 00:06:10,279 --> 00:06:12,440 Speaker 2: to bon Jovie now all the time. But I do 110 00:06:12,560 --> 00:06:15,800 Speaker 2: have a respect for it now that I'm older. It's 111 00:06:15,839 --> 00:06:17,960 Speaker 2: just kind of like what you said too, that it's 112 00:06:18,040 --> 00:06:19,920 Speaker 2: just a little more different now. I have a different 113 00:06:19,920 --> 00:06:21,880 Speaker 2: respect for it. You know, they were doing their thing, 114 00:06:21,920 --> 00:06:24,680 Speaker 2: they were having a good time, nothing wrong with that. 115 00:06:25,000 --> 00:06:28,640 Speaker 2: And you know, I'm fifty three now, so I kind 116 00:06:28,640 --> 00:06:31,760 Speaker 2: of look at it a lot differently. So I just 117 00:06:31,760 --> 00:06:34,080 Speaker 2: thought it was interesting and wanted to share that. So 118 00:06:34,160 --> 00:06:36,599 Speaker 2: and I enjoy your podcast so much. I listened to 119 00:06:36,640 --> 00:06:38,880 Speaker 2: it all the time when I'm driving, and I did 120 00:06:38,960 --> 00:06:42,000 Speaker 2: just discover bad Lands recently, so I've been getting into 121 00:06:42,040 --> 00:06:44,839 Speaker 2: that and just really enjoy it. I love all the 122 00:06:44,839 --> 00:06:47,159 Speaker 2: work you put into it and the spend that you 123 00:06:47,200 --> 00:06:49,760 Speaker 2: put on everything, So really enjoy it. Keep doing what 124 00:06:49,760 --> 00:06:50,520 Speaker 2: you're doing. 125 00:06:50,800 --> 00:06:53,240 Speaker 1: All right. Thanks for the voicemail. Evett. I feel like 126 00:06:53,320 --> 00:06:57,080 Speaker 1: we've stumbled upon a theme here amongst the Disgrace sound listeners, 127 00:06:57,120 --> 00:07:00,320 Speaker 1: and that is a sort of later in life open 128 00:07:00,360 --> 00:07:03,720 Speaker 1: mindedness toward music. We hate it as kids. I get 129 00:07:03,760 --> 00:07:06,600 Speaker 1: an event. Being married to a musician in a bon 130 00:07:06,680 --> 00:07:09,680 Speaker 1: Jovie tribute band as a former punk kid is definitely 131 00:07:09,720 --> 00:07:14,000 Speaker 1: an interesting turn of events. But yeah, I can't. I 132 00:07:14,040 --> 00:07:15,960 Speaker 1: can't say I would react any differently than you do 133 00:07:16,800 --> 00:07:19,160 Speaker 1: than you are. I should say, all right, let's check 134 00:07:19,280 --> 00:07:22,240 Speaker 1: out this voicemail from the eight to three. 135 00:07:23,080 --> 00:07:25,800 Speaker 3: Hey, Jake, is Jamie from the eight o three down 136 00:07:25,840 --> 00:07:29,800 Speaker 3: here in South Carolina. First of all, love your podcast, 137 00:07:30,000 --> 00:07:33,040 Speaker 3: Absolutely love him. I have a very boring job and 138 00:07:33,080 --> 00:07:35,400 Speaker 3: you make it much more interesting. So thank you for 139 00:07:35,480 --> 00:07:40,880 Speaker 3: that one comment I wanted to make on the actors 140 00:07:40,920 --> 00:07:46,400 Speaker 3: playing people Bohemian Rhapsody. My oldest son was absolutely addicted 141 00:07:46,440 --> 00:07:49,680 Speaker 3: to the Queen live performance at Live Aid when he 142 00:07:49,720 --> 00:07:52,600 Speaker 3: was younger, like literally three four years old. That's what 143 00:07:52,680 --> 00:07:55,760 Speaker 3: he wanted to watch. He's now seventeen and is in musician, 144 00:07:56,440 --> 00:08:00,760 Speaker 3: but we watched that so many times and it's absolutely 145 00:08:01,720 --> 00:08:08,760 Speaker 3: astounding how shot by shot they recreated that. Raymon Malick, 146 00:08:08,800 --> 00:08:12,600 Speaker 3: first of all, is insanely good. I'm a Buddy mrcury 147 00:08:12,720 --> 00:08:17,040 Speaker 3: junkie and just insanely good. But just shot per shot, 148 00:08:17,080 --> 00:08:22,440 Speaker 3: that live a thing is outrageous. It's amazing. Thanks for 149 00:08:22,480 --> 00:08:24,680 Speaker 3: what you do, man, I keep it up rock a rolla. 150 00:08:25,280 --> 00:08:28,880 Speaker 1: Thanks, Jamie, You're welcome. This is a rap party question here, 151 00:08:28,880 --> 00:08:31,600 Speaker 1: but it's about music. So that's why we're gonna We're 152 00:08:31,600 --> 00:08:35,000 Speaker 1: gonna fuck with it here in this after party bonus episode. 153 00:08:35,720 --> 00:08:38,600 Speaker 1: I agree. I agree with you. For a movie, I 154 00:08:38,600 --> 00:08:43,200 Speaker 1: didn't love Bohemian Rhapsody. I thought the live aid scene though, 155 00:08:43,440 --> 00:08:46,080 Speaker 1: and Robbie Mallock's performance were both great. So there's that. 156 00:08:46,240 --> 00:08:51,079 Speaker 1: So I'm with you. Okay, let's check out this one 157 00:08:51,440 --> 00:08:53,000 Speaker 1: from Hollow in. 158 00:08:52,960 --> 00:08:53,440 Speaker 4: The nine. 159 00:08:54,800 --> 00:08:54,959 Speaker 3: Yo. 160 00:08:55,080 --> 00:08:58,640 Speaker 4: What's up? Jakie Hollow from a nine to five six 161 00:08:59,200 --> 00:09:02,559 Speaker 4: responding to you saying that you want to know a 162 00:09:02,600 --> 00:09:04,400 Speaker 4: little bit more about your listeners. 163 00:09:04,440 --> 00:09:07,040 Speaker 3: So I did leave a message. 164 00:09:06,679 --> 00:09:11,520 Speaker 4: Before asking about horrorcore. Reason being I'm a horror core 165 00:09:11,600 --> 00:09:16,000 Speaker 4: artist from South Texas, been doing it for fourteen years. 166 00:09:16,040 --> 00:09:20,000 Speaker 4: Of course, not as thain stream, but there's a lot 167 00:09:20,040 --> 00:09:24,120 Speaker 4: of shit, a lot of shit that people have done 168 00:09:24,400 --> 00:09:28,680 Speaker 4: in this scene that would definitely make a great episode. 169 00:09:29,080 --> 00:09:32,200 Speaker 4: Not saying you got to focus on individuals, but as 170 00:09:32,200 --> 00:09:33,880 Speaker 4: a whole, there's a lot. 171 00:09:33,720 --> 00:09:34,440 Speaker 3: Of content there. 172 00:09:34,520 --> 00:09:38,600 Speaker 4: Brother. Yeah, So just leaving this message. Hopefully you get 173 00:09:38,600 --> 00:09:40,600 Speaker 4: back and you have a good one. 174 00:09:40,640 --> 00:09:41,200 Speaker 3: Rock and Roller. 175 00:09:41,880 --> 00:09:44,200 Speaker 1: Great to meet you, Hollow, Thanks for introducing yourself. I 176 00:09:44,240 --> 00:09:48,160 Speaker 1: admit I know next to nothing about horror core, but 177 00:09:48,240 --> 00:09:50,640 Speaker 1: I'm here. I'm here to learn more. Man, all right, 178 00:09:50,679 --> 00:09:53,560 Speaker 1: so send me some links. I delved into some horror 179 00:09:53,559 --> 00:09:58,680 Speaker 1: core in the eminem episode, but you know, I think 180 00:09:58,720 --> 00:10:01,600 Speaker 1: it's those while ago, and it was in reference to 181 00:10:01,679 --> 00:10:05,640 Speaker 1: music that was from even a further while back. Uh, 182 00:10:05,880 --> 00:10:07,400 Speaker 1: so I want don't you send me some links? Let 183 00:10:07,400 --> 00:10:09,360 Speaker 1: me know what you're talking about. All right, Hall, thanks 184 00:10:09,400 --> 00:10:11,800 Speaker 1: for the call everyone, Thanks for the voicemails, Thanks for 185 00:10:11,840 --> 00:10:13,040 Speaker 1: the text. You know you know how to reach me. 186 00:10:13,080 --> 00:10:15,120 Speaker 1: Six one seven nine oh six six six three eight. 187 00:10:15,120 --> 00:10:16,760 Speaker 1: You want to leave me a voicemail on anything we're 188 00:10:16,760 --> 00:10:20,040 Speaker 1: discussing here in Disgrace Cent. This week's question is who 189 00:10:20,080 --> 00:10:22,920 Speaker 1: would you want us to cover in another serialized season 190 00:10:22,960 --> 00:10:25,840 Speaker 1: if we did this again the Grateful Dead? Who we 191 00:10:25,920 --> 00:10:29,280 Speaker 1: talking about traveling Wilburies? I don't fucking know. It's not 192 00:10:29,320 --> 00:10:32,800 Speaker 1: traveling Wilburries. Who. What's the serialized season we're gonna do. 193 00:10:33,160 --> 00:10:36,439 Speaker 1: We're going to talk about one artist over ten episodes. 194 00:10:36,600 --> 00:10:38,800 Speaker 1: If we do this again, who the Who? Not the 195 00:10:38,840 --> 00:10:41,720 Speaker 1: Who the Dead? I kind of already did the Stones 196 00:10:41,720 --> 00:10:43,439 Speaker 1: and the Beatles, Like I mentioned, Zeth wants to do 197 00:10:43,559 --> 00:10:45,800 Speaker 1: new Edition, but I don't think that's gonna happen. Six 198 00:10:45,840 --> 00:10:48,040 Speaker 1: one seven nine oh six six six three eight. All right, 199 00:10:48,040 --> 00:10:49,680 Speaker 1: I'm gonna take a quick break. I'll be back after 200 00:10:49,720 --> 00:11:06,600 Speaker 1: this with the answers to your text and your dms. 201 00:11:12,200 --> 00:11:15,080 Speaker 1: All right, we are back. Let's dive into some texts here. 202 00:11:16,040 --> 00:11:19,080 Speaker 1: Seven six oh writes in Hey, how about an episode 203 00:11:19,120 --> 00:11:23,000 Speaker 1: on spring of from SSD and what went wrong with 204 00:11:23,080 --> 00:11:24,920 Speaker 1: the boys. So I'm not exactly sure. I don't know 205 00:11:25,000 --> 00:11:27,440 Speaker 1: much about SST. Being from Boston, that's a blind spot 206 00:11:27,440 --> 00:11:31,439 Speaker 1: for me. I've met Springer once before. He seemed like 207 00:11:31,480 --> 00:11:36,000 Speaker 1: a good guy. Uh did seem did seem you know, eccentric? 208 00:11:36,440 --> 00:11:39,000 Speaker 1: So I don't know. Maybe I'm into this. Maybe I'll 209 00:11:39,000 --> 00:11:42,000 Speaker 1: try and do a little do a little research here. Okay, 210 00:11:42,040 --> 00:11:43,920 Speaker 1: let's see we got the one here from the seven 211 00:11:44,000 --> 00:11:47,880 Speaker 1: to one eight says Hey, Jake Sarah from the seven 212 00:11:47,920 --> 00:11:49,600 Speaker 1: to one to three, But her number says seven one 213 00:11:49,640 --> 00:11:50,520 Speaker 1: to eight. Maybe that's a typo. 214 00:11:51,120 --> 00:11:51,240 Speaker 4: Uh. 215 00:11:51,600 --> 00:11:53,959 Speaker 1: I have lots of answers to your questions, but I've 216 00:11:54,000 --> 00:11:57,040 Speaker 1: never written in until now because it's that important. Take 217 00:11:57,160 --> 00:12:01,199 Speaker 1: Chicago seriously, all caps. I love it thanks to my mama. 218 00:12:01,280 --> 00:12:03,640 Speaker 1: I got my love of all music from her. You 219 00:12:03,679 --> 00:12:05,880 Speaker 1: and I. Oh, she's talking about Chicago, the group. You 220 00:12:05,920 --> 00:12:07,680 Speaker 1: and I are close in age and have similar feelings 221 00:12:07,720 --> 00:12:08,360 Speaker 1: on most music. 222 00:12:08,440 --> 00:12:08,959 Speaker 2: Just you just. 223 00:12:08,960 --> 00:12:11,400 Speaker 1: Trust me on this. She says, I own an ice 224 00:12:11,440 --> 00:12:14,240 Speaker 1: cream shop in Houston called fat Cat Creamery. Please stop 225 00:12:14,280 --> 00:12:15,640 Speaker 1: by for you, everyone. Count Here's a pick of me 226 00:12:15,679 --> 00:12:18,720 Speaker 1: and Glenn Danzig for good measure, And there's an awesome 227 00:12:18,760 --> 00:12:23,000 Speaker 1: picture of Sarah here with Glenn. Glenn looks very happy 228 00:12:23,040 --> 00:12:26,880 Speaker 1: to be in this photograph with Sarah, says, uh, Sarah 229 00:12:26,920 --> 00:12:28,240 Speaker 1: was goan to say, this is the early nineties. I 230 00:12:28,280 --> 00:12:29,960 Speaker 1: think I was fourteen. I also met the dudes from 231 00:12:30,000 --> 00:12:32,720 Speaker 1: Typo Negative that night. Also says, please don't do an 232 00:12:32,720 --> 00:12:35,840 Speaker 1: episode on Rush. Don't make me sit through that love Sarah, 233 00:12:35,920 --> 00:12:40,120 Speaker 1: you got it, Sarah, No Rush episode, Okay, I understand fully. 234 00:12:40,360 --> 00:12:42,600 Speaker 1: Great picture of you and dan Zig. I appreciate it, 235 00:12:42,640 --> 00:12:45,880 Speaker 1: and I will take Chicago I'm assuming you're talking about Chicago, 236 00:12:46,559 --> 00:12:50,360 Speaker 1: the uh, the band, not the city, because I do 237 00:12:50,480 --> 00:12:53,880 Speaker 1: I do take I do definitely take the city seriously. 238 00:12:54,000 --> 00:12:55,679 Speaker 1: All right. This one from the six one four were 239 00:12:55,679 --> 00:12:57,720 Speaker 1: sent in a video. I can't exactly tell what the 240 00:12:57,760 --> 00:13:00,280 Speaker 1: hell is going on here, but it says, uh so 241 00:13:00,559 --> 00:13:03,280 Speaker 1: sixties Tripya go go. I'm on too Hot for TV 242 00:13:03,480 --> 00:13:05,520 Speaker 1: two on Springer if you dare to watch, ha ha 243 00:13:05,679 --> 00:13:09,040 Speaker 1: stripper wars. I was n what oh debt? All right, 244 00:13:09,400 --> 00:13:13,600 Speaker 1: not safe for work. Let's keep moving here. Oh okay 245 00:13:14,080 --> 00:13:17,200 Speaker 1: from the nine oh eight, Hey, Jake, just checking in 246 00:13:17,240 --> 00:13:19,679 Speaker 1: from Low Cut Connie. Chris from the nine to oh 247 00:13:19,760 --> 00:13:22,199 Speaker 1: eight in New Jersey. All right, Chris, appreciate this man 248 00:13:22,280 --> 00:13:25,400 Speaker 1: sends in a little photo here, recent photo of Low 249 00:13:25,440 --> 00:13:29,040 Speaker 1: Cut Connie live. Let's see this after party is being 250 00:13:29,080 --> 00:13:33,200 Speaker 1: recorded and it'll be out, uh the day after I 251 00:13:33,240 --> 00:13:36,360 Speaker 1: do my my special guest set with Low Cut Connie 252 00:13:36,400 --> 00:13:39,800 Speaker 1: in New York at the Blue Note. So, uh yeah, 253 00:13:39,880 --> 00:13:43,679 Speaker 1: I hope it went well, Sure it did? All right? 254 00:13:43,720 --> 00:13:44,920 Speaker 1: You got any text you want to send me six 255 00:13:45,000 --> 00:13:47,120 Speaker 1: one seven nine o six six six three eight on 256 00:13:47,400 --> 00:13:53,440 Speaker 1: anything Disgraceland related. You can also DM me at Disgraceland pod. 257 00:13:53,480 --> 00:13:55,480 Speaker 1: I got a lot of text. You're gonna keep on 258 00:13:55,559 --> 00:13:57,400 Speaker 1: rolling with these for a minute. Here it says, uh, 259 00:13:57,600 --> 00:14:01,280 Speaker 1: most overplayed, one and done LP obviously is Boston not 260 00:14:01,360 --> 00:14:02,640 Speaker 1: for me, but it is what it is. I'm not 261 00:14:02,679 --> 00:14:05,600 Speaker 1: sure where that answer comes from. Another one here, favorite 262 00:14:05,600 --> 00:14:08,240 Speaker 1: disco song Shakedown Street by the Graveful Dead. I can 263 00:14:08,280 --> 00:14:11,040 Speaker 1: get with that. I can get with that. Next one 264 00:14:11,040 --> 00:14:13,720 Speaker 1: says is Marshall Crenshaw Buddy Hawley. These are all from 265 00:14:13,760 --> 00:14:15,920 Speaker 1: the three one seven. I don't think Marshall Crenshaw is 266 00:14:15,920 --> 00:14:18,880 Speaker 1: Buddy Holly. I think Buddy Holly is dead. And then 267 00:14:18,880 --> 00:14:21,000 Speaker 1: it goes, but did Marshall Krenshaw play Buddy Holly in 268 00:14:21,040 --> 00:14:24,560 Speaker 1: a movie? Hmm? I think you might have. Actually, three 269 00:14:24,640 --> 00:14:27,800 Speaker 1: one seven goes on to say, a well, kallis Fredinghand 270 00:14:28,080 --> 00:14:30,560 Speaker 1: middle Finger can drive a woman. I don't know what 271 00:14:30,600 --> 00:14:32,840 Speaker 1: this guy's talking about. Three one seven, check back in 272 00:14:32,880 --> 00:14:35,000 Speaker 1: with me when you're when you're off the meds. What 273 00:14:35,080 --> 00:14:38,000 Speaker 1: else we got here from the six one two banned 274 00:14:38,280 --> 00:14:42,560 Speaker 1: Big influence versus low notoriety, question Mark Television, Who's could 275 00:14:42,560 --> 00:14:45,320 Speaker 1: do replacements? This is JC and the six five to 276 00:14:45,360 --> 00:14:50,479 Speaker 1: one Saint Paul, Minnesota going in deep with the Minnesota 277 00:14:50,520 --> 00:14:55,160 Speaker 1: Who's could do? Sorry, yeah, Minnesota, Minneapolis and replacements as 278 00:14:55,160 --> 00:14:57,520 Speaker 1: well television being from New York though, but also great 279 00:14:57,560 --> 00:14:59,880 Speaker 1: and yes, influential. I think this is in reference to 280 00:15:00,040 --> 00:15:03,440 Speaker 1: Velvet Underground episode that we did. Can't argue with any 281 00:15:03,440 --> 00:15:05,280 Speaker 1: of these. And then it goes on as a best 282 00:15:05,320 --> 00:15:08,080 Speaker 1: song about an actor, Martin Scorsese by King missl. I 283 00:15:08,120 --> 00:15:10,720 Speaker 1: remember that tune now I want to go hear it 284 00:15:10,800 --> 00:15:12,760 Speaker 1: the four to four to oh rights in Jake. This 285 00:15:12,840 --> 00:15:14,680 Speaker 1: is Devin from the four to four to oh living 286 00:15:14,680 --> 00:15:16,560 Speaker 1: in the seven oh three I saw by Heemith opened 287 00:15:16,640 --> 00:15:19,640 Speaker 1: up for Danzig this week and thought of Nergo's struggle 288 00:15:19,680 --> 00:15:22,680 Speaker 1: with Poland over blasphemy charges might be an interesting story. 289 00:15:22,720 --> 00:15:24,160 Speaker 1: I don't know what you're talking about, but that does 290 00:15:24,200 --> 00:15:26,720 Speaker 1: sound interesting. And then there's a picture here. It says 291 00:15:26,760 --> 00:15:29,400 Speaker 1: here he is before he ripped up a bible. Come on, man, 292 00:15:29,480 --> 00:15:33,880 Speaker 1: spit blood into the crowd. Uh yeah, not my bag, baby, 293 00:15:33,880 --> 00:15:35,880 Speaker 1: not my bag. Let's move on. What else we got here? 294 00:15:36,760 --> 00:15:37,040 Speaker 4: All right? 295 00:15:37,120 --> 00:15:39,840 Speaker 1: One final text here from the three one two rights 296 00:15:39,840 --> 00:15:41,240 Speaker 1: and Hey, Jake, So I was wondering if you have 297 00:15:41,360 --> 00:15:45,640 Speaker 1: heard anything about the Pussycat Dolls and their founder, Robin Anton. 298 00:15:45,680 --> 00:15:47,960 Speaker 1: Apparently Robin had been involved in some shady business deals 299 00:15:48,000 --> 00:15:50,120 Speaker 1: with members, along with personal credit card debt, which also 300 00:15:50,160 --> 00:15:52,040 Speaker 1: happens to be the exact same amount she was suing 301 00:15:52,080 --> 00:15:54,080 Speaker 1: the lead singer of the group for breach of contract 302 00:15:54,120 --> 00:15:57,480 Speaker 1: for I'm fucking obsessed with all of your podcasts and 303 00:15:57,520 --> 00:16:00,920 Speaker 1: would love to hear that story Rock a Roller. Yeh three, one, two. 304 00:16:01,000 --> 00:16:03,880 Speaker 1: That's interesting. I have not heard anything about this, but 305 00:16:03,920 --> 00:16:07,000 Speaker 1: we're on it. I got another one here, another one 306 00:16:07,040 --> 00:16:09,000 Speaker 1: on Spring for the five. One oh? Can you do 307 00:16:09,080 --> 00:16:11,400 Speaker 1: a short episode on Spring of the Rise and Fall 308 00:16:11,440 --> 00:16:16,640 Speaker 1: of SSD? That's interesting, man, that's two. That's two on Springer. Hmm. 309 00:16:17,440 --> 00:16:19,400 Speaker 1: Something tells me you guys are coordinating. All right, I 310 00:16:19,440 --> 00:16:21,000 Speaker 1: said I wasn't gonna do more than one. No, I'm 311 00:16:21,000 --> 00:16:23,680 Speaker 1: not gonna do that because that's just too damn self serving. 312 00:16:24,040 --> 00:16:26,520 Speaker 1: All right, six one seven nine oh six sixty six 313 00:16:26,600 --> 00:16:29,720 Speaker 1: three eight, Send me a text, leave me a voicemail, 314 00:16:30,000 --> 00:16:32,320 Speaker 1: and take a quick quick break. I will be back 315 00:16:32,400 --> 00:16:50,040 Speaker 1: in a flash with the recommendations part. All right, we 316 00:16:50,120 --> 00:16:52,960 Speaker 1: are back, and this is the recommendation's part. The recommendations part, 317 00:16:52,960 --> 00:16:54,680 Speaker 1: the part where we recommend the things that need recommending. 318 00:16:54,720 --> 00:16:56,720 Speaker 1: The recommendation's part, and I'm gonna keep this tight. Okay, 319 00:16:56,760 --> 00:16:58,360 Speaker 1: At the top of this bonus episode, I mentioned a 320 00:16:58,440 --> 00:17:01,440 Speaker 1: number of artists that we discuss and our Wu Tang season. 321 00:17:01,520 --> 00:17:04,840 Speaker 1: So now I'm gonna give you specific recommendations for each. Okay. 322 00:17:05,359 --> 00:17:08,680 Speaker 1: Number one The dell Phonics. If I'm recommending one song 323 00:17:08,760 --> 00:17:11,600 Speaker 1: from the del Phonics as a gateway drug, it's didn't 324 00:17:11,600 --> 00:17:14,600 Speaker 1: I blow your mind this time? And that's because this 325 00:17:14,680 --> 00:17:19,000 Speaker 1: song left a singing mark on my heart after I 326 00:17:19,040 --> 00:17:22,440 Speaker 1: heard it in Quentin Tarantee. No, it wasn't even about 327 00:17:22,480 --> 00:17:25,800 Speaker 1: hearing yours, but seeing how Quentin Tarantino used this song 328 00:17:26,280 --> 00:17:30,359 Speaker 1: in Jackie Brown incredible. Number Two The Temptations, And now 329 00:17:30,440 --> 00:17:33,480 Speaker 1: there are so many great iconic singles and albums to 330 00:17:33,560 --> 00:17:36,960 Speaker 1: choose from with the Temptations. Also, we have an episode 331 00:17:36,960 --> 00:17:39,400 Speaker 1: of Disgrace, an episode on the Temptations. It's worth checking out. 332 00:17:39,400 --> 00:17:41,960 Speaker 1: But for me, if I'm going to recommend one thing 333 00:17:42,040 --> 00:17:45,040 Speaker 1: by the Temptations, it's their nineteen seventy four ray into 334 00:17:45,040 --> 00:17:48,760 Speaker 1: psychedelia with their album Psychedelic Shack. Weird as fucking worth 335 00:17:48,840 --> 00:17:52,040 Speaker 1: checking out from this pretty normy group as they go 336 00:17:52,200 --> 00:17:55,960 Speaker 1: way off the tracks. Number three Big Daddy Kane. Okay, 337 00:17:56,080 --> 00:17:59,040 Speaker 1: speaking of Normy Normy choices anyway, ain't no half step 338 00:17:59,040 --> 00:18:02,720 Speaker 1: in from nineteen eighty It's long Live the Cane. Number 339 00:18:02,720 --> 00:18:05,800 Speaker 1: four Run DMC. This one's easy. It's the track the 340 00:18:05,880 --> 00:18:09,879 Speaker 1: song rock Box. It's for you Fresh. What a guitar 341 00:18:10,000 --> 00:18:14,159 Speaker 1: riff in this song? Eddie Martinez respect Number five Heavy d. 342 00:18:14,240 --> 00:18:17,680 Speaker 1: There's only one recommendation, and it's now that we found love, 343 00:18:17,760 --> 00:18:19,680 Speaker 1: what are we gonna do with it? Obviously? Number six 344 00:18:19,680 --> 00:18:22,480 Speaker 1: Stax Records. Okay, I'm going way off the grid with 345 00:18:22,560 --> 00:18:26,240 Speaker 1: this one. There are so many great Stack singles, great 346 00:18:26,280 --> 00:18:31,000 Speaker 1: Stacks artists albums, But if you want something totally weird 347 00:18:31,160 --> 00:18:34,320 Speaker 1: and mean as fuck, check out the nineteen sixty nine 348 00:18:34,359 --> 00:18:37,640 Speaker 1: tune grinder Man by John Lee Hooker on the Stacks release. 349 00:18:38,880 --> 00:18:40,960 Speaker 1: That's right. John Lee Hooker put out a record on 350 00:18:41,000 --> 00:18:43,560 Speaker 1: Stacks and it was called That's where It's At and 351 00:18:43,680 --> 00:18:47,119 Speaker 1: this tune grinder Man from that album. It will not disappoint. 352 00:18:47,119 --> 00:18:50,640 Speaker 1: Warning though it may propel you into a violent, murderous rage. 353 00:18:50,760 --> 00:18:52,960 Speaker 1: And don't say I didn't warn you. All right, what 354 00:18:53,000 --> 00:18:55,240 Speaker 1: are you guys listening to? What are you watching? What 355 00:18:55,280 --> 00:18:58,040 Speaker 1: are you recommending? What do you know about Wu and 356 00:18:58,119 --> 00:19:00,879 Speaker 1: their influences and what they were listening to that we 357 00:19:00,960 --> 00:19:03,760 Speaker 1: may not have covered in this season yet. Let's talk 358 00:19:03,800 --> 00:19:05,879 Speaker 1: about their samples. Let's get into it. Let me know, Okay, 359 00:19:06,080 --> 00:19:07,960 Speaker 1: hit me out on any of these subjects. Six one 360 00:19:08,000 --> 00:19:10,600 Speaker 1: seven nine oh six six six three eight. I'm gonna 361 00:19:10,600 --> 00:19:12,240 Speaker 1: take a quick break. I'm gonna drink some tea and 362 00:19:12,280 --> 00:19:29,400 Speaker 1: I'll be back right after this. All right, let's recap, 363 00:19:29,520 --> 00:19:32,600 Speaker 1: shall we? Number one the first four episodes of our 364 00:19:32,640 --> 00:19:35,679 Speaker 1: serial last season on Wu Tang Clan episodes on the Rizza, Raekwon, 365 00:19:35,800 --> 00:19:38,199 Speaker 1: Meta Man, and ghost Face Killer in your Disgrace Land 366 00:19:38,280 --> 00:19:41,960 Speaker 1: feeds right now, as is an archive episode on Ringos 367 00:19:42,000 --> 00:19:44,800 Speaker 1: Star and coming tomorrow an archive episode of bad Lands 368 00:19:44,800 --> 00:19:48,199 Speaker 1: on Bruce Lee number two. Speaking of over in the 369 00:19:48,200 --> 00:19:50,479 Speaker 1: bad Lands Feed, We've got a brand new episode on 370 00:19:50,640 --> 00:19:53,840 Speaker 1: Brandon Lee, Yes, Bruce Lee Son number three. Next week 371 00:19:53,880 --> 00:19:56,480 Speaker 1: in the Disgrace Slant feed, we're dropping a new episode 372 00:19:56,520 --> 00:19:59,679 Speaker 1: on Inspected Deck on Tuesday and Capadonna on Thursday. That's 373 00:19:59,720 --> 00:20:02,440 Speaker 1: another new episode, two new episodes. As we cruised through 374 00:20:02,440 --> 00:20:05,320 Speaker 1: this Wu Tang series number four. My number is six one, 375 00:20:05,359 --> 00:20:08,000 Speaker 1: seven nine oh six six, six, three eight, call me 376 00:20:08,119 --> 00:20:10,760 Speaker 1: on the telephone, or go ahead and text me all 377 00:20:10,840 --> 00:20:14,480 Speaker 1: right my moment of bliss me reading you. The official 378 00:20:14,560 --> 00:20:22,040 Speaker 1: city directory from Steubenville, Ohio circa nineteen eleven. Cray Maddie 379 00:20:22,680 --> 00:20:28,040 Speaker 1: one five oh five Oregon Ave Cray Mollie one five 380 00:20:28,400 --> 00:20:34,480 Speaker 1: oh five Oregon Ave Night Charles three four six South 381 00:20:34,720 --> 00:20:42,000 Speaker 1: seventh Kurchowski George two fifty one North seventh Krenith, Theodore 382 00:20:42,520 --> 00:20:47,760 Speaker 1: Laborer five fifty nine Wells Crankie and August and Foremant 383 00:20:47,840 --> 00:20:52,119 Speaker 1: Sulfi Mill eight thirty two North fourth, Sa Mary Crop, 384 00:20:52,640 --> 00:20:57,800 Speaker 1: Henry Gardener two twenty four North seven O seven Crossky 385 00:20:58,320 --> 00:21:05,680 Speaker 1: John one rather or Cranky Peter five thirty twenty five, 386 00:21:06,240 --> 00:21:11,560 Speaker 1: Easter Emma five twenty nine and four Starting trusts are 387 00:21:12,160 --> 00:21:19,040 Speaker 1: one thirty two sis, quit talking and start mixing. 388 00:21:19,240 --> 00:21:19,480 Speaker 4: Could