1 00:00:00,240 --> 00:00:05,560 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:05,040 --> 00:00:07,640 Speaker 2: And welcome back to Coast to Coast George Nori with 3 00:00:07,720 --> 00:00:11,559 Speaker 2: you URL poolback with us, author, lecturer, researcher on subjects 4 00:00:11,680 --> 00:00:15,720 Speaker 2: ranging from theoretical physics to megalithic structures, as well as 5 00:00:15,760 --> 00:00:19,840 Speaker 2: alien abductions. He's appeared on History Channel's hit TV show 6 00:00:19,880 --> 00:00:23,439 Speaker 2: The Unexplained with William Shatner. A couple of his books 7 00:00:23,480 --> 00:00:27,680 Speaker 2: include The Lead Skolnen Codex, The Key of Lead Skolnen 8 00:00:28,480 --> 00:00:32,520 Speaker 2: and also Beneath the Haunted Sky, The Evidence for Alien Abductions. 9 00:00:32,600 --> 00:00:34,760 Speaker 2: He is with us on Coast to Coast to talk 10 00:00:34,760 --> 00:00:38,560 Speaker 2: about the incredible Coral Castle RL welcome back. 11 00:00:38,640 --> 00:00:44,000 Speaker 3: Have you been mister George Nori, the PhD in paranormal himself. 12 00:00:44,080 --> 00:00:46,400 Speaker 3: It is an honor to speak with you again. I 13 00:00:46,479 --> 00:00:47,760 Speaker 3: am doing very well. 14 00:00:48,120 --> 00:00:50,320 Speaker 2: We miss you, my friend. You're one of the best. 15 00:00:50,960 --> 00:00:53,360 Speaker 3: Oh well, thank you very much. It is always an 16 00:00:53,360 --> 00:00:55,200 Speaker 3: honor to be on this program. 17 00:00:55,920 --> 00:00:58,680 Speaker 2: How did you get interested in the leed Skolden Coral 18 00:00:58,760 --> 00:01:01,760 Speaker 2: Castle case, which is well over one hundred years old? 19 00:01:03,120 --> 00:01:06,760 Speaker 3: It is the Coral Castle turned a hundred two years 20 00:01:06,800 --> 00:01:11,440 Speaker 3: ago and twenty twenty three, and for me, it started 21 00:01:12,600 --> 00:01:20,320 Speaker 3: many years ago watching The Castle of Secrets as narrated 22 00:01:20,360 --> 00:01:24,880 Speaker 3: by Leonard Nimoy on the show In Search of If 23 00:01:24,920 --> 00:01:30,560 Speaker 3: you remember that absolute classic television show. I remember watching 24 00:01:30,560 --> 00:01:32,640 Speaker 3: it when I was about nine or ten years old. 25 00:01:32,680 --> 00:01:37,039 Speaker 3: And I remember because I was a kind of a 26 00:01:37,080 --> 00:01:40,920 Speaker 3: sickly child. I had asthma, and I was the last 27 00:01:41,240 --> 00:01:45,720 Speaker 3: kid picked for kickball. And I see this very small 28 00:01:45,840 --> 00:01:50,680 Speaker 3: man on TV who was able to do enormous things, 29 00:01:50,720 --> 00:01:54,160 Speaker 3: and it always fascinated me, and it made me feel 30 00:01:54,200 --> 00:01:57,760 Speaker 3: empowered that it's not about your size, it's about your 31 00:01:57,800 --> 00:02:02,320 Speaker 3: intellect that can make up for things. For is this 32 00:02:02,520 --> 00:02:08,160 Speaker 3: like the ability to have bruce strength with a high intelligence. 33 00:02:08,800 --> 00:02:12,359 Speaker 3: And I realized when I got older, I had heard 34 00:02:12,360 --> 00:02:16,040 Speaker 3: about this mystery again, and I thought, oh wow, they 35 00:02:16,080 --> 00:02:19,360 Speaker 3: haven't gotten anywhere on this. No one has been able 36 00:02:19,400 --> 00:02:24,120 Speaker 3: to plumb the depths of this mystery to any satisfactory result. 37 00:02:24,320 --> 00:02:28,040 Speaker 3: And I felt so drawn to this mystery. I felt 38 00:02:28,040 --> 00:02:31,560 Speaker 3: like it was calling out to me personally too, that 39 00:02:31,639 --> 00:02:34,520 Speaker 3: it was waiting for me. That's how I felt like 40 00:02:34,560 --> 00:02:38,200 Speaker 3: this mystery had been waiting for me to investigate it 41 00:02:38,280 --> 00:02:41,280 Speaker 3: and to cast an eye and see if I could 42 00:02:41,320 --> 00:02:44,960 Speaker 3: contribute something. And now sixteen years later, here we. 43 00:02:44,919 --> 00:02:49,160 Speaker 2: Are absolutely Rlis sent us some pictures of Coral Castle 44 00:02:49,200 --> 00:02:53,280 Speaker 2: that we've got head coast tocoastam dot com under his name. 45 00:02:53,480 --> 00:02:56,760 Speaker 2: Just go take a look at that. It's an incredible story. 46 00:02:57,120 --> 00:02:59,720 Speaker 2: How tall was leedskulling it? It's about five to two 47 00:02:59,760 --> 00:03:01,480 Speaker 2: to something like that. 48 00:03:03,120 --> 00:03:07,080 Speaker 3: So the again, the anecdotal evidence always reigned supreme. So 49 00:03:07,120 --> 00:03:09,600 Speaker 3: he was somewhere I guess between five foot and five 50 00:03:09,639 --> 00:03:13,240 Speaker 3: foot four inches tall and weighed approximately one hundred to 51 00:03:13,320 --> 00:03:16,120 Speaker 3: one hundred and twenty five pounds. He was a very 52 00:03:16,160 --> 00:03:19,280 Speaker 3: short and a very slight man. But they said that 53 00:03:19,320 --> 00:03:23,720 Speaker 3: he was very strong and that he was always in 54 00:03:24,160 --> 00:03:27,679 Speaker 3: fit shape, and that he seemed to care very much 55 00:03:27,720 --> 00:03:32,280 Speaker 3: about that. But he was not a large person. I personally, 56 00:03:32,360 --> 00:03:33,400 Speaker 3: I make about two of it. 57 00:03:35,280 --> 00:03:37,880 Speaker 2: And he came from Latvia, didn't he? 58 00:03:37,880 --> 00:03:41,360 Speaker 3: He did? He was He was a person who immigrated 59 00:03:41,400 --> 00:03:45,880 Speaker 3: from Latvia. Let's see back in oh I want to 60 00:03:45,920 --> 00:03:53,240 Speaker 3: say around nineteen ten, nineteen eleven, somewhere in there, and 61 00:03:53,440 --> 00:03:57,680 Speaker 3: he came to America. He traveled across the country. He 62 00:03:57,760 --> 00:04:02,720 Speaker 3: worked as a lumberjack in Oregon. He had quite a 63 00:04:02,840 --> 00:04:06,760 Speaker 3: life before he ended up settling in Florida and building 64 00:04:06,760 --> 00:04:07,680 Speaker 3: the Coral Castle. 65 00:04:09,600 --> 00:04:13,920 Speaker 2: And he built Coral Castle in honor of his girlfriend, 66 00:04:14,120 --> 00:04:14,640 Speaker 2: did he not? 67 00:04:16,160 --> 00:04:21,920 Speaker 3: Well? I think that that case has been reopened, because 68 00:04:23,240 --> 00:04:26,919 Speaker 3: when I began my investigation, of course, I knew what 69 00:04:27,040 --> 00:04:30,200 Speaker 3: the public wanted, what they wanted the public to know, 70 00:04:30,520 --> 00:04:33,520 Speaker 3: which really is nothing. It had to do a lot 71 00:04:33,560 --> 00:04:38,400 Speaker 3: with folklore, with anecdotes, with tugging at the heartstrings, that 72 00:04:38,440 --> 00:04:43,000 Speaker 3: this was an emotional story. But I realized that this 73 00:04:43,160 --> 00:04:48,119 Speaker 3: anecdotal history was easily punctured by someone with an inquisitive mind. 74 00:04:48,200 --> 00:04:51,960 Speaker 3: And the more I looked into the available information, the 75 00:04:51,960 --> 00:04:54,880 Speaker 3: more I realized it was all dead ends and smoke 76 00:04:54,960 --> 00:04:59,719 Speaker 3: screens and love stories. Now I believe that this is 77 00:04:59,760 --> 00:05:05,200 Speaker 3: a story, the Agnescuff story. It's a nice romantic story 78 00:05:05,240 --> 00:05:07,840 Speaker 3: which may have played well at the time. But what 79 00:05:07,920 --> 00:05:10,400 Speaker 3: I've uncovered is that this seems to have very little 80 00:05:10,440 --> 00:05:14,560 Speaker 3: to do with other people and everything to do with 81 00:05:14,880 --> 00:05:18,520 Speaker 3: astronomy and physics and lost secrets. 82 00:05:20,240 --> 00:05:23,039 Speaker 2: Before we get into some of your discoveries, Zrel kind 83 00:05:23,040 --> 00:05:28,440 Speaker 2: of describe the folks, the setting of Coral Castle, and too, 84 00:05:28,480 --> 00:05:30,880 Speaker 2: those who have not looked at the pictures what it 85 00:05:30,920 --> 00:05:31,560 Speaker 2: looks like. 86 00:05:33,240 --> 00:05:38,960 Speaker 3: Oral Castle to me, looks very much like a story 87 00:05:39,040 --> 00:05:44,000 Speaker 3: book castle that you would want to build for your love. 88 00:05:44,360 --> 00:05:48,320 Speaker 3: I think that's why the story sells so well about 89 00:05:48,360 --> 00:05:52,880 Speaker 3: the unrequited love aspect of his purpose behind building the 90 00:05:52,920 --> 00:05:56,800 Speaker 3: Coral Castle. It looks like a fairy tale. When you 91 00:05:56,839 --> 00:06:00,840 Speaker 3: walk inside the courtyard, you are immediately struck by the 92 00:06:00,880 --> 00:06:03,360 Speaker 3: east wall, which you will be facing when you walk in, 93 00:06:03,440 --> 00:06:08,440 Speaker 3: and you will see these extremely unusual and asymmetrical shapes 94 00:06:08,440 --> 00:06:11,119 Speaker 3: that are carved and set along the top of the wall, 95 00:06:11,160 --> 00:06:14,440 Speaker 3: and they seem to make no sense whatsoever, and they 96 00:06:14,480 --> 00:06:17,720 Speaker 3: have been sitting there for one hundred years waiting for 97 00:06:17,760 --> 00:06:21,560 Speaker 3: someone to realize exactly what it was that he left. 98 00:06:21,920 --> 00:06:23,880 Speaker 3: When you look to your left as you enter the 99 00:06:23,880 --> 00:06:27,279 Speaker 3: courtyard of the core Castle, you will see the north wall. 100 00:06:28,000 --> 00:06:31,760 Speaker 3: And the north wall is a single block that weighs 101 00:06:31,800 --> 00:06:36,880 Speaker 3: thirty tons George. That is thirty full sized family vehicles 102 00:06:37,440 --> 00:06:41,880 Speaker 3: pressed into a block, which he was able to quarry, 103 00:06:42,240 --> 00:06:45,360 Speaker 3: lift out of the quarry, move latterly along the ground, 104 00:06:45,600 --> 00:06:50,039 Speaker 3: and then set into place with frightening accuracy, just like 105 00:06:50,440 --> 00:06:55,440 Speaker 3: the Pyramids of Egypt, by himself, by himself, with no 106 00:06:55,640 --> 00:07:01,000 Speaker 3: machinery and no power tools, is this bizarre? 107 00:07:01,520 --> 00:07:04,040 Speaker 2: And he always claimed, Daryl that he knew the secret 108 00:07:04,120 --> 00:07:10,240 Speaker 2: of the pyramids, didn't he. 109 00:07:07,560 --> 00:07:11,440 Speaker 3: He was rumored to have said that he knew the 110 00:07:11,480 --> 00:07:15,960 Speaker 3: secrets of the pyramids. And he was also witnessed, according 111 00:07:16,000 --> 00:07:20,520 Speaker 3: to anecdotal history, that he was seen many times down 112 00:07:20,680 --> 00:07:24,320 Speaker 3: at the public library where he appeared to be studying 113 00:07:24,360 --> 00:07:26,840 Speaker 3: the Egyptians. And I have a theory about this. I 114 00:07:27,000 --> 00:07:31,960 Speaker 3: believe that this part of the story is true. You see, 115 00:07:32,520 --> 00:07:35,960 Speaker 3: Edward leeds Goolden built the Coral Castle, and as we 116 00:07:36,000 --> 00:07:39,040 Speaker 3: get into it, of course it will be evident that 117 00:07:39,120 --> 00:07:42,840 Speaker 3: he left many clues in plain sight. And I believe 118 00:07:43,000 --> 00:07:47,320 Speaker 3: that this was in the same tradition as the Egyptian Pyramids. 119 00:07:47,400 --> 00:07:52,320 Speaker 3: You see the Egyptian pyramids, they have ancient Egyptian hieroglyphics 120 00:07:52,360 --> 00:07:55,800 Speaker 3: all over them, and many of us have no idea 121 00:07:55,920 --> 00:07:59,120 Speaker 3: what they are saying. They are in plain sight, but 122 00:07:59,160 --> 00:08:02,160 Speaker 3: we have no idea what they mean. And I believe 123 00:08:02,200 --> 00:08:06,880 Speaker 3: that it's possible that Edward Leidskalmin taught himself ancient Egyptian 124 00:08:06,960 --> 00:08:11,720 Speaker 3: hieroglyphics and discovered the secret on his own, and then 125 00:08:11,880 --> 00:08:14,880 Speaker 3: demonstrated that through the building of the choral Castle. 126 00:08:16,680 --> 00:08:19,160 Speaker 2: Why did he take the secret to the grave? Why 127 00:08:19,200 --> 00:08:20,640 Speaker 2: didn't he just let everybody know? 128 00:08:22,440 --> 00:08:25,560 Speaker 3: You know, someone made a very good post the other 129 00:08:25,680 --> 00:08:29,119 Speaker 3: day on my YouTube channel about this, and they said, 130 00:08:29,880 --> 00:08:33,000 Speaker 3: who cares not? I said, the little red hen And 131 00:08:33,520 --> 00:08:36,800 Speaker 3: if we remember that story, we are talking about other 132 00:08:36,960 --> 00:08:41,160 Speaker 3: people who did not want to do their due diligence, 133 00:08:41,640 --> 00:08:45,440 Speaker 3: that they did not want to earn what the knowledge. 134 00:08:45,720 --> 00:08:48,320 Speaker 3: And Edward leid Skalin was a person who worked very 135 00:08:48,360 --> 00:08:51,960 Speaker 3: hard for this knowledge. He worked very hard to build 136 00:08:51,960 --> 00:08:55,199 Speaker 3: the Coral Castle, and so I believe, in a sense 137 00:08:55,200 --> 00:08:58,200 Speaker 3: of fairness, he did not take the secret with him, 138 00:08:58,640 --> 00:09:01,880 Speaker 3: but he built it into the Coral Castle itself, so 139 00:09:01,960 --> 00:09:04,480 Speaker 3: that only someone who was willing to work as hard 140 00:09:04,480 --> 00:09:08,439 Speaker 3: as he was would be able to get the information 141 00:09:08,559 --> 00:09:10,080 Speaker 3: and know the entire secret. 142 00:09:10,679 --> 00:09:13,320 Speaker 2: Hence he encoded it, didn't he yes? 143 00:09:13,400 --> 00:09:15,520 Speaker 3: And so that's what I found when I found the 144 00:09:15,520 --> 00:09:21,400 Speaker 3: first clue. The first discovery I made was that overlapping 145 00:09:21,440 --> 00:09:24,640 Speaker 3: the covers of two of his booklets, Animal Vegetable and 146 00:09:24,679 --> 00:09:28,080 Speaker 3: Mineral Life and Magnetic Current, that when you put them together, 147 00:09:28,760 --> 00:09:32,480 Speaker 3: they created a schematic. On one he has the Perpetual Motion 148 00:09:32,600 --> 00:09:35,679 Speaker 3: holder and on the other booklet just a couple of 149 00:09:36,360 --> 00:09:39,840 Speaker 3: wavy lines that don't seem to have a context. And 150 00:09:39,880 --> 00:09:42,040 Speaker 3: one day I realized that when you overlap the covers 151 00:09:42,040 --> 00:09:43,880 Speaker 3: of these booklets and hold it up to the light, 152 00:09:44,640 --> 00:09:47,840 Speaker 3: they fit like a key and a lock, and it 153 00:09:47,880 --> 00:09:52,240 Speaker 3: creates an entirely different device than the one previously pictured. 154 00:09:52,559 --> 00:09:57,560 Speaker 3: And this was a major revelation and the biggest break 155 00:09:57,640 --> 00:10:00,880 Speaker 3: of my career. At that point, I had been a 156 00:10:00,960 --> 00:10:04,480 Speaker 3: devout student of Leed Scholman, but I had the idea 157 00:10:04,559 --> 00:10:07,079 Speaker 3: that he left secrets behind. But this was the first 158 00:10:07,080 --> 00:10:09,400 Speaker 3: one I found. And I have to tell you I 159 00:10:09,440 --> 00:10:12,240 Speaker 3: still get excited when I think about the day I 160 00:10:12,360 --> 00:10:13,320 Speaker 3: made that discovery. 161 00:10:13,880 --> 00:10:16,959 Speaker 2: I bet now what has become of Coral Castle today? 162 00:10:17,040 --> 00:10:19,400 Speaker 2: Who owns it? What are they doing with it? 163 00:10:20,480 --> 00:10:22,480 Speaker 3: I believe it is owned by a family called the 164 00:10:22,559 --> 00:10:27,280 Speaker 3: bar family, and they own it, and it is run 165 00:10:27,360 --> 00:10:30,200 Speaker 3: by someone they have hired. And the last time that 166 00:10:30,240 --> 00:10:32,280 Speaker 3: I was at the Coral Castle, I have to tell you, 167 00:10:32,480 --> 00:10:37,360 Speaker 3: they keep the grounds absolutely immaculate. Every time I go 168 00:10:37,800 --> 00:10:40,200 Speaker 3: it looks exactly like the last time I was there. 169 00:10:40,280 --> 00:10:44,040 Speaker 3: They go to great links to maintain the Coral Castle 170 00:10:44,080 --> 00:10:48,760 Speaker 3: and preserve its beauty. The issue that I have with 171 00:10:48,960 --> 00:10:52,400 Speaker 3: some of the people who are at the Coral Castle. 172 00:10:52,520 --> 00:10:58,160 Speaker 3: Is they wish to reject my discoveries because it disrupts 173 00:10:58,280 --> 00:11:03,000 Speaker 3: their anecdotal folklore that they've been selling, the same story 174 00:11:03,080 --> 00:11:07,840 Speaker 3: about Agnes Scuffs and sweet sixteen and unrequited love and 175 00:11:07,880 --> 00:11:11,600 Speaker 3: a heartbroken man, and they make this the focus of 176 00:11:11,640 --> 00:11:15,520 Speaker 3: the story, when really the focus of the story is 177 00:11:15,600 --> 00:11:20,440 Speaker 3: the unbelievable astronomy and physics that he seems to be 178 00:11:20,880 --> 00:11:24,560 Speaker 3: demonstrating for us, and that he left this as a 179 00:11:24,600 --> 00:11:29,720 Speaker 3: scientific classroom, not as a heartbroken monument. 180 00:11:30,640 --> 00:11:34,200 Speaker 2: Might there be an extraterrestrial involvement here. 181 00:11:35,920 --> 00:11:40,400 Speaker 3: Well, I think that there is, but it is maybe 182 00:11:40,520 --> 00:11:45,840 Speaker 3: a once removed because I believe the way that the 183 00:11:45,880 --> 00:11:49,640 Speaker 3: Egyptians knew how to build the pyramids was that gods 184 00:11:49,720 --> 00:11:52,760 Speaker 3: from the sky came and told them how to do it, 185 00:11:52,920 --> 00:11:56,560 Speaker 3: and that is their story, not mine. And so if 186 00:11:56,760 --> 00:12:01,800 Speaker 3: ed were studying the Egyptians, then default he was learning 187 00:12:01,840 --> 00:12:06,440 Speaker 3: from the extraterrestrials. And as a person who is a 188 00:12:06,520 --> 00:12:12,600 Speaker 3: lifelong abduction survivor, I am aware that there are certain 189 00:12:12,679 --> 00:12:15,880 Speaker 3: species that exist outside of our planet who have a 190 00:12:16,040 --> 00:12:21,760 Speaker 3: technical and scientific knowledge that surpasses not only our knowledge 191 00:12:22,000 --> 00:12:26,920 Speaker 3: but our imagination. So I believe that this Coral Castle 192 00:12:27,120 --> 00:12:32,040 Speaker 3: is the byproduct and a cousin of this knowledge that 193 00:12:32,160 --> 00:12:36,280 Speaker 3: he rediscovered, that he built for the modern age, and 194 00:12:36,320 --> 00:12:39,320 Speaker 3: then left behind the secrets the way he found them. 195 00:12:39,800 --> 00:12:44,440 Speaker 2: In some areas of Coral Castle echo constellations, star clusters 196 00:12:44,480 --> 00:12:45,800 Speaker 2: and things like that, don't they. 197 00:12:46,880 --> 00:12:50,920 Speaker 3: Yes, So again this is my second big discovery was 198 00:12:50,960 --> 00:12:54,360 Speaker 3: the constellation wall. As I said earlier, when you walk 199 00:12:54,400 --> 00:12:56,880 Speaker 3: in and you look at the Coral Castle, the very 200 00:12:56,920 --> 00:12:58,920 Speaker 3: first thing you will see, you will stare straight ahead 201 00:12:58,920 --> 00:13:01,120 Speaker 3: and you will see the east wall, and it has 202 00:13:01,320 --> 00:13:06,360 Speaker 3: what they call the Mars Statue, the large crescent moon, 203 00:13:06,400 --> 00:13:08,800 Speaker 3: the small crescent moon, and they have all these arbitrary 204 00:13:08,880 --> 00:13:10,960 Speaker 3: names that are given to these things. But what I 205 00:13:11,000 --> 00:13:17,480 Speaker 3: discovered is there's a method behind this madness. That it 206 00:13:17,559 --> 00:13:22,520 Speaker 3: is they match constellations. And in my book The Leads 207 00:13:22,520 --> 00:13:25,640 Speaker 3: Calling Codex, I go into great detail to show how 208 00:13:25,920 --> 00:13:32,199 Speaker 3: he left a sixteen celestial He left sixteen celestial objects 209 00:13:32,240 --> 00:13:36,600 Speaker 3: carved on and in front of the east wall of 210 00:13:36,600 --> 00:13:42,160 Speaker 3: the Coloral Castle, and these precisely align with the starmap 211 00:13:42,679 --> 00:13:47,200 Speaker 3: of our constellations. And then I realize, well, the only 212 00:13:47,280 --> 00:13:51,000 Speaker 3: reason really to make a starmap is to track time. 213 00:13:52,280 --> 00:13:55,600 Speaker 3: That's what we've done since the dawn of civilization, right 214 00:13:55,880 --> 00:14:00,240 Speaker 3: that we have built things to track time using the stars, 215 00:14:00,640 --> 00:14:03,480 Speaker 3: and this was no different. And I realized, if this 216 00:14:03,520 --> 00:14:08,040 Speaker 3: is a specific set of celestial alignments, then it points 217 00:14:08,040 --> 00:14:12,400 Speaker 3: to a specific time. And so using the alignment that 218 00:14:12,520 --> 00:14:17,760 Speaker 3: I had discovered, I had to find a match. So 219 00:14:17,880 --> 00:14:21,560 Speaker 3: this is like finding a fingerprint match and a pile 220 00:14:21,600 --> 00:14:24,480 Speaker 3: of fingerprints that go back hundreds of years. But I 221 00:14:24,560 --> 00:14:28,720 Speaker 3: was able to do it, and making a sixteen point match, 222 00:14:29,400 --> 00:14:32,200 Speaker 3: I was able to find that what he carved into 223 00:14:32,240 --> 00:14:36,320 Speaker 3: the wall was the date September tenth, nineteen twenty three, 224 00:14:36,640 --> 00:14:39,280 Speaker 3: which is the year that he built the Coral Castle. 225 00:14:40,800 --> 00:14:43,480 Speaker 3: And you only need a fourteen point match for a 226 00:14:43,480 --> 00:14:47,200 Speaker 3: fingerprint to be considered a match in a court of law. 227 00:14:47,560 --> 00:14:51,280 Speaker 3: This is a sixteen point match. It is beyond contestation 228 00:14:51,920 --> 00:14:54,720 Speaker 3: that this is the date that he intended for us 229 00:14:54,720 --> 00:14:55,000 Speaker 3: to know. 230 00:14:56,520 --> 00:15:02,280 Speaker 2: Purely remarkable, it really is in how did he do it? 231 00:15:04,000 --> 00:15:09,360 Speaker 3: In my opinion, I believe that the celestial alignments are 232 00:15:09,440 --> 00:15:13,560 Speaker 3: yet another clue. You see on September tenth, nineteen twenty three, 233 00:15:13,880 --> 00:15:17,520 Speaker 3: it was a very unusual day in astronomy because it 234 00:15:17,600 --> 00:15:21,040 Speaker 3: was the day of a total solar eclipse, and it 235 00:15:21,120 --> 00:15:23,640 Speaker 3: was also the day of what we call a syzygy, 236 00:15:24,160 --> 00:15:27,840 Speaker 3: and this is when three or more celestial objects are 237 00:15:27,960 --> 00:15:32,720 Speaker 3: in exact alignment. And on this day we had the 238 00:15:32,720 --> 00:15:39,120 Speaker 3: planet Venus and the occultation phase of the Sun, which 239 00:15:39,160 --> 00:15:42,680 Speaker 3: is behind Earth, behind the Sun we can't see it. 240 00:15:42,720 --> 00:15:44,760 Speaker 3: And then the Sun, and then the Moon and then 241 00:15:44,840 --> 00:15:48,360 Speaker 3: the Earth. We have these four celestial objects in a line. 242 00:15:49,040 --> 00:15:52,360 Speaker 3: And I realized that this alignment reminded me of something. 243 00:15:53,040 --> 00:15:57,640 Speaker 3: And what it reminded me of was the trigger mechanism 244 00:15:57,720 --> 00:16:01,960 Speaker 3: for a gas rifle, which is a magnetic type of 245 00:16:02,320 --> 00:16:08,280 Speaker 3: weapon that only uses magnetism itself to start the ball rolling. Literally. 246 00:16:09,320 --> 00:16:12,480 Speaker 3: And if you look at Mars, I'm sorry, if you 247 00:16:12,480 --> 00:16:14,880 Speaker 3: look at Venus, the Sun, the Moon, and the Earth 248 00:16:14,880 --> 00:16:17,760 Speaker 3: in a line, and then you look at the trigger mechanism, 249 00:16:17,920 --> 00:16:21,080 Speaker 3: which is a ball bearing, a large neodymium magnet, a 250 00:16:21,080 --> 00:16:24,200 Speaker 3: ball bearing, and a ball bearing. It is an exact 251 00:16:25,680 --> 00:16:29,600 Speaker 3: copy of this idea. And in his book he talks 252 00:16:29,640 --> 00:16:34,080 Speaker 3: about the Earth itself is a great big magnet. Now, 253 00:16:34,280 --> 00:16:36,800 Speaker 3: that seems to be a very simple way to say that, 254 00:16:36,920 --> 00:16:39,920 Speaker 3: but I had never heard it put quite that way. 255 00:16:40,520 --> 00:16:44,200 Speaker 3: And so if we extrapolate that that the Earth itself 256 00:16:44,280 --> 00:16:46,880 Speaker 3: is a great big magnet, and it is, we have 257 00:16:46,920 --> 00:16:49,720 Speaker 3: a north and a south pole, we have a magnetosphere, 258 00:16:50,400 --> 00:16:54,440 Speaker 3: we generate electricity from a spin, then we must concede 259 00:16:54,440 --> 00:17:00,320 Speaker 3: then that other celestial objects are also giant magnets. And 260 00:17:00,440 --> 00:17:03,240 Speaker 3: I believe that the secret of the ancients, in the 261 00:17:03,280 --> 00:17:07,119 Speaker 3: secret of Edward Leedskolen, was that he was using the 262 00:17:07,320 --> 00:17:12,040 Speaker 3: cosmos itself like a giant machine, where he would wait 263 00:17:12,840 --> 00:17:17,200 Speaker 3: until the exact alignment that these tumblers would fall in place, 264 00:17:17,240 --> 00:17:20,640 Speaker 3: and this exact alignment would happen, and then he would 265 00:17:20,680 --> 00:17:22,800 Speaker 3: be in the right place at the right time when 266 00:17:22,840 --> 00:17:26,240 Speaker 3: it did, and he would exploit what appears to be 267 00:17:26,440 --> 00:17:29,400 Speaker 3: a type of loophole in physics that can be achieved 268 00:17:29,800 --> 00:17:32,639 Speaker 3: if we are doing things at the right time and 269 00:17:32,720 --> 00:17:33,560 Speaker 3: in the right place. 270 00:17:34,520 --> 00:17:37,520 Speaker 2: Other than Agnes r. L. Did he have any close friends. 271 00:17:39,480 --> 00:17:45,200 Speaker 3: He seemed to have many fond acquaintances. Now I believe 272 00:17:45,320 --> 00:17:48,000 Speaker 3: that there was a gentleman by the name of Orviel 273 00:17:48,040 --> 00:17:51,080 Speaker 3: Irwin who wrote a book called Mister Kant is Dead, 274 00:17:51,720 --> 00:17:55,280 Speaker 3: where he said that he knew Edward Leeds Scolen well, 275 00:17:55,440 --> 00:17:58,960 Speaker 3: and that he actually observed his methods and wrote a 276 00:17:58,960 --> 00:18:04,159 Speaker 3: book about it. The problem with the book, unfortunately, is 277 00:18:04,200 --> 00:18:07,120 Speaker 3: that none of these theories actually work out in real life. 278 00:18:07,560 --> 00:18:11,080 Speaker 3: They appeared to be his theories of how Ed did it. 279 00:18:11,160 --> 00:18:14,480 Speaker 3: I don't believe that Ed would have let anyone see 280 00:18:14,520 --> 00:18:20,760 Speaker 3: how he did this, and this actually started a revolution 281 00:18:20,880 --> 00:18:24,320 Speaker 3: of people losing their mystery about the Coral Castle and 282 00:18:25,680 --> 00:18:29,560 Speaker 3: embracing the prosaic theory that he did it all with 283 00:18:29,600 --> 00:18:31,720 Speaker 3: weights and levers and chains and pulleys. 284 00:18:32,200 --> 00:18:35,480 Speaker 1: Listen to more Coast to Coast AM every weeknight at 285 00:18:35,520 --> 00:18:38,760 Speaker 1: one am Eastern and go to Coast to coastam dot 286 00:18:38,800 --> 00:18:39,560 Speaker 1: com for more