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Speaker 1: Piece of the planet, Charlamagna God here.

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Speaker 2: Before we get into today's episode, we've got to celebrate

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Speaker 2: the Black Effect Podcast Network. It's turning five years old, man,

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Speaker 2: five years of powerful voices, unforgettable moments in the community

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Speaker 2: that keeps growing.

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Speaker 1: This is the power of the platform. Now let's get

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Speaker 1: into it. What up, y'all? This is your main man,

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Speaker 1: Memphis bleak right here.

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Speaker 3: Welcome to Rock Solid, a production of iHeartRadio and the

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Speaker 3: Black Effect Network and partnership with my gods over at

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Speaker 3: Drink Champs Big with the year Memphis.

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Speaker 1: I'm back at it, niggas. Notice the difference. Just pron

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Speaker 1: pressy no stones. Yeah, y'all you already know what it is.

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Speaker 3: Back with yours truly another episode of Rock Solid and

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Speaker 3: you like, like I tell you, man, if you're on

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Speaker 3: this platform, it's two things. One you my brother. Two,

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Speaker 3: you've always been silent and this man saying right here

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Speaker 3: been both things since the beginning, even through the drama,

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Speaker 3: he stays silent.

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Speaker 1: You know what I'm saying.

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Speaker 3: Welcome, my g l thank you for man than you

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Speaker 3: having me g everything good man, blessed ye.

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Speaker 1: Let's see you fucking winning, winning on winning.

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Speaker 3: I'm so happy for you likewise, it is what it is,

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Speaker 3: is moving. Then you came up with the fleet talk

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Speaker 3: hot what made you get into this space like the

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Speaker 3: pod world and all that.

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Speaker 4: So, so to be honest with you, first of all,

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Speaker 4: thank you and congratulations to everything you gotta go around

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Speaker 4: to because appreciate. We was just talking before we started filming,

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Speaker 4: and you got a bunch of shit going on, and

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Speaker 4: I didn't know about appreciation.

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Speaker 1: And that's what it's really about. Growing.

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Speaker 4: But as far as the pad space is concerned, this

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Speaker 4: would happened to be totally honest with you. It wasn't

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Speaker 4: about the pod. It was about this, this straight up honesty.

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Speaker 4: Nor He kept asking me and shout out to Normy. No,

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Speaker 4: that's my brother, so he kept you know, me and

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Speaker 4: Nori is damn near neighbors in Miami. Like Norri literally

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Speaker 4: lives ten blocks away from me in Miami. So I'm

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Speaker 4: bumping into Norriy. He like, do the show Kenned your

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Speaker 4: drink Chimps And I'm like, I don't know. I don't

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Speaker 4: feel like doing drink Champs. I don't want to do

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Speaker 4: drink Champs And he like, yo, dude, because Norby so Norri,

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Speaker 4: it is my brother so I'm gonna be straight up honest.

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Speaker 1: Yeah, but we was doing it.

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Speaker 4: We had a situation, not necessarily Norri, but the niggas

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Speaker 4: he used to be with, had a situation in the

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Speaker 4: streets with me and some of my niggas to where

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Speaker 4: I felt Norrie was part of that. And so I

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Speaker 4: never really had a problem with Norri. But it's so

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Speaker 4: so let's say like this, I'm just give you an example,

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Speaker 4: and me and nor talked about it on the show.

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Speaker 4: So let's give an example.

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Speaker 1: Right.

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Speaker 4: Let's say me and you hanging out and I remember,

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Speaker 4: now I'm just gonna use this as an example because

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Speaker 4: I remember the name of your crew is get Low.

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Speaker 4: So the main nigga from Get Low outside of you,

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Speaker 4: was talking shit about me and then tried to get

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Speaker 4: one of my niggas on my team to come at me.

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Speaker 4: So I'm like, I said, thank that nigga in a

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Speaker 4: fight for then, I like, these niggas kind of dangerous,

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Speaker 4: the niggas now used to be with, but we kind

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Speaker 4: of debted it. So me and Norwy after that, I'm like,

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Speaker 4: I can't. I don't know if I could trust Bleak

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Speaker 4: like that, because niggas don't got niggas and you and

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Speaker 4: you don't. You never said nothing to me about it.

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Speaker 4: Decent that you be with so me and and we

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Speaker 4: good everything I'm talking about me and Noya you can do.

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Speaker 4: But Goods always hesitant to do it. But it was

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Speaker 4: dope because we discussed it on his show.

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Speaker 1: You know what I'm saying. I was like, I told him.

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Speaker 1: I was like, nor yeah't trust He's like, come on man,

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Speaker 1: I was like, it was dope.

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Speaker 4: It was a dope moment. So shout out to Norri.

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Speaker 4: But to be totally honest with you, the reason that

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Speaker 4: I did it was because I have a product. It's

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Speaker 4: called Pink Horsepower.

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Speaker 1: Yeah I know, I know.

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Speaker 4: So that product is that it was doing really well

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Speaker 4: for me. And when I went on Norriy's show, Drink Champs,

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Speaker 4: the product did like seven hundred percent more than what

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Speaker 4: I was doing on my own. I'm like, hold on, hold,

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Speaker 4: hold the fuck on, yeah, hold on there we may

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Speaker 4: we wan four hundred this week off, just off nor

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Speaker 4: Rey show. I need to see what's going on. So

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Speaker 4: then shot like shot nooy. So then I went on

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Speaker 4: a million dollars worth of game. Shout out to Gilly

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Speaker 4: and Wallow as well, a million dollars worth for game,

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Speaker 4: and the same thing happened. I put the product on

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Speaker 4: the show, shit zoomed up six seven hundred percent. So

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Speaker 4: I'm sitting there saying, hold on, man, what's going on?

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Speaker 4: How this is a commercial podcast?

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Speaker 1: Yes?

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Speaker 4: So I went back to Wallow and I'm like, yo,

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Speaker 4: I want to pay you to put this on the

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Speaker 4: show every weekend. While I was like, no, Cam, don't

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Speaker 4: work like that. We already you come up here, sell

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Speaker 4: what you want, but we already have a deal with

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Speaker 4: other people that's in the same lane issue. And then

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Speaker 4: he started breaking it down to me, shout to Wallow

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Speaker 4: because Wallow she is information like a motherfucker. And he

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Speaker 4: explained to me he liked, naw, this sponsors our shoulder,

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Speaker 4: This sponsors our show, This sponsors our show this month.

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Speaker 1: I'm like, oh, this is big fucking business.

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Speaker 4: You know what I'm saying after myself, I'm going to

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Speaker 4: do my own show, and I'm gonna make it about sports.

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Speaker 4: The reason I made it about sports is because I'm

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Speaker 4: sitting there arguing with my niggas on the.

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Speaker 1: Phone every day about sports.

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Speaker 4: Any at my phone one day shot with my man

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Speaker 4: sin City, I look at my phone one day and

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Speaker 4: the ship said two hours and forty seven minutes, and

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Speaker 4: we was arguing the whole time about sports. So I'm like, man,

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Speaker 4: I'm gonna give this shit a shot. So I shot

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Speaker 4: a few episodes. My mom got six, so I took

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Speaker 4: off for a while. I invited Mace on the show, like, yo,

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Speaker 4: come be a guest that Mace liked the vibe and

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Speaker 4: he don't like nothing, and so he said, would you

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Speaker 4: want to be partners? I'm like, hell, yeah, let's do it.

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Speaker 4: And we shot about thirty five episodes. We shot liked

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Speaker 4: eight episodes. In office started coming in and we shot

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Speaker 4: about thirty five episodes, and then Underdog came in with

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Speaker 4: a big offer.

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Speaker 3: So that's how I went. Seeing yall niggas in suits

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Speaker 3: every day. I'm proud of your niggas. Yea good man,

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Speaker 3: talking ship and looking good.

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Speaker 1: That was the vision. That was the vision seat.

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Speaker 4: When I first shot the show, people was like, Yo,

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Speaker 4: how is ESPN letting Kim come on here and curse

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Speaker 4: and do all that shit because the set So when

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Speaker 4: you have podcasts, right, that was my vision for I

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Speaker 4: shot it. You got niggas who do podcasts there in

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Speaker 4: the living room. They in the kitchen, they in the

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Speaker 4: fucking backyard.

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Speaker 1: Everything.

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Speaker 4: Then you got these sports shows to have great backgrounds

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Speaker 4: and productions and so on and so forth. But the

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Speaker 4: two worlds never met street talk versus professional setting.

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Speaker 1: So I'm like, I'm gonna build a set.

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Speaker 4: You're gonna throw the suits on now, next thing you

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Speaker 4: fuck is up, nigga, next this track, fuck the Lakers.

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Speaker 4: Just so, now you're looking at a professional setting with

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Speaker 4: two niggas who just talk. So now, when niggas were

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Speaker 4: seeing it on the grind, like yo, what sports. Let

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Speaker 4: Kim and these niggas come on here talking like that, man.

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Speaker 4: But that was the vision, the professional setting meet the

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Speaker 4: podcast world to where it looks professionally dressed.

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Speaker 3: Great, but we still talking that ship. Yeah, man, shout

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Speaker 3: out because normal. He the reason why I'm doing it

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Speaker 3: right now. Bro gave me the major speech like bleak,

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Speaker 3: I'm telling you like you said, I saw the numbers

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Speaker 3: go up and.

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Speaker 1: Was like, hold on, yeah, let me let me check

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Speaker 1: it out.

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Speaker 4: Now.

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Speaker 1: When I when I was talking to Norri.

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Speaker 4: Prior to hold on a second, you might want to

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Speaker 4: tell them to be quiet a little bit so that

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Speaker 4: shit don't bleed into what we're doing Yo.

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Speaker 1: Keep it down cause we were good. I appreciate you.

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Speaker 1: Yeah see, I'll be on point. I'll be on top

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Speaker 1: of all that man where he was at.

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Speaker 4: Yeah, I was saying when Norri it was like Nory

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Speaker 4: was telling me all ship about uh can we could

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Speaker 4: do so caveall with the champagne. He had a lot

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Speaker 4: of vision and it was and it was dope. But

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Speaker 4: I was like, nobody doing the sports ship. So but

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Speaker 4: he definitely had vision. Nah, you definitely killed that man.

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Speaker 3: But I'm gonna take it back, man, because we got

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Speaker 3: to go back in the day because you know, people

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Speaker 3: only think when we sit down, it's about the drama, right,

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Speaker 3: I don't know before that bullshit rap beef, it was

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Speaker 3: we was.

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Speaker 1: Fast, We was riding the rams, was pulling up with Dame.

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Speaker 3: I me at the club with Jay Like that's what

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Speaker 3: I mean, like the Confessions of Fire cam man, Like

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Speaker 3: that's the cam I met.

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Speaker 1: You was moving out here.

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Speaker 4: You met Kim with no deal. It wasn't even Confessions

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Speaker 4: of Fire. You know what's crazy believe is that I

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Speaker 4: was actually talked about this on drink champs. So I

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Speaker 4: got kicked out of college at the beginning of nineteen

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Speaker 4: ninety five. You know, I know Dame Sonce I was

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Speaker 4: ten eleven years old. He'd always been running around say

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Speaker 4: I'm gonna do this, do this, do this, And I

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Speaker 4: was saying this is probably like four days five days

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Speaker 4: after I got kicked out of college, and I'm like,

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Speaker 4: I need to figure this shit out. I ain't gonna

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Speaker 4: go to school. I see Dame busting moves or whatever.

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Speaker 4: And I actually talked about this on drink Champs and

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Speaker 4: I was like, I remember going to meet.

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Speaker 1: I was with Damon.

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Speaker 4: He was going to meet Jay and Tata and it's

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Speaker 4: a plot used to be called Jackson Hole. Oh yeah,

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Speaker 4: that come on kidding me, right, So I go meet,

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Speaker 4: I go meet. I'm with Dame. He goes meet them,

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Speaker 4: you know, tires with a girl. Jay is with a girl.

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Speaker 4: And I'm fucked up. And you know, Dave always had

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Speaker 4: some money whatever. So I'm just sitting there. I'm at

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Speaker 4: the point like this bleak to where I'm like, you know,

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Speaker 4: they teld me get full. I'm like, I hope I

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Speaker 4: don't got to pay for this because I don't even

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Speaker 4: know if I had ten dollars at the time. I'm

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Speaker 4: fresh kicked out of college in my grandmother house. And

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Speaker 4: when the bill came, Tatar pulled out this big ass

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Speaker 4: not I think I heard you say, and he paid

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Speaker 4: for it. And I'm like, you don't know how old TASiS.

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Speaker 4: You don't know if he's my age, you don't know

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Speaker 4: if he old age, right, But I'm just saying at

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Speaker 4: that moment, I'm thinking, it's a nigga my age who

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Speaker 4: got this much money? Like what do I gotta get

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Speaker 4: to it. It's times where you might not remember. I

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Speaker 4: know we talked about penns State, but it was yeah,

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Speaker 4: but it was a show. You guys did it at

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Speaker 4: the Castle in the Bronx.

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Speaker 1: Yeah, I was at that show. So that's what I'm saying.

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Speaker 4: When I used to hear coming to age and see

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Speaker 4: what you guys was doing, I said, I gotta get

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Speaker 4: to it. So even Confessions of Fire Kim you may

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Speaker 4: not remember, but I remember all of that, to the

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Speaker 4: Castle de Penn States, to where I didn't have a

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Speaker 4: deal yo, and niggas trying to figure it out.

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Speaker 3: I'm gonna ask you some off the wall ship right

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Speaker 3: now because it's real, right, And Yo, the baseline days

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Speaker 3: we was all cool, right. I heard you speak about

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Speaker 3: many times you, Jim all, y'all talk about like what

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Speaker 3: the difference was while y'all you know when a jay

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Speaker 3: and how shit went like that.

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Speaker 1: My question to you, though, one why y'all niggas shipped

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Speaker 1: on me?

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Speaker 3: On me? What did I say about you? Let me

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Speaker 3: niggas used to go. You was gunning at everybody that

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Speaker 3: used to be sitting there, like, Yo, niggas just was

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Speaker 3: my man, we gambling and base. Give me an example

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Speaker 3: of what you talked because I never remember watching the interview.

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Speaker 1: It was something y'all was on this when the DVDs.

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Speaker 3: Was heavy, and Yah, niggas was like yeah, and that

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Speaker 3: nigga bleak too, he could get It was you, Jim

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Speaker 3: and sitting in.

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Speaker 1: And I'm sitting there, I'm like, wait a minute.

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Speaker 3: I understand niggas got their boss beef, you know, it's

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Speaker 3: it's always behind the scenes, red tape ship. But I'm

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Speaker 3: sitting there like, why niggas this keep it on a hundred.

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Speaker 3: If you want to point out this scenario.

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Speaker 1: I can't. I can't. It was just it was just

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Speaker 1: rat bullshit. But no, no, I just always wanted to

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Speaker 1: ask you that, like what I do. I never had

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Speaker 1: a pub with you. So my thing was this and

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Speaker 1: I'm just telling you, like I said, this all water

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Speaker 1: under the bridge about me and you never had a never.

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Speaker 4: So when I got when I got him, like I said,

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Speaker 4: you explain a lot just being Jay's friend. You know

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Speaker 4: what I'm saying, And even with your interviews are laughing shit,

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Speaker 4: I'm like this, this is the way this nigga, you

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Speaker 4: know what I'm saying, even like what we talked about

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Speaker 4: on my show or heard so even like to the

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Speaker 4: lobby for a spot on my album, like I should

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Speaker 4: never even work left out my mind when your nigga

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Speaker 4: said lobby for a spot like not y, I ain't

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Speaker 4: here to get a spot young, I'm not here to

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Speaker 4: Libby for a spot on your album. One never went out.

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Speaker 4: But I want to answer your question, is that So

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Speaker 4: the way I felt was this, And I never had

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Speaker 4: a problem with you. If I said I probably was

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Speaker 4: just all mixed up. But I never had found with you.

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Speaker 1: That's what I was saying, like we never had nothing.

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Speaker 1: The whole thing is the way. So it was a

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Speaker 1: few things just for me.

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Speaker 4: When I came to Rockefeller, I was at the point

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Speaker 4: where I'm like, I'm coming into a scenario to where

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Speaker 4: this is already laid out, this is done, these niggas

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Speaker 4: is up. For me to even be a part of

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Speaker 4: this is a big move for Dame. Even bringing me in.

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Speaker 4: I'm very happy. So I always was like, and I'm

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Speaker 4: exaggerating when I say this, but I'm like almost a slave,

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Speaker 4: Like can I hold the door for you?

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Speaker 1: Your niggasm the store?

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Speaker 3: You was definitely grind when you first came around for

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Speaker 3: I never take that away.

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Speaker 4: Right, And so I just, you know, everything I did

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Speaker 4: was like we're not gonna fuck this up. And then,

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Speaker 4: like I said, I just didn't know Jay's personality and

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Speaker 4: it was a time. I'll give you an example, right,

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Speaker 4: I had Kse Slay in the studio and they told

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Speaker 4: me that I ain't know if I tell you, And

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Speaker 4: Jay was like, Yo, be careful you bringing in here

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Speaker 4: because what if I would have slapped the ship out

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Speaker 4: the nigger And I'm like, I didn't.

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Speaker 1: Know rest of beast.

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Speaker 3: Case. That's that's the That's another thing about Slay that

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Speaker 3: I respected, Like him and Jay had their differences, but

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Speaker 3: Slay always fucked with me, you know what I mean.

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Speaker 3: A mixtape together introduced me to Pat when Pat first

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Speaker 3: was coming up, you always let me come on to

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Speaker 3: bring my artists up the freestyle. So I always respected

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Speaker 3: that about Slay, Like he never threw me into the

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Speaker 3: politics of what they had going on.

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Speaker 4: But I didn't know. But I knew kse Slay had

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Speaker 4: the drama our. He's playing all the Dish records. But

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Speaker 4: it wasn't like he would play NAVES records and not

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Speaker 4: play J records. But I was like, if you play

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Speaker 4: NAS records, don't play last year whatever. I didn't know that,

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Speaker 4: so everything I did was like just basically, uh, trying

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Speaker 4: to just make sure that I'm good. It was even

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Speaker 4: a point where, like I said, the reason we did

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Speaker 4: the New York City record, I guess you know people's feeling.

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Speaker 1: The way Old Boy came out. It was doing good

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Speaker 1: and Jay put me back.

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Speaker 4: J J put me to side, and baselines like, Yo,

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Speaker 4: I don't know if it's tension not tension, just that

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Speaker 4: I want to let you know, YO, were good, you're

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Speaker 4: doing your thing.

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Speaker 1: I said, well, if just gotta beat up right man,

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Speaker 1: he gotta be Yeah.

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Speaker 3: Man, I look back at hindsight and be like, damn

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Speaker 3: if what if if it never happened?

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Speaker 1: You know what I mean.

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Speaker 3: It's always gonna be that. But one thing I could say,

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Speaker 3: even through the drama, like I'm gonna be all the

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Speaker 3: way honest with you because you know you one nigga

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Speaker 3: I respect because you had a lot of drama in

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Speaker 3: this game and you stood on all ten.

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Speaker 1: Now you never.

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Speaker 3: Like but you know when you when you don't up

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Speaker 3: with a rapper, you know his music just become like

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Speaker 3: about that. Absolutely, I ain't gonna front when you dropped

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Speaker 3: suck it or not.

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Speaker 1: I hated you. I was like, yo, this, how is

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Speaker 1: it gonna make this record when this drama? He'soking this before? Listen?

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Speaker 1: You know.

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Speaker 3: I said in the interview with you one time and

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Speaker 3: they was you was reading some of my lyrics and

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Speaker 3: he was like, man, I don't know about this bullshit.

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Speaker 1: And just do and this ship out. You know how

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Speaker 1: much bullshit I was hating, but I was that it

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Speaker 1: was not it had to be that. I understand. You

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Speaker 1: have to you have to be where you had to

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Speaker 1: be in that team. Like that was a little tension. Man.

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Speaker 3: I'm glad we put that behind each other to see

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Speaker 3: y'all at the what was it the B Sides two concert?

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Speaker 1: Man? That was that was all for the city. That

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Speaker 1: was big.

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Speaker 4: That was super dope, man, Like I said Jim. I

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Speaker 4: think Jim was working on Rock Nation at the time.

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Speaker 4: And then one called me that me and Jay spoke

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Speaker 4: and he spoke after that, and that was it was

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Speaker 4: a dope moment just the show. Like my niggas, I

350
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Speaker 4: never had a problem. It was always like like you

351
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Speaker 4: said on my show when niggas said that president.

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Speaker 1: Shit, Yo, that changed everything over.

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Speaker 3: And I'm gonna be honest with you on some g

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Speaker 3: shit I ain't saying on your show because I want

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Speaker 3: you to come here for me to say it. But

356
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Speaker 3: you know, I call Hole. I'm the one who called him.

357
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Speaker 3: It was like, Yo, my nigga, the fuck is going

358
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Speaker 3: on up here? How nigga's gonna make Cam the president?

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Speaker 3: Me and Beans been here for this law?

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Speaker 1: What's uping? J like, Nigga, I'm on the boat.

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Speaker 3: What you mean?

362
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Speaker 1: What's going on? He like, Yo, call Dame.

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00:16:32,840 --> 00:16:34,880
Speaker 3: So I put him and Dame on the phone, and

364
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Speaker 3: him and Dame had words. I ain't gonna say what

365
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Speaker 3: they said because that's between them, but they had some

366
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Speaker 3: words and Jay was like, I sween. Jay started saying,

367
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Speaker 3: Jovey's home the global phone word. I'm like damn man

368
00:16:46,200 --> 00:16:49,080
Speaker 3: when he came home that swing shit just went upside down. Bro,

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Speaker 3: I can't imagine speaking on Jim. I heard you say

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Speaker 3: on your show, You're like, Yo, what's up with you

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Speaker 3: and Beans? It's the same I feel with you and Jim, Bro, like,

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Speaker 3: I need y'all to fix that. Do you think that

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Speaker 3: can ever be fixed?

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Speaker 1: Look to me, when it goes to the diplomat shit, right,

375
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Speaker 1: it's like.

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Speaker 4: The Williams, the Williams brothers from the other side of

377
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Speaker 4: the projects, like you know, yo, the Smith stuff, niggas

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Speaker 4: be bugging the diplomat thing. To me is like it's

379
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Speaker 4: no matter what. At one particular time, nobody was bigger

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Speaker 4: than the group.

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Speaker 1: That's right.

382
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Speaker 4: And I remember Dame saying that. Dame was like, Yo,

383
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Speaker 4: Cam I got because what happened is this, I got

384
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Speaker 4: a fucked up deal, epic. I had to get the

385
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Speaker 4: death Jam. When I got the Rockefeller, I started maneuvering

386
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Speaker 4: like I was in a funked up situation. So when

387
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Speaker 4: I'm trying to get Jim on Joelle's I remember I'm

388
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Speaker 4: fighting for Jim. Nobody believed Jim was a rapper. I'm like, Yo, nah, Jim,

389
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Speaker 4: You're gonna direct my videos. Jim, motherfucker, you gonna wave

390
00:17:51,080 --> 00:17:54,120
Speaker 4: with the deal, this down and the third. Basically I'm

391
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Speaker 4: fighting for all of us. So I remember I started

392
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Speaker 4: getting the Diplomat mixtapes and the shit was hot, and

393
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Speaker 4: Dame was like, Cam, you might want to solw that.

394
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Speaker 3: Damn these niggas. You know, if you put you out,

395
00:18:03,520 --> 00:18:07,760
Speaker 3: wait a while for the Diplomat. So therefore then it's

396
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Speaker 3: not the same thing. I'm like, nobody got tied away.

397
00:18:10,040 --> 00:18:12,800
Speaker 3: Y'all be in a comfortable situation, right. All my niggas

398
00:18:12,840 --> 00:18:15,440
Speaker 3: been fucked up. The last three albums were trying to

399
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Speaker 3: get on.

400
00:18:15,880 --> 00:18:19,119
Speaker 4: So even like with Jim, I didn't get him this

401
00:18:19,400 --> 00:18:22,680
Speaker 4: first deal at Cotch, like I I got the single

402
00:18:23,119 --> 00:18:25,680
Speaker 4: part of me the artist deal in Rockefeller. I went

403
00:18:25,760 --> 00:18:29,160
Speaker 4: to Kevin Lows and le Or to get the joint

404
00:18:29,240 --> 00:18:33,760
Speaker 4: venture deal for Joel's and uh, the Diplomat album. Then

405
00:18:33,840 --> 00:18:35,760
Speaker 4: Dame just came and started flipping talking about you ain't

406
00:18:35,800 --> 00:18:37,800
Speaker 4: doing no deal with Cam. If I would have came

407
00:18:37,840 --> 00:18:39,200
Speaker 4: and at you for this deal, you would have told

408
00:18:39,200 --> 00:18:41,520
Speaker 4: me no. So I ended up going through Rockefeller death

409
00:18:41,600 --> 00:18:44,440
Speaker 4: Jim for Diplomats and Jewel's when it was just gonna

410
00:18:44,440 --> 00:18:49,960
Speaker 4: be diplomat death Jim. Oh wow, Yeah, but dame flipping

411
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Speaker 4: out on Kevin and Kevin I remember sitting there, He's like, dang,

412
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Speaker 4: I don't make money off albums. I get paid a salary.

413
00:18:56,119 --> 00:18:59,399
Speaker 4: I don't give a those through June for depth Jim whatever,

414
00:19:03,520 --> 00:19:07,600
Speaker 4: But back to the diplomat thing. Look, I always wish

415
00:19:07,720 --> 00:19:12,080
Speaker 4: Jim the best. I hope he does well. He came

416
00:19:12,119 --> 00:19:15,120
Speaker 4: a long way, you know what I'm saying, Frank, Yeah,

417
00:19:15,160 --> 00:19:17,760
Speaker 4: And that's what I'm saying, y'all, Bros, I want to

418
00:19:17,760 --> 00:19:19,800
Speaker 4: tell you someth I'm talking about. Just from not being

419
00:19:19,920 --> 00:19:21,800
Speaker 4: my man, y'all realized this is my man who could

420
00:19:21,960 --> 00:19:25,760
Speaker 4: wrap it, turned into my hate man. It turned into artists,

421
00:19:25,880 --> 00:19:29,720
Speaker 4: director videos. So his hustle is impeccable far as me

422
00:19:29,840 --> 00:19:31,920
Speaker 4: far at the diplomat. Yeah, question is this though, You

423
00:19:31,960 --> 00:19:34,320
Speaker 4: got to think about this, Bleak. We put out our

424
00:19:34,359 --> 00:19:39,240
Speaker 4: first mixtape probably two thousand and one, four years ago. Yeah,

425
00:19:40,320 --> 00:19:43,159
Speaker 4: the album came out two thousand and three. So you

426
00:19:43,280 --> 00:19:49,160
Speaker 4: sit there and you sit there and say, okay, two

427
00:19:49,200 --> 00:19:51,360
Speaker 4: thousand and one to let's say we broke up two

428
00:19:51,359 --> 00:19:53,800
Speaker 4: thousand and seven, even if you give it two thousand

429
00:19:53,800 --> 00:19:56,320
Speaker 4: and eight got a six seven year run. Music is

430
00:19:56,400 --> 00:19:59,000
Speaker 4: just so powerful, the logos still, people just love it.

431
00:20:00,160 --> 00:20:02,719
Speaker 4: First reunion I'm talking about after we broke up got back?

432
00:20:02,760 --> 00:20:04,360
Speaker 4: What level was in twenty ten?

433
00:20:05,000 --> 00:20:05,720
Speaker 1: Yeah, yeah, the.

434
00:20:05,800 --> 00:20:10,560
Speaker 4: First reunion show we did if we can't get it together.

435
00:20:10,760 --> 00:20:13,320
Speaker 4: Now it's been two down ten to twenty twenty five.

436
00:20:14,000 --> 00:20:18,200
Speaker 4: So the reunions and arguments and fighting has been fifteen years.

437
00:20:18,280 --> 00:20:19,920
Speaker 1: The run was only seven years.

438
00:20:20,560 --> 00:20:24,680
Speaker 4: We got fifteen years of disputes longer than the run.

439
00:20:24,800 --> 00:20:28,399
Speaker 4: The run was seven years. The disputes is going on. Taffan, Yo,

440
00:20:28,480 --> 00:20:30,600
Speaker 4: we'll get together here and there, this, that and the third.

441
00:20:31,040 --> 00:20:33,200
Speaker 4: But the thing about it is this, and I'm being honest,

442
00:20:33,800 --> 00:20:36,359
Speaker 4: is that the last scenario that we went to me

443
00:20:36,440 --> 00:20:39,920
Speaker 4: and gym was school. And I take responsibility for it,

444
00:20:39,960 --> 00:20:43,080
Speaker 4: but I was that serious. There was a time where

445
00:20:43,200 --> 00:20:45,560
Speaker 4: Jim had did a show at fifty and I think,

446
00:20:46,240 --> 00:20:48,760
Speaker 4: I think that right when I think the way fifty

447
00:20:48,800 --> 00:20:52,840
Speaker 4: answered the question got Jim mad. But I'm sitting there

448
00:20:52,920 --> 00:20:56,080
Speaker 4: saying to myself, I think and me on the time,

449
00:20:56,160 --> 00:20:58,639
Speaker 4: me and you on right now we can't talk about all.

450
00:20:58,960 --> 00:21:01,280
Speaker 4: We can't talk about what the way fifty innswer the

451
00:21:01,400 --> 00:21:04,159
Speaker 4: question it got Jim mad, and it riled him up,

452
00:21:04,160 --> 00:21:06,160
Speaker 4: and he went on tangent for four or five six months.

453
00:21:06,160 --> 00:21:09,399
Speaker 4: Still to this day, I guess he's still upset. But

454
00:21:09,520 --> 00:21:11,920
Speaker 4: I didn't mean militia out of it. I really want

455
00:21:12,040 --> 00:21:16,320
Speaker 4: to know how this nigga, How did you get niggas

456
00:21:16,400 --> 00:21:18,440
Speaker 4: to go fuck with you and me and you beefing

457
00:21:19,040 --> 00:21:21,680
Speaker 4: and me and Joell's and Jim not saying we was beefing,

458
00:21:21,760 --> 00:21:23,760
Speaker 4: but we wasn't on the same page. So it's a

459
00:21:23,800 --> 00:21:27,120
Speaker 4: real question for me. And you know, Jim got mad

460
00:21:27,200 --> 00:21:29,840
Speaker 4: about it and still upset to this day about it.

461
00:21:29,920 --> 00:21:33,399
Speaker 4: But I'm never gonna say never. But the end of

462
00:21:33,440 --> 00:21:35,560
Speaker 4: the day, if you got to think about it, it

463
00:21:35,760 --> 00:21:41,119
Speaker 4: disputes the arguments. The reunions is fifteen years old years

464
00:21:41,200 --> 00:21:44,520
Speaker 4: old and the run was seven years old. I don't

465
00:21:44,520 --> 00:21:46,840
Speaker 4: know if it could never go right. You know, he

466
00:21:46,960 --> 00:21:49,639
Speaker 4: got records thising me earlier this year. Whatever I do,

467
00:21:49,760 --> 00:21:51,639
Speaker 4: I don't really pay no more people send it to me.

468
00:21:52,240 --> 00:21:53,440
Speaker 4: But you got to think about it. He put a

469
00:21:53,520 --> 00:21:55,240
Speaker 4: friend a song called out Front of Me. He's in

470
00:21:55,359 --> 00:21:59,200
Speaker 4: like two thousand and eight, seventeen years of dish records

471
00:21:59,240 --> 00:21:59,680
Speaker 4: towards me.

472
00:22:00,760 --> 00:22:02,480
Speaker 1: I don't give a fuck, you know what I'm saying.

473
00:22:03,440 --> 00:22:05,879
Speaker 3: It's the same way with Beans. Beans got dis records,

474
00:22:05,960 --> 00:22:07,520
Speaker 3: this and me and all that, and it's like, I

475
00:22:07,560 --> 00:22:10,040
Speaker 3: don't know where niggas coming from. But at the end

476
00:22:10,119 --> 00:22:12,480
Speaker 3: of the day, like when the lights cut off, the

477
00:22:12,600 --> 00:22:16,080
Speaker 3: music cut off, everything cut off, I can never.

478
00:22:16,080 --> 00:22:18,760
Speaker 1: Erase what was right exactly, you know what I mean.

479
00:22:18,880 --> 00:22:21,800
Speaker 3: But it's time for niggas to definitely embrace what is

480
00:22:22,320 --> 00:22:24,360
Speaker 3: exactly you know what I'm saying, And that's what I'll

481
00:22:24,359 --> 00:22:27,520
Speaker 3: be saying. The niggas like the best thing, the best thing,

482
00:22:27,840 --> 00:22:32,080
Speaker 3: And it's totally different scenarios. But you talked about it.

483
00:22:32,240 --> 00:22:34,400
Speaker 3: I didn't even see the interview. I've seen the clip. Yeah,

484
00:22:34,640 --> 00:22:37,520
Speaker 3: when they asked you if if niggas is ever gonna

485
00:22:37,520 --> 00:22:43,800
Speaker 3: speak again, and like the line with Dame, I feel like, yeah,

486
00:22:43,920 --> 00:22:47,280
Speaker 3: there's a line that was crossed. Like Beans, ain't go there.

487
00:22:47,400 --> 00:22:49,640
Speaker 3: I understand what you like, we get on the phone,

488
00:22:49,640 --> 00:22:51,639
Speaker 3: I'm gonna pick up the phone to night, like you

489
00:22:51,640 --> 00:22:54,280
Speaker 3: know what I'm saying. But I feel like between them,

490
00:22:55,240 --> 00:22:57,120
Speaker 3: I don't even have to ax Jay. It ain't even

491
00:22:57,200 --> 00:22:59,040
Speaker 3: like Jay said it to me. It was like, Nah,

492
00:22:59,119 --> 00:23:02,280
Speaker 3: niggas is done. I ain't never, I just know knowing him.

493
00:23:02,720 --> 00:23:04,800
Speaker 4: But the reason I brought that out it is it

494
00:23:04,920 --> 00:23:07,240
Speaker 4: isn't even about because like Bigs my big bro to

495
00:23:07,359 --> 00:23:08,359
Speaker 4: shout out the bigs.

496
00:23:08,200 --> 00:23:11,920
Speaker 3: Yeah, shout out bigs. Definitely, yes, Oh yeah, that's my

497
00:23:12,040 --> 00:23:16,479
Speaker 3: big bro. So it's like it's like this for instance, right,

498
00:23:16,600 --> 00:23:18,920
Speaker 3: and that's what I'm saying. Right, I built a few

499
00:23:19,000 --> 00:23:20,800
Speaker 3: different entities that's doing well.

500
00:23:22,359 --> 00:23:22,760
Speaker 1: Right now.

501
00:23:22,880 --> 00:23:28,320
Speaker 4: Unless Jay feels like being nostalgic or whatever, you're not,

502
00:23:28,560 --> 00:23:31,560
Speaker 4: you're gonna see those hats that you wear. It ain't

503
00:23:31,720 --> 00:23:34,720
Speaker 4: We could go Rockefeller every five, six, seven, eight years.

504
00:23:35,040 --> 00:23:39,240
Speaker 4: But this is what we pumping right now exactly. So

505
00:23:39,320 --> 00:23:43,080
Speaker 4: it's never not a problem to feel nostalgic and reminisce.

506
00:23:43,400 --> 00:23:45,639
Speaker 4: But if you do too much of that reminiscent and

507
00:23:45,840 --> 00:23:48,760
Speaker 4: just base everything you doing on for what the past was,

508
00:23:49,040 --> 00:23:50,920
Speaker 4: you're just gonna sound like a nigga with a bunch

509
00:23:50,960 --> 00:23:53,639
Speaker 4: of stories and you old and biddle and so on

510
00:23:53,800 --> 00:23:57,080
Speaker 4: and so forth. For me, it's about still creating and

511
00:23:57,240 --> 00:24:01,520
Speaker 4: moving forward and making sure that when I do talk

512
00:24:01,560 --> 00:24:03,520
Speaker 4: about old shit, we're gonna talk about what's nail too.

513
00:24:03,560 --> 00:24:06,040
Speaker 4: It's right, because it's great to have memories and talk

514
00:24:06,080 --> 00:24:09,399
Speaker 4: about everything. But imagine if the nigga hole would just

515
00:24:09,480 --> 00:24:10,680
Speaker 4: be talking about Yo.

516
00:24:10,720 --> 00:24:11,360
Speaker 1: Remember.

517
00:24:12,960 --> 00:24:15,879
Speaker 4: Hey, you don't remember, Hey, y remember when we was

518
00:24:15,920 --> 00:24:18,359
Speaker 4: in two? Nah, we can talk about that, But this

519
00:24:18,440 --> 00:24:20,080
Speaker 4: is what I got going on today. I just sold

520
00:24:20,119 --> 00:24:22,600
Speaker 4: the company for forty eight, four hundred and eighty million.

521
00:24:22,960 --> 00:24:25,200
Speaker 4: You get what I'm saying. That's what it's about. He's

522
00:24:25,320 --> 00:24:28,760
Speaker 4: not wearing Rockefeller I had so every day he's not.

523
00:24:29,320 --> 00:24:32,320
Speaker 4: You understand, He's moved on. And to me, that's what

524
00:24:32,480 --> 00:24:34,800
Speaker 4: it's really about. I love to reminisces and love to

525
00:24:34,840 --> 00:24:37,280
Speaker 4: have for it. But if that's all we talking about

526
00:24:37,640 --> 00:24:39,240
Speaker 4: and I can't do yeah, I can't do it.

527
00:24:39,400 --> 00:24:41,000
Speaker 1: No, I feel you. Bro. It's the same with the

528
00:24:41,080 --> 00:24:43,399
Speaker 1: Rockefeller shit. I'll be on that. They Yo, let's do

529
00:24:43,480 --> 00:24:46,200
Speaker 1: the Rockefeller shows, and it's like, bro, I can't do that.

530
00:24:46,440 --> 00:24:49,440
Speaker 3: No more Rockefeller right exactly. It's just like what we're

531
00:24:49,480 --> 00:24:51,040
Speaker 3: doing it right, even make no sense?

532
00:24:51,200 --> 00:24:55,520
Speaker 4: Right, and everybody not going and no respecting nobody out

533
00:24:55,560 --> 00:24:58,880
Speaker 4: there like that, Nobody gonna not go keep themselves in shape.

534
00:24:58,920 --> 00:25:04,080
Speaker 4: Everything like everybody, some niggas looking slopped and still got.

535
00:25:04,800 --> 00:25:05,600
Speaker 1: I'm a train.

536
00:25:05,680 --> 00:25:12,240
Speaker 3: I'm trying to get back type yeahs like uh yeah,

537
00:25:12,520 --> 00:25:14,600
Speaker 3: you know what I say, looking at niggas like damn

538
00:25:14,720 --> 00:25:17,720
Speaker 3: fan exactly. Now that's a fact, bro. So I wonder

539
00:25:17,840 --> 00:25:20,800
Speaker 3: we was talking off camera, but how you feel about music?

540
00:25:20,840 --> 00:25:23,160
Speaker 3: Would there ever be another camera project?

541
00:25:24,920 --> 00:25:25,760
Speaker 1: You know? It's crazy.

542
00:25:27,520 --> 00:25:30,000
Speaker 4: So I deal with different people on different things, and

543
00:25:30,080 --> 00:25:31,920
Speaker 4: they asked me for albums all the time. I just

544
00:25:32,000 --> 00:25:35,680
Speaker 4: think the landscape is different, the tensions. The tension span

545
00:25:35,800 --> 00:25:39,120
Speaker 4: is shorter album. Good album, come out, that should lasts

546
00:25:39,160 --> 00:25:42,879
Speaker 4: two three months, graving no weeks. I'm talking about when

547
00:25:42,920 --> 00:25:45,560
Speaker 4: we was coming out now yeah yeah, yeah, nineties, early

548
00:25:45,600 --> 00:25:47,440
Speaker 4: two thousand, great album, two three months.

549
00:25:47,480 --> 00:25:48,000
Speaker 1: You gotta run.

550
00:25:48,080 --> 00:25:50,960
Speaker 3: That's a great album. Today just what you said, two

551
00:25:50,960 --> 00:25:53,359
Speaker 3: weeks and that's a great that's a great that's a

552
00:25:53,520 --> 00:25:58,120
Speaker 3: great album. So mom, I gonna put my hallwork hallwork

553
00:25:58,200 --> 00:26:01,639
Speaker 3: in and get to weeks. I put out a single.

554
00:26:02,080 --> 00:26:04,560
Speaker 3: You put out single once every few months. Let it bubble.

555
00:26:04,640 --> 00:26:05,359
Speaker 3: See what happened?

556
00:26:05,400 --> 00:26:05,640
Speaker 1: Cool?

557
00:26:06,280 --> 00:26:09,399
Speaker 4: Like me, I was toaring off the same catalog from

558
00:26:09,440 --> 00:26:12,680
Speaker 4: twenty eleven to twenty nineteen til COVID. I was on

559
00:26:12,880 --> 00:26:16,000
Speaker 4: tour when COVID hit same catalog. So I'm sitting this

560
00:26:16,080 --> 00:26:18,600
Speaker 4: saying That's when I realized, like the music we made

561
00:26:18,760 --> 00:26:21,360
Speaker 4: was a great time. Because I'm still doing Ampu Theare

562
00:26:21,400 --> 00:26:24,119
Speaker 4: that's fifteen hundred and twenty five hundred shit for seven

563
00:26:24,200 --> 00:26:27,320
Speaker 4: eight years straight, same catalog. I threw new shit out

564
00:26:27,320 --> 00:26:31,320
Speaker 4: here and there, But it don't make sense now. If

565
00:26:31,359 --> 00:26:33,960
Speaker 4: I did a project, for instance, like I did Purple

566
00:26:34,040 --> 00:26:35,960
Speaker 4: Haze two, it's more of a mixing than the album.

567
00:26:36,760 --> 00:26:39,920
Speaker 4: But I toured it with my album my you know,

568
00:26:40,040 --> 00:26:43,639
Speaker 4: my catalog, and I sold out every venue. But the

569
00:26:43,760 --> 00:26:47,600
Speaker 4: dope thing about that is this. So I was seeing

570
00:26:47,640 --> 00:26:49,679
Speaker 4: people online talking abou Kim. I didn't get the new

571
00:26:49,720 --> 00:26:53,119
Speaker 4: mixtape yet, but I'm gonna cop it the night and

572
00:26:53,200 --> 00:26:55,119
Speaker 4: by the time I get to your show Friday, I'm

573
00:26:55,119 --> 00:26:57,440
Speaker 4: gonna every word. So now you don't gotta go to

574
00:26:57,520 --> 00:27:00,480
Speaker 4: Tower Records. You ain't gotta go to HMV. Nigga unloaded

575
00:27:00,520 --> 00:27:02,800
Speaker 4: the day before the show and they in tune. So

576
00:27:02,880 --> 00:27:05,560
Speaker 4: I think that part is dope. But for me, if

577
00:27:05,600 --> 00:27:10,040
Speaker 4: it ain't. When niggas touring and making money off merchant,

578
00:27:10,200 --> 00:27:14,119
Speaker 4: there's so many aspects to go into doing music. Just

579
00:27:14,240 --> 00:27:16,560
Speaker 4: to put a song out here and there, it's not

580
00:27:16,680 --> 00:27:18,119
Speaker 4: worth it for me. If I could put it in

581
00:27:18,200 --> 00:27:21,280
Speaker 4: a movie, a TV soundtrack, whatever, cool, but to do

582
00:27:21,359 --> 00:27:23,479
Speaker 4: an album, not just doing albums to put it out.

583
00:27:23,520 --> 00:27:25,639
Speaker 4: They're not gonna sell what they used to sell. And

584
00:27:25,800 --> 00:27:28,600
Speaker 4: I'm not touring and selling merch behind it. The money's

585
00:27:28,680 --> 00:27:29,359
Speaker 4: not worth it for me.

586
00:27:29,760 --> 00:27:32,080
Speaker 1: I feel you. I figured another way out to get

587
00:27:32,880 --> 00:27:36,120
Speaker 1: seventy two thousand dollars. You know what I'm saying, Jail,

588
00:27:36,200 --> 00:27:37,879
Speaker 1: I feel you on that one thing.

589
00:27:38,000 --> 00:27:41,120
Speaker 3: I feel you never got credit on Like a lot

590
00:27:41,200 --> 00:27:44,120
Speaker 3: of these new artists is into the merch, but you've

591
00:27:44,160 --> 00:27:46,280
Speaker 3: been into the merch since day one, Bro, And I

592
00:27:46,400 --> 00:27:49,040
Speaker 3: feel like we've been overlooked for that. Like I've been

593
00:27:49,080 --> 00:27:51,480
Speaker 3: sitting back and always trying to feel like, how the

594
00:27:51,520 --> 00:27:54,000
Speaker 3: fuck this nigga always got a hat, always got a jackets,

595
00:27:54,280 --> 00:27:56,359
Speaker 3: he's got the hoodies, like, but you've always been like

596
00:27:56,440 --> 00:27:59,639
Speaker 3: one of the niggas who started instill on the merch vibe. Man,

597
00:27:59,800 --> 00:28:02,080
Speaker 3: like you pioneered that shit for some of the East

598
00:28:02,119 --> 00:28:04,760
Speaker 3: Coast artists. For sure, I appreciate it. To be honest

599
00:28:04,800 --> 00:28:06,760
Speaker 3: with you, I ain't gonna lie like I pioneered it.

600
00:28:07,280 --> 00:28:09,240
Speaker 3: I see Wu Tang, you know what I'm saying.

601
00:28:09,320 --> 00:28:11,960
Speaker 4: I've seen Wu tank thing I've seen RockA well like

602
00:28:12,720 --> 00:28:14,760
Speaker 4: I may, whether me and you hung out or not.

603
00:28:14,920 --> 00:28:18,159
Speaker 4: I was I soaked in a lot from roc Rockefeller

604
00:28:18,800 --> 00:28:24,280
Speaker 4: and watching, you know, Jay and Dane get one hundred

605
00:28:24,280 --> 00:28:28,280
Speaker 4: and twenty million dollar check for RockA with watching Dame

606
00:28:28,480 --> 00:28:32,439
Speaker 4: by prokads. You know what I'm saying, Watching, I'm like, Yo,

607
00:28:32,600 --> 00:28:35,880
Speaker 4: hold on, niggascas nine digit checks off this. I didn't

608
00:28:35,880 --> 00:28:40,480
Speaker 4: even still didn't get there, but I was students other

609
00:28:40,520 --> 00:28:42,920
Speaker 4: than like right now, Wu Tang you know, shou out

610
00:28:42,960 --> 00:28:44,240
Speaker 4: the power too from Wu Tang.

611
00:28:44,800 --> 00:28:48,120
Speaker 1: Them Nigga's still grabbing eight diggits a year off the march.

612
00:28:48,480 --> 00:28:51,240
Speaker 3: You know what I'm saying, Woo shirts is all over

613
00:28:51,280 --> 00:28:53,840
Speaker 3: the world exactly, so what I and then you think

614
00:28:53,880 --> 00:28:56,080
Speaker 3: about it when you young, when you were younger and

615
00:28:56,240 --> 00:28:59,200
Speaker 3: wanted to be rapper, I remember going to Canal Street

616
00:28:59,240 --> 00:29:01,840
Speaker 3: and getting the chain that Eric in Parish had with

617
00:29:01,920 --> 00:29:04,520
Speaker 3: for EPMD or I want the fishermen hat like them

618
00:29:04,560 --> 00:29:07,200
Speaker 3: niggas had, or I want to dress like yo the

619
00:29:07,360 --> 00:29:11,880
Speaker 3: Niggah Grand Pooba got in a nice polo like I

620
00:29:12,040 --> 00:29:14,560
Speaker 3: want to dress like rappers. So when it was my turn,

621
00:29:14,640 --> 00:29:17,400
Speaker 3: I'm like, I gotta make niggas want to dress like

622
00:29:17,520 --> 00:29:19,440
Speaker 3: me or be like me because you can have the best.

623
00:29:19,520 --> 00:29:22,600
Speaker 3: That's one thing that a lot of people don't realize.

624
00:29:22,600 --> 00:29:24,760
Speaker 3: You could be the best lyricists in the world. But

625
00:29:25,200 --> 00:29:28,640
Speaker 3: do a nigga want to be like you? That is,

626
00:29:28,920 --> 00:29:31,160
Speaker 3: do a nigga want to be like you? You know

627
00:29:31,200 --> 00:29:31,720
Speaker 3: what I'm saying.

628
00:29:31,800 --> 00:29:35,920
Speaker 4: So people don't understand those dynamics, like you don't have

629
00:29:36,040 --> 00:29:38,720
Speaker 4: to be the best rapper. But some niggas got swagged, like,

630
00:29:38,760 --> 00:29:40,640
Speaker 4: for instance, I give you a great example and there

631
00:29:40,720 --> 00:29:42,840
Speaker 4: is no dispect what I would say before. You know,

632
00:29:42,960 --> 00:29:46,280
Speaker 4: niggas be like, you're being disrespectful to me. And I'm

633
00:29:46,320 --> 00:29:49,400
Speaker 4: not saying he can't rap. I'm just saying out the

634
00:29:49,480 --> 00:29:55,160
Speaker 4: group Griselda right to me, the best lyricists in Gazelder

635
00:29:55,280 --> 00:30:00,160
Speaker 4: is whether you like Benny or or Conway and and

636
00:30:01,680 --> 00:30:04,360
Speaker 4: west Side is dope too, but I think those two

637
00:30:04,360 --> 00:30:07,880
Speaker 4: are better lyricists. But you want to be like west Side.

638
00:30:08,600 --> 00:30:12,600
Speaker 4: West Side he got the sneakst he's in Paris, he

639
00:30:12,720 --> 00:30:16,040
Speaker 4: got the New Louis, he got the You know what

640
00:30:16,040 --> 00:30:17,840
Speaker 4: I'm saying. I'm not saying he can't rap. I'm saying

641
00:30:17,880 --> 00:30:19,480
Speaker 4: he's a great rap. I'm just saying, if you in

642
00:30:19,600 --> 00:30:22,640
Speaker 4: that group and you're picking the best lyricists, you're picking

643
00:30:22,680 --> 00:30:23,640
Speaker 4: the best lyricists.

644
00:30:24,200 --> 00:30:26,120
Speaker 3: If you picking who you want to be, like, if

645
00:30:26,120 --> 00:30:28,760
Speaker 3: you're a young nigga coming up, this is the nigga

646
00:30:28,840 --> 00:30:29,760
Speaker 3: I want to be like.

647
00:30:29,920 --> 00:30:30,680
Speaker 1: And that's what.

648
00:30:30,920 --> 00:30:34,240
Speaker 3: If you could capture both, you won. Now that's a fact.

649
00:30:34,320 --> 00:30:37,080
Speaker 3: Earth got the recipees. Earth got it. He said that

650
00:30:37,160 --> 00:30:39,080
Speaker 3: to me back in the days. Man like Yo, if

651
00:30:39,080 --> 00:30:41,360
Speaker 3: you're not somebody people emulating don't want to be, then

652
00:30:41,400 --> 00:30:45,000
Speaker 3: you're not doing the right thing that matters. That's a fact, yo.

653
00:30:45,200 --> 00:30:48,160
Speaker 3: So what's next for my g cam Man? What's on

654
00:30:48,280 --> 00:30:48,920
Speaker 3: the horizon?

655
00:30:49,040 --> 00:30:49,920
Speaker 1: Bro ship?

656
00:30:50,120 --> 00:30:53,560
Speaker 4: Well, I don't know. I mean, I got a lot

657
00:30:53,600 --> 00:30:55,720
Speaker 4: of shit. See a lot of things is like this bleak.

658
00:30:56,480 --> 00:30:59,160
Speaker 4: It's like a lot of people don't see the shit

659
00:30:59,200 --> 00:30:59,760
Speaker 4: that don't work.

660
00:31:00,160 --> 00:31:03,840
Speaker 1: That's right. Everything everything I do don't work. They think

661
00:31:03,960 --> 00:31:06,720
Speaker 1: everything that's the ship. They think. You don't think we

662
00:31:06,840 --> 00:31:07,800
Speaker 1: try aunt ship.

663
00:31:07,960 --> 00:31:11,560
Speaker 3: Hunted joints and you do throw a hundred different things

664
00:31:11,600 --> 00:31:12,800
Speaker 3: at the wall to stick.

665
00:31:12,960 --> 00:31:16,280
Speaker 4: That's right, Like my nigga, it's everything don't work. So

666
00:31:16,400 --> 00:31:17,880
Speaker 4: I can see and tell you what I'm about to

667
00:31:17,960 --> 00:31:22,440
Speaker 4: try to do. I can see him be like, Yo,

668
00:31:23,040 --> 00:31:25,520
Speaker 4: you know I want to I want to open up

669
00:31:25,520 --> 00:31:28,360
Speaker 4: a dance studio for dances, and you know what I'm exaduating.

670
00:31:28,360 --> 00:31:28,960
Speaker 4: But I'm sitting there.

671
00:31:29,280 --> 00:31:31,200
Speaker 1: Everything we got the we got the clubs.

672
00:31:31,280 --> 00:31:31,400
Speaker 4: Man.

673
00:31:31,480 --> 00:31:33,280
Speaker 3: We want to fuck around because we're about to open

674
00:31:33,360 --> 00:31:36,280
Speaker 3: up these strip clubs in West Palm, Miami. We just

675
00:31:36,360 --> 00:31:38,120
Speaker 3: opened up one up one out here. So if you

676
00:31:38,160 --> 00:31:40,720
Speaker 3: want to suck around, thing that makes sense investment wise.

677
00:31:40,760 --> 00:31:41,520
Speaker 3: I got some money.

678
00:31:41,920 --> 00:31:43,640
Speaker 1: I got the money man.

679
00:31:44,200 --> 00:31:48,000
Speaker 4: The one thing that's definite that's coming up and probably

680
00:31:48,120 --> 00:31:51,600
Speaker 4: hopefully this air by time. But October ninth, I got

681
00:31:51,680 --> 00:31:55,840
Speaker 4: a comedy show at the Beacon Theater. D Ray Davis,

682
00:31:56,040 --> 00:32:01,600
Speaker 4: Corey Holcom, Tony rock On, Jay Farrell shout to Ray Ray,

683
00:32:01,640 --> 00:32:04,680
Speaker 4: Will Will Mills shout the Outback Presents for putting it

684
00:32:04,720 --> 00:32:07,960
Speaker 4: together with you. But yeah, I'm doing a comedy show,

685
00:32:08,040 --> 00:32:10,680
Speaker 4: my first comedy show, called the Killer Comedy Show October

686
00:32:10,760 --> 00:32:13,880
Speaker 4: knife at the Beacon Theater. So hopefully we'll see how

687
00:32:13,920 --> 00:32:16,280
Speaker 4: that goes and if we do that right, we already

688
00:32:16,360 --> 00:32:18,400
Speaker 4: laid out a tour for that if it goes right.

689
00:32:18,520 --> 00:32:20,680
Speaker 4: So that's the next mention I'm trying. That's dope, man,

690
00:32:20,800 --> 00:32:21,320
Speaker 4: that's dope.

691
00:32:21,400 --> 00:32:25,000
Speaker 3: Man, like to see this ship man comedy shows, talk shows,

692
00:32:25,440 --> 00:32:26,400
Speaker 3: you into everything.

693
00:32:26,720 --> 00:32:28,880
Speaker 4: You got a book coming out too, Yeah, that's with that.

694
00:32:29,120 --> 00:32:32,240
Speaker 4: Yeah another, but it's a book called it isn't named Jed.

695
00:32:32,320 --> 00:32:34,320
Speaker 4: I just picked the right on the picture. But I'll

696
00:32:34,360 --> 00:32:36,280
Speaker 4: come back on the show again when it's south. That

697
00:32:36,440 --> 00:32:39,160
Speaker 4: probably ain't like April May or some shit like Now.

698
00:32:39,280 --> 00:32:40,320
Speaker 4: The book gonna be serious.

699
00:32:40,360 --> 00:32:42,160
Speaker 3: They've been asking me to write a book forever, but

700
00:32:42,280 --> 00:32:45,000
Speaker 3: I keep telling them Jay's still active. Yeah, yeah, gotta

701
00:32:45,080 --> 00:32:47,880
Speaker 3: go away, yeah far away. Yes, he's gonna snipe me.

702
00:32:47,920 --> 00:32:51,320
Speaker 1: If I put on What's Crazy? You know what's crazy?

703
00:32:51,440 --> 00:32:53,880
Speaker 4: It's like and I know it's two different age guys,

704
00:32:53,960 --> 00:32:56,200
Speaker 4: my man sugar digger, And I'm not comparing myself to

705
00:32:56,320 --> 00:32:58,600
Speaker 4: jay Z neither. When I when I just be like,

706
00:32:59,640 --> 00:33:01,880
Speaker 4: he's like thirty five, thirty six. So when I be

707
00:33:01,960 --> 00:33:04,400
Speaker 4: home chilling like yo, it's always nah, it ain't over

708
00:33:04,440 --> 00:33:07,240
Speaker 4: a nigga, now, don't. I don't start trying to get

709
00:33:07,280 --> 00:33:10,640
Speaker 4: old on nigga. Were going out tonight gets nigga. So

710
00:33:11,080 --> 00:33:13,720
Speaker 4: I understand where you're coming from, but I ain't gonna

711
00:33:13,720 --> 00:33:15,200
Speaker 4: hold you. It was a good it was a great

712
00:33:15,280 --> 00:33:17,560
Speaker 4: offer like I'm the bread.

713
00:33:17,680 --> 00:33:19,000
Speaker 1: Yeah, Nah, I hope that they ain't.

714
00:33:19,000 --> 00:33:20,880
Speaker 3: He ain't, man, Bro, I've been trying to get He

715
00:33:20,920 --> 00:33:23,320
Speaker 3: ain't gonna do no book even let me do the

716
00:33:23,400 --> 00:33:24,280
Speaker 3: movie kidding me.

717
00:33:24,400 --> 00:33:27,840
Speaker 4: The thing about the nigga Jay, my opinion is he's

718
00:33:27,960 --> 00:33:32,880
Speaker 4: been so great at being not not just a word

719
00:33:32,920 --> 00:33:37,200
Speaker 4: relevant scene, but mysterious. You know what I'm saying. He

720
00:33:37,280 --> 00:33:40,480
Speaker 4: don't gotta come talk about you figure it out. You

721
00:33:40,560 --> 00:33:42,600
Speaker 4: want to talk shit, all right, whatever, I don't care,

722
00:33:42,680 --> 00:33:44,880
Speaker 4: Go look at the next announcement that I make. So

723
00:33:45,000 --> 00:33:49,600
Speaker 4: it's always a mystique and a mysteriousness behind him. But today,

724
00:33:49,760 --> 00:33:51,959
Speaker 4: like you don't see him no tack. He ain't never,

725
00:33:52,120 --> 00:33:55,040
Speaker 4: he ain't outspoken like that. Like that's another thing, Like

726
00:33:55,120 --> 00:33:57,080
Speaker 4: I ain't gonna front him. Nigga, fuck with you. You

727
00:33:57,240 --> 00:33:59,720
Speaker 4: be on the ass like I just seen you add little.

728
00:34:00,040 --> 00:34:03,160
Speaker 4: I'm this nigga making the honey rap songs about You're

729
00:34:03,240 --> 00:34:06,760
Speaker 4: like damn yo, bro, like I swear the guy. I

730
00:34:06,840 --> 00:34:10,320
Speaker 4: don't be wanting no problems yo with nobody. But what

731
00:34:10,560 --> 00:34:13,520
Speaker 4: I will say is just leave me alone.

732
00:34:13,960 --> 00:34:15,759
Speaker 1: Yeah, just leave me your word.

733
00:34:16,160 --> 00:34:18,279
Speaker 3: The Homie made a bunch of rap songs nigga sent

734
00:34:18,360 --> 00:34:22,440
Speaker 3: it to me. I'm like, oh man, I've seen that.

735
00:34:22,719 --> 00:34:24,880
Speaker 4: Yeah, yeah, it was fun for me. You know what

736
00:34:24,920 --> 00:34:28,080
Speaker 4: I'm saying that because he still was doing songs and

737
00:34:28,080 --> 00:34:29,880
Speaker 4: shout out. I don't got no problem with that, nigga,

738
00:34:29,960 --> 00:34:32,680
Speaker 4: like we straight too. But the thing about it is

739
00:34:32,800 --> 00:34:37,359
Speaker 4: like I made a mistake. So basically I was talking

740
00:34:37,400 --> 00:34:39,799
Speaker 4: about the beatless Black actors how it was fucked up

741
00:34:39,840 --> 00:34:42,440
Speaker 4: for them, and I called him Omar Good and Junior

742
00:34:42,600 --> 00:34:45,640
Speaker 4: and his brothers, his brother's cub and the nigga went on.

743
00:34:47,040 --> 00:34:49,320
Speaker 4: I apologized on my show, and that's how bad it was.

744
00:34:49,680 --> 00:34:52,799
Speaker 4: I was like, Yo, my bad, I'm sorry. I didn't

745
00:34:52,880 --> 00:34:54,640
Speaker 4: mean to do it. Did another song. I went under

746
00:34:54,640 --> 00:34:56,440
Speaker 4: his comments. I said, bro, I don't want no smoke.

747
00:34:56,520 --> 00:34:57,160
Speaker 4: Did another song.

748
00:34:57,160 --> 00:35:00,880
Speaker 1: I'm like, bro, I'm trying to be some different bro.

749
00:35:01,920 --> 00:35:05,200
Speaker 3: The rap shit is crazy, man, and niggas is niggas

750
00:35:05,200 --> 00:35:07,960
Speaker 3: gotta start like I feel like we at the age now.

751
00:35:08,040 --> 00:35:11,400
Speaker 3: We was talking off camera where that rap facade that

752
00:35:11,600 --> 00:35:12,799
Speaker 3: that that shit gotta come.

753
00:35:12,920 --> 00:35:14,360
Speaker 1: It gotta come on, bro.

754
00:35:14,560 --> 00:35:17,759
Speaker 4: Bro, when niggas be like, when niggas be talking tough

755
00:35:17,840 --> 00:35:19,880
Speaker 4: and screaming all that, it's two things I'd be like

756
00:35:20,520 --> 00:35:23,360
Speaker 4: you pump faking, and then if you're not pump faking,

757
00:35:23,560 --> 00:35:24,799
Speaker 4: I feel sorry for yo.

758
00:35:24,960 --> 00:35:28,080
Speaker 1: That's a fact. Forty or you let it go, Yo,

759
00:35:28,280 --> 00:35:30,320
Speaker 1: let it go, let it go. That's just I know.

760
00:35:30,440 --> 00:35:32,560
Speaker 1: Niggas can't be mad. You'd be like b less be

761
00:35:32,719 --> 00:35:34,320
Speaker 1: list actors, be less rappers.

762
00:35:34,520 --> 00:35:36,400
Speaker 3: Bro. I've seen the list where they had the fifty

763
00:35:36,800 --> 00:35:39,360
Speaker 3: worst rappers and I was on it. I was dying,

764
00:35:39,560 --> 00:35:42,000
Speaker 3: like damn, niggas true me, they put me on the list,

765
00:35:42,560 --> 00:35:45,480
Speaker 3: like damn. But then I just dropped the project, right,

766
00:35:45,600 --> 00:35:48,239
Speaker 3: and they dropped the new Whack fifty lists, so and.

767
00:35:48,320 --> 00:35:51,799
Speaker 1: That ain't on it. So did I get myself off

768
00:35:51,880 --> 00:35:52,279
Speaker 1: the list?

769
00:35:52,480 --> 00:35:52,640
Speaker 3: Right?

770
00:35:52,880 --> 00:35:56,880
Speaker 4: Exactly? But see that's the thing about it too, it Blizz,

771
00:35:57,040 --> 00:36:00,640
Speaker 4: is that it's more like bro. It's like, for instance, right,

772
00:36:01,200 --> 00:36:07,440
Speaker 4: you gotta realize to a lot of people, a lot

773
00:36:07,520 --> 00:36:13,600
Speaker 4: of people, they grew up with you, us whoever, nas Jay, whoever.

774
00:36:14,400 --> 00:36:17,320
Speaker 4: So when you start doing shit that they grew up to,

775
00:36:18,239 --> 00:36:20,839
Speaker 4: they get mad. You know what I'm saying, Like, Yo,

776
00:36:21,040 --> 00:36:24,279
Speaker 4: nine nigga, like you as my hero nigga, you know

777
00:36:24,320 --> 00:36:27,840
Speaker 4: what I'm saying, Like even like the Homeboy, the Omar

778
00:36:27,880 --> 00:36:31,080
Speaker 4: Gun shit I seen niggas in my comments tomorrow. No, Kim,

779
00:36:31,120 --> 00:36:33,279
Speaker 4: you gotta go back to them. I'm fifteen fifty two

780
00:36:33,360 --> 00:36:35,840
Speaker 4: year old men from Michigan. Nigga fucked that book and

781
00:36:35,920 --> 00:36:37,240
Speaker 4: nigga shit getting that booth.

782
00:36:37,040 --> 00:36:41,360
Speaker 3: And I'm like, yo, can't be serious. Yeah, but this

783
00:36:41,480 --> 00:36:43,839
Speaker 3: this shit niggas want because this is what they grew

784
00:36:43,920 --> 00:36:46,600
Speaker 3: up knowing you for. You not allowed to do, open

785
00:36:46,680 --> 00:36:49,200
Speaker 3: a restaurant. You're not allowed to go to West Palmer

786
00:36:49,200 --> 00:36:51,359
Speaker 3: and get the club, You're not allowed to run duce.

787
00:36:51,880 --> 00:36:55,200
Speaker 3: I know MeV bleak from being a rapper, and I

788
00:36:55,280 --> 00:36:58,600
Speaker 3: don't want them doing nothing else in my life but rapping,

789
00:36:58,719 --> 00:37:01,239
Speaker 3: that's all. And niggas don't want They definitely try to

790
00:37:01,280 --> 00:37:04,640
Speaker 3: put you in the box, and it's on us definitely

791
00:37:04,760 --> 00:37:07,560
Speaker 3: to grow outside that box. That's what made me like

792
00:37:08,000 --> 00:37:10,279
Speaker 3: when the raps slowed down and it was like damn,

793
00:37:10,360 --> 00:37:13,920
Speaker 3: what's next? And I felt like, Damn, I gotta reinvent myself.

794
00:37:14,000 --> 00:37:16,640
Speaker 3: The raps ain't working, the shows ain't booking. I gotta

795
00:37:16,640 --> 00:37:18,440
Speaker 3: figure it out. So that's when I jumped on the

796
00:37:18,520 --> 00:37:21,719
Speaker 3: dud say and now like, niggas don't know bro that

797
00:37:21,880 --> 00:37:25,319
Speaker 3: reality pill. That's the really shit I think I ever

798
00:37:25,480 --> 00:37:27,640
Speaker 3: had to take in my life like my nigga because

799
00:37:27,640 --> 00:37:29,920
Speaker 3: remember you going in the back door getting booked at

800
00:37:29,960 --> 00:37:33,160
Speaker 3: these clubs, thirty forty grand to touch the stage. Now

801
00:37:33,160 --> 00:37:35,120
Speaker 3: I'm going through the front door with a bible, asks

802
00:37:35,200 --> 00:37:38,800
Speaker 3: you to buy something fright, look like a major major

803
00:37:39,080 --> 00:37:41,440
Speaker 3: like I fell down the ladder right and I had

804
00:37:41,440 --> 00:37:43,440
Speaker 3: to put the pride to the bottom. You can't get

805
00:37:43,480 --> 00:37:45,960
Speaker 3: it cracking, bro like, But a lot of niggas don't

806
00:37:45,960 --> 00:37:48,200
Speaker 3: know how to accept when it's over and it's something

807
00:37:48,280 --> 00:37:49,799
Speaker 3: you gotta pivot to something new.

808
00:37:50,239 --> 00:37:53,680
Speaker 4: Bro, you couldn't have said that better. It's man niggas.

809
00:37:54,840 --> 00:37:56,680
Speaker 4: This man niggas that don't know it's so.

810
00:38:00,080 --> 00:38:00,200
Speaker 3: Yo.

811
00:38:00,360 --> 00:38:01,359
Speaker 1: It's not the worst.

812
00:38:01,400 --> 00:38:04,440
Speaker 4: That's the worst. Niggas don't know it's over. I'll be

813
00:38:04,520 --> 00:38:07,960
Speaker 4: seeing niggas day. I used to funk with, you know,

814
00:38:08,960 --> 00:38:11,120
Speaker 4: I wasn't gonna say fuck with people. I used to

815
00:38:11,200 --> 00:38:13,320
Speaker 4: do business as far as music concerned. They be a

816
00:38:13,320 --> 00:38:16,399
Speaker 4: little freestyle. Talking about niggas was hard. Now he's sitting

817
00:38:16,480 --> 00:38:21,399
Speaker 4: here podcasting and I'm sitting there like, I don't get

818
00:38:21,480 --> 00:38:24,719
Speaker 4: it easier to I could go right now and do

819
00:38:25,239 --> 00:38:26,200
Speaker 4: three four festivals.

820
00:38:26,239 --> 00:38:26,839
Speaker 1: Grab the break.

821
00:38:27,160 --> 00:38:29,480
Speaker 3: Why would I get on the plane, fly around, be

822
00:38:29,600 --> 00:38:32,239
Speaker 3: bothered with nigga and I could get yeah, risk your

823
00:38:32,320 --> 00:38:33,880
Speaker 3: life and be soned somewhere different.

824
00:38:33,880 --> 00:38:34,560
Speaker 1: You know, it's funny.

825
00:38:34,800 --> 00:38:38,600
Speaker 4: I've seen it today, So I guess when I asked

826
00:38:38,640 --> 00:38:40,560
Speaker 4: you when you was on my show, I guess he's

827
00:38:40,640 --> 00:38:41,320
Speaker 4: just seen it today.

828
00:38:41,400 --> 00:38:43,799
Speaker 1: Choking no joke. Oh yeah, yeah, I did see something

829
00:38:43,840 --> 00:38:44,320
Speaker 1: from choking.

830
00:38:44,360 --> 00:38:47,040
Speaker 4: I swear to god, i've seen it today. And he

831
00:38:47,200 --> 00:38:49,320
Speaker 4: was like, carr My George find dah da da. I

832
00:38:49,440 --> 00:38:52,160
Speaker 4: thought you was a rapper. Now you podcasting what you're doing.

833
00:38:52,200 --> 00:38:53,800
Speaker 1: I'm like, oh, yeah, I seen him say welcome to

834
00:38:53,920 --> 00:38:57,799
Speaker 1: my world. Like me, Yeah, I see that, And I'm like, bro,

835
00:38:58,160 --> 00:39:00,719
Speaker 1: I just I'm not trying to be like nobody. I

836
00:39:00,719 --> 00:39:01,399
Speaker 1: ain't see that, Paul.

837
00:39:01,440 --> 00:39:03,680
Speaker 4: But I'm sitting there saying, Bro, if I go watch

838
00:39:03,880 --> 00:39:07,520
Speaker 4: sports and don't talk about it while, would they go

839
00:39:07,719 --> 00:39:07,960
Speaker 4: do that?

840
00:39:08,280 --> 00:39:10,520
Speaker 1: That's the same what I'm saying. And another thing too,

841
00:39:10,640 --> 00:39:11,280
Speaker 1: this platform.

842
00:39:11,320 --> 00:39:14,320
Speaker 3: You need personality to carry a show, bro, not anybody

843
00:39:14,400 --> 00:39:15,759
Speaker 3: get you sit there and talk and you want to

844
00:39:15,760 --> 00:39:17,040
Speaker 3: add them talk for fifty minutes.

845
00:39:17,080 --> 00:39:20,560
Speaker 4: It's like, Huh, I lost money on investments for people

846
00:39:20,640 --> 00:39:21,719
Speaker 4: that I thought could talk.

847
00:39:21,880 --> 00:39:23,120
Speaker 1: Uh, huh, And they can't.

848
00:39:23,280 --> 00:39:26,839
Speaker 4: Just because you've been around music, don't mean you could

849
00:39:26,880 --> 00:39:29,319
Speaker 4: talk about music. Just because you've been around sports, don't

850
00:39:29,320 --> 00:39:31,319
Speaker 4: mean you could talk about sports. Just because you've been

851
00:39:31,400 --> 00:39:34,120
Speaker 4: around something and you have knowledge in that area, Coming

852
00:39:34,200 --> 00:39:36,640
Speaker 4: on this microphone in front of that camera and making

853
00:39:36,680 --> 00:39:38,799
Speaker 4: this sound good, that's a that's a totally different thing.

854
00:39:38,920 --> 00:39:39,360
Speaker 1: Fact, you know.

855
00:39:39,480 --> 00:39:41,640
Speaker 3: And like a lot of people think it's easy, it's

856
00:39:41,680 --> 00:39:43,879
Speaker 3: not easy being able to carry a show and keep

857
00:39:43,920 --> 00:39:44,760
Speaker 3: people entertained.

858
00:39:44,920 --> 00:39:47,440
Speaker 1: Absolutely, and you know, stay on, stay.

859
00:39:47,239 --> 00:39:49,840
Speaker 3: On, courts man, because a lot of people I'm watching

860
00:39:49,880 --> 00:39:52,279
Speaker 3: this spit in this space, not shipping on a choke,

861
00:39:52,360 --> 00:39:54,680
Speaker 3: no joke or any other journalist. Get your money how

862
00:39:54,719 --> 00:39:57,040
Speaker 3: you gotta get it. But a lot of niggas choose

863
00:39:57,600 --> 00:40:00,400
Speaker 3: to dig the dirt right to live off that. And

864
00:40:00,520 --> 00:40:04,560
Speaker 3: it's like, right, it's more to us than just the bullshit.

865
00:40:04,200 --> 00:40:07,279
Speaker 4: Absolutely, and the thing about it that and you're right,

866
00:40:07,400 --> 00:40:09,680
Speaker 4: And I'm not just a true neither, but you're right.

867
00:40:10,000 --> 00:40:13,719
Speaker 4: Niggas need that and and and I'm not talking about

868
00:40:13,800 --> 00:40:16,480
Speaker 4: nobody when I say this, I'm just being clear. I

869
00:40:16,560 --> 00:40:19,880
Speaker 4: didn't understand how it worked at first, and then when

870
00:40:19,920 --> 00:40:22,560
Speaker 4: I figured it out, I'm like, no, wonder this niggas

871
00:40:22,600 --> 00:40:25,400
Speaker 4: sitting in his kitchen every week talking about it, nigga

872
00:40:25,800 --> 00:40:29,279
Speaker 4: because YouTube is sending this nigga checked, Oh this how

873
00:40:29,400 --> 00:40:31,080
Speaker 4: this shit work. And I'm not saying I will ever

874
00:40:31,200 --> 00:40:33,719
Speaker 4: do that. I'm not, but I just didn't understand why

875
00:40:33,880 --> 00:40:37,320
Speaker 4: niggas was in their basement talking about niggas. Then I

876
00:40:37,400 --> 00:40:40,600
Speaker 4: figured it after my sports I said, oh, this is

877
00:40:40,680 --> 00:40:44,080
Speaker 4: why these niggas is in a in a in a

878
00:40:44,200 --> 00:40:45,680
Speaker 4: white wall background.

879
00:40:45,320 --> 00:40:46,640
Speaker 1: You can't see where they at.

880
00:40:49,000 --> 00:40:53,800
Speaker 4: Pictures exactly exactly there you go a hundred percent finding

881
00:40:53,840 --> 00:40:55,320
Speaker 4: the reason to beef with somebody.

882
00:40:58,760 --> 00:41:00,759
Speaker 3: That's why when when nor He was telling me to

883
00:41:00,840 --> 00:41:02,560
Speaker 3: do this show, I was like yo, and no, like

884
00:41:03,600 --> 00:41:05,480
Speaker 3: I don't want to bring up no bullshit. I don't

885
00:41:05,480 --> 00:41:06,920
Speaker 3: want to do nothing. I don't want to be up

886
00:41:06,960 --> 00:41:09,200
Speaker 3: here talking about this to go viral, Like we all

887
00:41:09,280 --> 00:41:11,600
Speaker 3: real niggas, our story and who we are gonna go

888
00:41:11,719 --> 00:41:14,040
Speaker 3: viral just off the moves we make. And I want

889
00:41:14,080 --> 00:41:16,520
Speaker 3: to teach the niggas coming up, the young niggas that

890
00:41:17,600 --> 00:41:20,839
Speaker 3: after rap is still life. Absolutely you know what I'm saying.

891
00:41:20,880 --> 00:41:23,839
Speaker 3: Niggas think that you gotta rap forever, and it's like nah, dog,

892
00:41:23,920 --> 00:41:25,480
Speaker 3: I rap when I want to, cause it's.

893
00:41:25,360 --> 00:41:28,200
Speaker 4: Fun, right, absolutely, Like, look, let's think about this, and

894
00:41:28,280 --> 00:41:31,040
Speaker 4: I know we I keep using them, whether it's Nas

895
00:41:31,160 --> 00:41:36,759
Speaker 4: or jay Z. Jay Z's business and uh, when I

896
00:41:36,840 --> 00:41:41,880
Speaker 4: say business, his announcements. Brother, he's selling this or selling

897
00:41:41,960 --> 00:41:45,239
Speaker 4: that and making this and making that. You're not harassing

898
00:41:45,320 --> 00:41:47,680
Speaker 4: him to do an album. No, same thing with Nas.

899
00:41:47,800 --> 00:41:50,759
Speaker 4: Nas is just a little more quiet than jay Z

900
00:41:50,920 --> 00:41:53,480
Speaker 4: about his business. You gotta google and be scrolling like,

901
00:41:53,480 --> 00:41:55,520
Speaker 4: what the fuck you mean named? Nas made forty million

902
00:41:55,600 --> 00:41:57,560
Speaker 4: off the ring? You mean he caught a one hundred

903
00:41:57,560 --> 00:42:01,000
Speaker 4: and twenty million dollar bag off the farmer sutical company.

904
00:42:01,560 --> 00:42:02,040
Speaker 1: What do you mean?

905
00:42:02,239 --> 00:42:05,439
Speaker 4: Just this is Nas tattoo shopping. You get what I'm saying.

906
00:42:06,800 --> 00:42:10,600
Speaker 4: Those are the moves that really matter. And until people

907
00:42:10,840 --> 00:42:16,720
Speaker 4: understand that, they're gonna think that this podcast whatever, because

908
00:42:17,160 --> 00:42:19,319
Speaker 4: they're not gonna be compared to because you gotta think

909
00:42:19,320 --> 00:42:22,480
Speaker 4: about these It's two time greats. People have arguments who

910
00:42:22,480 --> 00:42:25,680
Speaker 4: you like better than these two? But the business acremen

911
00:42:25,800 --> 00:42:28,440
Speaker 4: to where they both going right anxacty.

912
00:42:29,680 --> 00:42:31,880
Speaker 3: But speaking about that j album, so you know I

913
00:42:32,040 --> 00:42:35,040
Speaker 3: drink champs, I said, Yo, Jay dropping the album that

914
00:42:35,160 --> 00:42:39,000
Speaker 3: nigga called me and you bleak in the last record

915
00:42:39,080 --> 00:42:41,600
Speaker 3: you heard of mind at the album dropping, I said, Nigga, we.

916
00:42:42,200 --> 00:42:48,680
Speaker 1: Chill, let's just call it with you. Nigga was like, yeah, man,

917
00:42:49,440 --> 00:42:51,120
Speaker 1: he was on the phone trying to see if Guru

918
00:42:51,239 --> 00:42:52,320
Speaker 1: was leaking some ship to me.

919
00:42:53,000 --> 00:42:54,840
Speaker 3: I'm like, nah, I can't. I can't tell them a

920
00:42:54,920 --> 00:42:56,560
Speaker 3: dog goo right exactly.

921
00:42:56,960 --> 00:43:00,279
Speaker 1: But see that's and I know y'all have a different die. Man.

922
00:43:01,360 --> 00:43:04,760
Speaker 4: That's just another thing speaking to the level of business.

923
00:43:04,840 --> 00:43:07,279
Speaker 4: It was a time I don't I don't know if

924
00:43:07,320 --> 00:43:09,840
Speaker 4: four four four whatever album it was, and I know

925
00:43:10,000 --> 00:43:12,120
Speaker 4: one like one's a shout to one. One is just

926
00:43:12,239 --> 00:43:15,960
Speaker 4: another nigga that he'd been up since I was four

927
00:43:16,080 --> 00:43:19,160
Speaker 4: five years old, You know what I'm saying. So when

928
00:43:19,320 --> 00:43:22,839
Speaker 4: when you think about these these are two very smart businessmen.

929
00:43:23,320 --> 00:43:25,120
Speaker 4: So I don't, like, I'm not sure if it's four

930
00:43:25,160 --> 00:43:28,560
Speaker 4: for four what album it was, but the album was

931
00:43:28,600 --> 00:43:30,319
Speaker 4: platinum for it came out because it was in a.

932
00:43:30,360 --> 00:43:32,759
Speaker 1: Phone Yeah oh yeah, yeah, no, that was Blueprint three.

933
00:43:32,880 --> 00:43:33,040
Speaker 4: Yeah.

934
00:43:33,120 --> 00:43:40,160
Speaker 1: Whatever, these niggas got this ship. You forget it like that.

935
00:43:40,360 --> 00:43:42,879
Speaker 1: It makes you be like, yo, what am I doing

936
00:43:43,040 --> 00:43:44,680
Speaker 1: this for? You get what I'm saying?

937
00:43:44,760 --> 00:43:47,160
Speaker 4: If I'm not, If I've been doing music this long

938
00:43:47,680 --> 00:43:50,080
Speaker 4: and I ain't busting these type of moves, I need

939
00:43:50,160 --> 00:43:54,439
Speaker 4: to figure out something else to get around that. Even

940
00:43:54,520 --> 00:43:56,920
Speaker 4: if I'm not close, the reption I'm doing is not

941
00:43:57,160 --> 00:44:01,200
Speaker 4: comparing to buying getting teaming up with a phone company.

942
00:44:01,080 --> 00:44:06,200
Speaker 3: In selling a million unity you shouldn't even drop is insane, Right, Yeah?

943
00:44:06,239 --> 00:44:06,480
Speaker 3: That was.

944
00:44:08,200 --> 00:44:10,680
Speaker 1: That's when I'm like, I'll get.

945
00:44:10,560 --> 00:44:12,640
Speaker 4: To a single, Assaul, when I get to that ship,

946
00:44:13,239 --> 00:44:16,320
Speaker 4: because if that made the moves, that made the move.

947
00:44:16,239 --> 00:44:17,560
Speaker 1: No, I give you that for sure.

948
00:44:17,680 --> 00:44:17,799
Speaker 4: Man.

949
00:44:18,239 --> 00:44:21,000
Speaker 1: What's your relationship with Santana Jewels?

950
00:44:21,480 --> 00:44:22,800
Speaker 4: I just spoke to him a while, but you know

951
00:44:22,880 --> 00:44:26,200
Speaker 4: it's crazy Joel's I'll say three months ago He's We

952
00:44:26,320 --> 00:44:29,160
Speaker 4: spoke for a minute on text and he wanted me

953
00:44:29,280 --> 00:44:33,040
Speaker 4: to do a record for him. You know what I'm saying,

954
00:44:33,360 --> 00:44:34,480
Speaker 4: You want me to do it. He sent me the

955
00:44:34,560 --> 00:44:38,919
Speaker 4: record and you know it was good. I'm not saying

956
00:44:38,920 --> 00:44:41,680
Speaker 4: it wasn't good, but I'm like, we haven't done music

957
00:44:41,760 --> 00:44:44,360
Speaker 4: for so long. It gotta be a moment, you know

958
00:44:44,360 --> 00:44:48,120
Speaker 4: what I'm saying. And that record he sent wasn't a moment,

959
00:44:48,320 --> 00:44:51,440
Speaker 4: you know what I'm saying. And I'm like, I'm not

960
00:44:51,520 --> 00:44:53,600
Speaker 4: really in the music space. If I do some shit,

961
00:44:53,640 --> 00:44:56,200
Speaker 4: I do some shit. But if me and you gonna

962
00:44:56,239 --> 00:44:59,640
Speaker 4: do a record, it got to be a real moment.

963
00:45:00,800 --> 00:45:02,640
Speaker 4: We haven't done nothing in a while. Like for us,

964
00:45:02,680 --> 00:45:04,640
Speaker 4: I give you a great example right this word to

965
00:45:04,680 --> 00:45:08,120
Speaker 4: everything I love. I ain't gonna name the companies or

966
00:45:08,160 --> 00:45:10,319
Speaker 4: whatever it's. You know, billion dollar companies. Call me, Yo,

967
00:45:10,440 --> 00:45:12,160
Speaker 4: we want to do this for Cam and with Cam,

968
00:45:12,320 --> 00:45:14,640
Speaker 4: call Mason. See if we want to do this, y'all.

969
00:45:14,680 --> 00:45:16,840
Speaker 4: Niggas do a freestyle, will give you X amount of

970
00:45:16,920 --> 00:45:20,879
Speaker 4: dollars yo. Or if you shoot a video for O company,

971
00:45:20,960 --> 00:45:23,320
Speaker 4: give you X amount of dollars. Or Yo, if you

972
00:45:23,440 --> 00:45:27,880
Speaker 4: pop up right now to so and so festival, we

973
00:45:27,960 --> 00:45:31,680
Speaker 4: got half a million dollars for you. So I'm like,

974
00:45:31,760 --> 00:45:33,920
Speaker 4: you know me, I ain't gonna hold you when we's

975
00:45:33,960 --> 00:45:36,879
Speaker 4: doing this deal that we up for this what it is. See,

976
00:45:36,880 --> 00:45:38,520
Speaker 4: that's why I can't argue with me. So I'm gonna

977
00:45:38,520 --> 00:45:40,960
Speaker 4: be totally all. I can't argue with the nigga. You

978
00:45:41,080 --> 00:45:44,680
Speaker 4: gotta realize he's a he coming from bad boys, so

979
00:45:44,800 --> 00:45:48,400
Speaker 4: he like I'm watching everybody else, I don't trust nobody.

980
00:45:49,160 --> 00:45:52,040
Speaker 4: I think we've been doing this show. September makes two years.

981
00:45:52,120 --> 00:45:54,920
Speaker 4: I think he just started trusting me and may yo.

982
00:45:57,080 --> 00:46:02,680
Speaker 1: I could get I'm ready. That's my brother everything, that's

983
00:46:02,760 --> 00:46:03,239
Speaker 1: my brother.

984
00:46:03,480 --> 00:46:08,719
Speaker 4: So like when we're doing this deal, niggas is saying me,

985
00:46:08,719 --> 00:46:10,759
Speaker 4: I'm talking shout to rich climb in order niggas to

986
00:46:10,840 --> 00:46:11,640
Speaker 4: help you get rich.

987
00:46:12,120 --> 00:46:15,759
Speaker 1: We climbing. I'm talking to Gilbert of readers. So the

988
00:46:15,880 --> 00:46:16,520
Speaker 1: deal is like.

989
00:46:18,120 --> 00:46:20,520
Speaker 4: Three million, four million. They's like, Kim, that's that's a

990
00:46:20,600 --> 00:46:22,759
Speaker 4: lot for the space right there for you da da dadah.

991
00:46:23,360 --> 00:46:27,560
Speaker 4: So I'm like maces and four I talk to everybody like, nah,

992
00:46:27,920 --> 00:46:31,280
Speaker 4: can we not doing that? I'm not signing for four million.

993
00:46:31,360 --> 00:46:36,000
Speaker 4: I'm like, maceon this is like we have experience in this.

994
00:46:38,480 --> 00:46:41,200
Speaker 1: Damn. I can't do nothing. That's eight eight digits. I

995
00:46:41,360 --> 00:46:42,040
Speaker 1: just can't do it.

996
00:46:42,680 --> 00:46:44,600
Speaker 4: And I'm like, so now this should get up to

997
00:46:44,640 --> 00:46:49,800
Speaker 4: six million, seven million, eight million, I said, Mace, just

998
00:46:49,880 --> 00:46:52,839
Speaker 4: as I heard of like Off the Rip, off the rip.

999
00:46:54,120 --> 00:46:55,799
Speaker 1: If you want to get it cam, if you want

1000
00:46:55,840 --> 00:47:01,719
Speaker 1: to give up, uh, you take three million and I

1001
00:47:01,880 --> 00:47:06,800
Speaker 1: take six That's fine with me, but it has to

1002
00:47:06,920 --> 00:47:09,720
Speaker 1: be there. So then the ship get eight nine million,

1003
00:47:10,360 --> 00:47:14,719
Speaker 1: you get the ten million, say your nigga eight. I

1004
00:47:14,800 --> 00:47:19,560
Speaker 1: didn't say they're low eight. They just Cam, Yo, shit shit,

1005
00:47:19,920 --> 00:47:22,800
Speaker 1: just work it out, promise on everything. I love. Just

1006
00:47:23,080 --> 00:47:26,279
Speaker 1: just like this, just like that. He's like, so it

1007
00:47:26,360 --> 00:47:28,960
Speaker 1: went up, It went up again. I said not. I say, look,

1008
00:47:28,960 --> 00:47:30,080
Speaker 1: I'm telling you this right now.

1009
00:47:30,520 --> 00:47:33,799
Speaker 4: If this don't go through for this amount x amoundred dollars,

1010
00:47:34,040 --> 00:47:37,799
Speaker 4: you owe me eight million dollars. Ye, word out, Okay, right,

1011
00:47:37,840 --> 00:47:42,200
Speaker 4: gonna wait. And we waited about another two months and

1012
00:47:42,320 --> 00:47:45,080
Speaker 4: he got the number that he wanted.

1013
00:47:45,840 --> 00:47:50,360
Speaker 1: So Nail. Everything else is now Cam, you're selling us

1014
00:47:50,440 --> 00:47:54,480
Speaker 1: out again, Yo, I love Yo know.

1015
00:47:54,600 --> 00:47:57,600
Speaker 3: Biggs is like that. Biggs is the same way. What

1016
00:47:58,400 --> 00:48:01,000
Speaker 3: we ain't getting what we asking for, we ain't doing

1017
00:48:01,080 --> 00:48:04,040
Speaker 3: it right. So now it's different shit to where he's like,

1018
00:48:05,160 --> 00:48:07,120
Speaker 3: I said, Mace, they got two hundred and fifty thousands,

1019
00:48:07,960 --> 00:48:10,760
Speaker 3: and on a situation like that, Cam is four hundred

1020
00:48:10,800 --> 00:48:14,840
Speaker 3: for us. At a moment, we're doing sports together, but

1021
00:48:15,040 --> 00:48:16,880
Speaker 3: we haven't had a musical moment.

1022
00:48:18,080 --> 00:48:22,320
Speaker 1: Would I take that? Why would you take it? You

1023
00:48:22,520 --> 00:48:26,200
Speaker 1: got it? I said, Mace. Bro we getting older. I

1024
00:48:26,280 --> 00:48:28,560
Speaker 1: just I said, we haven't done a song in thirty years.

1025
00:48:29,520 --> 00:48:33,840
Speaker 3: It's a moment, right, we need the money for the moment.

1026
00:48:34,080 --> 00:48:36,400
Speaker 3: It has to be a cam in Mace moment, so

1027
00:48:36,480 --> 00:48:39,280
Speaker 3: I can't argue with them. So back to the Jewel

1028
00:48:39,440 --> 00:48:41,720
Speaker 3: situation when he sent me the record. I'm not putting

1029
00:48:41,719 --> 00:48:45,320
Speaker 3: it on the same level as Mace, but it gotta

1030
00:48:45,360 --> 00:48:47,640
Speaker 3: be a moment, you know what I'm saying. Yeah, I

1031
00:48:47,760 --> 00:48:51,400
Speaker 3: functionate with Santana Jewel, I mean Cam, I mean fucking

1032
00:48:52,880 --> 00:48:55,720
Speaker 3: Juels and Gym out there doing it. Got the bud moving,

1033
00:48:56,120 --> 00:48:59,360
Speaker 3: the music movingly. I just would love to see the

1034
00:48:59,480 --> 00:49:02,239
Speaker 3: dip set together. Like I don't like to see the

1035
00:49:02,320 --> 00:49:05,319
Speaker 3: bullshit back and forth on line. I'm not and that's

1036
00:49:05,360 --> 00:49:07,760
Speaker 3: why I respect that you don't go back and forth

1037
00:49:07,800 --> 00:49:10,200
Speaker 3: when with ship like that, because that's how I am.

1038
00:49:10,320 --> 00:49:13,160
Speaker 3: I'm watching say it's like you, fam, I can't say

1039
00:49:13,200 --> 00:49:15,680
Speaker 3: nothing because then it's just gonna be your turn, my turn.

1040
00:49:17,239 --> 00:49:19,760
Speaker 4: Let me tell you something, Bro. Not to cut you off, Blizz,

1041
00:49:19,840 --> 00:49:23,400
Speaker 4: but it's like this, we just talked about it. You

1042
00:49:23,560 --> 00:49:25,680
Speaker 4: be playing with me online. I'm gonna play at you online.

1043
00:49:26,440 --> 00:49:28,439
Speaker 4: They say something about me, I ignore it because I don't.

1044
00:49:28,640 --> 00:49:30,320
Speaker 4: I don't want to do that with them, Nigga. I

1045
00:49:30,400 --> 00:49:35,480
Speaker 4: love you get Yeah, Like Bro, and mia. Unspoke after that.

1046
00:49:35,920 --> 00:49:38,080
Speaker 4: But the thing about it, what happened when Un was

1047
00:49:38,840 --> 00:49:43,120
Speaker 4: was that he did an interview on Flag and he

1048
00:49:43,239 --> 00:49:51,960
Speaker 4: said some ship Dame and Jay and Caim like Steve Stout,

1049
00:49:52,280 --> 00:49:54,600
Speaker 4: they want me out the industry. And I'm like, yo, bro,

1050
00:49:54,719 --> 00:49:56,919
Speaker 4: where this came from. I'm like, you gave me a chance,

1051
00:49:57,000 --> 00:49:57,920
Speaker 4: Biggie took me to you.

1052
00:49:58,760 --> 00:50:00,960
Speaker 1: I have no problem with you. So I called a

1053
00:50:01,080 --> 00:50:03,759
Speaker 1: mutual friend. Shout to Jacob York. You know what I'm saying.

1054
00:50:04,760 --> 00:50:10,160
Speaker 1: And he told he told yoll, tell Cam, I'm just

1055
00:50:10,200 --> 00:50:11,360
Speaker 1: trying to move to algorithm.

1056
00:50:12,239 --> 00:50:14,440
Speaker 3: Yo yo yo.

1057
00:50:14,840 --> 00:50:17,400
Speaker 4: I was just like yo, not he wanted to move

1058
00:50:18,320 --> 00:50:20,520
Speaker 4: everything I love. He said, tell Cam, I'm just trying

1059
00:50:20,520 --> 00:50:23,279
Speaker 4: to move algorithm. So we spoke after that. I ain't

1060
00:50:23,320 --> 00:50:25,439
Speaker 4: no problem. And I'm like, I, Dick, ain't no problem.

1061
00:50:25,480 --> 00:50:28,000
Speaker 4: We spoke, I see nothing. I went to Jacob house, this,

1062
00:50:28,120 --> 00:50:30,120
Speaker 4: that and the third. And I'm not putting nigg in

1063
00:50:30,160 --> 00:50:34,440
Speaker 4: the business out there, but Nigga last for the last year.

1064
00:50:34,440 --> 00:50:37,880
Speaker 4: I'm saying, ain't go four thousand, twenty five hundred this

1065
00:50:38,000 --> 00:50:40,120
Speaker 4: that whether he needed or not, we won't get there.

1066
00:50:40,200 --> 00:50:41,799
Speaker 1: I was doing that. That's right.

1067
00:50:41,960 --> 00:50:48,839
Speaker 4: You know what I'm saying. So then the other day, yo,

1068
00:50:49,120 --> 00:50:51,719
Speaker 4: cause niggas only see the clips I put up. They

1069
00:50:51,760 --> 00:50:54,040
Speaker 4: don't see the whole shit. I don't know if you've

1070
00:50:54,080 --> 00:50:54,800
Speaker 4: seen the interview.

1071
00:50:56,920 --> 00:50:58,000
Speaker 1: I just see the clips.

1072
00:50:58,360 --> 00:51:01,520
Speaker 4: So listen, I ain't gonna say who sent it to me.

1073
00:51:03,080 --> 00:51:05,320
Speaker 4: I'll tell you off the camera. So the nigga not

1074
00:51:05,480 --> 00:51:07,520
Speaker 4: gassed me, but he sent me the clip. He said,

1075
00:51:07,560 --> 00:51:08,759
Speaker 4: go to the five minute mark.

1076
00:51:08,840 --> 00:51:16,399
Speaker 1: Camp. So they asked the nigga. They say, yo, did

1077
00:51:16,480 --> 00:51:17,480
Speaker 1: jay Z stab you?

1078
00:51:17,640 --> 00:51:18,359
Speaker 3: This? That and the third?

1079
00:51:18,480 --> 00:51:22,120
Speaker 4: So he's like, and why did he stab you? I

1080
00:51:22,239 --> 00:51:27,000
Speaker 4: definitely didn't see this part. Yeah, So he says, uh,

1081
00:51:27,360 --> 00:51:29,920
Speaker 4: Jay didn't stab me. You know somebody that entorized. We

1082
00:51:30,000 --> 00:51:31,920
Speaker 4: won't get into. But they're like why, and it's like

1083
00:51:32,360 --> 00:51:34,920
Speaker 4: it could have been a bunch of reasons why it

1084
00:51:35,040 --> 00:51:38,839
Speaker 4: was a bunch of reasons. Why Who knows? He said,

1085
00:51:38,920 --> 00:51:41,960
Speaker 4: So now pause that what I just told you this.

1086
00:51:42,080 --> 00:51:46,279
Speaker 4: When I'm signing to UN, were in the studio had

1087
00:51:46,320 --> 00:51:49,600
Speaker 4: a song called fuck You. We're rehearsing that song for

1088
00:51:49,680 --> 00:51:54,320
Speaker 4: a show. It's me, he said, Mace, but I know

1089
00:51:54,440 --> 00:51:59,399
Speaker 4: he meant Jim. Mace wasn't there with Jim and all

1090
00:51:59,480 --> 00:52:02,680
Speaker 4: un niggas from Brooklyn, the staff, the you know, everybody

1091
00:52:02,760 --> 00:52:07,359
Speaker 4: in there. So we rehearsing. Dain't come in at this time.

1092
00:52:07,680 --> 00:52:09,800
Speaker 4: While we were rehearsing, and the song fuck you, and

1093
00:52:09,880 --> 00:52:13,719
Speaker 4: we kind of like fuck you, fuck you you kind

1094
00:52:13,760 --> 00:52:16,480
Speaker 4: of like pointing the dame. And to this day, I

1095
00:52:16,480 --> 00:52:20,520
Speaker 4: don't know why, you know what I'm saying, but you know,

1096
00:52:20,760 --> 00:52:24,239
Speaker 4: dang crazy dame dolo. They ain't walk in the middle

1097
00:52:24,280 --> 00:52:27,880
Speaker 4: the whole ship like, yo, fuck y'all niggas too talking

1098
00:52:27,880 --> 00:52:30,680
Speaker 4: about you. So he's like the song went off, so

1099
00:52:30,760 --> 00:52:34,800
Speaker 4: he like, yo, Kim, let me talk to y'all. So

1100
00:52:34,880 --> 00:52:36,360
Speaker 4: he's bringing out side. He said, you don't do that

1101
00:52:36,480 --> 00:52:38,480
Speaker 4: no more. He said, you've got these Brooklyn niggas thinking

1102
00:52:38,520 --> 00:52:40,040
Speaker 4: that we ain't united Harlem niggas.

1103
00:52:40,040 --> 00:52:41,080
Speaker 1: What the fuck is that about?

1104
00:52:41,320 --> 00:52:43,640
Speaker 4: And I'm like, I don't even know what it was about.

1105
00:52:43,960 --> 00:52:46,440
Speaker 4: The song was on niggas, I said, y'all he made

1106
00:52:46,480 --> 00:52:48,320
Speaker 4: me feel like shit. I felt like shit, you know

1107
00:52:48,360 --> 00:52:51,040
Speaker 4: what I'm saying. I was like, my bad bro cool

1108
00:52:51,600 --> 00:52:55,279
Speaker 4: boom Back to un Un tells this story on the

1109
00:52:55,600 --> 00:52:58,600
Speaker 4: all the dialogue shit the other day. Well, well, Kim

1110
00:52:58,680 --> 00:53:01,680
Speaker 4: and Jim and them niggas Macy says walked in and

1111
00:53:01,760 --> 00:53:04,800
Speaker 4: started screaming fuck you with dame when he walks in,

1112
00:53:05,680 --> 00:53:07,760
Speaker 4: and then three four days later, I'm stabbed.

1113
00:53:07,880 --> 00:53:11,040
Speaker 1: So I don't know ship bro.

1114
00:53:12,480 --> 00:53:16,279
Speaker 3: Saying everything, I love my nigga and I'm like so

1115
00:53:16,440 --> 00:53:21,200
Speaker 3: he like dang put the hit out, basically called his artist.

1116
00:53:25,760 --> 00:53:28,239
Speaker 1: Yo fair man. I didn't even put that clip up

1117
00:53:28,320 --> 00:53:32,719
Speaker 1: something bro? What yo Bro? What amplicated me?

1118
00:53:32,880 --> 00:53:33,319
Speaker 3: And day?

1119
00:53:34,760 --> 00:53:39,200
Speaker 1: And why niggas know exactly why that ship went that? Yeah? Yeah,

1120
00:53:39,520 --> 00:53:44,359
Speaker 1: So I'm just believe he said it was because y'all

1121
00:53:44,480 --> 00:53:48,120
Speaker 1: was saying. He said, those could have been one of

1122
00:53:48,160 --> 00:53:51,360
Speaker 1: the many reasons, but that's what he said. That's crazy.

1123
00:53:51,400 --> 00:53:54,120
Speaker 1: I gotta watch that. I'm gonna send it to you

1124
00:53:54,239 --> 00:53:55,600
Speaker 1: like nig said to me and go straight to the

1125
00:53:55,680 --> 00:53:56,600
Speaker 1: five minute mark.

1126
00:53:56,719 --> 00:53:59,200
Speaker 3: That's a fact, my ge. Well, I ain't gonna hold

1127
00:53:59,239 --> 00:54:07,759
Speaker 3: you my Niggtrother Yeah, man, night and anything else you

1128
00:54:07,880 --> 00:54:09,440
Speaker 3: got going on, man, I would love to be a

1129
00:54:09,520 --> 00:54:11,319
Speaker 3: part of it, Tomorre my brother. We got a lot

1130
00:54:11,400 --> 00:54:13,040
Speaker 3: of ship plan man, I would love to have a

1131
00:54:13,160 --> 00:54:15,480
Speaker 3: fuck with you. Come on, we missed a lot of

1132
00:54:15,520 --> 00:54:18,239
Speaker 3: money before we are gonna miss it now. Let's feel me.

1133
00:54:18,600 --> 00:54:20,640
Speaker 3: We're gonna end up in the walker Rich Yeah, I

1134
00:54:20,680 --> 00:54:23,880
Speaker 3: appreciate it. Broke my brother on the love you know

1135
00:54:24,000 --> 00:54:25,600
Speaker 3: what it is. This is brought to you by du

1136
00:54:25,719 --> 00:54:29,080
Speaker 3: Say Conyak, the smoothest koonyak in the world. Whatever you celebrate,

1137
00:54:29,400 --> 00:54:32,839
Speaker 3: make sure you toast with ducet we Outside Yeah, Rock

1138
00:54:32,920 --> 00:54:40,880
Speaker 3: Solid Boom. For more podcasts from iHeart Radio, visit iHeart

1139
00:54:41,000 --> 00:54:44,239
Speaker 3: Radio app, Apple Podcasts, or wherever you listen to your

1140
00:54:44,280 --> 00:54:46,839
Speaker 3: favorite shows at and you can follow me on any

1141
00:54:46,920 --> 00:54:49,800
Speaker 3: social media platform under the name Memphis Bleak.

1142
00:54:49,960 --> 00:54:52,080
Speaker 1: You see anybody fraud in Flagging.

1143
00:54:54,840 --> 00:54:57,160
Speaker 2: Thanks for listening and celebrating five years of the Black

1144
00:54:57,160 --> 00:55:00,239
Speaker 2: Effect podcast Network with us. Keep following you because the

1145
00:55:00,280 --> 00:55:02,120
Speaker 2: next five years are about to be even bigger