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Speaker 1: Everybody it is not Alan Jackson. So he thought I was,

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Speaker 1: I know, that's me, Bobby, and so we're gonna talk

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Speaker 1: about Alan Jackson. So we're gonna do, according to me,

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Speaker 1: the greatest ten Alan Jackson songs of all time. If

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Speaker 1: you're like me and you grew up listening to country music,

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Speaker 1: you probably have a absolute affinity for Alan Jackson and his songs,

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Speaker 1: and you can hear certain songs from Alan Jackson. I

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Speaker 1: know exactly where you were in your lifetime depending on

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Speaker 1: when they came out, And for me grew up listen

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Speaker 1: to Alan Jackson, and Chattahoochie for sure is on the list,

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Speaker 1: but like I know exactly where I was when Chattahoochie

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Speaker 1: was playing on the radio. Never really thought i'd meet

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Speaker 1: Alan Jackson. I have two stories. One he sent a

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Speaker 1: guitar to me, and on the guitar he signed at

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Speaker 1: Alan Jackson and he wrote keep a country with parentheses

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Speaker 1: around it. Now. I debated if he wanted just me

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Speaker 1: to keep a country like I already am, or if

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Speaker 1: he was mad at me and going, hey, you need

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Speaker 1: to keep a country. Never really had an answer to that,

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Speaker 1: but I still have that guitar. Number two. It was

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Speaker 1: the ACMs. I believe it might have been the fiftieth

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Speaker 1: because it was in Texas, and so it was very

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Speaker 1: special because it was fifty years of the ACMs and

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Speaker 1: there was a big outdoor show and I was doing

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Speaker 1: stand up comedy, and it was a lot of artists

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Speaker 1: on this outdoor stage just kind of intermittenly playing, and

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Speaker 1: as the evening got later, more people showed up. And

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Speaker 1: it's pretty cool because I was one of the artists

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Speaker 1: that was performing at the end of the night and

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Speaker 1: it was almost all music except for me. And so

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Speaker 1: I'm up and I have like a twenty minute set

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Speaker 1: to the thousands of people that are there waiting to

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Speaker 1: see Alan Jackson because he's playing right after me. Now,

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Speaker 1: at this point, I'd never met Alan Jackson. So I'm

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Speaker 1: doing my set and I look over in the corner

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Speaker 1: and I see an extremely tall guy in blue jeans.

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Speaker 1: It looks exactly like I look now, standing there, very quiet,

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Speaker 1: very solemn, just waiting for his turn to go on stage.

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Speaker 1: So I finished my set and I did. Okay, it

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Speaker 1: wasn't my best set because it was an outdoor environment. Also,

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Speaker 1: I'm only mildly funny, So I walk over to the

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Speaker 1: side and I say, mister Jackson, I'm Bobby Bones. Always

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Speaker 1: been a big fan, just wanted to say hi. Now.

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Speaker 1: He's a tall guy, just a big fella in general.

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Speaker 1: And he looked down at me said, saw you out

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Speaker 1: there telling jokes? You're the guy in the Radio two.

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Speaker 1: I said, yes, sir, I am. He said, how about that?

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Speaker 1: I said, Then he walked off and played it, but

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Speaker 1: he gave me a solid how about that? So you know,

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Speaker 1: I've been kind of confused on the R two interactions.

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Speaker 1: Hey keep it country and how about that? But you

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Speaker 1: know what, I've got two real interactions with freaking Alan Jackson.

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Speaker 1: He did my radio show a couple times, but he

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Speaker 1: was on zoom both times, which again, why wouldn't. Maybe

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Speaker 1: Alan Jackson hates me. I don't think he does, And

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Speaker 1: even if he did, I love Alan Jackson. I'm a

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Speaker 1: massive fan. And we're talking about his music now because

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Speaker 1: he just performed his last show ever and it was

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Speaker 1: a pretty cool show where he had a lot of

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Speaker 1: artists that came up and performed before him, like opened

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Speaker 1: for him, that are massive in country music now, Carrie Underwood,

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Speaker 1: Luke Bryant, you could go on and on, and I

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Speaker 1: believe they're going to release that as a live album

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Speaker 1: and also stream that show. So pretty cool, deserved respect

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Speaker 1: Country Music Hall of Fame. A couple of cool stories

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Speaker 1: about him. His wife helped him be discovered at the airport,

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Speaker 1: which is kind of cool. So Denise Jackson was working

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Speaker 1: as a flight attendant in the early eighties when she

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Speaker 1: spotted freaking Glenn Campbell in the boarding area of the airport,

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Speaker 1: and so she worked up the nerve to walk over

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Speaker 1: and pitch her husband, Alan Jackson to Glenn Campbell Ranstone Cowboy,

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Speaker 1: Glenn Campbell, wrecking crew, Glenn Campbell like that dude, and

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Speaker 1: he's like, hey, he's really good. He can sing. I

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Speaker 1: really think you should take a chance on him. And

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Speaker 1: so what Glenn Campbell did is he gave her the

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Speaker 1: publishing company's card that he owned, and so she took that.

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Speaker 1: They made the calls, and eventually that was it. Like

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Speaker 1: that's how the first deal happened for Alan Jackson. It

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Speaker 1: led to his first songwriting deal and eventually his move

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Speaker 1: to Nashville because they were still in Georgia at the time.

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Speaker 1: It's kind of the Jerry Maguire pitch of country music,

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Speaker 1: except this worked and it was his wife doing the pitching,

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Speaker 1: not him, but you get it's pretty cool story. His

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Speaker 1: wife at the airport, who was a flight attendant. Also

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Speaker 1: just seeing Glenn Campbell in the airport like that would

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Speaker 1: be crazy too. So that's number one. Another thing about

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Speaker 1: Alan Jackson. When you think about him, you think about

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Speaker 1: the cowboy hat, you think about the mustache. The cowboy hat,

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Speaker 1: I would say it's kind of a cover up more

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Speaker 1: than it is a stage costume. So as a teenager,

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Speaker 1: Alan Jackson ran through a glass door and when he did,

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Speaker 1: hit a huge skull on his forehead. So he started

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Speaker 1: wearing the hat to hide it and then just never stopped.

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Speaker 1: And forty years later it's again the hat and the

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Speaker 1: mustache the most recognizable visual things about Alan Jackson. Really

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Speaker 1: one of the most famous cowboy hats in country music.

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Speaker 1: Who else do you put there? Garth Alan Jackson, Like

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Speaker 1: that's it. And it all started because he was a

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Speaker 1: little self conscious as a teenager. Really wasn't a stylist,

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Speaker 1: idea or anything else. So let's talk Alan Jackson. Let's

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Speaker 1: talk his songs. We're going to start at number ten.

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Speaker 1: She's got the rhythm, I got the blues. Oh what

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Speaker 1: a jam? Nineteen ninety two. She's got the rhythm parentheses,

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Speaker 1: I love a good parentheses and I Got the Blues.

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Speaker 1: It was from the album A lot about living parentheses

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Speaker 1: and a little about love. We're double parentheses in here.

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Speaker 1: This is an Amazing Day. So he wrote that with

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Speaker 1: Randy Boudoir, and this was a number one song, and

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Speaker 1: I think it was like his seventh to number one song.

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Speaker 1: It was up in the mix there. The interesting thing

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Speaker 1: about this song is that it's upbeat, yes, but it's

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Speaker 1: actually a heartbreak song. Something Alan Jackson was kind of

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Speaker 1: good at was making songs that kind of sounded peppy

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Speaker 1: but actually were sad, and so he loved writing songs

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Speaker 1: that sounded happy if you were just listening and not

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Speaker 1: paying attention, but if you listen to them, they really

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Speaker 1: weren't happy at all. And this song was about getting

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Speaker 1: your heartbroken because She's got the rhythm and I Got

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Speaker 1: the Blues at number ten on the Greatest Alan Jackson

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Speaker 1: Songs at number nine and it's gonna be hard for

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Speaker 1: me not to sing every one of them. But I

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Speaker 1: give you just a little taste and a little loft

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Speaker 1: key okay at number nine from nineteen ninety Jason thatd

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Speaker 1: knee on Rainboh, what a jam from here in the

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Speaker 1: real world. Alan Jackson wrote it with Jim McBride. It's

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Speaker 1: gonna be hard for me not to say, man, that

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Speaker 1: song's a jam after every song too, So please indulge

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Speaker 1: me if I do. This is an auto biographical look

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Speaker 1: at him just chasing the dream, I mean chasing that

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Speaker 1: neon rainbow. You know, from him playing small town bars

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Speaker 1: what she talks about in the song, to hoping for

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Speaker 1: a record deal. It very much mirrors his journey from

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Speaker 1: rural Georgia to Nashville. So chasing that neon rainbow, he

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Speaker 1: chased it, he found it before being famous Alan Jackson,

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Speaker 1: in case you didn't know, when he moved to Nashville

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Speaker 1: worked in a mail room. And this song is that story.

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Speaker 1: So at number nine, chasing that Neon Rainbow, all right,

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Speaker 1: or at number eight from nineteen ninety four, living on Love,

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Speaker 1: and I can only sing so much or I will

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Speaker 1: be fined or charged. So even though it's a short

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Speaker 1: snippet and it's a little loft key, I can only

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Speaker 1: give you so much, or Netflix or the Alan Jackson

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Speaker 1: estate will find me dramatically. And you know what, I

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Speaker 1: like the money that I've made, so at number eight

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Speaker 1: Living on Love from the album Who I Am. Here's

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Speaker 1: the cool thing about this song. It was written solely

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Speaker 1: by Alan Jackson. It's one of the greatest country songs

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Speaker 1: ever that Alan Jackson wrote by himself. So one, it's

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Speaker 1: amazing that you just sat down and wrote it, but

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Speaker 1: two the money he made because he wrote the whole

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Speaker 1: thing by himself. In Nashville, most songs are written by two,

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Speaker 1: mostly three people at a time. You know, this town

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Speaker 1: very much is lunch pale, go to work. You're in

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Speaker 1: a room with other writers. You go in at ten am,

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Speaker 1: you're done by three. Everybody's got an idea too. It's

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Speaker 1: a factory get out with the song. And this whole

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Speaker 1: town's like that. And a lot of times whenever you

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Speaker 1: go in with these folks, sometimes you don't know them,

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Speaker 1: you've never met them before. You're being set up by

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Speaker 1: your publishing company. So most songs are co wrights. Now

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Speaker 1: a lot of Alan Jackson songs were co writes. Even

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Speaker 1: then you're gonna see it. There's a lot of just

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Speaker 1: two person co writes with Alan Jackson. But for him

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Speaker 1: to do this by himself awesome. So it's one of

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Speaker 1: his signature love songs. Basically, it's about celebrating couples who

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Speaker 1: make it through life with not a lot of money,

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Speaker 1: but plenty of love. Obviously, it was another number one

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Speaker 1: hit and just Living on Love. A lot of people

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Speaker 1: think that it was inspired by his relationship with his

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Speaker 1: wife Denise, who he married before he had Fay more money,

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Speaker 1: which if we go back to the airport, that's what's up.

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Speaker 1: So Alan Jackson number eight with Living on Love number seven,

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Speaker 1: Midnight in Montgomery. It's hard for me not to put this.

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Speaker 1: This is one I consider for number one, and I think, listen,

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Speaker 1: it's not a deep cut because I think if you're

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Speaker 1: an Alan Jackson fan or just a country music fan,

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Speaker 1: you know the song. So I'm not throwing out a

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Speaker 1: B side that you've never heard before. It wasn't one

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Speaker 1: of his biggest chart hits, but if you love Alan Jackson,

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Speaker 1: you love the song for couple of reasons. It's a

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Speaker 1: tribute to Hank Williams. That's what the song is. It's

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Speaker 1: kind of sonically haunting. It's kind of a cool way

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Speaker 1: to say it's kind of a ballot, huh. I kind

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Speaker 1: of that's cool. I like that I did that. It's

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Speaker 1: not it's sonically haunting. I want to use that somewhere else.

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Speaker 1: And if you do hear me use it somewhere else,

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Speaker 1: don't tell on me that I've already used it once before.

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Speaker 1: So it's a tribute to Hank Williams, and it's basically

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Speaker 1: him imagining encountering the ghost of Hank Williams outside of Montgomery, Alabama,

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Speaker 1: where Hank Williams died. I thought about this at number one.

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Speaker 1: It's that good of a song. But whenever I do

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Speaker 1: these lists, there's a bit of a formula because a

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Speaker 1: little bit chart success, a little bit album success, a

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Speaker 1: little bit of lasting power, all these factor are in.

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Speaker 1: But it easily it could have been number one mid

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Speaker 1: not in Montgomery freaking jams, and it's at number seven

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Speaker 1: here at number six from the year two thousand and

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Speaker 1: one where I come from. Oh come on, that's a

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Speaker 1: damn from the album when Somebody Loves You. It was

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Speaker 1: solely written by Alan Jackson. Guy's just counting counting dollar bills.

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Speaker 1: He's like Pablo Escobar. I had so much money, he'd

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Speaker 1: just go out into a field somewhere in Columbia and

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Speaker 1: there's just money in a field, and he even forgot

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Speaker 1: he had it there. That's what Alan Jackson's like. I've

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Speaker 1: had just so much money from writing all these songs,

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Speaker 1: but he wrote that by himself. Where I Come From

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Speaker 1: is funny too, And Alan Jackson wasn't always the funny guy.

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Speaker 1: Rarely was the funny guy, but when he did, it worked.

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Speaker 1: And then even songs like and Idy Bit he didn't

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Speaker 1: make the list, but like, there are songs where he

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Speaker 1: does show his humorous side. And so that's what this was.

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Speaker 1: It's kind of being funny, but it was about southern culture,

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Speaker 1: small town life. This is if I were making a

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Speaker 1: list of Alan Jackson sing along songs. This is definitely

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Speaker 1: a top three corn Bread and chicken front porch picking.

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Speaker 1: You know what I'm saying. If I think too much

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Speaker 1: of I'm gonna get fined. But you know what I'm saying.

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Speaker 1: Number six, Where I Come From. Also, this mustache itches

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Speaker 1: for those that are just listening and you're not watching.

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Speaker 1: I committed to the bit. So I've got my cowboy

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Speaker 1: hat on and i have an Alan Jackson blonde mustache

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Speaker 1: taped to my face. That's probably gonna make me break

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Speaker 1: out when I take this off. But not only that,

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Speaker 1: I look like Sam Elliott. I really tried for Alan Jackson,

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Speaker 1: and I think I ended up. If Sam Elliott was

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Speaker 1: the lead singer of Wheezer. I think that's where I

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Speaker 1: am at this point while I do this list. So

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Speaker 1: if you're just listening, just know I look ridiculous. If

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Speaker 1: you're watching, thank you for watching. At number five, when

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Speaker 1: you think of that season after spring, that summer obviously,

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Speaker 1: and you think about, well, you wish it were summer longer,

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Speaker 1: so it makes you a little blue. That's a terrible

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Speaker 1: way to set that song, summertime blues. You get it.

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Speaker 1: There ain't no cure for the summertime blues. I was

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Speaker 1: really trying there. Obviously, I don't have this written out.

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Speaker 1: I'm just going off the top of my head here.

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Speaker 1: But at number five on my list is Summertime Blues

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Speaker 1: from nineteen ninety four, the album Who I Am This is?

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Speaker 1: It's a cover. Who knew? I didn't know. Whenever I

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Speaker 1: saw he didn't write it, I thought, oh, cheaped down,

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Speaker 1: huh got a little lazy one day. No, it was

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Speaker 1: a cover. It's a great song. He put a country

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Speaker 1: spin on one of the most famous rock songs. From

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Speaker 1: way way back in the day took it all the

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Speaker 1: way to number one. It had already been a hit

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Speaker 1: for Eddie Cochran, for I Don't Know Who Blue Cheer Is,

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Speaker 1: and for the Who. This song had four lives, which

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Speaker 1: is crazy, and all four of the songs were right

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Speaker 1: because there ain't no cure for the summertime blues. So

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Speaker 1: it is a country classic and it didn't even start

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Speaker 1: as a country song. That's pretty legit. I love when

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Speaker 1: I do something about somebody I love and I learned

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Speaker 1: something new. And if you're a music snob and you

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Speaker 1: knew that, and you're like, how did you not know that?

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Speaker 1: Suck it. I didn't know that, and I know a lot,

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Speaker 1: but suck it because I didn't know that. And I

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Speaker 1: want to be honest with you, if you're watching and

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Speaker 1: listening right now, I did go and listen to the

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Speaker 1: other versions though after I found that out. It's pretty cool. Alan,

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Speaker 1: you did a good job. You did a good job

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Speaker 1: on that song. Alan, I know you're watching, all.

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Speaker 2: Right, Hank tight the Bobby Cast. We'll be right back,

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Speaker 2: and we're back on the Bobby Cast.

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Speaker 1: Number four. This is personally my favorite Alan Jackson song.

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Speaker 1: This is how you know too. I'm not just using

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Speaker 1: bias to make the list. Now, before I tell you

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Speaker 1: what song it is one. It's a very catchy, upbeat,

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Speaker 1: it's fun. But it being on Home Improvement completely made

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Speaker 1: this my number one song. And not because I look

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Speaker 1: at it and go, well, if it was on home improvement,

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Speaker 1: it must be awesome.

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Speaker 2: No.

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Speaker 1: I was completely a one home improvement junkie back in

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Speaker 1: the day, and when Alan Jackson went on Tool Time

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Speaker 1: on Home Improvement, it was world's colliding. It's like when

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Speaker 1: Arkle went over to Full House. Do you guys remember

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Speaker 1: that crap? You're like, what is Steve Erkele doing with

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Speaker 1: Stephanie Tanner. TJF did that a lot though okay she

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Speaker 1: didn't know. They they're pretty smart because they had a

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Speaker 1: lot of their shows mixed a little bit because Arcle

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Speaker 1: also went to Step by Step. Arcle's everywhere on TGIF

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Speaker 1: and fun fact about TGIF. It's hard to say TGIF

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Speaker 1: with his mustache on, but fun fact about TGIF shows

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Speaker 1: like Full House, step by Step. Uh, what's another one?

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Speaker 1: The guy wrote that, Uh shoot, doom, doom, doom, Let

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Speaker 1: me get there. It's a rail condition this day in age.

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Speaker 1: Uh Winslow's I'm gonna get there, I'm gonna get there

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Speaker 1: and be it in it good news on the newspaper page.

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Speaker 1: Loving Nah. I think the title of the show's not

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Speaker 1: in the song, and that's really troubling me. All right,

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Speaker 1: team name of the show, family freaking matters. Goy Erkle song,

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Speaker 1: it's the racle song. And also Arkle wasn't even supposed

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Speaker 1: to be a big part of that show. Like halfway

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Speaker 1: through the season. He shows up in an episode and

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Speaker 1: he was so loved by the audience they thought, well,

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Speaker 1: guess we got to keep him in the show, and

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Speaker 1: then he became the biggest part of the show. My

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Speaker 1: point about the songs, they were all sang by the

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Speaker 1: same guy. He nailed all those. What if that's your job?

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Speaker 1: Got a new show, Jim, can you do a song?

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Speaker 1: No problem? Uh? Anyway back to Mercury Blues and Home Improvement.

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Speaker 1: I always judged people because you had two choices. It

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Speaker 1: was Home Improvement or Frasier, And I thought, what do

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Speaker 1: you read books? Are you rich? Why are you watching Fraser?

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Speaker 1: How do you watch Fraser over home Improvement? Like? I

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00:17:06,640 --> 00:17:09,280
Speaker 1: really thought those people were real snooty. If you picked

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Speaker 1: Fraser over Home Improvement, but on Tooltime, which was the

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Speaker 1: show that Tim the Tolman Taylor did on Home Improvement,

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Speaker 1: him and Al Borland. This is itch in my face

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Speaker 1: so bad, guys, I have to scratch my fake mustache

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Speaker 1: for a second. Oh my god, now the hair is

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Speaker 1: getting into my nose. Alan Jackson came to play live

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Speaker 1: on Tooltime and they rolled a car out. If I

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Speaker 1: had money, I tell you what to do. I go

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Speaker 1: downtown by a Mercury or two, crazy about a Mercury.

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Speaker 1: I freaking loved Mercury Blues. And another fun fact, Alan

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Speaker 1: Jackson didn't write it, but it's also a cover. How

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Speaker 1: about that crap? So Home Improvement has it. It's awesome.

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Speaker 1: If you go to the video, shadowy hard to see

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Speaker 1: that it really is him. But Keith Urban's playing guitar

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Speaker 1: in the video. Now is he really playing guitar? No,

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Speaker 1: because he didn't play guitar on the song. They just

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Speaker 1: needed somebody that looked like a guitar player, like a

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Speaker 1: rock star. So Keith Urban is the guy that they

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Speaker 1: have in the music video that's faking like he's playing guitar.

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Speaker 1: And Keith Urban has a story about like Mine from

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Speaker 1: the first time he met Alan Jackson, where he was

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Speaker 1: like Messel Jackson, Keith Oben, and then Alan Jackson was like,

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Speaker 1: why are you talking with an accent that makes no sense?

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Speaker 1: Are you a hobbit? And He's like, why, ma, my

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Speaker 1: accent sucks. It's not actually like Keith's. But Keith said,

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Speaker 1: if I remember correctly, he was like, all right, Dan.

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Speaker 1: Like that was their whole interaction, and later they became

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Speaker 1: really good friends. I just think Alan Jackson's a man

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Speaker 1: a few words. So number four Mercury Blues written by

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Speaker 1: Casey Douglas and Robert Geddins. It was written in the

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Speaker 1: nineteen forties. And what I like is Alan Jackson would

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Speaker 1: just find songs that he loved, even if they weren't country,

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Speaker 1: and he would just transform them into amazing country music songs.

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Speaker 1: And I think most people know this. I'm assuming you

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Speaker 1: watching or listening, I'm assuming you know this, but not

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Speaker 1: everybody does. Because I was talking about this song with

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Speaker 1: someone and they thought it was about Mercury, the planet.

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Speaker 1: This is not a Solar System song. It's about a car,

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Speaker 1: so the Mercury, and the title refers to the Mercury automobile,

346
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Speaker 1: not the planet. Mercury Jam. My favorite Alan Jackson song

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Speaker 1: is Mercury Blues number three. You know, Chattahoochie's gonna be

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Speaker 1: on the list, I'm gonna put it at three. If

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Speaker 1: I would have put it at one, first of all,

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Speaker 1: I would have been a poser. Because if you have

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Speaker 1: an artist that you really like and you put their

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Speaker 1: most famous song as your favorite, you're a poser and

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Speaker 1: you're a liar. So that's the true story of any

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Speaker 1: major artist. If you say, man, I'm a crazy John

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Speaker 1: Mayer fan, and I go what's your favorite song, and

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Speaker 1: you go bubble Gum Tongue, I'm like, you're full of crap.

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Speaker 1: And it's not even called bubble gum Tongue. It's called

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Speaker 1: Your Body's of Wonderland. And that can't be your favorite song.

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Speaker 1: If you're a John Mayer fan, you have to pick

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Speaker 1: something a little more. I'm not gonna say B B side,

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Speaker 1: But for me, my favorite John Mayor's song, because he's

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Speaker 1: my favorite artist of all time is Stop this Train.

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Speaker 1: Stop this train. I wanna get off and go home again.

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Speaker 1: It's about just getting older, It's about life coming at you.

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Speaker 1: My favorite lyric ever in any songs from Stop This

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Speaker 1: Train from John Mayer. It's I'm so tired of getting older.

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Speaker 1: I'm only good at being young, and you play a

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Speaker 1: numbers game just to show that life is just begun.

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Speaker 1: Paired a little paraphrase there, but like I felt that

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Speaker 1: because John Mayer was like the kid, the genius kid.

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Speaker 1: He's getting older and his parents are getting older, and

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Speaker 1: he's like, this is crazy. He stopped this train. I

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Speaker 1: want to get off my favorite. I gotta have that

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Speaker 1: lyric framed. I don't know where it is, but I

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00:20:58,480 --> 00:21:01,959
Speaker 1: do have a frame somewhere, maybe in my house when

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Speaker 1: I moved. I don't know. I think the mover stole

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00:21:04,480 --> 00:21:07,240
Speaker 1: stuff for me when we moved last time. That'd be

378
00:21:07,240 --> 00:21:09,040
Speaker 1: a weird thing to steal because I haven't seen it

379
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Speaker 1: in a while. But I do love that song. And

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Speaker 1: if your favorite artist has a song and their biggest

381
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Speaker 1: song is your favorite song, and that's not your favorite

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Speaker 1: artist and your opposer, So Chattahoochie can't be your number

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Speaker 1: one Alan Jackson song unless you're a casual, which you

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Speaker 1: might be number three Chattahoochie. He wrote that with Jim McBride,

385
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Speaker 1: this is the definitive Alan Jackson song, though I mean

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Speaker 1: the guitar like at the beginning itself is all you

387
00:21:33,680 --> 00:21:39,879
Speaker 1: need to hear to know. Chattahoochie's on the music video,

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Speaker 1: which you may not remember if you're younger. But for

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Speaker 1: someone that grew up in the nineties and watched CMT

390
00:21:45,320 --> 00:21:50,800
Speaker 1: the water skiing Epic, what's wild is those pants are

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Speaker 1: in the Country Music Hall of Fame. At least they

392
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Speaker 1: were the last time that I was there, and I

393
00:21:53,920 --> 00:21:55,439
Speaker 1: try to go once every year and a half or so.

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Speaker 1: Great exhibit. If you come to Nashville, you should go

395
00:21:58,800 --> 00:22:02,160
Speaker 1: to the Country Music Hall of Fame. They don't pay me. Actually,

396
00:22:02,240 --> 00:22:05,359
Speaker 1: I donate to them every year because it is so

397
00:22:05,600 --> 00:22:08,680
Speaker 1: much fun and they change out the exhibits so often.

398
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Speaker 1: I had a coach hit me up, who is the

399
00:22:11,440 --> 00:22:14,760
Speaker 1: head coach of a Division one big team, and he said, Hey,

400
00:22:14,840 --> 00:22:16,720
Speaker 1: come in to town. What should I do? Now, I'm

401
00:22:16,720 --> 00:22:18,280
Speaker 1: not a tour guide guy. I don't know what do

402
00:22:18,280 --> 00:22:20,040
Speaker 1: I know about Nashville. I live here, so I don't

403
00:22:20,040 --> 00:22:22,280
Speaker 1: know the cool stuff that you do if you come here,

404
00:22:22,320 --> 00:22:24,639
Speaker 1: because I don't do that stuff. But I said, the

405
00:22:24,640 --> 00:22:26,600
Speaker 1: one thing that you do if you come to Nashville

406
00:22:27,080 --> 00:22:28,760
Speaker 1: is you go to the Country Music Hall of Fame

407
00:22:29,240 --> 00:22:34,360
Speaker 1: and not only that pay the extra for the guide.

408
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Speaker 1: Best money you'll spend because you can walk through it

409
00:22:37,760 --> 00:22:39,720
Speaker 1: and you can appreciate it. But if you have a

410
00:22:39,720 --> 00:22:41,639
Speaker 1: guy that can tell you stories about the stuff and

411
00:22:41,960 --> 00:22:43,840
Speaker 1: take you to the things that they don't want you

412
00:22:43,920 --> 00:22:49,000
Speaker 1: to miss, it's an epic experience. So it's paid for

413
00:22:49,080 --> 00:22:52,080
Speaker 1: by the Nashville towards A Bureau. Not really, no money

414
00:22:52,440 --> 00:22:55,320
Speaker 1: was changed. Actually I give them money. But they had

415
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Speaker 1: the exhibit on Alan Jackson and it still may be there,

416
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Speaker 1: and it's his genes from when he was water skiing,

417
00:23:00,400 --> 00:23:03,879
Speaker 1: and they're kind of on a Mannigan's legs Manniquin's legs.

418
00:23:04,320 --> 00:23:08,479
Speaker 1: And in the video they're dark and I was confused

419
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Speaker 1: at why they were so light until I realized I'm stupid,

420
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Speaker 1: and they were wet when they were dark in the

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Speaker 1: music video. And the drier the jeans get, the lighter

422
00:23:17,080 --> 00:23:19,240
Speaker 1: they get. But had it was them, it had the

423
00:23:19,240 --> 00:23:22,199
Speaker 1: big holes in the pants. It's crazy to see. I

424
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Speaker 1: know it ain't the Mona Lisa like the real one,

425
00:23:24,720 --> 00:23:27,760
Speaker 1: but to see Alan Jackson's pants from the Chattahoochee video,

426
00:23:28,920 --> 00:23:31,400
Speaker 1: that's pretty cool. I did see the Mona Lisa once

427
00:23:32,720 --> 00:23:37,840
Speaker 1: my wife and I went to Europe and the thing's

428
00:23:37,840 --> 00:23:42,520
Speaker 1: in Paris, right in the louver. Went to a lot

429
00:23:42,560 --> 00:23:48,359
Speaker 1: of museums, so I think it's in the louver. The louver,

430
00:23:48,800 --> 00:23:51,240
Speaker 1: so we go down and I've only ever seen the

431
00:23:51,320 --> 00:23:57,479
Speaker 1: louver really in uh Tom Hanks the movie where he's like,

432
00:23:58,320 --> 00:24:00,159
Speaker 1: I don't know, read the book and then turn to

433
00:24:00,200 --> 00:24:02,320
Speaker 1: a movie and he's trying to figure out the da

434
00:24:02,359 --> 00:24:05,760
Speaker 1: Vinci code. I got there. So we go to the

435
00:24:05,800 --> 00:24:09,320
Speaker 1: liuver and we get the guide. I love getting a guide.

436
00:24:09,480 --> 00:24:11,480
Speaker 1: My wife sometimes gets annoyed when we get a guide

437
00:24:11,480 --> 00:24:14,159
Speaker 1: because I want to ask a lot of questions. And

438
00:24:14,160 --> 00:24:17,160
Speaker 1: we go to the louver and I say I want

439
00:24:17,200 --> 00:24:20,440
Speaker 1: to see the Mona Lisa, and they say so does

440
00:24:20,440 --> 00:24:23,760
Speaker 1: everybody else. That's why most people come here. And I say, okay,

441
00:24:24,320 --> 00:24:26,280
Speaker 1: can we go now because I want to see it first,

442
00:24:26,720 --> 00:24:29,960
Speaker 1: and they say okay. So they walk us pretty far

443
00:24:30,000 --> 00:24:33,200
Speaker 1: back to the back and there it's like fifteen rows

444
00:24:33,240 --> 00:24:36,359
Speaker 1: deep of people. And I've been told how super small

445
00:24:36,400 --> 00:24:40,200
Speaker 1: it is because mostly people say, yeah, the Mona Lisa.

446
00:24:40,240 --> 00:24:43,840
Speaker 1: It's much smaller in person. So in my mind I

447
00:24:43,880 --> 00:24:46,080
Speaker 1: expected that thing to be a postage stamp whenever I

448
00:24:46,119 --> 00:24:48,359
Speaker 1: got back there, so here. I am, my wife and

449
00:24:48,359 --> 00:24:50,480
Speaker 1: a tour guide. We're to love and we're going back

450
00:24:50,480 --> 00:24:53,800
Speaker 1: to the Mona Lisa. And there's fifteen rows deep and

451
00:24:53,840 --> 00:24:55,639
Speaker 1: you can't get right up on it. There's a glass

452
00:24:55,720 --> 00:24:59,919
Speaker 1: wall that has the painting inside of it. There's a

453
00:25:00,520 --> 00:25:03,360
Speaker 1: like a velvet rope probably five feet from it. Imagine

454
00:25:03,400 --> 00:25:05,479
Speaker 1: like a club with a bouncer, because there is basically

455
00:25:05,560 --> 00:25:07,760
Speaker 1: a bouncer and you don't get to go through the rope.

456
00:25:07,800 --> 00:25:10,280
Speaker 1: But they stand there and everybody has their phone over

457
00:25:10,280 --> 00:25:13,159
Speaker 1: and they're taking pictures and you're looking at it. What

458
00:25:13,240 --> 00:25:15,560
Speaker 1: I remember about the size of it because I was

459
00:25:15,600 --> 00:25:19,439
Speaker 1: told it was so small. My whole life it was massive.

460
00:25:21,080 --> 00:25:26,919
Speaker 1: So that's what I do about my wiener So small, tiny,

461
00:25:27,240 --> 00:25:34,320
Speaker 1: so tiny? Oh my god. So the Mona Lisa, Eh,

462
00:25:34,359 --> 00:25:37,320
Speaker 1: it's fine. It wasn't even famous though, Like that painting

463
00:25:37,440 --> 00:25:40,320
Speaker 1: was not famous as a painting as it was painted,

464
00:25:40,680 --> 00:25:42,520
Speaker 1: or even as it was sold. You know why that

465
00:25:42,520 --> 00:25:45,239
Speaker 1: thing is so famous because somebody stole it, and it

466
00:25:45,280 --> 00:25:47,680
Speaker 1: was stolen when they hunted it down, it was like

467
00:25:47,720 --> 00:25:51,000
Speaker 1: the Mona Lisa stolen. It wasn't that Da Vinci painted

468
00:25:51,040 --> 00:25:53,120
Speaker 1: the thing and people said that is art. We're gonna

469
00:25:53,160 --> 00:25:55,320
Speaker 1: make the most famous painting ever. Its to No, it's

470
00:25:55,359 --> 00:25:57,440
Speaker 1: that it got stolen and that made it more famous.

471
00:25:57,680 --> 00:26:00,160
Speaker 1: That's crazy. Anyway, I saw it, took a picture of it.

472
00:26:00,359 --> 00:26:02,560
Speaker 1: Pretty cool when walked around the loom of the rest

473
00:26:02,560 --> 00:26:07,119
Speaker 1: of the day. Pretty neat experience. Okay, anyway, we're Chattahoochie.

474
00:26:07,720 --> 00:26:09,200
Speaker 1: I saw those pants and so I got to that

475
00:26:10,320 --> 00:26:13,760
Speaker 1: the whole exhibit thing. So this is the song. If

476
00:26:13,800 --> 00:26:16,920
Speaker 1: you're introducing someone to country music, they need to know Chattahoochie.

477
00:26:17,160 --> 00:26:20,520
Speaker 1: And it's basically celebrating growing up in rural Georgia and

478
00:26:20,560 --> 00:26:24,840
Speaker 1: everything that comes with small town summers. There's a couple

479
00:26:24,920 --> 00:26:28,040
Speaker 1: of lines in the song that are fun and kind

480
00:26:28,040 --> 00:26:33,000
Speaker 1: of fun but kind of creepy, like not so creepy

481
00:26:33,040 --> 00:26:34,520
Speaker 1: because good for him, But he was willing and she

482
00:26:34,560 --> 00:26:39,280
Speaker 1: wasn't ready. Good maybe don't share that part of the experience.

483
00:26:41,880 --> 00:26:45,720
Speaker 1: I was willing, she wasn't ready. So they settled for

484
00:26:45,760 --> 00:26:48,440
Speaker 1: a burger and a grape snow cone, and you know what,

485
00:26:49,040 --> 00:26:51,720
Speaker 1: he dropped off early. Good for him, good guy, like

486
00:26:52,400 --> 00:26:57,720
Speaker 1: just let it happen. Didn't go home, rural Georgia for you.

487
00:26:58,040 --> 00:27:01,399
Speaker 1: The video one CMA music video, The U and he

488
00:27:01,520 --> 00:27:03,800
Speaker 1: said many times that he hated filming the water skiing

489
00:27:03,880 --> 00:27:06,399
Speaker 1: scenes because he wasn't really a water skier. What I

490
00:27:06,480 --> 00:27:10,200
Speaker 1: know him from mostly music video wise, is him water skiing,

491
00:27:10,359 --> 00:27:11,840
Speaker 1: and he's like, I don't even really like water skiing.

492
00:27:11,880 --> 00:27:17,240
Speaker 1: I'm not that good at it. And number two one

493
00:27:17,280 --> 00:27:21,359
Speaker 1: of the strongest starting songs. Now, before I tell you

494
00:27:21,400 --> 00:27:24,600
Speaker 1: the song, a lot of these songs you play it

495
00:27:24,600 --> 00:27:30,600
Speaker 1: from the star like Chattoochee, Mercury Blues, great guitar links

496
00:27:30,600 --> 00:27:32,720
Speaker 1: that you know the song by the first ten to

497
00:27:32,720 --> 00:27:37,600
Speaker 1: twelve seconds of the song. This song, no guitar. It

498
00:27:37,800 --> 00:27:43,880
Speaker 1: just fires off right from the start from the chorus. Rare,

499
00:27:43,920 --> 00:27:47,000
Speaker 1: and think about that rare that a song will start

500
00:27:47,040 --> 00:27:49,840
Speaker 1: with the chorus. There's only a couple big ones, and

501
00:27:49,840 --> 00:27:51,600
Speaker 1: I'm sure there's many, many, many that I can think of.

502
00:27:52,200 --> 00:27:55,160
Speaker 1: But I was talking to Stephen Tyler once name Drop

503
00:27:55,200 --> 00:28:00,359
Speaker 1: Aerosmith lead singer, and we were talking about sweet emotion

504
00:28:01,920 --> 00:28:03,840
Speaker 1: mustash just breaking pitching me. I keep thinking there's a

505
00:28:03,840 --> 00:28:05,440
Speaker 1: bug in my mouth and it's the hair from this

506
00:28:05,480 --> 00:28:07,840
Speaker 1: eighty four cent fake mustache.

507
00:28:08,040 --> 00:28:11,800
Speaker 2: Anyway, hang tight, the Bobby Cast will be right back,

508
00:28:23,000 --> 00:28:25,200
Speaker 2: and we're back on the Bobby Cast.

509
00:28:26,080 --> 00:28:30,439
Speaker 1: I was talking to Steven Tyler of Aerosmith and he

510
00:28:30,520 --> 00:28:33,199
Speaker 1: was talking about Sweet Emotion, and he said it was

511
00:28:33,520 --> 00:28:37,760
Speaker 1: groundbreaking that we started that song with the chorus, and

512
00:28:37,800 --> 00:28:41,560
Speaker 1: if you think about it, it's a build up and

513
00:28:41,600 --> 00:28:46,040
Speaker 1: then it goes sweet emoge. That's the chorus, right, And

514
00:28:46,520 --> 00:28:49,080
Speaker 1: he said people looked at us like we were crazy.

515
00:28:49,080 --> 00:28:50,840
Speaker 1: Our record label thought it was crazy. We started with

516
00:28:50,840 --> 00:28:53,720
Speaker 1: the chorus. And so that's not done a lot. It's

517
00:28:53,760 --> 00:28:55,920
Speaker 1: done a little more now. But this song did that

518
00:28:56,160 --> 00:28:59,640
Speaker 1: nineteen ninety one, right out of the stop Don't Rock

519
00:28:59,680 --> 00:29:04,520
Speaker 1: the Box. I want to hear some Jones. Oh man,

520
00:29:04,920 --> 00:29:10,000
Speaker 1: what a freaking jam that was. This song pretty much

521
00:29:10,040 --> 00:29:12,960
Speaker 1: became an unofficial anthem for country music fans who preferred

522
00:29:12,960 --> 00:29:16,760
Speaker 1: classic country over pop influence country. But that argument was

523
00:29:16,760 --> 00:29:20,200
Speaker 1: fought then, it's fought now, it'll be fought in ten years.

524
00:29:20,640 --> 00:29:24,560
Speaker 1: That arguments never actually settled. And what was traditional back

525
00:29:24,600 --> 00:29:29,760
Speaker 1: then fifteen years before that was it's weird. Man. Don't

526
00:29:29,760 --> 00:29:31,840
Speaker 1: get me started on the DA ain't country music, but

527
00:29:32,480 --> 00:29:35,000
Speaker 1: Don't Rock the Jukebox at number two on my list.

528
00:29:36,240 --> 00:29:39,200
Speaker 1: I was at Disney World once. It's a cool story,

529
00:29:40,280 --> 00:29:43,600
Speaker 1: and I worked on American Idol for four years. It

530
00:29:43,680 --> 00:29:46,680
Speaker 1: was a really great four years for me, and on

531
00:29:46,760 --> 00:29:50,680
Speaker 1: that show, I was a mentor to all the contestants

532
00:29:51,160 --> 00:29:53,320
Speaker 1: once they got into around the top twenty four. So

533
00:29:53,320 --> 00:29:56,720
Speaker 1: I was on every episode and really one of the

534
00:29:56,760 --> 00:29:58,640
Speaker 1: reasons I was there is in case Ryan got sick,

535
00:29:58,680 --> 00:30:00,760
Speaker 1: I had to fill in out to fill in, and

536
00:30:00,800 --> 00:30:03,320
Speaker 1: that did happen on one whole show. I had to host,

537
00:30:03,600 --> 00:30:08,320
Speaker 1: and then at times just random spots with people. And

538
00:30:10,200 --> 00:30:12,600
Speaker 1: rarely would I be in LA and I'd have an

539
00:30:12,640 --> 00:30:15,400
Speaker 1: off day because if we finished taping the show and

540
00:30:15,400 --> 00:30:17,520
Speaker 1: did the live show, I've just come back home because

541
00:30:17,560 --> 00:30:20,520
Speaker 1: I had the radio show to do. So was in LA.

542
00:30:20,560 --> 00:30:22,440
Speaker 1: It was getting near the end of the season and

543
00:30:22,480 --> 00:30:24,400
Speaker 1: we had two days. We were working one off day

544
00:30:24,440 --> 00:30:26,080
Speaker 1: and then we're back on for another day because we

545
00:30:26,080 --> 00:30:29,280
Speaker 1: were shooting like two episodes that week. Never had an

546
00:30:29,320 --> 00:30:32,280
Speaker 1: off day in LA except for this one time. And

547
00:30:32,320 --> 00:30:35,640
Speaker 1: we had finished that first two days and there's like

548
00:30:35,720 --> 00:30:37,880
Speaker 1: a red carpet thing that you do afterward. Red Carpet's

549
00:30:37,880 --> 00:30:39,520
Speaker 1: weird because it's not that type of carpet, but you

550
00:30:39,640 --> 00:30:42,040
Speaker 1: go and talk to the press after and they're asking

551
00:30:42,120 --> 00:30:45,080
Speaker 1: questions and one of the guys from ABC came up

552
00:30:45,080 --> 00:30:47,040
Speaker 1: and said, hey, you're staying in town, right, I guess, said,

553
00:30:47,120 --> 00:30:48,920
Speaker 1: he said, you should go to I guess it's disney

554
00:30:49,040 --> 00:30:52,920
Speaker 1: Land in LA. I'd never been to anything Disney at

555
00:30:52,920 --> 00:30:55,080
Speaker 1: this point, and I said I was by myself. I said,

556
00:30:55,120 --> 00:30:57,880
Speaker 1: I don't know. I don't have family or anything. Is it? No? No, No,

557
00:30:58,680 --> 00:31:02,840
Speaker 1: you work for Disney You should go to Disneyland. And

558
00:31:02,880 --> 00:31:06,120
Speaker 1: he gave me a number on the back of a card.

559
00:31:06,720 --> 00:31:11,320
Speaker 1: So I called the number and rang and they answered, huh,

560
00:31:11,840 --> 00:31:13,800
Speaker 1: it is Mickey. It's freaking Mickey who answered the call.

561
00:31:14,200 --> 00:31:15,920
Speaker 1: No it wasn't, but it was somebody who worked at

562
00:31:15,920 --> 00:31:21,320
Speaker 1: Disneyland who does VIP packages. And I said, hey, it's

563
00:31:21,400 --> 00:31:23,520
Speaker 1: Bobby Bones. I was told to call. I work for

564
00:31:23,560 --> 00:31:27,720
Speaker 1: American Idol. Can I come to Disneyland? And they said, yep,

565
00:31:28,200 --> 00:31:30,760
Speaker 1: be at this place you know, ten am. We'll meet

566
00:31:30,800 --> 00:31:33,880
Speaker 1: you there. I get to Disneyland and it's a little

567
00:31:33,880 --> 00:31:35,520
Speaker 1: bit of a drive and so I drive out there.

568
00:31:35,520 --> 00:31:37,160
Speaker 1: I'm by myself. It's kind of weird. I'm gonna don't

569
00:31:37,160 --> 00:31:40,760
Speaker 1: man go into Disneyland by myself, creepy, moutaware or a trench coat,

570
00:31:40,760 --> 00:31:45,480
Speaker 1: you know, I mean? And so I go and a

571
00:31:45,520 --> 00:31:48,640
Speaker 1: person meets me. That's one of those VIP guides. They

572
00:31:48,720 --> 00:31:50,160
Speaker 1: kind of walks you around the park and you get

573
00:31:50,160 --> 00:31:51,840
Speaker 1: to cut all the lines and stuff. And she's so

574
00:31:51,960 --> 00:31:53,440
Speaker 1: nice and she's like, Okay, what do you want to do.

575
00:31:53,440 --> 00:31:54,800
Speaker 1: And I'm like, I don't know. I've never been here,

576
00:31:54,840 --> 00:31:56,920
Speaker 1: so let's just go ride some rides. So I'm by myself.

577
00:31:57,000 --> 00:31:58,800
Speaker 1: I'm not by myself anymore. I do have a person

578
00:31:58,840 --> 00:32:03,240
Speaker 1: with me, that's thank god. And so we're going and

579
00:32:03,720 --> 00:32:06,160
Speaker 1: we're cutting the line of every line. This is a

580
00:32:07,000 --> 00:32:10,640
Speaker 1: a Sunday because maybe back on on Monday. We're cutting

581
00:32:10,640 --> 00:32:15,840
Speaker 1: every line, riding every ride, going underneath rides sometimes to

582
00:32:15,840 --> 00:32:17,880
Speaker 1: get to other rides, so there's no people there. And

583
00:32:17,920 --> 00:32:20,400
Speaker 1: I ride this there's like a big screen in your

584
00:32:20,600 --> 00:32:23,680
Speaker 1: you're tossing you around. And I get off this thing

585
00:32:23,720 --> 00:32:25,240
Speaker 1: and she says, okay, we're not going to go out

586
00:32:25,320 --> 00:32:27,240
Speaker 1: the traditional way. Following me, we go through a tunnel.

587
00:32:27,960 --> 00:32:30,440
Speaker 1: We'd come out the top and there's another guide with

588
00:32:30,560 --> 00:32:34,120
Speaker 1: another like family. So it's me my guide of family,

589
00:32:34,560 --> 00:32:36,880
Speaker 1: and it looks like two women and a kid. As

590
00:32:36,920 --> 00:32:39,480
Speaker 1: they get closer, I realize there's not a woman. It

591
00:32:39,520 --> 00:32:42,520
Speaker 1: was Stephen Tyler, who looked like a woman from dude

592
00:32:42,520 --> 00:32:44,640
Speaker 1: looks like a lady, you know what I'm saying. And

593
00:32:44,720 --> 00:32:48,240
Speaker 1: so I see Stephen Tyler and I'd spent like three

594
00:32:48,280 --> 00:32:51,320
Speaker 1: instances with them, never for more than fifteen minutes. I

595
00:32:51,320 --> 00:32:54,880
Speaker 1: don't expect Stephen Tyler to remember anything about me, because

596
00:32:54,880 --> 00:32:57,800
Speaker 1: that guy's been famous for so long, since the late seventies.

597
00:32:58,080 --> 00:33:02,480
Speaker 1: And we're at Disneyland, and so I don't want to

598
00:33:02,480 --> 00:33:04,719
Speaker 1: bother him, but we're walking right beside each other, and

599
00:33:04,760 --> 00:33:08,840
Speaker 1: I say, hey, Stephen Tyler and Bobby Bones. Wow, Bobby Ball,

600
00:33:09,040 --> 00:33:12,480
Speaker 1: how you been house to Nashville. Immediately knew and remember me.

601
00:33:12,880 --> 00:33:14,800
Speaker 1: It was crazy.

602
00:33:15,000 --> 00:33:15,400
Speaker 2: It was great.

603
00:33:15,440 --> 00:33:18,120
Speaker 1: Stephen tylerd's like hounds. He talks like that in real

604
00:33:18,160 --> 00:33:21,600
Speaker 1: life too, but he's so nice. Stephen Tyler was so nice,

605
00:33:21,880 --> 00:33:23,920
Speaker 1: so that was pretty cool. And he told me a

606
00:33:23,960 --> 00:33:31,520
Speaker 1: story once about whenever Aerosmith was relatively new, so not

607
00:33:31,640 --> 00:33:33,160
Speaker 1: just starting out, because you got to think they were

608
00:33:33,160 --> 00:33:36,480
Speaker 1: big in the seventies too, that Freddie Mercury would ride

609
00:33:36,480 --> 00:33:38,600
Speaker 1: on the tour bus with them before Queen got big

610
00:33:38,720 --> 00:33:43,880
Speaker 1: and like take a bunk like by himself. That's crazy

611
00:33:44,320 --> 00:33:47,520
Speaker 1: because he would go on before Aerosmith's with Queen before

612
00:33:47,600 --> 00:33:52,680
Speaker 1: Queen blew up. Come on, that's wild, So don't ride

613
00:33:52,680 --> 00:33:55,840
Speaker 1: the jukebox starts with the chorus It's my number two song.

614
00:33:56,720 --> 00:33:59,000
Speaker 1: It's still a jam today and it starts off. Next

615
00:33:59,000 --> 00:34:02,000
Speaker 1: time you hear that song, just think about Oh it

616
00:34:02,120 --> 00:34:05,920
Speaker 1: was chorus first, which is pretty rare that it doesn't

617
00:34:05,960 --> 00:34:11,040
Speaker 1: do verse chorus Boom starts with the chorus number one,

618
00:34:11,920 --> 00:34:14,400
Speaker 1: Here we are. Have you thought about what songs that

619
00:34:14,440 --> 00:34:19,320
Speaker 1: happen said yet? Because now time for in my opinion,

620
00:34:19,920 --> 00:34:23,200
Speaker 1: the greatest Alan Jackson song. And Alan Jackson is for

621
00:34:23,320 --> 00:34:26,719
Speaker 1: sure a top five artist of the nineties wherever you

622
00:34:26,800 --> 00:34:29,040
Speaker 1: want to insert him. For sure, you got to go

623
00:34:29,239 --> 00:34:34,120
Speaker 1: in no order with these three Garth, Shanaiah, George Strait Like,

624
00:34:34,200 --> 00:34:37,279
Speaker 1: for sure they're top three, but you can argue for

625
00:34:37,520 --> 00:34:43,560
Speaker 1: it's Alan Jackson. So what's the number one song from

626
00:34:43,600 --> 00:34:47,640
Speaker 1: a top five artist of the nineties. Well, it's not

627
00:34:47,719 --> 00:34:50,520
Speaker 1: even a song from the nineties. He put the song

628
00:34:50,520 --> 00:34:54,000
Speaker 1: out in two thousand and three. This song was also

629
00:34:54,120 --> 00:35:01,240
Speaker 1: solely written by Alan Jackson. This song makes me emotional sometimes.

630
00:35:02,880 --> 00:35:10,640
Speaker 1: Basically it's a reflection of an entire marriage, from being

631
00:35:10,719 --> 00:35:15,240
Speaker 1: young to getting older. To raising kids, growing older together.

632
00:35:16,120 --> 00:35:23,160
Speaker 1: I mean, remember when, remember when thirty seems so old?

633
00:35:23,680 --> 00:35:28,240
Speaker 1: Oh my god, that song is awesome. If you don't

634
00:35:28,560 --> 00:35:32,359
Speaker 1: feel something when you hear that song, turn this off,

635
00:35:32,760 --> 00:35:36,719
Speaker 1: leave go. If you do feel something or in the

636
00:35:36,760 --> 00:35:39,799
Speaker 1: right place together and I'm glad you're here. Number one,

637
00:35:40,280 --> 00:35:43,400
Speaker 1: Remember when what a jam? He wrote it as a

638
00:35:43,440 --> 00:35:47,200
Speaker 1: tribute to his wife Denise. She appears with them in

639
00:35:47,200 --> 00:35:51,879
Speaker 1: the music video. It is such a great song. It's

640
00:35:51,960 --> 00:35:56,319
Speaker 1: number one for me for so many reasons. That's what's up.

641
00:35:57,600 --> 00:35:59,799
Speaker 1: There are more songs I did. There are songs that

642
00:35:59,840 --> 00:36:02,440
Speaker 1: I I really thought, how can I not put this in?

643
00:36:02,960 --> 00:36:04,760
Speaker 1: And I made a list of his top ten songs

644
00:36:04,760 --> 00:36:08,680
Speaker 1: that I didn't put in. We'll start at number twenty.

645
00:36:08,880 --> 00:36:12,279
Speaker 1: I'm just kidding, but where were you in the world?

646
00:36:12,280 --> 00:36:13,839
Speaker 1: Stop turning? It was hard for me not to put

647
00:36:13,840 --> 00:36:15,840
Speaker 1: that in because it was a great song that was

648
00:36:15,840 --> 00:36:18,960
Speaker 1: specific to nine to eleven in that time and nailed it.

649
00:36:19,000 --> 00:36:22,640
Speaker 1: Obviously perfect song. But when I hear that song, I

650
00:36:22,640 --> 00:36:24,319
Speaker 1: think in nine to eleven like that to me is

651
00:36:24,360 --> 00:36:26,759
Speaker 1: such a because the people are going to say, how

652
00:36:26,800 --> 00:36:28,439
Speaker 1: did you not put that song in? And you're right,

653
00:36:28,960 --> 00:36:31,719
Speaker 1: Except this is my list so you're wrong about my list.

654
00:36:32,280 --> 00:36:35,760
Speaker 1: But that song is such a time capsule of that time,

655
00:36:36,800 --> 00:36:38,360
Speaker 1: and that's why I didn't put it in because I

656
00:36:38,360 --> 00:36:40,600
Speaker 1: think it makes me sad, it makes thinking nine to eleven.

657
00:36:40,640 --> 00:36:44,720
Speaker 1: I don't know. I didn't put it in. Also, Drive

658
00:36:45,360 --> 00:36:48,400
Speaker 1: was one that I really fought with that Drives a

659
00:36:48,480 --> 00:36:51,359
Speaker 1: jam too, but they didn't make it. But my number

660
00:36:51,400 --> 00:36:57,680
Speaker 1: one song. Remember when Alan Jackson has twenty six number

661
00:36:57,680 --> 00:37:00,880
Speaker 1: one songs. Now he has the thirty six if you

662
00:37:00,960 --> 00:37:03,799
Speaker 1: count like all the charts. There's like weird charts and

663
00:37:04,920 --> 00:37:07,960
Speaker 1: airplay here, but not built. I just went straight Billboard

664
00:37:07,960 --> 00:37:14,279
Speaker 1: Country charts. So he has maybe twenty six, twenty six,

665
00:37:14,320 --> 00:37:16,680
Speaker 1: twenty seven, I Love You All over Again, Don't Rock

666
00:37:16,719 --> 00:37:22,600
Speaker 1: the Jukebox Someday, Dallas Love's got a Hold on You jam.

667
00:37:23,600 --> 00:37:25,759
Speaker 1: Really thought about that one in the oldest too. She's

668
00:37:25,760 --> 00:37:29,879
Speaker 1: got the rhythm, Chattahoochie, Summertime Blues, Living on Love. One

669
00:37:29,920 --> 00:37:32,040
Speaker 1: that didn't make the list, that was on the initial

670
00:37:32,080 --> 00:37:35,600
Speaker 1: list before I cut it down. She's gone country, look

671
00:37:35,640 --> 00:37:39,279
Speaker 1: at the him boots. That was a jam too. Or

672
00:37:39,440 --> 00:37:42,000
Speaker 1: when it comes to funny songs, I don't even know

673
00:37:42,040 --> 00:37:46,360
Speaker 1: your name, that's a great Alan Jackson song Tall Tall Trees.

674
00:37:46,400 --> 00:37:48,359
Speaker 1: Are you kidding me? How did that not make the list?

675
00:37:48,360 --> 00:37:51,839
Speaker 1: You idiot? That's a great song too. Another number one song,

676
00:37:52,719 --> 00:37:55,719
Speaker 1: I'll try little Bitty there it goes right on the money.

677
00:37:55,760 --> 00:37:57,520
Speaker 1: It must be love. I'm reading all the number ones.

678
00:37:57,840 --> 00:37:59,680
Speaker 1: Where I come from? Where were you in the world?

679
00:37:59,719 --> 00:38:03,879
Speaker 1: Stop turning? Drive? Drive is good. I might have missed

680
00:38:03,880 --> 00:38:06,960
Speaker 1: by not butting drive in there. But it's five o'clock somewhere.

681
00:38:07,080 --> 00:38:11,000
Speaker 1: That one not for me. Not a beach guy, never drank,

682
00:38:11,920 --> 00:38:16,160
Speaker 1: doesn't really appeal to me. Never really a buffet guy either,

683
00:38:16,600 --> 00:38:20,200
Speaker 1: But it was a massive song. So it's five o'clock somewhere.

684
00:38:20,680 --> 00:38:23,439
Speaker 1: Remember when small Town Southern Man? Good Time country Boy?

685
00:38:23,560 --> 00:38:25,719
Speaker 1: And if You're gonna count It with Zach Brown Band

686
00:38:25,719 --> 00:38:29,240
Speaker 1: as She's walking away, so which was kind of a jam.

687
00:38:29,280 --> 00:38:33,920
Speaker 1: So those are my top ten Alan Jackson songs. I'm

688
00:38:34,040 --> 00:38:40,439
Speaker 1: taking this mustache off? Oh my god, thank you? That

689
00:38:40,680 --> 00:38:42,719
Speaker 1: is how's it hold on? What if I flip it

690
00:38:42,760 --> 00:38:43,680
Speaker 1: like this? Flip it?

691
00:38:43,760 --> 00:38:46,960
Speaker 3: Oh? There you go? Now like a beard?

692
00:38:48,680 --> 00:38:49,480
Speaker 1: Yeah? How about that?

693
00:38:49,520 --> 00:38:51,320
Speaker 3: You almost look like a California surfer.

694
00:38:51,560 --> 00:38:53,920
Speaker 1: Yeah, now I'm on a switch foot. Yeah.

695
00:38:54,080 --> 00:38:56,120
Speaker 3: Hey, you want to know a fun fact, i'd love

696
00:38:56,360 --> 00:38:57,320
Speaker 3: pleas on Jackson.

697
00:38:57,360 --> 00:38:59,200
Speaker 1: Please, did you ever write that's Brandon by the way

698
00:38:59,239 --> 00:39:00,919
Speaker 1: behind the camera? You ever write with Alan Jackson?

699
00:39:01,000 --> 00:39:04,640
Speaker 3: Never wrote with Alan Jackson opened a few like festivals

700
00:39:05,160 --> 00:39:07,279
Speaker 3: for him, like I played at like eleven in the

701
00:39:07,320 --> 00:39:11,799
Speaker 3: morning and he played eleven at night. You know, But

702
00:39:12,000 --> 00:39:15,680
Speaker 3: can you name a number one country song by another

703
00:39:15,840 --> 00:39:18,000
Speaker 3: artist that Alan Jackson wrote?

704
00:39:19,640 --> 00:39:23,239
Speaker 1: Hmmm, we're gonna be here a while if I have

705
00:39:23,280 --> 00:39:25,240
Speaker 1: to guess, so can you give me a hint?

706
00:39:25,520 --> 00:39:25,879
Speaker 3: All right?

707
00:39:27,360 --> 00:39:29,319
Speaker 1: Because I don't know the answer just from that?

708
00:39:29,440 --> 00:39:32,960
Speaker 3: Okay? It was it was a nineties country artist, not

709
00:39:33,080 --> 00:39:37,280
Speaker 3: as big, but you know, had a bunch of hits.

710
00:39:37,440 --> 00:39:41,440
Speaker 3: The artist, the artist? Do you want me to tell him?

711
00:39:41,480 --> 00:39:42,600
Speaker 3: Tell you his name? No?

712
00:39:42,640 --> 00:39:44,000
Speaker 1: I mean, is that the only hint you're gonna give me?

713
00:39:44,120 --> 00:39:47,160
Speaker 3: I mean, I don't know how to when you when

714
00:39:47,200 --> 00:39:48,960
Speaker 3: you hear the song, you're like, oh my god, that's

715
00:39:49,000 --> 00:39:51,680
Speaker 3: that's that'd be that'd been a perfect Alan Jackson song,

716
00:39:52,040 --> 00:39:54,080
Speaker 3: But it was a reject. He's like, I don't know,

717
00:39:54,200 --> 00:39:55,239
Speaker 3: give it to this guy.

718
00:39:56,440 --> 00:39:58,760
Speaker 1: Okay, so let's play. Let me try to name the artist. Okay,

719
00:39:59,040 --> 00:39:59,960
Speaker 1: what does the artist where?

720
00:40:00,960 --> 00:40:01,080
Speaker 2: He?

721
00:40:01,600 --> 00:40:02,319
Speaker 1: Is he? A hat act?

722
00:40:02,440 --> 00:40:02,879
Speaker 3: Hat act.

723
00:40:02,960 --> 00:40:06,840
Speaker 1: Yeah, okay, there's only a few. Then I'm gonna go diffy,

724
00:40:06,880 --> 00:40:14,360
Speaker 1: not a hat act. How about clay Walker? Is it

725
00:40:14,400 --> 00:40:18,520
Speaker 1: klay Walker? Oh? Okay? Good? Guess what's the most Alan

726
00:40:18,719 --> 00:40:21,319
Speaker 1: Jackson song that Clay Walker sings.

727
00:40:21,800 --> 00:40:24,879
Speaker 3: Here's a hint. It starts with a chorus, oh oh.

728
00:40:24,760 --> 00:40:26,400
Speaker 1: If I can make a living, there you go. If

729
00:40:26,440 --> 00:40:29,319
Speaker 1: I can make a living, I loving you be a

730
00:40:29,360 --> 00:40:33,239
Speaker 1: millionaire in a week or two. Alan Jackson wrote that

731
00:40:33,280 --> 00:40:37,279
Speaker 1: he wrote that that's a good story than how about that?

732
00:40:37,480 --> 00:40:38,920
Speaker 1: And now I have some sort of disease on my

733
00:40:38,960 --> 00:40:41,480
Speaker 1: lip and we've talked about the top ten Alan Jackson songs.

734
00:40:41,680 --> 00:40:44,840
Speaker 1: What a day this has been, so thank you very much, everybody.

735
00:40:45,000 --> 00:40:48,000
Speaker 1: Don't forget follow me over on Instagram at mister Bobby Bones.

736
00:40:48,120 --> 00:40:50,759
Speaker 1: Big shout out to Alan Jackson. If you watch this,

737
00:40:52,000 --> 00:40:55,680
Speaker 1: remember me. Yeah, okay, thank you, Bye, everybody, have a

738
00:40:55,680 --> 00:40:58,000
Speaker 1: great rest of the day. Thanks for listening to the

739
00:40:58,000 --> 00:40:58,720
Speaker 1: Bobby Cast.

740
00:40:59,000 --> 00:41:01,759
Speaker 2: Share this episode with a friend because they don't pay

741
00:41:01,760 --> 00:41:02,560
Speaker 2: to advertise us.

742
00:41:06,320 --> 00:41:06,360
Speaker 1: M