1
00:00:00,120 --> 00:00:02,920
Speaker 1: Good morning, Usa yo yo yo yo yo yo yo

2
00:00:03,000 --> 00:00:04,680
Speaker 1: yo yo yo yo yo yo yo yo yo yo

3
00:00:04,720 --> 00:00:06,560
Speaker 1: yo yo yo yo yo yo yo yo yo yo

4
00:00:06,680 --> 00:00:12,800
Speaker 1: yo yo Yo Shanley. Piece to the Planet is Monday,

5
00:00:12,840 --> 00:00:15,800
Speaker 1: and we got out guest hosted in the building William

6
00:00:15,960 --> 00:00:21,000
Speaker 1: Ray No would Junior listen? You know what I am dB.

7
00:00:21,640 --> 00:00:25,239
Speaker 1: Got my name wrong. That's on. I AMDB as William

8
00:00:25,280 --> 00:00:28,360
Speaker 1: when it's Willie Willie. Oh yeah, it ain't, Yo fall yes,

9
00:00:28,560 --> 00:00:33,640
Speaker 1: but it's just I don't know who to call jip William.

10
00:00:33,760 --> 00:00:38,240
Speaker 1: But it's Willie though, Willie, and I'm Willie ray Norwood Junior.

11
00:00:38,320 --> 00:00:40,640
Speaker 1: There you go. So yeah, you know I wouldn't make

12
00:00:40,680 --> 00:00:42,920
Speaker 1: it in the airport if it had William. That is

13
00:00:43,040 --> 00:00:47,000
Speaker 1: very true. Ceo. Ray Kon is here right okay, Ray

14
00:00:47,120 --> 00:00:51,160
Speaker 1: jail living his head. I was, I was taking bets

15
00:00:51,240 --> 00:00:52,479
Speaker 1: on whether or not you was gonna show up this

16
00:00:52,520 --> 00:00:54,240
Speaker 1: one because I knew it was Grammy weekend in LA.

17
00:00:54,360 --> 00:00:56,440
Speaker 1: He was definitely against you. I ain't gonna lie forever.

18
00:00:56,520 --> 00:00:58,240
Speaker 1: I like, I don't think we're gonna be on Monday.

19
00:00:58,280 --> 00:01:00,000
Speaker 1: He might make it two that's what he said. He said,

20
00:01:00,040 --> 00:01:02,120
Speaker 1: Ray be here Tuesday, and Ray was here before all

21
00:01:02,200 --> 00:01:05,000
Speaker 1: of us. Yeah, yeah, no, for real, like professionally, Like

22
00:01:05,080 --> 00:01:07,400
Speaker 1: I'm happy to be here and I'm proud of everything

23
00:01:07,480 --> 00:01:11,360
Speaker 1: y'all doing, and y'all upgraded and it and it smells

24
00:01:11,400 --> 00:01:13,120
Speaker 1: good in here. It was good in here, you know

25
00:01:13,160 --> 00:01:14,880
Speaker 1: what I'm saying. I saw really walking around the building

26
00:01:14,920 --> 00:01:16,440
Speaker 1: this morning. He had his papers with him, he had

27
00:01:16,640 --> 00:01:18,080
Speaker 1: he had his staff for him. He was like, yeah,

28
00:01:18,080 --> 00:01:20,720
Speaker 1: I'm here, y'all professional professional. I'm trying to be a

29
00:01:20,800 --> 00:01:23,679
Speaker 1: professional this morning, right, Yeah, I'm trying not to be unleashed.

30
00:01:23,920 --> 00:01:27,560
Speaker 1: I just want to be professional. Okay to day, How

31
00:01:27,720 --> 00:01:29,560
Speaker 1: was your week in ray Ja? What you do this weekend? Brother?

32
00:01:30,040 --> 00:01:32,720
Speaker 1: Just hang out with my kids? Ye? What else I do?

33
00:01:33,040 --> 00:01:39,000
Speaker 1: Back with the wife now? Congratulations drop? Well yeah, yeah,

34
00:01:39,000 --> 00:01:42,640
Speaker 1: I love you, princess. Um I was with I was

35
00:01:42,720 --> 00:01:46,119
Speaker 1: with the kids, and then uh, we did some songs

36
00:01:46,240 --> 00:01:49,200
Speaker 1: this weekend, back into music, just having fun. Record. Yeah,

37
00:01:49,200 --> 00:01:51,040
Speaker 1: a little something, a little something. We feel good. You

38
00:01:51,120 --> 00:01:54,360
Speaker 1: might have to play something before the days over tomorrow,

39
00:01:55,320 --> 00:01:56,960
Speaker 1: a couple of days, a couple of days. Yeah, so

40
00:01:57,080 --> 00:01:59,440
Speaker 1: this I'm warming up today. All right. I was out

41
00:01:59,480 --> 00:02:01,360
Speaker 1: in Dallas saying, uh, I had to do a show

42
00:02:01,400 --> 00:02:03,080
Speaker 1: in Dallas and when I was in my hotel lot,

43
00:02:03,120 --> 00:02:06,720
Speaker 1: but I ran in the trench. They were in Dallas

44
00:02:06,800 --> 00:02:08,799
Speaker 1: doing the play, the New Jack City Play. I heard

45
00:02:08,800 --> 00:02:10,480
Speaker 1: about it, so I went to my man Jayle he

46
00:02:10,520 --> 00:02:12,320
Speaker 1: does yeah, So I went to go check out the play.

47
00:02:12,560 --> 00:02:17,679
Speaker 1: Alan Payne, Uh big Daddy came good. Uh tredch Alan's

48
00:02:17,680 --> 00:02:19,960
Speaker 1: in it. Yeah, Allen's actually in it. What he played,

49
00:02:20,160 --> 00:02:23,399
Speaker 1: he plays himself, plays money is a good one. Yeah. Yeah,

50
00:02:23,400 --> 00:02:28,600
Speaker 1: I was a great play, right. Yeah, Tretch plays Wesley

51
00:02:28,680 --> 00:02:33,720
Speaker 1: Snipes Flex Allas. He plays Brown Nino Brown Flex, Alexander

52
00:02:33,800 --> 00:02:36,519
Speaker 1: plays Pooky Chris Rocket. So it's pretty dope. So I

53
00:02:36,600 --> 00:02:37,760
Speaker 1: just had it. I just happened to be in town,

54
00:02:37,760 --> 00:02:38,840
Speaker 1: so I was like, I'm gonna go check it out

55
00:02:38,840 --> 00:02:40,440
Speaker 1: and definitely dope. So if you get a chance. I

56
00:02:40,480 --> 00:02:41,800
Speaker 1: know they were in Dallas this week, and I think

57
00:02:41,840 --> 00:02:43,520
Speaker 1: Houston next week is to definitely check it out. Get

58
00:02:43,560 --> 00:02:45,080
Speaker 1: it if you get a chance to go. I check

59
00:02:45,120 --> 00:02:46,600
Speaker 1: out that play. I was in Key West for it

60
00:02:46,720 --> 00:02:49,000
Speaker 1: for a day this weekend. Was you doing the Key West?

61
00:02:49,160 --> 00:02:51,000
Speaker 1: Mine of my business? But I had no idea. He

62
00:02:51,400 --> 00:02:57,359
Speaker 1: was so beautiful, Yeah, beautiful, beautiful secret A little strip down, yeah, secret,

63
00:02:57,760 --> 00:03:00,520
Speaker 1: like two miles long. That's what that's usually with rich

64
00:03:00,840 --> 00:03:04,040
Speaker 1: white people. Go, we've been the Key West before. Beautiful, Yeah,

65
00:03:04,120 --> 00:03:05,959
Speaker 1: very sloot. The Key west Man had a ball and

66
00:03:06,040 --> 00:03:08,840
Speaker 1: Key was slot to the guy who paid for my food.

67
00:03:08,880 --> 00:03:11,079
Speaker 1: I was sitting outside, me and my wife, and he came,

68
00:03:11,160 --> 00:03:12,600
Speaker 1: you know, he said, what's up, took a picture, and

69
00:03:12,680 --> 00:03:14,160
Speaker 1: then you know, it's one of those things when the

70
00:03:14,200 --> 00:03:16,160
Speaker 1: bill you'd be like, oh, your bill was taking care

71
00:03:16,160 --> 00:03:18,400
Speaker 1: of the shout out to the dude that took care

72
00:03:18,400 --> 00:03:20,200
Speaker 1: of absolutely. You wish you to know a little earlier.

73
00:03:20,280 --> 00:03:23,480
Speaker 1: That has last No, no, no, no, we don't know

74
00:03:23,560 --> 00:03:25,280
Speaker 1: his name. Definitely don't know. I get it in a minute.

75
00:03:26,960 --> 00:03:28,919
Speaker 1: I thought I thought I could remember it, but I like,

76
00:03:29,280 --> 00:03:31,320
Speaker 1: he's talking about me. He's talking about me. Now I'm

77
00:03:31,320 --> 00:03:33,680
Speaker 1: gonna get it. All right, Well, let's get the show.

78
00:03:33,720 --> 00:03:35,400
Speaker 1: Cracking front page was the next. We got to talk

79
00:03:35,440 --> 00:03:38,360
Speaker 1: about Kyrie Irvin. He will no longer be a Brooklyn Net,

80
00:03:39,080 --> 00:03:41,040
Speaker 1: which seems crazy, but we'll talk about it when because

81
00:03:41,080 --> 00:03:43,280
Speaker 1: seem crazy. I think he's bury on brand because Kevin

82
00:03:43,360 --> 00:03:45,080
Speaker 1: Durant wanted to leave at one time and they said no,

83
00:03:45,240 --> 00:03:47,920
Speaker 1: don't leave, stay and he decided to stay. And well,

84
00:03:48,400 --> 00:03:51,040
Speaker 1: Kyrie have for a trade last year too. Man, we'll

85
00:03:51,080 --> 00:03:52,640
Speaker 1: talk about it when we come back. It's the Breakfast Club,

86
00:03:52,680 --> 00:03:56,040
Speaker 1: the Morning Only get everybody is TJ Envy Charlemagne the guy.

87
00:03:56,080 --> 00:03:58,200
Speaker 1: We are the Breakfast Club. We got our guest hosts

88
00:03:58,280 --> 00:04:01,120
Speaker 1: joining us. Ray J. Hill. All right and let's get

89
00:04:01,160 --> 00:04:05,120
Speaker 1: in some front page news. Now. Kyrie Irving has been

90
00:04:05,200 --> 00:04:08,440
Speaker 1: traded from the Brooklyns to the Dallas Mavericks. He said

91
00:04:08,440 --> 00:04:11,880
Speaker 1: he requested the trade and they traded him. What's your thoughts?

92
00:04:12,640 --> 00:04:14,760
Speaker 1: This is very harm brand for Kyrie Irving, Like, this

93
00:04:14,880 --> 00:04:16,600
Speaker 1: is what he does. He's done this for every other

94
00:04:16,640 --> 00:04:19,680
Speaker 1: franchise he's played for, and he's an exceptional talent. But

95
00:04:19,760 --> 00:04:23,159
Speaker 1: he may not be the best teammate. That's all simple

96
00:04:23,200 --> 00:04:26,040
Speaker 1: as that. So so so it's a person. If people

97
00:04:26,120 --> 00:04:30,760
Speaker 1: take it personal when you do, you go to another

98
00:04:30,920 --> 00:04:35,839
Speaker 1: Absolutely they shouldn't. Yeah, I'm sure teammates do. They shouldn't

99
00:04:35,839 --> 00:04:37,279
Speaker 1: when it comes to Kyre Irvan. Mean, that's what he does.

100
00:04:37,320 --> 00:04:38,840
Speaker 1: He's done this everyway. He did it in Cleveland, he

101
00:04:38,880 --> 00:04:40,760
Speaker 1: did it in Boston. He's doing it in Brooklyn. Now.

102
00:04:41,240 --> 00:04:42,880
Speaker 1: That was supposed to be a big team though, think

103
00:04:42,880 --> 00:04:45,000
Speaker 1: about it. Kevin Durant Kyrie Irving James Hard and they

104
00:04:45,040 --> 00:04:47,120
Speaker 1: was supposed to win a chill. That's what everybody. So

105
00:04:47,440 --> 00:04:49,200
Speaker 1: I want you to think about that, right, if he

106
00:04:49,240 --> 00:04:52,600
Speaker 1: couldn't win a chip with Kevin Durant and then Kevin

107
00:04:52,720 --> 00:04:54,080
Speaker 1: Durant and James Hard, you think he was gonna go

108
00:04:54,160 --> 00:04:56,360
Speaker 1: to Dallas and win one with Luca. He went Lebron, though,

109
00:04:56,720 --> 00:05:01,680
Speaker 1: that's Lebron. Lebron is an actual leader. There's always there's

110
00:05:01,680 --> 00:05:03,880
Speaker 1: always a chance, you know what I'm saying, for somebody

111
00:05:04,160 --> 00:05:06,720
Speaker 1: on that level, Like you know, it's always one of

112
00:05:06,800 --> 00:05:10,440
Speaker 1: those weird combinations that work and then it just go

113
00:05:10,560 --> 00:05:12,760
Speaker 1: all the way. Not in Dallas. Dallas offense is gonna

114
00:05:12,760 --> 00:05:14,520
Speaker 1: be good, you know with Luca and Kyrie and they

115
00:05:14,560 --> 00:05:16,200
Speaker 1: got a lot of shootings. But I think their defensive

116
00:05:16,240 --> 00:05:18,400
Speaker 1: ranked like what number twenty three, yes, in the whole

117
00:05:18,440 --> 00:05:22,080
Speaker 1: league right now. It's not like Kyrie is a defensive wizard. Yeah,

118
00:05:22,279 --> 00:05:25,720
Speaker 1: but it might give them that that that energy to

119
00:05:25,880 --> 00:05:29,200
Speaker 1: like go bigger. I doubt it, but he'll be interesting

120
00:05:29,240 --> 00:05:31,560
Speaker 1: to watch. Now, speaking in Lebron, he's thirty six points

121
00:05:31,600 --> 00:05:34,280
Speaker 1: away from breaking the NBA all time scoring record, so

122
00:05:34,360 --> 00:05:36,800
Speaker 1: they believe he'll do it against the Bucks, which is

123
00:05:37,080 --> 00:05:39,599
Speaker 1: kind of crazy because the person that has the record

124
00:05:40,160 --> 00:05:42,920
Speaker 1: used to play for the Bucks, used to play for

125
00:05:42,960 --> 00:05:44,840
Speaker 1: the Ball. Yeah, so we'll see what happens with that.

126
00:05:44,880 --> 00:05:47,720
Speaker 1: Did y'all watch the Pro Bowl by any chance? You know? Okay? Well,

127
00:05:47,760 --> 00:05:50,760
Speaker 1: Eli Manning and his team they won. The AFC won

128
00:05:50,880 --> 00:05:52,800
Speaker 1: by if you're watched it. I really didn't watch. It

129
00:05:52,880 --> 00:05:56,440
Speaker 1: was flag football, just something that wasn't necessarily on somebody

130
00:05:56,480 --> 00:06:02,320
Speaker 1: accudentally tackle somebody yesterday though they ram right, yeah, I know,

131
00:06:02,320 --> 00:06:05,839
Speaker 1: I didn't watch it. Now. Also, seven hundred and forty

132
00:06:05,920 --> 00:06:08,640
Speaker 1: seven million dollars do you need that? Right now? That's

133
00:06:08,680 --> 00:06:11,200
Speaker 1: the Powerball jackpot? Do I play? Do you play Powerball?

134
00:06:11,400 --> 00:06:13,080
Speaker 1: I played it the other day because it was up

135
00:06:13,120 --> 00:06:15,680
Speaker 1: there and they said it was two dollars instead of one.

136
00:06:18,080 --> 00:06:20,920
Speaker 1: It was one dollars and then went up to two dollars. Yeah,

137
00:06:20,920 --> 00:06:23,440
Speaker 1: because I play the Super Blotto in LA. That's a buck.

138
00:06:23,640 --> 00:06:28,880
Speaker 1: But you know, two dollars just a dub so ten tickets, okay,

139
00:06:28,960 --> 00:06:30,480
Speaker 1: so you thought it was gonna be ten dollars. I

140
00:06:30,640 --> 00:06:32,360
Speaker 1: just felt like, if i'm if I'm anna win, I'm

141
00:06:32,360 --> 00:06:35,400
Speaker 1: anna win with twenty or I'm gonna win with you know.

142
00:06:35,520 --> 00:06:38,040
Speaker 1: If I'm a winner that that day and I manifested

143
00:06:38,160 --> 00:06:40,760
Speaker 1: that much, that kind of power, right, then it's gonna

144
00:06:40,800 --> 00:06:42,360
Speaker 1: go with the dub. I'm with you. I played. I've

145
00:06:42,360 --> 00:06:44,800
Speaker 1: been playing every week since since the power Ball came out.

146
00:06:44,800 --> 00:06:46,840
Speaker 1: Of Powerball and Mega Millions, I mean the same. We

147
00:06:46,960 --> 00:06:49,120
Speaker 1: only buy. I buy five Mega Millions, five power Ball.

148
00:06:49,279 --> 00:06:51,080
Speaker 1: That's it. That's it, that's all you need. I did

149
00:06:51,120 --> 00:06:54,080
Speaker 1: twenty dollars worth. Yeah, I did forty well. I did

150
00:06:54,279 --> 00:06:56,760
Speaker 1: twenty on the power Ball, twenty on Superlotto. Obviously I

151
00:06:56,839 --> 00:06:59,880
Speaker 1: didn't win because it's the ticket. Didn't because you still eat.

152
00:07:01,440 --> 00:07:03,640
Speaker 1: I didn't check them. I don't check them until like

153
00:07:03,800 --> 00:07:06,680
Speaker 1: the store dude to say somebody won here, then you

154
00:07:06,760 --> 00:07:08,360
Speaker 1: go check. You gotta check it. I'd be winning four

155
00:07:08,400 --> 00:07:10,800
Speaker 1: dollars all the time, and I'd be appreciative of that

156
00:07:10,880 --> 00:07:13,160
Speaker 1: four dollars, and I reinvent right back into the lottery

157
00:07:13,200 --> 00:07:16,239
Speaker 1: with that four dollars every time. That's what ye now. Lastly,

158
00:07:16,320 --> 00:07:19,280
Speaker 1: and eighty two year old woman out in Long Island.

159
00:07:19,320 --> 00:07:22,640
Speaker 1: She was pronounced dead at a nursing home. Uh, they came,

160
00:07:22,760 --> 00:07:24,360
Speaker 1: they bagged her up and they were driving her to

161
00:07:24,440 --> 00:07:27,160
Speaker 1: the morgue and she started moving. She wasn't dead, so

162
00:07:27,560 --> 00:07:30,520
Speaker 1: she actually kind of just opened up the zippa and

163
00:07:30,600 --> 00:07:36,440
Speaker 1: she was alive. So somebody, yes, so trying to guess

164
00:07:36,440 --> 00:07:39,680
Speaker 1: what I guess, Well, yes, tore it open, and what

165
00:07:39,800 --> 00:07:42,160
Speaker 1: kind of deep sleep was that? I don't know that.

166
00:07:42,440 --> 00:07:46,240
Speaker 1: I was just I need that. So instead of going

167
00:07:46,280 --> 00:07:48,040
Speaker 1: to the morgue, they made a left and went to

168
00:07:48,080 --> 00:07:50,200
Speaker 1: the hospital instead to check her out and make sure

169
00:07:50,280 --> 00:07:52,240
Speaker 1: she was okay. She wasn't been on the ANSTEGI that

170
00:07:52,320 --> 00:07:55,960
Speaker 1: they give us when we got ourscopy. Yes, I don't know,

171
00:07:57,640 --> 00:08:01,280
Speaker 1: I haven't and I want gotta go get it. Yeah

172
00:08:01,720 --> 00:08:06,160
Speaker 1: two now, no way. But but that's the way that's on.

173
00:08:06,440 --> 00:08:08,400
Speaker 1: That's in my can I say the word you ask

174
00:08:08,480 --> 00:08:14,800
Speaker 1: your boogie? So it's in there. It ain't. It ain't

175
00:08:14,840 --> 00:08:18,080
Speaker 1: in the front. No, it's in your book. They're gonna

176
00:08:18,080 --> 00:08:20,800
Speaker 1: put you under anesthesia from your side. I don't know

177
00:08:20,960 --> 00:08:23,680
Speaker 1: that if they like do something tests and like when

178
00:08:23,720 --> 00:08:26,480
Speaker 1: you get older, like that's because that's because probably you

179
00:08:26,560 --> 00:08:28,239
Speaker 1: know you were the wild Boys, you probably had FTD.

180
00:08:28,600 --> 00:08:30,960
Speaker 1: They probably I just heard, No, I heard you get

181
00:08:31,000 --> 00:08:33,319
Speaker 1: a test like later on when you get older, you

182
00:08:33,400 --> 00:08:37,160
Speaker 1: get one. Ain't one in your and then you get

183
00:08:37,200 --> 00:08:40,160
Speaker 1: one in the front. I don't know about the front cool.

184
00:08:40,160 --> 00:08:42,240
Speaker 1: I feel better front. I wasn't looking forward to that.

185
00:08:42,320 --> 00:08:45,160
Speaker 1: What do you identify as you? I mean you usually

186
00:08:45,240 --> 00:08:47,680
Speaker 1: got to colleges do things in the front. I'm a Ralian,

187
00:08:50,720 --> 00:08:53,480
Speaker 1: I'm a radiant and that's front page news. Get it

188
00:08:53,559 --> 00:08:56,560
Speaker 1: off your chest, un five eight five, one oh five one.

189
00:08:56,600 --> 00:08:57,880
Speaker 1: If you need to vent, hit this up. Let us

190
00:08:57,920 --> 00:09:00,360
Speaker 1: know how your week it was. And Ray J. Yeah,

191
00:09:00,360 --> 00:09:02,559
Speaker 1: he's our guest host, so don't move. It's to breakfast club.

192
00:09:02,600 --> 00:09:06,240
Speaker 1: Good morning. Yeah, they gotta fell me to sleep. Wait

193
00:09:06,360 --> 00:09:09,360
Speaker 1: that ass up nine about to go crazy. But this

194
00:09:09,600 --> 00:09:13,520
Speaker 1: Ray J and I've officially joined the Breakfast Club, the

195
00:09:13,800 --> 00:09:20,679
Speaker 1: Breakfast Club, Ray Ray, Ray, Yo, Charlotte man Davy, what

196
00:09:20,880 --> 00:09:22,880
Speaker 1: up are we lying? This is your time to get

197
00:09:22,920 --> 00:09:26,200
Speaker 1: it off your chest? I got an indoor pool, outdoor pool.

198
00:09:26,240 --> 00:09:27,800
Speaker 1: We want to hear from you on the Breakfast Club.

199
00:09:27,840 --> 00:09:29,600
Speaker 1: We can get on the phone right now here. Tell

200
00:09:29,640 --> 00:09:34,080
Speaker 1: you what it is we lie. Hello, who's this? Good morning?

201
00:09:34,080 --> 00:09:39,319
Speaker 1: It's laj M. Good morning. Say what's up to ray j? Oh?

202
00:09:39,400 --> 00:09:42,640
Speaker 1: Good morning? Ray J? Hey, Hey hey, hey, good morning.

203
00:09:42,800 --> 00:09:44,959
Speaker 1: What's up? Get it off your chest? My mom. Okay,

204
00:09:45,040 --> 00:09:47,040
Speaker 1: I've been trying to call for the longest since y'all

205
00:09:47,120 --> 00:09:52,480
Speaker 1: keep talking about UM the conostrophe. Yes, ma'am. Okay, so

206
00:09:53,280 --> 00:09:55,920
Speaker 1: you told ray J that he gotta a little while

207
00:09:56,040 --> 00:09:59,880
Speaker 1: to wait, but really he don't like my sister daughter

208
00:10:00,160 --> 00:10:02,800
Speaker 1: two thousand and two thousand and twenty and she was

209
00:10:02,840 --> 00:10:05,080
Speaker 1: only forty one. So I need to get my ass

210
00:10:05,160 --> 00:10:10,480
Speaker 1: checked now. Yeah, and I have a co worker that's

211
00:10:10,559 --> 00:10:13,640
Speaker 1: in UM hospice right now that she's in her early

212
00:10:13,720 --> 00:10:16,160
Speaker 1: forty we'll see. The problem is when you go for

213
00:10:16,280 --> 00:10:19,760
Speaker 1: your you're screening. If everything's good, they'll tell you to

214
00:10:19,800 --> 00:10:21,400
Speaker 1: come back when they're forty five. Like I had to

215
00:10:21,480 --> 00:10:22,800
Speaker 1: call my doctor back and said, well, I have a

216
00:10:22,880 --> 00:10:24,520
Speaker 1: history of it in my family. That's why they let

217
00:10:24,559 --> 00:10:26,160
Speaker 1: me get it early. Like I'm forty four. I want

218
00:10:26,160 --> 00:10:27,760
Speaker 1: to be forty five to this year, but they let

219
00:10:27,800 --> 00:10:29,760
Speaker 1: me get it over the holidays. So he had a

220
00:10:29,840 --> 00:10:31,240
Speaker 1: history in his family, you know what I mean. And

221
00:10:31,320 --> 00:10:33,200
Speaker 1: the reason they do that is because usually insurance won't

222
00:10:33,240 --> 00:10:35,680
Speaker 1: cover it until you're forty five, so sometimes people gotta

223
00:10:35,679 --> 00:10:39,360
Speaker 1: come out of that pocket. Oh okay, okay, okay, But

224
00:10:39,559 --> 00:10:42,319
Speaker 1: but I'm just like everybody should go earlier. I agree

225
00:10:42,360 --> 00:10:43,760
Speaker 1: with you. I agree with you. I'm not I'm not.

226
00:10:44,200 --> 00:10:46,559
Speaker 1: I'm not opposing that. Do they do do they do

227
00:10:46,760 --> 00:10:49,320
Speaker 1: home this? Can I get mine done at my house?

228
00:10:49,480 --> 00:10:51,199
Speaker 1: I don't know if you want that? Yeah, I don't

229
00:10:51,200 --> 00:10:54,000
Speaker 1: know if you want to in the clinical setting, yes, No,

230
00:10:54,280 --> 00:10:55,760
Speaker 1: you gotta put you to sleep. You don't want to

231
00:10:55,800 --> 00:10:57,480
Speaker 1: get for that, you know what I'm saying. But do

232
00:10:57,559 --> 00:11:03,360
Speaker 1: they have mobile calonic an oscar pick, they got mobile screening.

233
00:11:03,480 --> 00:11:06,160
Speaker 1: I know Robert Smith has mobile screening. They might go,

234
00:11:06,280 --> 00:11:08,240
Speaker 1: but I don't know about the actual colon oscarpy. Yeah,

235
00:11:08,240 --> 00:11:09,800
Speaker 1: but I'd rather than just come to the house because

236
00:11:09,960 --> 00:11:11,480
Speaker 1: you know, they give you the same thing that they

237
00:11:11,520 --> 00:11:13,679
Speaker 1: were giving Michael Jackson. Michael Jackson go to sleep. Yeah,

238
00:11:13,720 --> 00:11:15,719
Speaker 1: the little white stuff. Yeah, that that you when you

239
00:11:15,880 --> 00:11:17,600
Speaker 1: go in, you just like it's like you just fade

240
00:11:17,640 --> 00:11:20,800
Speaker 1: away white. It's like an iv Yeah it's white in

241
00:11:20,840 --> 00:11:23,160
Speaker 1: the ivy. I've seen it. Yeah, go in and then

242
00:11:23,240 --> 00:11:25,800
Speaker 1: you just like fade away. It's amazing. Whatever it is,

243
00:11:25,960 --> 00:11:28,640
Speaker 1: it's it's something else. It's something else. I don't, you know,

244
00:11:28,840 --> 00:11:31,080
Speaker 1: want to say how good? I like it? I love

245
00:11:31,160 --> 00:11:34,960
Speaker 1: but it was something It was definitely a euphoric feeling. Hello,

246
00:11:35,040 --> 00:11:41,839
Speaker 1: who's this? Oh? Go on? What you j bro? Yo? Hey,

247
00:11:42,160 --> 00:11:46,120
Speaker 1: what's up with my brother? We live? Good morning, good morning?

248
00:11:46,280 --> 00:11:51,280
Speaker 1: I mean we live like no, no, that's my tagline. No,

249
00:11:51,360 --> 00:11:53,439
Speaker 1: but we're really live though, Yeah, No, we are the

250
00:11:56,480 --> 00:12:01,240
Speaker 1: here the vocals of boys, actually the three gentlemen ups

251
00:12:01,280 --> 00:12:12,200
Speaker 1: trying to sing yo to night, tell us, tell us

252
00:12:12,280 --> 00:12:16,040
Speaker 1: how did that? How did that? So that's that's for real,

253
00:12:16,320 --> 00:12:18,760
Speaker 1: that's for real and little Kim and right, that's right

254
00:12:18,800 --> 00:12:21,319
Speaker 1: when for Real was making his break with the Neptunes,

255
00:12:21,840 --> 00:12:24,000
Speaker 1: and so you know, I'm blessed of just being that

256
00:12:24,360 --> 00:12:27,680
Speaker 1: in that, you know, mixed with with I'm a hustler baby,

257
00:12:28,120 --> 00:12:30,280
Speaker 1: all of those songs and throw the same like sounds

258
00:12:30,320 --> 00:12:39,160
Speaker 1: on it, you know. Minute, Hey, cozy brother, thank you,

259
00:12:39,280 --> 00:12:41,720
Speaker 1: my brother, salute to you. We're not record up right now.

260
00:12:41,760 --> 00:12:43,640
Speaker 1: I was thinking about it early in the morning. Man,

261
00:12:43,679 --> 00:12:47,360
Speaker 1: it's a late night record. No, no, it's not. It's

262
00:12:47,360 --> 00:12:50,120
Speaker 1: going to night that we got that like four thirty am.

263
00:12:50,520 --> 00:12:54,760
Speaker 1: Hate a minute, al right, get if your chest five

264
00:12:54,800 --> 00:13:00,840
Speaker 1: when five wants to breakfast club? Good morning? That ass up.

265
00:13:01,160 --> 00:13:03,719
Speaker 1: I ain't about to go crazy, but this Ray J

266
00:13:04,120 --> 00:13:13,760
Speaker 1: and I've officially joined the Breakfast Club. The breakfast Club, Ray, Ray, Ray, Yo,

267
00:13:14,000 --> 00:13:16,839
Speaker 1: Charlotte Mann Davy, what up are we lying? This is

268
00:13:16,920 --> 00:13:20,800
Speaker 1: your time to get it off your chest about pool Pool.

269
00:13:20,840 --> 00:13:22,400
Speaker 1: We want to hear from you on the breakfast Club.

270
00:13:22,720 --> 00:13:24,240
Speaker 1: Get on the phone right now. We're here to tell

271
00:13:24,240 --> 00:13:30,640
Speaker 1: you what it is we lie. Hello. Who's this? Hello? Hello?

272
00:13:31,080 --> 00:13:35,040
Speaker 1: This Blue? Good morning, Blue? Blow without getting off your chest. Blue,

273
00:13:35,600 --> 00:13:38,560
Speaker 1: here's the thing. I absolutely nothing, get off my chest.

274
00:13:38,640 --> 00:13:40,760
Speaker 1: I'm living good. I just wanted to get y'all fixed.

275
00:13:40,800 --> 00:13:43,280
Speaker 1: Shout out. I set a guy. That last segment took

276
00:13:43,320 --> 00:13:45,800
Speaker 1: me out, like Ray is killing me? What the whole?

277
00:13:45,880 --> 00:13:48,079
Speaker 1: What is that? And then you like in your bookie

278
00:13:48,240 --> 00:13:49,800
Speaker 1: and he like, who I thought it was the front

279
00:13:50,120 --> 00:13:54,319
Speaker 1: And I'm dead right now? Yeah yeah, y'all never the

280
00:13:54,480 --> 00:13:58,320
Speaker 1: front hole. Man. Please don't let nobody letting your front door.

281
00:13:58,640 --> 00:14:01,199
Speaker 1: I'm begging, thank you, Blue. I thought that's what you

282
00:14:01,320 --> 00:14:04,160
Speaker 1: do when you got you gotta you gotta do a

283
00:14:04,240 --> 00:14:06,280
Speaker 1: test when you test for STD. They're going that old.

284
00:14:06,440 --> 00:14:11,480
Speaker 1: Ain't nobody ever been in my front? I'm going on

285
00:14:11,559 --> 00:14:15,440
Speaker 1: your front? Something wrong? Right? Yeah? Stop? So yeah? Nah? Yeah, Hello,

286
00:14:15,559 --> 00:14:22,680
Speaker 1: who's this strong again? Wrong? What's up? Getting off your

287
00:14:22,760 --> 00:14:26,240
Speaker 1: chest man. They got you know, they got people who

288
00:14:26,560 --> 00:14:29,640
Speaker 1: work at these jobs and they think it so important

289
00:14:29,880 --> 00:14:32,880
Speaker 1: when all the one person really important with the manager, right,

290
00:14:33,360 --> 00:14:37,040
Speaker 1: you know that's usual. And I'm like, man, all we

291
00:14:37,160 --> 00:14:40,040
Speaker 1: here to do is do our job and go home

292
00:14:40,200 --> 00:14:41,760
Speaker 1: and make you know, you got to make the money.

293
00:14:41,840 --> 00:14:44,960
Speaker 1: Many we got you gotta do all that where you

294
00:14:45,040 --> 00:14:49,040
Speaker 1: work at, brother, I work at a trans companies. Tru

295
00:14:49,440 --> 00:14:51,960
Speaker 1: You important, you important? You just as important as a manager.

296
00:14:52,400 --> 00:14:54,400
Speaker 1: I don't understand. But you got the people who want

297
00:14:54,480 --> 00:14:57,400
Speaker 1: to tell you want to do it? Daynt important? You know.

298
00:14:57,680 --> 00:14:59,840
Speaker 1: I get what you're saying. I get what you're saying. Yeah,

299
00:15:00,040 --> 00:15:03,280
Speaker 1: we only got one supervisor. What you're saying, right right,

300
00:15:03,800 --> 00:15:06,400
Speaker 1: I want supervisor, but everybody want to be a supervisor.

301
00:15:06,640 --> 00:15:09,640
Speaker 1: I got you, all right, brother, Hello, who's this? And

302
00:15:09,840 --> 00:15:13,320
Speaker 1: so what happened? No? I was just trying to understand

303
00:15:13,560 --> 00:15:15,520
Speaker 1: and so what was it that point? Now? Just get

304
00:15:15,560 --> 00:15:19,640
Speaker 1: it off. Just beement for people to vent when you called,

305
00:15:20,000 --> 00:15:25,360
Speaker 1: Yeah this is that? Got it? That's all. I totally

306
00:15:25,440 --> 00:15:31,160
Speaker 1: get it now. Hello, Hello, good morning bro um Joe Joe,

307
00:15:31,200 --> 00:15:33,040
Speaker 1: get it off your chest. Brother, Yeah, just let it out,

308
00:15:33,120 --> 00:15:36,240
Speaker 1: just talk talking. Just got a little like I got

309
00:15:36,320 --> 00:15:38,040
Speaker 1: a little like black history poem. I wanted to like,

310
00:15:38,160 --> 00:15:40,920
Speaker 1: do ya real quick? Yes, sir, all right, all right,

311
00:15:41,480 --> 00:15:44,280
Speaker 1: they don't like this because of our color with just

312
00:15:44,400 --> 00:15:46,960
Speaker 1: so owned if they bring home a sister or brother,

313
00:15:47,560 --> 00:15:50,640
Speaker 1: but ben't leave the biggest we can even so look

314
00:15:50,720 --> 00:15:53,680
Speaker 1: at it. We came out with rock and roll, lead

315
00:15:53,760 --> 00:15:56,360
Speaker 1: the brakes better for them to stop right at one

316
00:15:56,480 --> 00:15:59,240
Speaker 1: enough the other and adventure to stop like we made

317
00:15:59,280 --> 00:16:02,400
Speaker 1: this so off of their pencils and levator to take

318
00:16:02,480 --> 00:16:05,400
Speaker 1: them up levels made the hot kom because well we

319
00:16:05,560 --> 00:16:08,560
Speaker 1: needed it. Sweetness for lever took that and be sweeting it.

320
00:16:09,040 --> 00:16:12,000
Speaker 1: Turn turned Peter in the bud the start heating it.

321
00:16:12,400 --> 00:16:14,560
Speaker 1: So it was a box to beat for heating. It

322
00:16:16,240 --> 00:16:19,320
Speaker 1: gave people like again about the Latricia bath made people

323
00:16:19,400 --> 00:16:22,040
Speaker 1: see you again. But it don't ma and y'all to

324
00:16:22,120 --> 00:16:25,080
Speaker 1: get your deep Our president was blackly still call us

325
00:16:25,560 --> 00:16:28,000
Speaker 1: thank you. Let me tell you something. I love the lyrics.

326
00:16:28,080 --> 00:16:30,560
Speaker 1: I hate your delivery. You should give that to somebody,

327
00:16:30,960 --> 00:16:32,560
Speaker 1: you know what I mean. I take it. You know

328
00:16:34,800 --> 00:16:36,680
Speaker 1: ray j might be able to deliver that like that was.

329
00:16:36,960 --> 00:16:44,160
Speaker 1: I love the content, but that was I can listen

330
00:16:44,200 --> 00:16:46,120
Speaker 1: to that advice to somebody could take it and do

331
00:16:46,280 --> 00:16:48,040
Speaker 1: something with it. I'm with it. Yeah. Remember like so far,

332
00:16:48,120 --> 00:16:49,520
Speaker 1: we have some far. Remember so far I got a

333
00:16:49,560 --> 00:16:57,880
Speaker 1: good delivery. But his lyrics is whacking. Lyrics could spit

334
00:16:57,920 --> 00:16:59,760
Speaker 1: so far. I could spit that and make it sound

335
00:17:00,040 --> 00:17:03,720
Speaker 1: because the content was there, the lyrics with that. Yep, Hello,

336
00:17:03,840 --> 00:17:07,680
Speaker 1: who's this? Oh? This Nick? Nick Trucker? What ill getting

337
00:17:07,720 --> 00:17:09,800
Speaker 1: up your chest? Brother? Oh? I just had a quick

338
00:17:09,920 --> 00:17:14,160
Speaker 1: question for Charlo Man. Yes, sir, you were saying black

339
00:17:14,240 --> 00:17:18,840
Speaker 1: man don't cheat and we're loyal and everything. Correct. Wait,

340
00:17:19,480 --> 00:17:25,800
Speaker 1: but yeah, so with that being said, aren't you introducing

341
00:17:25,960 --> 00:17:28,720
Speaker 1: the white women to come take the black man because

342
00:17:28,760 --> 00:17:32,680
Speaker 1: we're so loyal. No, because I also say in the

343
00:17:32,800 --> 00:17:35,119
Speaker 1: same breath that I love to see black men with

344
00:17:35,240 --> 00:17:38,480
Speaker 1: black women because black love is revolutionary. You know what

345
00:17:38,560 --> 00:17:40,840
Speaker 1: I mean. I like to see black men be with

346
00:17:40,960 --> 00:17:43,240
Speaker 1: black women. Yeah, I know what you mean, But I

347
00:17:43,320 --> 00:17:45,400
Speaker 1: mean I mean with that same breath, you know white

348
00:17:45,440 --> 00:17:49,040
Speaker 1: women has also coming to black man. WHOA. Whenever that happened,

349
00:17:49,080 --> 00:17:50,600
Speaker 1: you just got to think to yourself, what would dctr

350
00:17:50,720 --> 00:17:54,879
Speaker 1: Umar think? Damn it, that's all doctor Umar? Yeah, what

351
00:17:55,040 --> 00:18:00,280
Speaker 1: would Michael B. Jordan thing? What would my would be

352
00:18:00,359 --> 00:18:07,440
Speaker 1: Jordan think gray. Um, I couldn't tell you because you

353
00:18:07,480 --> 00:18:08,760
Speaker 1: know what I mean. If a white woman was walking

354
00:18:08,760 --> 00:18:10,639
Speaker 1: towards Michael B. Jordan and a black woman, who do

355
00:18:10,680 --> 00:18:14,000
Speaker 1: you think he would choose? Well? He was, she was

356
00:18:14,119 --> 00:18:18,359
Speaker 1: just in the Wakanda. Yeah, yeah, you go back woman,

357
00:18:18,960 --> 00:18:22,520
Speaker 1: I think I would. Yeah. Why is he? If? Did

358
00:18:22,560 --> 00:18:26,720
Speaker 1: he do something like me? He just wasn't he just

359
00:18:26,880 --> 00:18:32,159
Speaker 1: his last girlfriend was black? What happened? Where white? Why? What?

360
00:18:32,400 --> 00:18:34,120
Speaker 1: What he? What did he do? I don't know? Man?

361
00:18:34,240 --> 00:18:36,520
Speaker 1: For whatever reason, people think to be in Michael stands

362
00:18:36,560 --> 00:18:40,040
Speaker 1: for Bunny, Stop it man, get it off your chest

363
00:18:40,160 --> 00:18:42,280
Speaker 1: eight hundred and five eighty five on No. Five. But

364
00:18:42,359 --> 00:18:45,239
Speaker 1: when we come back, we got to talk to Grammys now, um,

365
00:18:45,480 --> 00:18:47,959
Speaker 1: Charloagne and myself. I've never been to the Grammar Grammys.

366
00:18:49,000 --> 00:18:51,000
Speaker 1: One time I was at the Grammys. Another time I

367
00:18:51,080 --> 00:18:52,960
Speaker 1: had tickets. I gave him to Kindred g because I

368
00:18:53,080 --> 00:18:55,040
Speaker 1: realized after I went the first time, I didn't care

369
00:18:55,119 --> 00:18:56,639
Speaker 1: nothing for it. I actually loved the first time I

370
00:18:56,720 --> 00:18:59,119
Speaker 1: went to Ye. Now have ye Rayel, you've been here

371
00:18:59,119 --> 00:19:01,359
Speaker 1: a couple of times. You've been to Rock Nation Brunch. No,

372
00:19:01,520 --> 00:19:03,480
Speaker 1: I ain't been to the Rock Nation Brunch. Well We're

373
00:19:03,480 --> 00:19:05,280
Speaker 1: gonna talk about the rock Nation brun You went, No,

374
00:19:05,320 --> 00:19:07,040
Speaker 1: I didn't go. Yeah, I didn't go. You know what

375
00:19:07,080 --> 00:19:09,280
Speaker 1: I'm saying. I didn't go. We're gonna talk about the

376
00:19:09,359 --> 00:19:11,119
Speaker 1: Rock Nation Brunch. We're gonna talk about the Grammy some

377
00:19:11,160 --> 00:19:13,520
Speaker 1: of the biggest winners. So don't move. It's to breakfast Club.

378
00:19:13,600 --> 00:19:19,160
Speaker 1: Good morning. Waked that ass up. No, I ain't about

379
00:19:19,160 --> 00:19:22,439
Speaker 1: to go crazy, but this ray J and I've officially

380
00:19:22,640 --> 00:19:31,080
Speaker 1: joined the breakfast Club, the breakfast club. TikTok. He got

381
00:19:31,160 --> 00:19:35,359
Speaker 1: out TikTok and shut down already. That was TikTok. That

382
00:19:35,480 --> 00:19:38,320
Speaker 1: was TikTok in Instagram. That was TikTok. It was TikTok.

383
00:19:38,359 --> 00:19:42,119
Speaker 1: Follow us at breakfast club. Am tiktokt o TikTok got TikTok.

384
00:19:42,160 --> 00:19:43,720
Speaker 1: I know you can't curse on TikTok. You can't curse

385
00:19:43,720 --> 00:19:46,320
Speaker 1: on TikTok. I thought you could curse on TikTok. I

386
00:19:46,520 --> 00:19:48,600
Speaker 1: was telling them what I couldn't curse. You gotta talk

387
00:19:49,640 --> 00:19:52,880
Speaker 1: sorry about that. Yes, I was telling them that these

388
00:19:52,920 --> 00:19:55,159
Speaker 1: are the things that I can't say, and I was

389
00:19:55,160 --> 00:19:56,800
Speaker 1: showing them things and I can't say. So I went

390
00:19:56,880 --> 00:20:00,600
Speaker 1: down the words and then I gave him a sentence

391
00:20:00,960 --> 00:20:03,640
Speaker 1: using all of them in one word. And you can't

392
00:20:03,680 --> 00:20:07,040
Speaker 1: curse on Chinese spot where, oh my goodness, you can

393
00:20:07,160 --> 00:20:11,120
Speaker 1: curse on Chinese spot where like balloons flying around? Yeah?

394
00:20:11,520 --> 00:20:13,679
Speaker 1: All right, well crazy, but let's get to the room.

395
00:20:13,960 --> 00:20:19,080
Speaker 1: Let's talk to Grammys from my name or you gossip

396
00:20:19,160 --> 00:20:23,120
Speaker 1: and when you chatting report, I mean, I guess were

397
00:20:23,119 --> 00:20:24,560
Speaker 1: on the breakast club. This is where the tea spells

398
00:20:24,640 --> 00:20:27,359
Speaker 1: right right on the breakfast club. I can't believe Ray

399
00:20:27,480 --> 00:20:31,240
Speaker 1: didn't go to the Grammy's last night. Wow, I'm you

400
00:20:31,320 --> 00:20:35,359
Speaker 1: know what I found out like way later when Drake

401
00:20:36,119 --> 00:20:40,720
Speaker 1: sample one Wish for the Views album, I was nominated

402
00:20:40,920 --> 00:20:43,520
Speaker 1: with him for the Album of the Year for the Grammys.

403
00:20:43,600 --> 00:20:45,720
Speaker 1: And stop you tell that, damn Like Drake wasn't even

404
00:20:45,800 --> 00:20:49,520
Speaker 1: nominated for album for Views viewed it. Yes, it was no,

405
00:20:49,640 --> 00:20:53,040
Speaker 1: this was not it was no not. Oh we didn't

406
00:20:53,040 --> 00:20:55,960
Speaker 1: say that, you know, this is no, this was like

407
00:20:56,200 --> 00:20:58,520
Speaker 1: this is a few years ago. I would have tried

408
00:20:58,560 --> 00:21:01,359
Speaker 1: to go got you, got you, got you? Yeah? Now

409
00:21:01,520 --> 00:21:03,600
Speaker 1: no last night? Yeah, you right, accurately, I'm right and

410
00:21:03,720 --> 00:21:05,600
Speaker 1: you right. Okay, Well, let's talk about some of the

411
00:21:05,640 --> 00:21:08,320
Speaker 1: winners last night. We got to congratulate Viola Davis. She

412
00:21:08,440 --> 00:21:11,879
Speaker 1: became an Egot winner. There's only eighteen of them, so

413
00:21:12,080 --> 00:21:20,200
Speaker 1: like will be Goldberg, John Legend and now Viola Davis.

414
00:21:20,240 --> 00:21:22,600
Speaker 1: And she actually spoke after she won that award. I

415
00:21:22,720 --> 00:21:25,360
Speaker 1: wrote this book to honor the six year old Viola,

416
00:21:25,720 --> 00:21:30,040
Speaker 1: to honor her, her life, her joy, her trauma, everything,

417
00:21:30,320 --> 00:21:32,560
Speaker 1: And it has just been such a journey. I just

418
00:21:32,840 --> 00:21:36,600
Speaker 1: Egot and really to everybody who was a part of

419
00:21:36,720 --> 00:21:43,080
Speaker 1: my story and the best chapter yet my Love's Julius Genesis.

420
00:21:43,760 --> 00:21:47,639
Speaker 1: You are my life in my Joy. You're the best

421
00:21:47,760 --> 00:21:52,680
Speaker 1: chapter in my book. Thank you very deserving. I read

422
00:21:52,760 --> 00:21:54,959
Speaker 1: Finding Me and I listen to Finding Me, so very

423
00:21:55,080 --> 00:21:58,560
Speaker 1: very deserving. If you haven't heard her audible book audio book,

424
00:21:58,800 --> 00:22:01,600
Speaker 1: that's right now. Also, last Lizzo picked up some hardware

425
00:22:01,720 --> 00:22:04,080
Speaker 1: and she performed and killed it and she talked about

426
00:22:04,080 --> 00:22:09,399
Speaker 1: some of her inspirations. First, she thanked Prince Beyonce in

427
00:22:09,480 --> 00:22:14,159
Speaker 1: the fifth grade. I I want to dedicate this award

428
00:22:14,280 --> 00:22:18,760
Speaker 1: to Prince. When we lost Prince, I decided to dedicate

429
00:22:18,880 --> 00:22:23,200
Speaker 1: my life to making positive music. And I was like,

430
00:22:23,280 --> 00:22:25,640
Speaker 1: I don't care if my positivity bother you. What's wrong

431
00:22:25,680 --> 00:22:29,520
Speaker 1: with you? And this was at a time when positive

432
00:22:29,600 --> 00:22:32,480
Speaker 1: music and feel good music wasn't mainstream at that point,

433
00:22:32,960 --> 00:22:36,960
Speaker 1: and I felt very misunderstood. But I stayed true to

434
00:22:37,119 --> 00:22:41,840
Speaker 1: myself because I wanted to make the world a better place.

435
00:22:41,920 --> 00:22:43,879
Speaker 1: So I had to be that change to make the

436
00:22:43,920 --> 00:22:46,320
Speaker 1: world a better place. I want to think y'all for

437
00:22:46,440 --> 00:22:52,960
Speaker 1: believing in me and supporting me. He Lizzoza, my family,

438
00:22:53,200 --> 00:22:57,520
Speaker 1: my mama, my sister, my brother, my daddy, my man

439
00:22:57,880 --> 00:23:03,280
Speaker 1: who holds me. Well, congratulations to list. So that's right,

440
00:23:03,400 --> 00:23:06,639
Speaker 1: dropping the clues bond. Shout out Pops and everybody. That's right.

441
00:23:06,680 --> 00:23:08,520
Speaker 1: And if you she was on Breakfast Club before and

442
00:23:08,520 --> 00:23:11,000
Speaker 1: she talked about her relationship with Prince. I forgot it now,

443
00:23:11,119 --> 00:23:14,199
Speaker 1: but they had a relationship, Shout out the Prince. Did

444
00:23:14,240 --> 00:23:16,560
Speaker 1: you know Prince ra Yeah, I met Prince a couple

445
00:23:16,600 --> 00:23:18,080
Speaker 1: of times. He invited me to the Crib for the

446
00:23:18,200 --> 00:23:21,280
Speaker 1: big party. Really yeah. It was a big one, like

447
00:23:21,600 --> 00:23:23,560
Speaker 1: maybe like a year before he passed. It was Craig,

448
00:23:23,640 --> 00:23:25,720
Speaker 1: everybody was, all the greats was there. It was deep.

449
00:23:25,960 --> 00:23:28,280
Speaker 1: Well wow, he was playing all night. He never said

450
00:23:28,320 --> 00:23:30,760
Speaker 1: really nothing to nobody because he played for eight hours. Yeah,

451
00:23:30,920 --> 00:23:34,240
Speaker 1: Lady kept just changing of the sheet music really all

452
00:23:34,400 --> 00:23:37,320
Speaker 1: night like it was like some like legendary. You didn't

453
00:23:37,359 --> 00:23:39,520
Speaker 1: jump on the piano with him, he nobody did. He

454
00:23:40,240 --> 00:23:42,800
Speaker 1: was playing all night him And so did he call

455
00:23:42,840 --> 00:23:44,760
Speaker 1: you and invite you personally to No, We was at

456
00:23:44,800 --> 00:23:48,359
Speaker 1: the We was at the party, and um, and he

457
00:23:48,480 --> 00:23:50,840
Speaker 1: sent over a note and gave us the invitation because

458
00:23:50,840 --> 00:23:52,359
Speaker 1: I've seen him one time and I was like, Prince,

459
00:23:52,520 --> 00:23:54,199
Speaker 1: I love you. I need to find you. I need

460
00:23:54,280 --> 00:23:56,199
Speaker 1: to like get your info. I've been studying you. How

461
00:23:56,240 --> 00:23:58,040
Speaker 1: can I find you? When he went I'll find you

462
00:24:00,240 --> 00:24:02,119
Speaker 1: and getting hopped in the car and skirted off. And

463
00:24:02,200 --> 00:24:06,120
Speaker 1: so later he found me. Wow, found me? Okay. Well.

464
00:24:06,160 --> 00:24:09,880
Speaker 1: Lizzo also thanks Beyonce and talks about her being inspiration

465
00:24:10,359 --> 00:24:14,240
Speaker 1: Beyonce in the fifth grade, I'll skipped school to see

466
00:24:14,240 --> 00:24:17,160
Speaker 1: you perform, my sister, she got me out of school.

467
00:24:17,160 --> 00:24:20,119
Speaker 1: It was literature. I'm could you changed my life? You

468
00:24:20,280 --> 00:24:22,920
Speaker 1: chief saying that gospel medley and the way you made

469
00:24:22,960 --> 00:24:25,040
Speaker 1: me feel. I was like, I want to make people

470
00:24:25,080 --> 00:24:27,880
Speaker 1: feel this way with my music. So thank you so much.

471
00:24:28,640 --> 00:24:33,960
Speaker 1: You clearly are the artists of our lives. I love you, God,

472
00:24:34,080 --> 00:24:41,280
Speaker 1: bless yall. That was the first that was our first one. No, no,

473
00:24:41,400 --> 00:24:44,959
Speaker 1: that was the first one. You know, it's right, it's

474
00:24:45,000 --> 00:24:46,879
Speaker 1: interesting record. Beyonce was kind of trying to tell a

475
00:24:46,920 --> 00:24:48,959
Speaker 1: little cool out like yo, cool out of cloud, but yo,

476
00:24:49,000 --> 00:24:51,760
Speaker 1: you're the og now be that raised the whole generation

477
00:24:52,080 --> 00:24:55,560
Speaker 1: of women and I mean artist period, perfect though and

478
00:24:56,200 --> 00:24:59,879
Speaker 1: just perfection. Yeah, but Beyonce did break the record from

479
00:25:00,320 --> 00:25:03,520
Speaker 1: Grammy wins in history last night. She won four and

480
00:25:03,680 --> 00:25:06,440
Speaker 1: when she got her first award, well she was just

481
00:25:06,520 --> 00:25:08,280
Speaker 1: a little late, so the Dream had to accept it

482
00:25:08,320 --> 00:25:16,879
Speaker 1: for her. Y'all, thank y'alla. They said she was in traffic,

483
00:25:16,920 --> 00:25:18,679
Speaker 1: but yeah, and she was just gonna say La had

484
00:25:18,680 --> 00:25:20,280
Speaker 1: a lot of traffic that day. I heard because a

485
00:25:20,280 --> 00:25:23,320
Speaker 1: lot of people was ut. They was a lot of

486
00:25:23,359 --> 00:25:24,800
Speaker 1: people was late. Y'all didn't play the one when she

487
00:25:24,800 --> 00:25:26,639
Speaker 1: actually bro Well, this is the second time where she

488
00:25:26,760 --> 00:25:29,520
Speaker 1: wanted and this and she spoke about this one. I'm

489
00:25:29,600 --> 00:25:32,359
Speaker 1: trying not to be too emotional and I'm trying to

490
00:25:32,440 --> 00:25:36,080
Speaker 1: just receive this night. I want to thank God for

491
00:25:36,240 --> 00:25:39,840
Speaker 1: protecting me. I'd like to thank my uncle Johnny, who's

492
00:25:39,920 --> 00:25:43,040
Speaker 1: not here, but he's here in spirit. I'd like to

493
00:25:43,160 --> 00:25:47,280
Speaker 1: thank my parents, my father, my mother for loving me

494
00:25:47,840 --> 00:25:50,679
Speaker 1: and pushing me. I'd like to thank my beautiful husband,

495
00:25:51,240 --> 00:25:55,520
Speaker 1: my beautiful three children who are at home watching. I'd

496
00:25:55,560 --> 00:25:58,760
Speaker 1: like to thank the queer community for your love and

497
00:25:58,880 --> 00:26:03,640
Speaker 1: for inventing this arm. God bless you. Thank you so much.

498
00:26:03,800 --> 00:26:07,000
Speaker 1: To the Grammys, y'all gonna stop making Beyonce yourself. No,

499
00:26:07,080 --> 00:26:08,680
Speaker 1: it's car it dressed up to come to them damn

500
00:26:08,720 --> 00:26:10,479
Speaker 1: Grammys and not give her Album of the yet though

501
00:26:10,680 --> 00:26:14,040
Speaker 1: she didn't get it. No, Harry Style, Harry Styles got

502
00:26:14,080 --> 00:26:15,560
Speaker 1: Album of the Year. What do y'all think about R

503
00:26:15,840 --> 00:26:18,280
Speaker 1: R and B Album of the Year? R and B

504
00:26:18,359 --> 00:26:20,600
Speaker 1: Album of the Year. Oh that's the one, yea. Chris

505
00:26:20,680 --> 00:26:24,960
Speaker 1: Brown was mad at right. The gentleman Robert l was dope. Yeah,

506
00:26:25,040 --> 00:26:27,680
Speaker 1: Robert class though dope. I think that we got to

507
00:26:27,680 --> 00:26:30,840
Speaker 1: stop thinking just because we don't know about something. It's

508
00:26:30,880 --> 00:26:33,600
Speaker 1: not popping right. Yeah. I think the Grammy's even an oscar.

509
00:26:33,680 --> 00:26:36,680
Speaker 1: Sometimes if the winners are the most it was the

510
00:26:36,760 --> 00:26:40,160
Speaker 1: most unique film, and they had the most like depth

511
00:26:40,240 --> 00:26:43,679
Speaker 1: to it or the most meaning to it. Challenging and different,

512
00:26:43,840 --> 00:26:46,800
Speaker 1: like you know, levels of sound or of art. Yeah.

513
00:26:46,840 --> 00:26:50,000
Speaker 1: We think popularity equates the being being able to take

514
00:26:50,040 --> 00:26:52,920
Speaker 1: home the award. Yeah, shout out to Christo. But yeah, no,

515
00:26:53,600 --> 00:26:56,320
Speaker 1: you know, congratulations Awards Awards was dope. Well, we'll talk

516
00:26:56,320 --> 00:26:59,200
Speaker 1: about Hip Hop fifty next hour, but I mean bad

517
00:26:59,240 --> 00:27:02,280
Speaker 1: Bunny killed it, Lizzo killed it. Um trying to think

518
00:27:02,280 --> 00:27:04,879
Speaker 1: who else performed last night? Of course, Uh, jay Z,

519
00:27:05,680 --> 00:27:13,560
Speaker 1: Rick Rosser perform, yeah for two seconds. Yeah, but they

520
00:27:13,600 --> 00:27:15,440
Speaker 1: did that she did and that was eight minutes, like

521
00:27:15,560 --> 00:27:17,960
Speaker 1: fifty three seconds that they performed. I just like the

522
00:27:18,040 --> 00:27:20,040
Speaker 1: fact that was hard O g one on one side

523
00:27:20,080 --> 00:27:26,000
Speaker 1: and on the other side. Absolutely Jaz perform, Yes, perform.

524
00:27:26,119 --> 00:27:28,040
Speaker 1: I don't even hear you, like I got a d

525
00:27:28,160 --> 00:27:31,520
Speaker 1: d he close out the show, Yeah, close up the show. Yeah,

526
00:27:31,560 --> 00:27:33,520
Speaker 1: it was at the end. It was that this big man,

527
00:27:33,560 --> 00:27:35,160
Speaker 1: I gotta I got gonna watch it tonight. I think

528
00:27:35,160 --> 00:27:41,760
Speaker 1: we um he shouted you out then you miss Jay

529
00:27:41,800 --> 00:27:47,520
Speaker 1: shot out Ray. That's crazy, yo. That is your room report.

530
00:27:47,560 --> 00:27:49,600
Speaker 1: When we come back, we got front page news and

531
00:27:49,640 --> 00:27:51,720
Speaker 1: like I said, we'll dive into Hip Hop fifty next hour,

532
00:27:51,800 --> 00:27:54,640
Speaker 1: but we got to talk about that Chinese balloom. That's

533
00:27:54,720 --> 00:27:57,440
Speaker 1: like somebody went a lotto and they really didn't. You

534
00:27:57,520 --> 00:27:59,320
Speaker 1: know what I'm saying With the jay Z shout out,

535
00:27:59,359 --> 00:28:02,920
Speaker 1: that's wrong. He did shot you out. You made a

536
00:28:02,960 --> 00:28:06,960
Speaker 1: lot of money. And then it's like front pay's news

537
00:28:07,080 --> 00:28:08,960
Speaker 1: is next, and of course, I guess, holds Ray Jay's

538
00:28:08,960 --> 00:28:13,800
Speaker 1: heads the breakfast club the morning morning, everybody's DJ Envy

539
00:28:13,920 --> 00:28:16,040
Speaker 1: Charlotte the guy. We are the breakfast club, We got

540
00:28:16,080 --> 00:28:18,919
Speaker 1: our guests, holds ray j he's here and let's get

541
00:28:18,960 --> 00:28:22,840
Speaker 1: in some front page news now fast. If you don't know,

542
00:28:22,960 --> 00:28:26,200
Speaker 1: of course, Kyrie Irvans has been traded to the Dallas Mavericks.

543
00:28:26,240 --> 00:28:27,440
Speaker 1: I don't know if that's what that means for you.

544
00:28:27,520 --> 00:28:29,359
Speaker 1: I don't know if that makes Dallas Mavericks better or

545
00:28:29,359 --> 00:28:31,360
Speaker 1: if it makes the Brooklyn That's better. I'm not sure.

546
00:28:31,359 --> 00:28:34,560
Speaker 1: I don't know. I think the next guy deeper doesn't

547
00:28:34,600 --> 00:28:37,240
Speaker 1: make the marriage better. I mean, they'll have an explosive

548
00:28:37,280 --> 00:28:39,480
Speaker 1: offense with Huka and Kyrie, and they got a lot

549
00:28:39,520 --> 00:28:41,520
Speaker 1: of shooters, but they ranked number twenty three I think

550
00:28:41,560 --> 00:28:43,800
Speaker 1: in defense defense in the league, and Kyrie definitely not

551
00:28:43,880 --> 00:28:46,560
Speaker 1: gonna make them better defensively. So yeah, you know, it's

552
00:28:46,600 --> 00:28:49,120
Speaker 1: my headphones not working on the right side for a reason,

553
00:28:49,120 --> 00:28:51,360
Speaker 1: because we're supposed to be like that. No, I supposed

554
00:28:51,360 --> 00:28:54,520
Speaker 1: to be working on headphones. I can't believe you ain't

555
00:28:54,560 --> 00:28:56,480
Speaker 1: gotten any well I did. First off, I just came

556
00:28:56,520 --> 00:29:00,960
Speaker 1: to day professionals, you know, only in one ear. Yeah, yeah, sure,

557
00:29:01,320 --> 00:29:02,960
Speaker 1: get it alway, push it over in make sure they

558
00:29:02,960 --> 00:29:08,560
Speaker 1: ain't you ray I'm sticking it in all right, right, whoa, whoa, whoa, whoa.

559
00:29:08,920 --> 00:29:17,720
Speaker 1: Jesus whoa boys, we just got boy the ball jackpot

560
00:29:17,800 --> 00:29:19,880
Speaker 1: if you don't know, with seven hundred and forty seven

561
00:29:20,040 --> 00:29:22,560
Speaker 1: million dollars. So make sure you play the power ball today.

562
00:29:23,320 --> 00:29:25,840
Speaker 1: Today is the drawing and it's the ninth largest in

563
00:29:26,000 --> 00:29:29,040
Speaker 1: US history. And lastly, I know you guys have been

564
00:29:29,080 --> 00:29:31,280
Speaker 1: seeing this televised in the last couple of days. These

565
00:29:31,480 --> 00:29:39,320
Speaker 1: Chinese balloon right now, they said, excuse me, Chinese fot balloon. Now.

566
00:29:39,360 --> 00:29:41,640
Speaker 1: They said it was a civilian balloon. But this balloon

567
00:29:41,760 --> 00:29:44,640
Speaker 1: came over Montana, went from Montana. They said they didn't

568
00:29:44,640 --> 00:29:46,960
Speaker 1: want to shoot it down over Montana and it was

569
00:29:47,040 --> 00:29:48,840
Speaker 1: traveling and as soon as they got to South Carolina

570
00:29:48,880 --> 00:29:50,440
Speaker 1: they shot it down. They must not care about the

571
00:29:50,440 --> 00:29:52,400
Speaker 1: people in South Carolina. No, that's not what happened till

572
00:29:52,400 --> 00:29:54,160
Speaker 1: they got over the ocean. I know, I know they

573
00:29:54,200 --> 00:29:56,040
Speaker 1: they didn't want to shoot it in Montana because the

574
00:29:56,120 --> 00:29:58,360
Speaker 1: debris might have hurt people on the ground. And they

575
00:29:58,400 --> 00:30:01,600
Speaker 1: shot it over the ocean. But my whole point is

576
00:30:01,800 --> 00:30:07,560
Speaker 1: Jesus as it came over my state. But anyway, but

577
00:30:07,760 --> 00:30:09,760
Speaker 1: my point is, as soon as it got over to

578
00:30:09,920 --> 00:30:12,800
Speaker 1: US territory, I got close to US territory. Why wasn't

579
00:30:12,840 --> 00:30:14,640
Speaker 1: this thing shot down? They should have shot it down

580
00:30:14,680 --> 00:30:16,520
Speaker 1: to media depend where it was because they were worried

581
00:30:16,520 --> 00:30:18,120
Speaker 1: about people on the ground. It was over the water

582
00:30:18,120 --> 00:30:19,560
Speaker 1: at first because you got to come over water to

583
00:30:19,640 --> 00:30:21,920
Speaker 1: get to the China not connected to the United States.

584
00:30:22,000 --> 00:30:25,920
Speaker 1: What was the balloon doing? Spine on what China says

585
00:30:25,920 --> 00:30:29,000
Speaker 1: it wasn't spine but the US and it was spine.

586
00:30:29,520 --> 00:30:32,800
Speaker 1: It's like they could just had a drone and you

587
00:30:32,840 --> 00:30:35,120
Speaker 1: know what I'm saying, like, what were they actually we

588
00:30:35,200 --> 00:30:37,040
Speaker 1: don't know. They shot it down to try to get

589
00:30:37,120 --> 00:30:39,160
Speaker 1: more information on it. They're going to dissect the information.

590
00:30:39,240 --> 00:30:41,480
Speaker 1: They see exactly what it was doing, what information it was,

591
00:30:41,520 --> 00:30:44,120
Speaker 1: send them back. But the same balloon right now, a

592
00:30:44,200 --> 00:30:47,000
Speaker 1: similar one is over Latin America and we have an

593
00:30:47,120 --> 00:30:49,760
Speaker 1: ex lieutenant that's actually talking about it here. Boy. On

594
00:30:49,880 --> 00:30:52,120
Speaker 1: the scale of one to ten, a national security issues

595
00:30:52,160 --> 00:30:55,560
Speaker 1: are politely free. Given about a tube, this says a

596
00:30:55,600 --> 00:30:58,240
Speaker 1: lot more about the inability of Washington and Congress in

597
00:30:58,280 --> 00:31:02,080
Speaker 1: the White House to talk about relatively insignificant national security

598
00:31:02,120 --> 00:31:04,600
Speaker 1: issues then it does about intelligence. Look, if the Chinese

599
00:31:04,680 --> 00:31:07,480
Speaker 1: want to collect photos of America, you can get the

600
00:31:07,600 --> 00:31:10,280
Speaker 1: Google Earth. You can get a Chinese secret satellite. If

601
00:31:10,320 --> 00:31:14,000
Speaker 1: they want to intercept communications, they can do it with satellites.

602
00:31:14,120 --> 00:31:16,640
Speaker 1: I would agree that there are certain advantages a balloon

603
00:31:16,720 --> 00:31:21,000
Speaker 1: would have, but freed, we twisted ourselves around a balloon

604
00:31:21,160 --> 00:31:24,480
Speaker 1: for days in washingtondc and the sectaries. They canceled a

605
00:31:24,560 --> 00:31:27,400
Speaker 1: trip for a balloon. Give me a break. This is

606
00:31:27,440 --> 00:31:29,960
Speaker 1: a two on a scale of one to ten. You know,

607
00:31:30,040 --> 00:31:32,520
Speaker 1: here's what I don't understand. Chinese five balloon, they say

608
00:31:32,600 --> 00:31:36,200
Speaker 1: crossed into America three times during the Trump administration and

609
00:31:36,320 --> 00:31:38,719
Speaker 1: once before during the Biden administration. So I'm saying all

610
00:31:38,800 --> 00:31:41,920
Speaker 1: that to say this has happened before. Why now is

611
00:31:42,000 --> 00:31:43,840
Speaker 1: this a story because we know you even heard about

612
00:31:44,280 --> 00:31:47,080
Speaker 1: the other four times? Did it correct? And if the

613
00:31:47,200 --> 00:31:49,680
Speaker 1: Chinese wanted to really spy on us, they already got TikTok.

614
00:31:49,800 --> 00:31:52,120
Speaker 1: There can't be the biggest biomechanism TikTok, and it's this

615
00:31:52,240 --> 00:31:54,920
Speaker 1: big balloon like it's like I think it was a decoy. Yeah,

616
00:31:54,960 --> 00:31:56,840
Speaker 1: but anything that goes over US territory should have been

617
00:31:56,840 --> 00:31:58,200
Speaker 1: shot down. We don't know what that was, what they

618
00:31:58,240 --> 00:31:59,880
Speaker 1: would do, and they should have shot that down immediately

619
00:32:00,080 --> 00:32:02,000
Speaker 1: in my opinion, But I am not with the government.

620
00:32:02,040 --> 00:32:04,840
Speaker 1: But China says they reserved the right to use necessary

621
00:32:04,880 --> 00:32:06,960
Speaker 1: means to deal with similar situations. I don't know if

622
00:32:07,000 --> 00:32:09,320
Speaker 1: that's a threat. I don't know if China won smoke now,

623
00:32:09,400 --> 00:32:12,320
Speaker 1: but we don't know. But we'll get more details as

624
00:32:12,400 --> 00:32:15,160
Speaker 1: they dissect what was actually in that balloon. But when

625
00:32:15,200 --> 00:32:16,800
Speaker 1: they shot it down, what if they shoot it down

626
00:32:16,880 --> 00:32:19,880
Speaker 1: with missile? Fighter jet fighter jet shot it right down?

627
00:32:19,960 --> 00:32:21,840
Speaker 1: It needed that much. It looked like you could have

628
00:32:21,880 --> 00:32:23,200
Speaker 1: just hit it with a you know what I'm saying.

629
00:32:24,720 --> 00:32:27,080
Speaker 1: There was three buses, size of three busses, but it

630
00:32:27,240 --> 00:32:30,120
Speaker 1: was a balloonish h like a shotgun show that shoot

631
00:32:30,120 --> 00:32:31,960
Speaker 1: I I thought the same thing. I thought the missile

632
00:32:32,000 --> 00:32:33,480
Speaker 1: was a little too much to shoot down a balloon.

633
00:32:33,600 --> 00:32:35,880
Speaker 1: It just felt you know what, when you said that

634
00:32:36,040 --> 00:32:38,320
Speaker 1: you wasn't a part of the government. Yes, you should

635
00:32:38,320 --> 00:32:41,920
Speaker 1: stick to that stage. But it's a balloon. It felt

636
00:32:43,000 --> 00:32:44,800
Speaker 1: I think they say in balloon. I don't know if

637
00:32:44,840 --> 00:32:46,760
Speaker 1: it was an actual balloon. I think we're thinking like

638
00:32:47,400 --> 00:32:49,440
Speaker 1: the kind we blow up and have a birthday body

639
00:32:50,960 --> 00:32:52,600
Speaker 1: looked like a hotter balloon, like the good look that

640
00:32:52,880 --> 00:32:56,880
Speaker 1: m listen. I'm not the highest grade weed in the dispensary,

641
00:32:56,960 --> 00:32:59,000
Speaker 1: nor am I an expert and this type of stuff,

642
00:32:59,040 --> 00:33:00,959
Speaker 1: so I would assume that they needed to miss him,

643
00:33:01,200 --> 00:33:03,360
Speaker 1: they needed to miss them. I'm just saying it kind

644
00:33:03,360 --> 00:33:05,880
Speaker 1: of looked like it just kind of was like overkill.

645
00:33:06,160 --> 00:33:08,040
Speaker 1: I think it was overkill effect that you got three

646
00:33:08,040 --> 00:33:12,160
Speaker 1: Starbucks coffees right now. Well, no, I got the three

647
00:33:12,200 --> 00:33:15,160
Speaker 1: Starbucks right, three Starbucks three, but he needed one for

648
00:33:15,200 --> 00:33:17,320
Speaker 1: every hour because he's gonna be here till nine o'clock.

649
00:33:17,520 --> 00:33:20,200
Speaker 1: So medicine ball, pink drink and then a UM and

650
00:33:20,280 --> 00:33:22,760
Speaker 1: then a white hot chocolate and he drinking patron, just

651
00:33:22,880 --> 00:33:25,360
Speaker 1: a tabbit of that. All. We got a public restrooms

652
00:33:27,840 --> 00:33:30,920
Speaker 1: restrooms and I'm like, we upgrade it now, right, And

653
00:33:30,960 --> 00:33:32,720
Speaker 1: I say we because I feel like I'm a part.

654
00:33:32,800 --> 00:33:34,680
Speaker 1: We lie. You're on the wall, So yes, yeah, I

655
00:33:34,800 --> 00:33:37,360
Speaker 1: really I really want that metal spot. But we'll talk

656
00:33:37,360 --> 00:33:41,800
Speaker 1: about it later, okay, But I'm appreciated. I felt yeah, okay,

657
00:33:42,280 --> 00:33:45,000
Speaker 1: but I felt like they deserves that. I mean, I do,

658
00:33:45,160 --> 00:33:46,680
Speaker 1: and I think this year I just got to start

659
00:33:46,760 --> 00:33:49,760
Speaker 1: saying speaking up what they got to do with all

660
00:33:49,760 --> 00:33:53,720
Speaker 1: we got the public restrooms. Do y'all have your own

661
00:33:53,760 --> 00:33:57,000
Speaker 1: restrooms in your own world that y'all go to y'all

662
00:33:57,040 --> 00:33:59,440
Speaker 1: breath now the whole floor has a restroom. I was

663
00:33:59,520 --> 00:34:01,760
Speaker 1: just saying, definitely got their own bathrooms on here, like

664
00:34:01,800 --> 00:34:04,000
Speaker 1: they own sweet that you could just crash. Not you.

665
00:34:05,440 --> 00:34:08,560
Speaker 1: I just I know y'all got gold toilets back, you

666
00:34:08,680 --> 00:34:11,200
Speaker 1: got a love you ain't got telling about. Nope, because

667
00:34:11,200 --> 00:34:13,080
Speaker 1: you because y'all at the level like if you want

668
00:34:13,120 --> 00:34:15,440
Speaker 1: to go take a personal dump, you got to and

669
00:34:15,960 --> 00:34:20,200
Speaker 1: regular baby, I'm regular baby, on to the eight thirty

670
00:34:20,239 --> 00:34:22,600
Speaker 1: every morning. I'm regular. Do y'all have doors at least

671
00:34:22,640 --> 00:34:24,279
Speaker 1: in the public ones that go all the way down

672
00:34:24,320 --> 00:34:27,840
Speaker 1: where you can't see somebody y'all need to get But

673
00:34:27,840 --> 00:34:30,640
Speaker 1: I'm saying, y'all see, if y'all get the doors, then

674
00:34:30,680 --> 00:34:33,200
Speaker 1: everybody you in your own space. Later on the day

675
00:34:33,200 --> 00:34:36,000
Speaker 1: when y'all see somebody with black tims in the stall humming,

676
00:34:36,040 --> 00:34:40,960
Speaker 1: Wait a minute, jump in public bathrooms unless I got

677
00:34:41,000 --> 00:34:42,400
Speaker 1: the whole door. I don't think you can help it.

678
00:34:42,440 --> 00:34:47,400
Speaker 1: After drinking three different patrol I'm trying different things. I'm

679
00:34:47,400 --> 00:34:49,799
Speaker 1: not drinking medicine. Ball was the other one with drap

680
00:34:49,840 --> 00:34:52,360
Speaker 1: that white hot chocolate and the pink drink boy for

681
00:34:53,200 --> 00:34:55,640
Speaker 1: al right, about overkill? What about what the government doing

682
00:34:55,680 --> 00:34:57,800
Speaker 1: with the spot balloon? Is your front page trying to

683
00:34:57,800 --> 00:34:59,640
Speaker 1: pop your bladder this morning? Now, let's open up the

684
00:34:59,680 --> 00:35:02,799
Speaker 1: phone d of eight five five one oh five one.

685
00:35:02,880 --> 00:35:04,960
Speaker 1: So over the weekend, if you have Netflix, you probably

686
00:35:05,000 --> 00:35:08,680
Speaker 1: realized that you're not allowed to uh to give your friends,

687
00:35:08,840 --> 00:35:12,160
Speaker 1: your neighbors, your your classmates, or your your family members

688
00:35:12,280 --> 00:35:14,600
Speaker 1: your password. Yes, there's a member of ray J's team.

689
00:35:14,640 --> 00:35:21,040
Speaker 1: What's your name, Queen Eve? Yeah, that's like Adam and Eve. Word. Yeah,

690
00:35:21,120 --> 00:35:23,640
Speaker 1: like Adam and Eve. If she wanted to be on radio,

691
00:35:23,640 --> 00:35:26,160
Speaker 1: she might not want to want her name. She not

692
00:35:26,239 --> 00:35:28,240
Speaker 1: happened to her this weekend. Yeah, they took a password.

693
00:35:28,239 --> 00:35:30,920
Speaker 1: So that's what we're asking. Eight hundred five one o

694
00:35:31,080 --> 00:35:34,000
Speaker 1: five one? Is that right? Netflix? Is uh stopping you

695
00:35:34,080 --> 00:35:36,480
Speaker 1: if you're sharing your password? I think it's foul. I

696
00:35:36,520 --> 00:35:39,160
Speaker 1: think it's a princess passwords to say it ain't they

697
00:35:39,239 --> 00:35:45,000
Speaker 1: work still stone upstairs and downstairs later. Okay, let's talk

698
00:35:45,040 --> 00:35:50,319
Speaker 1: about this to Breakfast Love. Good morning, wake that ass

699
00:35:50,440 --> 00:35:53,440
Speaker 1: up nine about to go crazy. But this ray J

700
00:35:53,840 --> 00:35:58,160
Speaker 1: and I've officially joined the Breakfast Club, the Breakfast Club.

701
00:36:01,560 --> 00:36:08,640
Speaker 1: It's topic time. The phone called eight hundred and five

702
00:36:08,680 --> 00:36:10,239
Speaker 1: eight five one oh five. Want to join it to

703
00:36:10,320 --> 00:36:13,680
Speaker 1: the discussion with the Breakfast Club. Talk about it. Wanting

704
00:36:13,800 --> 00:36:17,000
Speaker 1: everybody's DJ n V Charlomagne and the guy. We are

705
00:36:17,080 --> 00:36:19,960
Speaker 1: to Breakfast Club. We got our special guest holds with us.

706
00:36:20,040 --> 00:36:22,320
Speaker 1: Ray J joined actually a part of the Breakfast Club.

707
00:36:22,600 --> 00:36:24,960
Speaker 1: That's right, you hurt the drop. It's ray JS like yo,

708
00:36:25,040 --> 00:36:27,440
Speaker 1: So when when do we get paid? That's what Ray asked. Yeah,

709
00:36:27,440 --> 00:36:29,200
Speaker 1: I mean, you know, I just get you know, behind

710
00:36:29,239 --> 00:36:31,839
Speaker 1: the scenes. I'm straight to the point. Well, we're talking

711
00:36:31,880 --> 00:36:34,680
Speaker 1: about Netflix and your Netflix passwords. So over the weekend

712
00:36:34,920 --> 00:36:36,640
Speaker 1: a lot of people got deaded on their Netflix. You

713
00:36:36,680 --> 00:36:40,520
Speaker 1: cannot share your passwords anymore. Netflix is cracking down on

714
00:36:40,600 --> 00:36:43,839
Speaker 1: anybody sharing the passwords. And I think it's foul boy

715
00:36:44,280 --> 00:36:46,799
Speaker 1: because in my household, I got a password, my daughter

716
00:36:46,880 --> 00:36:49,480
Speaker 1: uses a password I got six kids, so it's four

717
00:36:49,560 --> 00:36:52,840
Speaker 1: or five different passwords. My parents used family back. Are

718
00:36:52,880 --> 00:36:54,680
Speaker 1: they doing a family back? Why is it four or

719
00:36:54,680 --> 00:36:57,360
Speaker 1: five different passwords for one household? Because I used the

720
00:36:57,360 --> 00:36:59,040
Speaker 1: password to look at one thing, and then my kids

721
00:36:59,120 --> 00:37:00,600
Speaker 1: used the password to look at their own thing on

722
00:37:00,640 --> 00:37:03,719
Speaker 1: a different TV. My mother and father used password the

723
00:37:03,800 --> 00:37:06,520
Speaker 1: same password. Just six people, Yeah, six people. I thought

724
00:37:06,560 --> 00:37:08,280
Speaker 1: that's I thought you could do that in my household.

725
00:37:08,440 --> 00:37:13,160
Speaker 1: A family pack a family. I think what it means

726
00:37:13,239 --> 00:37:14,560
Speaker 1: is if my parents used too, but they're not in

727
00:37:14,640 --> 00:37:17,160
Speaker 1: my household. That's the point. They want to stop your

728
00:37:17,200 --> 00:37:19,759
Speaker 1: parents from using it. You paid for your subscription in

729
00:37:19,920 --> 00:37:22,600
Speaker 1: your house, but you're sharing your password with somebody outside

730
00:37:22,640 --> 00:37:24,320
Speaker 1: of your house. That's what they're trying to stop. And

731
00:37:24,360 --> 00:37:26,160
Speaker 1: I think Netflix is right to do that. Yeah, because

732
00:37:26,200 --> 00:37:28,560
Speaker 1: of being I'm telling you me and Princess got I

733
00:37:28,760 --> 00:37:32,080
Speaker 1: use her password, so I know it's upstairs and downstairs.

734
00:37:32,160 --> 00:37:34,399
Speaker 1: Y'all live in the same house. That's fine. They're trying

735
00:37:34,440 --> 00:37:36,760
Speaker 1: to stop you from sharing that password with people outside

736
00:37:36,760 --> 00:37:39,279
Speaker 1: of your I use it at the hotel too, it's

737
00:37:39,280 --> 00:37:42,360
Speaker 1: still yours. Yeah, But how they're gonna decide if I'm

738
00:37:42,400 --> 00:37:44,239
Speaker 1: not in my parents house using it. How do you

739
00:37:44,280 --> 00:37:47,719
Speaker 1: know if it's not you know, y'all got to look

740
00:37:47,760 --> 00:37:49,600
Speaker 1: at it like bootlegging. You used to be a DJ,

741
00:37:49,920 --> 00:37:52,120
Speaker 1: you know what I'm saying. DJ, you asked. Sometimes they

742
00:37:52,200 --> 00:37:54,640
Speaker 1: used to run down on you for leaking name music.

743
00:37:56,160 --> 00:37:58,520
Speaker 1: You didn't like when people used to bootleg your music

744
00:37:58,600 --> 00:38:01,040
Speaker 1: back in the day, telling money out your pocket? Right,

745
00:38:01,320 --> 00:38:04,719
Speaker 1: not independently? Yeah, but I really wasn't tripping, he said,

746
00:38:04,760 --> 00:38:06,399
Speaker 1: he wasn't tripping. You'd have been tripping if you knew

747
00:38:06,400 --> 00:38:09,160
Speaker 1: somebody was making hundreds of thousand dollars off your music exactly.

748
00:38:09,280 --> 00:38:12,160
Speaker 1: That's different. But they you know, I'm independent. So that's

749
00:38:12,160 --> 00:38:14,200
Speaker 1: what Netflix is telling y'all. Right, now, this is these

750
00:38:14,200 --> 00:38:16,160
Speaker 1: are bootleg accounts. They want you to stop with the

751
00:38:16,160 --> 00:38:18,640
Speaker 1: bootleg accounts and actually get your How they're gonna tell

752
00:38:18,680 --> 00:38:20,160
Speaker 1: when it's me or what is my parents? Who? When

753
00:38:20,160 --> 00:38:21,560
Speaker 1: it is my cousin or when is my uncle? How

754
00:38:21,600 --> 00:38:24,400
Speaker 1: they gonna tell Probably when like five different people are watching,

755
00:38:24,719 --> 00:38:27,360
Speaker 1: all using your password at the same time from different locations.

756
00:38:28,680 --> 00:38:31,239
Speaker 1: So you don't get your password to nobody, not even

757
00:38:31,280 --> 00:38:35,200
Speaker 1: your mom or your daddy, No, your brothers and sisters, Nope, friends,

758
00:38:35,600 --> 00:38:39,759
Speaker 1: family members, nope, nope, No, man, you're a bootlegger and

759
00:38:39,880 --> 00:38:42,080
Speaker 1: that's crazy. But you've been a bootleger though, because you're

760
00:38:42,080 --> 00:38:44,879
Speaker 1: a DJ. So you've been stealing from people right, needing

761
00:38:44,920 --> 00:38:48,400
Speaker 1: money and making money off their content. Hello, who's this all? Right?

762
00:38:48,719 --> 00:38:50,719
Speaker 1: This time? I got the flue, I got the floor

763
00:38:50,920 --> 00:38:56,279
Speaker 1: right when you you who someone? If you were the

764
00:38:56,320 --> 00:39:01,960
Speaker 1: same line men towards day House, you can't like if

765
00:39:02,000 --> 00:39:05,680
Speaker 1: it allowed top or something like that, haflic started that

766
00:39:05,800 --> 00:39:12,360
Speaker 1: day House and and I well, let me tell you

767
00:39:12,400 --> 00:39:14,640
Speaker 1: something about negro. Instead of Negros going the right thing,

768
00:39:14,640 --> 00:39:16,480
Speaker 1: they're gonna still figure out a way to do it wrong.

769
00:39:16,960 --> 00:39:20,040
Speaker 1: They want a way to do the wrong thing right.

770
00:39:20,440 --> 00:39:21,759
Speaker 1: Let me give a shout out to one of the

771
00:39:21,880 --> 00:39:25,279
Speaker 1: heads of Netflix, Badass Bars. I met her the other day,

772
00:39:25,680 --> 00:39:28,400
Speaker 1: the Bos. Yeah, shout out to Bars. I mean, you know,

773
00:39:29,160 --> 00:39:31,920
Speaker 1: I can't wait to to to to to pitch some

774
00:39:32,080 --> 00:39:34,839
Speaker 1: ideas and go over something. Shout out. I think still

775
00:39:34,920 --> 00:39:37,960
Speaker 1: that Netflix? Yeah, she's still that Netflix, I think. So

776
00:39:38,880 --> 00:39:44,640
Speaker 1: she had a book coming out. Yeah, Hello, Hey, maybe

777
00:39:44,680 --> 00:39:47,640
Speaker 1: she's not. I don't know, she might be, she might

778
00:39:47,719 --> 00:39:50,600
Speaker 1: not be. She's not that Netflix. Nob Okay, she got

779
00:39:50,680 --> 00:39:52,879
Speaker 1: a book. Good morning, Good on to what's your name? Mama?

780
00:39:53,080 --> 00:39:56,680
Speaker 1: Lets Mitchell, Hey, miss Mitchell. We're talking about Nextflix passwords.

781
00:39:56,719 --> 00:39:59,279
Speaker 1: What's your thoughts? Mama? All right? First of all, good

782
00:39:59,320 --> 00:40:02,919
Speaker 1: morning Charlott, mean b J, Envy and ray J, which

783
00:40:03,000 --> 00:40:06,520
Speaker 1: is the only one I haven't met. Ray I love you. Well.

784
00:40:06,520 --> 00:40:08,040
Speaker 1: I'm a part of the new team now, so I'll

785
00:40:08,080 --> 00:40:13,520
Speaker 1: be here. J been breakfast club. But yes, I happen

786
00:40:13,600 --> 00:40:15,640
Speaker 1: to turn on the TV. But based on the topic,

787
00:40:15,719 --> 00:40:17,240
Speaker 1: and I was like, oh, let me check my Netflix

788
00:40:17,239 --> 00:40:19,640
Speaker 1: because I haven't paid for Netflix years. My act husband

789
00:40:19,680 --> 00:40:22,000
Speaker 1: paid for it and we don't even live in the

790
00:40:22,080 --> 00:40:25,280
Speaker 1: same city. So mine still works us work, no problem,

791
00:40:25,680 --> 00:40:29,399
Speaker 1: no problem. Where you calling from? I'm calling mine Claire,

792
00:40:29,520 --> 00:40:33,160
Speaker 1: New Jersey, don't you with your whole name. It's okay.

793
00:40:33,400 --> 00:40:34,800
Speaker 1: I can afford it if I have to stay for

794
00:40:34,880 --> 00:40:37,879
Speaker 1: it on my own. But you said, what you want

795
00:40:37,880 --> 00:40:44,080
Speaker 1: to pay for Netflix? Stay with j stay with us?

796
00:40:44,200 --> 00:40:51,960
Speaker 1: Yeah no, no, I know, yeah no, yeah. Hello, hello, yo, yo.

797
00:40:52,440 --> 00:40:55,000
Speaker 1: What's going on? As our sim pocket man with y'all

798
00:40:55,000 --> 00:41:00,200
Speaker 1: bits y'all? Haven't been let nothing? What's going on? What's popping? Bro? No?

799
00:41:00,400 --> 00:41:02,680
Speaker 1: Just calling on a topic of Netflix. Maybe I know

800
00:41:02,719 --> 00:41:04,799
Speaker 1: how anybody's talking about that Nextflix, and then we see

801
00:41:04,840 --> 00:41:08,360
Speaker 1: the neighborhood like like like everybody's trying to see a

802
00:41:08,400 --> 00:41:12,160
Speaker 1: little bread and them doing that. It's sticking away. We're

803
00:41:13,040 --> 00:41:15,640
Speaker 1: I'm right here speaking of Netflix. I got some OLDTT

804
00:41:15,800 --> 00:41:18,399
Speaker 1: platforms coming out too, and I'm giving people way better

805
00:41:18,520 --> 00:41:20,840
Speaker 1: deals than Netflix. And you can you can, you can

806
00:41:20,960 --> 00:41:23,680
Speaker 1: use ten people. Whatever you're doing. Ray, I'm jumping off.

807
00:41:23,680 --> 00:41:26,040
Speaker 1: But Pepe ain't read. Listen, I look about Netflix. You

808
00:41:26,160 --> 00:41:29,560
Speaker 1: still watch the movie called Handcocks. You heard what will Slim? Yeah, Mom,

809
00:41:29,719 --> 00:41:32,759
Speaker 1: your handcock so much great because the further you gotta

810
00:41:32,800 --> 00:41:35,839
Speaker 1: wait for that white woman, the stromer you got broke man.

811
00:41:35,960 --> 00:41:39,759
Speaker 1: I appreciate superhero. I was gonna say that. I was like,

812
00:41:39,840 --> 00:41:41,560
Speaker 1: you know what, Handcock was drunk, but he was flying.

813
00:41:41,600 --> 00:41:43,399
Speaker 1: He goes a superhero. But I get what he's saying.

814
00:41:43,440 --> 00:41:45,200
Speaker 1: Said the father he got away from the white woman,

815
00:41:45,239 --> 00:41:47,800
Speaker 1: the strong he got he had, Like I mean, is

816
00:41:47,840 --> 00:41:49,399
Speaker 1: that how it happened? Because I haven't seen the movie

817
00:41:49,440 --> 00:41:51,239
Speaker 1: in a while, I don't remember I don't remember seeing

818
00:41:52,440 --> 00:41:54,600
Speaker 1: but but but he was showing love. Oh his wife

819
00:41:54,680 --> 00:41:56,160
Speaker 1: was white. He got away with him and then he

820
00:41:56,239 --> 00:42:00,800
Speaker 1: got strung. Oh, that's doctoring my favorite movie. I didn't

821
00:42:00,840 --> 00:42:03,120
Speaker 1: know that that that gotta be doctor with my favorite movie.

822
00:42:03,160 --> 00:42:05,640
Speaker 1: The further you get from white woman, the stronger you get. Well,

823
00:42:05,640 --> 00:42:07,600
Speaker 1: I mean, you know what I'm just saying. He had

824
00:42:07,680 --> 00:42:10,320
Speaker 1: some kind words, and so I'm just sticking to his

825
00:42:10,400 --> 00:42:13,759
Speaker 1: subject of saying thank you, Ray Jr. Thank you back.

826
00:42:14,080 --> 00:42:16,200
Speaker 1: You know what I'm saying, salute slut. But that is

827
00:42:16,239 --> 00:42:18,640
Speaker 1: true to the father. You get with my white woman,

828
00:42:18,680 --> 00:42:21,160
Speaker 1: the stronger you get, and you know, you get back

829
00:42:21,200 --> 00:42:23,719
Speaker 1: with your black wife, right, Ray, Well, yeah, well that

830
00:42:23,960 --> 00:42:30,719
Speaker 1: wasn't my situation. That wasn't it. Ray A little man,

831
00:42:31,040 --> 00:42:33,560
Speaker 1: I can't. Yeah, I'm just saying here, I was just

832
00:42:33,719 --> 00:42:38,120
Speaker 1: hanging out. We got you eight hunder five five. We're

833
00:42:38,160 --> 00:42:41,120
Speaker 1: talking Netflix passwords. That's what we're talking this morning. Now.

834
00:42:41,239 --> 00:42:43,400
Speaker 1: Netflix said they shutting you down, and they started shutting

835
00:42:43,400 --> 00:42:45,200
Speaker 1: people down already. We're gonna talk about it some more.

836
00:42:45,200 --> 00:42:57,000
Speaker 1: It's the breakfast club. Good morning opinion to the breakfast

837
00:42:57,040 --> 00:43:02,360
Speaker 1: club topic. I'll get five five one five one morning.

838
00:43:02,440 --> 00:43:05,759
Speaker 1: Everybody is CDJ n V Charlemagne the guy. We are

839
00:43:05,840 --> 00:43:07,960
Speaker 1: the breakfast club. We got our guest hops with us,

840
00:43:08,080 --> 00:43:10,400
Speaker 1: Ray j All morning law Yeah and am I am

841
00:43:10,440 --> 00:43:13,520
Speaker 1: I here, am I here more than today to you? Yes,

842
00:43:13,640 --> 00:43:15,560
Speaker 1: I want to. I want to. Like I think that

843
00:43:15,800 --> 00:43:18,719
Speaker 1: maybe females advice might work later too, but I want

844
00:43:18,719 --> 00:43:20,680
Speaker 1: to do this. We're gonna do ask ray J later

845
00:43:20,760 --> 00:43:23,200
Speaker 1: this week. Yep. We're contemplating whether we want you for

846
00:43:23,280 --> 00:43:25,239
Speaker 1: four days or two days. I think I think I

847
00:43:25,360 --> 00:43:29,480
Speaker 1: think too. I think I could do four. Okay, Okay,

848
00:43:29,520 --> 00:43:31,960
Speaker 1: we got somebody coming Wednesday. I know they. I was

849
00:43:32,040 --> 00:43:33,840
Speaker 1: trying to do a five on five, like just running

850
00:43:33,840 --> 00:43:36,719
Speaker 1: the whole week. Okay, I'm gonna figure it out. But yeah,

851
00:43:36,719 --> 00:43:39,080
Speaker 1: because there's a lot of things um that you know,

852
00:43:39,239 --> 00:43:41,160
Speaker 1: we we we all, we need to lay out and

853
00:43:41,200 --> 00:43:43,000
Speaker 1: we gotta get christ to come to breakfast one morn.

854
00:43:43,080 --> 00:43:45,279
Speaker 1: They gonna do breakfast, they're gonna do lunch, they're gonna

855
00:43:45,280 --> 00:43:47,640
Speaker 1: do dinner. There you go, do the whole thing, Chris style,

856
00:43:48,120 --> 00:43:53,120
Speaker 1: Chris style style. Now we're talking sharing passwords. Now, let

857
00:43:53,160 --> 00:43:55,360
Speaker 1: me get my mask. Hearing one of the young ladies

858
00:43:55,440 --> 00:43:57,440
Speaker 1: on ray J's team with saying that they cut off

859
00:43:59,160 --> 00:44:01,800
Speaker 1: you were mask gar it's mascara. I thought it was

860
00:44:03,880 --> 00:44:05,520
Speaker 1: passing to it. So you gotta reach for it. Man.

861
00:44:05,680 --> 00:44:09,239
Speaker 1: Oh that's what you threw J. Why the hell do

862
00:44:09,320 --> 00:44:13,279
Speaker 1: you wear mascara? I wear mascara because I hit. I

863
00:44:13,440 --> 00:44:15,080
Speaker 1: do it right here with the Oh you're covering up

864
00:44:15,120 --> 00:44:17,360
Speaker 1: the graves. Oh see, I'll be letting mine flourish. I

865
00:44:17,520 --> 00:44:19,480
Speaker 1: do too. I do too, but sometimes I just take

866
00:44:19,520 --> 00:44:21,000
Speaker 1: it back a little bit. You know. We're on there

867
00:44:21,080 --> 00:44:27,800
Speaker 1: right Yeah? Okay, we're talking Netflix. Yes, what did you you?

868
00:44:27,920 --> 00:44:33,840
Speaker 1: You told me your secrets. Let people know that unless

869
00:44:33,880 --> 00:44:38,359
Speaker 1: we have our headphones on, I ain't say that now. Yes,

870
00:44:38,920 --> 00:44:41,080
Speaker 1: let's get back to ray J got add because he'd

871
00:44:41,080 --> 00:44:42,600
Speaker 1: be jumping all over the place. So one of the

872
00:44:42,640 --> 00:44:44,520
Speaker 1: people on ray J's team, my name is Eve, She

873
00:44:44,680 --> 00:44:50,399
Speaker 1: was distrust because they took Passwordflix. Netflix. Netflix is cracking

874
00:44:50,440 --> 00:44:53,080
Speaker 1: down on bootlegs. Like Eve, I don't agree with Netflix

875
00:44:53,160 --> 00:44:55,560
Speaker 1: are doing it. Netflix makes a ton of money. They

876
00:44:55,600 --> 00:44:57,520
Speaker 1: make a lot of money. And if I want to

877
00:44:57,560 --> 00:45:00,600
Speaker 1: share my password that I pay with for somebody, I don't.

878
00:45:00,600 --> 00:45:01,960
Speaker 1: I don't think there should be a problem. Just like

879
00:45:02,040 --> 00:45:04,400
Speaker 1: we can share my Apple music, I can share my Spotify,

880
00:45:04,560 --> 00:45:06,040
Speaker 1: I can share all that stuff. So if somebody was

881
00:45:06,040 --> 00:45:09,440
Speaker 1: selling bootleg raycons, you fine with that? Ray No, okay,

882
00:45:09,880 --> 00:45:12,440
Speaker 1: I'm not fine with selling Bootleg raycons. But I do

883
00:45:12,640 --> 00:45:14,759
Speaker 1: have a better OTT platform that you can get a

884
00:45:14,840 --> 00:45:16,600
Speaker 1: better deal, and we got a family package. Come. We'll

885
00:45:16,640 --> 00:45:18,720
Speaker 1: talk about that during the week. What's the name of it, Reflex?

886
00:45:19,160 --> 00:45:23,239
Speaker 1: You Google Reflex. It's wild stuff might come up. The

887
00:45:23,320 --> 00:45:25,640
Speaker 1: only reason why I don't want to do reflex, but

888
00:45:26,920 --> 00:45:30,000
Speaker 1: let me Google. But I do have some OTTs I think.

889
00:45:30,080 --> 00:45:32,480
Speaker 1: I think while we can talk about it tomorrow. I

890
00:45:32,640 --> 00:45:34,920
Speaker 1: just want them to do the right thing. But it's

891
00:45:34,960 --> 00:45:37,000
Speaker 1: going down. OTT is in the building. I want to

892
00:45:37,040 --> 00:45:38,839
Speaker 1: do OTTs with you, guys. I want to do ot

893
00:45:38,960 --> 00:45:45,160
Speaker 1: t t t tts OTT. Hello. Who's this Nikira? Good morning,

894
00:45:45,680 --> 00:45:48,640
Speaker 1: Good morning. We talk about these passwords. Netflix about to

895
00:45:48,640 --> 00:45:51,200
Speaker 1: shut down on y'all. No, I don't believe that, because

896
00:45:51,400 --> 00:45:55,799
Speaker 1: how is methings gonna know? Problem? Well, like they were saying,

897
00:45:55,920 --> 00:45:58,040
Speaker 1: if if you're using it at the same time somebody

898
00:45:58,080 --> 00:45:59,799
Speaker 1: else is using it, then they can kind of figure

899
00:45:59,800 --> 00:46:02,040
Speaker 1: out that is so one of them is fake, one

900
00:46:02,080 --> 00:46:06,120
Speaker 1: of them is it's bootlegging exactly. Okay, okay, okay, Yeah,

901
00:46:06,320 --> 00:46:08,839
Speaker 1: Like imagine if somebody use your password in New York

902
00:46:09,000 --> 00:46:10,920
Speaker 1: on on at five o'clock on a Monday, and then

903
00:46:10,960 --> 00:46:13,080
Speaker 1: somebody else uses it at six o'clock in La on

904
00:46:13,160 --> 00:46:15,640
Speaker 1: a Monday. Yeah, you can't be in the two places

905
00:46:15,719 --> 00:46:20,000
Speaker 1: that same time. Correct, You're right. Oh, thank you for that,

906
00:46:20,040 --> 00:46:22,960
Speaker 1: because now I'm gonna actually nobody get it. They're gonna

907
00:46:23,000 --> 00:46:26,120
Speaker 1: change your password now, thank you. Mom. Is it the

908
00:46:26,200 --> 00:46:30,520
Speaker 1: antenna in the building that makes this building what it is?

909
00:46:30,560 --> 00:46:32,920
Speaker 1: So when you go live to the world, it's the antenna.

910
00:46:33,719 --> 00:46:35,920
Speaker 1: So you can't do this from the crib. Yes, now

911
00:46:35,920 --> 00:46:37,320
Speaker 1: we do it from the grid. No, you can be

912
00:46:37,440 --> 00:46:42,399
Speaker 1: at the crib it like this, just like this. Yeah,

913
00:46:42,440 --> 00:46:46,400
Speaker 1: so then why why here? Because this is the Black Mothership.

914
00:46:47,080 --> 00:46:49,120
Speaker 1: It's the energy, got it? You know what I mean?

915
00:46:49,800 --> 00:46:53,759
Speaker 1: Kinda yeah, kind good morning, Hello, good morning, good morning.

916
00:46:55,200 --> 00:46:58,399
Speaker 1: What's up? Bro? We're talking Netflix passwords? What's your thoughts? Hey?

917
00:46:58,840 --> 00:47:01,880
Speaker 1: So you know my wife had the voice right, so

918
00:47:02,040 --> 00:47:04,319
Speaker 1: you know, I with my girlfriend, I'm hopping on my TV.

919
00:47:04,960 --> 00:47:06,880
Speaker 1: So I look on my TV and I you know,

920
00:47:07,080 --> 00:47:10,040
Speaker 1: my Nephi passes is up. So I called my daughter.

921
00:47:10,600 --> 00:47:14,680
Speaker 1: My daughter gonna tell me that my wife because of Todd.

922
00:47:16,520 --> 00:47:22,880
Speaker 1: I'm like, you mean cord manange with me? Man, I'm like, yo,

923
00:47:23,440 --> 00:47:26,080
Speaker 1: I'm thinking if I should look card that como on

924
00:47:26,320 --> 00:47:28,640
Speaker 1: on on the TV and you came up my paper man,

925
00:47:29,120 --> 00:47:32,000
Speaker 1: So did your daughter give you a new password? Here?

926
00:47:32,120 --> 00:47:34,799
Speaker 1: She gave it to me? All right, yo yo. Shout

927
00:47:34,840 --> 00:47:37,080
Speaker 1: out to Raye though, man, because I have my last

928
00:47:37,120 --> 00:47:41,200
Speaker 1: two kids, because I watched your video. Man, I did

929
00:47:41,239 --> 00:47:44,920
Speaker 1: that position when you get on top? He start pounding

930
00:47:45,040 --> 00:47:51,200
Speaker 1: from the top. Man, my good, you know position I have? Man?

931
00:47:51,280 --> 00:47:53,759
Speaker 1: You inspired a generation? Man? Right, do you get tired

932
00:47:53,800 --> 00:47:55,480
Speaker 1: of that? Man? Ray do you get tired of that?

933
00:47:55,719 --> 00:47:59,120
Speaker 1: You've inspired a generation? Many guest, So, do you ever

934
00:47:59,200 --> 00:48:02,520
Speaker 1: just get tired of that? Just you know, as as

935
00:48:02,600 --> 00:48:06,399
Speaker 1: we get older, the youngsters like, really be honest about

936
00:48:06,480 --> 00:48:09,320
Speaker 1: certain Yeah. So I'm saying we're not live live, but

937
00:48:09,400 --> 00:48:12,280
Speaker 1: we live. Yeah. He just said he took me somewhere.

938
00:48:12,360 --> 00:48:15,600
Speaker 1: But that was positive. No, No, that's what I'm saying.

939
00:48:15,600 --> 00:48:18,680
Speaker 1: It'd be so real and so it'd be uncut and weird,

940
00:48:19,160 --> 00:48:21,200
Speaker 1: but at the same time they'd be real about it.

941
00:48:21,280 --> 00:48:23,279
Speaker 1: So you you gonna you gotta be like, thank you. Man.

942
00:48:23,640 --> 00:48:25,200
Speaker 1: Don't you just want to because you got kids? You

943
00:48:25,280 --> 00:48:26,600
Speaker 1: want to move on, you want to think about it.

944
00:48:26,640 --> 00:48:29,640
Speaker 1: You in a whole new situation and relationship. If I

945
00:48:29,760 --> 00:48:31,879
Speaker 1: called somebody to have kids, man, you know you gotta

946
00:48:31,920 --> 00:48:33,800
Speaker 1: take that win. That's a w to me really, like

947
00:48:34,120 --> 00:48:36,880
Speaker 1: it's weird. It's just weird, like I can't explain my

948
00:48:37,000 --> 00:48:39,200
Speaker 1: life and what it because some of that some of

949
00:48:39,280 --> 00:48:42,920
Speaker 1: this real loud and overly like I don't know, but

950
00:48:43,040 --> 00:48:44,960
Speaker 1: at the same time I appreciate it, like he was

951
00:48:45,040 --> 00:48:47,520
Speaker 1: coming from a good Why do you have to shoulders

952
00:48:47,600 --> 00:48:50,799
Speaker 1: up like hiding from No, I'm just switching it up

953
00:48:50,800 --> 00:48:54,279
Speaker 1: because I'm in a different mood, like vitamin yeah. So

954
00:48:54,520 --> 00:48:57,880
Speaker 1: instead of like I got kid take vitamins and patrol no, no, no, no,

955
00:48:58,200 --> 00:49:00,880
Speaker 1: these are just herbs this overall instead of like instead

956
00:49:00,880 --> 00:49:02,719
Speaker 1: of me taking adder off for add I got a

957
00:49:02,800 --> 00:49:05,080
Speaker 1: natural version over the counter or I don't think you

958
00:49:05,120 --> 00:49:07,160
Speaker 1: should be taken it with No, I haven't killed it yet.

959
00:49:07,200 --> 00:49:08,880
Speaker 1: I'm getting ready for a meeting after so I think

960
00:49:08,920 --> 00:49:11,080
Speaker 1: one or one pill or just how any focused its kind.

961
00:49:11,120 --> 00:49:13,799
Speaker 1: It doesn't make you jittery or nothing. It's it's really

962
00:49:13,960 --> 00:49:16,879
Speaker 1: like natural adderall yeah, natural, Okay, you know what I'm saying,

963
00:49:16,920 --> 00:49:19,920
Speaker 1: because because it's better like that, it's taking some herbs,

964
00:49:20,080 --> 00:49:24,480
Speaker 1: warnings and stuff. I think you can take vitamins with alcohol, don't.

965
00:49:24,480 --> 00:49:27,719
Speaker 1: I wouldn't recommend I don't want you to, but that

966
00:49:27,920 --> 00:49:30,080
Speaker 1: Brillians can do whatever they want. I'm a Ralian, but

967
00:49:30,200 --> 00:49:33,200
Speaker 1: I would feel like an herb after this. I'm gonna

968
00:49:33,200 --> 00:49:34,640
Speaker 1: go to the gym and work it all off and

969
00:49:34,760 --> 00:49:36,560
Speaker 1: be positive and drink a lot of water, and then

970
00:49:36,560 --> 00:49:39,920
Speaker 1: I'm gonna take my overall well, because I'm on the

971
00:49:39,920 --> 00:49:44,520
Speaker 1: breakfast Club, so I understand yon, ladies and gentlemen. I

972
00:49:44,560 --> 00:49:47,480
Speaker 1: want to let everybody know what I was doing crew overall.

973
00:49:47,640 --> 00:49:49,480
Speaker 1: Now when we when we come back, we got your room,

974
00:49:49,520 --> 00:49:51,080
Speaker 1: a report we got to talk about to grant me

975
00:49:51,160 --> 00:49:54,040
Speaker 1: some more hip hop fifty some of your favorite hip

976
00:49:54,040 --> 00:49:56,279
Speaker 1: hop artists perform last night. We'll get into it and

977
00:49:56,520 --> 00:49:57,960
Speaker 1: we'll play some mother all right, so don't move. It's

978
00:49:57,960 --> 00:50:00,759
Speaker 1: a breakfast club. Go morning. We are being visited by

979
00:50:00,800 --> 00:50:04,160
Speaker 1: a Rallian this morning Morning. Everybody is TJ n V

980
00:50:04,360 --> 00:50:06,200
Speaker 1: Charlomagne the guy. We are the breakfast club. We got

981
00:50:06,280 --> 00:50:08,600
Speaker 1: our guest host, Ray J. Hill. Yep. I mean I

982
00:50:08,719 --> 00:50:10,400
Speaker 1: thought I was just a part of the like we

983
00:50:10,480 --> 00:50:13,200
Speaker 1: got our we got our new host. Guest host likes

984
00:50:13,360 --> 00:50:15,560
Speaker 1: making sure that people know that I'm here for a

985
00:50:15,600 --> 00:50:19,200
Speaker 1: little while. But because I think I think just people

986
00:50:19,320 --> 00:50:21,480
Speaker 1: know that Ray is a big part of the Breakfast Club.

987
00:50:22,320 --> 00:50:25,400
Speaker 1: One more time, everybody know once again if you do

988
00:50:25,440 --> 00:50:28,560
Speaker 1: any Breakfast Club trivia. Ray J was our first guest ever,

989
00:50:28,719 --> 00:50:31,640
Speaker 1: not the are we live call? Our first guest in

990
00:50:31,880 --> 00:50:36,000
Speaker 1: studio ever was Ray J. Were recording it's just I

991
00:50:36,040 --> 00:50:37,960
Speaker 1: gotta have it, okay, now keep going. IM sorry. Our

992
00:50:38,080 --> 00:50:41,200
Speaker 1: first guests ever, our first in studio guests ever in

993
00:50:41,239 --> 00:50:42,799
Speaker 1: the history of the Breakfast Club back in the day

994
00:50:42,840 --> 00:50:45,279
Speaker 1: on twenty ten. I gotta get the exact date. It

995
00:50:45,440 --> 00:50:47,400
Speaker 1: was Ray we should do trivia with Ray J one

996
00:50:47,480 --> 00:50:49,480
Speaker 1: day this week. What do you mean, like, how many

997
00:50:49,560 --> 00:50:53,640
Speaker 1: calls did you have outside? You know what the phone call.

998
00:50:53,680 --> 00:50:55,719
Speaker 1: Everybody talks about that phone call. But our first in

999
00:50:55,880 --> 00:50:58,160
Speaker 1: studio guest was Ray. It wasn't that phone call. It

1000
00:50:58,200 --> 00:51:03,440
Speaker 1: was well, the phone called absolutely propelled us. I think

1001
00:51:03,520 --> 00:51:06,040
Speaker 1: on the national level. Absolutely. We had we had interviews

1002
00:51:06,080 --> 00:51:08,040
Speaker 1: that were going viral prior to that, but that was

1003
00:51:08,160 --> 00:51:11,319
Speaker 1: like like that big, big, big, big big bar even

1004
00:51:11,360 --> 00:51:14,279
Speaker 1: in the history of just what if considered viral now,

1005
00:51:14,680 --> 00:51:19,879
Speaker 1: that was probably the first the first. Yeah, absolutely great job, Yer,

1006
00:51:20,719 --> 00:51:25,000
Speaker 1: all right, but let's and what it is is, I've

1007
00:51:25,160 --> 00:51:27,960
Speaker 1: looked at it and did the analytics behind it and

1008
00:51:28,080 --> 00:51:31,640
Speaker 1: understood our marketer. Sometimes it's on purpose and sometimes it's natural.

1009
00:51:32,000 --> 00:51:36,239
Speaker 1: Whatever it is, we get you to the destination of winning. Oh,

1010
00:51:36,320 --> 00:51:38,719
Speaker 1: ray J is a master marketer. That that he is.

1011
00:51:39,000 --> 00:51:41,399
Speaker 1: There's nothing that you ever see ray J doing that's

1012
00:51:41,440 --> 00:51:46,400
Speaker 1: not intentional. I need y'all to know this, satisfactor. I

1013
00:51:46,480 --> 00:51:48,080
Speaker 1: need y'all to know this. But let's get to the rooms.

1014
00:51:48,120 --> 00:51:57,200
Speaker 1: Let's talk Grammys or you gossip, you chatting report? I mean,

1015
00:51:57,239 --> 00:51:58,640
Speaker 1: I guess were on the breakfast This is where the

1016
00:51:58,640 --> 00:52:02,000
Speaker 1: tea spells right the breakfast club. Now, last night the

1017
00:52:02,040 --> 00:52:05,040
Speaker 1: Grammy Awards, they celebrated and hip hop fifty years of

1018
00:52:05,120 --> 00:52:08,160
Speaker 1: hip hop by bringing out of cast of artists and

1019
00:52:08,320 --> 00:52:11,080
Speaker 1: Quest Love was actually the one that actually put this together.

1020
00:52:11,200 --> 00:52:14,719
Speaker 1: So it was everybody from Salt and Pepper to LLL

1021
00:52:14,840 --> 00:52:17,880
Speaker 1: cool J to Scarface just to name a field, and

1022
00:52:17,920 --> 00:52:20,040
Speaker 1: we got some of those performances. Now, let's start off

1023
00:52:20,120 --> 00:52:24,320
Speaker 1: with LLL cool J and Jazz jeff yall believe me,

1024
00:52:24,440 --> 00:52:26,680
Speaker 1: I like it loud. From the man with the bust

1025
00:52:26,960 --> 00:52:29,239
Speaker 1: to cross the crap, wuk it down, the three to

1026
00:52:29,400 --> 00:52:32,800
Speaker 1: the hardcore beats, put my taste, seats breaks, the patreet.

1027
00:52:32,920 --> 00:52:35,799
Speaker 1: I'm sorry to get the ket understand, but I need

1028
00:52:35,840 --> 00:52:40,200
Speaker 1: the radio inside my hand. Beat to a B but

1029
00:52:40,360 --> 00:52:56,040
Speaker 1: I kick my fid. Yeah, they did that Live to do,

1030
00:52:56,320 --> 00:53:01,040
Speaker 1: Yes beat, Yes, absolutely it is. He wouldn't he wouldn't know,

1031
00:53:01,040 --> 00:53:04,360
Speaker 1: shut up, Yes, but yes, I used to do. I

1032
00:53:04,400 --> 00:53:06,400
Speaker 1: started off actually being a battle DJ car and that

1033
00:53:06,560 --> 00:53:10,839
Speaker 1: is difficult. Absolutely called clue who can do it? Called clue?

1034
00:53:11,200 --> 00:53:18,160
Speaker 1: Hey rog. So they didn't like like in J like

1035
00:53:18,280 --> 00:53:22,080
Speaker 1: in Jenn Salt and Pepper also performed last night as

1036
00:53:22,120 --> 00:53:28,200
Speaker 1: part of the sound nice Chan sound check, Oh my

1037
00:53:28,480 --> 00:53:33,640
Speaker 1: sound nice Cha three. I'm a queen on the mike,

1038
00:53:33,719 --> 00:53:37,040
Speaker 1: and you when I say that the n here stay

1039
00:53:37,200 --> 00:53:40,719
Speaker 1: and you know if the book I was, they killed

1040
00:53:40,760 --> 00:53:44,440
Speaker 1: it last night. Also Queen Latifa, she performed so did it?

1041
00:53:44,560 --> 00:53:55,640
Speaker 1: Meth the man you love black? You win, you win,

1042
00:53:57,680 --> 00:54:07,239
Speaker 1: you win about black t J choked choked, a B

1043
00:54:07,440 --> 00:54:11,520
Speaker 1: t J chum d n b t J choked. That's

1044
00:54:11,560 --> 00:54:14,400
Speaker 1: the only thing I didn't like. I didn't like uh

1045
00:54:14,760 --> 00:54:17,600
Speaker 1: methi man representing Wu Tang by himself. I didn't like

1046
00:54:17,719 --> 00:54:20,640
Speaker 1: Big Boy representing outcast by himself. I didn't like Scarfieh

1047
00:54:20,719 --> 00:54:23,759
Speaker 1: representing ghetto boys. By himself, you know, even know where

1048
00:54:23,760 --> 00:54:25,960
Speaker 1: it was Andre three thousand, well, you know Andre be

1049
00:54:26,040 --> 00:54:27,879
Speaker 1: on his own time. I don't know where the rest

1050
00:54:27,920 --> 00:54:29,600
Speaker 1: of the WU was. I don't know where Willie D

1051
00:54:29,760 --> 00:54:33,359
Speaker 1: was rest in Peter Bushwick Billet. Just make a little

1052
00:54:33,360 --> 00:54:35,960
Speaker 1: bit of time. Yeah, maybe they didn't get invited. I

1053
00:54:36,120 --> 00:54:37,600
Speaker 1: see Willie D. He left the good. I think he

1054
00:54:37,840 --> 00:54:39,560
Speaker 1: did a video saying that he was upset that he

1055
00:54:39,640 --> 00:54:41,560
Speaker 1: wasn't there. And it was glaring too because you know

1056
00:54:41,800 --> 00:54:44,040
Speaker 1: Run DMC, you know, God blested that jam as the JEF.

1057
00:54:44,040 --> 00:54:46,719
Speaker 1: Of course he wasn't there, but DMC and Run was

1058
00:54:46,800 --> 00:54:48,680
Speaker 1: there and with the locks, all the locks came, all

1059
00:54:48,680 --> 00:54:50,759
Speaker 1: the locks came out there. Yeah, we have a play

1060
00:54:50,800 --> 00:55:01,719
Speaker 1: the locks, Love the Locks to Now it's a little

1061
00:55:01,760 --> 00:55:08,080
Speaker 1: baby now. Yeah, we shot on my label this TV.

1062
00:55:09,880 --> 00:55:13,400
Speaker 1: I just proved on me. Glow Rilla also came out. Glorilla.

1063
00:55:13,600 --> 00:55:16,200
Speaker 1: I'm a fan now. One of the biggest performances and

1064
00:55:16,600 --> 00:55:19,279
Speaker 1: it's probably fire to me, the probably the best hip

1065
00:55:19,360 --> 00:55:23,279
Speaker 1: hop performer ever to me was Buster the Rhams. What

1066
00:55:23,480 --> 00:55:30,799
Speaker 1: you were gone? So what you're sharing? So I think

1067
00:55:30,840 --> 00:55:37,600
Speaker 1: that you don't want to find already he has good,

1068
00:55:37,640 --> 00:55:39,480
Speaker 1: he has good Um, theyn't got the Buster with the

1069
00:55:39,520 --> 00:55:43,359
Speaker 1: Chris Brown reckon have a good work breathing techniques. Oh yeah, yeah,

1070
00:55:43,440 --> 00:55:45,120
Speaker 1: yeah yeah. Have you ever put the clothes captioning on

1071
00:55:45,239 --> 00:55:46,960
Speaker 1: and bust is doing to look at me now verse?

1072
00:55:47,120 --> 00:55:49,160
Speaker 1: I mean, if you ever want to confuse your television,

1073
00:55:50,440 --> 00:55:51,960
Speaker 1: if you ever want to confuse your television, put the

1074
00:55:51,960 --> 00:55:53,920
Speaker 1: clothes capturtioning on when Buster is doing to look at

1075
00:55:53,920 --> 00:55:55,640
Speaker 1: me now Chris Brown and they can't catch it. No,

1076
00:55:55,920 --> 00:55:57,719
Speaker 1: listen to it now Now I thought they had it.

1077
00:55:57,920 --> 00:55:59,120
Speaker 1: We don't have it. Now they don't have it. But

1078
00:55:59,200 --> 00:56:00,759
Speaker 1: he did that verse last stain when I said he

1079
00:56:00,840 --> 00:56:04,160
Speaker 1: killed it him and splif Star killed it last night. Um,

1080
00:56:04,320 --> 00:56:05,759
Speaker 1: and that was hip hop fifty. I mean it was.

1081
00:56:05,840 --> 00:56:07,319
Speaker 1: It was great. It was like about a good six

1082
00:56:07,400 --> 00:56:09,399
Speaker 1: seven minutes. Now people in Atlanta didn't get to see

1083
00:56:09,400 --> 00:56:12,000
Speaker 1: the whole thing because for some reason Atlanta went to

1084
00:56:12,200 --> 00:56:14,680
Speaker 1: commercials in the middle of it. Really weird about some

1085
00:56:14,760 --> 00:56:18,960
Speaker 1: commercials in Atlanta. Cristas, yeah, recon but we probably got

1086
00:56:19,000 --> 00:56:20,640
Speaker 1: we got from Crystal commercials in there too, like we

1087
00:56:20,719 --> 00:56:22,960
Speaker 1: probably doubled up. It was amazing and I love the

1088
00:56:23,000 --> 00:56:25,000
Speaker 1: fact that it was multi generational because a lot of

1089
00:56:25,040 --> 00:56:27,239
Speaker 1: people in our culture put such an emphasis on youth

1090
00:56:27,320 --> 00:56:29,800
Speaker 1: when the reality is a youth is fleeting. You know

1091
00:56:29,840 --> 00:56:32,200
Speaker 1: what I'm saying. So what that performance should show you

1092
00:56:32,320 --> 00:56:34,880
Speaker 1: is that longevity is the goal. Because you got so

1093
00:56:34,920 --> 00:56:37,280
Speaker 1: many people that have been around for forty plush yards.

1094
00:56:37,719 --> 00:56:40,880
Speaker 1: Grandmaster Flash performed Furious five, but they last soul. It

1095
00:56:41,000 --> 00:56:45,439
Speaker 1: was I never been around for longer than forty years.

1096
00:56:46,239 --> 00:56:49,520
Speaker 1: I've been in the game for thirty. Yeah, I mean

1097
00:56:50,040 --> 00:56:54,480
Speaker 1: got to be fifty year game hip. I'm old and

1098
00:56:55,040 --> 00:56:57,680
Speaker 1: we all old. Yeah I am, oh, yeah, I keep forgetting.

1099
00:56:57,880 --> 00:57:01,680
Speaker 1: We do have the bus to Rome Chris Brown play

1100
00:57:01,680 --> 00:57:03,279
Speaker 1: that play Buster because Bust he killed the last night.

1101
00:57:05,920 --> 00:57:08,160
Speaker 1: I gotta try. They don't think about the thing to

1102
00:57:08,239 --> 00:57:12,600
Speaker 1: be little. This is my little. I don't people. I

1103
00:57:12,640 --> 00:57:14,719
Speaker 1: don't people to a couple of others always want to

1104
00:57:15,400 --> 00:57:23,200
Speaker 1: begin your but ain't saying something of people. Don't bust

1105
00:57:23,360 --> 00:57:27,880
Speaker 1: saying that damn thing. We gotta lick and I love.

1106
00:57:28,000 --> 00:57:30,320
Speaker 1: But but I'm not gonna see here act like I

1107
00:57:30,480 --> 00:57:37,600
Speaker 1: heard everything. He ain't saying that damn play again. But

1108
00:57:37,760 --> 00:57:43,720
Speaker 1: they ain't saying that damnata. I gotta try to think

1109
00:57:43,760 --> 00:57:46,280
Speaker 1: about the thing to be doing little bit right here.

1110
00:57:48,400 --> 00:57:50,320
Speaker 1: He didn't said a lot of it in the beginning

1111
00:57:50,720 --> 00:57:55,120
Speaker 1: when he didn't walk you're saying nothing. He does that often,

1112
00:57:55,160 --> 00:57:56,800
Speaker 1: by the way, now I've seen him do that verse

1113
00:57:57,040 --> 00:57:59,080
Speaker 1: when he's doing damn that every word verbatim. I saw

1114
00:57:59,160 --> 00:58:01,120
Speaker 1: him doing it on Big Boy, right, but on stage,

1115
00:58:01,600 --> 00:58:04,840
Speaker 1: don't be saying nothing. Yeah, last night he definitely there

1116
00:58:04,960 --> 00:58:07,560
Speaker 1: was a few got that got tumbled in there, but

1117
00:58:07,840 --> 00:58:10,960
Speaker 1: overall heed it though from the energy, but he sounded

1118
00:58:11,000 --> 00:58:12,720
Speaker 1: like how to close caption and read when you put

1119
00:58:14,040 --> 00:58:17,520
Speaker 1: off his verse. And then lastly, uh, this is was

1120
00:58:17,560 --> 00:58:21,120
Speaker 1: probably one of the saddest moments last night when they

1121
00:58:21,160 --> 00:58:23,200
Speaker 1: did the dedications to all the people that was falling,

1122
00:58:23,240 --> 00:58:26,640
Speaker 1: all the people that passed away, and Quabo of course

1123
00:58:26,720 --> 00:58:35,040
Speaker 1: did his this is how you want to I wish

1124
00:58:35,080 --> 00:58:38,840
Speaker 1: I had a time on shait so you get taken

1125
00:58:39,160 --> 00:58:44,320
Speaker 1: rode with around that whole your time field so you

1126
00:58:44,440 --> 00:58:55,840
Speaker 1: get what that is that new music you heard? Yeah

1127
00:58:55,880 --> 00:58:58,880
Speaker 1: that's a quable dedication to take off? Yeah, yeah, yeah,

1128
00:58:59,840 --> 00:59:02,480
Speaker 1: the terrible note to end on Indy my God, alright,

1129
00:59:02,880 --> 00:59:05,520
Speaker 1: christ rest in peace? Takeoff. Absolutely, it's not you know

1130
00:59:05,560 --> 00:59:08,720
Speaker 1: what I liked about that though they did the Memorium

1131
00:59:09,400 --> 00:59:12,400
Speaker 1: segment during his performance. So it was his performance and

1132
00:59:12,560 --> 00:59:14,840
Speaker 1: some country artists came on and they did like the

1133
00:59:14,880 --> 00:59:18,240
Speaker 1: whole in memorium during that time. Yes, so they saluted,

1134
00:59:18,320 --> 00:59:26,240
Speaker 1: uh you know everybody that not everybody? What Yeah, so

1135
00:59:26,400 --> 00:59:29,360
Speaker 1: you say that m memorial in the memorial is that

1136
00:59:29,560 --> 00:59:32,080
Speaker 1: when they salute all the people who have passed, when

1137
00:59:32,080 --> 00:59:34,360
Speaker 1: they honor all the people who are passed and the memorial,

1138
00:59:34,880 --> 00:59:37,520
Speaker 1: that's more. You're talking about UFC or something. I don't

1139
00:59:37,520 --> 00:59:41,320
Speaker 1: know what you're trying to say, mm castled. I was

1140
00:59:41,400 --> 00:59:44,640
Speaker 1: just I'm curious they missed some some people right last night.

1141
00:59:44,800 --> 00:59:48,240
Speaker 1: People certain things and I asked questions, Yes, as you should. Yeah,

1142
00:59:48,840 --> 00:59:53,160
Speaker 1: Hovan Hilton saluted my guy. You know what I mean. Listen,

1143
00:59:53,640 --> 00:59:56,960
Speaker 1: I don't expect the Grammys them honor all our people,

1144
00:59:57,440 --> 00:59:58,920
Speaker 1: you know, but I do expect, you know, to be

1145
00:59:59,080 --> 01:00:01,480
Speaker 1: the awards to get right absolutely, you know. Coming up

1146
01:00:01,680 --> 01:00:04,800
Speaker 1: absolutely out to BT, we got we got stuff going

1147
01:00:04,840 --> 01:00:07,360
Speaker 1: on death for BT. A one weekend was such just

1148
01:00:07,640 --> 01:00:09,880
Speaker 1: multiple things. But yeah, oh yeah you on College Hill,

1149
01:00:10,120 --> 01:00:14,160
Speaker 1: Yeah one that's gonna be a big one. Dropping a

1150
01:00:14,200 --> 01:00:18,480
Speaker 1: cluey love Tracy. All right, well, you give me your

1151
01:00:18,520 --> 01:00:20,440
Speaker 1: donkey to show man Man four after the hour, Let's

1152
01:00:20,440 --> 01:00:23,680
Speaker 1: talk chicken and watermelon. It is Black History Month. That's

1153
01:00:23,680 --> 01:00:26,360
Speaker 1: where we go. Yes, well we'll discuss four after the hour.

1154
01:00:27,280 --> 01:00:33,320
Speaker 1: Watermelon isn't that good? But great, we're gonna talk about it. Said,

1155
01:00:33,840 --> 01:00:36,640
Speaker 1: I love that you're gonna talk about it. Yeah. Just

1156
01:00:36,680 --> 01:00:39,840
Speaker 1: a breakfast club. Go morning the breakfast club. Your mornings

1157
01:00:39,880 --> 01:00:44,560
Speaker 1: will never be the same. Thank you for synthesizers, instant replay,

1158
01:00:44,680 --> 01:00:47,960
Speaker 1: peanut butter and standard time. Are these just words strugging

1159
01:00:47,960 --> 01:00:50,840
Speaker 1: together or is it just some connection between them? I

1160
01:00:50,960 --> 01:00:54,000
Speaker 1: don't have the answer, but Crown Royal does. Curious. Well,

1161
01:00:54,160 --> 01:00:56,560
Speaker 1: that's an itch. You can scratch this Super Bowl Sunday.

1162
01:00:56,680 --> 01:01:03,280
Speaker 1: Please drink responsibly. This is a miracle, there is no question.

1163
01:01:03,360 --> 01:01:08,160
Speaker 1: And there are problems in this country between police and community. Yes,

1164
01:01:08,880 --> 01:01:12,680
Speaker 1: you are a donkey. The latest on that police killing

1165
01:01:12,720 --> 01:01:14,400
Speaker 1: of a black man now a new developments in the

1166
01:01:14,440 --> 01:01:17,240
Speaker 1: deadly spawshooting rampage. Was a really bad day for him

1167
01:01:17,280 --> 01:01:19,440
Speaker 1: and this is what he did, and so we are

1168
01:01:19,600 --> 01:01:23,880
Speaker 1: in a state of emergency. Okay, White supremacist violence is

1169
01:01:23,960 --> 01:01:26,960
Speaker 1: it always has been the number one threat to our society.

1170
01:01:27,040 --> 01:01:29,400
Speaker 1: But I'm also very proud that my wife was white.

1171
01:01:31,080 --> 01:01:34,400
Speaker 1: The breakfast club bitches. All right, please tell me why

1172
01:01:34,680 --> 01:01:38,120
Speaker 1: was I your Donkey of the Day? Wow? Donkey today

1173
01:01:38,160 --> 01:01:40,840
Speaker 1: for Monday, February six goes to Arab Mark. Arab Mark

1174
01:01:40,960 --> 01:01:43,960
Speaker 1: is a food service company that provides meals to the

1175
01:01:44,080 --> 01:01:46,840
Speaker 1: district of Nayak, New York and other places. And that's

1176
01:01:46,880 --> 01:01:48,880
Speaker 1: what they did on the first day of Black History Month,

1177
01:01:48,920 --> 01:01:51,600
Speaker 1: providing meals. Let me tell you something. On Friday, I

1178
01:01:51,640 --> 01:01:54,000
Speaker 1: gave Donkey the Day to Turning Point USA at Clemson

1179
01:01:54,120 --> 01:01:56,880
Speaker 1: for having an Affirmative Action bake sale. I'd be lying

1180
01:01:56,960 --> 01:02:00,120
Speaker 1: to you if I said I wasn't entertained by all

1181
01:02:00,120 --> 01:02:03,040
Speaker 1: the ways people stumbled their way through honoring Black History Month.

1182
01:02:03,080 --> 01:02:05,040
Speaker 1: And the only reason I'm giving Aaron Mark donkey to

1183
01:02:05,080 --> 01:02:07,480
Speaker 1: day is not because what they did was so egregious.

1184
01:02:07,800 --> 01:02:10,080
Speaker 1: It's just that this is one of those things that

1185
01:02:10,200 --> 01:02:12,440
Speaker 1: by now people should have figured out. Okay, See on

1186
01:02:12,480 --> 01:02:14,840
Speaker 1: the Black History Month menu, Aaron Mark had a Philly

1187
01:02:14,920 --> 01:02:17,520
Speaker 1: cheese steak, broccoli and fresh fruit. That's what was on

1188
01:02:17,600 --> 01:02:19,760
Speaker 1: the schools lunch calendar. That's what people thought they were

1189
01:02:19,800 --> 01:02:22,200
Speaker 1: gonna eat. But they decided since it was Black History

1190
01:02:22,280 --> 01:02:25,200
Speaker 1: Month to change the menu. At the last minute. Would

1191
01:02:25,200 --> 01:02:27,240
Speaker 1: you like to know what they ordered before I go

1192
01:02:27,400 --> 01:02:29,200
Speaker 1: to the news report. I just want to ask the room,

1193
01:02:29,280 --> 01:02:30,600
Speaker 1: ray J, what do you think they ordered for the

1194
01:02:30,600 --> 01:02:37,400
Speaker 1: first day of Black History muff? They ordered, we think

1195
01:02:37,400 --> 01:02:41,760
Speaker 1: of black people? What you think food? Don't worry about it, Raygie.

1196
01:02:42,760 --> 01:02:45,360
Speaker 1: Just the fact that you don't have an answer is good, right. Yeah,

1197
01:02:45,720 --> 01:02:48,600
Speaker 1: I don't want to. I don't want I don't want

1198
01:02:48,640 --> 01:02:52,320
Speaker 1: to have an answer for that. Behind the scenes, he said.

1199
01:02:52,440 --> 01:02:54,840
Speaker 1: Behind the scenes, he said Roscoe's chicken and waffles and watermelon.

1200
01:02:55,320 --> 01:02:57,240
Speaker 1: But I'm not gonna I'm not gonna put the no.

1201
01:02:57,440 --> 01:03:00,720
Speaker 1: You said chicken and watermelon, and then and then I want, well,

1202
01:03:00,840 --> 01:03:02,920
Speaker 1: isn't that And then you said what ray J? And

1203
01:03:03,000 --> 01:03:06,480
Speaker 1: I went Roscolle's chicken and waffles and watermelons. Let's go

1204
01:03:06,560 --> 01:03:13,320
Speaker 1: to very happy that he spoke up. Yeah, I am

1205
01:03:13,800 --> 01:03:18,400
Speaker 1: a mother reassuring her daughter after a racially insensitive lunch

1206
01:03:18,440 --> 01:03:22,000
Speaker 1: option was served at Nike Middle School the first day

1207
01:03:22,240 --> 01:03:26,000
Speaker 1: of Black History Month. Instead of Philly cheese, steak, broccoli

1208
01:03:26,120 --> 01:03:30,240
Speaker 1: and fresh fruit, Aramark, the food service company that provides

1209
01:03:30,320 --> 01:03:34,320
Speaker 1: meals to the district, served chicken and waffles and watermelon

1210
01:03:34,640 --> 01:03:38,880
Speaker 1: in a statement to a remark apologized for the insensitivity, saying,

1211
01:03:39,000 --> 01:03:41,920
Speaker 1: in part, while our menu was not intended as a

1212
01:03:42,000 --> 01:03:46,000
Speaker 1: cultural meal, we acknowledged that the timing was inappropriate and

1213
01:03:46,160 --> 01:03:49,000
Speaker 1: our team should have been more thoughtful in its service.

1214
01:03:49,440 --> 01:03:52,200
Speaker 1: But this isn't the first time our Mark found itself

1215
01:03:52,280 --> 01:03:56,600
Speaker 1: in hot water. Back in twenty eighteen, another racially insensitive

1216
01:03:56,640 --> 01:04:00,080
Speaker 1: meal was served at New York University during Black History On.

1217
01:04:00,640 --> 01:04:05,200
Speaker 1: It included barbecued ribs, colored greens, corn bread, kool aid,

1218
01:04:05,400 --> 01:04:10,000
Speaker 1: and watermelon flavored water. When called out, the company apologized

1219
01:04:10,120 --> 01:04:13,880
Speaker 1: and workers were fired. What's wrong right? What? What? What?

1220
01:04:15,640 --> 01:04:18,880
Speaker 1: What's wrong? What? Right? You laugh? You gotta see right

1221
01:04:18,920 --> 01:04:24,320
Speaker 1: behind the seat. He's like, what's wrong with you? Laughed?

1222
01:04:24,360 --> 01:04:26,760
Speaker 1: And you bade me laughing. Then I'm laughing later when

1223
01:04:26,920 --> 01:04:31,400
Speaker 1: we back live, it was just like, I mean, it's

1224
01:04:31,480 --> 01:04:34,240
Speaker 1: it's a it's a it sounds tasty, it's making you hungry.

1225
01:04:35,000 --> 01:04:37,560
Speaker 1: Where it was it was good. The kool aid was

1226
01:04:37,600 --> 01:04:45,520
Speaker 1: a little rough, like the kool aid hit was rough,

1227
01:04:45,720 --> 01:04:47,400
Speaker 1: like with it, like it could have just been like

1228
01:04:47,960 --> 01:04:51,920
Speaker 1: a strawberry, like you know, special drink thing. Aaron Mark

1229
01:04:52,080 --> 01:04:53,960
Speaker 1: is making a rookie mistake at this point, like We've

1230
01:04:54,000 --> 01:04:56,520
Speaker 1: seen this one enough times to know that this was

1231
01:04:56,560 --> 01:05:00,520
Speaker 1: gonna cause social media backlash. So right, I think to

1232
01:05:00,680 --> 01:05:04,720
Speaker 1: add the watermelon in the chicken like the chicken waffle. Well,

1233
01:05:04,760 --> 01:05:06,560
Speaker 1: we'll get to that, and I want to talk about

1234
01:05:06,600 --> 01:05:09,160
Speaker 1: that and the Wow, I actually want to talk about that,

1235
01:05:09,160 --> 01:05:11,680
Speaker 1: because we've seen this enough times to know that the

1236
01:05:11,800 --> 01:05:14,120
Speaker 1: woke Tang clan that exists in these schools was gonna

1237
01:05:14,160 --> 01:05:15,920
Speaker 1: have a problem with this. But this is what your

1238
01:05:16,040 --> 01:05:18,000
Speaker 1: uncle Shaw is here for. See. I've told y'all a

1239
01:05:18,040 --> 01:05:20,240
Speaker 1: million times on this radio, we have to rethink this

1240
01:05:20,400 --> 01:05:23,800
Speaker 1: chicken and watermelon stereotype because the only reason we embrace

1241
01:05:23,880 --> 01:05:26,440
Speaker 1: it as a stereotype is because white men who are

1242
01:05:26,520 --> 01:05:29,480
Speaker 1: upset at our progression, made it a stereotype. I've told

1243
01:05:29,560 --> 01:05:31,440
Speaker 1: y'all this a million times, so much so that I

1244
01:05:31,440 --> 01:05:33,400
Speaker 1: don't even have to repeat myself. I can just flash

1245
01:05:33,480 --> 01:05:35,080
Speaker 1: back to one of the last times I said it,

1246
01:05:35,240 --> 01:05:37,000
Speaker 1: and you won't even know it's a flashback because I

1247
01:05:37,040 --> 01:05:38,800
Speaker 1: didn't have an old job like DJ and be so

1248
01:05:38,920 --> 01:05:44,640
Speaker 1: my voice sounds the same because it's okay, it's okay,

1249
01:05:45,280 --> 01:05:47,840
Speaker 1: would you like this lesson again? Because it is black history? Well,

1250
01:05:47,880 --> 01:05:50,959
Speaker 1: so it's the perfect time to teach our history. Chicken

1251
01:05:51,000 --> 01:05:53,400
Speaker 1: and watermelons is a stereotype. But why is it. Listen

1252
01:05:53,440 --> 01:05:55,919
Speaker 1: to your old uncle Shawl, explain why it is. Listen,

1253
01:05:56,800 --> 01:05:59,200
Speaker 1: this is what they said about watermelon. This is from

1254
01:05:59,200 --> 01:06:01,800
Speaker 1: an article written in twenty fourteen for The Atlantic by

1255
01:06:01,880 --> 01:06:05,280
Speaker 1: William Black. William Black says the stereotype that African Americans

1256
01:06:05,320 --> 01:06:09,240
Speaker 1: are excessively fond of watermelon emerged for a specific historical

1257
01:06:09,320 --> 01:06:12,840
Speaker 1: reason and served a specific political purpose. The trope came

1258
01:06:12,880 --> 01:06:16,320
Speaker 1: in full force when slaves won their emancipation during the

1259
01:06:16,440 --> 01:06:21,320
Speaker 1: Civil War. Free black people grew eight and sold watermelons,

1260
01:06:21,520 --> 01:06:23,560
Speaker 1: and in doing so made the fruit a symbol of

1261
01:06:23,600 --> 01:06:28,200
Speaker 1: their freedom. Sovereign whites, threatened by Black's newfound freedom, responded

1262
01:06:28,240 --> 01:06:34,240
Speaker 1: by making the fruit a symbol of Black people's perceived uncleanliness, laziness, childishness,

1263
01:06:34,360 --> 01:06:39,160
Speaker 1: and unwanted public presence. Listen interested, I looked up chicken right.

1264
01:06:39,320 --> 01:06:41,680
Speaker 1: Claire Smith's, a professor at the University of Missouri who

1265
01:06:41,720 --> 01:06:44,360
Speaker 1: studies raising folklore, said chickens had long been a part

1266
01:06:44,440 --> 01:06:47,760
Speaker 1: of sovereign diets, but they had a particular utility for slaves.

1267
01:06:47,800 --> 01:06:50,600
Speaker 1: They were cheap, easy to feed, and a good source

1268
01:06:50,640 --> 01:06:54,280
Speaker 1: of meat, but smith says came Birth of a Nation,

1269
01:06:54,320 --> 01:06:56,760
Speaker 1: a silent movie from nineteen fifteen that showed the founding

1270
01:06:56,800 --> 01:06:59,000
Speaker 1: of the Ku Klux Klan. One scene in the movie

1271
01:06:59,040 --> 01:07:01,800
Speaker 1: features a group of act is portraying shiftless black elected

1272
01:07:01,840 --> 01:07:05,280
Speaker 1: officials acting rowdy and crudely in a legislative hall. The

1273
01:07:05,360 --> 01:07:07,760
Speaker 1: message to the audience, these are the dangers of letting

1274
01:07:07,800 --> 01:07:11,560
Speaker 1: blacks vote, sound familiar. Some of the legislators have shown drinking,

1275
01:07:12,120 --> 01:07:14,280
Speaker 1: others had their feet kicked up on their desk, and

1276
01:07:14,480 --> 01:07:19,000
Speaker 1: one of them was very ostentatiously eating fried chicken. That image,

1277
01:07:19,400 --> 01:07:22,160
Speaker 1: says Claire Smiths, really solidified the way white people thought

1278
01:07:22,200 --> 01:07:26,160
Speaker 1: of black people. And fried chicken. Smith said that, like watermelon,

1279
01:07:26,880 --> 01:07:29,280
Speaker 1: that other food that's been a mainstay in racist depictions

1280
01:07:29,320 --> 01:07:32,000
Speaker 1: of blacks, chicken was also a good vehicle for racism

1281
01:07:32,040 --> 01:07:34,040
Speaker 1: because of the way people eat it. It's a food

1282
01:07:34,080 --> 01:07:37,640
Speaker 1: you eat with your hands, and therefore it's dirty. Table

1283
01:07:37,720 --> 01:07:40,720
Speaker 1: manners are a way of determining who is worthy of respect,

1284
01:07:40,800 --> 01:07:45,320
Speaker 1: are not. In quote did you learn something? Ray Jisel

1285
01:07:46,600 --> 01:07:50,600
Speaker 1: turn his mic on did you learn something? Yeah? I

1286
01:07:52,520 --> 01:07:56,880
Speaker 1: learned something. I did I learned something. It it's just

1287
01:07:57,600 --> 01:07:59,840
Speaker 1: I don't know, it's just such a thin line between

1288
01:08:00,080 --> 01:08:02,720
Speaker 1: it is not we let our pressure all. I meaning

1289
01:08:02,800 --> 01:08:05,680
Speaker 1: like I like watermelon as you should like, I love

1290
01:08:05,800 --> 01:08:07,680
Speaker 1: my reason not to like say I like to be

1291
01:08:07,760 --> 01:08:09,560
Speaker 1: a symbol of freedom, for that's what I'm saying. So

1292
01:08:09,640 --> 01:08:13,040
Speaker 1: where the chicken waffles and watermelon? Because I mean, that's

1293
01:08:13,080 --> 01:08:15,880
Speaker 1: a good combination of me a fantastic man with syrup

1294
01:08:15,960 --> 01:08:18,800
Speaker 1: and on the watermelon that's disgusting. No, I'm just saying,

1295
01:08:18,880 --> 01:08:20,719
Speaker 1: like if it got that's a little bit got dripped

1296
01:08:20,760 --> 01:08:22,599
Speaker 1: on there when you like trying to mix them all together.

1297
01:08:22,640 --> 01:08:25,960
Speaker 1: You got the chicken wafle. The watermelon was in there too,

1298
01:08:26,040 --> 01:08:28,200
Speaker 1: and it was just coming y'all. Let y'all a pressure.

1299
01:08:28,600 --> 01:08:30,920
Speaker 1: Shame y'all into thinking that chicken and watermelon with a

1300
01:08:31,000 --> 01:08:34,200
Speaker 1: negative stereotype, and the reality of the situation is chicken watermelon.

1301
01:08:34,280 --> 01:08:36,360
Speaker 1: As ray J just said, it's just delicious. That's what

1302
01:08:36,479 --> 01:08:39,120
Speaker 1: I was trying to say from the beginning, nothing more,

1303
01:08:39,240 --> 01:08:41,360
Speaker 1: nothing less. And I don't understand how y'all can take

1304
01:08:41,400 --> 01:08:43,439
Speaker 1: the N word, a word that was just the racial

1305
01:08:43,520 --> 01:08:45,920
Speaker 1: slur that racist whites used and still use as a

1306
01:08:45,960 --> 01:08:48,840
Speaker 1: derogatory term and flip that into something positive. And some

1307
01:08:48,960 --> 01:08:52,000
Speaker 1: of y'all tell the world, no, that's our word. It's hards.

1308
01:08:52,240 --> 01:08:54,280
Speaker 1: Y'all took that negative ass word and made it a

1309
01:08:54,360 --> 01:08:57,120
Speaker 1: term of endearment. But things that God actually created, like

1310
01:08:57,280 --> 01:09:00,519
Speaker 1: chickens and watermelons that are delicious that we made money of, y'all.

1311
01:09:00,560 --> 01:09:02,880
Speaker 1: Let those racist Southern whites turn those things into a

1312
01:09:02,960 --> 01:09:04,960
Speaker 1: negative y'all. Let those Southern whites turned down into a

1313
01:09:05,120 --> 01:09:08,120
Speaker 1: racist trope, and y'all just accepted it. Y'all, literally, let

1314
01:09:08,240 --> 01:09:10,920
Speaker 1: someone shame you for doing something good. You literally let

1315
01:09:11,000 --> 01:09:13,760
Speaker 1: someone shame you for being an entrepreneur. You're supposed to

1316
01:09:13,800 --> 01:09:15,800
Speaker 1: look at those Southern whites the same way we look

1317
01:09:15,800 --> 01:09:18,120
Speaker 1: at negroes who clowned other negroes for going to college,

1318
01:09:18,439 --> 01:09:21,760
Speaker 1: for reading, for having a legit occupation. But with all

1319
01:09:21,800 --> 01:09:24,240
Speaker 1: of that said, our mark, come on, you have to

1320
01:09:24,320 --> 01:09:27,680
Speaker 1: know better, Okay, until we can change the narrative back

1321
01:09:27,880 --> 01:09:30,800
Speaker 1: the chicken and watermelon not being the stereotype, you got

1322
01:09:30,840 --> 01:09:33,760
Speaker 1: to know better. I agree, I agree, And you know

1323
01:09:34,000 --> 01:09:37,640
Speaker 1: chicken and watermelon and you throwing the waffles too. I

1324
01:09:37,720 --> 01:09:40,360
Speaker 1: mean that Comlar Nation is off the chain, Delicia. You

1325
01:09:40,400 --> 01:09:42,200
Speaker 1: would love to have that out a party instead of

1326
01:09:42,280 --> 01:09:47,080
Speaker 1: asparagus and some chicken and something some lamb chops or

1327
01:09:47,120 --> 01:09:50,519
Speaker 1: something like that. Lam chops is good, lamb chops, lamb chops.

1328
01:09:51,000 --> 01:09:53,040
Speaker 1: Please give Aaron Mark the sweet sounds and the hamletons

1329
01:09:53,320 --> 01:10:14,040
Speaker 1: like ge I just took it wrong. Let's open up

1330
01:10:14,040 --> 01:10:15,920
Speaker 1: the phone line, all right, let's do it. Eight hundred

1331
01:10:16,040 --> 01:10:18,120
Speaker 1: five A five one on five one. What's the question?

1332
01:10:18,360 --> 01:10:23,559
Speaker 1: The question? Uh, can we turn chicken and watermelon back

1333
01:10:23,600 --> 01:10:26,280
Speaker 1: to what it originally was? Good food? Do we have

1334
01:10:26,400 --> 01:10:29,160
Speaker 1: to continue just to make it a racist trope? Do

1335
01:10:29,240 --> 01:10:31,840
Speaker 1: we have to continue to look at it as the stereotype?

1336
01:10:31,840 --> 01:10:34,200
Speaker 1: Do we have to continue to be upset when people

1337
01:10:34,280 --> 01:10:38,000
Speaker 1: put chicken and watermelon on the menu, knowing that watermelon

1338
01:10:38,160 --> 01:10:41,040
Speaker 1: was a symbol of freedom, knowing that we used to

1339
01:10:41,120 --> 01:10:45,639
Speaker 1: make money off chicken, and our oppressors literally literally shamed

1340
01:10:45,760 --> 01:10:48,479
Speaker 1: us into thinking that chicken and watermelon was a negative stereotype.

1341
01:10:48,479 --> 01:10:51,000
Speaker 1: And reality of the situation is chicken and watermelon where

1342
01:10:51,000 --> 01:10:53,320
Speaker 1: symbols of frying for us. Let's let's put the phone

1343
01:10:53,520 --> 01:10:55,680
Speaker 1: Let's have that that that conversation. Eight hundred five A

1344
01:10:55,800 --> 01:10:57,400
Speaker 1: five one five one. Let me ask you a question

1345
01:10:57,600 --> 01:11:00,519
Speaker 1: before we go. Okay, your daughters school sell brace Black

1346
01:11:00,560 --> 01:11:03,000
Speaker 1: History Month and they tell you for Friday they do

1347
01:11:03,080 --> 01:11:05,280
Speaker 1: in chicken, waffles and watermelon. How do you feel I

1348
01:11:05,320 --> 01:11:07,800
Speaker 1: need to I'm gonna feel a little way just that.

1349
01:11:08,600 --> 01:11:10,200
Speaker 1: Let's talk about because I need to know your intention.

1350
01:11:10,280 --> 01:11:12,599
Speaker 1: I know what, I know what I know the meaning

1351
01:11:12,680 --> 01:11:14,600
Speaker 1: behind chicken and watermelon, But I want to know what

1352
01:11:14,960 --> 01:11:17,360
Speaker 1: these the school's intention is. Why do y'all think it's

1353
01:11:17,400 --> 01:11:19,880
Speaker 1: black y'all servant and black people like chicken? But if no,

1354
01:11:20,000 --> 01:11:22,120
Speaker 1: But what if you ask that question? What if you

1355
01:11:22,160 --> 01:11:24,320
Speaker 1: ask the administration that question? And then they break down

1356
01:11:24,360 --> 01:11:26,799
Speaker 1: what I just broke down about watermelon being a symbol

1357
01:11:26,800 --> 01:11:28,320
Speaker 1: of freedom, and what if they give the kids that

1358
01:11:28,479 --> 01:11:31,559
Speaker 1: lesson with the meal what they say it is like chicken,

1359
01:11:31,840 --> 01:11:33,360
Speaker 1: that's a little different. I need to know how you

1360
01:11:33,400 --> 01:11:36,080
Speaker 1: come to that conclusion. That's ideology at the end of

1361
01:11:36,080 --> 01:11:39,720
Speaker 1: the day. To educate that you use that word, I

1362
01:11:39,760 --> 01:11:41,200
Speaker 1: don't know if you did. It don't sound like you

1363
01:11:41,240 --> 01:11:43,599
Speaker 1: did well. It's education. It sounds like the way your

1364
01:11:43,640 --> 01:11:47,240
Speaker 1: headphones look is how you seem like you that word okay,

1365
01:11:48,120 --> 01:11:51,560
Speaker 1: bray headphond. But what I'm saying is to be knowledgeable

1366
01:11:51,600 --> 01:11:53,840
Speaker 1: on everything, like if you broke down what it was there,

1367
01:11:53,920 --> 01:11:56,840
Speaker 1: You go while you're servant is boom. Then you give

1368
01:11:56,920 --> 01:11:59,240
Speaker 1: them the education that they need to understand it and

1369
01:11:59,360 --> 01:12:02,040
Speaker 1: love it. It doesn't go viral wrong, it goes viral. Ryan,

1370
01:12:02,080 --> 01:12:04,000
Speaker 1: they're smart. But let's talk about it when we come back.

1371
01:12:04,520 --> 01:12:07,400
Speaker 1: Ray j z gus host and it's the breakfast logan

1372
01:12:07,479 --> 01:12:13,559
Speaker 1: morning waked that ass up nine about to go crazy.

1373
01:12:13,960 --> 01:12:17,559
Speaker 1: But this Ray J and I've officially joined the breakfast club.

1374
01:12:18,360 --> 01:12:23,800
Speaker 1: The breakfast club because Ray has kids. Yeah, there's the

1375
01:12:23,880 --> 01:12:25,960
Speaker 1: chicken and watermelon stereotype of fin you once you know

1376
01:12:26,080 --> 01:12:29,719
Speaker 1: the history of the chicken and watermelon No J school,

1377
01:12:29,840 --> 01:12:32,599
Speaker 1: It makes me want to go. It makes me think

1378
01:12:32,640 --> 01:12:35,479
Speaker 1: about how you said it to educate people while servants

1379
01:12:35,880 --> 01:12:40,360
Speaker 1: four and and you're paying homage to you know, entrepreneurs

1380
01:12:40,400 --> 01:12:42,240
Speaker 1: who used to you know, have this on the menu

1381
01:12:42,360 --> 01:12:45,320
Speaker 1: and made money off this food. And this is there

1382
01:12:45,320 --> 01:12:46,840
Speaker 1: any type of food that would make you feel a

1383
01:12:46,880 --> 01:12:49,280
Speaker 1: way like if if your kids school. The only thing

1384
01:12:49,479 --> 01:12:52,479
Speaker 1: that that kind of made it weird all the way

1385
01:12:52,680 --> 01:12:56,519
Speaker 1: was when she added in kool aid. White people drink

1386
01:12:56,560 --> 01:12:59,040
Speaker 1: kol aid. No, no, no, no, it's just kool aid.

1387
01:12:59,320 --> 01:13:02,240
Speaker 1: Was just it really tipped it over from what I'm saying.

1388
01:13:02,280 --> 01:13:06,160
Speaker 1: But but other than that, even I love and I

1389
01:13:06,280 --> 01:13:08,479
Speaker 1: love it with all the half to sugar in there,

1390
01:13:08,560 --> 01:13:12,240
Speaker 1: like all of it. Okay, Charlemagne. No, That's why I

1391
01:13:12,360 --> 01:13:14,800
Speaker 1: keep trying to explain to your watermelons and your kids

1392
01:13:14,800 --> 01:13:18,760
Speaker 1: school have fried chicken and waffles. If fla Rage just said,

1393
01:13:18,880 --> 01:13:20,880
Speaker 1: there's a lesson behind it, I need to know the

1394
01:13:20,960 --> 01:13:24,040
Speaker 1: intention of you serving my kids chicken and watermelon, because

1395
01:13:24,080 --> 01:13:26,200
Speaker 1: I know the history of chicken and watermelon. I know

1396
01:13:26,320 --> 01:13:28,479
Speaker 1: that watermelon used to be a symbol of freedom. I

1397
01:13:28,600 --> 01:13:30,519
Speaker 1: know that the trope came to be when slaves when

1398
01:13:30,560 --> 01:13:33,320
Speaker 1: they're a mancipatient during the Civil War. I know that

1399
01:13:33,400 --> 01:13:36,400
Speaker 1: we used to grow, eat, and sell watermelons, and we

1400
01:13:36,520 --> 01:13:39,960
Speaker 1: made watermelon a symbol of freedom, you know what I mean.

1401
01:13:40,280 --> 01:13:42,400
Speaker 1: I know that same thing with with with fried chicken.

1402
01:13:42,439 --> 01:13:44,519
Speaker 1: I know the negative depiction of frid Chicken came because

1403
01:13:44,840 --> 01:13:47,559
Speaker 1: it was putting that old as D. W. Griffith movie

1404
01:13:47,680 --> 01:13:52,000
Speaker 1: from nineteen fifteen, and they were trying to discourage black people.

1405
01:13:52,640 --> 01:13:54,679
Speaker 1: They were trying to paint a negative picture of black

1406
01:13:54,720 --> 01:13:56,760
Speaker 1: people who vote right because they were saying, if this

1407
01:13:56,880 --> 01:13:58,360
Speaker 1: this is what's gonna happen. If you get a bunch

1408
01:13:58,360 --> 01:14:00,840
Speaker 1: of politicians, a black politics in the office, they're gonna

1409
01:14:00,840 --> 01:14:03,960
Speaker 1: be dirty and unclean, and lady, I know that. So

1410
01:14:04,120 --> 01:14:07,280
Speaker 1: being that I know that the our oppressor made these

1411
01:14:07,400 --> 01:14:11,519
Speaker 1: things a negative, I have no problem. So what is

1412
01:14:12,000 --> 01:14:14,360
Speaker 1: what is our heritage when it comes to food, right,

1413
01:14:14,400 --> 01:14:17,080
Speaker 1: Because if it's Asian Heritage Month, they have Asian food

1414
01:14:17,120 --> 01:14:20,120
Speaker 1: that is that Asian people eat, right, and they could

1415
01:14:20,120 --> 01:14:22,160
Speaker 1: be like, well, that's not all we eat. Or if

1416
01:14:22,240 --> 01:14:25,440
Speaker 1: there's a Latino Heritage Month, that might be stuff that latinos.

1417
01:14:28,760 --> 01:14:32,559
Speaker 1: So what is our stuff that we don't feel about

1418
01:14:32,600 --> 01:14:36,080
Speaker 1: what you just said. It's so perfect because literally our

1419
01:14:36,160 --> 01:14:39,600
Speaker 1: heritage is could be chicken and watermelon. Because of the

1420
01:14:39,800 --> 01:14:43,439
Speaker 1: history of chicken and water you should we be upset? No,

1421
01:14:43,880 --> 01:14:46,360
Speaker 1: that's my point. But it has to be intention. What

1422
01:14:46,560 --> 01:14:48,640
Speaker 1: is the intention behind it? That's what everybody has to

1423
01:14:48,680 --> 01:14:51,080
Speaker 1: start doing when they start serving these things. Tell us

1424
01:14:51,160 --> 01:14:54,120
Speaker 1: the intention behind it. Tell us the story of watermelon

1425
01:14:54,240 --> 01:14:55,720
Speaker 1: used to be a symbol of freedom, and tell us

1426
01:14:55,760 --> 01:14:58,200
Speaker 1: the story of fried chicken and how it became a

1427
01:14:58,320 --> 01:15:01,400
Speaker 1: negative stereotype because of dau have Indian heritage and they

1428
01:15:01,479 --> 01:15:03,640
Speaker 1: have Indian food and and you know, whatever it may be.

1429
01:15:03,800 --> 01:15:07,080
Speaker 1: But you know y'all have but lutt but but not no,

1430
01:15:07,600 --> 01:15:09,600
Speaker 1: I have but last night but not but not but

1431
01:15:10,400 --> 01:15:14,400
Speaker 1: but but lutt. It's it's like the egg the chicken.

1432
01:15:14,520 --> 01:15:18,559
Speaker 1: The little baby egg is in the baby chicken. It's

1433
01:15:18,560 --> 01:15:20,519
Speaker 1: not a Filipino dish. I hope I'm saying it right. Yeah,

1434
01:15:20,560 --> 01:15:23,519
Speaker 1: you're drinking kind I did have that. I had that.

1435
01:15:23,960 --> 01:15:26,120
Speaker 1: I had that with a Timothy Day laghetto one time,

1436
01:15:26,760 --> 01:15:30,080
Speaker 1: checking a dobe with the cold adobeo. You know, all

1437
01:15:30,120 --> 01:15:31,679
Speaker 1: of that kind of stuff. That's just something I'm saying

1438
01:15:31,680 --> 01:15:35,080
Speaker 1: it to say, that's that's in the Filipino got your culture?

1439
01:15:35,160 --> 01:15:37,320
Speaker 1: So what is our What is our food? All right? Yeah,

1440
01:15:37,360 --> 01:15:39,280
Speaker 1: that's that's my question. So yeah, you're in the South, right,

1441
01:15:39,320 --> 01:15:41,599
Speaker 1: so I'm sure that you have family members cook chicklings.

1442
01:15:42,479 --> 01:15:44,320
Speaker 1: I do not like chiling. But I don't like chilings,

1443
01:15:44,479 --> 01:15:48,400
Speaker 1: but my mom used to come, Yeah, that was a

1444
01:15:48,479 --> 01:15:50,880
Speaker 1: Southern thing, my mom. You know, folks, not good for you.

1445
01:15:50,960 --> 01:15:54,960
Speaker 1: But also to the pig was you know, we use

1446
01:15:55,080 --> 01:15:57,160
Speaker 1: all parts of the pig because we that was like

1447
01:15:57,240 --> 01:15:58,960
Speaker 1: the leftover. That was the only thing that we had

1448
01:15:59,280 --> 01:16:01,479
Speaker 1: got clank feel what I mean? So that this history

1449
01:16:01,520 --> 01:16:03,640
Speaker 1: to all of this, right, But I know that. But

1450
01:16:03,800 --> 01:16:05,679
Speaker 1: if they had it in the school, would you feel

1451
01:16:05,720 --> 01:16:07,680
Speaker 1: a way if you're kidding into school, if they was

1452
01:16:07,720 --> 01:16:17,360
Speaker 1: cooking chetless, that's a problem. Yes, no, no, no, mama,

1453
01:16:17,479 --> 01:16:20,040
Speaker 1: My mama cooked chilings and they love chillings. And and

1454
01:16:20,280 --> 01:16:22,400
Speaker 1: I'm from the South, from Mississippi, but I'm from la

1455
01:16:23,080 --> 01:16:27,920
Speaker 1: Um but a soldier boy. But I'm only two. I

1456
01:16:28,200 --> 01:16:29,920
Speaker 1: moved to la A two years. I know, you know

1457
01:16:29,920 --> 01:16:31,800
Speaker 1: what I'm saying, shout out the soldier boy. But it's

1458
01:16:31,840 --> 01:16:34,720
Speaker 1: not that that's my and that's my home. But but

1459
01:16:34,960 --> 01:16:40,160
Speaker 1: chetlings in school. That's why school pig intestines. My mom

1460
01:16:40,320 --> 01:16:42,799
Speaker 1: is a cooking New Year's every you know what chiling,

1461
01:16:42,880 --> 01:16:46,720
Speaker 1: that's pigs intestines. Ye. Look, I don't know what they

1462
01:16:46,800 --> 01:16:48,720
Speaker 1: do to your stomach when it go in. I just

1463
01:16:48,840 --> 01:16:51,280
Speaker 1: know the whole school gonna be smelling like chiling. That's

1464
01:16:51,320 --> 01:16:54,439
Speaker 1: a lot that would have nothing to do with that. No,

1465
01:16:54,720 --> 01:16:58,599
Speaker 1: not like that's just the aroma of the hale. Yeah,

1466
01:16:58,640 --> 01:17:03,720
Speaker 1: it's it's it's like it's like just like stinch. And

1467
01:17:03,800 --> 01:17:07,000
Speaker 1: then you definitely need some tabasco sauce. Yes, there's no

1468
01:17:07,160 --> 01:17:09,680
Speaker 1: way to eat them. Chillings raw like that. Yeah, let's

1469
01:17:09,720 --> 01:17:15,200
Speaker 1: go to the Hello, who's this this can candell? What's up?

1470
01:17:15,280 --> 01:17:20,360
Speaker 1: Brother to us? My hey, my my opinion, the white coach,

1471
01:17:20,400 --> 01:17:24,320
Speaker 1: they know exactly what they're doing. It's not by mistaken coincidence.

1472
01:17:25,040 --> 01:17:26,880
Speaker 1: And on the other hand of it, you know what

1473
01:17:27,080 --> 01:17:29,960
Speaker 1: he's speaking with the lady from after. She's telling me

1474
01:17:30,040 --> 01:17:32,720
Speaker 1: the background of the watermelon. You know, it is a

1475
01:17:32,800 --> 01:17:35,439
Speaker 1: symbol about freedom. But at the end of the day,

1476
01:17:35,560 --> 01:17:40,680
Speaker 1: it was it eat the watermelon. It's superposes still do

1477
01:17:40,960 --> 01:17:43,479
Speaker 1: you up? And it dehydrated us, you know what I'm saying.

1478
01:17:43,960 --> 01:17:47,240
Speaker 1: So they know exactly what they was doing. Man, it

1479
01:17:47,360 --> 01:17:49,920
Speaker 1: wasn't no coincidence or nothing. Man, they know what they're

1480
01:17:50,000 --> 01:17:52,599
Speaker 1: not going on. But I'm not ashamed of a watermelon.

1481
01:17:52,680 --> 01:17:54,800
Speaker 1: I'm not ashamed of the chicken. They gave us the

1482
01:17:54,840 --> 01:17:56,400
Speaker 1: worst part of it. They gave us a part of

1483
01:17:56,439 --> 01:17:59,160
Speaker 1: the pig. What's the chilling. You know what I'm saying

1484
01:17:59,520 --> 01:18:02,640
Speaker 1: that they see they charging you for now. You know

1485
01:18:02,640 --> 01:18:04,600
Speaker 1: what I'm saying, Like it was nothing to them, but

1486
01:18:04,840 --> 01:18:08,120
Speaker 1: now they see how people eat Chile. I don't eat

1487
01:18:08,760 --> 01:18:10,000
Speaker 1: for the record, you know what I'm saying. I can

1488
01:18:10,040 --> 01:18:15,360
Speaker 1: be chicken but me, they charge it with the chiling.

1489
01:18:17,960 --> 01:18:20,639
Speaker 1: I know, I thought, I mean, where do you where

1490
01:18:20,640 --> 01:18:25,760
Speaker 1: do you? Where? Do you have no idea all the

1491
01:18:25,800 --> 01:18:28,000
Speaker 1: stories in the valley, I don't know if they got

1492
01:18:28,040 --> 01:18:29,840
Speaker 1: in the valley. They don't got in the valley and

1493
01:18:30,439 --> 01:18:32,800
Speaker 1: in the black areas, like I know in Queens, I'm

1494
01:18:32,880 --> 01:18:35,080
Speaker 1: from Queens, they take too health conscious in the valley,

1495
01:18:36,280 --> 01:18:38,840
Speaker 1: like imagine vegan chicklings. No, they're not gonna have an

1496
01:18:38,880 --> 01:18:41,240
Speaker 1: a whole food. You can't go to whole fool my word, no,

1497
01:18:41,800 --> 01:18:46,679
Speaker 1: don't even think about it. Stop, you know, hello, because

1498
01:18:46,720 --> 01:18:49,080
Speaker 1: it's not chill. Hell, hey, what's your name? Mama? It

1499
01:18:49,160 --> 01:18:52,120
Speaker 1: is not chilling. They talked to us, Mama, I called

1500
01:18:52,160 --> 01:18:55,439
Speaker 1: it all the time. I know you're having me calling. No,

1501
01:18:55,560 --> 01:19:01,000
Speaker 1: we're not okay. Anyways, on the thing about the the

1502
01:19:01,160 --> 01:19:05,080
Speaker 1: chick get in the watermelon situation, everybody eats and everybody

1503
01:19:05,080 --> 01:19:08,920
Speaker 1: eat watermel with Walton, I mean, and I mean, you know,

1504
01:19:09,160 --> 01:19:11,320
Speaker 1: like I get it, but like it is two thousan

1505
01:19:11,439 --> 01:19:15,360
Speaker 1: in twenty three, like I mean, people like Charlomagne keep

1506
01:19:15,439 --> 01:19:18,280
Speaker 1: talking about it, so people can't love all from it,

1507
01:19:18,960 --> 01:19:21,800
Speaker 1: Like everybody eats those foods. So I mean, if you

1508
01:19:21,920 --> 01:19:24,400
Speaker 1: keep talking about it, then, I mean everybody will people

1509
01:19:24,479 --> 01:19:26,800
Speaker 1: talking about the racist too. Did you hear anything else?

1510
01:19:26,960 --> 01:19:31,200
Speaker 1: I mean people need to move forms from it. You

1511
01:19:31,360 --> 01:19:36,000
Speaker 1: ain't let that. But you can't let that keep on

1512
01:19:36,320 --> 01:19:39,760
Speaker 1: the finding people are can't. You can't hear scrap because

1513
01:19:39,800 --> 01:19:42,920
Speaker 1: the wind is going in your mind. Listen to me,

1514
01:19:43,560 --> 01:19:46,920
Speaker 1: Listen to me here, And I mean all that you

1515
01:19:47,040 --> 01:19:49,800
Speaker 1: say he talks about it's racist. It is racist that

1516
01:19:50,400 --> 01:19:54,120
Speaker 1: every day on the radio makes a lot of us.

1517
01:19:54,479 --> 01:19:58,519
Speaker 1: I'm on your sides, but I'm saying, though, everybody, I

1518
01:19:58,600 --> 01:20:03,960
Speaker 1: mean you, that's right, right, I'm on your side, ma'am

1519
01:20:04,040 --> 01:20:06,880
Speaker 1: our side. I'm with you. I'm telling you. I'm just

1520
01:20:07,040 --> 01:20:10,479
Speaker 1: saying the same thing exactly. It's just left deffinitely. That's

1521
01:20:10,479 --> 01:20:12,400
Speaker 1: why when I use the word ideology and you think

1522
01:20:12,439 --> 01:20:13,880
Speaker 1: I just threw it out there and some kind of

1523
01:20:14,000 --> 01:20:18,000
Speaker 1: like that didn't make no sense. I'm saying the ideology

1524
01:20:18,160 --> 01:20:20,200
Speaker 1: of black food and where it came from, and I

1525
01:20:20,520 --> 01:20:23,960
Speaker 1: pay homage to it. It makes sense if you're educated

1526
01:20:24,000 --> 01:20:25,599
Speaker 1: on where it came from. That's all I was saying.

1527
01:20:25,640 --> 01:20:27,559
Speaker 1: When I used the word you used it right, right,

1528
01:20:27,560 --> 01:20:30,679
Speaker 1: I was wrong. This is a system of ideas and ideals,

1529
01:20:30,720 --> 01:20:33,759
Speaker 1: so right, right, used it right, that's right? Eight hundred

1530
01:20:33,880 --> 01:20:37,519
Speaker 1: five five one oh five one. We're talking schools using

1531
01:20:37,640 --> 01:20:39,920
Speaker 1: you know, fried chicken, the watermelogy. You think it's disrespectful,

1532
01:20:39,920 --> 01:20:42,000
Speaker 1: all we all eat it. Let's talk about its breakfast club.

1533
01:20:42,040 --> 01:20:56,800
Speaker 1: Come onring, call me the Breakfast Club did five five

1534
01:20:56,880 --> 01:21:01,120
Speaker 1: one morning. Everybody is tcha and Charlemagne the guy. We

1535
01:21:01,200 --> 01:21:04,040
Speaker 1: are the breakfast Club. We have Ray j here, he's

1536
01:21:04,040 --> 01:21:08,240
Speaker 1: our guest host. Yes, and we're talking about give a

1537
01:21:08,280 --> 01:21:10,559
Speaker 1: donkey the Day to whom I gave Donkey the Day

1538
01:21:10,600 --> 01:21:12,720
Speaker 1: to Arab Mark because they made a rookie mistake. You know,

1539
01:21:12,800 --> 01:21:15,280
Speaker 1: they served a chicken and watermelon first day of Black

1540
01:21:15,360 --> 01:21:17,680
Speaker 1: History Month to a school in Nayak. But you know,

1541
01:21:17,760 --> 01:21:20,439
Speaker 1: as I've always told y'all, you know the chicken and

1542
01:21:20,479 --> 01:21:23,960
Speaker 1: watermelon stereotype shitting offend you once you know the history

1543
01:21:24,040 --> 01:21:27,120
Speaker 1: of chicken and watermelon. Watermelon was a symbol of freedom,

1544
01:21:27,280 --> 01:21:29,280
Speaker 1: you know what I mean. The trope came after slaves

1545
01:21:29,280 --> 01:21:31,479
Speaker 1: when their amagic patient during the Civil War, and they

1546
01:21:31,560 --> 01:21:34,280
Speaker 1: started growing and eating and selling their own watermelon. And

1547
01:21:34,400 --> 01:21:36,799
Speaker 1: you know, Severn whites were threatened by a black newfound

1548
01:21:36,880 --> 01:21:39,720
Speaker 1: freedom and they responded by making watermelon a symbol of

1549
01:21:39,800 --> 01:21:44,520
Speaker 1: black people's you know, perceived uncleanliness, laziness, and childish, childishness.

1550
01:21:44,720 --> 01:21:47,200
Speaker 1: So it was propaganda. Same thing with chicken. Like if

1551
01:21:47,200 --> 01:21:49,840
Speaker 1: you go watch the D. W. Griffith movie Birth of

1552
01:21:49,920 --> 01:21:52,639
Speaker 1: a Nation, they showed all of these black elected ficials,

1553
01:21:52,720 --> 01:21:55,160
Speaker 1: you know, eating chicken with their hands and looking their fingers.

1554
01:21:55,240 --> 01:21:58,120
Speaker 1: So it gave the perception that black people were once

1555
01:21:58,160 --> 01:22:03,599
Speaker 1: again unclean, laid, easy, childish, and its psychologically made people

1556
01:22:03,600 --> 01:22:05,400
Speaker 1: feel like, this is what's gonna happen if y'all both

1557
01:22:05,439 --> 01:22:09,240
Speaker 1: black elected officials in So we let our oppresses tell

1558
01:22:09,360 --> 01:22:12,000
Speaker 1: us that these symbols of freedom, these things we made

1559
01:22:12,080 --> 01:22:14,280
Speaker 1: money off, we're wrong. But but you know what I'm

1560
01:22:14,360 --> 01:22:16,000
Speaker 1: thinking about it now, I think I would feel a

1561
01:22:16,000 --> 01:22:17,200
Speaker 1: way too. And I'm gonna tell you why I talk

1562
01:22:17,240 --> 01:22:20,160
Speaker 1: to me. Don't just have fried chicken and watermelon during

1563
01:22:20,280 --> 01:22:23,320
Speaker 1: Black History Month? If there's black students in the school,

1564
01:22:23,320 --> 01:22:26,320
Speaker 1: will have it. You know, other times I think that's

1565
01:22:26,400 --> 01:22:30,080
Speaker 1: more of the other time, Let's have a little bit more. Yes,

1566
01:22:30,280 --> 01:22:32,120
Speaker 1: let's not use it just for this month since we

1567
01:22:32,280 --> 01:22:34,080
Speaker 1: love it, Let's do it in March. Let's do it

1568
01:22:34,160 --> 01:22:35,880
Speaker 1: and don't make it seem like it's a negative thing.

1569
01:22:36,840 --> 01:22:39,439
Speaker 1: Give you black people fried chicken and watermelon on black history.

1570
01:22:39,680 --> 01:22:41,400
Speaker 1: As you said earlier, that's like that if if you

1571
01:22:41,520 --> 01:22:44,040
Speaker 1: know your history, that is our historic food. Hello, who's

1572
01:22:44,080 --> 01:22:50,960
Speaker 1: this by nine? Tells you? What up? Though? I y'all doing.

1573
01:22:51,080 --> 01:22:54,000
Speaker 1: I just wanted to say about chicken and watermelon whole

1574
01:22:54,040 --> 01:22:57,599
Speaker 1: situations that, um, chicken and watermelon, that's not the only

1575
01:22:57,640 --> 01:22:59,840
Speaker 1: thing that black people eat, is just the only thing

1576
01:23:00,000 --> 01:23:02,200
Speaker 1: that just like Charlemagne gave us the history about it,

1577
01:23:02,680 --> 01:23:04,519
Speaker 1: that's the only thing that they, you know, put out

1578
01:23:04,560 --> 01:23:07,240
Speaker 1: in the limelight, like you know, we eat it with

1579
01:23:07,320 --> 01:23:10,599
Speaker 1: our fingers. Its dirty. But you got Italian pizza, that's

1580
01:23:10,840 --> 01:23:13,160
Speaker 1: you know Italian. They eat that with their hands, you

1581
01:23:13,240 --> 01:23:15,720
Speaker 1: know what I'm saying. So we have different foods on

1582
01:23:15,800 --> 01:23:18,320
Speaker 1: our menu. We just got a bad consultation of chicken

1583
01:23:18,360 --> 01:23:21,559
Speaker 1: because just like Charlemagne said, that's what they gave us,

1584
01:23:21,640 --> 01:23:24,200
Speaker 1: that's the history that they wanted to put out there

1585
01:23:24,280 --> 01:23:25,920
Speaker 1: to us. So of course we're gonna look at it

1586
01:23:26,000 --> 01:23:28,719
Speaker 1: like it's bad. But same situation with the N word.

1587
01:23:29,000 --> 01:23:30,800
Speaker 1: Why can't we just take it back and make it

1588
01:23:30,880 --> 01:23:33,280
Speaker 1: into a good thing, Like this is how we came

1589
01:23:33,479 --> 01:23:35,720
Speaker 1: up like this is the first fool that we had

1590
01:23:35,840 --> 01:23:38,439
Speaker 1: and we built off of that. You got KFC, you

1591
01:23:38,560 --> 01:23:41,479
Speaker 1: got top Ties, all of these kicking places, and white

1592
01:23:41,560 --> 01:23:44,600
Speaker 1: people eat that too, so you know it's it's not

1593
01:23:44,680 --> 01:23:48,240
Speaker 1: a bad thing. Let's give us another dish besides chicken

1594
01:23:48,400 --> 01:23:51,120
Speaker 1: and water But we really comfortable, right, So it's okay,

1595
01:23:51,280 --> 01:23:53,560
Speaker 1: Just like just like y'all said about the lamptop and

1596
01:23:53,640 --> 01:23:56,800
Speaker 1: you got rib we got macaronnion, thief, we got neck golf,

1597
01:23:56,880 --> 01:24:01,519
Speaker 1: we got it's so many different under soul food is

1598
01:24:01,560 --> 01:24:03,439
Speaker 1: what it's called. So yeah, comfort food so for you

1599
01:24:03,479 --> 01:24:06,439
Speaker 1: absolutely right, corn bread, Yeah, and yeah, I guarantee you

1600
01:24:06,520 --> 01:24:09,280
Speaker 1: it's a fifty percent of Black people in their kitchen

1601
01:24:09,400 --> 01:24:12,280
Speaker 1: right now. I got a season sole food season. And

1602
01:24:12,400 --> 01:24:15,000
Speaker 1: you know what I'm saying, though, it's not just about chicken.

1603
01:24:15,080 --> 01:24:18,160
Speaker 1: It's about all the other foods that fall under you know,

1604
01:24:18,800 --> 01:24:21,800
Speaker 1: black cuisine. We have so many more dishes than just

1605
01:24:21,960 --> 01:24:24,880
Speaker 1: fried chicken and watermelon. That's true too, that's true too.

1606
01:24:25,200 --> 01:24:27,040
Speaker 1: But like I said, I think I would be offended

1607
01:24:27,120 --> 01:24:29,280
Speaker 1: if if they just did it in February. I think

1608
01:24:29,280 --> 01:24:31,200
Speaker 1: I feel a little way do it throughout the whole year.

1609
01:24:32,240 --> 01:24:36,160
Speaker 1: School too. Let's represent every coaching. That's all I'm saying.

1610
01:24:36,400 --> 01:24:38,639
Speaker 1: How niche to our month is Black History Month. Let's

1611
01:24:38,680 --> 01:24:41,840
Speaker 1: do it here. This is where you lessons. If not,

1612
01:24:42,040 --> 01:24:44,000
Speaker 1: then how do we How do we enjoy our month?

1613
01:24:44,080 --> 01:24:46,400
Speaker 1: If we can't enjoy our food? That's right, that's right.

1614
01:24:46,520 --> 01:24:48,800
Speaker 1: I wants and greens, and I want the greens with

1615
01:24:48,880 --> 01:24:52,080
Speaker 1: the ham hawk in it. But I do, I do,

1616
01:24:52,320 --> 01:24:54,080
Speaker 1: I do too, and I don't even eat the ham

1617
01:24:54,200 --> 01:24:57,840
Speaker 1: hawks all year long. I just like it than Christmas now, ye,

1618
01:24:58,160 --> 01:24:59,840
Speaker 1: I like it in there a little bit, even if

1619
01:25:00,000 --> 01:25:02,639
Speaker 1: don't eat the hammerholk or the neck Bone's in there

1620
01:25:02,680 --> 01:25:06,000
Speaker 1: and I can taste it with the green. I want that.

1621
01:25:06,200 --> 01:25:08,840
Speaker 1: I want it now. I want it right now. When

1622
01:25:08,920 --> 01:25:10,840
Speaker 1: we leave, I want to go and get some soul.

1623
01:25:10,960 --> 01:25:14,639
Speaker 1: Fool got Amy Roofs right there in Harlem. I'm going

1624
01:25:14,640 --> 01:25:18,320
Speaker 1: to Amy Ruth Still classic class. You know what I mean.

1625
01:25:18,680 --> 01:25:20,040
Speaker 1: A little Caribby and you go to the grill if

1626
01:25:20,040 --> 01:25:21,760
Speaker 1: you are a little Caribby. I used to order the

1627
01:25:21,800 --> 01:25:23,640
Speaker 1: grill every day when I was here, and they had

1628
01:25:23,680 --> 01:25:25,120
Speaker 1: the little they can ring it with the little plate

1629
01:25:25,200 --> 01:25:28,920
Speaker 1: like the little um aluminum foil plate, and they stuff

1630
01:25:28,960 --> 01:25:30,719
Speaker 1: it all in there, so you gotta eat it together.

1631
01:25:32,560 --> 01:25:36,439
Speaker 1: It's all mixed in in this bomb the grill. They'd

1632
01:25:36,439 --> 01:25:38,519
Speaker 1: be taking them Asian dishes and making them soul fool,

1633
01:25:38,560 --> 01:25:42,519
Speaker 1: but they got the lamb dumplings and the lobster dump

1634
01:25:43,560 --> 01:25:48,639
Speaker 1: chicken fried right. The Bible ain't nobody, no lamb, nobody

1635
01:25:48,720 --> 01:25:51,600
Speaker 1: blood of the lamb? Are you washing the blood of

1636
01:25:51,640 --> 01:25:56,280
Speaker 1: the lamb? Are you washed in the blood of the lamb?

1637
01:25:57,400 --> 01:26:01,439
Speaker 1: But that's not a diet. I don't know. Man. You're

1638
01:26:01,439 --> 01:26:03,320
Speaker 1: not supposed to have sex before marriage too. That's in

1639
01:26:03,360 --> 01:26:10,720
Speaker 1: the Bible too. I'm married story, the mailer story and

1640
01:26:10,800 --> 01:26:13,720
Speaker 1: stopped learning your history from your oppressure. Okay, y'all, let

1641
01:26:13,760 --> 01:26:15,680
Speaker 1: y'all the pressure same, y'all into thinking that chicken and

1642
01:26:15,720 --> 01:26:17,840
Speaker 1: watermelon was a negative stereotype when the reality of the

1643
01:26:17,920 --> 01:26:21,160
Speaker 1: situation is chicken and watermelon where symbols of freedom and

1644
01:26:21,160 --> 01:26:23,960
Speaker 1: they're just delicious. Say it again, Charlott Mayne, because Charlotte

1645
01:26:23,960 --> 01:26:26,680
Speaker 1: Mayne is telling you what you really should be embracing,

1646
01:26:26,800 --> 01:26:30,360
Speaker 1: Embrace who we are. That's right. Make sure we get

1647
01:26:30,800 --> 01:26:33,400
Speaker 1: oh food all week. All right, Well, when we come

1648
01:26:33,439 --> 01:26:35,439
Speaker 1: back with Jim, we got your rumor report. We gotta

1649
01:26:35,439 --> 01:26:38,040
Speaker 1: tell you about Candy from Real Housewives of Atlanta. And

1650
01:26:38,120 --> 01:26:39,600
Speaker 1: we got to talk about ray Je. See if he

1651
01:26:39,640 --> 01:26:41,920
Speaker 1: squashed some beef that he had about a month ago.

1652
01:26:42,880 --> 01:26:46,479
Speaker 1: Yeah no, not really. I was commented on one person

1653
01:26:46,560 --> 01:26:48,519
Speaker 1: page and it went somewhere. But this is a tease,

1654
01:26:48,600 --> 01:26:50,439
Speaker 1: Ray Jay were supposed to pay off later. It's a tease,

1655
01:26:50,479 --> 01:26:54,080
Speaker 1: just a little tease. Shout out to Eddie Murphy. I

1656
01:26:54,400 --> 01:26:57,120
Speaker 1: forgot about that. Yeah, I'm all down for tyres bashing.

1657
01:26:57,600 --> 01:26:59,479
Speaker 1: Oh my goodness, we'll get to it there me too.

1658
01:27:00,040 --> 01:27:06,400
Speaker 1: It's the Breakfast Club. We bought it. Wake that ass

1659
01:27:06,520 --> 01:27:09,519
Speaker 1: up nine about to go crazy. But this Ray J

1660
01:27:09,920 --> 01:27:14,240
Speaker 1: and I've officially joined the breakfast Club. The breakfast Club.

1661
01:27:17,800 --> 01:27:20,240
Speaker 1: All right, let's get to the rumors. It's the breakfast Club.

1662
01:27:20,280 --> 01:27:22,120
Speaker 1: By the way, our guest host ray J is here,

1663
01:27:22,280 --> 01:27:24,639
Speaker 1: and Shirt let's right now. By the way, Hey, Shirt,

1664
01:27:24,680 --> 01:27:29,360
Speaker 1: let's let's talk ray J from my husband name or

1665
01:27:29,400 --> 01:27:33,559
Speaker 1: you gossip and you chatting? Is the rumor report? I mean,

1666
01:27:33,600 --> 01:27:34,960
Speaker 1: I guess we're on the breakfast club. This is where

1667
01:27:34,960 --> 01:27:37,479
Speaker 1: the tea spills, right on the breakfast Club. Let the

1668
01:27:37,560 --> 01:27:39,680
Speaker 1: record show. As soon as you mentioned Tyrese's name, Ray

1669
01:27:39,720 --> 01:27:45,000
Speaker 1: j took his shirt off. He did that. You seem

1670
01:27:45,040 --> 01:27:47,840
Speaker 1: like you wanted to smoke. I mean, Tyrease is way

1671
01:27:47,920 --> 01:27:55,200
Speaker 1: bigger than me. You start because like like for your

1672
01:27:55,240 --> 01:27:58,439
Speaker 1: ass to fight. Why do you have your shirt off anyway,

1673
01:27:58,520 --> 01:28:01,080
Speaker 1: my muscle? Why are you? Sir? Asked it for when

1674
01:28:01,120 --> 01:28:02,479
Speaker 1: you do the work out like this and you see

1675
01:28:02,520 --> 01:28:04,479
Speaker 1: that money. I'm sure though, b because it's hot and

1676
01:28:04,600 --> 01:28:07,320
Speaker 1: I felt like I was at It's not. I wanted

1677
01:28:07,320 --> 01:28:09,360
Speaker 1: to show y'all that I feel at home. But it's

1678
01:28:09,360 --> 01:28:11,519
Speaker 1: a bunch of dude. It's women are not a bunch

1679
01:28:11,520 --> 01:28:12,960
Speaker 1: of dudes in hit And that's what I'm saying. I

1680
01:28:13,080 --> 01:28:16,280
Speaker 1: was telling them that our ratio is solid. But even then,

1681
01:28:16,400 --> 01:28:17,840
Speaker 1: like I don't want to even want I don't want

1682
01:28:17,880 --> 01:28:20,920
Speaker 1: to look at my nurse show like it ain't about

1683
01:28:20,960 --> 01:28:27,719
Speaker 1: that ratio is dope. Yeah, just just like ridiculous Revival.

1684
01:28:27,760 --> 01:28:34,560
Speaker 1: If we're going to church, we want we want to

1685
01:28:34,560 --> 01:28:37,439
Speaker 1: do wire. We can be Ray Vibe. Let's get to

1686
01:28:37,479 --> 01:28:42,360
Speaker 1: the raumers right now, all right, that ra Now, Eddie

1687
01:28:42,400 --> 01:28:45,479
Speaker 1: Murphy was performing at the Globe at the Golden Globes

1688
01:28:45,520 --> 01:28:47,360
Speaker 1: and he said a joke that, you know, kind of

1689
01:28:47,439 --> 01:28:50,120
Speaker 1: piss Tyrese off. Can we hear the joke. I want

1690
01:28:50,160 --> 01:28:53,600
Speaker 1: to let you know that there is a definitive blueprint

1691
01:28:53,760 --> 01:28:59,600
Speaker 1: that you can follow to achieve success, prosperity, longevity, in

1692
01:28:59,720 --> 01:29:02,280
Speaker 1: peace of mine. It's a blueprint and I followed it

1693
01:29:02,400 --> 01:29:05,160
Speaker 1: my whole career. It's very simple. There's three things. You

1694
01:29:05,479 --> 01:29:09,120
Speaker 1: just do. These three things, pay your taxes, mind your business,

1695
01:29:09,680 --> 01:29:16,519
Speaker 1: and keep Will Smith's wife's name well. Tyres responded on

1696
01:29:17,520 --> 01:29:20,320
Speaker 1: twitterback then, Instagram back then. I'm still team Will Smith.

1697
01:29:20,600 --> 01:29:22,720
Speaker 1: There's nobody on this earth that will ever influence me

1698
01:29:22,840 --> 01:29:24,920
Speaker 1: to ever have a change of heart towards the biggest

1699
01:29:24,960 --> 01:29:27,639
Speaker 1: influence in my life. Move on already. I'm just saying,

1700
01:29:27,680 --> 01:29:32,320
Speaker 1: man well and then got ray Venge right now. I've

1701
01:29:32,439 --> 01:29:35,679
Speaker 1: never ever did. I've never came up with ray Venge.

1702
01:29:35,720 --> 01:29:37,479
Speaker 1: I've came over with a lot of different stuff, like

1703
01:29:37,840 --> 01:29:40,320
Speaker 1: I got like one hundred and fifty two hundred names,

1704
01:29:40,880 --> 01:29:46,400
Speaker 1: but never so, rayj responded Tyrese, better mind his own business.

1705
01:29:46,840 --> 01:29:49,439
Speaker 1: You're not on Eddie level to think you can tell

1706
01:29:49,520 --> 01:29:52,479
Speaker 1: Axel Foley or Hakey the Princess of Muda to move

1707
01:29:52,640 --> 01:29:55,880
Speaker 1: on already. He's number one in his acting campaigns till

1708
01:29:56,040 --> 01:30:00,920
Speaker 1: to this day. Real legend. You better show some respect

1709
01:30:01,080 --> 01:30:11,000
Speaker 1: Trees before WILL slap you back into your reality. You

1710
01:30:11,080 --> 01:30:13,800
Speaker 1: know how I feel about you and your antics. Don't

1711
01:30:13,840 --> 01:30:19,240
Speaker 1: play with my mentors. It won't end well. Yes, if

1712
01:30:19,280 --> 01:30:21,599
Speaker 1: we're being if we're being petty and we're talking about

1713
01:30:21,960 --> 01:30:23,960
Speaker 1: move on already and all of this stuff. And Will

1714
01:30:24,000 --> 01:30:26,200
Speaker 1: Smith's one of the greatest of all time, and he

1715
01:30:26,240 --> 01:30:29,840
Speaker 1: would like, I don't think he would appreciate like Tyree's

1716
01:30:30,080 --> 01:30:33,240
Speaker 1: going at one. Eddie Murphy is like and his joke

1717
01:30:33,360 --> 01:30:36,679
Speaker 1: was light. It was like lighthearted, and that's my mentor,

1718
01:30:36,880 --> 01:30:39,880
Speaker 1: Eddie Murphy, my mentor. I watched Boomerang, and I watched

1719
01:30:39,920 --> 01:30:42,560
Speaker 1: Coming to America every single day of my life for

1720
01:30:42,680 --> 01:30:50,040
Speaker 1: a certain gap guy. Only mentor, like a real mentor

1721
01:30:50,160 --> 01:30:52,240
Speaker 1: is our guys, my family that I spent all my

1722
01:30:52,360 --> 01:30:54,760
Speaker 1: time with, my mom, my dad, my sister. But at

1723
01:30:54,840 --> 01:30:58,720
Speaker 1: the same time, I've definitely chilled with Eddie and he's like,

1724
01:30:59,120 --> 01:31:01,760
Speaker 1: I'm like one of his number one fans. Will Smith

1725
01:31:01,920 --> 01:31:04,240
Speaker 1: is one of your number one fan like you wanted

1726
01:31:04,320 --> 01:31:07,519
Speaker 1: his fans, Tyrese, you look up to him whatever, And

1727
01:31:07,720 --> 01:31:10,040
Speaker 1: I feel that way about Eddie. I felt, you know,

1728
01:31:10,120 --> 01:31:14,280
Speaker 1: I needed to say something. It was petty so about that.

1729
01:31:15,560 --> 01:31:17,840
Speaker 1: But but everybody got to agree with me. Like if

1730
01:31:17,920 --> 01:31:21,560
Speaker 1: Will Smith said move on already to Eddie, then it

1731
01:31:21,640 --> 01:31:24,719
Speaker 1: just like y'all gotta deal with that. That's saying Tyrese,

1732
01:31:24,760 --> 01:31:27,200
Speaker 1: don't have that kind of power, our authority. Just how

1733
01:31:27,439 --> 01:31:30,080
Speaker 1: just how dare you? Like, don't do that? And if

1734
01:31:30,120 --> 01:31:32,200
Speaker 1: that made you a little uncomfortable, just tell Will don't

1735
01:31:32,280 --> 01:31:35,080
Speaker 1: don't publicly try to go at Eddie Murphy now, then

1736
01:31:35,120 --> 01:31:36,960
Speaker 1: Tyrese reach out to you. I know he liked the

1737
01:31:37,000 --> 01:31:39,760
Speaker 1: DM that he got my number, but he my sister

1738
01:31:39,880 --> 01:31:45,320
Speaker 1: friend like they meaning like oh, I thought you were

1739
01:31:45,360 --> 01:31:51,160
Speaker 1: saying he's like your sister friend. Like no, No, him

1740
01:31:51,200 --> 01:31:53,439
Speaker 1: and him and Brandy like super cool or at least

1741
01:31:53,439 --> 01:31:56,200
Speaker 1: they've been over since we've been younger. So you know,

1742
01:31:56,320 --> 01:31:59,080
Speaker 1: even if I get mad, it's like he knows what's up.

1743
01:31:59,200 --> 01:32:00,840
Speaker 1: He didn't call me a couple of times on some

1744
01:32:01,360 --> 01:32:05,240
Speaker 1: way out like disrespectful, like you know what I'm saying,

1745
01:32:05,240 --> 01:32:07,240
Speaker 1: stuff about how he didn't like certain stuff I did,

1746
01:32:07,320 --> 01:32:08,960
Speaker 1: and so I you know, I was just you know,

1747
01:32:09,040 --> 01:32:11,760
Speaker 1: I just spoke my mom's yeah, and it was light,

1748
01:32:12,320 --> 01:32:14,560
Speaker 1: it was and I think Will would agree with me,

1749
01:32:14,840 --> 01:32:17,400
Speaker 1: don't don't tell Eddie, like, don't even talk to Eddie

1750
01:32:17,479 --> 01:32:19,840
Speaker 1: like that. That's the way out of both of our Like,

1751
01:32:20,160 --> 01:32:22,599
Speaker 1: that's not we're not there, that's not even in our

1752
01:32:22,680 --> 01:32:25,800
Speaker 1: day classes. Yeah, this is way until I'm like, don't

1753
01:32:25,840 --> 01:32:28,280
Speaker 1: ever do that. And if ain't, nobody gonna speak for

1754
01:32:28,400 --> 01:32:31,040
Speaker 1: Eddie like that, which I know he gives no cares

1755
01:32:31,080 --> 01:32:34,320
Speaker 1: about it, but still, Eddie, you know I got your back.

1756
01:32:34,400 --> 01:32:36,280
Speaker 1: I came through. I picked you up in the g

1757
01:32:36,439 --> 01:32:38,840
Speaker 1: wagon the first year. It wasn't even out here, and

1758
01:32:38,920 --> 01:32:40,519
Speaker 1: I took you where you needed to go because you said,

1759
01:32:40,560 --> 01:32:41,920
Speaker 1: let's just let me, let me see how this rod.

1760
01:32:42,040 --> 01:32:50,280
Speaker 1: And so everybody don't believe none of my story. Talk

1761
01:32:50,320 --> 01:32:54,200
Speaker 1: about that. Talk about that became doctor King. Who I thought?

1762
01:32:54,240 --> 01:33:00,840
Speaker 1: He said? Whose? I thought you? Somebody else? The mixes

1763
01:33:00,920 --> 01:33:02,599
Speaker 1: up next. You're gonna talk about this when we come back.

1764
01:33:02,600 --> 01:33:04,800
Speaker 1: I want to ray j Tyree's verses now stout up.

1765
01:33:04,800 --> 01:33:07,880
Speaker 1: It's the breakfast cloud of morning, the breakfast club. Your

1766
01:33:07,960 --> 01:33:12,240
Speaker 1: morning's will never be the same. Thank you for synthesizers,

1767
01:33:12,320 --> 01:33:15,720
Speaker 1: instant replay, peanut butter, and standard time. Are these just

1768
01:33:15,840 --> 01:33:18,920
Speaker 1: words strugging together or is it just some connection between them?

1769
01:33:19,360 --> 01:33:22,559
Speaker 1: I don't have the answer, but Crown Royal does. Curious. Well,

1770
01:33:22,720 --> 01:33:25,080
Speaker 1: that's an itch. You can scratch this Super Bowl Sunday,

1771
01:33:25,240 --> 01:33:29,360
Speaker 1: Please drink responsibly. Morning. Everybody is DJ n V, Charlemagne

1772
01:33:29,400 --> 01:33:31,280
Speaker 1: the guy. We are the Breakfast Club. I guess ho'st

1773
01:33:31,360 --> 01:33:33,719
Speaker 1: ray J is still here? That's right. It's Black History

1774
01:33:33,800 --> 01:33:35,880
Speaker 1: Month what we're doing? Listen, man? You know every month,

1775
01:33:36,280 --> 01:33:39,120
Speaker 1: every day during Black History Month, the Black Effect Podcast

1776
01:33:39,240 --> 01:33:42,000
Speaker 1: Network and iHeartRadio we put out a podcast called I

1777
01:33:42,120 --> 01:33:44,439
Speaker 1: Didn't Know Maybe you didn't either, hosted by my man

1778
01:33:44,560 --> 01:33:46,880
Speaker 1: bet Dot. With beat Dot tells you some things that

1779
01:33:47,040 --> 01:33:50,120
Speaker 1: you may or may not have known about black history,

1780
01:33:50,560 --> 01:33:53,280
Speaker 1: and today is no different. Today we're gonna break down

1781
01:33:54,200 --> 01:33:57,840
Speaker 1: hidden ballet dressing. Yes, there's some black history with hidden

1782
01:33:57,880 --> 01:34:02,760
Speaker 1: valley dressing. We'll discuss I didn't know, I didn't know.

1783
01:34:03,600 --> 01:34:07,000
Speaker 1: I didn't know. Now, if you anything like me, you

1784
01:34:07,160 --> 01:34:10,040
Speaker 1: know that it's ranch over blue cheese at all costs.

1785
01:34:10,240 --> 01:34:13,000
Speaker 1: Who wants to dip their delicious wings and some old

1786
01:34:13,200 --> 01:34:16,479
Speaker 1: liquid cheese In the words of the Great Keith Sweat

1787
01:34:16,880 --> 01:34:21,320
Speaker 1: no body babe bands, of course, it's ranch over blue cheese.

1788
01:34:21,400 --> 01:34:24,120
Speaker 1: Everybody knows that. And when I think of ranch, the

1789
01:34:24,200 --> 01:34:26,479
Speaker 1: only ranch I really think about is Hidden Valley. But

1790
01:34:26,600 --> 01:34:29,920
Speaker 1: after some homework, there is a reason why Hidden Valley

1791
01:34:30,240 --> 01:34:35,400
Speaker 1: is the best. It's because it's got madete. Hear me out.

1792
01:34:35,640 --> 01:34:38,559
Speaker 1: Steve Hanson, he was a plumber from this tiny village

1793
01:34:38,560 --> 01:34:41,360
Speaker 1: of fair Nebraska. He came up with the dressing mix

1794
01:34:41,400 --> 01:34:44,280
Speaker 1: around nineteen fifty. So he were doing a stint in Anchorage,

1795
01:34:44,320 --> 01:34:47,640
Speaker 1: Alaska as a construction worker, and there he would occasionally

1796
01:34:47,840 --> 01:34:50,960
Speaker 1: cook for the crew and they loved it. By nineteen fifty,

1797
01:34:51,000 --> 01:34:54,080
Speaker 1: old Steve and his wife Gail bought some property near

1798
01:34:54,200 --> 01:34:58,280
Speaker 1: Santa Barbara, California. It was called Sweetwater Ranch, but they

1799
01:34:58,280 --> 01:35:00,680
Speaker 1: ain't like that name, so they re aimed it to

1800
01:35:00,920 --> 01:35:04,080
Speaker 1: Hidden Valley Ranch and they opened it as a guess

1801
01:35:04,160 --> 01:35:06,479
Speaker 1: ranch and people would just pull up. Now, the story

1802
01:35:06,600 --> 01:35:10,080
Speaker 1: goes the place became even more popular as a steakhouse,

1803
01:35:10,479 --> 01:35:14,360
Speaker 1: with Steve's dressing as a favorite souvenir. They said people

1804
01:35:14,400 --> 01:35:17,160
Speaker 1: would carry it home in mayonade's jars. They said it

1805
01:35:17,280 --> 01:35:19,439
Speaker 1: was the original red hots because they put that ish

1806
01:35:19,520 --> 01:35:23,559
Speaker 1: on everything, steaks, vegetables, potatoes, chull like we do now.

1807
01:35:23,680 --> 01:35:26,439
Speaker 1: We put ranch on pieza. Folks dip their wings in it,

1808
01:35:26,600 --> 01:35:29,519
Speaker 1: put it on salad, carrots. It was in such huge

1809
01:35:29,560 --> 01:35:32,320
Speaker 1: demand by the late nineteen fifties that your boys, Steve

1810
01:35:32,439 --> 01:35:36,280
Speaker 1: Hansen began packaging the dry ingredients. Yeah, he would put

1811
01:35:36,280 --> 01:35:38,720
Speaker 1: all the ingredients in an envelope and then he'ldmeiled to

1812
01:35:38,760 --> 01:35:41,400
Speaker 1: the folks and they'll add their own buttermilk and mayonnaids

1813
01:35:41,439 --> 01:35:44,080
Speaker 1: at the crib. So the like boxed cake mix. Now, man,

1814
01:35:44,160 --> 01:35:47,080
Speaker 1: who would have thunk it? Hedden Valley ranch invented by

1815
01:35:47,120 --> 01:35:50,599
Speaker 1: a black man in nineteen fifty on his ranch named

1816
01:35:50,720 --> 01:35:53,360
Speaker 1: Hidden Valley. Now take that to school or work with

1817
01:35:53,479 --> 01:35:58,240
Speaker 1: you because I didn't know. Maybe you didn't either. That's right.

1818
01:35:58,320 --> 01:36:01,400
Speaker 1: Make sure you subscribe to the Black Fact podcast. I

1819
01:36:01,479 --> 01:36:03,920
Speaker 1: didn't know, maybe you didn't either. On the Black Effect.

1820
01:36:04,000 --> 01:36:06,840
Speaker 1: I Heeart radio podcast network hosted by b Dot. Ray

1821
01:36:06,880 --> 01:36:09,400
Speaker 1: J want a podcast on the black Yeah, so log on,

1822
01:36:09,560 --> 01:36:11,920
Speaker 1: go to min go to my stuff ray j TV

1823
01:36:12,080 --> 01:36:15,080
Speaker 1: on YouTube, and then Charlottamagne and DJ Mby gonna pick

1824
01:36:15,120 --> 01:36:17,320
Speaker 1: it up and get a deal for me ray JTV.

1825
01:36:18,760 --> 01:36:21,160
Speaker 1: And also I want to shout out Crown Royal. They

1826
01:36:21,200 --> 01:36:23,759
Speaker 1: said some bottles up here and some whiskey. The purple

1827
01:36:23,840 --> 01:36:26,000
Speaker 1: bag used to be People's bank account. I know. I

1828
01:36:26,080 --> 01:36:28,000
Speaker 1: remember back in the day when we come back, we

1829
01:36:28,080 --> 01:36:29,720
Speaker 1: got the positive note, and Ray j gonna get that

1830
01:36:29,760 --> 01:36:31,960
Speaker 1: positive note and he's gonna tell Eddie Murphy story when

1831
01:36:32,000 --> 01:36:34,000
Speaker 1: we come back. It's the Breakfast Club. It's real too.

1832
01:36:34,040 --> 01:36:37,640
Speaker 1: I ain't lying by everybody. It's DJ n V Charlomagne,

1833
01:36:37,640 --> 01:36:40,000
Speaker 1: the guy. We are the Breakfast Club. Now earlier, you

1834
01:36:40,080 --> 01:36:42,760
Speaker 1: were talking about you picking up Eddie Murphy. I don't

1835
01:36:42,800 --> 01:36:45,439
Speaker 1: believe that was that true, That that's true, asks Eddie

1836
01:36:49,160 --> 01:36:53,240
Speaker 1: ain't been to the Breakfast Club. No, I don't know

1837
01:36:53,320 --> 01:36:59,200
Speaker 1: if he told our story. The story. So y'all really

1838
01:36:59,240 --> 01:37:03,680
Speaker 1: wanted to tell us over at nine. So all right,

1839
01:37:03,760 --> 01:37:07,519
Speaker 1: so m I go, all right, So I go, um,

1840
01:37:07,720 --> 01:37:10,920
Speaker 1: Husson Miller, who's one of my family. He know Eddie

1841
01:37:11,120 --> 01:37:13,519
Speaker 1: that we went to watch. Um. I think it was

1842
01:37:13,560 --> 01:37:16,040
Speaker 1: a fight or something at Eddie house one night. Um

1843
01:37:17,720 --> 01:37:21,400
Speaker 1: in Beverly Park and so and so I had left

1844
01:37:21,479 --> 01:37:24,120
Speaker 1: my phone over there. So I go back the next

1845
01:37:24,200 --> 01:37:26,360
Speaker 1: day and see if they let me in Beverly Park

1846
01:37:26,400 --> 01:37:27,880
Speaker 1: to just go pick up my phone real quick because

1847
01:37:27,880 --> 01:37:29,240
Speaker 1: I didn't know how to get in touch with nobody.

1848
01:37:29,479 --> 01:37:31,479
Speaker 1: I get there and then I go to the door

1849
01:37:31,920 --> 01:37:34,680
Speaker 1: Eddie's there. I got the brand new g Wagon. I'm

1850
01:37:34,760 --> 01:37:37,439
Speaker 1: driving my sister car. She got the g Wagon back

1851
01:37:37,960 --> 01:37:40,280
Speaker 1: ten years before it came to the state, and so

1852
01:37:40,479 --> 01:37:43,960
Speaker 1: he had bought his wife the mini g Wagon like that.

1853
01:37:44,040 --> 01:37:45,840
Speaker 1: So he was surprised to see the car. He like,

1854
01:37:45,920 --> 01:37:48,360
Speaker 1: what is that doing in the States, And so he

1855
01:37:48,520 --> 01:37:50,240
Speaker 1: was like looking at the car, he was like, take

1856
01:37:50,240 --> 01:37:51,800
Speaker 1: me around the corner, real quick, drop me off and

1857
01:37:51,840 --> 01:37:54,360
Speaker 1: we see how this thing right. Sorry, him around the

1858
01:37:54,400 --> 01:37:56,519
Speaker 1: corner and spent like, you know, a few hours where

1859
01:37:56,560 --> 01:37:59,840
Speaker 1: we was at and just was enjoying one of our

1860
01:38:00,040 --> 01:38:03,160
Speaker 1: one of my mentors, like time is Eddie Murphy. That's dope.

1861
01:38:03,200 --> 01:38:06,160
Speaker 1: I believe it. Yeah, it was on accident, but it

1862
01:38:06,320 --> 01:38:09,599
Speaker 1: was was it happened. You know how to drive stick

1863
01:38:09,760 --> 01:38:12,519
Speaker 1: And then you would have said, I can't learn. Well,

1864
01:38:12,840 --> 01:38:17,720
Speaker 1: I think I really don't like driving sticks. Yeah yeah, yeah, yeah, yeah.

1865
01:38:17,920 --> 01:38:19,800
Speaker 1: It's like the clutch and everything, and that's like I

1866
01:38:19,920 --> 01:38:22,720
Speaker 1: never was able to get them off the ground. You

1867
01:38:22,760 --> 01:38:24,679
Speaker 1: would have just said I don't. I probably just stick

1868
01:38:24,760 --> 01:38:26,800
Speaker 1: stick to automatic. Do you want to get a positive note?

1869
01:38:26,800 --> 01:38:28,280
Speaker 1: You want to raise you do the positive note today?

1870
01:38:28,360 --> 01:38:34,080
Speaker 1: Give them something positive? It was positive people. I didn't

1871
01:38:34,080 --> 01:38:37,400
Speaker 1: want that positive note for the people out there. Got

1872
01:38:37,439 --> 01:38:39,880
Speaker 1: a positive note for everybody out there. Here's the thing.

1873
01:38:40,200 --> 01:38:43,400
Speaker 1: People are gonna tell you that it's not good. I

1874
01:38:43,560 --> 01:38:45,400
Speaker 1: don't like it. You should go this way, you should

1875
01:38:45,400 --> 01:38:48,080
Speaker 1: go I don't. You know? They always think wrong about

1876
01:38:48,160 --> 01:38:50,560
Speaker 1: your right. Listen to the people that care about you,

1877
01:38:50,640 --> 01:38:53,880
Speaker 1: but listen to your heart. Because in this music game,

1878
01:38:54,040 --> 01:38:57,280
Speaker 1: in this tech game, in any game, nobody's ever right

1879
01:38:57,800 --> 01:39:02,400
Speaker 1: until you prove them wrong. Right. So if they're right

1880
01:39:02,520 --> 01:39:04,880
Speaker 1: and you don't work hard towards your goal and achieve it,

1881
01:39:05,160 --> 01:39:07,720
Speaker 1: then they were right. But to prove them wrong, just

1882
01:39:07,960 --> 01:39:10,920
Speaker 1: work harder than everybody else, you know. I think what

1883
01:39:11,080 --> 01:39:12,880
Speaker 1: Ray is trying to say is you don't succeed by

1884
01:39:12,960 --> 01:39:15,360
Speaker 1: saying what you're going to do. You succeed by doing

1885
01:39:15,479 --> 01:39:17,840
Speaker 1: what you say you're going to do. Yeah, and just

1886
01:39:18,000 --> 01:39:21,080
Speaker 1: work harder than everybody. You know. I respect everybody that's

1887
01:39:21,120 --> 01:39:23,840
Speaker 1: working at a fast food at a fast food chain,

1888
01:39:23,960 --> 01:39:27,720
Speaker 1: right because the grind that they start with, and the

1889
01:39:27,920 --> 01:39:29,720
Speaker 1: certain things like you might have to wear a certain fit,

1890
01:39:30,000 --> 01:39:31,600
Speaker 1: you might have to like see some people that you

1891
01:39:31,720 --> 01:39:33,280
Speaker 1: you know what I'm saying, or girl you like, but

1892
01:39:33,400 --> 01:39:35,559
Speaker 1: if she see you grinding, no matter how she feel

1893
01:39:35,600 --> 01:39:39,000
Speaker 1: at the time. I respect your grind, and I think

1894
01:39:39,439 --> 01:39:43,439
Speaker 1: either we're all special or nobody's special, nobody's bigger than

1895
01:39:43,520 --> 01:39:45,639
Speaker 1: somebody else. Just because you got money or just because

1896
01:39:45,640 --> 01:39:48,960
Speaker 1: you're doing this doesn't make you better than the person

1897
01:39:49,400 --> 01:39:52,719
Speaker 1: that might be doing something smaller in your mind, because

1898
01:39:52,760 --> 01:39:55,559
Speaker 1: it all works together, this whole world, from the gardener

1899
01:39:55,760 --> 01:39:58,439
Speaker 1: to the janitor, to the assistant, to the celebrity to

1900
01:39:58,520 --> 01:40:01,360
Speaker 1: the celebrity, it all all works hand in hand. If not,

1901
01:40:01,840 --> 01:40:04,640
Speaker 1: it all falls down. I like that words from ray

1902
01:40:04,720 --> 01:40:07,920
Speaker 1: J Breakfast Club pitches. You know I'm finish it. Y'all done.