WEBVTT - Chapter Six: Aladdin Sane (1972-1973)

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<v Speaker 1>Off the Record is a production of I Heart Radio.

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<v Speaker 1>It was forty minutes before showtime and David Bowie was missing.

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<v Speaker 1>This was never a good thing, but especially not tonight.

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<v Speaker 1>It was the final date of his Ziggy Stardust Tour,

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<v Speaker 1>the sixteen month trek that had taken him from the

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<v Speaker 1>sleepy English suburbs to America, Japan and beyond. The tour

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<v Speaker 1>had begun on the back of a pub. Now he

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<v Speaker 1>was playing the hometown hero at London's Hammersmith Odeon Arena.

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<v Speaker 1>The show is being filmed for posterity, and high profile

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<v Speaker 1>friends like Mick Jagger, Lou Reed and Ringo Star were

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<v Speaker 1>there to cheer them on. Thousands of fans had gathered

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<v Speaker 1>outside the venue on the Summer's night in July. Many

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<v Speaker 1>came dressed as their idol was spiky day glow hair,

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<v Speaker 1>shiny sequined pants and dangerously tall platform heels. Their faces

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<v Speaker 1>were decorated with glittery disco drew guy makeup and brightly

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<v Speaker 1>painted lightning bolts. One of these fans was a thirteen

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<v Speaker 1>year old East London schoolgirl named Julie. Waiting outside, she

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<v Speaker 1>spotted a pale figure pacing anxiously amid the garbage and

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<v Speaker 1>an otherwise deserted alley behind the venue. He looked like

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<v Speaker 1>just another Bowie clone, ready for the show. But then

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<v Speaker 1>Julie noticed his mismatched eyes, and slowly it dawned on

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<v Speaker 1>her this was no clone. She gingerly approached, eager to

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<v Speaker 1>offer a few words of praise and thanks. As he

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<v Speaker 1>beckoned her over, she quickly realized something was very wrong.

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<v Speaker 1>David was worryingly thin and dishoveled. His famous eyes were

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<v Speaker 1>filled with tears. He fled his dressing room for a

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<v Speaker 1>moment of solitude, but now he seemed relieved to have

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<v Speaker 1>someone to talk to for a few precious minutes. The

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<v Speaker 1>torment had been building for months, years, even, and he

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<v Speaker 1>was desperate to unload. David didn't know who he was anymore.

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<v Speaker 1>Was he Ziggy Stardust, David Bowie, David Jones. He called

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<v Speaker 1>his latest character a Laddin sane for a reason. He

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<v Speaker 1>was heading towards the brink of insanity. A complete physical

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<v Speaker 1>and psychological collapse seemed imminent. He could feel it coming.

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<v Speaker 1>He was going mad. He in fighter to Julie as

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<v Speaker 1>his nicotine stained hands drew another cigarette to his lips.

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<v Speaker 1>Everything had gone right, but then all so wrong. His

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<v Speaker 1>marriage was all but over. His finances were a mess.

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<v Speaker 1>Louis didn't say it. His flirtation with cocaine is wreaking

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<v Speaker 1>havoc on his nervous system. Something had to change and fast.

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<v Speaker 1>David spied some frantic roadies sent to track him down.

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<v Speaker 1>It was time to go. He said goodbye to Julian,

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<v Speaker 1>bounded back inside the theater, passed the guards down the hall,

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<v Speaker 1>up the backstage stairs to a balcony overlooking the street.

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<v Speaker 1>From there, he surveyed the scene, staring out at his

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<v Speaker 1>fans waiting outside, the blessed who remodeled themselves and his

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<v Speaker 1>image to them. He was a god and he was

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<v Speaker 1>about to forsake them. But he had to. He had

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<v Speaker 1>to save himself. His manager's and patient Bark brought David

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<v Speaker 1>down to his dressing room. He stared in the mirror

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<v Speaker 1>as assistance touched up his makeup. The fragile face with

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<v Speaker 1>the injured eye. It looked at him like a stranger.

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<v Speaker 1>He knew what he had to do. David Bowie was

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<v Speaker 1>about to commit murder on the stage. He was about

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<v Speaker 1>to kill off his greatest creation, Ziggy Star dust Clock's

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<v Speaker 1>ticking lights down Volume Up showtime. Hello, and welcome to

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<v Speaker 1>Off the Record, the show that goes beyond the songs

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<v Speaker 1>and into the hearts and minds of rock's greatest legends.

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<v Speaker 1>I'm your host, Jordan Runtup. This season explores the life,

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<v Speaker 1>or rather lives of David Bowie. Today's episode looks at

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<v Speaker 1>a Latin Saying, the American sibling of Ziggy star Dust.

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<v Speaker 1>The character was born on the road. As Bowie embarked

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<v Speaker 1>on his triumphant first pour of the United States, it

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<v Speaker 1>seemed like everything he had worked towards was coming true.

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<v Speaker 1>Yet David felt more confused than ever. With his face

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<v Speaker 1>bisected by his trademark Lightning Bolt, the character reflects an

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<v Speaker 1>artist coming apart at the seams. The multiple identities David

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<v Speaker 1>araft It had originally brought him personal and creative freedom.

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<v Speaker 1>Now they threatened to tear him apart. As the name suggests,

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<v Speaker 1>Aladdin Saying is a troubling self portrait of a man

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<v Speaker 1>on the brink. It was all David could do to

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<v Speaker 1>pull himself back from the edge. Passengers aboard the Queen

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<v Speaker 1>Elizabeth the second we're settling into the ship's fine dining

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<v Speaker 1>room when a strange figure appeared in their midst David

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<v Speaker 1>Bowie had made his entrance in fools Ziggy stardust regalia.

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<v Speaker 1>It was a black tie version of one of his

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<v Speaker 1>stage costumes, complete with wings protruding from his shoulders. It's

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<v Speaker 1>certainly made an impression. Some people gasped, others coughed up

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<v Speaker 1>their soup. They're all looking at me, David complained to

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<v Speaker 1>his dinner companions. Well what did you expect? Came the reply.

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<v Speaker 1>For the remainder of his journey, David took his meals

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<v Speaker 1>inside his cabin. It was September. David was en route

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<v Speaker 1>to New York to kick off his first tour of

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<v Speaker 1>the United States. Rather than take the relatively quick flight

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<v Speaker 1>from London, he and his if Angie had opted for

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<v Speaker 1>a costly, yet refined week on the high seas. It

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<v Speaker 1>was quite literally the only way to travel. By this point,

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<v Speaker 1>David had developed a serious phobia of flying. It began

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<v Speaker 1>during a recent vacation to Cyprus, when his plane had

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<v Speaker 1>been in an electrical storm and struck by lightning. Soon after,

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<v Speaker 1>his dead father appeared to him in a dream and

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<v Speaker 1>advised him never to fly again. That was enough for David.

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<v Speaker 1>If it flies, its death became his familiar mantra. His

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<v Speaker 1>fear was so intense that for a time he refused

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<v Speaker 1>to stay in hotel rooms higher than the fourth floor.

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<v Speaker 1>David's manager, the cigar chomping compulsively fur coake clad Tony

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<v Speaker 1>to Freeze, saw David's phobia as an asset. It made

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<v Speaker 1>great copy, adding to the eccentrical lure of his most

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<v Speaker 1>important client. Rockers like Led Zeppelin and Elton John could

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<v Speaker 1>keep their private jets. Ocean liners were a throwback to

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<v Speaker 1>the glamour icons of the nineteen twenties and thirties, making

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<v Speaker 1>it the ideal mode of transport for his rising star.

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<v Speaker 1>And make no mistake, David was a star, even if

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<v Speaker 1>no one else knew it. Yet for years, British acts

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<v Speaker 1>wanting to crack the United States had to start from scratch,

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<v Speaker 1>schlepping around small venues and playing third on the bill

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<v Speaker 1>the homegrown American heroes. Eventually, if they were lucky, buzz

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<v Speaker 1>would start to build. Tony DeFries planned to skip the

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<v Speaker 1>whole toil and obscurity part. David Bowie would arrive on

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<v Speaker 1>American shores as an a list. Soon enough, everyone else

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<v Speaker 1>would have to catch on. De Freeze insisted that David

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<v Speaker 1>would never open for anyone, but always headline. He wrote

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<v Speaker 1>outrageous clauses into his performance contracts, demanding the largest grand

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<v Speaker 1>piano in the city for each gig. Anything less than

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<v Speaker 1>nine ft long would result in the show's immediate cancelation.

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<v Speaker 1>If a venue didn't have a private walkway from the

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<v Speaker 1>entrance to the dressing room, they would have to construct

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<v Speaker 1>the wall so David could remain unseen until showtime. In return,

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<v Speaker 1>David was expected to act like a headliner to freeze

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<v Speaker 1>book David into weekends at high end hotels so he

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<v Speaker 1>could get used to v I P treatment. A big

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<v Speaker 1>and brooding Yorkshireman named Stewie George was hired as David's

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<v Speaker 1>personal bodyguard, and together they rehearsed sprinting out of venues

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<v Speaker 1>into one of three vans left idling outside. They've grown

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<v Speaker 1>up with scenes of Beatlemania. Now they were planning for Bowiemania.

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<v Speaker 1>So far, only the fab Forward pulled off such an

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<v Speaker 1>ambitious Atlantic crossing. Tony DeFries planned to do it again

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<v Speaker 1>with Bowie. To announce the upcoming US tour, he flew

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<v Speaker 1>over top American journalists from Rolling Stone and Playboy for

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<v Speaker 1>an all expense paid Deluxe Weekend. The scribes were wind

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<v Speaker 1>and dyed at the Dorchester Hotel before being greeted by

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<v Speaker 1>Bowie himself, who encouraged one and all to call him Ziggy.

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<v Speaker 1>Lou Reid and Niggy Pop were on hand for an

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<v Speaker 1>added dose of chaos before they all trucked over to

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<v Speaker 1>the Friars Club to watch Bowie and concert. The cocktails

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<v Speaker 1>or Derve's and hotel suite set to freeze back some

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<v Speaker 1>twenty thousand pounds, but it was a small price to

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<v Speaker 1>pay for column inches A blood of glowing magazine features

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<v Speaker 1>made David one of the most talked about performers in

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<v Speaker 1>the States, and he hadn't even played a note there.

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<v Speaker 1>To aid in his American assault, Defrees set up a

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<v Speaker 1>field office in New York City for his newly formed

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<v Speaker 1>management company. It was called MainMan. David loved the name, naturally,

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<v Speaker 1>assuming that it referred to himself, but it soon became

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<v Speaker 1>obvious that Defrees saw himself as the MainMan, which would

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<v Speaker 1>lead to some flashes down the line. The expensive offices

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<v Speaker 1>in Midtown Manhattan functioned chiefly as an opulent stage set

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<v Speaker 1>designed to project strength, importance, and above all success. The

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<v Speaker 1>rooms were decorated with elegant leather armchairs and framed portraits

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<v Speaker 1>of David. Desks were piled high with expense charges written

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<v Speaker 1>on custom MainMan stationary. He looked amazing, but the suggestion

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<v Speaker 1>of immense wealth was purely a facade. DeFreeze took a

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<v Speaker 1>similar approach with his employees, who were hired more for

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<v Speaker 1>their flamboyant sense of style than any professional skills. The

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<v Speaker 1>New York man Man office was staffed with an outrageous

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<v Speaker 1>cast of freaks from Andy Warhol's factory scene. Tony Zanetta,

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<v Speaker 1>who become friends with David the prior year when he

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<v Speaker 1>performed in the war Hall stage play Pork, was installed

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<v Speaker 1>as Mainman's president. Fellow Pork veteran Lee black shoulder As

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<v Speaker 1>was taffed as vice president, and Cherry Vanilla filled out

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<v Speaker 1>the ranks as publicity officer. Cherry was the only one

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<v Speaker 1>with any business experience, but that didn't seem to bother anyone.

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<v Speaker 1>In fact, that was their selling point. They were wild

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<v Speaker 1>rule breakers, capable of causing a sensation and looking absolutely

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<v Speaker 1>fabulous while doing it. This was much more in mine

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<v Speaker 1>with the image to Freeze was trying to convey. The

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<v Speaker 1>MainMan staff were urged to act and look like a

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<v Speaker 1>million dollars. This involved pretending that they had a million dollars.

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<v Speaker 1>They returned loose with company credit cards and encouraged to

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<v Speaker 1>pay for lavish meals with enormous groups of in destry insiders.

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<v Speaker 1>Man man have their own expense account. At Max's Kansas City,

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<v Speaker 1>the late night haunt of the downtown Elite, a fleet

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<v Speaker 1>of limousines were kept on constant call on top of

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<v Speaker 1>their hundred dollar a week salary. Staffers had their rent paid.

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<v Speaker 1>So did a group known as the f O d

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<v Speaker 1>s or Friends of David, people who had no tangible

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<v Speaker 1>role within the company. This was all part of the

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<v Speaker 1>Frieze overarching philosophy. You have to spend money to make money,

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<v Speaker 1>But whose money was it? Where was it coming from?

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<v Speaker 1>It was a question that nobody bothered to ask. They

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<v Speaker 1>were too busy launching a star. In an effort to

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<v Speaker 1>build an extra layer of mystique around David, DeFries turned

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<v Speaker 1>down nearly all interviews. Instead, requests were forwarded the Cherry Vanilla,

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<v Speaker 1>who took a somewhat unorthodox approach to her role as

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<v Speaker 1>David's public relations officer. Once she flashed the crowd at

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<v Speaker 1>a press conference, another time she bit the rear end

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<v Speaker 1>of a female reporter. And then there was the time

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<v Speaker 1>she went on American radio and told listeners that David

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<v Speaker 1>was not only gay, but a communist to boot. But

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<v Speaker 1>war Hally and MainMan staff knew little about David's actual life,

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<v Speaker 1>so they felt free to embellish when appropriate, and also inappropriate,

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<v Speaker 1>sex was usually a talking point. Cherry Vanilla frequently described

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<v Speaker 1>David two reporters as quote the sexual Antichrist. During one

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<v Speaker 1>high profile radio interview, she claimed that David made a

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<v Speaker 1>point to sleep with everyone who worked for him. The

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<v Speaker 1>following day, Mayman offices were flooded with job applications. By

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<v Speaker 1>the time he ducked in New York in early September,

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<v Speaker 1>the city was buzzing for Bowie. Members of the press

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<v Speaker 1>were on hand to cover his arrival. Profiles ran in Time, Newsweek,

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<v Speaker 1>and Rolling Stone, the ladder of which included this memorable description.

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<v Speaker 1>His hair dyed bright carrot sticks straight up above the brow.

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<v Speaker 1>His smooth white skin is stretched from bone to bone

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<v Speaker 1>in his face like telegraph wire along poles. He changes

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<v Speaker 1>the expression constantly, as wind blowing across a lake. Instantly

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<v Speaker 1>a static electricity. Everything about his appearance is extreme. Advertisements

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<v Speaker 1>for Bowie's album and tour towered over the streets and avenues.

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<v Speaker 1>Brick walls bore chalk scrawls bearing the words Ziggy Rules.

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<v Speaker 1>Considering David's toward begun in the back of a pub

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<v Speaker 1>six months earlier, this was all pretty far out. David

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<v Speaker 1>had some serious business to attend to. As he settled

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<v Speaker 1>into his plush suite at the Plaza Hotel, it was

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<v Speaker 1>decided to supplement his backing band, now touted as the

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<v Speaker 1>Famous Spiders from Mars, with a new keyboard player, and

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<v Speaker 1>they had just five days to find one. Mike Garson

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<v Speaker 1>came highly recommended, with a background and avant garde jazz.

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<v Speaker 1>He logged time backing the likes of Mel torm A,

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<v Speaker 1>Nancy Wilson, and Martha Reeves. Now he was eking out

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<v Speaker 1>a living in tiny tourist clubs for five bucks a night.

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<v Speaker 1>He had begun to think, Man, I think I really

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<v Speaker 1>need to go out on the road with a famous

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<v Speaker 1>rock star. Soon his wish was granted. That's September, he

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<v Speaker 1>got a call from Maine Man asking if he wanted

0:13:05.840 --> 0:13:09.200
<v Speaker 1>to do audition for the Ziggy Stardust tour. Garson had

0:13:09.240 --> 0:13:11.960
<v Speaker 1>never heard of Ziggy or Bowie for that matter, but

0:13:12.040 --> 0:13:14.640
<v Speaker 1>it was either that to go back to teaching piano lessons.

0:13:15.320 --> 0:13:17.720
<v Speaker 1>He showed up at the r c A Studios, where

0:13:17.720 --> 0:13:21.199
<v Speaker 1>Bowie's guitarist and de facto musical director Mick Ronson plays

0:13:21.240 --> 0:13:24.400
<v Speaker 1>sheet music on the piano. Garson's site read it on

0:13:24.440 --> 0:13:28.080
<v Speaker 1>the spot, adding jazzy flourishes as he went. He only

0:13:28.080 --> 0:13:31.520
<v Speaker 1>played about seven seconds before Ronson stopped him. He had

0:13:31.520 --> 0:13:35.040
<v Speaker 1>the gig. Garson would become a crucial component of bowie

0:13:35.080 --> 0:13:40.480
<v Speaker 1>sound over the next few years, mastering classical, jazz, pop, gospel,

0:13:40.880 --> 0:13:44.240
<v Speaker 1>pretty much everything but rock, and that's what Bowie loved

0:13:44.280 --> 0:13:47.600
<v Speaker 1>about him. Garson, who was rumored to have practiced eight

0:13:47.640 --> 0:13:51.120
<v Speaker 1>hours a day for ten years, brought a studied intensity

0:13:51.160 --> 0:13:54.520
<v Speaker 1>to the band. Bowie referred to the keyboardist, who was

0:13:54.559 --> 0:13:58.079
<v Speaker 1>a devout scientologist at the time, as Garson the parson.

0:14:00.480 --> 0:14:03.760
<v Speaker 1>After some quick rehearsals, Bowie was finally ready to make

0:14:03.800 --> 0:14:07.240
<v Speaker 1>his American debut. It had been scheduled for September twenty

0:14:07.320 --> 0:14:10.680
<v Speaker 1>two in Cleveland, the Heartland rock capital, where a local

0:14:10.760 --> 0:14:14.240
<v Speaker 1>kid had formed the first US Bowie fan club. Due

0:14:14.280 --> 0:14:17.360
<v Speaker 1>to David's no fly policy. The band and crew made

0:14:17.360 --> 0:14:20.480
<v Speaker 1>the long trip from New York by bus. De Frieze

0:14:20.520 --> 0:14:23.160
<v Speaker 1>had drafted Tony Zenetta to act as tour manager, but

0:14:23.400 --> 0:14:25.960
<v Speaker 1>the title meant nothing to him. What does the road

0:14:26.000 --> 0:14:29.280
<v Speaker 1>manager do, Zenetta asked the Freeze. Just make sure they

0:14:29.280 --> 0:14:33.160
<v Speaker 1>find Cleveland. Came the impatient reply. De Frieze was busy

0:14:33.200 --> 0:14:35.760
<v Speaker 1>doing battle with the Cleveland promoter, who had failed to

0:14:35.800 --> 0:14:39.720
<v Speaker 1>provide a properly huge baby grand piano. De Frize was

0:14:39.760 --> 0:14:42.040
<v Speaker 1>ready to pull the plug on the show. Before the concert,

0:14:42.120 --> 0:14:45.280
<v Speaker 1>organizers borrowed a suitably enormous set of keys from the

0:14:45.280 --> 0:14:48.920
<v Speaker 1>city's Symphony Orchestra. A sold out crowd of thirty two

0:14:48.960 --> 0:14:51.920
<v Speaker 1>thou people packed into the Cleveland Music Hall to watch

0:14:52.040 --> 0:14:55.720
<v Speaker 1>Ziggy Stardust live and in the flesh. The screams were

0:14:55.800 --> 0:14:58.480
<v Speaker 1>so loud that Mike Garson resorted to stuffing cotton in

0:14:58.520 --> 0:15:02.000
<v Speaker 1>his ears in the ends. The audience couldn't contain themselves

0:15:02.000 --> 0:15:05.800
<v Speaker 1>and invade at the stage. Afterwards, David met a twenty

0:15:05.800 --> 0:15:08.840
<v Speaker 1>one year old fan from acron name Chrissy Hind, future

0:15:08.840 --> 0:15:11.720
<v Speaker 1>front woman of the Pretenders. She and her friends show

0:15:11.800 --> 0:15:14.320
<v Speaker 1>Feurdom around in her mother's oldsmobile to get a meal.

0:15:14.880 --> 0:15:19.760
<v Speaker 1>How's that for some good old fashioned American hospitality. David's

0:15:19.760 --> 0:15:23.360
<v Speaker 1>first concert in America had been a resounding success, but

0:15:23.440 --> 0:15:26.480
<v Speaker 1>the real test was still to come in New York City.

0:15:27.120 --> 0:15:29.640
<v Speaker 1>If he could make it there, he could make it anywhere.

0:15:30.320 --> 0:15:33.480
<v Speaker 1>He was booked to play Carnegie Hall. The Beatles had

0:15:33.520 --> 0:15:35.720
<v Speaker 1>been the first band to rock the hollowed venue on

0:15:35.720 --> 0:15:40.120
<v Speaker 1>their triumphant American debut in nineteen sixty four. Eight years later,

0:15:40.600 --> 0:15:43.480
<v Speaker 1>David was hoping for similar luck for all of their

0:15:43.520 --> 0:15:47.360
<v Speaker 1>promotional fireworks. His records weren't selling in the States. It

0:15:47.400 --> 0:15:50.520
<v Speaker 1>was crucial that he went over this media mecca. The

0:15:50.600 --> 0:15:53.960
<v Speaker 1>main man Warhol contingent were tasked with distributing tickets to

0:15:54.000 --> 0:15:56.560
<v Speaker 1>the great and good of the New York literati, most

0:15:56.560 --> 0:15:59.360
<v Speaker 1>of whom had never even heard of David. Seats were

0:15:59.360 --> 0:16:02.560
<v Speaker 1>given to True and Campody, Jackie Kennedy's sister, Lee Razzwell,

0:16:02.840 --> 0:16:06.280
<v Speaker 1>Todd Rundren, and the New York Dolls. Cherry Vanilla would

0:16:06.320 --> 0:16:09.920
<v Speaker 1>later say, we peddled David's ass like Nathan sells hot dogs.

0:16:10.600 --> 0:16:13.040
<v Speaker 1>The show was hyped into the social event of the season.

0:16:13.600 --> 0:16:16.920
<v Speaker 1>Andy Warhol was limited to just two tickets and Atlantic

0:16:16.960 --> 0:16:20.120
<v Speaker 1>Records Chief Ama Dagon reportedly couldn't get his hands on

0:16:20.160 --> 0:16:23.800
<v Speaker 1>any made Man received four hundred applications for the one

0:16:23.840 --> 0:16:27.680
<v Speaker 1>hundred press seats available scalpers on Seventh Avenue. We're making

0:16:27.760 --> 0:16:30.680
<v Speaker 1>upwards of fifty dollars on tickets with a face value

0:16:30.680 --> 0:16:35.120
<v Speaker 1>of six bucks. On the night of the concert, Kleague

0:16:35.200 --> 0:16:37.400
<v Speaker 1>lights on the steps of Carnegie Hall lit up the

0:16:37.440 --> 0:16:41.440
<v Speaker 1>sky like a classic Hollywood film premiere. The Marquis bore

0:16:41.520 --> 0:16:44.680
<v Speaker 1>the words fall in love with David Bowie. It was

0:16:44.720 --> 0:16:48.720
<v Speaker 1>a declaration fulfilled. Any semblance of New York cool had

0:16:48.760 --> 0:16:51.200
<v Speaker 1>melted away by the end of the show, as newly

0:16:51.240 --> 0:16:55.120
<v Speaker 1>minted Bowie fanatics were dancing and Carnegie Hall's historic aisles.

0:16:55.800 --> 0:16:59.400
<v Speaker 1>Despite being feverish with the flu, David earned a rapturous

0:16:59.440 --> 0:17:03.440
<v Speaker 1>five minute a vation. The press were equally enthusiastic. A

0:17:03.600 --> 0:17:06.800
<v Speaker 1>star is born. I've always wanted to write that in review,

0:17:06.840 --> 0:17:10.840
<v Speaker 1>and now I can, gushed one reporter. Another declared the

0:17:10.960 --> 0:17:15.480
<v Speaker 1>sixties are well and truly over. The publicity led to

0:17:15.520 --> 0:17:18.680
<v Speaker 1>an influx of requests from promoters, and soon the eight

0:17:18.800 --> 0:17:23.040
<v Speaker 1>date tour swelled to include an additional eight weeks. Bowie

0:17:23.040 --> 0:17:29.639
<v Speaker 1>Mania was beginning d C. Boston, Kansas City, Indianapolis, St. Louis,

0:17:29.760 --> 0:17:33.960
<v Speaker 1>Salt Lake City. David's torbus barreled down the long stretches

0:17:34.000 --> 0:17:38.640
<v Speaker 1>of highway past the ever changing landscape. Cities turned to forests,

0:17:38.640 --> 0:17:42.240
<v Speaker 1>which turned to deserts. David was living out his cherished

0:17:42.240 --> 0:17:45.320
<v Speaker 1>fantasies of Jack Kerouac's character is in On the Road,

0:17:45.680 --> 0:17:49.160
<v Speaker 1>the book that had liberated his imagination as a young boy.

0:17:49.400 --> 0:17:52.280
<v Speaker 1>As is so often the case, the fantasy doesn't always

0:17:52.320 --> 0:17:55.600
<v Speaker 1>equal the reality. On his first journey to America the

0:17:55.640 --> 0:17:58.120
<v Speaker 1>year before, a man in Texas way at the gun

0:17:58.119 --> 0:18:01.719
<v Speaker 1>at David for wearing a dress. This trip featured similar

0:18:01.760 --> 0:18:05.439
<v Speaker 1>hostilities as he struggled to connect in the South. Members

0:18:05.440 --> 0:18:07.680
<v Speaker 1>of the Ku Klux Klan came out in droves to

0:18:07.760 --> 0:18:11.480
<v Speaker 1>pick at his gig in Nashville, objecting to David's bisexuality

0:18:11.520 --> 0:18:15.800
<v Speaker 1>and supposed Communist sympathies. David arrived at ten thousand ced

0:18:15.840 --> 0:18:19.520
<v Speaker 1>arenas in St. Louis, Kansas City and Miami, only to

0:18:19.560 --> 0:18:21.920
<v Speaker 1>find that a few hundred people had bothered to turn up.

0:18:22.600 --> 0:18:25.240
<v Speaker 1>Ever the pro he gathered the small crowd into the

0:18:25.240 --> 0:18:28.560
<v Speaker 1>front rows and performed an intimate cabaret style set just

0:18:28.640 --> 0:18:32.600
<v Speaker 1>for them. Dates and Dallas and Houston sold so poorly

0:18:32.640 --> 0:18:36.760
<v Speaker 1>that the Freeze had to cancel them completely. Even if

0:18:36.800 --> 0:18:39.080
<v Speaker 1>the shows were a bust, they had fun as they

0:18:39.119 --> 0:18:42.520
<v Speaker 1>made their way through the American heartland. David and his

0:18:42.600 --> 0:18:46.000
<v Speaker 1>band loved to crash the sleepy hotel, cocktail lounges and

0:18:46.080 --> 0:18:49.639
<v Speaker 1>full ziggy stardust makeup and costumes just to see the

0:18:49.680 --> 0:18:54.040
<v Speaker 1>open mouth stairs of the usual clientele. Sometimes they had

0:18:54.040 --> 0:18:57.679
<v Speaker 1>too much fun. One morning, road manager Tony Zanetta got

0:18:57.680 --> 0:19:01.399
<v Speaker 1>a frantic call. David was miss sing. The crew was

0:19:01.440 --> 0:19:03.760
<v Speaker 1>packed up and ready to go, but their star was

0:19:03.840 --> 0:19:07.440
<v Speaker 1>nowhere to be found. A short time later, Zanetta got

0:19:07.480 --> 0:19:10.920
<v Speaker 1>another call. It was David. He had no idea where

0:19:10.920 --> 0:19:14.480
<v Speaker 1>he was. I'm in a house. There are trees everywhere.

0:19:14.560 --> 0:19:17.760
<v Speaker 1>I think I'm in the middle of a forest somewhere. Somehow,

0:19:17.880 --> 0:19:19.960
<v Speaker 1>a bell hop at the band's hotel was able to

0:19:19.960 --> 0:19:23.439
<v Speaker 1>work out David's location based on that sketchy description, and

0:19:23.520 --> 0:19:28.240
<v Speaker 1>disaster was averted. This time. The partying came to a

0:19:28.280 --> 0:19:30.840
<v Speaker 1>head in late October when the Ziggy start Us tour

0:19:31.000 --> 0:19:34.680
<v Speaker 1>pool in the Los Angeles. By then, the entourage had

0:19:34.680 --> 0:19:39.480
<v Speaker 1>grown to forty six people, including an assortment of drug dealers, groupies,

0:19:39.520 --> 0:19:42.840
<v Speaker 1>a professional palm reader, and diggy pop. Just for the

0:19:42.880 --> 0:19:45.720
<v Speaker 1>hell of it, all were booked into the ultra lux

0:19:45.800 --> 0:19:50.399
<v Speaker 1>Beverly Hills Hotel at our sier's expense. Most spent their

0:19:50.480 --> 0:19:53.520
<v Speaker 1>days lounging by the pool and ordering huge meals of

0:19:53.520 --> 0:19:57.080
<v Speaker 1>lobster thermidor for themselves and random horus they met strolling

0:19:57.080 --> 0:20:00.680
<v Speaker 1>Hollywood Boulevard. All were welcome, just send the bill to

0:20:00.760 --> 0:20:05.320
<v Speaker 1>our c A Records and Tapes. David liked l A.

0:20:05.920 --> 0:20:10.040
<v Speaker 1>It suited his lust for glamour, insatiable hedonism, and compulsive

0:20:10.080 --> 0:20:14.440
<v Speaker 1>need for chameleonic character changes. He was surprisingly sober during

0:20:14.480 --> 0:20:16.800
<v Speaker 1>this time, wanting to keep a clear head for the

0:20:16.840 --> 0:20:19.000
<v Speaker 1>pair of make or break dates at the Santa Monica

0:20:19.080 --> 0:20:23.879
<v Speaker 1>Civic Center. His chief outlet was sex. His bungalow at

0:20:23.880 --> 0:20:27.119
<v Speaker 1>the Beverly Hills Hotel hosted a parade of local groupies,

0:20:27.560 --> 0:20:31.720
<v Speaker 1>visions and glitter and platforms. His latest serious fling was

0:20:31.760 --> 0:20:35.520
<v Speaker 1>with Andy Warhol's newest factory girl, nineteen year old Surrender Fox,

0:20:35.760 --> 0:20:38.640
<v Speaker 1>who would later go on to marry aerosmith Steven Tyler.

0:20:39.600 --> 0:20:42.120
<v Speaker 1>David liked her so much he called her into his room.

0:20:42.119 --> 0:20:43.760
<v Speaker 1>The chat when he was in the middle of having

0:20:43.760 --> 0:20:48.320
<v Speaker 1>sex with other women. This was quite a compliment. One night, she,

0:20:48.760 --> 0:20:52.360
<v Speaker 1>David and Angie had a threesome involving a bathtub, Lady Godiva,

0:20:52.400 --> 0:20:57.480
<v Speaker 1>Wig and lots of pearls. Stories of David's seduction are endless.

0:20:58.080 --> 0:21:00.639
<v Speaker 1>Once at a party, he's at his side on a

0:21:00.680 --> 0:21:04.679
<v Speaker 1>woman dancing with music producer Kim Fowley. David sidle up

0:21:04.720 --> 0:21:06.960
<v Speaker 1>to Fouley and politely asked, are you in love with

0:21:06.960 --> 0:21:09.639
<v Speaker 1>this woman? Or may I take her into the bathroom?

0:21:09.760 --> 0:21:12.760
<v Speaker 1>Receiving no objection, David approached the woman with a well

0:21:12.840 --> 0:21:16.000
<v Speaker 1>honed pickup line, how do you do? I'm David Bowie.

0:21:16.160 --> 0:21:18.920
<v Speaker 1>I'd like to discuss life at the Universal whatever my dear.

0:21:19.880 --> 0:21:23.120
<v Speaker 1>Hand in hand, they went off in search of a restroom.

0:21:23.160 --> 0:21:26.080
<v Speaker 1>A gang of jealous drag queens followed in hot pursuit,

0:21:26.520 --> 0:21:31.399
<v Speaker 1>all eager for their private moment with Ziggy. David's sexual prowess,

0:21:31.440 --> 0:21:34.320
<v Speaker 1>to say nothing of his impressive physical attributes, has been

0:21:34.320 --> 0:21:38.399
<v Speaker 1>widely commented upon. He was a romantic, described as a

0:21:38.440 --> 0:21:42.480
<v Speaker 1>tender yet aerobic lover and an excellent kisser. To quote

0:21:42.520 --> 0:21:46.679
<v Speaker 1>Cherry Vanilla is one time pr manager and occasional romantic partner.

0:21:47.119 --> 0:21:49.480
<v Speaker 1>It never felt like we were just having sex. It

0:21:49.520 --> 0:21:52.280
<v Speaker 1>felt like we were really making love. He was either

0:21:52.320 --> 0:21:55.320
<v Speaker 1>a fabulous actor or a man whose emotions ran deep.

0:21:56.359 --> 0:22:00.320
<v Speaker 1>David's voracious sexual appetite was slightly frightening to some members

0:22:00.359 --> 0:22:04.080
<v Speaker 1>of his inner circle. He seemed down for at any time, anywhere,

0:22:04.560 --> 0:22:07.480
<v Speaker 1>in the limo, in the bathroom, on the sidewalk in

0:22:07.520 --> 0:22:10.320
<v Speaker 1>front of the hotel. Back in his days as a

0:22:10.359 --> 0:22:13.600
<v Speaker 1>student that promptly TechEd, David used sex as a power

0:22:13.640 --> 0:22:18.359
<v Speaker 1>play to capture attention. His newfound fame only amplified this tendency,

0:22:18.560 --> 0:22:22.199
<v Speaker 1>and the effect was startling. Cherry Vanilla, who shared a

0:22:22.240 --> 0:22:24.639
<v Speaker 1>bed with him on more than one occasion, believed he

0:22:24.720 --> 0:22:27.960
<v Speaker 1>was a sex addict. Another intimate would describe him less

0:22:28.000 --> 0:22:31.000
<v Speaker 1>charitably in this period as quote screwing everything that moved

0:22:31.240 --> 0:22:34.600
<v Speaker 1>and quite a bit that didn't. The crew joke took

0:22:34.640 --> 0:22:37.440
<v Speaker 1>on a scary realism one night at his hotel when

0:22:37.440 --> 0:22:40.359
<v Speaker 1>a sinister member of the Hollywood show business elite offered

0:22:40.359 --> 0:22:43.919
<v Speaker 1>to procure a dead body for his pleasure, still warm

0:22:43.960 --> 0:22:47.960
<v Speaker 1>if he liked, David was deeply horrified and rejected the

0:22:48.000 --> 0:22:53.440
<v Speaker 1>indecent overture. However, there is the troubling claim of Laurie Maddox,

0:22:53.800 --> 0:22:56.320
<v Speaker 1>a member of the so called Baby Groupie's Click of

0:22:56.320 --> 0:22:59.439
<v Speaker 1>teenagers that hung around with visiting musicians who roamed the

0:22:59.480 --> 0:23:03.960
<v Speaker 1>Sunset Strip Clubland at night, also known as Lori Lightning.

0:23:04.359 --> 0:23:07.720
<v Speaker 1>Maddox is perhaps most famous for her tempestuous relationship with

0:23:07.800 --> 0:23:11.480
<v Speaker 1>Led Zeppelin's Jimmy Page when she was a miner. Prior

0:23:11.520 --> 0:23:14.440
<v Speaker 1>to that, she said she lost her virginity to David

0:23:14.440 --> 0:23:17.360
<v Speaker 1>Bowie during the Ziggy Stardust tour when she was fifteen

0:23:17.440 --> 0:23:20.800
<v Speaker 1>years old. Her version of events is varied considerably over

0:23:20.840 --> 0:23:25.080
<v Speaker 1>the years and occasionally features historical impossibilities, leading some to

0:23:25.160 --> 0:23:28.600
<v Speaker 1>doubt her story, but she's repeated the general just for

0:23:28.680 --> 0:23:32.640
<v Speaker 1>decades and tells her tale with utmost fondness. The way

0:23:32.640 --> 0:23:37.080
<v Speaker 1>it happens was so beautiful, Maddox said, I remember him

0:23:37.119 --> 0:23:40.120
<v Speaker 1>looking like God and having me over a table. Who

0:23:40.119 --> 0:23:44.280
<v Speaker 1>wouldn't want to lose their virginity to David Bowie? To

0:23:44.359 --> 0:23:47.600
<v Speaker 1>this day, Maddox claims that her experience with Bowie was

0:23:47.640 --> 0:23:51.359
<v Speaker 1>not only consensual, but also a cherished memory, creating a

0:23:51.440 --> 0:23:55.760
<v Speaker 1>thorny moral quandary for herself and also Bowie's fans. If

0:23:55.760 --> 0:23:58.159
<v Speaker 1>twenty six year old David had sex with a minor,

0:23:58.640 --> 0:24:00.600
<v Speaker 1>it makes the claims of his supper was as sex

0:24:00.600 --> 0:24:04.800
<v Speaker 1>addiction all the more serious and concerning. Yet Maddox always

0:24:04.840 --> 0:24:07.960
<v Speaker 1>rebuffed those who sought to label her a victim. Well,

0:24:07.960 --> 0:24:10.680
<v Speaker 1>she admits that her perception is shifted following the rise

0:24:10.720 --> 0:24:13.199
<v Speaker 1>of the Me Too movement, She still denies that she

0:24:13.320 --> 0:24:16.400
<v Speaker 1>was ever taken advantage of by Bowie. We were friends,

0:24:16.440 --> 0:24:19.439
<v Speaker 1>she says, it was all pure fun. It was a

0:24:19.440 --> 0:24:23.159
<v Speaker 1>different time in rock and roll. In that era, some

0:24:23.200 --> 0:24:26.359
<v Speaker 1>of the world's most famous rock stars shamelessly engaged in

0:24:26.440 --> 0:24:30.320
<v Speaker 1>relationships with young girls. Some of these women have no regrets,

0:24:30.840 --> 0:24:34.760
<v Speaker 1>while others remained scarred by their experiences. At the time,

0:24:34.880 --> 0:24:37.480
<v Speaker 1>it was just an accepted part of the Hollywood music scene,

0:24:37.840 --> 0:24:40.720
<v Speaker 1>which was becoming increasingly dark and menacing. As rock and

0:24:40.840 --> 0:24:45.080
<v Speaker 1>roll became a billion dollar business, a sense of darkness

0:24:45.080 --> 0:24:47.960
<v Speaker 1>has started to creep in the Dayvid's life. There were

0:24:48.000 --> 0:24:50.359
<v Speaker 1>days when he could barely rouse himself from his bed.

0:24:51.160 --> 0:24:54.199
<v Speaker 1>He often stayed in his hotel room, writing, reading, or

0:24:54.240 --> 0:24:57.320
<v Speaker 1>just staring at the television. He was described in this

0:24:57.400 --> 0:25:01.280
<v Speaker 1>period as a frail, chalk white figure with almost vampiric tendencies.

0:25:02.119 --> 0:25:04.800
<v Speaker 1>Maybe that was the effect David was going for. When

0:25:04.800 --> 0:25:07.080
<v Speaker 1>a friend asked why he wasn't soaking up the Southern

0:25:07.080 --> 0:25:11.160
<v Speaker 1>California son by the hotel pool, David solemnly replied, all

0:25:11.240 --> 0:25:15.080
<v Speaker 1>melt below lows seemed like the logical inverse of his

0:25:15.119 --> 0:25:18.879
<v Speaker 1>performance highs, both sexual and musical, but it was also

0:25:18.960 --> 0:25:23.440
<v Speaker 1>something deeper. The public persona of David Bowie, overlaid with

0:25:23.600 --> 0:25:27.159
<v Speaker 1>even more outrageous siggy stardust alter ego had caused the

0:25:27.200 --> 0:25:31.199
<v Speaker 1>boy from Bromley's identity to fracture. He'd later say, in

0:25:31.280 --> 0:25:34.919
<v Speaker 1>Los Angeles, I was surrounded with people who indulged my ego,

0:25:34.960 --> 0:25:38.399
<v Speaker 1>who treated me as ziggy Stardust, never realizing that David

0:25:38.480 --> 0:25:42.320
<v Speaker 1>Jones might be behind it. His biggest fear was coming true.

0:25:42.920 --> 0:25:46.040
<v Speaker 1>His grip on reality was starting to slip. With the

0:25:46.080 --> 0:25:49.159
<v Speaker 1>curse of his familial mental illness claim him too, like

0:25:49.240 --> 0:25:53.840
<v Speaker 1>it had claimed his beloved half brother Terry, David found

0:25:53.880 --> 0:25:57.119
<v Speaker 1>himself paying an enormous psychic price for his fame, and

0:25:57.160 --> 0:26:00.080
<v Speaker 1>the financial one too. Their stay at the bear A

0:26:00.160 --> 0:26:04.080
<v Speaker 1>Hills Hotel cost a hundred thousand dollars, including twenty thousand

0:26:04.119 --> 0:26:07.919
<v Speaker 1>dollars in room service bills alone. DeFreeze sole attempt at

0:26:07.960 --> 0:26:10.520
<v Speaker 1>cost cutting was the decree that groupies be sent home

0:26:10.560 --> 0:26:14.720
<v Speaker 1>without breakfast. The seventy one day tour lost four hundred

0:26:14.720 --> 0:26:19.000
<v Speaker 1>and eighty five thousand dollars or seven thousand dollars a day.

0:26:19.240 --> 0:26:22.360
<v Speaker 1>The silver tongues Defriese talked our Cia into paying off

0:26:22.400 --> 0:26:25.040
<v Speaker 1>the debt, a move that caused the cancelation of the

0:26:25.080 --> 0:26:28.920
<v Speaker 1>label's annual Christmas bonus that year. In exchange, our c

0:26:29.119 --> 0:26:32.560
<v Speaker 1>would recoup its losses from Bowie's future record sales. In

0:26:32.600 --> 0:26:35.560
<v Speaker 1>other words, our ci a would pay now, but Bowie

0:26:35.600 --> 0:26:38.639
<v Speaker 1>would pay later. It would take some time for David

0:26:38.640 --> 0:26:40.600
<v Speaker 1>to realize that he was footing the bill for this

0:26:40.720 --> 0:26:46.320
<v Speaker 1>traveling circus and to freeze increasingly ambitious schemes. Our Cia

0:26:46.400 --> 0:26:49.679
<v Speaker 1>didn't have to wait long for new Bowie product, America

0:26:49.760 --> 0:26:53.119
<v Speaker 1>did wonders for his creativity. A new album began to

0:26:53.160 --> 0:26:56.800
<v Speaker 1>take shape, Inspired by David's cautious embrace of the country

0:26:56.840 --> 0:27:00.840
<v Speaker 1>that had embraced him so warmly. His Jubie first visit

0:27:00.880 --> 0:27:03.679
<v Speaker 1>the previous year had planted the seeds of ziggy stardust.

0:27:04.480 --> 0:27:07.920
<v Speaker 1>Now a portrait of Ziggy's disturbed and paranoid sibling began

0:27:07.960 --> 0:27:11.399
<v Speaker 1>to emerge. David had seen the real America from his

0:27:11.480 --> 0:27:14.720
<v Speaker 1>vantage point on his tour bus. It thrilled him, but

0:27:14.800 --> 0:27:17.760
<v Speaker 1>it also frightened him. When I was a boy, we

0:27:17.760 --> 0:27:21.119
<v Speaker 1>were all fascinated by America, he glumily told the journalist.

0:27:21.600 --> 0:27:24.000
<v Speaker 1>But now that I'm here, I've forgotten why I wanted

0:27:24.040 --> 0:27:27.399
<v Speaker 1>to come. His personal on the road adventure in the

0:27:27.520 --> 0:27:30.119
<v Speaker 1>United States of Richard Nixon didn't match up to the

0:27:30.160 --> 0:27:35.440
<v Speaker 1>one Jack Carowac had presented. David had expected freedom and opportunity.

0:27:35.600 --> 0:27:40.200
<v Speaker 1>He found it, but he also found urban decay, addiction, violence,

0:27:40.280 --> 0:27:43.240
<v Speaker 1>and death. If I'm in a very light mood, I

0:27:43.280 --> 0:27:47.119
<v Speaker 1>find everything in America so kitch, he explained. It's wonderful

0:27:47.280 --> 0:27:49.880
<v Speaker 1>and I love to have it all hanging in my bedroom.

0:27:49.960 --> 0:27:52.520
<v Speaker 1>If I'm in a bad mood, I find it terribly

0:27:52.560 --> 0:27:56.199
<v Speaker 1>repressive and heavy. He declared the United States to be

0:27:56.240 --> 0:27:59.480
<v Speaker 1>the loneliest place in the world, and the people insecure

0:27:59.520 --> 0:28:03.240
<v Speaker 1>and in need of warmth. Perhaps the fundamentally shy man

0:28:03.280 --> 0:28:06.120
<v Speaker 1>who never got enough hugs as a child, recognized himself

0:28:06.160 --> 0:28:10.040
<v Speaker 1>among the Yanks. His thoughts crystallized As he sailed home

0:28:10.080 --> 0:28:13.200
<v Speaker 1>to England that December. He spent most of the sea

0:28:13.280 --> 0:28:16.240
<v Speaker 1>voyage curled in an over stuffed armchair in his suite,

0:28:16.359 --> 0:28:19.640
<v Speaker 1>thumbing through a copy of author Evelyn Walls Vile Bodies.

0:28:20.400 --> 0:28:23.479
<v Speaker 1>It was a futuristic novel about a hedonistic society of

0:28:23.520 --> 0:28:26.720
<v Speaker 1>bright young things living a life of decadent deprevity and

0:28:26.760 --> 0:28:30.280
<v Speaker 1>the eve of an impending World War. Wall's tale of

0:28:30.280 --> 0:28:34.680
<v Speaker 1>frivolity on the brink of catastrophe resonated with Bowie. To him,

0:28:34.760 --> 0:28:37.800
<v Speaker 1>this wasn't sci fi, but a chilling reflection of reality

0:28:37.880 --> 0:28:40.880
<v Speaker 1>as he saw it. If the Ziggy start Us opening

0:28:40.920 --> 0:28:44.360
<v Speaker 1>track five years as any indication, David really seemed to

0:28:44.400 --> 0:28:46.920
<v Speaker 1>think that the planet Earth wouldn't survive into the eighties.

0:28:47.840 --> 0:28:51.040
<v Speaker 1>Setting aside his copy of Vile Bodies, he reached for

0:28:51.040 --> 0:28:53.720
<v Speaker 1>the spiral notebook on the small mahogany table at his

0:28:53.840 --> 0:28:56.480
<v Speaker 1>side and began to write the words to a new song.

0:28:57.360 --> 0:29:00.560
<v Speaker 1>It's my interpretation of what America means to me, he'd say.

0:29:01.120 --> 0:29:04.480
<v Speaker 1>It's like a summation of my first American tour, his

0:29:04.560 --> 0:29:07.440
<v Speaker 1>schizophrenic impression of the country, to say nothing of his

0:29:07.480 --> 0:29:11.480
<v Speaker 1>preoccupation with the mental illness that blighted his family inspired

0:29:11.520 --> 0:29:16.960
<v Speaker 1>his new character a Laddin Sane. He was welcomed home

0:29:17.000 --> 0:29:20.800
<v Speaker 1>on British shores like a triumphant war hero. Bowie's back

0:29:20.960 --> 0:29:23.760
<v Speaker 1>trumpeted the full page ads that filled the music papers.

0:29:24.400 --> 0:29:27.480
<v Speaker 1>Shows for his upcoming UK tour dates had already sold out,

0:29:27.920 --> 0:29:32.240
<v Speaker 1>and he had big things planned for nine. David managed

0:29:32.280 --> 0:29:34.720
<v Speaker 1>to carve out time to celebrate Christmas with his wife

0:29:34.720 --> 0:29:38.840
<v Speaker 1>Angie and toddler Zoe at their house, Hadden Hall. It

0:29:38.880 --> 0:29:41.600
<v Speaker 1>would be the last holiday they'd spend that their beloved home,

0:29:42.200 --> 0:29:44.200
<v Speaker 1>and more or less the last they'd spend together as

0:29:44.240 --> 0:29:57.120
<v Speaker 1>a happy family. During the final dates of the Ziggy

0:29:57.200 --> 0:30:00.840
<v Speaker 1>Stardust tour, a fan snatched David's way sting bracelet off

0:30:00.840 --> 0:30:04.280
<v Speaker 1>his wrist, twin to the one worn by his wife Angie.

0:30:05.360 --> 0:30:09.040
<v Speaker 1>The theft was highly symbolic. Barely into its second year,

0:30:09.320 --> 0:30:12.360
<v Speaker 1>their marriage was, in David's own words, pretty much over

0:30:12.400 --> 0:30:15.080
<v Speaker 1>and all but name they would see less and less

0:30:15.080 --> 0:30:19.320
<v Speaker 1>of one another in nine Jealousy played a sizeable role

0:30:19.360 --> 0:30:22.600
<v Speaker 1>in the disintegration of their union. They had always enjoyed

0:30:22.640 --> 0:30:25.960
<v Speaker 1>an extremely open relationship, but many in their circle felt

0:30:25.960 --> 0:30:29.440
<v Speaker 1>that David was overdoing his freedom just a bit. Angie

0:30:29.440 --> 0:30:32.400
<v Speaker 1>was inclined to agree. She would later say that David

0:30:32.520 --> 0:30:35.840
<v Speaker 1>was quote nailing everything that moved, and characterized him as

0:30:35.880 --> 0:30:39.760
<v Speaker 1>having quote the morals of a bisexual alley cat. As

0:30:39.760 --> 0:30:44.160
<v Speaker 1>a result, Angie kept her distance. This was generally encouraged

0:30:44.200 --> 0:30:47.440
<v Speaker 1>by Bowie and his coterie. They acted more like business

0:30:47.440 --> 0:30:50.920
<v Speaker 1>partners than lovers, staying in different suites and generally living

0:30:50.920 --> 0:30:54.440
<v Speaker 1>separate lives. For Angie, the tour was nothing but a

0:30:54.480 --> 0:30:59.920
<v Speaker 1>string of increasingly humiliating incidents, sometimes in private, sometimes painfully public,

0:31:00.400 --> 0:31:04.200
<v Speaker 1>but always involving her husband and groupies. Andie got her

0:31:04.200 --> 0:31:08.320
<v Speaker 1>revenge by flaunting an affair with David's bodyguard. Never shy,

0:31:08.360 --> 0:31:10.400
<v Speaker 1>they hooked up one night while skinny dipping in the

0:31:10.400 --> 0:31:14.120
<v Speaker 1>motel pool. Motel management took a rather dim view of

0:31:14.160 --> 0:31:17.840
<v Speaker 1>this sort of thing. David smooth things over before rounding

0:31:17.840 --> 0:31:21.280
<v Speaker 1>on Angie. She'd humiliated and before like the night she

0:31:21.360 --> 0:31:23.520
<v Speaker 1>performed oral sex on a friend in the middle of

0:31:23.520 --> 0:31:26.680
<v Speaker 1>a closed but not empty hotel bar. But this was

0:31:26.720 --> 0:31:30.120
<v Speaker 1>the final straw. The next day he booked her a

0:31:30.160 --> 0:31:33.760
<v Speaker 1>one way ticket back to England. Aside from special occasions,

0:31:34.120 --> 0:31:37.080
<v Speaker 1>and she was never welcomed on as tours again, she

0:31:37.160 --> 0:31:41.560
<v Speaker 1>had been banished from his inner traveling circle. The betrayals

0:31:41.600 --> 0:31:45.120
<v Speaker 1>weren't just sexual, after all, they were bonded not just

0:31:45.160 --> 0:31:48.240
<v Speaker 1>by love and lust, but also by mutually shared ambition.

0:31:49.080 --> 0:31:52.000
<v Speaker 1>As far as Andie was concerned, David broke a promise

0:31:52.040 --> 0:31:54.440
<v Speaker 1>they had made when they were both struggling and penniless.

0:31:55.160 --> 0:31:57.640
<v Speaker 1>The plan was, once they made David a rock star,

0:31:58.080 --> 0:32:00.880
<v Speaker 1>they turned their attention to her career, building her up

0:32:00.880 --> 0:32:04.560
<v Speaker 1>into a world famous performer in her own right. Andie

0:32:04.560 --> 0:32:08.040
<v Speaker 1>felt she'd done her part by styling David, encouraging him,

0:32:08.240 --> 0:32:12.200
<v Speaker 1>and serving as a dedicated creative collaborator. But David hadn't

0:32:12.280 --> 0:32:14.760
<v Speaker 1>kept up his end of the deal. He was too

0:32:14.760 --> 0:32:17.520
<v Speaker 1>caught up in the whirlwind of his own success to reciprocate.

0:32:18.400 --> 0:32:22.080
<v Speaker 1>David felt heed outgrowner, Angie felt there wasn't any room

0:32:22.120 --> 0:32:26.880
<v Speaker 1>for her. She felt frustrated, even used, so she resorted

0:32:26.880 --> 0:32:29.560
<v Speaker 1>to attention grabbing stunts, like sex in a public swimming

0:32:29.560 --> 0:32:33.400
<v Speaker 1>pool to assert herself. This succeeded only an annoying David,

0:32:33.520 --> 0:32:37.240
<v Speaker 1>who pushed her even further away. Andrew didn't mind the

0:32:37.280 --> 0:32:41.160
<v Speaker 1>space at first. Her acting ambitions kept her busy. She

0:32:41.240 --> 0:32:44.640
<v Speaker 1>even auditioned for the role of TVs Wonder Woman, ultimately

0:32:44.640 --> 0:32:46.640
<v Speaker 1>losing out when she refused to wear a braw for

0:32:46.760 --> 0:32:49.760
<v Speaker 1>the screen test. But before long she'd get a call

0:32:49.800 --> 0:32:52.680
<v Speaker 1>from David. There was a new problem to solve, a

0:32:52.720 --> 0:32:55.400
<v Speaker 1>new door to kick down, a new idea he wanted

0:32:55.400 --> 0:32:58.800
<v Speaker 1>to run by her, or he just missed her. Sooner

0:32:58.880 --> 0:33:01.440
<v Speaker 1>or later she'd be drawn back into the Bowie orbit

0:33:01.560 --> 0:33:05.000
<v Speaker 1>and her plans were put on hold. So the cycle continued,

0:33:05.520 --> 0:33:07.640
<v Speaker 1>but it was clear there wasn't room for two prima

0:33:07.640 --> 0:33:12.240
<v Speaker 1>donnas in this marriage. In the midst of this marital turmoil,

0:33:12.760 --> 0:33:16.240
<v Speaker 1>David re recorded a song called The Prettiest Star, written

0:33:16.280 --> 0:33:19.600
<v Speaker 1>three years earlier as a tender ode to Angie. He

0:33:19.720 --> 0:33:22.000
<v Speaker 1>first played it for through the telephone as part of

0:33:22.000 --> 0:33:25.200
<v Speaker 1>his marriage proposal back in nineteen sixty nine, and released

0:33:25.240 --> 0:33:28.680
<v Speaker 1>it as a single soon after. His decision to revisit

0:33:28.720 --> 0:33:31.719
<v Speaker 1>the song in late nineteen seventy two, when the relationship

0:33:31.800 --> 0:33:34.440
<v Speaker 1>was well and truly on the rocks is a puzzling one.

0:33:35.320 --> 0:33:38.640
<v Speaker 1>Perhaps it was his way of apologizing, or maybe it

0:33:38.680 --> 0:33:41.960
<v Speaker 1>was his way of saying goodbye. It was an anomaly

0:33:42.000 --> 0:33:44.800
<v Speaker 1>on his album in Progress, A Laddin Sane, which was

0:33:44.840 --> 0:33:48.239
<v Speaker 1>written mostly while on tour in the United States. In

0:33:48.240 --> 0:33:50.600
<v Speaker 1>a loose sense, the record was a sequel to Ziggy

0:33:50.680 --> 0:33:54.520
<v Speaker 1>Stardust and the Spiders from Mars, lacking any kind of narrative,

0:33:54.720 --> 0:33:58.480
<v Speaker 1>The general theme was Ziggy Goes to America. The record

0:33:58.560 --> 0:34:01.240
<v Speaker 1>was a travelog by a stray You're in a Strange Land,

0:34:01.680 --> 0:34:04.840
<v Speaker 1>observations from an alien traversing the country in a chartered

0:34:04.840 --> 0:34:09.400
<v Speaker 1>Greyhound bus. Each song served as a musical postcard from abroad.

0:34:10.120 --> 0:34:12.799
<v Speaker 1>On the track list, place names were included next to

0:34:12.840 --> 0:34:16.320
<v Speaker 1>each title, notating the location where each song was composed.

0:34:18.160 --> 0:34:21.480
<v Speaker 1>The first of these was conceived somewhere between Cleveland and Memphis.

0:34:21.600 --> 0:34:25.120
<v Speaker 1>During a bus ride jam session. Bowie, his old friend

0:34:25.200 --> 0:34:29.000
<v Speaker 1>George Underwood, and Mick Ronson beat out an impromptu version

0:34:29.040 --> 0:34:32.000
<v Speaker 1>of Bou Didley's I'm a Man, which soon morphed into

0:34:32.040 --> 0:34:35.640
<v Speaker 1>an original song called Bustin. The song got new words

0:34:35.680 --> 0:34:38.360
<v Speaker 1>a few weeks later, when Bowie visited his tour flings

0:34:38.360 --> 0:34:43.160
<v Speaker 1>Surrenda Fox. Over discussions of the author Jeanine, Bowie twisted

0:34:43.200 --> 0:34:46.759
<v Speaker 1>the bluesy stomp into gene Genie. He recorded the song

0:34:46.800 --> 0:34:49.080
<v Speaker 1>and just one take days later at our c A

0:34:49.160 --> 0:34:52.239
<v Speaker 1>Studios in New York, My first New York song, he'd

0:34:52.280 --> 0:34:56.000
<v Speaker 1>remember proudly. In just ninety minutes he had his new single,

0:34:57.760 --> 0:35:00.960
<v Speaker 1>Another New York Song was watched that man. Inspired by

0:35:00.960 --> 0:35:03.640
<v Speaker 1>the American characters who crammed into his suite for a

0:35:03.640 --> 0:35:07.920
<v Speaker 1>particularly rowdy party at the Plaza Hotel, the senior minded

0:35:08.000 --> 0:35:12.080
<v Speaker 1>David of Evelyn Wall's Vile Bodies passionate, bright young things

0:35:12.160 --> 0:35:14.680
<v Speaker 1>partying while the world teetered on the brink of disaster.

0:35:15.960 --> 0:35:18.759
<v Speaker 1>Drive in Sunday, on the other hand, takes place after

0:35:18.800 --> 0:35:22.680
<v Speaker 1>the apocalypse occurred. David was intrigued one night while gazing

0:35:22.680 --> 0:35:25.520
<v Speaker 1>out at the desert vistas from an observation platform on

0:35:25.560 --> 0:35:29.040
<v Speaker 1>a train journey through the Southwest. Strange lights on the

0:35:29.040 --> 0:35:32.480
<v Speaker 1>horizon gave him visions of a world after a nuclear catastrophe.

0:35:33.360 --> 0:35:36.520
<v Speaker 1>David being David, he added sex and media to the plot.

0:35:37.239 --> 0:35:40.560
<v Speaker 1>The songs set in twenty three, when humans have forgotten

0:35:40.560 --> 0:35:43.719
<v Speaker 1>how to reproduce need to watch old pornographic films as

0:35:43.760 --> 0:35:49.520
<v Speaker 1>teaching tools. Panic in Detroit required less imagination. It was

0:35:49.560 --> 0:35:52.160
<v Speaker 1>taken largely from the mouth of his friend and MotorCity

0:35:52.239 --> 0:35:55.440
<v Speaker 1>native Iggy Pop. When the Ziggy Stardust Tour passed through Detroit.

0:35:56.200 --> 0:35:58.920
<v Speaker 1>Iggy kept David up all night by regaling him with

0:35:58.960 --> 0:36:02.120
<v Speaker 1>tales from the nineteen sixty seven riots, a time when

0:36:02.120 --> 0:36:05.680
<v Speaker 1>teenage revolutionaries joyously discussed the day when the system would

0:36:05.680 --> 0:36:09.800
<v Speaker 1>be obliterated by machine gun wielding kids. When Iggy finally

0:36:09.880 --> 0:36:12.520
<v Speaker 1>left the room at daybreak, David peered out that the

0:36:12.560 --> 0:36:16.600
<v Speaker 1>decayed urban ruined from his hotel suite. Slowly, the lyrics

0:36:16.600 --> 0:36:21.680
<v Speaker 1>started to take shape. Cracked Actor was pure l a

0:36:21.680 --> 0:36:24.319
<v Speaker 1>a portrait of the sleeves and menace, barely masked by

0:36:24.360 --> 0:36:27.560
<v Speaker 1>a thin facade of glamour. The track was written during

0:36:27.640 --> 0:36:30.640
<v Speaker 1>David's week in the City of Angels, inspired by strolls

0:36:30.719 --> 0:36:33.840
<v Speaker 1>up and down Sunset Boulevard, an open market place for

0:36:33.880 --> 0:36:37.600
<v Speaker 1>hookers and dealers to ply their wares. Even more intriguing

0:36:37.640 --> 0:36:41.400
<v Speaker 1>to David were prostitutes of the legal variety, older producers,

0:36:41.440 --> 0:36:45.680
<v Speaker 1>preoccupied with sex, drugs, and money. They were quite strange, looking,

0:36:46.000 --> 0:36:50.600
<v Speaker 1>quite charming, David would recall, but thoroughly unreal. The lyrics

0:36:50.600 --> 0:36:56.040
<v Speaker 1>examined their debauched desires and sinister motivations. One only needs

0:36:56.080 --> 0:36:58.880
<v Speaker 1>to look at the album's title track, Aladdin saying to

0:36:59.000 --> 0:37:01.680
<v Speaker 1>understand the toll his globe trotting venture was taking on

0:37:01.800 --> 0:37:06.520
<v Speaker 1>David's psychological equilibrium. He was a man divided. On one hand,

0:37:06.640 --> 0:37:08.960
<v Speaker 1>he wanted nothing more than to perform his songs for

0:37:09.000 --> 0:37:12.880
<v Speaker 1>increasingly expansive audiences. On the other, the life of a

0:37:12.960 --> 0:37:15.840
<v Speaker 1>rock and roll gypsy was beginning to wear on him.

0:37:15.880 --> 0:37:19.799
<v Speaker 1>He found himself surrounded by users, sycophants, and drug casualties

0:37:19.880 --> 0:37:22.959
<v Speaker 1>whose grasp on reality seemed even more tenuous than his own.

0:37:23.600 --> 0:37:26.160
<v Speaker 1>As he would say, there were some very mixed up

0:37:26.160 --> 0:37:29.440
<v Speaker 1>people on that tour, including myself, and I didn't like

0:37:29.520 --> 0:37:35.560
<v Speaker 1>myself very much at that time. Psychological subdivision through his

0:37:35.640 --> 0:37:38.640
<v Speaker 1>many alter egos left them confused about exactly who was

0:37:38.680 --> 0:37:42.200
<v Speaker 1>earning this mass adoration. It was clear that Ziggy was

0:37:42.239 --> 0:37:45.000
<v Speaker 1>in charge. It was he who the crowd cheered for,

0:37:45.320 --> 0:37:47.719
<v Speaker 1>who the interview was clamored to talk to, who the

0:37:47.840 --> 0:37:51.680
<v Speaker 1>labels wanted more product from. For the first time, David

0:37:51.719 --> 0:37:53.880
<v Speaker 1>began to realize the downside of a hit on the

0:37:53.920 --> 0:37:57.120
<v Speaker 1>scale of Ziggy, Stardust and the Spiders from Mars. When

0:37:57.160 --> 0:37:59.960
<v Speaker 1>he was effectively a nobody, he could explore creatively to

0:38:00.040 --> 0:38:03.960
<v Speaker 1>his heart's content. Now there was an expectation the artists

0:38:04.080 --> 0:38:06.840
<v Speaker 1>arch enemy I felt for the first time and the

0:38:06.880 --> 0:38:09.879
<v Speaker 1>only time that I was working for someone else, He'd say,

0:38:10.160 --> 0:38:13.520
<v Speaker 1>A Laddin. The same is effectively continuation of Ziggy Stardust.

0:38:14.360 --> 0:38:17.440
<v Speaker 1>David hated doing sequels, but he seated to the label

0:38:17.480 --> 0:38:20.880
<v Speaker 1>pressure in popular demand. The split was apparent in the

0:38:20.920 --> 0:38:25.439
<v Speaker 1>album's cover, shot by legendary photographer Brian Duffy. David's face

0:38:25.520 --> 0:38:29.480
<v Speaker 1>is bisected by a flashy lightning bolt. Makeup designer Pierre

0:38:29.520 --> 0:38:33.040
<v Speaker 1>Laroche borrowed the symbol from Elvis Presley, David's birthday twin,

0:38:33.320 --> 0:38:35.680
<v Speaker 1>who used it as a personal logo for himself and

0:38:35.719 --> 0:38:39.520
<v Speaker 1>as Memphis Mafia for the King. The lightning meant taking

0:38:39.560 --> 0:38:42.680
<v Speaker 1>care of business and a flash. In David's case, it

0:38:42.800 --> 0:38:47.960
<v Speaker 1>represented his fractured psyche. Following early sessions in New York,

0:38:48.360 --> 0:38:51.200
<v Speaker 1>David entered his familiar creative home at London's Tried and

0:38:51.320 --> 0:38:56.520
<v Speaker 1>Studios in January n to complete the album. Recording was rapid.

0:38:57.040 --> 0:38:59.960
<v Speaker 1>The day the sessions ended, David boarded a ship bound

0:39:00.040 --> 0:39:03.520
<v Speaker 1>for America for another string of US concert dates designed

0:39:03.560 --> 0:39:05.920
<v Speaker 1>to top his show from just a few months earlier.

0:39:06.560 --> 0:39:10.560
<v Speaker 1>Everything about the nineteen seventy three US concerts were bigger, grander,

0:39:10.600 --> 0:39:13.759
<v Speaker 1>and more outrageous. The Freeze had booked venues that were

0:39:13.800 --> 0:39:16.960
<v Speaker 1>twice as large as the last tour. David had started

0:39:17.000 --> 0:39:20.600
<v Speaker 1>integrating costumes into his performance, bringing the characters of Ziggy

0:39:20.640 --> 0:39:23.280
<v Speaker 1>and a Laddin Saying to life with masks and clothes.

0:39:23.800 --> 0:39:26.640
<v Speaker 1>He racked up as many as seven outfit changes per show,

0:39:26.920 --> 0:39:30.759
<v Speaker 1>sometimes performing tearaway quick changes right on the stage. He

0:39:30.800 --> 0:39:34.000
<v Speaker 1>brought along Pierre Laroche to oversee his elaborate makeup, which

0:39:34.040 --> 0:39:36.760
<v Speaker 1>took between two and five hours each night to apply.

0:39:37.520 --> 0:39:40.600
<v Speaker 1>In addition to the thick lashings of eyeliner and silver lipstick,

0:39:40.960 --> 0:39:43.880
<v Speaker 1>David adopted a gaudy silver disc painted in the center

0:39:43.920 --> 0:39:46.480
<v Speaker 1>of his forehead, a version of the so called love

0:39:46.560 --> 0:39:49.239
<v Speaker 1>jewel worn by his former friend Calvin Mark Lee in

0:39:49.280 --> 0:39:52.360
<v Speaker 1>the waning days of the sixties. Even the band was

0:39:52.400 --> 0:39:55.680
<v Speaker 1>augmented with the additions of guitarist John Hutchison, a pair

0:39:55.719 --> 0:39:59.480
<v Speaker 1>of sacks players, and backing vocalist Jeffrey McCormick, a childhood

0:39:59.520 --> 0:40:02.760
<v Speaker 1>friend of day VID's. The expansion allowed David more freedom

0:40:02.800 --> 0:40:05.520
<v Speaker 1>to move around the stage, but it also caused friction

0:40:05.600 --> 0:40:08.319
<v Speaker 1>with the original Spiders from Mars, who feared that they

0:40:08.360 --> 0:40:10.920
<v Speaker 1>were being relegated to the thankless roll of a solo

0:40:11.000 --> 0:40:15.160
<v Speaker 1>stars anonymous backing band. The breakneck pace of recording and

0:40:15.160 --> 0:40:18.840
<v Speaker 1>touring was taking a toll on intergroup relations. Gone was

0:40:18.880 --> 0:40:21.239
<v Speaker 1>the all for one, one for all hippie spirit from

0:40:21.239 --> 0:40:24.640
<v Speaker 1>their days sleeping on the floor at hadden Hall. Sessions

0:40:24.640 --> 0:40:26.920
<v Speaker 1>for a ladd and Saying had been particularly tense between

0:40:27.000 --> 0:40:30.080
<v Speaker 1>David and drummer Woody Woodman's, who had refused to blindly

0:40:30.160 --> 0:40:33.800
<v Speaker 1>yield to David's creative whims. But the real schism occurred

0:40:33.800 --> 0:40:36.080
<v Speaker 1>on the eve of the tour, when the original Spiders

0:40:36.120 --> 0:40:38.880
<v Speaker 1>found out how much new boy Mike Garson was being paid.

0:40:39.640 --> 0:40:43.000
<v Speaker 1>It happened in the most painfully awkward way. Woodman's was

0:40:43.040 --> 0:40:45.400
<v Speaker 1>thumbing through a magazine and he saw an advertisement for

0:40:45.440 --> 0:40:48.480
<v Speaker 1>a flashy Lamborghini. Wouldn't it be great to have one

0:40:48.480 --> 0:40:51.440
<v Speaker 1>of those? He daydreamed aloud to Garson. Why don't you

0:40:51.480 --> 0:40:54.040
<v Speaker 1>buy one? Garson replied, you must be able to afford

0:40:54.040 --> 0:40:56.400
<v Speaker 1>one by now? Would He assured him that it was

0:40:56.440 --> 0:41:00.760
<v Speaker 1>still way out of his budget. Garson was confused. After

0:41:00.840 --> 0:41:04.440
<v Speaker 1>some hemming and hawing, the men compared salaries. That's when

0:41:04.440 --> 0:41:07.200
<v Speaker 1>they learned that Garson was making ten times the salary

0:41:07.200 --> 0:41:10.319
<v Speaker 1>of the original Spiders. The revelation led to a full

0:41:10.320 --> 0:41:13.319
<v Speaker 1>scale mutiny before the nineteen seventy three tour kicked off

0:41:13.320 --> 0:41:16.840
<v Speaker 1>in New York City, Tony DeFries playcated Mick Ronson with

0:41:16.880 --> 0:41:19.560
<v Speaker 1>the promise of a main man solo deal, but Woody

0:41:19.719 --> 0:41:24.160
<v Speaker 1>and bassist Trevor Bolder were on strike. No pay, no play.

0:41:24.320 --> 0:41:26.880
<v Speaker 1>This is a joke, they complained to Defrieze. Even the

0:41:26.960 --> 0:41:30.640
<v Speaker 1>roadies are getting more than us. Defrieze snapped back, well,

0:41:30.840 --> 0:41:32.719
<v Speaker 1>I'd rather give the money to the road crew than you.

0:41:33.840 --> 0:41:36.759
<v Speaker 1>Things were eventually smoothed over, but the damage had been done.

0:41:37.600 --> 0:41:41.600
<v Speaker 1>David view the mutinyous tantamount of treason. Relations between him

0:41:41.640 --> 0:41:45.920
<v Speaker 1>and the rhythm section were never the same again. David

0:41:45.960 --> 0:41:48.840
<v Speaker 1>took the stage as scheduled on Valentine's Day at Radio

0:41:48.880 --> 0:41:52.480
<v Speaker 1>City Music Hall. The six thousand seat venue was loaded

0:41:52.520 --> 0:41:55.680
<v Speaker 1>with everyone from Andy Warhol and Salvador Dolly to Alan

0:41:55.719 --> 0:42:00.400
<v Speaker 1>Ginsburg and Truman Capote. David himself made an unforgettable entrance

0:42:00.480 --> 0:42:03.240
<v Speaker 1>by descending fifty feet from the ceiling to the stage

0:42:03.239 --> 0:42:06.279
<v Speaker 1>in a literal gilded cage, a propy borrowed from the

0:42:06.360 --> 0:42:09.640
<v Speaker 1>Rockett stage show. The audience had a great time, but

0:42:09.680 --> 0:42:13.200
<v Speaker 1>the show wouldn't rank among David's favorites. Makeup man Pierre

0:42:13.280 --> 0:42:15.560
<v Speaker 1>Laroche had doused him with glitter for the first time,

0:42:15.640 --> 0:42:18.200
<v Speaker 1>which mixed with David's sweat and ran into his eyes.

0:42:18.680 --> 0:42:22.080
<v Speaker 1>I did the whole show almost blind, he complained. Then,

0:42:22.239 --> 0:42:25.120
<v Speaker 1>as he delivered his rock and roll suicide finale, a

0:42:25.200 --> 0:42:28.120
<v Speaker 1>fan leapt on stage and planted a kiss on David's cheek.

0:42:28.840 --> 0:42:32.480
<v Speaker 1>David was so startled that he fainted, collapsing center stage.

0:42:33.080 --> 0:42:35.520
<v Speaker 1>His timing was so impeccable that even the band thought

0:42:35.520 --> 0:42:37.040
<v Speaker 1>it was just the new bit of drama for the

0:42:37.040 --> 0:42:40.440
<v Speaker 1>song's climax. It wasn't until he was bodily carded off

0:42:40.440 --> 0:42:44.359
<v Speaker 1>the stage that they realized anything was amiss. Blinded by

0:42:44.360 --> 0:42:47.560
<v Speaker 1>glitter and smothered by fans. As far as almens go,

0:42:47.760 --> 0:42:50.279
<v Speaker 1>these were not the best for David's new tour, but

0:42:50.360 --> 0:42:53.279
<v Speaker 1>the nineteen seventy three American track generally went off without

0:42:53.360 --> 0:42:55.719
<v Speaker 1>much of a hitch. It was the greatest Hits reel,

0:42:55.880 --> 0:42:59.799
<v Speaker 1>consolidating the successes of months earlier. He followed back to

0:43:00.200 --> 0:43:04.160
<v Speaker 1>radio city shows with an astonishing seven concerts in Philadelphia

0:43:04.320 --> 0:43:06.800
<v Speaker 1>plus two in Memphis. Two in Detroit and two in

0:43:06.960 --> 0:43:11.200
<v Speaker 1>l A. After taking Hollywood, he continued west all the

0:43:11.239 --> 0:43:14.320
<v Speaker 1>way to Japan for a ten date tour. If Ziggy

0:43:14.360 --> 0:43:16.680
<v Speaker 1>Started Us was a success in England in the States,

0:43:16.960 --> 0:43:20.040
<v Speaker 1>it made an even bigger splash with the Japanese. The

0:43:20.120 --> 0:43:23.080
<v Speaker 1>album had been selling non stop in Japan despite almost

0:43:23.080 --> 0:43:27.120
<v Speaker 1>no promotional effort, ultimately remaining in the charts for two years.

0:43:27.360 --> 0:43:30.600
<v Speaker 1>Though mocked by the highbrow Japanese press, Bowie had earned

0:43:30.600 --> 0:43:34.440
<v Speaker 1>a passionate following with teenagers and college students. The attraction

0:43:34.520 --> 0:43:37.720
<v Speaker 1>was understandable. Their culture was a major part of Ziggy

0:43:37.760 --> 0:43:40.440
<v Speaker 1>Start Us. D n A. David had been drawn the

0:43:40.520 --> 0:43:45.040
<v Speaker 1>Japanese styles, colors, and textures while designing Ziggy's costumes, crafting

0:43:45.040 --> 0:43:48.319
<v Speaker 1>a look that was in every sense alien to Western audiences.

0:43:48.920 --> 0:43:53.000
<v Speaker 1>The clothes, the makeup, the choreography. To the Japanese, Bowie

0:43:53.040 --> 0:43:55.440
<v Speaker 1>was a rocked up, larger than life reflection of their

0:43:55.440 --> 0:43:59.279
<v Speaker 1>own cultural heritage. They illustrated the point quite literally by

0:43:59.280 --> 0:44:02.000
<v Speaker 1>welcoming Dave it with a massive ninety ft poster of

0:44:02.040 --> 0:44:04.719
<v Speaker 1>his face, the largest poster in the world at the time,

0:44:05.040 --> 0:44:08.759
<v Speaker 1>hung from a Tokyo skyscraper. The tour allowed David to

0:44:08.880 --> 0:44:12.640
<v Speaker 1>delve deeper into Japanese drama. He was particularly intrigued by

0:44:12.640 --> 0:44:16.720
<v Speaker 1>the theatrical style known as kabuki, a word meaning song, dance,

0:44:16.760 --> 0:44:22.400
<v Speaker 1>and art characterized by elaborate makeup, garish costumes, and physical expressionism.

0:44:22.680 --> 0:44:25.080
<v Speaker 1>It's easy to see why kabuki would appeal to David

0:44:25.680 --> 0:44:28.080
<v Speaker 1>in many ways. It was the Eastern counterpart to the

0:44:28.120 --> 0:44:30.560
<v Speaker 1>mime work he'd done with Lindsay Kemp in the sixties,

0:44:31.080 --> 0:44:35.200
<v Speaker 1>but kabuki allowed for even greater freedom of expression. Exclusively

0:44:35.280 --> 0:44:38.480
<v Speaker 1>male Kabuki actors portrayed both men and women, sometimes in

0:44:38.520 --> 0:44:42.280
<v Speaker 1>the same scene, rapidly changing costumes to express this change

0:44:42.280 --> 0:44:46.840
<v Speaker 1>of personality. For David, a man who swapped personas like clothes,

0:44:47.320 --> 0:44:51.839
<v Speaker 1>this notion was especially compelling. His latest shows incorporated an

0:44:51.880 --> 0:44:56.200
<v Speaker 1>ever growing number of costumes crafted by Japanese designer Kansai Yamamoto.

0:44:57.000 --> 0:44:59.320
<v Speaker 1>David met up with the Future Fashion Icon upon his

0:44:59.480 --> 0:45:02.600
<v Speaker 1>arrival in Tokyo to collect the nine outfits he commissioned

0:45:02.600 --> 0:45:05.920
<v Speaker 1>for the Aladdin Same tour. They were kabuki costumes with

0:45:05.920 --> 0:45:08.680
<v Speaker 1>a sci fi twist. Many could be torn off with

0:45:08.680 --> 0:45:12.200
<v Speaker 1>a dramatic flourish to reveal a second outfit. Underneath. Some

0:45:12.320 --> 0:45:14.680
<v Speaker 1>of these were done in more traditional modes, like the

0:45:14.680 --> 0:45:17.880
<v Speaker 1>white satin Komono cape decorated with black and red Chinese

0:45:18.000 --> 0:45:22.160
<v Speaker 1>letters that spelled out David Bowie phonetically. Less traditional was

0:45:22.200 --> 0:45:25.400
<v Speaker 1>the Space Samurai costume, a quilted one piece made of

0:45:25.480 --> 0:45:28.640
<v Speaker 1>lustrous black, red and blue fabric and lined with rows

0:45:28.640 --> 0:45:32.000
<v Speaker 1>of black sequins. David would call on Yamamoto and at

0:45:32.040 --> 0:45:34.560
<v Speaker 1>least one occasion during his stay to repair the damage

0:45:34.600 --> 0:45:39.319
<v Speaker 1>to his clothes inflicted by over zealous fans. David was

0:45:39.360 --> 0:45:43.800
<v Speaker 1>equally enthusiastic about Japan and its culture. When he wasn't performing,

0:45:43.960 --> 0:45:48.080
<v Speaker 1>he explored the country, visiting bathhouses and fish markets, sampling

0:45:48.120 --> 0:45:52.040
<v Speaker 1>sake and admiring Kiyoto's famous cherry blossoms. He took in

0:45:52.120 --> 0:45:56.799
<v Speaker 1>theatrical performances, fashion shows, and sumo wrestling competitions. He even

0:45:56.840 --> 0:45:59.720
<v Speaker 1>went further afield of the outlying provinces, where he marveled

0:45:59.719 --> 0:46:02.839
<v Speaker 1>at the into temples and elaborate dance rituals performed by

0:46:02.840 --> 0:46:06.279
<v Speaker 1>the villagers. In a rare moment of unity, Angie and

0:46:06.280 --> 0:46:09.359
<v Speaker 1>Baby Zoe had come along for the tour. Together. They

0:46:09.360 --> 0:46:12.600
<v Speaker 1>attended a tea ceremony at the Imperial gardens. For a

0:46:12.600 --> 0:46:15.640
<v Speaker 1>fleeting moment, they were just an ordinary family on vacation.

0:46:16.640 --> 0:46:19.319
<v Speaker 1>Zoe would treasure the memories. He would be his last

0:46:19.320 --> 0:46:22.319
<v Speaker 1>trip with both his parents. It would also be his

0:46:22.400 --> 0:46:25.680
<v Speaker 1>first time seeing his father perform. The two year old

0:46:25.719 --> 0:46:28.520
<v Speaker 1>was dressed for the occasion in a tiny kimono. It

0:46:28.600 --> 0:46:31.160
<v Speaker 1>must have made quite an impression, as if seeing his

0:46:31.239 --> 0:46:34.719
<v Speaker 1>father transform and the ziggy Stardust wasn't memorable enough. The

0:46:34.800 --> 0:46:38.759
<v Speaker 1>audiences in Japan were unusually ardent. At one gig, they

0:46:38.800 --> 0:46:41.720
<v Speaker 1>stomped so hard that they bent the enormous steel girders

0:46:41.719 --> 0:46:44.160
<v Speaker 1>holding up the floor of the venue, which nearly caused

0:46:44.160 --> 0:46:47.640
<v Speaker 1>the ceiling of Bowie's dressing room and collapse. David tried

0:46:47.680 --> 0:46:50.000
<v Speaker 1>to give as good as he got, assuming that the

0:46:50.080 --> 0:46:52.840
<v Speaker 1>Japanese fans couldn't understand the word of his lyrics, He

0:46:52.920 --> 0:46:56.520
<v Speaker 1>delivered the most physically demanding shows of his life, activating

0:46:56.560 --> 0:46:59.640
<v Speaker 1>his songs with his hands and body. Due in part

0:46:59.680 --> 0:47:02.399
<v Speaker 1>to the exertion, he began performing part of the show

0:47:02.440 --> 0:47:05.960
<v Speaker 1>and what was essentially a red sequined jockstrap. The sight

0:47:06.040 --> 0:47:09.040
<v Speaker 1>of this whipped the crowd into an even greater frenzy.

0:47:09.239 --> 0:47:12.680
<v Speaker 1>David was certainly appreciative of the attention, sometimes signing autographs

0:47:12.719 --> 0:47:14.720
<v Speaker 1>in his hotel room and to the early morning hours.

0:47:15.280 --> 0:47:18.920
<v Speaker 1>With the outpouring of affection bordered on dangerous. Once he

0:47:19.000 --> 0:47:21.279
<v Speaker 1>was forced to barricade himself in his dressing room for

0:47:21.320 --> 0:47:23.839
<v Speaker 1>hours after a show due to a transport mix up.

0:47:24.480 --> 0:47:28.720
<v Speaker 1>But love was simply too much. Emotions reached the breaking

0:47:28.760 --> 0:47:31.360
<v Speaker 1>point during the final show of the tour when fans

0:47:31.360 --> 0:47:35.880
<v Speaker 1>in Tokyo began to riot. Japanese authorities blamed Angie, claiming

0:47:35.920 --> 0:47:39.719
<v Speaker 1>as she intentionally sparked the hysteria by swinging chairs and screaming.

0:47:40.400 --> 0:47:43.000
<v Speaker 1>Angie claimed she was trying to rescue young fans from

0:47:43.000 --> 0:47:47.719
<v Speaker 1>heavy handed security guards. Regardless, Japanese officials demanded she and

0:47:47.800 --> 0:47:51.920
<v Speaker 1>MainMan executive Tony Zanetta turned themselves in the police. Instead,

0:47:52.120 --> 0:47:55.480
<v Speaker 1>they fled the country, hopping a flight to Hawaii. Whether

0:47:55.560 --> 0:47:58.400
<v Speaker 1>or not she was actually at fault, David was furious

0:47:58.440 --> 0:48:01.680
<v Speaker 1>with his wife, declaring her a virtual idiot who possessed

0:48:01.719 --> 0:48:04.759
<v Speaker 1>all the tact and finesse of a mack truck. Just

0:48:04.800 --> 0:48:07.640
<v Speaker 1>a few years ago, they've been partners. Now there was

0:48:07.680 --> 0:48:10.600
<v Speaker 1>an ocean between them, and it still didn't seem like enough.

0:48:11.960 --> 0:48:14.880
<v Speaker 1>David took the long way home from Japan, crossing half

0:48:14.920 --> 0:48:18.280
<v Speaker 1>the world by ship, rail and even hovercraft before completing

0:48:18.320 --> 0:48:21.719
<v Speaker 1>the eight thousand mile journey to England. He arrived home

0:48:21.840 --> 0:48:23.640
<v Speaker 1>just in time to learn that the newly released A

0:48:23.719 --> 0:48:26.640
<v Speaker 1>Laddin Saying had gone the number one in Britain. It

0:48:26.719 --> 0:48:28.839
<v Speaker 1>was the best selling album there since The Beatles had

0:48:28.880 --> 0:48:32.319
<v Speaker 1>stormed the sales charts. His older records, even the ones

0:48:32.360 --> 0:48:34.640
<v Speaker 1>that had sank without a trace upon their initial release,

0:48:34.760 --> 0:48:39.120
<v Speaker 1>were selling in vast quantities. His new single Drive in Saturday,

0:48:39.200 --> 0:48:42.439
<v Speaker 1>was peaking at number three. Everything he'd worked for had

0:48:42.440 --> 0:48:47.120
<v Speaker 1>come true. David should have felt on top of the world, elated, overjoyed,

0:48:48.000 --> 0:49:00.440
<v Speaker 1>but he didn't. He felt lost. David we through a

0:49:00.480 --> 0:49:05.160
<v Speaker 1>homecoming party in early May after more than three months

0:49:05.160 --> 0:49:07.400
<v Speaker 1>on the road. He was grateful to settle in at

0:49:07.440 --> 0:49:11.960
<v Speaker 1>Hanton Hall. Old friends like George Underwood, designer Freddie Baretti,

0:49:12.600 --> 0:49:16.240
<v Speaker 1>mime teacher and former Lover Lindsey Kemp and Ziggy Stardust

0:49:16.280 --> 0:49:19.200
<v Speaker 1>producer Ken Scott all came out to welcome him back

0:49:19.280 --> 0:49:22.520
<v Speaker 1>with wine, chicken and then the Laddin Saying themed cake.

0:49:23.200 --> 0:49:26.600
<v Speaker 1>But ultimately David didn't feel much like partying this night.

0:49:27.320 --> 0:49:29.719
<v Speaker 1>A year and a half of grueling, repetitive touring he

0:49:29.800 --> 0:49:33.640
<v Speaker 1>left him emotionally and physically wiped. His stage costumes were

0:49:33.640 --> 0:49:36.319
<v Speaker 1>coming apart at the seams, held together with some tape

0:49:36.360 --> 0:49:40.200
<v Speaker 1>and pins. David was in similar shape. He was suffering

0:49:40.200 --> 0:49:42.799
<v Speaker 1>from exhaustion and his weight had fallen to barely a

0:49:42.840 --> 0:49:45.920
<v Speaker 1>hundred pounds for the first time in his life. He

0:49:46.000 --> 0:49:48.799
<v Speaker 1>just wanted to stay at home and watch TV, but

0:49:48.880 --> 0:49:50.919
<v Speaker 1>in just a few days he had to go out

0:49:50.920 --> 0:49:53.839
<v Speaker 1>and do it all again. Tony DeFreeze had booked him

0:49:53.840 --> 0:49:56.960
<v Speaker 1>to play sixty concerts in fifty two days across Britain.

0:49:57.760 --> 0:50:00.520
<v Speaker 1>David and the other Spiders grumbled that they were worked

0:50:00.600 --> 0:50:03.640
<v Speaker 1>the bone. It was one of the few things they

0:50:03.640 --> 0:50:07.160
<v Speaker 1>agreed on. Ever since the pay dispute, the camaraderie of

0:50:07.160 --> 0:50:10.440
<v Speaker 1>the band's early days had evaporated. They were no longer

0:50:10.480 --> 0:50:13.360
<v Speaker 1>a gang of doerd I rock and roll drugs sharing

0:50:13.400 --> 0:50:16.560
<v Speaker 1>a home, a van, on a stage. Mick Ronson was

0:50:16.640 --> 0:50:19.120
<v Speaker 1>kept happy with a solo deal on man Man, but

0:50:19.200 --> 0:50:22.680
<v Speaker 1>drummer Woody woodman Z and bassist Trevor Boulder barely exchanged

0:50:22.719 --> 0:50:25.600
<v Speaker 1>words with David. During their concerts in Japan and the States.

0:50:26.280 --> 0:50:29.239
<v Speaker 1>They had initially boycotted these new English dates until Mick

0:50:29.320 --> 0:50:32.480
<v Speaker 1>Ronson begged them the return of the fold. They agreed,

0:50:32.600 --> 0:50:36.400
<v Speaker 1>but were noticeably absent from David's party. It's doubtful they

0:50:36.400 --> 0:50:40.239
<v Speaker 1>were missed. One person who did attend was Tony Visconti,

0:50:40.440 --> 0:50:43.959
<v Speaker 1>David's friend and former Hadden Hall housemaid. They had seen

0:50:44.000 --> 0:50:46.759
<v Speaker 1>little of one another since Visconti had produced the frustrating

0:50:46.800 --> 0:50:49.520
<v Speaker 1>Sessions for The Man Who Sold the World three years earlier.

0:50:50.080 --> 0:50:53.719
<v Speaker 1>He found David a change person. I recognized him, but

0:50:53.760 --> 0:50:57.560
<v Speaker 1>he really wasn't the same man he'd remember. He was Ziggy.

0:50:58.280 --> 0:51:01.480
<v Speaker 1>David had created an alter ego, and it had completely

0:51:01.520 --> 0:51:05.080
<v Speaker 1>taken over his life. Like a cancer. It grew and grew,

0:51:05.480 --> 0:51:10.160
<v Speaker 1>threatening to kill of the host audiences, journalists, label executives,

0:51:10.200 --> 0:51:14.040
<v Speaker 1>even his own entourage. They all wanted Ziggy, not David Jones.

0:51:14.600 --> 0:51:18.120
<v Speaker 1>So David simply played Ziggy at all times. He became

0:51:18.200 --> 0:51:22.040
<v Speaker 1>lost in the fantasy. The doppelganger and myself were starting

0:51:22.040 --> 0:51:25.239
<v Speaker 1>to become one and the same person, he'd recall. Then

0:51:25.280 --> 0:51:29.600
<v Speaker 1>you start on the trail of chaotic psychological destruction. David

0:51:29.680 --> 0:51:32.240
<v Speaker 1>was locked in a battle for his identity and his soul.

0:51:33.000 --> 0:51:35.719
<v Speaker 1>He was insulated from normal daily life by a coterie

0:51:35.719 --> 0:51:39.319
<v Speaker 1>of handlers, security guards, and assorted sycophants, all of whom

0:51:39.360 --> 0:51:41.960
<v Speaker 1>treated him like an alien in need of constant protection.

0:51:42.680 --> 0:51:46.280
<v Speaker 1>As a result, David lost touch with reality. He began

0:51:46.320 --> 0:51:49.040
<v Speaker 1>to doubt his own sanity. The madness that he spent

0:51:49.080 --> 0:51:51.319
<v Speaker 1>all his life trying to keep it bay now felt

0:51:51.400 --> 0:51:55.560
<v Speaker 1>dangerously close. The UK tour did little to elevate morale.

0:51:56.120 --> 0:51:58.120
<v Speaker 1>It got off to a rough start when David was

0:51:58.120 --> 0:52:00.720
<v Speaker 1>booked to be the first rock act to play Earl's Court,

0:52:01.000 --> 0:52:04.760
<v Speaker 1>a massive exhibition hall traditionally used for fairs and trade shows.

0:52:05.560 --> 0:52:07.920
<v Speaker 1>All of the eighteen thousand seats had sold out in

0:52:08.040 --> 0:52:11.640
<v Speaker 1>three hours, making it David's biggest audience to date. It

0:52:11.719 --> 0:52:14.320
<v Speaker 1>should have been a triumph, but the gig was a disaster.

0:52:14.960 --> 0:52:18.239
<v Speaker 1>The band's inadequate sound system, coupled with the poor acoustics

0:52:18.239 --> 0:52:20.719
<v Speaker 1>of the venue, ensure that almost no one could hear

0:52:20.719 --> 0:52:23.920
<v Speaker 1>the music. Poor seating arrangements meant that few could actually

0:52:23.920 --> 0:52:27.759
<v Speaker 1>see David's elaborate stage show either. This, combined with a

0:52:27.840 --> 0:52:31.239
<v Speaker 1>lingering smell from a recent horse competition, made for a

0:52:31.320 --> 0:52:34.520
<v Speaker 1>less than optimal concert experience. The show had to be

0:52:34.600 --> 0:52:38.120
<v Speaker 1>halted midway through his hundreds of raucous fans stormed the stage,

0:52:38.440 --> 0:52:41.680
<v Speaker 1>kicking and punching each other as they went. Boie pleaded

0:52:41.719 --> 0:52:45.040
<v Speaker 1>for calm while drunken revelers fought and urinated in the aisles.

0:52:45.480 --> 0:52:48.000
<v Speaker 1>He and the band hid backstage for more than fifteen

0:52:48.000 --> 0:52:53.560
<v Speaker 1>minutes until order was restored. Routiness became something of a

0:52:53.640 --> 0:52:56.879
<v Speaker 1>theme at his recent concerts. A show in Glasgow made

0:52:56.880 --> 0:52:59.640
<v Speaker 1>headlines when couples were caught having sex in their seats

0:52:59.640 --> 0:53:02.920
<v Speaker 1>as He's saying, Oh, you pretty things. David thought this

0:53:03.000 --> 0:53:05.760
<v Speaker 1>was fabulous, but he was less than thrilled in Brighton

0:53:06.000 --> 0:53:08.920
<v Speaker 1>when fans tore out an entire row of theater seats,

0:53:08.960 --> 0:53:13.000
<v Speaker 1>resulting in David's permanent band from the venue. David caused

0:53:13.080 --> 0:53:15.560
<v Speaker 1>damage to himself at another gig when he took a

0:53:15.600 --> 0:53:18.399
<v Speaker 1>flying leap off a five foot speaker, only to face

0:53:18.480 --> 0:53:21.840
<v Speaker 1>plants on the stage. He performed the encore confined to

0:53:21.880 --> 0:53:24.600
<v Speaker 1>a chair, singing a cover of chuck Berries round and

0:53:24.719 --> 0:53:28.040
<v Speaker 1>round through the pain of a sore ankle. Well David

0:53:28.120 --> 0:53:31.319
<v Speaker 1>was sacrificing his body on the stage. Tony Dufries was

0:53:31.360 --> 0:53:34.560
<v Speaker 1>scheming yet another trip to the United States, David's third

0:53:34.600 --> 0:53:37.320
<v Speaker 1>and less than a year, he claimed to have thirty

0:53:37.320 --> 0:53:40.280
<v Speaker 1>eight North American dates lined up, with plans to double

0:53:40.320 --> 0:53:43.520
<v Speaker 1>the number. He also had gigs and far flung regions

0:53:43.520 --> 0:53:47.479
<v Speaker 1>like China and Russia. He claimed the proposed concerts would

0:53:47.480 --> 0:53:50.240
<v Speaker 1>be even more elaborate than anything Broadway had ever seen.

0:53:50.840 --> 0:53:54.480
<v Speaker 1>In fact, they would challenge the laws of physics. David's

0:53:54.520 --> 0:53:57.280
<v Speaker 1>technical director dreamed up a method to cover the stage

0:53:57.280 --> 0:54:01.279
<v Speaker 1>with a giant two layered plastic bubble gases pumped into

0:54:01.320 --> 0:54:03.879
<v Speaker 1>the bubbles double wall could make Bowie seemed to grow

0:54:03.960 --> 0:54:07.440
<v Speaker 1>larger or smaller, then turn him shades of orange, blue,

0:54:07.520 --> 0:54:10.279
<v Speaker 1>or red. At least that was the story Tony de

0:54:10.360 --> 0:54:13.800
<v Speaker 1>Freeze put around, But he was faced with a problem.

0:54:13.920 --> 0:54:16.880
<v Speaker 1>For all his talent for getting good press, the Freeze

0:54:16.880 --> 0:54:20.080
<v Speaker 1>had violated the first rule of show business, always leave

0:54:20.160 --> 0:54:23.359
<v Speaker 1>them wanting more. David's many trips to the States had

0:54:23.400 --> 0:54:26.839
<v Speaker 1>all but eliminated demand to see him. American seats were

0:54:26.840 --> 0:54:29.960
<v Speaker 1>going unsold, and promoters worried about making a return on

0:54:30.000 --> 0:54:33.920
<v Speaker 1>their investment. As main man executive Tony Sinetto would explain,

0:54:34.400 --> 0:54:37.160
<v Speaker 1>david stardom was more in the press. It didn't translate

0:54:37.160 --> 0:54:41.239
<v Speaker 1>into real numbers. The American tours had never made any money.

0:54:41.280 --> 0:54:45.080
<v Speaker 1>They increased David's fame, but decreased his bank account. This

0:54:45.160 --> 0:54:47.279
<v Speaker 1>has been de freeze planned from the start, but the

0:54:47.320 --> 0:54:51.359
<v Speaker 1>spending was spiraling out of control. The dinners, limos, first

0:54:51.360 --> 0:54:54.480
<v Speaker 1>class hotel suites. It all added up to say nothing

0:54:54.480 --> 0:54:58.600
<v Speaker 1>of the astronomical production costs of the concerts themselves. Recent

0:54:58.640 --> 0:55:01.240
<v Speaker 1>tours made back barely a quarter of what they spent.

0:55:02.200 --> 0:55:04.840
<v Speaker 1>David's refusal to fly limited the number of shows he

0:55:04.880 --> 0:55:08.800
<v Speaker 1>could do to recoup expenses. Our c A Records, still

0:55:08.840 --> 0:55:11.440
<v Speaker 1>furious at footing the bill for the last US ROMP,

0:55:11.760 --> 0:55:15.200
<v Speaker 1>refused to underwrite another tour. Main Man didn't have the

0:55:15.239 --> 0:55:19.520
<v Speaker 1>resources the amount the tour themselves. The organization was hemorrhaging money,

0:55:19.719 --> 0:55:23.520
<v Speaker 1>losing upwards of a thousand pounds a week. Bowie himself

0:55:23.560 --> 0:55:26.840
<v Speaker 1>certainly didn't have the cash. Despite his stardom. He was

0:55:26.880 --> 0:55:30.279
<v Speaker 1>forced to borrow money just to survive. Once he and

0:55:30.320 --> 0:55:33.680
<v Speaker 1>Angie arrived home to find their door padlocked shut by creditors,

0:55:34.360 --> 0:55:36.600
<v Speaker 1>Little Zoe was sent to stay with friends just to

0:55:36.719 --> 0:55:41.000
<v Speaker 1>ensure he got fed. Simply put, the price of touring

0:55:41.080 --> 0:55:44.320
<v Speaker 1>was just too much, too much money, too much energy,

0:55:44.600 --> 0:55:48.560
<v Speaker 1>too much of everyone's sanity. David just didn't have anything left.

0:55:49.200 --> 0:55:52.520
<v Speaker 1>His enthusiasm for the road was rapidly growing thin as

0:55:52.600 --> 0:55:55.920
<v Speaker 1>he felt like a slave to his manager's ambitions. We're

0:55:55.960 --> 0:55:58.680
<v Speaker 1>gonna do another tour of America this year, he sighed

0:55:58.680 --> 0:56:01.640
<v Speaker 1>to one journalist. I might die, but I have to

0:56:01.680 --> 0:56:05.560
<v Speaker 1>do it. Tour or no tour. A showdown between David

0:56:05.560 --> 0:56:08.640
<v Speaker 1>and Ziggy was imminent. It boiled down to a choice.

0:56:09.120 --> 0:56:12.719
<v Speaker 1>Would he do what was expected, demanded, even or would

0:56:12.719 --> 0:56:17.319
<v Speaker 1>he satisfy himself and his own creative curiosity Aladdin saying

0:56:17.360 --> 0:56:19.600
<v Speaker 1>had been the closest David had ever come to repeating

0:56:19.680 --> 0:56:24.600
<v Speaker 1>himself creatively. Would David remained the singing Martian forever? Would

0:56:24.640 --> 0:56:27.399
<v Speaker 1>he continue cranking out spacey pop tracks for the rest

0:56:27.440 --> 0:56:31.680
<v Speaker 1>of his career. For David, the thought was untenable. He

0:56:31.719 --> 0:56:34.120
<v Speaker 1>was bored to death of the whole Ziggy concept and

0:56:34.200 --> 0:56:36.920
<v Speaker 1>eager to write for a different kind of project. He

0:56:37.000 --> 0:56:39.719
<v Speaker 1>had to move on. It became clear that he had

0:56:39.760 --> 0:56:44.920
<v Speaker 1>the phase out Ziggy before Ziggy phased him out. In

0:56:45.000 --> 0:56:48.520
<v Speaker 1>times of crisis, we returned to our base instincts. The

0:56:48.640 --> 0:56:52.520
<v Speaker 1>survival skills and coping mechanisms set in places frightened children

0:56:53.200 --> 0:56:57.759
<v Speaker 1>desperate to protect ourselves through fear, we become who we were.

0:56:59.000 --> 0:57:03.000
<v Speaker 1>As David struggle for spiritual balance, a memory revealed itself,

0:57:03.560 --> 0:57:07.240
<v Speaker 1>barely on the threshold of his consciousness. He was a boy,

0:57:07.719 --> 0:57:11.680
<v Speaker 1>maybe four or five, in his Brixton childhood home. He

0:57:11.719 --> 0:57:15.720
<v Speaker 1>was screaming that he was dying. His parents leapt into action.

0:57:16.640 --> 0:57:19.720
<v Speaker 1>Ordinarily they were so stoic and still, but in this

0:57:19.800 --> 0:57:23.920
<v Speaker 1>moment their faces were twisted and worry. For once David

0:57:24.000 --> 0:57:28.440
<v Speaker 1>knew they cared, he felt their love. An ambulance came

0:57:28.480 --> 0:57:31.800
<v Speaker 1>tearing up the sleepy lane, drawing neighbors to their windows

0:57:31.800 --> 0:57:33.360
<v Speaker 1>to see what all the fuss was about. At the

0:57:33.400 --> 0:57:38.560
<v Speaker 1>Jones house. They mirrored his parents concern. Of course, David

0:57:38.600 --> 0:57:42.680
<v Speaker 1>didn't die that day. Doctors found nothing wrong, and that's

0:57:42.720 --> 0:57:47.080
<v Speaker 1>because there wasn't physically. But the stunt had given David

0:57:47.120 --> 0:57:51.560
<v Speaker 1>exactly what he needed. It suspended all expectations and responsibilities

0:57:51.600 --> 0:57:54.200
<v Speaker 1>in his everyday life, and it brought him the attention

0:57:54.240 --> 0:57:58.280
<v Speaker 1>and sympathy that he craved. After that, the ambulance made

0:57:58.320 --> 0:58:02.160
<v Speaker 1>frequent trips to the Jones residence. Another false alarm came,

0:58:02.200 --> 0:58:06.680
<v Speaker 1>the inevitable grumble, but it wasn't completely fake to David,

0:58:07.200 --> 0:58:10.240
<v Speaker 1>it was a genuine cry for help. The words were

0:58:10.280 --> 0:58:15.280
<v Speaker 1>simply beyond him. Now an adult, David found himself having

0:58:15.320 --> 0:58:19.440
<v Speaker 1>similar thoughts. What if he died, or rather, what if

0:58:19.520 --> 0:58:23.440
<v Speaker 1>Ziggy stared us died? David would kill him off or

0:58:23.480 --> 0:58:26.520
<v Speaker 1>perhaps just retire him? Best to keep his options open.

0:58:27.360 --> 0:58:30.120
<v Speaker 1>It seemed the perfect solution to all of David's personal

0:58:30.200 --> 0:58:33.680
<v Speaker 1>and professional headaches. In the short term, it would excuse

0:58:33.720 --> 0:58:36.440
<v Speaker 1>him from the upcoming American Tour, which was shaping up

0:58:36.480 --> 0:58:40.400
<v Speaker 1>to be a poorly attended financial disaster. By canceling these

0:58:40.480 --> 0:58:43.400
<v Speaker 1>dates for creative reasons and not economic ones, he could

0:58:43.440 --> 0:58:47.520
<v Speaker 1>save face. It wouldn't look like a failure, quite the opposite.

0:58:47.880 --> 0:58:51.720
<v Speaker 1>It would bolster his reputation as an unclassifiable artistic enigma,

0:58:52.120 --> 0:58:56.120
<v Speaker 1>restlessly evolving before his audience's very eyes. Who else would

0:58:56.120 --> 0:58:59.120
<v Speaker 1>abandoned their star making persona which was, as far as

0:58:59.120 --> 0:59:02.760
<v Speaker 1>the public knew, wildly successful. The move made him look

0:59:02.840 --> 0:59:07.920
<v Speaker 1>daring and adventurous rather than exhausted and overexposed. Retirement was

0:59:07.960 --> 0:59:11.560
<v Speaker 1>a stroke of public relations genius. It offered David creative

0:59:11.640 --> 0:59:15.000
<v Speaker 1>freedom and the well deserved rest. The Frieze loved the

0:59:15.040 --> 0:59:17.960
<v Speaker 1>idea the Beatles had retired from the road during the

0:59:18.000 --> 0:59:22.240
<v Speaker 1>peak of their career, why not David. Arrangements were made

0:59:22.240 --> 0:59:25.040
<v Speaker 1>for Ziggy's Final Bow, which would occur on the final

0:59:25.160 --> 0:59:27.680
<v Speaker 1>date of their UK tour, a sold out gig at

0:59:27.680 --> 0:59:32.280
<v Speaker 1>the Hammersmith Odean on July three three. The plan was

0:59:32.360 --> 0:59:35.560
<v Speaker 1>top secret and kept strictly between David and de Frieze.

0:59:36.240 --> 0:59:39.240
<v Speaker 1>Not even Angie was told of the retirement, an indication

0:59:39.280 --> 0:59:41.760
<v Speaker 1>of just how estranged she and her husband had become.

0:59:42.680 --> 0:59:44.520
<v Speaker 1>Mick Ronson was one of the few to be given

0:59:44.520 --> 0:59:47.560
<v Speaker 1>a heads up, but he was sworn to secrecy. The

0:59:47.640 --> 0:59:50.520
<v Speaker 1>rest of the band wasn't informed that after three years

0:59:50.560 --> 0:59:54.320
<v Speaker 1>of living together, traveling together, and reaching the highest echelons

0:59:54.320 --> 0:59:57.560
<v Speaker 1>of rock fame together, their services with David were no

0:59:57.640 --> 1:00:02.920
<v Speaker 1>longer required. Legendary documentary and d A. Penny Baker was

1:00:03.000 --> 1:00:06.400
<v Speaker 1>hired to capture the proceedings on film. Our c A

1:00:06.400 --> 1:00:10.480
<v Speaker 1>also sent a mobile recording unit for a proposed live album,

1:00:10.600 --> 1:00:13.760
<v Speaker 1>ensuring there were no second thoughts. News of the retirement

1:00:13.800 --> 1:00:16.120
<v Speaker 1>was leaked to a handful of trusted journalists at the

1:00:16.200 --> 1:00:20.560
<v Speaker 1>last possible moment. Headlines trumpeting David's retirement were headed to

1:00:20.560 --> 1:00:23.320
<v Speaker 1>the printing press as the audience were still taking their seats.

1:00:24.000 --> 1:00:27.520
<v Speaker 1>The crowd was packed with huge names including Mick Jagger,

1:00:27.760 --> 1:00:31.800
<v Speaker 1>lou Reid, Ringo Star and Tony Curtis, and also a

1:00:31.880 --> 1:00:35.640
<v Speaker 1>young girl named Julie. Guitar god Jeff Beck appeared as

1:00:35.680 --> 1:00:38.600
<v Speaker 1>a special guest on Jeane Genie and Round and Round.

1:00:38.920 --> 1:00:41.800
<v Speaker 1>Other than that, the show was mostly business as usual,

1:00:42.360 --> 1:00:44.520
<v Speaker 1>just another gig as far as the band was concerned.

1:00:45.280 --> 1:00:47.400
<v Speaker 1>But David had asked the musicians the way to beat

1:00:47.440 --> 1:00:50.680
<v Speaker 1>before launching into their trusted finale rock and Roll Suicide.

1:00:51.400 --> 1:00:53.800
<v Speaker 1>Being the last night of the tour, they figured David

1:00:53.800 --> 1:00:56.920
<v Speaker 1>would give a little speech marking the occasion. They had

1:00:56.960 --> 1:00:59.760
<v Speaker 1>no idea what was about to happen. They were about

1:00:59.800 --> 1:01:03.480
<v Speaker 1>to be fired in the most public manner imaginable. Having

1:01:03.520 --> 1:01:07.240
<v Speaker 1>thanked the road crew in the band, David paused, cowed

1:01:07.240 --> 1:01:09.080
<v Speaker 1>by the gravity of what he was about to do,

1:01:09.880 --> 1:01:13.200
<v Speaker 1>and then he plunged the knife into his most successful

1:01:13.240 --> 1:01:17.160
<v Speaker 1>creation and into the backs of some of his closest associates.

1:01:18.000 --> 1:01:20.720
<v Speaker 1>Of all the shows on this tour, this particular show

1:01:20.720 --> 1:01:23.720
<v Speaker 1>will remain with us the longest, he said, because not

1:01:23.800 --> 1:01:26.040
<v Speaker 1>only is it the last show of the tour, but

1:01:26.120 --> 1:01:30.360
<v Speaker 1>as the last show will ever do thank you. The

1:01:30.440 --> 1:01:33.360
<v Speaker 1>spiders shot quizzical looks at one another as they struggled

1:01:33.360 --> 1:01:36.440
<v Speaker 1>through the lengthy end of Rock and Roll Suicide. Did

1:01:36.520 --> 1:01:39.640
<v Speaker 1>David say something about retiring? It was hard to hear

1:01:39.640 --> 1:01:43.240
<v Speaker 1>over the dismayed cries of the crowd. Trevor Boulder mouth

1:01:43.320 --> 1:01:47.360
<v Speaker 1>to Woody Woodman's he sacked us. That's when it's sunk

1:01:47.400 --> 1:01:50.520
<v Speaker 1>in what he considered storming off in the middle of

1:01:50.520 --> 1:01:53.080
<v Speaker 1>the song, but somehow managed to keep his composure and

1:01:53.120 --> 1:01:56.720
<v Speaker 1>play through. After taking their final bows, they looked in

1:01:56.800 --> 1:02:00.720
<v Speaker 1>vain for David, desperate for some kind of explanation, but

1:02:00.880 --> 1:02:05.800
<v Speaker 1>he was gone, vanished, nowhere to be found. The press

1:02:05.800 --> 1:02:10.040
<v Speaker 1>reaction to David's news was monumental. Headlines across the globe

1:02:10.040 --> 1:02:14.320
<v Speaker 1>blared variations of bowie bows out. Most reports quoted a

1:02:14.360 --> 1:02:17.160
<v Speaker 1>main Man press release issued the day after the concert,

1:02:17.400 --> 1:02:20.840
<v Speaker 1>which dramatically stated that David was quote leaving the concert

1:02:20.920 --> 1:02:24.360
<v Speaker 1>stage forever. It would take weeks before it became clear

1:02:24.400 --> 1:02:27.080
<v Speaker 1>that it wasn't David himself who would never perform again,

1:02:27.240 --> 1:02:30.680
<v Speaker 1>but Ziggy. By that point a few cared to make

1:02:30.720 --> 1:02:34.400
<v Speaker 1>the distinction. The impending US tour had gone up in smoke.

1:02:35.240 --> 1:02:39.040
<v Speaker 1>David was free almost a year to the day after

1:02:39.080 --> 1:02:42.200
<v Speaker 1>his star making appearance on Top of the Pops. David

1:02:42.240 --> 1:02:44.720
<v Speaker 1>had carried out the self emilation for told in the

1:02:44.800 --> 1:02:48.800
<v Speaker 1>Ziggy Stardust narrative, a real life rock and roll suicide.

1:02:49.720 --> 1:02:53.480
<v Speaker 1>Ziggy had transcendent fantasy, becoming so real that he threatened

1:02:53.480 --> 1:02:57.440
<v Speaker 1>to consume David. Through the act of killing Ziggy, David

1:02:57.440 --> 1:03:00.240
<v Speaker 1>put the master stroke on his most enduring work of art,

1:03:01.800 --> 1:03:03.800
<v Speaker 1>but it also meant saying goodbye to a part of

1:03:03.880 --> 1:03:07.640
<v Speaker 1>himself and life as he knew it. After that night,

1:03:08.000 --> 1:03:12.240
<v Speaker 1>the Spiders would never play together again. Within months, David

1:03:12.280 --> 1:03:15.720
<v Speaker 1>and Angie would leave Hadden Hall. Their long time home

1:03:15.800 --> 1:03:19.280
<v Speaker 1>was now overrun with fans. Some of these well wishers

1:03:19.320 --> 1:03:22.640
<v Speaker 1>just wanted a hello. Others broke off door knobs and

1:03:22.680 --> 1:03:26.520
<v Speaker 1>shingles as souvenirs. A few even found their way inside,

1:03:26.880 --> 1:03:29.720
<v Speaker 1>prowling the halls in search of the object of their desire.

1:03:30.760 --> 1:03:33.440
<v Speaker 1>David couldn't stay. He had a family to think about,

1:03:34.440 --> 1:03:37.040
<v Speaker 1>but even that seemed tenuous as he drifted further and

1:03:37.080 --> 1:03:42.640
<v Speaker 1>further from Angie. It's telling that David's next musical endeavor

1:03:42.720 --> 1:03:45.920
<v Speaker 1>was a covers album called Phin Ups. It's a collection

1:03:45.960 --> 1:03:48.960
<v Speaker 1>of British pop songs from the mid sixties, a time

1:03:49.000 --> 1:03:51.600
<v Speaker 1>when David was struggling to find his musical voice with

1:03:51.640 --> 1:03:55.600
<v Speaker 1>an endless stream of failed bands. Revisiting these hits from

1:03:55.600 --> 1:03:58.400
<v Speaker 1>his frustrated youth allowed them to rewrite his own history

1:03:58.440 --> 1:04:02.520
<v Speaker 1>as a full blown superstar. By laying claim to these songs,

1:04:02.920 --> 1:04:06.120
<v Speaker 1>he could recast them in his own image and retroactively

1:04:06.160 --> 1:04:08.480
<v Speaker 1>make himself a part of the London rock scene that

1:04:08.520 --> 1:04:11.600
<v Speaker 1>rejected him all those years ago. It gave him a

1:04:11.600 --> 1:04:15.240
<v Speaker 1>sense of closure. One by one, the links to his

1:04:15.320 --> 1:04:21.439
<v Speaker 1>past were severed. The future was wide open. Some would

1:04:21.440 --> 1:04:24.680
<v Speaker 1>say that David's retirement was a business decision, a hackey

1:04:24.720 --> 1:04:28.800
<v Speaker 1>and opportunistic show business trope, but his true feelings about

1:04:28.880 --> 1:04:32.960
<v Speaker 1>Ziggy were far more complicated. David would say of his creation,

1:04:33.480 --> 1:04:37.600
<v Speaker 1>He's a monster and I'm Dr Frankenstein. He's my brother

1:04:38.280 --> 1:04:41.439
<v Speaker 1>and God I love him. His death hit him hard.

1:04:42.440 --> 1:04:45.960
<v Speaker 1>After taking his final bows at the Hammersmith Odean, David

1:04:46.000 --> 1:04:49.440
<v Speaker 1>returned to his dressing room, collapsed on the vanity and wept.

1:04:50.320 --> 1:04:54.680
<v Speaker 1>He wept for Ziggy, for his disintegrating marriage, for his

1:04:54.720 --> 1:05:00.360
<v Speaker 1>half brother terry, institutionalized and lonely for his father dead

1:05:00.440 --> 1:05:05.480
<v Speaker 1>far too soon, and for himself. Then his tears turned

1:05:05.480 --> 1:05:09.400
<v Speaker 1>to rage. He uncorked the furious emotions that he bottled

1:05:09.440 --> 1:05:11.560
<v Speaker 1>for years, and they erupted out of him in a

1:05:11.680 --> 1:05:17.080
<v Speaker 1>violent frenzy. Chairs, tables, lamps, windows, wine bottles, and flowers

1:05:17.400 --> 1:05:20.600
<v Speaker 1>all were kicked, thrown and spat on. Then he turned

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<v Speaker 1>the violence on his real target, himself, clawing his neck

1:05:24.200 --> 1:05:27.840
<v Speaker 1>and face. When it was all over, he stared into

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<v Speaker 1>the shattered mirror. His mismatched eyes that stared back at

1:05:31.360 --> 1:05:35.600
<v Speaker 1>him were bloodshot and his cheek was bruised. Ziggy Stardus

1:05:35.720 --> 1:05:41.440
<v Speaker 1>was dead. David Jones was alone again. For him, that

1:05:41.560 --> 1:05:47.920
<v Speaker 1>was the scariest fate of all. Off the Record is

1:05:47.960 --> 1:05:50.800
<v Speaker 1>a production of I Heart Radio. The executive producers are

1:05:50.880 --> 1:05:53.880
<v Speaker 1>Noel Brown and Shan t. Tone. The superbusing producers so

1:05:53.960 --> 1:05:56.840
<v Speaker 1>Taylor Skyn and Tristan McNeil. The show was written and

1:05:56.960 --> 1:06:00.400
<v Speaker 1>hosted by me Jordan Runtag and edited, scored and sound

1:06:00.440 --> 1:06:03.439
<v Speaker 1>designed by Tristan McNeil. If you liked what you heard,

1:06:03.520 --> 1:06:10.560
<v Speaker 1>please subscribe and leave us a review. For more podcasts

1:06:10.560 --> 1:06:12.800
<v Speaker 1>from My Heart Radio, visit the I Heart radio, app,

1:06:12.920 --> 1:06:15.760
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.

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<v Speaker 1>Thanks so much for listening to Off the record. We've

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<v Speaker 1>reached the midpoint of the season, so we're gonna take

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<v Speaker 1>a brief pause in the story. Next Monday, we're gonna

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<v Speaker 1>have an interview with Ken Scott, co producer of Ziggy Stardust, A,

1:06:35.400 --> 1:06:38.280
<v Speaker 1>Ladin Saying, and Hunky Dorry. Throughout the course of his

1:06:38.360 --> 1:06:41.439
<v Speaker 1>legendary career, he's also worked with the Beatles, Elton John

1:06:41.480 --> 1:06:43.960
<v Speaker 1>and Pink Floyd, among many others. You won't want to

1:06:44.000 --> 1:06:46.320
<v Speaker 1>miss this. We'll be back to the next chapter of

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<v Speaker 1>David Bowie's life on Monday. Mark J.